WEBVTT - Tori Gets Triggered

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<v Speaker 1>It's nine O Gene onegen with Jenny Garth and Tory Spelling.

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<v Speaker 1>I mean, when would I ever get to play the

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<v Speaker 1>last woman on Earth? Acceptable we have so much time?

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<v Speaker 2>Okay, I'm so mad we had to watch it on

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<v Speaker 2>DVD because why is it not on streaming?

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<v Speaker 1>It's got to be a music thing, right, Donna gets

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<v Speaker 1>to like look fire in this episode, and.

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<v Speaker 2>Like dancing was amazing.

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<v Speaker 1>Break a Match.

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<v Speaker 2>And I do not blame Joe for being real mad

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<v Speaker 2>about it.

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<v Speaker 1>What Okay, we'll get to that very I was doing

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<v Speaker 1>a job playing a character.

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<v Speaker 2>The DVD just did not because I watched the DVD

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<v Speaker 2>on like a tiny little screen and it just does

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<v Speaker 2>not do it justice. Oh my gosh, kind of mad

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<v Speaker 2>about it? Okay, you remember doing it?

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<v Speaker 1>Oh? I can see it right now in my head.

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<v Speaker 1>Is like my greatest day ever? You kidding? Like for

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<v Speaker 1>someone who's such, I would say, an introverted extrovert like this,

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<v Speaker 1>I was living my best life? Is donatory there?

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<v Speaker 2>It's really good. All right, give the background of the

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<v Speaker 2>episode and then.

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<v Speaker 1>We'll pay it. We're talking about season six, episode twenty seven,

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<v Speaker 1>Strike the Match. It aired on April tenth, nineteen ninety six. Synopsis.

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<v Speaker 1>Tara Tara Marx has overstayed her welcome Dug, causing Claire

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<v Speaker 1>to move out and play house with Steve. Meanwhile, a

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<v Speaker 1>nasty little note left on Valerie's car causes chaos and

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<v Speaker 1>a fifth fight at the Peapad breaks out. Joe gets

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<v Speaker 1>a little jelly Jelly not talking jam here when David

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<v Speaker 1>convinces Donna to start in a music video for Powerman

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<v Speaker 1>five thousand and Kelly gets a single white female feeling

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<v Speaker 1>when Tara Tara comes home with a little bit of

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<v Speaker 1>Kelly's pizzazz. Here a blonde bob after a day at

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<v Speaker 1>the salon. Director James Darren, writer Steve Wasserman. I don't

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<v Speaker 1>remember exactly James Saren as in James Darren, the movie actor, the.

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<v Speaker 2>Old timing actor. Yeah, I don't know, but we're really

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<v Speaker 2>getting the full Tara Tara here. Like the gun she

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<v Speaker 2>has a gun. Okay, There's so many storylines, which one

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<v Speaker 2>do we want to start with? Maybe Steve and Claire

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<v Speaker 2>because that was sort of the weird one for me.

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<v Speaker 1>There's kind of four storylines here in this one, not

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<v Speaker 1>three like typical.

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<v Speaker 2>I agree with you, Tara Tara, which kind of goes

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<v Speaker 2>over to Colin and Valerie Ish. Then there's the music video,

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<v Speaker 2>and then there's the Brandon and the Job.

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<v Speaker 1>Would you say yeah, brand in the Job and Susan

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<v Speaker 1>and the non Ultimatum?

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<v Speaker 2>Yes, which one do you want to start with?

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<v Speaker 1>Oh, let's let's choose. Let's get it over with first.

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<v Speaker 1>The one we're least interested in. Stephen Claire, Yeah, that's probably.

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<v Speaker 2>It's like he was acting so weird, Like Steve was

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<v Speaker 2>just like what was like? First of all, if I

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<v Speaker 2>read that, like the script, I'd be like, who is

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<v Speaker 2>this guy? Like, suddenly he's just calling her honey every

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<v Speaker 2>five seconds and I'm going to cater to your every whim.

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<v Speaker 2>So she's staying for like a few days, and it's

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<v Speaker 2>not like she doesn't stay there. Does she never stay there?

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<v Speaker 1>It was bizarre. I watched this episode with my seventeen

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<v Speaker 1>year old Liam and he was like a lot of it.

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<v Speaker 1>He was like, oh my god, this sounds just like

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<v Speaker 1>Iron And then it got to that scene where he's like,

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<v Speaker 1>I don't even want you to lift a finger yes,

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<v Speaker 1>and he was like ew gross, he goes people don't

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<v Speaker 1>talk like that, not at that age. I was like gross.

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<v Speaker 2>But it was just a little and then I mean,

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<v Speaker 2>they were kind of making fun of him for being

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<v Speaker 2>like a house husband, and he's like, I'm gonna do it.

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<v Speaker 2>It was almost like they were trying so hard to

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<v Speaker 2>get to this plot point of the of the scarf

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<v Speaker 2>being ruined. Honey, I'm gonna do some laundry. Do you

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<v Speaker 2>want me to do any Yeah? It's on the chair.

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<v Speaker 2>Like it's just like, who.

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<v Speaker 1>Are these people? Like Steve doesn't do laundry, let's be real, right, So.

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<v Speaker 2>He's happy to have her there, but he's not gonna

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<v Speaker 2>suddenly be like this different person just so weird. Like

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<v Speaker 2>and then it was like, are we trying to make

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<v Speaker 2>them happen? That's what I felt like, Okay, so now

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<v Speaker 2>we're gonna ruin the scarf, She's gonna be all sad

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<v Speaker 2>and mad, but then she's gonna forgive him, and then

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<v Speaker 2>like are we I just feel like they're trying so

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<v Speaker 2>hard to make them happen.

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<v Speaker 1>I have a question for you. There's there's something about

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<v Speaker 1>them I like. And I am hesitant to use the

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<v Speaker 1>word chemistry because I don't feel like it's a sexual chemistry,

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<v Speaker 1>but I like seeing them together and playoff of each other.

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<v Speaker 1>Maybe it's their comedic banter. I don't know.

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<v Speaker 2>I feel like I like each of them as characters, right,

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<v Speaker 2>Like we obviously love Steve Sanders, and I'm I'm good

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<v Speaker 2>with Claire. Maybe we just like them because we like

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<v Speaker 2>them individually, but together it's just like it's just such

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<v Speaker 2>a nothing burger, do you know what I mean? It's

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<v Speaker 2>just like it is, and this whole storyline is just ridiculous.

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<v Speaker 2>Although I feel terrible for her with the scarf, but

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<v Speaker 2>also don't leave the scarf on the chair and then

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<v Speaker 2>say to do the longer like it was just like

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<v Speaker 2>and also I don't know that the washing machine would

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<v Speaker 2>have it would have maybe shrunk the scarf. I don't

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<v Speaker 2>know that it would have like torn the hole.

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<v Speaker 1>In the scarf.

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<v Speaker 2>It was, Yeah, it was hashtag trying too hard on

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<v Speaker 2>this storyline.

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<v Speaker 1>They played house just for scarf and wampum and yeah

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<v Speaker 1>fine and everything, so okay, yeah, it's just like, Okay,

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<v Speaker 1>I don't care. They both are cute.

