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Speaker 1: This is Helsa. Welcome to another week of shows. More

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Speaker 1: in studio morning Travis Denning coming up in like fifteen

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Speaker 1: minutes or so. You would know Travis from this song

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Speaker 1: right here after few dre So, since it's coming in,

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Speaker 1: we're gonna start the show right now with an early

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Speaker 1: mail bag a year something we call Bobby's Hello Bobby Bones.

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Speaker 1: About seven years ago, some dear friends bought my wife

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Speaker 1: and I had guitar. They said they did a lot

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Speaker 1: of research, and we're very proud of their gift. A

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Speaker 1: wife already owned an extremely nice guitar, which I don't

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Speaker 1: think they realized, and unfortunately we never really grew to

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Speaker 1: like the new, cheaper guitar. We always prefer to play

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Speaker 1: my wife's guitar. The guitar from our friend's been sitting

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Speaker 1: in a closet for years now. We want to declutter

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Speaker 1: our life and have talked about getting rid of it.

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Speaker 1: We have also considered giving it back to them, because

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Speaker 1: they mentioned several times they gave it us but they

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Speaker 1: really loved it. However, these friends would be very hurt

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Speaker 1: if they ever found out we got rid of a gift.

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Speaker 1: We're not quite sure what to do here, should we

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Speaker 1: make an attempt to give the guitar back to them.

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Speaker 1: Should we quietly get rid of it and not tell them,

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Speaker 1: or should we just own up, deal with it and

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Speaker 1: deal with to fall out. Thank you for your help,

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Speaker 1: signed guilty guitar friends. Well, there's a couple of that

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Speaker 1: you for sure shouldn't do, and I'm gonna start. What's

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Speaker 1: first one? You should not give it back to them.

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Speaker 1: That would be the most ridiculous thing you could ever do.

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Speaker 1: There's no chance, that's not even no option. They gave

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Speaker 1: it to you from their heart, they researched it that

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Speaker 1: you do not give the gift back to them. Even

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Speaker 1: if they want a guitar, you can buy them another one.

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Speaker 1: You don't give them that one because that will hurt them,

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Speaker 1: not cut them. You want to sell it or get

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Speaker 1: rid of it, I understand what I would recommend. If

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Speaker 1: you don't need the money, use that guitar as for

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Speaker 1: lack of a de terminal ornament. Something you can hang

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Speaker 1: on a wall. Oh, that's nice. Something there's a reason

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Speaker 1: you have that guitar. Maybe you take a picture they're

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Speaker 1: really close friends of the four of you, and you

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Speaker 1: tape it on the guitar. I don't know. It can

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Speaker 1: be something in a room that's not the living room

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Speaker 1: that you can look at and appreciate but not play.

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Speaker 1: And also it's a nice guitar pops a string or

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Speaker 1: a nut breaks or and you need a guitar that

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Speaker 1: one's still there to play. Yeah, good points the secondary guitar,

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Speaker 1: especially if you play a lot. But I would not

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Speaker 1: give it back to them. If I needed the money,

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Speaker 1: I would definitely sell it upon it. But if that's

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Speaker 1: not the case either, if you're just decluttering, I would

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Speaker 1: use it on the wall. I would use it as

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Speaker 1: when people come over, Oh this is that. That's what

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Speaker 1: I would use it for. And then it's a backup guitar.

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Speaker 1: So don't don't. Don't you don't give it back to them.

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Speaker 1: Oh my god, you'll never friend them again. That friendships over.

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Speaker 1: No way, you can't give it back. I agree with you.

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Speaker 1: It's just like the option they didn't say on there,

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Speaker 1: or maybe they didn't I missed it. It's just I

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Speaker 1: get you're trying to declutter, but find room for it.

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Speaker 1: Put it away or like you said, hang it on

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Speaker 1: a wall. Yeah, I mean it's a way. They've put

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Speaker 1: it away, but they're they're like, now, what do we

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Speaker 1: do because we don't even want it a way anymore? Okay,

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Speaker 1: so yes, hang it, put it there. I'm sure there's

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Speaker 1: a space somewhere you could hang the guitar and not

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Speaker 1: feel guilty and it'll look cool. I always like to

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Speaker 1: see guitars hanging. I think it's a cool thing. Does

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Speaker 1: have to be around to another guitars. It can just

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Speaker 1: be a guitar. So there you go. Thank you for

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Speaker 1: the email. I will take them, Morgan. If people want

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Speaker 1: to email us, what do they do? Mail bag at

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Speaker 1: Bobby Bones dot com. I dispense advice like this for

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Speaker 1: free all day long. We probably all have guitars hanging right.

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Speaker 1: Oh yeah, I um you have. I guess I'd like

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Speaker 1: to com back, but no, don't give them back, just

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Speaker 1: hang on. That's why I hang them all right, thank you.

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Speaker 1: We've got yours althae on the Bobby Bones show. Now.

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Speaker 1: I have a theory about yeah, would you like to

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Speaker 1: hear it? I think sometimes you have your buddies fish

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Speaker 1: and you hold it up on Instagram like you caught

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Speaker 1: a big fish, because it's just your brand to go fishing.

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Speaker 1: And if you go with smaller fish, then you'll look

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Speaker 1: lesser than Have you ever done that? Yes, well I have.

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Speaker 1: I can debunk that three right now. I don't. I

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Speaker 1: don't fish with hardly anybody that often, So I don't

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Speaker 1: really have friends I fish with. So you go by yourself,

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Speaker 1: that's not safe. I would say ninety five percent of

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Speaker 1: the time I fish by myself. I just prefer it,

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Speaker 1: and I want to. I want to be out there

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Speaker 1: for like a really long amount of time, and I don't.

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Speaker 1: I have maybe two or three friends that'll fish all

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Speaker 1: day with me, but if it's a Monday or Tuesday

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Speaker 1: when I'm home, they're either working or they got something

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Speaker 1: else going on. So list your hobbies by favorite. Give

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Speaker 1: me the top three hobbies fishing. Do you still play

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Speaker 1: guitar as a hobby? Yeah, yeah, I would slay. Guitar

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Speaker 1: still a hobby. I mean, I like, I just bought

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Speaker 1: a new guitar a couple of weeks ago and went home,

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Speaker 1: and I've got just like a little blues junior at

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Speaker 1: the house like something, and I just I don't know

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Speaker 1: what that means. It's just like a little ample like

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Speaker 1: five watt amp. So you do practice still, I don't

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Speaker 1: really practice like you have a guitar. We've grab the

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Speaker 1: guitar Travis Denning here. By the way, we're gonna talk

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Speaker 1: about a second as a new EP that's out, it's

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Speaker 1: called might as well be Me? Why why is it

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Speaker 1: called that? Uh? That is the hook to the very

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Speaker 1: first song? And I really liked the idea of not

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Speaker 1: naming a record after a song. What do you mean

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Speaker 1: it's the hook because the first song is called red

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Speaker 1: round Here, so that that song is like, somebody's got

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Speaker 1: to keep it red round here. They gotta keep it

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Speaker 1: red neck, they gotta keep it country. And the hook

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Speaker 1: is like it might as well be me. You really

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Speaker 1: just said it. You have a guitar literally in your hand,

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Speaker 1: and you just said, might as well be me? Yeah,

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Speaker 1: do that part? Hey, yeah, be thank you so bad.

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Speaker 1: He's gotta keep it red around here. Might as well

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Speaker 1: be me? Now I get it, Yeah, I got it. Okay,

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Speaker 1: But you had a guitar. It's it's weird for me

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Speaker 1: for you to go, yeah, I might as well be

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Speaker 1: me when literally you're holding a guitar. Well, you just

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Speaker 1: said to hold it. Tell me, Oh, I didn't know.

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Speaker 1: I had to say that, like take your fingers and

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Speaker 1: run it down the stream. Yeah, like play the chord progression,

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Speaker 1: sing the melody and the lyrics. Okay, first guitar lick

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Speaker 1: you ever learned as a kid that you were proud

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Speaker 1: of yourself for because it was pretty difficult. I mean

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Speaker 1: the very first lick I remember learning was okay, white

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Speaker 1: stripe seven nation are not not crazy difficult, but maybe

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Speaker 1: probably blackbird, but that's a tough one, and so I

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Speaker 1: would just always try and see how fast I could

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Speaker 1: play it. You can go faster than that, yes, Okay,

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Speaker 1: it's like blue grass beetles. So you learned that, and

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Speaker 1: you're pretty proud of yourself because it's a lot of

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Speaker 1: hand sliding on that one. Yeah, at what age did

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Speaker 1: you get to where you could play it all? Meaning

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Speaker 1: you could play all the bar acords with your hands all?

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Speaker 1: Like how old? I think at that point I was

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Speaker 1: probably fourteen, And that was really when I stopped taking

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Speaker 1: guitar lessons. I had been taking guitar lessons for essentially

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Speaker 1: three and a half years, three and a half four years.

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Speaker 1: UM had a great teacher that I still actually taught

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Speaker 1: to this day. He lives out in Colorado. So then

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Speaker 1: what do you do at fourteen when you leave guitar lessons.

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Speaker 1: Obviously you start playing, but can you play places? Oh?

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Speaker 1: I played like backyards, Like I had a little punk

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Speaker 1: rock band like called Madhouse America, which is either a

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Speaker 1: great band name or really yeah, I like it now.

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Speaker 1: I like Madhouse. I think it's kind So one of

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Speaker 1: the first shows I ever played, my parents let me

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Speaker 1: host like a backyard like the IY punk rock show

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Speaker 1: at fourteen. Yeah, and if you play pop punk songs

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Speaker 1: like we know, like do you have the time? I know?

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Speaker 1: It was like like super underground he kind of punk

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Speaker 1: rock and stuff and uh and we I just invited

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Speaker 1: essentially all my friends from school and stuff. We did

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Speaker 1: it the the friday of the first week that school

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Speaker 1: opened back up, and I printed off all these flyers

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Speaker 1: and it was us another local band and like this

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Speaker 1: is when I actually lived in Utah at the time,

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Speaker 1: and and this band was like from Salt Lake. And

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Speaker 1: then we had a band from Canada that was like

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Speaker 1: on tour playing in our backyard. I think we had

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Speaker 1: like eighty people showed up and that was the first

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Speaker 1: big show. Yeah. We made a Pallettwood stage and just

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Speaker 1: ran all the power essentially just vocal mic and kicked

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Speaker 1: drunk was miked and we just played in the backyard.

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Speaker 1: So then but what, like, what bands, what kind of

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Speaker 1: song would you play? We wrote some songs and they

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Speaker 1: were some of the worst songs ever. I'm trying that's

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Speaker 1: what the fans want. Yeah, I know that, like, now,

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Speaker 1: pull it out, pull it out. I don't remember for it,

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Speaker 1: fight for it, trying to fight for it. Okay, if

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Speaker 1: you really want it, you'll get it. Okay. I don't

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Speaker 1: remember the lyrics, but I mean I think it just

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Speaker 1: kind of sounded like it was very like that. Yeah, yeah,

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Speaker 1: I mean the backyard due to park rock show and

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Speaker 1: my dad made barbecue. Said, are you singing a British accent?

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Speaker 1: That makes no sense? That makes no sense? It wasn't

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Speaker 1: that was that was like a yeah, but no, but no,

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Speaker 1: that was you see British. Yeah, you totally just it

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Speaker 1: has some teen anks in it. That's not anks, that's

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Speaker 1: that's a foreign accent. Um. Yeah, I don't know what.

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Speaker 1: You weren't the singer. Heck no, I was a guitar player.

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Speaker 1: I didn't know that. So you got something you could

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Speaker 1: have dropped on it, like absolute scrawny, horrible voice. So

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Speaker 1: all through high school too, like when I played shows

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Speaker 1: and looked back, it's like I didn't even sound, Like

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Speaker 1: when do you start to get the voice that you're like, Okay,

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Speaker 1: this voice could actually do something for me. As soon

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Speaker 1: as I find out, I'll let you know, so not

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Speaker 1: yeah okay, but yeah. You know, if I were Dirks

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Speaker 1: Bentley or Jake you got to use the last name

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Speaker 1: with Dirks, you know, I would be a bit weary

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Speaker 1: about putting you on first. You do such a dynamic show,

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Speaker 1: and you're, you know, when you're out with Dirks and

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Speaker 1: Ashley and then you're out with Jake, like you get

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Speaker 1: you're going ahead of at least Jake. Like that says

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Speaker 1: something for those guys to put you on first, because

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Speaker 1: you know, you have a very energetic, loud, really strong show.

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Speaker 1: And I would assume the live part of your show

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Speaker 1: has always been super important to you. It's been the

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Speaker 1: number one most important thing. I mean, like I I

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Speaker 1: picked up a guitar because I wanted to perform life,

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Speaker 1: you know, and just like when I moved up Nashville,

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Speaker 1: the only thing in my like tunnel vision of goals

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Speaker 1: I wanted to accomplish. I mean, like I wanted to

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Speaker 1: write songs and I wanted to get a publishing deal,

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Speaker 1: but I wanted to be in a tour bus. I mean,

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Speaker 1: the Dirts tour has just been insane. I mean he's

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Speaker 1: one of my all time favorites, honestly. I mean this

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Speaker 1: is a bucket list tour for me. Travis Dennis here,

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Speaker 1: we're gonna talk about the new EPN just a second.

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Speaker 1: But what I will tell you it's called it might

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Speaker 1: as well be me. Let's play a clip of buy

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Speaker 1: a Girl a drink, Buying Girl a drink, Time to

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Speaker 1: around college. Three days later, kids are in the Poolsycho Meeter,

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Speaker 1: Mommy Day and Labor Day, when keep kids here from me,

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Speaker 1: buddies because you're in the deep and by raining Merry

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Speaker 1: honeymoon on an raised babies in the banks mine and

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Speaker 1: from a rocking chairman on the Bobby Bones Show. Now

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Speaker 1: somebody comes in there left handed. I never get that

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Speaker 1: even look at another guitar and goal. I could play

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Speaker 1: that one. You got me so good the first time

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Speaker 1: we ever truly hung out with the whole lefty thing.

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Speaker 1: You can tell him a story. I like it. It's

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Speaker 1: a really good story about me. I'm gonna let him

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Speaker 1: tell that. Yeah, Christmas party. Oh man, it was at

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Speaker 1: twenty nine, twenty eighteen. It's pre pandemic. Yeah, yeah, yeah

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Speaker 1: and PEP pre pandemic and um so I walked in.

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Speaker 1: I was playing your Christmas party and I have my

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Speaker 1: lefty guitar and you're like, oh, left handed, that's pretty cool.

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Speaker 1: And you're like, let me see if I could even

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Speaker 1: try this. You're like, I don't know if I can.

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Speaker 1: You're like You're like, You're like I was like, oh

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Speaker 1: my god. And then about halfway through I was like, hmm,

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Speaker 1: he's left handed. Cool, I'm sweet. The other one that

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Speaker 1: I'll do is I'll oh, go, man, this a ball.

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Speaker 1: I wonder if I could joggle like I've seen it

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Speaker 1: on I don't like be sloppy with the juggling. And

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Speaker 1: then I'm like oh oh, and then I'll said I'm

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Speaker 1: doing under the back and you know, I don't know

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Speaker 1: if under the backs of thing, but the juggling and

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Speaker 1: the leeftendant guitar are the only two tricks that have

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Speaker 1: at any party. So if no one's left handed, how

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Speaker 1: many things can you juggle? It? One time? I just balls,

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Speaker 1: It's just tennis balls or something. I'm no. Three. Yeah,

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Speaker 1: thanks for making me. Really, they minimize the juggling. I

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Speaker 1: can't do three. I can't even do two. You could

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Speaker 1: juggle two, But by going how many can you do?

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Speaker 1: You made me second only do three. So I'm lesser

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Speaker 1: than of my audience now, So thanks anyway, that was Travis.

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Speaker 1: The EPs called might as well be me. You got

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Speaker 1: six new songs here, so it looks like you wrote

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Speaker 1: them all. Yeah, how important is that to you? Not

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Speaker 1: as important as I think it used to be when

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Speaker 1: I was younger. I think now, I think the great

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Speaker 1: dynamic of Nashville is that you have songwriters and artists,

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Speaker 1: and obviously that that kind of then diagrams itself where

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Speaker 1: they're kind of both. But I think there's gotta be

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Speaker 1: a place for songwriters and there's gotta be a place

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Speaker 1: for artists to cut songwriter songs. So, um, if the

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Speaker 1: right song ever comes along that I didn't write, I've

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Speaker 1: never thought about batting an eye to it, which is

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Speaker 1: being a song called Abby. I mean I did. I

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Speaker 1: didn't write that, but I heard it and I fell

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Speaker 1: in love with it, and it was like I didn't

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Speaker 1: even care that I how's that one go? And the

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Speaker 1: name is Abby? That's anybody, but you shall I have

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Speaker 1: a bad little Body be the life of the Pony.

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Speaker 1: Drink at kolbe or two never never heard it? Yeah,

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Speaker 1: I heard? So the EP is out. Now do you

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Speaker 1: get Have you been playing these live at all? Yeah?

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Speaker 1: We've been playing red round here, she's on it, and

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Speaker 1: buy a grilla drink? Now do you get to open

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Speaker 1: it all up? Now? All six of them? Now I

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Speaker 1: get to do all six. Fans are demanding him the

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Speaker 1: new stuff, play the stuff that I don't know. Play

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Speaker 1: the song. Yeah, I don't know yet, might not ever

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Speaker 1: learn it, but I'll try. Yeah, yeah, all right, you

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Speaker 1: guys check it out. Travis Denning has got a whole

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Speaker 1: new six songs out today. Here is some of She's

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Speaker 1: on it. I bet she's on I can't say for sure,

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Speaker 1: but I know for sure there's a boy. Is that

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Speaker 1: the single? No? Oh, she shouldn't be. No, I don't know.

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Speaker 1: I'm asking you, no, no, No. Is there a single yet?

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Speaker 1: In my head? There is? And I think we're making

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Speaker 1: that decision pretty soon. What in your head is it?

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Speaker 1: I think it's by a girl a drink, by a

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Speaker 1: long shot, the one that we just samp yes like

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Speaker 1: it's been. The response has been awesome. It's one of

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Speaker 1: my favorites. It's very true to my current life and

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Speaker 1: you know, my relationship with Madison and stuff, and so

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Speaker 1: I think that's I think that's the one. Then I'll play.

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Speaker 1: I'll play the whole thing if you want. I would

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Speaker 1: love for you to play. Does everybody every interview? Because

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Speaker 1: I wasn't gonna even bring up Madison? Does everybody in

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Speaker 1: every interview? Go, you're married John Michael mcgomer's daughter. I

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Speaker 1: don't get it as often as early on, but it

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Speaker 1: was big talking point early on. You guys got a

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Speaker 1: date yet? We do May twentieth. Oh. I wasn't gonna

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Speaker 1: say share it, but you just sharing next maybe twentieth

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Speaker 1: At that now, I'm um, yeah, yeah, May twenty next year.

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Speaker 1: Pretty excited. Well, I hope May twenties. She still felt

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Speaker 1: like Mary still a lot of things, napping. It's a

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Speaker 1: long engagement, you know, no big deal at Travis R.

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Speaker 1: Denning on Instagram because if you put the middle initial,

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Speaker 1: you're so much cooler. You know, for a guy that

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Speaker 1: plays dumb, you're actually not that dumb. Oh, you're a

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Speaker 1: really smart guy. It's more about the play dumb. Yeah,

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Speaker 1: I guess oh yeah, Yeah. The latest from Nashville in

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Speaker 1: Tullywood Morgan number two thirty second Skinny Lady A has

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Speaker 1: postponed their Request Line tour until twenty twenty three. They

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Speaker 1: shared in a joint statement that Charles Kelly has embarked

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Speaker 1: on a journey to sobriety and they are taking the

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Speaker 1: time to support him through it in order to set

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Speaker 1: themselves up for many more years together. Congratulations to Nico Moon.

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Speaker 1: He and his wife Anna are expecting their first child together.

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Speaker 1: In November, they announced the baby is a girl and

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Speaker 1: her name is Lily Anne. Dylan Scott just released his

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Speaker 1: second full length album, Living My Best Life. He talked

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Speaker 1: about the difference between his debut album and this one.

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Speaker 1: I just think it's a little more mature kind of

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Speaker 1: who I am. You know, I'm not as young as

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Speaker 1: I was four years ago. I'm a little more mature.

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Speaker 1: My music lives more mature, but I'm still living that

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Speaker 1: same life. There's still love songs, there's some feel good

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Speaker 1: songs on there. But I just wanted this album to

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Speaker 1: be really just every song be a great song. I'm Morgan,

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Speaker 1: that's your skinny. It's time for the good news. By

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Speaker 1: the headline reads, a Texas family stolen dog was found

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Speaker 1: four years later, six hundred miles from its home. Now.

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Speaker 1: The city of Borger said in the Facebook post that

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Speaker 1: an animal control officer recently picked up a stray German

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Speaker 1: shepherd and then scanned the canine for a microchip. Well

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Speaker 1: it had one. It identified her as Sheba, a pet

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Speaker 1: stolen four years earlier from a home in Baytown, Texas,

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Speaker 1: about six hundred miles away. Imagine getting that call, but

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Speaker 1: even three months later. Imagine getting that call because you

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Speaker 1: probably after three months ago, I'm not gonna sit his

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Speaker 1: dog yet, and probably something bad's happened to the dog.

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Speaker 1: But the dog was stolen. A stranger wandered up to

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Speaker 1: the house, stole the dog and then gone. She was

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Speaker 1: love an animal. She went right to the stranger because

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Speaker 1: I could see it like on the right when restraint.

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Speaker 1: Stranger took it ran away. So they scanned it, and

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Speaker 1: she says, everybody, please microchip your animals. I agree with

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Speaker 1: that microchip your animals, um, although I do think it

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Speaker 1: would hurt for me to be microchipped, because they put

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Speaker 1: the thing in there. It's like a little needle nipper.

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Speaker 1: It's like a shot so I go, dang, that would hurt.

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Speaker 1: But then I go, man, maybe I should be microchip though,

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Speaker 1: and only in case I get lost and we can

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Speaker 1: find you. Well, it wouldn't be GPS because the dog

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Speaker 1: they're not GPS chipped, although that would be a great

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Speaker 1: thing in the future. But then how do you charge

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Speaker 1: the battery? How do they use the chips? It's a

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Speaker 1: it's like an identifier, okay, so you can know, like

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Speaker 1: when they scan it, Bobby's name would pop up of

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Speaker 1: his dog and be like, Bobby Bones, here's the phone number.

