1 00:00:00,240 --> 00:00:05,520 Speaker 1: It's nine og one ong with Jenny Garth and Tory Spelling. 2 00:00:09,800 --> 00:00:14,160 Speaker 2: Hello, everybody, welcome to another episode of nine two Ong. 3 00:00:14,680 --> 00:00:17,880 Speaker 3: I know you're not gonna like this, but Jenny, I 4 00:00:17,960 --> 00:00:20,079 Speaker 3: have to jump to the end. I just have to. 5 00:00:20,720 --> 00:00:23,200 Speaker 2: We haven't even told the people hello yet. 6 00:00:23,200 --> 00:00:26,840 Speaker 3: Amy. I watched the second half of this episode twice 7 00:00:27,280 --> 00:00:30,080 Speaker 3: because I was like, I need to really pay attention 8 00:00:30,120 --> 00:00:35,479 Speaker 3: to every detail the two scenes. Fine, fine, I'll tell 9 00:00:35,520 --> 00:00:38,519 Speaker 3: you this. I really need to focus on the scene 10 00:00:38,600 --> 00:00:42,640 Speaker 3: with Claire and Steve riding the motorcycle. Why and you'll 11 00:00:42,640 --> 00:00:45,400 Speaker 3: find out when we get to it. Okay? And number 12 00:00:45,400 --> 00:00:48,520 Speaker 3: two the OJ police chase. 13 00:00:49,159 --> 00:00:55,160 Speaker 2: Hi, Okay, this was an exciting episode, you guys. I 14 00:00:55,200 --> 00:00:57,960 Speaker 2: don't even know what I was watching. Was this Beverly 15 00:00:58,000 --> 00:00:59,640 Speaker 2: Hill's not a two one o? Or was this like 16 00:01:00,680 --> 00:01:01,680 Speaker 2: La Law or something? 17 00:01:01,720 --> 00:01:03,520 Speaker 3: I don't even know. Yeah, I was kind of a 18 00:01:03,520 --> 00:01:08,680 Speaker 3: little SVU, a little Melrose, a little Hill Street Blues. 19 00:01:08,760 --> 00:01:14,800 Speaker 3: I don't know. But also, bravo to your crying scene 20 00:01:14,959 --> 00:01:15,720 Speaker 3: at the end. 21 00:01:16,280 --> 00:01:21,760 Speaker 2: Oh thanks, thanks? But hello, did you catch Terra's creepy look? 22 00:01:24,000 --> 00:01:27,440 Speaker 2: This is watching over Kelly's shoulder and she's kind of 23 00:01:27,480 --> 00:01:28,520 Speaker 2: like smiling. 24 00:01:28,840 --> 00:01:30,120 Speaker 3: It's just so juicy. 25 00:01:30,280 --> 00:01:32,560 Speaker 2: It's so juicy, so much good stuff. 26 00:01:32,680 --> 00:01:35,640 Speaker 3: So many notes though, because also, why would you bring 27 00:01:35,720 --> 00:01:38,800 Speaker 3: pie to your friend in rehab for thirty seconds? 28 00:01:38,840 --> 00:01:40,959 Speaker 2: I'll just come into rehab for a minute. 29 00:01:41,800 --> 00:01:45,959 Speaker 3: And the flirting with the doctor, well, I hope that's 30 00:01:46,000 --> 00:01:50,000 Speaker 3: going somewhere. Oh it is, but it's like they're like, Hi, 31 00:01:50,280 --> 00:01:53,160 Speaker 3: we brought you a pie. Oh yum, let's eat the pie. 32 00:01:53,240 --> 00:01:54,560 Speaker 3: One bit it we gotta go. 33 00:01:55,520 --> 00:01:58,520 Speaker 2: Yeah, it was very weird. There were a few weird moments. 34 00:01:58,800 --> 00:02:01,400 Speaker 2: But we're going to talk all about everything because it's 35 00:02:01,400 --> 00:02:02,080 Speaker 2: also good. 36 00:02:02,600 --> 00:02:07,600 Speaker 3: Yeah, everybody, this episode is going to be really something else. 37 00:02:09,560 --> 00:02:13,120 Speaker 3: iHeart podcasts, listen on the iHeartRadio app. 38 00:02:15,520 --> 00:02:18,360 Speaker 2: Well, I know you're just ready to talk about it, 39 00:02:18,400 --> 00:02:20,960 Speaker 2: so let's do it. Even In six, episode twenty three, 40 00:02:21,120 --> 00:02:24,440 Speaker 2: Leap of Faith, aired February twenty eighth, nineteen ninety. 41 00:02:24,080 --> 00:02:29,840 Speaker 3: Six, Brandon braves a Meet the Parents weekend with Susan 42 00:02:29,919 --> 00:02:33,160 Speaker 3: in San Diego. Kelly's crushed when David tells her about 43 00:02:33,200 --> 00:02:38,480 Speaker 3: Colin and Valerie. Obviously, first of all, David, why I'm interjecting. 44 00:02:38,880 --> 00:02:42,320 Speaker 3: We'll get to it. Donna deals with Joe's sibling situation. 45 00:02:42,680 --> 00:02:45,960 Speaker 3: Steve suddenly has a need for speed and Colin's cocaine 46 00:02:46,000 --> 00:02:51,960 Speaker 3: cravingly do a televised nice speed chase. Everything, everything happening 47 00:02:52,000 --> 00:02:54,960 Speaker 3: in this episode is just incredible. 48 00:02:55,160 --> 00:02:59,840 Speaker 2: Directed by Christopher Hibbler, written by Ken Stringer, who of our. 49 00:03:00,000 --> 00:03:04,400 Speaker 3: God, bless you can because this is excellent. It's excellent 50 00:03:04,480 --> 00:03:08,519 Speaker 3: from top to bottom, because it's ridiculous. 51 00:03:10,720 --> 00:03:13,520 Speaker 2: Okay, what do we do? How do we do this? 52 00:03:13,600 --> 00:03:15,440 Speaker 3: It's just we're gonna need to go through it. But 53 00:03:15,480 --> 00:03:17,800 Speaker 3: can I just say, like, are you and Jason Priestley 54 00:03:17,840 --> 00:03:21,040 Speaker 3: like the only actors getting anything meaty in this whole 55 00:03:21,080 --> 00:03:24,560 Speaker 3: show right now? Because literally you're getting tons of meat 56 00:03:25,280 --> 00:03:27,800 Speaker 3: and Priestley is getting some good stuff right, even though 57 00:03:27,840 --> 00:03:32,639 Speaker 3: I think the Susan storylines like very random, He's really 58 00:03:32,680 --> 00:03:37,320 Speaker 3: like acting right, there's like real stuff happening. Everybody else 59 00:03:37,640 --> 00:03:39,320 Speaker 3: is just kind of like nonsense. 60 00:03:41,520 --> 00:03:43,400 Speaker 2: There's a lot going on. It's hard to tell the 61 00:03:43,480 --> 00:03:44,880 Speaker 2: nonsense from the good stuff. 62 00:03:44,920 --> 00:03:48,240 Speaker 3: For me, it's like fifteen storylines in this one episode. 63 00:03:48,360 --> 00:03:51,400 Speaker 3: We've got Valerie and Colin, We've got Colin and the 64 00:03:51,560 --> 00:03:54,960 Speaker 3: drug dealers back, We've got Donna and Joe and this 65 00:03:55,080 --> 00:03:59,440 Speaker 3: random sibling, this out of nowhere comes for this episode 66 00:03:59,440 --> 00:04:02,040 Speaker 3: only we ever see him again, We've never seen him before. 67 00:04:02,320 --> 00:04:03,760 Speaker 2: That's Bruce Thomas. 68 00:04:04,160 --> 00:04:08,000 Speaker 3: I know, he's like so recognizable. Okay, so we've also 69 00:04:08,040 --> 00:04:09,680 Speaker 3: got the the. 70 00:04:11,120 --> 00:04:17,880 Speaker 2: Right like even Claire just so bebopping on everybody's storylines, 71 00:04:17,920 --> 00:04:19,960 Speaker 2: like he's like yeah, but he's he's. 72 00:04:19,800 --> 00:04:24,120 Speaker 3: Just like yeah, he's coming in on everybody, like talking 73 00:04:24,160 --> 00:04:26,640 Speaker 3: to Valerie, coming in to talk to you. I'm sorry, 74 00:04:26,880 --> 00:04:28,839 Speaker 3: I love David, but like, you don't go to someone 75 00:04:28,920 --> 00:04:32,000 Speaker 3: in rehab and tell them something terrible. They could further 76 00:04:32,160 --> 00:04:33,640 Speaker 3: unhinge their like recovery. 77 00:04:34,000 --> 00:04:36,000 Speaker 2: I feel like it's the safest place that he could 78 00:04:36,040 --> 00:04:40,279 Speaker 2: have told her. I guess, and also rip that freaking 79 00:04:40,360 --> 00:04:44,520 Speaker 2: band aid off, like she needs to know. I guess 80 00:04:44,560 --> 00:04:47,440 Speaker 2: the right thing, but brotherly thing to do. 81 00:04:48,320 --> 00:04:52,599 Speaker 3: This guy, Bruce Thomas has had so many jobs. He 82 00:04:52,680 --> 00:04:56,240 Speaker 3: was in legally Blonde kyle x Y, but I did, 83 00:04:56,320 --> 00:04:56,839 Speaker 3: He's been. 84 00:04:58,120 --> 00:05:00,920 Speaker 2: The Bend and Snap, that's him, Ye kyle. 85 00:05:00,800 --> 00:05:03,360 Speaker 3: X Y, which was a show I weirdly totally liked. 86 00:05:03,400 --> 00:05:05,760 Speaker 3: I can't remember why either their son was a robot 87 00:05:05,800 --> 00:05:07,799 Speaker 3: or an alien. I can't remember, but it was actually 88 00:05:07,839 --> 00:05:13,320 Speaker 3: really good. He's done so much. Yeah, wow, I. 89 00:05:13,279 --> 00:05:16,359 Speaker 2: Recognize him immediately and now I know, I don't know 90 00:05:16,440 --> 00:05:18,479 Speaker 2: him at all in person. I just know him from this. 91 00:05:18,400 --> 00:05:20,640 Speaker 3: It is so recognizable. You did the old did I 92 00:05:20,680 --> 00:05:21,479 Speaker 3: go to high school with you? 93 00:05:23,560 --> 00:05:24,880 Speaker 2: Yeah? 94 00:05:24,920 --> 00:05:26,960 Speaker 3: Well I got did you hear to tell the story 95 00:05:27,040 --> 00:05:29,839 Speaker 3: when someone said to you, I'm so excited to meet you, 96 00:05:29,960 --> 00:05:32,600 Speaker 3: Jenny McCarthy. Wait, where were we? 97 00:05:33,120 --> 00:05:34,000 Speaker 2: When did that happen? 98 00:05:34,200 --> 00:05:35,919 Speaker 3: We were at dinner at the It was before the 99 00:05:35,960 --> 00:05:39,320 Speaker 3: Sabrina Carboner concert. Remember we were at dinner and like 100 00:05:39,360 --> 00:05:41,440 Speaker 3: you were meeting some clients and they're like, it's so 101 00:05:41,600 --> 00:05:44,120 Speaker 3: exciting to meet you. I know you, Jenny McCarthy. 102 00:05:44,240 --> 00:05:46,520 Speaker 2: Wait, you weren't even there with me. It happened. I 103 00:05:46,640 --> 00:05:48,599 Speaker 2: was by myself in a room full of people. I 104 00:05:48,640 --> 00:05:51,080 Speaker 2: didn't know. You sent me out there like a little 105 00:05:51,080 --> 00:05:54,440 Speaker 2: baby fish in a big pond, and I was by 106 00:05:54,480 --> 00:05:57,080 Speaker 2: myself trying to like schmooz to your clients and like, 107 00:05:57,360 --> 00:05:59,360 Speaker 2: you know, get to know all of our advertisers. And 108 00:05:59,400 --> 00:06:03,520 Speaker 2: then someone was very very excited to meet me, and 109 00:06:03,600 --> 00:06:04,480 Speaker 2: but thought that. 110 00:06:04,520 --> 00:06:09,440 Speaker 3: I was Jenny McCarthy. Which has happened? That happens a compliments. 