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Speaker 1: So I turned to Caitlyn Jenner, Yeah, and Bruce Almighty

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Speaker 1: and I go help him. He's gonna get pulled out

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Speaker 1: of the boat, and the fishing line breaks and thankfully,

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Speaker 1: you know, she falls back in, and so I go

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Speaker 1: over and I go like, oh my gosh, that was crazy,

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Speaker 1: and she goes, well, it was so strong. It was

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Speaker 1: so strong. That wasn't any normal fish. And so I go, well,

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Speaker 1: I better check this out, and I skin dive in there.

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Speaker 1: I free dive down and I pull up a marlin.

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Speaker 1: There's about two forty three hundred pounds, but it has

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Speaker 1: a whale shark biting onto it, and I go, I

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Speaker 1: think I found the problem. You know, whale sharks usually

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Speaker 1: don't have teeth or even really mouth that open, so

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Speaker 1: it was a freaky one.

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Speaker 2: So this was you said, this is the boat, so boat,

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Speaker 2: This wasn't the arc Bruce Almighty's arc because Bruce Almighty,

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Speaker 2: oh he had, I guess it was.

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Speaker 1: You know, it's probably the bones of that arc, but

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Speaker 1: it's been repurposed and it's much nicer. Okay, yeah, he

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Speaker 1: did have that famous one, which I wasn't even thinking about.

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Speaker 3: Or wait, Evan Almighty had the arc. You got me.

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Speaker 1: But he might have been on Evan's boat because it

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Speaker 1: was big and there was a lot of animals in

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Speaker 1: the inside. But we're on the outside, and it was

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Speaker 1: looked like it had been repainted.

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Speaker 2: And the other question I had was you said, help him,

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Speaker 2: he's going to be pulled out of the boat. And

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Speaker 2: then you said she fell back into the boat. Oh okay,

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Speaker 2: And so was it she Caitlyn was pulling on.

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Speaker 3: No.

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Speaker 1: I turned to Caitlyn and Bruce and said, help him, okay.

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Speaker 1: And what was happening was Peter Fonda was reaching over

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Speaker 1: the boat and was holding little el fan in and

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Speaker 1: he and she was getting pulled away by the fill

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Speaker 1: and so so they you know, they didn't really help,

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Speaker 1: but thankfully she did fall back in. I was never

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Speaker 1: worried about Peter, but I was saying, help him, help Peter, pull.

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Speaker 3: Little el little Alan. She fell and she fell back

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Speaker 3: into both thankfully. Okay.

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Speaker 2: I thought you had accidentally referred to Caitlyn Jenner as

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Speaker 2: a as a he How do you mean That's just

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Speaker 2: what I thought happened when you when you said, why

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Speaker 2: would that happen? Just hearing this story, it seemed like

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Speaker 2: that was kind of like the discrepancy that had Oh

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Speaker 2: I don't had occurred with you.

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Speaker 1: I don't see that at all that I knew the story.

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Speaker 1: But I turned to them and said help him. I said,

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Speaker 1: I turned to them and said to help him.

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Speaker 3: Mm hmm. So like, why would I turn to them

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Speaker 3: and be like help him?

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Speaker 1: Like?

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Speaker 3: Why would I turn to Caitlin?

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Speaker 2: I just thought you would have referenced I just thought

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Speaker 2: you would have referenced Peter Fonda or a little El

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Speaker 2: Fannin at some point earlier in the story.

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Speaker 3: Is I not?

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Speaker 1: No, no, no, oh they were in the boat. Okay,

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Speaker 1: well el was halfway in. Thankfully she fell back in.

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Speaker 2: Hey, we that is kind of kicking button dropping in

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Speaker 2: the red carpet line back hallways of this industry.

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Speaker 3: And we call shadows. Yes, that's exactly right.

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Speaker 2: We love to look at trends. We love to track

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Speaker 2: their ups and downs, and we love to do trend spotting.

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Speaker 1: I'm like a super doppler that way, where I'm sort

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Speaker 1: of always tracking these little BIPs and beeps coming into

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Speaker 1: my brain of oh this is over here, and there's

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Speaker 1: and that's a there's a rainstorm.

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Speaker 3: Movies about storm coming.

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Speaker 1: You know, uh uh uh inner key and it's it

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Speaker 1: and so that.

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Speaker 2: But but as you are spotting trends, sometimes you're looking

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Speaker 2: at a trend where you're saying, I don't spot this trend.

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Speaker 3: Where is it?

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Speaker 1: Yes, and it's missing, and it's missing from the conversation

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Speaker 1: and we need it right now more than ever. And

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Speaker 1: it's a segment that we call trend, not trend nodding,

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Speaker 1: like trend Nottingham.

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Speaker 2: And that's when we see trends that are not ing

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Speaker 2: Ham there that should in Ham be there.

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Speaker 1: And then maybe the Sheriff of Nottingham is hoarding all

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Speaker 1: the good trends and not letting And we need to

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Speaker 1: be the Robin Hoods of Hollywood and go and steal

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Speaker 1: the trends away and give them to the people.

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Speaker 2: The trend that we haven't seen lately in watching movies

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Speaker 2: and examining them lately, there have not been any movies

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Speaker 2: about babies.

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Speaker 3: Thank you, Sean.

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Speaker 2: I know you had some things that you wanted to

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Speaker 2: say about babies in general, and especially babies in movies.

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Speaker 3: Babies is so punk rock and I'm talking bad ass.

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Speaker 1: I mean, really think about it, I mean, actually use

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Speaker 1: your freakin bean and actually think about it for a

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Speaker 1: second and you might go, like, babies straight up pee

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Speaker 1: on their dad in his face, that's a punk rock.

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Speaker 1: I'm sorry, I don't know if it's mister Sidney Vicious

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Speaker 1: ever did that, you know? And if he did, good,

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Speaker 1: that's he is a punk And babies is doing that

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Speaker 1: even earlier, and.

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Speaker 2: While the dad is trying to help them get clean dipies.

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Speaker 1: Oh yeah, and they want the dipy, but they also

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Speaker 1: want to just say, like whatever, it's on my terms.

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Speaker 1: And that's the essence of punk rock. And it's something

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Speaker 1: missing from today's society.

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Speaker 3: And you look at movies today.

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Speaker 2: You used to see movies about people having to take

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Speaker 2: care of babies and being scared of diabees and burpie.

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Speaker 4: Oh no, they don't know what to do, and also

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Speaker 4: babies running amuck, large babies of unnatural size, smashing being Godzilla,

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Speaker 4: babies escaping from criminals where they go yes, yes, And

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Speaker 4: today what you see instead is a different kind of babies,

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Speaker 4: which is baby's grown up into.

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Speaker 1: Adult adult adult, an adult not being punk rock honestly

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Speaker 1: in today's.

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Speaker 3: Never being on anyone's dad, let alone their own.

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Speaker 1: In today's PC Hollywood, there no c no CP. Yes, no, yes,

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Speaker 1: there's only really a couple true punks and it's me Hayes,

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Speaker 1: Ryan Reynolds, Engineer Ryan and babies.

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Speaker 2: So if that is like that, I'm sorry, we should

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Speaker 2: clarify that's Ryan Reynolds parentheses engineer Ryan.

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Speaker 3: We have we ever explained that before the engineer Ryan's

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Speaker 3: I don't think we have.

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Speaker 1: Okay, well that's an oversight on our part, But I

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Speaker 1: really think that if we just took one step back,

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Speaker 1: we could probably come up with some really good baby movies.

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Speaker 3: Just off the top of our bean right now.

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Speaker 1: Yes, for instance, what happened when a cool guy ends

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Speaker 1: up with baby?

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Speaker 2: Mm hmmm, Well, and so he wants to have a baby.

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Speaker 2: It fits with his lifestyle.

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Speaker 3: Oh no, he's it's gonna really change. Oh that's funny.

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Speaker 2: Oh oh, but what if it's not him having a baby.

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Speaker 2: What if it's his friend?

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Speaker 3: His friend?

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Speaker 1: Yes, so he's like he's going, oh, come on, man, oh,

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Speaker 1: I got these two twin stewardess in coming over. And

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Speaker 1: the guy's like, I gotta deal with the stinky type.

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Speaker 2: And sometimes maybe his friend has emergency. Oh no, and

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Speaker 2: then he and now his house becomes the baby's house

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Speaker 2: for one night.

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Speaker 1: Oh man, but he would be having a party, or

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Speaker 1: the baby's on cocaine.

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Speaker 3: Anything can happen.

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Speaker 2: This is similar to my pitch that last element, which

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Speaker 2: is a drunk baby.

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Speaker 3: Ah.

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Speaker 1: Yes, nothing to me is funnier than getting fucked up.

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Speaker 1: And while we're on the topic of yes, we've said

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Speaker 1: weed culture, just mentioning a specific about the way you

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Speaker 1: smoke it.

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Speaker 3: That's what I mean When I say drunk, I mean

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Speaker 3: doing on drug.

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Speaker 1: Oh yeah, and he's well, they go hand in hand

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Speaker 1: because also being so drunk, and one thing people do

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Speaker 1: when they're drunk is throw up, and that makes me

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Speaker 1: lose my shit laughing wise.

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Speaker 2: Baby, what if the baby he uh has to like

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Speaker 2: boot and rally, but he has the like booty and

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Speaker 2: rally like they wear little booties. Yeah, and he has

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Speaker 2: to be like he has to get like a hot

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Speaker 2: chick to like burp him so he can so he

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Speaker 2: can boot and rally and rage.

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Speaker 1: Oh and he's raging. Oh nice, this movie sounds great.

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Speaker 1: So anyway, that was trend Nottingham and now engineer Cody,

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Speaker 1: I know whatever, you're just by your facial expression, I know,

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Speaker 1: don't press your keyboard.

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Speaker 3: What are you looking at? Okay, Okay, I got it.

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Speaker 2: Just let me rememberize what Cody's looking at. Okay, I'm

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Speaker 2: gonna come back with a report of what Cody's looking at.

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Speaker 1: Okay, Hayes is currently gathering a report of what Cody's

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Speaker 1: looking at on his screen.

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Speaker 3: He meant to sneak around and catch Cody's screen.

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Speaker 2: I could tell from his look of concentration that it

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Speaker 2: had nothing to do with the show.

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Speaker 3: Okay, and back with the report of what Cody was

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Speaker 3: looking at. And I couldn't be more excited to learn

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Speaker 3: what it is.