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Speaker 1: Call them down your dog. It would be like those

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Speaker 1: codes QVC you are. You can hope those codes same thing.

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Speaker 1: It's basically that in as chips. So you go over it.

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Speaker 1: So it doesn't need power job identification, but GPS it

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Speaker 1: would need power in it. So then you have to

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Speaker 1: put it a charger in its butt and there you

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Speaker 1: can charge. It has to be through the butt. Um,

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Speaker 1: I would assume probably easiest idea. But yes, microchip your animals.

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Speaker 1: That's a great story. That is what it's all about.

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Speaker 1: That was tell me something good and no big deal.

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Speaker 1: We're just competing for forty thousand dollars. Okay, we got

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Speaker 1: four people on the phone right now. They've all played

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Speaker 1: the game this week, but now they're playing for forty

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Speaker 1: thousand dollars. One of these four win forty thousand dollars.

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Speaker 1: Four zero zero zero zero dot zero zero. That's forty

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Speaker 1: thousand dollars. Yeah, let's welcome our folks back real quick.

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Speaker 1: RJ from Kansas, How are you, Bodie? I'm doing really good, Bobby. Yeah,

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Speaker 1: you didn't win the five thousand, but you're back today.

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Speaker 1: I do see you're wearing a pimp and joy hat

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Speaker 1: for luck definitely. Well. I was wearing it last time too,

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Speaker 1: and it didn't bring me luck. So second time the

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Speaker 1: charm hopefully got often. I wouldn't wear a twice in

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Speaker 1: a row. Oh my goodness. Okay, Next up, Teresa from Missouri. Teresa,

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Speaker 1: how are you? I'm great? How are you? I'm doing

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Speaker 1: pretty good. You did not win five thousand dollars? What

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Speaker 1: has happened since you lost the money? Anybody called me like, Teresa,

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Speaker 1: we can't believe it? Well, yeah, my whole family's like, uh,

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Speaker 1: why didn't you win? Classic families? Am all right? Guys?

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Speaker 1: All right? Amy and Idaho who did win five thousand dollars?

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Speaker 1: How has it been since you've been rich. I don't

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Speaker 1: know about rich, but exciting. It is exciting. Five thousand dollars,

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Speaker 1: I'd make you twenty dollars. John, five thousand makes you

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Speaker 1: going crazy. And finally, Brandy in California and Brandy, you

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Speaker 1: did not win five thousand dollars, but you are back

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Speaker 1: to compete today. How's the morale. I'm excited. I can't

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Speaker 1: wait to play. I've heard more exciting. Oh my god,

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Speaker 1: she's nervous. I think it's nervous. She's nervous. Okay, here's

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Speaker 1: how it'll work, everybody. We'll go down the line in

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Speaker 1: the order that we played this week. I will give

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Speaker 1: one statement about myself. You must tell me within fifteen

402
00:20:12,840 --> 00:20:14,840
Speaker 1: seconds if it is a truth or if it is

403
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Speaker 1: a lie. If you get it right, you move on.

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00:20:17,400 --> 00:20:19,840
Speaker 1: If you miss it, I say goodbye and you go away,

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Speaker 1: and you do not win forty thousand dollars. Lunchbox is

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Speaker 1: crying for something. I don't know, man, I'm just feeling them.

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Speaker 1: I'm feeling the nerves. I'm sweating over here, and I

408
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Speaker 1: don't know who I want to win. It didn't matter.

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Speaker 1: We don't want anybody to win. We don't want anybody.

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Speaker 1: We don't want I want want of them to win. Well, yeah,

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Speaker 1: one will win. We don't want any of them to win.

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Speaker 1: Oh yeah yeah, Okay, Ready to play up first, r J.

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Speaker 1: The category is childhood for me, RJ. My grandmother was

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Speaker 1: friends with Virginia Clinton, who is Bill Clinton's mom. They

415
00:20:57,920 --> 00:21:01,720
Speaker 1: were neighbors in the same Hot Spring apartment complex. Is

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Speaker 1: that true or is that a lie? That is true?

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Speaker 1: That is true? They were actually they were actually really close.

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Speaker 1: Was right next? True or a lie? Teresa, I'm coming

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Speaker 1: to you. My birth did not cost my mom a dime.

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Speaker 1: The birth was performed by students in a medical school,

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Speaker 1: so my mom never saw Bill. Um, I'm gonna say

422
00:21:36,760 --> 00:21:43,240
Speaker 1: that false. She said, it's a lie. It is a lie.

423
00:21:45,720 --> 00:21:49,040
Speaker 1: Atle Teresa rasa lead her head back like this. Oh

424
00:21:49,119 --> 00:21:56,560
Speaker 1: thank God. Up next, Amy in Idaho. Amy, I didn't

425
00:21:56,560 --> 00:21:58,639
Speaker 1: have my first real birthday party until I was ten

426
00:21:58,720 --> 00:22:00,960
Speaker 1: years old, and my mom through me a big celebration.

427
00:22:01,040 --> 00:22:03,159
Speaker 1: I was embarrassed, but the only part I liked was

428
00:22:03,200 --> 00:22:05,960
Speaker 1: that I could hide behind my teenage mutant Ninja Turtles

429
00:22:06,040 --> 00:22:13,360
Speaker 1: mask because it was a Ninja Turtles party. Um, false light,

430
00:22:14,960 --> 00:22:20,879
Speaker 1: That is true. That's okay, but she did win five

431
00:22:20,920 --> 00:22:24,800
Speaker 1: thousand dollars, and we're gonna put a little more cash

432
00:22:24,840 --> 00:22:26,639
Speaker 1: on that. Why don't sprinkle twelve fifty more on a

433
00:22:26,720 --> 00:22:31,560
Speaker 1: sixty two? Nice job, Amy, you got six thousand, two

434
00:22:31,600 --> 00:22:33,440
Speaker 1: hundred and fifty bucks. Thank you so much for playing,

435
00:22:33,640 --> 00:22:35,600
Speaker 1: and I hope you have a great rest of the week.

436
00:22:36,560 --> 00:22:40,800
Speaker 1: Thank you all right, bye, Amy, Bye? Okay, Next up,

437
00:22:44,080 --> 00:22:50,680
Speaker 1: one down, Brandy and California. I found out that my

438
00:22:50,840 --> 00:22:54,080
Speaker 1: grandmother adopted me after I saw a saw security card

439
00:22:54,160 --> 00:22:57,000
Speaker 1: on her dresser that had her last name instead of

440
00:22:57,240 --> 00:23:04,320
Speaker 1: mine on my social Security card. I'm gonna say that's true.

441
00:23:04,440 --> 00:23:07,040
Speaker 1: That is true, that's correct. That's how I found out.

442
00:23:07,080 --> 00:23:09,440
Speaker 1: That's how I found out. What are we clapping for?

443
00:23:09,560 --> 00:23:14,359
Speaker 1: How I found out? I asked, prety traumatic? But okay, okay,

444
00:23:15,440 --> 00:23:22,919
Speaker 1: dollars here, all right, three people remain r J. You're next.

445
00:23:24,359 --> 00:23:29,160
Speaker 1: The category is career r J. I named my old

446
00:23:29,240 --> 00:23:33,679
Speaker 1: dog Dusty after a boss who gave me a second chance.

447
00:23:34,280 --> 00:23:37,480
Speaker 1: My boss's name was Dusty Black, and he was the

448
00:23:37,560 --> 00:23:41,320
Speaker 1: one but let me keep my job. After a stunt

449
00:23:41,560 --> 00:23:45,199
Speaker 1: landed lunchbox in prison, in jail, in jail, it all

450
00:23:45,240 --> 00:23:47,680
Speaker 1: feels like the same to me. Yeah, a little different. Yeah,

451
00:23:49,560 --> 00:23:52,399
Speaker 1: that is true. That is true, and that is true.

452
00:23:53,400 --> 00:24:00,960
Speaker 1: Let's true, Okay. Teresa in Missouri. On my college radio station,

453
00:24:01,040 --> 00:24:03,920
Speaker 1: I held the record for the longest interview ever. I

454
00:24:04,000 --> 00:24:06,600
Speaker 1: stayed on their air for seventeen hours and twenty four

455
00:24:06,640 --> 00:24:09,680
Speaker 1: minutes with the revolving door of guests. It was broken

456
00:24:09,720 --> 00:24:11,679
Speaker 1: a few years later twenty hours. But who cares? Right?

457
00:24:13,000 --> 00:24:14,719
Speaker 1: Terse the true or false? True? Truth or a lie?

458
00:24:14,760 --> 00:24:20,520
Speaker 1: Excuse me? I think that's false. She's going with lie.

459
00:24:22,359 --> 00:24:31,479
Speaker 1: That is a lie. Face Her reactions are great. Brandy

460
00:24:31,520 --> 00:24:41,800
Speaker 1: in California before Lunchbox there was Gilligan had a sidekick

461
00:24:41,920 --> 00:24:46,200
Speaker 1: named Gilligan. He was six foot two, muscular, had long hair,

462
00:24:49,080 --> 00:24:52,280
Speaker 1: and he helped me break into another radio station once Gilligan.

463
00:24:52,520 --> 00:24:55,320
Speaker 1: Is that truth or a lie? True? That is true?

464
00:24:55,359 --> 00:25:02,640
Speaker 1: That's correct? Yeah? Well okay, okay, there's only two categories left,

465
00:25:07,040 --> 00:25:09,440
Speaker 1: all right, We're going back up to r J and Kansas.

466
00:25:10,640 --> 00:25:14,960
Speaker 1: R J. I have a pair of pants that I

467
00:25:15,040 --> 00:25:17,960
Speaker 1: wear every time I sign a major contract. They're not

468
00:25:18,040 --> 00:25:20,239
Speaker 1: even a nice pair of pants, but I wore them

469
00:25:20,240 --> 00:25:22,640
Speaker 1: when I signed my first contract, so I continue the tradition.

470
00:25:27,720 --> 00:25:32,359
Speaker 1: It's true. That's true that I didn't even know that.

471
00:25:34,560 --> 00:25:37,119
Speaker 1: How'd you know that? That's true? Enjoy I've written it

472
00:25:37,160 --> 00:25:40,520
Speaker 1: before on the on Instagram pair of play pants blue white.

473
00:25:40,640 --> 00:25:44,320
Speaker 1: I don't follow you a yeah, oh you don't, buddy, Okay,

474
00:25:45,720 --> 00:25:48,800
Speaker 1: thank you. R J. Teresa Missouri back over to you.

475
00:25:51,280 --> 00:25:54,840
Speaker 1: I had an uncle that I never knew about until

476
00:25:55,040 --> 00:25:58,680
Speaker 1: he died. I found out he existed after being contacted

477
00:25:58,720 --> 00:26:00,639
Speaker 1: by his lawyer. The lawyer for me put me in

478
00:26:00,720 --> 00:26:02,159
Speaker 1: his will. He left me a piece of land in

479
00:26:02,280 --> 00:26:04,879
Speaker 1: Arkansas that I ended up having to pay back taxes

480
00:26:04,920 --> 00:26:17,840
Speaker 1: on UM. I would say, that's false, that is a lie. Wow,

481
00:26:19,400 --> 00:26:31,560
Speaker 1: this is crazy. Oh my god, Brandy, Brandy, my glasses

482
00:26:31,920 --> 00:26:34,520
Speaker 1: are actually fake and really do nothing to improve my vision.

483
00:26:34,760 --> 00:26:37,920
Speaker 1: The eye doctor said my eyes would be bad whether

484
00:26:38,040 --> 00:26:40,600
Speaker 1: or not a war glasses or contacts, so only where

485
00:26:40,640 --> 00:26:44,000
Speaker 1: my glasses for style. That's false, that's false, that's false.

486
00:26:47,400 --> 00:26:51,080
Speaker 1: Into the question we're going to have. We have one

487
00:26:51,119 --> 00:26:53,200
Speaker 1: category left, but we have a plan here. We have

488
00:26:53,240 --> 00:26:56,120
Speaker 1: one category left. We're gonna play this song. We will

489
00:26:56,160 --> 00:26:59,359
Speaker 1: come back and get into the final category with these

490
00:26:59,440 --> 00:27:01,640
Speaker 1: three contests. Since for forty thousand dollars, all right, give

491
00:27:01,680 --> 00:27:06,160
Speaker 1: us this all three people remain, we are giving away

492
00:27:06,440 --> 00:27:10,200
Speaker 1: forty thousand dollars. All they have to do is pick

493
00:27:10,280 --> 00:27:13,560
Speaker 1: if I'm telling the truth or a lie. Because tonight

494
00:27:13,720 --> 00:27:17,160
Speaker 1: on USA Network, Snake in the Grass watch at eleven

495
00:27:17,240 --> 00:27:20,520
Speaker 1: tenth Central, spots the lie, catch the snake, when the

496
00:27:20,600 --> 00:27:24,560
Speaker 1: cash spot the lie? Here when the cash? That easy?

497
00:27:24,600 --> 00:27:27,600
Speaker 1: Forty thousand bucks up right now? Okay, we got three

498
00:27:27,720 --> 00:27:32,639
Speaker 1: contestants left, RJ. The final category, Are you ready? I

499
00:27:32,800 --> 00:27:40,880
Speaker 1: am ready? The category of celebrities r J. I saw

500
00:27:41,000 --> 00:27:44,000
Speaker 1: Angelina Jolie coming out of an elevator at a charity event.

501
00:27:44,560 --> 00:27:46,200
Speaker 1: She thought I worked at the venue and asked me

502
00:27:46,240 --> 00:27:48,879
Speaker 1: if I could contact the valet and bring her car around.

503
00:27:54,040 --> 00:27:59,320
Speaker 1: That is boff. That is a lie. That is a lie.

504
00:28:07,800 --> 00:28:13,960
Speaker 1: Sometimes I don't know if this is Teresa in Missouri.

505
00:28:16,040 --> 00:28:19,920
Speaker 1: I once presented at the CMA Awards with Joe Walsh

506
00:28:20,040 --> 00:28:23,280
Speaker 1: from the band The Eagles. He wouldn't stop saying babe.

507
00:28:24,080 --> 00:28:26,959
Speaker 1: As we presented Album of the Year. He just kept saying, bybbe.

508
00:28:33,160 --> 00:28:41,160
Speaker 1: I'd say, that's true, that is true. Oh my goodness.

509
00:28:43,760 --> 00:28:46,240
Speaker 1: She has no comments. Whatever she answers every time, it's

510
00:28:46,240 --> 00:28:50,000
Speaker 1: like I'm gonna go true. Brandy in California. If you

511
00:28:50,080 --> 00:28:52,080
Speaker 1: get this right, we all go to tiebreaker. If not,

512
00:28:52,480 --> 00:28:54,360
Speaker 1: you'll be eliminated and the other two you go to tiebreaker.

513
00:28:54,560 --> 00:28:59,360
Speaker 1: Forty thousand dollars on the line. Brandy, are you ready? Yes?

514
00:29:03,320 --> 00:29:06,400
Speaker 1: Justin Bieber follows me on Instagram. I commented on this

515
00:29:06,520 --> 00:29:09,880
Speaker 1: picture once he replied back, and then he followed me.

516
00:29:10,400 --> 00:29:16,160
Speaker 1: We've damned a few times since I'm gonna I'm gonna

517
00:29:16,200 --> 00:29:23,200
Speaker 1: say false life. Do you know? I don't know. I

518
00:29:23,240 --> 00:29:26,120
Speaker 1: don't know a lot of these thought did you meet

519
00:29:26,200 --> 00:29:29,600
Speaker 1: Angeline and Julie? Like we tell so many years? Like,

520
00:29:30,320 --> 00:29:32,880
Speaker 1: I don't know. I'm nervous. I mean, do you know?

521
00:29:33,400 --> 00:29:36,400
Speaker 1: Yeah you do? Yeah, I got good news. Brandy's going

522
00:29:36,400 --> 00:29:43,400
Speaker 1: to the tiebreaker. It's a lot. Okay, okay, okay. Here's

523
00:29:43,400 --> 00:29:47,560
Speaker 1: how the tiebreaker works. I'm gonna hear that music in

524
00:29:47,640 --> 00:29:51,840
Speaker 1: my sleep. I'm gonna have nightmares that music. I'm saying something. Oh,

525
00:29:52,600 --> 00:29:57,560
Speaker 1: this is forty thousand dollars up for grabs. This is

526
00:29:57,600 --> 00:29:59,560
Speaker 1: how it will work. I will read a statement, and

527
00:29:59,560 --> 00:30:02,440
Speaker 1: I will read it's slow. If at any time you

528
00:30:02,560 --> 00:30:05,600
Speaker 1: want to jump in yell your name as the buzzer,

529
00:30:07,680 --> 00:30:09,680
Speaker 1: we will then go to you and if you get

530
00:30:09,720 --> 00:30:11,920
Speaker 1: it right, you're in the cash. If you get it wrong,

531
00:30:11,920 --> 00:30:22,200
Speaker 1: you're eliminated. Oh my lord, this is is everybody ready? Yes? Yes?

532
00:30:23,760 --> 00:30:29,360
Speaker 1: Check in here? Okay, okay, here we go at any time.

533
00:30:31,840 --> 00:30:39,280
Speaker 1: Yell your name. Okay, the question starts now. I misspelled

534
00:30:39,360 --> 00:30:44,880
Speaker 1: the word successful on a slide in my ted talk.

535
00:30:46,760 --> 00:30:50,880
Speaker 1: I did an entire ted talk titled winning by Losing

536
00:30:51,960 --> 00:31:00,680
Speaker 1: only RJ True. RJ's gone with true. Just for forty

537
00:31:00,680 --> 00:31:05,320
Speaker 1: thousand dollars if I misspelled the word successful in a

538
00:31:05,520 --> 00:31:08,600
Speaker 1: ted talk and I'll finish read the question real quick.

539
00:31:09,400 --> 00:31:11,520
Speaker 1: I misspelled the word successful on a slide in my

540
00:31:11,600 --> 00:31:14,000
Speaker 1: ted talk. I did an entire ted talk title winning

541
00:31:14,040 --> 00:31:16,520
Speaker 1: by Losing, only to have a word misspelled incorrectly, and

542
00:31:16,560 --> 00:31:19,920
Speaker 1: I didn't catch until it was on YouTube. He's uggressing

543
00:31:20,560 --> 00:31:26,880
Speaker 1: missing all right, r J um shaking over here, Bobby.

544
00:31:27,200 --> 00:31:29,520
Speaker 1: Did you just jump in because of the odds or

545
00:31:29,560 --> 00:31:31,280
Speaker 1: did you jump in because you feel like that's true?

546
00:31:32,480 --> 00:31:35,360
Speaker 1: I feel feel like that's something you would do. I

547
00:31:35,520 --> 00:31:38,000
Speaker 1: know your book was fail until you don't, so that

548
00:31:38,120 --> 00:31:40,960
Speaker 1: sounds like something that would just add in with the

549
00:31:41,040 --> 00:31:46,760
Speaker 1: Ted talk. Oh my gosh. For forty thousand dollars. If

550
00:31:46,800 --> 00:31:49,840
Speaker 1: it's true, he get that cash. If it's false, we'll

551
00:31:49,840 --> 00:31:51,360
Speaker 1: go to the other two and he'll be a limited. Okay,

552
00:31:52,640 --> 00:31:58,959
Speaker 1: I'll go to commercial. You said no way, Hey, RJ,

553
00:31:59,080 --> 00:32:03,000
Speaker 1: are you married? I am? Yes. Well, if you lost

554
00:32:03,040 --> 00:32:05,160
Speaker 1: this money on a national radio show, what would your

555
00:32:05,160 --> 00:32:09,000
Speaker 1: wife say? Well, she wasn't too happy when I lost

556
00:32:09,080 --> 00:32:13,000
Speaker 1: the first time. Um so um, she says, she'll still

557
00:32:13,080 --> 00:32:14,880
Speaker 1: love me. But you know that's all up in the air.

558
00:32:15,720 --> 00:32:17,840
Speaker 1: For those at home. RJ has on a yellow vest because,

559
00:32:18,320 --> 00:32:19,520
Speaker 1: r J, what do you do for a living again,

560
00:32:19,680 --> 00:32:22,360
Speaker 1: I'm a landscaper. I actually worked for the parch department

561
00:32:22,520 --> 00:32:24,320
Speaker 1: in the city down here, so it's a little bit

562
00:32:24,360 --> 00:32:27,240
Speaker 1: of everything. In the winter, we're doing snow removal and

563
00:32:27,480 --> 00:32:34,880
Speaker 1: running the snow plows. Wants let them Okay, if it's

564
00:32:35,320 --> 00:32:39,480
Speaker 1: if it's true, RJ wins. RJ wins forty thousand dollars.

565
00:32:41,360 --> 00:32:55,479
Speaker 1: It is true. Oh wow, RJ. Alright, let's collect a composure, RJ.

566
00:32:55,600 --> 00:32:57,080
Speaker 1: Hold on a second' gonna talk to you. Hold on,

567
00:32:57,440 --> 00:33:00,400
Speaker 1: Let's collect composure. Let's meet everybody else. I only want

568
00:33:00,400 --> 00:33:05,240
Speaker 1: to take a RJ. Oh wow, RJ. You want forty

569
00:33:05,320 --> 00:33:09,440
Speaker 1: grand buddy? How are you feeling right now. I don't

570
00:33:09,440 --> 00:33:11,240
Speaker 1: know what the time, I'm excited. I feel like I'm

571
00:33:11,280 --> 00:33:13,920
Speaker 1: gonna cry for some reason. I don't know how to

572
00:33:14,000 --> 00:33:16,880
Speaker 1: think about it. Bob, Yeah, call your wife and be like, hey,

573
00:33:17,760 --> 00:33:25,320
Speaker 1: grand now, RJ and Kansas. Okay, RJ, stay on the phone.