111 00:06:10,279 --> 00:06:12,520 Speaker 2: She doubled down on it too. She was like, she 112 00:06:12,880 --> 00:06:13,520 Speaker 2: kept going. 113 00:06:13,760 --> 00:06:14,560 Speaker 3: Who do you think I am? 114 00:06:14,600 --> 00:06:18,479 Speaker 2: She goes Jenny McCarthy, and then the four women that 115 00:06:18,520 --> 00:06:20,039 Speaker 2: I was taught that there were four women, they all 116 00:06:20,080 --> 00:06:22,880 Speaker 2: started to talk amongst themselves about if I was Jenny 117 00:06:22,920 --> 00:06:25,280 Speaker 2: McCarthy or not. And I was standing there and I 118 00:06:25,320 --> 00:06:27,120 Speaker 2: just started to get hot all over and I was like, 119 00:06:27,120 --> 00:06:29,040 Speaker 2: I'll be right back, you guys, And that's what I've been. 120 00:06:28,920 --> 00:06:31,240 Speaker 3: There because I would I literally would have leaned into it. 121 00:06:31,279 --> 00:06:34,200 Speaker 3: I would have been like, she's on the mast singer. Wait, 122 00:06:34,400 --> 00:06:36,480 Speaker 3: do you think that they thought you were Jenny from 123 00:06:36,560 --> 00:06:38,159 Speaker 3: nine to two and zero, but that your name was 124 00:06:38,240 --> 00:06:39,560 Speaker 3: Jenny McCarthy. 125 00:06:39,320 --> 00:06:42,240 Speaker 2: Always that they get the blonde and the name Jenny 126 00:06:42,320 --> 00:06:43,600 Speaker 2: mixed up with the h. 127 00:06:44,200 --> 00:06:46,120 Speaker 3: Yeah. So it wasn't like they thought you were the 128 00:06:46,279 --> 00:06:48,479 Speaker 3: host of Singled Out and the masked singer. 129 00:06:48,960 --> 00:06:51,400 Speaker 2: No, no, the mail man. They just couldn't get the 130 00:06:51,440 --> 00:06:55,920 Speaker 2: name Jenny McCarthy's mail before. That's weird, I go figure 131 00:06:55,960 --> 00:06:57,680 Speaker 2: that out. I can't help you with that one, but 132 00:06:57,720 --> 00:06:59,920 Speaker 2: it has happened. I got her mail and she got mine. 133 00:07:00,680 --> 00:07:02,080 Speaker 3: What made me think of that? By the way, I 134 00:07:02,120 --> 00:07:05,720 Speaker 3: don't even know. I don't know anyway, where were we God, 135 00:07:05,760 --> 00:07:08,000 Speaker 3: we were talking about that really just glitched. 136 00:07:07,960 --> 00:07:11,080 Speaker 2: Scene drug rehab. We started in the drug rehab in 137 00:07:11,120 --> 00:07:15,239 Speaker 2: Detok Center, where Kelly is in therapy with her her doctor. 138 00:07:15,440 --> 00:07:17,200 Speaker 2: I was that was kind of a weird cold open, 139 00:07:17,240 --> 00:07:17,800 Speaker 2: didn't you think? 140 00:07:18,880 --> 00:07:21,240 Speaker 3: Yeah, because I remember everything about this episode. I'm not 141 00:07:21,240 --> 00:07:23,320 Speaker 3: even remembering that. Are you with the hot doctor? 142 00:07:23,640 --> 00:07:23,800 Speaker 2: No? 143 00:07:23,800 --> 00:07:24,120 Speaker 3: No, No. 144 00:07:24,160 --> 00:07:26,200 Speaker 2: She's talking to her therapist on the couch and that's 145 00:07:26,200 --> 00:07:30,680 Speaker 2: the only scene you see before the credits roll. Oh yeah, 146 00:07:30,720 --> 00:07:33,000 Speaker 2: and she says there's thing about Colin. 147 00:07:32,760 --> 00:07:36,000 Speaker 3: That she's very Oh, yes, of course you're like, I 148 00:07:36,000 --> 00:07:38,600 Speaker 3: thought you were going to bring up Brandon. I did too. 149 00:07:38,640 --> 00:07:39,800 Speaker 3: It's like waiting for that. 150 00:07:41,600 --> 00:07:44,600 Speaker 2: Still she's still wasting energy on Colin, which is very upset. 151 00:07:44,720 --> 00:07:48,000 Speaker 3: Oh, it's so weird, Like I thought you were going 152 00:07:48,080 --> 00:07:51,320 Speaker 3: to be like, yes, but I think that really I'm 153 00:07:51,360 --> 00:07:53,320 Speaker 3: in love with Brandon, Like I thought we were going 154 00:07:53,360 --> 00:07:55,880 Speaker 3: to get that, and just like, no, we got your 155 00:07:55,920 --> 00:07:56,840 Speaker 3: love for Colin. 156 00:07:57,320 --> 00:08:00,360 Speaker 2: Yeah. We go to the peach Bit and that's where 157 00:08:00,360 --> 00:08:02,480 Speaker 2: we find out that Steve has a bond that has 158 00:08:02,560 --> 00:08:05,280 Speaker 2: matured and is worth twenty thousand dollars and he wants 159 00:08:05,320 --> 00:08:08,200 Speaker 2: to blow it all on a Harley motorcycle. 160 00:08:09,520 --> 00:08:14,720 Speaker 3: So dumb, so dumb, immensely dumb. I have a lot 161 00:08:14,720 --> 00:08:18,040 Speaker 3: of respect for Claire for realizing how dumb it was. 162 00:08:18,240 --> 00:08:20,720 Speaker 3: But then she gave in yeah, but that was then 163 00:08:20,760 --> 00:08:22,119 Speaker 3: she said I'm never going on it again. 164 00:08:23,960 --> 00:08:25,960 Speaker 2: I think that's a bad idea. I know a lot 165 00:08:25,960 --> 00:08:29,200 Speaker 2: of people that ride motorcycles, and I love interest, but 166 00:08:29,640 --> 00:08:34,560 Speaker 2: I think this was instigated by irons or maybe even 167 00:08:34,640 --> 00:08:37,720 Speaker 2: all the boys were really into the motorcycles at this moment. 168 00:08:38,440 --> 00:08:40,600 Speaker 2: They had just to make some money and now they 169 00:08:40,640 --> 00:08:42,360 Speaker 2: were like playing with their toys. 170 00:08:42,960 --> 00:08:47,280 Speaker 3: The stunt doubles are so bad, they're so obviously not them. 171 00:08:47,640 --> 00:08:50,719 Speaker 3: And my favorite line of the whole episode, lean with me, 172 00:08:52,520 --> 00:08:56,200 Speaker 3: Lean with me, like they're on the motorcycle and she 173 00:08:56,400 --> 00:08:56,920 Speaker 3: felt good. 174 00:08:59,040 --> 00:09:01,120 Speaker 2: I don't know, it just was weird. 175 00:09:01,160 --> 00:09:03,760 Speaker 3: It's not even then you go the close up and 176 00:09:03,800 --> 00:09:07,360 Speaker 3: then it backs up clearly not them, close up, clearly 177 00:09:07,400 --> 00:09:09,559 Speaker 3: not them. I mean, oh, I don't even know. I 178 00:09:09,559 --> 00:09:13,719 Speaker 3: don't even understand, and like, why why are we doing this? 179 00:09:14,160 --> 00:09:14,559 Speaker 3: I don't know. 180 00:09:15,120 --> 00:09:17,680 Speaker 2: Just because it was fun. They wanted to do it, 181 00:09:17,760 --> 00:09:20,640 Speaker 2: and so they did it. We see Valcum. It kind 182 00:09:20,679 --> 00:09:23,240 Speaker 2: of disturbed David, though he says something about her smell. 183 00:09:23,240 --> 00:09:27,840 Speaker 2: It's gonna haunt him forever. Yeah, so he's still into her, 184 00:09:27,880 --> 00:09:31,240 Speaker 2: but at the same time he knows about Oh that's 185 00:09:31,240 --> 00:09:33,400 Speaker 2: where he finds out about Valan Colin. 186 00:09:34,240 --> 00:09:37,120 Speaker 3: Do you think she wears Eternity? What were some other nineties. 187 00:09:38,600 --> 00:09:40,120 Speaker 2: I know what I wore in the nineties. 188 00:09:40,559 --> 00:09:41,160 Speaker 3: What was it? 189 00:09:41,760 --> 00:09:42,160 Speaker 2: Child? 190 00:09:42,360 --> 00:09:42,920 Speaker 3: Do you remember that? 191 00:09:42,960 --> 00:09:43,040 Speaker 1: Oh? 192 00:09:43,080 --> 00:09:45,120 Speaker 3: Do you remember Drucar dru Cart? 193 00:09:45,720 --> 00:09:48,920 Speaker 2: Yeah, definitely, and there was Calvin Klein was coming out. 194 00:09:48,960 --> 00:09:53,280 Speaker 3: Then I did Eternity, and then it was so strong 195 00:09:53,280 --> 00:09:55,960 Speaker 3: that I realized later why. First of all, I also 196 00:09:56,040 --> 00:09:58,640 Speaker 3: wore this perfume called White Shoulders, which was basically like 197 00:09:58,679 --> 00:10:01,560 Speaker 3: a drugstore perfum from the fifties. But I like that 198 00:10:01,679 --> 00:10:03,960 Speaker 3: was so much better. I don't wear perfume now, do 199 00:10:04,000 --> 00:10:05,600 Speaker 3: you I do. 200 00:10:05,679 --> 00:10:06,840 Speaker 2: I love perfume. 201 00:10:07,559 --> 00:10:13,520 Speaker 3: Uh huh. Yeah. I wear Dove soap. I had a 202 00:10:13,640 --> 00:10:17,360 Speaker 3: boyfriend in college. I was like, you smell great. You 203 00:10:17,400 --> 00:10:19,240 Speaker 3: smell like Ivory soap. 204 00:10:20,800 --> 00:10:22,120 Speaker 2: Well he likes that smell. 205 00:10:22,480 --> 00:10:24,719 Speaker 3: Yeah. In college I used Ivory and that it got 206 00:10:25,000 --> 00:10:26,960 Speaker 3: was a little more drying, So I switched to Dove. 207 00:10:28,120 --> 00:10:29,240 Speaker 3: That's it. That's all you get. 208 00:10:29,320 --> 00:10:31,360 Speaker 2: Love me so much. They you want to tell us 209 00:10:31,400 --> 00:10:38,280 Speaker 2: about your soap choices. Okay, they're talking about motorcycles and 210 00:10:38,320 --> 00:10:40,560 Speaker 2: Brandon and Susan are headed for a three day trip 211 00:10:40,600 --> 00:10:44,520 Speaker 2: to visit her parents in San Diego. And she's wound 212 00:10:44,600 --> 00:10:46,880 Speaker 2: up tighter than a bee's honey. 213 00:10:47,080 --> 00:10:48,800 Speaker 3: She's she had to sleep on the way home. She 214 00:10:48,880 --> 00:10:49,520 Speaker 3: was so. 215 00:10:49,360 --> 00:10:53,240 Speaker 2: Stressed that was she didn't want her hair messed up. 216 00:10:54,080 --> 00:10:57,839 Speaker 2: I was the mom looking into it. This woman is like. 217 00:10:58,280 --> 00:11:04,080 Speaker 3: Missus Martin worse, kind of worse. That lady looked famous too. 218 00:11:05,600 --> 00:11:07,319 Speaker 2: At first I thought that was Candy Spelling. 