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Speaker 2: It was Facebook, but not any not just Eddy of

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Speaker 2: Fay's book.

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Speaker 3: Was it a group.

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Speaker 2: It was a post from the lad Bible, which is

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Speaker 2: a bible for lads, which is sort of like Naughty

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Speaker 2: Young Lad Yes, which is register for naughty boys. And

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Speaker 2: it was a picture of a guy who facetimed his

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Speaker 2: PlayStation so he could play it in the bathtub, and

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Speaker 2: so he like had a monitor set up in his

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Speaker 2: bath so he could play PlayStation while in the bath.

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Speaker 1: Now I should make this clear. We've been recording for

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Speaker 1: maybe fifteen minutes, and Cody was studying this picture the

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Speaker 1: entire time. It did take Hayes a little bit to

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Speaker 1: put together what was going on in the picture, but

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Speaker 1: Cody had I would say fifteen times as and I'm

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Speaker 1: still not sure he would have been able to explain it.

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Speaker 2: And I wouldn't say he was enjoying the picture by

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Speaker 2: Eddie beats. He was like dissecting it with his eyes

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Speaker 2: in a way like it was like he was really

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Speaker 2: concentrating very hard. It was like he had to submit

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Speaker 2: a reporter well each element by.

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Speaker 1: The end of the show, each element took a little

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Speaker 1: while to absorb.

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Speaker 3: The tub first off, is probably pretty unfamiliar.

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Speaker 1: I mean, let's face it, that's not where engineered Cody

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Speaker 1: boys spending the bulk of his time, or anytime as

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Speaker 1: far as I know. So the idea of playing video

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Speaker 1: games in there is like he must have gone, Is

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Speaker 1: that a video game? Like lying in machine? And it's like, no, Cody,

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Speaker 1: the tub is where people wash and then he doing

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Speaker 1: something crazy in it.

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Speaker 3: Yes, you're right.

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Speaker 2: Anyone who has the number of rashes I've seen Cody

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Speaker 2: have is not a tub guy.

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Speaker 3: Yes, Cody, don't you care to speak? You?

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Speaker 1: Do you care? Do you want to lay it on us?

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Speaker 1: What's going on with this pick for you? I'm speechless.

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Speaker 3: Do you subscribe to the lad Bible? Yeah, are you

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Speaker 3: on the lab Bible a lot? Not a lot?

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Speaker 1: No, but but every day just when it pops up?

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Speaker 1: How does it pop up if you're not engaging with it?

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Speaker 1: I've never seen it. So it's just tips and tricks

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Speaker 1: for for for lads.

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Speaker 3: What's the best tip in general? What's the best tip

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Speaker 3: you've gotten so far that you've been able to use

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Speaker 3: in your own life?

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Speaker 1: I like the life Hack series.

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Speaker 3: Mm hmm, yes, we love that's so cool.

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Speaker 1: If you can break a parking meter, you don't pay it,

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Speaker 1: but go ahead.

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Speaker 3: What's one for you?

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Speaker 5: Well?

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Speaker 1: One you could flip a table upside down and put

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Speaker 1: your phone on it and put it over your head

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Speaker 1: while you're laying down, and then you can lay down

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Speaker 1: and watch your phone to watch videos.

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Speaker 3: Walk me through it? Yeah, will you start that over

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Speaker 3: from the beginning. Well, you first seen a glass table,

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Speaker 3: that's how it helps. Imagine that, and then you can put.

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Speaker 2: It over your your bed and now you just you

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Speaker 2: did just wipe sweat off your forehead?

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Speaker 3: Did I did I imagine that? No?

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Speaker 1: You undersold it in fact, And then you put your

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Speaker 1: phone on the table with screen facing your way, and

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Speaker 1: you look through the glass and that way you can

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Speaker 1: lay down and look up at instead of having a

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Speaker 1: hold it.

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Speaker 3: But the table is upside down. Maybe that was a

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Speaker 3: different one. It's stuck to the ceiling or something.

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Speaker 2: Oh wait wait, oh so your table was upside down

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Speaker 2: to begin with, and so you flipped it the traditional

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Speaker 2: way we use a table. You put your phone face

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Speaker 2: down on the glass and then you lie under the table.

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Speaker 2: So you can now watch your phone.

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Speaker 3: And watch it.

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Speaker 1: You're watching a movie or TV, yeah, or TV. Hum,

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Speaker 1: And that's better than what else? What problem that solves?

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Speaker 3: Hold it?

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Speaker 5: Yes?

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Speaker 1: Yes, do hold it from the movie or make someone

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Speaker 1: else hold it? Hmm on a table no, like a person.

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Speaker 1: You could make a person hold it, which would be

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Speaker 1: more troublesome.

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Speaker 2: There's really no other way to lie down on your

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Speaker 2: back and watch your phone other than what he's describing.

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Speaker 3: Hack. It's a hack.

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Speaker 1: He hacked life. I mean, I knew Cody could hack

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Speaker 1: into the wires. I've seen him get in there and

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Speaker 1: disrupt the show many times, but I didn't know he

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Speaker 1: could hack all the way into my daily life.

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Speaker 3: Wow, that's heavy. Thank you well. This show is brought

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Speaker 3: to you by lad Bible. We have a great guest today,

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Speaker 3: Patrick Walsh, is here. You know him.

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Speaker 2: He's made many appearances on Pete Holmes as he made

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Speaker 2: it weird, and he is a TV writer for What Shows.

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Speaker 3: Two Broke Girls? It's always sunny. I thought we were

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Speaker 3: gonna do funny versions.

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Speaker 1: Oh okay, go ahead and set me up again for

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Speaker 1: What Shows Three Broke Girls. Yes, it's not always sunny.

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Speaker 1: He's coming right up on Hollywood Handbook. So I'm backstage

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Speaker 1: waiting for uh Steven Rue. And this is after, you know,

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Speaker 1: the Live Office Space has been touring for like a

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Speaker 1: long time, like they've been doing this show for a while. Yeah,

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Speaker 1: and he he comes backstage and he's like, did you

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Speaker 1: see like what I what happened up there?

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Speaker 3: And I was like no, like what I was like?

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Speaker 2: I went out there and I'm doing the whole like

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Speaker 2: have you seen my stapler? Yeah, and I'm at my

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Speaker 2: desk and the fucking prop guy actually put a stapler

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Speaker 2: on the desk.

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Speaker 5: Oh.

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Speaker 3: I know, he's like positioning his arm and stuff.

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Speaker 1: So like, no, it's not the whole thing is that

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Speaker 1: there's not supposed to be a stape. I'm cringing, haze, no,

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Speaker 1: is that true?

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Speaker 3: But he did. He pulled it off because honestly, I

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Speaker 3: didn't see it. Well, Steven's the pro Yes, oh haze, and.

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Speaker 2: He was pointing away a lot. Yes, that's good because

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Speaker 2: I was sort of like, what is he pointing at?

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Speaker 2: And then I guess he did. I did hear something

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Speaker 2: a loud going into a trash.

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Speaker 3: Can Oh Hayes.

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Speaker 1: That story made my my butt crawl inside my stomach.

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Speaker 3: It just is so cringe worthy. It puckered me up.

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Speaker 3: Who wants to talk about Hollywood?

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Speaker 2: Hey, welcome to Hollywood Handbook and Insider's Guide to kicking

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Speaker 2: button dropping names in the red carpet lineback hallways of

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Speaker 2: this industry we call show What what up? Pat Walsh's here?

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Speaker 2: And you've done talk.

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Speaker 3: About it all the stuff? What have I done? Yes?

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Speaker 3: You know I'm a television writer, m Vine megastar, Yes what?

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Speaker 3: And you're something of a podcast impresario yourself? What with

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Speaker 3: Pete Holmes?

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Speaker 6: I do the rounds. I've done a couple of Uh,

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Speaker 6: you've made it weird before others would say legendary appearances

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Speaker 6: on on Peach Show.

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Speaker 3: Two of those. I've done the Gilmour guys, I've done, uh, the.

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Speaker 6: The what was the the reality show show which rip

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Speaker 6: Ryan did you make the touring company of you made it?

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Speaker 3: Weird?

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Speaker 2: You haven't been in a live one. You're saying no,

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Speaker 2: like you know how they like. He takes like his

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Speaker 2: the best guys. Oh then no, And you know travel

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Speaker 2: to cruise ships?

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Speaker 1: Yeah?

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Speaker 3: Yeah, did you get out of the I went on

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Speaker 3: the cruise. Were you on the cruise?

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Speaker 6: I wasn't on the crew. I did the Weezer cruise

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Speaker 6: and I did I opened for the Office Space touring.

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Speaker 6: Oh wow, one day, that's right, one day on a

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Speaker 6: cruise in Dallas.

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Speaker 3: I did.

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Speaker 6: I did one day there Dallas. They poured it in Dallas.

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Speaker 6: That's a natural fit.

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Speaker 3: I thought, so.

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Speaker 6: Yeah, but I've known you guys forever. Yes, yes, we

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Speaker 6: met at Robert Durse Easter party. He took a swing

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Speaker 6: at you, and I said, hey, Bob, he's a good guy. Yeah.

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Speaker 6: We were asked to leave pretty soon after.

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Speaker 3: That Easter egg hunt.

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Speaker 2: When you'd like go to like open any cabinet or something,

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Speaker 2: he'd be like, don't look there.

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Speaker 3: Yeah.

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Speaker 6: I was like, uh, you know, hey, I found a

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Speaker 6: bottle of poison. There's no eggs, but there's this drawer

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Speaker 6: of poison.

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Speaker 3: Yeah. I found a bunch of dog legs. That is

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Speaker 3: an egg. He said, that is an Easter egg.

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Speaker 6: Congratulations, So I'm not going to walk it down to

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Speaker 6: the ocean, you know, and blinked at me.

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Speaker 3: Just a dog and Sean and I dated for four years.

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Speaker 6: Yeah, I mean it was of each other in a

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Speaker 6: case of mistaken identity. That was well, we sort of

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Speaker 6: turned to each other. I guess it was four years

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Speaker 6: in and almost in unison we said I'm not gay.

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Speaker 3: Gay and it was a.

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Speaker 6: Very exciting moment. I was, I've been living a lot.

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Speaker 6: Yeah for so long.

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Speaker 1: I had been so afraid to tell you because I thought,

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Speaker 1: how can this not hurt his feelings?

