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Speaker 1: So it's me. It's Ali Platt, Oliver Platt. Uh, it's

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Speaker 1: Hank Azaria, the whole crew from that Showtime show whatever

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Speaker 1: that was called, the one where he was a therapist

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Speaker 1: or whatever, huff or something. Anyway, we're crashing this little

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Speaker 1: house party that we heard going on in Cusco, Peru,

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Speaker 1: over by San Blas Plaza, near that bakery that the

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Speaker 1: nuns run with the powdered sugar on the mpanadas. And

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Speaker 1: Uh I walk in, I go, uh, we're in Peru.

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Speaker 1: So I make a little joke. I go, uh, if

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Speaker 1: you'll excuse me, I got to take a piececo sour,

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Speaker 1: and I go out. I pretend to pee behind a car.

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Speaker 1: When I come back in, I go, don't call it

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Speaker 1: a comeback. I'm looking for beers because I wanted them

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Speaker 1: to hand me a brew. Anyway, platte lose is it? Hank?

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Speaker 1: I think didn't get it? You didn't get Yeah, And

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Speaker 1: then a lot of the other people were been speaking English.

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Speaker 1: So welcome to Hollywood. Thank you. I don't care that's great.

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Speaker 1: I don't care it is well if it is great,

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Speaker 1: but if it's not, whatever, you know, it's uh, it's

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Speaker 1: interesting at least because I'm trying something new.

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Speaker 2: Right, Either real crime is being boring.

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Speaker 1: Yes, yes, the crime actually and the only crime I

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Speaker 1: think that you should get you life in prison or

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Speaker 1: the death penalty of this country is to be boring

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Speaker 1: and to be predictable.

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Speaker 2: Anti Yes, I'm anti death penalty circumstance.

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Speaker 1: You do have to prove it. And in Scotland they

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Speaker 1: actually don't say guilty or not guilty. The jury finds

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Speaker 1: you're either guilty or not proven.

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Speaker 3: Oh that's better. Oh yes, it's tasteful. Yeah it doesn't because.

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Speaker 1: That's what we're talking about. We're not saying that. I

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Speaker 1: think the problem the jury's have in their head mm hmm.

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Speaker 1: They have to say this person is not guilty of

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Speaker 1: being boring, and it's like, well, I don't know if

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Speaker 1: he has or not, but you certainly didn't prove it.

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Speaker 1: And that's sort of why we wind up in these situations.

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Speaker 1: With some of these documentaries, they free these criminals. Remember Stairway,

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Speaker 1: Oh yes, the Stairway.

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Speaker 2: Yes.

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Speaker 1: With the led Zeppelin documentary that I couldn't believe what

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Speaker 1: they were showing me.

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Speaker 3: That really shot my favorite the criminal justice system. I

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Speaker 3: was like wow, I was like, no way, are you kidding. Yeah,

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Speaker 3: these guys.

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Speaker 1: Yeah, I don't know. Well, speaking of which it might

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Speaker 1: get loud. We're doing Hollywood Handbook and with the insider

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Speaker 1: skuy kicking but dropping names for a carple iunepack industry industry,

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Speaker 1: and we call showbase. So if you're here, you're listening,

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Speaker 1: and if you're listening, you're having fun because they're doing

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Speaker 1: a podcast and you've heard it before. Hey is out

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Speaker 1: of town. We can call them. But first off, we're

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Speaker 1: doing a big show, and please believe that it does

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Speaker 1: have a big slate of guests whose voices am I hearing?

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Speaker 1: You're wondering, Well, three people who shouldn't go to jail

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Speaker 1: for being guilty by an reasonable data being boring. It's

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Speaker 1: the Snailman Neil Casey.

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Speaker 4: Uh yeah, you've called me snowman for a couple of years.

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Speaker 1: Uh huh.

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Speaker 4: Yeah. I was eating uh the little less coutgrows to

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Speaker 4: have at a lapoubelle mm hmm. Yeah, he sat down,

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Speaker 4: he ate one mm hmm. And then I told you

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Speaker 4: what it was and you made a really dramatic sort

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Speaker 4: of cough and gag and stomp around the restaurant too. Yeah.

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Speaker 4: It was at lasted at last in a long time.

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Speaker 1: Yeah, and I knew what it was before I ate

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Speaker 1: it as well.

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Speaker 4: Yeah, I figured because you said our those s cargo.

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Speaker 5: Yeah, we got the bang raj Man, mister actor, extraordinary,

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Speaker 5: mister everybody man of two thousand and one voices and

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Speaker 5: faces we think of herok.

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Speaker 2: Hey, wait a.

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Speaker 1: Minute, how did Elvis get in here?

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Speaker 6: Hey, it's just the raj Man, you fucker. Okay, gotta

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Speaker 6: keep you on your toes, folks, Okay.

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Speaker 1: And that's and I think that was porky Pig. So

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Speaker 1: then here comes and it's Dominic. Hey. Yeah, and he's

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Speaker 1: my assistant. So one thing we're gonna be talking about

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Speaker 1: today is cartoon movies. Why are they so big? And

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Speaker 1: where's all this money coming from? And how come I

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Speaker 1: want to get some? And I'm gonna with all my friends.

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Speaker 1: So cartoon movies can make money because they can be

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Speaker 1: seen by people from every age. Do you think about that?

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Speaker 3: Yeah, well, the young people see them with the older

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Speaker 3: people sometimes, like when they both go together, when they

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Speaker 3: you know.

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Speaker 4: A lot of the people, Yeah, a lot of young

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Speaker 4: kids who come see these movies would have no idea

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Speaker 4: how to get to the movie.

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Speaker 3: You know, they need the older people to go with them.

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Speaker 3: They can't, and you can entertain both people. Even though

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Speaker 3: they are growing up faster because of phones. I do

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Speaker 3: think that actually they still can't get to the movies

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Speaker 3: and they're broke.

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Speaker 7: Yeah, they spend all their money on phones. Technology. Even

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Speaker 7: if they're taking public transportation, they're gonna be talking about

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Speaker 7: the movie on the ride, and you know they're going

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Speaker 7: to get somebody on that bus to go.

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Speaker 4: With them, and they'll probably mister stop playing. You know,

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Speaker 4: Fruit and Ninja.

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Speaker 1: Exactly, Yeah, it snowed, Yeah, exactly.

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Speaker 4: Plants versus zombies, fun bucks.

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Speaker 1: Cass, storm the castle. What's the one with.

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Speaker 4: The with the big jugs. Oh, she's telling you what Europe?

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Speaker 4: What are you talking about? You're talking about the one.

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Speaker 1: With she's got these mega jugs. Are you seeing this?

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Speaker 2: Broad?

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Speaker 8: Ye?

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Speaker 1: She's walking in the battle and she's saying you could

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Speaker 1: be her hero, and.

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Speaker 4: Everybody's just she's just walking around the battlefield solo.

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Speaker 1: Yeah, she's walking and everybody people are whoa fighting because

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Speaker 1: they stop fighting.

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Speaker 7: She's hangers coming down and everybody's just doesn't know what

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Speaker 7: to do.

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Speaker 4: I think they keep fighting.

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Speaker 1: Keep well, she needs to hear. They don't seem to

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Speaker 1: acknowledge her. And I don't even know if they can

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Speaker 1: see her, but she's talking to me and they're fighting

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Speaker 1: on their own.

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Speaker 2: Thing, and she's looking for a hero.

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Speaker 1: And now I haven't seen the app but if it's

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Speaker 1: anything like watching those things go up and down inside

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Speaker 1: the sort of outfit she's got going on up top,

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Speaker 1: my god, that gonna sell a billion of these things.

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Speaker 2: It's smart.

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Speaker 1: It's smart. Oh gosh, it's it's the future. So jugs aside,

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Speaker 1: and and I don't.

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Speaker 9: Want to get sidetracked and to talk about the frontal torpedoes.

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Speaker 9: Holy smoke, you said a mouthful bang rock man. And

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Speaker 9: you're a guy who knows.

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Speaker 7: Yeah, I I like to motor boat and I'm not

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Speaker 7: talking about water sports.

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Speaker 1: Yeah, careful.

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Speaker 2: Man, So you know, you guys know what I'm talking about.

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Speaker 1: And and you know, and it should be noted we're

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Speaker 1: are feminists here, so.

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Speaker 2: Oh yeah, I am.

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Speaker 1: That goes without saying, because.

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Speaker 4: Yeah, she it's her choice. You know, she's trying to

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Speaker 4: say nobody's She's trying to like be appreciated for for that.

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Speaker 4: It's not the only thing that you can appreciate about

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Speaker 4: Kate Upton, but she is out there saying I want

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Speaker 4: to look good today and I want to feel like

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Speaker 4: I look good.

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Speaker 1: Yeah, and that's empowered message, you know, that's a positive

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Speaker 1: message to look great.

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Speaker 2: And she's full figured and I like that.

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Speaker 1: Look, the group of I mean the group of men

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Speaker 1: that were sitting here with you know, with the possible

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Speaker 1: extreme exception, Engineer Brett All has been granted with a

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Speaker 1: certain you know, part of the anatomy that's you know,

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Speaker 1: generously sort of bestowed upon us, and we're not shy

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Speaker 1: about it. Why should women feel like they have to

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Speaker 1: hide their.

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Speaker 3: Stuff some more generously than others. Yeah, yeah, Yeah, it's falling.

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Speaker 3: It's falling out of the shorts or whatever.

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Speaker 1: So it look. I don't want to get sidetracked.

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Speaker 4: On all that. It's important.

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Speaker 1: Feminism st it's important, and there's nothing more feminist for

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Speaker 1: me than letting it fall out of my shorts every

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Speaker 1: now and then and saying, hey, I got your back, Kate.

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Speaker 4: Almost every woman I've been with was attracted to me

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Speaker 4: and got turned on first by what a feminist I was.

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Speaker 4: On my own Facebook wall and blogs.

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Speaker 1: And other people's face. It's just your own like you

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Speaker 1: have a it's kind of chiming. I gotta chiming in

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Speaker 1: and supporting that.

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Speaker 4: People who were physically attracted to me and liked my personality,

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Speaker 4: but just we didn't have that chemistry. They provided. That

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Speaker 4: chemistry was what a vocal area.

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Speaker 1: That's often the secret ingredient. That's often the secret ingredient.

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Speaker 1: If you're making a recipe for a relationship. One way

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Speaker 1: to do it is to say to get on their

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Speaker 1: Facebook wall and say, hey, you're a racist am and frequently,

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Speaker 1: let's face it, boring person that's the other persons. And

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Speaker 1: as we said, that's the only thing you should go

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Speaker 1: to jail for in this country. And you should go

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Speaker 1: to jail, and you should get injected with a needle.

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Speaker 4: Die.

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Speaker 1: So two needles, two needles?

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Speaker 3: Yeah, one so you don't it was one needles real

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Speaker 3: and the other one and you just don't know.

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Speaker 4: No one paralyzes you and the other stops your heart.

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Speaker 7: Oh.

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Speaker 1: I thought it was two needles, So you didn't know which, No, Oh,

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Speaker 1: God to need yeah, and I thought that one is

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Speaker 1: to Actually one's just hurts you. They have the needle

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Speaker 1: there that's gonna kill you, but the other one they're

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Speaker 1: like just sticking in.

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Speaker 7: I thought the one was empty psychologically mess with your

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Speaker 7: head because you think you're gonna get off.

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Speaker 1: Oh, or here's what, here's an idea.

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Speaker 10: They make you pick between the needles and they're both

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Speaker 10: uh yeah, but they show them both like there's like

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Speaker 10: one good one one's just vitamins.

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Speaker 1: They say, anyway, we don't have to talk all day

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Speaker 1: about how the injection might work. We're gonna call Hayes

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Speaker 1: because we do have an animated movie that we're excited about.

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Speaker 1: So let's just get them on the horn and uh

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Speaker 1: talk about uh this animated project. Fun for kids, fun

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Speaker 1: for adults and fun for us. Going to the bank

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Speaker 1: cash and all checks. Uh, because it is twenty sixteen

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Speaker 1: and I do want to make money apart already now, Uh, Brett,

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Speaker 1: can you get them on the phone? And Brett, how

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Speaker 1: are you? What happened? Were you late tonight? Uh?

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Speaker 2: Yeah I was.

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Speaker 11: I was a little late. I got turned around ship man. Yeah. Sorry.

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Speaker 11: What if one of the needles was like just a

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Speaker 11: tetanus shot.

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Speaker 3: Wow, A little late for a tetanus shot, I would say, oh, yeah,

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Speaker 3: you're about yeah, you're about to be murdered with the

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Speaker 3: chemical Yeah yeah, oh frid Hey, And.

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Speaker 1: I was just messing around making a joke about you

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Speaker 1: know your wang.

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Speaker 11: Oh oh, thanks, thanks for saying that.

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Speaker 1: Things fucking.

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Speaker 2: It's good.

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Speaker 4: Yeah, you know these things last. These movies, oh god,

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Speaker 4: they're evergreen.

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Speaker 1: You know you go back to them all the time.

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Speaker 1: How many times you watched Princess and the Frog this

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Speaker 1: week alone?

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Speaker 4: Yeah?

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Speaker 8: Me?

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Speaker 4: I watched it one? Well, I mean I watched it

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Speaker 4: two weeks ago.

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Speaker 2: Yeah, I watched All Dogs Go to Happen to get inspired.

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Speaker 4: You see him on a shelf at the video store

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Speaker 4: on the Netflix que. You know these are the movies

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Speaker 4: to watch.

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Speaker 2: Yeah.

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Speaker 1: I watch Brave every day at lunch. Yeah. Yeah, I know.

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Speaker 4: They could keep releasing Kung Fu Panda and just always

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Speaker 4: call it Kung Fu Panda three and nobody would really remember.

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Speaker 1: Man, Yeah for me, move on, you know. Yeah, what's

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Speaker 1: going on with the phone call, Brett? Are we making

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Speaker 1: any progress?

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Speaker 8: Yeah?

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Speaker 11: I was just calling right now.

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Speaker 1: Oh shit, man?

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Speaker 2: Like that Little Mermaid?

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Speaker 1: Is that what the Little Mermaid?

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Speaker 2: I like that one? Big old.

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Speaker 1: Really she got a nice I mean her body.

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Speaker 2: I mean, if you could go online and google it.

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Speaker 2: The animators had some fun.

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Speaker 1: Yeah, I'll tell you what the uh the way they

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Speaker 1: draw some of these brods.

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Speaker 4: Hello, Hey, ma.

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Speaker 8: Hey, guys, Hi, how are you?

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Speaker 1: How are you doing? You sound quiet? Are you whispering

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Speaker 1: so someone else can still sleep?

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Speaker 8: I have to be a little quiet. I'm at the

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Speaker 8: zoo mm hm. And you know the animal A lot

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Speaker 8: of the animals are sleeping.

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Speaker 1: Ah, and so.

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Speaker 8: I'm just getting kind of I this is a good

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Speaker 8: time to adopt them because they're asleep, and so I'm

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Speaker 8: going through and I'm choosing something nice to adopt.

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Speaker 1: Well that's good. I mean, do you find that they're

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Speaker 1: resistant to being adopted by you when they're awake?

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Speaker 8: Well, yes, what I've gone by in the past when

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Speaker 8: during the daytime when the animals are awake, they don't

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Speaker 8: want to be my son. Mmmm and so and so

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Speaker 8: nighttime is the right time, as they say, to adopt animals.

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Speaker 2: Yeah, I've heard that expression.

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Speaker 8: Sean, Howard you Jeohn? How are you sorry for cutting off?

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Speaker 8: Whoever that was? John? I haven't talked to you since

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Speaker 8: your trip. Are you okay? Is your face okay?

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Speaker 2: Yeah?

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Speaker 1: Everything's healing up good, and the plates are where they

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Speaker 1: should be and they are moving less. I still do

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Speaker 1: have to sleep in the sort of floating pod thing,

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Speaker 1: just because that way I don't get touched by anybody,

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Speaker 1: and I do have to put those spikes in.

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Speaker 8: Oh wow, And are you still kind of pursuing the

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Speaker 8: lawsuit with the hula instructor.

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Speaker 1: No, that has been apparently legally, I had no grounds

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Speaker 1: just because.

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Speaker 4: She had an arbitration clause.

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Speaker 1: These things, they're getting more sophisticated. These hula instructors are

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Speaker 1: more sophisticated in the way they protect themselves. And it's

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Speaker 1: these weasel legallyes sort of snakes that are fortunately a

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Speaker 1: big part of our legal system in the country. Well

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Speaker 1: it is. It is between deserves, the Dane core and

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Speaker 1: between that and.

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Speaker 8: And it sounded like what she was trying to get

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Speaker 8: you to do is very dangerous.

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Speaker 1: Well, and you're not supposed to do that with those

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Speaker 1: and you're not supposed to put that there, And that

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Speaker 1: is why I wound up falling off. So anyway, I

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Speaker 1: don't want to get too bogged down in the whole thing.

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Speaker 8: Yeah, yeah, I want to. I want to talk to

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Speaker 8: all the other guys.

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Speaker 1: That's Ben there, Bang rodg Man's here?

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Speaker 8: Oh Ben?

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Speaker 1: Is it?

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Speaker 8: Is it Ben? Or is there one of his crazy characters?

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Speaker 2: Oh? You mean Jack Nicholson.

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Speaker 1: That's so funny.

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Speaker 2: Oh, yeah, I came here tonight. I went down to

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Speaker 2: Staples Center and the playing.

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Speaker 8: On the hair huh oh are you pulling his hair back?

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Speaker 8: Is he like putting his hand out the hair?

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Speaker 2: Basically?

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Speaker 8: Yeah, for that must be really good. And Neil is

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Speaker 8: Neil there? Yeah, I'm here, Hi, Neil. I saw you

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Speaker 8: in the magazine, in the big magazine story, remember.

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Speaker 4: Uh in the New Yorker.

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Speaker 8: Yes, yes, Leslie, Joe, Leslie.

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Speaker 4: I've had two nice brief mentions in the New Yorker

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Speaker 4: where my existence is stated, and they're going right in

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Speaker 4: the scrap book.

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Speaker 1: This actually brings up an interesting point, Hayes, because we

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Speaker 1: all know why he's in there, because he's you know,

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Speaker 1: out conceivably smashing ghosts in a film. So we uh,

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Speaker 1: we're talking just recently about what big feminists we all are,

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Speaker 1: and how women should have the right to basically, if

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Speaker 1: they want to look good and show us something, that

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Speaker 1: that's probably their right and we shouldn't try to stop them.

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Speaker 1: One thing we have brought up before is if you

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Speaker 1: want to make a female version of a popular film

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Speaker 1: with an all female cast, I couldn't be more all

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Speaker 1: for that. You want to make a female lethal weapon

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Speaker 1: called the heat. You go ahead, you want to make

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Speaker 1: girls version of uh uh you know, uh Star Wars

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Speaker 1: and call it a new chapter. Fine, I don't give

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Speaker 1: a shit if you're gonna make a fucking female ghost

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Speaker 1: ghost beat Ghost ghost Beat Breakers. Okay, good, I'm excited

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Speaker 1: to see it. Sounds funny. But the Batties and the

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Speaker 1: Ghules and the goblins and the demons and the batties

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Speaker 1: and the meanies have there be females too well?

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Speaker 4: In the all male Ghostbusters. In the first one that

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Speaker 4: Betty was a woman.

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Speaker 2: It was Zuel.

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Speaker 1: What about Goes?

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Speaker 4: There wasn't Gooser also Zuel. What do you mean what's

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Speaker 4: the difference between Gohser and Zeel?

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Speaker 8: This is not This is not the best look from

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Speaker 8: someone who's starring in the new Ghostbusters movie.

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Speaker 4: I just don't do.

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Speaker 8: We want to go much farther with Neil talking about

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Speaker 8: what he knows about Ghostbusters.

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Speaker 4: It's a reboot, none of the none of the old

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Speaker 4: canon matters. It's out the window.

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Speaker 8: So you're especially forbidden from knowing anything about the first movie.

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Speaker 1: Yeah, you want to he wants the whole first movie

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Speaker 1: get shot out of a cannon.

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Speaker 8: So I will say, Sean, I just want to say,

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Speaker 8: I do agree with you about these female reboots. I

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Speaker 8: am obviously off for them as well, and I'm very

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Speaker 8: supportive of them, provided that there is a male director

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Speaker 8: just sort of a steady hand on the wheel, you

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Speaker 8: know what I mean, And preferably it's one who works

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Speaker 8: with a lot of all female casts who sort of

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Speaker 8: knows how to wrangle and then kind of hurt him together,

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Speaker 8: you know what I mean.

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Speaker 1: Mm No, I mean it's important to make sure that

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Speaker 1: everybody's viewpoint is being celebrated, and so we don't want

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Speaker 1: to go all one way is that you don't want

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Speaker 1: to over Let's say you're driving on a highway and

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Speaker 1: people try to picture this in a boat motor bock.

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Speaker 1: Ben loves that.

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Speaker 8: Oh and hey Dom, I forgot to say, I have it, Dom, Hey, Dom,

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Speaker 8: don't worry we're doing like an animated project. It's just

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Speaker 8: I think that's so dope.