219 00:11:08,360 --> 00:11:12,640 Speaker 3: Yes, yes, she does look like that lady. 220 00:11:12,880 --> 00:11:17,240 Speaker 2: That wasn't her. Oh that whole peach pit and we 221 00:11:17,320 --> 00:11:20,800 Speaker 2: see that Donna is sitting with Joe's brother, who flew 222 00:11:20,840 --> 00:11:23,120 Speaker 2: in because Joe wanted to discuss his heart. 223 00:11:22,920 --> 00:11:26,920 Speaker 3: Surgery with him UPS guy from he's the UPS guy 224 00:11:26,960 --> 00:11:27,439 Speaker 3: from Legally. 225 00:11:28,120 --> 00:11:29,840 Speaker 2: Yes, yes, it just came to me. 226 00:11:30,280 --> 00:11:32,839 Speaker 3: Oh god, I think he's the dad. And Kyle x 227 00:11:33,000 --> 00:11:37,480 Speaker 3: Y it's like like I just bopped in out of nowhere. 228 00:11:38,120 --> 00:11:40,480 Speaker 2: But really good casting. I felt like they totally looked 229 00:11:40,480 --> 00:11:41,360 Speaker 2: like they could be brothers. 230 00:11:41,800 --> 00:11:44,319 Speaker 3: Sure, yeah, it was great casting and kind of. 231 00:11:44,400 --> 00:11:47,320 Speaker 2: Nothing storyline the like why did he have to come 232 00:11:48,000 --> 00:11:49,000 Speaker 2: to the peach pit. 233 00:11:51,120 --> 00:11:53,320 Speaker 3: There's a scene at the end where I literally thought 234 00:11:53,320 --> 00:11:57,000 Speaker 3: they were in Joe's hospital room. And then I'm like, wait, 235 00:11:57,720 --> 00:12:01,480 Speaker 3: they're at thet They're at the hotel. Well, and this 236 00:12:01,520 --> 00:12:05,680 Speaker 3: guy gets a Bellman for two suitcascas. 237 00:12:05,920 --> 00:12:09,600 Speaker 2: I saw that he couldn't carry. But they weren't rollies, 238 00:12:09,679 --> 00:12:10,920 Speaker 2: you know, those were the kind head. 239 00:12:11,440 --> 00:12:14,280 Speaker 3: There's three of them. They had to get a Bellman. 240 00:12:16,480 --> 00:12:21,920 Speaker 2: Suitcases in the nineties like they were more rare, that's 241 00:12:22,000 --> 00:12:24,400 Speaker 2: for sure. Early carry on suitcase come about. 242 00:12:24,600 --> 00:12:26,680 Speaker 3: I was like a deafel bag girl in the nineties, 243 00:12:27,040 --> 00:12:29,920 Speaker 3: Like I just threw that stuff over my shoulder. I 244 00:12:29,920 --> 00:12:31,559 Speaker 3: don't think I think I had a suitcase. 245 00:12:31,760 --> 00:12:33,400 Speaker 2: I didn't go many place. 246 00:12:33,480 --> 00:12:35,680 Speaker 3: How did I pack in the nineties. I don't even 247 00:12:35,720 --> 00:12:36,959 Speaker 3: remember having a bag. 248 00:12:38,720 --> 00:12:40,640 Speaker 2: You didn't go anywhere? What are you talking about? 249 00:12:40,800 --> 00:12:42,880 Speaker 3: I did. I went from Berkeley to Tahoe. 250 00:12:43,120 --> 00:12:45,560 Speaker 2: How did I do in a car? Oh? 251 00:12:45,640 --> 00:12:47,559 Speaker 3: Yeah, I didn't go on an airplane. I did. Actually, 252 00:12:48,240 --> 00:12:50,200 Speaker 3: I did go on an airplane in the nineties. I 253 00:12:50,240 --> 00:12:54,080 Speaker 3: went to New Mexico, I went to New York, and 254 00:12:54,120 --> 00:12:58,480 Speaker 3: I went to Seattle. All and my friend Carrie also 255 00:12:58,480 --> 00:13:00,679 Speaker 3: says we went to La which I've completely blocked out, 256 00:13:00,720 --> 00:13:02,440 Speaker 3: Like I think it was so traumatizing that. I have 257 00:13:03,280 --> 00:13:05,800 Speaker 3: fully no memory of it. I'm like, when did we 258 00:13:05,840 --> 00:13:07,960 Speaker 3: do that? I have no memory of that. 259 00:13:08,760 --> 00:13:10,920 Speaker 2: I just saw you in LA and you were happy 260 00:13:10,960 --> 00:13:12,480 Speaker 2: as a clam. You like traveling. 261 00:13:12,600 --> 00:13:14,880 Speaker 3: I think you like it in my car. I love 262 00:13:15,000 --> 00:13:18,079 Speaker 3: traveling in my car. You know I have a toilet 263 00:13:18,120 --> 00:13:19,880 Speaker 3: in the car. It's just the greatest thing ever. 264 00:13:20,120 --> 00:13:22,200 Speaker 2: Oh my god, Amy, stop it. 265 00:13:22,600 --> 00:13:27,439 Speaker 3: Everybody listening. If you travel on road trips on your 266 00:13:27,440 --> 00:13:33,360 Speaker 3: own dm US or instagram us, somehow I need to 267 00:13:33,400 --> 00:13:38,520 Speaker 3: get you guys the link to the car potty. Now, 268 00:13:38,559 --> 00:13:39,960 Speaker 3: I get it. You're not gonna want to do it 269 00:13:40,000 --> 00:13:43,280 Speaker 3: with other people in the car, although I do. You 270 00:13:43,320 --> 00:13:45,680 Speaker 3: bop into the backseat, you go potty. It's in a bag, 271 00:13:45,800 --> 00:13:48,040 Speaker 3: you throw it out. It saves me so much time, 272 00:13:48,600 --> 00:13:51,080 Speaker 3: so much worry. I'm here for you. If anyone let 273 00:13:51,160 --> 00:13:52,360 Speaker 3: us know if you want to hear more, and we'll 274 00:13:52,400 --> 00:13:53,559 Speaker 3: do a car potty episode. 275 00:13:53,960 --> 00:13:56,640 Speaker 2: Oh okay, we won't be doing that. I'm just sorry. 276 00:13:56,679 --> 00:13:59,040 Speaker 2: I'm gonna put my foot down there, but I love it. 277 00:13:59,280 --> 00:14:01,400 Speaker 2: When my daughter were little, we had a car potty. 278 00:14:01,400 --> 00:14:04,679 Speaker 2: But this you're talking about a grown adult having a Yeah. 279 00:14:04,640 --> 00:14:07,120 Speaker 3: Just like you would have for your little ones. There's 280 00:14:07,160 --> 00:14:13,160 Speaker 3: an adult sized it's a camping toilet. It's so amazing. Okay, 281 00:14:13,400 --> 00:14:15,319 Speaker 3: I love it. I love it. I originally got it 282 00:14:15,360 --> 00:14:17,679 Speaker 3: during COVID and now I'm like, this is staying. 283 00:14:17,960 --> 00:14:19,600 Speaker 2: Amy wants to talk. If you guys want to talk. 284 00:14:19,600 --> 00:14:21,840 Speaker 3: Oh my god. I could do a whole episode about 285 00:14:21,880 --> 00:14:24,640 Speaker 3: the car body. I could tricks of the car potty, 286 00:14:24,960 --> 00:14:28,880 Speaker 3: the best way to use the car party. No, stop it. 287 00:14:29,120 --> 00:14:30,880 Speaker 2: You want to get a sponsor from the car? 288 00:14:31,520 --> 00:14:34,120 Speaker 3: Yes, I do Bed, Bath and Beyond. I don't know 289 00:14:34,120 --> 00:14:36,000 Speaker 3: if it's still around anymore, but yes I do. 290 00:14:48,680 --> 00:14:52,520 Speaker 2: So we were talking about how nervous Susan was to 291 00:14:52,600 --> 00:14:56,560 Speaker 2: go meet her see her parents and introduce Brandon to 292 00:14:56,640 --> 00:14:59,720 Speaker 2: her parents, especially since her sister died. There's a lot 293 00:14:59,760 --> 00:15:02,040 Speaker 2: of in that household, which is understandable. 294 00:15:02,160 --> 00:15:05,280 Speaker 3: Get it totally, Like I understood where everyone was coming from. 295 00:15:05,320 --> 00:15:09,360 Speaker 3: It was kind of a classic sort of nineties drama moment, 296 00:15:09,960 --> 00:15:13,400 Speaker 3: the friction between the mother and the daughter and the 297 00:15:13,400 --> 00:15:16,640 Speaker 3: the memory of the sister and it's all resolved. But 298 00:15:16,800 --> 00:15:19,160 Speaker 3: like it was, I didn't mind it. 299 00:15:19,920 --> 00:15:22,480 Speaker 2: Yeah, it was filt random, totally random. 300 00:15:22,520 --> 00:15:23,560 Speaker 3: The dad was so nice. 301 00:15:23,880 --> 00:15:24,840 Speaker 2: The dad was cue. 302 00:15:25,200 --> 00:15:29,680 Speaker 3: There's a lot of Jason Priestley's shirtless Did you like 303 00:15:30,160 --> 00:15:33,480 Speaker 3: what in the bed scene? It was so like there 304 00:15:33,520 --> 00:15:35,600 Speaker 3: was just so much of him shirtless. For me, I 305 00:15:35,640 --> 00:15:37,080 Speaker 3: was like, whoa, it's a lot. 306 00:15:37,440 --> 00:15:39,720 Speaker 2: I didn't I don't remember him shirtless, not one time. 307 00:15:40,080 --> 00:15:43,160 Speaker 3: Oh my gosh, he's very shirtless. So when the mom 308 00:15:43,360 --> 00:15:46,560 Speaker 3: comes in, Ohm. 309 00:15:46,400 --> 00:15:49,400 Speaker 2: But he's sleeping covered. He's covered by the covers, not 310 00:15:49,440 --> 00:15:52,720 Speaker 2: fully covered. It's a lot of a lot of Back 311 00:15:52,760 --> 00:15:55,840 Speaker 2: to the back of the rundown. Okay, Donna and Joe 312 00:15:56,040 --> 00:15:59,960 Speaker 2: meet Hank, who tells Joe that he shouldn't play foot 313 00:16:00,040 --> 00:16:04,320 Speaker 2: anymore with or without the surgery, and then Johnna tries 314 00:16:04,360 --> 00:16:07,040 Speaker 2: to interrupt that, and Hank basically tells her to butt 315 00:16:07,040 --> 00:16:11,080 Speaker 2: out because this is a family matter, and then he wants. 316 00:16:10,960 --> 00:16:16,960 Speaker 3: To randomness random, like like a decent storyline, but just 317 00:16:16,960 --> 00:16:17,600 Speaker 3: so random. 318 00:16:17,760 --> 00:16:20,960 Speaker 2: But it really wasn't even flushed out this storyline. It 319 00:16:21,040 --> 00:16:23,760 Speaker 2: was kind of so superficial that you really didn't get invested. 320 00:16:25,000 --> 00:16:27,800 Speaker 3: She's still dealing with the like things she found on 321 00:16:27,840 --> 00:16:28,400 Speaker 3: the news. 322 00:16:29,800 --> 00:16:32,960 Speaker 2: I'm a little over the let's fix Joe's heart thing 323 00:16:33,680 --> 00:16:37,080 Speaker 2: that sounds terrible but so cute. 324 00:16:36,760 --> 00:16:38,480 Speaker 3: Like I wish they would have given him a better 325 00:16:38,480 --> 00:16:39,600 Speaker 3: storyline with her. 326 00:16:40,120 --> 00:16:41,840 Speaker 2: Yeah, he's cute. I get it. 327 00:16:41,920 --> 00:16:43,760 Speaker 3: You love, Like, maybe they should have talked about getting 328 00:16:43,800 --> 00:16:47,400 Speaker 3: married and like sleeping together. I would have been juicy. 