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Speaker 1: So you know, it's just one of these Eureka lightning

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Speaker 1: bolt moments where you're like, this has been kind of

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Speaker 1: staring at all of us in the face, and I'm

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Speaker 1: just the only son of a bitch.

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Speaker 2: Crazy enough to put it together.

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Speaker 1: But we all have, especially lately, especially just the past

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Speaker 1: few weeks. Even we have these fidget spinners, don't we.

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Speaker 1: We have these fidget toys and it's a crazem I mean,

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Speaker 1: I just started disc is a surge in full blown surge.

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Speaker 1: We are, Yes, the surge is happening. It's real, and

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Speaker 1: so everyone's using them, everyone's playing with them, and we

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Speaker 1: all have to take a break to eat, don't we.

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Speaker 1: You have to put it down when you.

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Speaker 3: Does this have to do just like because as you're

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Speaker 3: saying it, I just like so often I find we're

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Speaker 3: on the safe wave, like about the stuff is this?

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Speaker 2: Does this have to do with spaghetti? The food spaghetti?

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Speaker 3: Yes, I was just picking up such a powerful spaghetti connection.

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Speaker 1: It's giving spaghetti and I'm here for it. It's big

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Speaker 1: spaghetti vibes. And and as I think about and I'm

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Speaker 1: eating my two o'clock spaghetti as I do every day,

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Speaker 1: I go this is the original fidget food.

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Speaker 2: We had it all along.

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Speaker 1: Yeah, and so instead of inventing this new category of

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Speaker 1: things to fidget with and then stopping to eat, why

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Speaker 1: don't I just sell spaghetti?

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Speaker 3: Well you, well what you here's what you do? Yeah, no,

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Speaker 3: here's Yeah, tell me what you have? Uncooked spaghetti attached

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Speaker 3: to the fidget spinner. You dip it in the boiling water.

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Speaker 3: It's melting and as you as you're spinning, it's hot.

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Speaker 3: Twisting the hot it's hot spaghetti onto the hot wet

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Speaker 3: fidget spinner.

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Speaker 1: I think I'm hot wet fidget spinner cooks spaghetti while

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Speaker 1: you spin? Like this is just that's just that's the billboard, right,

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Speaker 1: it should come with the driving down sunset, hot wet

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Speaker 1: fidget spinner cooks spaghetti while you spin? Is anyone not

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Speaker 1: pulling over and calling the phone number?

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Speaker 2: There's a phone number.

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Speaker 1: At the bottom of the billboard as well, Like, can

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Speaker 1: you literally think of anyone you know who doesn't pull

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Speaker 1: over their car and immediately dial to go. I'm you know,

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Speaker 1: a fry gift. Take my money, Yeah, shut up and

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Speaker 1: take my money all this number, Call this number and

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Speaker 1: say say the magic phrase m M fry dot com.

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Speaker 2: Hot hot.

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Speaker 3: We No, No, it's you have no cook spaghetti while

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Speaker 3: you spin.

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Speaker 2: I mean it's you know so I anyway, that is happy?

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Speaker 2: You agree. I'm happy you see it the same way.

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Speaker 2: I dogrades because we.

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Speaker 1: Are often we are often in lockstep, but we also

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Speaker 1: sometimes are at brutal odds.

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Speaker 2: But we both have the.

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Speaker 1: Same idea on this one, and so I don't think

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Speaker 1: we'll need to do the show much anymore. But let's

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Speaker 1: get this episode knocked out. Uh, and then let's just

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Speaker 1: get into production. So clear our last guest clear?

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Speaker 4: Hello?

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Speaker 1: What up?

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Speaker 2: And remember?

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Speaker 4: Not much?

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Speaker 5: Oh?

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Speaker 4: Yeah, that was that was really fun. I haven't thought

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Speaker 4: about that in a long time.

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Speaker 2: Yeah, yeah, Clia Doll.

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Speaker 3: Credits boom boom boom, let's hit them bang bang.

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Speaker 1: Just let's do ten. I don't want the big ten. Yes,

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Speaker 1: your credits, then will do mine?

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Speaker 5: Uh?

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Speaker 4: Dangerous minds the TV show Crisis Center starring Kelly Martin. Numbers, bones, numbers, Yeah, gosh,

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Speaker 4: what else? Ghosts of Mars? Uh Mars attacks? But uncredited?

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Speaker 4: Is that is that ten? Yet?

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Speaker 2: Back up? Phone? We didn't?

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Speaker 4: Okay? I think that's ten?

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Speaker 2: Okay.

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Speaker 1: I hope you're not here to sue us. You know

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Speaker 1: that we you know, you know that we have actually

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Speaker 1: recreated an original soundtrack to one of your films.

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Speaker 4: I had not heard that which film.

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Speaker 2: We got the rights?

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Speaker 1: We got We got the rights to the opening credits

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Speaker 1: of the Faculty.

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Speaker 4: Okay, uh wow, okay, and what are you in it?

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Speaker 4: What have you been doing with that?

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Speaker 3: Were you hoping man to do something with that? Well

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Speaker 3: I have yeah, yeah, and it doesn't it. I do

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Speaker 3: not want this to be coming from a place of like, Okay,

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Speaker 3: you have this, so now it's something that you've taken

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Speaker 3: from me, you know what I mean. It's okay, you

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Speaker 3: have this, and now we can.

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Speaker 2: Share it.

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Speaker 3: We can figure out like you know, let let's come

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Speaker 3: from a place of like, okay, we're not aver Sario

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Speaker 3: about this, like let's figure out this.

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Speaker 1: This is actually there's sort of an object lesson which

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Speaker 1: is were you listening at all when Hayes and I

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Speaker 1: were talking about hot Wet, Yeah, I did spinner spin

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Speaker 1: spaghetti cook it?

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Speaker 2: Well say it, then say what it was about.

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Speaker 4: What it was about the fidget spinner that cooks the

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Speaker 4: spaghetti in the water while it spins.

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Speaker 1: No, no, it's no, that is what happened. But the

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Speaker 1: theme underneath. It was one of collaboration of friendship, partnership

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Speaker 1: it and I'd like to carry that theme throughout the episode.

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Speaker 2: And there's something you want to work on.

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Speaker 1: You got two uh were big brains that could that

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Speaker 1: could definitely weigh in. We're happy to volunteer our services,

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Speaker 1: but after we do our thing, which is we do

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Speaker 1: want you to be the face of hotwee pidget spinner.

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Speaker 4: Wow.

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Speaker 1: Okay, yes, yes.

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Speaker 4: I mean yes, yes, and I think this is I

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Speaker 4: really do appreciate that because when you came in, when

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Speaker 4: you brought up the faculty thing, and I lied to

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Speaker 4: you because I didn't know about that and I was

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Speaker 4: hoping that we didn't have to get into it. But yeah, I.

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Speaker 2: Can feel when you're lying.

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Speaker 1: I could see you have a tell and I and

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Speaker 1: I won't say what it is yet, but you lied.

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Speaker 1: Video subscribers, and please do upgrade to the video subscription listeners.

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Speaker 1: It's really not that much. Makes a great holiday gift

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Speaker 1: as well. You find uh video subscribers can go back

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Speaker 1: and look for Clia's tell.

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Speaker 3: So you will have you will have to spaghetti your hair.

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Speaker 3: But this is not the this is not what I

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Speaker 3: this guy I want to do I want to go

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Speaker 3: an order on this.

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Speaker 2: It's December, you know December. It's December, all right?

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Speaker 1: This one drop Tuesday, that's December. Still, that's December.

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Speaker 2: Still. Okay, So we have a little time, a little

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Speaker 2: bit you made. You didn't mention it in your credits.

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Speaker 5: I know.

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Speaker 3: She became very shy, yes, when it came time to

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Speaker 3: talk about stepping behind the camera, co writing, direct ding

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Speaker 3: the happiest season of.

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Speaker 2: All mm hmmmm mm hmmmmmm fo Hulu on fx X

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Speaker 2: m hm. And this it's Christmas movie. That's Christmas. Yeah,

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Speaker 2: what if.

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Speaker 1: There were a Christmas movie and more Christmas movie because

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Speaker 1: there's no been that was last year and there's no

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Speaker 1: Christmas movie this year. But what if Hollywood Handbook has

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Speaker 1: Christmas movie Sean Hayes, Hollywood Handbook presents Christmas movie, the

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Speaker 1: holiday season and for everyone all religions as well.

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Speaker 4: Wow, Yeah, I like this a lot. Is this like

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Speaker 4: what stage for you guys? In what stage?

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Speaker 2: We're close? We're close, We're really we talked about it

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Speaker 2: with you.

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Speaker 1: So we've actually brought in someone who who has the experience,

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Speaker 1: who has directed, who has co written you know this

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Speaker 1: in this exact space.

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Speaker 2: We got a little bit way laid.

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Speaker 1: We we had sort of put down some of the

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Speaker 1: groundwork over the years with our famous santamn ads where

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Speaker 1: Santaman was kicking butt, he was in an action.

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Speaker 2: Movie, he was fighting his rival Mory. Already.