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Speaker 1: Yeah, it's stupid dope. And I was talking about how,

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Speaker 1: first of all, twenty sixteen for us, it's gonna be

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Speaker 1: the year making it about money, and that's what's motivating

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Speaker 1: us that a lot more people want it are able

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Speaker 1: to see these movies because it's good for kids too,

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Speaker 1: And unfortunately we do have to slice up the pile,

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Speaker 1: although there's a lot to go around, because we need

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Speaker 1: somebody like Neil who is the star of the New

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Speaker 1: Yorker magazine, and we need somebody like bang raj Man

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Speaker 1: who can do all these crazy characters. And we need

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Speaker 1: somebody like Dom who I heard could draw pretty good. Yeah, yeah,

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Speaker 1: I mean pretty good. I was like the kid. I

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Speaker 1: was like the best drawer in junior high.

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Speaker 3: Nice people would always ask me to draw stuff, always doodling,

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Speaker 3: always doodling.

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Speaker 1: Yeah, like my notebook.

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Speaker 3: Like kids would pay me at the end of class

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Speaker 3: to see what was in my notebook because I was

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Speaker 3: scribbling and it's so hard.

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Speaker 8: The nightmare Christmas stuff.

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Speaker 3: Yeah, a lot of Jack Skelington and then a lot

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Speaker 3: of uh with uh yeah yeah.

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Speaker 1: And with the like.

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Speaker 3: And I was good at the stuicy symbol too. I

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Speaker 3: did the stuicy symbol a lot.

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Speaker 2: Can I bring up a beefire with that movie?

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Speaker 1: Oh yeah?

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Speaker 2: Why not call him Jack Skeleton?

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Speaker 1: I find no argument for me. There's nothing to me

396
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Speaker 1: more immature and just frankly lazy than mispronouncing a common

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Speaker 1: word like skeleton for some sort of comedic effect. And

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Speaker 1: to me, it's like, we know the word, we know

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Speaker 1: what you're playing at. It's not a clever twist. You're

400
00:21:02,440 --> 00:21:06,280
Speaker 1: just dumbing down the culture. And I would say I

401
00:21:06,280 --> 00:21:08,760
Speaker 1: would take it one step further to say that's boring.

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Speaker 1: And I was talking about Hayes. The only time I

403
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Speaker 1: think capital punishment is appropriate is if someone's being boring

404
00:21:14,840 --> 00:21:17,399
Speaker 1: and you can prove it beyond a reasonable doubt. Agree

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Speaker 1: or disagree.

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Speaker 8: I agree? And that like and when you do it whatever,

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00:21:23,000 --> 00:21:24,800
Speaker 8: do you like, set them on fire or whatever, it

408
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Speaker 8: makes them be very exciting for a second.

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Speaker 2: Oh that's good.

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Speaker 8: So it's like a way to sort of get them

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Speaker 8: to a tone for the bad thing they did.

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Speaker 1: Yeah, and we may want to do that with you know,

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Speaker 1: you know who been in the White House.

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Speaker 2: I know what you're talking about.

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Speaker 8: I got I got a scoog pretty sue. So are

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Speaker 8: we what am? I just want me to sort of

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Speaker 8: seed it with a few interesting characters. Is that sort

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Speaker 8: of the I just want you? Is that my involvement here?

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Speaker 1: Hey, I want you to put some of these guys

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Speaker 1: to their paces. You know, nobody is nobody is better

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00:22:03,680 --> 00:22:06,479
Speaker 1: at putting people to the test and finding out what

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Speaker 1: they're really made of then the Hayes Man. And I've

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Speaker 1: always said that, so, like, you know, maybe get a

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Speaker 1: couple of voices out of the rag Man, put him

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Speaker 1: out of his comfort zone. Maybe find out what dom

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Speaker 1: can really draw Neil.

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00:22:19,040 --> 00:22:22,480
Speaker 4: Rogers characters over here, even when he's not talking, I'm

428
00:22:22,520 --> 00:22:28,200
Speaker 4: looking over and he's face. He's just it's a it's

429
00:22:28,240 --> 00:22:31,159
Speaker 4: a spinning wheel of different characters he's got ye you

430
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Speaker 4: know you just all you got to do is put

431
00:22:32,400 --> 00:22:33,880
Speaker 4: the mic close to his face and you'll just hear

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Speaker 4: whatever he's got going on.

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Speaker 1: That's the Soby Wizard.

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Speaker 3: If you'd seen his face too, like he was doing

435
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Speaker 3: the tongue, that's that's the fucking Soby.

436
00:22:45,160 --> 00:22:51,240
Speaker 4: Wizard dream too. Did Neil it looks like it to be.

437
00:22:51,440 --> 00:22:54,560
Speaker 4: You know, I remember that campaign. They would dance, right,

438
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Speaker 4: they would dance on the.

439
00:22:56,480 --> 00:22:57,600
Speaker 1: There's something under the cap.

440
00:22:58,200 --> 00:22:58,800
Speaker 2: He's got it.

441
00:22:59,760 --> 00:23:03,480
Speaker 1: He's doing it. So yeah, hey, is if you just

442
00:23:03,520 --> 00:23:06,760
Speaker 1: want to, like you know, sort of draw out and

443
00:23:06,840 --> 00:23:09,600
Speaker 1: find some interesting things from these guys, and maybe with

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Speaker 1: Neil you just really double down on sort of the

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Speaker 1: idea I had with him about like I really hope

446
00:23:16,520 --> 00:23:20,560
Speaker 1: some of these batties and maybe the sloppy, slimer character

447
00:23:21,080 --> 00:23:25,560
Speaker 1: or how about this, is there like a sexy male ghost.

448
00:23:25,400 --> 00:23:28,520
Speaker 10: Who's going down on Leslie Jones make her eyes cross

449
00:23:29,880 --> 00:23:31,440
Speaker 10: because that's what happened dan Aykroyd.

450
00:23:31,800 --> 00:23:33,840
Speaker 8: It seems like it would only be fair, and maybe

451
00:23:33,880 --> 00:23:36,679
Speaker 8: it's that other ghost brother. And so that's like something

452
00:23:36,680 --> 00:23:39,560
Speaker 8: that they kind of do in their familyes. They approach

453
00:23:39,640 --> 00:23:45,439
Speaker 8: strangers and they they descend into their underneath zone.

454
00:23:46,119 --> 00:23:49,679
Speaker 2: I mean, the original Lelie Leslie Zones.

455
00:23:50,240 --> 00:23:53,960
Speaker 4: I think that dan Akrod was referencing the medieval idea

456
00:23:54,000 --> 00:23:59,040
Speaker 4: of the suckubus that would sneak into rooms and yeah,

457
00:23:59,840 --> 00:24:03,080
Speaker 4: the sucking bus, Yeah, the sus.

458
00:24:03,240 --> 00:24:04,680
Speaker 1: Well in this case it would be more of alick

459
00:24:04,760 --> 00:24:05,080
Speaker 1: you bus.

460
00:24:05,200 --> 00:24:08,800
Speaker 4: But well there isn't one of those incubus.

461
00:24:09,160 --> 00:24:11,040
Speaker 2: Be careful, oh boy.

462
00:24:11,440 --> 00:24:13,680
Speaker 1: But anyway, heys, you got any characters you want to

463
00:24:13,720 --> 00:24:14,680
Speaker 1: hear or anything else?

464
00:24:16,359 --> 00:24:17,840
Speaker 8: Well, I was sort of I don't know how far

465
00:24:17,880 --> 00:24:19,800
Speaker 8: we're willing to push it, but I was wondering if

466
00:24:19,840 --> 00:24:21,920
Speaker 8: we were willing to go kind of dark for this

467
00:24:22,240 --> 00:24:26,000
Speaker 8: kind of do like an adult swim style Japanese anime,

468
00:24:26,320 --> 00:24:29,680
Speaker 8: like for kids, but like for cool kids that are

469
00:24:29,720 --> 00:24:32,480
Speaker 8: like sort of creative you do you understand Google the

470
00:24:32,520 --> 00:24:33,560
Speaker 8: sort of what I mean that.

471
00:24:33,520 --> 00:24:37,280
Speaker 1: Actually sounds bad act dark. No, now that i'm hearing.

472
00:24:37,000 --> 00:24:39,960
Speaker 8: Its Nickelodeon, you remember how Nickelodeon were just not afraid

473
00:24:40,000 --> 00:24:42,399
Speaker 8: to be sort of messed up, and it's influenced the

474
00:24:42,400 --> 00:24:43,480
Speaker 8: way so many of us think.

475
00:24:43,640 --> 00:24:43,840
Speaker 3: Now.

476
00:24:44,640 --> 00:24:48,720
Speaker 1: Yeah, I often think back to my humor being formed

477
00:24:48,880 --> 00:24:51,520
Speaker 1: and how some of the cartoons we were watching were

478
00:24:52,080 --> 00:24:55,600
Speaker 1: kind of messed up. Yeah.

479
00:24:55,720 --> 00:24:57,439
Speaker 3: One thing I'll say about it, and I'm happy to

480
00:24:57,560 --> 00:25:00,119
Speaker 3: draw kind of an anime style, like I think that

481
00:25:00,240 --> 00:25:03,159
Speaker 3: is a cool style. When I've taken a swing at

482
00:25:03,200 --> 00:25:08,240
Speaker 3: it in the past, people have called have told me

483
00:25:08,480 --> 00:25:12,560
Speaker 3: that it made them feel like it was racist, like

484
00:25:12,560 --> 00:25:14,760
Speaker 3: like just how it comes out, and I don't know

485
00:25:14,800 --> 00:25:15,280
Speaker 3: what it is.

486
00:25:15,400 --> 00:25:18,840
Speaker 8: People are calling you on the phone when you draw pictures.

487
00:25:19,200 --> 00:25:21,199
Speaker 3: When I draw pictures and I like hold it up

488
00:25:21,200 --> 00:25:24,119
Speaker 3: to my periscope channel for the followers, some of them

489
00:25:24,119 --> 00:25:28,520
Speaker 3: will call me and they'll say like they'll say like, hey,

490
00:25:28,600 --> 00:25:30,919
Speaker 3: this anime, Like I don't know whatever. So I mean,

491
00:25:30,960 --> 00:25:32,679
Speaker 3: if we're okay with kind of you know, there's a

492
00:25:32,880 --> 00:25:34,119
Speaker 3: thirty percent chance.

493
00:25:33,880 --> 00:25:36,840
Speaker 1: It'll be like a little little racist looking mm hmm.

494
00:25:38,040 --> 00:25:40,760
Speaker 1: Heys are you cool with that. I mean, we're rolling

495
00:25:40,760 --> 00:25:41,640
Speaker 1: the dice anyway.

496
00:25:42,920 --> 00:25:44,960
Speaker 8: That's kind of what I mean by dark, I guess

497
00:25:45,280 --> 00:25:47,119
Speaker 8: is sort of that's sort of the direction I was

498
00:25:47,160 --> 00:25:48,399
Speaker 8: hoping this would would go.

499
00:25:49,320 --> 00:25:54,760
Speaker 1: Yeah, in my mind, dark means racially offensive. Yeah, mine is,

500
00:25:54,800 --> 00:25:56,200
Speaker 1: that's my interpretation as well.

501
00:25:56,520 --> 00:25:57,960
Speaker 4: We can make it like that, and then we could

502
00:25:58,040 --> 00:26:00,680
Speaker 4: go on online and call ourselves out out.

503
00:26:01,400 --> 00:26:04,960
Speaker 1: Oh well, that would really starting soaking some panties. Don't

504
00:26:04,960 --> 00:26:05,399
Speaker 1: you think a.

505
00:26:05,400 --> 00:26:07,800
Speaker 4: Lot of movies are doing that. Now, They'll be like

506
00:26:07,800 --> 00:26:11,760
Speaker 4: like The Fantastic Four, you know, they'll like, you know,

507
00:26:11,800 --> 00:26:14,320
Speaker 4: they'll like go online and say like, hey, did you

508
00:26:14,359 --> 00:26:17,440
Speaker 4: know that some people online don't like that the new

509
00:26:17,520 --> 00:26:20,800
Speaker 4: Human Torch is a black guy. And then everybody would

510
00:26:20,800 --> 00:26:22,960
Speaker 4: be like, well, we better go see that Human Torch movie.

511
00:26:22,960 --> 00:26:25,399
Speaker 4: That way, those racists don't win. Have you noticed that

512
00:26:25,480 --> 00:26:26,119
Speaker 4: with every movie?

513
00:26:26,119 --> 00:26:26,320
Speaker 2: Now?

514
00:26:27,119 --> 00:26:27,359
Speaker 8: Yeah?

515
00:26:27,520 --> 00:26:27,639
Speaker 1: Right?

516
00:26:27,680 --> 00:26:30,760
Speaker 8: And so we're so we're doing the opposite of that way, say.

517
00:26:32,720 --> 00:26:35,040
Speaker 4: Yeah, we flip the playbook and we call our own

518
00:26:35,040 --> 00:26:36,880
Speaker 4: movie and ourselves racist.

519
00:26:36,920 --> 00:26:39,520
Speaker 1: And but also if we say that we don't want

520
00:26:39,560 --> 00:26:41,800
Speaker 1: to watch our own movie, then maybe some chicks will

521
00:26:41,840 --> 00:26:44,160
Speaker 1: be kind of into that idea, like, oh, these guys

522
00:26:44,240 --> 00:26:46,440
Speaker 1: really don't like some of this racist stuff they did.

523
00:26:46,960 --> 00:26:48,720
Speaker 1: I know Rogers will be all right with that outcome.

524
00:26:49,720 --> 00:26:54,800
Speaker 7: Or bring on some ladies, uh, some stacked ladies.

525
00:26:55,680 --> 00:26:59,800
Speaker 1: Yeah, and he's yeah, he he loves MOTI.

526
00:26:59,560 --> 00:27:02,800
Speaker 8: Voting and what is he doing now?

527
00:27:03,000 --> 00:27:05,440
Speaker 7: Well, just so I don't come off as a scumbag,

528
00:27:06,160 --> 00:27:09,359
Speaker 7: I only motor boat if it's requested.

529
00:27:10,480 --> 00:27:12,880
Speaker 1: Oh wow, Hayes, have you ever heard such a.

530
00:27:12,840 --> 00:27:18,080
Speaker 8: Thing that's actually not And I heard about him, so

531
00:27:18,160 --> 00:27:22,160
Speaker 8: I'm really I'm really glad to hear that clarified the opposite.

532
00:27:21,680 --> 00:27:23,720
Speaker 2: Of that, okay, because that is not true.

533
00:27:24,119 --> 00:27:26,560
Speaker 7: That is a rumor going around that I would like

534
00:27:26,680 --> 00:27:29,600
Speaker 7: to nip in the bud right now.

535
00:27:30,880 --> 00:27:34,080
Speaker 8: And and also I've heard about that he that he

536
00:27:34,520 --> 00:27:37,160
Speaker 8: does nip people of the butt sometimes as well.

537
00:27:37,320 --> 00:27:40,840
Speaker 7: Okay, I purposely said nipping the bud just to avoid

538
00:27:40,880 --> 00:27:43,399
Speaker 7: that rumor, which is also going around.

539
00:27:44,160 --> 00:27:46,240
Speaker 4: Anytime my ladies asked me in a motorboater, I get

540
00:27:46,280 --> 00:27:50,679
Speaker 4: really shy.

541
00:27:50,960 --> 00:27:59,200
Speaker 1: Yeah, I shut down, and I'd like to say I.

542
00:27:59,160 --> 00:28:01,840
Speaker 2: Think I'm I think it's my experience as a performer.

543
00:28:02,720 --> 00:28:05,320
Speaker 7: I'd like to that helps me get over the shyness

544
00:28:05,400 --> 00:28:07,480
Speaker 7: because I'm basically on stage twenty four to seven.

545
00:28:07,800 --> 00:28:12,359
Speaker 1: You perform best under pressure, and I think the insane

546
00:28:12,440 --> 00:28:16,960
Speaker 1: pressure of a woman requesting a motor boat, which, let's

547
00:28:16,960 --> 00:28:22,560
Speaker 1: face it, shrivels up most ordinary men. A true I

548
00:28:22,600 --> 00:28:26,160
Speaker 1: was gonna say showboat like you, but I'm already talking

549
00:28:26,160 --> 00:28:31,640
Speaker 1: about boats. Well, anyway, you do a great job with that.

550
00:28:31,680 --> 00:28:34,560
Speaker 1: And I'd like to also, in keeping with Neil's idea

551
00:28:34,560 --> 00:28:40,480
Speaker 1: of calling yourself out, shoot a motor Oh that's that.

552
00:28:40,480 --> 00:28:43,720
Speaker 1: That is something for possibly a key chain that comes

553
00:28:43,720 --> 00:28:48,080
Speaker 1: out with the movie. Now, I want to say that

554
00:28:48,360 --> 00:28:50,680
Speaker 1: a lot of people might be hearing this and going, oh,

555
00:28:50,800 --> 00:28:55,760
Speaker 1: these four white you know, these sis men are sitting

556
00:28:55,880 --> 00:29:00,480
Speaker 1: here talking in a way that they wouldn't if there

557
00:29:00,640 --> 00:29:03,959
Speaker 1: was girls around. And I would say number one, no,

558
00:29:04,440 --> 00:29:06,640
Speaker 1: we would say this to anyone. And even if it

559
00:29:06,720 --> 00:29:13,040
Speaker 1: was a guy who's a weird guy, we do that too. Also,

560
00:29:13,240 --> 00:29:15,640
Speaker 1: even if that's not true, then I'm not. I also,

561
00:29:15,760 --> 00:29:16,920
Speaker 1: I would never listen to this.

562
00:29:18,640 --> 00:29:21,120
Speaker 7: I mean a lot of my voices are so accurate

563
00:29:21,160 --> 00:29:25,120
Speaker 7: that people don't even know what my race or gender is. Yeah,

564
00:29:26,360 --> 00:29:27,680
Speaker 7: I mean totally see a picture.

565
00:29:27,480 --> 00:29:29,840
Speaker 8: It might as well be like a girl is there

566
00:29:29,880 --> 00:29:32,120
Speaker 8: in the form of all the characters inside.

567
00:29:32,200 --> 00:29:34,400
Speaker 1: Then and back up and talk about weird guys for

568
00:29:34,440 --> 00:29:36,080
Speaker 1: a second. I like those guys.

569
00:29:37,120 --> 00:29:40,600
Speaker 3: They're the God blessed God bless the weirdos.

570
00:29:40,640 --> 00:29:46,640
Speaker 1: Good for them, so God, they they absolutely are so hilarious.

571
00:29:47,000 --> 00:29:49,960
Speaker 1: So go ahead, what are you talking about, Neil?

572
00:29:50,160 --> 00:29:52,960
Speaker 4: I just I just you reminded me of Ben's first

573
00:29:53,000 --> 00:29:55,600
Speaker 4: show that I saw him do in New York. Was

574
00:29:55,640 --> 00:29:58,440
Speaker 4: down at the Saint Mark's is under Saint Mark's Theater,

575
00:29:58,920 --> 00:30:01,440
Speaker 4: and the poster was him. It was Ben, and it's

576
00:30:01,440 --> 00:30:03,800
Speaker 4: sort of his face kind of looking upset, and then

577
00:30:04,600 --> 00:30:07,080
Speaker 4: and then the lid his head had been cut. The

578
00:30:07,120 --> 00:30:10,239
Speaker 4: top of his head was open like a lid, you know,

579
00:30:10,560 --> 00:30:14,480
Speaker 4: and then inside his head were you know, all the characters.

580
00:30:14,640 --> 00:30:16,280
Speaker 1: Oh yeah, they're like arguing with each other.

581
00:30:17,520 --> 00:30:21,320
Speaker 7: They're wrestling with each other, trying to get out at

582
00:30:21,360 --> 00:30:22,400
Speaker 7: the top of my head.

583
00:30:22,840 --> 00:30:24,640
Speaker 4: Yeah, and Ben, you know, Ben was kind of above.

584
00:30:24,680 --> 00:30:27,640
Speaker 4: Ben was kind of amused, you know, the real Ben

585
00:30:27,760 --> 00:30:30,520
Speaker 4: was sort of amused. But the characters inside of that

586
00:30:30,520 --> 00:30:33,840
Speaker 4: that had all sorts of different problems with each other.

587
00:30:33,880 --> 00:30:35,120
Speaker 1: And I don't understand.

588
00:30:36,200 --> 00:30:37,840
Speaker 3: I think that's how he feels like he has all

589
00:30:37,840 --> 00:30:42,280
Speaker 3: those people in his head, you know, Oh so, why

590
00:30:42,520 --> 00:30:43,920
Speaker 3: can you see them?

591
00:30:44,360 --> 00:30:46,320
Speaker 4: Because it's that would make you come to the show.

592
00:30:46,360 --> 00:30:48,680
Speaker 4: You know, it's not just one guy, it's all the

593
00:30:48,720 --> 00:30:50,640
Speaker 4: people inside him, and he's kind of cracked.

594
00:30:50,760 --> 00:30:55,000
Speaker 1: He's doing it with them. Hey, doing what the show?