329 00:16:47,920 --> 00:16:51,480 Speaker 2: Yep. We go and we meet Hamlet, Ruth and Gerald 330 00:16:51,920 --> 00:16:53,120 Speaker 2: and Susan's dog. 331 00:16:54,120 --> 00:16:57,720 Speaker 3: Oh, that was a huge, big dog. It's a really 332 00:16:57,760 --> 00:17:01,080 Speaker 3: big dog. And she lives in quite a fancy mansion. 333 00:17:02,320 --> 00:17:06,840 Speaker 2: Well, they're very fit. They seem very upper crusty. 334 00:17:07,520 --> 00:17:10,280 Speaker 3: Yeah, they got some they got some dough, those key things. 335 00:17:10,600 --> 00:17:13,080 Speaker 2: A little crusty and affluent. 336 00:17:13,760 --> 00:17:15,359 Speaker 3: Yeah. The mom's a little upper but. 337 00:17:17,760 --> 00:17:22,720 Speaker 2: Yes, she's very critical and she negative. 338 00:17:22,800 --> 00:17:24,720 Speaker 3: She had a little Yeah, and the dad's so nice 339 00:17:24,720 --> 00:17:25,320 Speaker 3: and jovial. 340 00:17:25,760 --> 00:17:29,600 Speaker 2: I can't understand. I can't even imagine. 341 00:17:30,040 --> 00:17:32,840 Speaker 3: Brandon handled it all fairly well. I felt like he 342 00:17:32,880 --> 00:17:37,240 Speaker 3: didn't overstep, but he didn't underdo. I felt like he 343 00:17:37,359 --> 00:17:38,360 Speaker 3: was navigating it. 344 00:17:38,920 --> 00:17:41,600 Speaker 2: He was I felt like his bad jokes were good. 345 00:17:42,400 --> 00:17:45,400 Speaker 3: Yeah, and even like after the incident, he came down 346 00:17:45,440 --> 00:17:47,960 Speaker 3: and loves some eggs and then she flies off and 347 00:17:48,000 --> 00:17:50,720 Speaker 3: he's like I better go to her, and the mom's like, no, 348 00:17:50,960 --> 00:17:53,840 Speaker 3: she needs not cool off. I'll do it, like, you know, 349 00:17:53,960 --> 00:17:56,879 Speaker 3: like he didn't he wasn't just taking it, but he 350 00:17:56,920 --> 00:17:59,680 Speaker 3: also wasn't like overstepping. He was very polite. Even when 351 00:17:59,720 --> 00:18:01,760 Speaker 3: she's like, I'm so sorry, he's all no, no, no, 352 00:18:02,240 --> 00:18:03,760 Speaker 3: Like I felt like he handled it well. 353 00:18:04,040 --> 00:18:05,320 Speaker 2: He did very maturely. 354 00:18:06,080 --> 00:18:07,600 Speaker 3: Yeah. 355 00:18:07,640 --> 00:18:13,359 Speaker 2: Well so except for this sneaking into her room, which 356 00:18:13,400 --> 00:18:18,639 Speaker 2: I guess you should you could do if uh, you know, 357 00:18:18,920 --> 00:18:21,320 Speaker 2: teen boys do these things. 358 00:18:21,400 --> 00:18:24,119 Speaker 3: They're only in college, so it's sort of appropriate for 359 00:18:24,200 --> 00:18:27,600 Speaker 3: a parent to have those rules for college kids. But 360 00:18:27,680 --> 00:18:32,080 Speaker 3: they look so old. Yeah that I'm like, there's like 361 00:18:32,119 --> 00:18:35,800 Speaker 3: a thirty five year old dude here, like, what, it's 362 00:18:36,000 --> 00:18:36,800 Speaker 3: so cold? 363 00:18:37,200 --> 00:18:39,439 Speaker 2: Yeah, I mean the question is, at what age do 364 00:18:39,640 --> 00:18:43,919 Speaker 2: parents let their kids share their room with their boyfriend 365 00:18:43,960 --> 00:18:44,520 Speaker 2: or girlfriend? 366 00:18:45,920 --> 00:18:47,480 Speaker 3: What age would you you're the mom. 367 00:18:48,640 --> 00:18:51,280 Speaker 2: Well, I don't think anybody should do what I do, 368 00:18:52,920 --> 00:18:57,240 Speaker 2: just because you should use your own judgment. But I 369 00:18:57,240 --> 00:19:00,320 Speaker 2: think when my kids were over the age of eighteen, 370 00:19:00,400 --> 00:19:04,840 Speaker 2: and if they had a steady boyfriend of multiple years, 371 00:19:05,160 --> 00:19:09,160 Speaker 2: two years at least, then I was a little more 372 00:19:09,640 --> 00:19:10,439 Speaker 2: lenient with that. 373 00:19:10,960 --> 00:19:13,560 Speaker 3: Yeah, it doesn't mean they're doing anything. 374 00:19:14,160 --> 00:19:16,200 Speaker 2: Let's go back to the rehab. I feel much safer there. 375 00:19:16,640 --> 00:19:19,080 Speaker 2: Kelly gives Tara a Kashmir sweater. 376 00:19:19,520 --> 00:19:22,400 Speaker 3: You took Dave home and your mom was like, no, no, 377 00:19:23,760 --> 00:19:24,760 Speaker 3: are you going. 378 00:19:24,440 --> 00:19:27,480 Speaker 2: Back to this sleeping in the same room. Okay, I 379 00:19:27,520 --> 00:19:30,240 Speaker 2: can't imagine. It's weird. It is weird. As a parent, 380 00:19:30,320 --> 00:19:31,480 Speaker 2: it's super super weird. 381 00:19:32,720 --> 00:19:40,640 Speaker 3: Forty right when you started dating Dave older parties, Yeah, 382 00:19:40,680 --> 00:19:43,360 Speaker 3: close enough. What if your mom was like no, no. 383 00:19:45,040 --> 00:19:48,440 Speaker 2: No, I don't think she would have said that because three. 384 00:19:48,320 --> 00:19:52,840 Speaker 3: Kids about boyd three kids? Okay. Anyway back to Tara Tara. 385 00:19:53,040 --> 00:19:54,760 Speaker 2: Tara Tara Kashmir sweater. 386 00:19:55,400 --> 00:19:57,880 Speaker 3: Oh yeah, so that was a little bit. 387 00:19:59,040 --> 00:20:03,320 Speaker 2: Yeah, David comes by, well, asks him about Colin, and 388 00:20:03,359 --> 00:20:10,479 Speaker 2: then he reluctantly tells Kelly that Colon has been seeing Valerie, 389 00:20:11,080 --> 00:20:17,439 Speaker 2: which is unbe believable yet so believable. How long has 390 00:20:17,480 --> 00:20:19,359 Speaker 2: it been a week a day? 391 00:20:19,520 --> 00:20:23,560 Speaker 3: I swear it's been like literally three days. Also, great 392 00:20:23,600 --> 00:20:26,680 Speaker 3: acting again by you, Jenny, Like the pain was real, 393 00:20:26,960 --> 00:20:31,240 Speaker 3: Like you really acted that, Like I'm hurt by this. 394 00:20:32,119 --> 00:20:35,080 Speaker 2: Oh thanks, I'm glad that it came across, because yeah, 395 00:20:35,080 --> 00:20:39,520 Speaker 2: I came across. That would be really hard to wrap 396 00:20:39,560 --> 00:20:42,240 Speaker 2: your head around, like so painful. I want to be 397 00:20:42,320 --> 00:20:44,280 Speaker 2: with that guy anymore? And you knew that it wasn't 398 00:20:44,400 --> 00:20:47,680 Speaker 2: he wasn't good for you. Also because she's like your 399 00:20:47,760 --> 00:20:53,600 Speaker 2: nemesis and she was so like I want to get 400 00:20:53,600 --> 00:20:55,920 Speaker 2: her claws in him the whole time. Oh makes it. 401 00:20:56,040 --> 00:21:01,600 Speaker 2: It doesn't makes me angry at him because yeah, from her. 402 00:21:03,960 --> 00:21:05,880 Speaker 3: So he's just gonna hurt her too. 403 00:21:07,760 --> 00:21:08,680 Speaker 2: Anyway, you know what I mean. 404 00:21:08,760 --> 00:21:12,320 Speaker 3: He's just gonna hurt her too, Like why is she 405 00:21:12,440 --> 00:21:14,120 Speaker 3: going for this like drug addict? 406 00:21:14,440 --> 00:21:17,080 Speaker 2: I really just don't know how this this character of 407 00:21:17,080 --> 00:21:21,639 Speaker 2: Colon went from being this like mysterious, artistic, cool New 408 00:21:21,720 --> 00:21:25,000 Speaker 2: York guy on the airplane with Kelly in the beginning 409 00:21:25,000 --> 00:21:29,800 Speaker 2: of the season to now being like this deviant, horrible 410 00:21:29,840 --> 00:21:34,200 Speaker 2: influence and person that is ruthless basically. 411 00:21:35,359 --> 00:21:39,760 Speaker 3: Him now soly rested but I can't. We'll get to that. 412 00:21:39,840 --> 00:21:44,640 Speaker 3: It's so you can't too good. That was just bizarre. 413 00:21:44,760 --> 00:21:48,480 Speaker 3: But okay, wait, so we're seeing hints of Tara being 414 00:21:48,480 --> 00:21:53,520 Speaker 3: a little questionable, not really yet, but just because we know. 415 00:21:54,040 --> 00:21:56,880 Speaker 2: The only thing that's questionable is that wig she's wearing. Okay, 416 00:21:57,320 --> 00:22:00,840 Speaker 2: well you'll find out why is is that a wig? 417 00:22:00,960 --> 00:22:02,720 Speaker 2: Is she wearing a wig. 418 00:22:04,160 --> 00:22:05,240 Speaker 3: In show? 419 00:22:05,440 --> 00:22:07,280 Speaker 2: Like her character is choosing to wear a wig? Or 420 00:22:07,280 --> 00:22:09,359 Speaker 2: are we supposed to believe that's her hair, is my question? 421 00:22:10,280 --> 00:22:13,840 Speaker 3: Supposed to believe that's her hair? But hair is important 422 00:22:13,960 --> 00:22:17,479 Speaker 3: because later, yeah, yeah, there is, do you remember? And 423 00:22:17,520 --> 00:22:20,280 Speaker 3: so obviously I think they had to do something like 424 00:22:20,440 --> 00:22:23,000 Speaker 3: give her the wig here so that it would work later, 425 00:22:24,359 --> 00:22:24,960 Speaker 3: do you know what I mean? 426 00:22:25,480 --> 00:22:29,040 Speaker 2: But the later is a wig too, So. 427 00:22:29,240 --> 00:22:30,720 Speaker 3: Was it okay? 428 00:22:30,760 --> 00:22:30,879 Speaker 2: Then? 429 00:22:30,920 --> 00:22:33,000 Speaker 3: I don't know? Maybe this is her real hair because 430 00:22:33,840 --> 00:22:36,960 Speaker 3: later's a wig. Yeah, her hair is like weird. 431 00:22:37,520 --> 00:22:40,600 Speaker 2: When did wigs get better? Because it certainly wasn't in 432 00:22:40,680 --> 00:22:41,640 Speaker 2: nineteen ninety six. 433 00:22:42,800 --> 00:22:46,480 Speaker 3: I think maybe I think they were better then, but 434 00:22:46,560 --> 00:22:47,680 Speaker 3: they're really good now. 435 00:22:48,000 --> 00:22:50,000 Speaker 2: I think that maybe it wasn't in the budget to 436 00:22:50,000 --> 00:22:50,600 Speaker 2: have a good one. 437 00:22:50,680 --> 00:22:52,520 Speaker 3: That's what I was about to say. I literally wanted 438 00:22:52,560 --> 00:22:54,199 Speaker 3: to say that, and then I felt like that's too me. 439 00:22:55,960 --> 00:22:58,359 Speaker 2: Oh I felt bad for her wearing that wig. But yeah, 440 00:22:58,480 --> 00:23:04,639 Speaker 2: she's she's she's a little needy already. 