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Speaker 1: Uh, the lawn got mode on us slightly by some

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Speaker 1: releases obviously one uh starring Mel Gibson a few years back,

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Speaker 1: and then another one uh now with the Stranger Things.

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Speaker 2: Sheriff and we are.

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Speaker 1: What a fucked But I think, uh, you know, we

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Speaker 1: can always pivot, we can always uh fidget spin our

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Speaker 1: way to another direction. And what I'm thinking is, Okay,

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Speaker 1: Santa has been kicking ass. We invented that. Let's now

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Speaker 1: reinvent once again, a new version of Sanna. Let's see

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Speaker 1: this guy fucking party. Yes, yes, Clia, don't you see.

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Speaker 2: The big man throw down and party?

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Speaker 4: It does sound really fun because he is so bogged down,

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Speaker 4: like he has so much to do, and I feel

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Speaker 4: like that's been covered, like we've seen that. But this

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Speaker 4: is a really interesting hinkle.

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Speaker 2: Yeah.

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Speaker 3: But at the same time, I don't want you to

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Speaker 3: like now you're you're almost liking it too much.

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Speaker 2: You know. It's it's because it's like it's not the entire.

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Speaker 3: It's not finished. It's not like the whole thing that

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Speaker 3: we want to do. And now you're like, oh, let's

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Speaker 3: have this be the whole thing. Feels like you're trying

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Speaker 3: to get out of here. Yeah, it's a little like

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Speaker 3: you just want to agree and leave. Okay, am I

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Speaker 3: am I picking up on that correctly.

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Speaker 4: I mean I don't want to leave, but I was

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Speaker 4: sort of like, Okay, you don't want to talk about it,

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Speaker 4: you know.

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Speaker 2: I was like, but let's get in stay here, but

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Speaker 2: maybe we all be quiet.

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Speaker 3: Yeah, okay, okay, we can maybe carve out the space

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Speaker 3: for that later. But I do want like the genre wise,

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Speaker 3: I don't want you to feel like you have to

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Speaker 3: step too far outside of the zone that you set

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Speaker 3: with the last Moe.

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Speaker 2: We're doing the Christmas thing.

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Speaker 3: I want it to be the same kind of like

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Speaker 3: you know, it's it's ensemble, it's different people.

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Speaker 1: Rooted in the moments between human beings. But also Sama's

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Speaker 1: fucking partying, dude, like.

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Speaker 2: He Santa will show up and party. Dude, are you weapon?

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Speaker 6: Yeah?

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Speaker 3: Yeah, we're in it. Okay, we I think have a

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Speaker 3: We are Sean and Hayes. We have a relations like

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Speaker 3: we live together, but it's a very like non specific

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Speaker 3: kind like whether we're like related or like whatever it is.

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Speaker 3: We don't know what these people are brothers, these peoples mom.

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Speaker 1: And dad, And it's like I've seen all that before.

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Speaker 2: This is also not how we live today.

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Speaker 1: There are just two guys in an ill defined relationship

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Speaker 1: just in the same space and we and we true

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Speaker 1: west it.

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Speaker 2: We switch roles during the film, really.

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Speaker 3: Okay, and we are not going to Carters for Christmas

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Speaker 3: this year.

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Speaker 2: Carter is there's another person we also know clearly define

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Speaker 2: what how we know him with us, what his deal is.

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Speaker 1: But we just are putting our foot down and we're

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Speaker 1: finally saying we're doing it this year.

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Speaker 2: We're not doing it.

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Speaker 3: We're going I call I call it a vase station,

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Speaker 3: a vacation you stay at home.

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Speaker 2: Mm hmmm, We're.

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Speaker 1: Having a vase station this year. We're having a vase station.

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Speaker 1: We're not traveling to Carters. And I will not be

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Speaker 1: guilt tripped about this. And so we just need a break.

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Speaker 1: Go ahead, go ahead, you have something, you have something now.

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Speaker 4: No I know.

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Speaker 5: It?

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Speaker 4: Yeah, well yeah, because if in the beginning you say

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Speaker 4: no way, we're going like by the end, you've got

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Speaker 4: to go and you got to be happy that you're there.

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Speaker 4: So it's like, how do we do we work backwards

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Speaker 4: from there? Like, I know you're really against the Carters

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Speaker 4: thing right now, but I feel like for the movie

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Speaker 4: it might be good to just like imagine you've gotten

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Speaker 4: to Carters and you now see. Oh, maybe I was

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Speaker 4: being a little unreached, but.

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Speaker 3: I just said, though they don't they will not go

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Speaker 3: to Carters this year.

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Speaker 2: It's literally okay.

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Speaker 4: But then right and then Sean said, Sean said that already,

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Speaker 4: have you guys talked about this together, because it kind

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Speaker 4: of seems like you guys have different ideas of the movie.

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Speaker 2: We do have different There are different ideas in the movie.

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Speaker 4: You know.

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Speaker 2: Which we might go to, you know, we might not.

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Speaker 1: To me carters is you know that's checkof's Carters. Like

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Speaker 1: if you if you, if you set above the mantle

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Speaker 1: in the first act that we're not attending Carters, then

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Speaker 1: we have to see carters by the end, and it has.

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Speaker 3: To But I do want to say we don't have

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Speaker 3: but we don't have Carters. And so this is like,

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Speaker 3: you know, there's the creative and then there's the actual

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Speaker 3: reality on the ground. We don't have carters right now.

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Speaker 1: We don't have that location and we will not be

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Speaker 1: able to get it.

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Speaker 2: What we have is.

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Speaker 3: An Airbnb experience in the amazing pools category.

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Speaker 2: Okay, that's what we have.

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Speaker 4: Okay.

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Speaker 2: And so something I noticed happiest season.

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Speaker 3: If my observations are correct, and I think they are

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Speaker 3: because I watched pretty carefully and I hired support staff,

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Speaker 3: there's not a single Pools in the entire yeah movie,

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Speaker 3: have you a season? And there is a there's an

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Speaker 3: opening in the pool space for pool movie. Colin Jokes

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Speaker 3: did one a couple of years ago, and then we said, okay,

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Speaker 3: so now we can't do so now we did one

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Speaker 3: of these, we can't do any more of these. Well,

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Speaker 3: that's what they used to say about movies about pirates

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Speaker 3: with the Caribbean.

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Speaker 1: Right if you remember growing up, right, what did people

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Speaker 1: say about pirates Caribbean movies?

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Speaker 4: So you get one and that's it.

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Speaker 1: Yeah, you can do one.

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Speaker 4: But has there ever been a holiday pool movie?

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Speaker 3: And this is and you're saying that as if it's

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Speaker 3: bad to do something for the first time ever.

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Speaker 4: No, I'm only interested in doing something for like being

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Speaker 4: first And I think we should be the first, Like,

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Speaker 4: whatever happened this movie, what do we end up at

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Speaker 4: Carter's or not? We need to be the first.

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Speaker 1: I haven't seen Born on the fourth of July. I

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Speaker 1: sort of always assumed it was a holiday pool movie,

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Speaker 1: or July is a holiday and it is one where

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Speaker 1: you know, in my experience, people do gather around the pool.

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Speaker 1: But I don't I think she said, I don't think

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Speaker 1: there's anything holiday to me. Yes, the merry season. Yes,

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Speaker 1: a December pool movie.

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Speaker 4: Yeah.

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Speaker 1: Wow.

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Speaker 3: Even we're saying talk about like living like a lifelong

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Speaker 3: fantasy shout.

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Speaker 4: Yeah. Well, it just also seems like some a place

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Speaker 4: where Santa can really part my god, you.

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Speaker 2: Know, to at a pool party.

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Speaker 1: Kidding, boy, I think I took too much. Man.

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Speaker 3: So maybe though ding, maybe the gang, maybe the gang

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Speaker 3: is doing a swimply. Maybe the gang, to cover the

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Speaker 3: cost of the vay station, m hmm, has rented out

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Speaker 3: their pool to guess as a as a swimple.

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Speaker 2: Oh my god, Santa, Santa, And that's what.

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Speaker 4: I was just going to say, Sean. I was just

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Speaker 4: going to.

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Speaker 3: Say that, Okay, well, if we could all actually all share,

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Speaker 3: are we all to share our idea? Who shows up

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Speaker 3: to rent the swimply but Carter okay, And we told

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Speaker 3: Carter that we had swine flu.

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Speaker 2: We can't go.

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Speaker 1: Then Carter said, well, if they're not going, I guess

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Speaker 1: I'll just go on a little bit of.

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Speaker 3: A well, I guess I'll get a swimply and.

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Speaker 4: I don't want to like, I think this is a

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Speaker 4: really like this is really good for the movie. But

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Speaker 4: just to ask, like a logic question, like has the

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Speaker 4: character of Carter been to your guys's house, your character's

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Speaker 4: houses before?

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Speaker 2: Have you done a swimpley.

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Speaker 4: I haven't done a swimpley, but I mean I know

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Speaker 4: what it is. I mean obviously, yeah, Okay.

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Speaker 1: Carter's Carter's, Carter's been to our house. Yes, but he

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Speaker 1: was asleep.

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Speaker 2: Okay, so we do set that up that.