595
00:30:56,160 --> 00:31:00,480
Speaker 7: The characters show the characters that are the they're kind

596
00:31:00,480 --> 00:31:04,720
Speaker 7: of small animated versions of the characters. There's like drawings

597
00:31:04,760 --> 00:31:09,720
Speaker 7: of them or like me in a mustache or a wig. Oh,

598
00:31:09,760 --> 00:31:12,320
Speaker 7: they're they're tiny, and they're coming out of my health.

599
00:31:12,360 --> 00:31:13,520
Speaker 2: They're like busting out.

600
00:31:13,600 --> 00:31:16,520
Speaker 4: There's one on a grappling hook's kind of coming like

601
00:31:16,600 --> 00:31:17,280
Speaker 4: swinging down.

602
00:31:17,360 --> 00:31:18,680
Speaker 1: Are they going to get away?

603
00:31:18,880 --> 00:31:21,960
Speaker 2: Well you got to see the show to find that.

604
00:31:22,480 --> 00:31:25,040
Speaker 8: Oh wow, but if they got But if they got away,

605
00:31:25,040 --> 00:31:25,800
Speaker 8: there's no show.

606
00:31:27,360 --> 00:31:31,960
Speaker 7: Oh so you're saying, well, yeah, outsmarted me again, brainy act.

607
00:31:32,000 --> 00:31:33,640
Speaker 4: Well, the first time I did go to see it,

608
00:31:33,680 --> 00:31:36,120
Speaker 4: Ben actually had to cancel and just an improv group

609
00:31:36,160 --> 00:31:36,800
Speaker 4: went up instead.

610
00:31:37,280 --> 00:31:38,080
Speaker 1: Why do you have to cancel?

611
00:31:38,120 --> 00:31:38,960
Speaker 8: Do they get out?

612
00:31:40,480 --> 00:31:41,680
Speaker 1: Had the characters got away?

613
00:31:42,040 --> 00:31:45,600
Speaker 2: I actually was dealing with uh a legal matter that night.

614
00:31:47,000 --> 00:31:53,480
Speaker 1: Oh well you know that that could happen to anybody.

615
00:31:54,320 --> 00:31:58,960
Speaker 2: Yeah, I mean I Yeah, I got off and things

616
00:31:59,000 --> 00:31:59,520
Speaker 2: are okay.

617
00:31:59,600 --> 00:32:01,480
Speaker 1: But was it nipping somebody in the bud.

618
00:32:02,480 --> 00:32:04,000
Speaker 2: I'm not supposed to discuss it.

619
00:32:04,160 --> 00:32:04,560
Speaker 12: Mmmm.

620
00:32:05,280 --> 00:32:06,080
Speaker 1: Part of the settlement.

621
00:32:06,200 --> 00:32:07,240
Speaker 2: As part of the settlement.

622
00:32:07,280 --> 00:32:09,480
Speaker 4: And that's the thing that gets you the binding arbitration,

623
00:32:09,680 --> 00:32:11,800
Speaker 4: binding arbitration, non disclosure clause.

624
00:32:12,160 --> 00:32:12,360
Speaker 2: You know.

625
00:32:12,440 --> 00:32:17,480
Speaker 1: The little guy, Yeah, little guy like me has no

626
00:32:17,600 --> 00:32:20,880
Speaker 1: rights against the hula girl at this point. No, So

627
00:32:22,480 --> 00:32:24,080
Speaker 1: you know, we're getting a little bit off track.

628
00:32:24,320 --> 00:32:26,760
Speaker 2: He could have been anybody's teeth. Yeah.

629
00:32:27,000 --> 00:32:29,040
Speaker 1: Uh, yeah, we're getting a little bit off track. And

630
00:32:29,080 --> 00:32:33,200
Speaker 1: you and you did mention, uh, the animated characters, and

631
00:32:33,240 --> 00:32:38,120
Speaker 1: that reminds me of what we're supposed to talk about. Hey,

632
00:32:38,120 --> 00:32:39,680
Speaker 1: is is there anything you want to ask them? If

633
00:32:39,680 --> 00:32:40,480
Speaker 1: you know how to draw that?

634
00:32:42,760 --> 00:32:46,120
Speaker 8: Yeah, I was wondering, I's dumb if you could draw.

635
00:32:46,880 --> 00:32:49,880
Speaker 8: I would love to see a minion, but who's kind

636
00:32:49,880 --> 00:32:54,680
Speaker 8: of like sort of ripped, you know what I mean?

637
00:32:54,880 --> 00:32:57,880
Speaker 1: Yeah, like a strong like.

638
00:32:57,840 --> 00:32:59,960
Speaker 8: The minions sort of look like ship.

639
00:33:00,840 --> 00:33:03,920
Speaker 1: Yeah, you know, flabby? Who would fuck that?

640
00:33:04,720 --> 00:33:07,320
Speaker 3: Do you see this being more of a Stewart or

641
00:33:07,320 --> 00:33:10,480
Speaker 3: a Kevin or a ba or no, Bob's the table.

642
00:33:11,160 --> 00:33:14,120
Speaker 8: I think Kevin's a little too tall. Yeah, maybe pick

643
00:33:14,200 --> 00:33:18,760
Speaker 8: someone who's like not as just sort of like a

644
00:33:18,960 --> 00:33:22,040
Speaker 8: middle between them. But who looks like he takes care

645
00:33:22,040 --> 00:33:23,640
Speaker 8: of himself and he like eats right and he has

646
00:33:23,680 --> 00:33:27,640
Speaker 8: a good body and stuff, you know, who like looks good.

647
00:33:27,600 --> 00:33:34,719
Speaker 1: And maybe make sure he's got a nice banana banana.

648
00:33:35,320 --> 00:33:39,920
Speaker 3: Yeah, yeah, that works for adults, man, it's.

649
00:33:39,760 --> 00:33:42,120
Speaker 1: Funny for us. Yeah, I can do that. I would

650
00:33:42,160 --> 00:33:43,800
Speaker 1: always draw muscles. I would draw.

651
00:33:43,720 --> 00:33:46,840
Speaker 3: Muscles and all my friends for their pictures, like they would.

652
00:33:46,840 --> 00:33:48,520
Speaker 3: People would hand me their pictures and they'd ask me

653
00:33:48,560 --> 00:33:51,480
Speaker 3: to draw muscles on them for the yearbook and stuff,

654
00:33:51,520 --> 00:33:53,440
Speaker 3: and so I used to do that all the time.

655
00:33:53,480 --> 00:33:54,680
Speaker 1: Some muscles are no problem.

656
00:33:55,360 --> 00:33:58,840
Speaker 8: That's great. I love I love hearing that. I guess

657
00:33:58,920 --> 00:34:00,800
Speaker 8: to go with him there to be sort of like

658
00:34:01,640 --> 00:34:03,840
Speaker 8: keeping with like the adults and sort of envelope envelope

659
00:34:03,840 --> 00:34:06,560
Speaker 8: pushing thing. There's like a Barbie doll that's sort of

660
00:34:06,640 --> 00:34:08,040
Speaker 8: messed up, like train wreck.

661
00:34:09,719 --> 00:34:12,760
Speaker 1: Oh, like the hairs messed up, Like she's got.

662
00:34:12,600 --> 00:34:15,960
Speaker 8: A cigarette and like she's like she says bitch.

663
00:34:16,280 --> 00:34:17,319
Speaker 4: She says bitch, you.

664
00:34:17,280 --> 00:34:20,040
Speaker 1: Know, okay about herself.

665
00:34:21,320 --> 00:34:22,520
Speaker 8: And like her friends.

666
00:34:22,760 --> 00:34:23,000
Speaker 4: Yeah.

667
00:34:23,120 --> 00:34:26,960
Speaker 1: I like that. Then it's her choice, okay.

668
00:34:26,680 --> 00:34:28,600
Speaker 8: And then maybe she and this guy or kind of

669
00:34:28,640 --> 00:34:31,120
Speaker 8: maybe she and this minion are kind of like feeling

670
00:34:31,160 --> 00:34:33,799
Speaker 8: each other, and you know, I don't like, I don't

671
00:34:33,800 --> 00:34:37,040
Speaker 8: want to give you like too much direction, but maybe

672
00:34:37,080 --> 00:34:37,360
Speaker 8: it's like.

673
00:34:37,360 --> 00:34:39,239
Speaker 1: And how's she looking up top? A lot going on?

674
00:34:40,880 --> 00:34:41,600
Speaker 2: Yeah?

675
00:34:42,040 --> 00:34:43,600
Speaker 1: Upstairs? She got a lot going on?

676
00:34:43,840 --> 00:34:49,640
Speaker 2: Second floor? What's the deal? She stack? Okay, Okay, he's stacked.

677
00:34:49,680 --> 00:34:52,719
Speaker 1: Okay, okay, that could be cool for kids and adults.

678
00:34:53,200 --> 00:34:56,680
Speaker 8: So but her, But her, she has a lot of

679
00:34:56,680 --> 00:35:00,440
Speaker 8: separation between her breast, so they're like too far apart

680
00:35:00,800 --> 00:35:03,120
Speaker 8: the motor boat. Is that going to be a problem

681
00:35:03,120 --> 00:35:04,000
Speaker 8: for you, Ben.

682
00:35:05,600 --> 00:35:10,399
Speaker 2: Well, I'm less interested in the I mean, are they

683
00:35:10,560 --> 00:35:13,560
Speaker 2: Is it just more difficult the motor boat or impossible?

684
00:35:13,640 --> 00:35:16,320
Speaker 8: I mean, I'm picture I'm sketching out of a huge,

685
00:35:16,560 --> 00:35:19,399
Speaker 8: huge face, because otherwise you would just be hitting air.

686
00:35:20,160 --> 00:35:23,000
Speaker 3: What I'm sketching out here has her breasts over on

687
00:35:23,040 --> 00:35:25,799
Speaker 3: her shoulders, like like at the tips of her shoulders,

688
00:35:25,840 --> 00:35:28,839
Speaker 3: basically in order to kind of like epaulets.

689
00:35:29,719 --> 00:35:34,200
Speaker 7: Yeah, I mean, luckily, I've got a very wide face.

690
00:35:34,280 --> 00:35:37,920
Speaker 7: I think that's why I usually get the request so often,

691
00:35:39,200 --> 00:35:40,640
Speaker 7: because of the growth of my face.

692
00:35:41,840 --> 00:35:44,640
Speaker 1: Gosh, I can't believe I'm just thinking about because I'm

693
00:35:44,760 --> 00:35:47,040
Speaker 1: just remembering every time I've ever been asked, I just

694
00:35:47,120 --> 00:35:47,760
Speaker 1: shut down.

695
00:35:48,080 --> 00:35:49,719
Speaker 3: Yeah, I just kind of I just kind of like

696
00:35:50,520 --> 00:35:53,759
Speaker 3: look down at the ground and then like just wait,

697
00:35:54,080 --> 00:35:54,920
Speaker 3: I freeze up.

698
00:35:55,080 --> 00:35:57,400
Speaker 4: Yeah, the evening's over, and then the next day I

699
00:35:57,440 --> 00:35:59,000
Speaker 4: send up just a long email.

700
00:35:59,440 --> 00:36:04,719
Speaker 1: Yeah, Like I just kind of I just well, you've

701
00:36:04,760 --> 00:36:06,640
Speaker 1: run them by me. You'll usually say and go like

702
00:36:06,960 --> 00:36:09,359
Speaker 1: is this does this seem like it's saying everything I

703
00:36:09,440 --> 00:36:09,799
Speaker 1: want to?

704
00:36:10,440 --> 00:36:12,799
Speaker 4: Yeah, And you you always tell me to like, you know,

705
00:36:12,920 --> 00:36:15,080
Speaker 4: don't mince words, you know, just like get to the

706
00:36:15,160 --> 00:36:15,560
Speaker 4: art of it.

707
00:36:15,480 --> 00:36:17,880
Speaker 1: Shoot them straight, you know, I mean, don't be afraid

708
00:36:17,920 --> 00:36:18,800
Speaker 1: to over explain.

709
00:36:22,440 --> 00:36:26,200
Speaker 8: I think it might be helpful for other people with

710
00:36:26,280 --> 00:36:30,480
Speaker 8: this problem to hear. I don't know if you have

711
00:36:30,560 --> 00:36:33,120
Speaker 8: any of these emails on your phone Meal Yeah.

712
00:36:33,040 --> 00:36:36,279
Speaker 4: Yeah, yeah, I mean a lot in drafts, a lot

713
00:36:36,320 --> 00:36:36,920
Speaker 4: in drafts.

714
00:36:37,080 --> 00:36:38,319
Speaker 1: Yeah, you don't send all of them.

715
00:36:38,560 --> 00:36:40,200
Speaker 2: Yeah, you got to perfect it.

716
00:36:41,280 --> 00:36:44,920
Speaker 4: Yeah, I know, I got one right here. Dear Maureen

717
00:36:45,120 --> 00:36:46,520
Speaker 4: is a girl I went out with about seven or

718
00:36:46,520 --> 00:36:51,319
Speaker 4: eight years ago. Dear Maureen, I had such a nice

719
00:36:51,320 --> 00:36:55,120
Speaker 4: time with you last night at dinner. Thanks so much

720
00:36:55,160 --> 00:36:59,359
Speaker 4: for coming out with me. I hope I didn't step

721
00:36:59,360 --> 00:37:01,200
Speaker 4: in too many pubs for you. I'd stepped in a

722
00:37:01,200 --> 00:37:03,960
Speaker 4: puddle earlier in the night, as I hope I had

723
00:37:04,000 --> 00:37:05,120
Speaker 4: didn't step into many put.

724
00:37:06,080 --> 00:37:08,799
Speaker 1: Some of the stuff that happened this sort of.

725
00:37:13,600 --> 00:37:16,919
Speaker 4: Yeah, it was. I was so happy that you wanted

726
00:37:16,920 --> 00:37:18,600
Speaker 4: to come up to my place for a night cap.

727
00:37:18,960 --> 00:37:24,400
Speaker 4: I'm sorry we didn't get to to drink it. You

728
00:37:24,440 --> 00:37:29,320
Speaker 4: know when that when what happened on my couch happened. Uh,

729
00:37:29,600 --> 00:37:31,839
Speaker 4: And I left the room and didn't come back until

730
00:37:31,880 --> 00:37:35,279
Speaker 4: I was sure you were gone. I knew somewhere in

731
00:37:35,360 --> 00:37:37,439
Speaker 4: the back of my mind that what I was doing

732
00:37:37,520 --> 00:37:43,880
Speaker 4: might hurt your feelings. But I am an old fashioned man,

733
00:37:44,680 --> 00:37:49,040
Speaker 4: and I don't like to do what we wanted to

734
00:37:49,080 --> 00:37:52,400
Speaker 4: do because we're different people who do different things on

735
00:37:52,480 --> 00:37:57,480
Speaker 4: different nights. Please don't tell your friends about this.

736
00:37:57,719 --> 00:37:59,680
Speaker 1: And that's the part, and that part we're different people

737
00:37:59,680 --> 00:38:01,320
Speaker 1: who do different things on different nights.

738
00:38:01,320 --> 00:38:03,279
Speaker 2: That's the part where I said, you may want to be.

739
00:38:03,239 --> 00:38:07,040
Speaker 1: More specific because to me, that's why this is a draft. Yeah,

740
00:38:07,040 --> 00:38:08,160
Speaker 1: And that's why it's in a draft.

741
00:38:08,200 --> 00:38:10,200
Speaker 4: And the real email that is when I I mean,

742
00:38:10,239 --> 00:38:12,839
Speaker 4: I just really unloaded a lot of baggage and what

743
00:38:12,880 --> 00:38:13,880
Speaker 4: I actually said.

744
00:38:13,800 --> 00:38:16,200
Speaker 1: Yeah, and he went through like what she does on

745
00:38:16,280 --> 00:38:19,160
Speaker 1: certain nights, what he does on what I so different?

746
00:38:19,280 --> 00:38:22,000
Speaker 4: Yeah, what I've done, what I would do, what she's done,

747
00:38:22,040 --> 00:38:23,680
Speaker 4: what I assume she would do.

748
00:38:24,840 --> 00:38:26,440
Speaker 1: And this is a girl you had met by being

749
00:38:26,440 --> 00:38:28,040
Speaker 1: a feminist on someone else's Facebook.

750
00:38:28,080 --> 00:38:30,040
Speaker 4: This is a girl I who had seen me around,

751
00:38:30,320 --> 00:38:32,640
Speaker 4: liked my look, who had met me once or twice,

752
00:38:32,680 --> 00:38:35,360
Speaker 4: thought I was friendly but did not have a chemical

753
00:38:35,400 --> 00:38:39,040
Speaker 4: physical sexual reaction to me until she saw me post

754
00:38:39,120 --> 00:38:42,240
Speaker 4: on my friend's Instagram wall that what he had said

755
00:38:42,280 --> 00:38:44,680
Speaker 4: on stage in an improv show the night before was

756
00:38:44,760 --> 00:38:45,560
Speaker 4: hurtful to women.

757
00:38:46,520 --> 00:38:50,479
Speaker 1: That's pretty huge, and so and that and so this

758
00:38:50,680 --> 00:38:52,640
Speaker 1: sort of thing that happened between you guys is in

759
00:38:52,760 --> 00:38:54,560
Speaker 1: keeping with the kind of guy you are.

760
00:38:54,520 --> 00:38:58,879
Speaker 4: Which is big star, a big big.

761
00:38:59,040 --> 00:39:02,880
Speaker 1: Star, Hays. I, do you have anything else?

762
00:39:04,640 --> 00:39:09,560
Speaker 8: Any other guys, like any other good guys? What else

763
00:39:09,680 --> 00:39:12,919
Speaker 8: would be good? I guess a funny car could be

764
00:39:13,600 --> 00:39:15,200
Speaker 8: really nice.

765
00:39:16,840 --> 00:39:20,000
Speaker 1: I'm just coming up with this. It's Jane Lynch because

766
00:39:20,000 --> 00:39:22,440
Speaker 1: I was gonna say, if the car this still works,

767
00:39:23,239 --> 00:39:25,680
Speaker 1: if it's like pissing out its gas tank.

768
00:39:27,400 --> 00:39:29,880
Speaker 8: That could be good. Like, yeah, how.

769
00:39:29,880 --> 00:39:32,640
Speaker 1: Fucked up is that, but also it's all.

770
00:39:34,360 --> 00:39:36,839
Speaker 8: Train wreck, also has to be kind of pissing a lot.

771
00:39:37,680 --> 00:39:40,160
Speaker 1: The only car I can draw is a ninety eight Mustang.

772
00:39:41,239 --> 00:39:41,800
Speaker 1: Is that okay?

773
00:39:42,760 --> 00:39:45,600
Speaker 8: It's a nice Yeah, that could be gives her Jane

774
00:39:45,680 --> 00:39:49,120
Speaker 8: Lynch and she should probably also be like openly lesbian

775
00:39:49,160 --> 00:39:53,040
Speaker 8: in it. So it's be like against the church and stuff.

776
00:39:53,080 --> 00:39:55,080
Speaker 8: You know, it's kind of like something it snows at,

777
00:39:55,120 --> 00:39:55,960
Speaker 8: like the big church.

778
00:39:56,640 --> 00:39:58,640
Speaker 1: Well, it could piss on a priest out of the

779
00:39:58,680 --> 00:40:02,000
Speaker 1: gas tank, that's good, and then you could find out

780
00:40:02,040 --> 00:40:09,080
Speaker 1: that the priest was fingering kids assholes. Yeah, spotlight finger

781
00:40:09,160 --> 00:40:15,080
Speaker 1: and assholes. Oh that's that priest.

782
00:40:16,080 --> 00:40:23,000
Speaker 8: Oh it's been yeah, okay, then disappeared.

783
00:40:23,000 --> 00:40:26,960
Speaker 1: If father O'Malley came in, okay, Hayes. Were there any

784
00:40:27,000 --> 00:40:29,480
Speaker 1: other roundtable topics you wanted to bring up? I mean,

785
00:40:29,480 --> 00:40:31,839
Speaker 1: we were talking a little bit about how all these

786
00:40:31,880 --> 00:40:36,200
Speaker 1: processed foods are just like really just getting so out

787
00:40:36,200 --> 00:40:39,320
Speaker 1: of hand and that you basically need a chemistry degree

788
00:40:39,360 --> 00:40:42,600
Speaker 1: to understand some of the labels. Not on the air,

789
00:40:42,640 --> 00:40:44,520
Speaker 1: we just talked about it before we recorded.

790
00:40:45,520 --> 00:40:48,440
Speaker 8: Did you talk about did you make my point that

791
00:40:48,480 --> 00:40:50,120
Speaker 8: I asked you make about how I need to bring

792
00:40:50,280 --> 00:40:51,840
Speaker 8: a dictionary at the grocery store.

793
00:40:53,120 --> 00:40:56,040
Speaker 1: Yes, great, that's perfect. That's exactly what we're talking about.

794
00:40:56,520 --> 00:40:58,640
Speaker 1: And it's like, you need to be a scientist to

795
00:40:58,760 --> 00:41:01,600
Speaker 1: understand these. Eat a fruit roll up now.

796
00:41:01,520 --> 00:41:04,719
Speaker 2: Right, you gotta have a food science PhD.

797
00:41:06,280 --> 00:41:07,840
Speaker 3: From college. Used to be I could just look at

798
00:41:07,880 --> 00:41:10,400
Speaker 3: a label and be like, you know, beef, now?

