1 00:00:00,280 --> 00:00:05,520 Speaker 1: It's nine O Gene onegen with Jenny Garth and Tory Spelling. 2 00:00:09,680 --> 00:00:13,119 Speaker 1: I mean, when would I ever get to play the 3 00:00:13,200 --> 00:00:19,439 Speaker 1: last woman on Earth? Acceptable we have so much time? 4 00:00:20,320 --> 00:00:23,040 Speaker 2: Okay, I'm so mad we had to watch it on 5 00:00:23,120 --> 00:00:26,920 Speaker 2: DVD because why is it not on streaming? 6 00:00:27,120 --> 00:00:29,880 Speaker 1: It's got to be a music thing, right, Donna gets 7 00:00:29,920 --> 00:00:32,479 Speaker 1: to like look fire in this episode, and. 8 00:00:32,360 --> 00:00:34,400 Speaker 2: Like dancing was amazing. 9 00:00:34,560 --> 00:00:35,240 Speaker 1: Break a Match. 10 00:00:36,040 --> 00:00:38,320 Speaker 2: And I do not blame Joe for being real mad 11 00:00:38,320 --> 00:00:38,760 Speaker 2: about it. 12 00:00:39,159 --> 00:00:42,920 Speaker 1: What Okay, we'll get to that very I was doing 13 00:00:43,040 --> 00:00:44,440 Speaker 1: a job playing a character. 14 00:00:45,400 --> 00:00:47,559 Speaker 2: The DVD just did not because I watched the DVD 15 00:00:47,600 --> 00:00:49,599 Speaker 2: on like a tiny little screen and it just does 16 00:00:49,640 --> 00:00:53,680 Speaker 2: not do it justice. Oh my gosh, kind of mad 17 00:00:53,720 --> 00:00:57,320 Speaker 2: about it? Okay, you remember doing it? 18 00:00:57,440 --> 00:00:59,800 Speaker 1: Oh? I can see it right now in my head. 19 00:01:00,160 --> 00:01:03,120 Speaker 1: Is like my greatest day ever? You kidding? Like for 20 00:01:03,240 --> 00:01:07,679 Speaker 1: someone who's such, I would say, an introverted extrovert like this, 21 00:01:07,840 --> 00:01:10,000 Speaker 1: I was living my best life? Is donatory there? 22 00:01:11,520 --> 00:01:13,440 Speaker 2: It's really good. All right, give the background of the 23 00:01:13,480 --> 00:01:14,199 Speaker 2: episode and then. 24 00:01:14,080 --> 00:01:17,959 Speaker 1: We'll pay it. We're talking about season six, episode twenty seven, 25 00:01:18,200 --> 00:01:22,480 Speaker 1: Strike the Match. It aired on April tenth, nineteen ninety six. Synopsis. 26 00:01:22,800 --> 00:01:27,039 Speaker 1: Tara Tara Marx has overstayed her welcome Dug, causing Claire 27 00:01:27,080 --> 00:01:30,440 Speaker 1: to move out and play house with Steve. Meanwhile, a 28 00:01:30,520 --> 00:01:33,960 Speaker 1: nasty little note left on Valerie's car causes chaos and 29 00:01:34,000 --> 00:01:38,000 Speaker 1: a fifth fight at the Peapad breaks out. Joe gets 30 00:01:38,000 --> 00:01:40,800 Speaker 1: a little jelly Jelly not talking jam here when David 31 00:01:40,840 --> 00:01:44,040 Speaker 1: convinces Donna to start in a music video for Powerman 32 00:01:44,200 --> 00:01:47,640 Speaker 1: five thousand and Kelly gets a single white female feeling 33 00:01:47,840 --> 00:01:51,280 Speaker 1: when Tara Tara comes home with a little bit of 34 00:01:51,440 --> 00:01:54,960 Speaker 1: Kelly's pizzazz. Here a blonde bob after a day at 35 00:01:55,000 --> 00:02:01,760 Speaker 1: the salon. Director James Darren, writer Steve Wasserman. I don't 36 00:02:01,840 --> 00:02:06,480 Speaker 1: remember exactly James Saren as in James Darren, the movie actor, the. 37 00:02:06,480 --> 00:02:11,120 Speaker 2: Old timing actor. Yeah, I don't know, but we're really 38 00:02:11,120 --> 00:02:16,120 Speaker 2: getting the full Tara Tara here. Like the gun she 39 00:02:16,200 --> 00:02:19,200 Speaker 2: has a gun. Okay, There's so many storylines, which one 40 00:02:19,240 --> 00:02:22,680 Speaker 2: do we want to start with? Maybe Steve and Claire 41 00:02:22,720 --> 00:02:24,480 Speaker 2: because that was sort of the weird one for me. 42 00:02:24,960 --> 00:02:27,520 Speaker 1: There's kind of four storylines here in this one, not 43 00:02:27,639 --> 00:02:28,720 Speaker 1: three like typical. 44 00:02:29,120 --> 00:02:33,600 Speaker 2: I agree with you, Tara Tara, which kind of goes 45 00:02:33,639 --> 00:02:40,359 Speaker 2: over to Colin and Valerie Ish. Then there's the music video, 46 00:02:41,120 --> 00:02:43,959 Speaker 2: and then there's the Brandon and the Job. 47 00:02:45,120 --> 00:02:47,880 Speaker 1: Would you say yeah, brand in the Job and Susan 48 00:02:48,560 --> 00:02:49,919 Speaker 1: and the non Ultimatum? 49 00:02:50,040 --> 00:02:51,560 Speaker 2: Yes, which one do you want to start with? 50 00:02:52,080 --> 00:02:54,440 Speaker 1: Oh, let's let's choose. Let's get it over with first. 51 00:02:54,520 --> 00:03:00,000 Speaker 1: The one we're least interested in. Stephen Claire, Yeah, that's probably. 52 00:03:00,400 --> 00:03:04,120 Speaker 2: It's like he was acting so weird, Like Steve was 53 00:03:04,200 --> 00:03:07,680 Speaker 2: just like what was like? First of all, if I 54 00:03:07,760 --> 00:03:10,200 Speaker 2: read that, like the script, I'd be like, who is 55 00:03:10,240 --> 00:03:13,000 Speaker 2: this guy? Like, suddenly he's just calling her honey every 56 00:03:13,040 --> 00:03:15,880 Speaker 2: five seconds and I'm going to cater to your every whim. 57 00:03:16,400 --> 00:03:18,480 Speaker 2: So she's staying for like a few days, and it's 58 00:03:18,480 --> 00:03:21,600 Speaker 2: not like she doesn't stay there. Does she never stay there? 59 00:03:22,040 --> 00:03:24,880 Speaker 1: It was bizarre. I watched this episode with my seventeen 60 00:03:24,960 --> 00:03:28,160 Speaker 1: year old Liam and he was like a lot of it. 61 00:03:28,240 --> 00:03:29,640 Speaker 1: He was like, oh my god, this sounds just like 62 00:03:29,720 --> 00:03:32,840 Speaker 1: Iron And then it got to that scene where he's like, 63 00:03:33,360 --> 00:03:35,960 Speaker 1: I don't even want you to lift a finger yes, 64 00:03:36,080 --> 00:03:39,440 Speaker 1: and he was like ew gross, he goes people don't 65 00:03:39,480 --> 00:03:43,880 Speaker 1: talk like that, not at that age. I was like gross. 66 00:03:44,560 --> 00:03:47,640 Speaker 2: But it was just a little and then I mean, 67 00:03:47,680 --> 00:03:49,240 Speaker 2: they were kind of making fun of him for being 68 00:03:49,240 --> 00:03:52,400 Speaker 2: like a house husband, and he's like, I'm gonna do it. 69 00:03:52,400 --> 00:03:55,840 Speaker 2: It was almost like they were trying so hard to 70 00:03:55,920 --> 00:03:58,800 Speaker 2: get to this plot point of the of the scarf 71 00:03:58,840 --> 00:04:02,760 Speaker 2: being ruined. Honey, I'm gonna do some laundry. Do you 72 00:04:02,800 --> 00:04:05,400 Speaker 2: want me to do any Yeah? It's on the chair. 