574
00:33:25,560 --> 00:33:28,200
Speaker 1: You just want forty thousand dollars. By the way, Teresa

575
00:33:28,240 --> 00:33:31,280
Speaker 1: and Brandy, you each one twelve hundred and fifty dollars

576
00:33:31,400 --> 00:33:33,280
Speaker 1: just for playing the game, so you don't come away

577
00:33:33,320 --> 00:33:35,960
Speaker 1: empty hitting. You didn't get a little money there, but

578
00:33:36,160 --> 00:33:44,560
Speaker 1: RJ gets all the money. R J one double or nothing. No, no, no, okay,

579
00:33:44,680 --> 00:33:51,560
Speaker 1: and Enjoy had his lucky again. Yeah, yeah, good job, buddy. Right,

580
00:33:52,360 --> 00:33:54,160
Speaker 1: we are gonna take a break. R J is gonna

581
00:33:54,200 --> 00:33:55,680
Speaker 1: cry and pete and do all this stuff that gets

582
00:33:55,720 --> 00:33:58,040
Speaker 1: water out of the body, and we will come back

583
00:33:58,160 --> 00:34:03,080
Speaker 1: next here on the Bobby Bones Show. All right, we're

584
00:34:03,080 --> 00:34:06,239
Speaker 1: begging of you to watch Snake in the Grass tonight, right, lunchbox, Yes,

585
00:34:06,360 --> 00:34:08,840
Speaker 1: we need you to watch eighteen to forty nine. Especially

586
00:34:08,880 --> 00:34:12,480
Speaker 1: that demographic has really bad lately. And I'm not really bad.

587
00:34:12,520 --> 00:34:14,719
Speaker 1: It's not as good Okay at weeks that really bad.

588
00:34:14,719 --> 00:34:16,719
Speaker 1: If my people jump into exactly. Yeah, when you say

589
00:34:16,760 --> 00:34:18,960
Speaker 1: the worst than they really you know, I just don't

590
00:34:19,000 --> 00:34:20,719
Speaker 1: know if we have any eighteen year olds that listen

591
00:34:20,760 --> 00:34:23,719
Speaker 1: to the show. We can be anybody in that mix. Yeah,

592
00:34:23,760 --> 00:34:26,160
Speaker 1: and I mean that way, any Amy and myself can

593
00:34:26,200 --> 00:34:30,080
Speaker 1: be on season two. That's not a guarantee, but but

594
00:34:30,360 --> 00:34:35,920
Speaker 1: it's a guarantee for real, right bounce anyway, we need

595
00:34:35,960 --> 00:34:38,279
Speaker 1: anybody to watch what age you are? Right, But I'm

596
00:34:38,320 --> 00:34:40,200
Speaker 1: saying we need a little more support from the eighteen

597
00:34:40,239 --> 00:34:42,920
Speaker 1: to forty nine crowd. It was down last week, No,

598
00:34:43,040 --> 00:34:46,040
Speaker 1: what was He doesn't even know what he's said. It

599
00:34:46,160 --> 00:34:48,759
Speaker 1: wasn't down because there was never a starting point. That

600
00:34:48,920 --> 00:34:50,839
Speaker 1: was a starting point. Okay, and it was pretty good,

601
00:34:51,000 --> 00:34:54,200
Speaker 1: but we expected to be talking to him with the

602
00:34:54,239 --> 00:34:57,040
Speaker 1: exacts and the producers and the runners and the the

603
00:34:57,200 --> 00:35:01,160
Speaker 1: prod team. Yeah, okay, so tonight listen, it's late. I'll

604
00:35:01,200 --> 00:35:04,799
Speaker 1: be honest with you, it's late eleven tenth Central. It's

605
00:35:04,840 --> 00:35:08,640
Speaker 1: like it's like, it's not that late. Not if you're

606
00:35:08,640 --> 00:35:11,600
Speaker 1: doing something for somebody. That's right Tonight, levin tent Central

607
00:35:11,600 --> 00:35:17,560
Speaker 1: in Essa, please watch Amy's pile of stories. Experts are

608
00:35:17,600 --> 00:35:21,560
Speaker 1: saying to put your phones away to simply let your

609
00:35:21,640 --> 00:35:25,160
Speaker 1: mind wander, maybe for twenty minutes a day, because people

610
00:35:25,360 --> 00:35:28,960
Speaker 1: underestimate how enjoyable it is to just sit and think, Yeah,

611
00:35:29,080 --> 00:35:31,640
Speaker 1: I'm itching, just thinking about it. I'm thinking about it.

612
00:35:31,680 --> 00:35:33,320
Speaker 1: I'm thinking about it. What would be like think about it?

613
00:35:33,360 --> 00:35:36,359
Speaker 1: I'm itching. Where I go to let my mind drift.

614
00:35:37,120 --> 00:35:39,600
Speaker 1: It's a shower. It's the greatest place. I create so

615
00:35:39,760 --> 00:35:43,080
Speaker 1: much useful and useless crap in the shower because for

616
00:35:43,239 --> 00:35:46,799
Speaker 1: some reason I can't use a phone because I'll run

617
00:35:46,880 --> 00:35:50,960
Speaker 1: it and the water. I just I'm like, well, I'm free, um,

618
00:35:51,800 --> 00:35:55,000
Speaker 1: wrote Fandi. Pack there basically come out a lot of

619
00:35:55,040 --> 00:35:56,720
Speaker 1: bad ideas for the show, so they have the shower.

620
00:35:57,000 --> 00:36:00,680
Speaker 1: They also shared some ways that you can cut addiction

621
00:36:00,800 --> 00:36:02,800
Speaker 1: if you can't seem to get off your phone, and

622
00:36:02,880 --> 00:36:07,280
Speaker 1: they recommend disabling notifications, change your display to gray scales

623
00:36:07,280 --> 00:36:08,879
Speaker 1: so you'll see things in black and white and it's

624
00:36:08,920 --> 00:36:12,000
Speaker 1: more boring. And then don't use facial recognition as a

625
00:36:12,120 --> 00:36:14,439
Speaker 1: method of unlocking because it all just happens too fast.

626
00:36:14,760 --> 00:36:15,920
Speaker 1: Get a rotary phone. What do you want to sit

627
00:36:16,040 --> 00:36:20,000
Speaker 1: to people? Geez man Morgan, you ever use a rotary phone? No?

628
00:36:20,320 --> 00:36:22,320
Speaker 1: You know what that is? I think so, isn't it

629
00:36:22,400 --> 00:36:25,399
Speaker 1: the one where you like click it? Yeah, I caught

630
00:36:25,400 --> 00:36:28,640
Speaker 1: the tail into that Grandma had one when you had

631
00:36:28,680 --> 00:36:30,520
Speaker 1: to hit nine or but if you hit the wrong one,

632
00:36:30,600 --> 00:36:35,480
Speaker 1: and it was a credit all the way back. What

633
00:36:35,560 --> 00:36:37,040
Speaker 1: I was saying, have you ever heard of the term

634
00:36:37,239 --> 00:36:41,880
Speaker 1: quiet quitting? Quiet quitting? Is that also the Irish goodbye

635
00:36:42,160 --> 00:36:44,759
Speaker 1: the rock star piece out where you just leave without

636
00:36:44,800 --> 00:36:48,160
Speaker 1: saying anything? Well, no, it's something that is happening on

637
00:36:48,280 --> 00:36:50,360
Speaker 1: the job right now for a lot of people, and

638
00:36:50,560 --> 00:36:53,960
Speaker 1: it's where you still are working, but you just quit

639
00:36:54,080 --> 00:36:56,759
Speaker 1: going above and beyond for your job. You do the barrel. Yeah,

640
00:36:56,760 --> 00:37:04,920
Speaker 1: you guys do that all the time, all team that. Ye. Fairly,

641
00:37:05,000 --> 00:37:07,879
Speaker 1: this is a thing that is trending and it's called

642
00:37:08,400 --> 00:37:13,280
Speaker 1: quiet quitting. So maybe value a term now. So, Bobby,

643
00:37:13,360 --> 00:37:16,120
Speaker 1: you recently shared a list like it was all genre though,

644
00:37:16,200 --> 00:37:18,680
Speaker 1: of the songs that are sleep inducing, Like, if you're

645
00:37:18,719 --> 00:37:20,000
Speaker 1: trying to go to sleep, you can listen to this

646
00:37:20,080 --> 00:37:22,120
Speaker 1: and it'll help you get there. But they put out

647
00:37:22,160 --> 00:37:24,839
Speaker 1: a list of the top country songs. So I'm gonna

648
00:37:24,840 --> 00:37:26,920
Speaker 1: share the top five and people can maybe use it

649
00:37:27,000 --> 00:37:28,879
Speaker 1: tonight if they want to go to bed. Blue ain't

650
00:37:28,880 --> 00:37:35,200
Speaker 1: your color, Keith, they're ben at five you gotta fall

651
00:37:35,239 --> 00:37:37,040
Speaker 1: in three minutes where you gotta loop it, or you

652
00:37:37,080 --> 00:37:38,480
Speaker 1: can put all five of these in a row. That

653
00:37:38,520 --> 00:37:40,960
Speaker 1: could be a nightmare and change. And though I get

654
00:37:41,200 --> 00:37:43,560
Speaker 1: that's weird for me. Yeah, what else, Mercy Brett Young,

655
00:37:43,719 --> 00:37:49,840
Speaker 1: if you're better together? At three Luke homes, things just go.

656
00:37:50,440 --> 00:37:53,920
Speaker 1: That would be singing with the la that would be

657
00:37:54,040 --> 00:37:56,480
Speaker 1: the problem with some of these, yea too cam burning

658
00:37:56,520 --> 00:38:04,640
Speaker 1: house sleep. And then at number one little big town girl, Crush, Crush.

659
00:38:05,400 --> 00:38:07,680
Speaker 1: I would like a lot of this without the people singing.

660
00:38:08,280 --> 00:38:11,359
Speaker 1: I think a lot of metal instrumentals good quay because

661
00:38:11,360 --> 00:38:14,840
Speaker 1: again I would be like at it out here, Yes,

662
00:38:16,360 --> 00:38:17,960
Speaker 1: I think you would do that with the instrumental too.

663
00:38:18,719 --> 00:38:21,839
Speaker 1: You feel they like blind karaoke. I wouldn't know all

664
00:38:21,880 --> 00:38:23,680
Speaker 1: the words, all right, Amy? Is that it? Yep? But

665
00:38:23,760 --> 00:38:27,440
Speaker 1: maybe that's my pile. That was Amy's pile of stories.

666
00:38:28,040 --> 00:38:35,480
Speaker 1: It's time for the good news, Amy, another lost ring

667
00:38:35,680 --> 00:38:38,520
Speaker 1: that has been found and reunited with its owner, A

668
00:38:38,600 --> 00:38:40,719
Speaker 1: story that gives me hope for my Aggie ring that

669
00:38:40,800 --> 00:38:43,719
Speaker 1: went missing. This man in West Virginia was giving a

670
00:38:43,920 --> 00:38:49,480
Speaker 1: metal detector demonstration recently when starts going off and he's like, oh,

671
00:38:49,600 --> 00:38:54,040
Speaker 1: what's this. It's a gold class ring from nineteen seventy

672
00:38:54,160 --> 00:38:58,239
Speaker 1: nine and he sees some initials on the inside. So

673
00:38:58,280 --> 00:39:00,279
Speaker 1: he gets a class of seventy nine year book and

674
00:39:00,360 --> 00:39:03,200
Speaker 1: starts going through who would match these initials? Couldn't come

675
00:39:03,239 --> 00:39:06,200
Speaker 1: across to anybody, So he finds a teacher that had

676
00:39:06,239 --> 00:39:07,759
Speaker 1: been at the school for a long time and knows

677
00:39:07,800 --> 00:39:09,800
Speaker 1: a lot about the area and the people and the students.

678
00:39:10,239 --> 00:39:13,080
Speaker 1: And the teacher said, you know what, this ring might

679
00:39:13,239 --> 00:39:16,759
Speaker 1: belong to Mark Miller. And here's the deal. The reason

680
00:39:16,800 --> 00:39:19,240
Speaker 1: why he didn't come across Mark Miller in the yearbook

681
00:39:19,360 --> 00:39:22,719
Speaker 1: is because Mark's mom died caused him to miss picture day,

682
00:39:22,760 --> 00:39:25,520
Speaker 1: so we had no photo. But they were able to

683
00:39:25,600 --> 00:39:27,560
Speaker 1: track him down and he got his ring back, which

684
00:39:27,640 --> 00:39:30,759
Speaker 1: is crazy because it had been missing for forty three years.

685
00:39:31,600 --> 00:39:34,399
Speaker 1: So I'm gonna put this over to lunchbox for a second.

686
00:39:34,440 --> 00:39:37,719
Speaker 1: If you're metal detecting, you find a ring like this,

687
00:39:38,160 --> 00:39:41,560
Speaker 1: what do you do? Oh? You want to reward? That's okay.

688
00:39:41,560 --> 00:39:48,320
Speaker 1: I'm literally asking what do I know? I do I

689
00:39:48,400 --> 00:39:51,239
Speaker 1: try to find the person you asked? I know, I know.

690
00:39:51,560 --> 00:39:54,200
Speaker 1: I'm not saying what about you? Yeah, that I just

691
00:39:54,239 --> 00:39:56,759
Speaker 1: put up on Facebook. I literally take a picture of

692
00:39:56,840 --> 00:40:05,399
Speaker 1: a Facebook marketplace. No, that's what do you think happened

693
00:40:05,400 --> 00:40:10,360
Speaker 1: to Amy's ring? It was pawned, Eddie reunited? No, no,

694
00:40:10,440 --> 00:40:12,840
Speaker 1: what happened? Yeah? Oh I don't ask. What do you

695
00:40:12,920 --> 00:40:17,480
Speaker 1: think happened? If you're betting? Yeah, Facebook marketplace pawn so

696
00:40:19,239 --> 00:40:21,479
Speaker 1: melted down for gold. Yeah, that's that's what I'm talking about.

697
00:40:21,600 --> 00:40:23,920
Speaker 1: It's worth a lot of money marketplace when Amy still

698
00:40:23,960 --> 00:40:25,360
Speaker 1: doesn't have her So what does that say on it?

699
00:40:26,160 --> 00:40:29,200
Speaker 1: It says I think it says it us says A E.

700
00:40:29,600 --> 00:40:34,440
Speaker 1: M or Amy E. Moffatt. You should remember, guys, it

701
00:40:34,640 --> 00:40:37,920
Speaker 1: was two thousand and two when I got it, class

702
00:40:37,960 --> 00:40:40,880
Speaker 1: of two thousand and three, even though technically and graduates

703
00:40:40,920 --> 00:40:43,680
Speaker 1: two thousand and eight. But minor details. So if you

704
00:40:43,760 --> 00:40:47,200
Speaker 1: find this ring, Amy's giving a reward of five thousand dollars.

705
00:40:47,280 --> 00:40:51,040
Speaker 1: Oh that's more than the value of the ring. I

706
00:40:51,080 --> 00:40:53,440
Speaker 1: did have a It does have a tiny diamond in it,

707
00:40:53,680 --> 00:40:57,439
Speaker 1: and it is gold. But how much reward I don't

708
00:40:57,480 --> 00:41:00,439
Speaker 1: remember what did we I believe it was five fifty bucks.

709
00:41:01,840 --> 00:41:04,040
Speaker 1: There's five hundred from you and fifty from Bobby. Sounds good.

710
00:41:04,120 --> 00:41:06,560
Speaker 1: I like it. All right, So there's a five awards.

711
00:41:06,640 --> 00:41:10,160
Speaker 1: Congratulations to Mark Texas class of three whoop and Texas

712
00:41:10,239 --> 00:41:15,279
Speaker 1: Lunchbox if you find it. Yeah, no, I've forgotten his numbers.

713
00:41:21,400 --> 00:41:26,560
Speaker 1: The next one five? Okay, back, all right, thank you.

714
00:41:26,680 --> 00:41:29,680
Speaker 1: That's what it's all about. That was tell me something good.

715
00:41:31,400 --> 00:41:33,080
Speaker 1: You can't tell people to watch Snake in the Grass

716
00:41:33,200 --> 00:41:35,120
Speaker 1: Lunchbox and then tell us behind the scenes you can't

717
00:41:35,120 --> 00:41:37,440
Speaker 1: watch Snake in the Grass anymore. I mean, look, guys,

718
00:41:37,480 --> 00:41:40,560
Speaker 1: two nights in row, I had nightmares about snakes. It's

719
00:41:40,560 --> 00:41:43,759
Speaker 1: giving him nightmares. It's so scared of snake, Like I

720
00:41:43,960 --> 00:41:47,080
Speaker 1: hate snakes. And if you watch a lot of snakes

721
00:41:47,520 --> 00:41:50,799
Speaker 1: like we were, we were getting snakes, but there aren't

722
00:41:50,800 --> 00:41:53,880
Speaker 1: a lot of like literally coming back or going to commercial,

723
00:41:54,120 --> 00:41:56,800
Speaker 1: there's one where the snake opens his mouth. It's like

724
00:41:57,000 --> 00:41:59,719
Speaker 1: you see the but that's like a clip. Oh no,

725
00:42:00,000 --> 00:42:02,960
Speaker 1: but I don't. Still I have chills just hearing about it.

726
00:42:03,360 --> 00:42:05,120
Speaker 1: And when you go to the snake pit at the

727
00:42:05,200 --> 00:42:09,600
Speaker 1: end exactly. And so I was like, I can watch this,

728
00:42:09,719 --> 00:42:12,279
Speaker 1: no problem. And I watched it first night. I had

729
00:42:12,320 --> 00:42:15,719
Speaker 1: a dream I'm sitting at the stoplight or stop sign

730
00:42:15,840 --> 00:42:19,680
Speaker 1: and my seatbelt turns into a snake, and then they

731
00:42:19,760 --> 00:42:23,279
Speaker 1: all started grow coming out of the glove compartment. And

732
00:42:23,400 --> 00:42:25,239
Speaker 1: I was like, Okay, it's just because it was just

733
00:42:25,320 --> 00:42:28,440
Speaker 1: one night, no big deal. The next night, I'm dreaming,

734
00:42:28,480 --> 00:42:32,000
Speaker 1: I'm playing soccer and a snake comes out of the

735
00:42:32,080 --> 00:42:34,920
Speaker 1: grass and wraps around my leg. And then the grass

736
00:42:35,000 --> 00:42:38,600
Speaker 1: turns from grass into complete snakes. It's just snakes everywhere,

737
00:42:39,600 --> 00:42:44,799
Speaker 1: all because of the show mixed with his absolute yeah,

738
00:42:45,160 --> 00:42:48,040
Speaker 1: oh my goodness. So we've got to do something where

739
00:42:48,080 --> 00:42:50,640
Speaker 1: we changed like the we don't show us many snakes.

740
00:42:51,960 --> 00:42:53,800
Speaker 1: I don't know, but and I get snake in the

741
00:42:53,840 --> 00:42:56,040
Speaker 1: grasses because the liar, But we don't need to show this,

742
00:42:56,200 --> 00:42:58,759
Speaker 1: oh my gosh. So but if you don't watch, the

743
00:42:58,840 --> 00:43:02,440
Speaker 1: listeners are not gonna watch. You have to watch. Well,

744
00:43:02,480 --> 00:43:05,440
Speaker 1: you have to watch tonight. And because you're how old

745
00:43:05,480 --> 00:43:10,320
Speaker 1: are you? I am forty one prime prime demographic, that's right, eighteen.

746
00:43:11,280 --> 00:43:14,120
Speaker 1: I gotta get in there. But dude, that is so like,

747
00:43:14,320 --> 00:43:18,320
Speaker 1: oh like it wrecked me. Well, we still need everybody

748
00:43:18,320 --> 00:43:20,440
Speaker 1: to watch. You need to watch Guysteen and fifty four

749
00:43:20,520 --> 00:43:23,160
Speaker 1: year olds. They did so well. We need to keep

750
00:43:23,200 --> 00:43:25,799
Speaker 1: that up. We need internet chatter and we need eighteen

751
00:43:25,840 --> 00:43:27,520
Speaker 1: to forty nine. Yeah, so when you're watching, I'm out.

752
00:43:27,520 --> 00:43:28,839
Speaker 1: If you're not gonna watch it, I'm not gonna watch

753
00:43:29,040 --> 00:43:31,120
Speaker 1: I'll watch it. I'll watch it. I mean you're gonna

754
00:43:31,160 --> 00:43:33,600
Speaker 1: put your dreams on the line. Yeah, I'm gonna get

755
00:43:33,680 --> 00:43:36,400
Speaker 1: bad sleep for a couple nights in a row again probably.

756
00:43:36,719 --> 00:43:40,080
Speaker 1: So what it's doing is wrecking me physically mentally. But

757
00:43:40,680 --> 00:43:42,560
Speaker 1: if your show's going to succeed, I guess I gotta

758
00:43:42,600 --> 00:43:44,080
Speaker 1: do it. But you're not doing it for me. I'm

759
00:43:44,120 --> 00:43:45,279
Speaker 1: doing it for me because I want to be on

760
00:43:45,360 --> 00:43:47,920
Speaker 1: the show. But then I don't have to get near

761
00:43:47,920 --> 00:43:50,400
Speaker 1: the snakes when I'm on there, do I No? Okay,

762
00:43:50,760 --> 00:43:53,120
Speaker 1: do you ever see the snakes while you're Oh? Yeah, Well,

763
00:43:53,120 --> 00:43:55,640
Speaker 1: first of all, I see snakes in the jungle a

764
00:43:55,680 --> 00:43:57,480
Speaker 1: couple times. We saw some real venomous ones. But we

765
00:43:57,560 --> 00:43:59,680
Speaker 1: have people with us, right, they go the day before

766
00:43:59,719 --> 00:44:02,640
Speaker 1: to make sure they're no like snake bed and all that. Then,

767
00:44:02,840 --> 00:44:04,920
Speaker 1: but the snake picked their massive snakes over there all

768
00:44:04,920 --> 00:44:06,800
Speaker 1: the time, but they wouldn't let me touch it. I

769
00:44:06,840 --> 00:44:11,120
Speaker 1: wanted to wrap one around my neck, but they wouldn't

770
00:44:11,200 --> 00:44:12,799
Speaker 1: let me. They were like, no, as much as there

771
00:44:12,800 --> 00:44:15,080
Speaker 1: are snakes, we handled them, they'll kill you. So is

772
00:44:15,120 --> 00:44:17,520
Speaker 1: there a snake charmer on set? Not a charmer, No,

773
00:44:17,680 --> 00:44:20,919
Speaker 1: but there there's a lot of handler That's what I meant.