799
00:41:10,520 --> 00:41:10,960
Speaker 2: Am I wrong?

800
00:41:11,000 --> 00:41:12,839
Speaker 1: When we were growing up and we're a little older

801
00:41:12,840 --> 00:41:15,320
Speaker 1: in these guys. When we were growing up? Am I wrong?

802
00:41:15,640 --> 00:41:18,360
Speaker 1: But it was simple and greedy.

803
00:41:18,680 --> 00:41:23,520
Speaker 4: Peanuts, raisins, meat, Yeah, a nice.

804
00:41:23,360 --> 00:41:31,200
Speaker 1: Shell yarn, yarn, a nectarine yarn, A hamburger, Yeah, sandwich.

805
00:41:31,719 --> 00:41:33,880
Speaker 4: And now, if your tongue's not spending all day in

806
00:41:33,960 --> 00:41:36,080
Speaker 4: the library licking.

807
00:41:35,800 --> 00:41:43,440
Speaker 1: Books, yeah, calf liver, bananas, bananas, bean hole on bean,

808
00:41:44,000 --> 00:41:44,880
Speaker 1: a hole onion.

809
00:41:45,680 --> 00:41:48,680
Speaker 4: Yes, if you wanted to bread something, you'd just dunk

810
00:41:48,719 --> 00:41:51,359
Speaker 4: it into an egg. You wouldn't mail it to a lab.

811
00:41:51,360 --> 00:41:54,000
Speaker 1: Ice, No, you wouldn't. No, Yeah, you wouldn't have to

812
00:41:55,160 --> 00:42:00,720
Speaker 1: uh go to chemistry to know what you're eating.

813
00:42:00,800 --> 00:42:04,560
Speaker 2: Yeah. I used to eat on a plate, not a

814
00:42:04,680 --> 00:42:06,040
Speaker 2: test tube, not a beaker.

815
00:42:06,200 --> 00:42:09,080
Speaker 1: Yeah, it didn't come out of a Bunsen burner straight

816
00:42:09,120 --> 00:42:10,359
Speaker 1: to my table. It got cooked.

817
00:42:10,760 --> 00:42:12,080
Speaker 8: I did somebody.

818
00:42:12,800 --> 00:42:15,719
Speaker 1: Yes, that used to be one of the primary ingredients

819
00:42:15,719 --> 00:42:16,879
Speaker 1: when I was growing up.

820
00:42:17,239 --> 00:42:19,279
Speaker 4: Yeah, you didn't. You didn't read the back of your

821
00:42:19,280 --> 00:42:21,880
Speaker 4: peanut butter and say that it had a Higgs Boson

822
00:42:22,000 --> 00:42:22,680
Speaker 4: particle in it.

823
00:42:23,920 --> 00:42:28,200
Speaker 1: No, you were, Yeah, you were not eating out of

824
00:42:28,239 --> 00:42:33,319
Speaker 1: a particle accelerator trying to recreate the big bangs in

825
00:42:33,320 --> 00:42:36,440
Speaker 1: your microwave to take it to have a hot nacho chip.

826
00:42:37,400 --> 00:42:38,760
Speaker 2: I'm gonna travel back in time.

827
00:42:39,040 --> 00:42:45,279
Speaker 1: Nacho's was it ingredient? Yeah, it used to be cookies, cookies.

828
00:42:45,400 --> 00:42:47,440
Speaker 1: It was an entire ingredient. You opened a bout of cookies,

829
00:42:47,440 --> 00:42:48,960
Speaker 1: look at the ingredients and says cook cookies.

830
00:42:49,000 --> 00:42:51,959
Speaker 2: You made a cookie to just say cookie, cookie dough.

831
00:42:52,680 --> 00:42:54,600
Speaker 1: Magazine, add heat.

832
00:42:55,440 --> 00:42:58,319
Speaker 4: Magai magazine, and you'd clip a You could clip a

833
00:42:58,320 --> 00:43:01,200
Speaker 4: recipe out of a magazine and it would be stuff that.

834
00:43:01,280 --> 00:43:05,040
Speaker 4: You know, you didn't need to construct a polymer. You know,

835
00:43:05,200 --> 00:43:07,200
Speaker 4: you didn't need to have the equipment to make a

836
00:43:07,239 --> 00:43:08,200
Speaker 4: new type of polymer.

837
00:43:08,239 --> 00:43:12,200
Speaker 1: Oh no, I didn't have to master huge yeah all

838
00:43:12,239 --> 00:43:13,799
Speaker 1: of a sudden. Yeah, No, I didn't have to be

839
00:43:13,880 --> 00:43:17,200
Speaker 1: Heisenberg breaking bad. I could just go, oh, what's in

840
00:43:17,280 --> 00:43:18,399
Speaker 1: this a bike chain?

841
00:43:19,080 --> 00:43:20,080
Speaker 2: What's my name?

842
00:43:21,200 --> 00:43:28,879
Speaker 3: Oh God, jesus.

843
00:43:24,400 --> 00:43:28,880
Speaker 2: Ah Baine he was here for a second. Yeah, that

844
00:43:29,040 --> 00:43:33,239
Speaker 2: was Baine. Get in Bain showed up.

845
00:43:33,560 --> 00:43:39,440
Speaker 1: Oh gosh, hay, that was no voice thing Bane. So hey,

846
00:43:39,840 --> 00:43:40,800
Speaker 1: do you have to scooch?

847
00:43:41,800 --> 00:43:45,160
Speaker 8: Yeah? I got a scooched that. One thing they did

848
00:43:45,280 --> 00:43:47,560
Speaker 8: tell you about this is that the zoo at night

849
00:43:47,680 --> 00:43:53,040
Speaker 8: is just for that. It's only for like, that's rule

850
00:43:53,120 --> 00:43:57,880
Speaker 8: the zoo at night. Uh. And then they're they're attracted

851
00:43:57,920 --> 00:43:59,719
Speaker 8: to the sort of light on my phone. Then they

852
00:43:59,719 --> 00:44:00,680
Speaker 8: wanted to be friends with me.

853
00:44:00,800 --> 00:44:04,120
Speaker 1: So I so I should go, okay, good luck.

854
00:44:05,400 --> 00:44:08,840
Speaker 8: Okay, and do a great job on the show. I

855
00:44:08,920 --> 00:44:11,880
Speaker 8: know you're all gonna do lots of funny good stuff

856
00:44:11,880 --> 00:44:14,839
Speaker 8: and I can't wait to watch Dog TV.

857
00:44:21,239 --> 00:44:21,759
Speaker 1: Is he gone?

858
00:44:23,200 --> 00:44:23,720
Speaker 11: He's gone?

859
00:44:23,719 --> 00:44:23,919
Speaker 2: Now?

860
00:44:24,640 --> 00:44:28,840
Speaker 11: Okay, Brett, he heard that part that where you're saying,

861
00:44:28,920 --> 00:44:30,359
Speaker 11: is he gone?

862
00:44:30,600 --> 00:44:32,799
Speaker 4: Oh? Oh that's okay.

863
00:44:32,840 --> 00:44:37,759
Speaker 11: Why why huh? Am I supposed to do something right now?

864
00:44:37,800 --> 00:44:39,640
Speaker 2: What Brett?

865
00:44:39,640 --> 00:44:44,680
Speaker 1: We're trying to do a show. Sorry, guys, sorry about Brett.

866
00:44:44,960 --> 00:44:45,640
Speaker 2: It's okay.

867
00:44:48,200 --> 00:44:53,440
Speaker 1: You were going that bro Bible site. Oh yeah, sure,

868
00:44:53,600 --> 00:44:55,120
Speaker 1: that's what me and my bros are about.

869
00:44:55,719 --> 00:44:57,879
Speaker 2: Bro Bible. What is that.

870
00:44:59,440 --> 00:45:05,400
Speaker 1: It's like the Chive on steroids. It's about lifting, among

871
00:45:05,480 --> 00:45:10,360
Speaker 1: other things, lifting up some frontal torpedoes.

872
00:45:12,840 --> 00:45:13,840
Speaker 2: We got my attention.

873
00:45:14,239 --> 00:45:18,360
Speaker 1: Yeah, okay, okay, guys, Well we just talked to Hayes

874
00:45:18,480 --> 00:45:21,320
Speaker 1: and we're gonna, I promise we'll get into the script.

875
00:45:21,320 --> 00:45:26,440
Speaker 1: But before we do get into this fun animated movie.

876
00:45:26,160 --> 00:45:27,880
Speaker 4: Script, we do need to take a break.

877
00:45:30,600 --> 00:45:34,759
Speaker 1: And we're back. Okay, where were we? Well, let's go

878
00:45:34,920 --> 00:45:38,200
Speaker 1: through the script and just look at a couple of

879
00:45:38,239 --> 00:45:43,640
Speaker 1: these scenes and put them on their feet.

880
00:45:46,960 --> 00:45:48,160
Speaker 4: Let me move some stuff from.

881
00:45:49,840 --> 00:45:50,120
Speaker 8: Neil.

882
00:45:50,360 --> 00:45:54,560
Speaker 1: You'll read the go smash a character and it comes

883
00:45:54,560 --> 00:45:59,840
Speaker 1: in and is kicking butt. Ben, you'll read some of

884
00:45:59,880 --> 00:46:05,920
Speaker 1: the wild guys. Okay, I'll do stage directions. Dom just

885
00:46:06,000 --> 00:46:08,680
Speaker 1: make sure you can draw. Try to keep up. Okay,

886
00:46:08,920 --> 00:46:12,240
Speaker 1: all right, I'll let you know if anything is happening

887
00:46:12,280 --> 00:46:14,560
Speaker 1: too fast for you to draw it. You know, you

888
00:46:14,560 --> 00:46:16,399
Speaker 1: want me to draw as we go here, as we're

889
00:46:16,440 --> 00:46:19,040
Speaker 1: doing it. Ideally we're gonna be putting this out there.

890
00:46:19,280 --> 00:46:19,600
Speaker 4: Great.

891
00:46:19,719 --> 00:46:24,200
Speaker 1: And then Neil, I did see on Instagram there's some

892
00:46:24,239 --> 00:46:28,560
Speaker 1: stuff of you were hanging out. You were posting some

893
00:46:28,880 --> 00:46:32,680
Speaker 1: pretty powerful feminist rhetoric on a wall of a girl

894
00:46:32,719 --> 00:46:37,120
Speaker 1: who is a Korean girl you know. Yeah, that's a

895
00:46:37,160 --> 00:46:37,760
Speaker 1: friend of yours.

896
00:46:38,120 --> 00:46:41,560
Speaker 4: Yeah, that's my friend Stephanie. She's she's my girlfriend's friend.

897
00:46:41,600 --> 00:46:47,040
Speaker 4: And she she was singing. She sang the Sir mix

898
00:46:47,120 --> 00:46:49,719
Speaker 4: a Lot song I liked Big Butts at a karaoke

899
00:46:50,200 --> 00:46:52,719
Speaker 4: birthday party that we were out in Koreatown in New York.

900
00:46:53,160 --> 00:46:56,560
Speaker 7: And I'm more of a put him on the glass

901
00:46:56,600 --> 00:46:57,400
Speaker 7: guy myself.

902
00:46:59,080 --> 00:47:02,799
Speaker 1: He's in the middle of a ben sorry, And I

903
00:47:02,840 --> 00:47:06,040
Speaker 1: love that, and I love the joke you're making, but

904
00:47:06,120 --> 00:47:07,400
Speaker 1: I hate the timing of it.

905
00:47:08,520 --> 00:47:10,279
Speaker 4: Well, I was just sort of telling her that that's

906
00:47:10,280 --> 00:47:13,239
Speaker 4: a sexist song and no matter whose birthday it is,

907
00:47:13,320 --> 00:47:15,239
Speaker 4: you know, she shouldn't be singing it, and it was

908
00:47:15,320 --> 00:47:17,520
Speaker 4: wrong when Sir makes a lot saying it, and it

909
00:47:17,520 --> 00:47:20,320
Speaker 4: would be wrong. It's wrong to bring it up.

910
00:47:20,200 --> 00:47:20,400
Speaker 2: You know.

911
00:47:20,520 --> 00:47:22,319
Speaker 1: And she probably thanked you for saying that, and she's

912
00:47:22,320 --> 00:47:24,359
Speaker 1: probably pretty attracted to you for saying that too.

913
00:47:24,480 --> 00:47:26,280
Speaker 4: Eventually, Yeah, I'm taking now.

914
00:47:26,480 --> 00:47:29,120
Speaker 1: So okay, So did that just I bring it up

915
00:47:29,160 --> 00:47:32,640
Speaker 1: only because Dom is able to draw a lot of pictures.

916
00:47:33,080 --> 00:47:37,040
Speaker 1: But from what I've found a little bit on some

917
00:47:37,120 --> 00:47:40,160
Speaker 1: of the research I've been doing, is Korea has a

918
00:47:40,200 --> 00:47:44,280
Speaker 1: way to make these pictures move around. And if anybody

919
00:47:44,320 --> 00:47:48,120
Speaker 1: at home is thinking, oh, animated movie, that would be

920
00:47:48,160 --> 00:47:49,640
Speaker 1: fun for me to do. But what every time I

921
00:47:49,719 --> 00:47:51,360
Speaker 1: draw my pictures they hold still?

922
00:47:52,040 --> 00:47:52,920
Speaker 2: That's my problem.

923
00:47:53,280 --> 00:47:55,200
Speaker 1: Yeah, and we've found that, and Dom and I and

924
00:47:55,239 --> 00:47:57,080
Speaker 1: a couple of the tests we've done, I found that

925
00:47:57,120 --> 00:47:59,680
Speaker 1: the pictures really seem to hold still and you could

926
00:47:59,719 --> 00:48:01,759
Speaker 1: shake them around. But it's not the same effect as

927
00:48:01,760 --> 00:48:02,920
Speaker 1: when you watch a cartoon.

928
00:48:03,080 --> 00:48:05,480
Speaker 4: Well, you know, a cartoon's a lot of different drawings

929
00:48:05,640 --> 00:48:07,520
Speaker 4: sort of put in order together, so it gives the

930
00:48:07,520 --> 00:48:08,400
Speaker 4: illusion to movement.

931
00:48:08,600 --> 00:48:10,919
Speaker 1: Not my area, but this seems like something your friend

932
00:48:10,960 --> 00:48:13,400
Speaker 1: Stephanie maybe would be able to be an entree.

933
00:48:14,360 --> 00:48:15,920
Speaker 4: Well, I mean anybody could. You know, there's a lot

934
00:48:15,960 --> 00:48:18,240
Speaker 4: of different you know, there's a lot of cartoon shows.

935
00:48:18,360 --> 00:48:20,800
Speaker 4: You know, the Simpsons, it's very popular.

936
00:48:21,120 --> 00:48:23,480
Speaker 1: Not like a meal fan tray, like not like the

937
00:48:23,480 --> 00:48:26,719
Speaker 1: main course, right, like an introduction.

938
00:48:27,520 --> 00:48:30,560
Speaker 4: Okay, No, Stephanie's not. She does real estate. She's a

939
00:48:30,560 --> 00:48:31,680
Speaker 4: real estate broker in New York.

940
00:48:31,680 --> 00:48:32,360
Speaker 1: But she knows.

941
00:48:32,800 --> 00:48:35,240
Speaker 2: Yeah, I read it. It was I was practically raised

942
00:48:35,239 --> 00:48:36,040
Speaker 2: on The Simpsons.

943
00:48:36,440 --> 00:48:40,120
Speaker 1: That is kind of my thing, is finding like that

944
00:48:40,280 --> 00:48:43,680
Speaker 1: was kind of my show, right, because I actually think

945
00:48:44,239 --> 00:48:50,640
Speaker 1: is it a cartoon? Yeah? But the writing I noticed

946
00:48:51,120 --> 00:48:55,200
Speaker 1: is very sharp and has actually some very clever jokes.

947
00:48:55,880 --> 00:49:01,879
Speaker 1: Yeah that's funny, donuts, that's funny, But there's actually very

948
00:49:02,040 --> 00:49:07,160
Speaker 1: sharp writing. And I actually am someone who appreciated that

949
00:49:07,320 --> 00:49:11,000
Speaker 1: part of it and noticed that did you grow up

950
00:49:11,040 --> 00:49:12,799
Speaker 1: on the Simpsons at all? Oh?

951
00:49:12,840 --> 00:49:15,839
Speaker 3: I practically is my sense of humor, like my whole thing,

952
00:49:16,040 --> 00:49:17,600
Speaker 3: Like every every joke.

953
00:49:17,440 --> 00:49:20,160
Speaker 1: I've ever made is like, oh, that's the Simpsons. That Like,

954
00:49:20,400 --> 00:49:22,880
Speaker 1: there's a couple of things I really love that just

955
00:49:22,960 --> 00:49:26,320
Speaker 1: are a part of, you know, my childhood or whatever

956
00:49:26,400 --> 00:49:31,319
Speaker 1: that for whatever reason, I latched onto The Simpsons. There

957
00:49:31,360 --> 00:49:32,920
Speaker 1: was this little movie I don't know if you heard

958
00:49:32,920 --> 00:49:34,480
Speaker 1: of it, Back to the Future.

959
00:49:34,640 --> 00:49:34,839
Speaker 8: Yeah.

960
00:49:35,560 --> 00:49:38,560
Speaker 3: Super that was like, yeah, I felt like that movie

961
00:49:38,640 --> 00:49:41,240
Speaker 3: was made for me. It was like me and my friends,

962
00:49:41,360 --> 00:49:43,080
Speaker 3: I mean not for me.

963
00:49:43,080 --> 00:49:47,920
Speaker 1: Me and my friends watched it dozens of times and and.

964
00:49:48,400 --> 00:49:53,680
Speaker 2: You know, Jiggo Watts remember, yeah that's me. Yeah to

965
00:49:53,719 --> 00:49:54,280
Speaker 2: the Future.

966
00:49:54,719 --> 00:50:01,719
Speaker 1: Yeah, you know, yeah, yes, the Simpsons. So, and that's

967
00:50:01,760 --> 00:50:05,160
Speaker 1: the kind of thing where if you because it's like

968
00:50:05,239 --> 00:50:09,080
Speaker 1: no surprise, now I wound up being fucking really funny

969
00:50:09,200 --> 00:50:12,440
Speaker 1: because that's what I watch. What you ate now? And

970
00:50:13,280 --> 00:50:14,640
Speaker 1: have you even seen The Simpsons?

971
00:50:15,560 --> 00:50:15,759
Speaker 3: Uh?

972
00:50:15,840 --> 00:50:17,279
Speaker 11: Yeah, I grew up with that.

973
00:50:17,400 --> 00:50:19,160
Speaker 1: But did you get it? I mean, or you only

974
00:50:19,200 --> 00:50:21,399
Speaker 1: laugh when he hits his head probably, or laugh when

975
00:50:21,440 --> 00:50:24,279
Speaker 1: he like chokes bart Like there's actually like some like

976
00:50:24,440 --> 00:50:27,840
Speaker 1: satirical Yeah, that is funny, but there's like satirical stuff

977
00:50:28,400 --> 00:50:34,200
Speaker 1: saying it's like there's lairs to it, which not everyone

978
00:50:34,360 --> 00:50:39,600
Speaker 1: was kind of able to experience, you know, intelligence one

979
00:50:39,719 --> 00:50:41,240
Speaker 1: or whatever it is, whatever it is.

980
00:50:41,840 --> 00:50:42,680
Speaker 2: The references.

981
00:50:44,200 --> 00:50:46,720
Speaker 1: Yeah, yeah, no, the that's and that's why The Simpsons

982
00:50:46,840 --> 00:50:49,880
Speaker 1: is kind of my thing. Everybody sort of has it,

983
00:50:50,080 --> 00:50:51,959
Speaker 1: you know sometimes you have these things and I guess

984
00:50:51,960 --> 00:50:55,080
Speaker 1: it's you know, other people have seen it, but like

985
00:50:55,160 --> 00:50:58,279
Speaker 1: they didn't actually like always get it. And like in

986
00:50:58,400 --> 00:51:02,120
Speaker 1: rap music, even though I'm a white guy. So let's

987
00:51:02,520 --> 00:51:05,120
Speaker 1: go on to do some stuff.

988
00:51:05,200 --> 00:51:07,920
Speaker 2: I want to put them on the glass.

989
00:51:09,160 --> 00:51:11,800
Speaker 1: That was a good time for that. That was perfect.

990
00:51:12,000 --> 00:51:18,960
Speaker 1: Neil wasn't telling a story. So animated movie, and we'll

991
00:51:19,000 --> 00:51:24,080
Speaker 1: just start with scene one and we'll just start ripping

992
00:51:24,160 --> 00:51:28,959
Speaker 1: into it. So uh open on a typical school day,

993
00:51:29,320 --> 00:51:32,040
Speaker 1: the ripped Minion is sitting in the front row, raising

994
00:51:32,040 --> 00:51:34,960
Speaker 1: his hand for the sexy train wreck barbie teacher trying

995
00:51:35,000 --> 00:51:41,600
Speaker 1: to ask her a question. Excuse me, Oh, hold on,

996
00:51:41,800 --> 00:51:45,640
Speaker 1: we actually probably need some music for this, Okay, makes

997
00:51:45,640 --> 00:51:46,440
Speaker 1: it feel more.