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<v Speaker 2>It just was kind of too syrupy sweet the way

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<v Speaker 2>they were acting with each other, and like, I just

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<v Speaker 2>don't know the whole point of it. I guess the

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<v Speaker 2>point of it was they're a couple where they're really

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<v Speaker 2>in love. I think they're just trying hard to make

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<v Speaker 2>them a thing.

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<v Speaker 1>How much longer are they together?

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<v Speaker 2>I don't think that much longer, right, Like, okay, like

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<v Speaker 2>next season is not them together?

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<v Speaker 1>Right, Okay, Sarah cramming in in Okay, Okay, yeah, I

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<v Speaker 1>think my gosh, she.

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<v Speaker 2>Would go to the second sort of nothing Burger storyline. Yeah,

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<v Speaker 2>that to me is Brandon and Susan. Yeah, and I

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<v Speaker 2>was getting Lauren Conrad didn't go to Paris vibes Like

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<v Speaker 2>literally to me, I'm like, is that where they thought

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<v Speaker 2>of that? Because why would he not take that? Obviously

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<v Speaker 2>he's going to take that job. Why would he not

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<v Speaker 2>take that job?

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<v Speaker 1>Like, and it's a summer trip. I mean, she says

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<v Speaker 1>she's not giving an ultimatum. She's giving an ultimatum. She

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<v Speaker 1>really willing to put all who cares like do the

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<v Speaker 1>right thing. She Here's the thing. I think Susan is

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<v Speaker 1>so driven that if this was reversed.

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<v Speaker 2>Totally, he would do it one hundred percent, And she

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<v Speaker 2>should have said, no, take the job, I'll go to

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<v Speaker 2>Boston with you, or like, let's go on a road

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<v Speaker 2>trip to Boston and then I'll fly home. Like it's

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<v Speaker 2>just like what it's Lauren Conrad didn't go to Paris,

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<v Speaker 2>I mean, and it's just never they're never going to

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<v Speaker 2>work out, just like Lauren Conrad didn't work out with

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<v Speaker 2>Jason Waller. Like it's just like, what are you talking about.

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<v Speaker 2>You're twenty one years old. You're obviously going to take

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<v Speaker 2>this internship because Brandon is so driven, he's not going

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<v Speaker 2>to give that up.

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<v Speaker 1>It's just like no, and that's what she likes about him,

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<v Speaker 1>the whole thing. I just I was bored. I have

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<v Speaker 1>to admit I fast forward a little bit through their

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<v Speaker 1>storyline because I just like it was just Susan looks cute.

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<v Speaker 1>But other than that, I was really over this. You

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<v Speaker 1>know what I don't like the when Brandon does that

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<v Speaker 1>Brandon thing where he like it's stone cold, no emotion,

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<v Speaker 1>doesn't look you in the eye.

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<v Speaker 2>Is that when you mean when he's sort of doing

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<v Speaker 2>the red herring or the ruse, like, oh, I already

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<v Speaker 2>turned it down, Like that.

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<v Speaker 1>Part now when he's looking at when he's doing his computer,

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<v Speaker 1>when he's looking at his book, when he does he's

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<v Speaker 1>done this with Kelly, He's done it with val. I

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<v Speaker 1>don't know, I like, I don't like that part of Brandon,

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<v Speaker 1>because I feel like Brandon's a good person. He doesn't

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<v Speaker 1>just shut it down and have like no emotion like

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<v Speaker 1>a robot. It doesn't feel like it's in him. And

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<v Speaker 1>then when he does stuff like that and just like

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<v Speaker 1>I don't know, it bothers me.

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<v Speaker 2>Fair How about guy from Desperate Housewives being the job interviewer?

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<v Speaker 2>So that guy, Here's what happened. I was It's on

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<v Speaker 2>the DVDs. So I was like moving around my room

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<v Speaker 2>and I heard his voice and I'm like, I know

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<v Speaker 2>that guy's voice, you know. I looked away for five

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<v Speaker 2>seconds and then I'm like, oh, it's a dude from

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<v Speaker 2>Desperate Housewives. O Stephen Cole, Yeah, yeah, that's him.

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<v Speaker 1>Oh yes, yes, yes, it was Marsha Cross's husband. Oh wow.

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<v Speaker 2>See I'm not as chriss I think I am. My

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<v Speaker 2>memory still good.

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<v Speaker 1>Call. Yeah, he was a little younger there, which I understand.

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<v Speaker 2>Yeah, so this is what must have been like, you

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<v Speaker 2>know some of his like early work eight years later.

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<v Speaker 2>So this was ninety six, right, and Desperate Housewives started

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<v Speaker 2>in two thousand and four, which is so weird. The

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<v Speaker 2>Desperate Housewives is not that far after nine oh two and.

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<v Speaker 1>Oh ended, it felt like it was though.

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<v Speaker 2>It was twenty years to know me too, all right,

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<v Speaker 2>So anyway, that just gave Lauren Conrad didn't go to

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<v Speaker 2>Paris vibes for me, and I was like, dude, but whatever,

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<v Speaker 2>we'll see what happened.

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<v Speaker 1>Do you think that was even on the radar though.

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<v Speaker 2>Which that he wasn't going to go to parents? I mean,

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<v Speaker 2>he wasn't going to go to Boston.

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<v Speaker 1>We refresh my memory of timeline of oh no.

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<v Speaker 2>Lauren Connor's way later, like I feel did they steal

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<v Speaker 2>it from this?

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<v Speaker 1>Yeah? Oh okay, interesting, I don't know, it's been done

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<v Speaker 1>in every TV show. It's like Sex and the City,

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<v Speaker 1>like it's everyone does this.

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<v Speaker 2>Let's now come to your story.

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<v Speaker 1>Oh thank god, which is iconic?

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<v Speaker 2>Are you give your vibes first of the whole line?

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<v Speaker 1>Okay, well, I I love as if you're like watching

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<v Speaker 1>David and Donna. I'm so glad they're working together again.

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<v Speaker 1>I feel like, not just are they like a great couple,

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<v Speaker 1>but they have always like since the beginning, even in

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<v Speaker 1>high school, you know, they were DJs together. They when

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<v Speaker 1>you know at school they would they would do like

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<v Speaker 1>the open mic thing and play characters and creatively they

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<v Speaker 1>always like really meshed. So it's nice to see like

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<v Speaker 1>that that's that back in we're going back in that

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<v Speaker 1>way creatively, that they work well together. So I was

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<v Speaker 1>happy to see that.

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<v Speaker 2>Do you think that it's inappropriate or unfair to Joe that?

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<v Speaker 2>And because you can sense he's feeling it that you're

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<v Speaker 2>working with X No, Like, do you think Joe has

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<v Speaker 2>any right to sort of feel a little he seems

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<v Speaker 2>a little butt hurt? And I I and do you

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<v Speaker 2>think it's that it's working with David or do you

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<v Speaker 2>think it's like the sexy video vixen thing.

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<v Speaker 1>I honestly, I got to say, as Tory, Donna, Donna Tory,

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<v Speaker 1>I felt like, no, it wasn't about David. I feel

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<v Speaker 1>like he's with David all the time. He knows their history,

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<v Speaker 1>he knows, like you know, they were first loves like

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<v Speaker 1>this wee I've moved on many times since I thought

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<v Speaker 1>it was the sexy vibe and it really actually was

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<v Speaker 1>triggering for me as Donna, because that's how Ray would

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<v Speaker 1>act if I addressed too sexy or wore bikini.