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Speaker 1: When Carter was there before, he was asleep, because your

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Speaker 1: issue is that when as he's renting the Swimpley, he's

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Speaker 1: going to recognize the location.

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Speaker 3: Yes, bank go, yeah, but we say do it, Sean, Okay,

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Speaker 3: let's play it.

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Speaker 2: That's it. I'm finished with going to Carter's this year.

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Speaker 1: I'm done. I'm completely done. I'm finished as well, Carter's

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Speaker 1: this year, not me sir, and that's final. And here's why.

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Speaker 1: It's a matter of principle. We always go to Carter's

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Speaker 1: every year on December, and yet he will never ever

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Speaker 1: come to our house unless he's asleep. And that we're done.

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Speaker 1: You see how economically we got that.

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Speaker 4: Mm hmm. And I do love that. And I think

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Speaker 4: the dialogue is solid. I wonder because sometimes it's like

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Speaker 4: show not tell. So is there a way where we

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Speaker 4: could do like, remember last time Carter was here, and

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Speaker 4: we like maybe do a.

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Speaker 1: Flash like a family guy kind of cutaway thing. Oh yeah, yeah,

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Speaker 1: I mean last time Carter was here.

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Speaker 4: Yeah, I'm just sort of like a quick like shoot

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Speaker 4: and then we see it and then we.

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Speaker 1: Come yeah, just for a quick read sleep cap. Yeah,

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Speaker 1: long shirt.

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Speaker 2: I don't like it, but you know it's it's shootable.

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Speaker 2: It's shootable.

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Speaker 4: You could you just cut out? You said you don't

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Speaker 4: like it.

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Speaker 2: I think we can get it both ways.

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Speaker 4: Okay, it's good to have options.

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Speaker 1: In that at it. Yeah yeah, yeah, yeah, Okay, that's your.

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Speaker 2: That's your. You're the director, that's your. You know what

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Speaker 2: I mean, you're the one.

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Speaker 4: But we're collaborating, so I want.

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Speaker 1: To, like, I don't want to do that, I know,

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Speaker 1: but the nuts and bolts of the production schedule is

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Speaker 1: really not where we shine. We are idea guys, and

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Speaker 1: and we're and we're talent.

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Speaker 2: Yes.

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Speaker 1: Uh So what I'd like to build toward, if I may,

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Speaker 1: uh to start at the ending a bit, I think

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Speaker 1: Santa O D's he's too fucked up.

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Speaker 6: Uh.

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Speaker 1: Santa is not that he hass to die, but he's

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Speaker 1: incapacitated to a level where you know, we, along with Carter,

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Speaker 1: who we've been bickering with ever since he showed up

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Speaker 1: to the swimp Lee and you know, called us liars,

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Speaker 1: and then we called him you know whatever you're allowed

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Speaker 1: to call people still and we uh and and we've

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Speaker 1: kind of gone at him and been in each other's throats.

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Speaker 1: Realized that between the three of us, we are going

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Speaker 1: to have to deliver Santa's presence, okay, because he's fucked

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Speaker 1: He's flatlining, you know, blood coming out of his nose

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Speaker 1: and just convulsing on the ground. And we go, this

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Speaker 1: guy's not gonna be able to deliver the presence. And

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Speaker 1: we don't, you know, we got his roots, you know,

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Speaker 1: we've got access to you know, some of his sleigh

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Speaker 1: technology or something, but we're gonna have to work together

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Speaker 1: to save Christmas for a lot of other people. And

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Speaker 1: it's not about us.

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Speaker 4: It's about us, it's about yeah okay, so okay, And

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Speaker 4: you said this happens at the end. I feel like

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Speaker 4: this should happen like like a little bit before the end,

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Speaker 4: because it's not gonna be the end.

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Speaker 1: Is the decision that we're going to do this, okay

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Speaker 1: with us just saying like, let's do this.

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Speaker 4: Instead, because I call it like the biggest like for me,

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Speaker 4: I thought, would to me be the beginning of the

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Speaker 4: third act? Like I don't know if you how familiar

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Speaker 4: you guys are one act structured? And how long? How

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Speaker 4: long do you see the movie? Okay? And did did

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Speaker 4: Santa come with?

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Speaker 2: It's called and it's called Love and Santa?

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Speaker 4: Okay, and now.

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Speaker 1: It's Love and Sanma and Sands featured in Love and Sana.

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Speaker 2: Yeah, there was a.

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Speaker 4: There was a longer title.

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Speaker 3: I thought you said, Hollywood Hans, what's your what's your

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Speaker 3: prod co?

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Speaker 4: My prod co?

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Speaker 3: Uh? Librahead Seana Hayes's Hollywood handle present, So Librahead Production Production.

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00:22:57,280 --> 00:22:58,320
Speaker 3: Can we do Zebrahead?

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00:22:59,760 --> 00:23:00,000
Speaker 4: Yeah?

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00:23:00,080 --> 00:23:00,240
Speaker 1: Uh?

403
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Speaker 2: Okay? John Hits hold with him in this Zebra Hit production,

404
00:23:04,440 --> 00:23:07,719
Speaker 2: Love and Santa. Can we do? Yeah?

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Speaker 1: Can we actually do Zebra Ass?

406
00:23:12,800 --> 00:23:13,040
Speaker 4: What?

407
00:23:13,480 --> 00:23:13,640
Speaker 2: Well?

408
00:23:13,680 --> 00:23:15,359
Speaker 4: What do you want the film to be rated? I mean,

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Speaker 4: it's kind of like up to you.

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Speaker 2: I wanted to be rated porno.

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Speaker 1: Not that I need to see not that I need

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Speaker 1: to see any sex act in it, but I just

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Speaker 1: want the people who watch it to be mature enough

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Speaker 1: that they understand that we've all got bodies.

415
00:23:36,600 --> 00:23:37,880
Speaker 2: Yeah, you know what I mean.

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00:23:38,640 --> 00:23:41,600
Speaker 1: E's got a body, Kevin, You talk about.

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Speaker 2: This almost exclusively.

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Speaker 7: Every day I wake up, I think about the one

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Speaker 7: thing I have, clea.

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Speaker 2: That's all. He's got a body.

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Speaker 7: I don't got much in this world, but the one

422
00:23:57,600 --> 00:24:02,240
Speaker 7: thing got blessed on me. You're looking at it.

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Speaker 2: He's got a body and he's learning how to use it.

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00:24:08,040 --> 00:24:12,720
Speaker 1: The perverts are the one who outlawed certain body parts.

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Speaker 2: You know, and so to me, if we have.

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Speaker 1: Zebra Ass Production presents Hollywood Handbook Printsman's Presentation featuring Hayz

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00:24:23,000 --> 00:24:27,520
Speaker 1: and Sean in Love and Santa, a director Hulu feature

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00:24:27,560 --> 00:24:30,000
Speaker 1: film forty minutes total.

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Speaker 2: Rated porno, high classner.

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Speaker 4: Yeah, this seems it seems like it's gonna be a hit.

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Speaker 8: This week on the Patreon carling a son work on

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00:24:44,320 --> 00:24:47,280
Speaker 8: a movie with the new chat Ai. The boys discuss

433
00:24:47,320 --> 00:24:50,440
Speaker 8: some podcast housekeeping for the show, and the Flager once

434
00:24:50,480 --> 00:24:54,280
Speaker 8: are mostly talking all things basketball. Plus today's the day

435
00:24:54,400 --> 00:24:57,320
Speaker 8: my big video project where the potiac just dropped and

436
00:24:57,359 --> 00:24:59,639
Speaker 8: part one is free on YouTube and the link is

437
00:24:59,640 --> 00:25:01,720
Speaker 8: of the just description so you can enjoy that there.

438
00:25:02,000 --> 00:25:03,359
Speaker 8: I spend so much time on it and I think

439
00:25:03,400 --> 00:25:05,040
Speaker 8: it's really good and it would mean allot to me

440
00:25:05,080 --> 00:25:06,760
Speaker 8: if you watch it, and I love you very much,

441
00:25:06,840 --> 00:25:09,240
Speaker 8: thank you. Check out all these shows and the video

442
00:25:09,240 --> 00:25:12,240
Speaker 8: for today's episode with Clea at patreon dot com.

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Speaker 6: Slash the Flagrant Ones.

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Speaker 4: Who So okay, so the so the end is you

445
00:25:21,119 --> 00:25:23,440
Speaker 4: guys are delivering, delivering all the pressures.

446
00:25:23,480 --> 00:25:26,360
Speaker 3: No no, no, no, no no no.

447
00:25:26,800 --> 00:25:26,879
Speaker 5: You.

448
00:25:28,440 --> 00:25:30,200
Speaker 2: Say that, actually we're thinking about it.

449
00:25:30,840 --> 00:25:35,360
Speaker 3: I think I admire this play that that you try

450
00:25:35,400 --> 00:25:37,280
Speaker 3: to sneak that in again. But yes, we say that,

451
00:25:37,320 --> 00:25:38,919
Speaker 3: we're we basically decide that.

452
00:25:39,040 --> 00:25:40,520
Speaker 2: We're going to do it, and then the movie ends.