998
00:51:46,320 --> 00:51:46,880
Speaker 4: Like a movie.

999
00:51:47,760 --> 00:51:48,760
Speaker 11: I got spinning wheel.

1000
00:51:49,000 --> 00:51:53,880
Speaker 5: Hold on, okay, okay.

1001
00:51:54,760 --> 00:51:57,880
Speaker 1: So this ripped minion who don't play by the rules

1002
00:51:58,320 --> 00:52:00,840
Speaker 1: skateboards into the classroom and raise his hand for the

1003
00:52:00,880 --> 00:52:02,320
Speaker 1: sexy train wreck teacher.

1004
00:52:04,440 --> 00:52:10,560
Speaker 2: Excuse me, missus, teacher, you probably didn't get me because

1005
00:52:10,719 --> 00:52:11,480
Speaker 2: I was late.

1006
00:52:13,719 --> 00:52:17,719
Speaker 1: Oh I'm such a I can't keep anything straight.

1007
00:52:19,960 --> 00:52:29,040
Speaker 2: Well I'm pretty straight right now. You've got a huge bone.

1008
00:52:29,320 --> 00:52:30,880
Speaker 1: Oh yeah, I can see that.

1009
00:52:32,920 --> 00:52:33,800
Speaker 2: It's from my dog.

1010
00:52:36,960 --> 00:52:43,640
Speaker 1: Yeah, well I'll be your dog. Let me slurp that up. Guys,

1011
00:52:43,640 --> 00:52:44,839
Speaker 1: can I can I just jump in?

1012
00:52:45,040 --> 00:52:47,839
Speaker 3: Yeah sure, yeah, I just and and I'm only thinking

1013
00:52:47,880 --> 00:52:50,080
Speaker 3: about like just drawing this stuff, right, and just like

1014
00:52:50,160 --> 00:52:53,480
Speaker 3: what do we want the minion to have the boner

1015
00:52:53,520 --> 00:52:54,239
Speaker 3: when he walks in?

1016
00:52:54,280 --> 00:52:56,360
Speaker 2: Like do we want him to recording the script? He

1017
00:52:56,440 --> 00:52:57,680
Speaker 2: just has his dog's bone.

1018
00:52:57,760 --> 00:52:59,959
Speaker 1: Yeah, he just has his dog. He's holding it where

1019
00:53:00,239 --> 00:53:01,080
Speaker 1: his bone would be.

1020
00:53:01,160 --> 00:53:03,279
Speaker 2: And I mean, that's a funny joke for us. And

1021
00:53:03,280 --> 00:53:06,160
Speaker 2: I just want to kids aren't gonna know what I mean, yeah,

1022
00:53:06,200 --> 00:53:07,760
Speaker 2: kids is gonna go right over their heads.

1023
00:53:07,960 --> 00:53:09,839
Speaker 3: But but she's saying when she's saying, like, let me

1024
00:53:09,880 --> 00:53:11,880
Speaker 3: slurp that up, what's she talking about that?

1025
00:53:12,000 --> 00:53:13,840
Speaker 1: Well, she then gets down on her knees and starts

1026
00:53:13,840 --> 00:53:15,040
Speaker 1: sucking on the dog bone.

1027
00:53:15,120 --> 00:53:16,080
Speaker 2: On the dog bone.

1028
00:53:16,239 --> 00:53:18,279
Speaker 1: She takes it all the way down down to the hill.

1029
00:53:18,360 --> 00:53:20,680
Speaker 3: So he's holding the dog bone kind of crotch level,

1030
00:53:20,800 --> 00:53:21,919
Speaker 3: like it's a right.

1031
00:53:21,920 --> 00:53:23,759
Speaker 1: Face, holding it up in front of him, and it's

1032
00:53:23,760 --> 00:53:26,160
Speaker 1: inside his pants so you can't clearly see whether it's

1033
00:53:26,160 --> 00:53:26,960
Speaker 1: a dog bone or not.

1034
00:53:27,040 --> 00:53:29,120
Speaker 3: And is it it's white? It's not yellow, right, it's

1035
00:53:29,120 --> 00:53:30,080
Speaker 3: not the minion color.

1036
00:53:30,840 --> 00:53:34,120
Speaker 1: Well it's I mean it's gonna have to be. It's okay.

1037
00:53:34,360 --> 00:53:36,960
Speaker 4: Bones are yellowish, you know, they're not white. Yeah yeah,

1038
00:53:37,080 --> 00:53:39,719
Speaker 4: Well then you had a dog like, you know, chewed

1039
00:53:39,760 --> 00:53:41,360
Speaker 4: up bone. It's sort of yellow and white.

1040
00:53:41,040 --> 00:53:43,440
Speaker 1: And this goes back to me being frustrated with the

1041
00:53:43,520 --> 00:53:47,320
Speaker 1: Jack Skellington thing. It's like, you know, bones aren't bone white,

1042
00:53:47,560 --> 00:53:49,239
Speaker 1: they're actually yellowed.

1043
00:53:49,680 --> 00:53:52,319
Speaker 3: Well that it's gonna I think it's gonna look like

1044
00:53:52,400 --> 00:53:53,399
Speaker 3: it's the minion stick.

1045
00:53:53,520 --> 00:53:57,759
Speaker 1: No matter what. If it's yellow, it's not kids movie.

1046
00:53:57,800 --> 00:54:00,600
Speaker 1: It's gonna be a dog bone. Okay, okay, alright, right, sorry,

1047
00:54:00,680 --> 00:54:02,160
Speaker 1: we gotta be able to show it to the kids.

1048
00:54:02,360 --> 00:54:03,160
Speaker 2: Okay, yeah, I.

1049
00:54:03,160 --> 00:54:06,520
Speaker 1: Think you cleared up my You know, well, do you

1050
00:54:06,560 --> 00:54:09,480
Speaker 1: want to skip to the next scene where the Isis

1051
00:54:09,520 --> 00:54:10,760
Speaker 1: guy walks into the classroom.

1052
00:54:10,840 --> 00:54:13,200
Speaker 3: I would like to because I had questions about how

1053
00:54:13,239 --> 00:54:14,440
Speaker 3: Isis guy was to be drawn.

1054
00:54:14,600 --> 00:54:22,359
Speaker 1: All right, go ahead and play the next song. So

1055
00:54:22,760 --> 00:54:26,439
Speaker 1: the train wreck teacher is down on her knees and

1056
00:54:26,560 --> 00:54:31,239
Speaker 1: really going at it on this minion's bone. All of

1057
00:54:31,280 --> 00:54:34,640
Speaker 1: a sudden, the door gets kicked in and a friggin

1058
00:54:34,840 --> 00:54:38,879
Speaker 1: dude with a friggin big old AK forty seven come in,

1059
00:54:39,040 --> 00:54:47,200
Speaker 1: and he's like, you know not Americans.

1060
00:54:46,239 --> 00:54:47,759
Speaker 2: Stand up and put their hands up.

1061
00:54:49,120 --> 00:54:51,239
Speaker 4: Why don't you sit down and put that gun down?

1062
00:54:53,880 --> 00:54:57,440
Speaker 2: Who are you? How did you get to this classroom?

1063
00:54:57,880 --> 00:55:00,440
Speaker 4: My son goes to school here, and it's bring your

1064
00:55:00,520 --> 00:55:01,719
Speaker 4: dad to workday.

1065
00:55:03,040 --> 00:55:05,919
Speaker 1: Hey wait a second, I want to suck on a

1066
00:55:05,920 --> 00:55:07,160
Speaker 1: AK forty seven.

1067
00:55:08,280 --> 00:55:12,919
Speaker 7: Of course you'll do, you dirty American dog, and it's

1068
00:55:13,160 --> 00:55:15,680
Speaker 7: my choice.

1069
00:55:16,400 --> 00:55:19,160
Speaker 4: Listen, There's nothing I can do to smash you until

1070
00:55:19,160 --> 00:55:21,680
Speaker 4: you're a ghost. So do what you have to do.

1071
00:55:22,200 --> 00:55:24,799
Speaker 4: You kill all these kids, You kill everybody.

1072
00:55:25,080 --> 00:55:26,600
Speaker 1: Jack Nicholson kill himself.

1073
00:55:28,360 --> 00:55:32,520
Speaker 7: Hey, excuse me, I'm trying to get to the Staple Center.

1074
00:55:33,440 --> 00:55:37,200
Speaker 2: Anybody know the directions to that part.

1075
00:55:37,200 --> 00:55:41,920
Speaker 13: Of Los Angeles. I don't normally drive myself. I usually

1076
00:55:41,960 --> 00:55:47,960
Speaker 13: have somebody drive me. WHOA, who's this guy?

1077
00:55:47,640 --> 00:55:49,800
Speaker 1: Okay? That was a Hey weren't you? And Wolf?

1078
00:55:50,080 --> 00:55:50,279
Speaker 2: Well?

1079
00:55:50,320 --> 00:55:50,720
Speaker 1: Go ahead?

1080
00:55:50,719 --> 00:55:54,000
Speaker 3: Oh sorry, I I didn't mean to stop the scene.

1081
00:55:54,040 --> 00:55:56,040
Speaker 3: I just it's well to do. That's a big scene.

1082
00:55:56,040 --> 00:55:58,880
Speaker 3: That's a and it also feels like it is the

1083
00:55:58,920 --> 00:56:01,040
Speaker 3: next thing. But it really picks up, like right where

1084
00:56:01,080 --> 00:56:03,040
Speaker 3: the previous scene left off.

1085
00:56:03,440 --> 00:56:03,920
Speaker 2: Yeah.

1086
00:56:03,960 --> 00:56:06,520
Speaker 1: Well it's a hard cut. Okay, it's a smash cut.

1087
00:56:06,719 --> 00:56:12,280
Speaker 3: Smash cut, and it has it has in the stage directions, uh,

1088
00:56:12,600 --> 00:56:15,160
Speaker 3: kind of a little like camel drawing next to the

1089
00:56:15,160 --> 00:56:15,640
Speaker 3: ice spant?

1090
00:56:15,640 --> 00:56:17,080
Speaker 1: Does he do you want him riding in on a

1091
00:56:17,120 --> 00:56:21,600
Speaker 1: camel or do you well, I want him carrying it

1092
00:56:21,640 --> 00:56:25,480
Speaker 1: by the neck, carrying because those guys are mean guys, right, Okay, yeah,

1093
00:56:25,480 --> 00:56:27,680
Speaker 1: they're animals as well as people.

1094
00:56:28,200 --> 00:56:29,839
Speaker 2: Okay, and the ghostbuster.

1095
00:56:30,440 --> 00:56:33,680
Speaker 1: And could the camel's nose look like a freaking wang

1096
00:56:33,880 --> 00:56:35,200
Speaker 1: like Joe Camel?

1097
00:56:35,960 --> 00:56:37,600
Speaker 2: Okay, yeah he could?

1098
00:56:37,200 --> 00:56:40,240
Speaker 3: It can't are we worried about a ton of issue

1099
00:56:40,280 --> 00:56:42,800
Speaker 3: with like whang like like too much wang stuff.

1100
00:56:43,520 --> 00:56:46,239
Speaker 2: I mean it's fun for the fan, like for the

1101
00:56:46,280 --> 00:56:47,800
Speaker 2: adults that are your dad.

1102
00:56:47,640 --> 00:56:49,200
Speaker 4: And you take your kids to the movie on a

1103
00:56:49,239 --> 00:56:50,080
Speaker 4: Sunday afternoon.

1104
00:56:50,200 --> 00:56:52,560
Speaker 1: You know what what in here has been for the

1105
00:56:52,680 --> 00:56:53,640
Speaker 1: kids thus far?

1106
00:56:53,719 --> 00:56:55,080
Speaker 2: I guess, well, you got a camel.

1107
00:56:55,200 --> 00:56:57,040
Speaker 1: Well it's school, they're in school.

1108
00:56:57,880 --> 00:57:01,600
Speaker 2: You got the teachers acting like a dog. Yeah, I

1109
00:57:01,640 --> 00:57:02,800
Speaker 2: guess that is pretty sad.

1110
00:57:03,000 --> 00:57:05,440
Speaker 1: Wasn't that fun for a kid? Their teachers pretend to

1111
00:57:05,440 --> 00:57:07,000
Speaker 1: be a dog. That's so silly.

1112
00:57:07,120 --> 00:57:09,040
Speaker 4: You know, kids get drilled into their heads that somebody

1113
00:57:09,040 --> 00:57:10,920
Speaker 4: could come into their classroom and blow them away at

1114
00:57:10,880 --> 00:57:13,160
Speaker 4: any time. And you know, if they could just you know,

1115
00:57:13,239 --> 00:57:14,880
Speaker 4: have a little fun with that, laugh at it.

1116
00:57:15,000 --> 00:57:16,360
Speaker 2: I mean, what a crazy day school.

1117
00:57:16,440 --> 00:57:21,520
Speaker 7: You got an old guy, you got a foreigner, and

1118
00:57:21,560 --> 00:57:24,040
Speaker 7: then you got somebody's dad, and you know.

1119
00:57:24,000 --> 00:57:26,000
Speaker 1: And it could be a little scary. I see what

1120
00:57:26,000 --> 00:57:28,280
Speaker 1: you're saying. That isis guy comes in with a gun,

1121
00:57:28,680 --> 00:57:32,320
Speaker 1: but the ghost smasher threatens him, and the only guy

1122
00:57:32,360 --> 00:57:34,000
Speaker 1: who winds up getting shot is Obama.

1123
00:57:34,040 --> 00:57:36,240
Speaker 4: And you know what's on the news every day this stuff?

1124
00:57:36,280 --> 00:57:39,680
Speaker 4: I mean Campbell does start talking every day on the news,

1125
00:57:39,680 --> 00:57:40,560
Speaker 4: you see this stuff.

1126
00:57:40,840 --> 00:57:44,160
Speaker 1: Yeah, it really has this bad. Why should we I mean,

1127
00:57:44,200 --> 00:57:46,320
Speaker 1: if the kids can see the news, why should we

1128
00:57:46,400 --> 00:57:49,000
Speaker 1: be held to any standard that's stricter than that.

1129
00:57:49,480 --> 00:57:52,080
Speaker 3: Okay, it just it was feeling very adult to me,

1130
00:57:52,120 --> 00:57:54,040
Speaker 3: and I didn't know if that was a concern at all,

1131
00:57:54,080 --> 00:57:56,480
Speaker 3: but especially the scene the scene later at the Staples

1132
00:57:56,520 --> 00:57:59,560
Speaker 3: Center where they're they all like right after they got

1133
00:57:59,600 --> 00:58:03,600
Speaker 3: dropped off and Jack's limo just felt it felt a

1134
00:58:03,600 --> 00:58:05,240
Speaker 3: little adult with some of the kind.

1135
00:58:05,120 --> 00:58:08,200
Speaker 1: Of well, let's well, let's run through the scene and

1136
00:58:08,240 --> 00:58:10,240
Speaker 1: you stop me when you see something that you think

1137
00:58:10,320 --> 00:58:14,240
Speaker 1: is too adult. Okay, all right, Brett, you could cue

1138
00:58:14,280 --> 00:58:14,959
Speaker 1: up the next song.

1139
00:58:19,120 --> 00:58:22,560
Speaker 2: Well, I hope you like cart side Seats Camel.

1140
00:58:25,360 --> 00:58:31,160
Speaker 13: Okay, because we're gonna have some fun.

1141
00:58:32,200 --> 00:58:36,000
Speaker 2: I'm gonna slip it in to you.

1142
00:58:38,960 --> 00:58:43,520
Speaker 1: Well, first, you better put a hat on that, Jimmy.

1143
00:58:45,880 --> 00:58:50,040
Speaker 13: I don't really like those hats. They really restrict my

1144
00:58:50,800 --> 00:58:55,040
Speaker 13: brain flow. Why don't I just raw dog ye?

1145
00:58:55,920 --> 00:59:00,600
Speaker 1: Hey, while you're raw dog me, I wouldn't month slobber

1146
00:59:00,680 --> 00:59:04,240
Speaker 1: and all over that ghost beaters a proton blaster, you

1147
00:59:04,280 --> 00:59:04,919
Speaker 1: know what I mean.

1148
00:59:05,560 --> 00:59:07,680
Speaker 4: Sorry, I've got to keep this ready for whenever that

1149
00:59:07,840 --> 00:59:08,640
Speaker 4: terrorist does.

1150
00:59:09,720 --> 00:59:12,720
Speaker 1: Well, if you can't put the proton blaster in my mouth,

1151
00:59:13,040 --> 00:59:17,400
Speaker 1: why don't you put something else long in there? So?

1152
00:59:17,600 --> 00:59:18,600
Speaker 1: Can I stop you that?

1153
00:59:18,720 --> 00:59:21,360
Speaker 3: So in the moments after this, where they just kind

1154
00:59:21,360 --> 00:59:23,800
Speaker 3: of start, you know, having this kind.

1155
00:59:23,680 --> 00:59:24,680
Speaker 4: Of orgy, uh huh.

1156
00:59:24,920 --> 00:59:26,960
Speaker 2: They're at a Lakers game. Yeah, it's not an orgy.

1157
00:59:27,040 --> 00:59:30,240
Speaker 1: It's not an orgy. They're enjoying sports with kids play sports,

1158
00:59:30,280 --> 00:59:33,000
Speaker 1: kids play basketball, and they should somebody. Yeah, and I

1159
00:59:33,000 --> 00:59:34,280
Speaker 1: think they should, right.

1160
00:59:34,360 --> 00:59:36,120
Speaker 3: But so I guess that's one question is when I'm

1161
00:59:36,160 --> 00:59:38,840
Speaker 3: drawing the faces of these kind of like family people

1162
00:59:38,840 --> 00:59:41,200
Speaker 3: who are around the game, how do they feel about

1163
00:59:41,680 --> 00:59:45,560
Speaker 3: the camel fucking the ghost beater, the.

1164
00:59:45,600 --> 00:59:46,880
Speaker 4: Happy to see Jack Nichols.

1165
00:59:46,920 --> 00:59:50,240
Speaker 2: I think he's right, Jack Nicholson, Huge star.

1166
00:59:51,680 --> 00:59:54,640
Speaker 1: Yeah, Yeah, Which what moviees wolf? You said that? I

1167
00:59:54,680 --> 00:59:58,040
Speaker 1: don't I don't think I know. Yeah, he's a wolf

1168
00:59:58,040 --> 00:59:58,480
Speaker 1: in a tent?

1169
00:59:58,840 --> 00:59:59,880
Speaker 4: Thank you?

1170
01:00:00,280 --> 01:00:02,680
Speaker 1: Oh okay, No, I hadn't. I hadn't seen that one.

1171
01:00:03,440 --> 01:00:06,440
Speaker 3: It just feels very like there's no kid, Like the

1172
01:00:06,560 --> 01:00:09,080
Speaker 3: minion was the closest thing, and now it seems like

1173
01:00:09,120 --> 01:00:10,200
Speaker 3: the Minion's gone.

1174
01:00:10,520 --> 01:00:12,960
Speaker 1: Well, he's only in that first scene just because he

1175
01:00:13,080 --> 01:00:18,320
Speaker 1: kind of he gets off uh uh yeah, he gets

1176
01:00:18,320 --> 01:00:20,440
Speaker 1: off school and it's time to go home and uh

1177
01:00:20,880 --> 01:00:21,880
Speaker 1: got to work out or whatever.

1178
01:00:22,320 --> 01:00:22,520
Speaker 2: Ok.

1179
01:00:23,080 --> 01:00:27,720
Speaker 1: Yeah, well yeah, earlier I said Obama's the only gets shot,

1180
01:00:27,760 --> 01:00:29,040
Speaker 1: but the minion doesn't.

1181
01:00:29,400 --> 01:00:30,880
Speaker 2: Was the only one I get killed? Yeah?

1182
01:00:30,920 --> 01:00:33,280
Speaker 1: No, no, no, yeah, the minion gets double tapped off screen

1183
01:00:33,560 --> 01:00:36,200
Speaker 1: and gang gang execution style.

1184
01:00:36,560 --> 01:00:37,000
Speaker 2: Uh.

1185
01:00:37,200 --> 01:00:39,360
Speaker 3: I think that's going to be very traumatic to children

1186
01:00:39,360 --> 01:00:40,400
Speaker 3: who enjoy the Minions.

1187
01:00:40,480 --> 01:00:42,560
Speaker 1: No, because when they go to the autopsy, the minion

1188
01:00:42,600 --> 01:00:45,480
Speaker 1: is still goofing around sort of he's being puppeted by

1189
01:00:45,800 --> 01:00:48,080
Speaker 1: you know. But when they go to the autopsy, I

1190
01:00:48,080 --> 01:00:49,440
Speaker 1: think it's pretty funny.

1191
01:00:49,880 --> 01:00:54,920
Speaker 4: The district attorney in the corner and the minions the detective. Yah,

1192
01:00:55,080 --> 01:00:58,080
Speaker 4: they'll do kind of like a Three Stooges sort of homage.

1193
01:00:59,520 --> 01:01:01,280
Speaker 2: Well, what I mean, is there a scene that you

1194
01:01:01,360 --> 01:01:02,400
Speaker 2: don't have a problem with?