73 00:04:05,560 --> 00:04:06,920 Speaker 2: Like it's just like, who. 74 00:04:06,720 --> 00:04:11,880 Speaker 1: Are these people? Like Steve doesn't do laundry, let's be real, right, So. 75 00:04:11,880 --> 00:04:13,640 Speaker 2: He's happy to have her there, but he's not gonna 76 00:04:13,640 --> 00:04:17,960 Speaker 2: suddenly be like this different person just so weird. Like 77 00:04:18,000 --> 00:04:19,719 Speaker 2: and then it was like, are we trying to make 78 00:04:19,760 --> 00:04:22,760 Speaker 2: them happen? That's what I felt like, Okay, so now 79 00:04:22,800 --> 00:04:25,680 Speaker 2: we're gonna ruin the scarf, She's gonna be all sad 80 00:04:25,720 --> 00:04:28,520 Speaker 2: and mad, but then she's gonna forgive him, and then 81 00:04:28,640 --> 00:04:31,000 Speaker 2: like are we I just feel like they're trying so 82 00:04:31,160 --> 00:04:32,440 Speaker 2: hard to make them happen. 83 00:04:32,960 --> 00:04:35,760 Speaker 1: I have a question for you. There's there's something about 84 00:04:35,800 --> 00:04:38,800 Speaker 1: them I like. And I am hesitant to use the 85 00:04:38,839 --> 00:04:41,920 Speaker 1: word chemistry because I don't feel like it's a sexual chemistry, 86 00:04:42,320 --> 00:04:46,040 Speaker 1: but I like seeing them together and playoff of each other. 87 00:04:46,160 --> 00:04:49,480 Speaker 1: Maybe it's their comedic banter. I don't know. 88 00:04:49,839 --> 00:04:53,279 Speaker 2: I feel like I like each of them as characters, right, 89 00:04:53,400 --> 00:04:57,559 Speaker 2: Like we obviously love Steve Sanders, and I'm I'm good 90 00:04:57,600 --> 00:05:00,839 Speaker 2: with Claire. Maybe we just like them because we like 91 00:05:00,880 --> 00:05:03,360 Speaker 2: them individually, but together it's just like it's just such 92 00:05:03,360 --> 00:05:05,200 Speaker 2: a nothing burger, do you know what I mean? It's 93 00:05:05,240 --> 00:05:10,600 Speaker 2: just like it is, and this whole storyline is just ridiculous. 94 00:05:10,680 --> 00:05:13,360 Speaker 2: Although I feel terrible for her with the scarf, but 95 00:05:13,480 --> 00:05:16,320 Speaker 2: also don't leave the scarf on the chair and then 96 00:05:16,360 --> 00:05:17,920 Speaker 2: say to do the longer like it was just like 97 00:05:18,040 --> 00:05:20,719 Speaker 2: and also I don't know that the washing machine would 98 00:05:20,720 --> 00:05:23,040 Speaker 2: have it would have maybe shrunk the scarf. I don't 99 00:05:23,080 --> 00:05:25,040 Speaker 2: know that it would have like torn the hole. 100 00:05:24,920 --> 00:05:25,640 Speaker 1: In the scarf. 101 00:05:26,040 --> 00:05:30,159 Speaker 2: It was, Yeah, it was hashtag trying too hard on 102 00:05:30,200 --> 00:05:30,960 Speaker 2: this storyline. 103 00:05:30,960 --> 00:05:35,320 Speaker 1: They played house just for scarf and wampum and yeah 104 00:05:35,640 --> 00:05:39,880 Speaker 1: fine and everything, so okay, yeah, it's just like, Okay, 105 00:05:40,440 --> 00:05:41,800 Speaker 1: I don't care. They both are cute. 106 00:05:42,200 --> 00:05:46,200 Speaker 2: It just was kind of too syrupy sweet the way 107 00:05:46,200 --> 00:05:49,080 Speaker 2: they were acting with each other, and like, I just 108 00:05:49,160 --> 00:05:52,000 Speaker 2: don't know the whole point of it. I guess the 109 00:05:52,040 --> 00:05:55,360 Speaker 2: point of it was they're a couple where they're really 110 00:05:55,360 --> 00:05:58,240 Speaker 2: in love. I think they're just trying hard to make 111 00:05:58,279 --> 00:05:58,800 Speaker 2: them a thing. 112 00:05:59,200 --> 00:06:00,920 Speaker 1: How much longer are they together? 113 00:06:01,240 --> 00:06:03,440 Speaker 2: I don't think that much longer, right, Like, okay, like 114 00:06:03,520 --> 00:06:06,080 Speaker 2: next season is not them together? 115 00:06:06,320 --> 00:06:09,240 Speaker 1: Right, Okay, Sarah cramming in in Okay, Okay, yeah, I 116 00:06:09,240 --> 00:06:12,960 Speaker 1: think my gosh, she. 117 00:06:12,960 --> 00:06:17,680 Speaker 2: Would go to the second sort of nothing Burger storyline. Yeah, 118 00:06:18,040 --> 00:06:20,760 Speaker 2: that to me is Brandon and Susan. Yeah, and I 119 00:06:20,960 --> 00:06:24,560 Speaker 2: was getting Lauren Conrad didn't go to Paris vibes Like 120 00:06:24,680 --> 00:06:28,440 Speaker 2: literally to me, I'm like, is that where they thought 121 00:06:28,440 --> 00:06:32,080 Speaker 2: of that? Because why would he not take that? Obviously 122 00:06:32,120 --> 00:06:33,680 Speaker 2: he's going to take that job. Why would he not 123 00:06:33,720 --> 00:06:34,440 Speaker 2: take that job? 124 00:06:34,600 --> 00:06:37,320 Speaker 1: Like, and it's a summer trip. I mean, she says 125 00:06:37,360 --> 00:06:42,039 Speaker 1: she's not giving an ultimatum. She's giving an ultimatum. She 126 00:06:42,560 --> 00:06:46,359 Speaker 1: really willing to put all who cares like do the 127 00:06:46,440 --> 00:06:49,560 Speaker 1: right thing. She Here's the thing. I think Susan is 128 00:06:49,640 --> 00:06:53,599 Speaker 1: so driven that if this was reversed. 129 00:06:53,560 --> 00:06:57,640 Speaker 2: Totally, he would do it one hundred percent, And she 130 00:06:57,720 --> 00:07:00,520 Speaker 2: should have said, no, take the job, I'll go to 131 00:07:00,520 --> 00:07:02,880 Speaker 2: Boston with you, or like, let's go on a road 132 00:07:02,880 --> 00:07:05,200 Speaker 2: trip to Boston and then I'll fly home. Like it's 133 00:07:05,279 --> 00:07:09,760 Speaker 2: just like what it's Lauren Conrad didn't go to Paris, 134 00:07:09,800 --> 00:07:11,480 Speaker 2: I mean, and it's just never they're never going to 135 00:07:11,520 --> 00:07:14,000 Speaker 2: work out, just like Lauren Conrad didn't work out with 136 00:07:14,080 --> 00:07:18,760 Speaker 2: Jason Waller. Like it's just like, what are you talking about. 137 00:07:18,840 --> 00:07:23,000 Speaker 2: You're twenty one years old. You're obviously going to take 138 00:07:23,000 --> 00:07:26,920 Speaker 2: this internship because Brandon is so driven, he's not going 139 00:07:26,960 --> 00:07:27,600 Speaker 2: to give that up. 140 00:07:28,800 --> 00:07:31,680 Speaker 1: It's just like no, and that's what she likes about him, 141 00:07:32,080 --> 00:07:34,280 Speaker 1: the whole thing. I just I was bored. I have 142 00:07:34,360 --> 00:07:36,280 Speaker 1: to admit I fast forward a little bit through their 143 00:07:36,320 --> 00:07:41,000 Speaker 1: storyline because I just like it was just Susan looks cute. 144 00:07:41,000 --> 00:07:43,800 Speaker 1: But other than that, I was really over this. You 145 00:07:43,880 --> 00:07:45,920 Speaker 1: know what I don't like the when Brandon does that 146 00:07:46,080 --> 00:07:49,720 Speaker 1: Brandon thing where he like it's stone cold, no emotion, 147 00:07:49,960 --> 00:07:52,040 Speaker 1: doesn't look you in the eye. 148 00:07:52,840 --> 00:07:55,720 Speaker 2: Is that when you mean when he's sort of doing 149 00:07:55,760 --> 00:07:59,520 Speaker 2: the red herring or the ruse, like, oh, I already 150 00:07:59,600 --> 00:08:01,360 Speaker 2: turned it down, Like that. 151 00:08:01,280 --> 00:08:04,160 Speaker 1: Part now when he's looking at when he's doing his computer, 152 00:08:04,360 --> 00:08:06,600 Speaker 1: when he's looking at his book, when he does he's 153 00:08:06,640 --> 00:08:09,480 Speaker 1: done this with Kelly, He's done it with val. I 154 00:08:09,480 --> 00:08:11,880 Speaker 1: don't know, I like, I don't like that part of Brandon, 155 00:08:12,040 --> 00:08:15,240 Speaker 1: because I feel like Brandon's a good person. He doesn't 156 00:08:15,280 --> 00:08:17,600 Speaker 1: just shut it down and have like no emotion like 157 00:08:17,600 --> 00:08:20,760 Speaker 1: a robot. It doesn't feel like it's in him. And 158 00:08:20,800 --> 00:08:22,960 Speaker 1: then when he does stuff like that and just like 159 00:08:24,320 --> 00:08:25,520 Speaker 1: I don't know, it bothers me. 160 00:08:26,760 --> 00:08:31,960 Speaker 2: Fair How about guy from Desperate Housewives being the job interviewer? 