WEBVTT - Murdered at a Bad Address w/ Happy Anderson

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<v Speaker 1>Of the Law and Order franchises. SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies. These episodes are based on.

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<v Speaker 3>These are our stories, done done.

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<v Speaker 2>Yay, that's messed up an SVW podcast.

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<v Speaker 1>I'm Liza Tragger. It's like, what's this pause about? I

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<v Speaker 1>got distracted by my own bracelet and I'm Kara klank At.

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<v Speaker 1>Every week you guys know you guys, if you're a Tommy,

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<v Speaker 1>you know this is sv recaps true crime deep dives

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<v Speaker 1>and interviews with fun actors and people involved with the

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<v Speaker 1>show and chit chats. And you're holding a la boo boo.

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<v Speaker 1>What is that?

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<v Speaker 2>Yeah, stretching, But it's that Laboo Boo's not gonna get

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<v Speaker 2>plenty of fresh ites.

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<v Speaker 1>He's doing his little stretches.

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<v Speaker 2>Yeah. Well, it is funny that this is episode two

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<v Speaker 2>ninety one, and like, I could still fuck up the intro.

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<v Speaker 2>It's like so cool to remember.

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<v Speaker 1>Yeah, yeah, you're like, we're not just phoning it in

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<v Speaker 1>you now. People say that SVU is a well oiled machine.

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<v Speaker 1>Not this podcast. We this machine's constantly got fucking some

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<v Speaker 1>shit gunking up the cogs and stuff and we've got

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<v Speaker 1>to clear it.

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<v Speaker 2>Out and it's mostly just stuff on my desk. That's yeah,

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<v Speaker 2>that's what it is. I can't with this desk. I

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<v Speaker 2>also have this kind of la blue boo too. It's like, oh,

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<v Speaker 2>I'm open lighte. This was the gift. It's so fun

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<v Speaker 2>when I post things on like my videos on Instant

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<v Speaker 2>and people will be like, I gave that to you,

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<v Speaker 2>because it's all kind of blurs. What people do get

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<v Speaker 2>me such good. I guess it's such.

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<v Speaker 1>A blur, like where, oh my god, my my pouch

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<v Speaker 1>that says I haven't a prince who wants to be

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<v Speaker 1>a princess when you can be Olivia Ben.

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<v Speaker 2>Ali Ben said, it's honestly and reach. I can grab

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<v Speaker 2>it right now if you want to look at it.

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<v Speaker 1>Yeah, so ours is our gem pouch. It's like where

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<v Speaker 1>my kids put all their gems. Oh my god, the

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<v Speaker 1>way that yours looks so white and beautiful like mine

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<v Speaker 1>is I would say, a dark shade of cream now

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<v Speaker 1>because of my children use it every day like okay,

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<v Speaker 1>it's where all their gems are. Yeah, so all their

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<v Speaker 1>gems are in there. And I mean, if you're listening,

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<v Speaker 1>thank you, to the person who gave us that, because

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<v Speaker 1>that's truly a constant in my life. So you know,

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<v Speaker 1>it's been gorgeous to New York.

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<v Speaker 2>And I was taking the long way to get onto

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<v Speaker 2>the train to go to Brooklyn for a show, and

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<v Speaker 2>I had enough time and there was an one outdoor

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<v Speaker 2>table of two and one of my favorite bars, so

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<v Speaker 2>I was like, fuck, I got it. I'll have a beer,

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<v Speaker 2>so I put I didn't want to leave my stuff

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<v Speaker 2>out there, so I put a book down. No big deal,

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<v Speaker 2>and I asked the man at the other table, I'm like,

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<v Speaker 2>can you just watch my book? I want to go

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<v Speaker 2>get a guinness. So I get the the books being held.

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<v Speaker 2>His friends joins him, and then it's Giovanni's rooms. So

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<v Speaker 2>then one of the guys is like, what part are

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<v Speaker 2>you on? And then I can't figure out if they're

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<v Speaker 2>straight or get or whatever, and we start talking about

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<v Speaker 2>Giovanni's room and reading and then heat Reverie and how

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<v Speaker 2>I got into reading, and they're like, well, why did

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<v Speaker 2>that get you into reading? Like their books, and then

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<v Speaker 2>the guy goes, yeah, you know, I like gay guys stuff,

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<v Speaker 2>but when it comes to gay sex, I just can't

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<v Speaker 2>watch it. And I'm not sure what the reason is.

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<v Speaker 2>And then he got a phone call and I started reading.

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<v Speaker 2>But it's like, I think it's homophobia, Like I don't.

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<v Speaker 1>I don't know what the other reason would be.

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<v Speaker 2>Unless you don't like any sex and stuff like that

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<v Speaker 2>makes sense to me, like I don't like seeing actors

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<v Speaker 2>fuck on camera like that. Okay, yeah, but to be like,

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<v Speaker 2>I don't know what it is, but I just can't

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<v Speaker 2>look at gay sex like I think it's homophobia, but

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<v Speaker 2>maybe there's something I'm not I'm not grasping.

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<v Speaker 1>Yeah, but he.

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<v Speaker 2>Seemed gay to me, but a lot of but I

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<v Speaker 2>guess not because then the other guy mentioned his wife.

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<v Speaker 1>He was in a nixture. Then I started reading and

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<v Speaker 1>the night ago, but I'm sorry it was a guy

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<v Speaker 1>you were talking to. It was two guys. It's two guys.

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<v Speaker 1>Do they care about two women having sex? Well?

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<v Speaker 2>No, Then he got a phone call because I obviously

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<v Speaker 2>would have argued him. He really it was like the

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<v Speaker 2>luckiest moment of his life, say, by the fucking bell.

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<v Speaker 2>And then I started reading and then they started talking,

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<v Speaker 2>so is fine? Then I left, but I yeah, I

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<v Speaker 2>was just like, then, what do you think it is?

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<v Speaker 1>It's weird?

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<v Speaker 2>I don't.

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<v Speaker 1>I don't.

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<v Speaker 2>I just don't know what else the reason because it's

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<v Speaker 2>like you either are apprude all around, because you can

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<v Speaker 2>also look at stuff that doesn't turn you on, and

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<v Speaker 2>then you can also be turned on by stuff that's

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<v Speaker 2>not porn.

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<v Speaker 1>It's just like everyone's brains have broken. Yeah, you can

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<v Speaker 1>also be turned on by just like two people making

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<v Speaker 1>out if it's like the right storyline, like if the circle.

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<v Speaker 2>But I couldn't tell if the guy was gay or not,

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<v Speaker 2>like his friend wasn't but I couldn't tell if this

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<v Speaker 2>guy was.

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<v Speaker 1>Oh so that that's interesting to me self hate So

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<v Speaker 1>maybe some self hating situation, oh one hundred percent.

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<v Speaker 2>Yeah, yeah, but maybe not. I mean, maybe there's more

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<v Speaker 2>to it that I'm not seeing. But to me, I'm

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<v Speaker 2>just like, huh, it's a weird thing to say out

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<v Speaker 2>loud too.

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<v Speaker 1>To me, we met any penetrative any penetrative sex, Like,

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<v Speaker 1>what does it matter where different penises are going? I

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<v Speaker 1>don't think it matters. Also, everyone and you also don't

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<v Speaker 1>see a penis, right, that's the thing. Every like the

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<v Speaker 1>thing is people have built it up to be too porny.

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<v Speaker 2>Again, well, I'm not going to watch off campus, but like,

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<v Speaker 2>I haven't heard any porn comparisons to that show.

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<v Speaker 1>What's Off Campus.

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<v Speaker 2>It's a straight hockey show on Amazon that's like a

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<v Speaker 2>hit right now, and every time it's in my feet,

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<v Speaker 2>I'm like, I don't want this.

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<v Speaker 1>Oh wait, did they make this like quickly off of

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<v Speaker 1>the No, No, it's been around.

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<v Speaker 2>No, hockey smut's been in for a long time. I'm

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<v Speaker 2>late to it.

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<v Speaker 1>Oh, it's a genre. I mean, Rachel tifically hockey.

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<v Speaker 2>Yeah, Rachel's been writing these books for I think seven

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<v Speaker 2>or eight years, if not longer, right, and then like

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<v Speaker 2>there's a whole other series and then Red, White, and

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<v Speaker 2>Blue was also hockey, but straight this Off Campus is

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<v Speaker 2>it's like, No, it's like a.

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<v Speaker 1>Full genre on its own. I wonder why just hockey.

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<v Speaker 1>There's never like a basketball like story or like so

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<v Speaker 1>much equipment, like it makes it tougher, you know. Like,

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<v Speaker 1>And what.

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<v Speaker 2>I'm learning to is, like, I mean the homophobia for

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<v Speaker 2>the gay stuff, it's like a really masculine The Russians

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<v Speaker 2>are all like hate gay people, so I think the

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<v Speaker 2>secrets are like harder to keep.

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<v Speaker 1>Oh yeah, yeah yeah, But then.

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<v Speaker 2>That's more what I also have learned reading all these

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<v Speaker 2>hockey books is like, okay, so there's the NHL that's professionals,

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<v Speaker 2>and then they all have feeder teams and you're a

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<v Speaker 2>professional person, but you could be undrafted. But with hockey,

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<v Speaker 2>like you could have to get on a flight that

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<v Speaker 2>night and join a team like are are Like our

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<v Speaker 2>goalie is injured, you're the next goalie. You need to

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<v Speaker 2>sit on the bench, and then you're like flying to

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<v Speaker 2>a different state and have to move. That's why one

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<v Speaker 2>of the books he falls in love with his interior

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<v Speaker 2>designer because they constantly have to move, like you can

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<v Speaker 2>get traded in the middle of anything. Also, like in

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<v Speaker 2>the game you can go in and out like basketball,

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<v Speaker 2>like you have to like wait to like sub players,

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<v Speaker 2>there's just something where they're just being traded all the time.

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<v Speaker 2>And there's all these under feeder like minor leagues, and

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<v Speaker 2>I think it's like that that adds drama too, Like

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<v Speaker 2>you're constantly being moved around maybe m M. And their

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<v Speaker 2>bodies just look good like you're because they're skating so

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<v Speaker 2>like their asses are good because of the movements they

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<v Speaker 2>have to do.

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<v Speaker 1>Sure, I mean soccer guys have hot asses too. I

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<v Speaker 1>bet there could be some good soccer spot No.

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<v Speaker 2>Yeah, but soccer they're so gay outwardly, you know what

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<v Speaker 2>I mean, They're very there. It's like the gayest sport. Besides,

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<v Speaker 2>I don't think synchronized swimming. Maybe water polo. No, yeah,

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<v Speaker 2>I don't know why it's hockey because I don't I've

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<v Speaker 2>never been to a hockey I've never watched.

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<v Speaker 1>A hockey game ever. Can I ask a random question

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<v Speaker 1>because you were a swimmer. When you were a swimmer,

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<v Speaker 1>did you ever do this thing where you would like

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<v Speaker 1>let your body hair grow and then shave, like right

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<v Speaker 1>before a meat so that you'd go faster?

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<v Speaker 2>Of course?

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<v Speaker 1>Okay. I was telling my friend that she grew up

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<v Speaker 1>swimming in England and she was a big swimmer, like

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<v Speaker 1>all county or whatever in England, and she was like, no,

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<v Speaker 1>we were just like always shaved all the time. I

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<v Speaker 1>was like, Oh, for some reason, the girls I knew

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<v Speaker 1>that were swimmers would do this drag thing right where

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<v Speaker 1>like it was yeah, like for drag, right, like the

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<v Speaker 1>hair drags.

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<v Speaker 2>You would that, but you wouldn't shave it for a

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<v Speaker 2>regular meat. You would do it for like sectionals conference

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<v Speaker 2>right like right, Like I wasn't that good? So like

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<v Speaker 2>for conference. That would be my big thing. But I

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<v Speaker 2>guess if you reveal like taking off all of air.

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<v Speaker 2>But we would also practice with drag suits on top

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<v Speaker 2>of our suits, so you would get a new suit

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<v Speaker 2>and then the old suits that would get like loosey

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<v Speaker 2>goosey because of all the douar and tear. You would

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<v Speaker 2>put them on top so they would drag on top

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<v Speaker 2>of you. So sometimes I'd be wearing like two three

0:08:59.320 --> 0:09:02.959
<v Speaker 2>suits gripped hanging, and then when they would rip, it

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<v Speaker 2>would hang, so it'd be even harder to swim, and

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<v Speaker 2>then you were harry as fuck. But the hockey guys too,

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<v Speaker 2>I guess like until playoffs you you have to grow

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<v Speaker 2>a beard. That's like that's a part of it. And yeah,

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<v Speaker 2>because Kip in the episode three of Heated Rivalries like

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<v Speaker 2>all you all look like sexy lumberjacks, you know. Ah,

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<v Speaker 2>But I don't know, please write us in if I'm

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<v Speaker 2>totally misrepresenting.

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<v Speaker 1>Why the like hockey smutt in it and.

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<v Speaker 2>Of itself, but it's kind of like fairy. It's just

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<v Speaker 2>like I don't know these like genre.

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<v Speaker 1>I knew that this was hockey smut, and I knew

0:09:35.480 --> 0:09:37.679
<v Speaker 1>that there was like sports smut. I guess I didn't

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<v Speaker 1>realize that the hockey smut was like the main thing,

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<v Speaker 1>Like I thought there was just like, oh, I.

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<v Speaker 2>Don't know about may I guess now because off campus,

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<v Speaker 2>Red White and Blue and Heated Rivalry are all out.

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<v Speaker 1>So I didn't know Red White and Blue was about

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<v Speaker 1>hockey at all. I knew that was like a popular

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<v Speaker 1>gay it might not be. Let me look it up.

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<v Speaker 2>It sounds kind of like a president red yeah, yeah, yeah, yeah, yeah,

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<v Speaker 2>I'm wrong, I'm wrong. I'm wrong.

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<v Speaker 1>It's just it was like a like a like a

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<v Speaker 1>movie like or something. I met screaming at their things.

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<v Speaker 1>What's the what's the movie where the president is single

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<v Speaker 1>and it's an American president? An American president? Yeah, I

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<v Speaker 1>feel like, yes, you well, no, I wasn't because you

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<v Speaker 1>play the movie game all the time and you're very

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<v Speaker 1>you're like an IMDb person. Okay, yeah, no, I would do.

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<v Speaker 2>People have told me to watch Red White and Royal Blue.

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<v Speaker 2>I would watch it.

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<v Speaker 1>Watch. People were like loving that.

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<v Speaker 2>Wait.

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<v Speaker 1>Question, this episode's coming out before fourth of July, but

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<v Speaker 1>we're in the time machine so it's very early. But

0:10:42.480 --> 0:10:44.240
<v Speaker 1>do you know what you're doing for one of July?

0:10:45.040 --> 0:10:49.880
<v Speaker 2>Well, Survival of the Thickest premiers July second. Oh nice,

0:10:49.920 --> 0:10:50.559
<v Speaker 2>so it's out.

0:10:51.760 --> 0:10:57.120
<v Speaker 1>So yeah, everybody watched season three three three survival.

0:10:57.200 --> 0:11:00.280
<v Speaker 2>And I'm also I mean, i'll tell you about when

0:11:00.320 --> 0:11:02.800
<v Speaker 2>we're back. But it's being screened at the Tribeca Film

0:11:02.840 --> 0:11:06.320
<v Speaker 2>Festival in June, so I get to do that next week.

0:11:06.400 --> 0:11:09.360
<v Speaker 2>So we're in the time machine. So I'm excited for that. No,

0:11:09.520 --> 0:11:11.400
<v Speaker 2>I'm going to be in New York. Probably I'll go

0:11:11.400 --> 0:11:13.600
<v Speaker 2>to the beach Coney Island, sit, I don't know, get

0:11:13.600 --> 0:11:15.640
<v Speaker 2>a coffee. I'm not leaving town.

0:11:16.040 --> 0:11:18.120
<v Speaker 1>Let me tell you when we went to Coney Island

0:11:18.160 --> 0:11:23.480
<v Speaker 1>last year, July third is the day it's like not busy,

0:11:23.600 --> 0:11:26.240
<v Speaker 1>It's it was beautiful. It was so nice. We could

0:11:26.280 --> 0:11:29.520
<v Speaker 1>get on all these rides really easily, and it just

0:11:29.559 --> 0:11:31.320
<v Speaker 1>wasn't very busy. I feel like people were just like

0:11:31.400 --> 0:11:33.320
<v Speaker 1>waiting for the fourth. I guess. No, I went on

0:11:33.360 --> 0:11:34.680
<v Speaker 1>the fourth. I went on the fourth.

0:11:34.960 --> 0:11:38.280
<v Speaker 2>Oh okay, but we won prizes, we said, but but

0:11:38.320 --> 0:11:42.080
<v Speaker 2>we got two. We were at the beach by nine am.

0:11:42.720 --> 0:11:44.920
<v Speaker 1>Okay, we got there pretty early because we had the kids.

0:11:44.960 --> 0:11:46.320
<v Speaker 1>We got there. We wanted to go to the bar.

0:11:46.920 --> 0:11:49.200
<v Speaker 1>That little area that's all kid rides. And then we

0:11:49.240 --> 0:11:51.559
<v Speaker 1>went Me and Oscar went on a big roller coaster together.

0:11:51.640 --> 0:11:54.280
<v Speaker 1>He's my little coaster freak. He's going to be with me.

0:11:54.480 --> 0:11:57.800
<v Speaker 1>I can tell he like gets. He just sits quietly

0:11:57.840 --> 0:11:59.640
<v Speaker 1>on coasters with like a big smile, and he doesn't

0:11:59.640 --> 0:12:06.439
<v Speaker 1>get scared at all. Fucking little weirdo. I was looking

0:12:06.440 --> 0:12:10.280
<v Speaker 1>at this list of movies that are coming out, and

0:12:12.120 --> 0:12:13.800
<v Speaker 1>I just don't know if there's anything I'm dying to

0:12:13.840 --> 0:12:17.040
<v Speaker 1>see this summer. You're still waiting to see, like three

0:12:17.960 --> 0:12:20.600
<v Speaker 1>movies to see. No, But I did a Canis Mobley.

0:12:20.640 --> 0:12:24.719
<v Speaker 2>Do you know her? Yeah, she had the funniest joke yesterday.

0:12:24.880 --> 0:12:28.920
<v Speaker 2>But it's like she was just talking about how you're

0:12:28.920 --> 0:12:33.600
<v Speaker 2>not supposed to come in the drain because it fucks

0:12:33.640 --> 0:12:36.080
<v Speaker 2>with the plumbing and like all this stuff and like

0:12:36.120 --> 0:12:38.120
<v Speaker 2>they just tell you too, and she's like, how dare

0:12:38.160 --> 0:12:40.800
<v Speaker 2>you ask people to swallow your cum when it's like

0:12:41.000 --> 0:12:42.600
<v Speaker 2>you can't even you're not even supposed to put it

0:12:42.600 --> 0:12:45.360
<v Speaker 2>in a fucking drain? And I thought that was funny.

0:12:47.760 --> 0:12:49.920
<v Speaker 1>Possible that comes clogging up drains.

0:12:50.040 --> 0:12:55.760
<v Speaker 2>I'll tell uf, I'll find it come clogging drains. Okay,

0:12:55.920 --> 0:12:56.800
<v Speaker 2>So I just oh.

0:12:56.640 --> 0:12:59.800
<v Speaker 1>My god, there's a new Minions movie coming out July first.

0:13:00.320 --> 0:13:02.840
<v Speaker 2>Okay, can semen clog your pipes? Or is it an

0:13:02.920 --> 0:13:07.080
<v Speaker 2>urban legend? Oh there's a core. I'm an Airbnb host

0:13:07.080 --> 0:13:09.360
<v Speaker 2>and my guest masturbates. Oh my god, this is so fun.

0:13:09.360 --> 0:13:12.079
<v Speaker 2>I'm gonna have the universe of trying to notice claims

0:13:12.080 --> 0:13:15.560
<v Speaker 2>excessive amounts. So I just found out the shower's been

0:13:15.559 --> 0:13:17.600
<v Speaker 2>clogged for the past week, and today I finally opened

0:13:17.640 --> 0:13:20.120
<v Speaker 2>the drain to find out what was wrong, and there

0:13:20.160 --> 0:13:22.800
<v Speaker 2>was just whitish goo. I mean, it could be shampoo.

0:13:22.800 --> 0:13:24.319
<v Speaker 1>But it's not semen.

0:13:24.960 --> 0:13:28.720
<v Speaker 2>I'm like, yeah, Someone's like, it's probably a conditioner, you weirdo.

0:13:29.559 --> 0:13:34.720
<v Speaker 1>Yeah, like soapscumb hair balls. I mean, like the internet

0:13:34.760 --> 0:13:37.280
<v Speaker 1>is saying that it's mostly made out of water semen.

0:13:37.600 --> 0:13:39.440
<v Speaker 2>Oh this says sorry for the nightmare fuel, but what

0:13:39.520 --> 0:13:42.760
<v Speaker 2>causes the clog is actually far grosser. Okay, So, can

0:13:42.920 --> 0:13:44.320
<v Speaker 2>come clog your pipes?

0:13:45.480 --> 0:13:45.800
<v Speaker 1>Okay?

0:13:45.840 --> 0:13:49.959
<v Speaker 2>So in twenty sixteen, Slate asked a Harvard Medical School

0:13:50.040 --> 0:13:55.320
<v Speaker 2>urology professor Abraham Morton Tigler to explain the semen Semen

0:13:55.360 --> 0:13:57.240
<v Speaker 2>only maintains its sickness for a short time.

0:13:57.320 --> 0:14:01.040
<v Speaker 1>Yeah, yeah your first guy.

0:14:01.120 --> 0:14:04.679
<v Speaker 2>Oh wait, hold on, combine semen and water can tell

0:14:04.720 --> 0:14:08.720
<v Speaker 2>you the two form a horrifying rubberized texture. And while

0:14:08.760 --> 0:14:11.719
<v Speaker 2>it's fair to assume this would have pipe clonging capabilities,

0:14:11.760 --> 0:14:17.640
<v Speaker 2>fortunately this new texture is only temporary. Yeah, so I

0:14:17.640 --> 0:14:20.800
<v Speaker 2>guess her joke is based on them not real, but

0:14:20.840 --> 0:14:22.240
<v Speaker 2>I thought it was funny and I liked it.

0:14:23.400 --> 0:14:26.800
<v Speaker 1>I found like a ruter company that has like like

0:14:26.880 --> 0:14:30.200
<v Speaker 1>a guide to drain unclogging and then it says the

0:14:30.240 --> 0:14:33.080
<v Speaker 1>short answer is nose firm does not typically clog drains.

0:14:33.120 --> 0:14:37.040
<v Speaker 1>Like what why would you put that on your like ruter,

0:14:37.280 --> 0:14:40.960
<v Speaker 1>like your your plumbing site. Like that's hilarious, Like they're

0:14:41.120 --> 0:14:45.400
<v Speaker 1>very that place is very thorough. Okay, wait, I love that.

0:14:45.440 --> 0:14:47.240
<v Speaker 1>I just was like, wait, there's a new Minions movie

0:14:47.280 --> 0:14:49.120
<v Speaker 1>and you're like, back to the semen in the drains.

0:14:49.600 --> 0:14:53.480
<v Speaker 1>This is what makes these intros so okay. Wait, I

0:14:53.520 --> 0:14:54.120
<v Speaker 1>love the Minions.

0:14:54.160 --> 0:14:56.280
<v Speaker 2>Wait you saw what the guy Minyon that we talked

0:14:56.280 --> 0:14:59.240
<v Speaker 2>about this, the creator of Minions, what he said, what

0:14:59.480 --> 0:15:01.400
<v Speaker 2>they're like our all the Minions guys. He goes, yeah,

0:15:01.400 --> 0:15:04.640
<v Speaker 2>of course they're all men. Women wouldn't be the stupid.

0:15:05.240 --> 0:15:08.040
<v Speaker 1>Yeah, and they just follow They just follow one big Man.

0:15:08.240 --> 0:15:10.600
<v Speaker 2>Yeah, no, I love it. But I love the Minions.

0:15:10.600 --> 0:15:12.720
<v Speaker 2>I was late to them, but I really enjoy them.

0:15:12.720 --> 0:15:13.440
<v Speaker 2>They arcute.

0:15:14.200 --> 0:15:16.120
<v Speaker 1>I was early to the Minions because you know, I

0:15:16.120 --> 0:15:18.280
<v Speaker 1>worked for the company that made the Minions, so I

0:15:18.360 --> 0:15:20.720
<v Speaker 1>saw the movie and the Minions before most of the

0:15:20.720 --> 0:15:23.840
<v Speaker 1>rest of the world. But I didn't know that there

0:15:23.880 --> 0:15:25.480
<v Speaker 1>was a third one coming out. There is the live

0:15:25.480 --> 0:15:25.840
<v Speaker 1>act way.

0:15:25.920 --> 0:15:28.240
<v Speaker 2>But did you see that there's a theory that there's

0:15:28.280 --> 0:15:32.560
<v Speaker 2>always every generation has a popular yellow character.

0:15:33.480 --> 0:15:41.320
<v Speaker 1>Simpson's Onions, SpongeBob, SpongeBob Well, especially like animated.

0:15:41.920 --> 0:15:45.440
<v Speaker 2>Okay I found the video. Sorry, okay, so it's it's

0:15:45.480 --> 0:15:49.480
<v Speaker 2>pac Man's in there, tweeties in there, and Pikachu's in there. Yes,

0:15:49.720 --> 0:15:53.560
<v Speaker 2>SpongeBob Minions, Simpson bart Well.

0:15:53.600 --> 0:15:56.520
<v Speaker 1>I mean like and I'm like, when you're looking at

0:15:56.560 --> 0:16:03.040
<v Speaker 1>the emojis, like yellow is like kind of the universal person, right,

0:16:03.240 --> 0:16:06.480
<v Speaker 1>Like you could pick white people emojis, or black people

0:16:06.480 --> 0:16:09.000
<v Speaker 1>emojis or brown, but like yellow is kind of just

0:16:09.160 --> 0:16:12.160
<v Speaker 1>like it's more universal. It's like not like a race.

0:16:12.240 --> 0:16:14.840
<v Speaker 2>Well, because there is a theory, someone talks about it.

0:16:14.880 --> 0:16:17.280
<v Speaker 2>I think with a Nicole Buyer that like are the

0:16:17.280 --> 0:16:19.960
<v Speaker 2>Simpsons black because all their hair texture looks kind of black.

0:16:20.040 --> 0:16:22.120
<v Speaker 1>Oh yes, yes, yes, I think I saw that.

0:16:22.320 --> 0:16:25.760
<v Speaker 2>But then like doctor Hibber and there are other black characters,

0:16:25.800 --> 0:16:27.600
<v Speaker 2>so I do wonder, I do wonder.

0:16:28.280 --> 0:16:32.640
<v Speaker 1>Yeah, but yeah, Nicole just had a stare parrel on

0:16:32.680 --> 0:16:34.840
<v Speaker 1>her podcast and I was like, I can't believe you

0:16:34.880 --> 0:16:37.840
<v Speaker 1>had a stare parrel and she goes, truly everybody is

0:16:38.560 --> 0:16:41.440
<v Speaker 1>so gagged, and I knew nothing about her. I was like, wow,

0:16:42.200 --> 0:16:44.360
<v Speaker 1>like I would listen to that woman read the phone.

0:16:44.200 --> 0:16:46.840
<v Speaker 2>Book My episode's coming out soon with Nicole. I taped

0:16:46.880 --> 0:16:49.600
<v Speaker 2>it the same day as Rachel reads, So I wonder

0:16:49.640 --> 0:16:50.720
<v Speaker 2>when mine's gonna come out.

0:16:51.120 --> 0:16:55.200
<v Speaker 1>Oh, but I'm run into each other? No, say no,

0:16:55.280 --> 0:16:57.160
<v Speaker 1>did I not tell you this? No.