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<v Speaker 2>Interesting. Oh that's I didn't think of that.

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<v Speaker 1>I didn't think so I started to get triggered. When

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<v Speaker 1>Joe was responding to like that outfit, I was like,

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<v Speaker 1>it made me feel like Ray all over again.

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<v Speaker 2>Oh whoa, that's such a that's so interesting. No, that's

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<v Speaker 2>good because I don't think Ray and Joe are anything alike,

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<v Speaker 2>and Joe's such a good guy. But I do understand,

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<v Speaker 2>like I can understand a little bit why he was like, oh,

0:12:09.840 --> 0:12:13.439
<v Speaker 2>you know, because I don't know, like it's donna ish

0:12:13.480 --> 0:12:15.520
<v Speaker 2>but not donna ish to be up there.

0:12:16.640 --> 0:12:21.000
<v Speaker 1>It's definitely Donna from Dylan's dream sequence.

0:12:21.840 --> 0:12:24.160
<v Speaker 2>Well yeah, yeah, yeah, yeah on the Fool Table when

0:12:24.160 --> 0:12:25.720
<v Speaker 2>you kiss, when you got to kiss Luke.

0:12:25.679 --> 0:12:28.720
<v Speaker 1>Yeah, like that was yeah flashback.

0:12:28.800 --> 0:12:30.199
<v Speaker 2>They like to sort of do that.

0:12:30.640 --> 0:12:33.400
<v Speaker 1>They I'm sure I had like so much weight I

0:12:33.440 --> 0:12:36.840
<v Speaker 1>could weigh in on this so heavily as if I

0:12:36.880 --> 0:12:39.440
<v Speaker 1>didn't pick that outfit. Come on, it's good.

0:12:39.520 --> 0:12:43.800
<v Speaker 2>Okay. So the storyline's a little funky, right because first

0:12:43.880 --> 0:12:45.920
<v Speaker 2>Joe doesn't like the music, which I get.

0:12:45.920 --> 0:12:47.000
<v Speaker 1>The music was not good.

0:12:47.040 --> 0:12:48.720
<v Speaker 2>That's why I'm like, why is this not on? Just

0:12:48.840 --> 0:12:51.280
<v Speaker 2>replace the music and put it on streaming?

0:12:51.360 --> 0:12:55.240
<v Speaker 1>But whatever, I know, where are they now? Power Man

0:12:55.840 --> 0:12:56.640
<v Speaker 1>five thousand?

0:12:57.160 --> 0:13:00.640
<v Speaker 2>I thought they were created for this I didn't noticed

0:13:00.679 --> 0:13:02.480
<v Speaker 2>the band that could have been any actors for me.

0:13:02.520 --> 0:13:04.960
<v Speaker 2>It's like that could have been just a pretend band

0:13:05.120 --> 0:13:08.360
<v Speaker 2>for me, I know. Anyway, So we have the dorm

0:13:08.440 --> 0:13:10.800
<v Speaker 2>room scene, which I thought was a little weird where

0:13:10.840 --> 0:13:13.200
<v Speaker 2>you're like trying to create the video and then you

0:13:13.240 --> 0:13:16.559
<v Speaker 2>get into a fight and storm out and then oh

0:13:16.920 --> 0:13:19.679
<v Speaker 2>all then ah that's the idea, and then all is

0:13:19.760 --> 0:13:20.400
<v Speaker 2>right in the world.

0:13:20.400 --> 0:13:23.040
<v Speaker 1>Like it was just like, you're mean, rude, and you're

0:13:23.040 --> 0:13:25.480
<v Speaker 1>the last person on earth they want to work with

0:13:25.640 --> 0:13:26.000
<v Speaker 1>or be with.

0:13:26.520 --> 0:13:27.280
<v Speaker 2>R that's it.

0:13:27.920 --> 0:13:32.760
<v Speaker 1>Yeah, yeah, so I was like, oh god, but.

0:13:32.200 --> 0:13:34.439
<v Speaker 2>But he was being a little mean and rude.

0:13:35.400 --> 0:13:35.800
<v Speaker 3>He was.

0:13:36.679 --> 0:13:39.240
<v Speaker 1>He was I like when they bicker though, because then

0:13:39.400 --> 0:13:42.280
<v Speaker 1>to me, when I'm watching it, knowing what ultimately happens,

0:13:42.320 --> 0:13:45.199
<v Speaker 1>I'm like, oh, there's their cute anter the Bickerson's like

0:13:45.240 --> 0:13:46.959
<v Speaker 1>when they're going to go on and get married and

0:13:47.520 --> 0:13:48.000
<v Speaker 1>yeah yeah.

0:13:49.600 --> 0:13:55.280
<v Speaker 2>And then the fight with Colin was just like, come on, like,

0:13:55.400 --> 0:13:58.400
<v Speaker 2>what guy that's out on bail? First of all, when

0:13:58.400 --> 0:14:00.520
<v Speaker 2>he called him him ex felon, I'm like, he's not

0:14:00.559 --> 0:14:03.840
<v Speaker 2>an ex felon. That's when I fellen out on bail.

0:14:04.760 --> 0:14:07.439
<v Speaker 1>So I wanted to ask you this because I'm like, uh,

0:14:08.120 --> 0:14:10.920
<v Speaker 1>has he been a felon before? Is there? Because he's

0:14:10.920 --> 0:14:13.320
<v Speaker 1>out on bail, He's going to go to jail.

0:14:13.600 --> 0:14:17.400
<v Speaker 2>Correct, he's just waiting for his trial. He's out on bail.

0:14:17.920 --> 0:14:19.560
<v Speaker 1>He's not X. He's a Curtrent felon.

0:14:19.760 --> 0:14:23.280
<v Speaker 2>He's not a convicted felon. He's an accused felon. I

0:14:23.320 --> 0:14:26.200
<v Speaker 2>guess because he hasn't had his trial yet, so.

0:14:26.080 --> 0:14:28.880
<v Speaker 1>He should have taken the X down just said felon. Yeah,

0:14:28.920 --> 0:14:33.680
<v Speaker 1>Like that scene had so much testosterone though, because if

0:14:33.680 --> 0:14:37.200
<v Speaker 1>I heard the word man or brother bro one more time,

0:14:37.760 --> 0:14:39.200
<v Speaker 1>I was like, whoa, you're a callin.

0:14:39.280 --> 0:14:42.400
<v Speaker 2>Why would you fight anybody and get arrested again?

0:14:42.840 --> 0:14:45.320
<v Speaker 1>Or someone that much taller than you? Yeah, I don't know,

0:14:46.040 --> 0:14:47.000
<v Speaker 1>Just so.

0:14:46.840 --> 0:14:49.280
<v Speaker 2>Ridiculous, Right, what's he doing there anyway?

0:14:49.480 --> 0:14:51.640
<v Speaker 1>Like, oh, yeah, why is he there?