774
00:44:20,960 --> 00:44:22,640
Speaker 1: But they're handlers, Like I said, with us to go

775
00:44:22,719 --> 00:44:24,080
Speaker 1: the day before, they go with us the day of,

776
00:44:24,200 --> 00:44:26,400
Speaker 1: and then you're always there, right, because that's just an

777
00:44:26,440 --> 00:44:28,800
Speaker 1: area where they're allowed. Hey, man, if he's scared of snakes,

778
00:44:28,840 --> 00:44:30,160
Speaker 1: he may not be able to go on the shoot

779
00:44:30,160 --> 00:44:31,840
Speaker 1: even if we haven't season, so we'd have to probably

780
00:44:31,920 --> 00:44:34,279
Speaker 1: put in scuba Steve and lunchboxes. No, no, we're not

781
00:44:34,320 --> 00:44:37,560
Speaker 1: gonna do that. I mean, I mean, no, stop stop,

782
00:44:37,719 --> 00:44:40,239
Speaker 1: I may pee my pants, but I'll be on there

783
00:44:40,920 --> 00:44:43,200
Speaker 1: all right. Snake and the gost To Night on USA eleven,

784
00:44:43,320 --> 00:44:45,399
Speaker 1: tenth Central. Please watch it if you can, all rights,

785
00:44:45,400 --> 00:44:47,040
Speaker 1: go over to Amy and get in the morning Corny,

786
00:44:50,840 --> 00:44:53,879
Speaker 1: Morning corn. Why did the boy eat his homework? Why

787
00:44:53,920 --> 00:44:56,239
Speaker 1: did the boy eat his homework? Well, his teacher told

788
00:44:56,320 --> 00:45:02,759
Speaker 1: him it was a piece of cake. That was the

789
00:45:03,360 --> 00:45:05,839
Speaker 1: morning corning. That one made me crook one nose where

790
00:45:05,840 --> 00:45:09,120
Speaker 1: I'm like, you didn't laugh at all? Yeah, yeah, I

791
00:45:09,160 --> 00:45:11,800
Speaker 1: got it. But also it's back to school for some people. Starting.

792
00:45:12,080 --> 00:45:20,120
Speaker 1: I didn't realize back to school jool Zach tweet is

793
00:45:20,239 --> 00:45:22,440
Speaker 1: on and Zach was in one of our telling me

794
00:45:22,480 --> 00:45:25,200
Speaker 1: something good a while ago. He is a freshman linebacker

795
00:45:25,280 --> 00:45:27,440
Speaker 1: at the University of Iowa. He pulled over on the

796
00:45:27,520 --> 00:45:30,520
Speaker 1: interstate he spotted a woman the flat tire, and so

797
00:45:31,400 --> 00:45:34,240
Speaker 1: he basically helped out. Zach, I'm looking at you online.

798
00:45:34,239 --> 00:45:36,680
Speaker 1: Tell me if this is true? Uh six three two

799
00:45:36,960 --> 00:45:41,240
Speaker 1: forty from Story City, Iowa and just all around baller?

800
00:45:41,400 --> 00:45:46,880
Speaker 1: Is that true? Yeah? There is? Yeah, I made that

801
00:45:46,880 --> 00:45:49,200
Speaker 1: part up all around baller. I just figured. So, Zach,

802
00:45:49,239 --> 00:45:52,040
Speaker 1: how you doing, buddy? That's too bad? How are you guys?

803
00:45:52,440 --> 00:45:54,319
Speaker 1: I'm pretty good. How are you feeling about football season

804
00:45:54,320 --> 00:45:56,959
Speaker 1: coming up? Pretty good? They we're actually going to camp

805
00:45:57,280 --> 00:45:59,360
Speaker 1: until that's where we're moving, moving to a hotel for

806
00:45:59,480 --> 00:46:02,359
Speaker 1: three weeks and get fall camp knocked out right? Poor

807
00:46:02,480 --> 00:46:04,640
Speaker 1: school starts? Are you? What are you twenty? How old

808
00:46:04,640 --> 00:46:07,000
Speaker 1: are you nineteen? How do you have a deeper voice

809
00:46:07,000 --> 00:46:12,839
Speaker 1: than I do? What? Holy mole? He's using a fake voice.

810
00:46:13,000 --> 00:46:14,719
Speaker 1: He's on one of those phones where you call and

811
00:46:14,760 --> 00:46:18,239
Speaker 1: you make the voice deeper. Right to the issue at hand, Zach,

812
00:46:18,280 --> 00:46:20,719
Speaker 1: And you know the story comes out. Were you like,

813
00:46:20,960 --> 00:46:23,120
Speaker 1: how did this make there? Was that what you were thinking, like,

814
00:46:23,200 --> 00:46:25,239
Speaker 1: how did this make the news? It's a great story,

815
00:46:25,280 --> 00:46:26,759
Speaker 1: by the way, You're an awesome dude, it seems like,

816
00:46:26,960 --> 00:46:29,480
Speaker 1: But were you shocked and made the news? Thank you?

817
00:46:30,360 --> 00:46:32,680
Speaker 1: I was very shocked, you know, Like I said in

818
00:46:32,680 --> 00:46:35,160
Speaker 1: a lot of the articles, growing up in a small

819
00:46:35,280 --> 00:46:37,359
Speaker 1: town kind of a you know, a farm kid. It's

820
00:46:37,400 --> 00:46:39,000
Speaker 1: one of those things that I've always done over the years,

821
00:46:39,040 --> 00:46:40,440
Speaker 1: you know, as soon as I got my sixteen year

822
00:46:40,440 --> 00:46:43,279
Speaker 1: old license. It's something I promised myself, like, if there's

823
00:46:43,280 --> 00:46:44,879
Speaker 1: anyone outside of the road, I'm all going to stop

824
00:46:44,960 --> 00:46:47,600
Speaker 1: and help, um and so of because there's been plenty,

825
00:46:47,840 --> 00:46:50,920
Speaker 1: plenty of experiences before and this is kind of just

826
00:46:51,040 --> 00:46:54,160
Speaker 1: a routine experience for me. And next thing, you else,

827
00:46:54,239 --> 00:46:55,879
Speaker 1: you wanted to take a picture, and I was like, oh,

828
00:46:55,960 --> 00:46:58,440
Speaker 1: you know, okay, just like a little memory and um

829
00:46:58,840 --> 00:47:01,000
Speaker 1: and yeah, my phone just kind of kind of starts

830
00:47:01,040 --> 00:47:04,040
Speaker 1: blowing up one day and I'm like, wow, she posted

831
00:47:04,120 --> 00:47:06,920
Speaker 1: on Facebook. That's crazy. Next thing, you know, and when

832
00:47:06,920 --> 00:47:09,160
Speaker 1: you heard it, you probably didn't hear it live. Did

833
00:47:09,239 --> 00:47:10,920
Speaker 1: someone tip you off that we talked about it on

834
00:47:11,000 --> 00:47:13,520
Speaker 1: the show? Yeah? Those a few people. I mean, you

835
00:47:13,560 --> 00:47:14,719
Speaker 1: could have lied and said you have to heard it

836
00:47:14,719 --> 00:47:16,359
Speaker 1: live because I'm your biggest fan. But hey, don't worry

837
00:47:16,360 --> 00:47:18,160
Speaker 1: about that, Zach. You help other people, just not me,

838
00:47:18,320 --> 00:47:23,200
Speaker 1: you know, oh not yet. Yeah. So here you are.

839
00:47:23,320 --> 00:47:25,839
Speaker 1: You you're mister. You help a lady on the side

840
00:47:25,840 --> 00:47:27,880
Speaker 1: of the road. You make the news. Do your teammates

841
00:47:28,000 --> 00:47:29,680
Speaker 1: give you any crap at all because you're in the

842
00:47:29,760 --> 00:47:32,360
Speaker 1: news now? You know, some people did, and I mean

843
00:47:32,440 --> 00:47:34,480
Speaker 1: that's all part of social media. I mean one sort

844
00:47:34,520 --> 00:47:37,840
Speaker 1: of it was negative positive you know, oh I just

845
00:47:37,960 --> 00:47:41,000
Speaker 1: ain't fire tire, you know all that. But surprisingly a

846
00:47:41,000 --> 00:47:43,200
Speaker 1: lot of kids on the football team were, you know, hey,

847
00:47:43,520 --> 00:47:46,040
Speaker 1: like it was pretty cool. Um. Some of them said

848
00:47:46,080 --> 00:47:48,320
Speaker 1: they even look at me different now, like in a

849
00:47:48,360 --> 00:47:50,680
Speaker 1: positive way. Um. And a lot of them even ask

850
00:47:50,719 --> 00:47:53,160
Speaker 1: for me to help show them out of jaging tire. Dude.

851
00:47:53,160 --> 00:47:56,160
Speaker 1: That's for real cool that all jokes aside, It is

852
00:47:56,280 --> 00:48:01,879
Speaker 1: very inspiring in that it makes people aware that it's

853
00:48:01,880 --> 00:48:05,279
Speaker 1: actually okay to stop and help somebody because that's what

854
00:48:05,400 --> 00:48:07,360
Speaker 1: you did. You definitely didn't have to do it. You

855
00:48:07,440 --> 00:48:09,320
Speaker 1: grew up a lot like I did, from a small

856
00:48:09,360 --> 00:48:11,840
Speaker 1: town where everybody helped everybody and to you, it was

857
00:48:11,960 --> 00:48:14,840
Speaker 1: probably thanks to your parents and your grandparents or whomever

858
00:48:14,920 --> 00:48:18,160
Speaker 1: raised you. It was probably instilled upon you and into you.

859
00:48:18,600 --> 00:48:19,960
Speaker 1: And you did what you were taught to do. And

860
00:48:20,000 --> 00:48:22,120
Speaker 1: I think that's awesome. And like you said, other kids

861
00:48:22,160 --> 00:48:23,320
Speaker 1: now are like, hey, we showed me how to do

862
00:48:23,400 --> 00:48:24,680
Speaker 1: that in case I need to do it or in

863
00:48:24,760 --> 00:48:26,840
Speaker 1: case I need to help somebody else. So we clapped

864
00:48:26,840 --> 00:48:29,960
Speaker 1: for you right here, Zach. Okay, I got other questions, though,

865
00:48:29,960 --> 00:48:31,359
Speaker 1: I got other questions. Are you gonna get any plan

866
00:48:31,440 --> 00:48:33,480
Speaker 1: time this year? I like to hope. So you know,

867
00:48:33,520 --> 00:48:35,239
Speaker 1: succhial team is gonna be the biggest thing. I don't

868
00:48:35,239 --> 00:48:36,560
Speaker 1: know if you saw it does not at least the

869
00:48:36,560 --> 00:48:39,000
Speaker 1: other day, I'm the Iowahawk Gyers. I believe were the

870
00:48:39,080 --> 00:48:42,719
Speaker 1: only college in college football. Throos have all three of

871
00:48:42,760 --> 00:48:46,279
Speaker 1: our linebackers up for the Linebacker of the Year watch list,

872
00:48:46,560 --> 00:48:50,520
Speaker 1: like the Buckets Award. Yeah yeah, yeahy Zachy, Zach, I'm

873
00:48:50,520 --> 00:48:51,759
Speaker 1: I'm up on a sports budd You can talk to

874
00:48:51,800 --> 00:48:55,040
Speaker 1: me like a real man. Don't worry about it. You

875
00:48:55,120 --> 00:48:57,799
Speaker 1: know that's that's the crazy and ironic thing. Growing up

876
00:48:57,840 --> 00:49:00,400
Speaker 1: on a farm. You know, I never watched TV. I

877
00:49:00,520 --> 00:49:03,759
Speaker 1: never watched professional sports called sports. You know everyone all

878
00:49:03,880 --> 00:49:05,640
Speaker 1: that what my favorite team is? You know who I

879
00:49:05,760 --> 00:49:08,000
Speaker 1: looked up to in the you know, professional sports world,

880
00:49:08,040 --> 00:49:11,160
Speaker 1: And quite frankly, it's no one. I was just so

881
00:49:11,320 --> 00:49:12,840
Speaker 1: used to working on the farm or doing something I

882
00:49:12,960 --> 00:49:15,160
Speaker 1: never never said my time, saying on the couch watching TV.

883
00:49:15,960 --> 00:49:17,960
Speaker 1: You got a bunch of abs or what bunch of

884
00:49:18,000 --> 00:49:24,520
Speaker 1: what abs? Stomach muscles? I got a few. Yeah. I

885
00:49:24,520 --> 00:49:28,279
Speaker 1: can imagine just playing linebacker, being six foot three, six

886
00:49:28,280 --> 00:49:31,319
Speaker 1: foot four, taking people's head off and point and then

887
00:49:31,400 --> 00:49:33,120
Speaker 1: standing over them with like your crotch over their face,

888
00:49:33,160 --> 00:49:36,080
Speaker 1: being like you look good, You look good? Oh man,

889
00:49:36,680 --> 00:49:39,279
Speaker 1: that's why I did. Yeah, pretty cool. Well, listen, we're

890
00:49:39,320 --> 00:49:41,680
Speaker 1: gonna be following you this year linebacker at the University

891
00:49:41,680 --> 00:49:43,520
Speaker 1: of Iowa, Zach twee. We're gonna be watching for you

892
00:49:43,600 --> 00:49:45,480
Speaker 1: on special teams. And if you do can do that

893
00:49:45,520 --> 00:49:47,600
Speaker 1: thing where you step over someone's face, and then I'd

894
00:49:47,600 --> 00:49:49,600
Speaker 1: probably add I'd like squat and act like a pin

895
00:49:49,640 --> 00:49:52,600
Speaker 1: sent down. Oh yeah, just a little something. Yeah, just

896
00:49:52,640 --> 00:49:54,680
Speaker 1: a little something I'd be I was known for. Um,

897
00:49:55,080 --> 00:49:56,800
Speaker 1: Zack wouldn't do that because it's a nice dude, But

898
00:49:56,880 --> 00:49:58,520
Speaker 1: look at them there is Zach Tweet. And here's what

899
00:49:58,560 --> 00:50:01,600
Speaker 1: I'm gonna do. And Zach, turn your ears off for

900
00:50:01,640 --> 00:50:03,359
Speaker 1: a second. This is what I'm gonna do, because it's

901
00:50:03,360 --> 00:50:06,399
Speaker 1: all it's all above books. I'm going to reach out

902
00:50:06,480 --> 00:50:09,640
Speaker 1: to the University of Iowa and I'm going to go, hey,

903
00:50:09,680 --> 00:50:11,799
Speaker 1: I'd like to sign Zach Tweet to an inn il deal.

904
00:50:12,760 --> 00:50:15,040
Speaker 1: You know, listen, here's the thing about about me. I

905
00:50:16,120 --> 00:50:18,919
Speaker 1: from Arkansas. I'm a doctor of the University of Arkansas Honor.

906
00:50:19,200 --> 00:50:21,879
Speaker 1: But anyway, I work with that program a lot. That's

907
00:50:21,920 --> 00:50:23,719
Speaker 1: my team. Ever heard of the razorback Zach Tweet? Ever

908
00:50:23,800 --> 00:50:27,520
Speaker 1: heard of all? That's right? And they'd probably do that

909
00:50:27,520 --> 00:50:28,919
Speaker 1: thing where they peat on your face on the field

910
00:50:28,920 --> 00:50:32,120
Speaker 1: too if they like you. But I'm gonna reach out

911
00:50:32,160 --> 00:50:35,600
Speaker 1: to the Iowa folks and let's see if we can

912
00:50:35,640 --> 00:50:37,080
Speaker 1: have Zach help to show out a little bit in

913
00:50:37,440 --> 00:50:39,960
Speaker 1: in a cool way. How about that we forget about everybody.

914
00:50:40,000 --> 00:50:43,560
Speaker 1: That's awesome. Wow, All right, Zach. So I'm going to

915
00:50:43,920 --> 00:50:46,560
Speaker 1: put you on hold for a second, and then i

916
00:50:46,640 --> 00:50:48,120
Speaker 1: want to say thank you because what you did. You

917
00:50:48,200 --> 00:50:51,160
Speaker 1: absolutely expected nothing to come back here, but you made

918
00:50:51,200 --> 00:50:52,840
Speaker 1: the news for just helping somebody and I hope more

919
00:50:52,880 --> 00:50:55,239
Speaker 1: people see this story and more people can help out

920
00:50:55,280 --> 00:50:58,400
Speaker 1: as well. There is Zach Hey number forty two in

921
00:50:58,440 --> 00:51:03,400
Speaker 1: your program, number one in your heart. Number. I just

922
00:51:03,440 --> 00:51:05,439
Speaker 1: saw a picture and wearing twenty six Xach. What number

923
00:51:05,440 --> 00:51:09,040
Speaker 1: are you this year? I'm forty two, twenty six high school. Well,

924
00:51:09,080 --> 00:51:10,600
Speaker 1: he was big, and that's what I'm saying. This dude

925
00:51:10,600 --> 00:51:13,879
Speaker 1: was like a monster. He's a leader. He was team

926
00:51:13,960 --> 00:51:16,719
Speaker 1: captain for four straight years in high school. I think

927
00:51:16,920 --> 00:51:18,200
Speaker 1: did you play as a ninth grade or did you

928
00:51:18,320 --> 00:51:21,880
Speaker 1: dominate high school in ninth grade? Zach? I did you know?

929
00:51:21,960 --> 00:51:24,319
Speaker 1: The funny thing is, you know I grew about six

930
00:51:24,440 --> 00:51:26,480
Speaker 1: two in sixth grade and then I started shaving in

931
00:51:26,560 --> 00:51:30,680
Speaker 1: sixth grade in sixth grade. So when you were playing

932
00:51:30,760 --> 00:51:37,279
Speaker 1: junior high ball, was it man amongst boys? Yeah? Zach

933
00:51:37,320 --> 00:51:41,520
Speaker 1: Tweet's my hero. Wow, all right, there is Zach Tweet

934
00:51:42,239 --> 00:51:44,879
Speaker 1: the University of Oiowa. Stay on hold for a second, Zach.

935
00:51:45,440 --> 00:51:46,600
Speaker 1: I just want to talk to him for a second.

936
00:51:46,640 --> 00:51:49,120
Speaker 1: He's a great inspiration. He's my hero, and I just

937
00:51:49,239 --> 00:51:53,120
Speaker 1: wish I was him. Zach Tweet. By the way, what

938
00:51:53,239 --> 00:51:55,799
Speaker 1: just happened and in I l deal is players can

939
00:51:55,880 --> 00:51:59,320
Speaker 1: now be compensated for working. If you're a college athlete,

940
00:51:59,360 --> 00:52:02,239
Speaker 1: it stands or name, image, likeness, and I work with

941
00:52:02,280 --> 00:52:04,120
Speaker 1: a lot of players. University of Barca started to do things,

942
00:52:04,640 --> 00:52:07,080
Speaker 1: and I think I'm gonna make sure old Zach tweet

943
00:52:07,080 --> 00:52:09,000
Speaker 1: and get on the old pay roll and do some

944
00:52:09,040 --> 00:52:10,759
Speaker 1: pretty cool stuff. Yeah that's cool. So that's what we're

945
00:52:10,760 --> 00:52:13,040
Speaker 1: gonna do. We're gonna sign all we unless you guys

946
00:52:13,040 --> 00:52:15,960
Speaker 1: want to chip in. I got five bucks, I'm good,

947
00:52:16,000 --> 00:52:17,640
Speaker 1: all right, So I'm gonna sign Zach tweet to an

948
00:52:17,719 --> 00:52:19,640
Speaker 1: nil deal. More to come. I gotta call and do

949
00:52:19,719 --> 00:52:22,160
Speaker 1: the compliance stuff with the school. But that's really cool.

950
00:52:24,320 --> 00:52:26,759
Speaker 1: We got two announcements here. Let's start with the first one.

951
00:52:27,520 --> 00:52:30,360
Speaker 1: Coming out of retirement, Draft Kings has been like do

952
00:52:30,920 --> 00:52:32,799
Speaker 1: something in sports, and I said, I don't have time,

953
00:52:33,000 --> 00:52:35,120
Speaker 1: and they said, do a football show told the super Bowl,

954
00:52:35,280 --> 00:52:38,759
Speaker 1: and I said, okay, deal. So we're only doing twenty

955
00:52:38,800 --> 00:52:42,520
Speaker 1: five shows. It is the first ever limited edition football podcast.

956
00:52:42,800 --> 00:52:45,960
Speaker 1: We're doing twenty five shows and then we're retiring. That's it. Yeah,

957
00:52:46,000 --> 00:52:47,600
Speaker 1: so save them Sam's NFT. I don't know how you

958
00:52:47,680 --> 00:52:50,720
Speaker 1: do that, but doing twenty five shows and then we're retiring,

959
00:52:51,000 --> 00:52:52,640
Speaker 1: and so at the end of every episode, we'll blow

960
00:52:52,640 --> 00:52:54,880
Speaker 1: whistle and that's it. It's called twenty five Whistles, a

961
00:52:54,920 --> 00:52:58,520
Speaker 1: Football Podcast, and it'll be a college and NFL podcast

962
00:52:59,040 --> 00:53:01,080
Speaker 1: that we're doing with drafts and it will go up

963
00:53:01,160 --> 00:53:05,760
Speaker 1: every Friday. So I hope you listening starting this Friday.

964
00:53:06,200 --> 00:53:07,839
Speaker 1: And they were like, who do you want us a guest?

965
00:53:08,040 --> 00:53:10,640
Speaker 1: And I said, well, well, I'll hold the guests until later.

966
00:53:10,840 --> 00:53:12,759
Speaker 1: We got some pretty good stuff going on and thanks

967
00:53:12,800 --> 00:53:14,320
Speaker 1: the draft Kings were going, hey, we'd love to have

968
00:53:14,440 --> 00:53:15,800
Speaker 1: you do it, and then we love to pay you,

969
00:53:15,880 --> 00:53:17,200
Speaker 1: and I said, yes you would, I'll take it, and

970
00:53:17,239 --> 00:53:20,320
Speaker 1: then we're gonna do a good job. So that's starting Friday,

971
00:53:20,520 --> 00:53:24,440
Speaker 1: twenty five Whistles a Football Podcast. I hope you guys listen.