161 00:08:32,480 --> 00:08:34,720 Speaker 2: So that guy, Here's what happened. I was It's on 162 00:08:34,760 --> 00:08:36,880 Speaker 2: the DVDs. So I was like moving around my room 163 00:08:36,880 --> 00:08:38,240 Speaker 2: and I heard his voice and I'm like, I know 164 00:08:38,360 --> 00:08:41,160 Speaker 2: that guy's voice, you know. I looked away for five 165 00:08:41,200 --> 00:08:42,720 Speaker 2: seconds and then I'm like, oh, it's a dude from 166 00:08:42,720 --> 00:08:45,440 Speaker 2: Desperate Housewives. O Stephen Cole, Yeah, yeah, that's him. 167 00:08:45,760 --> 00:08:49,280 Speaker 1: Oh yes, yes, yes, it was Marsha Cross's husband. Oh wow. 168 00:08:49,400 --> 00:08:51,959 Speaker 2: See I'm not as chriss I think I am. My 169 00:08:52,040 --> 00:08:53,400 Speaker 2: memory still good. 170 00:08:53,559 --> 00:08:56,720 Speaker 1: Call. Yeah, he was a little younger there, which I understand. 171 00:08:56,880 --> 00:08:58,320 Speaker 2: Yeah, so this is what must have been like, you 172 00:08:58,360 --> 00:09:03,240 Speaker 2: know some of his like early work eight years later. 173 00:09:03,679 --> 00:09:08,040 Speaker 2: So this was ninety six, right, and Desperate Housewives started 174 00:09:08,080 --> 00:09:10,199 Speaker 2: in two thousand and four, which is so weird. The 175 00:09:10,320 --> 00:09:13,400 Speaker 2: Desperate Housewives is not that far after nine oh two and. 176 00:09:13,480 --> 00:09:16,080 Speaker 1: Oh ended, it felt like it was though. 177 00:09:16,760 --> 00:09:19,839 Speaker 2: It was twenty years to know me too, all right, 178 00:09:19,920 --> 00:09:22,640 Speaker 2: So anyway, that just gave Lauren Conrad didn't go to 179 00:09:22,679 --> 00:09:26,880 Speaker 2: Paris vibes for me, and I was like, dude, but whatever, 180 00:09:26,920 --> 00:09:27,600 Speaker 2: we'll see what happened. 181 00:09:27,600 --> 00:09:29,680 Speaker 1: Do you think that was even on the radar though. 182 00:09:29,920 --> 00:09:33,240 Speaker 2: Which that he wasn't going to go to parents? I mean, 183 00:09:33,720 --> 00:09:34,679 Speaker 2: he wasn't going to go to Boston. 184 00:09:34,800 --> 00:09:39,000 Speaker 1: We refresh my memory of timeline of oh no. 185 00:09:39,360 --> 00:09:41,680 Speaker 2: Lauren Connor's way later, like I feel did they steal 186 00:09:41,720 --> 00:09:42,199 Speaker 2: it from this? 187 00:09:42,400 --> 00:09:46,640 Speaker 1: Yeah? Oh okay, interesting, I don't know, it's been done 188 00:09:46,679 --> 00:09:48,960 Speaker 1: in every TV show. It's like Sex and the City, 189 00:09:49,120 --> 00:09:51,080 Speaker 1: like it's everyone does this. 190 00:10:03,400 --> 00:10:05,560 Speaker 2: Let's now come to your story. 191 00:10:05,679 --> 00:10:08,520 Speaker 1: Oh thank god, which is iconic? 192 00:10:08,679 --> 00:10:12,280 Speaker 2: Are you give your vibes first of the whole line? 193 00:10:12,960 --> 00:10:18,000 Speaker 1: Okay, well, I I love as if you're like watching 194 00:10:18,080 --> 00:10:21,040 Speaker 1: David and Donna. I'm so glad they're working together again. 195 00:10:21,880 --> 00:10:26,160 Speaker 1: I feel like, not just are they like a great couple, 196 00:10:26,240 --> 00:10:29,120 Speaker 1: but they have always like since the beginning, even in 197 00:10:29,200 --> 00:10:33,400 Speaker 1: high school, you know, they were DJs together. They when 198 00:10:33,720 --> 00:10:37,360 Speaker 1: you know at school they would they would do like 199 00:10:37,440 --> 00:10:40,760 Speaker 1: the open mic thing and play characters and creatively they 200 00:10:40,800 --> 00:10:44,360 Speaker 1: always like really meshed. So it's nice to see like 201 00:10:44,480 --> 00:10:47,360 Speaker 1: that that's that back in we're going back in that 202 00:10:47,440 --> 00:10:50,480 Speaker 1: way creatively, that they work well together. So I was 203 00:10:50,520 --> 00:10:51,200 Speaker 1: happy to see that. 204 00:10:51,480 --> 00:10:55,840 Speaker 2: Do you think that it's inappropriate or unfair to Joe that? 205 00:10:56,559 --> 00:10:59,400 Speaker 2: And because you can sense he's feeling it that you're 206 00:10:59,440 --> 00:11:03,640 Speaker 2: working with X No, Like, do you think Joe has 207 00:11:03,720 --> 00:11:05,720 Speaker 2: any right to sort of feel a little he seems 208 00:11:05,760 --> 00:11:09,040 Speaker 2: a little butt hurt? And I I and do you 209 00:11:09,040 --> 00:11:11,360 Speaker 2: think it's that it's working with David or do you 210 00:11:11,400 --> 00:11:14,200 Speaker 2: think it's like the sexy video vixen thing. 211 00:11:15,320 --> 00:11:19,880 Speaker 1: I honestly, I got to say, as Tory, Donna, Donna Tory, 212 00:11:20,480 --> 00:11:25,600 Speaker 1: I felt like, no, it wasn't about David. I feel 213 00:11:25,600 --> 00:11:27,720 Speaker 1: like he's with David all the time. He knows their history, 214 00:11:27,800 --> 00:11:31,000 Speaker 1: he knows, like you know, they were first loves like 215 00:11:31,040 --> 00:11:35,600 Speaker 1: this wee I've moved on many times since I thought 216 00:11:35,600 --> 00:11:38,240 Speaker 1: it was the sexy vibe and it really actually was 217 00:11:38,320 --> 00:11:41,760 Speaker 1: triggering for me as Donna, because that's how Ray would 218 00:11:42,000 --> 00:11:45,720 Speaker 1: act if I addressed too sexy or wore bikini. 219 00:11:46,120 --> 00:11:47,959 Speaker 2: Interesting. Oh that's I didn't think of that. 220 00:11:48,200 --> 00:11:50,160 Speaker 1: I didn't think so I started to get triggered. When 221 00:11:50,200 --> 00:11:52,679 Speaker 1: Joe was responding to like that outfit, I was like, 222 00:11:52,880 --> 00:11:54,720 Speaker 1: it made me feel like Ray all over again. 223 00:11:55,160 --> 00:11:58,960 Speaker 2: Oh whoa, that's such a that's so interesting. No, that's 224 00:11:59,040 --> 00:12:02,000 Speaker 2: good because I don't think Ray and Joe are anything alike, 225 00:12:02,040 --> 00:12:04,160 Speaker 2: and Joe's such a good guy. But I do understand, 226 00:12:04,240 --> 00:12:09,560 Speaker 2: like I can understand a little bit why he was like, oh, 227 00:12:09,840 --> 00:12:13,439 Speaker 2: you know, because I don't know, like it's donna ish 228 00:12:13,480 --> 00:12:15,520 Speaker 2: but not donna ish to be up there. 