453
00:25:40,560 --> 00:25:41,280
Speaker 2: We're pretty sure.

454
00:25:41,320 --> 00:25:44,680
Speaker 3: We go back to talking about the body stuff because

455
00:25:45,160 --> 00:25:48,640
Speaker 3: and this is like your domain as director, like how

456
00:25:48,680 --> 00:25:51,040
Speaker 3: you figure this out? This is a pool movie. So

457
00:25:51,119 --> 00:25:53,879
Speaker 3: let's have like the obvious conversation. I will take my

458
00:25:53,920 --> 00:25:57,119
Speaker 3: shirt off. Yes, obviously I will not be taking my

459
00:25:57,200 --> 00:26:03,840
Speaker 3: genes off. And the the weave on them is so

460
00:26:05,160 --> 00:26:08,640
Speaker 3: dense that the water is actually not gonna it's gonna

461
00:26:09,240 --> 00:26:12,520
Speaker 3: not be penetrating them, at least with any like rate

462
00:26:12,640 --> 00:26:19,199
Speaker 3: of speed. So they're not gonna become logged over the

463
00:26:19,680 --> 00:26:24,880
Speaker 3: for for a while once I'm fully submerged. But once

464
00:26:24,920 --> 00:26:27,560
Speaker 3: they are logged, that's the production that's out.

465
00:26:27,640 --> 00:26:32,159
Speaker 4: We're out, Okay, out for the day or out for.

466
00:26:33,680 --> 00:26:37,280
Speaker 3: Just they will not be they will not be drying

467
00:26:37,359 --> 00:26:41,920
Speaker 3: in any kind. I mean, it's December, it's yeah, you're

468
00:26:41,920 --> 00:26:44,160
Speaker 3: gonna you're gonna get one crack. So we need.

469
00:26:45,800 --> 00:26:48,720
Speaker 1: A few cameras on that one so we.

470
00:26:48,600 --> 00:26:50,639
Speaker 4: Can all well, we'll just like shoot up to the

471
00:26:50,680 --> 00:26:52,720
Speaker 4: point right like right before you get in the water,

472
00:26:52,920 --> 00:26:54,919
Speaker 4: just to make sure we've got that because if we

473
00:26:55,040 --> 00:26:57,000
Speaker 4: if you're saying we have limited time, like I want

474
00:26:57,000 --> 00:27:01,520
Speaker 4: to respect that because I'm the movie is forty minutes long.

475
00:27:01,560 --> 00:27:03,560
Speaker 4: We have to we have to finish it.

476
00:27:03,720 --> 00:27:06,840
Speaker 2: You gotta go so we can't lose it all.

477
00:27:07,280 --> 00:27:11,719
Speaker 1: Yeah, shoot that last. I you know, similarly, I have

478
00:27:11,760 --> 00:27:15,280
Speaker 1: no problem taking my jeans off. I'll be in like

479
00:27:15,359 --> 00:27:22,160
Speaker 1: a cousin It style who's the He's all hair.

480
00:27:24,920 --> 00:27:28,240
Speaker 2: It's like a hair suit, just because.

481
00:27:28,080 --> 00:27:31,359
Speaker 1: Just like obviously like Wednesday is a big show, and

482
00:27:32,040 --> 00:27:33,879
Speaker 1: so I want to be in like a cousin It

483
00:27:34,080 --> 00:27:38,320
Speaker 1: style hair suit. I'm also not going to dry in

484
00:27:38,400 --> 00:27:41,200
Speaker 1: time for us to really do anything else.

485
00:27:43,359 --> 00:27:47,000
Speaker 3: So just in terms of how we how each of

486
00:27:47,080 --> 00:27:53,639
Speaker 3: us get into the pool, mm hmmm. If I'm entering

487
00:27:53,680 --> 00:27:56,360
Speaker 3: from the top, the legs are very wide on these

488
00:27:56,440 --> 00:28:00,359
Speaker 3: jeans and they will like trap air in them, and

489
00:28:00,440 --> 00:28:05,000
Speaker 3: so I will I will basically like bob up and

490
00:28:05,040 --> 00:28:07,680
Speaker 3: down on the surface at the ankle.

491
00:28:08,200 --> 00:28:11,160
Speaker 2: Yeah, he can be ankle deep just until I until

492
00:28:11,200 --> 00:28:11,960
Speaker 2: I tip over.

493
00:28:12,080 --> 00:28:15,680
Speaker 3: And if I tip over and then the genes become wogged,

494
00:28:16,480 --> 00:28:21,000
Speaker 3: that's that's that's going to be an insurance. It's like

495
00:28:21,080 --> 00:28:23,080
Speaker 3: preparing for that is going to be for the that

496
00:28:23,400 --> 00:28:25,080
Speaker 3: we're going to need a whole department to be dealing.

497
00:28:25,240 --> 00:28:25,480
Speaker 2: Yeah.

498
00:28:25,520 --> 00:28:29,160
Speaker 1: Similarly, I I I I think that the hair, the

499
00:28:29,200 --> 00:28:32,840
Speaker 1: hair will be a weight that as soon as I

500
00:28:32,880 --> 00:28:34,760
Speaker 1: touch the water, even if I literally just put a

501
00:28:34,760 --> 00:28:38,080
Speaker 1: finger in the water, it'll it'll become saturated.

502
00:28:38,120 --> 00:28:39,920
Speaker 2: So quickly it will suck me to the bottom of

503
00:28:40,000 --> 00:28:40,400
Speaker 2: the pool.

504
00:28:41,040 --> 00:28:43,560
Speaker 1: And then even if we have kind of divers waiting

505
00:28:43,640 --> 00:28:46,480
Speaker 1: underneath and scuba gear, I'm going to be fighting them

506
00:28:46,520 --> 00:28:48,920
Speaker 1: pretty aggressively as they try to get me, just because

507
00:28:48,960 --> 00:28:49,840
Speaker 1: I'll be scared.

508
00:28:52,040 --> 00:28:54,320
Speaker 2: And so I I think the best.

509
00:28:54,040 --> 00:28:56,520
Speaker 1: Option would be if we can somehow drain the pool

510
00:28:56,600 --> 00:29:05,640
Speaker 1: before I drown, which, uh, it's gonna happen to fast.

511
00:29:06,120 --> 00:29:07,400
Speaker 1: I don't know if I talked about this. I have

512
00:29:08,240 --> 00:29:09,760
Speaker 1: very small lungs.

513
00:29:11,720 --> 00:29:15,120
Speaker 4: I had heard about that in your cast physical they

514
00:29:15,160 --> 00:29:15,880
Speaker 4: mentioned it.

515
00:29:15,800 --> 00:29:19,320
Speaker 3: And I think I'm always glad we did those first.

516
00:29:19,520 --> 00:29:22,440
Speaker 3: And yeah, anyone who is like thinking of working on

517
00:29:22,480 --> 00:29:27,200
Speaker 3: something before you Steve, before you even conceive of the movie,

518
00:29:28,840 --> 00:29:30,600
Speaker 3: and before a lot of the records we do like

519
00:29:30,680 --> 00:29:34,200
Speaker 3: in case something comes in, case an idea comes up,

520
00:29:35,920 --> 00:29:42,240
Speaker 3: get that, get a full, full underlined physical done.

521
00:29:42,680 --> 00:29:45,160
Speaker 1: Yeah, think about if we did all this work, which

522
00:29:45,160 --> 00:29:49,680
Speaker 1: I'm fucking pouring sweat during this recording like this is

523
00:29:49,760 --> 00:29:52,880
Speaker 1: this is brutal, and we did all this and then

524
00:29:52,960 --> 00:29:56,120
Speaker 1: you get a physical and immediately realize.

525
00:29:55,600 --> 00:29:58,880
Speaker 2: Oh, you can't be near the pool, and then.

526
00:30:01,040 --> 00:30:04,680
Speaker 4: Yeah, he did recommend that you not do a pool I.

527
00:30:04,680 --> 00:30:07,760
Speaker 2: Shouldn't be yeah, he said, he said, no, no pool

528
00:30:07,760 --> 00:30:08,520
Speaker 2: for me. Yeah.

529
00:30:08,600 --> 00:30:13,920
Speaker 4: Yeah, but I think it's too good. Yeah, it's it's

530
00:30:14,000 --> 00:30:22,120
Speaker 4: too good, especially doctor. We're going to move forward. But yeah, back,

531
00:30:23,680 --> 00:30:26,480
Speaker 4: I think this is I think that we're basically ready

532
00:30:26,520 --> 00:30:29,280
Speaker 4: to go, and you want to have this out this year.

533
00:30:30,080 --> 00:30:32,480
Speaker 1: I'd like to have it out, yeah, tomorrow or the

534
00:30:32,520 --> 00:30:33,760
Speaker 1: next day.

535
00:30:33,880 --> 00:30:37,840
Speaker 4: And I just want to We just should acknowledge sort

536
00:30:37,840 --> 00:30:40,440
Speaker 4: of the elephant in the room as there is another

537
00:30:41,080 --> 00:30:44,960
Speaker 4: sort of like water based movie that will be in

538
00:30:45,040 --> 00:30:47,160
Speaker 4: direct competition to this coming out.