972
00:53:25,239 --> 00:53:27,200
Speaker 1: That being said, let's move over to the next thing,

973
00:53:27,719 --> 00:53:31,000
Speaker 1: Lunchboxes acting gig. What are you ready for it? I've

974
00:53:31,040 --> 00:53:33,920
Speaker 1: been ready. Are you ready for the details? Yes, it's

975
00:53:33,920 --> 00:53:37,880
Speaker 1: about time. You've been teasing me for like six months weeks,

976
00:53:37,920 --> 00:53:39,760
Speaker 1: not that long. Yeah. I think this was a setup.

977
00:53:39,800 --> 00:53:41,200
Speaker 1: I think the first one with Amy was like, oh,

978
00:53:41,280 --> 00:53:43,239
Speaker 1: to give him up part of the team. Okay, okay,

979
00:53:43,400 --> 00:53:46,200
Speaker 1: I will tell you right after Kelsey and Kenny what

980
00:53:46,320 --> 00:53:48,080
Speaker 1: I'm going to I'll give you all the details after

981
00:53:48,200 --> 00:53:53,120
Speaker 1: Kelsey Ballerini and Kenny Chess and Lunchbox. Here's some little

982
00:53:53,160 --> 00:53:58,960
Speaker 1: bits about your acting gig. Yeah, I'm heading west, right,

983
00:53:59,000 --> 00:54:01,920
Speaker 1: that's what you do our heads. I can give you

984
00:54:02,239 --> 00:54:03,840
Speaker 1: some more right now. Maybe not all of it, but

985
00:54:03,880 --> 00:54:05,960
Speaker 1: I can give you some more. Okay. We will be

986
00:54:06,080 --> 00:54:13,520
Speaker 1: connecting you with the director Steven Spielberg. It is not

987
00:54:13,600 --> 00:54:16,640
Speaker 1: Steven Spielberg, okay, but I wouldn't say you wanted Steven

988
00:54:16,680 --> 00:54:18,960
Speaker 1: Spielberg because it's your shot. But that's just the only

989
00:54:19,160 --> 00:54:23,720
Speaker 1: director I know. We'll be connecting you on it looks

990
00:54:23,719 --> 00:54:27,239
Speaker 1: like Friday to go over some lines. Oh okay, one

991
00:54:27,280 --> 00:54:29,320
Speaker 1: of those lines and some of the situation will be

992
00:54:29,400 --> 00:54:32,320
Speaker 1: a singing piece. You'll have to sing fifteen seconds of

993
00:54:32,360 --> 00:54:34,719
Speaker 1: a song. Oh he's done. No, no, okay, I can.

994
00:54:36,120 --> 00:54:39,680
Speaker 1: The director will have the weekend to decide, and the callback,

995
00:54:39,760 --> 00:54:41,480
Speaker 1: if you got the job, will happen on Monday or

996
00:54:41,520 --> 00:54:45,160
Speaker 1: Tuesday next week. Oh boy, I'm not gonna sleep all weekend.

997
00:54:46,280 --> 00:54:48,640
Speaker 1: What song is it? So I can practice. I will

998
00:54:48,680 --> 00:54:51,160
Speaker 1: go home and practice all week I will get you

999
00:54:51,239 --> 00:54:52,919
Speaker 1: all this either today by the end of the show

1000
00:54:53,000 --> 00:54:55,359
Speaker 1: or tomorrow during the show, so you have plenty of time.

1001
00:54:55,800 --> 00:54:59,960
Speaker 1: We're still somebody got COVID and somebody got the whole

1002
00:55:00,040 --> 00:55:02,239
Speaker 1: situation where I got delayed. That's why I wouldn't tell

1003
00:55:02,239 --> 00:55:04,600
Speaker 1: you last week. Okay, But what I can give you

1004
00:55:04,680 --> 00:55:07,080
Speaker 1: now is will be connecting you with the director. It

1005
00:55:07,200 --> 00:55:09,239
Speaker 1: looks like on Friday to go over some lines. Yeah,

1006
00:55:09,280 --> 00:55:11,080
Speaker 1: and I'm gonna sing. You're gonna have a singing piece

1007
00:55:11,120 --> 00:55:18,080
Speaker 1: as well, like I'm in a musical. Wow, well, Miranda guy,

1008
00:55:18,280 --> 00:55:22,800
Speaker 1: what's his name? Okay, it's Hamilton. Yeah, yes, it's I

1009
00:55:22,880 --> 00:55:27,360
Speaker 1: am Alexander Graham Burr. That's not a person, Alexander Burr. Okay,

1010
00:55:28,400 --> 00:55:30,560
Speaker 1: sing for us. If I were to say lunchbox, yes,

1011
00:55:30,920 --> 00:55:33,880
Speaker 1: sing a little bit of you are my sunshine. You

1012
00:55:34,120 --> 00:55:40,160
Speaker 1: are my sunshine, my only sunshine. You make me happy

1013
00:55:40,960 --> 00:55:45,160
Speaker 1: when skies are gray. No that, you'll never take that

1014
00:55:45,280 --> 00:55:50,600
Speaker 1: away from me. You are my sunshine. It's pretty good, buddy, that,

1015
00:55:54,160 --> 00:55:56,439
Speaker 1: but that's still pretty good. Right. What else you got? No? Nothing.

1016
00:55:56,480 --> 00:55:57,920
Speaker 1: I just want an audience to hear like a song

1017
00:55:58,000 --> 00:55:59,719
Speaker 1: that you know really well, how you can stay right

1018
00:56:00,040 --> 00:56:02,400
Speaker 1: on the melody. Yeah, yeah, So I'll give you more

1019
00:56:02,400 --> 00:56:05,440
Speaker 1: of Oh my goodness, I cannot believe it. My wife's

1020
00:56:05,480 --> 00:56:08,239
Speaker 1: gonna be so proud, and she's gonna be jealous because

1021
00:56:08,239 --> 00:56:11,040
Speaker 1: she loves musicals. But I'm gonna be I'm not committing

1022
00:56:11,640 --> 00:56:14,200
Speaker 1: to it being a musical just because it's you could

1023
00:56:14,239 --> 00:56:18,240
Speaker 1: have a role and inside the scene, somebody's like singing

1024
00:56:18,760 --> 00:56:21,840
Speaker 1: in a diner by a jewbox. Good point, somebody comes in.

1025
00:56:21,920 --> 00:56:23,560
Speaker 1: They kicked the door in with a gun. They're like, police,

1026
00:56:23,600 --> 00:56:26,200
Speaker 1: open up and there's something dude, Oh my police, Because

1027
00:56:26,280 --> 00:56:27,720
Speaker 1: you know I have always wanted to be a police

1028
00:56:27,760 --> 00:56:30,360
Speaker 1: and be on one of those chases that could be me.

1029
00:56:31,520 --> 00:56:34,600
Speaker 1: We will let you know either more details the show

1030
00:56:34,680 --> 00:56:38,200
Speaker 1: today or early tomorrow. Okay, okay, man, I'm getting excited.

1031
00:56:39,239 --> 00:56:42,600
Speaker 1: Can you tell me when I'm packing my bags? Well,

1032
00:56:42,640 --> 00:56:44,919
Speaker 1: you gotta get the job. Okay, that's true. I didn't

1033
00:56:44,960 --> 00:56:48,040
Speaker 1: think about that. Yeah, I'm already counting my um eggs,

1034
00:56:48,440 --> 00:56:51,640
Speaker 1: eggs before their hats. Yeah, I don't do that. Got

1035
00:56:51,680 --> 00:56:54,080
Speaker 1: knowing to hold them and no one to fold them.

1036
00:56:54,440 --> 00:56:56,000
Speaker 1: That's my boy, Kenny. Do you know how to sing

1037
00:56:56,080 --> 00:57:00,239
Speaker 1: that one? Oh? Yeah, here we come on. Yeah, no

1038
00:57:00,360 --> 00:57:03,480
Speaker 1: win to hold him, no win to fold him, no

1039
00:57:03,680 --> 00:57:11,520
Speaker 1: win to walk away. No run to run, No run

1040
00:57:11,600 --> 00:57:15,320
Speaker 1: to run? Yeah, to hide, no win to hide? Yeah? Okay,

1041
00:57:15,760 --> 00:57:17,840
Speaker 1: more information coming out, just a little bit there, all right,

1042
00:57:17,960 --> 00:57:20,880
Speaker 1: I will do them. I could possibly give you more

1043
00:57:20,880 --> 00:57:23,160
Speaker 1: information on the news in about fifteen minutes. Okay, I'm

1044
00:57:23,200 --> 00:57:24,560
Speaker 1: being told to my ear will give you a little

1045
00:57:24,560 --> 00:57:26,800
Speaker 1: bit more of that. I like this. I like that

1046
00:57:26,880 --> 00:57:28,880
Speaker 1: you're slow playing it like not we wanted to. I

1047
00:57:28,920 --> 00:57:30,400
Speaker 1: want to tell you all of it. Can I'm ask

1048
00:57:30,440 --> 00:57:33,720
Speaker 1: you about it? But okay, that is coming up. I

1049
00:57:33,760 --> 00:57:37,200
Speaker 1: have more information, Lunchbox, but acting gig. Oh all right,

1050
00:57:37,320 --> 00:57:39,160
Speaker 1: I give it to you either at the very end

1051
00:57:39,160 --> 00:57:41,520
Speaker 1: of the segment or right at the beginning of the next. Okay,

1052
00:57:41,600 --> 00:57:44,920
Speaker 1: but I just was handed some stuff. Okay, I like it.

1053
00:57:45,280 --> 00:57:47,240
Speaker 1: Lunchbox has a shot at a big time role. He

1054
00:57:47,320 --> 00:57:49,680
Speaker 1: will audition. All of that will be on the air.

1055
00:57:49,760 --> 00:57:51,960
Speaker 1: By the way, we've got it all planned out. That's fine, man, Hey,

1056
00:57:52,360 --> 00:57:54,919
Speaker 1: the audition will be in on the air. Well, he's

1057
00:57:54,960 --> 00:57:57,880
Speaker 1: gonna more details coming out. Okay, all right, let's go

1058
00:57:57,920 --> 00:58:03,760
Speaker 1: to the news Bobby's story. According to a new study,

1059
00:58:03,880 --> 00:58:07,480
Speaker 1: drinking alcohol effects the way we see specific emotions, and

1060
00:58:07,560 --> 00:58:11,520
Speaker 1: it allows people to see happy faces faster. You almost

1061
00:58:11,640 --> 00:58:16,919
Speaker 1: experience an added nudge to find the fun when you're drinking. Yeah,

1062
00:58:17,520 --> 00:58:20,640
Speaker 1: it's like a magnet to other people that are drinking.

1063
00:58:21,800 --> 00:58:26,920
Speaker 1: So that's the drinking. That's what they're saying in science

1064
00:58:27,040 --> 00:58:28,920
Speaker 1: is a new element of why drinking is fun. I

1065
00:58:29,000 --> 00:58:31,120
Speaker 1: guess I've never listen. I don't drink, and I don't

1066
00:58:31,120 --> 00:58:32,760
Speaker 1: ever get tracing the fun people. So there you go.

1067
00:58:32,960 --> 00:58:35,240
Speaker 1: You never noticed on the airplane when they serve the drinks,

1068
00:58:35,320 --> 00:58:38,200
Speaker 1: it just gets louder and happier. That's because people get drunk.

1069
00:58:38,240 --> 00:58:40,640
Speaker 1: I know. That's what's this what's this thing is saying,

1070
00:58:40,680 --> 00:58:43,360
Speaker 1: everyone's just happy. We as soon as those drinks are served,

1071
00:58:43,400 --> 00:58:45,320
Speaker 1: we're like, what's man? Before that, we're like, I don't

1072
00:58:45,360 --> 00:58:47,920
Speaker 1: want to talk to you at all. It's crazy. People

1073
00:58:48,000 --> 00:58:50,560
Speaker 1: do get sad when they drink. That's true, after like

1074
00:58:50,640 --> 00:58:56,080
Speaker 1: five of Themhold that's from UPI the voices that men

1075
00:58:56,240 --> 00:58:58,760
Speaker 1: are attracted to. That's the headline of this next story

1076
00:58:59,680 --> 00:59:02,920
Speaker 1: and a study from the University of College London lunchbox.

1077
00:59:03,000 --> 00:59:04,720
Speaker 1: What kind of voice do you like in a woman?

1078
00:59:05,480 --> 00:59:10,080
Speaker 1: I like it's soft, oh gosh, you know, and very

1079
00:59:10,320 --> 00:59:14,160
Speaker 1: just soothing. I don't want to like you don't want

1080
00:59:14,160 --> 00:59:16,520
Speaker 1: to deep like no, no, I mean, I can take

1081
00:59:16,560 --> 00:59:18,840
Speaker 1: a New York girl, but I mean it's not that

1082
00:59:19,000 --> 00:59:22,080
Speaker 1: accent more than it is. That's kind of deep. What

1083
00:59:22,200 --> 00:59:24,120
Speaker 1: kind of voice do you like? Well, it's funny, you ask.

1084
00:59:24,200 --> 00:59:28,240
Speaker 1: I like a high pitch kind of light on the

1085
00:59:28,320 --> 00:59:32,360
Speaker 1: high side like sound, not like not like annoyingly high,

1086
00:59:32,480 --> 00:59:35,400
Speaker 1: but like right up there. In the study of thousands

1087
00:59:35,480 --> 00:59:38,440
Speaker 1: of men, they say that guys do not like the

1088
00:59:38,800 --> 00:59:43,480
Speaker 1: husky smoker voice. It's deeper. Guys like women with higher

1089
00:59:43,680 --> 00:59:48,320
Speaker 1: pitchy voices. Specifically, men prefer voices like Ashley Simpson and

1090
00:59:48,400 --> 00:59:50,800
Speaker 1: Katie Holmes's voices. I don't know what their voices are.

1091
00:59:51,080 --> 00:59:53,600
Speaker 1: I couldn't tell you, but I told you they didn't

1092
00:59:53,640 --> 00:59:57,600
Speaker 1: want that smoker, nasty rough man voice, like you see

1093
00:59:57,640 --> 01:00:03,800
Speaker 1: something like whoa rough man? That's what about you? Bum? Yeah? Yeah, boys,

1094
01:00:03,920 --> 01:00:06,920
Speaker 1: sure yeah. From the Daily Mail, Dolphins to the Rescue,

1095
01:00:06,960 --> 01:00:09,520
Speaker 1: a British swimmer is saved from a six foot shark.

1096
01:00:10,000 --> 01:00:12,480
Speaker 1: And I saw this, If this is true, which it

1097
01:00:12,560 --> 01:00:16,960
Speaker 1: probably is, this group of dolphins, as he was swimming,

1098
01:00:18,160 --> 01:00:20,720
Speaker 1: the shark was coming near, they circled him or protected

1099
01:00:20,760 --> 01:00:23,440
Speaker 1: him from the shark. Amazing. How do they know how

1100
01:00:23,480 --> 01:00:25,960
Speaker 1: to do that well. Dolphins, they say, are almost as

1101
01:00:25,960 --> 01:00:27,760
Speaker 1: smart as us, and in many other ways are smarter

1102
01:00:27,880 --> 01:00:32,280
Speaker 1: than us. I guess depending on when they're figuring out.

1103
01:00:32,400 --> 01:00:34,800
Speaker 1: They know that shark and they see this guy and

1104
01:00:34,840 --> 01:00:37,600
Speaker 1: they're like, that guy's in trouble. They may think that

1105
01:00:37,640 --> 01:00:39,680
Speaker 1: about themselves too, right. This may not be something they're

1106
01:00:39,680 --> 01:00:42,320
Speaker 1: just doing for this human. There are also stories of

1107
01:00:42,400 --> 01:00:44,360
Speaker 1: them doing it for other things in the water, including

1108
01:00:44,400 --> 01:00:47,160
Speaker 1: their own species. So it's just a protection way where

1109
01:00:47,160 --> 01:00:50,040
Speaker 1: they go, okay, time to protect, even putting themselves at

1110
01:00:50,120 --> 01:00:52,160
Speaker 1: risk because if the shark gets angry, I'll just pop

1111
01:00:52,200 --> 01:00:54,920
Speaker 1: one of those guys. So Adam Walker was swimming when

1112
01:00:54,920 --> 01:00:56,920
Speaker 1: a six foot great white shark appeared only a few

1113
01:00:56,920 --> 01:01:00,200
Speaker 1: feet away. He was completing the sixteen mile challenge to

1114
01:01:00,240 --> 01:01:03,840
Speaker 1: swim across the Cook straight when he came across the shark.

1115
01:01:04,520 --> 01:01:07,080
Speaker 1: He said, he looked down, he saw a shark, he said.

1116
01:01:07,080 --> 01:01:09,880
Speaker 1: I tried not to panic. Then dolphins swam up and

1117
01:01:09,920 --> 01:01:13,680
Speaker 1: formed a protective ring around him. That is wild. They

1118
01:01:13,760 --> 01:01:16,520
Speaker 1: stuck together in pods and that's the main way that

1119
01:01:16,600 --> 01:01:18,880
Speaker 1: dolphins defend one another from a shark attack. But they

1120
01:01:18,920 --> 01:01:22,200
Speaker 1: were protecting him. It's pretty cool, really cool. He actually

1121
01:01:22,240 --> 01:01:23,480
Speaker 1: fell in love with one of the dolphins and now

1122
01:01:23,480 --> 01:01:28,480
Speaker 1: they're married. Really yeah, I had a high pitch. That's

1123
01:01:28,560 --> 01:01:31,120
Speaker 1: the pitch of a dolphin boys a guy like hey hey.

1124
01:01:31,800 --> 01:01:35,040
Speaker 1: In the new scientists say our brains are not meant

1125
01:01:35,080 --> 01:01:37,960
Speaker 1: to be awake after midnight. This is from study finds

1126
01:01:38,000 --> 01:01:40,640
Speaker 1: dot org. You know there's that saying nothing good happens

1127
01:01:40,680 --> 01:01:44,480
Speaker 1: after midnight, But now researchers say nothing good happens after

1128
01:01:44,560 --> 01:01:47,320
Speaker 1: midnight for your brain. So their new high pops that

1129
01:01:47,360 --> 01:01:48,960
Speaker 1: says that human brains are not meant to be awake

1130
01:01:49,000 --> 01:01:51,320
Speaker 1: after midnight, That staying up late only leads to more

1131
01:01:51,320 --> 01:01:55,640
Speaker 1: impulsive behavior and high risk decisions such as drinking, over eating, gambling,

1132
01:01:55,720 --> 01:01:59,680
Speaker 1: or criminal activity. That's about right. That's why I'm at o'clock.

1133
01:02:00,640 --> 01:02:04,160
Speaker 1: Stay away from all that. Uh So, if you stay awake,

1134
01:02:04,840 --> 01:02:06,880
Speaker 1: but I tell you I'm supposed to, my body tells

1135
01:02:06,880 --> 01:02:08,480
Speaker 1: me to stay awake, I would be awake till four

1136
01:02:08,520 --> 01:02:10,760
Speaker 1: in the morning. My natural sleep clock is to wake

1137
01:02:10,840 --> 01:02:13,320
Speaker 1: up at noon and go to sleep at four am.

1138
01:02:13,720 --> 01:02:16,600
Speaker 1: God lead, that'd be a perfect life. That's a perfect

1139
01:02:16,640 --> 01:02:19,680
Speaker 1: life for me, for sure. Men who can do forty

1140
01:02:19,760 --> 01:02:23,240
Speaker 1: push ups are far less likely to develop heart disease.

1141
01:02:24,680 --> 01:02:26,880
Speaker 1: So who in this room thinks they could do forty

1142
01:02:26,960 --> 01:02:31,200
Speaker 1: push ups? I can in an hour, no knee I'm

1143
01:02:31,200 --> 01:02:32,960
Speaker 1: talking like, how long do we get? No? No, no,

1144
01:02:33,200 --> 01:02:34,680
Speaker 1: and what note not? How long do you get you

1145
01:02:34,840 --> 01:02:38,000
Speaker 1: do it to day? No? No, no? I do an

1146
01:02:38,040 --> 01:02:41,960
Speaker 1: hour in one setting? Could you could you hop down,

1147
01:02:42,360 --> 01:02:44,880
Speaker 1: no knees and just do forty push ups? No chance?

1148
01:02:45,040 --> 01:02:46,560
Speaker 1: You don't think? So what did you do? No? I

1149
01:02:46,600 --> 01:02:49,920
Speaker 1: can probably do ten. Oh. I was thinking you'd say twenty,

1150
01:02:50,240 --> 01:02:52,000
Speaker 1: and I'd feel good about you doing twenties. I was

1151
01:02:52,040 --> 01:02:56,120
Speaker 1: trying to be like realistic, I can do ten, maybe fifteen. Wow,

1152
01:02:56,200 --> 01:02:58,040
Speaker 1: I'm in shocked that that's all, even that you think

1153
01:02:58,040 --> 01:03:00,480
Speaker 1: you could do. Lunchbox man, I was thinking in fifty,

1154
01:03:00,560 --> 01:03:02,280
Speaker 1: but then the study says forty, and I'm like, oh,

1155
01:03:02,360 --> 01:03:05,440
Speaker 1: so maybe I can't do fifty. Last time you did

1156
01:03:05,480 --> 01:03:09,400
Speaker 1: a push up two thou seven. Now it wouldn't even

1157
01:03:09,440 --> 01:03:11,920
Speaker 1: have to be a militarily perfect push up. It's just

1158
01:03:12,320 --> 01:03:15,520
Speaker 1: go down, come up. I could do ten. That's what

1159
01:03:15,600 --> 01:03:18,760
Speaker 1: I just said. Everybody can do. Time's true. In this room.

1160
01:03:18,800 --> 01:03:21,280
Speaker 1: Everybody should be able to do two. Okay, I bet

1161
01:03:21,320 --> 01:03:26,840
Speaker 1: your scuba can't do ten. What I would I would

1162
01:03:26,880 --> 01:03:32,480
Speaker 1: put scuba at twenty two? Wow, twenty two. Twenties a

1163
01:03:32,520 --> 01:03:34,360
Speaker 1: lot of push ups, it's a lot. I haven't them

1164
01:03:34,400 --> 01:03:36,640
Speaker 1: in a minute about two years? So did a push exactly?