229 00:12:16,640 --> 00:12:21,000 Speaker 1: It's definitely Donna from Dylan's dream sequence. 230 00:12:21,840 --> 00:12:24,160 Speaker 2: Well yeah, yeah, yeah, yeah on the Fool Table when 231 00:12:24,160 --> 00:12:25,720 Speaker 2: you kiss, when you got to kiss Luke. 232 00:12:25,679 --> 00:12:28,720 Speaker 1: Yeah, like that was yeah flashback. 233 00:12:28,800 --> 00:12:30,199 Speaker 2: They like to sort of do that. 234 00:12:30,640 --> 00:12:33,400 Speaker 1: They I'm sure I had like so much weight I 235 00:12:33,440 --> 00:12:36,840 Speaker 1: could weigh in on this so heavily as if I 236 00:12:36,880 --> 00:12:39,440 Speaker 1: didn't pick that outfit. Come on, it's good. 237 00:12:39,520 --> 00:12:43,800 Speaker 2: Okay. So the storyline's a little funky, right because first 238 00:12:43,880 --> 00:12:45,920 Speaker 2: Joe doesn't like the music, which I get. 239 00:12:45,920 --> 00:12:47,000 Speaker 1: The music was not good. 240 00:12:47,040 --> 00:12:48,720 Speaker 2: That's why I'm like, why is this not on? Just 241 00:12:48,840 --> 00:12:51,280 Speaker 2: replace the music and put it on streaming? 242 00:12:51,360 --> 00:12:55,240 Speaker 1: But whatever, I know, where are they now? Power Man 243 00:12:55,840 --> 00:12:56,640 Speaker 1: five thousand? 244 00:12:57,160 --> 00:13:00,640 Speaker 2: I thought they were created for this I didn't noticed 245 00:13:00,679 --> 00:13:02,480 Speaker 2: the band that could have been any actors for me. 246 00:13:02,520 --> 00:13:04,960 Speaker 2: It's like that could have been just a pretend band 247 00:13:05,120 --> 00:13:08,360 Speaker 2: for me, I know. Anyway, So we have the dorm 248 00:13:08,440 --> 00:13:10,800 Speaker 2: room scene, which I thought was a little weird where 249 00:13:10,840 --> 00:13:13,200 Speaker 2: you're like trying to create the video and then you 250 00:13:13,240 --> 00:13:16,559 Speaker 2: get into a fight and storm out and then oh 251 00:13:16,920 --> 00:13:19,679 Speaker 2: all then ah that's the idea, and then all is 252 00:13:19,760 --> 00:13:20,400 Speaker 2: right in the world. 253 00:13:20,400 --> 00:13:23,040 Speaker 1: Like it was just like, you're mean, rude, and you're 254 00:13:23,040 --> 00:13:25,480 Speaker 1: the last person on earth they want to work with 255 00:13:25,640 --> 00:13:26,000 Speaker 1: or be with. 256 00:13:26,520 --> 00:13:27,280 Speaker 2: R that's it. 257 00:13:27,920 --> 00:13:32,760 Speaker 1: Yeah, yeah, so I was like, oh god, but. 258 00:13:32,200 --> 00:13:34,439 Speaker 2: But he was being a little mean and rude. 259 00:13:35,400 --> 00:13:35,800 Speaker 3: He was. 260 00:13:36,679 --> 00:13:39,240 Speaker 1: He was I like when they bicker though, because then 261 00:13:39,400 --> 00:13:42,280 Speaker 1: to me, when I'm watching it, knowing what ultimately happens, 262 00:13:42,320 --> 00:13:45,199 Speaker 1: I'm like, oh, there's their cute anter the Bickerson's like 263 00:13:45,240 --> 00:13:46,959 Speaker 1: when they're going to go on and get married and 264 00:13:47,520 --> 00:13:48,000 Speaker 1: yeah yeah. 265 00:13:49,600 --> 00:13:55,280 Speaker 2: And then the fight with Colin was just like, come on, like, 266 00:13:55,400 --> 00:13:58,400 Speaker 2: what guy that's out on bail? First of all, when 267 00:13:58,400 --> 00:14:00,520 Speaker 2: he called him him ex felon, I'm like, he's not 268 00:14:00,559 --> 00:14:03,840 Speaker 2: an ex felon. That's when I fellen out on bail. 269 00:14:04,760 --> 00:14:07,439 Speaker 1: So I wanted to ask you this because I'm like, uh, 270 00:14:08,120 --> 00:14:10,920 Speaker 1: has he been a felon before? Is there? Because he's 271 00:14:10,920 --> 00:14:13,320 Speaker 1: out on bail, He's going to go to jail. 272 00:14:13,600 --> 00:14:17,400 Speaker 2: Correct, he's just waiting for his trial. He's out on bail. 273 00:14:17,920 --> 00:14:19,560 Speaker 1: He's not X. He's a Curtrent felon. 274 00:14:19,760 --> 00:14:23,280 Speaker 2: He's not a convicted felon. He's an accused felon. I 275 00:14:23,320 --> 00:14:26,200 Speaker 2: guess because he hasn't had his trial yet, so. 276 00:14:26,080 --> 00:14:28,880 Speaker 1: He should have taken the X down just said felon. Yeah, 277 00:14:28,920 --> 00:14:33,680 Speaker 1: Like that scene had so much testosterone though, because if 278 00:14:33,680 --> 00:14:37,200 Speaker 1: I heard the word man or brother bro one more time, 279 00:14:37,760 --> 00:14:39,200 Speaker 1: I was like, whoa, you're a callin. 280 00:14:39,280 --> 00:14:42,400 Speaker 2: Why would you fight anybody and get arrested again? 281 00:14:42,840 --> 00:14:45,320 Speaker 1: Or someone that much taller than you? Yeah, I don't know, 282 00:14:46,040 --> 00:14:47,000 Speaker 1: Just so. 283 00:14:46,840 --> 00:14:49,280 Speaker 2: Ridiculous, Right, what's he doing there anyway? 284 00:14:49,480 --> 00:14:51,640 Speaker 1: Like, oh, yeah, why is he there? 285 00:14:52,240 --> 00:14:54,560 Speaker 2: You don't know? I guess because his girlfriend is Bell 286 00:14:54,720 --> 00:14:56,800 Speaker 2: and like he's feeling his painting. He was like going 287 00:14:56,840 --> 00:14:58,960 Speaker 2: all over the walls, just feeling it. And it's just like, 288 00:15:00,080 --> 00:15:04,160 Speaker 2: first of all, why would David key the car? Yeah, 289 00:15:04,520 --> 00:15:08,400 Speaker 2: using Kelly maybe, but like why would David do it? 290 00:15:08,920 --> 00:15:10,960 Speaker 1: I mean because she says hate hate hate. 291 00:15:11,000 --> 00:15:14,560 Speaker 2: She hates her, but David I get I don't know. 292 00:15:14,600 --> 00:15:16,480 Speaker 2: It just that seems so bizarre. 293 00:15:17,120 --> 00:15:20,360 Speaker 1: We'll get to that whole thing because Colin Colan feels 294 00:15:20,400 --> 00:15:24,160 Speaker 1: like he stole Valerie from David. But I don't know. 295 00:15:24,280 --> 00:15:26,000 Speaker 1: I don't know either. 296 00:15:26,280 --> 00:15:31,120 Speaker 2: It's just like, ah, so, so do you think Joe? Okay, 297 00:15:31,160 --> 00:15:33,440 Speaker 2: So let's get back to this. Should Joe have walked 298 00:15:33,480 --> 00:15:34,560 Speaker 2: out of the video shoot? 299 00:15:35,080 --> 00:15:40,840 Speaker 1: No, it's a d move, like one she's working. No, 300 00:15:41,920 --> 00:15:44,080 Speaker 1: And I've had this happen, but not with a good 301 00:15:44,120 --> 00:15:47,080 Speaker 1: boyfriend like Joe. I remember doing the Sassy photo shoot 302 00:15:47,320 --> 00:15:48,880 Speaker 1: and cover photo shoot. 303 00:15:49,040 --> 00:15:50,200 Speaker 2: Like Sassy magazine. 