539
00:30:48,320 --> 00:30:51,160
Speaker 2: I think to that is very good for us.

540
00:30:51,240 --> 00:30:54,480
Speaker 3: I mean, what do they what do you think like

541
00:30:55,200 --> 00:30:58,200
Speaker 3: rising tide lifts all ships is about, it's about like

542
00:30:58,240 --> 00:31:02,280
Speaker 3: a huge amount of water in every more more water,

543
00:31:02,400 --> 00:31:03,880
Speaker 3: the more, the higher the bones.

544
00:31:04,120 --> 00:31:05,640
Speaker 4: Yeah, they're going to get out of there. And they're

545
00:31:05,680 --> 00:31:07,560
Speaker 4: like three and a half hours is not enough water.

546
00:31:07,600 --> 00:31:09,440
Speaker 4: We need forty more minutes. You know, it would have

547
00:31:09,440 --> 00:31:10,719
Speaker 4: been perfect forty more minutes.

548
00:31:11,040 --> 00:31:13,640
Speaker 3: I wonder if we could, if we if we use

549
00:31:13,720 --> 00:31:19,080
Speaker 3: their extra water. If like their production, they must have

550
00:31:19,240 --> 00:31:21,240
Speaker 3: like so much and they're trying to like make some

551
00:31:21,320 --> 00:31:26,000
Speaker 3: of make some of their costs back. Yeah, is my understanding.

552
00:31:26,440 --> 00:31:28,440
Speaker 2: The US.

553
00:31:28,720 --> 00:31:33,479
Speaker 1: Yes, even in a fraction of what they paid for.

554
00:31:33,600 --> 00:31:35,800
Speaker 1: I mean that could be huge, because then the pool

555
00:31:35,840 --> 00:31:38,360
Speaker 1: would have water in it, which I think we need

556
00:31:38,400 --> 00:31:43,560
Speaker 1: for some of these scenes right within reason wetherwise.

557
00:31:43,200 --> 00:31:46,600
Speaker 4: Be realistic, but not you know, Yeah, this is good.

558
00:31:46,800 --> 00:31:49,560
Speaker 1: Yeah, we don't want to Yeah, we don't want to

559
00:31:49,600 --> 00:31:57,200
Speaker 1: break our backs. So let's talk about I guess the

560
00:31:57,280 --> 00:32:05,280
Speaker 1: cocktail of drugs that Sanna jests throughout the movie. You know,

561
00:32:06,440 --> 00:32:11,040
Speaker 1: I I think you should use a syringe. I think

562
00:32:11,080 --> 00:32:16,000
Speaker 1: he should be schwacking big old lines of powder. I'd

563
00:32:16,440 --> 00:32:19,480
Speaker 1: like to see him drop pills, but I'd also like

564
00:32:19,600 --> 00:32:24,200
Speaker 1: to see him take a couple parachutes of molly. I

565
00:32:24,400 --> 00:32:26,680
Speaker 1: want this guy to be feeling good. I don't want

566
00:32:26,720 --> 00:32:29,560
Speaker 1: it to all be downers where then we're dealing with

567
00:32:29,600 --> 00:32:33,720
Speaker 1: this Santa who's just kind of laying in a dark corner,

568
00:32:34,160 --> 00:32:38,120
Speaker 1: you know, uh, feeling his heart operate, you know, and

569
00:32:38,440 --> 00:32:42,920
Speaker 1: sort of like a tunnel to the afterlife.

570
00:32:43,320 --> 00:32:46,000
Speaker 2: I do want to see some of him. Yeah, I

571
00:32:46,200 --> 00:32:48,160
Speaker 2: love sann.

572
00:32:48,760 --> 00:32:52,240
Speaker 1: Yeah, so I wanted to be active for part of it.

573
00:32:54,240 --> 00:32:59,360
Speaker 1: To Sanna, are we going with the traditional like missus

574
00:32:59,400 --> 00:33:00,320
Speaker 1: claus thing?

575
00:33:00,560 --> 00:33:02,560
Speaker 2: Or should he have two girlfriends?

576
00:33:03,800 --> 00:33:06,200
Speaker 1: Who can't know about each other and they're both at

577
00:33:06,200 --> 00:33:08,360
Speaker 1: the pool.

578
00:33:08,200 --> 00:33:10,520
Speaker 2: I like doing it.

579
00:33:10,880 --> 00:33:14,440
Speaker 4: Yeah, yeah, well he's stressed. It's like, you know, he

580
00:33:14,560 --> 00:33:16,960
Speaker 4: wanted the situation, but now that he's in it, it's

581
00:33:17,000 --> 00:33:19,040
Speaker 4: you know, for me to be trickier than he thought.

582
00:33:19,760 --> 00:33:25,720
Speaker 3: Yes, yeah, and it's even more it's like even more

583
00:33:25,760 --> 00:33:27,000
Speaker 3: presence to deal with.

584
00:33:27,400 --> 00:33:31,200
Speaker 2: And like this is like his entire thing. It's like, okay, now.

585
00:33:31,400 --> 00:33:35,560
Speaker 4: That he's like maybe he mixes up there too, My god,

586
00:33:36,480 --> 00:33:37,280
Speaker 4: can you imagine?

587
00:33:37,320 --> 00:33:39,920
Speaker 1: Well that's the biggest tip off, right, this guy who's

588
00:33:39,960 --> 00:33:42,680
Speaker 1: the master of gift giving and you get something that's

589
00:33:42,720 --> 00:33:46,040
Speaker 1: not appropriate for you, that wasn't on your list, and

590
00:33:46,120 --> 00:33:48,840
Speaker 1: you go, so who was this supposed.

591
00:33:48,400 --> 00:33:48,920
Speaker 2: To be for?

592
00:33:49,480 --> 00:33:49,800
Speaker 4: Yeah?

593
00:33:49,880 --> 00:33:53,680
Speaker 2: Right, Yeah. He tries to blame it on an elf.

594
00:33:54,080 --> 00:33:56,520
Speaker 1: Then it comes out that they have some sort of history,

595
00:33:57,280 --> 00:34:01,040
Speaker 1: you know, and all this guy's dirty Andrey's coming out

596
00:34:01,040 --> 00:34:08,440
Speaker 1: and it just sends him spiraling, like and and also like,

597
00:34:09,239 --> 00:34:14,440
Speaker 1: don't forget he's partying, man, Like he's actually in the

598
00:34:14,480 --> 00:34:17,880
Speaker 1: best headspace necessarily to come up on his feet with

599
00:34:18,040 --> 00:34:22,759
Speaker 1: like the you know, the perfect uh cover story. He's

600
00:34:22,840 --> 00:34:26,880
Speaker 1: kind of tripping over some of his stuff and I

601
00:34:26,920 --> 00:34:29,320
Speaker 1: think that we can modify the Santa suit.

602
00:34:29,640 --> 00:34:32,439
Speaker 4: Huh, but he's still happy because we want to keep

603
00:34:32,480 --> 00:34:34,319
Speaker 4: it like, we want to keep it light because it's

604
00:34:34,320 --> 00:34:34,720
Speaker 4: a hard.

605
00:34:34,760 --> 00:34:35,200
Speaker 6: It should be.

606
00:34:35,280 --> 00:34:37,799
Speaker 1: I think it should be light right up until you know,

607
00:34:38,000 --> 00:34:41,400
Speaker 1: I drowned, possibly in real life, and Santa is you know,

608
00:34:41,560 --> 00:34:44,480
Speaker 1: O deed and and I and I guess whatever we

609
00:34:44,719 --> 00:34:47,080
Speaker 1: end up calling Carter will probably be a pretty heavy

610
00:34:47,120 --> 00:34:49,799
Speaker 1: moment when we find this offensive thing we're allowed to say,

611
00:34:51,560 --> 00:34:54,560
Speaker 1: but that, yeah, that this is just like these are

612
00:34:54,600 --> 00:34:57,240
Speaker 1: all just areas. But it should be exactly what I'm saying.

613
00:34:57,840 --> 00:35:01,880
Speaker 6: Yeah, okay, I have a musical number if that will help.

614
00:35:03,440 --> 00:35:05,560
Speaker 1: Yeah, I eat up a couple of minutes. I think

615
00:35:05,560 --> 00:35:08,040
Speaker 1: we only have thirty eight minutes. We need some, you know,

616
00:35:08,120 --> 00:35:09,080
Speaker 1: two minutes of filler.

617
00:35:10,280 --> 00:35:20,200
Speaker 5: Try this on for size. The pool is right, the

618
00:35:20,239 --> 00:35:27,919
Speaker 5: water is up, We're here tonight, So party up, swimply

619
00:35:28,480 --> 00:35:31,360
Speaker 5: tapping wonderful Christmas time.

620
00:35:34,040 --> 00:35:35,600
Speaker 6: So I'd do that three or four times.

621
00:35:36,320 --> 00:35:39,480
Speaker 2: Should be a little more shy, you know, a little

622
00:35:39,520 --> 00:35:41,839
Speaker 2: aggressive the way can we get that one more? Can

623
00:35:41,880 --> 00:35:43,040
Speaker 2: we get that one more time?

