1 00:00:00,240 --> 00:00:03,279 Speaker 1: Kesha and the Creepies is a production of I Heart Radio. 2 00:00:04,000 --> 00:00:06,200 Speaker 1: There are people that I know who who are MA 3 00:00:06,320 --> 00:00:08,680 Speaker 1: since who have gone through the initiation process, and I 4 00:00:08,680 --> 00:00:11,560 Speaker 1: can see the difference in them as they've gone through 5 00:00:11,600 --> 00:00:14,560 Speaker 1: the different steps, you know, because it all it's also 6 00:00:14,680 --> 00:00:16,800 Speaker 1: perflection again, you know, it's like what I was talking 7 00:00:16,840 --> 00:00:18,880 Speaker 1: about earlier with the bathing of the lingom. It's like 8 00:00:19,040 --> 00:00:22,880 Speaker 1: another way of like recognizing the self. And there's there's 9 00:00:22,880 --> 00:00:27,280 Speaker 1: an actual death ritual in their initiation, like a symbolic 10 00:00:27,360 --> 00:00:30,160 Speaker 1: death that you must go through to become a Masturmason. 11 00:00:44,800 --> 00:00:49,760 Speaker 1: Welcome back to Kesha and the Creepies today. I am 12 00:00:49,880 --> 00:00:53,600 Speaker 1: very excited to welcome my next guest. This is Robert Ryan. 13 00:00:53,760 --> 00:00:58,520 Speaker 1: He's an amazing artist, tattoo artist and friend. How are you. 14 00:00:58,920 --> 00:01:00,920 Speaker 1: I'm doing well, it's great that do you What else 15 00:01:00,960 --> 00:01:05,280 Speaker 1: would you like to add to your job description? My resume? 16 00:01:05,800 --> 00:01:10,560 Speaker 1: What's your resume? A visual artist that happens to have 17 00:01:10,840 --> 00:01:14,640 Speaker 1: a temple for Lord Shiva in his backyard in New Jersey, 18 00:01:15,200 --> 00:01:17,240 Speaker 1: which you're sitting in right now. I think right I'm 19 00:01:17,280 --> 00:01:19,240 Speaker 1: sitting in the temple right now. You can see there's 20 00:01:19,319 --> 00:01:23,759 Speaker 1: this Shiva lingam is right behind me and uh next 21 00:01:23,800 --> 00:01:26,800 Speaker 1: to me, and some of the things that we've talked 22 00:01:26,800 --> 00:01:30,600 Speaker 1: about before, um, when I was tattooing you and just 23 00:01:31,160 --> 00:01:34,880 Speaker 1: friendly conversation, I had to do with some of you know, 24 00:01:34,959 --> 00:01:38,640 Speaker 1: like the traveling that I had done spiritually or some 25 00:01:38,760 --> 00:01:42,280 Speaker 1: of the pilgrimages that I need, So that that's definitely 26 00:01:42,280 --> 00:01:46,280 Speaker 1: an aspect. But primarily I'm a tattoo artist from New Jersey, 27 00:01:48,440 --> 00:01:51,320 Speaker 1: but you're so much more than just a tattoo artist 28 00:01:51,360 --> 00:01:55,200 Speaker 1: from New Jersey. Being a tattoo artist from New Jersey 29 00:01:55,240 --> 00:01:59,080 Speaker 1: is a pretty high It's pretty high in the evolutionary 30 00:01:59,200 --> 00:02:02,000 Speaker 1: cheam that you have to go through to become just that. Man, 31 00:02:02,160 --> 00:02:06,200 Speaker 1: It's like, it's insane. Well, you're the finest tattoo artist 32 00:02:06,240 --> 00:02:08,679 Speaker 1: in New Jersey. How have you been holding up during 33 00:02:08,720 --> 00:02:12,079 Speaker 1: this insane time? It's actually been the most productive, most 34 00:02:12,120 --> 00:02:14,480 Speaker 1: beneficial time in my life, which I feel kind of 35 00:02:14,520 --> 00:02:17,079 Speaker 1: guilty saying. But I don't feel guilty saying it at all. 36 00:02:17,800 --> 00:02:21,040 Speaker 1: You know, I'm not The suffering that we're all going 37 00:02:21,080 --> 00:02:25,480 Speaker 1: through collectively isn't lost on me, but you know, I'm 38 00:02:25,520 --> 00:02:29,919 Speaker 1: trying to use it to temper my own awareness in life. 39 00:02:30,320 --> 00:02:33,640 Speaker 1: I have not stopped going and going and going for 40 00:02:34,120 --> 00:02:37,720 Speaker 1: since I was twenty one years old, and it just 41 00:02:37,919 --> 00:02:41,160 Speaker 1: was such a crazy experience. Getting used to not being 42 00:02:41,680 --> 00:02:45,040 Speaker 1: really really stressed out every day was so weird, and 43 00:02:45,080 --> 00:02:47,200 Speaker 1: I'm still adjusting to it. Like waking up and not 44 00:02:47,280 --> 00:02:50,240 Speaker 1: being in a panic feels really strange. Yeah, yeah, I 45 00:02:50,240 --> 00:02:51,880 Speaker 1: don't know. I feel the same way as you. Like, 46 00:02:52,200 --> 00:02:54,720 Speaker 1: it's not lost on me that this is a horrible 47 00:02:54,880 --> 00:02:56,919 Speaker 1: time for a lot of people and there's a lot 48 00:02:56,960 --> 00:03:00,200 Speaker 1: of loss and a lot of grief, but being able 49 00:03:00,240 --> 00:03:03,239 Speaker 1: to be with myself for a moment has been beneficial, 50 00:03:03,280 --> 00:03:06,600 Speaker 1: I think. Yeah. I think also the sobering factor of like, 51 00:03:06,960 --> 00:03:09,600 Speaker 1: you know, like we're always kind of trying to dodge 52 00:03:09,760 --> 00:03:12,720 Speaker 1: the inevitable of death. You know, it's like a tiger 53 00:03:12,840 --> 00:03:15,280 Speaker 1: that's like waiting in a bush our entire lives and 54 00:03:15,400 --> 00:03:18,120 Speaker 1: we know it's there, but we kind of tiptoe around 55 00:03:18,120 --> 00:03:20,080 Speaker 1: it and then like to have it kind of like 56 00:03:20,200 --> 00:03:22,799 Speaker 1: just knowing that, like there's a very good chance that 57 00:03:22,880 --> 00:03:25,400 Speaker 1: you're going to be infected with a disease that could 58 00:03:25,440 --> 00:03:28,480 Speaker 1: kill you anytime you leave your house, and to put 59 00:03:28,600 --> 00:03:31,800 Speaker 1: something in a different kind of perspective where the mundane 60 00:03:31,960 --> 00:03:37,280 Speaker 1: or banal or like trivial can become very extraordinary, you know. 61 00:03:37,400 --> 00:03:39,880 Speaker 1: Or the simple things in life you can find like 62 00:03:40,240 --> 00:03:42,560 Speaker 1: a lot more value and things when you're able to 63 00:03:42,600 --> 00:03:45,400 Speaker 1: see it through that kind of filter. For me, I'm 64 00:03:45,520 --> 00:03:48,800 Speaker 1: appreciating every little thing so much more. And also, weirdly, 65 00:03:48,880 --> 00:03:51,480 Speaker 1: I've had this urge to just get rid of most 66 00:03:51,880 --> 00:03:54,720 Speaker 1: of the stuff I've accumulated over the past twenty years, 67 00:03:54,720 --> 00:03:56,400 Speaker 1: and I've finally opened a box and being like, oh 68 00:03:56,400 --> 00:03:58,480 Speaker 1: my god, I remember that from when I was nineteen 69 00:03:58,560 --> 00:04:03,040 Speaker 1: years old. I haven't seen it since now, like selling 70 00:04:03,080 --> 00:04:06,000 Speaker 1: my stuff on eBay, because it's bringing all the people 71 00:04:06,200 --> 00:04:08,040 Speaker 1: that I would be on tour with, like they have 72 00:04:08,200 --> 00:04:11,360 Speaker 1: a little tiny pieces something that's from my history, and 73 00:04:12,160 --> 00:04:16,000 Speaker 1: it's making space for newness. Yeah, it's like spring cleaning 74 00:04:16,279 --> 00:04:18,800 Speaker 1: and uh, it's also like an audience on all the 75 00:04:18,880 --> 00:04:21,760 Speaker 1: things that we accumulate through life when whenever we get 76 00:04:21,800 --> 00:04:23,400 Speaker 1: a chance to do that, I think it's like, it's 77 00:04:23,520 --> 00:04:26,880 Speaker 1: very surprising, you know how much things kind of just 78 00:04:26,920 --> 00:04:31,040 Speaker 1: attached themselves to us. Well, I love stuff like I 79 00:04:31,080 --> 00:04:34,839 Speaker 1: love like so many pairs of shoes, I have so 80 00:04:34,880 --> 00:04:38,080 Speaker 1: many couches, I have a lot of cats. But I'm 81 00:04:38,160 --> 00:04:42,240 Speaker 1: keeping the cats like I just my mom put it 82 00:04:42,279 --> 00:04:44,960 Speaker 1: in a really funny way. She's like, well, we used 83 00:04:45,000 --> 00:04:48,520 Speaker 1: to um hunt and gather. We're just really good gatherers. 84 00:04:48,640 --> 00:04:52,280 Speaker 1: And I was like, oh, yeah, I'm like a plus gatherer. Yeah. 85 00:04:52,400 --> 00:04:54,640 Speaker 1: We don't really have to hunt too much anymore, you know, 86 00:04:54,760 --> 00:04:57,240 Speaker 1: like the meals are prepared for us, so we can 87 00:04:57,360 --> 00:05:00,520 Speaker 1: you know, like everything's accessible and I'm market but we 88 00:05:00,560 --> 00:05:03,920 Speaker 1: still have that urge to gather. Oh, I can gather 89 00:05:04,040 --> 00:05:11,160 Speaker 1: like a motherfucker. So for those of you listening, I've 90 00:05:11,160 --> 00:05:14,080 Speaker 1: gotten two tattoos from Robert. One is on my foot. 91 00:05:14,160 --> 00:05:18,080 Speaker 1: It's a rainbow and clouds in an eyeball, and he 92 00:05:18,160 --> 00:05:21,240 Speaker 1: also did the blue tiger crawling up my ribs and 93 00:05:21,320 --> 00:05:23,599 Speaker 1: that was the most painful thing in the entire world. 94 00:05:23,760 --> 00:05:26,599 Speaker 1: I love both of the tattoos. You gave me feel 95 00:05:27,240 --> 00:05:33,760 Speaker 1: really special. They feel magical, and it's hard to describe 96 00:05:34,279 --> 00:05:38,320 Speaker 1: because I didn't realize kind of the gravity of how 97 00:05:38,839 --> 00:05:42,000 Speaker 1: spiritual a tattoo can be. For me. It was just 98 00:05:42,080 --> 00:05:43,520 Speaker 1: kind of a fun thing I would do. If I 99 00:05:43,560 --> 00:05:45,160 Speaker 1: was having on a fun night, I'd get a tattoo. 100 00:05:45,279 --> 00:05:49,120 Speaker 1: Is more like party scars or fun memories, and like 101 00:05:49,240 --> 00:05:51,159 Speaker 1: getting a stamp on my wrist of like that was 102 00:05:51,200 --> 00:05:53,440 Speaker 1: that night that I had so much fun and then 103 00:05:53,480 --> 00:05:57,240 Speaker 1: I met you and Brad was telling me all about 104 00:05:57,400 --> 00:06:00,800 Speaker 1: Dan Higgs. And there's a whole lineage behind what you 105 00:06:00,920 --> 00:06:04,520 Speaker 1: do and the kind of tattoos you do. They're classic, 106 00:06:04,680 --> 00:06:07,880 Speaker 1: but they feel spiritual and they look spiritual. Maybe it's 107 00:06:07,880 --> 00:06:12,760 Speaker 1: because I know you, but they feel like their own genre. Obviously, 108 00:06:12,800 --> 00:06:15,120 Speaker 1: I'm not a tattoo artist, so I don't know the 109 00:06:15,240 --> 00:06:18,440 Speaker 1: terminology perfectly, but I feel like you've kind of created 110 00:06:18,480 --> 00:06:23,120 Speaker 1: your own style. Yeah, thank you, thank you for saying that. Um. Yeah, 111 00:06:23,240 --> 00:06:25,640 Speaker 1: but it is part of the lineage of tattoos that 112 00:06:25,960 --> 00:06:28,440 Speaker 1: in America. We'll go back even further, we'll go back 113 00:06:28,480 --> 00:06:31,560 Speaker 1: to tattooing and it's origin, you know, which I think 114 00:06:31,640 --> 00:06:36,840 Speaker 1: goes as far back as the oldest remains had had markings, 115 00:06:36,839 --> 00:06:40,520 Speaker 1: had tattoos, you know. So, Um, the Iceman was one 116 00:06:40,560 --> 00:06:44,479 Speaker 1: of them. The mummified body that they found, he had 117 00:06:44,560 --> 00:06:49,159 Speaker 1: like different markings and those were more to represent maybe 118 00:06:49,560 --> 00:06:52,040 Speaker 1: if he had any kind of ownership of land or 119 00:06:52,560 --> 00:06:55,320 Speaker 1: perhaps what he did, like if it had something to 120 00:06:55,360 --> 00:06:58,280 Speaker 1: do with agriculture or something like that. But it's still 121 00:06:58,360 --> 00:07:03,000 Speaker 1: with symbolism, you know, and uh, I think the intrinsic 122 00:07:03,520 --> 00:07:06,760 Speaker 1: desire to mark one's body kind of goes back to 123 00:07:07,040 --> 00:07:11,080 Speaker 1: the very beginnings of mankind. And it's not always in tattooing, 124 00:07:11,160 --> 00:07:13,240 Speaker 1: you see it, you know, with through like makeup or 125 00:07:13,280 --> 00:07:16,880 Speaker 1: face painting or piercing, or sometimes they'll put things underneath 126 00:07:16,920 --> 00:07:19,240 Speaker 1: their skin, you know in certain tribes, or you know, 127 00:07:19,280 --> 00:07:21,440 Speaker 1: like a you know, at a disk in the nose 128 00:07:21,600 --> 00:07:25,520 Speaker 1: or things like that, and it's just like a decoration 129 00:07:25,560 --> 00:07:28,720 Speaker 1: of the temple, you know, of this temple being the body. 130 00:07:29,200 --> 00:07:33,600 Speaker 1: And so I think there were some American tattoos that 131 00:07:33,680 --> 00:07:35,720 Speaker 1: were able to kind of tap into that same kind 132 00:07:35,720 --> 00:07:39,440 Speaker 1: of energy without it becoming like to I don't know, 133 00:07:39,520 --> 00:07:41,880 Speaker 1: like they weren't trying to be these like modern primitive 134 00:07:42,080 --> 00:07:44,160 Speaker 1: kind of tattoos where that kind of came a little 135 00:07:44,160 --> 00:07:46,400 Speaker 1: bit later, but they were still tapping into that like 136 00:07:46,480 --> 00:07:49,200 Speaker 1: kind of primal raw energy. And the thing that was 137 00:07:49,280 --> 00:07:51,640 Speaker 1: like kind of struck me about them and how I 138 00:07:51,720 --> 00:07:54,040 Speaker 1: kind of like fell in love with this lineage and 139 00:07:54,040 --> 00:07:58,400 Speaker 1: then was eventually like kind of initiated into it. Where 140 00:07:58,440 --> 00:08:01,960 Speaker 1: these guys that weren't they weren't military tattooers, they weren't 141 00:08:02,000 --> 00:08:05,800 Speaker 1: like sailors, and they weren't like greasers or hot rod guys, 142 00:08:05,840 --> 00:08:08,360 Speaker 1: and they weren't like rock and roll guys. You know, 143 00:08:08,440 --> 00:08:10,400 Speaker 1: they were just like these kind of like almost beat 144 00:08:10,440 --> 00:08:14,320 Speaker 1: poet kind of philosophical people that started tattooing, you know, 145 00:08:14,400 --> 00:08:18,480 Speaker 1: so I call them like the poetic tattoos. So guys 146 00:08:18,520 --> 00:08:21,280 Speaker 1: like Tom de Vito and Dan Tiggs and Nick Boubash 147 00:08:21,360 --> 00:08:25,880 Speaker 1: and stuff like that, philosophical kind of tattoo artists or 148 00:08:25,960 --> 00:08:29,120 Speaker 1: poetic where you know, there's different kind of poetic tattooing 149 00:08:29,160 --> 00:08:31,400 Speaker 1: and other kind of looks too, But I feel like 150 00:08:31,440 --> 00:08:34,960 Speaker 1: it's almost like that I kind of associated with the beats, 151 00:08:35,000 --> 00:08:37,480 Speaker 1: and then maybe you know, before the beats, the dada, 152 00:08:38,080 --> 00:08:41,320 Speaker 1: you know, it's using the symbols, but then also obstracting them. 153 00:08:41,320 --> 00:08:44,640 Speaker 1: So there's some abstractions and involved as well. And it's 154 00:08:44,640 --> 00:08:47,560 Speaker 1: just like it's basically just not coming from these these 155 00:08:47,600 --> 00:08:50,679 Speaker 1: genres that have always been in tattooing, like the sailors 156 00:08:50,720 --> 00:08:53,960 Speaker 1: and the greasers and the hot rod kind of people, 157 00:08:54,200 --> 00:08:57,680 Speaker 1: or you know, there's all different kinds of stuff. Um, 158 00:08:57,760 --> 00:08:59,960 Speaker 1: but yeah, there's people that were maybe looking for tattoo 159 00:09:00,160 --> 00:09:02,880 Speaker 1: is maybe the kind of more focus on themselves rather 160 00:09:02,960 --> 00:09:06,959 Speaker 1: than align themselves with a certain kind of occupation or 161 00:09:08,200 --> 00:09:11,959 Speaker 1: you know, patriotism or something like that, right, because sometimes 162 00:09:12,000 --> 00:09:14,720 Speaker 1: I would see The first time I got a tattoo, 163 00:09:14,800 --> 00:09:17,920 Speaker 1: by the way, was when I was in Cuba and 164 00:09:18,559 --> 00:09:21,320 Speaker 1: I was walking around. My brother was like, you can't 165 00:09:21,360 --> 00:09:23,120 Speaker 1: go to Cuba, and I was like, well, now I 166 00:09:23,160 --> 00:09:25,080 Speaker 1: have to go to Cuba. So I went to Cuba 167 00:09:25,320 --> 00:09:29,199 Speaker 1: through Mexico, ended up walking around. I was supposed to 168 00:09:29,200 --> 00:09:32,000 Speaker 1: be studying Spanish. I was not studying. I was studying 169 00:09:32,120 --> 00:09:34,360 Speaker 1: how to run around and get sucked up and do 170 00:09:34,440 --> 00:09:37,360 Speaker 1: crazy ship That's what I was there studying. And this 171 00:09:37,440 --> 00:09:39,720 Speaker 1: guy was trying to sell a couch and I was like, 172 00:09:39,800 --> 00:09:42,560 Speaker 1: I can't. I don't need a couch, but do you 173 00:09:42,600 --> 00:09:44,280 Speaker 1: have anything else cool? And he was like, do you 174 00:09:44,320 --> 00:09:46,360 Speaker 1: want a tattoo? And I was like sure. So that's 175 00:09:46,400 --> 00:09:50,280 Speaker 1: what my first tattoo was. I went up into his apartment. 