1165
01:03:36,800 --> 01:03:41,480
Speaker 1: I mean simple? Well, no, I know twenties hard, But man,

1166
01:03:41,560 --> 01:03:43,760
Speaker 1: what are you thinking I would put scuba at twenty

1167
01:03:43,880 --> 01:03:47,240
Speaker 1: two like consecutively? Yes, you don't think you could do that?

1168
01:03:47,720 --> 01:03:50,280
Speaker 1: That's a lot. At one point time, probably do one hundred,

1169
01:03:50,320 --> 01:03:52,200
Speaker 1: but now there's no what you could ever do one hundred? Yeah?

1170
01:03:52,680 --> 01:03:59,280
Speaker 1: Pe seeing that fish? Um, I think I could do

1171
01:03:59,480 --> 01:04:02,960
Speaker 1: the fifth teen consecutively, maybe twenty, but not twenty two.

1172
01:04:03,080 --> 01:04:04,520
Speaker 1: That I I mean, if if I were there was

1173
01:04:04,560 --> 01:04:06,720
Speaker 1: money on the line, I would do twenty two. You

1174
01:04:06,840 --> 01:04:08,920
Speaker 1: may want to challenge him a little bet he could

1175
01:04:08,920 --> 01:04:13,000
Speaker 1: do twenty two? Money up, you could barely do ten?

1176
01:04:13,480 --> 01:04:15,560
Speaker 1: Should I should? How much money I'll do, like twenty

1177
01:04:15,600 --> 01:04:18,880
Speaker 1: bucks that he can't do twenty two? Okay, this is

1178
01:04:18,920 --> 01:04:20,880
Speaker 1: my own money? Are you betting? You betting against him

1179
01:04:20,960 --> 01:04:22,680
Speaker 1: with me? Well, you just said money's on the line.

1180
01:04:23,080 --> 01:04:25,320
Speaker 1: I figured I'll put Okay, no, no, I'll bet him.

1181
01:04:25,400 --> 01:04:27,240
Speaker 1: I'll bet him. Just keep your money out of Okay, cool,

1182
01:04:27,480 --> 01:04:29,120
Speaker 1: do you want to do it next segment? Let's do it. Yeah,

1183
01:04:29,120 --> 01:04:30,800
Speaker 1: he's got a stretch there. I definitely got a stretch.

1184
01:04:31,080 --> 01:04:32,600
Speaker 1: You might want to take that shirt off. That button

1185
01:04:32,680 --> 01:04:37,320
Speaker 1: up shirt ain't gonna work. He's got a stretch. He

1186
01:04:37,320 --> 01:04:40,560
Speaker 1: needs to go back in time and get we can

1187
01:04:40,600 --> 01:04:44,240
Speaker 1: do one hundred. Okay, so we'll do that coming up. Um.

1188
01:04:44,400 --> 01:04:46,160
Speaker 1: But that's the situation here. They say, if a guy

1189
01:04:46,240 --> 01:04:48,680
Speaker 1: can do forty push ups, they're far less likely to

1190
01:04:48,720 --> 01:04:51,320
Speaker 1: develop heart disease. And here we are betting on twenty two.

1191
01:04:52,720 --> 01:04:56,560
Speaker 1: Though he could get forty pretty easily. Yeah, but that's

1192
01:04:56,600 --> 01:04:58,960
Speaker 1: because I do them every day, probably not every day,

1193
01:04:59,040 --> 01:05:01,320
Speaker 1: but three or four times week. It's part of my workout.

1194
01:05:01,360 --> 01:05:03,320
Speaker 1: But yes, there you go. A lot of guys say,

1195
01:05:03,360 --> 01:05:07,440
Speaker 1: can't even do ten. You see, we were right. A

1196
01:05:07,480 --> 01:05:09,480
Speaker 1: lot of people can do ten. Ten is hard, man,

1197
01:05:10,080 --> 01:05:12,200
Speaker 1: especially if we haven't done a push up in years. Yeah.

1198
01:05:12,280 --> 01:05:16,520
Speaker 1: Ten stop? Okay from the News and the Hollywood Reporter,

1199
01:05:16,880 --> 01:05:18,840
Speaker 1: Days of Our Lives is leaving NBC and headed to

1200
01:05:19,000 --> 01:05:21,920
Speaker 1: Peacock starting September twelve. I don't watch soap operas. I'm

1201
01:05:21,920 --> 01:05:25,320
Speaker 1: actually surprised they still make them. Yeah, I'm not saying

1202
01:05:25,320 --> 01:05:27,400
Speaker 1: they're bad. I'm just surprised that's still a thing, because

1203
01:05:27,480 --> 01:05:30,040
Speaker 1: most things that were in the seventies and eighties aren't

1204
01:05:30,080 --> 01:05:34,000
Speaker 1: a thing anymore. So they're moving that to peacock. And finally,

1205
01:05:34,080 --> 01:05:36,400
Speaker 1: a man has sentenced to nineteen years for killing an

1206
01:05:36,480 --> 01:05:39,040
Speaker 1: unarmed burglar who is robbing his house. Have you guys

1207
01:05:39,080 --> 01:05:41,160
Speaker 1: heard this story, So let me lay it out for

1208
01:05:41,280 --> 01:05:42,880
Speaker 1: you as in the news, and let me give you

1209
01:05:43,000 --> 01:05:45,760
Speaker 1: why I think this is the situation. Okay, so this

1210
01:05:45,960 --> 01:05:48,200
Speaker 1: is from the lad Bible. A man has been sentenced

1211
01:05:48,240 --> 01:05:50,720
Speaker 1: to nineteen years in jail after stabbing a house intruder

1212
01:05:50,760 --> 01:05:53,920
Speaker 1: to death in October of last year. Carl Town's in

1213
01:05:53,960 --> 01:05:55,760
Speaker 1: a thirty two ye old father has been cleared by

1214
01:05:55,800 --> 01:05:59,480
Speaker 1: a jury for murdering a burglar. However, earlier this week,

1215
01:05:59,640 --> 01:06:02,280
Speaker 1: town And was found guilty of manslaughter after it was rebuilt.

1216
01:06:02,400 --> 01:06:04,560
Speaker 1: The thirty one year old robber had been stabbed repeatedly

1217
01:06:04,640 --> 01:06:06,840
Speaker 1: in the head, face, and arms in the attack that

1218
01:06:06,960 --> 01:06:08,560
Speaker 1: de ceased. Intruder was one of the four men who

1219
01:06:08,640 --> 01:06:10,720
Speaker 1: broke into his house on October twenty nine. While the

1220
01:06:10,760 --> 01:06:13,120
Speaker 1: man and his partner and young child were all out,

1221
01:06:13,400 --> 01:06:16,600
Speaker 1: the burglary was carrying out in a smash and grab fashion,

1222
01:06:17,120 --> 01:06:19,320
Speaker 1: with the police report stating he was searching for a

1223
01:06:19,440 --> 01:06:23,720
Speaker 1: stash of controlled drugs. So all that happened guy stabbing.

1224
01:06:24,360 --> 01:06:27,120
Speaker 1: This is my opinion on why he's going to jail.

1225
01:06:27,480 --> 01:06:29,920
Speaker 1: What I think happened was the robber had been run

1226
01:06:30,000 --> 01:06:33,200
Speaker 1: out of the house, like was leaving it, was making

1227
01:06:33,240 --> 01:06:36,520
Speaker 1: an effort to get away, so it wasn't a threat

1228
01:06:36,560 --> 01:06:38,480
Speaker 1: to the guy anymore because he was moving in a

1229
01:06:38,560 --> 01:06:41,440
Speaker 1: direction away from the guy, and so then the guy

1230
01:06:41,520 --> 01:06:44,520
Speaker 1: caught him and started stabbing him. I believe it's a story.

1231
01:06:44,800 --> 01:06:46,680
Speaker 1: It's a weird story because you're like, if someone broken

1232
01:06:46,760 --> 01:06:48,600
Speaker 1: mouse that shoot him, I kill hi, immediately salute. But

1233
01:06:48,680 --> 01:06:51,640
Speaker 1: that's when the threat is happening. And I think where

1234
01:06:51,720 --> 01:06:53,600
Speaker 1: he got in trouble And I'm not saying I agree

1235
01:06:53,640 --> 01:06:55,240
Speaker 1: with it at all. I'm just saying in my mind,

1236
01:06:55,280 --> 01:06:57,920
Speaker 1: where he got in trouble was the guy was like, oh,

1237
01:06:58,520 --> 01:07:01,360
Speaker 1: I'm out of here, and was moving and wasn't a

1238
01:07:01,440 --> 01:07:04,600
Speaker 1: threat at all, and that's when the guy got him

1239
01:07:04,880 --> 01:07:07,880
Speaker 1: and started going to town on him. So if someone

1240
01:07:08,200 --> 01:07:14,080
Speaker 1: breaks into your house, you can't hurt them. No, he's

1241
01:07:14,080 --> 01:07:17,320
Speaker 1: in his house, but he got him outside the house.

1242
01:07:17,440 --> 01:07:19,360
Speaker 1: So the stabin happened in the front yard or something

1243
01:07:19,400 --> 01:07:21,040
Speaker 1: outside the house. Yes, he was going out of the house.

1244
01:07:21,520 --> 01:07:23,640
Speaker 1: But there are stories too where people have broken into

1245
01:07:23,680 --> 01:07:25,439
Speaker 1: a house and they're running out, running away, and people

1246
01:07:25,520 --> 01:07:27,800
Speaker 1: shoot them and they get in trouble and the shooter

1247
01:07:27,880 --> 01:07:29,920
Speaker 1: gets in trouble and goes to jail. Right, because they're

1248
01:07:29,960 --> 01:07:32,120
Speaker 1: not a threat to them as they're running away. Again,

1249
01:07:32,280 --> 01:07:35,400
Speaker 1: I'm not saying that I agree with it. I guess

1250
01:07:35,400 --> 01:07:38,080
Speaker 1: I would need to know exactly exactly what happened. Yeah,

1251
01:07:38,120 --> 01:07:39,960
Speaker 1: because I feel like you're still a threat because you

1252
01:07:39,960 --> 01:07:43,120
Speaker 1: could turn around and wrap ye off a couple round.

1253
01:07:43,280 --> 01:07:46,640
Speaker 1: Don't chase them, Well, that's right, that's true. I didn't

1254
01:07:46,680 --> 01:07:49,200
Speaker 1: think about that. If they're leaving, I think you have to.

1255
01:07:49,320 --> 01:07:54,160
Speaker 1: But if they're in the house, and I've heard I've

1256
01:07:54,200 --> 01:07:57,280
Speaker 1: heard lawyers say, if someone's in the house and you

1257
01:07:57,360 --> 01:07:59,280
Speaker 1: have to shoot him, don't shoot him to mame him.

1258
01:07:59,440 --> 01:08:01,520
Speaker 1: Don't don't shoot him in the way to kill yeah,

1259
01:08:01,680 --> 01:08:06,760
Speaker 1: because I'll sue you. Whoa interesting angle, because they will

1260
01:08:06,760 --> 01:08:09,120
Speaker 1: sue you. That's crazy. I feel like if they're in

1261
01:08:09,240 --> 01:08:11,040
Speaker 1: my house, I can do whatever I want. Again, just

1262
01:08:11,080 --> 01:08:13,360
Speaker 1: didn't happen in the house. But even if they were

1263
01:08:13,440 --> 01:08:15,720
Speaker 1: in it and there was this moved to the front yard,

1264
01:08:15,720 --> 01:08:18,240
Speaker 1: I would still I understand, but he wasn't in the

1265
01:08:18,320 --> 01:08:20,759
Speaker 1: house at the time, especially my kids were around. I agree,

1266
01:08:21,000 --> 01:08:23,040
Speaker 1: feeling you right, but he's he's not a threat anymore.

1267
01:08:23,080 --> 01:08:24,559
Speaker 1: He's leaving, he's running out, and then you caught him

1268
01:08:24,560 --> 01:08:26,479
Speaker 1: outside the house. That's what got him put in jail.

1269
01:08:27,160 --> 01:08:30,599
Speaker 1: That's what's getting how long nineteen years? It's crazy. It's

1270
01:08:30,640 --> 01:08:33,679
Speaker 1: unbelievable to me. Didn't that that somebody who was robbing

1271
01:08:35,400 --> 01:08:40,000
Speaker 1: then after being attacked because of the robbing on the

1272
01:08:40,080 --> 01:08:45,519
Speaker 1: same property is wait, I mean, you're dead, but the

1273
01:08:45,600 --> 01:08:48,800
Speaker 1: other guy gets put into prison. Anyway, there's that story.

1274
01:08:48,840 --> 01:08:51,360
Speaker 1: I wanted to share it with you, and that's the news.

1275
01:08:51,400 --> 01:08:57,760
Speaker 1: Thank you. Okay, next segment, we have two things coming

1276
01:08:57,840 --> 01:09:02,679
Speaker 1: up Scooba. Steve's gonna compete. Yeah, I said it before

1277
01:09:02,680 --> 01:09:06,040
Speaker 1: anybody committed. We're not looking at okay exactly military push ups,

1278
01:09:06,240 --> 01:09:09,559
Speaker 1: you go down, you go up. That's it. That chest

1279
01:09:09,600 --> 01:09:12,720
Speaker 1: touched the ground. Yeah pretty close, yeah close, just if

1280
01:09:12,760 --> 01:09:15,200
Speaker 1: we were doing one. Pretty close. Man, he gets down,

1281
01:09:15,320 --> 01:09:17,200
Speaker 1: he's got that whole awkward butt up in the air.

1282
01:09:20,280 --> 01:09:21,960
Speaker 1: So Scooba is gonna do that launch box to have

1283
01:09:22,080 --> 01:09:26,559
Speaker 1: some information about your acting gig. Love, We will do that. Um.

1284
01:09:27,080 --> 01:09:30,760
Speaker 1: We also kept checking with Abby about her gig this weekend. Yeah,

1285
01:09:30,960 --> 01:09:34,439
Speaker 1: she played on Broadway and Nashville. Abby, our phone screener. Yeah,

1286
01:09:34,520 --> 01:09:37,760
Speaker 1: Queen a Broadway. Oh I know, lunch went, why are

1287
01:09:37,840 --> 01:09:40,000
Speaker 1: you saying that? Well, she was down on Broadway seeking

1288
01:09:40,360 --> 01:09:42,519
Speaker 1: the Queen a Broadway. Right, Okay, we'll come back with

1289
01:09:42,600 --> 01:09:47,719
Speaker 1: that by Scoob. Are you stretched? I mean I literally

1290
01:09:47,760 --> 01:09:49,720
Speaker 1: haven't seen you get up from your seat there. I

1291
01:09:50,080 --> 01:09:52,080
Speaker 1: trust my arms, right, so I was stretching my arms

1292
01:09:52,120 --> 01:09:54,720
Speaker 1: and my shoulders in my back. Are you ready? Yeah,

1293
01:09:54,720 --> 01:09:56,040
Speaker 1: I go do it. I'm ready for come on in here.

1294
01:09:57,640 --> 01:09:59,760
Speaker 1: The news story said that if you could do forty

1295
01:09:59,760 --> 01:10:03,080
Speaker 1: point chefs, you're at less likely to die of heart disease.

1296
01:10:04,280 --> 01:10:05,840
Speaker 1: You got your tennis shoes on, your shorts on. This

1297
01:10:05,960 --> 01:10:08,160
Speaker 1: is good. You look at it. You have a T

1298
01:10:08,280 --> 01:10:10,160
Speaker 1: shirt under that? Or is that just a shirt today

1299
01:10:11,960 --> 01:10:13,680
Speaker 1: this show? Okay, I'll leave it on. The leave it on.

1300
01:10:13,880 --> 01:10:16,040
Speaker 1: If you had a T shirt under ide, say for yourself.

1301
01:10:16,400 --> 01:10:18,479
Speaker 1: Now we're good. Don't worry about the microphone. So I

1302
01:10:18,520 --> 01:10:21,400
Speaker 1: would even get here, on the floor. Yeah, I got you.

1303
01:10:21,640 --> 01:10:24,439
Speaker 1: We're gonna do eddy. Twenty two is his number, right,

1304
01:10:24,439 --> 01:10:27,160
Speaker 1: twenty two. That's all right. Get your stretch up. There

1305
01:10:27,240 --> 01:10:30,479
Speaker 1: you go, stretch up, stretch up tall, do arm circles forward,

1306
01:10:30,760 --> 01:10:33,160
Speaker 1: do forward. That's backward, that's backward. There you go forward.

1307
01:10:33,280 --> 01:10:36,120
Speaker 1: They don't don't wear yourself. I'll go backward and I

1308
01:10:36,200 --> 01:10:38,599
Speaker 1: go a little bigger. There you go, and I get

1309
01:10:38,600 --> 01:10:42,280
Speaker 1: a little side to side. He's gonna get tired, all right,

1310
01:10:42,760 --> 01:10:44,439
Speaker 1: that's good. But I need you to do is it?

1311
01:10:44,800 --> 01:10:48,160
Speaker 1: Life's on the line. Twenty twenty two. If you hit

1312
01:10:48,200 --> 01:10:50,599
Speaker 1: twenty two, your money in the bank. And I'll tell

1313
01:10:50,600 --> 01:10:52,519
Speaker 1: you what if we hit twenty two, I'll give you

1314
01:10:52,560 --> 01:10:55,599
Speaker 1: half my winnings. Hey, he can't stop at all, right,

1315
01:10:55,800 --> 01:10:58,320
Speaker 1: no breaks. He can stop up high for a second,

1316
01:10:59,240 --> 01:11:00,880
Speaker 1: as long as he done, long as he doesn't stop,

1317
01:11:01,000 --> 01:11:02,479
Speaker 1: long as he doesn't come out, or as he touched

1318
01:11:02,479 --> 01:11:04,519
Speaker 1: the ground. All good second? Okay, No, no, he can

1319
01:11:04,560 --> 01:11:06,439
Speaker 1: stop a high. Okay, yeah, I think that's right. And

1320
01:11:06,560 --> 01:11:08,120
Speaker 1: let's say he can stop a high for no more

1321
01:11:08,160 --> 01:11:10,800
Speaker 1: than three seconds. Love it? Yeah, I mean you gotta

1322
01:11:10,800 --> 01:11:13,280
Speaker 1: get technical. And his old nickname used to be mister one. Hundred,

1323
01:11:13,360 --> 01:11:16,479
Speaker 1: so come on, he scoop it. Just pump one out

1324
01:11:16,520 --> 01:11:19,680
Speaker 1: real quick. It doesn't count. No, no, don't waste yeah yeah, like,

1325
01:11:20,040 --> 01:11:25,000
Speaker 1: oh yeah, he's strong, he's strong. Yeah, get there. Oh yeah,

1326
01:11:25,240 --> 01:11:27,040
Speaker 1: did you guys think he was gonna struggle with one?

1327
01:11:27,479 --> 01:11:30,640
Speaker 1: He's up in a pumping now while your heads on

1328
01:11:30,640 --> 01:11:33,280
Speaker 1: your knees are already severing. Okay, we got twenty two?

1329
01:11:33,320 --> 01:11:36,800
Speaker 1: Are you ready? Amy think he's gonna get it? Yes, okay,

1330
01:11:36,960 --> 01:11:39,560
Speaker 1: you got it. You get your goals like thirty. So

1331
01:11:39,600 --> 01:11:41,599
Speaker 1: if you're aiming at twenty two, you're gonna struggle twenty two.

1332
01:11:41,600 --> 01:11:43,200
Speaker 1: If I'm in a thirty, you'll get twenty two, but

1333
01:11:43,240 --> 01:11:45,280
Speaker 1: it'll be tough. Okay. You know you run on the

1334
01:11:45,320 --> 01:11:47,760
Speaker 1: treadmill and that last one minute feels like it's just death.

1335
01:11:47,840 --> 01:11:49,720
Speaker 1: It doesn't matter what that last one minute minute is.

1336
01:11:49,880 --> 01:11:52,840
Speaker 1: It always feels like death. So that's why you gotta

1337
01:11:53,520 --> 01:11:57,120
Speaker 1: go on your head. Yeah a little further, yeah't thirty?

1338
01:11:57,200 --> 01:12:03,320
Speaker 1: He's stressing? All right? How's that? Motivations? I got it?

1339
01:12:03,360 --> 01:12:05,439
Speaker 1: Here we go Scuba Steve for twenty two push ups

1340
01:12:05,479 --> 01:12:11,320
Speaker 1: and go one two, yes, strong, three, four, my guy strong, five,

1341
01:12:11,520 --> 01:12:18,320
Speaker 1: come on six seven? Turn Hey no, he's not nine, ten, eleven, twelve,

1342
01:12:18,400 --> 01:12:22,120
Speaker 1: you over halfway there? Maybe thirteen come on fourteen, fifteen,

1343
01:12:22,560 --> 01:12:29,400
Speaker 1: sixteen more three more three more go that's that's two

1344
01:12:29,560 --> 01:12:37,360
Speaker 1: more two sub come on more one more yeah three

1345
01:12:45,280 --> 01:13:07,840
Speaker 1: s money nine more, get up, get up? Wow, yes, sir,

1346
01:13:09,400 --> 01:13:16,719
Speaker 1: that's amazing. Look so what was his total? Wow? Good job, scoob,

1347
01:13:18,960 --> 01:13:26,920
Speaker 1: Nice job, buddy. His head went from pale white Scooba.

1348
01:13:27,000 --> 01:13:32,840
Speaker 1: Just lay buddy, just take a break. We went tubing

1349
01:13:32,920 --> 01:13:36,840
Speaker 1: this weekend and on ten killer Lake, and so I

1350
01:13:36,920 --> 01:13:40,840
Speaker 1: haven't tube, and I don't know fifteen years and it's

1351
01:13:40,880 --> 01:13:43,040
Speaker 1: just holding onto that tube and you don't realize how

1352
01:13:43,080 --> 01:13:45,360
Speaker 1: hard it is. And I'm just holding on for dear life.

1353
01:13:45,560 --> 01:13:47,679
Speaker 1: Then you get off and you're just exhausted and everything

1354
01:13:47,760 --> 01:13:49,920
Speaker 1: is so tight and like I'm sore in like every

1355
01:13:50,000 --> 01:13:52,960
Speaker 1: odd muscle that I've never used before. That's what he's

1356
01:13:52,960 --> 01:13:57,519
Speaker 1: gonna feel tomorrow. Huh. Nice job, though, buddy, you can

1357
01:13:58,920 --> 01:14:01,040
Speaker 1: You're good buddy. Yeah, good job, Scuba. I hat you

1358
01:14:01,080 --> 01:14:04,640
Speaker 1: a ten scuba. I'm shocked. Guba's struggling to get up.