0:14:52.240 --> 0:14:54.560
<v Speaker 2>You don't know? I guess because his girlfriend is Bell

0:14:54.720 --> 0:14:56.800
<v Speaker 2>and like he's feeling his painting. He was like going

0:14:56.840 --> 0:14:58.960
<v Speaker 2>all over the walls, just feeling it. And it's just like,

0:15:00.080 --> 0:15:04.160
<v Speaker 2>first of all, why would David key the car? Yeah,

0:15:04.520 --> 0:15:08.400
<v Speaker 2>using Kelly maybe, but like why would David do it?

0:15:08.920 --> 0:15:10.960
<v Speaker 1>I mean because she says hate hate hate.

0:15:11.000 --> 0:15:14.560
<v Speaker 2>She hates her, but David I get I don't know.

0:15:14.600 --> 0:15:16.480
<v Speaker 2>It just that seems so bizarre.

0:15:17.120 --> 0:15:20.360
<v Speaker 1>We'll get to that whole thing because Colin Colan feels

0:15:20.400 --> 0:15:24.160
<v Speaker 1>like he stole Valerie from David. But I don't know.

0:15:24.280 --> 0:15:26.000
<v Speaker 1>I don't know either.

0:15:26.280 --> 0:15:31.120
<v Speaker 2>It's just like, ah, so, so do you think Joe? Okay,

0:15:31.160 --> 0:15:33.440
<v Speaker 2>So let's get back to this. Should Joe have walked

0:15:33.480 --> 0:15:34.560
<v Speaker 2>out of the video shoot?

0:15:35.080 --> 0:15:40.840
<v Speaker 1>No, it's a d move, like one she's working. No,

0:15:41.920 --> 0:15:44.080
<v Speaker 1>And I've had this happen, but not with a good

0:15:44.120 --> 0:15:47.080
<v Speaker 1>boyfriend like Joe. I remember doing the Sassy photo shoot

0:15:47.320 --> 0:15:48.880
<v Speaker 1>and cover photo shoot.

0:15:49.040 --> 0:15:50.200
<v Speaker 2>Like Sassy magazine.

0:15:50.320 --> 0:15:52.160
<v Speaker 1>Sassy Magazine, your memory.

0:15:52.280 --> 0:15:53.840
<v Speaker 2>I forgot about that magazine until.

0:15:53.680 --> 0:15:56.280
<v Speaker 1>Run and my you know, the bad ex that I

0:15:56.280 --> 0:15:59.400
<v Speaker 1>talk about dating him at the time when he came

0:15:59.440 --> 0:16:03.400
<v Speaker 1>to the set to watch and was upset about some

0:16:03.520 --> 0:16:06.440
<v Speaker 1>things with us, and I was like, I'm just trying

0:16:06.440 --> 0:16:08.040
<v Speaker 1>to get it together to I have to take my

0:16:08.800 --> 0:16:12.680
<v Speaker 1>photos and I remember him walking out and that just

0:16:12.840 --> 0:16:16.400
<v Speaker 1>was like so devastating to try to work and manage

0:16:16.440 --> 0:16:19.840
<v Speaker 1>that at the same time. So that triggered me. When

0:16:19.840 --> 0:16:25.040
<v Speaker 1>I saw that, I was like, Joe, come on, your

0:16:25.080 --> 0:16:26.400
<v Speaker 1>heart's okay now, man.

0:16:26.640 --> 0:16:28.880
<v Speaker 2>Like chill like kind of maybe just a little bit

0:16:28.880 --> 0:16:31.680
<v Speaker 2>of chill, like it's just a character in a video.

0:16:32.040 --> 0:16:37.040
<v Speaker 1>Okay, So I mean David is a little like sexiness.

0:16:37.120 --> 0:16:38.560
<v Speaker 1>We know you got it. I mean, Joe didn't hear

0:16:38.600 --> 0:16:41.200
<v Speaker 1>this part, but I feel like you can see David

0:16:41.760 --> 0:16:43.400
<v Speaker 1>starting to flirt with Donna again.

0:16:44.000 --> 0:16:48.360
<v Speaker 2>David is qualified to direct a full fledged music video.

0:16:48.440 --> 0:16:50.120
<v Speaker 2>And also, where'd they get the budget?

0:16:50.400 --> 0:16:52.560
<v Speaker 1>I don't know, you know what, maybe they got the

0:16:52.680 --> 0:16:56.880
<v Speaker 1>budget from Territar's non existent bank account that she can

0:16:57.000 --> 0:17:00.680
<v Speaker 1>send florals and buy Croissance. I know.

0:17:01.040 --> 0:17:02.960
<v Speaker 2>Let's okay, let's move over to that story.

0:17:03.120 --> 0:17:03.680
<v Speaker 1>Okay. Cool.

0:17:04.280 --> 0:17:07.600
<v Speaker 2>So first of all, do we think that Clare and

0:17:07.640 --> 0:17:12.480
<v Speaker 2>Donna are right in that they don't want her to

0:17:12.560 --> 0:17:13.880
<v Speaker 2>like live there?

0:17:14.800 --> 0:17:18.560
<v Speaker 1>Oh the me and me wants and Donna's me be like,

0:17:18.600 --> 0:17:23.040
<v Speaker 1>oh it's okay, I feel bad, I feel guilty, but

0:17:23.080 --> 0:17:23.800
<v Speaker 1>they're not wrong.

0:17:25.040 --> 0:17:28.680
<v Speaker 2>No, when they get weird vibes from her, And also

0:17:28.840 --> 0:17:32.280
<v Speaker 2>like it is I think back in the day in college,

0:17:32.359 --> 0:17:36.200
<v Speaker 2>like if sudden suddenly you just have like someone crashing

0:17:36.240 --> 0:17:36.800
<v Speaker 2>there all the.

0:17:36.760 --> 0:17:39.600
<v Speaker 1>Time, where's she's sleeping exactly.

0:17:39.480 --> 0:17:43.000
<v Speaker 2>In the living room, Okay, and like they're like I

0:17:43.000 --> 0:17:46.160
<v Speaker 2>get it. Like in college. They're paying the bills and

0:17:46.240 --> 0:17:49.719
<v Speaker 2>she's sleeping there and there's only one bathroom? Is there

0:17:49.720 --> 0:17:52.439
<v Speaker 2>only one bathroom? Where there? I feel like they do

0:17:52.520 --> 0:17:53.760
<v Speaker 2>they share one bathroom, or they are.

0:17:53.680 --> 0:17:56.880
<v Speaker 1>Two bathrooms, or there's one bathroom, but there's one bathroom

0:17:57.000 --> 0:18:01.200
<v Speaker 1>too weird. But where they're not blow uptresses back then.

0:18:01.480 --> 0:18:04.400
<v Speaker 2>I don't know, they probably don't have one. And like

0:18:04.640 --> 0:18:08.760
<v Speaker 2>she is, they don't know her. It's not like you know,

0:18:09.920 --> 0:18:13.960
<v Speaker 2>a friend of theirs per se. She is from rehab,

0:18:14.440 --> 0:18:19.560
<v Speaker 2>from the streets. They know nothing about her. I get it.