0:16:57.800 --> 0:17:00.840
<v Speaker 2>I get to the studio immediately I noticed a heated

0:17:00.920 --> 0:17:02.720
<v Speaker 2>rivalry book on the desk, and then I go and

0:17:02.760 --> 0:17:04.280
<v Speaker 2>then I turned to the right and there's like a

0:17:04.320 --> 0:17:06.800
<v Speaker 2>little sticker thing and it says to Nicole from Rachel

0:17:06.800 --> 0:17:09.280
<v Speaker 2>read in her handwriting. I go, what the fuck is

0:17:09.320 --> 0:17:11.680
<v Speaker 2>going on here? And they're like, Rachel left like maybe

0:17:11.680 --> 0:17:16.080
<v Speaker 2>five minutes ago. Oh no, And so I DMed Rachel

0:17:16.119 --> 0:17:17.600
<v Speaker 2>a photo of me and Nicole and I was like,

0:17:17.600 --> 0:17:19.840
<v Speaker 2>are you fucking kidding me? And she wrote like no,

0:17:19.960 --> 0:17:22.399
<v Speaker 2>with a bunch of exclamation points, So I was happy

0:17:22.720 --> 0:17:23.119
<v Speaker 2>about that.

0:17:23.240 --> 0:17:25.080
<v Speaker 1>My god, I forgot you guys are buddies.

0:17:25.600 --> 0:17:28.560
<v Speaker 2>Well I don't know about that, but she you know,

0:17:28.760 --> 0:17:30.880
<v Speaker 2>we've DMed, we've DMed.

0:17:31.280 --> 0:17:35.560
<v Speaker 1>I'd say your Twitter friends as we recently, we're Twitter friends.

0:17:35.880 --> 0:17:38.439
<v Speaker 2>We're in the friends for sure. I think if I'm

0:17:38.480 --> 0:17:40.520
<v Speaker 2>ever in Nova Scotia to like hit her up.

0:17:41.359 --> 0:17:43.720
<v Speaker 1>Yeah, but I saw a.

0:17:43.680 --> 0:17:45.879
<v Speaker 2>Really cute drawing of her in the whole cast and

0:17:45.920 --> 0:17:47.280
<v Speaker 2>I was going to DM it to her, but then

0:17:47.320 --> 0:17:49.639
<v Speaker 2>she reposted it, so she already saw it. So I

0:17:49.640 --> 0:17:50.119
<v Speaker 2>was just glad.

0:17:51.240 --> 0:17:53.880
<v Speaker 1>I don't want to bother her too much, you know, Yeah? Yeah, yeah.

0:17:54.000 --> 0:17:59.720
<v Speaker 2>Don't we need her writing her book.

0:17:57.320 --> 0:17:59.240
<v Speaker 1>To get back to work, bitch. You don't want her

0:17:59.280 --> 0:18:01.880
<v Speaker 1>to turn into a George R. R. Martin or whatever. Yeah,

0:18:02.040 --> 0:18:03.440
<v Speaker 1>stop whenever a final book.

0:18:03.600 --> 0:18:06.400
<v Speaker 2>Stop with the events and the parties and the speaking engagements,

0:18:06.440 --> 0:18:06.920
<v Speaker 2>and get to.

0:18:06.920 --> 0:18:12.600
<v Speaker 1>Work, get horny and get some shit down on paper.

0:18:12.800 --> 0:18:15.280
<v Speaker 2>No, but I'm actually so grateful for her Q and

0:18:15.320 --> 0:18:20.040
<v Speaker 2>a's because like she's just because someone asks her, is

0:18:20.040 --> 0:18:22.520
<v Speaker 2>it hard to write right now? Like do you think

0:18:22.560 --> 0:18:24.520
<v Speaker 2>of the two actors, like is it hard and knowing

0:18:24.520 --> 0:18:27.520
<v Speaker 2>they're gonna act it out and the yadayada. But she's like, no,

0:18:27.600 --> 0:18:29.840
<v Speaker 2>these characters have been with me longer than these guys,

0:18:29.880 --> 0:18:35.320
<v Speaker 2>Like I don't really think about it. Yeah, she's incredible,

0:18:35.440 --> 0:18:36.200
<v Speaker 2>She's so cool.

0:18:39.160 --> 0:18:42.480
<v Speaker 1>Should we start? Yeah, all right, let's let's get started.

0:18:42.480 --> 0:18:45.960
<v Speaker 1>We've got a great episode today as always, guys. That's

0:18:46.040 --> 0:18:47.960
<v Speaker 1>messed Up Live dot com is where you can get

0:18:48.359 --> 0:18:52.640
<v Speaker 1>the Louise Lewis Lewis Louis Lewis shirt of your Dreams,

0:18:53.520 --> 0:18:56.000
<v Speaker 1>as well as some other merch that I believe is

0:18:56.040 --> 0:18:57.960
<v Speaker 1>like on sale, some of our older stuff. And I'm

0:18:57.960 --> 0:19:01.719
<v Speaker 1>gonna be in pe Town baby. Oh yeah. Check out

0:19:01.800 --> 0:19:04.640
<v Speaker 1>Lisa and Pete Town. You can at that same website.

0:19:04.680 --> 0:19:06.960
<v Speaker 1>You can get to Lisa's website, I can with all

0:19:07.000 --> 0:19:12.760
<v Speaker 1>her tour dates. You can also get extra extra fun

0:19:12.960 --> 0:19:16.160
<v Speaker 1>with us over at our Patreon Patreon dot com slash

0:19:16.240 --> 0:19:19.879
<v Speaker 1>That's messed Up. We've got fun stuff going on over there,

0:19:20.359 --> 0:19:29.600
<v Speaker 1>and yeah, let's get going. All right, So today we

0:19:29.600 --> 0:19:32.480
<v Speaker 1>are doing Murdered at a Bad Address. This is from

0:19:32.640 --> 0:19:37.000
<v Speaker 1>season twenty one. It's episode six, came out on Halloween

0:19:37.240 --> 0:19:41.840
<v Speaker 1>excuse me twenty nineteen. Thank you for mentioning that Rozie

0:19:41.880 --> 0:19:47.600
<v Speaker 1>first Halloween and wait, yeah, she was Rosie the Riveter.

0:19:47.840 --> 0:19:52.240
<v Speaker 2>This is really cute remember that. Wait also one of

0:19:52.320 --> 0:19:54.280
<v Speaker 2>my favorite actresses in this episode.

0:19:54.800 --> 0:19:57.440
<v Speaker 1>Ooh, let me know when we get there, I will.

0:19:58.600 --> 0:20:02.800
<v Speaker 1>So we open on casual Saturday, Benson with the cow

0:20:02.920 --> 0:20:07.320
<v Speaker 1>well sex. I don't know why, no Benson causually having sex.

0:20:07.400 --> 0:20:10.439
<v Speaker 1>We wish. I mean, we open on casual Saturday, Benson

0:20:10.480 --> 0:20:12.639
<v Speaker 1>with Noah, you know, walking through the city. It's a

0:20:12.680 --> 0:20:14.640
<v Speaker 1>sunny ass day. He's like, can I get ice cream?

0:20:14.640 --> 0:20:17.359
<v Speaker 1>And she's like before dinner. He's like please, And then

0:20:17.400 --> 0:20:20.560
<v Speaker 1>someone calls out Olivia's name and it's her long lost brother,

0:20:20.680 --> 0:20:24.040
<v Speaker 1>Simon Marsden, who we all remember she tracked down in

0:20:24.080 --> 0:20:28.360
<v Speaker 1>season eight. He was in the episodes Philadelphia, Florida and Screwed,

0:20:29.119 --> 0:20:34.000
<v Speaker 1>and then he was back in season thirteen Child's Welfare

0:20:34.040 --> 0:20:35.679
<v Speaker 1>where he was like asking live to help with his

0:20:35.760 --> 0:20:39.080
<v Speaker 1>family issue, and now here he is again in season

0:20:39.080 --> 0:20:43.440
<v Speaker 1>twenty one, and he and Noah introduced each other themselves

0:20:43.440 --> 0:20:46.600
<v Speaker 1>to each other, and Benson tells Noah go get some

0:20:46.640 --> 0:20:48.840
<v Speaker 1>ice cream. Run along. She says run along, which I

0:20:48.880 --> 0:20:50.919
<v Speaker 1>think is like so funny, it's like from a book.

0:20:51.320 --> 0:20:55.080
<v Speaker 1>And Noah's like Simon's like, who's Noah And she's like,

0:20:55.320 --> 0:20:57.280
<v Speaker 1>Noah's my son. And he's like, I have a nephew

0:20:57.280 --> 0:20:59.359
<v Speaker 1>and you didn't tell me and she's like uh and

0:20:59.440 --> 0:21:01.560
<v Speaker 1>he's basically like, yeah, that's on me.

0:21:02.080 --> 0:21:02.280
<v Speaker 2>I know.

0:21:02.320 --> 0:21:05.000
<v Speaker 1>I haven't been in touch in like seven seasons. And

0:21:05.880 --> 0:21:08.000
<v Speaker 1>she's like, what are you doing here, Like I haven't

0:21:08.040 --> 0:21:09.439
<v Speaker 1>heard from you. And he's like, well, I move back

0:21:09.480 --> 0:21:12.760
<v Speaker 1>to New Jersey. I'm working at Carpet King And she's like,

0:21:13.600 --> 0:21:17.920
<v Speaker 1>what about your family And he's like, well, I don't

0:21:17.960 --> 0:21:20.200
<v Speaker 1>know how they're doing. My ex like took the kids

0:21:20.280 --> 0:21:22.880
<v Speaker 1>and I haven't seen them since I last saw you,

0:21:23.160 --> 0:21:24.880
<v Speaker 1>so seven seasons.

0:21:25.000 --> 0:21:28.840
<v Speaker 2>And he said, wasn't he like cleared of the cron

0:21:29.040 --> 0:21:33.639
<v Speaker 2>Like what happened? What am I missing? Should I have

0:21:33.680 --> 0:21:38.399
<v Speaker 2>done a deep dive, like I don't remember, like I

0:21:38.440 --> 0:21:42.080
<v Speaker 2>remember there was issues with his the kids and she

0:21:42.240 --> 0:21:44.879
<v Speaker 2>hired Andre Bauer for them.

0:21:45.320 --> 0:21:47.040
<v Speaker 1>Maybe it doesn't have to do that.

0:21:48.920 --> 0:21:51.159
<v Speaker 2>Other one where like he's accused of a crime but

0:21:51.480 --> 0:21:52.639
<v Speaker 2>he was getting framed.

0:21:53.080 --> 0:21:54.879
<v Speaker 1>Yes, but I think it has to do with the

0:21:54.920 --> 0:21:57.679
<v Speaker 1>fact that he starts using drugs. That's probably why the

0:21:57.680 --> 0:21:59.520
<v Speaker 1>wife left. I don't know, but that was that's a

0:21:59.560 --> 0:22:02.960
<v Speaker 1>good question. But I feel like it's probably because those

0:22:03.640 --> 0:22:06.640
<v Speaker 1>he started doing drugs, because then he's like, I thought

0:22:06.680 --> 0:22:08.480
<v Speaker 1>about asking you to help me track them down, but

0:22:08.520 --> 0:22:11.480
<v Speaker 1>I always end up making more trouble for you. And

0:22:11.520 --> 0:22:12.920
<v Speaker 1>he's like, let me make it up to you. Can

0:22:12.920 --> 0:22:15.080
<v Speaker 1>I take you and know what a lunch and lives

0:22:15.160 --> 0:22:17.800
<v Speaker 1>like I do not want to do lunch and he's begging.

0:22:17.840 --> 0:22:19.320
<v Speaker 1>He's like, come on, please don't say no. I've been

0:22:19.320 --> 0:22:22.200
<v Speaker 1>clean for five years. And he like shows his arms

0:22:22.280 --> 0:22:25.000
<v Speaker 1>to her. So I'm like assuming he was like doing

0:22:25.040 --> 0:22:28.640
<v Speaker 1>heroin or something, or maybe it's to show that he's

0:22:28.640 --> 0:22:32.000
<v Speaker 1>not shaking. I don't know, but like he's like, you're

0:22:32.040 --> 0:22:34.760
<v Speaker 1>my only family. Please, like Wednesday, it's my day off.

0:22:34.800 --> 0:22:36.760
<v Speaker 1>You pick the place, you pick the time, anywhere you

0:22:36.800 --> 0:22:39.959
<v Speaker 1>want to go, I'll show up. And she gives it.

0:22:40.000 --> 0:22:42.000
<v Speaker 1>You know, he's your only family in the entire world.

0:22:42.240 --> 0:22:45.439
<v Speaker 1>And she didn't even know he existed until, you know,

0:22:45.720 --> 0:22:46.520
<v Speaker 1>thirteen years ago.

0:22:46.680 --> 0:22:48.920
<v Speaker 2>And at least he's self aware that he's caused a

0:22:49.000 --> 0:22:50.360
<v Speaker 2>lot of problems for her.

0:22:50.680 --> 0:22:54.000
<v Speaker 1>Yes, Yes, And then we cut to a hospital where

0:22:54.040 --> 0:22:56.959
<v Speaker 1>a cutie young girl is like tucking this elderly patient

0:22:56.960 --> 0:23:01.240
<v Speaker 1>into her bed and telling her how Bronx has eight

0:23:01.520 --> 0:23:03.919
<v Speaker 1>graduates who have won Nobel Prizes and she's gonna be

0:23:03.920 --> 0:23:06.560
<v Speaker 1>the ninth. And my cousin did go to Bronx Science.

0:23:06.600 --> 0:23:09.280
<v Speaker 1>It's a very good school. And she's like, I don't

0:23:09.320 --> 0:23:10.959
<v Speaker 1>think he's gonna win a Nobel prize. Sorry if you're

0:23:11.000 --> 0:23:15.639
<v Speaker 1>listening bash, but he's very smart. And her name is

0:23:15.760 --> 0:23:18.920
<v Speaker 1>Loope this girl, and now Loope is on the streets

0:23:18.960 --> 0:23:22.119
<v Speaker 1>and she's walking, she's eating an ice cream and she's

0:23:22.320 --> 0:23:25.440
<v Speaker 1>unbothered and living her best life, listening to some generic

0:23:25.520 --> 0:23:28.840
<v Speaker 1>pop tune about girls ruling the world. That's like me

0:23:29.200 --> 0:23:32.680
<v Speaker 1>and my girls are in charge or whatever. And these

0:23:32.720 --> 0:23:36.080
<v Speaker 1>guys like cat call her and she's like dream on.

0:23:36.080 --> 0:23:38.720
<v Speaker 1>One of the guys goes, she's a HERB but smart.

0:23:38.720 --> 0:23:43.400
<v Speaker 1>It's hot too, and I fully had to google HERB

0:23:43.440 --> 0:23:45.440
<v Speaker 1>even though in contacts I could tell it's like a dork.

0:23:46.440 --> 0:23:49.040
<v Speaker 1>But it's kind of funny that the guy goes, yeah,

0:23:49.040 --> 0:23:50.920
<v Speaker 1>she's a dork, but I guess being smart is also

0:23:50.960 --> 0:23:55.280
<v Speaker 1>hot progressive. And so she's now walking up the stairs

0:23:55.280 --> 0:23:59.080
<v Speaker 1>to her apartment building it's not good. We're the cute

0:23:59.119 --> 0:24:02.639
<v Speaker 1>pop star girlly moment is over, like it feels dark,

0:24:03.040 --> 0:24:05.080
<v Speaker 1>the music is changing, and we feel like someone is

0:24:05.080 --> 0:24:09.480
<v Speaker 1>following her. We keep hearing door slam and she lives

0:24:09.480 --> 0:24:11.280
<v Speaker 1>in the projects, as I should mention as well, like

0:24:11.320 --> 0:24:14.239
<v Speaker 1>she's going through a bunch of dark stairwells, different you know.

0:24:14.680 --> 0:24:16.600
<v Speaker 1>And then her ice cream cone drops on the ground

0:24:16.720 --> 0:24:19.760
<v Speaker 1>as someone grabs her, puts a hand over her mouth,

0:24:19.800 --> 0:24:22.880
<v Speaker 1>and then the purp wraps her headphone cord around her

0:24:22.920 --> 0:24:25.280
<v Speaker 1>neck and we hear her like crying, and then we

0:24:25.320 --> 0:24:29.120
<v Speaker 1>cut to the credits. So at the crime scene, Rollins arrives,

0:24:29.160 --> 0:24:32.240
<v Speaker 1>the crowd is heckling her. They're like five oh is

0:24:32.240 --> 0:24:34.679
<v Speaker 1>always five oho minutes late. And then they're like no

0:24:34.760 --> 0:24:37.280
<v Speaker 1>city cameras to protect our girls, but plenty of mugshots

0:24:37.280 --> 0:24:40.240
<v Speaker 1>for our boys and Finns like we're svu, ma'am, like

0:24:40.280 --> 0:24:42.679
<v Speaker 1>we're literally the only people that help people like leave

0:24:42.760 --> 0:24:46.920
<v Speaker 1>us alone, And then inside Loope is getting rolled past

0:24:46.960 --> 0:24:49.440
<v Speaker 1>them in a stretcher. Cat Tamina is on the scene.

0:24:49.640 --> 0:24:52.360
<v Speaker 1>Her name is Lupe Perez. She's fourteen. She was assaulted

0:24:52.400 --> 0:24:56.000
<v Speaker 1>in the stairwell. She's in shock. She didn't even want

0:24:56.000 --> 0:25:00.280
<v Speaker 1>to leave her sister upstairs alone. So her mom is

0:25:00.359 --> 0:25:03.359
<v Speaker 1>working late at a late shift at a donut place,

0:25:03.480 --> 0:25:06.640
<v Speaker 1>and the cameras are all busted as usual, and Finn

0:25:06.680 --> 0:25:08.960
<v Speaker 1>is surprised to find out that Kat is a former

0:25:09.000 --> 0:25:11.760
<v Speaker 1>Projects kid, and she goes, yeah, go honest, and she

0:25:11.800 --> 0:25:14.400
<v Speaker 1>goes and there's no such thing as a former Projects kid.

0:25:14.680 --> 0:25:17.560
<v Speaker 1>So that's kind of a fun thing about Kat. I

0:25:17.560 --> 0:25:20.879
<v Speaker 1>didn't know, not like fun, but an interesting part of

0:25:20.920 --> 0:25:22.440
<v Speaker 1>her background that I don't remember.

0:25:22.840 --> 0:25:26.240
<v Speaker 2>I wish everyone knows my thoughts. She should have gotten

0:25:26.240 --> 0:25:27.240
<v Speaker 2>another she should.

0:25:26.960 --> 0:25:31.399
<v Speaker 1>Have gotten on more chances. Finn tells Kat to ride

0:25:31.440 --> 0:25:35.840
<v Speaker 1>with Loope to CAAC because they've kind of developed a rapport,

0:25:35.960 --> 0:25:38.879
<v Speaker 1>and that's the Child Advocacy Center. So now we're there

0:25:39.280 --> 0:25:43.000
<v Speaker 1>and Lupe is telling Kat like, yeah, the exam hurt

0:25:43.040 --> 0:25:46.320
<v Speaker 1>and live is like watching through the glass when Caresie

0:25:46.400 --> 0:25:49.159
<v Speaker 1>arrives and lives downloading him Like we got nothing on

0:25:49.200 --> 0:25:51.560
<v Speaker 1>the rape kit, no fluids, no hairs. I mean I

0:25:51.640 --> 0:25:54.760
<v Speaker 1>said this in a recent episode. I don't understand how

0:25:54.800 --> 0:25:59.640
<v Speaker 1>these degenerates are not leaving any evidence, Like I really

0:25:59.640 --> 0:26:03.679
<v Speaker 1>don't stand like how they're getting that all to happen,

0:26:03.800 --> 0:26:07.240
<v Speaker 1>but live like it's one thing to be dexter, you

0:26:07.240 --> 0:26:08.639
<v Speaker 1>know what I mean, It's one thing to have a

0:26:08.720 --> 0:26:11.359
<v Speaker 1>kill area set up, and like you know how to

0:26:11.640 --> 0:26:13.840
<v Speaker 1>or you work in forensics, you know how to cover

0:26:13.960 --> 0:26:17.000
<v Speaker 1>these guys. I just don't believe it. But anyway, lives

0:26:17.040 --> 0:26:20.480
<v Speaker 1>giving Kat a chance to take the lead on this

0:26:21.440 --> 0:26:25.680
<v Speaker 1>like interrogation or not interrogation questioning of Loupe. Lupe's describing

0:26:25.760 --> 0:26:28.400
<v Speaker 1>like I was trying to scratch him for DNA. She's

0:26:28.440 --> 0:26:31.199
<v Speaker 1>obviously watched us for you before. But she goes, he

0:26:31.240 --> 0:26:33.760
<v Speaker 1>had me choked with my headphone cord. She's like, I

0:26:33.760 --> 0:26:37.240
<v Speaker 1>remember his hands smelled bad, like a woody smell, and

0:26:37.320 --> 0:26:40.840
<v Speaker 1>she was like, like a pencil sharpener smell. And she goes, well,

0:26:40.840 --> 0:26:44.000
<v Speaker 1>did he say anything? And Lupe said, he said, okay, Chikita,

0:26:44.160 --> 0:26:47.560
<v Speaker 1>do it nice for Poppy. And Lupe was like, you know,

0:26:47.640 --> 0:26:50.760
<v Speaker 1>my real dad died, My real Poppy died. And he

0:26:50.800 --> 0:26:52.880
<v Speaker 1>said if I didn't do it, he would go upstairs

0:26:52.880 --> 0:26:56.080
<v Speaker 1>to my little sister Giselle. And so now we know

0:26:56.200 --> 0:26:59.560
<v Speaker 1>this guy knows this family somehow, right, And she says,

0:27:00.160 --> 0:27:02.240
<v Speaker 1>then he pulled down my pants and she's like, please,

0:27:02.280 --> 0:27:04.400
<v Speaker 1>don't tell anyone. I don't want anyone to know. She's

0:27:04.440 --> 0:27:08.960
<v Speaker 1>like immediately like feeling this shame. So it's really sad.

0:27:09.440 --> 0:27:12.520
<v Speaker 1>And then Benson and Rollins are now talking to Lupe's

0:27:12.560 --> 0:27:15.119
<v Speaker 1>mom and she was like, I was working. My husband

0:27:15.119 --> 0:27:17.680
<v Speaker 1>died two years ago from that nine to eleven cancer.

0:27:18.119 --> 0:27:20.879
<v Speaker 1>And she starts crying, blaming herself. It's like her second job.

0:27:21.400 --> 0:27:23.719
<v Speaker 1>And they were like, they're like, it's not your fault,

0:27:23.720 --> 0:27:26.119
<v Speaker 1>like we think he knew her. And is there anyone,

0:27:26.160 --> 0:27:28.880
<v Speaker 1>like a neighbor or a teacher that you've seen paying

0:27:28.920 --> 0:27:31.800
<v Speaker 1>too much attention? But the mom says no, Like she's

0:27:31.840 --> 0:27:33.720
<v Speaker 1>a RG she's always at the library, in the lab

0:27:33.800 --> 0:27:35.000
<v Speaker 1>or she's babysitting her sister.

0:27:35.160 --> 0:27:37.000
<v Speaker 2>Everyone's just roasting this girl.

0:27:37.200 --> 0:27:39.280
<v Speaker 1>Yeah, but she's look, she's got her eye on the

0:27:39.359 --> 0:27:44.600
<v Speaker 1>Nobel prize. And then at the precinct, the gang is brainstorming.

0:27:44.760 --> 0:27:47.240
<v Speaker 1>They're like, well, we cleared all the registered sex offenders.

0:27:47.359 --> 0:27:49.600
<v Speaker 1>That was quick. They found all the registered sex offenders

0:27:49.640 --> 0:27:53.919
<v Speaker 1>and they were all busy, no witnesses. Kat says that

0:27:54.000 --> 0:27:56.520
<v Speaker 1>Loop said the guy smelled like wood callous hands, maybe

0:27:56.520 --> 0:27:59.280
<v Speaker 1>like a worker at the projects. Suddenly Rollins gets a

0:27:59.359 --> 0:28:03.520
<v Speaker 1>hit on the touch DNA from Loupe's headphones and done, done,

0:28:03.920 --> 0:28:08.080
<v Speaker 1>they match a double homicide rape in the wave View

0:28:08.240 --> 0:28:12.200
<v Speaker 1>projects in far Rockaway from two thousand and three. So

0:28:12.240 --> 0:28:14.119
<v Speaker 1>now Live is breaking it down. She goes, this is

0:28:14.160 --> 0:28:16.600
<v Speaker 1>a closed rape and double murder from sixteen years ago.

0:28:16.720 --> 0:28:21.359
<v Speaker 1>So was the DNA tested by mistake? And they said,

0:28:22.359 --> 0:28:25.080
<v Speaker 1>that's what's confusing to me, Like why was the DNA

0:28:25.840 --> 0:28:29.960
<v Speaker 1>not tested originally? Because the touch DNA that was found

0:28:30.000 --> 0:28:33.640
<v Speaker 1>on Loope's headphones was found under the fingernails of both

0:28:33.720 --> 0:28:37.000
<v Speaker 1>victims in the two thousand and three case, and that

0:28:37.119 --> 0:28:39.040
<v Speaker 1>was a mom who was strangled to death and her

0:28:39.120 --> 0:28:42.080
<v Speaker 1>daughter was sexually assaulted and then strangled to death. So

0:28:42.160 --> 0:28:44.200
<v Speaker 1>two kids were collared for this, a fifteen year old

0:28:44.200 --> 0:28:48.000
<v Speaker 1>who turned States on Carlos Hernandez, who was eighteen and

0:28:48.160 --> 0:28:51.320
<v Speaker 1>was the son and brother of the victims. But neither

0:28:51.360 --> 0:28:54.040
<v Speaker 1>of their DNA matches what they found on Loope, So

0:28:54.160 --> 0:28:57.280
<v Speaker 1>there was a third accomplice who was never caught, Like,

0:28:57.320 --> 0:28:59.920
<v Speaker 1>I don't understand why they wouldn't have kept looking for

0:29:00.120 --> 0:29:03.080
<v Speaker 1>that person. Carlos is serving twenty five to life in

0:29:03.120 --> 0:29:06.840
<v Speaker 1>green Haven and Finn's like dude with a bid that long.

0:29:07.000 --> 0:29:09.040
<v Speaker 1>I don't know if this guy hasn't talked already, he's

0:29:09.080 --> 0:29:11.800
<v Speaker 1>not going to talk now, and about like a third

0:29:11.800 --> 0:29:14.680
<v Speaker 1>accomplice essentially, and lives like, well, maybe he'll think he

0:29:14.720 --> 0:29:17.440
<v Speaker 1>can cut a deal if he sees a DA. And

0:29:17.480 --> 0:29:20.760
<v Speaker 1>the other guy, Ricardo, who goes by Ricky, he got

0:29:20.760 --> 0:29:23.160
<v Speaker 1>out a year ago and he's back in the Far

0:29:23.280 --> 0:29:27.520
<v Speaker 1>Rockaway Projects and his PO is on vacation. So Rollins

0:29:27.560 --> 0:29:33.240
<v Speaker 1>is like, so this guy's doing life for murdering his mom,

0:29:33.920 --> 0:29:36.640
<v Speaker 1>raping and murdering his sister. And there was a third

0:29:36.680 --> 0:29:39.440
<v Speaker 1>set of DNA on the victims, and Finn's like, yeah,

0:29:39.480 --> 0:29:43.560
<v Speaker 1>why check DNA when you have confessions and Kat goes, yeah,

0:29:43.600 --> 0:29:45.720
<v Speaker 1>it's the projects. They were murdered at a bad address,

0:29:46.400 --> 0:29:51.560
<v Speaker 1>and that's it's Chinatown, Jake, you know that's Kat's naming

0:29:51.560 --> 0:29:55.040
<v Speaker 1>the episode. So drink, I guess unless you're driving. Finn

0:29:55.040 --> 0:29:58.000
<v Speaker 1>and Careesi are at green Haven talking to Carlos Hernandez,

0:29:58.200 --> 0:30:02.719
<v Speaker 1>who is played by Guiermo Dia. That's my favorite and

0:30:02.760 --> 0:30:04.600
<v Speaker 1>we love him and I love him and everything.

0:30:05.040 --> 0:30:08.440
<v Speaker 2>Favorite guy. He's so talented and he's so hot and

0:30:08.440 --> 0:30:09.760
<v Speaker 2>he's so cool and.

0:30:09.680 --> 0:30:13.360
<v Speaker 1>He's also I'm realizing I really thought I looked this

0:30:13.440 --> 0:30:15.040
<v Speaker 1>up last night, and maybe I didn't.

0:30:15.280 --> 0:30:20.959
<v Speaker 2>He was an o OC eight episodes or three teams.