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Speaker 3: Right?

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Speaker 1: But to find someone who understood made me love you

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Speaker 1: even deeper. And we dated for another year after that,

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Speaker 1: just because of the.

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Speaker 6: Bull fully aware we weren't gay, yes, and we kept

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Speaker 6: trying the sex things well, like because.

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Speaker 1: When you have a moment like that where you say

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Speaker 1: something in unison with someone and it's sort of like, yeah,

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Speaker 1: you know each other so well, you finish each other

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Speaker 1: and the joke that they use yes penis is off

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Speaker 1: by with yes, I'm just your mouth.

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Speaker 3: I was. I was, I was actually gonna guess, oh,

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Speaker 3: go ahead, yes, no, Hayes said, well, I'm sorry.

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Speaker 6: Well, well we we did. We'd never finished. Yes, that's

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Speaker 6: where you're wrong, Hayes. I wouldn't have guessed that we

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Speaker 6: never actually finished in four and a half years. Yes,

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Speaker 6: and that of continuous dry Oh my god.

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Speaker 3: The trying. Yeah, it was not. It wasn't easy all

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Speaker 3: the time. But we were in great shape.

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Speaker 6: Sure, sure, I mean it's very physical, healthiest I've ever been. Yeah, physically,

377
00:20:42,280 --> 00:20:47,280
Speaker 6: not mentally emotionally got very very yes that we got.

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Speaker 6: We had that poppers year where it was like maybe

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Speaker 6: poppers will help, and then just really pretty relentless poppers use.

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Speaker 1: Oh yeah, anything you could think of to do with

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Speaker 1: the popper, we put it there.

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Speaker 6: Yeah, yeah, and popping a morning, noon, night popping. But

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Speaker 6: never the love.

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Speaker 2: That's lack of imagination on my part. I guess I

385
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Speaker 2: just can't think of that many ways to do the popper.

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Speaker 3: Yeah, oh it's.

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Speaker 6: Orly anally U through the nose is pretty standard, Okay,

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Speaker 6: orally which is ear a you are, don't put it

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Speaker 6: in there? No, it does nothing, and it's just a

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00:21:24,000 --> 00:21:26,560
Speaker 6: waste of a good poppers popper. You know, a good

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00:21:26,600 --> 00:21:28,840
Speaker 6: popper is running you about twenty dollars a pop.

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Speaker 3: And I don't. Yes, well, that's that's very rainny. That's

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Speaker 3: where the phrase comes from.

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Speaker 1: And I don't mean this to be making light of it,

395
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Speaker 1: but it is true. Once you pop, you truly can't stop.

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Speaker 1: And that's it's just like and I know, but you

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Speaker 1: can't know.

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Speaker 6: And we were unable to and and to that, we

399
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Speaker 6: also tried to pop out of a pringles can.

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Speaker 3: We put the popper juice is it a juice? Uh?

401
00:21:53,880 --> 00:21:58,119
Speaker 1: It starts as a juice and becomes more of a gas, yeah, gas,

402
00:21:58,119 --> 00:22:00,920
Speaker 1: And we would we would fill the ringles can with

403
00:22:01,200 --> 00:22:04,399
Speaker 1: the juice and the gas, reseal it with the plastic lid,

404
00:22:04,640 --> 00:22:06,840
Speaker 1: and then I'd be like Sean, Shan Sean, and he'd

405
00:22:06,840 --> 00:22:09,040
Speaker 1: come over and I'd pop that top and he'd suck

406
00:22:09,080 --> 00:22:11,280
Speaker 1: in a full pringles can worth of the poppers.

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00:22:11,800 --> 00:22:15,960
Speaker 6: And still the attraction wasn't really there because, as I said,

408
00:22:16,560 --> 00:22:18,120
Speaker 6: more into the ladies.

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Speaker 3: Yes, you like that, and I like what I like? Sure?

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00:22:22,480 --> 00:22:25,719
Speaker 3: So did you make you guys make poppers or you

411
00:22:25,840 --> 00:22:26,680
Speaker 3: got you have a week?

412
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Speaker 6: We tried homemade poppers and you do organic? Uh, you know,

413
00:22:30,840 --> 00:22:32,159
Speaker 6: we try to get into that whole craze for.

414
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Speaker 3: I want to know what's in it.

415
00:22:34,119 --> 00:22:36,320
Speaker 1: Yeah, when you see too many ingredients, it's all these,

416
00:22:36,720 --> 00:22:42,320
Speaker 1: it's all these. Yeah, I'm a label maniac. And you know,

417
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Speaker 1: I admit that I.

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Speaker 6: Would agree that annoyed me if I'm being honest. Now

419
00:22:46,520 --> 00:22:48,560
Speaker 6: after the fact, sometimes during our real I can.

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Speaker 3: Take that hit. Hey I'm a big boy. Go ahead.

421
00:22:53,320 --> 00:22:56,919
Speaker 3: That drove you crazy? Yeah, Oh yes, Hayes knows how

422
00:22:57,040 --> 00:23:01,600
Speaker 3: I'm built. That sort of what brought us to We

423
00:23:01,600 --> 00:23:02,600
Speaker 3: were originally going to do.

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Speaker 2: A podcast about that, Dix the problems we don't like to,

425
00:23:08,400 --> 00:23:10,680
Speaker 2: problems of being having.

426
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Speaker 3: A certain physical structure.

427
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Speaker 6: Yes, being stacked in the slacks, yes, yes, yes, not

428
00:23:18,840 --> 00:23:19,680
Speaker 6: so crass, but.

429
00:23:19,640 --> 00:23:21,159
Speaker 3: You're sort of tiptoeing around it.

430
00:23:21,520 --> 00:23:26,000
Speaker 2: But that's a good segue because now instead of that,

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00:23:26,080 --> 00:23:30,480
Speaker 2: our podcast is about Hollywood, and we love telling Hollywood

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Speaker 2: stories and I know you are a master storyteller. Plus

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00:23:34,600 --> 00:23:39,200
Speaker 2: all your friends and all the great relationships you've formed

434
00:23:39,280 --> 00:23:43,800
Speaker 2: and working on Teleproken for for so long. Sure, And

435
00:23:43,960 --> 00:23:46,920
Speaker 2: we play a game called That's really interesting.

436
00:23:46,920 --> 00:23:50,800
Speaker 3: Where Ryan, do you have that theme song for us? Oh?

437
00:23:50,840 --> 00:23:53,400
Speaker 3: My god, that's really interesting. You don't have a theme song.

438
00:23:54,640 --> 00:23:57,679
Speaker 2: You're supposed to have a series of water glasses with

439
00:23:57,760 --> 00:24:01,320
Speaker 2: different amounts of water in each one, remember, and each

440
00:24:01,320 --> 00:24:04,240
Speaker 2: one would make a different noise, and they had numbers

441
00:24:04,280 --> 00:24:06,280
Speaker 2: on them, and that was the order you were supposed

442
00:24:06,320 --> 00:24:09,280
Speaker 2: to hit them. Yes, what did you did?

443
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Speaker 3: You drink those?

444
00:24:11,000 --> 00:24:12,439
Speaker 6: I just met Ryan, So I hate to throw them

445
00:24:12,520 --> 00:24:15,159
Speaker 6: under the bus. But before we started the podcast, we

446
00:24:15,640 --> 00:24:16,760
Speaker 6: very clearly said we're.

447
00:24:16,560 --> 00:24:17,959
Speaker 3: Going to be doing that's really interesting.

448
00:24:18,080 --> 00:24:20,760
Speaker 2: Yes, And he gave a look at all that on

449
00:24:20,920 --> 00:24:22,119
Speaker 2: ales we said.

450
00:24:22,880 --> 00:24:25,119
Speaker 3: And I didn't see it. I didn't see it. Sounded

451
00:24:25,160 --> 00:24:26,359
Speaker 3: like a water burp to me.

452
00:24:26,480 --> 00:24:29,640
Speaker 6: I didn't see him so much as move to get

453
00:24:29,680 --> 00:24:30,720
Speaker 6: ready for that segment.

454
00:24:31,600 --> 00:24:33,640
Speaker 1: Well, I guess we just have to do the segment

455
00:24:33,720 --> 00:24:35,760
Speaker 1: without the song, which never have the wheel.

456
00:24:36,240 --> 00:24:39,680
Speaker 3: We have the wheel. Oh, we'll spin the wheel. That'll help, okay,

457
00:24:39,720 --> 00:24:44,800
Speaker 3: So who's going first? Whoever? All right, Hayes, I'm going

458
00:24:44,840 --> 00:24:46,880
Speaker 3: to spin the wheel for you, okay.

459
00:24:57,000 --> 00:25:00,800
Speaker 7: Verry good out of here, hurry up, changing And hey,

460
00:25:00,880 --> 00:25:02,400
Speaker 7: how'd you get in here?

461
00:25:03,960 --> 00:25:10,879
Speaker 3: Sorry? Mister? Is that the wheel talking?

462
00:25:11,160 --> 00:25:13,160
Speaker 1: That was me getting the wheel out of the closet

463
00:25:13,840 --> 00:25:15,919
Speaker 1: and now it's time to spin it.

464
00:25:17,200 --> 00:25:19,240
Speaker 6: All that stuff at the beginning wasn't a wheel?

465
00:25:19,280 --> 00:25:19,639
Speaker 3: Spinning.

466
00:25:19,720 --> 00:25:22,320
Speaker 1: That was going to get the wheel out of the closet,

467
00:25:22,480 --> 00:25:24,880
Speaker 1: and there was a guy on there. Guy was changing

468
00:25:25,920 --> 00:25:29,320
Speaker 1: and I told him sorry and so and I don't

469
00:25:29,359 --> 00:25:31,640
Speaker 1: know why he was changing behind the wheel, but that's

470
00:25:31,680 --> 00:25:35,720
Speaker 1: not I don't bother myself with that, and let spin

471
00:25:35,800 --> 00:25:45,320
Speaker 1: it zoom And so it's done spinning, And wouldn't you

472
00:25:45,440 --> 00:25:48,760
Speaker 1: know it, it landed on dB Sweeney.