441 00:23:04,920 --> 00:23:09,359 Speaker 3: Like the sweater you ready for another friend eating a pie? 442 00:23:09,600 --> 00:23:14,240 Speaker 3: It's just like, oh no, the doctor flirting doctor comes in. 443 00:23:15,040 --> 00:23:17,960 Speaker 2: But are we just foreshadowing because we know? 444 00:23:18,480 --> 00:23:22,000 Speaker 3: I'm sure I think so. I actually think so. I 445 00:23:22,040 --> 00:23:22,600 Speaker 3: don't know. 446 00:23:22,840 --> 00:23:25,040 Speaker 2: That's a sweet girl and she's had yeah. 447 00:23:25,040 --> 00:23:27,240 Speaker 3: I think if we were watching it with fresh eyes, 448 00:23:27,480 --> 00:23:30,640 Speaker 3: virgin eyed, we would not see it yet. 449 00:23:32,359 --> 00:23:34,720 Speaker 2: Yes. Then we go to the scene at Susan's parents' 450 00:23:34,720 --> 00:23:37,160 Speaker 2: house where Ruth just cuts to the chase and asks 451 00:23:37,960 --> 00:23:40,919 Speaker 2: if Brandon is sleeping her daughter, did you. 452 00:23:40,920 --> 00:23:43,240 Speaker 3: See that bowl of peace? I've never seen so many 453 00:23:43,280 --> 00:23:46,720 Speaker 3: peas in a bowl in my entire life. 454 00:23:49,160 --> 00:23:50,639 Speaker 2: I got to go back and look at the peas. 455 00:23:50,640 --> 00:23:54,159 Speaker 3: Now, my god, it was a deeping bowl of peas. 456 00:23:54,240 --> 00:23:55,840 Speaker 3: Like I was just like, how are they going to 457 00:23:55,920 --> 00:23:56,800 Speaker 3: eat that many peas? 458 00:23:57,320 --> 00:23:58,240 Speaker 2: I don't love peas. 459 00:23:58,640 --> 00:24:03,040 Speaker 3: Peas right now? Do you like peas? Yes? No, I 460 00:24:03,080 --> 00:24:05,080 Speaker 3: like at a mammy and I like snap peas, but 461 00:24:05,160 --> 00:24:05,640 Speaker 3: I do not. 462 00:24:05,960 --> 00:24:10,119 Speaker 2: Like cooked peas well, not if they're mushy. 463 00:24:10,240 --> 00:24:11,440 Speaker 3: I don't like them no matter what. 464 00:24:13,200 --> 00:24:15,840 Speaker 2: Okay, so she peas in her car and she doesn't 465 00:24:16,000 --> 00:24:22,280 Speaker 2: like peas. Write it down, people, there's gonna veh a quiz. Yeah. 466 00:24:22,280 --> 00:24:23,040 Speaker 2: I couldn't believe she. 467 00:24:23,280 --> 00:24:26,480 Speaker 3: It was a massive bowld piece that was so crazy. 468 00:24:27,680 --> 00:24:29,919 Speaker 2: It was a jaw dropper. We were like, oh my, 469 00:24:30,040 --> 00:24:31,000 Speaker 2: did she just though? 470 00:24:32,880 --> 00:24:36,800 Speaker 3: It was like, Yeah, this poor mom is so in 471 00:24:36,840 --> 00:24:39,720 Speaker 3: need of a lot of therapy, which I understand. She's 472 00:24:39,800 --> 00:24:42,720 Speaker 3: had like a traumatizing loss, which she brings up later 473 00:24:43,240 --> 00:24:45,360 Speaker 3: and we all feel for her, but it's just like. 474 00:24:47,200 --> 00:24:49,920 Speaker 2: Yeah, it works, it does you. It all comes back 475 00:24:49,960 --> 00:24:50,800 Speaker 2: around and makes sense. 476 00:24:50,920 --> 00:24:51,120 Speaker 3: Yeah. 477 00:24:51,200 --> 00:24:51,760 Speaker 1: Yeah. 478 00:24:51,880 --> 00:24:53,680 Speaker 2: We go to Collin's apartment in vad Is where we 479 00:24:53,720 --> 00:24:56,720 Speaker 2: see Colin and val star gazing on the deck. 480 00:24:57,440 --> 00:25:01,439 Speaker 1: It's just so this this whole just had me like 481 00:25:02,280 --> 00:25:05,120 Speaker 1: and already he's saying, I promise to just be when 482 00:25:05,119 --> 00:25:06,880 Speaker 1: I'm with you, I'm only going to be with you, 483 00:25:07,440 --> 00:25:10,560 Speaker 1: And so that is her basically green light to say, 484 00:25:10,640 --> 00:25:11,600 Speaker 1: let's go to bed. 485 00:25:13,560 --> 00:25:16,640 Speaker 3: Just uncomps. First of all, this guy is a drug 486 00:25:16,640 --> 00:25:18,800 Speaker 3: addict who broke up with you, the love of his 487 00:25:18,880 --> 00:25:24,840 Speaker 3: life four seconds ago. She wants commitment though, yes, like 488 00:25:24,920 --> 00:25:26,640 Speaker 3: guy's a drug addict. 489 00:25:26,520 --> 00:25:29,480 Speaker 2: Yes, clean right now when he's telling Bell that he 490 00:25:29,600 --> 00:25:30,560 Speaker 2: wants only her. 491 00:25:30,680 --> 00:25:34,600 Speaker 3: For thirty seconds, the sketchy drug guy is coming any minute, 492 00:25:35,080 --> 00:25:35,919 Speaker 3: Oh my god. 493 00:25:36,720 --> 00:25:40,040 Speaker 2: And then we cut to Kelly's rehab where she is 494 00:25:40,119 --> 00:25:43,280 Speaker 2: opening up to Tara and says that she feels like 495 00:25:43,480 --> 00:25:44,800 Speaker 2: killing Valerie. 496 00:25:44,880 --> 00:25:45,720 Speaker 3: That was nuts. 497 00:25:46,000 --> 00:25:49,680 Speaker 2: That that was nuts, Okay, harsh, you know that was 498 00:25:49,840 --> 00:25:51,440 Speaker 2: really nuts. What I want to do? I want to 499 00:25:51,520 --> 00:25:51,880 Speaker 2: kill her. 500 00:25:53,240 --> 00:25:55,400 Speaker 3: I thought there was some sort of foreshadowing there too. 501 00:25:55,480 --> 00:25:58,360 Speaker 3: So Tara when she goes crazy, I mean there is. 502 00:25:58,400 --> 00:26:00,960 Speaker 2: That's that's the only reason that that line could. 503 00:26:00,720 --> 00:26:03,920 Speaker 3: Exist, correct, because the line was really jarring and uncomfortable. 504 00:26:04,400 --> 00:26:08,520 Speaker 2: No, that's not something young people say or joke about. 505 00:26:08,600 --> 00:26:10,600 Speaker 3: And that's not something Kelly Taylor says. 506 00:26:10,800 --> 00:26:13,800 Speaker 2: Or definitely, I mean, even if you feel like I 507 00:26:13,920 --> 00:26:16,280 Speaker 2: want a killer like that kind of I want to 508 00:26:16,320 --> 00:26:16,920 Speaker 2: kill somebody. 509 00:26:17,640 --> 00:26:19,359 Speaker 3: The finest thing I've ever said is I want to 510 00:26:19,440 --> 00:26:23,000 Speaker 3: I want to punch that per person. 511 00:26:23,440 --> 00:26:25,480 Speaker 2: I want to kill someone. 512 00:26:25,640 --> 00:26:28,520 Speaker 3: First of all, I can't. I would never say that 513 00:26:29,080 --> 00:26:34,080 Speaker 3: for twenty million reasons. Twenty million reasons, one being I've 514 00:26:34,119 --> 00:26:36,680 Speaker 3: watched so many Lifetime movies that my fears that person 515 00:26:36,760 --> 00:26:39,320 Speaker 3: will always end up dead and then they're like you 516 00:26:39,440 --> 00:26:42,359 Speaker 3: once said it, So I never utter that ever. 517 00:26:42,840 --> 00:26:43,880 Speaker 2: That'spect number one. 518 00:26:44,400 --> 00:26:47,240 Speaker 3: Yeah, I never even try to think those things because 519 00:26:47,440 --> 00:26:50,240 Speaker 3: I'm afraid some mind reader could be like you thought it. 520 00:26:51,240 --> 00:26:54,160 Speaker 2: Yeah, but I mean, how many times in your life 521 00:26:54,160 --> 00:27:00,520 Speaker 2: have you thought I want zero dead milch zero too 522 00:27:00,800 --> 00:27:01,560 Speaker 2: black and white. 523 00:27:01,960 --> 00:27:05,880 Speaker 3: No, I have a way better thing away, I. 524 00:27:05,800 --> 00:27:08,040 Speaker 2: Have a way better thing. Wait are you about to say, 525 00:27:08,080 --> 00:27:11,200 Speaker 2: like when you wish someone ill when you're so mad 526 00:27:11,240 --> 00:27:14,280 Speaker 2: at someone, what is it that you think in your 527 00:27:14,320 --> 00:27:17,600 Speaker 2: mind or even say sometimes that you wish would happen 528 00:27:17,640 --> 00:27:18,080 Speaker 2: to that person. 529 00:27:18,119 --> 00:27:19,560 Speaker 3: You want to tell me yours and I'll tell you mine. 530 00:27:19,640 --> 00:27:21,399 Speaker 3: I'll tell okay, you tell me yours. 531 00:27:22,000 --> 00:27:25,080 Speaker 2: I wish you get diarrhea? 532 00:27:25,520 --> 00:27:29,840 Speaker 3: Is that what you say? God, have we had this 533 00:27:29,880 --> 00:27:33,400 Speaker 3: conversation before, because that's what that's literally what I do too. 534 00:27:33,720 --> 00:27:38,760 Speaker 3: I picture them having diarrhea like in their pants, like 535 00:27:39,160 --> 00:27:42,800 Speaker 3: you know, the diarrhea that's like kind of painful. And 536 00:27:42,960 --> 00:27:45,920 Speaker 3: also what I do is when I picture that, it 537 00:27:46,000 --> 00:27:51,000 Speaker 3: brings them down. Like in my mind, I'm like, Okay, 538 00:27:51,160 --> 00:27:55,080 Speaker 3: they have diarrhea too, Like it's fine, Like all you 539 00:27:55,080 --> 00:27:58,679 Speaker 3: have to do, Like if you have any jealousy for someone, 540 00:27:58,920 --> 00:28:00,760 Speaker 3: just picture them have diarrhea. 541 00:28:00,840 --> 00:28:03,359 Speaker 2: I cannot believe this is what we are talking about. 542 00:28:03,560 --> 00:28:07,960 Speaker 3: I can like Brad Pitt, he's had diarrhea for sure. 543 00:28:08,600 --> 00:28:11,040 Speaker 2: If you break it down, everybody is human. 544 00:28:11,240 --> 00:28:12,480 Speaker 3: Everyone's had diarrhea. 545 00:28:13,080 --> 00:28:16,800 Speaker 2: First of all, I have never had diarrhea. Amy, are 546 00:28:16,800 --> 00:28:18,520 Speaker 2: you serious? No, he's just. 547 00:28:18,480 --> 00:28:21,520 Speaker 3: Kidding, But I don't frequently have the opposite. 548 00:28:22,040 --> 00:28:24,199 Speaker 2: Diarrhea is like my main way I know that this 549 00:28:24,320 --> 00:28:28,720 Speaker 2: is your dream topic. So we're just going to keep moving. 