176 00:09:50,440 --> 00:09:53,280 Speaker 1: He boiled the needle in a pot. He was holding 177 00:09:53,280 --> 00:09:56,920 Speaker 1: a baby tattooing at the same time, and that's my 178 00:09:57,000 --> 00:10:00,839 Speaker 1: first tattoo. And ever since then I was like, oh, 179 00:10:00,880 --> 00:10:03,280 Speaker 1: this is like really special. It also helps jog my 180 00:10:03,320 --> 00:10:06,680 Speaker 1: memory on my life more so, than anything else, Like 181 00:10:06,800 --> 00:10:08,440 Speaker 1: more so than looking at pictures. I can look at 182 00:10:08,440 --> 00:10:10,079 Speaker 1: a tattoo and be like, oh, that was that time. 183 00:10:10,559 --> 00:10:13,960 Speaker 1: So it's almost like my timeline of my life is 184 00:10:13,960 --> 00:10:17,440 Speaker 1: on my body. The other amazing mild markers for where 185 00:10:17,480 --> 00:10:20,080 Speaker 1: you've been and where you're going, you know, and like 186 00:10:20,240 --> 00:10:22,440 Speaker 1: and you know, like, I think they're really good to 187 00:10:22,520 --> 00:10:27,360 Speaker 1: reflect onto. Yeah, some of the mine suck. I was 188 00:10:27,400 --> 00:10:30,440 Speaker 1: gonna say mine too. And I never trust anyone that 189 00:10:30,480 --> 00:10:35,000 Speaker 1: doesn't have a bad tattoo because true part of the evolution, 190 00:10:35,200 --> 00:10:38,000 Speaker 1: and the people that only have good tattoos usually are 191 00:10:38,120 --> 00:10:41,440 Speaker 1: kind of like more coming out of as the fashionable aspect, 192 00:10:41,720 --> 00:10:43,480 Speaker 1: which I don't being wrong with, but they might not 193 00:10:43,559 --> 00:10:48,600 Speaker 1: be trusted. There there's psychos. I can think of one person. 194 00:10:48,679 --> 00:10:51,960 Speaker 1: You're totally right. He's a complete psycho, but he only 195 00:10:52,000 --> 00:10:54,800 Speaker 1: has perfect tattoos. I would have to agree with you. 196 00:10:55,920 --> 00:10:59,439 Speaker 1: All his suits are probably folded perfectly. Cloud and the 197 00:11:00,080 --> 00:11:06,920 Speaker 1: like American psych go the best business card. It's so true. Well, 198 00:11:06,960 --> 00:11:12,680 Speaker 1: then I'm really trustworthy according to that. If you're going 199 00:11:12,760 --> 00:11:14,800 Speaker 1: by that, then I'm like the most trustworthy because I 200 00:11:14,800 --> 00:11:18,160 Speaker 1: have so many like shitty tattoos. Because I met actual 201 00:11:18,520 --> 00:11:21,160 Speaker 1: good tattoo artists only in the past couple of years 202 00:11:21,160 --> 00:11:23,560 Speaker 1: of my life. Before that, it was just like a 203 00:11:23,559 --> 00:11:26,440 Speaker 1: ship show. Can we go back to your first tattoo 204 00:11:26,480 --> 00:11:33,160 Speaker 1: for because like that experience sounds incredible, you know. For one, 205 00:11:33,320 --> 00:11:36,760 Speaker 1: it's the couches again following you, Like these couches are 206 00:11:36,800 --> 00:11:40,800 Speaker 1: like magnets to you. And then the guy was boiling 207 00:11:40,840 --> 00:11:44,280 Speaker 1: the tattoo needle and like that was the second you know, 208 00:11:44,360 --> 00:11:46,199 Speaker 1: offering to you, like I can give you a couch. 209 00:11:46,360 --> 00:11:47,760 Speaker 1: You don't want the couch, I could do a tattoo 210 00:11:47,840 --> 00:11:51,040 Speaker 1: for you and a child. It's like and not your 211 00:11:51,880 --> 00:11:55,480 Speaker 1: conventional tattoo first tattoo experience, which I loved, you know, 212 00:11:55,679 --> 00:11:59,040 Speaker 1: I think it's it's it's magic. You know, it was magic. 213 00:11:59,160 --> 00:12:06,480 Speaker 1: It was super magical. And I did Cuba. I used 214 00:12:06,480 --> 00:12:09,760 Speaker 1: to be so cool. I got an anchor that one 215 00:12:09,800 --> 00:12:12,360 Speaker 1: I think holds up, but some of the other ones 216 00:12:12,400 --> 00:12:15,280 Speaker 1: on my feet, like one on the same foot that 217 00:12:15,280 --> 00:12:18,080 Speaker 1: you tattooed. That's just like mush. It turned to mush, 218 00:12:18,240 --> 00:12:21,440 Speaker 1: like immediately, I'm just gonna let it live. What else 219 00:12:21,440 --> 00:12:23,760 Speaker 1: can you do? You can go over it, I guess, yeah, 220 00:12:24,120 --> 00:12:28,079 Speaker 1: you know, or just move on. Just your body it's true. 221 00:12:28,280 --> 00:12:31,800 Speaker 1: Who cares, It's just going to disintegrate and turned into 222 00:12:31,920 --> 00:12:34,760 Speaker 1: probably like a mushroom at some point. So whatever. If 223 00:12:34,760 --> 00:12:38,760 Speaker 1: we're lucky, yeah, if we're lucky because you're in your temple, 224 00:12:39,040 --> 00:12:43,800 Speaker 1: do you mind talking about you said Shiva's behind you? Yeah? Yeah. 225 00:12:44,040 --> 00:12:47,240 Speaker 1: The Shiva Lingham is the main altar in the temple 226 00:12:47,320 --> 00:12:51,640 Speaker 1: that we worship here, and that's the un manifested version 227 00:12:51,679 --> 00:12:58,640 Speaker 1: of Lord Shiva, the god Shiva. And loose interpretation, or 228 00:12:59,280 --> 00:13:03,160 Speaker 1: it's actually pretty precise interpretation in English, is the consciousness 229 00:13:03,160 --> 00:13:07,000 Speaker 1: of infinite goodness. So the sea Lingom for people that 230 00:13:07,040 --> 00:13:09,920 Speaker 1: are listening, I'll just describe it more more than look 231 00:13:09,960 --> 00:13:13,239 Speaker 1: at it. It's the shape of an egg, and it's 232 00:13:13,320 --> 00:13:17,959 Speaker 1: it contains all the aspects of universal consciousness within it, 233 00:13:18,120 --> 00:13:21,040 Speaker 1: you know. It's like the egg. It holds any kind 234 00:13:21,040 --> 00:13:25,199 Speaker 1: of potentiality, any kind of awareness can be accessed through 235 00:13:25,679 --> 00:13:29,440 Speaker 1: the consciousness of infinite goodness. And at its face is 236 00:13:30,080 --> 00:13:33,160 Speaker 1: what's called the yoni. So it's a male female single 237 00:13:33,679 --> 00:13:37,200 Speaker 1: you know. So the yoni is the base and the 238 00:13:37,280 --> 00:13:40,240 Speaker 1: male which have kind of a fallus shape. A lot 239 00:13:40,280 --> 00:13:42,480 Speaker 1: of people get really attached to that idea. It's not 240 00:13:42,960 --> 00:13:45,600 Speaker 1: it's just one of the it's you know, because it's 241 00:13:45,640 --> 00:13:48,880 Speaker 1: symbolizing all consciousness. It has a male and female, but 242 00:13:49,040 --> 00:13:53,760 Speaker 1: also has nature and consciousness. It also has cosmic and 243 00:13:54,000 --> 00:13:57,199 Speaker 1: you know, the terror form any of the dualities. You know, 244 00:13:57,880 --> 00:14:02,040 Speaker 1: terror form the earth Earth, so you know it's it's 245 00:14:02,080 --> 00:14:05,520 Speaker 1: of the earth, but it's also of the of the cosmos. 246 00:14:05,520 --> 00:14:08,240 Speaker 1: It's you know, of the water, and it's also you know, 247 00:14:08,320 --> 00:14:11,040 Speaker 1: of the dry land. It's it's of the day and 248 00:14:11,080 --> 00:14:13,120 Speaker 1: of the night. It's of the males, of the female, 249 00:14:13,160 --> 00:14:16,439 Speaker 1: it's of you know, it unites all those, all those 250 00:14:16,720 --> 00:14:20,960 Speaker 1: kind of concepts because it's none It represents non dual bliss. 251 00:14:21,600 --> 00:14:25,200 Speaker 1: So it's when the male and the female aspects are united, 252 00:14:25,720 --> 00:14:29,960 Speaker 1: then you have the consciousness of infinite goodness. That's beautiful. 253 00:14:30,120 --> 00:14:33,160 Speaker 1: Is it kind of like a yin and yang kind 254 00:14:33,160 --> 00:14:36,480 Speaker 1: of thing? Absolutely? Yeah, No, it's absolutely the same thing 255 00:14:36,520 --> 00:14:40,080 Speaker 1: as the saying it's a stone too. I should mention 256 00:14:40,680 --> 00:14:44,040 Speaker 1: it's understood this one of the oldest things that have 257 00:14:44,120 --> 00:14:47,040 Speaker 1: been worshiped on the planet. You know. Someone just kind 258 00:14:47,040 --> 00:14:50,920 Speaker 1: of started reflecting on the idea that that the stone 259 00:14:51,000 --> 00:14:54,960 Speaker 1: was consciousness, you know, and from there kind of developed 260 00:14:55,000 --> 00:14:59,560 Speaker 1: further and that is part of like your religion or 261 00:14:59,600 --> 00:15:02,320 Speaker 1: your spirit actuality, or just your consciousness. Would you call 262 00:15:02,360 --> 00:15:06,800 Speaker 1: yourself religious or spiritual? Yeah, any of those things apply. Um, Honestly, 263 00:15:07,000 --> 00:15:11,720 Speaker 1: the worship of the Lingham is self inquiry. The worship 264 00:15:11,840 --> 00:15:15,560 Speaker 1: is actually consists of bathing Millingham in different kinds of 265 00:15:15,640 --> 00:15:20,680 Speaker 1: space and offering flowers to it. And each stage of 266 00:15:20,720 --> 00:15:26,240 Speaker 1: the worship is a representative aspect of your own spiritual path. 267 00:15:26,880 --> 00:15:28,840 Speaker 1: And as you go through this process, you start to 268 00:15:28,840 --> 00:15:31,880 Speaker 1: reflect on your own life in the worship of the stone, 269 00:15:31,920 --> 00:15:34,400 Speaker 1: so you start to see yourself. You see the consciousness 270 00:15:34,480 --> 00:15:38,240 Speaker 1: within yourself as the consciousness and the stone. I don't 271 00:15:38,240 --> 00:15:41,480 Speaker 1: think my consciousness is there yet. I don't think my 272 00:15:41,520 --> 00:15:45,560 Speaker 1: consciousness understands. I want to understand, but I don't think. So, 273 00:15:45,800 --> 00:15:48,960 Speaker 1: you see yourself in the reflection of a piece of 274 00:15:49,000 --> 00:15:52,480 Speaker 1: the earth. You're bathing your own self. And I'm saying self, 275 00:15:52,640 --> 00:15:55,440 Speaker 1: not as the body as you you know, but your 276 00:15:55,440 --> 00:15:58,880 Speaker 1: own self with the capitalists, you know, your true self, 277 00:15:59,040 --> 00:16:02,360 Speaker 1: your your your soul. It's representative of bathing your soul 278 00:16:02,440 --> 00:16:05,200 Speaker 1: as your bathing the stone. And you bathe the stone 279 00:16:05,760 --> 00:16:08,720 Speaker 1: every day, right, Yeah, Because when we were there, we 280 00:16:08,720 --> 00:16:11,000 Speaker 1: were talking about it. I remember that stuck out to 281 00:16:11,000 --> 00:16:12,800 Speaker 1: me that it's something you take such good care of 282 00:16:13,520 --> 00:16:16,840 Speaker 1: and you treat with such respect. It's not an animal 283 00:16:16,960 --> 00:16:19,920 Speaker 1: or a baby, it's a stone, but just the level 284 00:16:19,960 --> 00:16:23,120 Speaker 1: of respect and time can you developed love for it? 285 00:16:23,320 --> 00:16:28,640 Speaker 1: And you're as you're doing that, you're training yourself should 286 00:16:28,680 --> 00:16:31,760 Speaker 1: come out of the autopilot, come out of the heady 287 00:16:31,880 --> 00:16:36,080 Speaker 1: kind of like judgment of the self and questioning of 288 00:16:36,120 --> 00:16:39,480 Speaker 1: the self and the data yourself, and you you start 289 00:16:39,520 --> 00:16:41,920 Speaker 1: to love yourself as you love the stone. You know, 290 00:16:41,960 --> 00:16:44,080 Speaker 1: if you're seeing yourself in it, you're bathing yourself, You're 291 00:16:44,080 --> 00:16:47,240 Speaker 1: seeing the reflection of your spiritual pursuit in the stone. 292 00:16:47,720 --> 00:16:50,480 Speaker 1: It's a symbol, you know. I feel like for me 293 00:16:50,560 --> 00:16:52,640 Speaker 1: at least, that's one of the hardest parts of being 294 00:16:52,680 --> 00:16:56,080 Speaker 1: a person as self love. Like the way I speak 295 00:16:56,080 --> 00:16:58,320 Speaker 1: to myself. I would never talk to somebody else as 296 00:16:58,560 --> 00:17:03,000 Speaker 1: mean and link just impatiently as I talked to myself. 297 00:17:03,000 --> 00:17:04,840 Speaker 1: It's one of the things I try to work on 298 00:17:04,880 --> 00:17:08,120 Speaker 1: in therapy. But just like having like compassion for yourself 299 00:17:08,160 --> 00:17:09,720 Speaker 1: the way you would have it for a child or 300 00:17:09,720 --> 00:17:12,840 Speaker 1: an animal or anybody else. Yeah, So so in the 301 00:17:12,880 --> 00:17:18,200 Speaker 1: philosophy you know, the same philosophy, which is non dual Shudism, 302 00:17:18,480 --> 00:17:22,080 Speaker 1: is when I'm following this lineage, it explains those feelings 303 00:17:22,080 --> 00:17:24,200 Speaker 1: that you're having for yourself when you're hard or yourself 304 00:17:24,200 --> 00:17:27,680 Speaker 1: and when you're doubting yourself, and all those things they 305 00:17:28,080 --> 00:17:32,520 Speaker 1: assign like that their demons, personal demons, you know, and 306 00:17:33,000 --> 00:17:35,159 Speaker 1: each one of them have names, and one, you know, 307 00:17:35,240 --> 00:17:38,639 Speaker 1: there's a name for self conceit and there's one for 308 00:17:38,720 --> 00:17:41,760 Speaker 1: self deprecation as well, you know, and those are two 309 00:17:41,960 --> 00:17:44,760 Speaker 1: like really heavy aspects of a lot of that we 310 00:17:44,800 --> 00:17:49,159 Speaker 1: all do to ourselves, you know. Either we can be 311 00:17:49,240 --> 00:17:52,239 Speaker 1: conceded and puffed up and arrogant, or we can be 312 00:17:52,680 --> 00:17:56,520 Speaker 1: self deprecating, which is also very egoic. So all these 313 00:17:56,560 --> 00:17:59,719 Speaker 1: things happened through the mind. So when when we're when 314 00:17:59,760 --> 00:18:03,720 Speaker 1: I'm doing this bathing of the stone, is trying to 315 00:18:03,760 --> 00:18:06,440 Speaker 1: get out of the mind and start opening up the heart. 316 00:18:06,760 --> 00:18:08,880 Speaker 1: I think you said this. I might be quoting you 317 00:18:09,000 --> 00:18:13,280 Speaker 1: at you, but so excuse me. If I'm quoted, are 318 00:18:13,320 --> 00:18:16,920 Speaker 1: you adding me? No, there's somebody said it, and it 319 00:18:17,080 --> 00:18:19,919 Speaker 1: may have been you, I'm not even sure. But the 320 00:18:20,119 --> 00:18:23,680 Speaker 1: true piece and the goal is to come directly from 321 00:18:23,720 --> 00:18:26,040 Speaker 1: the heart. I hope I said it because it sounds good, 322 00:18:26,080 --> 00:18:31,160 Speaker 1: but I don't think. But but yeah, it is, it's 323 00:18:31,200 --> 00:18:34,760 Speaker 1: and it's a heart opening thing. And these things like 324 00:18:35,200 --> 00:18:37,520 Speaker 1: it's crazy what I'm talking about. I'm talking about bathing 325 00:18:37,520 --> 00:18:40,560 Speaker 1: a stone every day. It sounds insane. These are things 326 00:18:40,600 --> 00:18:42,600 Speaker 1: that aren't to be understood through the mind, because the 327 00:18:42,600 --> 00:18:45,160 Speaker 1: mind is where all those complications come from. You get 328 00:18:45,200 --> 00:18:48,240 Speaker 1: past the mind and you start to develop the consciousness 329 00:18:48,359 --> 00:18:50,960 Speaker 1: and then the true self, you know, and then you 330 00:18:51,040 --> 00:18:54,320 Speaker 1: start to see that in everything, not just yourself. You 331 00:18:54,359 --> 00:18:56,879 Speaker 1: see it in your lover, you see it in your family, 332 00:18:56,960 --> 00:18:58,879 Speaker 1: you see it in your coworkers, you see it and 333 00:18:59,680 --> 00:19:03,159 Speaker 1: every instantaneous interaction that you have in the world. You 334 00:19:03,200 --> 00:19:06,879 Speaker 1: start to see that consciousness and everything. And definitely I 335 00:19:07,080 --> 00:19:10,200 Speaker 1: said earlier that the normal and the kind of mundane 336 00:19:10,320 --> 00:19:16,480 Speaker 1: become extraordinary, you know, extraordinary, everything becomes charged with this love, 337 00:19:16,760 --> 00:19:19,880 Speaker 1: you know. So it's you're building the love up through 338 00:19:20,000 --> 00:19:24,120 Speaker 1: this discipline of pouring water and milk in flowers over 339 00:19:24,160 --> 00:19:27,040 Speaker 1: the stone. I think that's so beautiful. And even just 340 00:19:27,119 --> 00:19:31,280 Speaker 1: having a conversation with you, I'm not in the same 341 00:19:31,280 --> 00:19:33,679 Speaker 1: place as you, but I feel how present you are 342 00:19:33,720 --> 00:19:37,440 Speaker 1: being and how present I'm being, and for anyone who's listening, 343 00:19:38,280 --> 00:19:41,879 Speaker 1: it's just like being here now, is this is it? 344 00:19:42,040 --> 00:19:44,560 Speaker 1: Like this is the gift, this is life, and just 345 00:19:44,720 --> 00:19:49,160 Speaker 1: taking a second to appreciate it. I guess, so thank 346 00:19:49,200 --> 00:19:52,560 Speaker 1: you for taking the time to be here. And I 347 00:19:52,640 --> 00:19:54,680 Speaker 1: just have to I have to keep reminding myself during 348 00:19:54,720 --> 00:19:57,720 Speaker 1: this quarantine that like this is this is it. I'm 349 00:19:57,720 --> 00:20:02,480 Speaker 1: not running towards or from anything, Like I'm just right 350 00:20:02,480 --> 00:20:06,359 Speaker 1: here talking to somebody that I think is badass and 351 00:20:06,400 --> 00:20:08,320 Speaker 1: I respect a lot, and I just I don't know, 352 00:20:08,680 --> 00:20:10,680 Speaker 1: is that to stop in be present for a second, 353 00:20:11,080 --> 00:20:15,120 Speaker 1: because anything else is total annihilation, you know what I mean. 354 00:20:15,200 --> 00:20:19,000 Speaker 1: Like the past is annihilated as soon as it becomes 355 00:20:19,000 --> 00:20:22,919 Speaker 1: the past, and the future is annihilated because it hasn't 356 00:20:22,960 --> 00:20:26,160 Speaker 1: happened yet, you know, it's into That's the only place 357 00:20:26,200 --> 00:20:29,640 Speaker 1: we really can be. Here's the only place we've functioned properly, 358 00:20:29,680 --> 00:20:32,000 Speaker 1: because if we dwell in the past or in the future, 359 00:20:32,640 --> 00:20:36,800 Speaker 1: it's side tracks the whole mission, you know, but sidetracks 360 00:20:36,840 --> 00:20:39,080 Speaker 1: the happiness. At least for me. I can always find 361 00:20:39,160 --> 00:20:42,480 Speaker 1: something I did that was stupid, and I can always 362 00:20:42,480 --> 00:20:44,800 Speaker 1: be nervous about something I'm going to do. So to 363 00:20:44,880 --> 00:20:48,480 Speaker 1: be present is almost this year has been what I'm 364 00:20:48,480 --> 00:20:50,160 Speaker 1: trying to learn how to be is just be more 365 00:20:50,200 --> 00:20:52,080 Speaker 1: present because we don't know what's going to happen in 366 00:20:52,119 --> 00:20:55,760 Speaker 1: the future, and nobody really foresaw this coming. So being 367 00:20:55,800 --> 00:20:58,640 Speaker 1: present this year and coming from the heart, those are 368 00:20:58,680 --> 00:21:01,760 Speaker 1: the two lessons I on and self love. So I 369 00:21:01,800 --> 00:21:06,760 Speaker 1: guess there's three. Yeah, and then they're not mutually exclusive. 