473
00:25:49,200 --> 00:25:55,880
Speaker 2: Oh, dB Sweeney sure ninety four when he's on top

474
00:25:58,320 --> 00:26:03,840
Speaker 2: Rwanda genocide was going on at the time. People were

475
00:26:03,840 --> 00:26:08,679
Speaker 2: looking for a way to laugh. I had an idea

476
00:26:08,720 --> 00:26:15,600
Speaker 2: for a show called Shorties Watching Shorties, which was, of course,

477
00:26:16,359 --> 00:26:23,240
Speaker 2: two babies, two cartoon babies watching animated shorts. So you're thinking,

478
00:26:23,359 --> 00:26:26,720
Speaker 2: like these this is like short form programming. What about

479
00:26:26,760 --> 00:26:30,880
Speaker 2: like a short form human to watch these shows?

480
00:26:31,000 --> 00:26:33,280
Speaker 3: Well, is anybody in Rwanda going to relate to that?

481
00:26:33,600 --> 00:26:35,520
Speaker 3: I mean, unless the babies.

482
00:26:35,160 --> 00:26:38,960
Speaker 2: Are well at least one of them has to be

483
00:26:39,080 --> 00:26:43,800
Speaker 2: played by Patria. Yes, And so that was sort of

484
00:26:43,800 --> 00:26:46,879
Speaker 2: the idea. Yes, that was sort of the idea. There,

485
00:26:47,920 --> 00:26:50,639
Speaker 2: rip Shorty's watching Shorties. We lost you too soon. We

486
00:26:50,680 --> 00:26:51,879
Speaker 2: should have had more seasons.

487
00:26:52,119 --> 00:26:54,120
Speaker 3: Remind me who dB Sweeney is.

488
00:26:54,400 --> 00:26:58,480
Speaker 6: Oh, well, if you Fire in the Sky and I

489
00:26:58,520 --> 00:26:59,240
Speaker 6: think that's it.

490
00:26:59,680 --> 00:27:04,359
Speaker 3: Oh, come on, he made TV movies with Tia Carrera.

491
00:27:05,280 --> 00:27:10,840
Speaker 1: Really, I think one's called point blank Okay, yes, okay,

492
00:27:11,000 --> 00:27:15,199
Speaker 1: that makes sense because we had them come in to

493
00:27:15,280 --> 00:27:19,320
Speaker 1: do a short, Tia and dB to do a short

494
00:27:19,359 --> 00:27:21,399
Speaker 1: where he plays.

495
00:27:21,200 --> 00:27:24,320
Speaker 2: Wayne from Wayne's World, which was sort of a misconception

496
00:27:24,480 --> 00:27:26,639
Speaker 2: that we had. We said, we heard that he'd been

497
00:27:26,640 --> 00:27:29,400
Speaker 2: doing stuff with Tia Carrera and we thought he must be.

498
00:27:29,400 --> 00:27:32,000
Speaker 3: Wayne or at the very least a relic hunter.

499
00:27:32,400 --> 00:27:36,879
Speaker 2: Yes, and so they come in together to do the

500
00:27:36,920 --> 00:27:41,119
Speaker 2: Waynes World bit where he makes his like stomach do

501
00:27:41,240 --> 00:27:43,640
Speaker 2: that really thing and she goes, you.

502
00:27:43,760 --> 00:27:48,360
Speaker 3: Asshole, Oh you know that famous bit.

503
00:27:49,000 --> 00:27:52,320
Speaker 2: Yeah, something that could really bring the bluetoos and the

504
00:27:52,359 --> 00:27:53,320
Speaker 2: two sees together.

505
00:27:53,520 --> 00:27:56,480
Speaker 3: Sure, I'd apologize for for the accent.

506
00:27:57,000 --> 00:28:01,200
Speaker 6: To you want Tia to apologize. Know that's her voice,

507
00:28:01,680 --> 00:28:05,960
Speaker 6: I'm saying. In this politically sensitive time, I might say

508
00:28:06,280 --> 00:28:07,320
Speaker 6: sorry about that voice.

509
00:28:07,359 --> 00:28:10,520
Speaker 2: I just did to cover your But you just said

510
00:28:10,520 --> 00:28:12,560
Speaker 2: it sounds exactly like what she said.

511
00:28:12,680 --> 00:28:15,000
Speaker 3: You recognized immediately voice.

512
00:28:15,040 --> 00:28:18,960
Speaker 2: You would prefer that I imposed a white version of my

513
00:28:19,160 --> 00:28:19,880
Speaker 2: voice on her.

514
00:28:20,840 --> 00:28:21,680
Speaker 3: You needed to do the.

515
00:28:21,640 --> 00:28:28,560
Speaker 1: Honest, Okay, Okay, well that's what she looks like.

516
00:28:28,760 --> 00:28:31,800
Speaker 6: Yes, but and for our listeners, he brought out a

517
00:28:31,800 --> 00:28:32,640
Speaker 6: giant paper fan.

518
00:28:33,160 --> 00:28:36,480
Speaker 3: That's what she uses to cool herself down.

519
00:28:37,359 --> 00:28:40,360
Speaker 6: I don't understand what the objection, but you only needed

520
00:28:40,360 --> 00:28:43,440
Speaker 6: to cool yourself down because you'd been holding a walk

521
00:28:43,480 --> 00:28:44,880
Speaker 6: over an open flame.

522
00:28:47,760 --> 00:28:48,800
Speaker 3: Which reminds me of a show.

523
00:28:48,840 --> 00:28:51,560
Speaker 6: I pitched a Comedy Central called Walk This Way, where

524
00:28:51,680 --> 00:28:55,840
Speaker 6: I taught, and at the time I my agent didn't

525
00:28:55,840 --> 00:28:57,880
Speaker 6: tell me when I went in that Comedy Central was

526
00:28:57,880 --> 00:29:00,320
Speaker 6: strictly uh for for jokes for laughs.

527
00:29:00,960 --> 00:29:04,200
Speaker 3: So I pitched this full show about how to walk

528
00:29:04,240 --> 00:29:05,440
Speaker 3: and what you were doing.

529
00:29:05,520 --> 00:29:08,280
Speaker 6: It was really based just around the pun walk this Way. Yes,

530
00:29:08,640 --> 00:29:12,720
Speaker 6: we got picked up for three. I never had a joke,

531
00:29:12,800 --> 00:29:14,320
Speaker 6: I never had a premise for it, and they just

532
00:29:14,400 --> 00:29:17,760
Speaker 6: kept saying like, look you you hooked us with Walk

533
00:29:17,920 --> 00:29:21,440
Speaker 6: this Way? Yes, Where where are the gas? Where are

534
00:29:21,480 --> 00:29:25,200
Speaker 6: the comedian guests? And we were canceled after one and

535
00:29:25,200 --> 00:29:25,560
Speaker 6: a half.

536
00:29:25,880 --> 00:29:29,560
Speaker 3: Oh wow. Some don't even make it that far though, No,

537
00:29:30,280 --> 00:29:34,440
Speaker 3: go on to you ta dB. dB couldn't do the

538
00:29:34,480 --> 00:29:38,720
Speaker 3: stomach thing. He's a thin man, he was. He was

539
00:29:38,800 --> 00:29:41,760
Speaker 3: using his hands, you know, to try and like to

540
00:29:41,800 --> 00:29:42,360
Speaker 3: squish it.

541
00:29:42,560 --> 00:29:46,440
Speaker 2: To squish it, which is not you know, I smelled

542
00:29:46,480 --> 00:29:50,720
Speaker 2: immediately that this is not actual Wane.

543
00:29:50,920 --> 00:29:54,600
Speaker 3: It's somebody else. Well, not immediately, it's no, not.

544
00:29:54,920 --> 00:29:57,080
Speaker 6: He's fully into the pitch before you realized it wasn't

545
00:29:57,080 --> 00:30:00,479
Speaker 6: my Myers. It sounds like to me it was it was,

546
00:30:00,640 --> 00:30:02,520
Speaker 6: And your only tip off was that he couldn't do

547
00:30:02,640 --> 00:30:03,400
Speaker 6: the stomach trip.

548
00:30:04,000 --> 00:30:06,720
Speaker 2: I look at his hands, that he's using his hands,

549
00:30:06,720 --> 00:30:09,080
Speaker 2: and I say, I don't remember Mike using his hands

550
00:30:09,120 --> 00:30:12,920
Speaker 2: to do this stomach thing. And then he starts going

551
00:30:12,960 --> 00:30:19,560
Speaker 2: into like the Scottish guy that to me sounds pretty.

552
00:30:20,920 --> 00:30:25,400
Speaker 3: Chinese. Frankly. Okay, well, and I know, you know something.

553
00:30:25,200 --> 00:30:27,520
Speaker 2: This is like sort of like an area of expertise

554
00:30:27,680 --> 00:30:31,080
Speaker 2: of mine. And so and then I look at his

555
00:30:31,720 --> 00:30:33,200
Speaker 2: what I can see of his eyes, and he's sort

556
00:30:33,200 --> 00:30:35,760
Speaker 2: of like looking around shiftily, like he's like sort of

557
00:30:35,800 --> 00:30:38,640
Speaker 2: getting away with something. Yeah, so we sent him on

558
00:30:38,720 --> 00:30:41,040
Speaker 2: his way, and it was a cartoon show anyway, so

559
00:30:41,080 --> 00:30:43,560
Speaker 2: he didn't actually need to be there like doing a

560
00:30:43,600 --> 00:30:46,960
Speaker 2: live action thing. And I still don't totally know who

561
00:30:46,960 --> 00:30:50,120
Speaker 2: he is to this day, or any of the movies

562
00:30:50,160 --> 00:30:52,719
Speaker 2: that you mentioned that that that he was in.

563
00:30:52,840 --> 00:30:55,240
Speaker 3: He was just a guy who I thought was Mike Meyers.

564
00:30:55,280 --> 00:30:58,200
Speaker 1: He was a great piece of Hollywood lore. And that's

565
00:30:58,240 --> 00:31:00,520
Speaker 1: what I love about That's really interesting. You get the

566
00:31:00,520 --> 00:31:04,240
Speaker 1: inside scoop of these longtime relationships that you always go like,

567
00:31:04,280 --> 00:31:06,040
Speaker 1: how exactly did that start?

568
00:31:06,120 --> 00:31:07,800
Speaker 3: You and dB sort of not.

569
00:31:08,320 --> 00:31:10,960
Speaker 6: Each other are that's probably on our listener's mind. Sure,

570
00:31:11,280 --> 00:31:12,880
Speaker 6: Hayz and dB? Where did it start?

571
00:31:13,000 --> 00:31:13,840
Speaker 3: Yes? Where did it?