304 00:15:50,320 --> 00:15:52,160 Speaker 1: Sassy Magazine, your memory. 305 00:15:52,280 --> 00:15:53,840 Speaker 2: I forgot about that magazine until. 306 00:15:53,680 --> 00:15:56,280 Speaker 1: Run and my you know, the bad ex that I 307 00:15:56,280 --> 00:15:59,400 Speaker 1: talk about dating him at the time when he came 308 00:15:59,440 --> 00:16:03,400 Speaker 1: to the set to watch and was upset about some 309 00:16:03,520 --> 00:16:06,440 Speaker 1: things with us, and I was like, I'm just trying 310 00:16:06,440 --> 00:16:08,040 Speaker 1: to get it together to I have to take my 311 00:16:08,800 --> 00:16:12,680 Speaker 1: photos and I remember him walking out and that just 312 00:16:12,840 --> 00:16:16,400 Speaker 1: was like so devastating to try to work and manage 313 00:16:16,440 --> 00:16:19,840 Speaker 1: that at the same time. So that triggered me. When 314 00:16:19,840 --> 00:16:25,040 Speaker 1: I saw that, I was like, Joe, come on, your 315 00:16:25,080 --> 00:16:26,400 Speaker 1: heart's okay now, man. 316 00:16:26,640 --> 00:16:28,880 Speaker 2: Like chill like kind of maybe just a little bit 317 00:16:28,880 --> 00:16:31,680 Speaker 2: of chill, like it's just a character in a video. 318 00:16:32,040 --> 00:16:37,040 Speaker 1: Okay, So I mean David is a little like sexiness. 319 00:16:37,120 --> 00:16:38,560 Speaker 1: We know you got it. I mean, Joe didn't hear 320 00:16:38,600 --> 00:16:41,200 Speaker 1: this part, but I feel like you can see David 321 00:16:41,760 --> 00:16:43,400 Speaker 1: starting to flirt with Donna again. 322 00:16:44,000 --> 00:16:48,360 Speaker 2: David is qualified to direct a full fledged music video. 323 00:16:48,440 --> 00:16:50,120 Speaker 2: And also, where'd they get the budget? 324 00:16:50,400 --> 00:16:52,560 Speaker 1: I don't know, you know what, maybe they got the 325 00:16:52,680 --> 00:16:56,880 Speaker 1: budget from Territar's non existent bank account that she can 326 00:16:57,000 --> 00:17:00,680 Speaker 1: send florals and buy Croissance. I know. 327 00:17:01,040 --> 00:17:02,960 Speaker 2: Let's okay, let's move over to that story. 328 00:17:03,120 --> 00:17:03,680 Speaker 1: Okay. Cool. 329 00:17:04,280 --> 00:17:07,600 Speaker 2: So first of all, do we think that Clare and 330 00:17:07,640 --> 00:17:12,480 Speaker 2: Donna are right in that they don't want her to 331 00:17:12,560 --> 00:17:13,880 Speaker 2: like live there? 332 00:17:14,800 --> 00:17:18,560 Speaker 1: Oh the me and me wants and Donna's me be like, 333 00:17:18,600 --> 00:17:23,040 Speaker 1: oh it's okay, I feel bad, I feel guilty, but 334 00:17:23,080 --> 00:17:23,800 Speaker 1: they're not wrong. 335 00:17:25,040 --> 00:17:28,680 Speaker 2: No, when they get weird vibes from her, And also 336 00:17:28,840 --> 00:17:32,280 Speaker 2: like it is I think back in the day in college, 337 00:17:32,359 --> 00:17:36,200 Speaker 2: like if sudden suddenly you just have like someone crashing 338 00:17:36,240 --> 00:17:36,800 Speaker 2: there all the. 339 00:17:36,760 --> 00:17:39,600 Speaker 1: Time, where's she's sleeping exactly. 340 00:17:39,480 --> 00:17:43,000 Speaker 2: In the living room, Okay, and like they're like I 341 00:17:43,000 --> 00:17:46,160 Speaker 2: get it. Like in college. They're paying the bills and 342 00:17:46,240 --> 00:17:49,719 Speaker 2: she's sleeping there and there's only one bathroom? Is there 343 00:17:49,720 --> 00:17:52,439 Speaker 2: only one bathroom? Where there? I feel like they do 344 00:17:52,520 --> 00:17:53,760 Speaker 2: they share one bathroom, or they are. 345 00:17:53,680 --> 00:17:56,880 Speaker 1: Two bathrooms, or there's one bathroom, but there's one bathroom 346 00:17:57,000 --> 00:18:01,200 Speaker 1: too weird. But where they're not blow uptresses back then. 347 00:18:01,480 --> 00:18:04,400 Speaker 2: I don't know, they probably don't have one. And like 348 00:18:04,640 --> 00:18:08,760 Speaker 2: she is, they don't know her. It's not like you know, 349 00:18:09,920 --> 00:18:13,960 Speaker 2: a friend of theirs per se. She is from rehab, 350 00:18:14,440 --> 00:18:19,560 Speaker 2: from the streets. They know nothing about her. I get it. 351 00:18:20,720 --> 00:18:23,719 Speaker 2: I get it, and Kelly gets it too, becau it's 352 00:18:23,760 --> 00:18:26,640 Speaker 2: kind of interesting how she suddenly says how's it going 353 00:18:26,760 --> 00:18:30,000 Speaker 2: looking for the place, and then Tara is all mad 354 00:18:30,040 --> 00:18:30,480 Speaker 2: about it. 355 00:18:30,840 --> 00:18:34,000 Speaker 1: At least we finally yet a little backstory on Tara well. 356 00:18:33,800 --> 00:18:37,679 Speaker 2: And we're just realizing she's unwell. And now everyone's realizing it, 357 00:18:38,080 --> 00:18:40,720 Speaker 2: do you know what I mean? Like we it's that 358 00:18:40,760 --> 00:18:45,240 Speaker 2: old thing where we knew about the flowers. 359 00:18:43,880 --> 00:18:46,000 Speaker 1: In such a nine O two and oh way. 360 00:18:46,480 --> 00:18:47,240 Speaker 2: It was just. 361 00:18:49,160 --> 00:18:52,320 Speaker 1: When things like she pulls out the gun or she 362 00:18:52,480 --> 00:18:54,879 Speaker 1: has a look, and then they end it with like 363 00:18:55,119 --> 00:18:58,360 Speaker 1: t true true. It's like psycho music. You're like, okay, 364 00:18:58,720 --> 00:19:01,320 Speaker 1: So it's like, hey, guys, in case you didn't get 365 00:19:01,920 --> 00:19:04,600 Speaker 1: it in the writing of the script, in the acting, 366 00:19:04,960 --> 00:19:06,879 Speaker 1: or in the visual of saying she has a gun, 367 00:19:07,000 --> 00:19:09,439 Speaker 1: We're gonna put some music in and just beat a 368 00:19:09,520 --> 00:19:14,880 Speaker 1: dead horse over the head. Got it? Now? It's wild 369 00:19:16,240 --> 00:19:20,520 Speaker 1: that music bras oh, like who was like, oh wait, wait, 370 00:19:20,560 --> 00:19:22,840 Speaker 1: we got to add dramatic effect here. The audience might 371 00:19:22,880 --> 00:19:24,199 Speaker 1: not understand what's going on. 372 00:19:24,960 --> 00:19:27,639 Speaker 2: Well, I need his psycho music because it was and 373 00:19:27,680 --> 00:19:31,440 Speaker 2: it was long. And also like, I feel like why 374 00:19:31,520 --> 00:19:34,960 Speaker 2: they're filling every one of these episodes in this season 375 00:19:35,040 --> 00:19:37,320 Speaker 2: or the second half of this season. By the way, Like, 376 00:19:37,720 --> 00:19:41,000 Speaker 2: was Ray in the beginning of this season, Like, how 377 00:19:41,040 --> 00:19:43,200 Speaker 2: doesn't that feel like a thousand years. 378 00:19:42,960 --> 00:19:46,880 Speaker 1: Ago, many many seasons ago? 379 00:19:47,000 --> 00:19:50,399 Speaker 2: Did they erase him from the opening credits too? Was 380 00:19:50,480 --> 00:19:52,240 Speaker 2: Dylan in the opening of this season? 