1195
01:01:02,880 --> 01:01:06,720
Speaker 3: I mean, I guess the closest thing is this. I mean,

1196
01:01:06,800 --> 01:01:08,480
Speaker 3: is this kid's birthday party scene?

1197
01:01:09,400 --> 01:01:13,320
Speaker 1: Oh yeah, where he's dancing with his teddy bear who

1198
01:01:13,320 --> 01:01:13,919
Speaker 1: comes to life.

1199
01:01:13,960 --> 01:01:15,800
Speaker 3: Yeah yeah, where he's dancing with his teddy bear comes

1200
01:01:15,840 --> 01:01:17,400
Speaker 3: to life. I was like, that's that's kind of sweet.

1201
01:01:17,400 --> 01:01:19,520
Speaker 3: It's a character we haven't seen in the film up

1202
01:01:19,600 --> 01:01:22,360
Speaker 3: until this point. It's just kind of a young boy

1203
01:01:22,400 --> 01:01:24,919
Speaker 3: who wanders on and starts dancing with a teddy bear.

1204
01:01:24,960 --> 01:01:26,360
Speaker 1: It's kind of poetic and nice.

1205
01:01:26,400 --> 01:01:28,240
Speaker 4: It's just no, but no other kids came to his

1206
01:01:28,320 --> 01:01:28,960
Speaker 4: birthday party?

1207
01:01:29,720 --> 01:01:29,919
Speaker 1: Oh?

1208
01:01:30,080 --> 01:01:30,280
Speaker 2: Is that?

1209
01:01:30,360 --> 01:01:31,840
Speaker 4: It's the Oh?

1210
01:01:31,920 --> 01:01:33,120
Speaker 2: I don't think I realized that.

1211
01:01:33,160 --> 01:01:35,200
Speaker 1: And also the reason he thinks his teddy bear came

1212
01:01:35,240 --> 01:01:40,240
Speaker 1: to life is because he's tooking the weed the kids stoned.

1213
01:01:41,400 --> 01:01:45,240
Speaker 7: Okay, I mean because that's funny for me, well, and

1214
01:01:45,480 --> 01:01:50,440
Speaker 7: adults can like that. I got to bring my kid

1215
01:01:50,680 --> 01:01:53,680
Speaker 7: if I got my kid for the weekend, which you

1216
01:01:53,720 --> 01:01:56,600
Speaker 7: know I don't anymore. But if I did, when you

1217
01:01:56,720 --> 01:01:58,480
Speaker 7: used to, when I used to be able to get

1218
01:01:58,520 --> 01:02:02,360
Speaker 7: my dumb kid, I'd bring them to the movies.

1219
01:02:02,400 --> 01:02:04,440
Speaker 2: I don't want to. I'd fall asleep. There's nothing in

1220
01:02:04,480 --> 01:02:08,160
Speaker 2: it for me to watch. Anyway. I don't see him anymore.

1221
01:02:09,480 --> 01:02:12,320
Speaker 4: We couldn't sleep with the that engine running next door.

1222
01:02:14,240 --> 01:02:16,640
Speaker 4: Your kid couldn't get to sleep within that engine noise

1223
01:02:16,680 --> 01:02:17,480
Speaker 4: from daddy's room.

1224
01:02:18,120 --> 01:02:21,480
Speaker 7: Yeah, I mean the noise of all the motors running.

1225
01:02:22,880 --> 01:02:25,800
Speaker 7: Could to keep a kid?

1226
01:02:25,960 --> 01:02:27,520
Speaker 1: Yeah, got a little seasick.

1227
01:02:28,760 --> 01:02:31,120
Speaker 2: Yeah, let's just hear your dad out there on the water.

1228
01:02:33,120 --> 01:02:36,520
Speaker 3: Let's just say sometimes it gets a little flooded the engine.

1229
01:02:37,240 --> 01:02:39,920
Speaker 1: Well, I you know, if you like the birthday party area,

1230
01:02:41,360 --> 01:02:44,640
Speaker 1: then like, you know, maybe we could sort of spruce

1231
01:02:44,760 --> 01:02:47,280
Speaker 1: up that scene. Yeah, I think that would be good.

1232
01:02:47,400 --> 01:02:50,320
Speaker 3: I mean, if we if we jump to that seeming,

1233
01:02:50,440 --> 01:02:52,960
Speaker 3: I still think, just is this guy. I know, I'm

1234
01:02:52,960 --> 01:02:55,000
Speaker 3: supposed to believe that he's good in the end, and

1235
01:02:55,160 --> 01:02:58,440
Speaker 3: he's throwing the birthday party and that and that and

1236
01:02:58,520 --> 01:03:02,720
Speaker 3: he got rid of that fink Obama. Yeah, yeah, so

1237
01:03:02,760 --> 01:03:05,000
Speaker 3: we're I just wanted to see make sure I understood

1238
01:03:05,000 --> 01:03:05,919
Speaker 3: the point of view of the movie.

1239
01:03:05,960 --> 01:03:08,320
Speaker 1: Is Obama? Is we all want him out?

1240
01:03:08,920 --> 01:03:09,080
Speaker 2: Yeah?

1241
01:03:09,120 --> 01:03:11,720
Speaker 1: I think his name begins with an O for a reason,

1242
01:03:12,200 --> 01:03:15,320
Speaker 1: because that's the number of things he's done, right, oh

1243
01:03:15,800 --> 01:03:22,000
Speaker 1: for oh zero, but no president, no president's name. Yeah.

1244
01:03:22,480 --> 01:03:25,240
Speaker 1: I think that's probably why no president's name has ever

1245
01:03:25,280 --> 01:03:29,080
Speaker 1: started with an appropriate number. Oh huh, what do you

1246
01:03:29,080 --> 01:03:31,160
Speaker 1: mean by your standard w win?

1247
01:03:31,680 --> 01:03:35,440
Speaker 4: Yeah, F looks like a four, that's true.

1248
01:03:35,520 --> 01:03:39,959
Speaker 3: Yeah, I guess I guess maybe Roman numerals, B looks

1249
01:03:39,960 --> 01:03:42,080
Speaker 3: like an A, B looks like an A.

1250
01:03:42,240 --> 01:03:44,160
Speaker 4: B looks just like an A. But that Barack.

1251
01:03:45,040 --> 01:03:50,840
Speaker 1: Oh yeah, yeah, but we're going last name, We're going

1252
01:03:50,920 --> 01:03:51,280
Speaker 1: last night.

1253
01:03:51,600 --> 01:03:54,080
Speaker 4: Forget what I said about fah w.

1254
01:03:54,640 --> 01:03:58,240
Speaker 1: Yeah, yeah, I've attracted my original thing too. You're right,

1255
01:03:59,640 --> 01:04:01,560
Speaker 1: I don't know could get to the bottom of this today,

1256
01:04:03,040 --> 01:04:06,480
Speaker 1: but you know, Brett CUEU queue up the song unless

1257
01:04:06,560 --> 01:04:12,680
Speaker 1: and let's launch it to a scene. So the kid

1258
01:04:12,760 --> 01:04:17,280
Speaker 1: finishes ripping a huge head off the blunt he's blowing

1259
01:04:17,360 --> 01:04:21,080
Speaker 1: smoke circles his mom's watching on and she reaches down

1260
01:04:21,120 --> 01:04:25,760
Speaker 1: under her skirt. Suddenly his teddy bear comes to life.

1261
01:04:27,640 --> 01:04:29,320
Speaker 2: Archibal, wish you would have her both there.

1262
01:04:31,160 --> 01:04:36,240
Speaker 1: The teddy bear is a drunk as us scuff.

1263
01:04:38,240 --> 01:04:42,200
Speaker 14: I thought I didn't realize with twin mars or I'm

1264
01:04:42,280 --> 01:04:44,080
Speaker 14: using double Can.

1265
01:04:43,960 --> 01:04:46,160
Speaker 1: We and twins go ahead?

1266
01:04:46,200 --> 01:04:46,840
Speaker 2: Can we? Can we?

1267
01:04:46,920 --> 01:04:49,240
Speaker 3: Just I just want to for my drawing of the

1268
01:04:49,360 --> 01:04:52,000
Speaker 3: of the teddy bear. Then with your voice, with your

1269
01:04:52,040 --> 01:04:54,240
Speaker 3: vocal choice, was there any did you have any race

1270
01:04:54,280 --> 01:04:55,080
Speaker 3: in mind.

1271
01:04:54,880 --> 01:04:58,240
Speaker 1: Or any this or any anything like that? Bears aren't

1272
01:04:58,240 --> 01:05:01,120
Speaker 1: the bears are just a bear bear is in a

1273
01:05:01,120 --> 01:05:03,680
Speaker 1: particular it just seemed like a kind of jivy car

1274
01:05:03,920 --> 01:05:06,360
Speaker 1: like he was going, yeah, but like I didn't know

1275
01:05:06,360 --> 01:05:07,080
Speaker 1: how you mean that.

1276
01:05:07,120 --> 01:05:09,400
Speaker 2: I don't know. I don't know.

1277
01:05:09,440 --> 01:05:12,520
Speaker 3: I guess I just it felt like it could be

1278
01:05:13,080 --> 01:05:15,680
Speaker 3: like what, I don't know, so I was asking say

1279
01:05:15,720 --> 01:05:16,120
Speaker 3: it Dom.

1280
01:05:16,280 --> 01:05:17,280
Speaker 1: I'm just I was asking.

1281
01:05:18,080 --> 01:05:20,400
Speaker 2: I mean, I was just saying bear, bear.

1282
01:05:20,200 --> 01:05:22,360
Speaker 1: Okay, that's just what I was just say. He's not

1283
01:05:22,400 --> 01:05:26,200
Speaker 1: a very aggressive There is a wild animal, yeah, but

1284
01:05:26,240 --> 01:05:26,560
Speaker 1: I mean.

1285
01:05:26,480 --> 01:05:28,160
Speaker 3: If we want the kid to I'm just trying to

1286
01:05:28,200 --> 01:05:30,080
Speaker 3: steer it more towards something that also entertains.

1287
01:05:30,080 --> 01:05:32,280
Speaker 1: There a particular race that you think is more aggressive

1288
01:05:32,320 --> 01:05:35,880
Speaker 1: than other races. No, no, there's not. I'm saying them,

1289
01:05:35,960 --> 01:05:36,600
Speaker 1: what the fuck.

1290
01:05:36,440 --> 01:05:38,160
Speaker 2: Are you talking about?

1291
01:05:38,480 --> 01:05:42,120
Speaker 1: I don't know there's I'm saying that. I've never I've

1292
01:05:42,120 --> 01:05:44,720
Speaker 1: known you for a year, I've known you for years.

1293
01:05:44,840 --> 01:05:47,920
Speaker 1: I never thought I would have to go on some

1294
01:05:47,960 --> 01:05:51,040
Speaker 1: of my other friends facebook walls and talk about something

1295
01:05:51,080 --> 01:05:53,000
Speaker 1: that you don't do that.

1296
01:05:52,920 --> 01:05:54,560
Speaker 4: You'll be hearing from me about this one.

1297
01:05:54,800 --> 01:05:57,200
Speaker 3: Please don't do that. Guys, Guys, we can talk about

1298
01:05:57,200 --> 01:06:00,919
Speaker 3: it now. You're going to lose your jomb No don't.

1299
01:06:01,000 --> 01:06:03,000
Speaker 3: We're gonna email my boss or show.

1300
01:06:03,080 --> 01:06:04,440
Speaker 4: You're not gonna be able to show your face and

1301
01:06:04,480 --> 01:06:09,920
Speaker 4: polite company. When I'm through with you, my girlfriend will

1302
01:06:10,040 --> 01:06:13,200
Speaker 4: let me motor boat. When I get home, I'll I'll

1303
01:06:13,240 --> 01:06:15,880
Speaker 4: be riding so high off of taking you down and

1304
01:06:15,920 --> 01:06:17,160
Speaker 4: tearing you apart on Facebook.

1305
01:06:18,160 --> 01:06:19,120
Speaker 2: You'll be able to do it.

1306
01:06:19,200 --> 01:06:21,120
Speaker 4: We'll see. I haven't you. We've been dating for a

1307
01:06:21,160 --> 01:06:21,800
Speaker 4: year and a half.

1308
01:06:24,200 --> 01:06:24,720
Speaker 1: I don't.

1309
01:06:26,200 --> 01:06:28,600
Speaker 3: I just thought maybe if the bear was a little

1310
01:06:28,600 --> 01:06:31,520
Speaker 3: more soft spoken, a little friendlier, a little more polite,

1311
01:06:31,520 --> 01:06:32,240
Speaker 3: it might be more Maybe.

1312
01:06:32,960 --> 01:06:35,280
Speaker 4: Maybe you don't know the bear's experience, and the bear

1313
01:06:35,360 --> 01:06:38,200
Speaker 4: is experienced, you know, the sort of life that you

1314
01:06:38,240 --> 01:06:39,000
Speaker 4: wouldn't understand.

1315
01:06:39,160 --> 01:06:42,640
Speaker 2: Thanks for the note. Guy who draws, I'm a voice actor.

1316
01:06:43,600 --> 01:06:46,560
Speaker 1: Yeah, okay, no, that's that's a good point. I'm a

1317
01:06:46,600 --> 01:06:51,520
Speaker 1: little out of line. Yeah, and I'm a podcaster. Oh yeah,

1318
01:06:52,160 --> 01:06:54,160
Speaker 1: And I'm sorry if I kind of infringed on that.

1319
01:06:54,240 --> 01:06:59,680
Speaker 1: I was on three or three or so year end lists. Actually,

1320
01:07:00,480 --> 01:07:02,920
Speaker 1: this show, some of you think about that before you

1321
01:07:02,960 --> 01:07:05,360
Speaker 1: give a note. And the bear's not a real bear

1322
01:07:05,400 --> 01:07:10,160
Speaker 1: anyway in the kid's head. Oh okay, so it's an imaginary.

1323
01:07:10,280 --> 01:07:12,960
Speaker 1: No one else can see it but the kid. Yeah, kids,

1324
01:07:12,960 --> 01:07:14,640
Speaker 1: fucking stone out of his fucking shit.

1325
01:07:14,840 --> 01:07:16,920
Speaker 2: Those are the given circumstances of the scripts.

1326
01:07:16,960 --> 01:07:17,200
Speaker 8: Dom.

1327
01:07:17,360 --> 01:07:17,960
Speaker 2: Remember when he.

1328
01:07:17,960 --> 01:07:22,000
Speaker 3: Took the big hit off the honey blunt. I do,

1329
01:07:22,600 --> 01:07:24,720
Speaker 3: I do, remember, can you draw a honey blunt like that?

1330
01:07:25,960 --> 01:07:27,880
Speaker 3: I've never actually seen a honey blunt?

1331
01:07:27,960 --> 01:07:30,960
Speaker 1: Can you draw backwoods? Is that a different type of blunt?

1332
01:07:31,040 --> 01:07:31,919
Speaker 2: Yeah? I can't.

1333
01:07:32,040 --> 01:07:35,160
Speaker 3: I never actually drew blunts. We were not allowed to draw.

1334
01:07:35,400 --> 01:07:38,960
Speaker 1: Draw one of those cross joints like Rogan rolled oh

1335
01:07:39,000 --> 01:07:40,640
Speaker 1: in Pineapple, I don't know.

1336
01:07:41,160 --> 01:07:46,640
Speaker 2: Okay, kind of looks like the new Lightsaber. I haven't

1337
01:07:46,640 --> 01:07:46,960
Speaker 2: seen it.

1338
01:07:47,000 --> 01:07:47,760
Speaker 1: I haven't seen it.

1339
01:07:48,760 --> 01:07:51,800
Speaker 7: Star Wars is sort of my thing, so oh yeah.

1340
01:07:52,240 --> 01:07:55,760
Speaker 7: Growing up growing up, it was like, this speaks to me.

1341
01:07:57,880 --> 01:08:00,880
Speaker 7: I have it in my bones. If you slice open

1342
01:08:00,920 --> 01:08:05,400
Speaker 7: one of my bones, you know, a blaster. I didn't

1343
01:08:05,480 --> 01:08:06,880
Speaker 7: just like growing up with Star Wars.

1344
01:08:06,880 --> 01:08:10,160
Speaker 4: I didn't just like the main characters Luke and Leyan Han,

1345
01:08:10,800 --> 01:08:13,320
Speaker 4: a character that really sort of spoke to me as

1346
01:08:13,360 --> 01:08:16,439
Speaker 4: a young teenager, was actually kind of a smaller character

1347
01:08:16,800 --> 01:08:22,559
Speaker 4: in the trilogy. I found myself very drawn to the

1348
01:08:22,640 --> 01:08:26,240
Speaker 4: character the bounty hunter Bob effect. I don't know if

1349
01:08:26,280 --> 01:08:28,160
Speaker 4: you're familiar with me. It's very small part.

1350
01:08:28,760 --> 01:08:31,040
Speaker 2: Yes, I actually am familiar with him.

1351
01:08:31,240 --> 01:08:34,760
Speaker 1: The richness of the world and the texture of the

1352
01:08:34,800 --> 01:08:38,639
Speaker 1: tapestry of Empire briefing and then in Jedi he's thrown

1353
01:08:38,640 --> 01:08:44,360
Speaker 1: into the Starlac pit a monster on Frozen and Carbonate.

1354
01:08:44,439 --> 01:08:51,519
Speaker 1: Anilysm is on his own, mister Fess. But but Star

1355
01:08:51,560 --> 01:08:55,200
Speaker 1: Wars was basically my high school mine too.

1356
01:08:56,160 --> 01:08:58,679
Speaker 7: Yes, yeah, it was pretty It was a pretty personal

1357
01:08:58,760 --> 01:08:59,200
Speaker 7: thing for me.

1358
01:08:59,880 --> 01:09:02,360
Speaker 1: I didn't really relate to my family as much as

1359
01:09:02,360 --> 01:09:05,280
Speaker 1: I related to Star Wars and some of those characters.

1360
01:09:05,439 --> 01:09:08,120
Speaker 1: And as much as I did love the main characters,

1361
01:09:08,240 --> 01:09:14,439
Speaker 1: there were also other characters and even Chewbacca. Everyone remember

1362
01:09:14,479 --> 01:09:18,920
Speaker 1: how he was a Wookie Sorry to get so inside

1363
01:09:19,840 --> 01:09:25,000
Speaker 1: from the planet. Oh yeah, yes, the frozen haf planet.

1364
01:09:25,280 --> 01:09:27,479
Speaker 1: Sorry to get so inside. I hate to think that

1365
01:09:27,520 --> 01:09:29,719
Speaker 1: we're alienating listeners, but this is the kind of stuff

1366
01:09:29,720 --> 01:09:31,240
Speaker 1: I care about, and it was kind of my thing.

1367
01:09:31,720 --> 01:09:35,479
Speaker 1: They were moisture farmers. It's the cool just detail of

1368
01:09:35,520 --> 01:09:36,000
Speaker 1: the world.

1369
01:09:36,280 --> 01:09:40,959
Speaker 2: Orlando. Yeah, he's another side, kind of a minor. Oh.

1370
01:09:41,280 --> 01:09:43,200
Speaker 3: When me and my friends saw that movie, there was

1371
01:09:43,240 --> 01:09:45,160
Speaker 3: one line that stuck out to us and we kind

1372
01:09:45,160 --> 01:09:49,280
Speaker 3: of use it in different circumstances and uh, And that's

1373
01:09:49,320 --> 01:09:54,280
Speaker 3: when one of the weird looking aliens goes uh. And

1374
01:09:54,360 --> 01:09:58,160
Speaker 3: so sometimes we'll say that about stuff that like like

1375
01:09:58,240 --> 01:10:00,000
Speaker 3: if it's like a hey Man career I just watched

1376
01:10:00,000 --> 01:10:01,479
Speaker 3: Are you something real quick? It's like, oh, he's gonna

1377
01:10:01,479 --> 01:10:02,800
Speaker 3: like punch him in the arm real hard or some

1378
01:10:02,880 --> 01:10:05,880
Speaker 3: trick or something. I go, that is great and we

1379
01:10:05,920 --> 01:10:07,599
Speaker 3: all know what each other are talking about.

1380
01:10:07,720 --> 01:10:10,360
Speaker 2: Yeah, really big. I mean that was very because I

1381
01:10:10,360 --> 01:10:12,360
Speaker 2: do voices. I mean, voices are my thing, and that's.

1382
01:10:12,240 --> 01:10:18,320
Speaker 7: A movie of just different voices, different aliens, different robots,

1383
01:10:18,360 --> 01:10:20,320
Speaker 7: just a lot of I mean, you know, beat boop,

1384
01:10:20,360 --> 01:10:22,879
Speaker 7: beat boops and roars.

1385
01:10:23,240 --> 01:10:25,920
Speaker 3: What are they saying when they beat boop those I

1386
01:10:25,920 --> 01:10:28,759
Speaker 3: always wonder they speak robot in that like a language.

1387
01:10:28,800 --> 01:10:35,360
Speaker 1: M h Yeah. I love the all the characters talk.