0:18:20.720 --> 0:18:23.719
<v Speaker 2>I get it, and Kelly gets it too, becau it's

0:18:23.760 --> 0:18:26.640
<v Speaker 2>kind of interesting how she suddenly says how's it going

0:18:26.760 --> 0:18:30.000
<v Speaker 2>looking for the place, and then Tara is all mad

0:18:30.040 --> 0:18:30.480
<v Speaker 2>about it.

0:18:30.840 --> 0:18:34.000
<v Speaker 1>At least we finally yet a little backstory on Tara well.

0:18:33.800 --> 0:18:37.679
<v Speaker 2>And we're just realizing she's unwell. And now everyone's realizing it,

0:18:38.080 --> 0:18:40.720
<v Speaker 2>do you know what I mean? Like we it's that

0:18:40.760 --> 0:18:45.240
<v Speaker 2>old thing where we knew about the flowers.

0:18:43.880 --> 0:18:46.000
<v Speaker 1>In such a nine O two and oh way.

0:18:46.480 --> 0:18:47.240
<v Speaker 2>It was just.

0:18:49.160 --> 0:18:52.320
<v Speaker 1>When things like she pulls out the gun or she

0:18:52.480 --> 0:18:54.879
<v Speaker 1>has a look, and then they end it with like

0:18:55.119 --> 0:18:58.360
<v Speaker 1>t true true. It's like psycho music. You're like, okay,

0:18:58.720 --> 0:19:01.320
<v Speaker 1>So it's like, hey, guys, in case you didn't get

0:19:01.920 --> 0:19:04.600
<v Speaker 1>it in the writing of the script, in the acting,

0:19:04.960 --> 0:19:06.879
<v Speaker 1>or in the visual of saying she has a gun,

0:19:07.000 --> 0:19:09.439
<v Speaker 1>We're gonna put some music in and just beat a

0:19:09.520 --> 0:19:14.880
<v Speaker 1>dead horse over the head. Got it? Now? It's wild

0:19:16.240 --> 0:19:20.520
<v Speaker 1>that music bras oh, like who was like, oh wait, wait,

0:19:20.560 --> 0:19:22.840
<v Speaker 1>we got to add dramatic effect here. The audience might

0:19:22.880 --> 0:19:24.199
<v Speaker 1>not understand what's going on.

0:19:24.960 --> 0:19:27.639
<v Speaker 2>Well, I need his psycho music because it was and

0:19:27.680 --> 0:19:31.440
<v Speaker 2>it was long. And also like, I feel like why

0:19:31.520 --> 0:19:34.960
<v Speaker 2>they're filling every one of these episodes in this season

0:19:35.040 --> 0:19:37.320
<v Speaker 2>or the second half of this season. By the way, Like,

0:19:37.720 --> 0:19:41.000
<v Speaker 2>was Ray in the beginning of this season, Like, how

0:19:41.040 --> 0:19:43.200
<v Speaker 2>doesn't that feel like a thousand years.

0:19:42.960 --> 0:19:46.880
<v Speaker 1>Ago, many many seasons ago?

0:19:47.000 --> 0:19:50.399
<v Speaker 2>Did they erase him from the opening credits too? Was

0:19:50.480 --> 0:19:52.240
<v Speaker 2>Dylan in the opening of this season?

0:19:52.600 --> 0:19:56.800
<v Speaker 1>He must have been, Oh my gosh, yeah it was

0:19:56.840 --> 0:19:57.480
<v Speaker 1>this season.

0:19:58.040 --> 0:20:03.200
<v Speaker 2>Okay, that's crazy, that's great, right, yeah, Like that's just crazy,

0:20:03.600 --> 0:20:05.480
<v Speaker 2>and that they just keep plucking people out of the

0:20:05.520 --> 0:20:09.880
<v Speaker 2>opening credits. But anyway, Ray's return is coming soon.

0:20:10.040 --> 0:20:15.439
<v Speaker 3>But oh god, I hate that's really really I'm not

0:20:15.720 --> 0:20:32.720
<v Speaker 3>it's just a little ridiculous, So they are really pounding

0:20:32.800 --> 0:20:33.560
<v Speaker 3>us over the head.

0:20:34.119 --> 0:20:36.920
<v Speaker 2>I am wondering and at this I can't remember if

0:20:36.960 --> 0:20:41.159
<v Speaker 2>we ever acknowledge that she's the reason the doctor and

0:20:41.200 --> 0:20:44.000
<v Speaker 2>the flowers or do we just like learn she's crazy

0:20:44.040 --> 0:20:46.280
<v Speaker 2>and then she tries to kill everybody. But we'll get

0:20:46.320 --> 0:20:46.520
<v Speaker 2>to that.

0:20:46.800 --> 0:20:48.880
<v Speaker 1>Oh, I wonder, well, since we now know he never

0:20:48.920 --> 0:20:51.840
<v Speaker 1>comes back, I bet it never comes out. I don't

0:20:51.880 --> 0:20:54.360
<v Speaker 1>even know he should have come back.

0:20:54.680 --> 0:20:56.920
<v Speaker 2>Gree So she goes into the room, steals the car, key,

0:20:56.920 --> 0:21:02.119
<v Speaker 2>steals the car, drives it over. How does she know

0:21:02.160 --> 0:21:06.160
<v Speaker 2>where they live? First of all, because it was at

0:21:06.160 --> 0:21:08.439
<v Speaker 2>Colin's apartment? How does she know where that is?

0:21:08.880 --> 0:21:10.160
<v Speaker 1>She's followed them before.

0:21:10.320 --> 0:21:13.439
<v Speaker 2>And I'm but there's so many plot holes, like how

0:21:13.440 --> 0:21:16.679
<v Speaker 2>does she know where Colin lives? To key the car?

0:21:18.240 --> 0:21:22.760
<v Speaker 2>Why would she key it with that? It's just like whatever,

0:21:22.880 --> 0:21:25.600
<v Speaker 2>she's so, oh.

0:21:24.920 --> 0:21:27.679
<v Speaker 1>Do you believe her story? And group? Do you believe

0:21:27.680 --> 0:21:30.280
<v Speaker 1>that that's how it went down? Her parents just now

0:21:30.320 --> 0:21:33.439
<v Speaker 1>I don't believe anything about her. Like imagine parents just

0:21:33.560 --> 0:21:36.520
<v Speaker 1>being like, Wow, you're really bad off, You're a real

0:21:36.600 --> 0:21:41.280
<v Speaker 1>bad addict, and we're just gonna like ditch you and

0:21:42.119 --> 0:21:46.960
<v Speaker 1>don't find us again. No, no parents.

0:21:47.480 --> 0:21:49.680
<v Speaker 2>I don't believe anything she says, and I don't think

0:21:49.680 --> 0:21:52.359
<v Speaker 2>we're supposed to. I think we're literally supposed to think

0:21:53.359 --> 0:21:54.960
<v Speaker 2>she's super Unwell.

0:21:55.119 --> 0:21:57.800
<v Speaker 1>How did they let her out? Like she's that good

0:21:58.560 --> 0:22:02.639
<v Speaker 1>that she was released? Like she says Peter SINAI sorry?

0:22:02.760 --> 0:22:04.199
<v Speaker 2>Also, who paid for that?

0:22:05.119 --> 0:22:06.000
<v Speaker 1>Oh?