550 00:28:29,720 --> 00:28:33,680 Speaker 2: We go back to the beach house where Joe comes 551 00:28:33,680 --> 00:28:36,040 Speaker 2: over and basically he tells Donna that his brother convinced 552 00:28:36,080 --> 00:28:38,080 Speaker 2: him not to move forward with the surgery because his 553 00:28:38,160 --> 00:28:42,760 Speaker 2: football dreams are also shattered after an injury. 554 00:28:43,440 --> 00:28:45,480 Speaker 3: The whole storyline is a yawn fest. 555 00:28:45,600 --> 00:28:47,719 Speaker 2: Yeah, it's not like I'm not interested. 556 00:28:48,320 --> 00:28:52,640 Speaker 3: And then Donna in the empty quad everyone's at the beach, like, no, 557 00:28:52,840 --> 00:28:56,080 Speaker 3: they're not, they're not. You just didn't afford background actors 558 00:28:56,080 --> 00:28:59,800 Speaker 3: today because they're not all at the beach. Like what 559 00:29:00,360 --> 00:29:02,800 Speaker 3: on a three day weekend? What three day weekend? What 560 00:29:02,880 --> 00:29:06,480 Speaker 3: three day weekend? Is it ground dog Day? Well, it 561 00:29:06,520 --> 00:29:08,240 Speaker 3: was a three day weekend in the show. But like, 562 00:29:08,280 --> 00:29:10,320 Speaker 3: because maybe that's why they're going to San Diego. But 563 00:29:10,360 --> 00:29:13,800 Speaker 3: I don't think we really lean into which one. Oh right, okay, Leapier, 564 00:29:13,840 --> 00:29:16,200 Speaker 3: but that's not a three day weekend. You don't get 565 00:29:16,240 --> 00:29:19,000 Speaker 3: a holiday for leap Heer. But the banks are open. 566 00:29:19,120 --> 00:29:22,640 Speaker 3: But anyway, who cares whatever, everyone's at the beach. 567 00:29:22,600 --> 00:29:24,800 Speaker 2: Fins or something. I don't know what it was. 568 00:29:25,280 --> 00:29:28,080 Speaker 3: Oh yeah, they call it turned about now I. 569 00:29:28,040 --> 00:29:33,240 Speaker 2: Don't even anyway, anyway, I don't either Steve convintions hop 570 00:29:33,280 --> 00:29:35,600 Speaker 2: on his hardly, but she hates it. After a few 571 00:29:35,640 --> 00:29:37,880 Speaker 2: seconds after he gives her one spin around the parking 572 00:29:37,920 --> 00:29:40,280 Speaker 2: lot and he refuses, she refuses to write. And you 573 00:29:40,320 --> 00:29:44,280 Speaker 2: know that parking lot was right by the soundstage that 574 00:29:44,360 --> 00:29:47,280 Speaker 2: was in van Ey's, right down the street, so convenient 575 00:29:47,360 --> 00:29:47,840 Speaker 2: for the crew. 576 00:29:48,440 --> 00:29:50,360 Speaker 3: That's where you went. They went out on the road 577 00:29:50,880 --> 00:29:53,720 Speaker 3: and here's what I'm thinking. They're riding the motorcycle as 578 00:29:53,720 --> 00:29:56,440 Speaker 3: you TV people do where it's on a truck, you 579 00:29:56,480 --> 00:29:59,000 Speaker 3: know what I mean. Were the close ups and then 580 00:29:59,040 --> 00:30:01,959 Speaker 3: they had the real motors cycle stunt deviles doing the 581 00:30:02,040 --> 00:30:07,200 Speaker 3: turns lean with me, I'm just like, this is atrocious. 582 00:30:07,360 --> 00:30:09,800 Speaker 2: I know who really was into Harley's but that was 583 00:30:09,840 --> 00:30:26,960 Speaker 2: their dream, no connection, so dumb. So then that's where 584 00:30:27,000 --> 00:30:30,480 Speaker 2: we see Brandon sneak out to sleep with Susan. And 585 00:30:30,520 --> 00:30:33,040 Speaker 2: then he gets stopped by the dog by Hamlet. So 586 00:30:33,120 --> 00:30:38,240 Speaker 2: he is so smart and he starts what does he start? 587 00:30:38,720 --> 00:30:42,480 Speaker 2: He starts speaking Shakespeareanto the Dog God. 588 00:30:42,520 --> 00:30:45,080 Speaker 3: I think I blinked during this because I didn't remember. 589 00:30:45,120 --> 00:30:46,200 Speaker 3: This part worked for me. 590 00:30:46,160 --> 00:30:49,240 Speaker 2: Because in seeing previous Brandon said, I don't speak I 591 00:30:49,280 --> 00:30:49,640 Speaker 2: don't know. 592 00:30:49,560 --> 00:30:54,160 Speaker 4: Anything act and then he's he was like to be 593 00:30:54,480 --> 00:30:58,240 Speaker 4: or not, like, yeah, I miss that whole scene. I 594 00:30:58,320 --> 00:30:59,760 Speaker 4: must have gone to the bathroom or something because I 595 00:30:59,800 --> 00:31:00,480 Speaker 4: don't remember. 596 00:31:01,280 --> 00:31:04,520 Speaker 2: I was interested. And then we go back and we 597 00:31:04,560 --> 00:31:09,520 Speaker 2: see Valerie. She wakes up to a call from call 598 00:31:09,640 --> 00:31:15,560 Speaker 2: and telling her how beautiful last night was and thanking her. 599 00:31:16,320 --> 00:31:19,600 Speaker 2: So weird, so they didn't she didn't sleep over. 600 00:31:20,000 --> 00:31:23,560 Speaker 3: I guess not, But it's just weird. It's just weird. 601 00:31:23,960 --> 00:31:26,440 Speaker 2: It's just weird that it's so fast. It's too fast, 602 00:31:26,480 --> 00:31:27,040 Speaker 2: it's too fair. 603 00:31:27,120 --> 00:31:29,640 Speaker 3: And then David and the off comes into the office 604 00:31:29,760 --> 00:31:33,480 Speaker 3: and oh, it's a friendly visit, like it's just so 605 00:31:34,520 --> 00:31:38,720 Speaker 3: oh god, it was very a lot of like drama, 606 00:31:39,000 --> 00:31:44,160 Speaker 3: Like yeah, carving out little channel's avenues of like drama, 607 00:31:45,000 --> 00:31:47,160 Speaker 3: and like David should be hurt. I get it, like 608 00:31:48,200 --> 00:31:50,280 Speaker 3: he should be hurt, but also, why are you going 609 00:31:50,320 --> 00:31:51,040 Speaker 3: and talking to her? 610 00:31:51,320 --> 00:31:52,000 Speaker 2: Is he going there? 611 00:31:52,320 --> 00:31:52,560 Speaker 3: Right? 612 00:31:53,400 --> 00:31:57,720 Speaker 2: Then Danny five comes back and he basically puts cocaine 613 00:31:57,800 --> 00:31:58,800 Speaker 2: up Collin's nose. 614 00:31:59,160 --> 00:32:01,320 Speaker 3: So was he one of the drug dealer? So yeah, 615 00:32:01,360 --> 00:32:03,040 Speaker 3: he was the one that went into the bedroom with 616 00:32:03,080 --> 00:32:06,080 Speaker 3: the other drug addict, right, so many gross. 617 00:32:06,840 --> 00:32:10,560 Speaker 2: He basically forces Colon to snort the cocaine to try 618 00:32:10,560 --> 00:32:12,600 Speaker 2: this new stuff, and then he puts it in his pocket, 619 00:32:12,720 --> 00:32:16,800 Speaker 2: puts it in his hand. That's just not just. 620 00:32:16,800 --> 00:32:19,520 Speaker 3: Leading us to the High Speed Jays, which was everything. 621 00:32:20,040 --> 00:32:22,640 Speaker 2: Yeah. Yeah, and then we go back to San Diego 622 00:32:22,720 --> 00:32:25,720 Speaker 2: and we see the really you know, I think I 623 00:32:25,720 --> 00:32:28,760 Speaker 2: thought it was a really good scene. Yeah, the mom 624 00:32:28,960 --> 00:32:31,920 Speaker 2: and Susan kind of everything comes to a head and. 625 00:32:32,080 --> 00:32:34,200 Speaker 3: Yeah, yeah this is at the breakfast with the very 626 00:32:34,240 --> 00:32:38,080 Speaker 3: fancy china for breakfast but fans and like a very 627 00:32:38,120 --> 00:32:42,280 Speaker 3: fancy coffee cup but so tiny, a tiny little tea cup. 628 00:32:42,680 --> 00:32:45,680 Speaker 3: Maybe it's espresso, and it's like green spoed. 629 00:32:46,480 --> 00:32:48,120 Speaker 2: Just a thought that was a good scene. And I 630 00:32:48,120 --> 00:32:51,280 Speaker 2: thought that, yeah, you know, Susan get all that out 631 00:32:51,320 --> 00:32:52,120 Speaker 2: and off her chests. 632 00:32:52,120 --> 00:32:54,840 Speaker 3: And that's why I thought Brandon handled it very well. 633 00:32:55,880 --> 00:32:56,480 Speaker 2: Yeah he didn't. 634 00:32:56,880 --> 00:32:57,800 Speaker 3: Rand's a good dude. 635 00:32:58,320 --> 00:33:02,120 Speaker 2: Yeah, he just kind of dude, but he didn't. 636 00:33:02,040 --> 00:33:04,640 Speaker 3: Just take it right. It's good. 637 00:33:05,040 --> 00:33:07,840 Speaker 2: Then we see this is where the weird peach Pie 638 00:33:07,920 --> 00:33:12,320 Speaker 2: scene comes, where Claire and Donna show up at Kelly's 639 00:33:13,560 --> 00:33:16,520 Speaker 2: Pie to go for one bite and then they. 640 00:33:16,480 --> 00:33:19,560 Speaker 3: Leave and skidaddled so fad. She's like, I've gotta go 641 00:33:19,720 --> 00:33:20,640 Speaker 3: and I've gotta go. 642 00:33:20,880 --> 00:33:23,520 Speaker 2: Okay, what was the point of that scene? Does anybody know? 643 00:33:24,640 --> 00:33:27,120 Speaker 3: I think to just keep the door, to have the 644 00:33:27,560 --> 00:33:29,880 Speaker 3: hot doctor to come on. You're the hot doctor, the 645 00:33:29,880 --> 00:33:32,160 Speaker 3: hot doctor, and she's like, mo, Mama told me to 646 00:33:32,200 --> 00:33:35,040 Speaker 3: marry a doctor, Like is. 647 00:33:35,000 --> 00:33:37,520 Speaker 2: Donna drunk in that scene? And she's like giddy off 648 00:33:37,560 --> 00:33:39,240 Speaker 2: of the sugar from the pie. 649 00:33:39,520 --> 00:33:41,480 Speaker 3: And the doctor. And then I think we're to see 650 00:33:41,480 --> 00:33:44,000 Speaker 3: a little more of Tara, like a lot of Tara 651 00:33:44,120 --> 00:33:47,080 Speaker 3: sort of Oh, I wish I had friends like. 652 00:33:47,120 --> 00:33:48,800 Speaker 2: Yours and they're so great. 653 00:33:48,840 --> 00:33:49,120 Speaker 3: Do you have? 654 00:33:49,320 --> 00:33:49,480 Speaker 1: Yeah? 655 00:33:49,480 --> 00:33:51,400 Speaker 3: So it was like kind of twofold scene, and I 656 00:33:51,440 --> 00:33:53,360 Speaker 3: think we want to introduce the hot doctor. 657 00:33:53,880 --> 00:33:55,200 Speaker 2: What's the deal with the hot doctor? 658 00:33:56,360 --> 00:33:59,560 Speaker 3: I'm pretty sure you date him later? He's cute, which 659 00:33:59,600 --> 00:34:02,440 Speaker 3: I haven't. I can't remember enough to be like, how 660 00:34:02,440 --> 00:34:06,080 Speaker 3: do they get around? How inappropriate that is? But I 661 00:34:06,080 --> 00:34:09,160 Speaker 3: don't remember. And then Tara causes all kinds of problems. 