1359
01:14:04,680 --> 01:14:08,439
Speaker 1: All right, there you go, there you go, there, It

1360
01:14:08,560 --> 01:14:11,519
Speaker 1: is all right, that's good, that's awesome. Yeah, that's called

1361
01:14:11,560 --> 01:14:21,200
Speaker 1: working out buddy, that's called exercise pal. That's a much

1362
01:14:21,280 --> 01:14:24,160
Speaker 1: stays in my head forever. I look, I'm like, I

1363
01:14:24,600 --> 01:14:27,880
Speaker 1: love country music. Cane send me a nice message. Over

1364
01:14:27,920 --> 01:14:30,080
Speaker 1: the weekend where I didn't know if I was going

1365
01:14:30,120 --> 01:14:32,200
Speaker 1: to get any crap or not. I did an interview

1366
01:14:33,400 --> 01:14:35,280
Speaker 1: with the Tennessee in and I think they ran at

1367
01:14:35,360 --> 01:14:38,200
Speaker 1: Nationally and they said, Hey, what's the deal? What what

1368
01:14:38,280 --> 01:14:40,280
Speaker 1: do you want to do? So I've had two goals

1369
01:14:40,760 --> 01:14:43,720
Speaker 1: to host, like a talk show, not so much late

1370
01:14:43,760 --> 01:14:45,360
Speaker 1: night talk show. I said, I've had a couple of

1371
01:14:45,400 --> 01:14:48,519
Speaker 1: pilots and I've had opportunities for those, but that really

1372
01:14:49,040 --> 01:14:50,960
Speaker 1: hasn't just found its path yet. And I said I've

1373
01:14:50,960 --> 01:14:53,560
Speaker 1: always wanted to host the ACMs or CMAS, and it

1374
01:14:53,560 --> 01:14:55,280
Speaker 1: said it's bullcraft that I haven't. And then I kind

1375
01:14:55,280 --> 01:14:56,519
Speaker 1: of went on a little bit because I do that

1376
01:14:56,560 --> 01:15:00,160
Speaker 1: sometimes and Cane I was like, yeah, I agree, and

1377
01:15:00,240 --> 01:15:02,200
Speaker 1: I was like, thanks, man, this is a little situation.

1378
01:15:02,280 --> 01:15:05,639
Speaker 1: Kane's awesome. If you if you haven't heard that, Kane

1379
01:15:05,640 --> 01:15:07,800
Speaker 1: Brown's a good dude. Everybody's talking about it on the streets.

1380
01:15:08,840 --> 01:15:11,240
Speaker 1: Extra Extra read all about it. Kane Brown's a good dude.

1381
01:15:11,680 --> 01:15:14,000
Speaker 1: All right, let's go over to Lunchbox, because Lunchbox, we've

1382
01:15:14,000 --> 01:15:16,200
Speaker 1: got some news for you. All right, this is more

1383
01:15:16,240 --> 01:15:20,160
Speaker 1: information on your acting gig. Okay, So we came to

1384
01:15:20,240 --> 01:15:22,479
Speaker 1: you weeks ago and we said, somebody's reached out and

1385
01:15:22,560 --> 01:15:28,280
Speaker 1: they want you to audition for an acting role. You're

1386
01:15:28,280 --> 01:15:30,080
Speaker 1: not somebody who's scared of a challenge, no chance. You

1387
01:15:30,160 --> 01:15:33,760
Speaker 1: gotta beat others, then crush other people's dreams in the way.

1388
01:15:33,920 --> 01:15:35,880
Speaker 1: That's fine me and I put it like that. But okay,

1389
01:15:36,479 --> 01:15:40,960
Speaker 1: so we told you you have to go out west, yes,

1390
01:15:41,120 --> 01:15:44,360
Speaker 1: where stars are born. We told you you're gonna have

1391
01:15:44,439 --> 01:15:46,160
Speaker 1: to act a little bit. We told you have to

1392
01:15:46,240 --> 01:15:50,040
Speaker 1: sing a little bit. And so here is more details

1393
01:15:50,040 --> 01:15:52,519
Speaker 1: about your acting gig. Does anybody know about this except

1394
01:15:52,520 --> 01:15:56,000
Speaker 1: for me? Oh? You got nobody knows anything? Zero? Okay, Okay,

1395
01:15:57,640 --> 01:15:59,400
Speaker 1: I've blown my voice litle bit from yelling at Scuba

1396
01:15:59,400 --> 01:16:03,200
Speaker 1: Stephen the last Lunchbox. You're acting gig, and what I

1397
01:16:03,240 --> 01:16:07,080
Speaker 1: can tell you now, it's bad out of hell. It's

1398
01:16:07,080 --> 01:16:12,280
Speaker 1: an award winning musical in Las Vegas. Who wait, say

1399
01:16:12,360 --> 01:16:18,280
Speaker 1: Las Vegas? Yeah, you know the big musicals, big stage shows. Yeah,

1400
01:16:18,479 --> 01:16:21,679
Speaker 1: all right, I gotta I thought of La but okay,

1401
01:16:21,800 --> 01:16:25,720
Speaker 1: Las Vegas. All right, we're gonna be connecting you with

1402
01:16:25,800 --> 01:16:29,880
Speaker 1: the director on Friday to go over some lines. Wow,

1403
01:16:30,160 --> 01:16:31,720
Speaker 1: and you'll do a little of dish on Friday. We'll

1404
01:16:31,720 --> 01:16:33,120
Speaker 1: get you all the information ahead of time. We can

1405
01:16:33,160 --> 01:16:35,320
Speaker 1: even practice with you before then. So wait a minute,

1406
01:16:35,640 --> 01:16:37,200
Speaker 1: I'm gonna have to live in Las Vegas like it's

1407
01:16:37,240 --> 01:16:41,640
Speaker 1: a residency. You're not gonna have to live there. But

1408
01:16:41,680 --> 01:16:44,000
Speaker 1: if you're away for a bit. Yes, we've already started

1409
01:16:44,080 --> 01:16:48,240
Speaker 1: working on housing. Well, we're already work hotel. They have

1410
01:16:48,320 --> 01:16:51,479
Speaker 1: hotels there. Okay, cool. So my family, I mean, we'll

1411
01:16:51,479 --> 01:16:55,679
Speaker 1: have like a sweet like Carris. I'm not in that department,

1412
01:16:56,080 --> 01:17:00,920
Speaker 1: but probably similar to that. This is so cool, But

1413
01:17:00,960 --> 01:17:02,960
Speaker 1: you have to get the role. But the director will

1414
01:17:02,960 --> 01:17:04,400
Speaker 1: be on he'll have the weekend to the side. He'll

1415
01:17:04,439 --> 01:17:05,840
Speaker 1: call us back on Monday and let us know what

1416
01:17:05,960 --> 01:17:08,519
Speaker 1: the deal is. And it's called what Bad out of Hell? Yeah?

1417
01:17:08,560 --> 01:17:11,400
Speaker 1: So Bad at of Hell? Do you know what that is? Yeah?

1418
01:17:11,479 --> 01:17:12,800
Speaker 1: It's like you're a bad out of Hell, like you're

1419
01:17:12,800 --> 01:17:18,160
Speaker 1: going crazy. Yes, it is a musical. Um meat Loaf,

1420
01:17:19,439 --> 01:17:21,720
Speaker 1: all right here, I just googled Bad out of Hell.

1421
01:17:21,840 --> 01:17:25,160
Speaker 1: Las Vegas Auditions auditions. Here we go. Do you see

1422
01:17:25,200 --> 01:17:28,360
Speaker 1: the auditions? Yeah, here's a submission by someone. Oh are

1423
01:17:28,360 --> 01:17:30,000
Speaker 1: you gonna play it? I mean I can send it

1424
01:17:30,040 --> 01:17:32,880
Speaker 1: to you if someone's audition. Yeah, you would know meat

1425
01:17:32,920 --> 01:17:38,800
Speaker 1: Loaf from this song right here? No one anything for love?

1426
01:17:39,920 --> 01:17:43,760
Speaker 1: But I won't do that. That's a commercial Dr Pepper. Yeah,

1427
01:17:43,920 --> 01:17:46,120
Speaker 1: but that's actually a song before a commercial. Oh I

1428
01:17:46,160 --> 01:17:47,920
Speaker 1: didn't know that. Yeah, a massive song like the eighties

1429
01:17:48,000 --> 01:17:50,080
Speaker 1: or so. Okay, Yeah, it's a funny commercial. Bad the

1430
01:17:50,120 --> 01:17:53,240
Speaker 1: Hell I believe is the name of that album, right yeah, okay,

1431
01:17:53,400 --> 01:17:55,360
Speaker 1: so there's a whole it's a whole meat Loaf musical

1432
01:17:55,439 --> 01:17:58,240
Speaker 1: if I'm correct, Scuba, Yeah it is. Yeah. He has

1433
01:17:58,280 --> 01:18:01,840
Speaker 1: a very pivotal role in the film Lunchbox does yes. Yeah, wow,

1434
01:18:02,080 --> 01:18:04,160
Speaker 1: if you win it, it's a pivotal role. You know

1435
01:18:04,200 --> 01:18:06,040
Speaker 1: where I'm going. I'm not only going to Las Vegas.

1436
01:18:06,040 --> 01:18:10,280
Speaker 1: I'm going to Paris. It's in Paris. It's at the Paris. Yeah,

1437
01:18:10,280 --> 01:18:13,720
Speaker 1: because I see this guy on here here, Julian McCleary.

1438
01:18:14,360 --> 01:18:16,519
Speaker 1: He is trying out for audition to Bat Out of

1439
01:18:16,560 --> 01:18:19,280
Speaker 1: Hell at the Paris and I have his is it

1440
01:18:19,320 --> 01:18:22,120
Speaker 1: at the Paris Theater? I don't know. Okay, we'll find out.

1441
01:18:22,120 --> 01:18:26,080
Speaker 1: But that's your that's your role. Wow, that is awesome.

1442
01:18:26,240 --> 01:18:29,880
Speaker 1: He's gonna be meat Loaf. No, I don't even be

1443
01:18:30,120 --> 01:18:32,439
Speaker 1: I don't I think meat Love is in it? Is

1444
01:18:32,479 --> 01:18:34,840
Speaker 1: meat Loaf in it? Oh he's not around anymore. Meat

1445
01:18:34,880 --> 01:18:37,479
Speaker 1: Love lost him. Oh meat Loaf won't be in it. Then,

1446
01:18:37,520 --> 01:18:40,400
Speaker 1: Oh that someone had to play meat Loaf. Yeah, I

1447
01:18:40,479 --> 01:18:42,840
Speaker 1: guess so. Or they're just playing the story of these songs.

1448
01:18:43,120 --> 01:18:46,519
Speaker 1: So what is the like, what is the story of

1449
01:18:46,600 --> 01:18:48,840
Speaker 1: bat out of Hell? Like? What is the I don't know,

1450
01:18:49,840 --> 01:18:52,280
Speaker 1: I don't know anything. I know what this is him

1451
01:18:52,360 --> 01:18:53,840
Speaker 1: out the production? Could you go to Vegas? Could you

1452
01:18:53,840 --> 01:18:55,760
Speaker 1: stay in Vegas for a bit? Could we send someone

1453
01:18:55,840 --> 01:18:57,760
Speaker 1: to cover it? We've been going through all that and

1454
01:18:57,840 --> 01:18:59,360
Speaker 1: so now you just have to audition to get the job.

1455
01:18:59,400 --> 01:19:02,000
Speaker 1: And if you do, you go And what are we

1456
01:19:02,120 --> 01:19:04,040
Speaker 1: doing one of those like it's live on NBC, Like,

1457
01:19:04,920 --> 01:19:09,160
Speaker 1: oh the music, that's what I think. It has to

1458
01:19:09,240 --> 01:19:12,599
Speaker 1: exist to be very successful for a while. Okay, yeah,

1459
01:19:12,680 --> 01:19:15,880
Speaker 1: So this is a stage job, not a screen acting

1460
01:19:16,000 --> 01:19:18,759
Speaker 1: for now. But it's a big stage, a big stage,

1461
01:19:18,800 --> 01:19:20,640
Speaker 1: and the greatest of actors go always go back to

1462
01:19:20,680 --> 01:19:26,519
Speaker 1: the stage right. Yeah, they jump around like Uma. Kristin Chenewick. Yeah,

1463
01:19:26,800 --> 01:19:29,080
Speaker 1: she's in something. I don't know who she is though,

1464
01:19:29,960 --> 01:19:33,320
Speaker 1: but I know the name. She seems she's a blonde girl. Yeah,

1465
01:19:33,360 --> 01:19:35,160
Speaker 1: so she would be wicked back in the day. And

1466
01:19:35,280 --> 01:19:38,559
Speaker 1: he gets your gun. Okay, it's also done television movies.

1467
01:19:38,600 --> 01:19:41,200
Speaker 1: But yes, so there you go. Um, but like big

1468
01:19:41,400 --> 01:19:46,639
Speaker 1: actors have gone back. Hugh Jackman, he's Wolverine. Okay. Um

1469
01:19:46,880 --> 01:19:49,240
Speaker 1: who else went onto Broadway? Yeah good, I'm gonna I'm

1470
01:19:49,280 --> 01:19:52,120
Speaker 1: gonna stopping this segment here. Yeah, but guys, come to

1471
01:19:52,280 --> 01:19:56,320
Speaker 1: Vegas book. I don't know when it is, got it?

1472
01:19:57,880 --> 01:20:01,160
Speaker 1: He's my name, gonna be on the Marquee. Oh my goodness,

1473
01:20:01,160 --> 01:20:05,120
Speaker 1: I'll be out of hill starring lunch Box tonight, seven pm,

1474
01:20:05,680 --> 01:20:10,160
Speaker 1: Paris Theater. Whoa, man, I can see it now, my

1475
01:20:10,400 --> 01:20:12,840
Speaker 1: name in the bright light. Let's go. Do you know

1476
01:20:12,920 --> 01:20:17,719
Speaker 1: how many LA film industry folks go watch these theater

1477
01:20:17,800 --> 01:20:22,320
Speaker 1: shows A lot, a lot? Whoa, because they're always looking

1478
01:20:22,360 --> 01:20:24,240
Speaker 1: for talent right away, I gotta go to the Hey,

1479
01:20:24,320 --> 01:20:27,280
Speaker 1: fresh meat. Oh, this is your foot in the door.

1480
01:20:27,800 --> 01:20:32,800
Speaker 1: This is huge, is it? Guys? Like? I mean, amen, Oh,

1481
01:20:32,880 --> 01:20:35,320
Speaker 1: he's acting. I'm testing I gotta tell my acting future

1482
01:20:35,320 --> 01:20:37,600
Speaker 1: that it's not in la but it's lost. But this

1483
01:20:37,720 --> 01:20:40,120
Speaker 1: is real acting, live, yeah, live, this is it you got.

1484
01:20:40,160 --> 01:20:42,400
Speaker 1: There's no screwing up. Take two, Take nine, I'm no

1485
01:20:43,400 --> 01:20:46,360
Speaker 1: start that over h I freeze and be like line

1486
01:20:46,439 --> 01:20:50,000
Speaker 1: please mate. I wondered if my acting coach is gonna

1487
01:20:50,000 --> 01:20:52,120
Speaker 1: come out to the gig one shot lunch box. That's

1488
01:20:52,120 --> 01:20:54,000
Speaker 1: gonna be your name. Wow, all right, we'll come back

1489
01:20:54,040 --> 01:20:56,360
Speaker 1: in a second. We'll check in with Abby. Abby. Our

1490
01:20:56,360 --> 01:20:59,280
Speaker 1: phone's gonna played on Broadway this weekend. She sang songs

1491
01:20:59,840 --> 01:21:02,240
Speaker 1: she played with the band. Sorry, gotta follow that, Abbey.

1492
01:21:03,040 --> 01:21:04,840
Speaker 1: You mean this segment? Yeah, you went to Broadway. I'm

1493
01:21:04,880 --> 01:21:08,680
Speaker 1: going to Vegas, Baby, let's go all right, we'll be

1494
01:21:08,720 --> 01:21:12,040
Speaker 1: back in a second. It was a big weekend for

1495
01:21:12,120 --> 01:21:14,600
Speaker 1: our phone screen or Abbey who moved to Nashville to

1496
01:21:14,640 --> 01:21:17,200
Speaker 1: be a singer and now she works here on the show.

1497
01:21:17,479 --> 01:21:21,080
Speaker 1: But kind of a rekindling of your singing career as

1498
01:21:21,120 --> 01:21:23,400
Speaker 1: of the last year or so. Right, Yeah, so you

1499
01:21:23,479 --> 01:21:25,960
Speaker 1: go out, you had to learn how many songs? Oh, ma'am?

1500
01:21:26,240 --> 01:21:28,880
Speaker 1: At least well forty? Can you go up? What bar

1501
01:21:28,960 --> 01:21:32,280
Speaker 1: did you play? Alan Jacksons were there people there, There

1502
01:21:32,320 --> 01:21:35,439
Speaker 1: were a few. Broadway was like not as busy as

1503
01:21:35,479 --> 01:21:37,599
Speaker 1: I've seen it. It was very tame. I feel like good,

1504
01:21:37,760 --> 01:21:40,160
Speaker 1: so leise you to go do then? Probably? Yeah, Well

1505
01:21:40,240 --> 01:21:42,000
Speaker 1: I kind of wanted it to be a little more wild,

1506
01:21:42,600 --> 01:21:46,599
Speaker 1: like just more people talking, mingling. It was very an

1507
01:21:46,680 --> 01:21:48,960
Speaker 1: intimate setting. I would say. It was on the second floor,

1508
01:21:49,240 --> 01:21:52,080
Speaker 1: a tiny stage. Chad and I were on there. He

1509
01:21:52,200 --> 01:21:54,760
Speaker 1: plays his guitar and then people were just like right there.

1510
01:21:55,520 --> 01:21:59,560
Speaker 1: Nerves were nervous, yes, nervous before or nervous once you

1511
01:21:59,680 --> 01:22:04,280
Speaker 1: got there. Both. So you play what was the very

1512
01:22:04,320 --> 01:22:07,920
Speaker 1: first song you sang? Oh what was it? I think

1513
01:22:08,160 --> 01:22:11,200
Speaker 1: Wild Angels by Martina sing the first line of that

1514
01:22:11,280 --> 01:22:12,479
Speaker 1: if you if you know it, do you know what?

1515
01:22:13,280 --> 01:22:14,960
Speaker 1: Do you need? The guitar part? Sometimes that's tough about

1516
01:22:15,000 --> 01:22:18,400
Speaker 1: the music. Oh my gosh, I don't remember how it starts.

1517
01:22:18,400 --> 01:22:20,320
Speaker 1: How's the start? See this because me, oh, and this

1518
01:22:20,479 --> 01:22:23,920
Speaker 1: is what happened too. Just you forget the words that

1519
01:22:24,040 --> 01:22:28,320
Speaker 1: happens sometimes to me as well. Yeah everyone, Yeah, like

1520
01:22:28,479 --> 01:22:30,120
Speaker 1: Eddie and I have played these songs one hundred times

1521
01:22:30,439 --> 01:22:31,880
Speaker 1: and we got to hit him exactly right because we

1522
01:22:31,920 --> 01:22:33,880
Speaker 1: have jokes in them and I'll forget the I mean,

1523
01:22:34,000 --> 01:22:35,880
Speaker 1: Eddie forgets it every ship all the time. Yeah, so

1524
01:22:36,120 --> 01:22:39,559
Speaker 1: don't don't worry about that so much. How many times

1525
01:22:39,640 --> 01:22:41,320
Speaker 1: do you think you forgot a word or a lyric

1526
01:22:41,479 --> 01:22:47,000
Speaker 1: or a line, probably in like five songs out of twenty. Yeah,

1527
01:22:47,080 --> 01:22:49,320
Speaker 1: that's not very good ratio. And Beyonce, we gotta get

1528
01:22:49,320 --> 01:22:52,240
Speaker 1: a little better at that. Okay, how would you grade

1529
01:22:52,240 --> 01:22:54,840
Speaker 1: your performance, oh man, out of how many? Ay? Through?

1530
01:22:54,920 --> 01:22:59,519
Speaker 1: F oh way through, I'd say a C. I'm very

1531
01:22:59,560 --> 01:23:01,720
Speaker 1: hard on myself and I was. I walked away not

1532
01:23:01,960 --> 01:23:04,000
Speaker 1: very happy. I was like, oh my gosh, who showed

1533
01:23:04,080 --> 01:23:07,479
Speaker 1: up from this little area? Morgan? That's good. Did you

1534
01:23:07,560 --> 01:23:10,519
Speaker 1: like it? Yeah? I thought it was so sweet. I

1535
01:23:10,600 --> 01:23:12,120
Speaker 1: really liked it. But then I felt pressure. It was like,

1536
01:23:12,200 --> 01:23:14,479
Speaker 1: oh shoot, I have to do really good, Morgan. What'd

1537
01:23:14,479 --> 01:23:16,400
Speaker 1: you say when you got to Abbie's gig? She did

1538
01:23:16,479 --> 01:23:20,000
Speaker 1: really good. She was definitely nervous, like her voice sounded awesome.

1539
01:23:20,680 --> 01:23:22,800
Speaker 1: But if there will be anything I would tell her

1540
01:23:22,880 --> 01:23:24,560
Speaker 1: is that when she messes up, she just has to

1541
01:23:24,640 --> 01:23:27,800
Speaker 1: keep moving on. She can't pay attention to it. It.

1542
01:23:28,439 --> 01:23:30,320
Speaker 1: Oh sorry, yeah, that's kind of thing. She got a

1543
01:23:30,360 --> 01:23:33,280
Speaker 1: little frustrated with herself, but like her voice sounded amazing,

1544
01:23:33,400 --> 01:23:37,160
Speaker 1: she just needed to not draw more attention to her mishaps.