624
00:35:43,120 --> 00:35:48,080
Speaker 6: But the shy version, here's shy version.

625
00:35:48,520 --> 00:35:50,600
Speaker 1: Should we break out the lyrics a little bit. So

626
00:35:50,680 --> 00:35:55,360
Speaker 1: it's the pool is right, the water's up, is it?

627
00:35:55,440 --> 00:35:56,839
Speaker 1: Let's get ready to party up.

628
00:35:56,960 --> 00:35:58,799
Speaker 6: We're here tonight, So party up.

629
00:35:58,840 --> 00:36:02,320
Speaker 2: We're here tonight, So party up lyrics.

630
00:36:02,360 --> 00:36:05,160
Speaker 6: I don't know if that matters.

631
00:36:06,680 --> 00:36:10,719
Speaker 1: Yeah, track waters up. I just something tells me we

632
00:36:10,760 --> 00:36:12,480
Speaker 1: could rhyme it with party cup.

633
00:36:13,600 --> 00:36:14,800
Speaker 6: Bring your party cup.

634
00:36:17,600 --> 00:36:22,200
Speaker 1: Okay, okay, sing it again, more shy version party cup.

635
00:36:22,400 --> 00:36:30,880
Speaker 2: Take pull this right.

636
00:36:32,360 --> 00:36:40,320
Speaker 6: The waters up, We're here tonight, Bring your party cup, swim.

637
00:36:42,239 --> 00:36:44,680
Speaker 8: Wonderful Christmas time.

638
00:36:46,800 --> 00:36:49,640
Speaker 3: That's good. And then you only sing the chorus. They

639
00:36:49,719 --> 00:36:53,160
Speaker 3: only sing the chorus once. It's very consistent with what

640
00:36:53,239 --> 00:36:55,040
Speaker 3: a shy person would do. They don't want to do

641
00:36:55,120 --> 00:36:59,880
Speaker 3: it that many times. Yeah, they just excuse themselves.

642
00:37:03,880 --> 00:37:04,200
Speaker 2: Go ahead.

643
00:37:05,160 --> 00:37:06,640
Speaker 4: No, I was just gonna say, I think the song

644
00:37:06,719 --> 00:37:08,920
Speaker 4: really works, and we'll have we'll figure out the choreography

645
00:37:09,000 --> 00:37:09,319
Speaker 4: on the day.

646
00:37:09,320 --> 00:37:11,320
Speaker 2: I think, awesome. Okay. Yeah.

647
00:37:11,440 --> 00:37:13,480
Speaker 3: It's every time you see these movies where they've like

648
00:37:13,560 --> 00:37:16,600
Speaker 3: clearly planned the choreography like dates in advance.

649
00:37:17,000 --> 00:37:17,839
Speaker 4: It's so fake.

650
00:37:18,800 --> 00:37:22,480
Speaker 1: Oh everyone knows the same dance at the big party,

651
00:37:22,719 --> 00:37:31,440
Speaker 1: and it's like, yeah, it really doesn't. I know this

652
00:37:31,560 --> 00:37:35,279
Speaker 1: from experience because I have started a lot of like

653
00:37:35,480 --> 00:37:41,880
Speaker 1: big dance numbers and public places and yes, no, you know,

654
00:37:42,600 --> 00:37:46,600
Speaker 1: no one joins in m hm, or they go like

655
00:37:47,320 --> 00:37:49,440
Speaker 1: what I mean, just everyone has like a note where

656
00:37:49,480 --> 00:37:51,640
Speaker 1: they're like, don't do it that way, or like hey,

657
00:37:51,960 --> 00:37:55,560
Speaker 1: like don't you know, stop sticking your hand in the punch,

658
00:37:55,920 --> 00:37:59,440
Speaker 1: or like you're gonna knock over the you know, casket

659
00:37:59,520 --> 00:38:04,279
Speaker 1: or something, and I just, uh, I personally get frustrated

660
00:38:04,320 --> 00:38:05,000
Speaker 1: that it's like, well, have you.

661
00:38:04,960 --> 00:38:06,839
Speaker 2: Guys not seen a movie.

662
00:38:07,080 --> 00:38:09,240
Speaker 1: I've come to the point where it's the movie's fall

663
00:38:09,640 --> 00:38:13,320
Speaker 1: that they sold me something that's not not realistic.

664
00:38:13,760 --> 00:38:16,080
Speaker 4: Because even if someone is dancing with you, they're like

665
00:38:16,239 --> 00:38:18,600
Speaker 4: watching you to like keep up. It's like not in

666
00:38:18,680 --> 00:38:21,799
Speaker 4: sync at all. Of course, it just looks sloppy, and

667
00:38:21,840 --> 00:38:23,160
Speaker 4: then it makes you look stupid.

668
00:38:24,360 --> 00:38:28,640
Speaker 3: I did a flash mob once on a chair lift

669
00:38:28,840 --> 00:38:32,600
Speaker 3: where I said, okay, everybody, we're doing uh you're you're

670
00:38:32,640 --> 00:38:35,280
Speaker 3: you over there, you're filming this. We're doing a parody

671
00:38:35,360 --> 00:38:38,320
Speaker 3: version of the Mockerina. It's called the Macaroni. It's basically

672
00:38:38,400 --> 00:38:45,840
Speaker 3: an Italian mockerina. Was the was the premise, and every

673
00:38:45,880 --> 00:38:52,839
Speaker 3: single person fucked it up in different ways. Do you

674
00:38:53,000 --> 00:38:55,000
Speaker 3: hear my genes question. This is for you, not as

675
00:38:55,040 --> 00:38:58,200
Speaker 3: a not as a actor or as a director, this

676
00:38:58,320 --> 00:38:59,520
Speaker 3: is for you as an ethicist.

677
00:39:00,200 --> 00:39:00,520
Speaker 2: Okay.

678
00:39:01,560 --> 00:39:09,279
Speaker 3: I recently purchased genes and asked for them to give

679
00:39:09,320 --> 00:39:10,879
Speaker 3: it to me and my house. Send it to my house.

680
00:39:11,400 --> 00:39:11,920
Speaker 2: Mm hmmm.

681
00:39:14,760 --> 00:39:17,440
Speaker 3: Day one goes by, no genes. Day two goes by,

682
00:39:17,520 --> 00:39:21,000
Speaker 3: no genes. Day three goes by, no genes, and I

683
00:39:21,000 --> 00:39:24,800
Speaker 3: get an email saying, oh, we gave you your genes,

684
00:39:25,920 --> 00:39:27,680
Speaker 3: congratulations on your new genes.

685
00:39:28,480 --> 00:39:33,000
Speaker 2: What I'm looking around, I'm looking, I'm looking down, no genes.

686
00:39:34,160 --> 00:39:39,040
Speaker 2: You're not wearing them? Yep. Wow email.

687
00:39:39,160 --> 00:39:41,640
Speaker 4: But they're acting like you got that, like you were

688
00:39:41,640 --> 00:39:42,240
Speaker 4: wearing them.

689
00:39:42,640 --> 00:39:48,600
Speaker 2: They acted like they said explicitly that I was wearing

690
00:39:48,680 --> 00:39:53,840
Speaker 2: my genes. And they're sending the email. Is the email

691
00:39:53,960 --> 00:39:59,800
Speaker 2: or wearing jeans when they write this, they it was

692
00:39:59,840 --> 00:40:04,319
Speaker 2: a very jeans wearing tone.

693
00:40:04,520 --> 00:40:10,879
Speaker 3: And so I respond with a jeans less email where

694
00:40:10,920 --> 00:40:14,920
Speaker 3: I say I'm not, I'm not, I'm not, I'm not

695
00:40:15,200 --> 00:40:16,360
Speaker 3: going this way with you.

696
00:40:17,600 --> 00:40:19,600
Speaker 2: I'm not. I'm just not. I'm not going with this.

697
00:40:20,040 --> 00:40:23,279
Speaker 3: I refuse to participate in this, in this illusion you're

698
00:40:23,280 --> 00:40:24,960
Speaker 3: creating that I have my jeans. I don't have them,

699
00:40:25,040 --> 00:40:28,839
Speaker 3: and they say, okay, here's some of your money back.

700
00:40:30,120 --> 00:40:33,160
Speaker 2: M a couple. So I'm in New York.

701
00:40:33,960 --> 00:40:40,919
Speaker 3: I live above this Bodigo, and the bodigo man says, sir,

702
00:40:41,000 --> 00:40:47,080
Speaker 3: sir uh we announcement. We have a package for you

703
00:40:47,080 --> 00:40:50,719
Speaker 3: your jeans. They send it to the Bodigo. The bodigo

704
00:40:50,880 --> 00:40:53,919
Speaker 3: is my in New York for anyone who doesn't live here.

705
00:40:54,560 --> 00:41:01,799
Speaker 3: It's my mailbox, it's my bathroom, it's my where I

706
00:41:01,840 --> 00:41:11,040
Speaker 3: buy candy room, it's the library, it's the pool, it's

707
00:41:11,080 --> 00:41:14,920
Speaker 3: where it's like all of like New York life is

708
00:41:14,960 --> 00:41:15,799
Speaker 3: at the Boudigo.