381 00:19:52,600 --> 00:19:56,800 Speaker 1: He must have been, Oh my gosh, yeah it was 382 00:19:56,840 --> 00:19:57,480 Speaker 1: this season. 383 00:19:58,040 --> 00:20:03,200 Speaker 2: Okay, that's crazy, that's great, right, yeah, Like that's just crazy, 384 00:20:03,600 --> 00:20:05,480 Speaker 2: and that they just keep plucking people out of the 385 00:20:05,520 --> 00:20:09,880 Speaker 2: opening credits. But anyway, Ray's return is coming soon. 386 00:20:10,040 --> 00:20:15,439 Speaker 3: But oh god, I hate that's really really I'm not 387 00:20:15,720 --> 00:20:32,720 Speaker 3: it's just a little ridiculous, So they are really pounding 388 00:20:32,800 --> 00:20:33,560 Speaker 3: us over the head. 389 00:20:34,119 --> 00:20:36,920 Speaker 2: I am wondering and at this I can't remember if 390 00:20:36,960 --> 00:20:41,159 Speaker 2: we ever acknowledge that she's the reason the doctor and 391 00:20:41,200 --> 00:20:44,000 Speaker 2: the flowers or do we just like learn she's crazy 392 00:20:44,040 --> 00:20:46,280 Speaker 2: and then she tries to kill everybody. But we'll get 393 00:20:46,320 --> 00:20:46,520 Speaker 2: to that. 394 00:20:46,800 --> 00:20:48,880 Speaker 1: Oh, I wonder, well, since we now know he never 395 00:20:48,920 --> 00:20:51,840 Speaker 1: comes back, I bet it never comes out. I don't 396 00:20:51,880 --> 00:20:54,360 Speaker 1: even know he should have come back. 397 00:20:54,680 --> 00:20:56,920 Speaker 2: Gree So she goes into the room, steals the car, key, 398 00:20:56,920 --> 00:21:02,119 Speaker 2: steals the car, drives it over. How does she know 399 00:21:02,160 --> 00:21:06,160 Speaker 2: where they live? First of all, because it was at 400 00:21:06,160 --> 00:21:08,439 Speaker 2: Colin's apartment? How does she know where that is? 401 00:21:08,880 --> 00:21:10,160 Speaker 1: She's followed them before. 402 00:21:10,320 --> 00:21:13,439 Speaker 2: And I'm but there's so many plot holes, like how 403 00:21:13,440 --> 00:21:16,679 Speaker 2: does she know where Colin lives? To key the car? 404 00:21:18,240 --> 00:21:22,760 Speaker 2: Why would she key it with that? It's just like whatever, 405 00:21:22,880 --> 00:21:25,600 Speaker 2: she's so, oh. 406 00:21:24,920 --> 00:21:27,679 Speaker 1: Do you believe her story? And group? Do you believe 407 00:21:27,680 --> 00:21:30,280 Speaker 1: that that's how it went down? Her parents just now 408 00:21:30,320 --> 00:21:33,439 Speaker 1: I don't believe anything about her. Like imagine parents just 409 00:21:33,560 --> 00:21:36,520 Speaker 1: being like, Wow, you're really bad off, You're a real 410 00:21:36,600 --> 00:21:41,280 Speaker 1: bad addict, and we're just gonna like ditch you and 411 00:21:42,119 --> 00:21:46,960 Speaker 1: don't find us again. No, no parents. 412 00:21:47,480 --> 00:21:49,680 Speaker 2: I don't believe anything she says, and I don't think 413 00:21:49,680 --> 00:21:52,359 Speaker 2: we're supposed to. I think we're literally supposed to think 414 00:21:53,359 --> 00:21:54,960 Speaker 2: she's super Unwell. 415 00:21:55,119 --> 00:21:57,800 Speaker 1: How did they let her out? Like she's that good 416 00:21:58,560 --> 00:22:02,639 Speaker 1: that she was released? Like she says Peter SINAI sorry? 417 00:22:02,760 --> 00:22:04,199 Speaker 2: Also, who paid for that? 418 00:22:05,119 --> 00:22:06,000 Speaker 1: Oh? 419 00:22:06,400 --> 00:22:10,800 Speaker 2: Like that was not a free rehab? That's not free? 420 00:22:11,600 --> 00:22:11,800 Speaker 1: Right? 421 00:22:11,880 --> 00:22:12,080 Speaker 4: Right? 422 00:22:12,200 --> 00:22:14,159 Speaker 1: Right? Are we going to find out her parents have 423 00:22:14,240 --> 00:22:14,960 Speaker 1: money at some point? 424 00:22:17,200 --> 00:22:17,320 Speaker 4: No? 425 00:22:17,440 --> 00:22:21,720 Speaker 2: I think she just implodes real fast now, But I mean, 426 00:22:21,760 --> 00:22:24,800 Speaker 2: she's just It's just the haircut is totally bizarre. Why 427 00:22:24,840 --> 00:22:29,199 Speaker 2: would the hairstylist even do that? Like, really and truly, 428 00:22:29,520 --> 00:22:32,600 Speaker 2: why would the hairstyleist do that. He's so tight with 429 00:22:32,680 --> 00:22:34,560 Speaker 2: Kelly and he's friends with her, and she gets him 430 00:22:34,560 --> 00:22:36,360 Speaker 2: in and then he's like, yeah, you know what, I'll 431 00:22:36,400 --> 00:22:40,679 Speaker 2: give this person the exact same haircut. It's like so 432 00:22:40,760 --> 00:22:42,800 Speaker 2: weird and diet right. 433 00:22:43,240 --> 00:22:45,960 Speaker 1: I guess I was trying my best to go along 434 00:22:46,000 --> 00:22:48,000 Speaker 1: with like when people are like, oh, I want the 435 00:22:48,560 --> 00:22:51,240 Speaker 1: Jennifer Aniston, do the Rachel do you know? 436 00:22:51,359 --> 00:22:54,879 Speaker 2: Like it was Jeanne Ranison didn't call Chris McMillan and 437 00:22:54,920 --> 00:22:55,280 Speaker 2: make the. 438 00:22:55,240 --> 00:23:00,760 Speaker 1: Appointment that you know that you're aware. 439 00:23:00,760 --> 00:23:03,399 Speaker 2: Probably we know her hairstylist like the tip of our 440 00:23:03,440 --> 00:23:06,760 Speaker 2: tongue or like was was Ray in this season that 441 00:23:06,880 --> 00:23:10,399 Speaker 2: but we can name Jennifer Anderson's hairstylists right of course. 442 00:23:10,560 --> 00:23:15,040 Speaker 1: But it's just and Kelly saying pizzazz. And it's just 443 00:23:15,600 --> 00:23:18,080 Speaker 1: you know, because you me and jen talk about it's 444 00:23:18,119 --> 00:23:22,439 Speaker 1: not our favor hairstyle of Kelly's. And then she's like, 445 00:23:22,480 --> 00:23:24,280 Speaker 1: I'm going to send you to my hairstylist. He's going 446 00:23:24,359 --> 00:23:27,320 Speaker 1: to add some pizzazz. I'd be like, I'm going to 447 00:23:27,400 --> 00:23:32,679 Speaker 1: find a new hairstylist for you, like just saying not good. 448 00:23:33,960 --> 00:23:36,439 Speaker 2: But also the gun. Where did she get a gun? 449 00:23:36,920 --> 00:23:40,159 Speaker 2: Why did that guy keep a suitcase in his Was 450 00:23:40,200 --> 00:23:41,399 Speaker 2: that like a consignment store? 451 00:23:41,960 --> 00:23:44,240 Speaker 1: That's what I thought? Yeah, and she. 452 00:23:44,320 --> 00:23:46,919 Speaker 2: Slept in it like it's just like and then until 453 00:23:46,960 --> 00:23:48,440 Speaker 2: I did drugs, Like it. 454 00:23:48,359 --> 00:23:51,560 Speaker 1: Was just like and Bernie kicked me out right. 455 00:23:51,600 --> 00:23:52,800 Speaker 2: But we're stayed friends. 456 00:23:53,240 --> 00:24:00,280 Speaker 1: What we stayed friends? He held on to my gun. 457 00:23:59,080 --> 00:24:00,560 Speaker 2: And suddenly she's a potographer. 