370 00:21:07,000 --> 00:21:10,600 Speaker 1: All those things, each one kind of relies on the other. Yeah, 371 00:21:10,640 --> 00:21:14,000 Speaker 1: they all go nicely together. It's like a triangle. So 372 00:21:14,240 --> 00:21:16,800 Speaker 1: you know, if you have all three of them balanced nicely, 373 00:21:16,960 --> 00:21:19,760 Speaker 1: then then you will, like a wild man once said, 374 00:21:19,800 --> 00:21:28,040 Speaker 1: the ultimate goal is peace in the heart. Yeah that 375 00:21:28,160 --> 00:21:31,200 Speaker 1: was your quote maybe or maybe I don't even know, 376 00:21:31,400 --> 00:21:34,680 Speaker 1: Maybe I dreamed it. Maybe we that's our quote. We 377 00:21:34,720 --> 00:21:39,760 Speaker 1: made it. Yeah, some wise people said sorry for wherever 378 00:21:40,119 --> 00:21:43,639 Speaker 1: we please, your eze whoever, which may have been one 379 00:21:43,720 --> 00:21:48,000 Speaker 1: of us. Um. So now that I've done just being 380 00:21:48,040 --> 00:21:50,080 Speaker 1: excited and telling everybody how excited I have to talk 381 00:21:50,119 --> 00:21:51,920 Speaker 1: to you. And you're just one of the more interesting 382 00:21:52,040 --> 00:21:55,240 Speaker 1: human beings I know, and super open minded in a 383 00:21:55,480 --> 00:21:58,919 Speaker 1: career that I, at least growing up, I thought was 384 00:21:59,240 --> 00:22:04,879 Speaker 1: only of hardcore biker bitches, and like your whole attitude 385 00:22:04,880 --> 00:22:08,160 Speaker 1: towards it is very different and it's refreshing because we 386 00:22:08,440 --> 00:22:12,600 Speaker 1: can get tattoos and like talk spirituality and it's not 387 00:22:12,680 --> 00:22:15,399 Speaker 1: odd at all. So it was I opening to me 388 00:22:15,480 --> 00:22:17,800 Speaker 1: when we met. It's just a whole different experience. It's 389 00:22:17,840 --> 00:22:19,920 Speaker 1: really cool. Thank you. I take that as a huge 390 00:22:19,960 --> 00:22:22,280 Speaker 1: compliment because you know a lot of people and you 391 00:22:22,359 --> 00:22:25,440 Speaker 1: have a lot of experiences, so that that means go 392 00:22:25,520 --> 00:22:28,679 Speaker 1: out to me, and yeah, I came up through that 393 00:22:28,880 --> 00:22:31,879 Speaker 1: all those modalities and tattooing, Like I worked for a 394 00:22:31,920 --> 00:22:35,400 Speaker 1: pretty heavy duty biker and the magic was still always there, 395 00:22:35,600 --> 00:22:39,080 Speaker 1: even with those weird kind of like interfaces that we 396 00:22:39,119 --> 00:22:41,800 Speaker 1: would have to go through and like the posturing and 397 00:22:41,840 --> 00:22:44,480 Speaker 1: all the weird ship it's still underneath it. All the 398 00:22:44,920 --> 00:22:48,399 Speaker 1: tattoos were always like just kind of coming through, you know. 399 00:22:48,600 --> 00:22:52,359 Speaker 1: And we're talking before just how like party tattoos or 400 00:22:52,440 --> 00:22:54,960 Speaker 1: just like I worked in a tourist town, you know, 401 00:22:55,040 --> 00:22:56,919 Speaker 1: so I was tattooed tourists all the time, and they 402 00:22:56,920 --> 00:22:59,480 Speaker 1: would just kind of come in on autopilot and just 403 00:22:59,520 --> 00:23:02,359 Speaker 1: like pick stuff out, not even knowing what they were getting. 404 00:23:02,359 --> 00:23:05,520 Speaker 1: But something deep down I felt like it was always 405 00:23:05,600 --> 00:23:09,240 Speaker 1: kind of like, uh, you know there there there's some 406 00:23:09,600 --> 00:23:13,760 Speaker 1: seeds there, so some like something deeper that that that 407 00:23:13,800 --> 00:23:16,080 Speaker 1: they're looking for, and I don't know what it is, 408 00:23:16,119 --> 00:23:18,120 Speaker 1: and they might not know it is. What is happening 409 00:23:18,200 --> 00:23:20,880 Speaker 1: right now, like in the moment that you're saying, it's 410 00:23:20,960 --> 00:23:24,160 Speaker 1: kind of you know like and also especially now they're 411 00:23:24,160 --> 00:23:28,040 Speaker 1: tattooing on TV just social media. It's a huge presence 412 00:23:28,080 --> 00:23:31,280 Speaker 1: on there in a lot of circles and stuff like that, 413 00:23:31,760 --> 00:23:34,800 Speaker 1: but it's still there even beyond all that stuff too. 414 00:23:35,000 --> 00:23:37,160 Speaker 1: What I found interesting is when you were talking about 415 00:23:37,720 --> 00:23:41,920 Speaker 1: tattooing has been around since the sept kind of forever. Yeah, 416 00:23:42,000 --> 00:23:44,679 Speaker 1: the oldest remains, So why did the oldest remains have 417 00:23:44,720 --> 00:23:46,840 Speaker 1: tattooed on them? Like I said earlier that I think 418 00:23:46,840 --> 00:23:49,560 Speaker 1: it was just like an inherent need to mark oneself, 419 00:23:50,080 --> 00:23:53,719 Speaker 1: to adorn oneself. But I mean the physical like was 420 00:23:53,760 --> 00:23:56,400 Speaker 1: it a dot, was it a circle? Was an iba? 421 00:23:56,480 --> 00:23:59,680 Speaker 1: There were some lines? There were some lines, and I 422 00:23:59,760 --> 00:24:03,840 Speaker 1: had read that it was like maybe some property that 423 00:24:03,880 --> 00:24:06,960 Speaker 1: he might have owned, or maybe like a delineation of 424 00:24:07,000 --> 00:24:10,120 Speaker 1: where he lived. You know, it was like under his knee. 425 00:24:10,520 --> 00:24:13,399 Speaker 1: It was a man. But then like you see, like 426 00:24:13,480 --> 00:24:15,720 Speaker 1: not too much later in different parts of the world, 427 00:24:15,800 --> 00:24:18,440 Speaker 1: there's like way more elaborate stuff, you know, like stuff 428 00:24:18,480 --> 00:24:21,320 Speaker 1: that kind of looks like the cave paintings in France. Yeah, 429 00:24:21,480 --> 00:24:24,040 Speaker 1: you know, like similar to that kind of look like 430 00:24:24,080 --> 00:24:26,000 Speaker 1: the same kind of artwork that was being made on 431 00:24:26,040 --> 00:24:28,280 Speaker 1: the caves they were making on themselves. I've been thinking 432 00:24:28,320 --> 00:24:31,280 Speaker 1: about the power symbols and how there are a lot 433 00:24:31,359 --> 00:24:33,119 Speaker 1: of tattoos you see on a lot of people and 434 00:24:33,160 --> 00:24:37,160 Speaker 1: they just are recurring like eyeballs, and there's a lot 435 00:24:37,160 --> 00:24:41,840 Speaker 1: of crosses there in a lot of your tattoos, like 436 00:24:41,880 --> 00:24:47,800 Speaker 1: a is it a mendola? Yeah, yeah, herds, daggers, snakes, swords, 437 00:24:48,040 --> 00:24:52,520 Speaker 1: naked ladies. And it's just kind of wondering if, hey, 438 00:24:53,320 --> 00:24:56,919 Speaker 1: what's your favorite thing to like tattoo on somebody that 439 00:24:57,040 --> 00:24:59,720 Speaker 1: is just getting like a souvenir tattoo that you know 440 00:24:59,880 --> 00:25:03,200 Speaker 1: is a very powerful symbol, but maybe they don't even 441 00:25:03,200 --> 00:25:06,199 Speaker 1: know it, but you know it. Well. Yeah, any of 442 00:25:06,200 --> 00:25:09,720 Speaker 1: that stuff from the American traditional, the classic American traditional 443 00:25:10,000 --> 00:25:14,400 Speaker 1: cannon of images, I think is really like a useful 444 00:25:14,880 --> 00:25:18,560 Speaker 1: codex of these just just and it's also like a 445 00:25:18,600 --> 00:25:21,320 Speaker 1: great because like it was such a like kind of 446 00:25:21,520 --> 00:25:25,040 Speaker 1: rough and crude approach to doing the work. But people 447 00:25:25,440 --> 00:25:28,160 Speaker 1: were finally starting to get pictures like kind of shaded 448 00:25:28,200 --> 00:25:30,960 Speaker 1: and colored on them and stuff like that. Several things 449 00:25:31,040 --> 00:25:35,199 Speaker 1: really stripped down to was like really like raw form. 450 00:25:35,240 --> 00:25:37,000 Speaker 1: So like you know, like you said, like you said, 451 00:25:37,080 --> 00:25:39,320 Speaker 1: you see like a tiger through a skull. I think 452 00:25:39,320 --> 00:25:42,600 Speaker 1: a skull might be one of my favorite images. And 453 00:25:42,640 --> 00:25:44,560 Speaker 1: a lot of people see that as a negative image, 454 00:25:44,560 --> 00:25:47,359 Speaker 1: but I don't see it as negative at all. Um. 455 00:25:47,480 --> 00:25:50,080 Speaker 1: I think it's a very positive to be able to 456 00:25:50,119 --> 00:25:54,280 Speaker 1: reflect on the impermanence of life, you know, and like 457 00:25:54,440 --> 00:25:58,560 Speaker 1: you know, you think about Shakespeare has a skull, you know, yeah, 458 00:25:58,600 --> 00:26:03,480 Speaker 1: of course, yeah, just like it's the existential crisis of mankind. 459 00:26:03,600 --> 00:26:06,920 Speaker 1: You know, Yes, I know that very well. I feel 460 00:26:06,960 --> 00:26:09,440 Speaker 1: like that's the one of the main things that drives 461 00:26:09,560 --> 00:26:11,840 Speaker 1: me to make art and drives most people to do 462 00:26:11,920 --> 00:26:14,960 Speaker 1: most things, is the existential crisis of Like you said, 463 00:26:15,000 --> 00:26:18,080 Speaker 1: I love that, like the tiger and the bushes waiting 464 00:26:18,200 --> 00:26:20,920 Speaker 1: like it's gonna happen. You're we're all going to die. 465 00:26:20,960 --> 00:26:24,080 Speaker 1: It's the only thing we for sure know, and it's 466 00:26:24,200 --> 00:26:27,560 Speaker 1: terrifying because we don't know what that means, so we 467 00:26:27,640 --> 00:26:31,000 Speaker 1: scramble around our whole lives trying to like create a 468 00:26:31,080 --> 00:26:35,679 Speaker 1: legacy or have children, or leave a positive impact. Or 469 00:26:35,720 --> 00:26:38,440 Speaker 1: some people are just like burn it down. You see 470 00:26:38,480 --> 00:26:41,000 Speaker 1: that in politics just some people are like, well, I'm 471 00:26:41,040 --> 00:26:42,879 Speaker 1: gonna be dead, so I'm just gonna get what I 472 00:26:42,960 --> 00:26:46,879 Speaker 1: need today right now, what I want, money, power, oil, 473 00:26:47,000 --> 00:26:49,800 Speaker 1: whatever it is. So I just feel like it's going 474 00:26:49,880 --> 00:26:53,439 Speaker 1: to be the constant. It's going to be the infinite battle. 475 00:26:53,640 --> 00:26:56,120 Speaker 1: It's like Star Wars, It's the infinite battle between light 476 00:26:56,200 --> 00:26:59,120 Speaker 1: and dark. And I think it mostly always comes back 477 00:26:59,160 --> 00:27:02,119 Speaker 1: to the fact that nobody really wants to die. But 478 00:27:02,200 --> 00:27:04,520 Speaker 1: like me personally, I don't want to die, but I 479 00:27:04,560 --> 00:27:07,760 Speaker 1: also don't want to live forever. That sounds exhausting now, 480 00:27:08,040 --> 00:27:10,439 Speaker 1: and then you have to think of like what dies, 481 00:27:11,240 --> 00:27:13,520 Speaker 1: you know, Like does your soul die? I don't think 482 00:27:13,560 --> 00:27:17,119 Speaker 1: it does. Um your body dies? Are you your body? 483 00:27:17,320 --> 00:27:19,680 Speaker 1: I don't think you are? You know? Like I Oh, 484 00:27:19,720 --> 00:27:22,960 Speaker 1: I think that it's like a it's like a a housing, 485 00:27:23,160 --> 00:27:25,439 Speaker 1: like um, I feel like the outside. I like to 486 00:27:25,480 --> 00:27:27,920 Speaker 1: think of it like I'm a Christmas tree and all 487 00:27:27,960 --> 00:27:32,920 Speaker 1: the tattoos are my ornaments, yes, yes, yea or or 488 00:27:32,920 --> 00:27:36,159 Speaker 1: you're the temple, but what like, what happens inside the 489 00:27:36,200 --> 00:27:39,000 Speaker 1: temple is what's really important. You can adorn it, you 490 00:27:39,000 --> 00:27:40,879 Speaker 1: can build it however you want. You can make the 491 00:27:40,920 --> 00:27:45,040 Speaker 1: cathedral as beautiful as you want, But what happens inside 492 00:27:45,040 --> 00:27:49,640 Speaker 1: the cathedral what's important? Seeing what the soul and the body? Yeah, 493 00:27:49,640 --> 00:27:51,960 Speaker 1: I think it's just like a husk, and we can shop, 494 00:27:52,000 --> 00:27:55,040 Speaker 1: we cast to the side, you know, because that's where again, 495 00:27:55,240 --> 00:27:58,439 Speaker 1: where we're talking about existential crisis is. You know, the 496 00:27:58,480 --> 00:28:01,440 Speaker 1: body consciousness is a huge each problem. You know when 497 00:28:01,440 --> 00:28:05,440 Speaker 1: you when you you start identifying as the body, you're 498 00:28:05,440 --> 00:28:07,880 Speaker 1: going to run into all kinds of situations. You know, 499 00:28:08,280 --> 00:28:11,320 Speaker 1: as a woman in pop music, I know about that, 500 00:28:11,359 --> 00:28:16,000 Speaker 1: and it's something that I just like, it's exhausting. But 501 00:28:16,080 --> 00:28:18,560 Speaker 1: then I finally have gotten to this point where I'm 502 00:28:18,600 --> 00:28:21,040 Speaker 1: just a Christmas tree now and I like thinking about 503 00:28:21,080 --> 00:28:25,080 Speaker 1: myself like that because this is the housing for my soul. 504 00:28:25,400 --> 00:28:28,439 Speaker 1: And if you get too caught up in it, then 505 00:28:28,480 --> 00:28:31,159 Speaker 1: you're focusing on the wrong ship. You're not focusing on 506 00:28:31,200 --> 00:28:33,880 Speaker 1: the power that's inside the temple. I think a Christmas 507 00:28:33,920 --> 00:28:36,480 Speaker 1: tree is an excellent analogy. You keep decorating it and 508 00:28:36,520 --> 00:28:41,200 Speaker 1: then you know, keep leaving presence underneath it, and you 509 00:28:41,200 --> 00:28:43,520 Speaker 1: know you're giving to the world, and then you put 510 00:28:43,600 --> 00:28:49,160 Speaker 1: it on the curb. Come like January quill, No, that's 511 00:28:49,200 --> 00:28:52,640 Speaker 1: so sad. The Christmas tree depth parade is so sad. 512 00:28:54,240 --> 00:28:56,920 Speaker 1: But that's basically what we're doing. And then you know, 513 00:28:57,400 --> 00:29:00,120 Speaker 1: another you take on another one, and you decorate it 514 00:29:00,200 --> 00:29:02,840 Speaker 1: and make the presents and you have dinner around it, 515 00:29:02,920 --> 00:29:05,120 Speaker 1: and then that's gone to the curve, and you know, 516 00:29:05,280 --> 00:29:09,680 Speaker 1: keeps happening, keeps happening. What's important is what the tree means, 517 00:29:09,840 --> 00:29:12,080 Speaker 1: you know. Yeah, so that's kind of like the stone 518 00:29:12,080 --> 00:29:18,640 Speaker 1: you're talking about, Lingam, Siva, Lingam. Just in this brief conversation, 519 00:29:18,680 --> 00:29:21,440 Speaker 1: I feel like I understand the stone more do Sheva 520 00:29:21,520 --> 00:29:23,680 Speaker 1: Lincom time I see you, I'm gonna give you a 521 00:29:23,720 --> 00:29:27,040 Speaker 1: little one. Oh my god. It's what if it's like 522 00:29:27,040 --> 00:29:30,560 Speaker 1: a tomagotchi and I forget to like bathe it. I 523 00:29:30,560 --> 00:29:35,760 Speaker 1: had a's like little toys that would beat you if 524 00:29:35,760 --> 00:29:38,840 Speaker 1: you forgot to like electronically feed them. I had them 525 00:29:38,880 --> 00:29:42,040 Speaker 1: in high school. All my tomagotchis died. The only thing 526 00:29:42,480 --> 00:29:46,160 Speaker 1: that happens is that you're you're not bathing yourself it's 527 00:29:46,200 --> 00:29:49,320 Speaker 1: just like not taking a bath to yourself. Well, I 528 00:29:49,400 --> 00:29:56,880 Speaker 1: don't shower very much. After a while, you just start 529 00:29:56,960 --> 00:30:02,280 Speaker 1: smelling like the material world. Okay, it's so true. I 530 00:30:02,320 --> 00:30:05,200 Speaker 1: need to actually physically bathe more often. I like, sometimes 531 00:30:05,200 --> 00:30:09,200 Speaker 1: we'll just be like, it's quarantine. Who am I trying 532 00:30:09,240 --> 00:30:12,800 Speaker 1: to fool here? Nobody can smell me? And then in 533 00:30:12,920 --> 00:30:15,800 Speaker 1: the same sentence, I'm like, no, I think I need 534 00:30:15,880 --> 00:30:17,840 Speaker 1: to take a shower. Okay, when we're done, I'm gonna 535 00:30:17,840 --> 00:30:19,920 Speaker 1: take a shower. You've inspired me in many ways, but 536 00:30:21,560 --> 00:30:22,960 Speaker 1: I did want to ask you if there were a 537 00:30:22,960 --> 00:30:26,520 Speaker 1: couple things that were texting about that I've never heard 538 00:30:26,600 --> 00:30:31,640 Speaker 1: the stories, and I thought, my listeners come here for 539 00:30:31,680 --> 00:30:37,240 Speaker 1: all things creepy and unexplainable and just supernatural. And you 540 00:30:37,320 --> 00:30:41,320 Speaker 1: told me that there was a psychic nun. Oh yeah, 541 00:30:41,360 --> 00:30:44,080 Speaker 1: psychic nun in Peru. And I have to know I 542 00:30:44,120 --> 00:30:46,960 Speaker 1: don't know any I don't know anything else about this story. 