0:30:20.960 --> 0:30:24.520
<v Speaker 1>He was in OC, but he was in another episode

0:30:25.000 --> 0:30:30.080
<v Speaker 1>of SVU called Justice Denied from season thirteen, which is

0:30:30.120 --> 0:30:33.880
<v Speaker 1>a Bayard Ellis episode that is also about being wrongly convicted.

0:30:34.160 --> 0:30:36.920
<v Speaker 1>Sorry to like ruin it now, but I think we're

0:30:36.920 --> 0:30:40.480
<v Speaker 1>going to find out. So Omar Pana is in the

0:30:40.560 --> 0:30:45.360
<v Speaker 1>Navy and they got him to confess. Benson got him

0:30:45.400 --> 0:30:50.480
<v Speaker 1>to confess, but he's been claiming his innocence ever since

0:30:50.520 --> 0:30:53.320
<v Speaker 1>then and said the confession was made under duress. So

0:30:54.640 --> 0:31:00.080
<v Speaker 1>that's what happens. But okay, so back to this episode.

0:31:00.520 --> 0:31:03.400
<v Speaker 1>We love Gierramo Diaz, so he's Carlos Hernandez and they're like,

0:31:03.440 --> 0:31:05.160
<v Speaker 1>come on, Carlos, we know there was a third guy

0:31:05.200 --> 0:31:07.080
<v Speaker 1>with you. And he goes, oh, okay, so you know

0:31:07.120 --> 0:31:09.160
<v Speaker 1>who did it? And he goes because it wasn't me

0:31:09.200 --> 0:31:11.240
<v Speaker 1>and Ricky. I could never hurt my mom and sister.

0:31:11.680 --> 0:31:13.640
<v Speaker 1>And he says that night he and Ricky were just

0:31:13.720 --> 0:31:16.480
<v Speaker 1>hanging and they go, well, why'd you confess then, and

0:31:16.520 --> 0:31:18.800
<v Speaker 1>he goes, well, they told Ricky he'd cut a deal.

0:31:18.840 --> 0:31:21.360
<v Speaker 1>And be out in fifteen. And they told Carlos if

0:31:21.360 --> 0:31:25.320
<v Speaker 1>he didn't confess, he'd get the death penalty. So they're saying,

0:31:25.920 --> 0:31:28.040
<v Speaker 1>give up your accomplice to him and we'll cut a

0:31:28.080 --> 0:31:30.480
<v Speaker 1>deal with you. And he's like, what accomplice. I wasn't

0:31:30.520 --> 0:31:33.240
<v Speaker 1>even there when it happened. I swear to god. I

0:31:33.280 --> 0:31:35.120
<v Speaker 1>came home and I saw my mom and my sister

0:31:35.200 --> 0:31:38.680
<v Speaker 1>dead and CARIESI asks him where him and Ricky were

0:31:38.680 --> 0:31:40.720
<v Speaker 1>hanging out the night and he looks at the CEO

0:31:40.880 --> 0:31:43.240
<v Speaker 1>in the room and then turns back and he goes,

0:31:43.280 --> 0:31:46.360
<v Speaker 1>I can't say, and Finn's like, this guy's lying, but

0:31:46.440 --> 0:31:48.640
<v Speaker 1>Carlo's like, I'm not, and then he goes, look at

0:31:48.680 --> 0:31:51.640
<v Speaker 1>this letter Ricky wrote me he's and he shows them

0:31:51.680 --> 0:31:54.480
<v Speaker 1>this handwritten letter from Ricky that like apologizes for getting

0:31:54.520 --> 0:31:56.520
<v Speaker 1>him put away, and he goes, you know, we weren't

0:31:56.560 --> 0:31:58.880
<v Speaker 1>angels back then, but I love my mom. I would

0:31:58.880 --> 0:32:01.200
<v Speaker 1>never have done that to her. And Finn's like, well,

0:32:01.200 --> 0:32:03.800
<v Speaker 1>cough up an Alibia, We're done here, and Carlos goes,

0:32:03.880 --> 0:32:06.959
<v Speaker 1>thank you for your visit and leaves. So something is

0:32:07.160 --> 0:32:10.040
<v Speaker 1>not adding up here. Rollins and Tammine roll up on

0:32:10.080 --> 0:32:12.600
<v Speaker 1>this woman named Savannah Baker, and she looks like her

0:32:12.680 --> 0:32:15.680
<v Speaker 1>name is Savannah. She's an older woman with a Southern accent,

0:32:15.720 --> 0:32:18.240
<v Speaker 1>and she's like, the kids call me Mom's Baker. And

0:32:18.280 --> 0:32:21.680
<v Speaker 1>they're asking if she knows where Ricky is, and she's

0:32:21.720 --> 0:32:24.760
<v Speaker 1>defending the two boys, saying Carlos wouldn't hurt a june bug,

0:32:25.000 --> 0:32:27.440
<v Speaker 1>and if Ricky threw himself on the floor, he'd miss

0:32:27.840 --> 0:32:30.800
<v Speaker 1>and he goes, where I come from, this is called railroading,

0:32:30.880 --> 0:32:33.840
<v Speaker 1>and then he goes. She goes, right, honey, to Rollins,

0:32:34.040 --> 0:32:35.840
<v Speaker 1>because she could just tell Rollins this is a Southern

0:32:35.840 --> 0:32:39.440
<v Speaker 1>girl right away, and she says the detective and the

0:32:39.480 --> 0:32:42.280
<v Speaker 1>prosecutor had the wrong boys, but they didn't care. And

0:32:42.360 --> 0:32:44.400
<v Speaker 1>she said Ricky came out of jail a year ago

0:32:44.520 --> 0:32:47.720
<v Speaker 1>with not with the bug and they're like, oh HIV

0:32:47.840 --> 0:32:51.280
<v Speaker 1>and she's like, no, full blown aids. I told he

0:32:51.400 --> 0:32:54.880
<v Speaker 1>told moms that he had lied on Carlos and then

0:32:55.240 --> 0:32:58.480
<v Speaker 1>sadly he passed away last week. She goes, you know

0:32:58.520 --> 0:33:01.400
<v Speaker 1>who's responsible for Ricky's death? Detective who brought these guys in?

0:33:01.400 --> 0:33:03.720
<v Speaker 1>Why don't you talk to his ass? So now we're

0:33:03.760 --> 0:33:09.240
<v Speaker 1>at Detective Monty's place and this guy lives obviously in

0:33:09.480 --> 0:33:12.000
<v Speaker 1>Staten Island, and he's just like a lug nut of

0:33:12.040 --> 0:33:14.240
<v Speaker 1>a man. He looks like he's choking down a piece

0:33:14.240 --> 0:33:16.120
<v Speaker 1>of meat while he's trying to talk to Rolinson to

0:33:16.240 --> 0:33:19.719
<v Speaker 1>me and they're like, so you're retiring down to Florida

0:33:19.720 --> 0:33:21.560
<v Speaker 1>and he's like, yeah, I spent my whole life colloring

0:33:21.640 --> 0:33:23.960
<v Speaker 1>low LIFs like Ricky and Carloston. I don't want to

0:33:24.000 --> 0:33:28.040
<v Speaker 1>die in the snow. And then then they cut out

0:33:28.080 --> 0:33:30.880
<v Speaker 1>to show his above ground pool, you know, feels like

0:33:30.920 --> 0:33:35.160
<v Speaker 1>a dig and then he asks Cariesy Carisi, you related

0:33:35.200 --> 0:33:38.800
<v Speaker 1>to Tony Nooe's Carisi up in Tote Hill, and Carisy goes,

0:33:39.400 --> 0:33:42.120
<v Speaker 1>I don't know. My mom says all Caris's are related anyway,

0:33:42.280 --> 0:33:44.880
<v Speaker 1>and the guy is like gross, He's like he's saying

0:33:44.960 --> 0:33:47.200
<v Speaker 1>all this shit. He goes, I saw the scene and

0:33:47.240 --> 0:33:50.960
<v Speaker 1>I knew it had to be Banjos or Bongos racist.

0:33:51.640 --> 0:33:54.320
<v Speaker 1>He said the vics were prs. I don't know if

0:33:54.320 --> 0:33:58.080
<v Speaker 1>that's Puerto Ricans. The mother was a crack pouton. The

0:33:58.200 --> 0:34:01.200
<v Speaker 1>daughter was thirteen but built like she was twenty three.

0:34:01.280 --> 0:34:05.960
<v Speaker 1>So he's also a pervert. And he goes, Carlos was

0:34:06.000 --> 0:34:09.000
<v Speaker 1>a big dopey, strewns horny as a bag of cats,

0:34:09.080 --> 0:34:12.799
<v Speaker 1>and Rowins is like, really for his own sister, and

0:34:12.960 --> 0:34:15.600
<v Speaker 1>he goes, yeah, Ricky flipped in like an hour, we

0:34:15.680 --> 0:34:18.280
<v Speaker 1>cleared it. Why do you too care? And they explained

0:34:18.320 --> 0:34:21.880
<v Speaker 1>the DNA hit like on the Loope case, and he

0:34:21.960 --> 0:34:24.600
<v Speaker 1>goes and this dumb fuck says, well, I know it

0:34:24.640 --> 0:34:26.960
<v Speaker 1>wasn't their first time. There were like three or four

0:34:27.040 --> 0:34:30.720
<v Speaker 1>rapes of teenage girls at other projects. So he doesn't

0:34:31.000 --> 0:34:32.920
<v Speaker 1>address the fact that he never looked into this other

0:34:32.920 --> 0:34:36.520
<v Speaker 1>set of fingerprints. He just says, I knew it was

0:34:36.560 --> 0:34:39.359
<v Speaker 1>these guys. There were other rapes around. They confess that's it.

0:34:39.920 --> 0:34:42.680
<v Speaker 1>So back at the precincts, Cat is digging into some

0:34:42.880 --> 0:34:47.160
<v Speaker 1>Canoli's that Careesi brought from Staten Island, and Yum Caresy

0:34:47.280 --> 0:34:50.319
<v Speaker 1>thinks these confessions were coerced. We're not looking for a

0:34:50.360 --> 0:34:52.719
<v Speaker 1>third guy. We're looking for the guy who got away

0:34:52.719 --> 0:34:54.719
<v Speaker 1>with it, and maybe this guy's a serial who's been

0:34:54.719 --> 0:34:57.279
<v Speaker 1>at it for sixteen years. They're gonna cross reference the

0:34:57.320 --> 0:34:59.480
<v Speaker 1>maintenance workers at Loupe's building to see if any of

0:34:59.520 --> 0:35:02.080
<v Speaker 1>them worked out wave View sixteen years ago. So a

0:35:02.120 --> 0:35:05.640
<v Speaker 1>little later they're reviewing the info, and they found twelve

0:35:05.680 --> 0:35:10.760
<v Speaker 1>housing project rapes around the time of these two thousand

0:35:10.800 --> 0:35:12.759
<v Speaker 1>and three murders, and the vics were like twelve or

0:35:12.800 --> 0:35:16.440
<v Speaker 1>thirteen same memo, strangled with the cord, nobody saw his face.

0:35:16.920 --> 0:35:20.839
<v Speaker 1>So they also found eighteen guys that worked at both

0:35:20.880 --> 0:35:23.200
<v Speaker 1>places that were workers, but ten of them can be

0:35:23.280 --> 0:35:25.880
<v Speaker 1>ruled out because they're either black, dead, or disabled, and

0:35:25.960 --> 0:35:28.000
<v Speaker 1>like none of the girls all described them as being

0:35:28.040 --> 0:35:31.000
<v Speaker 1>white or Hispanic, so they could rule out some of them.

0:35:31.120 --> 0:35:33.440
<v Speaker 1>So we need warrants for the remaining eight guys who

0:35:33.520 --> 0:35:36.360
<v Speaker 1>worked at both projects and fit the timeline, and Chrisey's like,

0:35:36.520 --> 0:35:38.600
<v Speaker 1>wanta you ask for nine? Why not make it a

0:35:38.600 --> 0:35:41.759
<v Speaker 1>full baseball team? And then they're like He's like, you

0:35:41.760 --> 0:35:43.360
<v Speaker 1>got a narrow it down. A judge's never going to

0:35:43.360 --> 0:35:45.520
<v Speaker 1>sign off on this for me. And then Live leaves

0:35:45.640 --> 0:35:48.560
<v Speaker 1>Rollins to like run down these eight dudes, and she's like,

0:35:48.600 --> 0:35:50.279
<v Speaker 1>I got to run to lunch with my brother and

0:35:50.360 --> 0:35:54.160
<v Speaker 1>Rollins is like, what's he want? And she's like to

0:35:54.200 --> 0:35:56.919
<v Speaker 1>get to know Noah and he goes and Rollins goes

0:35:57.040 --> 0:35:59.799
<v Speaker 1>you believe him, Like she's giving Benson a little bit

0:35:59.800 --> 0:36:03.239
<v Speaker 1>of s and Benson goes, I do, and she walks out,

0:36:03.680 --> 0:36:05.560
<v Speaker 1>and now we're at the Jacob Lawrence Houses, which is

0:36:05.560 --> 0:36:07.879
<v Speaker 1>where Loope lives, and Finn goes to question this guy

0:36:07.960 --> 0:36:12.520
<v Speaker 1>Tim Stanton, who is played by Happy Anderson and Like.

0:36:12.600 --> 0:36:14.799
<v Speaker 1>He's in another episode of as View called Hardwired, and

0:36:14.880 --> 0:36:20.480
<v Speaker 1>has also played Jerry Brudos in two separate projects, including

0:36:20.480 --> 0:36:23.960
<v Speaker 1>Mine Hunter. One of my favorites whoa Jerry Brudos is

0:36:24.000 --> 0:36:28.319
<v Speaker 1>the lust Killer, the shoe fetish slayer. Jerry Brudos is

0:36:28.360 --> 0:36:31.040
<v Speaker 1>also someone who's crime we covered in the season four

0:36:31.040 --> 0:36:33.640
<v Speaker 1>episode Tortured. It's episode one hundred and fifty three of

0:36:33.680 --> 0:36:37.120
<v Speaker 1>our podcast in case you're wanting to revisit. But that's

0:36:37.160 --> 0:36:39.319
<v Speaker 1>kind of interesting that this guy like keeps playing this

0:36:39.760 --> 0:36:42.480
<v Speaker 1>like you know, he's like a redhead. He keeps playing

0:36:42.480 --> 0:36:45.840
<v Speaker 1>this killer. So they want to talk to him, but

0:36:45.880 --> 0:36:48.360
<v Speaker 1>he's like, I'm really busy, and he's like, what do

0:36:48.360 --> 0:36:50.439
<v Speaker 1>you want. There's all kinds of sketchy people around here,

0:36:50.760 --> 0:36:52.920
<v Speaker 1>and I don't really have a head for faces, and

0:36:53.000 --> 0:36:55.040
<v Speaker 1>Rollins is like, that's cool. Why do not just give

0:36:55.080 --> 0:36:56.920
<v Speaker 1>us your DNA and we can exclude you And he's like,

0:36:57.080 --> 0:36:59.960
<v Speaker 1>my DNA in the system that ain't happening. Who know

0:37:00.000 --> 0:37:01.440
<v Speaker 1>that is what the government's going to do with that.

0:37:01.840 --> 0:37:03.440
<v Speaker 1>He's like, I feel sorry for the girl, but I

0:37:03.520 --> 0:37:07.440
<v Speaker 1>got places to be so Rob Rollin's is about to

0:37:07.440 --> 0:37:10.719
<v Speaker 1>call Careesi because this is the first dude to refuse,

0:37:11.200 --> 0:37:15.080
<v Speaker 1>but then eagle eye Finn spots I guess a cigarette,

0:37:15.080 --> 0:37:16.840
<v Speaker 1>but I couldn't make out what it was, but he

0:37:16.880 --> 0:37:18.680
<v Speaker 1>picks up something out of the ground and grabs it

0:37:18.680 --> 0:37:21.040
<v Speaker 1>with a cloth and he's like, don't even worry about it,

0:37:21.080 --> 0:37:23.960
<v Speaker 1>Like we got him. So Live is at lunch with

0:37:24.040 --> 0:37:27.320
<v Speaker 1>Noah waiting on Simon, telling Rollins okay, like put a

0:37:27.400 --> 0:37:30.600
<v Speaker 1>rush on it, and Simon isn't there yet. Noah's impatient.

0:37:30.680 --> 0:37:32.200
<v Speaker 1>He doesn't want to miss dance class.

0:37:33.600 --> 0:37:37.880
<v Speaker 2>On Noah's side, sorry he should't have to miss dance class.

0:37:37.560 --> 0:37:40.200
<v Speaker 1>But like, just get a BLT before dance class. Everybody

0:37:40.239 --> 0:37:42.919
<v Speaker 1>calmed down, you know, like what I ordered?

0:37:43.640 --> 0:37:43.879
<v Speaker 2>Order?

0:37:44.200 --> 0:37:46.040
<v Speaker 1>Yeah, Like you have a kid with you, nobody cares

0:37:46.040 --> 0:37:49.680
<v Speaker 1>if you order. So Benson's like shaking her head and

0:37:50.480 --> 0:37:53.680
<v Speaker 1>she's like telling the waitress, can you look out for him?

0:37:53.760 --> 0:37:56.319
<v Speaker 1>Check one more time if he's in the restaurant. My brother,

0:37:56.360 --> 0:37:58.600
<v Speaker 1>who looks kind of like twenty thousand other people in

0:37:58.600 --> 0:38:01.880
<v Speaker 1>New York City, and then she calls Simon and she

0:38:01.960 --> 0:38:05.120
<v Speaker 1>leaves him for Benson. I would say a scathing voicemail, going,

0:38:05.160 --> 0:38:08.440
<v Speaker 1>I knew this was a bad idea. Don't call me back. Actually,

0:38:08.800 --> 0:38:09.840
<v Speaker 1>just don't ever call me.

0:38:10.239 --> 0:38:12.319
<v Speaker 2>And yeah, I.

0:38:12.320 --> 0:38:15.279
<v Speaker 1>Was like, just gotta belt before dance class. But then

0:38:15.360 --> 0:38:17.560
<v Speaker 1>that's the end of act one. So then the next morning,

0:38:18.040 --> 0:38:20.920
<v Speaker 1>Tamen confirms that Stanton's ID is a match for Loupe's

0:38:21.000 --> 0:38:22.799
<v Speaker 1>case and the case of the two other girls. So

0:38:22.880 --> 0:38:28.000
<v Speaker 1>now fu once again, once again an amazing actor. You know,

0:38:28.160 --> 0:38:30.240
<v Speaker 1>like this guy didn't even flinch when they were acting

0:38:30.280 --> 0:38:32.120
<v Speaker 1>about these crimes, right, He's like.

0:38:32.239 --> 0:38:34.680
<v Speaker 2>No, I loved the line read because it was also

0:38:34.800 --> 0:38:39.040
<v Speaker 2>really casual. I feel like sometimes when people reject DNA

0:38:39.160 --> 0:38:42.279
<v Speaker 2>tests and stuff their aggressive or like he really was.

0:38:42.239 --> 0:38:46.000
<v Speaker 1>Like, yeah, I don't know, I don't in the system.

0:38:46.600 --> 0:38:53.480
<v Speaker 2>Like the line read was so casual and I appreciated it.

0:38:53.800 --> 0:38:57.719
<v Speaker 1>Yeah. Yeah, he's definitely kind of like not giving guilty,

0:38:57.960 --> 0:38:59.839
<v Speaker 1>except for the fact that he refused the DNA, which

0:38:59.840 --> 0:39:02.160
<v Speaker 1>is like, honestly, something Munch would do. You know, Munch

0:39:02.239 --> 0:39:04.680
<v Speaker 1>is like, I'm not getting my benning these days. Everyone

0:39:04.680 --> 0:39:09.400
<v Speaker 1>would Yes, yes, So now everyone is fired up to

0:39:09.440 --> 0:39:12.600
<v Speaker 1>get this guy. But Benson's like, hold up, touch DNA

0:39:12.640 --> 0:39:15.040
<v Speaker 1>on the headphones isn't super strong? Why don't we see

0:39:15.040 --> 0:39:17.719
<v Speaker 1>if Lupe can I d this guy. They're gonna try

0:39:17.719 --> 0:39:20.120
<v Speaker 1>to get Stanton into a lineup again, like why would

0:39:20.120 --> 0:39:23.279
<v Speaker 1>he do that? He's so busy, he's got places to be.

0:39:24.200 --> 0:39:26.759
<v Speaker 2>And they're gonna say, that's like another thing he did

0:39:26.800 --> 0:39:29.680
<v Speaker 2>really well where it's like he was busy working, but

0:39:29.800 --> 0:39:33.560
<v Speaker 2>he wasn't like rushing. It was like a slow demeanor.

0:39:33.680 --> 0:39:37.680
<v Speaker 2>I guess that's what it is, that like help, the casualness, but.

0:39:37.560 --> 0:39:39.600
<v Speaker 1>He wasn't doing that thing like in the sketch that

0:39:39.640 --> 0:39:42.120
<v Speaker 1>they did where it was like people like moving boxes

0:39:42.239 --> 0:39:45.160
<v Speaker 1>like aggressively while they're talking to detectives.

0:39:45.480 --> 0:39:51.120
<v Speaker 2>But also this part of the episode is ridiculous, Oh well,

0:39:51.160 --> 0:39:52.880
<v Speaker 2>just say he needed a help. Why not? It's like,

0:39:52.920 --> 0:39:56.319
<v Speaker 2>why would they pick any other officer in this bustling building,

0:39:56.440 --> 0:39:58.040
<v Speaker 2>Like what the fuck are you talking about?

0:39:58.360 --> 0:40:01.160
<v Speaker 1>They're like, we're gonna say that we need his help

0:40:01.360 --> 0:40:03.479
<v Speaker 1>nailing the guy that we think we got the guy,

0:40:04.280 --> 0:40:08.759
<v Speaker 1>And I guess maybe they sometimes depend on some of

0:40:08.760 --> 0:40:12.320
<v Speaker 1>these serial guys, like serial rapist serial murderers are always

0:40:12.400 --> 0:40:15.080
<v Speaker 1>kind of cocky about wanting to be close to the

0:40:15.120 --> 0:40:20.040
<v Speaker 1>investigation but not get caught. So maybe like them saying, hey,

0:40:20.800 --> 0:40:22.840
<v Speaker 1>we're gonna come in for a lineup. We want you

0:40:22.880 --> 0:40:24.520
<v Speaker 1>to come in for a lineup, but it's to exclude

0:40:24.560 --> 0:40:27.040
<v Speaker 1>someone else we think we got the guy was like

0:40:27.080 --> 0:40:29.000
<v Speaker 1>a perfect thing for him to be like, Okay, I'll

0:40:29.000 --> 0:40:32.239
<v Speaker 1>get closer to this, but like, I'm safe, right. I

0:40:32.239 --> 0:40:33.879
<v Speaker 1>don't know. I don't know what they're thinking. I don't

0:40:33.880 --> 0:40:35.399
<v Speaker 1>know why in the world the guy would say yes,

0:40:35.480 --> 0:40:37.960
<v Speaker 1>But yeah, they're like, well he thinks the cops. I

0:40:37.960 --> 0:40:41.399
<v Speaker 1>think that's a totally good Yeah, they say, he thinks

0:40:41.400 --> 0:40:43.359
<v Speaker 1>the cops always fuck up, so maybe he'll go for this.

0:40:43.440 --> 0:40:46.360
<v Speaker 1>So then in Benson's offense, she tells Rollins, you know,

0:40:46.400 --> 0:40:49.040
<v Speaker 1>we could also have Loope do a voice id, and

0:40:49.080 --> 0:40:52.239
<v Speaker 1>then Rollins is like, okay, cool, I want to apologize

0:40:52.239 --> 0:40:54.719
<v Speaker 1>to you for being out of line when I was,

0:40:55.040 --> 0:40:57.880
<v Speaker 1>you know, talking shit about Simon with my eyes, you know,

0:40:58.520 --> 0:41:02.160
<v Speaker 1>And Benson's like, no, you aren't out of line, and

0:41:02.440 --> 0:41:05.319
<v Speaker 1>she's like, I don't need to confuse Noah about his

0:41:05.400 --> 0:41:08.680
<v Speaker 1>life anymore or his past, and that door is staying closed,

0:41:08.719 --> 0:41:13.560
<v Speaker 1>so she, you know, is telling Rollins like, actually, your

0:41:13.600 --> 0:41:16.359
<v Speaker 1>instincts were correct. So now they're at the lineup. They

0:41:16.440 --> 0:41:19.080
<v Speaker 1>actually got Stanton to do it, and they ask all

0:41:19.120 --> 0:41:21.600
<v Speaker 1>the guys to say, Okay, Shakita, do it nice for

0:41:21.680 --> 0:41:24.600
<v Speaker 1>Poppy that line, and then they get the first guy

0:41:24.640 --> 0:41:26.839
<v Speaker 1>to say it, and then Stanton goes, I don't feel

0:41:26.880 --> 0:41:29.520
<v Speaker 1>comfortable saying this, and immediately Lupe is like, it's him.

0:41:29.600 --> 0:41:32.239
<v Speaker 1>It's him, it's him, Like he just he makes such

0:41:32.239 --> 0:41:34.160
<v Speaker 1>a big deal being like I don't want to say

0:41:34.160 --> 0:41:37.719
<v Speaker 1>this or whatever. And now they've got Stanton in cement

0:41:37.840 --> 0:41:40.640
<v Speaker 1>room bars claiming to have done work in Loupe's apartment.

0:41:40.719 --> 0:41:42.799
<v Speaker 1>So that's I moved the headphones out of the way

0:41:42.840 --> 0:41:44.440
<v Speaker 1>so she wouldn't they wouldn't get wet when I was

0:41:44.480 --> 0:41:47.479
<v Speaker 1>working on the sink, you know, like and they're like, okay, yeah,

0:41:47.560 --> 0:41:48.359
<v Speaker 1>and let's say you.

0:41:48.280 --> 0:41:50.279
<v Speaker 2>Did do that, Like why would you ever remember that?

0:41:50.360 --> 0:41:52.839
<v Speaker 2>Like even remembering touching a headphone because of the sink

0:41:52.960 --> 0:41:54.759
<v Speaker 2>is like a right, a.

0:41:54.680 --> 0:41:57.759
<v Speaker 1>Clue you've been yeah, and they're they're like, yeah, but

0:41:57.800 --> 0:41:59.919
<v Speaker 1>it also popped on this case from sixteen years ago,

0:42:00.280 --> 0:42:02.319
<v Speaker 1>and he goes the double murder and it's like, maybe

0:42:02.400 --> 0:42:05.319
<v Speaker 1>don't act like you know exactly what other crime they're

0:42:05.320 --> 0:42:08.200
<v Speaker 1>talking about. Like, if you've been working at the projects

0:42:08.239 --> 0:42:11.840
<v Speaker 1>for sixteen years, between various projects, you've seen a couple

0:42:11.880 --> 0:42:15.480
<v Speaker 1>other people end up dead somehow, right like, and you

0:42:15.560 --> 0:42:23.120
<v Speaker 1>immediately go the double murder like you like okay again,

0:42:23.200 --> 0:42:25.080
<v Speaker 1>he goes, well, if my DNA was at their house

0:42:25.160 --> 0:42:26.880
<v Speaker 1>or at the place of that double murder, it's because

0:42:26.920 --> 0:42:29.520
<v Speaker 1>I was working in their apartment and they're like under

0:42:29.520 --> 0:42:33.000
<v Speaker 1>their fingernails, like your DNA was under their fingernails. And

0:42:33.000 --> 0:42:34.920
<v Speaker 1>then he goes, I think I need a lawyer, So hey,

0:42:34.920 --> 0:42:37.560
<v Speaker 1>you lawyers up, and Benson says it's hard to pin

0:42:37.600 --> 0:42:39.560
<v Speaker 1>a double murder on this guy when two guys have

0:42:39.640 --> 0:42:42.680
<v Speaker 1>already gone down for it, and Careesy tells them, why

0:42:42.719 --> 0:42:45.359
<v Speaker 1>don't you have arrest stance in based on Lupe's voice ID.

0:42:45.800 --> 0:42:48.200
<v Speaker 1>Then he goes to green Haven and they're showing him picks.