0:22:06.400 --> 0:22:10.800
<v Speaker 2>Like that was not a free rehab? That's not free?

0:22:11.600 --> 0:22:11.800
<v Speaker 1>Right?

0:22:11.880 --> 0:22:12.080
<v Speaker 4>Right?

0:22:12.200 --> 0:22:14.159
<v Speaker 1>Right? Are we going to find out her parents have

0:22:14.240 --> 0:22:14.960
<v Speaker 1>money at some point?

0:22:17.200 --> 0:22:17.320
<v Speaker 4>No?

0:22:17.440 --> 0:22:21.720
<v Speaker 2>I think she just implodes real fast now, But I mean,

0:22:21.760 --> 0:22:24.800
<v Speaker 2>she's just It's just the haircut is totally bizarre. Why

0:22:24.840 --> 0:22:29.199
<v Speaker 2>would the hairstylist even do that? Like, really and truly,

0:22:29.520 --> 0:22:32.600
<v Speaker 2>why would the hairstyleist do that. He's so tight with

0:22:32.680 --> 0:22:34.560
<v Speaker 2>Kelly and he's friends with her, and she gets him

0:22:34.560 --> 0:22:36.360
<v Speaker 2>in and then he's like, yeah, you know what, I'll

0:22:36.400 --> 0:22:40.679
<v Speaker 2>give this person the exact same haircut. It's like so

0:22:40.760 --> 0:22:42.800
<v Speaker 2>weird and diet right.

0:22:43.240 --> 0:22:45.960
<v Speaker 1>I guess I was trying my best to go along

0:22:46.000 --> 0:22:48.000
<v Speaker 1>with like when people are like, oh, I want the

0:22:48.560 --> 0:22:51.240
<v Speaker 1>Jennifer Aniston, do the Rachel do you know?

0:22:51.359 --> 0:22:54.879
<v Speaker 2>Like it was Jeanne Ranison didn't call Chris McMillan and

0:22:54.920 --> 0:22:55.280
<v Speaker 2>make the.

0:22:55.240 --> 0:23:00.760
<v Speaker 1>Appointment that you know that you're aware.

0:23:00.760 --> 0:23:03.399
<v Speaker 2>Probably we know her hairstylist like the tip of our

0:23:03.440 --> 0:23:06.760
<v Speaker 2>tongue or like was was Ray in this season that

0:23:06.880 --> 0:23:10.399
<v Speaker 2>but we can name Jennifer Anderson's hairstylists right of course.

0:23:10.560 --> 0:23:15.040
<v Speaker 1>But it's just and Kelly saying pizzazz. And it's just

0:23:15.600 --> 0:23:18.080
<v Speaker 1>you know, because you me and jen talk about it's

0:23:18.119 --> 0:23:22.439
<v Speaker 1>not our favor hairstyle of Kelly's. And then she's like,

0:23:22.480 --> 0:23:24.280
<v Speaker 1>I'm going to send you to my hairstylist. He's going

0:23:24.359 --> 0:23:27.320
<v Speaker 1>to add some pizzazz. I'd be like, I'm going to

0:23:27.400 --> 0:23:32.679
<v Speaker 1>find a new hairstylist for you, like just saying not good.

0:23:33.960 --> 0:23:36.439
<v Speaker 2>But also the gun. Where did she get a gun?

0:23:36.920 --> 0:23:40.159
<v Speaker 2>Why did that guy keep a suitcase in his Was

0:23:40.200 --> 0:23:41.399
<v Speaker 2>that like a consignment store?

0:23:41.960 --> 0:23:44.240
<v Speaker 1>That's what I thought? Yeah, and she.

0:23:44.320 --> 0:23:46.919
<v Speaker 2>Slept in it like it's just like and then until

0:23:46.960 --> 0:23:48.440
<v Speaker 2>I did drugs, Like it.

0:23:48.359 --> 0:23:51.560
<v Speaker 1>Was just like and Bernie kicked me out right.

0:23:51.600 --> 0:23:52.800
<v Speaker 2>But we're stayed friends.

0:23:53.240 --> 0:24:00.280
<v Speaker 1>What we stayed friends? He held on to my gun.

0:23:59.080 --> 0:24:00.560
<v Speaker 2>And suddenly she's a potographer.

0:24:01.320 --> 0:24:03.480
<v Speaker 1>This is going to come into play I soon.

0:24:03.800 --> 0:24:08.600
<v Speaker 2>It's play somehow, but I just remember this, I remember her.

0:24:09.080 --> 0:24:11.960
<v Speaker 2>I'm not a fan of this. This is all crazy,

0:24:12.760 --> 0:24:16.080
<v Speaker 2>and we have four storylines going at the same time

0:24:16.840 --> 0:24:18.760
<v Speaker 2>that are totally disjointed.

0:24:19.760 --> 0:24:21.879
<v Speaker 1>Yeah, maybe the two.

0:24:21.840 --> 0:24:26.520
<v Speaker 2>Have some crossover with the fight and the accusing. So

0:24:26.720 --> 0:24:31.960
<v Speaker 2>Val accuses Kelly of king the car. I see why

0:24:32.040 --> 0:24:36.359
<v Speaker 2>you hate her or whatever. I see why you hate them.

0:24:36.640 --> 0:24:38.240
<v Speaker 1>Oh my gosh, I loved Do you want to take

0:24:38.280 --> 0:24:39.640
<v Speaker 1>it outside? Yeah?

0:24:39.760 --> 0:24:44.600
<v Speaker 2>Sure, twice twice do you want to take it outside?

0:24:44.960 --> 0:24:46.960
<v Speaker 2>Also sort of an old timey.

0:24:48.200 --> 0:24:55.560
<v Speaker 4>It's just oh that being said, very entertaining to watch

0:24:56.520 --> 0:24:59.119
<v Speaker 4>it was it was?

0:24:58.840 --> 0:25:00.920
<v Speaker 1>It was, yeah, it it was all over the place.

0:25:00.920 --> 0:25:03.200
<v Speaker 1>It was messy with the place.

0:25:04.160 --> 0:25:07.320
<v Speaker 2>And like everyone's acting out of character, except except for

0:25:07.480 --> 0:25:14.080
<v Speaker 2>maybe Brandon, but like Steve's acting a weirdo, really weird.

0:25:15.880 --> 0:25:22.280
<v Speaker 2>Claire is pretty claierish, She's pretty claiish, She's pretty steady. Joe,

0:25:23.320 --> 0:25:25.880
<v Speaker 2>I feel like Joe Loves Donna, which makes me think

0:25:25.880 --> 0:25:29.639
<v Speaker 2>of that birda.

0:25:29.720 --> 0:25:31.640
<v Speaker 1>I wonder where that bird is because you know, they

0:25:31.640 --> 0:25:33.399
<v Speaker 1>live to be like one hundred and something. You have

0:25:33.440 --> 0:25:34.040
<v Speaker 1>to will them.

0:25:34.040 --> 0:25:36.720
<v Speaker 2>I think birds can live to be eighty really lived.

0:25:36.880 --> 0:25:40.000
<v Speaker 1>There you go, so that bird is alive. If anyone

0:25:40.080 --> 0:25:43.560
<v Speaker 1>knows where the bird from Joe Loves Donna is.