709
00:41:17,160 --> 00:41:19,640
Speaker 2: And so I get my and so now you're aquarium

710
00:41:19,680 --> 00:41:20,879
Speaker 2: as well. Mm hmm.

711
00:41:22,360 --> 00:41:27,120
Speaker 3: And so now I have two things, my jeans and

712
00:41:27,120 --> 00:41:33,879
Speaker 3: my money, and a third thing, which is.

713
00:41:35,840 --> 00:41:39,360
Speaker 2: Nobody. No one is mad at me mm hmmm.

714
00:41:40,000 --> 00:41:41,759
Speaker 4: Which might be the most valuable thing you have.

715
00:41:42,400 --> 00:41:44,279
Speaker 2: That's one of the most valuable things you can own.

716
00:41:45,360 --> 00:41:45,719
Speaker 4: Mm hmm.

717
00:41:47,080 --> 00:41:50,160
Speaker 1: And it's the and it's and it's your and the

718
00:41:51,040 --> 00:41:54,800
Speaker 1: and the Bodigos your aquarium as well.

719
00:41:55,640 --> 00:41:57,200
Speaker 2: And they have a they have a.

720
00:41:57,160 --> 00:42:01,359
Speaker 1: Wide variety of of aquatic life for you, Jesse. And

721
00:42:01,400 --> 00:42:02,800
Speaker 1: they're all flavor blasted.

722
00:42:03,760 --> 00:42:08,880
Speaker 2: So we're back back to the aquarium.

723
00:42:09,320 --> 00:42:12,160
Speaker 4: So you want to know what to do or what.

724
00:42:12,800 --> 00:42:16,120
Speaker 1: I'm asking you as an actor, not as a director.

725
00:42:17,360 --> 00:42:20,440
Speaker 1: But put on your Closterman hat for a moment. Yes,

726
00:42:21,400 --> 00:42:26,040
Speaker 1: put on your put on put on your Charles Closterman hat,

727
00:42:26,360 --> 00:42:33,560
Speaker 1: and allow yourself to embody the ethicist. Is Hayes doing.

728
00:42:34,800 --> 00:42:35,880
Speaker 2: Ethical behavior?

729
00:42:37,400 --> 00:42:41,200
Speaker 4: I think he is because when he wrote, like when

730
00:42:41,200 --> 00:42:44,399
Speaker 4: he wrote the email, it was a gens less email, no.

731
00:42:44,440 --> 00:42:47,920
Speaker 2: Question, yes, yes, so that was true in that moment.

732
00:42:48,800 --> 00:42:57,240
Speaker 4: Yeah. And then when he went to the badigo it

733
00:42:57,400 --> 00:43:01,320
Speaker 4: he got genes there, so that the the gens list

734
00:43:01,360 --> 00:43:07,040
Speaker 4: Hayes that wrote the email was being true and the

735
00:43:07,080 --> 00:43:11,319
Speaker 4: metadata proves it and now legit. I don't think you

736
00:43:11,360 --> 00:43:14,040
Speaker 4: need to do anything else because they were. It did

737
00:43:14,160 --> 00:43:15,399
Speaker 4: sound like the geness.

738
00:43:15,400 --> 00:43:19,360
Speaker 2: Would they say, I think so much? You know, he

739
00:43:19,360 --> 00:43:22,000
Speaker 2: wouldn't go. I think it's he go, here's the thing,

740
00:43:22,080 --> 00:43:23,120
Speaker 2: here's what you gotta know.

741
00:43:24,280 --> 00:43:24,759
Speaker 6: It's this.

742
00:43:25,960 --> 00:43:28,960
Speaker 4: You're right, I know that what you did was. I

743
00:43:29,000 --> 00:43:32,040
Speaker 4: think you're fine. I think you're yes. I don't think

744
00:43:32,040 --> 00:43:35,080
Speaker 4: we're going to have any problems with a movie like

745
00:43:35,120 --> 00:43:37,200
Speaker 4: this because you're worried.

746
00:43:36,960 --> 00:43:39,200
Speaker 1: About the I don't think well, because if this comes out,

747
00:43:39,280 --> 00:43:43,600
Speaker 1: you know, if this story comes out and then we're

748
00:43:43,640 --> 00:43:46,120
Speaker 1: about to release the film and we're suddenly in this

749
00:43:46,320 --> 00:43:48,160
Speaker 1: media fire storm.

750
00:43:48,200 --> 00:43:50,040
Speaker 4: And then Hayes gets canceled around the.

751
00:43:49,960 --> 00:43:55,279
Speaker 1: Ethices of Hayes's jeans behavior. Yeah, I certainly don't want

752
00:43:55,320 --> 00:43:58,879
Speaker 1: to get dragged down with him. So let's let's cover

753
00:43:59,000 --> 00:44:02,640
Speaker 1: our ass a little bit, just as the g Zebra.

754
00:44:03,800 --> 00:44:05,680
Speaker 2: Yeah mm hmm.

755
00:44:06,280 --> 00:44:08,680
Speaker 3: And it's possible the company. First of all, this is

756
00:44:08,719 --> 00:44:14,360
Speaker 3: a company. Okay, I'm not out here to trying to like,

757
00:44:14,360 --> 00:44:18,800
Speaker 3: like do any favors to companies which have ruined earth.

758
00:44:20,560 --> 00:44:26,560
Speaker 3: Companies are the most evil of any kind of business.

759
00:44:27,560 --> 00:44:31,840
Speaker 1: Yeah, companies have done more damage than all wars and religions.

760
00:44:32,760 --> 00:44:38,359
Speaker 1: Companies at this point are the big devil that we

761
00:44:38,360 --> 00:44:42,800
Speaker 1: were warned about demon coming up from under the earth

762
00:44:43,040 --> 00:44:47,319
Speaker 1: and poisoning us and its companies doing it. And my

763
00:44:47,719 --> 00:44:54,600
Speaker 1: solution has been that largely no companies. Yeah mm hmm,

764
00:44:56,120 --> 00:45:00,200
Speaker 1: erase all budget. Obviously it will be Uh. The hot

765
00:45:00,239 --> 00:45:06,799
Speaker 1: with fidget Spinner Company is an exception because it's actually well,

766
00:45:06,920 --> 00:45:08,760
Speaker 1: actually helping people company.

767
00:45:09,120 --> 00:45:10,640
Speaker 2: Uh, but it's.

768
00:45:10,440 --> 00:45:15,160
Speaker 1: It's but it's but it's helping people.

769
00:45:17,120 --> 00:45:19,520
Speaker 2: Can we talk about casting just in terms of Santa.

770
00:45:19,840 --> 00:45:22,799
Speaker 1: I know Hayes is playing Hayes and Sean Shawn's playing

771
00:45:22,840 --> 00:45:25,879
Speaker 1: Sean Anna Hayes. I don't know that we can pull

772
00:45:25,920 --> 00:45:28,239
Speaker 1: triple duty. I think we need a name.

773
00:45:28,520 --> 00:45:28,640
Speaker 2: Uh.

774
00:45:29,000 --> 00:45:33,279
Speaker 1: I hate to be in this celebrity obsessed culture. I

775
00:45:33,320 --> 00:45:36,920
Speaker 1: do think stunt casting is appropriate. I think they should

776
00:45:36,920 --> 00:45:40,480
Speaker 1: be able to pull off the modified Santa uniform that

777
00:45:41,120 --> 00:45:45,920
Speaker 1: Kevin has designed, a body celebration tight red velvet booty

778
00:45:45,920 --> 00:45:50,040
Speaker 1: shorts and a boot and a and a halter as well.

779
00:45:52,680 --> 00:45:55,120
Speaker 2: I uh, I'd.

780
00:45:54,760 --> 00:45:58,400
Speaker 1: Love to hear a couple of names from you, like

781
00:45:59,400 --> 00:46:03,560
Speaker 1: how you see this modern Santa? Right, that a little

782
00:46:03,560 --> 00:46:07,360
Speaker 1: bit is defying the expectations of what we've come to expect.

783
00:46:07,920 --> 00:46:11,759
Speaker 2: Come to know someone you can get maybe like.

784
00:46:12,320 --> 00:46:15,759
Speaker 1: Somebody maybe even call now on the show and ask

785
00:46:15,840 --> 00:46:16,720
Speaker 1: if they want to play.

786
00:46:17,520 --> 00:46:19,960
Speaker 2: Yeah, somewhat famous.

787
00:46:21,080 --> 00:46:27,640
Speaker 4: Yeah, I mean I do know someone famous. But I

788
00:46:27,719 --> 00:46:30,919
Speaker 4: wonder is that because some people are gonna expect people

789
00:46:30,920 --> 00:46:34,280
Speaker 4: are so used to seeing a famous Santa like Tim Allen,

790
00:46:36,280 --> 00:46:41,400
Speaker 4: Paul Giamatti, and I'm sure lots of other celebrities playing Santa.

791
00:46:42,480 --> 00:46:48,080
Speaker 1: What if we there must be There's gotta be, there's

792
00:46:48,120 --> 00:46:48,640
Speaker 1: gotta be.