0:42:48.719 --> 0:42:52.560
<v Speaker 1>They're showing Carlos picks of different handymen, right, and Finn

0:42:52.600 --> 0:42:55.080
<v Speaker 1>is explaining to him how to use an iPad. He goes,

0:42:55.120 --> 0:42:57.400
<v Speaker 1>you just swipe because he's been in jail for sixteen years,

0:42:57.480 --> 0:43:01.360
<v Speaker 1>right like, there was no swipe technology. He picks out Stanton.

0:43:01.440 --> 0:43:04.000
<v Speaker 1>He goes, this guy, Yeah, we waited over a year

0:43:04.000 --> 0:43:07.120
<v Speaker 1>for him to come fix my mom's kitchen cabinet. He's positive.

0:43:07.160 --> 0:43:09.239
<v Speaker 1>I remember because there was a family of mice living

0:43:09.280 --> 0:43:11.640
<v Speaker 1>under the kitchen sink and I was too scared to

0:43:11.680 --> 0:43:14.759
<v Speaker 1>open it. He goes, now, I live with rats, and yeah,

0:43:14.760 --> 0:43:16.480
<v Speaker 1>he simply doesn't sound like a guy who would have

0:43:16.600 --> 0:43:18.680
<v Speaker 1>murdered and raped his own sister and mother. He's too

0:43:18.680 --> 0:43:21.600
<v Speaker 1>scared to open a cabinet because of mice, Like, that's

0:43:21.640 --> 0:43:25.160
<v Speaker 1>not this. It's just like a classic example of how

0:43:25.320 --> 0:43:28.239
<v Speaker 1>truly murdered at a bad address. Like you don't get

0:43:28.280 --> 0:43:31.440
<v Speaker 1>a good lawyer, you don't get like any kind of

0:43:32.040 --> 0:43:35.520
<v Speaker 1>benefit of the doubt at all. And this kid clearly

0:43:35.520 --> 0:43:38.520
<v Speaker 1>doesn't seem like someone from the family had to come

0:43:38.560 --> 0:43:40.440
<v Speaker 1>home and find the bodies. You know, why would you

0:43:40.480 --> 0:43:42.080
<v Speaker 1>just assume it's this kid? But I guess he wouldn't

0:43:42.080 --> 0:43:45.120
<v Speaker 1>get up his alibis. So he remembers Stanton asking his

0:43:45.200 --> 0:43:48.719
<v Speaker 1>sister Jacinta to show him her Shakira dance moves, and

0:43:48.760 --> 0:43:51.839
<v Speaker 1>he thought that was weird. So there was no forced entry,

0:43:51.840 --> 0:43:54.319
<v Speaker 1>which means they probably let him in. You always let

0:43:54.400 --> 0:43:57.040
<v Speaker 1>those guys in, right, they think it's possible. They're like,

0:43:57.040 --> 0:43:59.120
<v Speaker 1>but why would he kill them? They're like, well, we

0:43:59.160 --> 0:44:02.000
<v Speaker 1>think it's possible. He was assaulting your sister and then

0:44:02.040 --> 0:44:04.959
<v Speaker 1>your mom came home and he had to kill them

0:44:05.120 --> 0:44:07.000
<v Speaker 1>both to shut them up because now they've seen him

0:44:07.040 --> 0:44:10.880
<v Speaker 1>and everything, so he had and they're like, did he confess?

0:44:10.960 --> 0:44:13.719
<v Speaker 1>And they're like no, and he's like, well, with this

0:44:13.840 --> 0:44:16.640
<v Speaker 1>DNA and with Ricky testifying, and that's when they have

0:44:16.760 --> 0:44:19.440
<v Speaker 1>to break it to him that Ricky is no longer

0:44:19.440 --> 0:44:23.640
<v Speaker 1>with us, and Cariese says, we have the DNA and

0:44:23.719 --> 0:44:26.520
<v Speaker 1>Ricky's letter, the Queen's DA will take a look, and

0:44:26.560 --> 0:44:29.439
<v Speaker 1>then he goes, is the Queen's DA still keen? Finn

0:44:29.520 --> 0:44:32.879
<v Speaker 1>goes sixteen years like the Mummy's hand. This guy won

0:44:32.960 --> 0:44:36.600
<v Speaker 1>his election to be DA off of Carlos's conviction, and

0:44:36.680 --> 0:44:38.560
<v Speaker 1>Carisey goes, but I know a guy in the DA's

0:44:38.600 --> 0:44:40.880
<v Speaker 1>office in Queens who I trust. So he cut to

0:44:40.960 --> 0:44:43.520
<v Speaker 1>Cares at a restaurant and who walks in but prison

0:44:43.600 --> 0:44:48.120
<v Speaker 1>Break hottie Wentworth Miller and he is playing Queen's Ada

0:44:48.360 --> 0:44:52.480
<v Speaker 1>Isaiah Holmes, and he asks, how's the jump from Detective

0:44:52.480 --> 0:44:55.080
<v Speaker 1>to eightya going, and Carisey goes, I miss my gun

0:44:55.120 --> 0:44:57.920
<v Speaker 1>and the pay cuts no fun. And I was shocked

0:44:57.960 --> 0:45:01.000
<v Speaker 1>to hear this because I think of Barbara is like, so,

0:45:01.200 --> 0:45:04.600
<v Speaker 1>Bougie's going skiing in stad and like, you know, like

0:45:04.680 --> 0:45:08.000
<v Speaker 1>wearing nice suits and shit. So I but I googled

0:45:08.040 --> 0:45:11.160
<v Speaker 1>it and in my rough google it said that Manhattan

0:45:11.160 --> 0:45:14.280
<v Speaker 1>Detectives make and this is now obviously, but this episode's

0:45:14.280 --> 0:45:18.680
<v Speaker 1>only from seven years ago make around one hundred and

0:45:18.680 --> 0:45:20.640
<v Speaker 1>twenty to one hundred and thirty seven K, and an

0:45:20.680 --> 0:45:24.799
<v Speaker 1>Ada straight off of passing the bar makes ninety K

0:45:24.920 --> 0:45:26.920
<v Speaker 1>to start, but then it increases.

0:45:28.480 --> 0:45:31.040
<v Speaker 2>Barbara, do you think he worked in the private sector

0:45:31.200 --> 0:45:36.280
<v Speaker 2>then went to go do defense maybe or does other cases?

0:45:36.320 --> 0:45:41.319
<v Speaker 2>Because how el because he had that other friend. Maybe

0:45:41.360 --> 0:45:44.359
<v Speaker 2>he just dresses nice, like maybe he met at what yeah,

0:45:44.400 --> 0:45:45.000
<v Speaker 2>what I mean.

0:45:44.880 --> 0:45:46.759
<v Speaker 1>He went to Harvard, so that's how he's like met

0:45:46.800 --> 0:45:49.440
<v Speaker 1>some of these other guys that are like yeah up,

0:45:50.080 --> 0:45:53.560
<v Speaker 1>you know yeah so, but yeah, who knows, I mean,

0:45:53.640 --> 0:45:56.279
<v Speaker 1>who knows. Maybe maybe Barbara's got a side hustle. I

0:45:56.280 --> 0:46:00.000
<v Speaker 1>have no idea, but he tells Holmes, I still remember

0:46:00.280 --> 0:46:03.720
<v Speaker 1>what you said my first year of Fordham law better

0:46:03.760 --> 0:46:06.600
<v Speaker 1>one hundred guilty men go free than one innocent man

0:46:06.640 --> 0:46:09.440
<v Speaker 1>be condemned, and Holmes goes, you know, I was quoting Voltaire,

0:46:09.520 --> 0:46:12.960
<v Speaker 1>and of course Carisi knows that. Cariese's like, I knew that,

0:46:13.640 --> 0:46:15.719
<v Speaker 1>but you still said it and I remember it, and

0:46:15.760 --> 0:46:17.280
<v Speaker 1>he's like, have you taken a look at the file

0:46:17.360 --> 0:46:19.160
<v Speaker 1>and Holmes is like, well, yeah, I looked at it.

0:46:19.400 --> 0:46:22.120
<v Speaker 1>Carlos had a terrible lawyer. He and Ricky were kids

0:46:22.160 --> 0:46:24.319
<v Speaker 1>and they had their lives taken from them. But he

0:46:24.440 --> 0:46:27.400
<v Speaker 1>explains it's hard enough to get a case overturned, let

0:46:27.480 --> 0:46:30.120
<v Speaker 1>alone a double homicide plus rape that my boss built

0:46:30.120 --> 0:46:33.920
<v Speaker 1>his career on, and Caresee's like, of course, but surely

0:46:33.960 --> 0:46:36.880
<v Speaker 1>after he hears the preponderance of his sculpatory evidence, like

0:46:37.080 --> 0:46:39.040
<v Speaker 1>the way he said that seventh sentence to me was

0:46:39.120 --> 0:46:44.040
<v Speaker 1>hilarious to me, and he goes, oh. Holmes goes, you

0:46:44.040 --> 0:46:47.520
<v Speaker 1>don't know about Keene then, and Caresee looks confused. And

0:46:47.560 --> 0:46:50.319
<v Speaker 1>now we cut to the top of act three. We're

0:46:50.320 --> 0:46:51.320
<v Speaker 1>in Keene's office.

0:46:51.400 --> 0:46:54.239
<v Speaker 2>I just can't even believe this part, honest believe, it's

0:46:54.360 --> 0:46:56.960
<v Speaker 2>very deep. I'm like, what, why would this be allowed

0:46:57.040 --> 0:46:57.880
<v Speaker 2>in real world?

0:46:57.920 --> 0:47:02.560
<v Speaker 1>Like what, yes, I mean I don't know. Government is corrupt.

0:47:02.640 --> 0:47:05.120
<v Speaker 1>Like if you keep this kind of things under wraps,

0:47:05.160 --> 0:47:07.400
<v Speaker 1>then the deputies can kind of like run everything as

0:47:07.440 --> 0:47:10.640
<v Speaker 1>puppet masters behind this guy. But essentially they roll this

0:47:10.680 --> 0:47:13.719
<v Speaker 1>guy Keen out in a wheelchair. He's out of his mind.

0:47:13.760 --> 0:47:16.880
<v Speaker 1>He's in the throes of dementia. He's a second away

0:47:16.880 --> 0:47:21.080
<v Speaker 1>from drooling. Yes, he's like looking into the distance talking

0:47:21.120 --> 0:47:25.360
<v Speaker 1>to Holmes and Careese like their young law school students,

0:47:25.360 --> 0:47:28.880
<v Speaker 1>telling them don't quit law schools, telling them facts about

0:47:28.880 --> 0:47:31.480
<v Speaker 1>Shay Stadium. This man has like lost his marbles and

0:47:31.520 --> 0:47:33.880
<v Speaker 1>he goes, yeah, just leave the file on my desk.

0:47:33.920 --> 0:47:35.440
<v Speaker 1>And you look over to this desk that's just like

0:47:35.640 --> 0:47:38.920
<v Speaker 1>teeming with files that this guy's not gonna ever look at, right.

0:47:39.320 --> 0:47:42.160
<v Speaker 1>So Kreese's explaining the whole mess to Benson like Stein's

0:47:42.480 --> 0:47:45.839
<v Speaker 1>Keene staff has been covering up his dementia. And she's like,

0:47:46.600 --> 0:47:50.480
<v Speaker 1>are we talking like in and out or And he's like, no,

0:47:50.600 --> 0:47:52.640
<v Speaker 1>we're talking like he didn't know like who we were.

0:47:52.760 --> 0:47:55.080
<v Speaker 1>It was like, you know, not good. She's like, can't

0:47:55.080 --> 0:47:57.360
<v Speaker 1>someone step up? Like we've got three more hits on

0:47:57.400 --> 0:48:00.560
<v Speaker 1>Stanton's DNA plus a witness and Carise he's like, well,

0:48:00.880 --> 0:48:04.520
<v Speaker 1>Keene is useless, but maybe Holmes can get Carlos a retrial.

0:48:05.120 --> 0:48:08.120
<v Speaker 1>So then a uniform is like, hey, guys, Stanton's lawyer

0:48:08.120 --> 0:48:09.799
<v Speaker 1>wants to talk to you guys. So now we're in

0:48:09.840 --> 0:48:13.400
<v Speaker 1>cement room bars, Coresi and Benson are across from Stanton

0:48:13.560 --> 0:48:14.280
<v Speaker 1>and his lawyer.

0:48:14.960 --> 0:48:20.400
<v Speaker 2>And his lawyer is oh, I didn't really recognize him.

0:48:20.840 --> 0:48:23.560
<v Speaker 1>Well, his lawyer is not anybody I recognize, but his

0:48:23.680 --> 0:48:27.560
<v Speaker 1>name is ron Fredo and he's been in a bunch

0:48:27.640 --> 0:48:31.919
<v Speaker 1>of other episodes, like he was in Eternal Relief from

0:48:31.960 --> 0:48:35.319
<v Speaker 1>Pain Guardians and Gladiators, Dutch Tears, which is that big

0:48:35.360 --> 0:48:39.160
<v Speaker 1>Finn episode, and he was in an episode of shadow

0:48:39.200 --> 0:48:41.600
<v Speaker 1>Work that the episode shadow Work, which was a cross

0:48:41.640 --> 0:48:44.440
<v Speaker 1>with with OC. It was an episode of OC, but

0:48:44.440 --> 0:48:45.839
<v Speaker 1>it was a cross with US few, so we talked

0:48:45.880 --> 0:48:49.439
<v Speaker 1>about it. Oh and the episode Carousel he was in,

0:48:50.719 --> 0:48:56.880
<v Speaker 1>So yeah, he's he's been out there defending scumbags. But

0:48:58.280 --> 0:49:00.480
<v Speaker 1>the lawyer's is sleeves Ball and he's like, can.

0:49:00.320 --> 0:49:07.239
<v Speaker 2>You please look at Patrick Kean's IMDb photo Larry Brigman Old,

0:49:08.280 --> 0:49:12.320
<v Speaker 2>look at Larry Brickman, b rygg Man.

0:49:12.520 --> 0:49:15.240
<v Speaker 1>He looks like he would play Fritzel in a movie

0:49:15.360 --> 0:49:17.279
<v Speaker 1>like the guy who had his kids underneath?

0:49:17.480 --> 0:49:19.319
<v Speaker 2>Are we looking at the same photo. He's wearing a

0:49:19.360 --> 0:49:21.399
<v Speaker 2>sea captain's hat and he's drowning in a water.

0:49:21.520 --> 0:49:23.520
<v Speaker 1>Yes, but in the in the other photos that come

0:49:23.560 --> 0:49:26.000
<v Speaker 1>up with him from Google, he looks like Fritzel in

0:49:26.040 --> 0:49:27.920
<v Speaker 1>the sea captain's hat. It's ridiculous.

0:49:28.239 --> 0:49:31.640
<v Speaker 2>Why would that be his IMDb five, I am drowning toothless.

0:49:31.640 --> 0:49:35.120
<v Speaker 2>He has no teeth, drowning in a sea captain's hat. Like,

0:49:35.920 --> 0:49:36.880
<v Speaker 2>what is happening?

0:49:37.400 --> 0:49:39.880
<v Speaker 1>I have no idea. He's in die Hard with a Vengeance.

0:49:39.920 --> 0:49:42.640
<v Speaker 1>I don't know what this picture is from. I wish

0:49:42.680 --> 0:49:48.520
<v Speaker 1>it would tell us. Oh, Salty from his character's name

0:49:48.560 --> 0:49:51.759
<v Speaker 1>is Salty, but I don't know. Hold on, maybe I can.

0:49:52.400 --> 0:49:56.520
<v Speaker 1>We got to watch Salty. Okay, wait, wait where is it?

0:49:56.640 --> 0:49:57.040
<v Speaker 2>Salty?

0:49:57.840 --> 0:50:00.440
<v Speaker 1>Side by Each a movie he's in called side by

0:50:00.480 --> 0:50:02.640
<v Speaker 1>Each from two thousand and eight. Salty's in the water

0:50:03.000 --> 0:50:06.600
<v Speaker 1>and a captain's hat. Anyway, give it up for Brigman.

0:50:06.960 --> 0:50:10.760
<v Speaker 1>He will post it on her install because he's Salty

0:50:10.800 --> 0:50:15.680
<v Speaker 1>forever for us. So CARESI and Benson are sitting across

0:50:15.719 --> 0:50:20.800
<v Speaker 1>from Stanton and his lawyer Fredo this guy and he's

0:50:21.080 --> 0:50:24.080
<v Speaker 1>they're like, will luh, we'll cop to forcible touching in

0:50:24.200 --> 0:50:26.799
<v Speaker 1>Loupe's case, and he's like a sleeve ball and he

0:50:26.840 --> 0:50:31.520
<v Speaker 1>goes Juri's love me. And they hate cops, especially cops

0:50:31.560 --> 0:50:36.080
<v Speaker 1>turn lawyers. I don't know if any jury is ever like,

0:50:36.440 --> 0:50:38.640
<v Speaker 1>hey did that da used to be a cop, Like,

0:50:38.880 --> 0:50:42.080
<v Speaker 1>I don't think that's happening. But then they're like, well,

0:50:42.120 --> 0:50:44.080
<v Speaker 1>we have you on six rapes, so the jury's gonna

0:50:44.080 --> 0:50:46.600
<v Speaker 1>hear from Lupe and a lot of other girls and

0:50:46.719 --> 0:50:49.759
<v Speaker 1>Cariese's like, if he confesses to the Hernandez murders, maybe

0:50:49.760 --> 0:50:53.200
<v Speaker 1>we can swing criminally negligent homicide and rape two on

0:50:53.239 --> 0:50:57.719
<v Speaker 1>the other six and Stanton says, I ain't festened to

0:50:57.840 --> 0:51:01.120
<v Speaker 1>no crack home murders and I ain't coppin to no

0:51:01.280 --> 0:51:06.000
<v Speaker 1>pedo rapes. No short eye please like those Mos Torres

0:51:06.040 --> 0:51:09.880
<v Speaker 1>and Hernandez did. He wasn't talking like this before. I

0:51:09.960 --> 0:51:13.400
<v Speaker 1>don't understand what a short eye plea is, but it

0:51:13.480 --> 0:51:15.920
<v Speaker 1>seems racist. It sounds racist. I don't know what it is.

0:51:16.239 --> 0:51:19.080
<v Speaker 1>But they go, well, what do you know about that?

0:51:19.680 --> 0:51:22.800
<v Speaker 1>And he goes, I don't know how Carlos lasted sixteen

0:51:22.880 --> 0:51:25.360
<v Speaker 1>years at green Haven. Everyone knows he's up, and he

0:51:25.400 --> 0:51:29.680
<v Speaker 1>says a the f slur for gay. Right, So this

0:51:29.760 --> 0:51:31.799
<v Speaker 1>is an interesting piece of the puzzle that we did

0:51:31.880 --> 0:51:35.280
<v Speaker 1>not know about. Damn, you sure know, and I wrote,

0:51:35.400 --> 0:51:36.759
<v Speaker 1>I wrote in my notes, Damn you sure know a

0:51:36.800 --> 0:51:38.680
<v Speaker 1>lot about some random eighteen year old kid in the

0:51:38.680 --> 0:51:41.520
<v Speaker 1>building you did maintenance at sixteen years ago. Like, if

0:51:41.520 --> 0:51:43.080
<v Speaker 1>you're innocent, how do you know so much about this

0:51:43.120 --> 0:51:44.040
<v Speaker 1>fucking guy, Carlos?

0:51:44.120 --> 0:51:44.319
<v Speaker 4>You know?

0:51:45.080 --> 0:51:49.080
<v Speaker 1>So they walk out and the lawyer goes, if you

0:51:49.160 --> 0:51:51.520
<v Speaker 1>insist to the murders and child rapes, we'll go to

0:51:51.560 --> 0:51:54.120
<v Speaker 1>the mat in my ring. He says that to Carees,

0:51:54.920 --> 0:51:57.239
<v Speaker 1>So Careese goes, well, Carlos told us he had an

0:51:57.280 --> 0:51:58.920
<v Speaker 1>alibi for the night of the murders, but he wouldn't

0:51:58.920 --> 0:52:01.160
<v Speaker 1>talk about it, and now maybe you know why. So

0:52:01.239 --> 0:52:03.640
<v Speaker 1>now Finn and him are back at green Haven talking

0:52:03.680 --> 0:52:06.279
<v Speaker 1>to Carlos about a retrial, and he's like, well, I

0:52:06.320 --> 0:52:08.880
<v Speaker 1>can't have the DA asking me any questions, and Cariese's

0:52:08.880 --> 0:52:11.680
<v Speaker 1>about to dig into the personal stuff. So Finn turns

0:52:11.680 --> 0:52:13.600
<v Speaker 1>to the CEO and goes, can you give me a

0:52:13.600 --> 0:52:16.680
<v Speaker 1>few minutes because these guys are like half the time,

0:52:17.719 --> 0:52:20.040
<v Speaker 1>like bought by gangs. You can't like say anything in

0:52:20.040 --> 0:52:22.520
<v Speaker 1>front of one of these guys, of course. Yeah, So

0:52:22.640 --> 0:52:28.680
<v Speaker 1>caries tells him, we know you're gay. Yeah, No, Carisa goes,

0:52:28.960 --> 0:52:32.120
<v Speaker 1>nothing you tell us. Yeah. He goes, we think we

0:52:32.200 --> 0:52:34.120
<v Speaker 1>know why you're not telling us about your alibi. And

0:52:34.160 --> 0:52:36.080
<v Speaker 1>nothing you tell us leaves this room if you don't

0:52:36.080 --> 0:52:38.480
<v Speaker 1>want it to. Where were you on that night and

0:52:38.520 --> 0:52:41.680
<v Speaker 1>he goes Plum Beach in Brooklyn and Carisa goes, that's

0:52:41.719 --> 0:52:43.960
<v Speaker 1>a boy meets boy beach right off the belt Parkway.

0:52:44.360 --> 0:52:47.600
<v Speaker 1>He goes, yeah, it was. It was my first time

0:52:47.680 --> 0:52:50.200
<v Speaker 1>me and Ricky hooked up. It was a beautiful night

0:52:50.360 --> 0:52:53.040
<v Speaker 1>before I came home and found my mom and sister dead.

0:52:53.680 --> 0:52:56.160
<v Speaker 1>And Cariese's like, well, come on, man, people come out

0:52:56.200 --> 0:52:59.160
<v Speaker 1>of the closet. Times have changed, and Carlos goes, not

0:52:59.320 --> 0:53:02.200
<v Speaker 1>in here. Out of the closet means into a casket.

0:53:02.200 --> 0:53:03.920
<v Speaker 1>If they find out I'm gay, the gangs will turn

0:53:03.960 --> 0:53:06.560
<v Speaker 1>me into a maytag and he goes, I'll get bitched

0:53:06.560 --> 0:53:10.839
<v Speaker 1>out until I get the bug like Ricky. So He's like,

0:53:11.200 --> 0:53:12.960
<v Speaker 1>I know I'll never go free, but can you at

0:53:13.040 --> 0:53:15.840
<v Speaker 1>least find out where my mother and my sister are buried.

0:53:15.880 --> 0:53:18.239
<v Speaker 1>I have nightmares that they're somewhere like worse than me,

0:53:18.800 --> 0:53:22.279
<v Speaker 1>like in unmarked graves, and Cariese is explaining now the

0:53:22.320 --> 0:53:25.840
<v Speaker 1>situation to Holmes, who goes and did you bring me

0:53:25.880 --> 0:53:29.360
<v Speaker 1>this news because I'm gay. I didn't know this. Isaiah

0:53:29.360 --> 0:53:32.879
<v Speaker 1>Holmes is gay and Carisy goes, no, that's not why,

0:53:32.920 --> 0:53:35.160
<v Speaker 1>but it doesn't hurt. And I also know you have

0:53:35.200 --> 0:53:38.840
<v Speaker 1>a justice Jean under there somewhere, and Holmes goes, well,

0:53:39.160 --> 0:53:41.840
<v Speaker 1>maybe we can get him protective custody. But Cariese's like,

0:53:41.880 --> 0:53:44.799
<v Speaker 1>with this guy's history PTSDD depression, he could take his

0:53:44.800 --> 0:53:47.120
<v Speaker 1>own life. And Holmes is like, I need a night

0:53:47.160 --> 0:53:50.240
<v Speaker 1>sleep to figure out what Voltaire would do. So now

0:53:50.520 --> 0:53:53.080
<v Speaker 1>we're at the projects where Loope lives again. Benson is

0:53:53.080 --> 0:53:55.799
<v Speaker 1>talking to Lupe and her mother and the mom is like,

0:53:56.120 --> 0:53:59.200
<v Speaker 1>not wanting Lupe to testify, she's been through enough, and

0:53:59.239 --> 0:54:02.520
<v Speaker 1>the lawyers goes thell Doya is they'll trick ha and

0:54:03.120 --> 0:54:05.520
<v Speaker 1>Lupe is like, they can't catch me in a lie

0:54:05.560 --> 0:54:08.520
<v Speaker 1>if I tell the truth, and Kat promises we'll prep

0:54:08.600 --> 0:54:10.680
<v Speaker 1>her like we've got her, and the mom is like,

0:54:11.000 --> 0:54:13.000
<v Speaker 1>you don't have to do this, and Lupe's like, mom,

0:54:13.040 --> 0:54:15.480
<v Speaker 1>if he goes free, what if he goes after Giselle?

0:54:15.880 --> 0:54:18.560
<v Speaker 1>And Benson's like, okay, we'll be in touch. Like Lupe

0:54:18.600 --> 0:54:21.680
<v Speaker 1>is a starred perse child, like she is so brave

0:54:22.360 --> 0:54:26.440
<v Speaker 1>and smart and cool, and Benson's like, gotta go. We'll

0:54:26.440 --> 0:54:28.359
<v Speaker 1>be in touch. And then she gets a phone call

0:54:28.840 --> 0:54:31.200
<v Speaker 1>and she looks like she's been punched in the fucking gut,

0:54:31.280 --> 0:54:33.600
<v Speaker 1>and she goes, I'm on my way, and she tells Kat,

0:54:34.040 --> 0:54:36.160
<v Speaker 1>get your ass home yourself. I have a family thing.

0:54:36.680 --> 0:54:40.719
<v Speaker 1>So now Benson is in the hospital and she is

0:54:41.000 --> 0:54:45.120
<v Speaker 1>iding the body, the dead body of her brother, Simon Marsden,

0:54:45.200 --> 0:54:49.080
<v Speaker 1>which we do know is going to happen because we

0:54:49.120 --> 0:54:51.640
<v Speaker 1>have already covered the episode Trick World at the Mulan,

0:54:51.760 --> 0:54:54.000
<v Speaker 1>So even if you're like not an SVU a watcher,

0:54:54.040 --> 0:54:56.640
<v Speaker 1>you might remember that her brother was found dead at

0:54:56.640 --> 0:55:00.000
<v Speaker 1>this hotel. Melinda is there. As she's idaing the body,

0:55:00.200 --> 0:55:03.520
<v Speaker 1>she looks upset. He died of an ode of heroin

0:55:03.600 --> 0:55:05.600
<v Speaker 1>that was laced with fentanyl. There were no signs of

0:55:05.600 --> 0:55:08.160
<v Speaker 1>foul play, and Benson's like, well, he told me he'd

0:55:08.200 --> 0:55:10.720
<v Speaker 1>been sober, and Melinda goes, he was telling you the truth.

0:55:10.760 --> 0:55:12.640
<v Speaker 1>Most likely, if I had to guess, he'd been clean

0:55:12.719 --> 0:55:15.960
<v Speaker 1>for a while, And that's like that happens a lot

0:55:16.000 --> 0:55:18.719
<v Speaker 1>of times. Like that's I think what happened to Amy Winehouse,

0:55:18.800 --> 0:55:20.560
<v Speaker 1>Like she'd been clean for a while and then she

0:55:20.680 --> 0:55:22.880
<v Speaker 1>died just the time she went back to it. Because

0:55:23.480 --> 0:55:26.759
<v Speaker 1>it's like a shock to your system, I think, so said.