543 00:30:47,000 --> 00:30:48,800 Speaker 1: Just for everyone who's listening, I don't know about this. 544 00:30:48,880 --> 00:30:52,200 Speaker 1: I just know there's a psychic nun. Okay. So my teacher, 545 00:30:52,640 --> 00:30:55,480 Speaker 1: my guru, lived in Peru for a quite quite some time. 546 00:30:55,520 --> 00:30:57,360 Speaker 1: I think he was there for over ten years he 547 00:30:57,440 --> 00:31:00,960 Speaker 1: lived in the jungle and uh, he he was visiting 548 00:31:00,960 --> 00:31:04,720 Speaker 1: a church one time that was in the city in Lima, 549 00:31:05,000 --> 00:31:08,280 Speaker 1: and he said, this nun came up to him and 550 00:31:08,520 --> 00:31:11,800 Speaker 1: grabbed him by this hand and said you're, um, oh, 551 00:31:11,880 --> 00:31:16,040 Speaker 1: you're an evangelist. And he was like, I'm not an evangelist, no, 552 00:31:16,800 --> 00:31:18,720 Speaker 1: I think you have any mistaken for someone else. And 553 00:31:18,760 --> 00:31:20,920 Speaker 1: she's like, well, you're bringing a lot of people towards God. 554 00:31:21,840 --> 00:31:25,600 Speaker 1: And he's a group, you know, he's a Abada group, 555 00:31:25,600 --> 00:31:28,640 Speaker 1: and he's also a shaman you know, who lived in 556 00:31:28,640 --> 00:31:31,320 Speaker 1: the jungle and works with the plants, and he brought 557 00:31:31,360 --> 00:31:33,760 Speaker 1: a lot of people to God through the plants. So 558 00:31:33,840 --> 00:31:36,760 Speaker 1: she was totally right. So they he developed a friendship 559 00:31:36,840 --> 00:31:41,000 Speaker 1: with this nun and when I was there, he arranged 560 00:31:41,040 --> 00:31:44,440 Speaker 1: a meeting with me and her, so he didn't come 561 00:31:44,480 --> 00:31:46,719 Speaker 1: with me, but I had a translator because my Spanish 562 00:31:46,800 --> 00:31:49,920 Speaker 1: isn't very good at all, and uh, we met this 563 00:31:50,040 --> 00:31:53,719 Speaker 1: nun and she it was actually where the church is 564 00:31:54,320 --> 00:31:56,560 Speaker 1: the black seat Thomas, who I don't know if you've 565 00:31:56,560 --> 00:32:00,640 Speaker 1: seen Thomas up well, you have to look up to 566 00:32:00,720 --> 00:32:04,080 Speaker 1: the black scene. So anyway, um, it's where he lived. 567 00:32:04,360 --> 00:32:07,440 Speaker 1: So she brought me up into his room and stuff, 568 00:32:07,520 --> 00:32:10,160 Speaker 1: which was really really powerful place I could tell where 569 00:32:10,200 --> 00:32:13,080 Speaker 1: he actually lives, where he actually lived, where his bed was. 570 00:32:13,120 --> 00:32:16,520 Speaker 1: They kind of kept it there. So upon meeting her, 571 00:32:16,560 --> 00:32:19,240 Speaker 1: immediately she grabbed my hands and she held my hands 572 00:32:19,240 --> 00:32:21,880 Speaker 1: and she said, and you're here, but you're not doing 573 00:32:21,920 --> 00:32:24,000 Speaker 1: what you're supposed to be doing. And I was like, 574 00:32:24,000 --> 00:32:26,280 Speaker 1: oh my god, I felt horrible. And she's like no, no, no, 575 00:32:26,320 --> 00:32:29,080 Speaker 1: you know, and the translators explaining it, so there's a 576 00:32:29,120 --> 00:32:31,120 Speaker 1: little bit of like delay. So I'm like kind of 577 00:32:31,320 --> 00:32:34,239 Speaker 1: reflecting what she said, and she's like, no, tell him 578 00:32:34,280 --> 00:32:37,200 Speaker 1: not to feel bad. I mean that he's not doing 579 00:32:37,600 --> 00:32:40,080 Speaker 1: what is in his life that he was supposed to do. 580 00:32:40,600 --> 00:32:43,840 Speaker 1: He was supposed to be a judge or a lawyer. 581 00:32:44,080 --> 00:32:46,720 Speaker 1: And I was like, no, that doesn't sound right. And 582 00:32:46,760 --> 00:32:48,640 Speaker 1: I was like uh, and she's like, what about a 583 00:32:48,680 --> 00:32:51,440 Speaker 1: police the police? And I said, oh, my family, A 584 00:32:51,440 --> 00:32:53,400 Speaker 1: lot of my family members were police, and it I 585 00:32:53,480 --> 00:32:55,280 Speaker 1: was always told that I was going to be a 586 00:32:55,320 --> 00:32:57,040 Speaker 1: cop when I was a kid, you know, and I 587 00:32:57,080 --> 00:32:59,240 Speaker 1: never wanted to be. Oh, you know, probably when I 588 00:32:59,280 --> 00:33:01,240 Speaker 1: was younger, I might wanted to be, but I didn't 589 00:33:01,240 --> 00:33:03,320 Speaker 1: become a cop long story short. So I was like, 590 00:33:04,000 --> 00:33:08,680 Speaker 1: I can't see you being a cop. No, but just 591 00:33:08,800 --> 00:33:11,760 Speaker 1: in my family, like on both sides, both my mother's 592 00:33:11,800 --> 00:33:14,280 Speaker 1: and my father's father's were both cops, and my father 593 00:33:14,400 --> 00:33:17,400 Speaker 1: was cop, and I had some uncles that were and 594 00:33:17,440 --> 00:33:20,520 Speaker 1: then um, my wife's family, there's cops and I'm surrounded 595 00:33:20,560 --> 00:33:25,440 Speaker 1: by these law enforms. Well that's well, that's what she said. 596 00:33:25,520 --> 00:33:27,680 Speaker 1: She grabbed my hands and she said, who in your 597 00:33:27,720 --> 00:33:30,840 Speaker 1: family was a Mason? And I said my grandfather. That 598 00:33:30,960 --> 00:33:33,720 Speaker 1: was someone who I was closest with, was my mom's father, 599 00:33:34,160 --> 00:33:36,760 Speaker 1: and she said he was from a higher order. She's like, 600 00:33:36,800 --> 00:33:40,200 Speaker 1: you come from a long line of templars, like Freemason, 601 00:33:41,000 --> 00:33:43,840 Speaker 1: the Knights of Templar were you know, my grandfather was 602 00:33:43,880 --> 00:33:46,280 Speaker 1: a Freemason. But she said, I came up. My whole 603 00:33:46,320 --> 00:33:50,080 Speaker 1: lineage comes from these templars who were the ones who 604 00:33:50,160 --> 00:33:54,840 Speaker 1: protected the pope, you know, and back that the old 605 00:33:55,040 --> 00:33:58,920 Speaker 1: you know, ancient times. And uh, she held my hands 606 00:33:59,000 --> 00:34:00,720 Speaker 1: and she was holding my hands and she said, what 607 00:34:00,880 --> 00:34:03,520 Speaker 1: you do now you have electric in your hands, which 608 00:34:03,680 --> 00:34:08,240 Speaker 1: was the tattooing and tattoo shop by the way, Yeah, 609 00:34:08,280 --> 00:34:12,000 Speaker 1: electric tattoo exactly. So this is what you know, within 610 00:34:12,360 --> 00:34:15,600 Speaker 1: maybe two minutes of meeting her, and then she brought 611 00:34:15,640 --> 00:34:19,440 Speaker 1: me down to the tomb of St. Rosa, who was 612 00:34:19,480 --> 00:34:22,920 Speaker 1: also buried at this in this monastery where I was at, 613 00:34:23,200 --> 00:34:27,120 Speaker 1: and uh, she said, lay on on Rose's tomb, and 614 00:34:27,280 --> 00:34:29,080 Speaker 1: she said, do you know the guy at Tree Monstra, 615 00:34:29,360 --> 00:34:32,160 Speaker 1: which is a Vedic mantra. So I had no idea 616 00:34:32,320 --> 00:34:35,400 Speaker 1: how she knew about it. She's a Peruvian nun in 617 00:34:35,480 --> 00:34:37,840 Speaker 1: the Catholic feat And I said, I said, yeah, I 618 00:34:37,840 --> 00:34:40,760 Speaker 1: know the guy at True MANTRASA said, lay on Rose's 619 00:34:40,760 --> 00:34:43,960 Speaker 1: tomb and chant the guy at True Mantra. So, you know, 620 00:34:44,320 --> 00:34:48,480 Speaker 1: ten minutes now in this monastery and I'm laying on 621 00:34:48,200 --> 00:34:53,520 Speaker 1: a saint's tomb on my back, chanting Vedic Indian mantra 622 00:34:53,920 --> 00:34:57,399 Speaker 1: in Peru, in Lima, Peru. That sounds like it could 623 00:34:57,400 --> 00:35:00,319 Speaker 1: have been transformative. How was this it was? It was, 624 00:35:00,440 --> 00:35:02,839 Speaker 1: I mean like these are things that like when it's 625 00:35:02,880 --> 00:35:05,360 Speaker 1: happening in the moment, it was kind of like going 626 00:35:05,400 --> 00:35:08,319 Speaker 1: through it and then it's been with me for the 627 00:35:08,320 --> 00:35:10,760 Speaker 1: rest of my life. I think about it. There's probably 628 00:35:11,719 --> 00:35:15,800 Speaker 1: on a daily, almost daily basis, you know, how that 629 00:35:16,040 --> 00:35:18,520 Speaker 1: this had something to do? You know, I'm still not 630 00:35:18,600 --> 00:35:22,160 Speaker 1: quite sure what part of that path was, you know, 631 00:35:22,160 --> 00:35:23,680 Speaker 1: And then she was telling me all kinds of other 632 00:35:23,760 --> 00:35:26,840 Speaker 1: things as well, but like it was really that moment. 633 00:35:27,000 --> 00:35:29,680 Speaker 1: There was something what's happening, you know, and and everything 634 00:35:29,719 --> 00:35:31,880 Speaker 1: started to make sense about like the police. I was 635 00:35:31,920 --> 00:35:34,239 Speaker 1: always like, why is why m I come from this 636 00:35:34,360 --> 00:35:37,319 Speaker 1: cops family, you know, where all these cops and you 637 00:35:37,360 --> 00:35:40,319 Speaker 1: know basically that I tried to be the opposite of 638 00:35:40,360 --> 00:35:45,040 Speaker 1: that that makes sense, the rebellious, Yeah, miss I did 639 00:35:45,080 --> 00:35:48,400 Speaker 1: that with music. My mom like wrote country music, and 640 00:35:48,440 --> 00:35:52,720 Speaker 1: I was like, what's the total opposite super dancy pop 641 00:35:52,800 --> 00:35:55,239 Speaker 1: where I like talk ship on top of it. It 642 00:35:55,280 --> 00:35:57,800 Speaker 1: was like the opposite of classic old school country music. 643 00:35:57,840 --> 00:36:00,399 Speaker 1: And now I've like fully come back around and been like, oh, 644 00:36:00,440 --> 00:36:04,440 Speaker 1: you know what, Waylon Jennings and Johnny Cash all that's 645 00:36:04,480 --> 00:36:07,440 Speaker 1: actually the best. It's actually my favorite. And I was 646 00:36:07,520 --> 00:36:11,480 Speaker 1: just being rebellious. But she has right the electricity in 647 00:36:11,480 --> 00:36:13,960 Speaker 1: your hands. She's right about that, And I'm not going 648 00:36:14,000 --> 00:36:16,080 Speaker 1: to become a cop. But I was gonna ask you, 649 00:36:16,200 --> 00:36:19,120 Speaker 1: I don't know about the top part, but now but 650 00:36:19,440 --> 00:36:22,239 Speaker 1: I get it, like, you know, like the idea, you know, 651 00:36:22,320 --> 00:36:25,120 Speaker 1: back when you're thinking about the Knights of Temple are 652 00:36:25,120 --> 00:36:28,920 Speaker 1: and the Freemasons and ancient mystery schools and stuff like that. 653 00:36:28,920 --> 00:36:33,439 Speaker 1: That's when the law was like moralities law. It wasn't 654 00:36:33,480 --> 00:36:37,120 Speaker 1: like busting kids for smoking weed, you know, or like 655 00:36:38,040 --> 00:36:41,120 Speaker 1: oppressing people. It's a different world. I feel like, I 656 00:36:41,160 --> 00:36:43,520 Speaker 1: don't know. I wasn't there, but I assume it's a 657 00:36:43,560 --> 00:36:46,040 Speaker 1: completely different world. But I actually don't know that much 658 00:36:46,040 --> 00:36:49,680 Speaker 1: about the Freemason Like I know a little bit about it, 659 00:36:49,719 --> 00:36:53,080 Speaker 1: but it has a lot of secrecy. Is it a religion, 660 00:36:53,239 --> 00:36:55,680 Speaker 1: is it a it's a it's a it was a 661 00:36:55,760 --> 00:36:58,839 Speaker 1: secret order, um, you know, which they you know, they 662 00:36:58,920 --> 00:37:02,280 Speaker 1: consider it to be mysteries coming from the mystery schools, 663 00:37:02,280 --> 00:37:08,280 Speaker 1: the ancient mystery schools of Egypt. And I'm not amazing personally. 664 00:37:08,360 --> 00:37:10,239 Speaker 1: I only know of it from what has been kind 665 00:37:10,239 --> 00:37:12,759 Speaker 1: of passed down through my family, which they're you're not 666 00:37:12,840 --> 00:37:15,279 Speaker 1: really supposed to talk about. Well, you don't have to 667 00:37:15,320 --> 00:37:19,759 Speaker 1: tell me. I'm just carious. It has to do with 668 00:37:19,840 --> 00:37:22,719 Speaker 1: the building of the Great Temple. There's a great architect 669 00:37:22,920 --> 00:37:26,560 Speaker 1: that that is like the master mason of the craft 670 00:37:26,680 --> 00:37:29,960 Speaker 1: and the stages of his you kind of reflect the 671 00:37:30,000 --> 00:37:34,319 Speaker 1: stages of his initiation through your own personal initiation, you know, 672 00:37:34,400 --> 00:37:36,480 Speaker 1: things like that, and uh, you know, I was super 673 00:37:36,520 --> 00:37:38,800 Speaker 1: interested in it once I found out, like I always 674 00:37:38,880 --> 00:37:41,480 Speaker 1: knew my granddad was into it. But for me, I 675 00:37:41,480 --> 00:37:44,160 Speaker 1: thought it was just like spaghetti dinners on the weekends, 676 00:37:44,200 --> 00:37:47,080 Speaker 1: you know, and fundraising and stuff. That's what I kind 677 00:37:47,080 --> 00:37:48,839 Speaker 1: of thought it was. I thought it was just like 678 00:37:49,360 --> 00:37:54,760 Speaker 1: the dudes that wanted to get together and like party, Yeah, alright, 679 00:37:54,840 --> 00:37:57,040 Speaker 1: like get away from the ladies and get a little 680 00:37:57,120 --> 00:38:02,040 Speaker 1: drunk with your boyfriends. That aspect I'm sure exists in it. 681 00:38:02,160 --> 00:38:04,920 Speaker 1: But when there are people that take the degrees seriously 682 00:38:05,640 --> 00:38:08,920 Speaker 1: and their initiatives, you know, and there are people that 683 00:38:09,080 --> 00:38:11,319 Speaker 1: I know who who are Mason's who have gone through 684 00:38:11,360 --> 00:38:14,400 Speaker 1: the initiation process, and I can see the difference in 685 00:38:14,480 --> 00:38:17,040 Speaker 1: them as they've gone through the different steps, you know, 686 00:38:17,560 --> 00:38:20,239 Speaker 1: because it's all it's also reflection again, you know. It's 687 00:38:20,239 --> 00:38:22,040 Speaker 1: like what I was talking about earlier with the bathing 688 00:38:22,040 --> 00:38:25,240 Speaker 1: of the lingom. It's like another way of like recognizing 689 00:38:25,239 --> 00:38:28,759 Speaker 1: the self, you know, through this process. And there's there's 690 00:38:28,800 --> 00:38:32,640 Speaker 1: an actual death ritual in their initiation, like a a 691 00:38:32,680 --> 00:38:35,360 Speaker 1: symbolic death that you must go through to become a 692 00:38:35,360 --> 00:38:39,160 Speaker 1: master Mason. A symbolic death ritual. Yeah, because the master 693 00:38:39,280 --> 00:38:41,279 Speaker 1: Mason that was killed. I'm not going to mention his 694 00:38:41,360 --> 00:38:44,680 Speaker 1: name because it's the esoteric c production even really talk about. 695 00:38:44,920 --> 00:38:46,560 Speaker 1: So I'm not from the order, but what I'm gonna 696 00:38:46,560 --> 00:38:50,280 Speaker 1: say is that, uh, he was killed this this um, 697 00:38:50,440 --> 00:38:53,719 Speaker 1: the master Mason, so they kind you have to go. 698 00:38:53,880 --> 00:38:56,839 Speaker 1: It's like your death is like an egoic death, so 699 00:38:56,920 --> 00:39:02,000 Speaker 1: you can take on the initiation to become degree interesting. 700 00:39:02,400 --> 00:39:04,840 Speaker 1: I've always it's really weird. I did some of my 701 00:39:04,960 --> 00:39:10,520 Speaker 1: very first recordings ever in a empty Masonic lodge in 702 00:39:10,520 --> 00:39:13,480 Speaker 1: Santa Monica, like super close to where I'm living now, 703 00:39:14,000 --> 00:39:15,719 Speaker 1: and I drive by it all the time, and I 704 00:39:15,760 --> 00:39:17,840 Speaker 1: remember being in there at nighttime and I would just 705 00:39:17,840 --> 00:39:22,840 Speaker 1: be walking around writing songs in this temple, and I 706 00:39:22,960 --> 00:39:25,799 Speaker 1: just always was fascinated with it. There were so many 707 00:39:25,960 --> 00:39:31,440 Speaker 1: very beautiful, interesting looking things and scrolls and wall hangings 708 00:39:31,440 --> 00:39:34,640 Speaker 1: and all this really beautiful stuff, but I never went 709 00:39:34,719 --> 00:39:37,960 Speaker 1: deep into what it was. Do you think it informed 710 00:39:37,960 --> 00:39:42,479 Speaker 1: your music? I think that religion and all kinds of 711 00:39:42,560 --> 00:39:46,600 Speaker 1: symbols and religion and growing up in the South, which 712 00:39:46,640 --> 00:39:49,000 Speaker 1: was really religious, and I wanted to be really religious, 713 00:39:49,040 --> 00:39:52,160 Speaker 1: and everybody that was popular, was really religious, but I 714 00:39:52,200 --> 00:39:55,480 Speaker 1: was really spiritual, and that conflict of well, you're not 715 00:39:55,560 --> 00:39:58,520 Speaker 1: a good Catholic or a good Christian if you believe 716 00:39:58,560 --> 00:40:01,839 Speaker 1: in equal rights or things like that, where there were 717 00:40:01,880 --> 00:40:05,800 Speaker 1: things I couldn't get past, Like I believe that loving 718 00:40:06,440 --> 00:40:09,359 Speaker 1: someone else is beautiful and sacred and I don't care 719 00:40:09,800 --> 00:40:13,080 Speaker 1: what your genitalia is like that is something I've known 720 00:40:13,120 --> 00:40:15,879 Speaker 1: since I was like three years old, and so when 721 00:40:15,880 --> 00:40:17,919 Speaker 1: I would go to church, I would cry. I would 722 00:40:18,000 --> 00:40:21,760 Speaker 1: get on my knees and like cry and be like please, 723 00:40:21,840 --> 00:40:24,440 Speaker 1: like help me understand what I don't get because I 724 00:40:24,520 --> 00:40:27,840 Speaker 1: know love is good, but I and I want to 725 00:40:27,880 --> 00:40:29,680 Speaker 1: believe in all of this and I want to be 726 00:40:29,760 --> 00:40:32,759 Speaker 1: part of this whole thing. All these popular kids are 727 00:40:32,760 --> 00:40:34,759 Speaker 1: so into I want to be part of it so bad. 728 00:40:34,800 --> 00:40:38,319 Speaker 1: But I know that love is not bad. It doesn't 729 00:40:38,320 --> 00:40:40,920 Speaker 1: matter who what two people are in love, Like, I 730 00:40:41,000 --> 00:40:44,120 Speaker 1: know it's not wrong, and I just could not justify. 