793
00:46:49,040 --> 00:46:51,719
Speaker 2: So we go the other way, Billy Bob Thorn.

794
00:46:51,800 --> 00:46:53,920
Speaker 4: Yeah, maybe we go the other way. Maybe we do,

795
00:46:55,920 --> 00:46:57,680
Speaker 4: Maybe we do an unknown.

796
00:46:59,080 --> 00:47:03,360
Speaker 1: Because isn't what is partying as Santa?

797
00:47:03,920 --> 00:47:05,280
Speaker 2: Forget it, forget it. It'll be different.

798
00:47:06,280 --> 00:47:08,080
Speaker 4: But if we have let's you know, like if we

799
00:47:08,160 --> 00:47:10,520
Speaker 4: have Tim Robbins is Santa, people are just gonna be like,

800
00:47:10,640 --> 00:47:12,359
Speaker 4: it's just Tim Robbins in the Santa suit, like it's

801
00:47:12,320 --> 00:47:15,840
Speaker 4: sort of illusion, you know, Like that's that's my case.

802
00:47:17,520 --> 00:47:20,120
Speaker 4: I mean, that was when you said, when you brought

803
00:47:20,200 --> 00:47:21,600
Speaker 4: up the movie, I was like, Tim will love this.

804
00:47:22,760 --> 00:47:24,800
Speaker 2: He was Tim. This is Tim.

805
00:47:24,920 --> 00:47:27,560
Speaker 4: This has Tim written all over it.

806
00:47:28,640 --> 00:47:32,920
Speaker 3: Like mix it up like with like sexually a little

807
00:47:32,920 --> 00:47:35,600
Speaker 3: bit like that. That seems like that would be fun.

808
00:47:36,280 --> 00:47:36,600
Speaker 4: Yeah.

809
00:47:37,320 --> 00:47:39,480
Speaker 3: What I'm hearing though, when you say let's go the

810
00:47:39,480 --> 00:47:42,799
Speaker 3: other direction is like the statement behind the statement to

811
00:47:42,880 --> 00:47:47,720
Speaker 3: me is that the Victor Garber relationship is not good

812
00:47:48,440 --> 00:47:55,000
Speaker 3: after there's a season of all and under normal circumstances.

813
00:47:55,040 --> 00:47:59,560
Speaker 3: I think that call would already be happening if that,

814
00:47:59,800 --> 00:48:04,000
Speaker 3: if that relationship we're not in pieces, which is what

815
00:48:04,040 --> 00:48:04,680
Speaker 3: I'm detecting.

816
00:48:04,760 --> 00:48:05,520
Speaker 2: It's Victor Garb.

817
00:48:05,600 --> 00:48:08,759
Speaker 4: Well, it took us a long time to get the

818
00:48:08,840 --> 00:48:13,960
Speaker 4: personal relationship taped back together, and that we sort of

819
00:48:14,000 --> 00:48:17,080
Speaker 4: mad paid this promise to ourselves, like let's not go

820
00:48:17,160 --> 00:48:19,600
Speaker 4: there again, you know, like let's not go like this

821
00:48:19,680 --> 00:48:20,879
Speaker 4: is so important and this.

822
00:48:20,840 --> 00:48:22,640
Speaker 2: Has taken every respect, like.

823
00:48:22,640 --> 00:48:24,480
Speaker 4: All of us, and it's just like you got to

824
00:48:24,560 --> 00:48:25,359
Speaker 4: separate the two.

825
00:48:27,040 --> 00:48:32,120
Speaker 3: And I think if we explained to people that instead

826
00:48:32,120 --> 00:48:35,960
Speaker 3: of releasing a movie, we released a type statement that

827
00:48:36,040 --> 00:48:41,680
Speaker 3: says this, we decided not to do this movie because

828
00:48:41,719 --> 00:48:46,440
Speaker 3: of the damage it would inflict on this relationship between

829
00:48:46,440 --> 00:48:50,480
Speaker 3: Clear with Victor Garber Well.

830
00:48:50,360 --> 00:48:56,680
Speaker 4: Also making this cook be kind of like this movie

831
00:48:57,280 --> 00:48:59,840
Speaker 4: would also be supporting companies with.

832
00:49:01,360 --> 00:49:02,600
Speaker 2: No not how we're doing it.

833
00:49:02,600 --> 00:49:07,040
Speaker 1: It's like, yeah, we managed to find a work around.

834
00:49:08,040 --> 00:49:10,000
Speaker 7: Something to keep in mind is I have a Vogue

835
00:49:10,040 --> 00:49:13,480
Speaker 7: seventy three questions set up with whoever's playing Santa, so

836
00:49:13,520 --> 00:49:15,359
Speaker 7: they have to like be good at that too.

837
00:49:15,440 --> 00:49:17,400
Speaker 2: He's booked, he's booked, he's booked.

838
00:49:18,000 --> 00:49:18,600
Speaker 6: That stay one.

839
00:49:21,000 --> 00:49:23,439
Speaker 1: Well, I think I hear what you're saying where it's

840
00:49:23,560 --> 00:49:29,239
Speaker 1: too predictable to have it be just you know, some

841
00:49:29,520 --> 00:49:31,040
Speaker 1: actor who's famous.

842
00:49:31,920 --> 00:49:34,240
Speaker 2: But I do think we need a name.

843
00:49:35,000 --> 00:49:40,520
Speaker 1: And this is where I go, Okay, is it Dick? Cheney.

844
00:49:43,400 --> 00:49:47,440
Speaker 1: We haven't seen Megan Markle in front of the camera

845
00:49:47,480 --> 00:49:50,839
Speaker 1: in a little while. Is this where she makes her

846
00:49:50,880 --> 00:49:51,399
Speaker 1: come back?

847
00:49:51,480 --> 00:49:54,239
Speaker 2: You know what I mean? You remember suits? Now it's

848
00:49:54,239 --> 00:49:55,680
Speaker 2: Santa suits.

849
00:49:55,280 --> 00:49:58,279
Speaker 4: And uh and so she would be good for one

850
00:49:58,280 --> 00:49:59,000
Speaker 4: of the girlfriends.

851
00:49:59,040 --> 00:49:59,359
Speaker 9: Is that?

852
00:50:00,560 --> 00:50:04,080
Speaker 1: Oh wow, I thought you could be Santa, but I

853
00:50:04,080 --> 00:50:08,440
Speaker 1: guess uh, yeah, I realized.

854
00:50:09,640 --> 00:50:14,800
Speaker 3: We almost well, we almost made it clear, we almost

855
00:50:14,800 --> 00:50:18,480
Speaker 3: made it all the way through without you revealing your

856
00:50:18,480 --> 00:50:22,480
Speaker 3: true self. Yeah, just saying that Megan Markle, after everything

857
00:50:22,480 --> 00:50:27,759
Speaker 3: she's been through, is also, on top of that, is

858
00:50:27,880 --> 00:50:29,200
Speaker 3: also not allowed.

859
00:50:28,840 --> 00:50:30,399
Speaker 2: To play Santa.

860
00:50:31,520 --> 00:50:36,839
Speaker 3: She has to play Santa's cole gf.

861
00:50:38,320 --> 00:50:44,840
Speaker 1: And this is some of the same thinking, uh that

862
00:50:44,920 --> 00:50:49,960
Speaker 1: actually fractured the relationship between the Rough family and uh

863
00:50:50,239 --> 00:50:52,920
Speaker 1: so it's just like, uh, we don't only have to

864
00:50:52,920 --> 00:50:55,920
Speaker 1: put people in these boxes. I mean, the whole idea

865
00:50:55,920 --> 00:51:00,120
Speaker 1: of having Santa Party, which is pretty revolutionary, is going like,

866
00:51:00,719 --> 00:51:05,359
Speaker 1: let's change what this has always been. You know, We're

867
00:51:05,440 --> 00:51:07,120
Speaker 1: not going to Carters this year.

868
00:51:07,719 --> 00:51:08,120
Speaker 2: Mm hmm.

869
00:51:09,360 --> 00:51:12,960
Speaker 9: I'm gaining to make a change. Yeah, And I'm I'm

870
00:51:13,280 --> 00:51:18,160
Speaker 9: realizing that clear as radioactive, I am going to have

871
00:51:18,160 --> 00:51:22,439
Speaker 9: to return the jeans and the money at this point.

872
00:51:23,880 --> 00:51:26,040
Speaker 2: Yeah, we just need to create distance.

873
00:51:28,080 --> 00:51:30,480
Speaker 1: Is there something you wanted to plug or something you

874
00:51:30,520 --> 00:51:32,399
Speaker 1: were here to talk about? Sorry, I mean we got

875
00:51:32,440 --> 00:51:33,560
Speaker 1: an R like Christmas thing.

876
00:51:35,120 --> 00:51:41,160
Speaker 4: I mean, I just i've Is there any way we

877
00:51:41,200 --> 00:51:42,760
Speaker 4: can salvage the Christmas movie?

878
00:51:43,360 --> 00:51:45,719
Speaker 2: Nope? By hamb