0:55:26.880 --> 0:55:28.920
<v Speaker 1>She says, it's not a large enough dose for it

0:55:28.960 --> 0:55:31.520
<v Speaker 1>to be a suicide. And he just got his hands

0:55:31.560 --> 0:55:34.400
<v Speaker 1>on the wrong stuff. And we find out later, you know,

0:55:34.480 --> 0:55:37.279
<v Speaker 1>he was kind of peer pressured into partying with some

0:55:37.400 --> 0:55:42.440
<v Speaker 1>guy he knew. And Melinda asked, yes, were you guys close,

0:55:42.680 --> 0:55:45.480
<v Speaker 1>and she goes, not really, but he was my only

0:55:45.480 --> 0:55:48.759
<v Speaker 1>family and she starts crying, and there's a moment where

0:55:48.760 --> 0:55:50.960
<v Speaker 1>she debates touching his cold, dead face, and then she

0:55:51.320 --> 0:55:54.080
<v Speaker 1>thinks better of it and doesn't do it. But it's sad.

0:55:54.120 --> 0:55:56.440
<v Speaker 1>I don't like to see Benson's head like again, they

0:55:56.440 --> 0:55:58.000
<v Speaker 1>can't let live be happy, they can't let her have

0:55:58.040 --> 0:56:01.640
<v Speaker 1>a nice boyfriend, they can't let her She's got this tenuous,

0:56:02.040 --> 0:56:04.959
<v Speaker 1>this you know, sort of bad relationship with her mom

0:56:05.280 --> 0:56:08.040
<v Speaker 1>from when she was younger, who died, And that's like,

0:56:08.480 --> 0:56:11.239
<v Speaker 1>you know, conflicting for her, and now the brother is

0:56:11.280 --> 0:56:13.040
<v Speaker 1>gone and that's truly now all she has in this

0:56:13.120 --> 0:56:16.400
<v Speaker 1>world is Noah. And maybe she would consider Stabler, but

0:56:16.520 --> 0:56:18.560
<v Speaker 1>at this point she hasn't talked to him in years.

0:56:18.560 --> 0:56:24.320
<v Speaker 1>Maybe so In Queen's Court, Holmes tells Cares some good news.

0:56:24.480 --> 0:56:27.720
<v Speaker 1>Keen signed the vacate order. Salty, way to go salty,

0:56:28.239 --> 0:56:30.200
<v Speaker 1>and he goes, how'd you get him to do that?

0:56:30.560 --> 0:56:33.120
<v Speaker 1>And he goes, he might have thought he was signing

0:56:33.160 --> 0:56:35.840
<v Speaker 1>a law school recommendation letter. So we're just at the

0:56:35.840 --> 0:56:39.880
<v Speaker 1>point where this were weekend at Bernie's seeing this fucking DA,

0:56:39.960 --> 0:56:44.319
<v Speaker 1>I mean, like the wait da right from Queen's Like

0:56:44.360 --> 0:56:46.520
<v Speaker 1>he's the full DA for Queens, and we're just like

0:56:46.560 --> 0:56:49.439
<v Speaker 1>propping him up and like having him sign things, and

0:56:50.800 --> 0:56:53.239
<v Speaker 1>Cariese's like, I didn't hear that, you didn't say that.

0:56:53.400 --> 0:56:55.640
<v Speaker 1>Let's get this done. So now we're in the courtroom.

0:56:55.760 --> 0:56:59.880
<v Speaker 1>They vacate Carlos's conviction. The judge apologizes to Carlos for

0:57:00.560 --> 0:57:03.520
<v Speaker 1>him losing sixteen years of his life. They take his

0:57:03.560 --> 0:57:07.359
<v Speaker 1>ankle chains off, And the sad thing I always think

0:57:07.400 --> 0:57:09.200
<v Speaker 1>of is in this kind of situation, like what does

0:57:09.239 --> 0:57:11.880
<v Speaker 1>he do now, Like hopefully he has family on the

0:57:11.920 --> 0:57:14.840
<v Speaker 1>other side. But from eighteen years old, he's been behind bars.

0:57:15.480 --> 0:57:18.680
<v Speaker 1>Now he's a thirty four year old man. Where's he

0:57:18.720 --> 0:57:21.280
<v Speaker 1>gonna go? I mean, like there are organizations, but like

0:57:21.320 --> 0:57:23.360
<v Speaker 1>this is why recidivism is so bad. You can like

0:57:23.400 --> 0:57:25.200
<v Speaker 1>put the like I mean, hopefully he files a suit

0:57:25.320 --> 0:57:28.400
<v Speaker 1>and gets you know, Queens pays him a million dollars,

0:57:28.400 --> 0:57:31.080
<v Speaker 1>so you can fucking you know, get an apartment. But

0:57:31.120 --> 0:57:34.240
<v Speaker 1>Finn's like, you can walk like a man. Now, Carlos

0:57:34.640 --> 0:57:39.840
<v Speaker 1>and CARRIESI goes a freeman. So and then Carlos just

0:57:39.920 --> 0:57:42.400
<v Speaker 1>kind of like shuffles out of the courtroom. So now,

0:57:42.960 --> 0:57:45.080
<v Speaker 1>and he is hot, and I think we all need

0:57:45.160 --> 0:57:49.040
<v Speaker 1>to remember that. I think I think he's gonna be okay. Indeed, indeed,

0:57:49.080 --> 0:57:50.840
<v Speaker 1>I think he's gonna get a settlement. And I think

0:57:50.880 --> 0:57:55.080
<v Speaker 1>he's gonna hit the West Village. I hope so Hell's kitchen.

0:57:55.200 --> 0:57:57.120
<v Speaker 1>I could see him in a nice little roomy Hell's

0:57:57.160 --> 0:58:02.000
<v Speaker 1>kitchen apartment. So now they're telling Lupa's mom that Stanton

0:58:02.280 --> 0:58:05.080
<v Speaker 1>is pleading guilty to the two murders, but they're not

0:58:05.160 --> 0:58:08.400
<v Speaker 1>going to try him on her rape or these other rapes,

0:58:08.760 --> 0:58:11.920
<v Speaker 1>which the mom seems annoyed about, but they reassure her, like,

0:58:11.960 --> 0:58:13.760
<v Speaker 1>he's not getting out of jail for a long time.

0:58:13.800 --> 0:58:16.840
<v Speaker 1>In this way, Lupe doesn't have to testify, and you know,

0:58:17.360 --> 0:58:19.040
<v Speaker 1>I think it's kind of worth it. He's going away

0:58:19.040 --> 0:58:21.080
<v Speaker 1>for a long time. You don't have to be in

0:58:21.120 --> 0:58:25.920
<v Speaker 1>a room with him ever again, you know. And Kat's like,

0:58:26.000 --> 0:58:27.600
<v Speaker 1>let me give you a ride home, And then Benson

0:58:27.640 --> 0:58:30.680
<v Speaker 1>looks despondent and Roland asks her if she's okay. She's

0:58:30.760 --> 0:58:33.840
<v Speaker 1>like no, tells her about Simon dying, and she tells

0:58:33.880 --> 0:58:35.840
<v Speaker 1>Roland's about the message that she left on the phone

0:58:35.840 --> 0:58:38.440
<v Speaker 1>for him, and she's like, what if my message is

0:58:38.520 --> 0:58:41.320
<v Speaker 1>the last thing that he heard? And Rollins is like, you

0:58:41.360 --> 0:58:44.000
<v Speaker 1>don't know that. Like with the life he led, it

0:58:44.120 --> 0:58:46.560
<v Speaker 1>was just his time, you know. But we find out

0:58:47.040 --> 0:58:49.880
<v Speaker 1>later kind of it wasn't even really. I mean, I

0:58:49.880 --> 0:58:51.840
<v Speaker 1>don't think anyone like forced him to do the drugs,

0:58:51.840 --> 0:58:56.120
<v Speaker 1>but he was right, didn't the guy like say let's

0:58:56.160 --> 0:58:58.960
<v Speaker 1>go out, Like, yeah, I was bad, but he was sad.

0:58:59.040 --> 0:58:59.760
<v Speaker 2>I don't even remember that.

0:59:00.080 --> 0:59:01.680
<v Speaker 1>So do you said the Mulan rouge And I was like,

0:59:01.680 --> 0:59:02.080
<v Speaker 1>what the.

0:59:02.000 --> 0:59:02.800
<v Speaker 2>Fuck is she talking?

0:59:02.880 --> 0:59:04.760
<v Speaker 1>It was the episode?

0:59:04.840 --> 0:59:08.280
<v Speaker 2>Yeah, yes, and then well, now that's even more clear.

0:59:08.360 --> 0:59:10.640
<v Speaker 2>But then I remembered the hotel when you mentioned it.

0:59:10.680 --> 0:59:14.800
<v Speaker 2>But yeah, I yeah, it's like I was team Hustlers.

0:59:15.040 --> 0:59:17.280
<v Speaker 2>So that was tough. That was a tough case for me.

0:59:17.720 --> 0:59:18.000
<v Speaker 1>Tough.

0:59:19.200 --> 0:59:22.360
<v Speaker 2>It's always it's always tough when I sided with the criminals.

0:59:23.840 --> 0:59:27.440
<v Speaker 1>Well, so the last scene, they're at the cemetery in

0:59:27.520 --> 0:59:29.920
<v Speaker 1>Jamaica Queens and Carlos is putting flowers on the graves

0:59:29.920 --> 0:59:32.160
<v Speaker 1>of his mom and his sister. Finn and Carisi are

0:59:32.160 --> 0:59:34.919
<v Speaker 1>there looking on. Carlos notices that the stone looks new.

0:59:35.280 --> 0:59:37.320
<v Speaker 1>Carisi goes, yes, so people read about your case. There

0:59:37.360 --> 0:59:40.919
<v Speaker 1>was a GoFundMe and Carlos goes, what's that and it's

0:59:41.040 --> 0:59:44.640
<v Speaker 1>like sad He's literally missed out on like sixteen years

0:59:44.680 --> 0:59:48.400
<v Speaker 1>of life, Like that's another thing, like can you you know,

0:59:49.200 --> 0:59:50.640
<v Speaker 1>like you got to like it's like getting out of

0:59:50.680 --> 0:59:53.200
<v Speaker 1>a coma or something. And he's like, how can I ever?

0:59:53.320 --> 0:59:57.520
<v Speaker 1>Thank you to Cariesi and Finn, and then he cries

0:59:57.600 --> 0:59:59.479
<v Speaker 1>on his sister's grave, and then they do a close

0:59:59.560 --> 1:00:02.960
<v Speaker 1>up shot Coreesy looking really serious, and then there's a

1:00:03.000 --> 1:00:06.160
<v Speaker 1>wide shot of the cemetery and then that's Dick wolf baby. Yeah.

1:00:06.200 --> 1:00:08.320
<v Speaker 2>I also they really did it in such a smart

1:00:08.320 --> 1:00:10.800
<v Speaker 2>way with him not knowing these simple things or the

1:00:10.800 --> 1:00:15.120
<v Speaker 2>iPad like it. Yeah, it's I love when little things

1:00:15.480 --> 1:00:16.360
<v Speaker 2>show so d yeah.

1:00:16.200 --> 1:00:18.880
<v Speaker 1>Because it's like they get TV. They're not totally like

1:00:19.520 --> 1:00:24.240
<v Speaker 1>what's happening, like you know, but like they wouldn't know

1:00:24.280 --> 1:00:26.600
<v Speaker 1>how to use like technology like that. I don't think,

1:00:28.080 --> 1:00:29.920
<v Speaker 1>even though now it feels like everybody in prison has

1:00:29.920 --> 1:00:32.000
<v Speaker 1>a phone. People are like tweeting from prisons. I don't know,

1:00:32.960 --> 1:00:34.680
<v Speaker 1>but tell me everything.

1:00:42.640 --> 1:00:47.680
<v Speaker 2>So Lewis and Scarcella scandal, scandal, this guy should be behind bars.

1:00:48.320 --> 1:00:50.720
<v Speaker 2>The fact that bad cops get to keep their pension,

1:00:51.320 --> 1:00:53.439
<v Speaker 2>the fact that the state and city has to pay

1:00:53.480 --> 1:00:56.880
<v Speaker 2>these like out these cases, it's like all a mess.

1:00:57.280 --> 1:01:00.280
<v Speaker 2>If I was I kind of feel like the miscongeniality

1:01:00.360 --> 1:01:03.000
<v Speaker 2>like Gracie Hart. Like if I was in miss America

1:01:03.080 --> 1:01:05.040
<v Speaker 2>and they were like, what do you want to change,

1:01:05.120 --> 1:01:07.560
<v Speaker 2>I'd be like, cops have to pay out of their

1:01:07.560 --> 1:01:08.919
<v Speaker 2>pension for their criminal.

1:01:10.240 --> 1:01:13.640
<v Speaker 1>Is my number one? Like I think they would just less,

1:01:14.680 --> 1:01:15.720
<v Speaker 1>that's your subway take.

1:01:16.840 --> 1:01:19.320
<v Speaker 2>It's just not fun. I would rather do a kind

1:01:19.320 --> 1:01:24.560
<v Speaker 2>of fun one. But I hope, but that is what

1:01:24.640 --> 1:01:27.880
<v Speaker 2>I so believe, like I think they would shoot less people. Well,

1:01:27.880 --> 1:01:30.040
<v Speaker 2>because I also saw this instagram once and it's like

1:01:30.960 --> 1:01:33.680
<v Speaker 2>a dude was saying, like every black person in America

1:01:33.840 --> 1:01:39.800
<v Speaker 2>should have life insurance policies because if there's wrongful death,

1:01:39.880 --> 1:01:45.600
<v Speaker 2>like insurance companies get their fucking money, and that they're like,

1:01:45.600 --> 1:01:49.160
<v Speaker 2>like that's where because they don't. They obviously lack humanity.

1:01:49.960 --> 1:01:52.440
<v Speaker 2>So it's like either insurance. But I think if they

1:01:52.480 --> 1:01:55.280
<v Speaker 2>had to pay out their own misdeeds and then they

1:01:55.280 --> 1:01:59.480
<v Speaker 2>didn't get their pensions anymore, they must they I think

1:01:59.520 --> 1:02:02.959
<v Speaker 2>would act better. Yeah, I think, I don't know. Maybe

1:02:03.000 --> 1:02:06.000
<v Speaker 2>I'm wrong, Maybe I'm wrong. The corruption's too deep, but

1:02:06.040 --> 1:02:09.760
<v Speaker 2>it's like, okay, whatever. So Lewis, he's the star detective

1:02:09.840 --> 1:02:14.280
<v Speaker 2>right nineteen eighties Brooklyn nineties, known for making arrests, getting convictions.

1:02:14.920 --> 1:02:17.840
<v Speaker 2>New York Times referred him as Batman, and Robin was

1:02:17.880 --> 1:02:22.600
<v Speaker 2>this other detective Steve w Chamilli Chamil whatever. So their

1:02:22.680 --> 1:02:25.720
<v Speaker 2>legacy of course tarnished. March twenty thirteen, when they're accused

1:02:25.720 --> 1:02:27.880
<v Speaker 2>of lying and cheating this all the time to make

1:02:27.920 --> 1:02:32.120
<v Speaker 2>high profile cases stick, a witness comes forward and says

1:02:32.160 --> 1:02:36.600
<v Speaker 2>that he Lewis told him which suspect to pick out

1:02:36.640 --> 1:02:40.200
<v Speaker 2>of a police lineup in a nineteen ninety murder of

1:02:40.240 --> 1:02:41.160
<v Speaker 2>a Brooklyn rabbi.

1:02:41.880 --> 1:02:43.600
<v Speaker 1>Okay, the two men were.

1:02:43.440 --> 1:02:46.280
<v Speaker 2>Found to have let violent criminals out of jail to

1:02:46.360 --> 1:02:50.240
<v Speaker 2>smoke crack and visit sex workers in exchange for incriminating

1:02:50.600 --> 1:02:53.920
<v Speaker 2>David Ranta, who then served over twenty years.

1:02:53.640 --> 1:02:56.480
<v Speaker 1>For this crime, this murder that he did not commit.

1:02:57.280 --> 1:02:59.640
<v Speaker 2>In ninety two, they're caught on video letting a jail

1:02:59.640 --> 1:03:01.960
<v Speaker 2>house in formant out of custody to meet his girlfriend

1:03:01.960 --> 1:03:04.640
<v Speaker 2>and go shopping and like go out to e and like,

1:03:04.880 --> 1:03:08.960
<v Speaker 2>so many misconduct cases after twenty thirteen start coming.

1:03:08.680 --> 1:03:11.560
<v Speaker 1>Out, and so the lead DA Charles J.

1:03:11.840 --> 1:03:16.760
<v Speaker 2>Hines, has to reopen like fifty six cases, okay, And

1:03:16.800 --> 1:03:19.680
<v Speaker 2>these are fifty six cases that Lewis arrested that were

1:03:19.960 --> 1:03:21.880
<v Speaker 2>that and these went a trial and these people were

1:03:21.880 --> 1:03:25.120
<v Speaker 2>convicted a trial. So I need to tell you guys,

1:03:25.160 --> 1:03:27.320
<v Speaker 2>there is decades of articles about this guy.

1:03:27.560 --> 1:03:28.080
<v Speaker 1>Decades.

1:03:28.640 --> 1:03:32.800
<v Speaker 2>There are seven full New York Times article pages only

1:03:32.840 --> 1:03:37.960
<v Speaker 2>about Scarcella. I couldn't cover every single case because there

1:03:38.080 --> 1:03:44.600
<v Speaker 2>is likedjuzzens of articles, truly, decades of articles about overturned

1:03:44.600 --> 1:03:51.240
<v Speaker 2>convictions payouts inventing confessions, coaching witnesses, persuading people to change

1:03:51.280 --> 1:03:54.280
<v Speaker 2>their description of perpse to match the suspect and custody

1:03:54.880 --> 1:03:58.240
<v Speaker 2>multiple confessions they ended up finding with the exact same language,

1:03:58.600 --> 1:04:02.320
<v Speaker 2>which is just it's just kind of impossible. But yeah,

1:04:02.520 --> 1:04:04.600
<v Speaker 2>a bunch of people kept going, you got it right,

1:04:04.800 --> 1:04:08.160
<v Speaker 2>I was there and that was the smoking gun. Truly

1:04:08.280 --> 1:04:13.320
<v Speaker 2>is like this pattern and the similarities in language. Jabbar Washington,

1:04:13.520 --> 1:04:16.560
<v Speaker 2>during the trial of a nineteen ninety five murder, had

1:04:16.560 --> 1:04:21.040
<v Speaker 2>an alibi. Survivors of the shooting were unable to identify

1:04:21.120 --> 1:04:24.200
<v Speaker 2>him in court, but that forced confession is what got

1:04:24.280 --> 1:04:29.480
<v Speaker 2>him convicted. And that was that. Richard Leo, a lat professor, quoted,

1:04:29.640 --> 1:04:31.880
<v Speaker 2>It's hard to imagine all five people use the same

1:04:31.880 --> 1:04:34.320
<v Speaker 2>exact words. It almost sounds like a template.

1:04:34.720 --> 1:04:37.280
<v Speaker 1>What's so crazy is like we've talked about police corruption

1:04:37.440 --> 1:04:39.680
<v Speaker 1>in New York City, and like we talked about like

1:04:39.720 --> 1:04:42.400
<v Speaker 1>the cerproco of it all, and that was like in

1:04:42.480 --> 1:04:45.440
<v Speaker 1>the late sixties, and like there was another round of

1:04:45.440 --> 1:04:47.760
<v Speaker 1>it in the eighties. Like they didn't get this guy,

1:04:48.040 --> 1:04:49.480
<v Speaker 1>Like no, they didn't care.

1:04:49.520 --> 1:04:54.960
<v Speaker 2>Oh oh yeah. So like so he had this forced confession.

1:04:55.200 --> 1:04:58.400
<v Speaker 2>I mean to have an alibi confirmed and still be

1:04:58.440 --> 1:04:59.440
<v Speaker 2>convicted of murder.

1:05:01.160 --> 1:05:02.200
<v Speaker 1>So crazy.

1:05:02.280 --> 1:05:04.800
<v Speaker 2>And then every year so like some of the article names,

1:05:04.840 --> 1:05:07.760
<v Speaker 2>it's like fourteen more cases, two more trials, more settlements,

1:05:07.760 --> 1:05:10.800
<v Speaker 2>another man freed, overturned, the city sued. It like doesn't

1:05:10.880 --> 1:05:13.280
<v Speaker 2>end with this guy and how many lives he fucked up?

1:05:13.960 --> 1:05:17.480
<v Speaker 2>An investigation said that, like in the Times, this twenty

1:05:17.520 --> 1:05:19.680
<v Speaker 2>thirteen thing, that he turned to one woman that was

1:05:19.720 --> 1:05:22.000
<v Speaker 2>addicted to crack time and time again. So this woman

1:05:22.120 --> 1:05:25.560
<v Speaker 2>that's addicted to crack was able to testify in murder

1:05:25.600 --> 1:05:26.640
<v Speaker 2>case after murder case.

1:05:26.880 --> 1:05:28.919
<v Speaker 1>Oh my god. And then this Heinz guy.

1:05:28.920 --> 1:05:32.360
<v Speaker 2>The Brooklyn DA did all these investigations, which is insane

1:05:32.440 --> 1:05:34.800
<v Speaker 2>because it's like if a plane crashes, it's on the

1:05:34.960 --> 1:05:37.520
<v Speaker 2>like the like the plane company doesn't get to investigate,

1:05:38.240 --> 1:05:39.840
<v Speaker 2>you know what I mean, Like there's a review board.

1:05:39.840 --> 1:05:42.400
<v Speaker 2>There's an independent safety board that would do that. So

1:05:42.440 --> 1:05:44.440
<v Speaker 2>it's like they let the DA from the place and

1:05:44.600 --> 1:05:47.840
<v Speaker 2>charge look at the cases, and a ton of these

1:05:48.000 --> 1:05:51.720
<v Speaker 2>questionable convictions happened under him, so then he gets to

1:05:51.800 --> 1:05:53.680
<v Speaker 2>then decide if they should stick or not.

1:05:54.560 --> 1:05:59.280
<v Speaker 1>And then and then he started this conviction integrity unit. Lol.

1:05:59.840 --> 1:06:04.800
<v Speaker 2>And David Ranta's who I mentioned earlier, who was Fossley

1:06:04.840 --> 1:06:07.520
<v Speaker 2>in prisoned. His trial lawyer, Michael Baum is like, we've

1:06:07.520 --> 1:06:10.640
<v Speaker 2>been screaming about this case for twenty years, and now

1:06:10.680 --> 1:06:15.480
<v Speaker 2>he cares about wrongful convictions. Okay, Like they've been trying

1:06:15.520 --> 1:06:18.520
<v Speaker 2>to get him out forever. So November twentieth, twenty twenty three,

1:06:18.520 --> 1:06:21.080
<v Speaker 2>The New York Times reported all his overturned cases have

1:06:21.200 --> 1:06:23.840
<v Speaker 2>cost New York one hundred and ten million dollars.

1:06:24.120 --> 1:06:26.360
<v Speaker 1>That's what I'm saying. It's like I actually do think

1:06:26.360 --> 1:06:28.560
<v Speaker 1>that they should. I think that the cops pension should

1:06:28.560 --> 1:06:31.400
<v Speaker 1>be drained, and then also the NYPD should have to pay,

1:06:31.600 --> 1:06:34.560
<v Speaker 1>because if we just make it the cops pension, there's

1:06:34.600 --> 1:06:36.720
<v Speaker 1>not enough, Like there's not enough for the people. But

1:06:36.800 --> 1:06:38.360
<v Speaker 1>it's like it has to come out of their fire.

1:06:38.440 --> 1:06:40.440
<v Speaker 2>It has to come out of something, and that's not

1:06:40.720 --> 1:06:43.880
<v Speaker 2>our taxes, Like they are not punished one hundred and

1:06:43.960 --> 1:06:49.280
<v Speaker 2>ten million dollars, Like mom, Donnie, let's get to work

1:06:49.320 --> 1:06:49.640
<v Speaker 2>on that.

1:06:49.880 --> 1:06:52.160
<v Speaker 1>Like that's that's what I like, what the fuck?

1:06:52.320 --> 1:06:52.400
<v Speaker 2>No?

1:06:52.520 --> 1:06:54.920
<v Speaker 1>And like nobody like this guy was working for thirty

1:06:55.000 --> 1:06:58.919
<v Speaker 1>years before he got busted, Like nobody like rated on him, Like.

1:06:58.880 --> 1:07:03.480
<v Speaker 2>That's give a ship. Between twenty fourteen and twenty twenty two,

1:07:03.720 --> 1:07:07.480
<v Speaker 2>his cases represented about fifteen percent of the payouts the

1:07:07.520 --> 1:07:10.920
<v Speaker 2>city spent. He retired in ninety nine. Thank god, so

1:07:11.040 --> 1:07:15.120
<v Speaker 2>not more people wasted their fucking lives in prison. He

1:07:15.160 --> 1:07:17.600
<v Speaker 2>has not been charged with any crimes, just bye official

1:07:17.640 --> 1:07:20.360
<v Speaker 2>findings of bad practices, even though and he still insists

1:07:20.360 --> 1:07:24.040
<v Speaker 2>he did nothing wrong. He still collects his pension, and

1:07:24.200 --> 1:07:28.200
<v Speaker 2>the city and state money pays for all of his settlements.

1:07:29.080 --> 1:07:31.160
<v Speaker 1>He was on a podcast called The.

1:07:31.080 --> 1:07:34.320
<v Speaker 2>Burden, and I did not listen to it, but The

1:07:34.320 --> 1:07:36.040
<v Speaker 2>New York Times said that he was like, I was

1:07:36.080 --> 1:07:38.480
<v Speaker 2>just a cog in the machine. It's the system, and

1:07:38.520 --> 1:07:40.560
<v Speaker 2>the crime rates were high. What are you gonna do?

1:07:41.240 --> 1:07:43.400
<v Speaker 1>Like does not give a fuck.

1:07:44.760 --> 1:07:47.200
<v Speaker 2>He does not see these people as people in any capacity,

1:07:47.280 --> 1:07:50.120
<v Speaker 2>like the way that fuck the cop talks in that episode.

1:07:51.040 --> 1:07:54.440
<v Speaker 2>The DA's office tried to hide files that showed this.

1:07:54.800 --> 1:07:56.760
<v Speaker 2>So this is like why the like with the DA

1:07:57.160 --> 1:07:59.360
<v Speaker 2>being in charge of the investigation is so crazy. Is

1:07:59.400 --> 1:08:01.840
<v Speaker 2>like they tried to files that showed the scope of

1:08:01.880 --> 1:08:04.520
<v Speaker 2>all his fuck ups in the eighties and nineties, and

1:08:04.560 --> 1:08:08.360
<v Speaker 2>then there was a computer slip up and the prosecutors

1:08:08.480 --> 1:08:15.120
<v Speaker 2>accidentally sent opposing cons opposing council details and that's eesus.

1:08:15.200 --> 1:08:18.679
<v Speaker 2>So unredacted files were sent out January twenty twenty four,

1:08:19.000 --> 1:08:21.839
<v Speaker 2>five hundred and twenty four page PDFs sent on accident

1:08:21.880 --> 1:08:24.679
<v Speaker 2>with everything that they tried to cover up. Oh my god.

1:08:25.640 --> 1:08:29.000
<v Speaker 2>Derek Hamilton, who's an innocent's advocate, is like it's fucked up.

1:08:29.040 --> 1:08:31.200
<v Speaker 2>They haven't worked hard with whatever they could to help

1:08:31.240 --> 1:08:34.240
<v Speaker 2>people get out and made everything public, like he called

1:08:34.240 --> 1:08:36.519
<v Speaker 2>it a mockery. He believes they are tired of paying

1:08:36.560 --> 1:08:38.920
<v Speaker 2>out for all these cases, so now they're becoming like

1:08:39.000 --> 1:08:41.960
<v Speaker 2>selective about what they reveal or not and being willing

1:08:42.000 --> 1:08:45.120
<v Speaker 2>to keep these innocent people in prison. The police union

1:08:45.160 --> 1:08:47.840
<v Speaker 2>obviously had his back. The quotes in the New York

1:08:47.840 --> 1:08:51.160
<v Speaker 2>Times call Scarcella a good detective who has, in quotes,

1:08:51.360 --> 1:08:55.439
<v Speaker 2>been dragged through the mud by agenda driven lawyers. Like

1:08:55.640 --> 1:08:58.439
<v Speaker 2>people spent decades behind bars for kurb So all the

1:08:58.479 --> 1:09:03.360
<v Speaker 2>people put tog other that served time that for crimes

1:09:03.360 --> 1:09:05.599
<v Speaker 2>they were innocent, two hundred and fifty years in prison total.