1388
01:10:36,080 --> 01:10:39,960
Speaker 1: That was one of my ideas actually, you know about

1389
01:10:40,000 --> 01:10:43,160
Speaker 1: this sort of animated project is like, could we have

1390
01:10:43,240 --> 01:10:45,960
Speaker 1: things talking you don't expect and do we want to

1391
01:10:46,080 --> 01:10:48,439
Speaker 1: jump to sort of the finale of the film where

1392
01:10:48,439 --> 01:10:52,320
Speaker 1: there's robots and all the different items in the room

1393
01:10:52,479 --> 01:10:58,240
Speaker 1: are talking and even things that maybe aren't usually doing that. Yeah. Yeah,

1394
01:10:58,280 --> 01:11:04,280
Speaker 1: And it's also the minion. His dad is there, okay, Yeah,

1395
01:11:04,320 --> 01:11:09,439
Speaker 1: that's up to the last and he's all boned out. Okay,

1396
01:11:09,479 --> 01:11:11,519
Speaker 1: so he starts to see him boned out. Yeah, and

1397
01:11:11,560 --> 01:11:15,559
Speaker 1: he's and he's got uh blue balls, but he calls

1398
01:11:15,640 --> 01:11:17,320
Speaker 1: him yellow balls because he's a minion.

1399
01:11:19,040 --> 01:11:20,960
Speaker 3: Or it could be it could be green balls because

1400
01:11:20,960 --> 01:11:23,920
Speaker 3: blue and yellow make green like. It could be, you know,

1401
01:11:25,200 --> 01:11:26,520
Speaker 3: it could be something fun.

1402
01:11:26,640 --> 01:11:27,679
Speaker 4: That's actually really good.

1403
01:11:28,160 --> 01:11:29,599
Speaker 2: Yeah that makes such sense.

1404
01:11:30,479 --> 01:11:33,360
Speaker 1: That's better than what I had. It's not better, it's

1405
01:11:33,360 --> 01:11:35,360
Speaker 1: a different thing. Yellow. Yeah, they start yellow and then

1406
01:11:35,360 --> 01:11:36,880
Speaker 1: the blue tint makes a green.

1407
01:11:37,360 --> 01:11:38,799
Speaker 2: I might confuse the kid. Result.

1408
01:11:39,320 --> 01:11:41,960
Speaker 4: Kids are smarter. Kids are smarter than you give him credit.

1409
01:11:42,240 --> 01:11:44,639
Speaker 1: They got fun, Oh my god. They listen to every

1410
01:11:44,840 --> 01:11:47,400
Speaker 1: can google whatever. They you know, they hear every ben

1411
01:11:47,479 --> 01:11:49,479
Speaker 1: you know with your kid, he's repeating all kinds of

1412
01:11:49,520 --> 01:11:50,160
Speaker 1: crazy ship.

1413
01:11:50,400 --> 01:11:54,280
Speaker 2: Yeah, he says he's a parent. He says everything I say,

1414
01:11:54,960 --> 01:11:57,200
Speaker 2: especially when you tell him not to. Yeah, well then

1415
01:11:57,240 --> 01:11:58,120
Speaker 2: he wants to do it more.

1416
01:11:58,439 --> 01:12:00,439
Speaker 1: Yeah it's over.

1417
01:12:01,400 --> 01:12:03,479
Speaker 2: Well, yeah, I don't have to worry about it anymore.

1418
01:12:03,560 --> 01:12:05,639
Speaker 2: Now he's probably got a totally different I.

1419
01:12:05,560 --> 01:12:07,679
Speaker 1: Can't even find him in the fucking rear view. Right,

1420
01:12:08,120 --> 01:12:10,120
Speaker 1: good riddance. But you do have that parrot.

1421
01:12:10,960 --> 01:12:13,559
Speaker 2: I did. I bought a parrot to replace him in

1422
01:12:13,600 --> 01:12:16,240
Speaker 2: my life. But even that thing is for fucking pain

1423
01:12:16,320 --> 01:12:16,920
Speaker 2: in the neck.

1424
01:12:17,280 --> 01:12:18,960
Speaker 1: Well just repeats everything you say too.

1425
01:12:19,240 --> 01:12:20,440
Speaker 4: I see it in the neighborhood.

1426
01:12:21,400 --> 01:12:23,800
Speaker 7: Yeah, I don't keep it in a cage. Yeah, I

1427
01:12:23,880 --> 01:12:26,360
Speaker 7: tried to get it out, but it keeps flying back.

1428
01:12:26,800 --> 01:12:28,240
Speaker 1: Then take a piece of your ear off.

1429
01:12:28,520 --> 01:12:31,240
Speaker 2: Yeah, you see the chip of my ear that's missing.

1430
01:12:32,040 --> 01:12:37,040
Speaker 2: This one's from the parrot. This one is from my dad.

1431
01:12:37,680 --> 01:12:40,920
Speaker 4: Mmmmmm. It's complicated.

1432
01:12:41,160 --> 01:12:45,200
Speaker 2: It's a cycle. Yeah, you know, of course, hardest job

1433
01:12:45,240 --> 01:12:47,080
Speaker 2: in the world, dads. It's tough.

1434
01:12:47,320 --> 01:12:54,400
Speaker 1: Yeah, second artist fracking, I think, oh yeah, most challenging,

1435
01:12:54,600 --> 01:12:57,800
Speaker 1: and it's pretty dangerous too. Only and also because people

1436
01:12:57,800 --> 01:13:00,000
Speaker 1: will give you such a hard time about it. That's

1437
01:13:00,040 --> 01:13:06,120
Speaker 1: a hard job to have. Commercial fishermen, Oh that's deadly.

1438
01:13:04,960 --> 01:13:07,720
Speaker 2: Yeah, hard because people respect.

1439
01:13:07,479 --> 01:13:11,240
Speaker 1: That well and it's got I mean, if you're commercial fishermen.

1440
01:13:11,160 --> 01:13:13,920
Speaker 2: Oh yeah, I mean you're already on a boat.

1441
01:13:14,120 --> 01:13:18,839
Speaker 4: Yes, a lot of emails.

1442
01:13:19,120 --> 01:13:22,680
Speaker 1: You said it up, you did, you sent him a

1443
01:13:22,680 --> 01:13:27,519
Speaker 1: bit fucking Uh. So let's do the last scene, and

1444
01:13:27,560 --> 01:13:30,840
Speaker 1: it's sort of the big party finale, and uh we

1445
01:13:30,880 --> 01:13:33,479
Speaker 1: sort of wrap up a lot of things that probably

1446
01:13:33,520 --> 01:13:35,559
Speaker 1: people were hearing these other scenes are going like, well,

1447
01:13:35,640 --> 01:13:37,960
Speaker 1: I'm I'm loving the plot, but there's some loose ends

1448
01:13:38,000 --> 01:13:39,280
Speaker 1: how they're going to pay this off.

1449
01:13:39,720 --> 01:13:42,360
Speaker 7: It wraps up pretty I gotta give you a kudos,

1450
01:13:42,600 --> 01:13:43,880
Speaker 7: uh huh to you guys.

1451
01:13:43,880 --> 01:13:46,240
Speaker 2: It does button up pretty tightly.

1452
01:13:46,439 --> 01:13:46,840
Speaker 7: Mm hmm.

1453
01:13:54,080 --> 01:13:57,120
Speaker 1: The King comes back and he has Santa Claus and

1454
01:13:57,120 --> 01:14:01,759
Speaker 1: and they're both talking to the uh winning the Pooh,

1455
01:14:02,600 --> 01:14:05,640
Speaker 1: and he's carrying on his back. He's got like a

1456
01:14:05,680 --> 01:14:09,720
Speaker 1: backpack and sitting in it is the Master Blaster, and

1457
01:14:09,960 --> 01:14:13,280
Speaker 1: all the gummy bears are talking to the ductails dudes

1458
01:14:13,360 --> 01:14:16,559
Speaker 1: and the Ninja Turtles don't have their masks on so

1459
01:14:16,600 --> 01:14:20,400
Speaker 1: they can't tell each other apart. And they come by

1460
01:14:21,160 --> 01:14:25,400
Speaker 1: on a sled. It's not Santa's sled, it's Calvin's from

1461
01:14:25,479 --> 01:14:29,080
Speaker 1: Calvin at Hobbs, and he's mashed up with Star Wars,

1462
01:14:29,120 --> 01:14:33,400
Speaker 1: which seems to be something people like, so to combine those.

1463
01:14:33,840 --> 01:14:38,240
Speaker 1: So they see that the Isis guy is asleep, and

1464
01:14:38,400 --> 01:14:42,599
Speaker 1: they take out a long sword and slice his head.

1465
01:14:43,360 --> 01:14:49,360
Speaker 1: And what does he say, Oh, bab.

1466
01:14:50,439 --> 01:14:52,280
Speaker 2: I'm happy I killed you.

1467
01:14:54,640 --> 01:14:56,479
Speaker 1: And he turns out to be a good guy, which

1468
01:14:56,479 --> 01:15:01,479
Speaker 1: I think we mentioned, and then he goes or he

1469
01:15:01,640 --> 01:15:06,240
Speaker 1: wakes up and he's sleeping next to Suzanne Plachette.

1470
01:15:09,120 --> 01:15:15,360
Speaker 7: Oh, I just had the weirdest dream, so did I.

1471
01:15:17,200 --> 01:15:18,800
Speaker 4: Well, it's about to get dream eater.

1472
01:15:21,160 --> 01:15:24,760
Speaker 1: The Ghostbusters man puts his proton blaster in and and

1473
01:15:25,000 --> 01:15:29,559
Speaker 1: both their heads and starts jamming it in and out.

1474
01:15:31,320 --> 01:15:33,120
Speaker 1: Can I go ahead?

1475
01:15:34,040 --> 01:15:37,640
Speaker 3: I think that ending actually is very satisfying, and I

1476
01:15:37,680 --> 01:15:41,000
Speaker 3: think that that is I do think that that is

1477
01:15:41,160 --> 01:15:42,880
Speaker 3: kind of makes the whole journey worth it.

1478
01:15:43,040 --> 01:15:44,280
Speaker 1: I wonder if we're gonna be able.

1479
01:15:44,120 --> 01:15:46,439
Speaker 3: To get the rights to all those characters you listed

1480
01:15:47,080 --> 01:15:47,759
Speaker 3: at the beginning.

1481
01:15:47,960 --> 01:15:50,439
Speaker 1: We've been over this on the show before. You can

1482
01:15:50,520 --> 01:15:53,400
Speaker 1: you can use those characters as long as you change

1483
01:15:53,400 --> 01:15:57,439
Speaker 1: their affiliation. So Santa Claus, who's normally a villain, we've

1484
01:15:57,439 --> 01:15:58,519
Speaker 1: made him a good guy.

1485
01:15:59,000 --> 01:16:01,200
Speaker 3: Okay, and like when he the poo and Calvin and

1486
01:16:01,240 --> 01:16:03,000
Speaker 3: all that, Okay, okay, good guys.

1487
01:16:03,080 --> 01:16:06,799
Speaker 1: Well Covin got smashed up with being uh Star Wars anyway.

1488
01:16:07,040 --> 01:16:10,240
Speaker 7: Yes, I liked that you guys wrote in the script

1489
01:16:10,960 --> 01:16:11,960
Speaker 7: because people like that.

1490
01:16:13,880 --> 01:16:15,000
Speaker 1: Well we've seen it online.

1491
01:16:15,960 --> 01:16:18,680
Speaker 2: Yeah, but it's just to clarify for anybody. I think

1492
01:16:18,720 --> 01:16:19,599
Speaker 2: that that helps.

1493
01:16:20,640 --> 01:16:23,080
Speaker 3: So I'm happy to take these kind of drawings I

1494
01:16:23,240 --> 01:16:25,400
Speaker 3: did and put them in an envelope and ship them

1495
01:16:25,400 --> 01:16:28,599
Speaker 3: to wherever, Neil says, the you know, they'll make.

1496
01:16:28,520 --> 01:16:31,280
Speaker 4: A move animation, you know, in the studio.

1497
01:16:31,880 --> 01:16:36,920
Speaker 1: Yeah, great, okay, so we'll do that and then sit

1498
01:16:37,000 --> 01:16:39,280
Speaker 1: back and wait for the books. I guess.

1499
01:16:41,479 --> 01:16:42,680
Speaker 2: Is there anything else.

1500
01:16:44,240 --> 01:16:47,840
Speaker 1: You guys want to get off your chest? Oh?

1501
01:16:47,960 --> 01:16:59,360
Speaker 15: I just said chest, calm down, starting a nose off there.

1502
01:16:59,479 --> 01:17:01,599
Speaker 1: But now now you're awake.

1503
01:17:01,760 --> 01:17:03,320
Speaker 2: Yeah, you up all night?

1504
01:17:06,000 --> 01:17:06,240
Speaker 5: Yeah?

1505
01:17:06,360 --> 01:17:07,320
Speaker 2: I just love a couple.

1506
01:17:07,760 --> 01:17:10,520
Speaker 1: Yeah, okay, yeah, because yeah, go ahead.

1507
01:17:11,280 --> 01:17:16,680
Speaker 7: Russell, if you're listening, you know, I'm sorry that you

1508
01:17:16,760 --> 01:17:22,040
Speaker 7: didn't have a bedroom, and you know, please come back.

1509
01:17:23,360 --> 01:17:25,599
Speaker 2: Try to be quiet, but I think we can work

1510
01:17:25,640 --> 01:17:26,120
Speaker 2: things out.

1511
01:17:26,960 --> 01:17:31,240
Speaker 1: Okay, that's really great. That's really great. And Russell's your parents,

1512
01:17:31,240 --> 01:17:34,080
Speaker 1: that's right, he's my parrot, and go ahead, Neil.

1513
01:17:34,400 --> 01:17:37,240
Speaker 4: I'm gonna go online after this and I'm going to

1514
01:17:37,280 --> 01:17:41,400
Speaker 4: refresh my Facebook feed and I'm going to scroll down, down, down,

1515
01:17:41,479 --> 01:17:43,720
Speaker 4: down through everything that all you people out there have

1516
01:17:43,800 --> 01:17:46,160
Speaker 4: said while I've been offline for the past hour and

1517
01:17:46,200 --> 01:17:50,560
Speaker 4: a half or so. And God help you if any

1518
01:17:50,840 --> 01:17:54,000
Speaker 4: step down on line for a fucking second, because it

1519
01:17:54,040 --> 01:17:56,559
Speaker 4: doesn't matter if the people you're talking about are offended.

1520
01:17:57,080 --> 01:17:59,880
Speaker 4: I'm going to get offended for them, and I'm gonna

1521
01:18:00,200 --> 01:18:00,639
Speaker 4: after you.

1522
01:18:00,760 --> 01:18:02,880
Speaker 1: Well, tell me some peopleimes you're too stupid to know

1523
01:18:02,960 --> 01:18:04,960
Speaker 1: that they should have be offended.

1524
01:18:05,080 --> 01:18:08,000
Speaker 4: Well, you know, some people are too busy trying to

1525
01:18:08,040 --> 01:18:12,759
Speaker 4: claw their way through a world that's hostile to them,

1526
01:18:12,960 --> 01:18:15,240
Speaker 4: and they need people like me to put on my

1527
01:18:15,280 --> 01:18:19,360
Speaker 4: little shorts and my little T shirt and to go

1528
01:18:19,439 --> 01:18:24,800
Speaker 4: online on my sticky laptop and scream at them online

1529
01:18:24,840 --> 01:18:27,680
Speaker 4: and tell them that they would be better off dead

1530
01:18:27,720 --> 01:18:29,960
Speaker 4: and the world would be better off without them because

1531
01:18:30,000 --> 01:18:31,920
Speaker 4: they don't think the right things like me do.

1532
01:18:33,640 --> 01:18:40,160
Speaker 1: That's nice. Is there anything more heroic then talking to

1533
01:18:40,200 --> 01:18:43,400
Speaker 1: people who agree with you about what they already think.

1534
01:18:46,080 --> 01:18:48,639
Speaker 4: If you can do it from home, it's that much

1535
01:18:48,680 --> 01:18:49,520
Speaker 4: more noble.

1536
01:18:50,360 --> 01:18:54,760
Speaker 3: And dom I will mine's kind of the opposite of

1537
01:18:54,880 --> 01:18:56,599
Speaker 3: Neils a little bit. I just hope you know there's

1538
01:18:58,120 --> 01:19:00,160
Speaker 3: on the off chance Hayes didn't edit it out. Was

1539
01:19:00,200 --> 01:19:02,240
Speaker 3: a little talk earlier that something I said might have

1540
01:19:02,240 --> 01:19:03,040
Speaker 3: crossed the line.

1541
01:19:04,240 --> 01:19:07,240
Speaker 2: I hope he did edit that out, but I think

1542
01:19:07,280 --> 01:19:08,000
Speaker 2: he's for.

1543
01:19:07,840 --> 01:19:10,400
Speaker 1: The sake of our listener's ears. I hope he managed

1544
01:19:10,400 --> 01:19:11,880
Speaker 1: to find a way to get it out. But it

1545
01:19:11,960 --> 01:19:14,400
Speaker 1: actually was so filthy I think that it soiled the

1546
01:19:14,439 --> 01:19:17,439
Speaker 1: rest of the podcast, and even when came before it, well,

1547
01:19:17,520 --> 01:19:19,360
Speaker 1: and even and even the next episode that I.

1548
01:19:19,400 --> 01:19:21,160
Speaker 3: Just want to put out the point of view that

1549
01:19:21,160 --> 01:19:23,000
Speaker 3: that you know, I might it might have been just

1550
01:19:23,000 --> 01:19:25,840
Speaker 3: an innocent mistake. It doesn't it's not indicative of my

1551
01:19:25,920 --> 01:19:28,479
Speaker 3: behavior in general. It's just it's just a kind of

1552
01:19:29,000 --> 01:19:30,679
Speaker 3: if there was anything there, it was just a slip

1553
01:19:30,680 --> 01:19:32,800
Speaker 3: of the tongue and certainly didn't mean anything by it,

1554
01:19:32,840 --> 01:19:36,800
Speaker 3: and you know, hopefully my social media kind of.

1555
01:19:36,840 --> 01:19:38,600
Speaker 4: Well, I'm going to listen to this episode when it

1556
01:19:38,640 --> 01:19:39,960
Speaker 4: comes out, and I'll be the judge of that.

1557
01:19:40,920 --> 01:19:42,800
Speaker 1: Yeah, And I'm sorry to that. And I'd like to

1558
01:19:42,840 --> 01:19:46,400
Speaker 1: apologize to the funny car that pissed out its gas

1559
01:19:46,400 --> 01:19:48,080
Speaker 1: tank that we didn't put in any of the scenes,

1560
01:19:49,160 --> 01:19:50,880
Speaker 1: and I wish that that I'd made its way in.

1561
01:19:51,439 --> 01:19:52,320
Speaker 4: It's an easter egg.

1562
01:19:53,120 --> 01:19:56,960
Speaker 1: Yeah, And it's an Easter egg. And I just want

1563
01:19:56,960 --> 01:20:05,040
Speaker 1: to also say that just I just really think that

1564
01:20:05,080 --> 01:20:06,479
Speaker 1: women's bodies are beautiful.

1565
01:20:07,479 --> 01:20:07,639
Speaker 2: Cry.

1566
01:20:08,720 --> 01:20:10,719
Speaker 4: Yeah, yeah, I'm crying.

1567
01:20:13,120 --> 01:20:18,800
Speaker 1: So thanks for listening to Hollywood Handbook, the sort of

1568
01:20:18,920 --> 01:20:23,280
Speaker 1: educational show biz podcast that I do with Hayes Davenport

1569
01:20:25,200 --> 01:20:27,439
Speaker 1: my guests this week we're on the show. We talked

1570
01:20:27,439 --> 01:20:31,200
Speaker 1: about them and to them a lot, and the show's over.

1571
01:20:32,360 --> 01:20:35,519
Speaker 1: So what we're going to do now is end it

1572
01:20:36,200 --> 01:20:43,360
Speaker 1: and we'll just move in the We'll move on from

1573
01:20:43,400 --> 01:20:49,439
Speaker 1: the show by stopping doing it. Does that start now?

1574
01:20:51,080 --> 01:20:56,360
Speaker 1: And this will be the end of it. So thanks

1575
01:20:56,400 --> 01:20:57,479
Speaker 1: everybody for listening.

1576
01:20:58,160 --> 01:21:01,040
Speaker 7: Agree edit out the part where I we talked about

1577
01:21:01,160 --> 01:21:07,840
Speaker 7: budding people in the butt. It's an ongoing thing absolutely

1578
01:21:08,160 --> 01:21:12,160
Speaker 7: that I'm dealing with, and it's probably not smart to

1579
01:21:12,200 --> 01:21:13,080
Speaker 7: me to put that out there.

1580
01:21:13,520 --> 01:21:17,680
Speaker 1: Yeah, we'll get rid of that. So the show's over.

1581
01:21:17,720 --> 01:21:20,240
Speaker 1: So if anybody's still hearing what I'm saying, you shouldn't be.

1582
01:21:21,680 --> 01:21:27,559
Speaker 1: We're done. Brett shouldn't be recording it anymore. And that's that.

1583
01:21:29,280 --> 01:21:33,880
Speaker 1: Oh in the pro version, I don't think we really

1584
01:21:33,960 --> 01:21:39,400
Speaker 1: do that anymore. Bye.

1585
01:21:39,800 --> 01:21:41,640
Speaker 2: A couple other things I'd like to get rid of.