1545
01:23:37,200 --> 01:23:39,639
Speaker 1: That's okay, Abby. I would coach those kids in American Idol,

1546
01:23:39,880 --> 01:23:42,000
Speaker 1: and I would say, if you mess up, even on camera,

1547
01:23:42,120 --> 01:23:44,559
Speaker 1: and there are five six seven million people watching, they

1548
01:23:44,600 --> 01:23:46,960
Speaker 1: don't know you messed up. You're the only one that

1549
01:23:47,040 --> 01:23:49,720
Speaker 1: knows you messed up. So you just keep going. And

1550
01:23:49,840 --> 01:23:51,559
Speaker 1: if you have to make up something for a second,

1551
01:23:51,920 --> 01:23:53,519
Speaker 1: then make up something for a second and get back

1552
01:23:53,520 --> 01:23:55,559
Speaker 1: to a spot that you know. If you don't show

1553
01:23:55,760 --> 01:23:57,679
Speaker 1: and this is generally in life, not just in music,

1554
01:23:57,960 --> 01:24:00,519
Speaker 1: if you don't show that, there's some sort of people

1555
01:24:00,520 --> 01:24:02,680
Speaker 1: don't know, there's some sort of mishap. So don't call

1556
01:24:02,680 --> 01:24:04,920
Speaker 1: attention to it. But you learned, You learned right right,

1557
01:24:05,000 --> 01:24:07,040
Speaker 1: because I did call it out. I shouldn't have done that.

1558
01:24:07,080 --> 01:24:08,800
Speaker 1: I was like Shoan, I would be ashamed. Right now,

1559
01:24:08,960 --> 01:24:12,519
Speaker 1: you said, okay, we're learning. This is a learning experience.

1560
01:24:12,720 --> 01:24:14,519
Speaker 1: I tried to be funny and like play it off.

1561
01:24:15,800 --> 01:24:20,200
Speaker 1: Was it a comedy show? Now, Lunchbox was not allowed

1562
01:24:20,240 --> 01:24:22,840
Speaker 1: to go. Did you ever see lunchboxes facing the bar? No?

1563
01:24:23,240 --> 01:24:25,519
Speaker 1: But I feel like he was hiding or something. You didn't.

1564
01:24:25,720 --> 01:24:28,720
Speaker 1: Did you show up Lunchbox? What happened? Well, so I

1565
01:24:28,960 --> 01:24:30,719
Speaker 1: found out that I'm not allowed to go. The rules

1566
01:24:30,720 --> 01:24:32,200
Speaker 1: were set and I was like, man, how am I

1567
01:24:32,240 --> 01:24:34,880
Speaker 1: going to find out? How Abby did? So? I live

1568
01:24:34,960 --> 01:24:38,519
Speaker 1: with someone that is amazing, and I said, hey, babe,

1569
01:24:39,080 --> 01:24:40,760
Speaker 1: you're gonna have to go down and watch Abby seeing.

1570
01:24:40,960 --> 01:24:43,240
Speaker 1: So you sent your wife. I sent my wife down.

1571
01:24:43,479 --> 01:24:46,479
Speaker 1: No you didn't, I absolutely did. I packed her in

1572
01:24:46,520 --> 01:24:48,200
Speaker 1: the car. I said, listen, I will drop you at

1573
01:24:48,200 --> 01:24:50,200
Speaker 1: the front door. So I brought the kids. Oh you

1574
01:24:50,360 --> 01:24:52,320
Speaker 1: drove her there? Yeah, I drove my wife right to

1575
01:24:52,439 --> 01:24:55,360
Speaker 1: the front door, and I said hey, and I had

1576
01:24:55,360 --> 01:24:57,360
Speaker 1: to explain to her the mission. I told her exactly

1577
01:24:57,640 --> 01:24:59,320
Speaker 1: what she had to do to go in there and

1578
01:24:59,360 --> 01:25:02,200
Speaker 1: get audio. So here is the first clip, Lunchbox talking

1579
01:25:02,240 --> 01:25:10,200
Speaker 1: to his wife. How do you get here? You go? Guys? Guys? Okay,

1580
01:25:10,280 --> 01:25:12,400
Speaker 1: So you're gonna go in and I'm gonna need you

1581
01:25:12,520 --> 01:25:15,799
Speaker 1: a couple of clips, good audio clips. I'd be singing.

1582
01:25:16,240 --> 01:25:19,000
Speaker 1: They may not be good singing clips because she can't

1583
01:25:19,040 --> 01:25:22,479
Speaker 1: really sing, but I just need you to get you

1584
01:25:22,640 --> 01:25:25,840
Speaker 1: like two different songs verse singing. Here's twenty dollars buy

1585
01:25:25,920 --> 01:25:30,360
Speaker 1: yourself a beer and don't talk to any guys. Okay

1586
01:25:32,240 --> 01:25:35,160
Speaker 1: for those that are just listening today. We told Lunchbox

1587
01:25:35,200 --> 01:25:37,280
Speaker 1: he couldn't go because he was just going to either

1588
01:25:37,360 --> 01:25:40,479
Speaker 1: harass her or make her uncomfortable, because at any second

1589
01:25:40,560 --> 01:25:42,960
Speaker 1: he might harass her. So he said, you're not allowed

1590
01:25:42,960 --> 01:25:45,040
Speaker 1: to her first show. So he said his wife, Yes,

1591
01:25:45,400 --> 01:25:47,280
Speaker 1: this is a great didn't no, you didn't see her? Right? No?

1592
01:25:47,400 --> 01:25:51,000
Speaker 1: I did not see her this real? Did she wear

1593
01:25:51,080 --> 01:25:53,880
Speaker 1: this guy? She put on a fake mustache, she wore

1594
01:25:53,880 --> 01:25:56,479
Speaker 1: a hat, put her hair up, you know, but whatever,

1595
01:25:57,000 --> 01:25:59,160
Speaker 1: And here's the things. She goes inside and she's texting me.

1596
01:25:59,240 --> 01:26:02,040
Speaker 1: She's like, I don't see Abbey, Like I don't see her,

1597
01:26:02,920 --> 01:26:04,920
Speaker 1: and I'm like, well, she said she's playing the stage.

1598
01:26:04,920 --> 01:26:07,120
Speaker 1: And she's like, well, I'm inside and there she's not playing.

1599
01:26:08,000 --> 01:26:10,160
Speaker 1: And then she found her upstairs, Like she wasn't on

1600
01:26:10,200 --> 01:26:16,760
Speaker 1: the main stage down she was upstairs. There's layers of

1601
01:26:16,880 --> 01:26:19,160
Speaker 1: lots of bars, A lot of bars have a front

1602
01:26:19,200 --> 01:26:21,519
Speaker 1: in the back, and I understand, but what I'm saying

1603
01:26:21,640 --> 01:26:23,720
Speaker 1: is she wasn't the main attraction of the bar. Like

1604
01:26:23,800 --> 01:26:25,600
Speaker 1: if you want the main attraction, you put them on

1605
01:26:25,640 --> 01:26:28,200
Speaker 1: the front stage, Like right there, when you walk in boom.

1606
01:26:28,960 --> 01:26:31,400
Speaker 1: There she's playing, but she wasn't, so my wife was confused, like,

1607
01:26:31,439 --> 01:26:33,200
Speaker 1: I think she's lying. She doesn't really have a gig.

1608
01:26:33,320 --> 01:26:36,280
Speaker 1: That'd be funny if the whole thing was a lie. Abby,

1609
01:26:36,360 --> 01:26:37,960
Speaker 1: did you ever try to sing on Broadway when you

1610
01:26:38,040 --> 01:26:42,280
Speaker 1: moved here? I did. I auditioned at Tootsie's Um and

1611
01:26:42,720 --> 01:26:45,320
Speaker 1: I forgot the words to baby Girl by sugar Lands

1612
01:26:46,000 --> 01:26:49,840
Speaker 1: during the audition and I left like, how about that

1613
01:26:49,920 --> 01:26:51,920
Speaker 1: was when I first moved here And here we are

1614
01:26:52,000 --> 01:26:55,920
Speaker 1: ten years later and still forgetting the words. Nothing's changed. Okay.

1615
01:26:56,000 --> 01:26:59,400
Speaker 1: Here's a clip of Abby singing Faith Hills. Don't play

1616
01:26:59,439 --> 01:27:02,000
Speaker 1: it yet? Right? It matters to me? Do you feel

1617
01:27:02,040 --> 01:27:04,000
Speaker 1: like this? Abby doesn't know this is happening? Abby? Do

1618
01:27:04,120 --> 01:27:07,120
Speaker 1: you feel good about this song? Yeah? He's one of

1619
01:27:07,200 --> 01:27:09,120
Speaker 1: my stronger ones. I feel like, okay, here is it

1620
01:27:09,240 --> 01:27:39,760
Speaker 1: matters to me? Okay? What do you think? There? Rucks?

1621
01:27:39,800 --> 01:27:42,280
Speaker 1: His wife took this audio tries to do runs and

1622
01:27:42,280 --> 01:27:45,120
Speaker 1: it's like, Abby, how'd you feel? I thought I've been

1623
01:27:45,200 --> 01:27:48,160
Speaker 1: good on that one. I didn't mess up. I mean,

1624
01:27:48,200 --> 01:27:55,240
Speaker 1: you remember the words. Here's Abby singing sugar Lands. How

1625
01:27:55,280 --> 01:27:57,200
Speaker 1: did you do on stuck? Like glue Abbey, Oh no,

1626
01:27:57,680 --> 01:28:00,599
Speaker 1: this is on here? Do we have to share this one? Uh?

1627
01:28:00,760 --> 01:28:03,719
Speaker 1: Messed up? I think a little. Probably forgot the words

1628
01:28:04,880 --> 01:28:07,240
Speaker 1: and there's a route. I just tell you. Listen, guys,

1629
01:28:07,280 --> 01:28:10,120
Speaker 1: I can't control what happened on stage, Like I didn't

1630
01:28:10,160 --> 01:28:12,800
Speaker 1: do this? How can I do it? This was in

1631
01:28:12,960 --> 01:28:14,720
Speaker 1: public and my wife is here. I'm not there, so

1632
01:28:14,920 --> 01:28:17,120
Speaker 1: not want us to play at Abbey? Go for it?

1633
01:28:17,200 --> 01:28:19,519
Speaker 1: I mean we can. It was my first time, so

1634
01:28:19,720 --> 01:28:21,840
Speaker 1: I'm not Do you not want us to play it?

1635
01:28:22,720 --> 01:28:24,599
Speaker 1: You can, Abbey, I will not play you just say

1636
01:28:24,640 --> 01:28:25,880
Speaker 1: don't play it. I won't play it. I don't know

1637
01:28:25,880 --> 01:28:27,160
Speaker 1: what part of it is. I haven't heard any of

1638
01:28:27,240 --> 01:28:30,880
Speaker 1: it either. Go ahead, are you sure? Yes? Okay? Here

1639
01:28:30,920 --> 01:29:06,800
Speaker 1: we go. Oh someone was singing along? Did you hear that? Good?

1640
01:29:06,840 --> 01:29:09,519
Speaker 1: I got was singing? You know why? I think Abby

1641
01:29:09,640 --> 01:29:11,519
Speaker 1: was like whispering because she wasn't confident in that song.

1642
01:29:11,640 --> 01:29:13,640
Speaker 1: You can tell like the way she's singing up there.

1643
01:29:13,880 --> 01:29:15,760
Speaker 1: The other one she actually like was like, Okay, I'm

1644
01:29:15,760 --> 01:29:17,640
Speaker 1: gonna go for it. This one she's like that stuck on,

1645
01:29:17,880 --> 01:29:21,479
Speaker 1: stuck on, stuck on? You Abby playing again anywhere? I

1646
01:29:21,560 --> 01:29:23,600
Speaker 1: don't know where? But yeah, are we have plans to

1647
01:29:23,640 --> 01:29:25,479
Speaker 1: play more. All right, go for it. Okay, if you

1648
01:29:25,520 --> 01:29:28,559
Speaker 1: forget a word, keep singing. I know, keep singing. Problem,

1649
01:29:28,680 --> 01:29:32,000
Speaker 1: it's like, oh oh oh, I like you. Everybody, Come on,

1650
01:29:32,320 --> 01:29:34,880
Speaker 1: oh I like you. Oh that's not even the right words.

1651
01:29:34,920 --> 01:29:36,880
Speaker 1: Nobody cares. Right, I think you made your own version. Abby.

1652
01:29:36,920 --> 01:29:38,439
Speaker 1: Did you make a lot of money and tips? I mean,

1653
01:29:38,760 --> 01:29:41,439
Speaker 1: how did that go? Yeah? I think so more than

1654
01:29:41,680 --> 01:29:44,040
Speaker 1: I thought because there really weren't that many people. How

1655
01:29:44,160 --> 01:29:46,960
Speaker 1: much do you think you made? Oh? How much? I

1656
01:29:47,040 --> 01:29:52,599
Speaker 1: may yeah? Oh I know how much? Come on, wow?

1657
01:29:54,400 --> 01:29:57,880
Speaker 1: Because that's splitting it. Four hours, twenty bucks an hour

1658
01:29:57,920 --> 01:30:01,439
Speaker 1: and she splitting wow. Make tips at the bar they

1659
01:30:01,479 --> 01:30:05,080
Speaker 1: pay you as well. They pay you a very small amount. Well,

1660
01:30:06,880 --> 01:30:09,080
Speaker 1: next time, get ready for me to come. Let us

1661
01:30:09,200 --> 01:30:12,000
Speaker 1: know next time you perform. Okay, I say, good job.

1662
01:30:14,680 --> 01:30:16,960
Speaker 1: I'm very proud of you, Abby. Abby did you ask

1663
01:30:17,000 --> 01:30:18,720
Speaker 1: the bar hey? Can we be moved up to the

1664
01:30:18,800 --> 01:30:21,639
Speaker 1: main stage next time? You don't really ask that? Well? Yeah,

1665
01:30:21,920 --> 01:30:24,519
Speaker 1: I'm not like a pro, so I don't expect to

1666
01:30:24,600 --> 01:30:27,280
Speaker 1: be at the bank. All right, we gotta thank you.

1667
01:30:29,800 --> 01:30:34,480
Speaker 1: Sorry to day. This story comes us from San Francisco, California,

1668
01:30:34,920 --> 01:30:37,360
Speaker 1: a forty one year old man was driving recklessly in

1669
01:30:37,400 --> 01:30:40,840
Speaker 1: a parking lot, so police responded. They start talking to him, like, oh, wait,

1670
01:30:40,920 --> 01:30:43,000
Speaker 1: you have a warrant for your arrest. He's like oh,

1671
01:30:43,560 --> 01:30:46,760
Speaker 1: and he runs dives in the canal and they're chasing him.

1672
01:30:46,800 --> 01:30:48,639
Speaker 1: He's like, oh, there's a paddle board. So he steals

1673
01:30:48,640 --> 01:30:51,160
Speaker 1: a paddle board and then he's gonna paddle board away.

1674
01:30:51,640 --> 01:30:54,040
Speaker 1: You got about two houses before they caught him. You know,

1675
01:30:54,160 --> 01:30:55,920
Speaker 1: just that he would talk to a cop just to

1676
01:30:56,000 --> 01:30:59,360
Speaker 1: hang chill after he was already doing something. Probably that

1677
01:30:59,479 --> 01:31:03,160
Speaker 1: was gevious. Been not a felony, right, yeah, just a

1678
01:31:03,200 --> 01:31:06,200
Speaker 1: little messing around, right, Yeah, but why'd hang out and

1679
01:31:06,320 --> 01:31:08,720
Speaker 1: talk with cops when he has a warrant out. I

1680
01:31:08,880 --> 01:31:10,759
Speaker 1: keep my head down to go. I'll never do that again, officer.

1681
01:31:10,840 --> 01:31:12,000
Speaker 1: I'm gonna go ahead and get out of here and

1682
01:31:12,080 --> 01:31:16,320
Speaker 1: go get my come upans at home. And also, people

1683
01:31:16,360 --> 01:31:18,880
Speaker 1: to get in trouble a lot, know that, right, You know,

1684
01:31:19,520 --> 01:31:22,720
Speaker 1: if you got a warrant out, don't be around police officers. Yeah,

1685
01:31:22,720 --> 01:31:24,120
Speaker 1: and then he got in trouble. Now he's got more

1686
01:31:24,160 --> 01:31:25,840
Speaker 1: charges because he stole a paddle board. Well, then he

1687
01:31:25,920 --> 01:31:27,360
Speaker 1: jumps in the canal and then it just goes to

1688
01:31:27,400 --> 01:31:29,560
Speaker 1: a whole different level and he's on the run in

1689
01:31:29,640 --> 01:31:32,080
Speaker 1: the canal. All right, lunchbox, I'm lunchbox. That's your bone

1690
01:31:32,120 --> 01:31:35,920
Speaker 1: head story of the day. It's time for the good

1691
01:31:36,000 --> 01:31:41,040
Speaker 1: News Countdown. It's the good News Countdown, counting down the

1692
01:31:41,200 --> 01:31:45,360
Speaker 1: biggest good news stories across the left. Let's count it.

1693
01:31:46,240 --> 01:31:49,280
Speaker 1: Number three, A sixty eight year old woman in Marilyn

1694
01:31:49,360 --> 01:31:51,760
Speaker 1: hit the lottery using numbers she got from a dream,

1695
01:31:52,160 --> 01:31:55,120
Speaker 1: but not her own dream. She used numbers from her

1696
01:31:55,200 --> 01:31:57,120
Speaker 1: dream in the past, and she never had any luck,

1697
01:31:57,240 --> 01:31:59,920
Speaker 1: so this time she used numbers from her sister's dream.

1698
01:32:00,479 --> 01:32:04,160
Speaker 1: Two three eight one five two three eight one two

1699
01:32:04,360 --> 01:32:08,639
Speaker 1: three boom, fifty cent ticket hit for twenty five thousand dollars.

1700
01:32:08,880 --> 01:32:11,599
Speaker 1: And even though you get a fifty cent ticket, twenty

1701
01:32:11,600 --> 01:32:15,600
Speaker 1: five thousand bucks off her sister's dream. Let's go. A

1702
01:32:15,760 --> 01:32:17,720
Speaker 1: dog that i'd been at a shelter in Florida since

1703
01:32:17,760 --> 01:32:21,520
Speaker 1: twenty fourteen finally got adopted. That's right, since twenty fourteen.

1704
01:32:22,000 --> 01:32:26,559
Speaker 1: Do the math, lunchbox, how many years is that? U? Six, seven,

1705
01:32:26,640 --> 01:32:32,400
Speaker 1: eight nine nine, What year do you think? Eight yea.

1706
01:32:32,920 --> 01:32:36,120
Speaker 1: The dog was adopted by a former employee named Tracy Lundy.

1707
01:32:36,560 --> 01:32:39,000
Speaker 1: She says she's, you know, not great with people and

1708
01:32:39,080 --> 01:32:42,200
Speaker 1: has a stranger danger issue, and nobody wanted her, so

1709
01:32:42,560 --> 01:32:45,240
Speaker 1: she did and now she has that dog, so that's awesome.

1710
01:32:46,840 --> 01:32:49,120
Speaker 1: Speaking of dogs, there was a stray dog that crashed

1711
01:32:49,160 --> 01:32:53,200
Speaker 1: a couple's wedding, so they adopted him. He sat by

1712
01:32:53,280 --> 01:32:56,040
Speaker 1: the door of the church through the whole ceremony and

1713
01:32:56,160 --> 01:32:57,640
Speaker 1: at the end he was there and he jumped up

1714
01:32:57,680 --> 01:33:00,360
Speaker 1: on him. So they're like, all right to take them

1715
01:33:00,400 --> 01:33:02,760
Speaker 1: home with us. That is what won them over. That's

1716
01:33:02,800 --> 01:33:07,000
Speaker 1: pretty good. I like that that the good News countdown,

1717
01:33:07,560 --> 01:33:10,120
Speaker 1: all right, wrapping it up now, don't forget Tonight at

1718
01:33:10,200 --> 01:33:14,200
Speaker 1: eleven tenth Central, Snake in the Grasses on and Lunchbox.

1719
01:33:14,320 --> 01:33:15,720
Speaker 1: Why do we want people to watch Snake in the

1720
01:33:15,760 --> 01:33:18,120
Speaker 1: Grass Because when there's a season two, that's not the

1721
01:33:18,160 --> 01:33:20,439
Speaker 1: first reason, Oh, we wanted to be the number one show.

1722
01:33:20,479 --> 01:33:23,000
Speaker 1: Well nope, that well why should we watch because it's

1723
01:33:23,000 --> 01:33:26,240
Speaker 1: your show? No, keep keep going. We need the ratings

1724
01:33:26,280 --> 01:33:28,639
Speaker 1: to be number A good show. It's a good show. Yeah, yeah,

1725
01:33:28,640 --> 01:33:30,360
Speaker 1: it's a good show. That's the first reason. The first

1726
01:33:30,360 --> 01:33:32,759
Speaker 1: reason it's a good show, yes, go ahead. Second reason,

1727
01:33:33,000 --> 01:33:36,479
Speaker 1: if there's a season two or three. Yeah, we can

1728
01:33:36,560 --> 01:33:39,680
Speaker 1: be on the show. Yeah, and that to anybody about that.

1729
01:33:39,800 --> 01:33:43,799
Speaker 1: Yet someone came to me about that, like the network,

1730
01:33:44,479 --> 01:33:47,200
Speaker 1: somebody high ranking while we were shooting the show, like

1731
01:33:47,360 --> 01:33:50,880
Speaker 1: mister Usa. Well there's no his name is mister Usa. Okay, yeah,

1732
01:33:51,400 --> 01:33:55,080
Speaker 1: usas is how they got mister Usa. So he said, hey,

1733
01:33:56,040 --> 01:33:58,200
Speaker 1: maybe we do an episode with your crew and I

1734
01:33:58,360 --> 01:34:01,400
Speaker 1: was like, I was like maybe, so watch it tonight.

1735
01:34:01,479 --> 01:34:05,200
Speaker 1: We're trying to get bigger things eleven tenth Central on USA.

1736
01:34:05,280 --> 01:34:06,920
Speaker 1: I hope you check it out. Thank you guys, we'll

1737
01:34:06,920 --> 01:34:10,360
Speaker 1: see you tomorrow. Have a great day, by everybody. This

1738
01:34:10,680 --> 01:34:13,360
Speaker 1: is a Bobby bonesh Bobby Bones