1:09:06.320 --> 1:09:09.360
<v Speaker 2>Oh my god. The people that he falls me people

1:09:10.040 --> 1:09:14.120
<v Speaker 2>got convicted spent a total two hundred and fifty years

1:09:14.120 --> 1:09:16.960
<v Speaker 2>in prison. One woman like died a few years after

1:09:17.000 --> 1:09:20.360
<v Speaker 2>she was let out. One man who was just fourteen

1:09:20.560 --> 1:09:23.280
<v Speaker 2>when was put in prison wrongfully died in prison at

1:09:23.320 --> 1:09:25.960
<v Speaker 2>age thirty seven, so the settlement like went to his mother.

1:09:26.680 --> 1:09:30.160
<v Speaker 2>One man let out of prison after twenty three years,

1:09:30.160 --> 1:09:32.479
<v Speaker 2>then had a severe heart attack just two days later.

1:09:32.960 --> 1:09:36.080
<v Speaker 2>The Conviction Review Unit in NYC was one of the

1:09:36.120 --> 1:09:38.719
<v Speaker 2>first of the such units in the country, and since

1:09:38.760 --> 1:09:42.760
<v Speaker 2>twenty fourteen, has overturned thirty seven convictions, and a third

1:09:42.800 --> 1:09:47.800
<v Speaker 2>of those are Scarsala cases and Wikipedia. I did check

1:09:47.800 --> 1:09:49.439
<v Speaker 2>because I was like, he must be in jail. Why

1:09:49.520 --> 1:09:51.559
<v Speaker 2>can't I find a punishment? I was like, why can't

1:09:51.600 --> 1:09:54.960
<v Speaker 2>I find a punishment? There just isn't. But in the

1:09:55.040 --> 1:09:58.520
<v Speaker 2>known for it does say like twenty one overturned convictions

1:09:59.240 --> 1:10:04.120
<v Speaker 2>in homicide cases. But what else he's known for his awards?

1:10:04.160 --> 1:10:08.559
<v Speaker 2>He's won four chief of these awards for Outstanding Investigation.

1:10:09.360 --> 1:10:09.880
<v Speaker 5>Duda.

1:10:10.320 --> 1:10:16.559
<v Speaker 2>If that doesn't explain everything. In twenty seventeen, he was

1:10:16.640 --> 1:10:19.680
<v Speaker 2>honored by the retired Detectives of New York Club to

1:10:19.680 --> 1:10:23.320
<v Speaker 2>show their solidarity with this fucking loser. John Wilde, who

1:10:23.400 --> 1:10:26.720
<v Speaker 2>organized the event, is quoted sadly as detectives we don't

1:10:26.760 --> 1:10:29.599
<v Speaker 2>usually get our side of the story out. Louis has

1:10:29.640 --> 1:10:32.760
<v Speaker 2>suffered in the papers and in his personal life, but

1:10:32.840 --> 1:10:34.880
<v Speaker 2>for this one night he can be proud to have

1:10:34.920 --> 1:10:41.920
<v Speaker 2>worn the shield. Like you think he suffered more than

1:10:41.960 --> 1:10:44.960
<v Speaker 2>the people spent twenty I mean there were people spending

1:10:45.000 --> 1:10:47.639
<v Speaker 2>twenty seven years in prison, twenty three years in prison,

1:10:47.760 --> 1:10:50.000
<v Speaker 2>fourteen years in prison, ten years in prison.

1:10:50.439 --> 1:10:53.839
<v Speaker 1>Yeah, this is awful.

1:10:54.040 --> 1:10:57.519
<v Speaker 2>Yeah. Qualified immunity and statue of limitations also helped him

1:10:57.520 --> 1:11:01.559
<v Speaker 2>evade legal consequences. And they just keep saying he's broke

1:11:01.800 --> 1:11:03.960
<v Speaker 2>no laws and he should be in jail and it's

1:11:03.960 --> 1:11:04.439
<v Speaker 2>fucked up.

1:11:04.560 --> 1:11:05.599
<v Speaker 4>Oh my god.

1:11:06.360 --> 1:11:08.599
<v Speaker 2>And then they're like people spit on him in the streets.

1:11:08.680 --> 1:11:13.479
<v Speaker 2>I go, he's luckiest, throat's not slit ha ha. So

1:11:13.520 --> 1:11:16.799
<v Speaker 2>then we have the teardrop rapist case and it's related

1:11:16.840 --> 1:11:23.400
<v Speaker 2>to this wrongful conviction and eventual exoneration of Louis Vargas.

1:11:23.720 --> 1:11:29.040
<v Speaker 1>Can you believe the names Louis, I'm like Louis, there

1:11:29.040 --> 1:11:31.559
<v Speaker 1>are oh no, this is Louise. Now, this is Louise.

1:11:32.280 --> 1:11:34.960
<v Speaker 1>We did not pick this as a way to promote

1:11:34.960 --> 1:11:38.160
<v Speaker 1>our shirt. This is actually just happening as it does.

1:11:38.800 --> 1:11:42.080
<v Speaker 2>This is Louise, because I've memorized Lois, like now I know,

1:11:43.880 --> 1:11:49.960
<v Speaker 2>but Louise, So November twenty five because this actually you

1:11:50.000 --> 1:11:52.920
<v Speaker 2>know when you're like, but the evidence in Matt how

1:11:52.920 --> 1:11:55.240
<v Speaker 2>did this and more things happen like this kind of

1:11:55.240 --> 1:11:59.800
<v Speaker 2>covers that situation. So November twenty fifteen, Louis Vargus rape

1:11:59.840 --> 1:12:04.840
<v Speaker 2>canictions finally overturned after serving sixteen years in prison. His attorneys,

1:12:05.240 --> 1:12:08.240
<v Speaker 2>after years of reaching out to the California Innocence Project,

1:12:08.280 --> 1:12:10.479
<v Speaker 2>revealed that he did not commit the three rapes he

1:12:10.560 --> 1:12:13.920
<v Speaker 2>was convicted for. The teardrop rapist actually is linked to

1:12:13.960 --> 1:12:16.960
<v Speaker 2>more than thirty sexual assaults in LA starting in nineteen

1:12:17.040 --> 1:12:20.360
<v Speaker 2>ninety six. The victims ranged in age from fourteen to

1:12:20.479 --> 1:12:23.840
<v Speaker 2>twenty one, and they all happened in the morning, so

1:12:23.880 --> 1:12:26.519
<v Speaker 2>between five and eight am. It's like he got people

1:12:26.560 --> 1:12:30.960
<v Speaker 2>on their morning commutes. They have similar tattoos, so that's

1:12:31.000 --> 1:12:32.880
<v Speaker 2>what fucked up. They both have tear drop tattoos. And

1:12:32.920 --> 1:12:36.280
<v Speaker 2>then the victim positive IDs is what put this man away.

1:12:37.080 --> 1:12:40.439
<v Speaker 2>And shaky eyewitness testimonies are the number one factor in

1:12:40.439 --> 1:12:44.040
<v Speaker 2>wrongful convictions across the country, and that is true, but

1:12:44.640 --> 1:12:50.520
<v Speaker 2>so jurors disregarded that there was witnesses to his alibi,

1:12:51.320 --> 1:12:53.880
<v Speaker 2>including the manager at the bagel shop who said he

1:12:53.960 --> 1:12:55.960
<v Speaker 2>was working there the morning of the attacks.

1:12:56.240 --> 1:12:57.120
<v Speaker 1>Oh my god.

1:12:57.600 --> 1:12:59.680
<v Speaker 2>After he was exonerated, he had to go to an

1:12:59.720 --> 1:13:02.799
<v Speaker 2>immigration judge though, because he was like a permanent residence,

1:13:02.800 --> 1:13:05.280
<v Speaker 2>so when he got convicted, they ended his green card,

1:13:05.600 --> 1:13:07.280
<v Speaker 2>so he couldn't even be set free. He had to

1:13:07.280 --> 1:13:10.519
<v Speaker 2>go straight to immigration after his wrongful conviction to be

1:13:10.560 --> 1:13:14.240
<v Speaker 2>able to stay in the country. And the real rapist

1:13:14.320 --> 1:13:19.519
<v Speaker 2>has never been caught, no way. So like Vargas, he

1:13:19.640 --> 1:13:21.840
<v Speaker 2>was a suspect and then after his arrest and okay,

1:13:21.880 --> 1:13:24.599
<v Speaker 2>so this is important. So like after his arrest, conviction

1:13:24.720 --> 1:13:29.880
<v Speaker 2>and sentence, the attacks kept happening, so it's like.

1:13:29.920 --> 1:13:30.880
<v Speaker 1>What the fuck?

1:13:31.360 --> 1:13:34.640
<v Speaker 2>And so two took place before he was arrested, and

1:13:34.640 --> 1:13:37.120
<v Speaker 2>then three more while he was in custody before the

1:13:37.160 --> 1:13:43.639
<v Speaker 2>conviction even and you know, he works for the anti

1:13:43.680 --> 1:13:48.519
<v Speaker 2>recidivism coalition. He speaks regularly about, you know, his wrongful

1:13:48.520 --> 1:13:51.000
<v Speaker 2>conviction and is committed to helping others on their path

1:13:51.040 --> 1:13:54.160
<v Speaker 2>back to society. And it took fifteen years of work

1:13:54.200 --> 1:13:57.080
<v Speaker 2>to free him. And he was the longest serving wrongfully

1:13:57.120 --> 1:14:00.920
<v Speaker 2>incarcerated in May in California history, according to the San

1:14:01.000 --> 1:14:05.160
<v Speaker 2>Diego Union Tribune. And he did sue I couldn't find

1:14:05.160 --> 1:14:07.040
<v Speaker 2>any information on the settlement though.

1:14:07.720 --> 1:14:15.679
<v Speaker 3>Oh god, fuck, just bad cops boils my blood.

1:14:15.720 --> 1:14:17.599
<v Speaker 2>And then awards and then it's like then you want

1:14:17.680 --> 1:14:20.200
<v Speaker 2>us to be like only a few bad and it's

1:14:20.240 --> 1:14:23.559
<v Speaker 2>like you gave them awards. The chief of D's gave

1:14:23.640 --> 1:14:26.360
<v Speaker 2>him four awards for investigating.

1:14:26.160 --> 1:14:28.120
<v Speaker 1>Cause like it's kind of like what the show makes

1:14:28.160 --> 1:14:30.200
<v Speaker 1>it out to be, Like they don't really care about

1:14:30.240 --> 1:14:32.840
<v Speaker 1>the I don't know, they don't care about like the

1:14:32.920 --> 1:14:34.560
<v Speaker 1>humanity of it. They're like, what are your numbers? What

1:14:34.600 --> 1:14:36.720
<v Speaker 1>are your numbers? Are you closing enough cases? And this

1:14:36.760 --> 1:14:39.080
<v Speaker 1>guy was probably like closing his shits on of cases

1:14:39.120 --> 1:14:43.599
<v Speaker 1>because he was rigging the whole system, paying witnesses like

1:14:44.439 --> 1:14:49.280
<v Speaker 1>forcing IDs. Like that's wild shit. Oh my god, I

1:14:49.320 --> 1:14:52.519
<v Speaker 1>hate him. I hate him. I can't believe they weren't

1:14:52.520 --> 1:14:56.599
<v Speaker 1>able to prosecute him, because he would get killed in jail.

1:14:57.680 --> 1:14:59.920
<v Speaker 2>He would have to be in solitary, he would hope.

1:15:00.120 --> 1:15:04.080
<v Speaker 1>So a cop that's like fucked all these people up,

1:15:04.360 --> 1:15:05.639
<v Speaker 1>he would just be murdered.

1:15:05.680 --> 1:15:10.000
<v Speaker 2>I think immediately that would be a cool movie.

1:15:11.520 --> 1:15:14.160
<v Speaker 1>Okay, Well, thank you for doing all that research. I

1:15:14.200 --> 1:15:16.280
<v Speaker 1>did not know about these cases, and.

1:15:16.160 --> 1:15:18.360
<v Speaker 2>I didn't either, And I mean, if you're mad I

1:15:18.360 --> 1:15:20.960
<v Speaker 2>didn't go more in depth into all the wrongful convictions,

1:15:21.000 --> 1:15:23.120
<v Speaker 2>I'm sorry, but you can read them.

1:15:23.360 --> 1:15:28.519
<v Speaker 1>Yeah, well that clearly was who they based Monty on.

1:15:28.760 --> 1:15:31.439
<v Speaker 1>That this guy who's like talking while eating a honk

1:15:31.439 --> 1:15:33.040
<v Speaker 1>of steak. He made me want to die.

1:15:33.720 --> 1:15:38.840
<v Speaker 2>Okay, like young teen finds his mom and sister Like, like,

1:15:40.280 --> 1:15:42.320
<v Speaker 2>I don't get it. I don't get why that would

1:15:42.360 --> 1:15:44.280
<v Speaker 2>be your first suspect. Yeah.

1:15:44.360 --> 1:15:46.080
<v Speaker 1>I think they're probably like, we have no other leads,

1:15:46.080 --> 1:15:50.240
<v Speaker 1>what are we gonna do? Let's get them, you know. Well,

1:15:50.320 --> 1:15:53.160
<v Speaker 1>let's don't anybody go anywhere, because we've got a fun

1:15:53.160 --> 1:16:03.280
<v Speaker 1>interview coming right up. Our guest today is an actor

1:16:03.320 --> 1:16:06.280
<v Speaker 1>best known for playing serial killer Jerry Brutos in both

1:16:06.320 --> 1:16:09.679
<v Speaker 1>mind Hunter and Monster the Ed Genes Story. He also

1:16:09.720 --> 1:16:12.000
<v Speaker 1>has had recurring roles on Snow Piercer and The Nick

1:16:12.439 --> 1:16:15.000
<v Speaker 1>Star of Stage and Screen. But you know him today

1:16:15.360 --> 1:16:19.559
<v Speaker 1>as the very calm and collected rapist and murderer Tim Stanton.

1:16:20.040 --> 1:16:24.000
<v Speaker 1>Please enjoy our chat with the lovely Happy Anderson. Hi. Happy,

1:16:24.160 --> 1:16:24.960
<v Speaker 1>nice to meet you.

1:16:25.760 --> 1:16:26.880
<v Speaker 4>Great to meet both of you.

1:16:27.600 --> 1:16:29.639
<v Speaker 5>It was great to get that follow and I followed

1:16:29.640 --> 1:16:33.000
<v Speaker 5>you back and I watched ton of clips and I

1:16:33.040 --> 1:16:33.479
<v Speaker 5>loved it.

1:16:35.120 --> 1:16:36.280
<v Speaker 2>That makes us happy.

1:16:36.920 --> 1:16:41.360
<v Speaker 1>Yeah, so we're all talking. You just said that makes

1:16:41.439 --> 1:16:43.920
<v Speaker 1>us happy. Your name is I had happy come from

1:16:43.960 --> 1:16:46.040
<v Speaker 1>as a name, like just a little nickname, because you

1:16:46.120 --> 1:16:47.160
<v Speaker 1>were like a happy kid.

1:16:47.040 --> 1:16:50.519
<v Speaker 5>Or what's the Yeah, since I was, since I was

1:16:50.560 --> 1:16:52.760
<v Speaker 5>a baby, since I was six months old, I've gone

1:16:53.040 --> 1:16:56.240
<v Speaker 5>as happy. And as a matter of fact, early in

1:16:56.240 --> 1:16:59.320
<v Speaker 5>my childhood I didn't even really totally get that my

1:16:59.439 --> 1:17:02.560
<v Speaker 5>legal name was Eric. I sort of knew there was

1:17:02.600 --> 1:17:05.840
<v Speaker 5>a name out there, yeah, you know. And I remember

1:17:05.880 --> 1:17:07.960
<v Speaker 5>the first day of elementary school when they were taking

1:17:07.960 --> 1:17:13.120
<v Speaker 5>attendance and missus Golden was like Eric Anderson Eric and

1:17:13.120 --> 1:17:14.720
<v Speaker 5>and she finally stands right in front of me and

1:17:14.720 --> 1:17:18.400
<v Speaker 5>it's saying, am like, whoever this fucking ic not listening.

1:17:18.720 --> 1:17:20.920
<v Speaker 4>He's screwing the whole day up? Man, I don't know.

1:17:21.920 --> 1:17:22.840
<v Speaker 1>Does that anyone call you?

1:17:22.960 --> 1:17:23.160
<v Speaker 2>Eric?

1:17:23.240 --> 1:17:24.040
<v Speaker 1>Do you ever go buy it?

1:17:25.280 --> 1:17:26.640
<v Speaker 4>Policeman and bill collectors?

1:17:26.800 --> 1:17:29.240
<v Speaker 2>Oh wow, it's a deep, deep nickname.

1:17:29.320 --> 1:17:31.519
<v Speaker 1>Were you a watcher of the Dick Wolf universe?

1:17:32.760 --> 1:17:35.360
<v Speaker 4>USO? You know? I mean also, when we got here,

1:17:35.520 --> 1:17:36.400
<v Speaker 4>in two now.

1:17:36.479 --> 1:17:38.000
<v Speaker 5>I'm in la now. But when we got to New

1:17:38.080 --> 1:17:40.320
<v Speaker 5>York in two thousand and three, that was like the

1:17:40.400 --> 1:17:42.840
<v Speaker 5>main game in town. You know, the motherships for you

1:17:43.000 --> 1:17:45.560
<v Speaker 5>criminal Intent and you know, so we watched all that

1:17:45.600 --> 1:17:46.679
<v Speaker 5>stuff all the time.

1:17:46.640 --> 1:17:48.719
<v Speaker 1>And the Mothership, it looks like, was like your first credit,

1:17:48.800 --> 1:17:50.680
<v Speaker 1>like one of your first TV credits.

1:17:51.000 --> 1:17:53.040
<v Speaker 4>Yeah, totally, yeah, I think it was my first.

1:17:52.800 --> 1:17:55.559
<v Speaker 1>TV And then you did an SVU like a year

1:17:55.640 --> 1:17:59.680
<v Speaker 1>later or something. Yeah, yeah, well that so hardwired.

1:17:59.800 --> 1:18:03.160
<v Speaker 2>I want you to know. Very few funny, funny moments

1:18:03.240 --> 1:18:06.439
<v Speaker 2>outside of certain detectives happened in SVU, but you're one

1:18:06.479 --> 1:18:06.840
<v Speaker 2>of them.

1:18:07.160 --> 1:18:09.360
<v Speaker 1>Your character in that Do you remember that scene? It

1:18:09.439 --> 1:18:11.400
<v Speaker 1>was like that you were working.

1:18:11.120 --> 1:18:15.400
<v Speaker 2>With a Namblo pedophile and the cops come and they're like,

1:18:15.400 --> 1:18:20.320
<v Speaker 2>where's your laptop and you're just behind him and then yeah, it's.

1:18:20.200 --> 1:18:20.840
<v Speaker 1>A fun moment.

1:18:21.360 --> 1:18:23.960
<v Speaker 5>Whenever when I was doing this episode Murdered had a

1:18:23.960 --> 1:18:25.760
<v Speaker 5>bad address. They were like, have you ever done this

1:18:25.800 --> 1:18:27.840
<v Speaker 5>show before? And it was like, yes, ten years ago.

1:18:28.080 --> 1:18:30.160
<v Speaker 5>Who did you play? I said a man with two lines,

1:18:30.200 --> 1:18:31.080
<v Speaker 5>one of which was cut.

1:18:33.400 --> 1:18:36.120
<v Speaker 2>But it's such a good moment and it's nice to

1:18:36.160 --> 1:18:38.760
<v Speaker 2>have someone be like, no, get this pedophile. You know,

1:18:38.840 --> 1:18:42.240
<v Speaker 2>you always hear people covering for each other, but it's like, yeah,

1:18:42.520 --> 1:18:44.320
<v Speaker 2>you can fucking get out of here.

1:18:44.479 --> 1:18:49.320
<v Speaker 1>But in this episode, you're not a good guy. And oh, dear, no,

1:18:49.880 --> 1:18:54.479
<v Speaker 1>I noticed that you've also played Jerry Brutos in two

1:18:54.560 --> 1:18:58.800
<v Speaker 1>different projects, which is wild. We're obviously familiar with his work.

1:19:00.640 --> 1:19:03.920
<v Speaker 1>Do you do you are you more often playing like

1:19:04.560 --> 1:19:07.880
<v Speaker 1>bad guys by far by far Okay?

1:19:08.360 --> 1:19:11.360
<v Speaker 5>Yeah, and if and anything that's a that's like a

1:19:11.360 --> 1:19:14.880
<v Speaker 5>straight offer like this was is always a bad guy? Yeah,

1:19:14.920 --> 1:19:16.559
<v Speaker 5>A good to play a good guy, I really have

1:19:16.600 --> 1:19:17.400
<v Speaker 5>to work for it.

1:19:18.160 --> 1:19:19.920
<v Speaker 1>That's so interesting.

1:19:19.520 --> 1:19:21.599
<v Speaker 2>And did so when you had to prep once for

1:19:21.640 --> 1:19:25.240
<v Speaker 2>this Jared Jerry Brudos And then again, were you like, Okay,

1:19:25.240 --> 1:19:27.559
<v Speaker 2>I'm set or was there another set of kind of

1:19:27.640 --> 1:19:31.040
<v Speaker 2>like no, I mean they do? Or were they different

1:19:31.040 --> 1:19:33.040
<v Speaker 2>like what was the vibe of the projects and stuff?

1:19:33.600 --> 1:19:36.200
<v Speaker 4>Totally different? I mean it couldn't have been more different

1:19:36.240 --> 1:19:36.799
<v Speaker 4>than the vibe.

1:19:36.920 --> 1:19:39.080
<v Speaker 5>And also the even though it had been a long

1:19:39.080 --> 1:19:42.519
<v Speaker 5>time ago, the prep for mind Hunter Jerry Brudos was

1:19:42.560 --> 1:19:46.680
<v Speaker 5>so extensive. Yeah, I'm so long that that by the

1:19:46.680 --> 1:19:49.599
<v Speaker 5>time we got to Monsters several years later. And also

1:19:49.760 --> 1:19:51.960
<v Speaker 5>Max Winkler, who directed that episode, is like, just so

1:19:52.120 --> 1:19:54.479
<v Speaker 5>you know, this is going to be the opposite of Fincher,

1:19:54.800 --> 1:19:57.240
<v Speaker 5>And he was right, like, we did everything in one

1:19:57.280 --> 1:20:00.360
<v Speaker 5>take more or less, and menueil Fincher does like seventy takes,

1:20:00.439 --> 1:20:02.800
<v Speaker 5>you know, so uh and it was I was really

1:20:03.920 --> 1:20:06.760
<v Speaker 5>pleasantly surprised, but also kind of alarmed how easily I

1:20:06.800 --> 1:20:10.000
<v Speaker 5>slid back to that character and the way he talks

1:20:10.000 --> 1:20:10.479
<v Speaker 5>and everything.

1:20:10.600 --> 1:20:12.719
<v Speaker 4>I was like, oh, maybe this shouldn't come so easily.

1:20:13.200 --> 1:20:15.920
<v Speaker 2>Wait, what is? Because I loved I love Fincher movies

1:20:16.080 --> 1:20:18.840
<v Speaker 2>so much. Oh, I love watching everything. But then you

1:20:18.880 --> 1:20:21.679
<v Speaker 2>hear stories of like you're on Clint's Eastwood said it's

1:20:21.680 --> 1:20:25.080
<v Speaker 2>one and done. Everyone's chill, we're moving through, and everyone

1:20:25.160 --> 1:20:29.040
<v Speaker 2>loves that, and then no one loves seventy takes and

1:20:29.080 --> 1:20:31.280
<v Speaker 2>it feels like he drives people crazy, But then the

1:20:31.320 --> 1:20:34.600
<v Speaker 2>product is so good. What are yeah? What's what? What

1:20:34.640 --> 1:20:37.360
<v Speaker 2>does he need? What is he looking for a profession?

1:20:38.000 --> 1:20:41.800
<v Speaker 4>Maybe well, he's a perfectionist for sure, and and uh

1:20:41.840 --> 1:20:45.640
<v Speaker 4>so you know, one of his bestdies, apparently is Steven Soderbergh,

1:20:45.640 --> 1:20:47.960
<v Speaker 4>who's literally his His motto is I tried to do

1:20:48.000 --> 1:20:51.640
<v Speaker 4>everything in under one take, and so I had just

1:20:51.680 --> 1:20:54.960
<v Speaker 4>come from The Nick onto mind Hunter, and so there

1:20:55.040 --> 1:20:58.080
<v Speaker 4>was they couldn't be That's the Soderbergh's more in the

1:20:58.080 --> 1:21:00.920
<v Speaker 4>Clint Eastwood School. I mean, the day are so short.

1:21:01.560 --> 1:21:04.320
<v Speaker 5>One time, I did my part of three different episodes

1:21:04.320 --> 1:21:07.600
<v Speaker 5>on The Nick in about four hours, which is like, wow,

1:21:08.160 --> 1:21:10.840
<v Speaker 5>unheard of, and it's awesome, and that's an amazing way

1:21:10.840 --> 1:21:13.000
<v Speaker 5>to work. But you need to know exactly what you're

1:21:13.040 --> 1:21:15.000
<v Speaker 5>going to do and get in and get out. What

1:21:15.400 --> 1:21:19.080
<v Speaker 5>made the Fincher thing so exciting was because the work

1:21:19.160 --> 1:21:21.880
<v Speaker 5>was so intense and laborious. It felt more like like

1:21:21.920 --> 1:21:24.800
<v Speaker 5>rehearsing a play for fifteen hours a day and then

1:21:24.920 --> 1:21:27.720
<v Speaker 5>cameras just happened to catch it. It didn't feel like

1:21:27.800 --> 1:21:33.320
<v Speaker 5>doing television at all. Oh interesting, yeah yeah. And the

1:21:33.360 --> 1:21:36.120
<v Speaker 5>discussions around each scene, where you know, I'm a theater kid,

1:21:36.160 --> 1:21:38.720
<v Speaker 5>so I don't not only do I not mind, I

1:21:38.760 --> 1:21:42.160
<v Speaker 5>really like to go on and on about what's happening

1:21:42.240 --> 1:21:45.879
<v Speaker 5>and motivations and the distinct relationships and everything.

1:21:46.640 --> 1:21:51.560
<v Speaker 4>So I loved that, although we all were exhausted.

1:21:51.240 --> 1:21:54.800
<v Speaker 1>Yeah, you need to get on the pit. I heard

1:21:54.800 --> 1:21:59.080
<v Speaker 1>that the pit is like they specifically hire a lot

1:21:59.080 --> 1:22:04.439
<v Speaker 1>of theater actors because it's specifically they're shooting it like

1:22:04.600 --> 1:22:08.320
<v Speaker 1>the theater style more. I guess, oh that would be cool.

1:22:08.400 --> 1:22:09.040
<v Speaker 4>Yeah.

1:22:09.320 --> 1:22:11.240
<v Speaker 1>I think probably also because it's like a lot of

1:22:11.280 --> 1:22:14.000
<v Speaker 1>technical language, so they probably just have to like rehearse

1:22:14.000 --> 1:22:16.800
<v Speaker 1>and rehearse and rehearse to get all that done. But

1:22:17.120 --> 1:22:18.320
<v Speaker 1>I could see you on the pit.

1:22:18.760 --> 1:22:22.720
<v Speaker 2>And then do theme. Is it always specific notes or

1:22:22.760 --> 1:22:24.759
<v Speaker 2>it's just like do it again? And then you find

1:22:24.920 --> 1:22:27.200
<v Speaker 2>stuff out of it because it's like a rehearsal, you're

1:22:27.200 --> 1:22:28.360
<v Speaker 2>always trying something.

1:22:29.920 --> 1:22:32.120
<v Speaker 5>I would say very much both. I mean he's very

1:22:32.200 --> 1:22:35.519
<v Speaker 5>very specific and then but then also you're encouraged to

1:22:35.520 --> 1:22:38.080
<v Speaker 5>play and try stuff too. Yeah, I mean it's that

1:22:38.200 --> 1:22:39.400
<v Speaker 5>time is such a blur.

1:22:39.720 --> 1:22:39.920
<v Speaker 4>You know.

1:22:40.240 --> 1:22:43.240
<v Speaker 5>It was like almost three weeks for three freaking scenes,

1:22:43.560 --> 1:22:44.120
<v Speaker 5>you know what I mean.