572
00:31:14,160 --> 00:31:17,000
Speaker 6: And we see you guys in the magazines. You know,

573
00:31:17,040 --> 00:31:18,920
Speaker 6: you're out and about, but it's like where, how did

574
00:31:18,920 --> 00:31:19,320
Speaker 6: they meet?

575
00:31:19,640 --> 00:31:20,360
Speaker 3: How did it happen?

576
00:31:20,400 --> 00:31:22,360
Speaker 2: And you can tell in some of those magazine pictures

577
00:31:22,360 --> 00:31:24,840
Speaker 2: that I'm still sort of trying to figure out.

578
00:31:24,880 --> 00:31:25,480
Speaker 3: Who he is?

579
00:31:25,680 --> 00:31:27,880
Speaker 6: Yeah, yeah, yeah, Well the one I saw in it

580
00:31:28,160 --> 00:31:30,160
Speaker 6: was an US weekly Stars Are just like Us, and

581
00:31:30,160 --> 00:31:32,160
Speaker 6: it was you at a grocery store and you're holding

582
00:31:32,200 --> 00:31:34,520
Speaker 6: up a photo of Mike Myers to dB Sweeney, Yeah,

583
00:31:34,560 --> 00:31:37,960
Speaker 6: in the produce section, and I thought, what's you know,

584
00:31:38,000 --> 00:31:39,320
Speaker 6: what the hell's going on here?

585
00:31:39,320 --> 00:31:41,080
Speaker 2: There's a lot of me you can see on my

586
00:31:41,160 --> 00:31:43,920
Speaker 2: phone googling dB Sweeney.

587
00:31:43,560 --> 00:31:44,280
Speaker 3: Question Mark.

588
00:31:44,440 --> 00:31:49,240
Speaker 2: Yeah, trying to be like, you know, dB Cooper is

589
00:31:49,320 --> 00:31:50,680
Speaker 2: somebody somebody else.

590
00:31:50,760 --> 00:31:52,400
Speaker 3: I clearly know that in.

591
00:31:52,320 --> 00:31:56,520
Speaker 2: These photos he's famous crime. But who dB Sweeney is

592
00:31:56,640 --> 00:31:59,600
Speaker 2: still eludes me because he always looks before my Google

593
00:31:59,600 --> 00:32:00,560
Speaker 2: search can complete.

594
00:32:00,800 --> 00:32:03,960
Speaker 3: And then where did you meet B? D Wong? And see,

595
00:32:05,320 --> 00:32:06,360
Speaker 3: Well that's the danger.

596
00:32:06,560 --> 00:32:09,760
Speaker 1: That's really interesting as we can get pretty far down

597
00:32:09,800 --> 00:32:11,800
Speaker 1: the rabbit hole of finding out how we met.

598
00:32:11,880 --> 00:32:14,520
Speaker 2: Sure every single all these people who we don't know

599
00:32:14,520 --> 00:32:15,040
Speaker 2: who they are.

600
00:32:15,200 --> 00:32:17,360
Speaker 6: I was hanging out with dB and BD last week

601
00:32:17,640 --> 00:32:20,480
Speaker 6: dB A BD at the Jurassic World premiere because B.

602
00:32:20,600 --> 00:32:23,400
Speaker 6: D Wong did have a sizable role in that m

603
00:32:23,960 --> 00:32:27,000
Speaker 6: they thought, who can we get from Jurassic Park. They're

604
00:32:27,000 --> 00:32:29,800
Speaker 6: going twelve down the call sheet and they're like, oh,

605
00:32:29,840 --> 00:32:30,719
Speaker 6: B D Wong, I'll do it.

606
00:32:32,160 --> 00:32:34,200
Speaker 2: You know who i'd be interested in to hear about

607
00:32:34,240 --> 00:32:37,320
Speaker 2: with you? Spin the wheel. I'll spin the wheel and

608
00:32:37,480 --> 00:32:45,920
Speaker 2: I'll just pray that it interested in. Yeah, Oh my god,

609
00:32:45,920 --> 00:32:47,320
Speaker 2: the wheels come loose from the wall.

610
00:32:47,600 --> 00:32:53,719
Speaker 3: Oh it's crushing Ryan. Oh he's been crushed under the wheel, Ryan, Ryan.

611
00:32:54,080 --> 00:32:57,240
Speaker 2: Oh it's it's rolled back onto the wall.

612
00:32:57,280 --> 00:33:02,320
Speaker 3: And Okay, it's emotion again. JT. Walsh.

613
00:33:02,600 --> 00:33:07,800
Speaker 6: JT isn't a brief heavy episode. I was hanging out

614
00:33:07,800 --> 00:33:12,920
Speaker 6: with B D, dB and JT for decades we met

615
00:33:13,200 --> 00:33:13,680
Speaker 6: me and J. T.

616
00:33:13,800 --> 00:33:14,800
Speaker 3: Walsh. My last name is.

617
00:33:14,800 --> 00:33:17,640
Speaker 2: Walsh, and so this was a big part of the

618
00:33:17,760 --> 00:33:20,720
Speaker 2: question and what made it so interesting for me to ask.

619
00:33:20,680 --> 00:33:26,160
Speaker 6: Sure, I'm doing a made for TV movie with Candy

620
00:33:26,200 --> 00:33:31,680
Speaker 6: Bergen and Ken Griffy Junr. It's Candy driving Ken Griffy

621
00:33:31,720 --> 00:33:32,640
Speaker 6: around town.

622
00:33:33,040 --> 00:33:35,960
Speaker 3: Sort of an inverse Daisy.

623
00:33:36,120 --> 00:33:39,720
Speaker 6: That's what it was pitched at pitch as Ken hated

624
00:33:40,080 --> 00:33:43,040
Speaker 6: white people both in real life and in the script,

625
00:33:43,760 --> 00:33:47,320
Speaker 6: and Candy sort of helps him learn to love and

626
00:33:47,400 --> 00:33:52,080
Speaker 6: appreciate whites. It was a flip. It was after driving

627
00:33:52,080 --> 00:33:53,719
Speaker 6: Miss Daisy, Everybody's like, give us some more of this

628
00:33:53,840 --> 00:33:59,600
Speaker 6: racist stuff now. The dan Ackroyd roll in driving Miss

629
00:33:59,680 --> 00:34:04,080
Speaker 6: Daisy in our version was played by j. T. Walsh.

630
00:34:04,120 --> 00:34:07,920
Speaker 3: This is a pre sling Blade pre breakdown. J T. Yeah,

631
00:34:08,320 --> 00:34:10,000
Speaker 3: pretty close. Yeah.

632
00:34:10,040 --> 00:34:13,520
Speaker 6: So they said, you know, who can you get And

633
00:34:13,560 --> 00:34:16,240
Speaker 6: at the time, you know, I'm a hot shot screenwriter.

634
00:34:16,360 --> 00:34:20,759
Speaker 6: I got this really exciting piece of racist writing that

635
00:34:20,800 --> 00:34:25,160
Speaker 6: I've been working on, and I said, look, it's really

636
00:34:25,320 --> 00:34:30,160
Speaker 6: Brandon Walsh, who's fictional. It's Brenda Walsh, who's fictional, and

637
00:34:30,200 --> 00:34:32,279
Speaker 6: then J T. Walsh, who's a real actor. These are

638
00:34:32,320 --> 00:34:34,240
Speaker 6: the people that were I knew they're in my family,

639
00:34:34,280 --> 00:34:34,480
Speaker 6: you know.

640
00:34:35,360 --> 00:34:37,320
Speaker 3: So I'm at the reunion. I walk over to JT.

641
00:34:37,440 --> 00:34:45,080
Speaker 6: I go, Jades, will you play the son of Candy Bergen?

642
00:34:45,280 --> 00:34:48,759
Speaker 6: And he goes, I've done it? Can I play the

643
00:34:48,880 --> 00:34:50,360
Speaker 6: daughter of Candy Bergen?

644
00:34:51,200 --> 00:34:51,319
Speaker 3: Now?

645
00:34:51,400 --> 00:34:54,479
Speaker 6: JT was quite mad at this point. He had lost

646
00:34:54,520 --> 00:34:58,040
Speaker 6: his mind. People don't know that about that about him.

647
00:34:58,440 --> 00:35:01,920
Speaker 6: He came in for or the role completely dressed as

648
00:35:01,960 --> 00:35:06,400
Speaker 6: a woman. It was not convincing. He didn't even do

649
00:35:06,440 --> 00:35:08,759
Speaker 6: a voice. He kept his same sort of gravelly thing.

650
00:35:09,960 --> 00:35:12,600
Speaker 3: Uh, that's not the equivalent of the dan ackroy role.

651
00:35:13,640 --> 00:35:16,759
Speaker 1: It wasn't at all at this point because you said

652
00:35:16,800 --> 00:35:19,000
Speaker 1: dan ackroy roll, But that should them and Ken griff.

653
00:35:20,760 --> 00:35:21,560
Speaker 3: Or daughter.

654
00:35:22,880 --> 00:35:27,759
Speaker 1: What dan Ackroyd was Tandy, you can tell from which

655
00:35:27,800 --> 00:35:32,040
Speaker 1: color the person And this is not supposed to be mean. No, No,

656
00:35:32,280 --> 00:35:34,080
Speaker 1: you can tell from which color when you're looking.

657
00:35:34,200 --> 00:35:36,799
Speaker 3: Yeah? Is that okay? Because am I allowed to say that?

658
00:35:36,920 --> 00:35:39,759
Speaker 1: Because apparently a lot of stuff benefici to all these

659
00:35:40,200 --> 00:35:40,840
Speaker 1: new rules.

660
00:35:40,880 --> 00:35:44,839
Speaker 6: This explains why the a D kept saying, I don't

661
00:35:44,880 --> 00:35:47,160
Speaker 6: think they're going to buy a j T as Ken

662
00:35:47,200 --> 00:35:55,360
Speaker 6: Griffy Junior's son, let alone daughter. Yes, JT and I,

663
00:35:55,440 --> 00:35:57,160
Speaker 6: you know, we hit up along John Silver's I say,

664
00:35:57,239 --> 00:36:01,759
Speaker 6: j T. It ain't working out, baby, it ain't working out.

665
00:36:01,800 --> 00:36:03,719
Speaker 3: You know, you know you always soften.