731 00:40:44,120 --> 00:40:46,359 Speaker 1: I couldn't get around it in my head. And from 732 00:40:46,400 --> 00:40:50,520 Speaker 1: there then I started studying comparative religion and I wanted 733 00:40:50,560 --> 00:40:53,560 Speaker 1: to I went to Columbia over the summer. That's like 734 00:40:53,600 --> 00:40:55,120 Speaker 1: what I did for fun. As I sat in on 735 00:40:55,200 --> 00:40:58,320 Speaker 1: college courses in Nashville, and then over the summer, I 736 00:40:58,360 --> 00:41:01,120 Speaker 1: went to Columbia to study do you Comparative Religion? Because 737 00:41:01,120 --> 00:41:03,040 Speaker 1: I was like, maybe there's just something I don't understand, 738 00:41:03,719 --> 00:41:07,880 Speaker 1: like why do like the Baptist Church you can't do 739 00:41:07,960 --> 00:41:11,879 Speaker 1: certain things and dinosaur bones are a test of test 740 00:41:11,920 --> 00:41:13,520 Speaker 1: of faith and things like that, where I'd just be like, 741 00:41:13,600 --> 00:41:15,520 Speaker 1: I don't understand. So I had to kind of come 742 00:41:16,040 --> 00:41:21,880 Speaker 1: full circle and study all the religions and spiritualities and temples, 743 00:41:21,920 --> 00:41:25,280 Speaker 1: and I've traveled all over the world and I'm so lucky, 744 00:41:25,640 --> 00:41:28,759 Speaker 1: and I've kind of come to the conclusion that your 745 00:41:28,760 --> 00:41:32,200 Speaker 1: spirituality comes from yourself and it's a connection to you 746 00:41:32,440 --> 00:41:35,800 Speaker 1: and whatever you want to call it. It's really personal 747 00:41:36,000 --> 00:41:40,360 Speaker 1: and it's really beautiful and to share it's amazing. But 748 00:41:40,520 --> 00:41:43,640 Speaker 1: also it's not something. I feel like there's been so 749 00:41:43,719 --> 00:41:46,560 Speaker 1: much death around religion that it's hard. Like even the 750 00:41:46,560 --> 00:41:49,000 Speaker 1: word God. I think I said that earlier, there's so 751 00:41:49,080 --> 00:41:53,839 Speaker 1: much baggage to the word God. M Yeah, like that's 752 00:41:53,880 --> 00:41:55,440 Speaker 1: what I feel like I have a connection to, but 753 00:41:55,520 --> 00:41:58,560 Speaker 1: it's a highly loaded term. So I just call it 754 00:41:58,600 --> 00:42:01,719 Speaker 1: whatever you want to call it. Yeah, Well that's why 755 00:42:01,880 --> 00:42:05,279 Speaker 1: I really like the consciousness of infinite goodness. You know 756 00:42:06,120 --> 00:42:11,719 Speaker 1: that it's such a beautiful name for good or expression 757 00:42:11,760 --> 00:42:16,160 Speaker 1: of God. I should say, um, I think that, you know. Unfortunately, 758 00:42:16,719 --> 00:42:20,160 Speaker 1: in that as time has worn on, we we've all 759 00:42:20,320 --> 00:42:25,120 Speaker 1: kind of confused spirituality with priest craft, you know, and 760 00:42:26,120 --> 00:42:32,279 Speaker 1: whenever the priests are telling you what God is to you, 761 00:42:32,280 --> 00:42:34,359 Speaker 1: you're going to run into a lot of problems. And 762 00:42:34,640 --> 00:42:39,160 Speaker 1: that's like one of the basis of a lot of 763 00:42:39,200 --> 00:42:42,680 Speaker 1: the situations that we're seeing in Christianity. You know, when 764 00:42:42,680 --> 00:42:45,840 Speaker 1: when someone's telling you they have the only way, you 765 00:42:45,880 --> 00:42:48,560 Speaker 1: probably shouldn't believe them. Everyone has to find their own 766 00:42:48,600 --> 00:42:50,879 Speaker 1: path with it and whatever feel like, you know, when 767 00:42:50,880 --> 00:42:53,480 Speaker 1: your guts when someone feels really wrong or something feels 768 00:42:53,480 --> 00:42:55,759 Speaker 1: really right. And it's just always felt really wrong in 769 00:42:55,840 --> 00:43:01,319 Speaker 1: my like child insights that like because someone was gay, 770 00:43:01,320 --> 00:43:04,160 Speaker 1: they shouldn't be allowed to be in that temple or 771 00:43:04,200 --> 00:43:06,920 Speaker 1: that church. Like that to me just never made any 772 00:43:07,000 --> 00:43:09,640 Speaker 1: sense and I could never reconcile that, and that kind 773 00:43:09,640 --> 00:43:12,080 Speaker 1: of grew into being a huge topic of a lot 774 00:43:12,160 --> 00:43:15,279 Speaker 1: of my music. And I just wanted to make a 775 00:43:15,320 --> 00:43:18,640 Speaker 1: place that was super inclusive and safe for anyone to 776 00:43:18,719 --> 00:43:21,560 Speaker 1: come and yeah, of course, get drunk if you want to, 777 00:43:21,719 --> 00:43:24,920 Speaker 1: and dance because that's a high vibration too, and just 778 00:43:25,040 --> 00:43:28,319 Speaker 1: celebrate the now like your life, celebrate your life. So 779 00:43:28,360 --> 00:43:31,319 Speaker 1: it's a little bit like nihilistic, but it's also I 780 00:43:31,320 --> 00:43:34,040 Speaker 1: don't know, just taking advantage of being alive and being 781 00:43:34,080 --> 00:43:36,200 Speaker 1: excited about it. I think that's the thing I missed 782 00:43:36,239 --> 00:43:38,839 Speaker 1: the most this year, is not being able to throw 783 00:43:38,960 --> 00:43:44,719 Speaker 1: gigantic celebrations every night and call it a job. Yeah. Yeah, 784 00:43:44,880 --> 00:43:48,040 Speaker 1: I don't think spirituality should ever have been like a 785 00:43:48,160 --> 00:43:50,839 Speaker 1: dry thing, you know, like it doesn't have to be 786 00:43:50,880 --> 00:43:55,160 Speaker 1: a desert for people to go to for all their 787 00:43:55,280 --> 00:43:57,160 Speaker 1: you know, their ways to go die. And it's also 788 00:43:57,360 --> 00:43:59,839 Speaker 1: something like you don't have to go off into a cave, 789 00:44:00,920 --> 00:44:02,799 Speaker 1: or you don't have to wear orange rope, or you 790 00:44:02,800 --> 00:44:05,080 Speaker 1: don't have to build a temple in your back. You alred, 791 00:44:05,120 --> 00:44:06,719 Speaker 1: you don't have to do any of this stuff. If 792 00:44:06,760 --> 00:44:09,040 Speaker 1: you're moved to do any of those things, that's fine 793 00:44:09,040 --> 00:44:13,719 Speaker 1: as well. But there's a concept of false renunciation. It's 794 00:44:13,760 --> 00:44:17,839 Speaker 1: in the Bagagita um and Krishna talks about that. You know. 795 00:44:17,880 --> 00:44:21,200 Speaker 1: It's like basically, you know the Gita at all, Are 796 00:44:21,239 --> 00:44:24,440 Speaker 1: you Hindu or Are you not identified with any of it, 797 00:44:24,480 --> 00:44:29,560 Speaker 1: particularly for all intents and purposes, Yes, because that's the 798 00:44:29,640 --> 00:44:32,719 Speaker 1: lineage that I practice is through India. You know, we 799 00:44:32,800 --> 00:44:35,719 Speaker 1: refer to it as as not in a dharma, which 800 00:44:35,760 --> 00:44:39,000 Speaker 1: is the eternal duty. You know, this is our duties 801 00:44:39,080 --> 00:44:42,080 Speaker 1: to understand our human birth. Hindu as a term that 802 00:44:42,160 --> 00:44:45,120 Speaker 1: was kind of it was for the colonists, you know, 803 00:44:45,200 --> 00:44:48,200 Speaker 1: that's the English referred to the Indian people from the 804 00:44:48,239 --> 00:44:51,760 Speaker 1: Indu Valley, but it's used in India by Indian people 805 00:44:51,880 --> 00:44:54,960 Speaker 1: and you know, it's like it's not insulting to call 806 00:44:55,000 --> 00:44:58,879 Speaker 1: someone Hindu at all, neat people identify as Into. But yeah, 807 00:44:59,080 --> 00:45:02,560 Speaker 1: so it along those that's that lineage. But the Boga 808 00:45:02,719 --> 00:45:07,480 Speaker 1: Geith is one of the major works that people chant 809 00:45:07,560 --> 00:45:11,839 Speaker 1: and read and reflect on in the Sonatona Dharma, and 810 00:45:11,880 --> 00:45:15,800 Speaker 1: it's the story of a warrior who is about to 811 00:45:15,840 --> 00:45:20,360 Speaker 1: go to war and he's the battle consists of families 812 00:45:20,400 --> 00:45:23,439 Speaker 1: on both sides, and the warrior doesn't want to fight 813 00:45:23,520 --> 00:45:26,520 Speaker 1: because his teachers and his cousins and uncles are on 814 00:45:26,600 --> 00:45:30,000 Speaker 1: the other side of the battlefield and he doesn't see 815 00:45:30,000 --> 00:45:33,839 Speaker 1: any point in it. And God Lord Krishna as God 816 00:45:34,000 --> 00:45:36,640 Speaker 1: comes down and says the battle has already been fought. 817 00:45:36,719 --> 00:45:39,400 Speaker 1: You have no deer a warrior. Do your duty and 818 00:45:39,440 --> 00:45:42,480 Speaker 1: do be the best at it, you know. And what 819 00:45:42,520 --> 00:45:45,799 Speaker 1: he what he's telling him to do is like it's 820 00:45:45,800 --> 00:45:49,600 Speaker 1: masically a message of like, do what you do in 821 00:45:49,680 --> 00:45:52,680 Speaker 1: your best way. I don't try to be anything else 822 00:45:53,160 --> 00:45:57,040 Speaker 1: except what you cannot change. That's the hardest thing in life. 823 00:45:57,080 --> 00:45:59,879 Speaker 1: I feel like accepting what you can't change and come 824 00:46:00,120 --> 00:46:02,840 Speaker 1: to peace with things you can't know the answer to. 825 00:46:03,320 --> 00:46:07,240 Speaker 1: For instance, earlier today, I was speaking with someone about 826 00:46:07,520 --> 00:46:10,920 Speaker 1: extraterrestrial life and she was speaking about how she had 827 00:46:10,960 --> 00:46:17,040 Speaker 1: made contact and through meditation chanting, And now I'm just like, 828 00:46:17,480 --> 00:46:20,560 Speaker 1: I'm obsessed with that because I want I want that experience. 829 00:46:20,560 --> 00:46:21,840 Speaker 1: I want to see it, I want to feel it. 830 00:46:21,880 --> 00:46:26,279 Speaker 1: Because the more I hear about extraterrestrials and people having 831 00:46:26,280 --> 00:46:29,400 Speaker 1: a connection to God and reincarnation things like that, it 832 00:46:29,520 --> 00:46:32,000 Speaker 1: just makes me feel a little more at peace knowing 833 00:46:32,040 --> 00:46:34,439 Speaker 1: that there's something more to this, Like when I feel 834 00:46:34,480 --> 00:46:38,759 Speaker 1: that God consciousness or you said infinite the consciousness of 835 00:46:38,800 --> 00:46:41,440 Speaker 1: infinite goodness. Oh that's the name of the painting we 836 00:46:41,520 --> 00:46:46,720 Speaker 1: got from you. Ye, holy sh it, Well we already 837 00:46:46,719 --> 00:46:48,360 Speaker 1: we got it. In the house, speagure out out in 838 00:46:48,360 --> 00:46:51,279 Speaker 1: the house thanks to you. So we're talking about what 839 00:46:51,400 --> 00:46:53,840 Speaker 1: you can't change, you know, accepting what you can't change. 840 00:46:54,040 --> 00:46:56,800 Speaker 1: But then you are also talking about aliens and UFOs 841 00:46:56,840 --> 00:47:00,320 Speaker 1: and extra terrestrials, which is great subject to talk about. 842 00:47:01,200 --> 00:47:03,719 Speaker 1: Oh yeah, just the things you can't change, and also 843 00:47:03,719 --> 00:47:06,759 Speaker 1: the things you can't see, our touch or feel, and 844 00:47:06,840 --> 00:47:09,920 Speaker 1: just believing in them because I know that there's something 845 00:47:09,960 --> 00:47:13,200 Speaker 1: out there. Yeah. I think if you, if you want 846 00:47:13,200 --> 00:47:16,719 Speaker 1: it hard enough, and if you if you so desire 847 00:47:17,320 --> 00:47:20,040 Speaker 1: that it will manifest eventually in your life. You know, 848 00:47:20,160 --> 00:47:22,279 Speaker 1: you just need to spend some more time with that. 849 00:47:22,800 --> 00:47:25,880 Speaker 1: I was going through some really heavy sleep paralysis for 850 00:47:25,960 --> 00:47:29,440 Speaker 1: a long time, and uh, it was happening more and 851 00:47:29,480 --> 00:47:31,680 Speaker 1: more frequently, and it was really starting to kind of 852 00:47:31,719 --> 00:47:34,319 Speaker 1: disturb me. And there were a few times where, like 853 00:47:34,520 --> 00:47:37,160 Speaker 1: in the paralysis, I was starting to kind of feel 854 00:47:37,200 --> 00:47:39,960 Speaker 1: like there were beings in the room with me. So 855 00:47:40,200 --> 00:47:42,680 Speaker 1: that sounds so scary. See, I want it until I 856 00:47:42,719 --> 00:47:45,920 Speaker 1: hear that, and then it sounds terrifying. It was scary 857 00:47:46,000 --> 00:47:48,920 Speaker 1: because the physical part of it, but I didn't feel 858 00:47:49,080 --> 00:47:52,239 Speaker 1: it was menacing at all. It was the loss of 859 00:47:52,280 --> 00:47:55,279 Speaker 1: control of the body was super weird, you know. And 860 00:47:55,320 --> 00:47:58,160 Speaker 1: I've heard other people has have had experiences where there 861 00:47:58,239 --> 00:48:01,279 Speaker 1: was like some demonic things have thing like you know, 862 00:48:01,840 --> 00:48:04,319 Speaker 1: you know, like a sucky bus on the chest kind 863 00:48:04,320 --> 00:48:07,360 Speaker 1: of thing, or like you know, being held held actually 864 00:48:07,360 --> 00:48:10,839 Speaker 1: held down by even it wasn't that for me. I 865 00:48:10,880 --> 00:48:14,120 Speaker 1: felt like I was kind of brought into a different realm, 866 00:48:14,280 --> 00:48:16,800 Speaker 1: like the room had changed and I couldn't move and 867 00:48:16,840 --> 00:48:19,600 Speaker 1: there was nothing I could do about it. And when 868 00:48:19,600 --> 00:48:22,280 Speaker 1: it would happen, I was getting freaked out less and less. 869 00:48:22,480 --> 00:48:24,839 Speaker 1: You know, it's becoming a little bit more familiar with 870 00:48:24,920 --> 00:48:28,600 Speaker 1: the with this phenomenon that was happening in my life. 871 00:48:28,760 --> 00:48:32,360 Speaker 1: So this was like a reoccurring dream, Yeah, yeah, where 872 00:48:32,480 --> 00:48:35,400 Speaker 1: it happened like, you know, maybe a month apart a 873 00:48:35,440 --> 00:48:38,000 Speaker 1: few times, and it was happening a week apart, and 874 00:48:38,000 --> 00:48:39,879 Speaker 1: then all of a sudden, it was happening every night. 875 00:48:40,520 --> 00:48:43,760 Speaker 1: So in the moment when I when it was happening, 876 00:48:43,760 --> 00:48:45,640 Speaker 1: when it was going down, I was becoming more and 877 00:48:45,680 --> 00:48:49,759 Speaker 1: more comfortable in this environment of paralysis and with these 878 00:48:49,800 --> 00:48:54,120 Speaker 1: possible entities in my room. But when I wasn't, when 879 00:48:54,120 --> 00:48:56,359 Speaker 1: I would finally snap out of it and come out 880 00:48:56,360 --> 00:48:58,799 Speaker 1: of it and come back into the dimension of being 881 00:48:58,800 --> 00:49:01,839 Speaker 1: in my bed and like heading, I'd be so freaked out, 882 00:49:02,480 --> 00:49:04,759 Speaker 1: and I didn't know. I just didn't know how to like, 883 00:49:06,080 --> 00:49:09,960 Speaker 1: I couldn't really um if it was happening to me. Now, 884 00:49:10,000 --> 00:49:12,080 Speaker 1: I think I would have a better hardware to like 885 00:49:12,239 --> 00:49:15,160 Speaker 1: kind of deal with it, you know. I think my 886 00:49:15,160 --> 00:49:17,760 Speaker 1: my focus and my attention could probably served me better. 887 00:49:18,000 --> 00:49:21,279 Speaker 1: But then I was panicking. I was much younger, and uh, 888 00:49:21,760 --> 00:49:24,279 Speaker 1: how how the whole thing kind of came to a culmination. 889 00:49:25,320 --> 00:49:28,000 Speaker 1: I was in the sleep paralysis and I heard a 890 00:49:28,040 --> 00:49:32,600 Speaker 1: car alarm going off in the background, and uh, I 891 00:49:32,600 --> 00:49:34,759 Speaker 1: started focusing on the car alarm. I was like, wow, 892 00:49:34,760 --> 00:49:36,839 Speaker 1: that's really weird. It's car alarm and I can't move. 893 00:49:36,960 --> 00:49:38,520 Speaker 1: And then all of a sudden, the car alarms getting 894 00:49:38,560 --> 00:49:40,800 Speaker 1: louder and louder. It was like, the car alarm is 895 00:49:40,840 --> 00:49:43,880 Speaker 1: getting closer, ours moving closer to me? Why is the 896 00:49:43,920 --> 00:49:46,600 Speaker 1: alarm coming closer to me? And it was getting so 897 00:49:46,719 --> 00:49:50,960 Speaker 1: loud that the windows started to shake, and I broke 898 00:49:51,000 --> 00:49:53,040 Speaker 1: out of the paralysis and I got up, and I 899 00:49:53,080 --> 00:49:55,160 Speaker 1: put on a pair of pants and put him off backwards, 900 00:49:55,880 --> 00:49:59,799 Speaker 1: and I went downstairs. I ran downstairs and roommates actually woke. 901 00:50:00,080 --> 00:50:02,360 Speaker 1: Then we'll followed me outside and we all got to 902 00:50:02,400 --> 00:50:05,280 Speaker 1: the front yard and we heard the noise and felt 903 00:50:05,280 --> 00:50:07,960 Speaker 1: this vibration and it just trailed off and it was gone. 904 00:50:08,360 --> 00:50:11,520 Speaker 1: And then I hadn't I had no sleep paralysis. From 905 00:50:11,520 --> 00:50:14,719 Speaker 1: that point on, the police of your lineage came and 906 00:50:14,760 --> 00:50:19,040 Speaker 1: took the demon away. There could be maybe you know 907 00:50:20,040 --> 00:50:25,839 Speaker 1: the demon police, the demon police, they come into your dream. 