662 00:34:09,600 --> 00:34:12,320 Speaker 2: Doesn't that happen on every like hospital show? Somebody dates it? 663 00:34:12,400 --> 00:34:15,000 Speaker 3: Yeah, it's on Shrinking right now. Harrison Ford starts dating 664 00:34:15,000 --> 00:34:18,319 Speaker 3: his doctor. I'm all for it on that show. You'd 665 00:34:18,360 --> 00:34:18,880 Speaker 3: like that show? 666 00:34:19,520 --> 00:34:23,759 Speaker 2: Yeah? I like it. Let's see. Then we go back 667 00:34:23,760 --> 00:34:25,520 Speaker 2: to California University. 668 00:34:25,040 --> 00:34:27,600 Speaker 3: And we talk about this is the empty quad. 669 00:34:27,800 --> 00:34:31,000 Speaker 2: Joe and his hard brother and Donna. 670 00:34:31,800 --> 00:34:36,360 Speaker 3: Blah blah blah. She's like, I think that you just 671 00:34:36,400 --> 00:34:40,319 Speaker 3: don't want to have the football career that you didn't have. Yeah, 672 00:34:40,520 --> 00:34:45,439 Speaker 3: like Donna's psychoanalyzing, like how right she met this guy 673 00:34:45,440 --> 00:34:47,399 Speaker 3: four seconds ago? She barely knows Joe. 674 00:34:47,440 --> 00:34:52,960 Speaker 2: But okay, okay, we go back to each pit and 675 00:34:53,000 --> 00:34:57,600 Speaker 2: then we see, uh that Steve is really trying to 676 00:34:57,600 --> 00:34:59,200 Speaker 2: get clear back on the Oh my god. 677 00:34:59,080 --> 00:35:01,680 Speaker 3: How about when he says, I'm gonna basically dump. 678 00:35:01,440 --> 00:35:04,759 Speaker 2: You it's me. It's like I'm gonna ride alone if 679 00:35:04,760 --> 00:35:05,080 Speaker 2: you don't. 680 00:35:05,320 --> 00:35:06,000 Speaker 3: It was so. 681 00:35:07,400 --> 00:35:10,759 Speaker 2: Is She said, Okay, that's not like correct because. 682 00:35:10,480 --> 00:35:13,479 Speaker 3: He threatened her like I would have been. Claire would 683 00:35:13,480 --> 00:35:16,680 Speaker 3: have been like no and now double. 684 00:35:16,440 --> 00:35:18,520 Speaker 2: Now, and she'd be like bye huh. 685 00:35:18,640 --> 00:35:22,000 Speaker 3: Instead she gets on the weird bike with a weird 686 00:35:22,080 --> 00:35:24,320 Speaker 3: Claire helmet. 687 00:35:23,719 --> 00:35:28,399 Speaker 2: And that's his outfit. David says to Valerie, you didn't 688 00:35:28,440 --> 00:35:30,440 Speaker 2: wait long to hop on Colin. 689 00:35:31,160 --> 00:35:35,320 Speaker 3: Oh my god, can we talk about Steve's motorcycle jacket 690 00:35:35,320 --> 00:35:36,919 Speaker 3: with his white turtleneck? Oh god. 691 00:35:37,280 --> 00:35:38,040 Speaker 2: The turtleneck. 692 00:35:38,120 --> 00:35:39,839 Speaker 3: It's a white turtleneck. 693 00:35:40,080 --> 00:35:42,920 Speaker 2: O white turtleneck when they ride a Harley. What are 694 00:35:42,920 --> 00:35:43,640 Speaker 2: you talking about? 695 00:35:43,640 --> 00:35:46,080 Speaker 3: It's not even a turtleneck sweater, guys, it's a thin 696 00:35:48,680 --> 00:35:51,719 Speaker 3: layer what you wore for skiing in the eighties. It's 697 00:35:51,800 --> 00:35:55,000 Speaker 3: left over from Yeah, I think I wore that with 698 00:35:55,000 --> 00:35:58,960 Speaker 3: a sweater vest over it in the eighties. Anyway, the 699 00:35:59,000 --> 00:36:00,959 Speaker 3: whole episode is nomenal. Keep coming. 700 00:36:02,400 --> 00:36:05,439 Speaker 2: David says that don't. Colin's going to bring val down 701 00:36:05,600 --> 00:36:08,200 Speaker 2: just like you did, Kelly and Valerie. 702 00:36:08,080 --> 00:36:13,160 Speaker 3: Clearly yes, Kelly, so oh yeah, she's so strong, she's 703 00:36:13,560 --> 00:36:15,720 Speaker 3: so fragile as a little little bird. 704 00:36:16,239 --> 00:36:20,200 Speaker 2: Mm hmm, Well sometimes I want to believe that. H 705 00:36:20,960 --> 00:36:23,560 Speaker 2: On the road back home, Susan's. 706 00:36:23,120 --> 00:36:26,960 Speaker 3: Good, She's sleeping, like it's so random, she's had it, 707 00:36:27,640 --> 00:36:29,200 Speaker 3: and I don't really. First of all, I get it 708 00:36:29,239 --> 00:36:32,959 Speaker 3: she was tired, but like, why why they weren't write 709 00:36:33,000 --> 00:36:35,560 Speaker 3: that in Susan's sleeping Why? 710 00:36:35,800 --> 00:36:38,520 Speaker 2: Maybe because it was very emotionally taxing for her, I 711 00:36:38,520 --> 00:36:41,640 Speaker 2: guess yeah. And we also get to see what a 712 00:36:41,680 --> 00:36:45,359 Speaker 2: good guy Brandon is that he let her sleep, you know, 713 00:36:45,400 --> 00:36:48,880 Speaker 2: he's a good dude. And then guess what wrap it up? 714 00:36:48,960 --> 00:36:51,280 Speaker 2: Tie that bow. Hank says goodbye to Joe and Donna 715 00:36:51,400 --> 00:36:53,399 Speaker 2: and says that the family won't stand in the way 716 00:36:53,400 --> 00:36:54,400 Speaker 2: of his surgery. 717 00:36:54,880 --> 00:36:57,680 Speaker 3: You the bellman, You the bellman. 718 00:36:59,320 --> 00:37:01,839 Speaker 2: How much do you think he's gonna tip that guy 719 00:37:01,880 --> 00:37:03,440 Speaker 2: five dollars? Two bucks? 720 00:37:03,960 --> 00:37:05,840 Speaker 3: Like? Literally, isn't suposed to be a dollar suitcase? Like, 721 00:37:05,840 --> 00:37:07,440 Speaker 3: why are you making that guy carry that stuff? 722 00:37:07,480 --> 00:37:09,720 Speaker 2: It's not a dollar suitcase anymore? Have you noticed? 723 00:37:10,200 --> 00:37:12,160 Speaker 3: I try to give a twenty, like a. 724 00:37:12,200 --> 00:37:15,320 Speaker 2: Twenty no, regardless of whatever it is. That's the tips. 725 00:37:15,480 --> 00:37:17,080 Speaker 3: If I have one hundred backs, I probably get forty. 726 00:37:17,120 --> 00:37:19,600 Speaker 3: I try to be generous. Well, yeah, I try not 727 00:37:19,600 --> 00:37:21,719 Speaker 3: to use a bellman, though I don't. I don't want 728 00:37:21,719 --> 00:37:23,640 Speaker 3: to use a bellman. I find it annoyment. I'd rather 729 00:37:23,680 --> 00:37:26,480 Speaker 3: take a couple of times same. And it's just like 730 00:37:27,120 --> 00:37:28,359 Speaker 3: I don't want to hurry up. 731 00:37:28,280 --> 00:37:30,520 Speaker 2: And wait, y yeah, in my room, I want to 732 00:37:30,560 --> 00:37:32,799 Speaker 2: like unzip and get it out and do my thing too. 733 00:37:32,840 --> 00:37:36,200 Speaker 3: I'll just take two trips. I don't really stand hotels. 734 00:37:36,719 --> 00:37:39,280 Speaker 3: Whatever if I did, I'll just carry it. 735 00:37:39,760 --> 00:37:42,040 Speaker 2: And then we go to the best part of the 736 00:37:42,080 --> 00:37:43,279 Speaker 2: whole show. 737 00:37:43,880 --> 00:37:47,040 Speaker 3: Literally worth the price of admission. It is so good. 738 00:37:47,600 --> 00:37:50,920 Speaker 2: I was like, wait, is this really happening. My favorite thing, 739 00:37:51,000 --> 00:37:52,960 Speaker 2: not only one of my favorite things about living in 740 00:37:53,120 --> 00:37:57,040 Speaker 2: LA is the chance that, oh my god, there's a 741 00:37:57,040 --> 00:37:59,600 Speaker 2: police chase on Tipee. Everything in our house stops and 742 00:37:59,640 --> 00:38:02,239 Speaker 2: we all stand in front of the TV like trans So. 743 00:38:02,280 --> 00:38:04,920 Speaker 3: Sometimes so we don't really have them up here, or 744 00:38:04,960 --> 00:38:07,840 Speaker 3: they don't televise them. No, so sometimes I'll get a 745 00:38:07,840 --> 00:38:11,240 Speaker 3: text on my phone from KTLA that says like police pursuit, 746 00:38:11,560 --> 00:38:14,200 Speaker 3: and then I literally try to watch it streaming because 747 00:38:14,200 --> 00:38:16,080 Speaker 3: I want to watch it so bad. I'm like, these 748 00:38:16,080 --> 00:38:19,560 Speaker 3: are and they never end any other way than. 749 00:38:19,480 --> 00:38:23,200 Speaker 2: Caught, right, But it depends on like the level of intensity, 750 00:38:23,520 --> 00:38:26,600 Speaker 2: like correct, But I've never seen someone escape. This was 751 00:38:26,680 --> 00:38:30,279 Speaker 2: pretty good. This was very well shot. I thought it 752 00:38:30,560 --> 00:38:31,000 Speaker 2: very well. 753 00:38:32,000 --> 00:38:35,520 Speaker 3: I don't know what kind of this was expensive? What 754 00:38:35,640 --> 00:38:39,720 Speaker 3: is he driving? What is that an old shoe box? Yeah? 755 00:38:40,040 --> 00:38:43,040 Speaker 3: I remember those, but this was expensive. This had like 756 00:38:43,320 --> 00:38:48,200 Speaker 3: multiple shots then panning to you guys. First of all, 757 00:38:48,239 --> 00:38:50,920 Speaker 3: Claire and Steve know it's him, but how they know 758 00:38:50,960 --> 00:38:51,399 Speaker 3: it's him? 759 00:38:51,760 --> 00:38:56,160 Speaker 2: I feel like some of that was be like footage, 760 00:38:56,560 --> 00:39:00,400 Speaker 2: because I think that they match that car to a 761 00:39:00,440 --> 00:39:02,680 Speaker 2: car that they had footage of a car chase, oh way, 762 00:39:03,239 --> 00:39:05,759 Speaker 2: because there's parts of when you see that from the 763 00:39:05,840 --> 00:39:09,480 Speaker 2: aerial shot, the guy driving a car is clearly wearing 764 00:39:09,600 --> 00:39:15,560 Speaker 2: a red jacket like something red and calling the red whoa. 765 00:39:16,400 --> 00:39:18,960 Speaker 2: So my feeling is because how could they possibly afford 766 00:39:19,040 --> 00:39:21,560 Speaker 2: to produce all of that with a helicopter shot on 767 00:39:21,640 --> 00:39:23,480 Speaker 2: top of the rest of the episode. 768 00:39:23,040 --> 00:39:25,160 Speaker 3: Although I actually probably think it wouldn't be that expensive. 