666
00:36:03,400 --> 00:36:06,399
Speaker 6: A blow like that in Hollywood with some hushpuppies. And

667
00:36:08,400 --> 00:36:10,680
Speaker 6: I thought I was done with Hollywood when the when

668
00:36:10,719 --> 00:36:12,839
Speaker 6: the suits came down to set and saw what I

669
00:36:12,880 --> 00:36:16,680
Speaker 6: was doing here. Yeah, King Griffy Junior and Candy Bergen

670
00:36:17,120 --> 00:36:20,040
Speaker 6: in kind of a bad car set, Like the car

671
00:36:20,080 --> 00:36:23,160
Speaker 6: wasn't even convincing. We had a canoe that they put

672
00:36:23,160 --> 00:36:27,040
Speaker 6: headlights on, and there were two guys kind of rocking

673
00:36:27,040 --> 00:36:29,320
Speaker 6: it back and forth, but not even in a convincing manner,

674
00:36:29,320 --> 00:36:31,640
Speaker 6: like they would rock it all the way to the left,

675
00:36:31,960 --> 00:36:32,640
Speaker 6: all the way.

676
00:36:32,480 --> 00:36:34,920
Speaker 2: To the right, and in the reverse direction of the

677
00:36:34,920 --> 00:36:36,279
Speaker 2: way the steering wheel is going.

678
00:36:37,320 --> 00:36:38,719
Speaker 3: Well, Candy couldn't get that down.

679
00:36:38,920 --> 00:36:42,920
Speaker 6: I said, Candy, you gotta steer with some some.

680
00:36:43,120 --> 00:36:45,400
Speaker 3: Like just like you're driving a car. He does inverted

681
00:36:45,480 --> 00:36:46,200
Speaker 3: controllers on.

682
00:36:46,480 --> 00:36:49,680
Speaker 6: Candy looks at me. She goes A, I've never driven

683
00:36:49,680 --> 00:36:52,200
Speaker 6: a car. I said, Well, could have probably told me

684
00:36:52,239 --> 00:36:53,080
Speaker 6: that in the odd dish.

685
00:36:53,440 --> 00:36:54,000
Speaker 3: She goes B.

686
00:36:55,280 --> 00:36:57,239
Speaker 6: My right is my left, my left is my right,

687
00:36:59,360 --> 00:37:00,960
Speaker 6: I said, Okay, you know, I wish we'd gone with

688
00:37:01,080 --> 00:37:03,200
Speaker 6: Delta Burke because Delta.

689
00:37:03,040 --> 00:37:06,240
Speaker 3: Was Very's and she has that down.

690
00:37:06,600 --> 00:37:08,200
Speaker 6: The issue with Delta Burke at the time when she

691
00:37:08,239 --> 00:37:12,240
Speaker 6: was married to Gerald McRaney and he and I had

692
00:37:12,360 --> 00:37:15,200
Speaker 6: never gotten along. We had a falling out on the

693
00:37:15,239 --> 00:37:19,960
Speaker 6: set of Major Dad where I said, look, I think

694
00:37:19,960 --> 00:37:23,319
Speaker 6: they should call the show Major Asshole because of the

695
00:37:23,320 --> 00:37:26,000
Speaker 6: way you're dealing with the people on staff.

696
00:37:26,000 --> 00:37:30,000
Speaker 3: That feels like bait. Yeah, what I mean, I knew

697
00:37:30,000 --> 00:37:30,719
Speaker 3: what I was going.

698
00:37:30,640 --> 00:37:34,200
Speaker 5: Because the way the story started, I sort of felt

699
00:37:34,239 --> 00:37:42,200
Speaker 5: like like like the breakdown was a result of some

700
00:37:42,280 --> 00:37:44,040
Speaker 5: sort of misunderstanding or something.

701
00:37:44,600 --> 00:37:47,560
Speaker 3: But you're taking it right to him. I mean, I

702
00:37:47,640 --> 00:37:47,920
Speaker 3: made it.

703
00:37:47,960 --> 00:37:50,359
Speaker 1: You're you're mid misunderstanding at that point you were saying

704
00:37:50,400 --> 00:37:52,279
Speaker 1: it was as a result of you saying.

705
00:37:52,000 --> 00:37:52,719
Speaker 3: That I made it.

706
00:37:52,760 --> 00:37:56,680
Speaker 1: But it seems like something happened before already. That doesn't

707
00:37:56,680 --> 00:37:58,400
Speaker 1: feel like the beginning of the story.

708
00:37:58,800 --> 00:38:02,160
Speaker 6: I also and the know I'll save this for the

709
00:38:02,160 --> 00:38:05,839
Speaker 6: the autobiography. I was madly in love with Delta Burke

710
00:38:05,880 --> 00:38:08,719
Speaker 6: at this point. Yes that I've always loved a full

711
00:38:08,719 --> 00:38:13,480
Speaker 6: figured gal U Southern to boot sign me up. And

712
00:38:13,640 --> 00:38:16,680
Speaker 6: Gerald knew that and Gerald felt threatened by me. You know,

713
00:38:16,800 --> 00:38:19,680
Speaker 6: I was fourteen years old at the time. He knew

714
00:38:19,719 --> 00:38:25,359
Speaker 6: I had a TV movie going with kg J, Candy Bergen. Yeah,

715
00:38:25,760 --> 00:38:29,040
Speaker 6: a canoe car set, J T. Walsh and Drag playing

716
00:38:29,120 --> 00:38:32,279
Speaker 6: Ken Griffy's daughter. I was kind of the toast of

717
00:38:32,280 --> 00:38:33,040
Speaker 6: the town at that point.

718
00:38:33,080 --> 00:38:33,480
Speaker 4: Mm hmm.

719
00:38:34,280 --> 00:38:37,720
Speaker 3: And then Bob that refused to quit a rod?

720
00:38:38,400 --> 00:38:42,400
Speaker 6: Well, Pat, I thought you said a rod that refused

721
00:38:42,400 --> 00:38:45,160
Speaker 6: to quin Oh, bod that refused him?

722
00:38:45,160 --> 00:38:47,560
Speaker 3: Now is the rod part of the bod? Yes? Did it? Also?

723
00:38:48,560 --> 00:38:49,359
Speaker 3: The rod? Is the bod?

724
00:38:49,880 --> 00:38:52,920
Speaker 2: Having seen the show when it did go up? The

725
00:38:54,080 --> 00:38:56,760
Speaker 2: TV movie Driving, Yeah, mister Kenny show.

726
00:38:56,719 --> 00:38:58,880
Speaker 3: Yeah, Driving, mister Griffin. Yes. Sorry.

727
00:38:59,840 --> 00:39:03,920
Speaker 2: The mocap suit that Candy Bergen is wearing, was that supposed.

728
00:39:03,360 --> 00:39:09,360
Speaker 3: To become like a limo driver? Great question? Great question?

729
00:39:09,640 --> 00:39:10,439
Speaker 3: I had the same.

730
00:39:10,560 --> 00:39:14,160
Speaker 2: Were you hoping to use some kind of effect to

731
00:39:14,200 --> 00:39:15,640
Speaker 2: turn that into something else?

732
00:39:16,000 --> 00:39:16,360
Speaker 3: Okay?

733
00:39:16,960 --> 00:39:18,960
Speaker 6: When we brought in the suit it was a mohair suit,

734
00:39:19,239 --> 00:39:23,280
Speaker 6: and Candy goes again, this is an issue. I'm highly

735
00:39:23,320 --> 00:39:26,480
Speaker 6: allergic to mohair. Over to the ad, I go, you

736
00:39:26,480 --> 00:39:29,719
Speaker 6: know who is in fucking Delta Burke who I had

737
00:39:29,800 --> 00:39:32,040
Speaker 6: in my hand and turned away at the last minute.

738
00:39:32,200 --> 00:39:34,920
Speaker 6: So I said, well, look, we'll do it in this

739
00:39:35,000 --> 00:39:37,200
Speaker 6: moll cap. We put her with the you know, the

740
00:39:37,239 --> 00:39:39,879
Speaker 6: ping pong balls and everything, and then we ran out

741
00:39:39,880 --> 00:39:43,160
Speaker 6: of money. So when the movie hit the air, as

742
00:39:43,200 --> 00:39:47,000
Speaker 6: you saw it on CBS right after sixty minutes in

743
00:39:47,080 --> 00:39:52,480
Speaker 6: nineteen eighty six, she was just wearing the motion capture

744
00:39:52,560 --> 00:39:55,440
Speaker 6: suit and we never explained it. There was a lot

745
00:39:55,440 --> 00:39:57,120
Speaker 6: of questions we didn't have the money to fill in

746
00:39:57,160 --> 00:39:57,560
Speaker 6: the suit.

747
00:39:57,640 --> 00:40:00,040
Speaker 3: Well, she a lot of people are touching it.

748
00:40:00,040 --> 00:40:04,200
Speaker 2: It's like acting like it's fine mow hair, smelling it

749
00:40:04,480 --> 00:40:05,040
Speaker 2: very deeply.

750
00:40:05,840 --> 00:40:09,240
Speaker 1: Well, Ken Griffy tucks himself into it and falls asleep,

751
00:40:10,280 --> 00:40:12,839
Speaker 1: and which you know, which finally made the sleep mask

752
00:40:12,920 --> 00:40:15,120
Speaker 1: he had on makes sense to me because for a

753
00:40:15,120 --> 00:40:17,879
Speaker 1: lot of the film, I'm going, how does he even

754
00:40:18,000 --> 00:40:20,680
Speaker 1: have license to be racist towards this woman? He can't

755
00:40:20,719 --> 00:40:23,200
Speaker 1: possibly see her through the sleep mask, and what was

756
00:40:23,239 --> 00:40:24,000
Speaker 1: the story with that?

757
00:40:24,360 --> 00:40:26,359
Speaker 3: Oh boy? The issue there. Ken Griffi Jr.

758
00:40:26,400 --> 00:40:30,919
Speaker 6: Had a pretty advanced case of macular degeneration, couldn't see

759
00:40:30,920 --> 00:40:35,319
Speaker 6: a thing. So I'm like, Ken, how are you hitting

760
00:40:35,320 --> 00:40:37,440
Speaker 6: these grand slams at the ballpark? Then you come in

761
00:40:37,480 --> 00:40:40,160
Speaker 6: here and you're blind as a bat. I never got

762
00:40:40,200 --> 00:40:43,399
Speaker 6: an answer to that. Frankly, I think it could have been.