0:25:43.560 --> 0:25:45.359
<v Speaker 2>Yeah, like if you get a bird in your in

0:25:45.400 --> 0:25:47.960
<v Speaker 2>your sixties, you're gonna need to figure out who's going

0:25:48.000 --> 0:25:49.919
<v Speaker 2>to take care of that bird. It's probably gonna outlive you.

0:25:51.280 --> 0:25:54.800
<v Speaker 2>Yeah wow. And you can't let a bird. This is

0:25:54.800 --> 0:25:56.640
<v Speaker 2>a terrible pita. It's gonna call me. But you can't

0:25:56.720 --> 0:26:01.120
<v Speaker 2>let a bird go, can you? No, like a pet

0:26:01.160 --> 0:26:03.240
<v Speaker 2>bird that can't go back to the wild.

0:26:04.640 --> 0:26:08.199
<v Speaker 1>I don't know. Like sometimes I'll randomly see, like in

0:26:08.920 --> 0:26:11.919
<v Speaker 1>suburban areas, like parrots in the trees, and you know,

0:26:12.119 --> 0:26:13.440
<v Speaker 1>like somebody loved that bird.

0:26:13.480 --> 0:26:13.520
<v Speaker 4>Go.

0:26:14.760 --> 0:26:16.040
<v Speaker 2>Caging a bird.

0:26:17.359 --> 0:26:23.760
<v Speaker 1>Is like not good, No, it needs to fly right. Oh. Interesting?

0:26:24.600 --> 0:26:28.200
<v Speaker 1>But like at resorts at Zoos, well they have like

0:26:28.240 --> 0:26:33.520
<v Speaker 1>a big aviary, but caging a dolphin, I don't like that. Yeah.

0:26:34.359 --> 0:26:38.919
<v Speaker 2>So overall this episode is very messy, very out of

0:26:39.119 --> 0:26:41.840
<v Speaker 2>context in a lot of ways, very out of character.

0:26:42.440 --> 0:26:45.720
<v Speaker 2>Yet still a solid nine for me.

0:26:46.800 --> 0:26:50.200
<v Speaker 1>But how I did not think you'd go that high.

0:26:50.880 --> 0:26:54.760
<v Speaker 2>Because it's just entertaining, very annoying to watch on my DVD.

0:26:54.800 --> 0:26:57.200
<v Speaker 2>I'm not gonna lie though, like annoying.

0:26:57.240 --> 0:27:01.840
<v Speaker 1>I have. I have the dailies no oh from the

0:27:01.920 --> 0:27:03.560
<v Speaker 1>music video, like the outtakes.

0:27:04.680 --> 0:27:05.720
<v Speaker 2>Oh my gosh, it.

0:27:05.720 --> 0:27:11.359
<v Speaker 1>Got like runch you know, big as was like Aaron

0:27:11.400 --> 0:27:15.800
<v Speaker 1>Spelling was like, nope, dial it back, not putting all

0:27:15.880 --> 0:27:16.560
<v Speaker 1>that out there.

0:27:16.400 --> 0:27:20.840
<v Speaker 2>Because it was pretty pretty provocative as is. And you

0:27:20.920 --> 0:27:22.760
<v Speaker 2>got moves, really good dancing.

0:27:23.440 --> 0:27:27.240
<v Speaker 1>I think, yeah, my am flexible, my flying splits. I

0:27:27.240 --> 0:27:29.680
<v Speaker 1>think I actually this might have been the first place

0:27:29.720 --> 0:27:33.359
<v Speaker 1>they were seen somewhere on that car. Yeah, but they're not.

0:27:33.560 --> 0:27:38.240
<v Speaker 1>But yeah, Pete Farow he sent me this episode and

0:27:38.440 --> 0:27:39.520
<v Speaker 1>he has the dailies.

0:27:39.760 --> 0:27:42.520
<v Speaker 2>So and you were right about James Darren.

0:27:43.600 --> 0:27:47.680
<v Speaker 1>I thought I worked with him, you did, You were right?

0:27:48.080 --> 0:27:50.920
<v Speaker 2>It was he. What was he? Oh he was from Gidget?

0:27:50.920 --> 0:27:52.360
<v Speaker 1>Didgit Gidget?

0:27:52.440 --> 0:27:52.560
<v Speaker 3>Oh?

0:27:54.200 --> 0:27:56.960
<v Speaker 2>Oh my gosh. And he just passed away like not

0:27:57.160 --> 0:27:58.359
<v Speaker 2>just a couple of months ago.

0:27:59.400 --> 0:28:01.680
<v Speaker 1>Oh they were talking about it's all coming back to me.

0:28:01.800 --> 0:28:06.520
<v Speaker 1>And he was a lovely man, super amazing and wow,

0:28:06.680 --> 0:28:11.399
<v Speaker 1>in front of James Darren, the iconic actor legend, I

0:28:11.560 --> 0:28:14.800
<v Speaker 1>was gyrating on the hood of a car.

0:28:14.880 --> 0:28:17.200
<v Speaker 2>So cool you on the stage. I think I must

0:28:17.240 --> 0:28:20.119
<v Speaker 2>have like just been so enamored that I didn't. I

0:28:20.320 --> 0:28:24.640
<v Speaker 2>was like, Wow, Tory can really move, Tory can grew.

0:28:25.520 --> 0:28:29.000
<v Speaker 1>Parently five thousand. We are told it's still making music.

0:28:29.359 --> 0:28:31.959
<v Speaker 1>They released an album this year called Abandoned Ship.

0:28:32.520 --> 0:28:36.679
<v Speaker 2>Wow, they're kind of hard rock for me. Joe and

0:28:36.720 --> 0:28:37.760
<v Speaker 2>I see, I don't know.

0:28:38.600 --> 0:28:39.520
<v Speaker 1>Oh you're so square.

0:28:39.800 --> 0:28:43.200
<v Speaker 2>Oh, I love that she said square. Maybe Gidget wrote

0:28:43.240 --> 0:28:46.880
<v Speaker 2>that because gidgetit guy because I was a very gidgety word.

0:28:48.080 --> 0:28:50.480
<v Speaker 1>So when I just looked him up, it looks like

0:28:50.520 --> 0:28:53.440
<v Speaker 1>he co wrote other episodes of Nino two and zero.

0:28:53.520 --> 0:29:01.959
<v Speaker 1>Besides directing, probably good for him, So maybe, yeah.

0:29:00.400 --> 0:29:02.320
<v Speaker 2>Yeah, maybe he tweaked the square too.

0:29:02.520 --> 0:29:04.560
<v Speaker 1>And Bernie. Did you know? Bernie was best known for

0:29:04.560 --> 0:29:05.640
<v Speaker 1>his role in Home Alone.

0:29:06.280 --> 0:29:11.160
<v Speaker 2>Bernie had no Way. Wow, I got a good trivia

0:29:11.440 --> 0:29:15.720
<v Speaker 2>Sarah Goosa. He played Bernie, the consignment store owner friend

0:29:15.720 --> 0:29:18.840
<v Speaker 2>of Sarah. Stephen colp. We've got a lot of little

0:29:18.960 --> 0:29:23.080
<v Speaker 2>things in the lot. Yeah, we still got a sexual

0:29:23.160 --> 0:29:29.760
<v Speaker 2>innuendo from Steve and Claire that was dirty. Do you

0:29:29.800 --> 0:29:33.200
<v Speaker 2>remember that when they switched it out? There's a line

0:29:33.320 --> 0:29:35.960
<v Speaker 2>there it was really dirty.