769 00:39:25,640 --> 00:39:29,759 Speaker 3: You get one helicopter, you shoot it, it might not 770 00:39:29,800 --> 00:39:32,440 Speaker 3: be that expensive. That being said, First of all, it 771 00:39:32,480 --> 00:39:36,480 Speaker 3: was absurd. He's in this weird, sketchy like dump and 772 00:39:36,520 --> 00:39:39,240 Speaker 3: then the police are not chasing him, right. The police 773 00:39:39,280 --> 00:39:39,920 Speaker 3: are coming in. 774 00:39:40,480 --> 00:39:42,720 Speaker 2: They come in to like bust, what's happening inside? 775 00:39:42,840 --> 00:39:45,319 Speaker 3: There was a car ahead. They were following some sort 776 00:39:45,320 --> 00:39:46,319 Speaker 3: of sitting that. 777 00:39:46,320 --> 00:39:49,680 Speaker 2: Like voiceover, and he's like, oh god, I have cocaine 778 00:39:49,800 --> 00:39:50,640 Speaker 2: or something. 779 00:39:50,920 --> 00:39:53,480 Speaker 3: Yeah, and it was like, they're not after you, dude, 780 00:39:53,880 --> 00:39:54,319 Speaker 3: They're not. 781 00:39:54,280 --> 00:39:57,960 Speaker 2: After you out and then so then they follow on why. 782 00:39:57,760 --> 00:40:01,000 Speaker 3: Didn't he just like open the door and dumb right, 783 00:40:01,040 --> 00:40:03,840 Speaker 3: they weren't. They weren't after him, and then he escapes 784 00:40:04,320 --> 00:40:07,080 Speaker 3: and then suddenly they're chasing him. But he had committed 785 00:40:07,360 --> 00:40:08,640 Speaker 3: no crime that we know. 786 00:40:08,680 --> 00:40:11,719 Speaker 2: Of he was holding a vial of cocaine. 787 00:40:11,800 --> 00:40:15,759 Speaker 3: Amy, Okay, seriously break this down, right, If it was 788 00:40:15,800 --> 00:40:19,439 Speaker 3: a drug bust, they wouldn't have been chasing that first car. 789 00:40:19,520 --> 00:40:21,319 Speaker 3: So the cops pull in and they're chasing that like 790 00:40:21,400 --> 00:40:26,080 Speaker 3: blue sedan, right, crazy driver, Yeah, pulls in and one 791 00:40:26,120 --> 00:40:28,880 Speaker 3: cop car kind of blocks in Colin, and then Colin's like, 792 00:40:28,960 --> 00:40:31,719 Speaker 3: oh no, I have coke. First of all, he has 793 00:40:31,800 --> 00:40:34,520 Speaker 3: a very small amount of coke, so at worst he's 794 00:40:34,560 --> 00:40:38,200 Speaker 3: busted for having coke. But he's not like a drug dealer, right. 795 00:40:38,400 --> 00:40:41,440 Speaker 3: He then peels out and they forget the criminal they 796 00:40:41,440 --> 00:40:45,400 Speaker 3: were chasing, and now they're chasing the van, who really, 797 00:40:45,840 --> 00:40:48,520 Speaker 3: if this is the right word, ostendably did nothing wrong 798 00:40:48,640 --> 00:40:52,000 Speaker 3: except leave this scary situation with all these police. 799 00:40:52,120 --> 00:40:54,040 Speaker 2: They have no reason to be chasing him. 800 00:40:54,239 --> 00:40:59,560 Speaker 3: But yet full chase, full o j chase. And then 801 00:40:59,600 --> 00:41:03,600 Speaker 3: they are tim Yet I don't know what the crime 802 00:41:03,719 --> 00:41:05,200 Speaker 3: is because. 803 00:41:05,880 --> 00:41:09,359 Speaker 2: Well Eve just not pulling over the crime is, yeah, 804 00:41:09,560 --> 00:41:15,399 Speaker 2: and also devading police dangerous though. 805 00:41:16,239 --> 00:41:18,120 Speaker 3: Dumb, yet amazing. 806 00:41:18,320 --> 00:41:21,600 Speaker 2: But then we see we see David is watching the 807 00:41:21,640 --> 00:41:24,240 Speaker 2: news from the peach pit. Everybody happens to be watching 808 00:41:24,239 --> 00:41:28,360 Speaker 2: the news at that very very moment waitress and she 809 00:41:28,520 --> 00:41:29,640 Speaker 2: sees the news. 810 00:41:29,440 --> 00:41:31,880 Speaker 3: She's better than a soap opera. 811 00:41:32,200 --> 00:41:35,360 Speaker 2: And then Kelly sees it from the hospital. 812 00:41:35,680 --> 00:41:39,560 Speaker 3: Hers with the tears just streaming down, and then we 813 00:41:40,040 --> 00:41:43,600 Speaker 3: linger for a long time on Kelly. 814 00:41:44,040 --> 00:41:47,719 Speaker 2: Yeah, that's the moment I think where she's like, this 815 00:41:47,880 --> 00:41:51,000 Speaker 2: is over, like she's I mean, I don't know what. 816 00:41:51,080 --> 00:41:55,960 Speaker 3: He's in the next episode, complete mess. Also, that should 817 00:41:55,960 --> 00:41:58,400 Speaker 3: have been your Emmy because it was really good. But 818 00:41:58,440 --> 00:42:01,520 Speaker 3: also Tara is like, oh I love him. 819 00:42:01,760 --> 00:42:03,800 Speaker 2: Oh wait, did you see the look on her face, 820 00:42:03,840 --> 00:42:06,799 Speaker 2: like as she's watching Kelly and you're like, I don't 821 00:42:06,960 --> 00:42:11,080 Speaker 2: smild she had this creepy like she was satisfied by 822 00:42:11,120 --> 00:42:11,680 Speaker 2: it somehow. 823 00:42:12,440 --> 00:42:15,359 Speaker 3: The whole thing was amazing. It was amazing all around 824 00:42:15,400 --> 00:42:17,640 Speaker 3: the fact that Claire and Steve are watching and then 825 00:42:17,680 --> 00:42:20,919 Speaker 3: they it's like they know they call Valerie, Well who 826 00:42:21,040 --> 00:42:24,000 Speaker 3: is that? Just come? Look, it's like they know it's 827 00:42:24,000 --> 00:42:27,720 Speaker 3: it's calling, Like on what world would you assume it's calling? 828 00:42:27,960 --> 00:42:33,320 Speaker 2: And everyone's assuming in the car chase never never. 829 00:42:33,280 --> 00:42:35,279 Speaker 3: And it's just so good, and it's just then they 830 00:42:35,640 --> 00:42:36,320 Speaker 3: row him down. 831 00:42:36,880 --> 00:42:39,160 Speaker 2: Yeah, look, we were watching that. Lola said to me, Mom, 832 00:42:39,239 --> 00:42:41,480 Speaker 2: what if that was Dave what if Dave was in 833 00:42:41,560 --> 00:42:43,400 Speaker 2: the card, like we were watching the news and it 834 00:42:43,520 --> 00:42:46,360 Speaker 2: was Dave Wull That'd be crazy. 835 00:42:48,280 --> 00:42:50,040 Speaker 3: God, what would you do if you saw someone you 836 00:42:50,120 --> 00:42:57,799 Speaker 3: know get just arrested thrown down on the cement street asphalt? Sorry, 837 00:42:57,840 --> 00:42:59,960 Speaker 3: guess it's not cement asphalt. 838 00:43:00,120 --> 00:43:01,759 Speaker 2: I do think he looked kind of cute though, when 839 00:43:01,800 --> 00:43:02,800 Speaker 2: he was getting arrested. 840 00:43:02,880 --> 00:43:05,200 Speaker 3: He did. I've seen that clip like maybe a lot 841 00:43:05,200 --> 00:43:08,160 Speaker 3: of times. That guy's cute in real life. I remember 842 00:43:08,239 --> 00:43:11,400 Speaker 3: him full third watch, but he's so awful in this 843 00:43:12,000 --> 00:43:13,560 Speaker 3: And that's why I didn't care for him on third 844 00:43:13,600 --> 00:43:17,080 Speaker 3: watch because I was like, Oh, you're so fault. 845 00:43:16,840 --> 00:43:19,320 Speaker 2: Or is it the is it the character, the writing 846 00:43:19,400 --> 00:43:19,759 Speaker 2: of the. 847 00:43:19,760 --> 00:43:22,400 Speaker 3: Character, character, It's not his fault. Black Guy's probably a 848 00:43:22,440 --> 00:43:23,120 Speaker 3: great guy. 849 00:43:23,320 --> 00:43:24,760 Speaker 2: Amy, What do you give this episode? 850 00:43:25,160 --> 00:43:30,000 Speaker 3: Ten? A ten plus A ten A ten plus plus. 851 00:43:30,160 --> 00:43:32,680 Speaker 2: I didn't know what I was watching, but I loved it. 852 00:43:32,760 --> 00:43:37,480 Speaker 2: Oh great, so good. Wait what's our next episode? 853 00:43:37,520 --> 00:43:38,600 Speaker 3: Ooh? 854 00:43:39,080 --> 00:43:43,800 Speaker 2: Season six, episode twenty four, Coming Out, Getting Out, Going Out? 855 00:43:44,160 --> 00:43:46,480 Speaker 3: Whoa, Oh wow, I think some of us get out? 856 00:43:47,480 --> 00:43:48,319 Speaker 2: Uh huh. 857 00:43:49,040 --> 00:43:50,400 Speaker 3: This was a great episode. 858 00:43:50,480 --> 00:43:53,200 Speaker 2: Who was coming out? 859 00:43:53,480 --> 00:43:54,319 Speaker 3: Nobody heating up? 860 00:43:54,360 --> 00:43:57,719 Speaker 2: Maybe maybe Seed is coming out getting out? 861 00:43:58,280 --> 00:44:01,320 Speaker 3: Going out. Alin'm getting out of jail, going out. No, 862 00:44:01,400 --> 00:44:03,320 Speaker 3: maybe you're getting out of rehab. 863 00:44:03,640 --> 00:44:07,080 Speaker 2: There's a lot of things happening. Oh money, Yep, it's 864 00:44:07,080 --> 00:44:08,080 Speaker 2: gonna be good. Whatever. 865 00:44:08,239 --> 00:44:10,640 Speaker 3: Man, this was a wild one. Oh wild. 866 00:44:11,000 --> 00:44:14,200 Speaker 2: I'm so in now all of a sudden, middle of season, 867 00:44:14,560 --> 00:44:15,720 Speaker 2: the middle of season. 868 00:44:15,760 --> 00:44:17,840 Speaker 3: No, no, we're almost We've got like seven more episodes, 869 00:44:17,840 --> 00:44:21,759 Speaker 3: so it's we're really kind of coming to the the height. 870 00:44:21,800 --> 00:44:25,920 Speaker 3: We're gonna really watch Tara, Tara become unhinged. I think 871 00:44:25,960 --> 00:44:27,640 Speaker 3: we're rid of callin pretty soon. 872 00:44:28,760 --> 00:44:32,840 Speaker 2: Loved it, loved it ten ten, ten. The best line 873 00:44:32,880 --> 00:44:35,200 Speaker 2: was from Brandon when he says I don't know Macbeth 874 00:44:35,360 --> 00:44:40,120 Speaker 2: from McDonald's, and then he needs to recite Shakespeare to 875 00:44:40,160 --> 00:44:41,840 Speaker 2: the dogs, so go figure. 876 00:44:42,800 --> 00:44:44,600 Speaker 3: I just loved it all, loved it all. 877 00:44:44,880 --> 00:44:47,200 Speaker 2: We love you guys, Thank you for listening. 878 00:44:47,600 --> 00:44:49,839 Speaker 3: Hit me up about the car party. Hit me up 879 00:44:49,840 --> 00:44:51,080 Speaker 3: about the car party. 880 00:44:51,400 --> 00:44:57,080 Speaker 2: Oh God, please please make it stop. Okay,