763
00:40:43,400 --> 00:40:43,920
Speaker 3: So nar.

764
00:40:45,920 --> 00:40:48,400
Speaker 6: So he insisted on wearing the sleep mask again. We

765
00:40:48,480 --> 00:40:52,319
Speaker 6: thought we would sort of CEGI that out. And no

766
00:40:52,360 --> 00:40:55,200
Speaker 6: one told me at the time that CGI wasn't even invented.

767
00:40:55,360 --> 00:40:57,440
Speaker 3: No. Yeah, I go up to Ilm.

768
00:40:57,520 --> 00:41:01,080
Speaker 6: I go, hey, can you take the sleep mask off?

769
00:41:01,560 --> 00:41:05,000
Speaker 6: Can you also take the mocap suit off? Candy Bergen?

770
00:41:05,000 --> 00:41:07,680
Speaker 6: Because I got this thing premiering in two weeks And

771
00:41:07,960 --> 00:41:10,600
Speaker 6: he says, look, I'm deep in post pro on Howard

772
00:41:10,640 --> 00:41:10,920
Speaker 6: the Duck.

773
00:41:10,960 --> 00:41:12,080
Speaker 3: I'm talking about George Lucas.

774
00:41:12,160 --> 00:41:15,560
Speaker 6: Yes, uh, and we don't really have time for a

775
00:41:15,600 --> 00:41:20,040
Speaker 6: CBS made for TV movie. I said, okay, believe you me.

776
00:41:20,960 --> 00:41:23,160
Speaker 6: There were a lot of questions about this. I mean

777
00:41:23,239 --> 00:41:27,239
Speaker 6: every scene of the movie was baffling theories. Well, you

778
00:41:27,320 --> 00:41:30,160
Speaker 6: mentioned about a lot of people commenting on the fine

779
00:41:31,120 --> 00:41:34,680
Speaker 6: texture of the mohair suit. I mean I wrote a

780
00:41:34,760 --> 00:41:38,360
Speaker 6: lot of mohair material, beautiful mohair material.

781
00:41:38,360 --> 00:41:42,920
Speaker 1: And oh yes, poetic you know, monologues about mohair.

782
00:41:44,280 --> 00:41:49,160
Speaker 6: Film primatic speech, right, and when when Ken Griffy collapses

783
00:41:49,600 --> 00:41:52,080
Speaker 6: in Candy Bergen's arms at the end of the movie

784
00:41:52,840 --> 00:41:57,239
Speaker 6: and says like, you know, I love you and I

785
00:41:57,320 --> 00:42:00,600
Speaker 6: love your sweet, sweet mohair suit. As the line of

786
00:42:00,640 --> 00:42:03,279
Speaker 6: the movie. The fact that it wasn't mohair, Did that

787
00:42:03,360 --> 00:42:05,480
Speaker 6: hurt us come any time?

788
00:42:05,840 --> 00:42:07,440
Speaker 3: Yeah? I think probably a ten. And that was the

789
00:42:07,440 --> 00:42:08,359
Speaker 3: final line in the movie.

790
00:42:08,360 --> 00:42:10,319
Speaker 1: But that line was also said at seven or eight

791
00:42:10,360 --> 00:42:14,000
Speaker 1: different points in the movie, so it's something of a

792
00:42:14,040 --> 00:42:15,120
Speaker 1: callback at that point.

793
00:42:15,200 --> 00:42:22,040
Speaker 6: Yeah, and calling it, you know, mohair, just simply mohair

794
00:42:22,120 --> 00:42:23,319
Speaker 6: is what I called the film.

795
00:42:23,560 --> 00:42:24,000
Speaker 1: Mm hmm.

796
00:42:24,880 --> 00:42:29,360
Speaker 6: Again, the heads of CBS at that time were like, look, Pat,

797
00:42:30,600 --> 00:42:33,080
Speaker 6: we got j T, we got Candy, we got Ken

798
00:42:33,120 --> 00:42:36,799
Speaker 6: Griffy Jr. You can't call this thing mohair. Call it

799
00:42:36,920 --> 00:42:38,080
Speaker 6: ping pong ball suit.

800
00:42:39,040 --> 00:42:39,239
Speaker 3: You know.

801
00:42:39,360 --> 00:42:41,560
Speaker 6: Have the last line be I loved the sweet feel

802
00:42:41,600 --> 00:42:43,160
Speaker 6: of ping pong balls.

803
00:42:42,840 --> 00:42:45,160
Speaker 3: Against my ADNR and some ping pong ball dio.

804
00:42:45,360 --> 00:42:47,000
Speaker 6: I said, it's all going to work out, and it didn't.

805
00:42:47,000 --> 00:42:49,799
Speaker 6: And it honestly a blacklist to me for about six years.

806
00:42:50,160 --> 00:42:51,040
Speaker 3: Oh yeah, it was.

807
00:42:51,120 --> 00:42:54,879
Speaker 1: You were almost twenty before I was nearly twenty, got

808
00:42:54,920 --> 00:42:57,279
Speaker 1: back into the game in a big, big way and

809
00:42:57,360 --> 00:42:58,919
Speaker 1: made a big old splash.

810
00:42:59,200 --> 00:43:01,520
Speaker 3: I thought it was I thought it was purgatory.

811
00:43:01,719 --> 00:43:04,719
Speaker 2: That was what my theory would that these characters were

812
00:43:04,760 --> 00:43:08,000
Speaker 2: in purgatory, and that sort of explained some of those

813
00:43:08,719 --> 00:43:09,440
Speaker 2: for decades.

814
00:43:09,480 --> 00:43:12,399
Speaker 6: Now, I will not answer any questions, but I want

815
00:43:12,400 --> 00:43:14,160
Speaker 6: people to kind of take it.

816
00:43:14,239 --> 00:43:15,960
Speaker 3: Every movie is sort of what it means to you.

817
00:43:16,080 --> 00:43:19,239
Speaker 2: Another theory I had is that you maybe thought, uh

818
00:43:19,800 --> 00:43:22,280
Speaker 2: mocap was short for mohair capture.

819
00:43:24,200 --> 00:43:28,080
Speaker 1: It was at that time it was I thought that

820
00:43:28,480 --> 00:43:33,120
Speaker 1: it was they were inside a witch's crystal ball and

821
00:43:33,160 --> 00:43:35,520
Speaker 1: that she was sort of manipulating, and that's why the

822
00:43:35,520 --> 00:43:37,759
Speaker 1: canoes turning the opposite way and all these things.

823
00:43:37,800 --> 00:43:40,480
Speaker 3: And I kept waiting for us to sort of pan out.

824
00:43:40,640 --> 00:43:44,399
Speaker 3: There is a cackle, sort of an echoing cackle yes

825
00:43:44,480 --> 00:43:45,440
Speaker 3: through a yes.

826
00:43:45,920 --> 00:43:50,440
Speaker 6: Off camra at that time J T. Walsh and again,

827
00:43:50,680 --> 00:43:53,160
Speaker 6: if anyone had made me aware of this would have

828
00:43:53,160 --> 00:43:59,560
Speaker 6: been very appreciative. J. T. Walsh had a real problem

829
00:43:59,640 --> 00:44:02,319
Speaker 6: with uncontrollable cackling and ruined.

830
00:44:02,000 --> 00:44:02,800
Speaker 3: Many many takes.

831
00:44:02,880 --> 00:44:05,279
Speaker 6: Yeah, So now again I'm like, well, we'll fix an

832
00:44:05,280 --> 00:44:07,359
Speaker 6: im post, We'll take those cackles out. Look, I I'll

833
00:44:07,360 --> 00:44:09,120
Speaker 6: say it again. I ran out of money, I ran

834
00:44:09,160 --> 00:44:11,279
Speaker 6: out of time. I wasn't ready at that point to

835
00:44:11,360 --> 00:44:13,200
Speaker 6: direct this movie. I have, fortunately, so you know, it's

836
00:44:13,280 --> 00:44:16,719
Speaker 6: it's found, it's following, and you know, I think the

837
00:44:16,760 --> 00:44:19,520
Speaker 6: people at Hallmark Hall of Fame like the box.

838
00:44:19,280 --> 00:44:21,880
Speaker 3: Office that it did. The home box office. To me,

839
00:44:22,040 --> 00:44:27,200
Speaker 3: it's better than Bad Boys your film. Now, why would

840
00:44:27,200 --> 00:44:28,120
Speaker 3: you compare the two.

841
00:44:29,440 --> 00:44:33,719
Speaker 6: Home Bad Boys with mart Lawrence and Will Smith or

842
00:44:33,719 --> 00:44:37,080
Speaker 6: Bad Boys with Champeenn m Oh.

843
00:44:37,120 --> 00:44:39,440
Speaker 3: For me, it's better than Bad Boys with Martin Lawrence

844
00:44:39,440 --> 00:44:41,840
Speaker 3: and Will Smith. Is that sort of your gold standard?

845
00:44:44,680 --> 00:44:44,840
Speaker 4: You know?

846
00:44:44,960 --> 00:44:48,480
Speaker 3: I think it is. Okay, it's a great film. Yeah,

847
00:44:48,640 --> 00:44:52,080
Speaker 3: that's your gold standard. But this movie is better. Yes,

848
00:44:52,520 --> 00:44:53,720
Speaker 3: that's my gold standard.

849
00:44:53,840 --> 00:44:55,880
Speaker 1: And then this movie, I guess it's platinum or something

850
00:44:56,600 --> 00:44:58,560
Speaker 1: because to me it's better than Bad Boys.

851
00:45:00,040 --> 00:45:00,759
Speaker 3: I spin the wheel for you.

852
00:45:00,920 --> 00:45:04,200
Speaker 1: That's what you call as well? Pat, would you spin

853
00:45:04,239 --> 00:45:06,000
Speaker 1: the wheel for me Dennis the Menace?

854
00:45:06,120 --> 00:45:08,760
Speaker 3: That's well, that's what you call the movie, Dennis the Menace.

855
00:45:08,800 --> 00:45:12,120
Speaker 3: I thought that my gold standard or platinum or Bad Boys? Yeah,

856
00:45:12,200 --> 00:45:13,920
Speaker 3: so that's what I thought you were referred to.