908 00:50:27,080 --> 00:50:30,520 Speaker 1: I wish I had some demon police in my lineage 909 00:50:30,560 --> 00:50:35,040 Speaker 1: because I have crazy dreams, like crazy dreams where I'll 910 00:50:35,080 --> 00:50:38,840 Speaker 1: just be like kicking, I'll be thrown punches, I'm screaming 911 00:50:38,880 --> 00:50:42,880 Speaker 1: like fuck you in the middle of the night, and 912 00:50:42,880 --> 00:50:45,880 Speaker 1: then it's like I'll have to get woken up and 913 00:50:46,960 --> 00:50:49,920 Speaker 1: Brad will be like, are you okay. I'll be like, no, 914 00:50:50,000 --> 00:50:53,560 Speaker 1: I'm really really mad at you because you I forget, 915 00:50:53,800 --> 00:50:55,759 Speaker 1: but I'm really mad at you. And they'll be like, 916 00:50:55,800 --> 00:50:58,239 Speaker 1: you can't be mad at me about dream stuff, like yes, 917 00:50:58,280 --> 00:51:01,520 Speaker 1: I can, don't tell me what to do. That's like 918 00:51:02,120 --> 00:51:04,200 Speaker 1: that happens like once a week in our household. Well, 919 00:51:04,239 --> 00:51:07,160 Speaker 1: I think maybe that that that need that you're having, 920 00:51:07,360 --> 00:51:09,680 Speaker 1: that feeling that you want to have with the with 921 00:51:09,800 --> 00:51:14,160 Speaker 1: these extraterrestrials. Maybe that's where you're where you're having those experiences, 922 00:51:14,239 --> 00:51:16,840 Speaker 1: you know, like because I think the dreaming, the waking, 923 00:51:16,880 --> 00:51:20,720 Speaker 1: and the deep sleep state, those three states are all 924 00:51:20,719 --> 00:51:23,960 Speaker 1: tied together, and we compartmentalize them in a way that 925 00:51:24,000 --> 00:51:26,399 Speaker 1: doesn't serve us well, you know, because I think we're 926 00:51:26,400 --> 00:51:28,920 Speaker 1: getting we're getting a lot through our dreams, and we're 927 00:51:28,920 --> 00:51:31,120 Speaker 1: getting a lot through deep sleep, and we're getting a 928 00:51:31,160 --> 00:51:33,560 Speaker 1: lot when we're awake. And I don't think it ends 929 00:51:33,680 --> 00:51:36,719 Speaker 1: just because you lay down, you know. I think that's 930 00:51:36,800 --> 00:51:39,200 Speaker 1: huge actually that you're having these things happen to you, 931 00:51:39,200 --> 00:51:43,120 Speaker 1: because if there's awareness happening when the mind is turned off, 932 00:51:43,160 --> 00:51:46,200 Speaker 1: that's really really efficient. It's exhausting when I have nightmares, 933 00:51:46,200 --> 00:51:47,920 Speaker 1: because I'll go to sleep and I'll wake up kind 934 00:51:47,920 --> 00:51:50,440 Speaker 1: of like you were saying, like just like trying to 935 00:51:50,560 --> 00:51:52,680 Speaker 1: yell and fight my way out of a dream. And 936 00:51:52,719 --> 00:51:54,919 Speaker 1: then then when I wake up, it's like morning time 937 00:51:54,920 --> 00:51:56,400 Speaker 1: and time to do the day, and I'm like, damn it, 938 00:51:56,440 --> 00:52:00,719 Speaker 1: I've been like fighting monsters for eight hours. Now, I 939 00:52:00,760 --> 00:52:04,240 Speaker 1: need to actually go to sleep and dream about like kittens. 940 00:52:06,480 --> 00:52:09,600 Speaker 1: That's that's why when you're on the served, you're you're 941 00:52:09,680 --> 00:52:12,160 Speaker 1: a piece, you know, but I think, yeah, I think 942 00:52:12,200 --> 00:52:16,520 Speaker 1: you're sharpening the store for your daily daily duties in 943 00:52:16,560 --> 00:52:19,200 Speaker 1: the in the dream stay in the dream world. I 944 00:52:19,239 --> 00:52:22,759 Speaker 1: feel like the extra terrestrials, I'm like sending them an 945 00:52:22,840 --> 00:52:27,080 Speaker 1: invite into my brain. And at the same time, I'm 946 00:52:27,080 --> 00:52:31,440 Speaker 1: scared because it's freaky. There's nothing to be afraid of. 947 00:52:31,840 --> 00:52:37,320 Speaker 1: You think you've met an extra terrestrial, like for sure, Yeah, 948 00:52:37,680 --> 00:52:41,680 Speaker 1: and it wasn't scary. You weren't scared. I think, Okay, 949 00:52:41,719 --> 00:52:44,319 Speaker 1: this might not be a popular belief. I think I've 950 00:52:44,360 --> 00:52:48,160 Speaker 1: met them in my day to day interactions and they 951 00:52:48,239 --> 00:52:51,200 Speaker 1: just seemed like they were they were human, but they weren't, 952 00:52:51,280 --> 00:52:54,000 Speaker 1: you know what I mean. Like my mom swears she's 953 00:52:54,280 --> 00:52:57,439 Speaker 1: part alien, and she's not joking. She's like, I swear 954 00:52:57,480 --> 00:53:00,799 Speaker 1: to God, there's like in her ancestor there's some sort 955 00:53:00,840 --> 00:53:05,040 Speaker 1: of like interbreeding with extraterrestrials. Not joking, yea, like the 956 00:53:05,040 --> 00:53:07,759 Speaker 1: Anna Knochi or something like that. You know, there's like 957 00:53:08,080 --> 00:53:11,280 Speaker 1: all these kind of other life forms that supposedly bread 958 00:53:11,400 --> 00:53:16,000 Speaker 1: into our race. What's Anna Knoki. It's like a different 959 00:53:16,520 --> 00:53:21,200 Speaker 1: kind of humanoids that are half alien half human. You know, 960 00:53:21,320 --> 00:53:25,280 Speaker 1: it's like like a tribe of half human half aliens. 961 00:53:25,760 --> 00:53:29,080 Speaker 1: I'm not too knowledgeable on this stuff. I just said, 962 00:53:29,160 --> 00:53:32,520 Speaker 1: you know, I've been doing some like scant research on 963 00:53:32,680 --> 00:53:34,719 Speaker 1: UFOs and stuff. When I was younger, I heard about 964 00:53:34,719 --> 00:53:37,400 Speaker 1: Anna Knochi, you know, and they were the ones that 965 00:53:37,440 --> 00:53:40,000 Speaker 1: would give us the pine cone. You know. Ever see 966 00:53:40,080 --> 00:53:42,200 Speaker 1: like they're holding a pint and that would be like 967 00:53:42,320 --> 00:53:46,120 Speaker 1: representative of the pineal gland and in the mind, Oh 968 00:53:46,200 --> 00:53:48,320 Speaker 1: my god, I would have never put that together. Okay, 969 00:53:48,320 --> 00:53:51,560 Speaker 1: So according to my mom, I am just repeating what 970 00:53:51,600 --> 00:53:55,240 Speaker 1: I've heard she told me. So there's this guy named Carl, 971 00:53:55,520 --> 00:53:58,280 Speaker 1: and he's like, I can tell you as an alien 972 00:53:58,320 --> 00:54:01,759 Speaker 1: that you're a part alien and try to find out 973 00:54:01,840 --> 00:54:07,279 Speaker 1: who invented the microchip and the microwave and those were 974 00:54:07,400 --> 00:54:12,560 Speaker 1: gifts from extraterrestrials. Wow, it's like alien intelligence. That's like 975 00:54:12,640 --> 00:54:17,160 Speaker 1: the government worked into our daily society like that, and 976 00:54:17,160 --> 00:54:19,520 Speaker 1: now they're in our phones and follow us around everywhere. 977 00:54:19,760 --> 00:54:22,480 Speaker 1: But this is according to Carl, who is also according 978 00:54:22,520 --> 00:54:26,520 Speaker 1: to my mother about Carl, So it's like fourth hand information. 979 00:54:28,239 --> 00:54:32,880 Speaker 1: Is Carl, like, is Carl Ripertu is alien Carl? She 980 00:54:32,920 --> 00:54:37,000 Speaker 1: calls him crazy Carl, though, very close crazy Carl e g. Carl, 981 00:54:39,520 --> 00:54:43,880 Speaker 1: microwaves are a gift from no you know, I it 982 00:54:44,000 --> 00:54:48,280 Speaker 1: sounds outrageous and insane, but like, what about our regular 983 00:54:48,440 --> 00:54:52,680 Speaker 1: existence isn't outrageous and insane? You know, like the fact 984 00:54:52,680 --> 00:54:57,640 Speaker 1: that you go into a tube subterranean, go around the city, 985 00:54:57,760 --> 00:55:00,680 Speaker 1: then you you know, it's drop you off, and then 986 00:55:00,719 --> 00:55:03,640 Speaker 1: you hop on an airplane and fly to a different country. 987 00:55:03,760 --> 00:55:07,319 Speaker 1: You know, it's like we're living our our existence is 988 00:55:07,360 --> 00:55:10,880 Speaker 1: not so as normal as we perceive it to be. 989 00:55:11,000 --> 00:55:13,279 Speaker 1: I don't think oh, I don't think so either. I 990 00:55:13,640 --> 00:55:17,879 Speaker 1: fully get tripped out about even just the radio, Like 991 00:55:17,920 --> 00:55:21,319 Speaker 1: the radio and then the fact that cell phones and 992 00:55:21,360 --> 00:55:24,080 Speaker 1: like we're looking at each other in real time having 993 00:55:24,080 --> 00:55:28,000 Speaker 1: a conversation and you are at least what like four 994 00:55:28,040 --> 00:55:31,640 Speaker 1: thousand miles away from me yea or three thousand and 995 00:55:31,680 --> 00:55:35,279 Speaker 1: we in real time or having a conversation face to face, Like, 996 00:55:35,480 --> 00:55:41,399 Speaker 1: what the fuck? That doesn't make any sense? Thanks to Carl, 997 00:55:41,520 --> 00:55:44,200 Speaker 1: I'll say the name of my cat. So maybe Carl 998 00:55:44,360 --> 00:55:48,799 Speaker 1: is the alien we've always needed. Through Carl, we know 999 00:55:48,880 --> 00:55:54,640 Speaker 1: that the batteries and the microwave is a technology, and 1000 00:55:54,760 --> 00:55:57,279 Speaker 1: I think about it and like I am not high. No, 1001 00:55:57,520 --> 00:56:00,239 Speaker 1: I just sometimes think about technology and I'm like the 1002 00:56:00,239 --> 00:56:01,600 Speaker 1: fact that I can sit here and look at your 1003 00:56:01,600 --> 00:56:03,439 Speaker 1: face and talk to you and you're so far away 1004 00:56:03,480 --> 00:56:06,120 Speaker 1: as a trip. I think about a lot that like 1005 00:56:06,480 --> 00:56:10,160 Speaker 1: there there's probably people that are still alive today there there, 1006 00:56:10,280 --> 00:56:12,200 Speaker 1: it's getting up there in years, but there's people that 1007 00:56:12,239 --> 00:56:15,200 Speaker 1: were alive when there weren't at least as many planes 1008 00:56:15,200 --> 00:56:17,680 Speaker 1: in the sky, or any planes at all. You know, 1009 00:56:17,840 --> 00:56:20,960 Speaker 1: like what we here was the first commercial play. I 1010 00:56:21,000 --> 00:56:23,200 Speaker 1: don't know what year. I don't know what year was 1011 00:56:23,239 --> 00:56:26,440 Speaker 1: the first I'm looking at brad Well three is like 1012 00:56:26,480 --> 00:56:31,160 Speaker 1: the right brothers brothers Okay, so like our My grandfather 1013 00:56:31,320 --> 00:56:35,600 Speaker 1: was born in nineteen nineteen, So like people, maybe not 1014 00:56:35,640 --> 00:56:38,520 Speaker 1: so much anymore, but thirty years ago there were people 1015 00:56:38,560 --> 00:56:41,839 Speaker 1: that were alive, or forty years ago that there were 1016 00:56:41,880 --> 00:56:44,560 Speaker 1: any planes in the sky, and you would just never 1017 00:56:44,640 --> 00:56:47,800 Speaker 1: be able to it. I'm sorry, wait, go ahead and 1018 00:56:47,800 --> 00:56:51,440 Speaker 1: say it. My grandfather passed years ago. He remembers electricity 1019 00:56:51,520 --> 00:56:56,720 Speaker 1: being put into his barn as a kid. That right, yeah, yeah, totally, 1020 00:56:57,120 --> 00:57:01,360 Speaker 1: Like so like what we're living in out you know, 1021 00:57:01,680 --> 00:57:07,320 Speaker 1: it's just it's grown so exponentially so fast, like it's insane, 1022 00:57:07,360 --> 00:57:09,400 Speaker 1: and it continues to go, you know. Like I remember 1023 00:57:09,440 --> 00:57:13,560 Speaker 1: I took a break from television for ten years, and 1024 00:57:13,600 --> 00:57:16,320 Speaker 1: when I turned the TV back on and actually pay 1025 00:57:16,400 --> 00:57:20,280 Speaker 1: assension to it, I cannot believe the speed of everything. 1026 00:57:20,400 --> 00:57:23,800 Speaker 1: How everything was hitting you so much faster. It's crazy. 1027 00:57:24,160 --> 00:57:27,880 Speaker 1: We're downloading stuff in our own minds in ways that 1028 00:57:28,280 --> 00:57:31,440 Speaker 1: no one has ever had before. I sometimes have to 1029 00:57:31,480 --> 00:57:34,600 Speaker 1: take a break from like the consumption of media because 1030 00:57:34,960 --> 00:57:38,120 Speaker 1: it makes me feel like my head's gonna excellent. I'm 1031 00:57:38,160 --> 00:57:40,280 Speaker 1: not sure if that's like a good kind of thing 1032 00:57:40,440 --> 00:57:42,680 Speaker 1: or a bad thing, but I just sometimes have to 1033 00:57:42,760 --> 00:57:46,080 Speaker 1: like leave the phone at home, take a break, like 1034 00:57:46,240 --> 00:57:48,680 Speaker 1: go on a walk, go smell of flower, look at 1035 00:57:48,960 --> 00:57:52,600 Speaker 1: a tree, and be like, I'm going to disengage from 1036 00:57:52,720 --> 00:57:57,240 Speaker 1: the information. It's probably something that we should all do 1037 00:57:57,680 --> 00:58:01,000 Speaker 1: more frequently. But even just to do it like a 1038 00:58:01,040 --> 00:58:04,200 Speaker 1: couple of times in your life, I think it's hugely beneficial. 1039 00:58:04,280 --> 00:58:07,400 Speaker 1: I was in the jungle for ten days one time, 1040 00:58:07,840 --> 00:58:11,440 Speaker 1: where I wasn't even allowed to bring a book with me, 1041 00:58:12,320 --> 00:58:14,920 Speaker 1: you know, so everything that came out of that experience 1042 00:58:15,000 --> 00:58:17,480 Speaker 1: was all output. There was no input. The only input 1043 00:58:17,640 --> 00:58:20,880 Speaker 1: was the jungle that I was in you know, and uh, 1044 00:58:21,080 --> 00:58:24,560 Speaker 1: it was. It was so intense, it was so powerful. 1045 00:58:24,680 --> 00:58:26,760 Speaker 1: It was like, you know when people say that had 1046 00:58:26,800 --> 00:58:29,040 Speaker 1: a life changing experience, that was a truly life changing 1047 00:58:29,040 --> 00:58:32,000 Speaker 1: experience for me. It was the first time and probably 1048 00:58:32,000 --> 00:58:34,680 Speaker 1: the only time where there was no input all The 1049 00:58:34,920 --> 00:58:37,960 Speaker 1: only input was natural was nature. And that was in 1050 00:58:38,880 --> 00:58:42,160 Speaker 1: well because in times like I would imagine I've been 1051 00:58:42,200 --> 00:58:44,720 Speaker 1: in the Proving jungle a long time ago, and my 1052 00:58:44,760 --> 00:58:48,320 Speaker 1: mom was there, So I'm not like, was your mom 1053 00:58:48,320 --> 00:58:52,040 Speaker 1: withol you? My mom wasn't. I wish, but she was 1054 00:58:52,080 --> 00:58:54,520 Speaker 1: not there. My mom was with me, So I was 1055 00:58:54,600 --> 00:58:57,840 Speaker 1: like I was sneaking out and drinking like a little 1056 00:58:57,840 --> 00:59:00,000 Speaker 1: bit of like I don't know, some sort of alcohol 1057 00:59:00,000 --> 00:59:01,880 Speaker 1: all they made in the middle of the Provian jungle 1058 00:59:01,920 --> 00:59:04,280 Speaker 1: and like running around, and you know, it was like 1059 00:59:04,320 --> 00:59:07,240 Speaker 1: there's this element of being like a bad young kid. 1060 00:59:08,160 --> 00:59:11,240 Speaker 1: I definitely wasn't on like a spiritual quest quite yet. 1061 00:59:11,440 --> 00:59:14,320 Speaker 1: Sure I would love to revisit as an adult in 1062 00:59:14,400 --> 00:59:17,320 Speaker 1: my mind because I was like seventeen, Well we're you know, 1063 00:59:17,360 --> 00:59:21,560 Speaker 1: we're talking about extra terrestrial with like the jungle is 1064 00:59:21,560 --> 00:59:26,640 Speaker 1: a completely different terrestrial experience, you know, like that's you know, 1065 00:59:26,800 --> 00:59:31,840 Speaker 1: it was opposite of everything I've ever experienced here, you know, 1066 00:59:32,000 --> 00:59:38,040 Speaker 1: and like, and that's happening all over the planet, you know, 1067 00:59:38,560 --> 00:59:41,880 Speaker 1: as we're living these lives with the cell phones and 1068 00:59:41,960 --> 00:59:43,880 Speaker 1: everything that you said we had to take a break from, 1069 00:59:43,960 --> 00:59:50,880 Speaker 1: you know, and it's like, it's pretty amazing. That's what. Okay. 1070 00:59:50,920 --> 00:59:53,360 Speaker 1: That was the point was that I would be if 1071 00:59:53,400 --> 00:59:57,680 Speaker 1: I went there now, and especially if I um, which 1072 00:59:57,720 --> 01:00:01,480 Speaker 1: I've never done Ayahuaska. But apparently it's life changing, especially 1073 01:00:01,520 --> 01:00:04,520 Speaker 1: if you do it in the proving jungle from multiple 1074 01:00:04,560 --> 01:00:10,800 Speaker 1: people I've just heard it's like just really a purge 1075 01:00:10,840 --> 01:00:13,960 Speaker 1: for your brain and body and soul and system of 1076 01:00:14,160 --> 01:00:17,600 Speaker 1: just everything. Yeah, it's It's informed a lot of what 1077 01:00:17,880 --> 01:00:20,560 Speaker 1: I practice and a lot of the arts and I 1078 01:00:20,680 --> 01:00:23,320 Speaker 1: make and the way I live my life. I've been 1079 01:00:23,320 --> 01:00:28,360 Speaker 1: working with that plant for twelve years now, thirteen years now, 1080 01:00:28,920 --> 01:00:32,040 Speaker 1: so because I have never done it, because let me 1081 01:00:32,360 --> 01:00:35,120 Speaker 1: preface it with I've heard it last for like three days, 1082 01:00:35,200 --> 01:00:38,919 Speaker 1: which I am not about to commit to something for 1083 01:00:39,040 --> 01:00:43,080 Speaker 1: three days. It really doesn't um. It only lasts for 1084 01:00:43,160 --> 01:00:46,800 Speaker 1: about seven hours here in the afterglow of it for 1085 01:00:47,080 --> 01:00:50,520 Speaker 1: three days, which is amazing, and sometimes even three months. 1086 01:00:51,000 --> 01:00:53,800 Speaker 1: But the effect the effect of drinking the plant only 1087 01:00:53,880 --> 01:00:57,880 Speaker 1: lasts for about seven hours, seven to ten hours, is it? Like? 1088 01:00:58,520 --> 01:01:00,480 Speaker 1: Did you do it in Peru and the jung I've 1089 01:01:00,560 --> 01:01:03,320 Speaker 1: done it in the States a lot and in groves 1090 01:01:03,680 --> 01:01:06,600 Speaker 1: in the jungle and with like would you call shaman 1091 01:01:06,720 --> 01:01:10,480 Speaker 1: or with the shaman? Yeah? With the shaman yeah, and 1092 01:01:10,840 --> 01:01:15,360 Speaker 1: that it's huge. Like so it's to me not only 1093 01:01:15,520 --> 01:01:19,200 Speaker 1: you know, the plant is a very powerful plant. It's 1094 01:01:19,240 --> 01:01:21,640 Speaker 1: it contains the knowledge of all the other plants in 1095 01:01:21,640 --> 01:01:24,920 Speaker 1: the jungle. It's like the grandmother plant. You know, it 1096 01:01:25,040 --> 01:01:30,840 Speaker 1: holds the basic, the entire thematic of how everything works 1097 01:01:30,840 --> 01:01:36,080 Speaker 1: in the jungle. But also the ceremony with the shaman 1098 01:01:36,640 --> 01:01:40,840 Speaker 1: is a truly alchemic experience because what's happening is you're 1099 01:01:40,920 --> 01:01:44,000 Speaker 1: drinking the plant. It's inside of you. The shaman is 1100 01:01:44,080 --> 01:01:48,000 Speaker 1: outside of you, singing songs that the plants reacting to 1101 01:01:48,080 --> 01:01:50,920 Speaker 1: the song inside your body. So almost think of like 1102 01:01:50,960 --> 01:01:53,320 Speaker 1: snake charming, Like if there was a snake inside of 1103 01:01:53,360 --> 01:01:55,320 Speaker 1: you and then someone outside of you was playing in 1104 01:01:55,320 --> 01:01:58,280 Speaker 1: the flute. That's what's happening with this plant. And the 1105 01:01:58,680 --> 01:02:01,720 Speaker 1: ego is is what the song is called. So it's 1106 01:02:01,760 --> 01:02:05,960 Speaker 1: this powerful experience where you know, like it's true alchemy. 