1:22:44.160 --> 1:22:47.080
<v Speaker 4>So you just go and go and go and go

1:22:47.160 --> 1:22:48.400
<v Speaker 4>till you can't go anymore.

1:22:48.560 --> 1:22:52.320
<v Speaker 1>I loved mind Hunters so much, and Google knows that

1:22:52.400 --> 1:22:55.800
<v Speaker 1>about me, and they kind of constantly give me, like

1:22:55.840 --> 1:22:58.120
<v Speaker 1>you know, right below your Google it'll be like things

1:22:58.120 --> 1:23:00.920
<v Speaker 1>you might be interested in, and it's like mine Hunter

1:23:01.000 --> 1:23:03.040
<v Speaker 1>season three is it on its way back? And I'm

1:23:03.040 --> 1:23:05.679
<v Speaker 1>always clicking on these articles, and they're like, no word yet,

1:23:05.720 --> 1:23:09.400
<v Speaker 1>and I'm like, stop, stop clickbaiting me with talk of

1:23:09.439 --> 1:23:12.719
<v Speaker 1>mind Hunter, But they keep saying that they're like people

1:23:12.760 --> 1:23:16.280
<v Speaker 1>I guess really want a revival at this point of

1:23:16.320 --> 1:23:17.400
<v Speaker 1>season three. I don't know.

1:23:17.960 --> 1:23:20.639
<v Speaker 5>I love well, there's there's a lot of talk about

1:23:20.640 --> 1:23:24.280
<v Speaker 5>a movie to finish. Sure, I don't know how close

1:23:24.320 --> 1:23:26.519
<v Speaker 5>that is to coming to fruition, but I've heard from

1:23:26.520 --> 1:23:30.280
<v Speaker 5>a lot of people directly involved that that's the next

1:23:30.320 --> 1:23:31.479
<v Speaker 5>move they're angling for.

1:23:31.760 --> 1:23:34.400
<v Speaker 1>I just think it's so interesting the guys that finally

1:23:34.400 --> 1:23:39.360
<v Speaker 1>decided to start studying these guys, you know, like, why

1:23:39.439 --> 1:23:43.240
<v Speaker 1>are we not figuring this out? Like I think there

1:23:43.320 --> 1:23:46.200
<v Speaker 1>was just a time of it's an aberration. They're just

1:23:46.280 --> 1:23:48.920
<v Speaker 1>a freak, you know, but like you gotta start like

1:23:48.960 --> 1:23:52.599
<v Speaker 1>why is this happening a pattern? Yeah? Yeah, and all

1:23:52.680 --> 1:23:54.760
<v Speaker 1>the guys, at least a lot of the different ones

1:23:54.760 --> 1:23:59.000
<v Speaker 1>in mind Hunter, they're different, you know, there's not all Yeah.

1:23:59.200 --> 1:24:02.360
<v Speaker 2>So what was it like being in the Bad Boys universe?

1:24:03.720 --> 1:24:05.360
<v Speaker 4>Awesome? That was great.

1:24:06.439 --> 1:24:10.040
<v Speaker 5>I mean, yeah, it was a last minute thing. I

1:24:10.080 --> 1:24:14.519
<v Speaker 5>think I think I replaced a comedian actually, and so

1:24:14.680 --> 1:24:19.160
<v Speaker 5>more or less that entire scene is improvised cool. Yeah, yeah,

1:24:19.240 --> 1:24:23.080
<v Speaker 5>so that was pretty awesome. Two not so bad guys

1:24:23.120 --> 1:24:26.640
<v Speaker 5>to do it with, too and Martin and Will and

1:24:26.680 --> 1:24:29.519
<v Speaker 5>Will I think Will pitched me for that job because

1:24:29.520 --> 1:24:31.840
<v Speaker 5>I had done Bright with him a couple of years

1:24:31.840 --> 1:24:36.080
<v Speaker 5>before that, so that was that was kind of awesome.

1:24:36.320 --> 1:24:38.280
<v Speaker 5>And I didn't I mean, I knew so little of

1:24:38.320 --> 1:24:39.920
<v Speaker 5>what we were about to do that I didn't. It

1:24:39.960 --> 1:24:41.920
<v Speaker 5>didn't bother me. They were improvising because I was like,

1:24:41.920 --> 1:24:43.120
<v Speaker 5>I guess this is how this goes.

1:24:43.240 --> 1:24:44.640
<v Speaker 2>You know, so you like it all because you know,

1:24:44.720 --> 1:24:48.880
<v Speaker 2>with theater, I would assume you want some information, but

1:24:48.920 --> 1:24:51.519
<v Speaker 2>you enjoyed the improvising very much.

1:24:51.560 --> 1:24:53.200
<v Speaker 4>So yeah. Yeah.

1:24:53.400 --> 1:24:55.439
<v Speaker 5>The ideal thing is though the structure of a fully

1:24:55.479 --> 1:24:58.000
<v Speaker 5>realized and developed character, and then to improvise within that.

1:24:58.000 --> 1:24:59.639
<v Speaker 4>That's kind of the most fun.

1:25:00.160 --> 1:25:03.280
<v Speaker 2>I think, what was your original bad guy role that

1:25:03.280 --> 1:25:09.640
<v Speaker 2>that became. Oh yeah, yeah.

1:25:10.040 --> 1:25:10.240
<v Speaker 4>I was.

1:25:10.400 --> 1:25:12.120
<v Speaker 5>I was a Thuggan and that was my first, like

1:25:12.840 --> 1:25:14.960
<v Speaker 5>first time I had like a major arc in anything,

1:25:15.080 --> 1:25:17.480
<v Speaker 5>you know, for like two seasons.

1:25:17.920 --> 1:25:22.719
<v Speaker 2>Okay, and then you're in one of Kara's favorite shows, Clause.

1:25:23.560 --> 1:25:26.879
<v Speaker 2>Oh yeah, I love Clause.

1:25:27.160 --> 1:25:28.439
<v Speaker 1>But you know what I was going to ask you

1:25:28.439 --> 1:25:32.320
<v Speaker 1>about is actually this show bar Kharma, this weird show

1:25:32.400 --> 1:25:33.200
<v Speaker 1>for Current TV.

1:25:34.000 --> 1:25:34.760
<v Speaker 4>Did you see that?

1:25:34.920 --> 1:25:38.439
<v Speaker 1>Dude? I was on it episode of it? Oh my god.

1:25:38.800 --> 1:25:43.840
<v Speaker 1>My boss was the executive producer of that show, like

1:25:45.080 --> 1:25:47.439
<v Speaker 1>not like the showrunner, but like the executive producers. He

1:25:47.520 --> 1:25:50.559
<v Speaker 1>was on set every day and he knew I was

1:25:50.600 --> 1:25:52.559
<v Speaker 1>acting and do and doing comedy and stuff, and so

1:25:52.600 --> 1:25:54.320
<v Speaker 1>he gave me like a little part on that show.

1:25:54.520 --> 1:25:56.040
<v Speaker 1>So when I was looking at your IMDb, I'm like,

1:25:56.040 --> 1:25:58.000
<v Speaker 1>oh my god, I can't believe this is an actual

1:25:58.520 --> 1:26:02.519
<v Speaker 1>person that's done bar Karma. Like it was such a

1:26:02.600 --> 1:26:06.320
<v Speaker 1>weird so show, but I'm glad.

1:26:06.160 --> 1:26:09.839
<v Speaker 4>You that's amazing.

1:26:09.880 --> 1:26:11.040
<v Speaker 1>I'm like, I don't remember what.

1:26:10.880 --> 1:26:11.679
<v Speaker 2>What is that show?

1:26:11.800 --> 1:26:12.360
<v Speaker 1>What is bart?

1:26:12.400 --> 1:26:17.200
<v Speaker 2>What is it? It's nonscript like a game show, no show,

1:26:18.920 --> 1:26:19.719
<v Speaker 2>which was so weird.

1:26:19.720 --> 1:26:21.880
<v Speaker 1>I feel like Current was trying to get into scripted

1:26:22.640 --> 1:26:26.120
<v Speaker 1>and I can't even tell you.

1:26:26.439 --> 1:26:27.080
<v Speaker 4>I can't.

1:26:27.200 --> 1:26:29.920
<v Speaker 1>I don't even remember what it was like about, Like.

1:26:29.880 --> 1:26:33.360
<v Speaker 4>It's I think time travel to some it's like.

1:26:33.360 --> 1:26:35.720
<v Speaker 2>Time travel, yes, something like that.

1:26:35.960 --> 1:26:37.880
<v Speaker 4>Yeah, you're like.

1:26:37.840 --> 1:26:38.559
<v Speaker 1>Did you see that?

1:26:38.880 --> 1:26:39.840
<v Speaker 2>No, I was on.

1:26:42.240 --> 1:26:48.000
<v Speaker 1>Crazy but this as VU episode murdered about address. So

1:26:48.120 --> 1:26:51.720
<v Speaker 1>you we love when they first find you. We like

1:26:51.760 --> 1:26:54.200
<v Speaker 1>thought your performance was so great that you that you

1:26:54.240 --> 1:26:57.240
<v Speaker 1>were just like, yeah, I kind of know, I've been

1:26:57.360 --> 1:26:59.240
<v Speaker 1>I know, it's not like I'm really busy. I got

1:26:59.280 --> 1:27:00.759
<v Speaker 1>stuff to do, Like I mean.

1:27:00.880 --> 1:27:03.639
<v Speaker 6>It was just such a casual, good take because usually

1:27:03.720 --> 1:27:07.880
<v Speaker 6>people are like so stressed and it's obviously you really

1:27:08.240 --> 1:27:11.000
<v Speaker 6>your character was really relaxed.

1:27:12.560 --> 1:27:13.080
<v Speaker 4>Yeah.

1:27:13.200 --> 1:27:15.840
<v Speaker 5>Yeah, well and when they hired me they said it

1:27:15.920 --> 1:27:18.519
<v Speaker 5>specifically because of the mind Hunter thing, So I was like, well,

1:27:18.680 --> 1:27:21.400
<v Speaker 5>if I'm the killer, then yeah, I have to be

1:27:21.400 --> 1:27:23.920
<v Speaker 5>comfortable with it, right, you know, And.

1:27:23.920 --> 1:27:25.439
<v Speaker 1>Because like a lot of times people will be like

1:27:25.760 --> 1:27:27.200
<v Speaker 1>because the whole thing is they try to get you

1:27:27.240 --> 1:27:28.880
<v Speaker 1>to say, oh, give your DNA, and then you'll just

1:27:28.920 --> 1:27:30.800
<v Speaker 1>be cleared and you're like a lot of times you'll

1:27:30.840 --> 1:27:35.120
<v Speaker 1>be like you want my DNA, No, I don't, I don't.

1:27:35.160 --> 1:27:37.840
<v Speaker 1>You know, you were just like the government getting my DNA,

1:27:38.040 --> 1:27:39.960
<v Speaker 1>I don't think. So, you know, like it was so

1:27:40.120 --> 1:27:41.639
<v Speaker 1>relaxed that it was like this is the guy who's

1:27:41.640 --> 1:27:44.800
<v Speaker 1>been getting away with crimes for two decades and he

1:27:44.960 --> 1:27:46.840
<v Speaker 1>knows how to get out of shit, you know, like

1:27:47.400 --> 1:27:49.320
<v Speaker 1>it's just so smooth. We don't know at the time

1:27:49.360 --> 1:27:51.559
<v Speaker 1>when we first meet your character, we don't necessarily know

1:27:51.600 --> 1:27:55.400
<v Speaker 1>you're the bad guy, but you play it smooth.

1:27:55.680 --> 1:27:57.640
<v Speaker 2>Yeah, it could have been a red herring, like you know,

1:27:57.680 --> 1:28:01.000
<v Speaker 2>you're you were just the first person that they talked to.

1:28:01.240 --> 1:28:04.240
<v Speaker 2>But no, because Karen mentioned like he's been getting away

1:28:04.280 --> 1:28:06.480
<v Speaker 2>with it for so long. That's probably where his confidence

1:28:06.479 --> 1:28:10.839
<v Speaker 2>and casualness comes from. And I wonder if he knew

1:28:11.040 --> 1:28:15.880
<v Speaker 2>attacking these like people would give him that.

1:28:16.479 --> 1:28:18.360
<v Speaker 1>Or if you learned that over time, you know what

1:28:18.400 --> 1:28:18.680
<v Speaker 1>I mean.

1:28:18.920 --> 1:28:22.920
<v Speaker 5>Like, I just wonder, well, when studying these people, it's

1:28:22.960 --> 1:28:25.720
<v Speaker 5>like they that's what gives them the confidence, is like

1:28:25.880 --> 1:28:28.040
<v Speaker 5>they do whatever they want and they get away with it.

1:28:28.120 --> 1:28:31.519
<v Speaker 5>So but by the time someone is middle aged or older,

1:28:31.720 --> 1:28:34.759
<v Speaker 5>it's like they're not going to catch me. They'll be silly.

1:28:34.800 --> 1:28:36.840
<v Speaker 1>No, you even have the confidence when you kind of

1:28:36.880 --> 1:28:40.080
<v Speaker 1>like drop the politeness in the next scene where they're

1:28:40.640 --> 1:28:42.320
<v Speaker 1>the next big scene that you have where you're like

1:28:42.840 --> 1:28:47.600
<v Speaker 1>saying all that stuff like I'm not I'm not festinto

1:28:47.680 --> 1:28:50.400
<v Speaker 1>no pedal, Like you're saying all this like slash Suddenly

1:28:50.439 --> 1:28:52.519
<v Speaker 1>you're just you're like the way you talk is different

1:28:52.960 --> 1:28:57.519
<v Speaker 1>the character and you're still like, I don't know. There

1:28:57.560 --> 1:28:59.880
<v Speaker 1>was a part where they were like, we have you

1:29:00.200 --> 1:29:02.280
<v Speaker 1>something back in two thousand and three, and he goes, oh,

1:29:02.280 --> 1:29:04.879
<v Speaker 1>the double murder. You know what, you're like telling on yourself.

1:29:04.880 --> 1:29:07.400
<v Speaker 1>But you're still so confident that you know about this

1:29:07.400 --> 1:29:09.160
<v Speaker 1>double murder. You know exactly what the time because.

1:29:08.960 --> 1:29:09.320
<v Speaker 2>You did it.

1:29:09.600 --> 1:29:11.839
<v Speaker 1>But you're not but you're like you're not even scared

1:29:11.880 --> 1:29:14.840
<v Speaker 1>to talk. And then you're just like using racist and

1:29:14.880 --> 1:29:17.519
<v Speaker 1>homophobic language and you're like I don't care, like I

1:29:17.640 --> 1:29:19.679
<v Speaker 1>literally can. I'm the king of the world. I could

1:29:19.680 --> 1:29:23.639
<v Speaker 1>have got I'm like a twenty year killer rapist who

1:29:24.280 --> 1:29:27.240
<v Speaker 1>I do what I want. But what do you remember

1:29:27.280 --> 1:29:32.519
<v Speaker 1>any like moments of shooting that, Like you had a

1:29:32.560 --> 1:29:35.080
<v Speaker 1>sleeve ball lawyer, the sleeve Ball lawyer.

1:29:35.120 --> 1:29:38.120
<v Speaker 5>That guy was funny man. I had ever met him before.

1:29:38.240 --> 1:29:40.639
<v Speaker 5>He was like, hey, yeah, like he was that guy,

1:29:40.720 --> 1:29:44.040
<v Speaker 5>you know. Uh, and he was a lot of fun

1:29:44.120 --> 1:29:46.439
<v Speaker 5>that the first day of filling was that time when

1:29:46.439 --> 1:29:48.360
<v Speaker 5>they first interviewed me in front of that building that

1:29:48.400 --> 1:29:51.679
<v Speaker 5>was in the Bronx and uh, and I just remember

1:29:51.720 --> 1:29:55.200
<v Speaker 5>everyone coming out to watch us and and uh, you

1:29:55.200 --> 1:29:59.880
<v Speaker 5>know in the neighborhood and and and uh that that

1:30:00.080 --> 1:30:03.120
<v Speaker 5>usually doesn't happen very much because sets are pretty like

1:30:03.320 --> 1:30:06.720
<v Speaker 5>locked down pretty well, but like it everyone's coming out

1:30:06.760 --> 1:30:07.800
<v Speaker 5>of their house and it was great.

1:30:08.080 --> 1:30:10.360
<v Speaker 4>I really enjoyed it. And Ice and I were.

1:30:10.720 --> 1:30:13.679
<v Speaker 5>You know, we're talking and taking pictures and everything, and

1:30:13.680 --> 1:30:15.839
<v Speaker 5>and it's like you could see the PA's like panicking

1:30:15.920 --> 1:30:18.519
<v Speaker 5>and not knowing what to do and and uh and

1:30:18.560 --> 1:30:20.080
<v Speaker 5>it was like, I don't know why, but I was

1:30:20.120 --> 1:30:22.280
<v Speaker 5>perfectly comfortable. I was like, I relax, we'll get to

1:30:22.320 --> 1:30:23.840
<v Speaker 5>it when we get to like who am I?

1:30:23.920 --> 1:30:24.080
<v Speaker 4>You know?

1:30:24.960 --> 1:30:27.639
<v Speaker 5>But uh? But that that was that said a good tone.

1:30:27.680 --> 1:30:29.960
<v Speaker 5>And of course Marishka is awesome. So when I when

1:30:30.000 --> 1:30:32.439
<v Speaker 5>we got back for those interrogation scenes, that.

1:30:32.400 --> 1:30:34.400
<v Speaker 4>Was, that was great.

1:30:35.360 --> 1:30:39.120
<v Speaker 5>Those are probably my favorite, certainly ever since mind Hunter.

1:30:39.200 --> 1:30:42.120
<v Speaker 5>I I seemed to specialize in sitting down and saying

1:30:42.160 --> 1:30:42.639
<v Speaker 5>bad shit.

1:30:42.880 --> 1:30:46.320
<v Speaker 1>Yeah, yeah, hey, I see one of one of the

1:30:46.320 --> 1:30:48.680
<v Speaker 1>Ice Cold fogs. He always says is don't stand if

1:30:48.720 --> 1:30:52.479
<v Speaker 1>you can sit, don't sit if you like you know.

1:30:53.240 --> 1:30:55.360
<v Speaker 2>And if you watch U s VU with that in mind,

1:30:55.600 --> 1:30:58.000
<v Speaker 2>you really start to notice how much leaning and sitting

1:30:58.120 --> 1:31:01.360
<v Speaker 2>he's doing a ton of it.

1:31:01.920 --> 1:31:02.160
<v Speaker 4>Yeah.

1:31:02.600 --> 1:31:05.679
<v Speaker 1>Really, I mean we're obsessed with everyone.

1:31:06.560 --> 1:31:10.280
<v Speaker 2>Do you remember any more like iced Ty Marishka moments

1:31:10.360 --> 1:31:11.880
<v Speaker 2>or specifics or anything like that.

1:31:12.720 --> 1:31:18.479
<v Speaker 4>Uh you say, you know, they were so uh, their

1:31:18.520 --> 1:31:21.519
<v Speaker 4>personalities are so different and they've been working together for

1:31:21.560 --> 1:31:24.800
<v Speaker 4>so long. It was it's very rare, you know, you're

1:31:24.840 --> 1:31:27.840
<v Speaker 4>just passing through on a show and everything is such

1:31:27.880 --> 1:31:30.400
<v Speaker 4>a well run machine. I mean it was.

1:31:30.680 --> 1:31:34.200
<v Speaker 5>It was very very straightforward, and we got through stuff fast,

1:31:34.280 --> 1:31:37.479
<v Speaker 5>and uh, you know Ice would kind of go back

1:31:37.520 --> 1:31:40.160
<v Speaker 5>by himself and Mariska would stay and chat with everybody

1:31:40.160 --> 1:31:43.280
<v Speaker 5>and kind of hold court and be lovely. And I

1:31:43.400 --> 1:31:45.760
<v Speaker 5>sort of really like both versions of that because I

1:31:45.800 --> 1:31:48.760
<v Speaker 5>can appreciate someone wanting to keep to themselves, but I

1:31:48.800 --> 1:31:51.200
<v Speaker 5>also like she's one of the best number ones I've

1:31:51.240 --> 1:31:54.280
<v Speaker 5>worked with, Like her and Will Smith are like they

1:31:54.360 --> 1:31:57.120
<v Speaker 5>set the standard of like like how to be and

1:31:57.320 --> 1:31:59.800
<v Speaker 5>accept that responsibility of being number one on the call

1:31:59.840 --> 1:32:03.800
<v Speaker 5>SAT and making everyone feel welcome and good and you know,

1:32:03.920 --> 1:32:07.719
<v Speaker 5>just setting a great gray vibe. So that was awesome,

1:32:07.760 --> 1:32:09.280
<v Speaker 5>you know, and she's been doing it for so long.

1:32:09.360 --> 1:32:12.720
<v Speaker 5>It was so professional and so clear and Crisp.

1:32:13.439 --> 1:32:16.640
<v Speaker 1>Woll, that's cool. Will Smith, Huh. We always hear that

1:32:16.680 --> 1:32:19.320
<v Speaker 1>Marishka was like an impeccable number one, Like she's the

1:32:19.360 --> 1:32:22.880
<v Speaker 1>reason the show has been on but we'll stiff too. Yeah.

1:32:23.040 --> 1:32:26.040
<v Speaker 2>People say, like he yeah, in his book he talk

1:32:26.080 --> 1:32:27.639
<v Speaker 2>about but he remembers everyone's name.

1:32:27.880 --> 1:32:32.439
<v Speaker 5>Oh like on Bright, he through birthday parties for crew

1:32:32.479 --> 1:32:33.160
<v Speaker 5>members and stuff.

1:32:33.240 --> 1:32:34.360
<v Speaker 1>Oh that's so nice.

1:32:35.000 --> 1:32:37.400
<v Speaker 4>Yeah, yeah he was. He was really really.

1:32:37.280 --> 1:32:38.760
<v Speaker 1>So you've worked with him a couple of times? Then

1:32:38.800 --> 1:32:39.440
<v Speaker 1>I guess.

1:32:39.240 --> 1:32:42.280
<v Speaker 4>Huh, yeah, Well I did Bright and then two years later,

1:32:42.320 --> 1:32:44.760
<v Speaker 4>bad boys came up and went whomever it was they

1:32:44.800 --> 1:32:47.599
<v Speaker 4>couldn't do it. He just said, well, we just get

1:32:47.640 --> 1:32:48.080
<v Speaker 4>this guy.

1:32:48.560 --> 1:32:51.000
<v Speaker 5>I was doing a play in New York and like then,

1:32:51.360 --> 1:32:54.400
<v Speaker 5>after the mattinee and set, I got the call on

1:32:54.439 --> 1:32:56.559
<v Speaker 5>a Friday. After the matinee, on Sunday, I flew down

1:32:56.560 --> 1:32:59.519
<v Speaker 5>to Atlanta and shot all day Tuesday, all day Monday,

1:32:59.720 --> 1:33:01.600
<v Speaker 5>half the day Tuesday, went back to New York to

1:33:01.600 --> 1:33:03.599
<v Speaker 5>get to make the night time performance on Tuesday.

1:33:03.920 --> 1:33:07.040
<v Speaker 1>Wow, so wait, but you're are you currently in Brigadoon

1:33:07.080 --> 1:33:09.720
<v Speaker 1>at Pasadena Playhouse? I am, It's so crazy. I was

1:33:09.760 --> 1:33:11.880
<v Speaker 1>looking at your you know, I was researching you, slash

1:33:11.880 --> 1:33:14.240
<v Speaker 1>stocking your instagrams, trying to see and I saw and

1:33:14.280 --> 1:33:17.240
<v Speaker 1>then Pasadena Playhouse emails me all the time because I've

1:33:17.240 --> 1:33:19.400
<v Speaker 1>seen stuff there and I was like, Oh, the guy

1:33:19.439 --> 1:33:21.320
<v Speaker 1>we're interviewing today's in Brigadoon. And then I was like, oh,

1:33:21.320 --> 1:33:23.280
<v Speaker 1>he's in it right now, Like I did, I put

1:33:23.280 --> 1:33:25.840
<v Speaker 1>it all together. That's exciting. And it's only playing for

1:33:25.920 --> 1:33:28.000
<v Speaker 1>like another week and a half or something.

1:33:28.120 --> 1:33:29.439
<v Speaker 4>Fourteenth fourteenth?

1:33:31.280 --> 1:33:34.839
<v Speaker 2>Wow? Yeah, wait, do you have any dream theater roles?

1:33:34.960 --> 1:33:36.559
<v Speaker 4>The false Staff?

1:33:37.240 --> 1:33:38.599
<v Speaker 2>What is it? False staff?

1:33:38.720 --> 1:33:39.240
<v Speaker 4>False staff?

1:33:39.280 --> 1:33:43.600
<v Speaker 5>He's he shows up in about five Shakespeare plays the

1:33:43.680 --> 1:33:45.960
<v Speaker 5>Henry's Marywise of windsor.

1:33:48.080 --> 1:33:48.479
<v Speaker 4>What else?

1:33:48.760 --> 1:33:52.880
<v Speaker 5>He's he's He's a retired night who's funny in a

1:33:52.920 --> 1:33:56.879
<v Speaker 5>fall down drunk but also in a ton of pain, okay,

1:33:57.120 --> 1:34:00.000
<v Speaker 5>and processing grief and pain while also making people laugh.

1:34:00.280 --> 1:34:04.200
<v Speaker 5>And it's just it's it's like it's like the perfect role,

1:34:04.920 --> 1:34:05.280
<v Speaker 5>I think.

1:34:05.600 --> 1:34:07.960
<v Speaker 1>And you have time. This guy looks old, right, so

1:34:08.040 --> 1:34:08.680
<v Speaker 1>this is like.

1:34:10.280 --> 1:34:14.400
<v Speaker 2>You have like year this, you have decades to make

1:34:14.439 --> 1:34:16.000
<v Speaker 2>it half a fill.

1:34:15.720 --> 1:34:17.719
<v Speaker 4>This from your lips to God's ears, my friend?

1:34:17.880 --> 1:34:21.560
<v Speaker 2>Yeah, you got uh cool? I just saw Titus and

1:34:21.640 --> 1:34:25.479
<v Speaker 2>Dronicus and I it was off Broadway, but like on

1:34:25.520 --> 1:34:28.280
<v Speaker 2>forty second and tenth or forty fifth and tenth, the

1:34:28.320 --> 1:34:32.479
<v Speaker 2>guy from Hadestown was in it. Patrick Page, Okay, Adam. Okay,

1:34:32.560 --> 1:34:36.160
<v Speaker 2>my other But I didn't know Shakespeare were such a freak.

1:34:37.920 --> 1:34:40.439
<v Speaker 4>Good dude, you haven't seen nothing yet.

1:34:40.479 --> 1:34:40.719
<v Speaker 2>Wait?

1:34:40.760 --> 1:34:43.000
<v Speaker 1>What what's creep? What's crazier than that one?

1:34:43.360 --> 1:34:43.639
<v Speaker 4>Oh?

1:34:43.800 --> 1:34:46.960
<v Speaker 5>So last year? It hasn't come out yet, but it's

1:34:47.000 --> 1:34:50.200
<v Speaker 5>maybe even two years ago. I had a smaller part

1:34:50.280 --> 1:34:52.840
<v Speaker 5>in a movie called Lear Rex, which is a film

1:34:52.880 --> 1:34:56.599
<v Speaker 5>adaptation of king Lear where al Pacino plays King Lear

1:34:57.439 --> 1:35:01.040
<v Speaker 5>and uh, and that's an incredibly violent and also like

1:35:01.200 --> 1:35:05.320
<v Speaker 5>dementia ridden character. This version is interesting because it's half

1:35:05.360 --> 1:35:09.320
<v Speaker 5>in like regular current day speak, and then half uh

1:35:09.880 --> 1:35:12.840
<v Speaker 5>the Shakespeare's actual text, because it's about uh, like an

1:35:12.880 --> 1:35:14.880
<v Speaker 5>eight year old actor who all his life has wanted

1:35:14.920 --> 1:35:16.920
<v Speaker 5>to play King Lear, but now he's in a coma

1:35:17.439 --> 1:35:20.080
<v Speaker 5>and the play plays out in his head, in his mind,

1:35:20.160 --> 1:35:22.519
<v Speaker 5>and people from his real life are show up as

1:35:22.600 --> 1:35:24.200
<v Speaker 5>characters in the stop.