458 00:24:01,320 --> 00:24:03,480 Speaker 1: This is going to come into play I soon. 459 00:24:03,800 --> 00:24:08,600 Speaker 2: It's play somehow, but I just remember this, I remember her. 460 00:24:09,080 --> 00:24:11,960 Speaker 2: I'm not a fan of this. This is all crazy, 461 00:24:12,760 --> 00:24:16,080 Speaker 2: and we have four storylines going at the same time 462 00:24:16,840 --> 00:24:18,760 Speaker 2: that are totally disjointed. 463 00:24:19,760 --> 00:24:21,879 Speaker 1: Yeah, maybe the two. 464 00:24:21,840 --> 00:24:26,520 Speaker 2: Have some crossover with the fight and the accusing. So 465 00:24:26,720 --> 00:24:31,960 Speaker 2: Val accuses Kelly of king the car. I see why 466 00:24:32,040 --> 00:24:36,359 Speaker 2: you hate her or whatever. I see why you hate them. 467 00:24:36,640 --> 00:24:38,240 Speaker 1: Oh my gosh, I loved Do you want to take 468 00:24:38,280 --> 00:24:39,640 Speaker 1: it outside? Yeah? 469 00:24:39,760 --> 00:24:44,600 Speaker 2: Sure, twice twice do you want to take it outside? 470 00:24:44,960 --> 00:24:46,960 Speaker 2: Also sort of an old timey. 471 00:24:48,200 --> 00:24:55,560 Speaker 4: It's just oh that being said, very entertaining to watch 472 00:24:56,520 --> 00:24:59,119 Speaker 4: it was it was? 473 00:24:58,840 --> 00:25:00,920 Speaker 1: It was, yeah, it it was all over the place. 474 00:25:00,920 --> 00:25:03,200 Speaker 1: It was messy with the place. 475 00:25:04,160 --> 00:25:07,320 Speaker 2: And like everyone's acting out of character, except except for 476 00:25:07,480 --> 00:25:14,080 Speaker 2: maybe Brandon, but like Steve's acting a weirdo, really weird. 477 00:25:15,880 --> 00:25:22,280 Speaker 2: Claire is pretty claierish, She's pretty claiish, She's pretty steady. Joe, 478 00:25:23,320 --> 00:25:25,880 Speaker 2: I feel like Joe Loves Donna, which makes me think 479 00:25:25,880 --> 00:25:29,639 Speaker 2: of that birda. 480 00:25:29,720 --> 00:25:31,640 Speaker 1: I wonder where that bird is because you know, they 481 00:25:31,640 --> 00:25:33,399 Speaker 1: live to be like one hundred and something. You have 482 00:25:33,440 --> 00:25:34,040 Speaker 1: to will them. 483 00:25:34,040 --> 00:25:36,720 Speaker 2: I think birds can live to be eighty really lived. 484 00:25:36,880 --> 00:25:40,000 Speaker 1: There you go, so that bird is alive. If anyone 485 00:25:40,080 --> 00:25:43,560 Speaker 1: knows where the bird from Joe Loves Donna is. 486 00:25:43,560 --> 00:25:45,359 Speaker 2: Yeah, like if you get a bird in your in 487 00:25:45,400 --> 00:25:47,960 Speaker 2: your sixties, you're gonna need to figure out who's going 488 00:25:48,000 --> 00:25:49,919 Speaker 2: to take care of that bird. It's probably gonna outlive you. 489 00:25:51,280 --> 00:25:54,800 Speaker 2: Yeah wow. And you can't let a bird. This is 490 00:25:54,800 --> 00:25:56,640 Speaker 2: a terrible pita. It's gonna call me. But you can't 491 00:25:56,720 --> 00:26:01,120 Speaker 2: let a bird go, can you? No, like a pet 492 00:26:01,160 --> 00:26:03,240 Speaker 2: bird that can't go back to the wild. 493 00:26:04,640 --> 00:26:08,199 Speaker 1: I don't know. Like sometimes I'll randomly see, like in 494 00:26:08,920 --> 00:26:11,919 Speaker 1: suburban areas, like parrots in the trees, and you know, 495 00:26:12,119 --> 00:26:13,440 Speaker 1: like somebody loved that bird. 496 00:26:13,480 --> 00:26:13,520 Speaker 4: Go. 497 00:26:14,760 --> 00:26:16,040 Speaker 2: Caging a bird. 498 00:26:17,359 --> 00:26:23,760 Speaker 1: Is like not good, No, it needs to fly right. Oh. Interesting? 499 00:26:24,600 --> 00:26:28,200 Speaker 1: But like at resorts at Zoos, well they have like 500 00:26:28,240 --> 00:26:33,520 Speaker 1: a big aviary, but caging a dolphin, I don't like that. Yeah. 501 00:26:34,359 --> 00:26:38,919 Speaker 2: So overall this episode is very messy, very out of 502 00:26:39,119 --> 00:26:41,840 Speaker 2: context in a lot of ways, very out of character. 503 00:26:42,440 --> 00:26:45,720 Speaker 2: Yet still a solid nine for me. 504 00:26:46,800 --> 00:26:50,200 Speaker 1: But how I did not think you'd go that high. 505 00:26:50,880 --> 00:26:54,760 Speaker 2: Because it's just entertaining, very annoying to watch on my DVD. 506 00:26:54,800 --> 00:26:57,200 Speaker 2: I'm not gonna lie though, like annoying. 507 00:26:57,240 --> 00:27:01,840 Speaker 1: I have. I have the dailies no oh from the 508 00:27:01,920 --> 00:27:03,560 Speaker 1: music video, like the outtakes. 509 00:27:04,680 --> 00:27:05,720 Speaker 2: Oh my gosh, it. 510 00:27:05,720 --> 00:27:11,359 Speaker 1: Got like runch you know, big as was like Aaron 511 00:27:11,400 --> 00:27:15,800 Speaker 1: Spelling was like, nope, dial it back, not putting all 512 00:27:15,880 --> 00:27:16,560 Speaker 1: that out there. 513 00:27:16,400 --> 00:27:20,840 Speaker 2: Because it was pretty pretty provocative as is. And you 514 00:27:20,920 --> 00:27:22,760 Speaker 2: got moves, really good dancing. 515 00:27:23,440 --> 00:27:27,240 Speaker 1: I think, yeah, my am flexible, my flying splits. I 516 00:27:27,240 --> 00:27:29,680 Speaker 1: think I actually this might have been the first place 517 00:27:29,720 --> 00:27:33,359 Speaker 1: they were seen somewhere on that car. Yeah, but they're not. 518 00:27:33,560 --> 00:27:38,240 Speaker 1: But yeah, Pete Farow he sent me this episode and 519 00:27:38,440 --> 00:27:39,520 Speaker 1: he has the dailies. 520 00:27:39,760 --> 00:27:42,520 Speaker 2: So and you were right about James Darren. 521 00:27:43,600 --> 00:27:47,680 Speaker 1: I thought I worked with him, you did, You were right? 522 00:27:48,080 --> 00:27:50,920 Speaker 2: It was he. What was he? Oh he was from Gidget? 523 00:27:50,920 --> 00:27:52,360 Speaker 1: Didgit Gidget? 524 00:27:52,440 --> 00:27:52,560 Speaker 3: Oh? 525 00:27:54,200 --> 00:27:56,960 Speaker 2: Oh my gosh. And he just passed away like not 526 00:27:57,160 --> 00:27:58,359 Speaker 2: just a couple of months ago. 527 00:27:59,400 --> 00:28:01,680 Speaker 1: Oh they were talking about it's all coming back to me. 528 00:28:01,800 --> 00:28:06,520 Speaker 1: And he was a lovely man, super amazing and wow, 529 00:28:06,680 --> 00:28:11,399 Speaker 1: in front of James Darren, the iconic actor legend, I 530 00:28:11,560 --> 00:28:14,800 Speaker 1: was gyrating on the hood of a car. 531 00:28:14,880 --> 00:28:17,200 Speaker 2: So cool you on the stage. I think I must 532 00:28:17,240 --> 00:28:20,119 Speaker 2: have like just been so enamored that I didn't. I 533 00:28:20,320 --> 00:28:24,640 Speaker 2: was like, Wow, Tory can really move, Tory can grew. 534 00:28:25,520 --> 00:28:29,000 Speaker 1: Parently five thousand. We are told it's still making music. 535 00:28:29,359 --> 00:28:31,959 Speaker 1: They released an album this year called Abandoned Ship. 536 00:28:32,520 --> 00:28:36,679 Speaker 2: Wow, they're kind of hard rock for me. Joe and 537 00:28:36,720 --> 00:28:37,760 Speaker 2: I see, I don't know. 538 00:28:38,600 --> 00:28:39,520 Speaker 1: Oh you're so square. 