1107 01:02:06,000 --> 01:02:09,640 Speaker 1: True magic is happening when when the ceremony is conducted 1108 01:02:09,680 --> 01:02:11,840 Speaker 1: in the right manner. I don't know what about that 1109 01:02:11,880 --> 01:02:13,960 Speaker 1: plant in particular. Maybe it's just because I've been so 1110 01:02:14,000 --> 01:02:17,200 Speaker 1: curious about it, and it's like I've always wanted to 1111 01:02:17,200 --> 01:02:20,040 Speaker 1: try it, and I'm also terrified of it. And it's 1112 01:02:20,040 --> 01:02:22,200 Speaker 1: also how I feel about acid. It's like I've never 1113 01:02:22,480 --> 01:02:25,240 Speaker 1: done it, really scared of it, highly curious about it. 1114 01:02:25,320 --> 01:02:26,880 Speaker 1: I don't know if I need to try it. There 1115 01:02:26,920 --> 01:02:31,200 Speaker 1: are things like that which might completely mind bend my brain. 1116 01:02:31,440 --> 01:02:35,640 Speaker 1: But I also am scared of it because every single 1117 01:02:35,680 --> 01:02:39,680 Speaker 1: time I've drink it, I've been terrified that never goes away. 1118 01:02:40,000 --> 01:02:43,439 Speaker 1: You know. It's like skydiving, you know, or like and 1119 01:02:43,480 --> 01:02:45,720 Speaker 1: I mean, and I hate to say that, because a 1120 01:02:45,760 --> 01:02:48,280 Speaker 1: lot of people approach it as like an adrenaline rush 1121 01:02:48,600 --> 01:02:51,520 Speaker 1: kind of thing too. You know. I think people wanted 1122 01:02:51,480 --> 01:02:55,040 Speaker 1: to be like those spiritual bungee jumpers or whatever. But 1123 01:02:55,480 --> 01:02:59,160 Speaker 1: I don't want to be any kind of bungee jumper. No, no, 1124 01:03:00,080 --> 01:03:03,240 Speaker 1: I mean neither. But if there is a level of 1125 01:03:03,280 --> 01:03:05,360 Speaker 1: fear that you kind of have to conquer, you know, 1126 01:03:05,520 --> 01:03:08,360 Speaker 1: and like you know, because you're kind of like taking 1127 01:03:08,560 --> 01:03:11,240 Speaker 1: yourself out of your body. You know, you're taking yourself 1128 01:03:11,280 --> 01:03:13,960 Speaker 1: out of your mind. You know, when people say you're 1129 01:03:14,000 --> 01:03:15,880 Speaker 1: out of your mind, you know, or like I got 1130 01:03:15,880 --> 01:03:18,280 Speaker 1: out of my mind on this drug or whatever, you 1131 01:03:18,320 --> 01:03:20,960 Speaker 1: are truly out of your mind. And it's a good thing. 1132 01:03:21,080 --> 01:03:23,160 Speaker 1: It's probably the best thing you can do for yourself 1133 01:03:23,200 --> 01:03:25,440 Speaker 1: is take yourself out of your mind for eight hours, 1134 01:03:25,880 --> 01:03:28,320 Speaker 1: you know, and to let this plant do its work, 1135 01:03:28,600 --> 01:03:33,320 Speaker 1: because it's got a huge healing aspect to it, it's 1136 01:03:33,360 --> 01:03:36,120 Speaker 1: got a huge teaching aspect to it, and it has 1137 01:03:36,160 --> 01:03:40,200 Speaker 1: a huge revelatory aspect that you can like bring you 1138 01:03:40,280 --> 01:03:43,040 Speaker 1: to higher states of consciousness. You're by far not the 1139 01:03:43,080 --> 01:03:45,680 Speaker 1: first person that told me that, but yeah, I said 1140 01:03:45,680 --> 01:03:47,240 Speaker 1: to see, when you say out of your mind, I 1141 01:03:47,240 --> 01:03:49,640 Speaker 1: feel like I'm already a little out of my mind. 1142 01:03:49,840 --> 01:03:52,720 Speaker 1: So I'm scared to get any more out of my mind. 1143 01:03:54,080 --> 01:03:56,120 Speaker 1: I'm not trying to I'm also trying not to tell 1144 01:03:56,160 --> 01:03:58,400 Speaker 1: you might not ever need to do it, and it 1145 01:03:58,480 --> 01:04:01,080 Speaker 1: might not ever happened, and you're life would be great 1146 01:04:01,160 --> 01:04:03,360 Speaker 1: without it as well. But if you ever have the 1147 01:04:03,360 --> 01:04:08,560 Speaker 1: opportunity and you feel called the nervousness and anticipation and anxiety. 1148 01:04:08,600 --> 01:04:11,400 Speaker 1: You might feel you can conquer it. You've done a 1149 01:04:11,440 --> 01:04:13,800 Speaker 1: lot more scary stuff in your life. I feel like 1150 01:04:13,840 --> 01:04:18,439 Speaker 1: I used to thrive on anxiety, and now that I've 1151 01:04:18,600 --> 01:04:20,800 Speaker 1: had a break from it, I'm like, I don't want 1152 01:04:20,840 --> 01:04:23,240 Speaker 1: to feel super anxious all the time. It's a whole 1153 01:04:23,400 --> 01:04:24,960 Speaker 1: I feel like my life is going to be totally 1154 01:04:25,000 --> 01:04:28,520 Speaker 1: changed after this year. Anxiety sucks, man, Anxiety is like 1155 01:04:28,560 --> 01:04:31,200 Speaker 1: one of the worst, And like, yeah, if you can 1156 01:04:31,240 --> 01:04:32,720 Speaker 1: get there, if you can get to a place in 1157 01:04:32,760 --> 01:04:38,480 Speaker 1: your life where you're experiencing minimal anxiety, if not any anxiety, Matt, 1158 01:04:38,520 --> 01:04:41,320 Speaker 1: I think you've you've won. God, that sounds like heaven. 1159 01:04:41,920 --> 01:04:44,400 Speaker 1: I honestly don't know if I know what that feels like. 1160 01:04:45,320 --> 01:04:49,240 Speaker 1: My goal, after I had this crazy trip of experience 1161 01:04:49,240 --> 01:04:52,160 Speaker 1: where I met the consciousness of infinite goodness, of my 1162 01:04:52,240 --> 01:04:55,640 Speaker 1: goal became to vibrate on the level of a neutron, 1163 01:04:56,120 --> 01:05:01,080 Speaker 1: completely neutral, because then there's like the positive and the negative, 1164 01:05:01,240 --> 01:05:03,600 Speaker 1: and then there's the neutral, and you get peace when 1165 01:05:03,640 --> 01:05:06,720 Speaker 1: you're at the neutral. This is what the consciousness of 1166 01:05:06,720 --> 01:05:09,120 Speaker 1: infinite goodness was like. You just gotta like bring your 1167 01:05:09,200 --> 01:05:12,400 Speaker 1: levels to be like pure peace, total peace. If that 1168 01:05:12,440 --> 01:05:15,440 Speaker 1: makes any sense. Do you believe in heaven? I believe 1169 01:05:15,480 --> 01:05:19,680 Speaker 1: in I believe in reincarnation, sure, but I don't know 1170 01:05:19,720 --> 01:05:22,120 Speaker 1: if I believe in heaven. I don't think you like, 1171 01:05:22,200 --> 01:05:24,280 Speaker 1: go to a place and there's like a guy with 1172 01:05:24,320 --> 01:05:27,600 Speaker 1: a with a you know, like a doorman with a 1173 01:05:28,000 --> 01:05:30,240 Speaker 1: you know St Peter that the guy who checks you in, 1174 01:05:30,520 --> 01:05:33,200 Speaker 1: Oh my God, would be the worst, would be the worst, 1175 01:05:33,520 --> 01:05:36,880 Speaker 1: like childhood trauma, high school ship if you literally die 1176 01:05:36,880 --> 01:05:39,120 Speaker 1: in there, like sorry v I p You're not on 1177 01:05:39,160 --> 01:05:41,760 Speaker 1: the list. You have to get the less cool place. 1178 01:05:42,200 --> 01:05:48,040 Speaker 1: The story of my life suck. I really hope there's 1179 01:05:48,040 --> 01:05:50,640 Speaker 1: not a heaven. I would be so passed. I don't 1180 01:05:50,640 --> 01:05:54,400 Speaker 1: think that's what it is to me. Heaven is a 1181 01:05:54,440 --> 01:05:57,439 Speaker 1: place that you can get to in your life where 1182 01:05:57,480 --> 01:06:00,960 Speaker 1: you have no needs. I think that's evan. So I 1183 01:06:00,960 --> 01:06:03,080 Speaker 1: did want to ask you one thing that you texted 1184 01:06:03,080 --> 01:06:07,040 Speaker 1: me about. Okay, the UFOs in the Andes Mountains. You 1185 01:06:07,160 --> 01:06:09,840 Speaker 1: brought that up in the same text with the psychic nun, 1186 01:06:09,920 --> 01:06:12,920 Speaker 1: and I just I have to at least ask you 1187 01:06:13,240 --> 01:06:17,360 Speaker 1: what you're talking about. Okay, Well, it's just I think 1188 01:06:17,800 --> 01:06:22,000 Speaker 1: I should probably should be better grammar because maybe it's 1189 01:06:22,040 --> 01:06:27,480 Speaker 1: my fault, my fault. The telepathic thing was I met 1190 01:06:27,560 --> 01:06:32,439 Speaker 1: some status in India or actually one is the stain 1191 01:06:33,320 --> 01:06:36,120 Speaker 1: the stat in India. Do you know what no, I 1192 01:06:36,160 --> 01:06:38,040 Speaker 1: was going to ask you. I have no idea whether 1193 01:06:38,120 --> 01:06:39,520 Speaker 1: I saw do is you put that in the text 1194 01:06:39,520 --> 01:06:43,919 Speaker 1: too and I was I didn't know. So there's there's 1195 01:06:43,920 --> 01:06:48,920 Speaker 1: status in India. And a true meaning of a sadu 1196 01:06:49,000 --> 01:06:51,600 Speaker 1: is someone who's efficient. Like I was saying just just 1197 01:06:51,640 --> 01:06:54,880 Speaker 1: a second ago, these are people that don't have kneeds, 1198 01:06:55,200 --> 01:07:01,440 Speaker 1: you know, like they they they eat and people feed them. 1199 01:07:01,480 --> 01:07:04,640 Speaker 1: You know, they just have like a cloth, they don't 1200 01:07:04,680 --> 01:07:08,960 Speaker 1: even have clothes, um, you know. They and if they 1201 01:07:08,960 --> 01:07:11,680 Speaker 1: don't get said, they just don't eat. They don't need 1202 01:07:11,720 --> 01:07:15,440 Speaker 1: to eat. They and a lot of them don't talk either. 1203 01:07:15,680 --> 01:07:20,400 Speaker 1: They don't feel the need to have verbal communication and uh, 1204 01:07:21,560 --> 01:07:25,080 Speaker 1: but they do communicate telepathically. And I've spent a lot 1205 01:07:25,080 --> 01:07:28,240 Speaker 1: of time with a few of them. One in particularly 1206 01:07:28,720 --> 01:07:32,920 Speaker 1: on a on a mountain, uh called Mountain Aronachuala in 1207 01:07:33,000 --> 01:07:38,280 Speaker 1: South India, and he communicates completely telepathically. He doesn't talk 1208 01:07:38,280 --> 01:07:40,520 Speaker 1: to anyone, but he has people that come and sit 1209 01:07:40,560 --> 01:07:43,560 Speaker 1: with them and he just sits. That's all. He does, 1210 01:07:43,760 --> 01:07:46,160 Speaker 1: and he's just sitting and sitting and sitting for hours 1211 01:07:46,160 --> 01:07:49,200 Speaker 1: and hours a day. But when you're with him, there's 1212 01:07:49,240 --> 01:07:50,840 Speaker 1: a lot to be learned and a lot to be 1213 01:07:51,160 --> 01:07:56,680 Speaker 1: stilled and experienced. And U people that are you know, 1214 01:07:56,760 --> 01:07:59,560 Speaker 1: I definitely got something from being with them. But I 1215 01:07:59,680 --> 01:08:03,640 Speaker 1: was there with my teacher who was completely on a 1216 01:08:04,120 --> 01:08:08,240 Speaker 1: on a telepathic communication with him, like, uh, we went 1217 01:08:08,280 --> 01:08:11,480 Speaker 1: there to see him daily and he was getting a 1218 01:08:11,520 --> 01:08:14,720 Speaker 1: lot from him, and uh, they were, they were there 1219 01:08:14,760 --> 01:08:17,040 Speaker 1: was this like play going on between the two of them. 1220 01:08:17,040 --> 01:08:19,360 Speaker 1: And I saw that, you know, because I know him 1221 01:08:19,479 --> 01:08:23,040 Speaker 1: very well, and I saw he would chant to him, 1222 01:08:23,280 --> 01:08:26,599 Speaker 1: he would reach scripture to him, and the saint would 1223 01:08:26,600 --> 01:08:30,680 Speaker 1: just sit there and listen and bless us God, just 1224 01:08:31,040 --> 01:08:34,439 Speaker 1: with just his eyes. But yeah, I'm not saying a 1225 01:08:34,520 --> 01:08:38,479 Speaker 1: word and not that's so crazy. I mean, it's not crazy. 1226 01:08:38,600 --> 01:08:43,479 Speaker 1: It sounds actually like the least crazy thing, but it's yeah, 1227 01:08:43,520 --> 01:08:47,160 Speaker 1: it's actually totally sane. This this person is totally at piece. 1228 01:08:47,280 --> 01:08:49,760 Speaker 1: You know, he's just like he's a stone, you know, 1229 01:08:49,800 --> 01:08:54,120 Speaker 1: but you feel this joy and he eminates joy. He 1230 01:08:54,320 --> 01:08:58,920 Speaker 1: vibrates joy and love and also like just a lot 1231 01:08:58,960 --> 01:09:01,719 Speaker 1: to learn by example, you know, it's inspiring to see 1232 01:09:01,760 --> 01:09:04,680 Speaker 1: somebody like I'm not gonna go to a mountain and 1233 01:09:04,800 --> 01:09:06,880 Speaker 1: just sit there and not talk to anyone. That's not 1234 01:09:07,000 --> 01:09:09,479 Speaker 1: my path. But I get a lot of term being 1235 01:09:09,479 --> 01:09:12,200 Speaker 1: around someone like that, you know, to be around someone 1236 01:09:12,240 --> 01:09:15,600 Speaker 1: that has no needs and who has elevated themselves that 1237 01:09:15,720 --> 01:09:18,559 Speaker 1: they can talk to me without even speaking, and they 1238 01:09:18,560 --> 01:09:21,559 Speaker 1: can teach me without even speaking. Did you feel like 1239 01:09:21,680 --> 01:09:27,400 Speaker 1: you works like receiving anything? Oh, totally undercent. I was 1240 01:09:27,520 --> 01:09:35,440 Speaker 1: receiving messages and just like it causes like a reflection 1241 01:09:35,680 --> 01:09:39,240 Speaker 1: upon myself, it causes inquiry mself, like, Wow, this person 1242 01:09:39,320 --> 01:09:43,400 Speaker 1: doesn't need anything, and this person is beyond the scope 1243 01:09:43,479 --> 01:09:46,600 Speaker 1: of any kind of tyranny, you know, any kind of 1244 01:09:46,640 --> 01:09:51,000 Speaker 1: psychic tyranny, any kind of obligational tyranny, any kind of 1245 01:09:51,080 --> 01:09:55,320 Speaker 1: law tyranny, any kind of international national tyranny, government tyranny, 1246 01:09:55,760 --> 01:09:59,720 Speaker 1: you know, family tyranny. You know, like any of the 1247 01:09:59,800 --> 01:10:03,560 Speaker 1: thing is that play guts in our daily you know, struggle, 1248 01:10:03,680 --> 01:10:07,439 Speaker 1: he's he doesn't, it's not there. So it's just like 1249 01:10:07,479 --> 01:10:11,120 Speaker 1: a clear channel of like truth, you know. And to 1250 01:10:11,160 --> 01:10:13,800 Speaker 1: be able to sit with that and sit near even 1251 01:10:13,840 --> 01:10:17,759 Speaker 1: to sit near that's like a huge opportunity. The idea 1252 01:10:17,920 --> 01:10:23,439 Speaker 1: of having zero drama with anything or anyone is a 1253 01:10:23,479 --> 01:10:25,920 Speaker 1: hard concept for me to even like wrap my brain 1254 01:10:25,960 --> 01:10:30,080 Speaker 1: around too, but it was actually able to see it. 1255 01:10:30,360 --> 01:10:34,640 Speaker 1: You know, it sounds beautiful. I try to like be 1256 01:10:34,840 --> 01:10:37,680 Speaker 1: less dramatic, but in my world, it's very different than 1257 01:10:37,720 --> 01:10:40,439 Speaker 1: being able to sit and not talk. I don't think 1258 01:10:40,439 --> 01:10:42,679 Speaker 1: I could do that for like an hour. I can't 1259 01:10:42,720 --> 01:10:45,720 Speaker 1: I wake up myself up from yelling. I can't even 1260 01:10:45,760 --> 01:10:48,840 Speaker 1: sleep and not talk, like I can't keep my damn 1261 01:10:48,880 --> 01:10:53,760 Speaker 1: mouth shut. But maybe that's just not my path this lifetime. Yeah, 1262 01:10:54,520 --> 01:10:57,960 Speaker 1: And that's the thing, Like, are what we've done in 1263 01:10:58,040 --> 01:11:01,000 Speaker 1: our in this life and in prior eves, And I 1264 01:11:01,040 --> 01:11:04,920 Speaker 1: think that kind of determines that, you know, like we 1265 01:11:04,920 --> 01:11:06,960 Speaker 1: we have to have some drama in our last because 1266 01:11:07,680 --> 01:11:10,240 Speaker 1: you know, we were drawn towards it. I think people 1267 01:11:10,240 --> 01:11:13,960 Speaker 1: are naturally drawn towards drama. This is my own hypothesizing 1268 01:11:14,040 --> 01:11:17,040 Speaker 1: happening in my brain. But I think people like having 1269 01:11:17,120 --> 01:11:20,200 Speaker 1: dramas so then they don't have to focus on anything inward. 