0:29:35.960 --> 0:29:36.120
<v Speaker 3>You know.

0:29:36.200 --> 0:29:38.239
<v Speaker 2>I can't remember it, but everybody can go back and

0:29:38.280 --> 0:29:39.080
<v Speaker 2>watch that scene.

0:29:39.520 --> 0:29:41.560
<v Speaker 1>And then she says, I'd rather you poke me and

0:29:41.760 --> 0:29:44.240
<v Speaker 1>poked me in the eye. That one when he says

0:29:44.280 --> 0:29:46.560
<v Speaker 1>gross things like that, I just zone out. I can't

0:29:46.760 --> 0:29:50.280
<v Speaker 1>I can't not coming from him. I can't take it seriously,

0:29:50.760 --> 0:29:52.160
<v Speaker 1>makes you want to puke in my mouth.

0:29:52.240 --> 0:29:57.560
<v Speaker 2>Sorry, Like it's a good episode, it's a mess.

0:29:58.000 --> 0:30:00.760
<v Speaker 1>I'm gonna give it. I'm going to give it an

0:30:00.800 --> 0:30:05.400
<v Speaker 1>eight point five because it brought out my inner rock.

0:30:09.200 --> 0:30:09.640
<v Speaker 4>Yeah.

0:30:10.000 --> 0:30:12.160
<v Speaker 2>Yeah, and it was a little emo too. It was

0:30:12.200 --> 0:30:13.720
<v Speaker 2>ahead of its time on the emo.

0:30:13.560 --> 0:30:17.240
<v Speaker 1>Thing, definitely, like, yeah, she had like spikes around her

0:30:17.240 --> 0:30:24.080
<v Speaker 1>neck and patten leather and fishnets and I yeah, I

0:30:24.080 --> 0:30:27.000
<v Speaker 1>feel like there was another outfit too. So I think

0:30:27.000 --> 0:30:32.520
<v Speaker 1>I'd mentioned this to you. But Christina, Lisa's mom photographed

0:30:32.880 --> 0:30:36.040
<v Speaker 1>that episode and did all the video and photographs for it.

0:30:36.160 --> 0:30:40.840
<v Speaker 1>And there's an amazing photo I have that is one

0:30:40.880 --> 0:30:42.640
<v Speaker 1>of my favorites of all time myself and you know

0:30:42.680 --> 0:30:45.080
<v Speaker 1>I don't love photos of myself that she took of

0:30:45.120 --> 0:30:47.960
<v Speaker 1>meat and I'm in red patent leather. So there was

0:30:48.000 --> 0:30:51.280
<v Speaker 1>an alpha change. So there was like a donna had

0:30:51.280 --> 0:30:52.480
<v Speaker 1>a third change.

0:30:52.680 --> 0:30:56.440
<v Speaker 2>Wow. And I didn't know she was a photographer, Yes,

0:30:56.920 --> 0:30:57.760
<v Speaker 2>Christine's mom.

0:30:58.240 --> 0:30:59.680
<v Speaker 1>Yes, Well that's so cool.

0:31:00.520 --> 0:31:01.600
<v Speaker 2>You gotta find that photo.

0:31:02.080 --> 0:31:06.360
<v Speaker 1>Oh, I have it. Well, let's let's see it.

0:31:06.680 --> 0:31:11.239
<v Speaker 2>Let's see it. It's really trying to find it. But well,

0:31:11.280 --> 0:31:13.360
<v Speaker 2>lots of fun little behind the scenes. Then in this.

0:31:13.320 --> 0:31:16.600
<v Speaker 1>Episode my teen, as you watched this with me, he goes,

0:31:17.240 --> 0:31:22.280
<v Speaker 1>he doesn't keep up with anything, so uh, first of all,

0:31:22.720 --> 0:31:25.800
<v Speaker 1>two comments he thought. First of all, he said, mom,

0:31:26.280 --> 0:31:30.560
<v Speaker 1>he goes your hair and outfits are on points like

0:31:30.880 --> 0:31:33.480
<v Speaker 1>in the earlier scenes. He's like, that's what's in now.

0:31:33.560 --> 0:31:35.880
<v Speaker 1>I was like, yeah, cool, and he's like, and I

0:31:35.920 --> 0:31:39.680
<v Speaker 1>love Kathleen's hair. He's like, wait, is Jenny supposed to

0:31:39.720 --> 0:31:43.160
<v Speaker 1>be a lawyer? Is what he said, because he doesn't

0:31:43.160 --> 0:31:45.400
<v Speaker 1>know what's going on. And he's like, she's in a

0:31:45.400 --> 0:31:48.840
<v Speaker 1>lot of suits and short hair. And I was like, no, no, no, no,

0:31:48.800 --> 0:31:51.760
<v Speaker 1>it was just it was it was a wardrobe phase two,

0:31:51.880 --> 0:31:53.680
<v Speaker 1>like it was in in a different way.

0:31:53.720 --> 0:31:55.640
<v Speaker 2>Then it does seem like that she's like going to

0:31:55.680 --> 0:31:56.520
<v Speaker 2>the corporate office.

0:31:56.760 --> 0:32:00.120
<v Speaker 1>And then he thought Tara Tara was He's like, is

0:32:00.120 --> 0:32:04.240
<v Speaker 1>that who is that Gabrielle? Wait, that's not Gabrielle. It's

0:32:04.240 --> 0:32:07.480
<v Speaker 1>interesting is that someone else playing Gabrielle's character? And I

0:32:07.600 --> 0:32:11.920
<v Speaker 1>was that social stuck And then he said, oh my gosh,

0:32:11.960 --> 0:32:14.320
<v Speaker 1>with all the like drama, He's like, oh is this

0:32:14.520 --> 0:32:16.920
<v Speaker 1>a later? Is this one? Nine? And Torno entered like

0:32:16.960 --> 0:32:19.080
<v Speaker 1>crazy stages and I was like, yeah, we have some

0:32:19.160 --> 0:32:21.840
<v Speaker 1>crazy storyline season six. We have four more to go.

0:32:21.920 --> 0:32:25.560
<v Speaker 1>After this, we were pulling out all the stops. So

0:32:25.720 --> 0:32:30.360
<v Speaker 1>interesting to see it from his perspective. Yeah, yeah, all.

0:32:30.320 --> 0:32:33.120
<v Speaker 2>Right, well next week, what's the next one we're doing?

0:32:33.240 --> 0:32:38.040
<v Speaker 1>Okay, so next week we have season six episode between

0:32:38.400 --> 0:32:39.280
<v Speaker 1>the big hurt.

0:32:40.000 --> 0:32:44.160
<v Speaker 2>I feel like Tara, Tara, it's getting it's gonna get

0:32:44.280 --> 0:32:44.920
<v Speaker 2>real weird.

0:32:45.160 --> 0:32:46.920
<v Speaker 1>Okay, have a great week. Love you,