1586
01:21:44,280 --> 01:21:45,679
Speaker 11: I'm still recording, so it's fine.

1587
01:21:45,720 --> 01:21:49,040
Speaker 7: Okay, Well, maybe I should talk to you about this afterward.

1588
01:21:49,080 --> 01:21:51,720
Speaker 7: But I said probably a lot of things that I

1589
01:21:51,840 --> 01:21:57,720
Speaker 7: probably I legally. Yeah, my parent is in a bit

1590
01:21:57,760 --> 01:22:01,599
Speaker 7: of trouble, and I probably to put his name out there.

1591
01:22:02,280 --> 01:22:03,519
Speaker 2: Mabe, you just get rid of all that.

1592
01:22:03,560 --> 01:22:04,679
Speaker 4: I don't think you said his name.

1593
01:22:05,040 --> 01:22:07,200
Speaker 2: I did, Yeah, Russell Russell.

1594
01:22:08,400 --> 01:22:12,400
Speaker 4: Oh oh rup, Oh yeah, that's all over the Los

1595
01:22:12,400 --> 01:22:13,120
Speaker 4: Filo's ledger.

1596
01:22:13,240 --> 01:22:15,719
Speaker 2: Mm hmm yeah, that's where he lives.

1597
01:22:17,400 --> 01:22:19,760
Speaker 7: Anyway, if we can get all of that stuff out,

1598
01:22:20,400 --> 01:22:21,439
Speaker 7: I would appreciate it.

1599
01:22:23,200 --> 01:22:26,479
Speaker 4: I'm sorry I called up here asked so much about

1600
01:22:26,520 --> 01:22:31,559
Speaker 4: the your intimation earlier. I just I got a public

1601
01:22:31,600 --> 01:22:35,400
Speaker 4: persona to keep as a real righteous you know, if

1602
01:22:35,400 --> 01:22:36,800
Speaker 4: somebody really tells it like it is.

1603
01:22:36,840 --> 01:22:39,800
Speaker 1: And what's the Rudyr Kipling quote you like to use

1604
01:22:39,800 --> 01:22:40,640
Speaker 1: a lot.

1605
01:22:41,760 --> 01:22:44,920
Speaker 4: It's a ruder Tippling Kipling paraphrase.

1606
01:22:45,080 --> 01:22:48,320
Speaker 1: Sorry, sorry, which is it's.

1607
01:22:48,120 --> 01:22:52,920
Speaker 4: Hard to be the only person on the internet who

1608
01:22:52,960 --> 01:22:55,080
Speaker 4: can help the people who the Internet won't help.

1609
01:22:56,200 --> 01:22:56,960
Speaker 1: Rudyard Kipling.

1610
01:22:57,560 --> 01:23:04,639
Speaker 2: Yeah, that's beautiful jungle mm hm ballou that was good.

1611
01:23:06,479 --> 01:23:08,200
Speaker 1: So this is sort of a new thing we're trying

1612
01:23:08,200 --> 01:23:10,799
Speaker 1: where we just sort of peter out for a while.

1613
01:23:11,439 --> 01:23:12,799
Speaker 2: We're still recording Brett.

1614
01:23:12,840 --> 01:23:13,880
Speaker 1: What's going on for you?

1615
01:23:14,479 --> 01:23:14,639
Speaker 2: Oh?

1616
01:23:14,680 --> 01:23:20,439
Speaker 11: I was just thinking about should I end it, because

1617
01:23:20,600 --> 01:23:24,559
Speaker 11: I was just kind of huh zoning out after Don

1618
01:23:25,080 --> 01:23:26,000
Speaker 11: Dom said.

1619
01:23:27,960 --> 01:23:34,479
Speaker 1: Somebody got remember Don Don Hayes boyfriend, somebody got cereal

1620
01:23:34,520 --> 01:23:34,960
Speaker 1: on the brain.

1621
01:23:35,880 --> 01:23:37,160
Speaker 4: Should we call him Hayes again?

1622
01:23:38,000 --> 01:23:43,360
Speaker 1: Yeah, let's call him back. We're all just chilling.

1623
01:23:43,760 --> 01:23:45,280
Speaker 2: I we got that bad.

1624
01:23:46,600 --> 01:23:48,599
Speaker 4: Because you know, bats rule the night. You know, they

1625
01:23:48,640 --> 01:23:51,000
Speaker 4: don't just rule the zoo at night, they rule the night.

1626
01:23:51,439 --> 01:23:52,639
Speaker 1: And don't tell me, tell Hayes.

1627
01:23:53,760 --> 01:23:55,000
Speaker 4: I don't need to pick a you know.

1628
01:23:55,800 --> 01:24:00,200
Speaker 7: Can I be honest? Not recording anymore. I usually get

1629
01:24:00,200 --> 01:24:01,280
Speaker 7: too shy a motor boat.

1630
01:24:02,000 --> 01:24:02,559
Speaker 8: Yeah, I know.

1631
01:24:04,880 --> 01:24:07,519
Speaker 2: I do get requested a lot, and I'm just like

1632
01:24:07,600 --> 01:24:09,160
Speaker 2: you guys. I put up the big.

1633
01:24:10,200 --> 01:24:12,479
Speaker 4: Well stuff you don't want. A girl undoes that button

1634
01:24:12,560 --> 01:24:16,120
Speaker 4: and sort of squeezes your shoulders together front wise right

1635
01:24:16,120 --> 01:24:18,080
Speaker 4: there at your house. You know it's a it's you

1636
01:24:18,120 --> 01:24:19,080
Speaker 4: get a fight or flight.

1637
01:24:19,080 --> 01:24:20,920
Speaker 2: You've been describing. It makes me want to run out

1638
01:24:20,920 --> 01:24:21,640
Speaker 2: of the room.

1639
01:24:22,320 --> 01:24:26,280
Speaker 3: I've actually never been asked to motor boat, like specifically requested.

1640
01:24:26,360 --> 01:24:29,120
Speaker 1: I don't get the whole thing with Brett, Like I don't.

1641
01:24:30,320 --> 01:24:36,400
Speaker 1: For me, what's sexy is just personality, you know what

1642
01:24:36,400 --> 01:24:37,840
Speaker 1: I mean? But I feel like if I say that,

1643
01:24:37,920 --> 01:24:40,800
Speaker 1: if I admit that, that's like somehow it makes me

1644
01:24:40,920 --> 01:24:44,400
Speaker 1: less masculine. But I can't imagine just like it's just

1645
01:24:44,439 --> 01:24:47,240
Speaker 1: purely a physical thing. It's too intimate an act.

1646
01:24:47,960 --> 01:24:50,479
Speaker 2: I mean on the air, I kind of like play

1647
01:24:50,560 --> 01:24:53,400
Speaker 2: this character and you know a lot of my cheese mo.

1648
01:24:53,640 --> 01:24:57,160
Speaker 2: But no, I mean it's more.

1649
01:24:57,320 --> 01:24:59,200
Speaker 1: I mean it's a trap. I'm in the same thing.

1650
01:24:59,200 --> 01:24:59,920
Speaker 1: I'm in the same.

1651
01:24:59,720 --> 01:25:01,599
Speaker 2: God damn trap.

1652
01:25:04,080 --> 01:25:04,800
Speaker 1: I've never seen it.

1653
01:25:06,840 --> 01:25:07,920
Speaker 2: You've never seen Star Wars.

1654
01:25:08,160 --> 01:25:09,000
Speaker 1: Oh, you just know that.

1655
01:25:10,240 --> 01:25:17,320
Speaker 11: You guys know this old models and like an animatronics.

1656
01:25:15,400 --> 01:25:16,680
Speaker 2: Never watched never watched them.

1657
01:25:16,800 --> 01:25:19,320
Speaker 11: Some puppets so much better.

1658
01:25:19,479 --> 01:25:21,960
Speaker 1: I don't know, I don't know, you've never seen something.

1659
01:25:23,360 --> 01:25:32,160
Speaker 1: I don't know. How do these things?

1660
01:25:32,520 --> 01:25:35,000
Speaker 7: Press one for more options?

1661
01:25:34,240 --> 01:25:39,840
Speaker 1: You got ha Uh it's Sean Neil.

1662
01:25:40,200 --> 01:25:41,679
Speaker 2: Bang and dumb.

1663
01:25:42,320 --> 01:25:42,719
Speaker 14: Uh.

1664
01:25:42,800 --> 01:25:46,559
Speaker 1: We're just sort of winding down the podcast, just doing

1665
01:25:46,600 --> 01:25:50,880
Speaker 1: a little post mortem and we got lonely, and uh,

1666
01:25:51,280 --> 01:25:53,719
Speaker 1: I wanted to see what happened with the bat and everything.

1667
01:25:54,120 --> 01:25:56,519
Speaker 1: Still a seat for you here, Bud, Yeah, there always

1668
01:25:56,520 --> 01:25:57,840
Speaker 1: will be. We're keeping it warm.

1669
01:25:58,000 --> 01:26:00,280
Speaker 2: The show is over, but we're still kind of hang

1670
01:26:00,320 --> 01:26:00,559
Speaker 2: it out.

1671
01:26:00,800 --> 01:26:02,680
Speaker 1: The show is warm, and there's like a new thing

1672
01:26:02,720 --> 01:26:04,280
Speaker 1: on the show where it's kind of petering out at

1673
01:26:04,320 --> 01:26:09,760
Speaker 1: the end. You said, yeah, and you know, anyway, just

1674
01:26:10,720 --> 01:26:17,040
Speaker 1: we care about you, we love you, and uh, saying

1675
01:26:17,040 --> 01:26:20,000
Speaker 1: a prayer for you, and we're saying praying.

1676
01:26:20,439 --> 01:26:23,439
Speaker 4: Yeah, peace, peace be with me.

1677
01:26:23,560 --> 01:26:29,880
Speaker 1: Piece love your brother, I love your brother, Hayes, Chase, love.

1678
01:26:29,760 --> 01:26:30,559
Speaker 2: Your brother, Chase.

1679
01:26:33,360 --> 01:26:35,800
Speaker 1: I think that's done. You want to let it go,

1680
01:26:35,920 --> 01:26:36,720
Speaker 1: Peter this one out?

1681
01:26:36,800 --> 01:26:38,200
Speaker 2: Yeah, keep it going.

1682
01:26:38,240 --> 01:26:39,840
Speaker 1: I guess we got kind of a new thing going

1683
01:26:39,920 --> 01:26:42,479
Speaker 1: voicemail wise, where we just sort of let it run

1684
01:26:42,520 --> 01:26:47,280
Speaker 1: its course and it's not up to me when it ends. Uh,

1685
01:26:47,400 --> 01:26:49,280
Speaker 1: the ending will happen because it happens.

1686
01:26:49,520 --> 01:26:51,400
Speaker 3: Heyes, Maybe you can explain what the thing is like

1687
01:26:51,439 --> 01:26:53,680
Speaker 3: after your where you say your own name on your

1688
01:26:53,760 --> 01:26:56,040
Speaker 3: voicemail and then it goes press one to do this.

1689
01:26:56,160 --> 01:26:57,880
Speaker 3: It's like we just want to leave the message like

1690
01:26:57,920 --> 01:26:59,519
Speaker 3: I don't want to I don't want to have to

1691
01:26:59,640 --> 01:27:00,559
Speaker 3: enter a numbers.

1692
01:27:00,600 --> 01:27:02,920
Speaker 1: Yeah, do we really need that part? Sorry, I'm kind

1693
01:27:02,960 --> 01:27:05,200
Speaker 1: of riffing, but I really do feel that way. Now,

1694
01:27:05,320 --> 01:27:06,679
Speaker 1: feel free to get off on a riff.

1695
01:27:06,720 --> 01:27:09,240
Speaker 4: I always liked it in movies and stuff where somebody's

1696
01:27:09,360 --> 01:27:11,640
Speaker 4: voicemail would be like, hey, it's me, you know what

1697
01:27:11,760 --> 01:27:12,040
Speaker 4: to do?

1698
01:27:12,479 --> 01:27:16,479
Speaker 1: That's so cool, it's so cash, Yeah, it's so cool.

1699
01:27:16,800 --> 01:27:20,559
Speaker 3: Or a tricky one, yeah, one that goes like hey, hey,

1700
01:27:20,600 --> 01:27:22,840
Speaker 3: it's me, man, I answered, it's really me and then

1701
01:27:22,880 --> 01:27:23,439
Speaker 3: you kind of.

1702
01:27:23,439 --> 01:27:27,840
Speaker 1: Yeah, you start talking. Yeah, dude, I have a fucking

1703
01:27:27,920 --> 01:27:31,000
Speaker 1: idea for a cool message and tell me if this

1704
01:27:31,040 --> 01:27:34,479
Speaker 1: would do, if this is funny. So I want to

1705
01:27:34,520 --> 01:27:37,559
Speaker 1: play this character called like the message monster.

1706
01:27:38,040 --> 01:27:40,719
Speaker 2: Okay, I'm on board, and I eat.

1707
01:27:40,600 --> 01:27:44,400
Speaker 1: Voicemails and like that's my only food. And so I

1708
01:27:44,400 --> 01:27:46,560
Speaker 1: think it will encourage people because nowadays I feel like

1709
01:27:46,640 --> 01:27:48,360
Speaker 1: so many people hang up when they get the voicemail

1710
01:27:48,360 --> 01:27:50,519
Speaker 1: and they just send you a text. But'll encourage them

1711
01:27:50,600 --> 01:27:52,960
Speaker 1: because I want to hear their voice to leave sort

1712
01:27:52,960 --> 01:27:54,799
Speaker 1: of a warm thing if they feel like they're feeding

1713
01:27:54,840 --> 01:27:55,759
Speaker 1: the message monster.

1714
01:27:55,920 --> 01:27:57,800
Speaker 3: So it is the outgoing message the message monster kind

1715
01:27:57,800 --> 01:28:01,360
Speaker 3: of begging to be fed. Yeah, it's like it's like

1716
01:28:01,760 --> 01:28:04,839
Speaker 3: it's sorry, it's so it's like yeah, so it's.

1717
01:28:04,840 --> 01:28:09,360
Speaker 1: Whatever, it'll be the no, it'll come out. Yeah, it's

1718
01:28:09,400 --> 01:28:18,160
Speaker 1: the rings, right and then on the yeah, okay, yeah.

1719
01:28:15,400 --> 01:28:20,280
Speaker 2: Click, thank you. I'm the message monster. Please.

1720
01:28:20,479 --> 01:28:24,040
Speaker 14: I need them to eat the messengers the only way

1721
01:28:24,120 --> 01:28:28,639
Speaker 14: I can live. Please give me messengers in my stomach

1722
01:28:29,040 --> 01:28:32,040
Speaker 14: and if you leave Them's mentioned to Sun that you

1723
01:28:32,520 --> 01:28:34,439
Speaker 14: really like him.

1724
01:28:34,680 --> 01:28:37,080
Speaker 4: Dumb, dumb. What background did that voice sound like it

1725
01:28:37,120 --> 01:28:38,720
Speaker 4: had to you background?

1726
01:28:39,120 --> 01:28:39,479
Speaker 2: Yeah?

1727
01:28:39,560 --> 01:28:41,240
Speaker 1: Yeah, where would the message monster be?

1728
01:28:41,560 --> 01:28:43,920
Speaker 3: I kind of I kind of pictured pictured him as

1729
01:28:43,920 --> 01:28:46,599
Speaker 3: like a festive king, like a plump king.

1730
01:28:46,560 --> 01:28:48,759
Speaker 2: Who had like a lot. He sounded like jolly.

1731
01:28:49,160 --> 01:28:50,519
Speaker 1: I didn't picture a race at all.

1732
01:28:51,240 --> 01:28:54,200
Speaker 4: Nothing jolly king is white.

1733
01:28:56,000 --> 01:29:01,280
Speaker 3: Maybe that's probably unfortunately, I mean historically it has been.

1734
01:29:01,320 --> 01:29:05,000
Speaker 4: Historically a jolly sort of ruddy cheeked king is white.

1735
01:29:05,120 --> 01:29:07,760
Speaker 4: And you know, yeah, maybe if we pretend otherwise, we

1736
01:29:07,800 --> 01:29:09,800
Speaker 4: do a disservice to all the kings you could come after.

1737
01:29:10,000 --> 01:29:14,360
Speaker 1: And the stern king is always a black man.

1738
01:29:15,760 --> 01:29:17,960
Speaker 4: And that's how, you know, and that's how it's presented

1739
01:29:18,000 --> 01:29:20,040
Speaker 4: in the media, and we all have to take responsibility

1740
01:29:20,040 --> 01:29:20,200
Speaker 4: for that.

1741
01:29:21,120 --> 01:29:21,880
Speaker 2: Sean. I like that.

1742
01:29:21,960 --> 01:29:25,920
Speaker 7: I do because a sad message that you have believe,

1743
01:29:26,040 --> 01:29:29,679
Speaker 7: which nowadays usually is the case when.

1744
01:29:29,560 --> 01:29:31,519
Speaker 2: You have to leave a message, at least you're you know,

1745
01:29:31,680 --> 01:29:32,599
Speaker 2: cheered up a little bit.

1746
01:29:32,880 --> 01:29:36,479
Speaker 1: Yeah that, yeah, that was sort of the thinking. Just

1747
01:29:36,479 --> 01:29:39,400
Speaker 1: seemed like a fresh take on that outgoing voicemail. And

1748
01:29:39,920 --> 01:29:43,400
Speaker 1: I'm always creating these characters. I've got another idea for

1749
01:29:43,439 --> 01:29:44,000
Speaker 1: a character.

1750
01:29:44,479 --> 01:29:46,280
Speaker 2: Are we running out of time on the message?

1751
01:29:47,600 --> 01:29:50,400
Speaker 11: Actually, I'm just I just got spinning wheel on both

1752
01:29:50,439 --> 01:29:55,120
Speaker 11: the recording and the message. So is it we can't end?

1753
01:29:55,600 --> 01:29:57,920
Speaker 11: So I couldn't stop it if I wanted to right now.

1754
01:29:58,120 --> 01:29:59,599
Speaker 1: So is the recording happening?

1755
01:30:00,479 --> 01:30:03,080
Speaker 11: I don't know, because the recording is happening. I want

1756
01:30:03,120 --> 01:30:04,759
Speaker 11: the recording is definitely happening.

1757
01:30:04,960 --> 01:30:07,520
Speaker 1: I want this character to be preserved on the recording,

1758
01:30:07,560 --> 01:30:12,120
Speaker 1: which is, Uh, this is guy who thinks putting on

1759
01:30:12,160 --> 01:30:14,920
Speaker 1: a life jacket makes him look like the kool Aid

1760
01:30:15,000 --> 01:30:16,240
Speaker 1: Man more than it does.

1761
01:30:17,920 --> 01:30:23,400
Speaker 7: Okay, Oh he's talking on the phone.

1762
01:30:25,800 --> 01:30:31,599
Speaker 12: Hold on, I'm just getting into a penga now, Tom

1763
01:30:31,720 --> 01:30:36,679
Speaker 12: Way koolid care and I don't really think so? Man,

1764
01:30:37,439 --> 01:30:38,080
Speaker 12: what are you doing?

1765
01:30:39,400 --> 01:30:44,160
Speaker 2: Uh? Kool aid dom?

1766
01:30:44,280 --> 01:30:44,519
Speaker 11: Why?

1767
01:30:44,640 --> 01:30:46,680
Speaker 2: Why did she get a phone call them for?

1768
01:30:48,080 --> 01:30:49,040
Speaker 1: Yeah? What's that?

1769
01:30:49,439 --> 01:30:52,200
Speaker 2: It kind of threw me off that he was taking

1770
01:30:52,240 --> 01:30:52,639
Speaker 2: a call.

1771
01:30:52,840 --> 01:30:56,759
Speaker 1: I think it weakened the character, which let's agree, would

1772
01:30:56,760 --> 01:30:58,920
Speaker 1: have crushed otherwise. I thought he was leaving it upgoing

1773
01:30:59,000 --> 01:30:59,760
Speaker 1: voicemail again.

1774
01:31:00,120 --> 01:31:02,559
Speaker 2: I was out of it immediately and sorry, you know.

1775
01:31:02,800 --> 01:31:06,960
Speaker 1: Oh wow, did it really derail you that much? Yeah?

1776
01:31:07,000 --> 01:31:09,040
Speaker 1: I mean I rolled with it admirably, But.

1777
01:31:09,280 --> 01:31:14,000
Speaker 2: We do it again, you how so just trying the

1778
01:31:14,080 --> 01:31:15,080
Speaker 2: character one more time.

1779
01:31:15,360 --> 01:31:23,919
Speaker 1: Okay, hey kool aid, that was way funnier.

1780
01:31:25,240 --> 01:31:26,840
Speaker 3: Yeah, I can see how I kind of stopped you

1781
01:31:26,880 --> 01:31:28,040
Speaker 3: from doing that the first time.

1782
01:31:29,240 --> 01:31:30,320
Speaker 4: It feels pretty petered

1783
01:31:34,040 --> 01:31:42,439
Speaker 1: By Hollywood Handbook is brought to you by Wolf Cool

1784
01:31:42,560 --> 01:31:56,320
Speaker 1: Production to subsidiary of calvinobs ow Baby