1270 01:11:20,400 --> 01:11:26,439 Speaker 1: But so the drama of like television, politics, friends, high school, 1271 01:11:27,439 --> 01:11:31,800 Speaker 1: whatever is going on, celebrity culture, it just like is 1272 01:11:31,840 --> 01:11:36,880 Speaker 1: a great distraction from having to like look inward. Yeah, 1273 01:11:37,080 --> 01:11:39,960 Speaker 1: I think, you know, there's huge dopamine hits from all 1274 01:11:39,960 --> 01:11:42,880 Speaker 1: that what they call it doom scrolling when you're like 1275 01:11:42,920 --> 01:11:46,360 Speaker 1: scrolling through through like Twitter and stuff, especially with the 1276 01:11:46,400 --> 01:11:50,000 Speaker 1: election and stuff. I was so guilty of it. Me too. 1277 01:11:50,080 --> 01:11:52,800 Speaker 1: I was completely consumed by it. But like, I see 1278 01:11:52,960 --> 01:11:56,080 Speaker 1: your what you're getting from doing that is just like tiny, 1279 01:11:56,320 --> 01:12:00,720 Speaker 1: like dirty versions of what you could be getting if 1280 01:12:00,720 --> 01:12:03,320 Speaker 1: you just put it all aside and go inwards. I know, 1281 01:12:03,439 --> 01:12:06,360 Speaker 1: it feels really dirty. That's the exact word I would 1282 01:12:06,479 --> 01:12:10,080 Speaker 1: use to like describe as Whenever I like I'm looking 1283 01:12:10,320 --> 01:12:12,679 Speaker 1: through that kind of stuff, I feel like I hope 1284 01:12:12,840 --> 01:12:15,720 Speaker 1: like no one sees me doing this because I'm not 1285 01:12:15,840 --> 01:12:18,519 Speaker 1: proud of it. Like it feels icky. I'm like, hey, 1286 01:12:18,520 --> 01:12:20,639 Speaker 1: why are you being like why are you looking at 1287 01:12:20,680 --> 01:12:23,519 Speaker 1: this ship? It's gonna make you feel bad? But then 1288 01:12:23,560 --> 01:12:26,040 Speaker 1: I do it. It's the weirdest thing. I think there's 1289 01:12:26,080 --> 01:12:28,720 Speaker 1: like a dopamine effect you know, that you get from it, 1290 01:12:28,840 --> 01:12:32,040 Speaker 1: you know, And I've heard like, so I'm recently was 1291 01:12:32,160 --> 01:12:35,439 Speaker 1: explaining it to me that like when you see someone 1292 01:12:35,720 --> 01:12:38,240 Speaker 1: that you think is right, you know, in the midst 1293 01:12:38,280 --> 01:12:40,600 Speaker 1: of all this, you know, like, you know, whatever the 1294 01:12:40,960 --> 01:12:44,120 Speaker 1: prosecutor that's going to take out Trump or the person 1295 01:12:44,280 --> 01:12:48,360 Speaker 1: you know, the president that wins or whatever. When you 1296 01:12:48,439 --> 01:12:52,000 Speaker 1: align yourself with those people, you know, it's like, oh, okay, 1297 01:12:52,080 --> 01:12:54,800 Speaker 1: this this person is on my side, you know, and 1298 01:12:54,840 --> 01:12:58,320 Speaker 1: you identify that. There's like a dopamine effect with that, 1299 01:12:58,920 --> 01:13:00,360 Speaker 1: you know, and that's why we always want to go 1300 01:13:00,400 --> 01:13:04,439 Speaker 1: back to that. Yeah, exactly, there's some merit in there somewhere, 1301 01:13:04,560 --> 01:13:06,719 Speaker 1: you know, maybe that like we're trying to align ourselves 1302 01:13:06,720 --> 01:13:10,000 Speaker 1: with good you know, and like it's also like we're 1303 01:13:10,040 --> 01:13:14,639 Speaker 1: in a fucking seriously crazy time on the planet, so 1304 01:13:14,680 --> 01:13:16,800 Speaker 1: I think it's important to kind of pay attention to 1305 01:13:16,880 --> 01:13:19,200 Speaker 1: it in some respects. But we can't let it. We 1306 01:13:19,240 --> 01:13:21,519 Speaker 1: can't let it dictate who we really are. No, It's 1307 01:13:21,560 --> 01:13:24,840 Speaker 1: so it's really like it's confusing because sometimes I'll not 1308 01:13:25,080 --> 01:13:27,960 Speaker 1: have any idea what or who someone's talking about, so 1309 01:13:27,960 --> 01:13:31,600 Speaker 1: I feel out of touch with some sort of cultural reference. 1310 01:13:32,640 --> 01:13:35,679 Speaker 1: But at the other end, my mom kind of raised 1311 01:13:35,760 --> 01:13:38,599 Speaker 1: us not too. We didn't watch cartoons, we didn't really 1312 01:13:38,640 --> 01:13:43,040 Speaker 1: watch movies, Like I saw conn Air and I saw 1313 01:13:43,200 --> 01:13:46,040 Speaker 1: Face Off for the first time like this year, and 1314 01:13:46,120 --> 01:13:52,400 Speaker 1: it blew my fucking mind. And but like everyone else, 1315 01:13:52,439 --> 01:13:53,720 Speaker 1: and I was like, yeah, I saw that when I 1316 01:13:53,760 --> 01:13:56,519 Speaker 1: was ten, where have you been? And my mom just 1317 01:13:56,600 --> 01:14:00,800 Speaker 1: like was like, go outside, write songs, catch firefly, don't 1318 01:14:00,800 --> 01:14:04,760 Speaker 1: go on a TV. No. So I don't even like 1319 01:14:05,120 --> 01:14:08,960 Speaker 1: the cartoons. I see in really nice pieces of art 1320 01:14:09,680 --> 01:14:11,439 Speaker 1: and there's like a cartoon. I don't know who the 1321 01:14:11,479 --> 01:14:14,799 Speaker 1: cartoon is. I feel so stupid. But it's also because 1322 01:14:14,800 --> 01:14:17,200 Speaker 1: I was just being present in my life as a child, 1323 01:14:17,280 --> 01:14:19,040 Speaker 1: because that was the way my mom raised me. So 1324 01:14:19,080 --> 01:14:21,519 Speaker 1: it's this weird thing. I don't get a lot of 1325 01:14:21,560 --> 01:14:24,840 Speaker 1: cultural references though, you know that what made me look 1326 01:14:24,920 --> 01:14:27,920 Speaker 1: that made me think of and it's it's a kind 1327 01:14:27,920 --> 01:14:31,839 Speaker 1: of a weird obscure reference. But like, do you remember 1328 01:14:31,880 --> 01:14:35,760 Speaker 1: when there was that huge months soon there's a huge 1329 01:14:35,760 --> 01:14:39,240 Speaker 1: tidal waves? I think it happened in like early two 1330 01:14:39,280 --> 01:14:43,840 Speaker 1: thousands in Japan. No, not the Japanese one. There's warm 1331 01:14:43,920 --> 01:14:46,639 Speaker 1: right before that. It was like I think it happened 1332 01:14:46,680 --> 01:14:49,559 Speaker 1: like in the Fiji Islands. I do remember what you're 1333 01:14:49,560 --> 01:14:53,360 Speaker 1: talking about. Yeah, so what I remember hearing that, Like 1334 01:14:53,960 --> 01:14:57,280 Speaker 1: first there was a huge wave and it crashed on 1335 01:14:57,320 --> 01:15:01,240 Speaker 1: the beach and it was eat it, and it brought 1336 01:15:01,320 --> 01:15:05,080 Speaker 1: all these fish onto the beach, and like all these 1337 01:15:05,160 --> 01:15:08,880 Speaker 1: children and even like villagers came out and like went 1338 01:15:08,960 --> 01:15:10,599 Speaker 1: and looked at the fish because they were fish they'd 1339 01:15:10,680 --> 01:15:13,400 Speaker 1: never seen before, you know, they came from deep in 1340 01:15:13,439 --> 01:15:18,160 Speaker 1: the ocean, and then the big waves came. And I 1341 01:15:18,200 --> 01:15:20,400 Speaker 1: feel like that kind of happens with us when we 1342 01:15:20,400 --> 01:15:23,559 Speaker 1: we haven't been exposed to stuff like the Age of Wonder, 1343 01:15:24,200 --> 01:15:28,639 Speaker 1: you know, like and the curiosity, like how that can 1344 01:15:28,680 --> 01:15:31,880 Speaker 1: definitely bring us to a demise, you know, you know 1345 01:15:31,880 --> 01:15:34,519 Speaker 1: what I mean, Like, yeah, I'm I would be there 1346 01:15:34,640 --> 01:15:36,880 Speaker 1: staring at a fish from the deep ocean. I would 1347 01:15:36,920 --> 01:15:40,559 Speaker 1: be right front and center for that. Or watching conn 1348 01:15:40,640 --> 01:15:44,040 Speaker 1: Air while that you know, will the well while Rome 1349 01:15:44,160 --> 01:15:50,240 Speaker 1: is burning, you know, like I'll watch so much TV, 1350 01:15:50,520 --> 01:15:52,799 Speaker 1: you know all. You know, I'm sitting in the temple 1351 01:15:52,880 --> 01:15:54,960 Speaker 1: right now, and I go inside and I'll watch TV. 1352 01:15:55,479 --> 01:15:58,439 Speaker 1: You know. Um, that makes me feel good about myself. 1353 01:15:58,479 --> 01:16:01,120 Speaker 1: Though you're sitting in a temple you built, that you 1354 01:16:01,200 --> 01:16:05,120 Speaker 1: have made. It's a beautiful piece of art. You're a magical, 1355 01:16:06,000 --> 01:16:09,160 Speaker 1: mystical human and you're about to do inside much TV 1356 01:16:09,280 --> 01:16:11,880 Speaker 1: And I might go watch Nicolas Cage movie and like 1357 01:16:12,439 --> 01:16:16,559 Speaker 1: that's human, it's okay, Yeah, it's a pandemic. Yeah, and 1358 01:16:16,680 --> 01:16:19,360 Speaker 1: we should we shouldn't be so hard on partner ourselves. 1359 01:16:19,439 --> 01:16:23,640 Speaker 1: And like when you see, I don't know, I'm not 1360 01:16:23,760 --> 01:16:26,400 Speaker 1: I'm not about the rules, you know, like all the 1361 01:16:26,439 --> 01:16:31,960 Speaker 1: different rules. I love. I love lineage, and I love teachings, 1362 01:16:32,000 --> 01:16:36,559 Speaker 1: and I love preserving those things and like a binding 1363 01:16:36,640 --> 01:16:39,200 Speaker 1: by them and like trying to stick to them as 1364 01:16:39,280 --> 01:16:42,680 Speaker 1: close to being prescribed as possible. But you have to 1365 01:16:42,720 --> 01:16:46,680 Speaker 1: do it your own way, for sure, I agree. All right? 1366 01:16:46,680 --> 01:16:49,160 Speaker 1: Can I ask you a couple of just stupid questions 1367 01:16:49,240 --> 01:16:53,639 Speaker 1: and then yeah, okay, great, let's get stupid. Let's get stupid. 1368 01:16:53,720 --> 01:16:57,439 Speaker 1: We're about to get stupid. Here. Would you rather be? Well, 1369 01:16:57,800 --> 01:16:59,439 Speaker 1: this one, I think you already. I think I know 1370 01:16:59,479 --> 01:17:02,120 Speaker 1: the answer. Would you rather be abducted by aliens? Or 1371 01:17:02,200 --> 01:17:05,920 Speaker 1: sleep in a truly haunted house alone for a night. 1372 01:17:07,120 --> 01:17:09,960 Speaker 1: I would go for the alien abduction. See, I think 1373 01:17:09,960 --> 01:17:13,280 Speaker 1: I might too, But I'm also like, no shade to 1374 01:17:13,320 --> 01:17:16,160 Speaker 1: the ghost, because some ghost can be friendly. That's in 1375 01:17:16,200 --> 01:17:20,200 Speaker 1: my experience. Okay, what would be like your style of haunting? 1376 01:17:20,439 --> 01:17:24,400 Speaker 1: If and when you're a ghost someone? Yeah, like, how 1377 01:17:24,400 --> 01:17:28,200 Speaker 1: would we know it's you. Oh okay, geez, that's a 1378 01:17:28,240 --> 01:17:30,960 Speaker 1: great question. I would like I would love to be 1379 01:17:31,000 --> 01:17:34,000 Speaker 1: able to play an instrument as a ghost, you know, 1380 01:17:34,040 --> 01:17:37,000 Speaker 1: like a flute, you know, like if you heard the 1381 01:17:37,040 --> 01:17:41,479 Speaker 1: flute playing, you're like, oh, he's here, Like Jethroats. I 1382 01:17:41,600 --> 01:17:43,519 Speaker 1: was in a haunted house one time where if you 1383 01:17:43,560 --> 01:17:47,960 Speaker 1: played the piano, the ghost would start kicking around upstairs. 1384 01:17:48,439 --> 01:17:51,760 Speaker 1: I love that. Yeah, and it didn't seem like it 1385 01:17:51,800 --> 01:17:54,960 Speaker 1: was happy though. I feel like it was. It was 1386 01:17:55,000 --> 01:17:57,559 Speaker 1: their piano and they didn't want other people playing it. 1387 01:17:57,800 --> 01:18:00,200 Speaker 1: Oh fair, Okay, so you can be a ghost? Is 1388 01:18:00,479 --> 01:18:03,719 Speaker 1: the flute? Do you play the flute in real life? 1389 01:18:03,760 --> 01:18:05,760 Speaker 1: H okay, that makes sense. I was today. It's a 1390 01:18:05,800 --> 01:18:08,559 Speaker 1: little random, but I'll know it's you if I ever 1391 01:18:08,800 --> 01:18:17,559 Speaker 1: hear a flute flying by futum. I have thought about mine. 1392 01:18:17,600 --> 01:18:19,360 Speaker 1: I don't know what I would do. I would probably 1393 01:18:19,360 --> 01:18:21,519 Speaker 1: just like scare the ship out of people just for funfit. 1394 01:18:21,600 --> 01:18:26,200 Speaker 1: I don't know. Wouldn't you be a thing? No? I 1395 01:18:26,320 --> 01:18:34,720 Speaker 1: sing when I get paid. You don't think, but yeah, 1396 01:18:35,000 --> 01:18:37,280 Speaker 1: would you? Wouldn't you want to make a great ghost song? 1397 01:18:37,640 --> 01:18:40,519 Speaker 1: Like maybe? Actually, you know what, that's just me being 1398 01:18:40,520 --> 01:18:43,479 Speaker 1: a jackass. I would actually, probably because I've been singing 1399 01:18:43,520 --> 01:18:45,599 Speaker 1: my whole life since i was a little kid, like 1400 01:18:45,720 --> 01:18:47,639 Speaker 1: to the point where my brother who's on the compis 1401 01:18:47,680 --> 01:18:50,160 Speaker 1: meted and my mom would be like, shut up, go outside. 1402 01:18:50,200 --> 01:18:53,160 Speaker 1: If you're gonna sing, go outside, go into the bushes 1403 01:18:53,240 --> 01:18:55,320 Speaker 1: so we can't hear you. You're so annoying. And I 1404 01:18:55,400 --> 01:18:56,960 Speaker 1: was like, okay, but that's when I was trying to 1405 01:18:57,040 --> 01:18:59,400 Speaker 1: learn how to yodel, and so I was like doing 1406 01:18:59,400 --> 01:19:02,600 Speaker 1: these like super annoying like yodels, and they're like, go 1407 01:19:03,000 --> 01:19:07,800 Speaker 1: the fuck outside. So I think if I were a ghost, 1408 01:19:07,880 --> 01:19:10,640 Speaker 1: it would be like me, like yodeling. I'd be a 1409 01:19:10,720 --> 01:19:14,320 Speaker 1: yodeling ghost. That's me, that's my ghost. I hope I 1410 01:19:14,439 --> 01:19:21,960 Speaker 1: never encountered yodeling. We could hunt together, Flute Yoda learned. 1411 01:19:22,080 --> 01:19:26,880 Speaker 1: This sounds like hell, the worst band ever. Maybe there 1412 01:19:27,000 --> 01:19:29,760 Speaker 1: is a heaven and hell would be me and you 1413 01:19:29,880 --> 01:19:35,519 Speaker 1: hunting someone together. Yeah, yeah, we better never anybody that. 1414 01:19:35,520 --> 01:19:38,760 Speaker 1: That sounds really fun. Actually, let's plan on meeting up 1415 01:19:39,040 --> 01:19:44,240 Speaker 1: out there when we're done here. Um, okay, if you 1416 01:19:44,280 --> 01:19:47,240 Speaker 1: could be haunted by anyone, who would it be? Oh, 1417 01:19:48,080 --> 01:19:50,400 Speaker 1: you know who it would be? And this is this 1418 01:19:50,479 --> 01:19:53,840 Speaker 1: is kind of crazy. Because I really wanted to be 1419 01:19:53,880 --> 01:19:59,439 Speaker 1: haunted by Eugene O'Neill. You know who that is. Who's 1420 01:19:59,479 --> 01:20:02,600 Speaker 1: that a playwriter? He wrote The Iceman Coming and this, 1421 01:20:02,840 --> 01:20:04,800 Speaker 1: And the only reason why I'm not a huge fan 1422 01:20:04,840 --> 01:20:07,719 Speaker 1: of Eugene O'Neill, it's because I lived in a house 1423 01:20:08,360 --> 01:20:12,040 Speaker 1: that Eugene O'Neill bought for his daughter and I used 1424 01:20:12,080 --> 01:20:14,360 Speaker 1: to like, I used to think that I would have 1425 01:20:14,439 --> 01:20:17,040 Speaker 1: like an encounter with him. So I've already been like 1426 01:20:17,120 --> 01:20:20,920 Speaker 1: pursuing this ghost of Eugene O'Neil for a while. Um 1427 01:20:21,000 --> 01:20:24,519 Speaker 1: when I when I was younger for him to get 1428 01:20:24,520 --> 01:20:28,760 Speaker 1: you check it out. Though his daughter was married to 1429 01:20:29,160 --> 01:20:32,920 Speaker 1: Charlie Chaplin, so I was also wanting to Charlie Chaplin 1430 01:20:33,000 --> 01:20:36,240 Speaker 1: haunting as well. So it was like yeah, yeah, yeah, 1431 01:20:36,280 --> 01:20:39,120 Speaker 1: I wanted like I wanted to know those those dudes, 1432 01:20:39,680 --> 01:20:42,479 Speaker 1: you know. And it's so crazy that my granddad, who 1433 01:20:42,520 --> 01:20:45,400 Speaker 1: was a free meats and he bought the house from 1434 01:20:45,560 --> 01:20:50,840 Speaker 1: Charlie Chaplin's widow and her daughter, and that was like 1435 01:20:51,000 --> 01:20:52,880 Speaker 1: kind of the house I grew up in and it 1436 01:20:53,000 --> 01:20:56,160 Speaker 1: felt on it. But I never had any experiences with 1437 01:20:56,200 --> 01:21:00,519 Speaker 1: those with Charlie Chaplin or Eugene O'Neil. As far as 1438 01:21:00,560 --> 01:21:03,559 Speaker 1: I know, neither of them ever stepped in those songs. 1439 01:21:04,800 --> 01:21:07,120 Speaker 1: I'm sorry. Well, I'll pray for you to get on it. 1440 01:21:08,320 --> 01:21:14,200 Speaker 1: Maybe one day I'll get haunted by some uh none again, 1441 01:21:14,320 --> 01:21:18,840 Speaker 1: non non talking, yeah, Charlie Chaplin, But that would be 1442 01:21:18,880 --> 01:21:30,640 Speaker 1: a nice, easy, easy hunt, just no talking. God a nightmare. Okay, 1443 01:21:30,680 --> 01:21:33,679 Speaker 1: So we've been chatting for like two hours, So before 1444 01:21:33,720 --> 01:21:35,800 Speaker 1: you go, do you want to promote whatever you want 1445 01:21:35,840 --> 01:21:38,720 Speaker 1: to promote? Okay, the best way to find me is 1446 01:21:38,760 --> 01:21:42,920 Speaker 1: probably Instagram. My Instagram handles. Robert Bryant three two three. 1447 01:21:43,840 --> 01:21:46,960 Speaker 1: I just a book came out today and it's part 1448 01:21:47,000 --> 01:21:51,000 Speaker 1: of an artist series called Black Dagger, and my volume 1449 01:21:51,240 --> 01:21:53,320 Speaker 1: is number twelve. And then I have a new book 1450 01:21:53,360 --> 01:21:55,679 Speaker 1: coming out that I've been spending a lot of time 1451 01:21:55,720 --> 01:21:58,200 Speaker 1: on during this quarantine, which is a book of all 1452 01:21:58,200 --> 01:22:02,679 Speaker 1: painting the deities and and how I interface with them 1453 01:22:02,720 --> 01:22:05,920 Speaker 1: and my relationship to them and what I know about 1454 01:22:05,960 --> 01:22:08,800 Speaker 1: them beautiful, and I should be coming out in like 1455 01:22:09,800 --> 01:22:13,799 Speaker 1: hopefully around April, I hope. Okay, great, everybody follow Robert. 1456 01:22:14,000 --> 01:22:17,280 Speaker 1: If you want a tattoo, electric tattoo, that's what's called 1457 01:22:17,360 --> 01:22:20,360 Speaker 1: right electric electric tattoo and Asbury Park, New Jersey, Home 1458 01:22:20,400 --> 01:22:24,760 Speaker 1: of the Boss, Home of the Boss. And Robert Ryan. Um, 1459 01:22:25,080 --> 01:22:28,880 Speaker 1: thank you very much and you so good to see 1460 01:22:28,920 --> 01:22:33,280 Speaker 1: you two, and stay well, stay COVID free when we'll 1461 01:22:33,320 --> 01:22:37,679 Speaker 1: see you hopefully soon, Keep on creeping on, stay creepy, 1462 01:22:38,080 --> 01:22:57,520 Speaker 1: San Diego, good Bye,