539 00:28:39,800 --> 00:28:43,200 Speaker 2: Oh, I love that she said square. Maybe Gidget wrote 540 00:28:43,240 --> 00:28:46,880 Speaker 2: that because gidgetit guy because I was a very gidgety word. 541 00:28:48,080 --> 00:28:50,480 Speaker 1: So when I just looked him up, it looks like 542 00:28:50,520 --> 00:28:53,440 Speaker 1: he co wrote other episodes of Nino two and zero. 543 00:28:53,520 --> 00:29:01,959 Speaker 1: Besides directing, probably good for him, So maybe, yeah. 544 00:29:00,400 --> 00:29:02,320 Speaker 2: Yeah, maybe he tweaked the square too. 545 00:29:02,520 --> 00:29:04,560 Speaker 1: And Bernie. Did you know? Bernie was best known for 546 00:29:04,560 --> 00:29:05,640 Speaker 1: his role in Home Alone. 547 00:29:06,280 --> 00:29:11,160 Speaker 2: Bernie had no Way. Wow, I got a good trivia 548 00:29:11,440 --> 00:29:15,720 Speaker 2: Sarah Goosa. He played Bernie, the consignment store owner friend 549 00:29:15,720 --> 00:29:18,840 Speaker 2: of Sarah. Stephen colp. We've got a lot of little 550 00:29:18,960 --> 00:29:23,080 Speaker 2: things in the lot. Yeah, we still got a sexual 551 00:29:23,160 --> 00:29:29,760 Speaker 2: innuendo from Steve and Claire that was dirty. Do you 552 00:29:29,800 --> 00:29:33,200 Speaker 2: remember that when they switched it out? There's a line 553 00:29:33,320 --> 00:29:35,960 Speaker 2: there it was really dirty. 554 00:29:35,960 --> 00:29:36,120 Speaker 3: You know. 555 00:29:36,200 --> 00:29:38,239 Speaker 2: I can't remember it, but everybody can go back and 556 00:29:38,280 --> 00:29:39,080 Speaker 2: watch that scene. 557 00:29:39,520 --> 00:29:41,560 Speaker 1: And then she says, I'd rather you poke me and 558 00:29:41,760 --> 00:29:44,240 Speaker 1: poked me in the eye. That one when he says 559 00:29:44,280 --> 00:29:46,560 Speaker 1: gross things like that, I just zone out. I can't 560 00:29:46,760 --> 00:29:50,280 Speaker 1: I can't not coming from him. I can't take it seriously, 561 00:29:50,760 --> 00:29:52,160 Speaker 1: makes you want to puke in my mouth. 562 00:29:52,240 --> 00:29:57,560 Speaker 2: Sorry, Like it's a good episode, it's a mess. 563 00:29:58,000 --> 00:30:00,760 Speaker 1: I'm gonna give it. I'm going to give it an 564 00:30:00,800 --> 00:30:05,400 Speaker 1: eight point five because it brought out my inner rock. 565 00:30:09,200 --> 00:30:09,640 Speaker 4: Yeah. 566 00:30:10,000 --> 00:30:12,160 Speaker 2: Yeah, and it was a little emo too. It was 567 00:30:12,200 --> 00:30:13,720 Speaker 2: ahead of its time on the emo. 568 00:30:13,560 --> 00:30:17,240 Speaker 1: Thing, definitely, like, yeah, she had like spikes around her 569 00:30:17,240 --> 00:30:24,080 Speaker 1: neck and patten leather and fishnets and I yeah, I 570 00:30:24,080 --> 00:30:27,000 Speaker 1: feel like there was another outfit too. So I think 571 00:30:27,000 --> 00:30:32,520 Speaker 1: I'd mentioned this to you. But Christina, Lisa's mom photographed 572 00:30:32,880 --> 00:30:36,040 Speaker 1: that episode and did all the video and photographs for it. 573 00:30:36,160 --> 00:30:40,840 Speaker 1: And there's an amazing photo I have that is one 574 00:30:40,880 --> 00:30:42,640 Speaker 1: of my favorites of all time myself and you know 575 00:30:42,680 --> 00:30:45,080 Speaker 1: I don't love photos of myself that she took of 576 00:30:45,120 --> 00:30:47,960 Speaker 1: meat and I'm in red patent leather. So there was 577 00:30:48,000 --> 00:30:51,280 Speaker 1: an alpha change. So there was like a donna had 578 00:30:51,280 --> 00:30:52,480 Speaker 1: a third change. 579 00:30:52,680 --> 00:30:56,440 Speaker 2: Wow. And I didn't know she was a photographer, Yes, 580 00:30:56,920 --> 00:30:57,760 Speaker 2: Christine's mom. 581 00:30:58,240 --> 00:30:59,680 Speaker 1: Yes, Well that's so cool. 582 00:31:00,520 --> 00:31:01,600 Speaker 2: You gotta find that photo. 583 00:31:02,080 --> 00:31:06,360 Speaker 1: Oh, I have it. Well, let's let's see it. 584 00:31:06,680 --> 00:31:11,239 Speaker 2: Let's see it. It's really trying to find it. But well, 585 00:31:11,280 --> 00:31:13,360 Speaker 2: lots of fun little behind the scenes. Then in this. 586 00:31:13,320 --> 00:31:16,600 Speaker 1: Episode my teen, as you watched this with me, he goes, 587 00:31:17,240 --> 00:31:22,280 Speaker 1: he doesn't keep up with anything, so uh, first of all, 588 00:31:22,720 --> 00:31:25,800 Speaker 1: two comments he thought. First of all, he said, mom, 589 00:31:26,280 --> 00:31:30,560 Speaker 1: he goes your hair and outfits are on points like 590 00:31:30,880 --> 00:31:33,480 Speaker 1: in the earlier scenes. He's like, that's what's in now. 591 00:31:33,560 --> 00:31:35,880 Speaker 1: I was like, yeah, cool, and he's like, and I 592 00:31:35,920 --> 00:31:39,680 Speaker 1: love Kathleen's hair. He's like, wait, is Jenny supposed to 593 00:31:39,720 --> 00:31:43,160 Speaker 1: be a lawyer? Is what he said, because he doesn't 594 00:31:43,160 --> 00:31:45,400 Speaker 1: know what's going on. And he's like, she's in a 595 00:31:45,400 --> 00:31:48,840 Speaker 1: lot of suits and short hair. And I was like, no, no, no, no, 596 00:31:48,800 --> 00:31:51,760 Speaker 1: it was just it was it was a wardrobe phase two, 597 00:31:51,880 --> 00:31:53,680 Speaker 1: like it was in in a different way. 598 00:31:53,720 --> 00:31:55,640 Speaker 2: Then it does seem like that she's like going to 599 00:31:55,680 --> 00:31:56,520 Speaker 2: the corporate office. 600 00:31:56,760 --> 00:32:00,120 Speaker 1: And then he thought Tara Tara was He's like, is 601 00:32:00,120 --> 00:32:04,240 Speaker 1: that who is that Gabrielle? Wait, that's not Gabrielle. It's 602 00:32:04,240 --> 00:32:07,480 Speaker 1: interesting is that someone else playing Gabrielle's character? And I 603 00:32:07,600 --> 00:32:11,920 Speaker 1: was that social stuck And then he said, oh my gosh, 604 00:32:11,960 --> 00:32:14,320 Speaker 1: with all the like drama, He's like, oh is this 605 00:32:14,520 --> 00:32:16,920 Speaker 1: a later? Is this one? Nine? And Torno entered like 606 00:32:16,960 --> 00:32:19,080 Speaker 1: crazy stages and I was like, yeah, we have some 607 00:32:19,160 --> 00:32:21,840 Speaker 1: crazy storyline season six. We have four more to go. 608 00:32:21,920 --> 00:32:25,560 Speaker 1: After this, we were pulling out all the stops. So 609 00:32:25,720 --> 00:32:30,360 Speaker 1: interesting to see it from his perspective. Yeah, yeah, all. 610 00:32:30,320 --> 00:32:33,120 Speaker 2: Right, well next week, what's the next one we're doing? 611 00:32:33,240 --> 00:32:38,040 Speaker 1: Okay, so next week we have season six episode between 612 00:32:38,400 --> 00:32:39,280 Speaker 1: the big hurt. 613 00:32:40,000 --> 00:32:44,160 Speaker 2: I feel like Tara, Tara, it's getting it's gonna get 614 00:32:44,280 --> 00:32:44,920 Speaker 2: real weird. 615 00:32:45,160 --> 00:32:46,920 Speaker 1: Okay, have a great week. Love you,