1:35:24.080 --> 1:35:25.840
<v Speaker 2>This seems When is this coming out?

1:35:26.600 --> 1:35:28.160
<v Speaker 4>Well? That's just it. I don't know.

1:35:32.640 --> 1:35:35.439
<v Speaker 2>How. That's so crazy, Like al Pacino's in an indie

1:35:35.479 --> 1:35:38.120
<v Speaker 2>that's not selling, Like what the fuck? Like, what's happening?

1:35:38.479 --> 1:35:38.920
<v Speaker 2>I want it?

1:35:40.080 --> 1:35:41.839
<v Speaker 1>It's crazy?

1:35:42.040 --> 1:35:42.439
<v Speaker 2>Is in it?

1:35:43.240 --> 1:35:46.160
<v Speaker 4>Yeah? I know, Rachel? You know what I found out too.

1:35:46.160 --> 1:35:48.680
<v Speaker 5>Ted Levine is in it, who played Buffalo Bill of

1:35:48.720 --> 1:35:51.880
<v Speaker 5>course in science and he blayed based Buffalo Bill on

1:35:52.000 --> 1:35:53.720
<v Speaker 5>Jerry Brutos, Oh my.

1:35:53.720 --> 1:35:58.120
<v Speaker 1>God, and the Keith Sanfield Peter Dinklage, I mean like

1:35:58.160 --> 1:36:01.000
<v Speaker 1>the Ariana Debo's this is like a Rachel Brosna and

1:36:01.080 --> 1:36:02.080
<v Speaker 1>his cast is wild.

1:36:02.600 --> 1:36:06.360
<v Speaker 2>Oh Christmas Cina Wait, this is nuts. This seems cool.

1:36:06.880 --> 1:36:08.720
<v Speaker 1>And it was a writer director.

1:36:09.400 --> 1:36:10.400
<v Speaker 4>Yeah, Bernard Rose.

1:36:10.880 --> 1:36:13.920
<v Speaker 5>Yeah, he so he wrote the modern day parts and

1:36:14.760 --> 1:36:18.000
<v Speaker 5>obviously Shakespeare wrote the dream parts, but I only was

1:36:18.040 --> 1:36:19.360
<v Speaker 5>only in the Shakespeare sections.

1:36:19.600 --> 1:36:22.360
<v Speaker 2>Okay, well he made candy Man, so.

1:36:23.120 --> 1:36:25.880
<v Speaker 4>He did make Candy Man animate, immortal, beloved.

1:36:25.520 --> 1:36:29.520
<v Speaker 1>So yeah, we need Annie did Anna Karinna.

1:36:29.600 --> 1:36:33.559
<v Speaker 2>Damn. You've worked with such great people for so many years.

1:36:33.600 --> 1:36:36.400
<v Speaker 2>Have you ever been starstruck or yeah?

1:36:37.040 --> 1:36:38.920
<v Speaker 4>With DeNiro, I was yeah.

1:36:38.800 --> 1:36:40.000
<v Speaker 2>Wow, that was the comedian.

1:36:40.920 --> 1:36:44.280
<v Speaker 5>Yeah, and the final callback everyone had to read with

1:36:44.439 --> 1:36:48.439
<v Speaker 5>Bob de Niro, and I watched people melt down and

1:36:48.479 --> 1:36:51.360
<v Speaker 5>he's been my hero since I was about nine, so

1:36:51.880 --> 1:36:55.120
<v Speaker 5>it was surreal to walk into an audition and have

1:36:55.240 --> 1:36:58.880
<v Speaker 5>him be there. But I I handled my shit well

1:36:58.880 --> 1:37:00.439
<v Speaker 5>because I knew that if I act like how I

1:37:00.479 --> 1:37:02.160
<v Speaker 5>wanted to act, there was no way he's going to

1:37:02.160 --> 1:37:05.640
<v Speaker 5>want to be around me. So I had a great

1:37:06.280 --> 1:37:08.040
<v Speaker 5>you know, you hear all kinds of things about all

1:37:08.080 --> 1:37:10.360
<v Speaker 5>these big stars. In my experience was that he was

1:37:10.439 --> 1:37:13.120
<v Speaker 5>lovely and I had a really, really great time with him,

1:37:13.160 --> 1:37:14.400
<v Speaker 5>and I'm greatful.

1:37:14.439 --> 1:37:16.479
<v Speaker 4>I mean, that was a highlight for sure. Usually I

1:37:16.479 --> 1:37:17.440
<v Speaker 4>don't get starstruck.

1:37:17.439 --> 1:37:20.760
<v Speaker 5>I get starstruck sometimes around professional athletes, but they're like

1:37:20.840 --> 1:37:22.840
<v Speaker 5>old men now because they're like from the nineteen eighty

1:37:22.840 --> 1:37:24.400
<v Speaker 5>six New York message.

1:37:25.600 --> 1:37:26.040
<v Speaker 1>That's wild.

1:37:26.080 --> 1:37:28.160
<v Speaker 2>So you love sports and the theater. So in high

1:37:28.160 --> 1:37:30.040
<v Speaker 2>school did you play sports? Was it hard to balance

1:37:30.080 --> 1:37:30.360
<v Speaker 2>at all?

1:37:31.960 --> 1:37:33.880
<v Speaker 5>It was very easy to let sports go because I

1:37:33.880 --> 1:37:36.519
<v Speaker 5>was much better at acting than I was the sport

1:37:36.840 --> 1:37:39.080
<v Speaker 5>I loved. I loved playing, but I was like third

1:37:39.120 --> 1:37:42.160
<v Speaker 5>string everything. My favorite one to play was football because

1:37:42.160 --> 1:37:44.840
<v Speaker 5>I could actually do something like I could knock a

1:37:44.880 --> 1:37:45.320
<v Speaker 5>guy over.

1:37:45.360 --> 1:37:50.040
<v Speaker 1>That was But yeah, I just hate running. That's my

1:37:50.040 --> 1:37:51.800
<v Speaker 1>fat all sports. I don't like running very.

1:37:51.760 --> 1:37:54.840
<v Speaker 4>Much, running up and down the court and everything. It's like,

1:37:54.920 --> 1:37:57.479
<v Speaker 4>come on, man, I can't do here. Put it in.

1:37:57.600 --> 1:37:59.240
<v Speaker 1>Yeah.

1:37:59.640 --> 1:38:03.000
<v Speaker 2>Wait, if you were to come back to SVU for

1:38:03.040 --> 1:38:05.880
<v Speaker 2>a third time, who would you like to be?

1:38:07.160 --> 1:38:09.880
<v Speaker 5>I'd like to be like a specialized like agent, like

1:38:10.120 --> 1:38:13.000
<v Speaker 5>if he needed the FBI or the BA or something

1:38:13.400 --> 1:38:15.800
<v Speaker 5>like like like the weather like has a cigarette in

1:38:15.880 --> 1:38:17.280
<v Speaker 5>his mouth. It's like, all right, I'm going to straighten

1:38:17.360 --> 1:38:18.600
<v Speaker 5>all this shit out, you know, like that.

1:38:19.960 --> 1:38:20.360
<v Speaker 2>What do you do?

1:38:20.360 --> 1:38:22.000
<v Speaker 1>You have anything coming up after Brigadoon?

1:38:23.600 --> 1:38:24.960
<v Speaker 4>I don't know what my next job is.

1:38:25.040 --> 1:38:27.800
<v Speaker 5>Right before Brigadoon, I did a few episodes of this

1:38:27.840 --> 1:38:30.479
<v Speaker 5>thing called this new series called The Spot, which will

1:38:30.479 --> 1:38:32.080
<v Speaker 5>be on Hulu.

1:38:33.800 --> 1:38:37.480
<v Speaker 4>I wonder if I think next year it's.

1:38:37.439 --> 1:38:39.240
<v Speaker 2>I don't know if it's upcoming.

1:38:39.479 --> 1:38:40.000
<v Speaker 1>Oh my god.

1:38:40.080 --> 1:38:44.120
<v Speaker 5>Claire Danes, yeah, yeah, and the showrunner who's doing it.

1:38:44.160 --> 1:38:46.400
<v Speaker 5>I'd worked with him and Claire two years ago on

1:38:46.479 --> 1:38:50.120
<v Speaker 5>a different thing called Full Circle, and we filmed in

1:38:50.200 --> 1:38:52.640
<v Speaker 5>my old hometown in upstate New York. It was the

1:38:52.680 --> 1:38:57.639
<v Speaker 5>craziest thing. Uh like uh like video no no no.

1:38:58.760 --> 1:39:00.840
<v Speaker 5>Base camp was in the park a lot of the

1:39:00.960 --> 1:39:02.559
<v Speaker 5>bank where I opened my first bank.

1:39:02.360 --> 1:39:03.519
<v Speaker 4>Account at sixteen years old.

1:39:03.600 --> 1:39:04.200
<v Speaker 1>Where are you from?

1:39:05.080 --> 1:39:08.679
<v Speaker 5>I'm from High Falls, New York. It's a tiny little town.

1:39:09.000 --> 1:39:11.519
<v Speaker 5>The gas station where I stole my first beer was

1:39:11.600 --> 1:39:15.599
<v Speaker 5>right across the street. Well, so if you leave, if

1:39:15.680 --> 1:39:19.559
<v Speaker 5>you get on the Metro North out of Grand Central.

1:39:19.760 --> 1:39:22.519
<v Speaker 5>The last stop of the Metro North is Poughkeepsie. So

1:39:22.560 --> 1:39:24.840
<v Speaker 5>then after Poughkeepsie is New Pauls, and then after New

1:39:24.880 --> 1:39:27.160
<v Speaker 5>Paul's is High Falls where I grew up. Okay, so

1:39:27.760 --> 1:39:29.519
<v Speaker 5>I grew up like in the woods and shit, like

1:39:29.560 --> 1:39:31.519
<v Speaker 5>in mountains and farms and everything.

1:39:31.880 --> 1:39:36.640
<v Speaker 2>Well, you have so many So the All Nighter, Capsize,

1:39:36.840 --> 1:39:37.639
<v Speaker 2>Magic Circle.

1:39:39.800 --> 1:39:41.760
<v Speaker 5>Well, the Magic Circle was a short. I don't know

1:39:41.760 --> 1:39:43.960
<v Speaker 5>if that ever came out or not. But the three

1:39:43.960 --> 1:39:45.760
<v Speaker 5>movies that are supposed to come out either the end

1:39:45.800 --> 1:39:47.800
<v Speaker 5>of this year or early next year are The Lyrics,

1:39:47.880 --> 1:39:49.679
<v Speaker 5>Capsized and The All Nighter.

1:39:50.439 --> 1:39:53.280
<v Speaker 2>Yeah, this is exciting. I can't wait for this lear

1:39:53.800 --> 1:39:55.280
<v Speaker 2>situation now that I'm.

1:39:55.200 --> 1:39:57.080
<v Speaker 4>Dude, me too, what's it coming?

1:39:59.240 --> 1:40:03.920
<v Speaker 1>It's so well, well, this was awesome, thank you? Yeah, Capsize.

1:40:03.960 --> 1:40:06.880
<v Speaker 1>The first three people in the cast are SVU heavy hitters.

1:40:07.720 --> 1:40:13.479
<v Speaker 1>Kidding Yeah, well Lily rad Lily, Lily Rob Sarah, Sarah,

1:40:13.560 --> 1:40:18.040
<v Speaker 1>Catherine Hook Yeah, yep, yeah, that'll be a good No,

1:40:18.240 --> 1:40:19.240
<v Speaker 1>our minds are broken.

1:40:19.400 --> 1:40:22.679
<v Speaker 2>I mean, if I'm just con every playbill I'm looking

1:40:22.720 --> 1:40:25.760
<v Speaker 2>for SVU, I'm like, who, what's going on?

1:40:26.520 --> 1:40:27.720
<v Speaker 4>You'll very easily find it?

1:40:27.760 --> 1:40:30.280
<v Speaker 1>Do you have any last minute memories from your SVU

1:40:30.360 --> 1:40:33.120
<v Speaker 1>time that you want to impart on us before you

1:40:33.360 --> 1:40:36.960
<v Speaker 1>we say goodbye. And your go to craft service snack.

1:40:37.800 --> 1:40:43.360
<v Speaker 5>Yeah, oh okay, well the go to craft service snack

1:40:43.400 --> 1:40:49.000
<v Speaker 5>would be gosh uh. The Blacklist had a very specific

1:40:49.120 --> 1:40:51.559
<v Speaker 5>kind of doughnut that I've always tried to get ever since,

1:40:52.000 --> 1:40:53.680
<v Speaker 5>and they're hard to find and I came for what

1:40:53.680 --> 1:40:54.120
<v Speaker 5>they're called.

1:40:54.120 --> 1:40:57.000
<v Speaker 4>But that was awesome SVU.

1:40:57.040 --> 1:40:59.080
<v Speaker 5>I would encourage if you can get a job on it,

1:40:59.240 --> 1:41:02.040
<v Speaker 5>do it because it is the most fun, the most like,

1:41:02.600 --> 1:41:06.920
<v Speaker 5>well run, everyone's really cool and you get to tell

1:41:07.000 --> 1:41:09.040
<v Speaker 5>great stories and they're.

1:41:08.840 --> 1:41:12.720
<v Speaker 4>Constantly meeting people. It seems, so go do it.

1:41:12.840 --> 1:41:16.120
<v Speaker 2>Yeah, do people give you seven the seven Dwarf happy gifts?

1:41:16.160 --> 1:41:18.800
<v Speaker 4>Like do you have a lot of happy everything you

1:41:18.840 --> 1:41:19.559
<v Speaker 4>can figure about?

1:41:19.600 --> 1:41:23.560
<v Speaker 5>To Gilmore the song Oh my God.

1:41:23.960 --> 1:41:24.040
<v Speaker 2>The.

1:41:26.600 --> 1:41:27.439
<v Speaker 1>Farrell song.

1:41:28.120 --> 1:41:32.880
<v Speaker 4>That's so funny, especially because everyone for the first three

1:41:32.960 --> 1:41:35.200
<v Speaker 4>years that song came out, everyone thought they were the

1:41:35.240 --> 1:41:36.839
<v Speaker 4>first person to think to sing.

1:41:36.600 --> 1:41:37.280
<v Speaker 2>That to me.

1:41:37.360 --> 1:41:40.000
<v Speaker 4>Of course, oh the guy I had the song?

1:41:40.120 --> 1:41:44.719
<v Speaker 1>Right, Okay, I hope you never meet Pharrell. You're gonna

1:41:44.720 --> 1:41:52.720
<v Speaker 1>have to show love happy obsessed. Well, I just.

1:41:52.760 --> 1:41:56.600
<v Speaker 2>Love multitudes you know, be a theater dork. Love sports.

1:41:56.720 --> 1:42:01.200
<v Speaker 1>Love that. Yeah, he I just love that. He's Yeah,

1:42:01.200 --> 1:42:03.280
<v Speaker 1>he seems like truly a man that lives up to

1:42:03.280 --> 1:42:05.120
<v Speaker 1>his name. He seems like a happy man who's just

1:42:05.160 --> 1:42:07.800
<v Speaker 1>like doing a bunch of But also it is kind

1:42:07.800 --> 1:42:10.200
<v Speaker 1>of hilarious that his name is Happy and he plays

1:42:10.240 --> 1:42:13.479
<v Speaker 1>all these brutal murderers all the time. And he says

1:42:13.520 --> 1:42:16.080
<v Speaker 1>that's like how he gets cast a lot, and then

1:42:16.120 --> 1:42:16.880
<v Speaker 1>his name is Happy.

1:42:18.200 --> 1:42:21.559
<v Speaker 2>I know it's just because he's giant. Oh yeah, he's six'.

1:42:21.720 --> 1:42:22.120
<v Speaker 1>Four he's.

1:42:22.120 --> 1:42:23.920
<v Speaker 2>Menacing oh. Wow.

1:42:24.000 --> 1:42:25.760
<v Speaker 1>Yeah you know what's crazy IS i don't really think

1:42:25.760 --> 1:42:28.200
<v Speaker 1>you get the height of him in THE. SVU i

1:42:28.240 --> 1:42:31.200
<v Speaker 1>did it In My. Hunter oh, okay did he seem

1:42:31.200 --> 1:42:32.720
<v Speaker 1>really tall to you IN? SVU i think when he

1:42:32.760 --> 1:42:34.920
<v Speaker 1>was talking To rollins at first he was like on

1:42:35.000 --> 1:42:35.760
<v Speaker 1>a step.

1:42:35.640 --> 1:42:37.240
<v Speaker 2>No and then you notice for, ME i noticed a

1:42:37.280 --> 1:42:39.639
<v Speaker 2>lot when he was sitting in interrogation, like, yeah he's

1:42:39.680 --> 1:42:40.080
<v Speaker 2>like a big.

1:42:40.080 --> 1:42:43.160
<v Speaker 1>Guy and in the lineup now that i'm thinking about,

1:42:43.160 --> 1:42:44.599
<v Speaker 1>it in the lineup when he's LIKE i don't want

1:42:44.600 --> 1:42:47.160
<v Speaker 1>to say, this, yeah he seemed. Bigger and the fact

1:42:47.320 --> 1:42:48.800
<v Speaker 1>when he was, like OH i was the best step.

1:42:48.840 --> 1:42:56.439
<v Speaker 2>Football it's like, yeah, yeah, yeah but yeah, cool but.

1:42:56.479 --> 1:43:01.320
<v Speaker 1>Yeah this episode is like, really it's just sad that

1:43:01.680 --> 1:43:07.280
<v Speaker 1>people don't that there's just like the limited resources of

1:43:07.400 --> 1:43:11.880
<v Speaker 1>certain neighborhoods also means you don't get the same justice

1:43:11.920 --> 1:43:13.960
<v Speaker 1>as in other. Neighborhoods you, know like people are just

1:43:13.960 --> 1:43:16.240
<v Speaker 1>gonna like throw you in jail for shit you didn't.

1:43:16.280 --> 1:43:18.880
<v Speaker 1>Do you're not going to fully, research like because there

1:43:18.920 --> 1:43:22.280
<v Speaker 1>were other rapes that this guy did and it didn't

1:43:22.280 --> 1:43:23.880
<v Speaker 1>feel like anybody was really investigating.

1:43:23.920 --> 1:43:26.600
<v Speaker 2>Those and again back to, homophobia you can't be.

1:43:26.680 --> 1:43:27.040
<v Speaker 3>Gay he.

1:43:27.080 --> 1:43:29.640
<v Speaker 2>Couldn't he would rather like this guy would rather, not

1:43:29.720 --> 1:43:31.840
<v Speaker 2>would rather like he had to make a, choice and

1:43:31.880 --> 1:43:34.920
<v Speaker 2>it's like he couldn't give his.

1:43:34.960 --> 1:43:40.120
<v Speaker 1>Alibi, yeah AND i wonder, if like at, eighteen he

1:43:40.280 --> 1:43:41.840
<v Speaker 1>was just too scared to say he was at this

1:43:41.920 --> 1:43:45.320
<v Speaker 1>hookup beach and didn't realize that it would be even,

1:43:45.360 --> 1:43:48.200
<v Speaker 1>worse like that prison would be worse than like coming

1:43:48.240 --> 1:43:51.080
<v Speaker 1>out to your. Family, no because the way people talk

1:43:51.120 --> 1:43:53.920
<v Speaker 1>about gay, people depending where you grow, up it's like

1:43:54.000 --> 1:43:57.760
<v Speaker 1>the worst thing you can. Imagine, yeah, yeah you're, LIKE

1:43:57.800 --> 1:43:59.519
<v Speaker 1>i might as well go to your whole.

1:43:59.560 --> 1:44:01.760
<v Speaker 2>Life you, know people in jail probably like if it's,

1:44:01.800 --> 1:44:05.760
<v Speaker 2>projects you, know Like i'm doing, stereotypes but like you,

1:44:05.800 --> 1:44:07.320
<v Speaker 2>know you know tons of people that go to, jail

1:44:08.160 --> 1:44:10.840
<v Speaker 2>but like, you and then you probably like that's Not

1:44:11.080 --> 1:44:12.519
<v Speaker 2>and THEN i bet people talk.

1:44:12.520 --> 1:44:15.280
<v Speaker 1>Worse about gay people than people in.

1:44:15.320 --> 1:44:19.240
<v Speaker 2>Prison yeah that's. True there's like a polar kind of

1:44:19.320 --> 1:44:21.720
<v Speaker 2>MEME i always, see and it's not comparing the. Two

1:44:21.720 --> 1:44:24.720
<v Speaker 2>it's just like a fan or like some answer like

1:44:24.760 --> 1:44:27.200
<v Speaker 2>whatever some parents were like bitching, About like it's like

1:44:27.280 --> 1:44:29.680
<v Speaker 2>cousins and like making fun of a gay cousin and

1:44:29.720 --> 1:44:32.439
<v Speaker 2>it's like you have like eight baby daddies and your

1:44:32.520 --> 1:44:33.960
<v Speaker 2>kid is in, Prison like what are you talking?

1:44:34.000 --> 1:44:36.360
<v Speaker 1>About like what is this judgment coming?

1:44:36.400 --> 1:44:37.000
<v Speaker 2>From you, know.

1:44:38.560 --> 1:44:40.760
<v Speaker 1>But in a lot of places or like.

1:44:41.040 --> 1:44:43.360
<v Speaker 2>Whatever it just is, Culture LIKE i don't, know people

1:44:43.400 --> 1:44:45.400
<v Speaker 2>hate gay, people the idea of being get it's like

1:44:45.479 --> 1:44:48.519
<v Speaker 2>all of. It it's LIKE i understand how an eighteen

1:44:48.560 --> 1:44:51.160
<v Speaker 2>year old boy from that neighborhood is just like fuck.

1:44:51.280 --> 1:44:53.639
<v Speaker 1>That let's get to our what would sit your peg?

1:44:53.680 --> 1:44:56.880
<v Speaker 1>Do this is the segment where we direct you towards an,

1:44:56.960 --> 1:45:02.240
<v Speaker 1>organization a book of doc something to give you more

1:45:02.280 --> 1:45:05.160
<v Speaker 1>info about what we talked. About AND i am LIKE

1:45:05.240 --> 1:45:06.760
<v Speaker 1>i don't know if It's orange Or New black or,

1:45:06.760 --> 1:45:10.360
<v Speaker 1>whatever But i'm very, like sort of hyper focused on

1:45:10.400 --> 1:45:13.960
<v Speaker 1>recidivism and how hard it is to actually be cleared

1:45:13.960 --> 1:45:16.639
<v Speaker 1>of crimes or to pay for your crimes with jail

1:45:16.680 --> 1:45:18.919
<v Speaker 1>time and then get out of, prison and how difficult

1:45:18.960 --> 1:45:20.960
<v Speaker 1>it is to re enter the. World SO i was

1:45:20.960 --> 1:45:24.200
<v Speaker 1>looking for an organization that dealt with, that AND i

1:45:24.240 --> 1:45:27.640
<v Speaker 1>wanted to point you guys towards The Frederick Douglas project For.

1:45:27.840 --> 1:45:31.920
<v Speaker 1>Justice this group facilitates structured meetings and respectful conversations between

1:45:31.920 --> 1:45:35.000
<v Speaker 1>members of free society and incarcerated people so that they

1:45:35.000 --> 1:45:37.920
<v Speaker 1>can learn from each, other form powerful human, connections and

1:45:37.960 --> 1:45:41.439
<v Speaker 1>transform both their own lives and society at. Large and

1:45:41.479 --> 1:45:45.000
<v Speaker 1>they organize prison. Visits they try to bring people into

1:45:45.040 --> 1:45:47.679
<v Speaker 1>prison so they can like humanize, people not just, say,

1:45:47.720 --> 1:45:51.439
<v Speaker 1>oh these people live behind, bars like away from, us you,

1:45:51.439 --> 1:45:53.600
<v Speaker 1>know away from the rest of. Society you can go

1:45:53.720 --> 1:45:56.920
<v Speaker 1>into a, prison meet with, people see how they. Work

1:45:57.120 --> 1:45:59.080
<v Speaker 1>so you can sign up for a prison visit or

1:45:59.240 --> 1:46:03.960
<v Speaker 1>donate At douglasproject dot. Org and That's douglas with two

1:46:04.040 --> 1:46:07.080
<v Speaker 1>s's and that will be linked in our show notes as,

1:46:07.120 --> 1:46:09.880
<v Speaker 1>always and we will post a story with the link

1:46:10.280 --> 1:46:12.519
<v Speaker 1>on the day the show comes out on Our instagram,

1:46:12.520 --> 1:46:14.760
<v Speaker 1>page which is thats Messed up, pod and then all

1:46:14.800 --> 1:46:16.759
<v Speaker 1>of our what Would sister peg do stories are saved

1:46:16.800 --> 1:46:19.519
<v Speaker 1>in THE wwspd, highlights so if you're listening to this

1:46:19.600 --> 1:46:20.800
<v Speaker 1>later you can go back and find.

1:46:20.840 --> 1:46:25.360
<v Speaker 2>It, yes thank you so, much AND i forget like

1:46:26.720 --> 1:46:28.479
<v Speaker 2>for the post, morning we forgot to talk about like

1:46:28.680 --> 1:46:33.000
<v Speaker 2>how one fucking cop ruined so many countless.

1:46:33.000 --> 1:46:37.439
<v Speaker 1>LIVES i, know and we've talked about it, Before like

1:46:37.479 --> 1:46:39.759
<v Speaker 1>it's just crazy that there's been sweeps of THE. Mipd

1:46:39.840 --> 1:46:44.000
<v Speaker 1>there have been like corruption sweeps and it doesn't. Stop like.

1:46:45.760 --> 1:46:48.479
<v Speaker 2>But next, week, Ooh i'm so excited we'll be Doing

1:46:48.560 --> 1:46:53.880
<v Speaker 2>savant season, nine episode, FOUR A, DREAM A, DREAM a true?

1:46:53.920 --> 1:46:57.559
<v Speaker 1>Classic what is? It mommy's a? Whole there's LIKE i can't.

1:46:57.560 --> 1:47:03.479
<v Speaker 1>WAIT i just always think perfect. Pitch, okay thank you

1:47:03.479 --> 1:47:05.839
<v Speaker 1>guys so much for. Listening we love all you, tommies

1:47:05.920 --> 1:47:08.880
<v Speaker 1>and we will see you next week and you, know

1:47:09.680 --> 1:47:21.400
<v Speaker 1>happy fourth Of. July despite everything that's messed up as

1:47:21.439 --> 1:47:24.479
<v Speaker 1>an exactly right, Production if you have compliments you'd like

1:47:24.520 --> 1:47:26.639
<v Speaker 1>to give us or episodes you'd like us to, cover

1:47:26.680 --> 1:47:29.920
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1:47:29.920 --> 1:47:33.160
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1:47:33.200 --> 1:47:34.640
<v Speaker 1>podcasts or wherever you get your.

1:47:34.680 --> 1:47:38.360
<v Speaker 2>Podcasts follow the podcast On instagram At That's Messed Up,

1:47:38.400 --> 1:47:42.160
<v Speaker 2>pod and follow us personally At Kara klank and at Glitter.

1:47:42.280 --> 1:47:45.559
<v Speaker 1>Cheese as, always please see our show notes for sources

1:47:45.600 --> 1:47:45.880
<v Speaker 1>and more.

1:47:45.880 --> 1:47:49.240
<v Speaker 2>Information thank you so much to our senior Producer casey

1:47:49.280 --> 1:47:53.080
<v Speaker 2>O'Brien and our associate Producer Christina, chamberlain.

1:47:52.760 --> 1:47:55.759
<v Speaker 1>And to our Mixer John bradley and our guest Booker Patrick,

1:47:55.840 --> 1:47:58.720
<v Speaker 1>Cottner and To Henry kaperski for our theme song And

1:47:58.840 --> 1:48:01.800
<v Speaker 1>carly Gen andrews for our. Artwork thank you to our

1:48:01.880 --> 1:48:06.400
<v Speaker 1>executive Producers Georgia, Hardstart Karen, Kilgarriff Daniel, kramer and everybody

1:48:06.479 --> 1:48:07.160
<v Speaker 1>At Exactly Right.

1:48:07.240 --> 1:48:09.200
<v Speaker 3>Media Dun dunn