857
00:45:14,239 --> 00:45:17,919
Speaker 6: Dennis Mensis is my favorite Mason Gamble Christopherlloyd movie. That's

858
00:45:18,280 --> 00:45:20,800
Speaker 6: that's an interesting choice. It's not a popular choice, but

859
00:45:20,880 --> 00:45:24,720
Speaker 6: it is mine. Uh, Sean, I'm gonna spin the wheel

860
00:45:24,719 --> 00:45:34,160
Speaker 6: for you. Please, okay, gooog scoo, scoo scoooo.

861
00:45:37,400 --> 00:45:45,760
Speaker 3: Okay, and I got Bradley Whitford. M oh, please don't

862
00:45:45,760 --> 00:45:49,040
Speaker 3: make me tell this one. Can we please spin it again?

863
00:45:50,440 --> 00:45:53,040
Speaker 2: Well, let me check the rules. I'm happy. I'm always

864
00:45:53,040 --> 00:45:57,399
Speaker 2: happy to check the rules. Okay, it says any spin

865
00:45:57,480 --> 00:46:00,520
Speaker 2: of the wheel must be that story. You have to

866
00:46:00,560 --> 00:46:03,880
Speaker 2: tell the story of the name of the person that

867
00:46:04,040 --> 00:46:05,320
Speaker 2: is on the wheel.

868
00:46:05,760 --> 00:46:07,960
Speaker 3: But I didn't know what was gonna land on Bradley Whitford.

869
00:46:08,000 --> 00:46:09,879
Speaker 3: Can't we spin it again, Hayes.

870
00:46:09,880 --> 00:46:12,880
Speaker 2: Well, let me let me check what happens if you don't.

871
00:46:13,760 --> 00:46:17,120
Speaker 2: If you don't tell the story in the wheel. Right

872
00:46:17,160 --> 00:46:19,719
Speaker 2: as soon as the wheel says you have to tell

873
00:46:19,760 --> 00:46:22,279
Speaker 2: that story, you have to give Ryan a kiss on

874
00:46:22,320 --> 00:46:22,760
Speaker 2: the cheek.

875
00:46:23,840 --> 00:46:24,920
Speaker 3: Yuckoe.

876
00:46:25,320 --> 00:46:28,480
Speaker 1: Okay, fine, all right, look at Ryan's face light up though,

877
00:46:28,560 --> 00:46:30,560
Speaker 1: by the way, he loves it.

878
00:46:31,000 --> 00:46:33,200
Speaker 3: He washed his cheek. Yeah.

879
00:46:33,239 --> 00:46:36,720
Speaker 1: So I'm captaining a submersible searching for the lost island

880
00:46:36,719 --> 00:46:37,640
Speaker 1: of Atlantis.

881
00:46:41,120 --> 00:46:43,600
Speaker 3: You'll see, we'll see now.

882
00:46:43,840 --> 00:46:45,640
Speaker 1: Some of the bolts start to shoot out of the

883
00:46:45,680 --> 00:46:48,240
Speaker 1: side of the ship because of course, the pressure's intense.

884
00:46:48,320 --> 00:46:51,040
Speaker 1: We're going to depths they've never seen before. To me,

885
00:46:51,400 --> 00:46:53,880
Speaker 1: the real space to explore is not the one up

886
00:46:53,920 --> 00:46:56,400
Speaker 1: above us, but of course the one right here on Earth.

887
00:46:56,440 --> 00:46:57,520
Speaker 3: Ocean's the new space.

888
00:46:57,760 --> 00:47:01,080
Speaker 1: All the ocean is definitely the new And that's what

889
00:47:01,120 --> 00:47:05,319
Speaker 1: I was trying to tell Bradley. So he tells me

890
00:47:05,440 --> 00:47:06,839
Speaker 1: we got to pull up, We got to pull up,

891
00:47:06,840 --> 00:47:08,640
Speaker 1: and I go, we can't pull up too fast. The

892
00:47:08,680 --> 00:47:12,120
Speaker 1: pressure inside the cabin, we'll make our whole heads explode.

893
00:47:12,280 --> 00:47:15,160
Speaker 1: And he goes give me that wheel, and I go, no, Bradley,

894
00:47:15,600 --> 00:47:21,200
Speaker 1: and I did something I never thought i'd do. I

895
00:47:21,239 --> 00:47:27,879
Speaker 1: started to try to slap him. Oh my god, I'm

896
00:47:27,880 --> 00:47:30,680
Speaker 1: not proud of it. And I could have stood here

897
00:47:30,719 --> 00:47:32,319
Speaker 1: and I could have lied to you boys about what

898
00:47:32,400 --> 00:47:33,680
Speaker 1: I did on that submarine.

899
00:47:34,040 --> 00:47:36,880
Speaker 2: You just tried to start. No, no, no, no, he

900
00:47:37,040 --> 00:47:38,000
Speaker 2: started to try.

901
00:47:38,320 --> 00:47:41,680
Speaker 1: I got my hand about halfway up from my waist

902
00:47:41,760 --> 00:47:45,439
Speaker 1: where it was, you know, framed around my big old

903
00:47:45,480 --> 00:47:49,200
Speaker 1: belt buckle. I had been sort of brandishing the belt

904
00:47:49,239 --> 00:47:51,480
Speaker 1: buckle to let him know who's the boss, it said

905
00:47:51,800 --> 00:47:54,680
Speaker 1: Captain Sean on trying to blind him. Yes, I was

906
00:47:54,719 --> 00:47:57,440
Speaker 1: also trying to shine the light right into his eyes.

907
00:47:59,360 --> 00:48:01,840
Speaker 6: Now it was not the correct spelling of Sean.

908
00:48:02,080 --> 00:48:02,840
Speaker 3: Can you speak to that?

909
00:48:03,719 --> 00:48:07,840
Speaker 1: Okay, well you know I can speak to it, but

910
00:48:07,920 --> 00:48:13,440
Speaker 1: I think you'd have an easier time asking miss Sherry Stringfield,

911
00:48:14,840 --> 00:48:17,120
Speaker 1: because she is the one who I sent down to

912
00:48:17,160 --> 00:48:21,040
Speaker 1: the laser cutter to make this belt buckle into something

913
00:48:21,080 --> 00:48:23,680
Speaker 1: I could be proud of. And I said, just make

914
00:48:23,719 --> 00:48:27,040
Speaker 1: it my name. Yeah mm hmm, And of course you

915
00:48:27,120 --> 00:48:28,719
Speaker 1: know the way she wound up spelling.

916
00:48:28,480 --> 00:48:32,359
Speaker 3: It saha wne mm hmm.

917
00:48:34,200 --> 00:48:37,520
Speaker 1: Well, imagine my embarrassment later that night when I put

918
00:48:37,560 --> 00:48:39,960
Speaker 1: it on without reading it and went to hug my

919
00:48:40,080 --> 00:48:43,600
Speaker 1: mom and she thought that I was someone else.

920
00:48:43,480 --> 00:48:44,759
Speaker 3: And she looks down.

921
00:48:46,280 --> 00:48:50,520
Speaker 2: Imprinted in her belly backwards is the wrong name? Mm hmm.

922
00:48:51,280 --> 00:48:54,600
Speaker 1: Yes, because it was a big hug, a good one,

923
00:48:54,920 --> 00:48:59,759
Speaker 1: and it wound up permanently bruising her in sort of

924
00:48:59,760 --> 00:49:04,160
Speaker 1: a two of the wrong spelling of one of her son's.

925
00:49:03,960 --> 00:49:08,239
Speaker 2: Name, much the way the wet Bandits are now permanently

926
00:49:08,280 --> 00:49:12,000
Speaker 2: branded with the doorknob initial of the mcallisters.

927
00:49:13,360 --> 00:49:17,120
Speaker 3: So what a hard reminder. Sherry was never seen or

928
00:49:17,160 --> 00:49:19,560
Speaker 3: heard from again, but.

929
00:49:21,040 --> 00:49:25,760
Speaker 2: Actress right, oh uh, yeah, I think she was. Actually

930
00:49:25,760 --> 00:49:27,560
Speaker 2: I think she was heard from.

931
00:49:27,800 --> 00:49:31,719
Speaker 3: Oh yes, she was seen onion from in Hully.

932
00:49:31,960 --> 00:49:35,120
Speaker 2: She became a famous actress. But she doesn't run laser

933
00:49:35,200 --> 00:49:39,680
Speaker 2: cutting errands anymore, that's for sure, nowhere near them.

934
00:49:40,000 --> 00:49:42,960
Speaker 1: And she's not allowed to be the headmistress of the

935
00:49:43,040 --> 00:49:44,280
Speaker 1: Spelling Bee anymore.

936
00:49:44,920 --> 00:49:47,799
Speaker 3: Now, now you're starting to try to slap Bradley.

937
00:49:47,480 --> 00:49:49,800
Speaker 1: When I'm starting to so, I've got my hand about

938
00:49:49,800 --> 00:49:51,360
Speaker 1: halfway off my belt buckle.

939
00:49:53,360 --> 00:49:55,080
Speaker 3: He catches my arm, breaks it.

940
00:49:55,480 --> 00:49:59,279
Speaker 1: Oh my god, And I think I can't believe what

941
00:49:59,320 --> 00:50:02,080
Speaker 1: I almost and thank goodness, I stop myself.

942
00:50:02,400 --> 00:50:05,960
Speaker 2: Yeah, that could have really gotten hairy if you'd actually

943
00:50:06,239 --> 00:50:07,799
Speaker 2: I actually tried to slap him.

944
00:50:07,960 --> 00:50:12,160
Speaker 1: Oh gosh, Yeah, no, I don't think we'd be even

945
00:50:12,280 --> 00:50:14,560
Speaker 1: talking about him at this point. I'd be in prison

946
00:50:14,719 --> 00:50:18,640
Speaker 1: and he'd be well in the murky depths of the

947
00:50:18,680 --> 00:50:19,800
Speaker 1: ocean bobbing.

948
00:50:20,760 --> 00:50:22,719
Speaker 3: Oh. So, if you had really gone for it, you

949
00:50:22,800 --> 00:50:23,719
Speaker 3: think that you would have.

950
00:50:23,800 --> 00:50:27,000
Speaker 1: I would have slapped him, sween out of it. I

951
00:50:27,000 --> 00:50:29,719
Speaker 1: would have if I. If I land a slap on

952
00:50:29,840 --> 00:50:33,399
Speaker 1: him from where I was positioned, he shoots into the

953
00:50:33,440 --> 00:50:36,680
Speaker 1: periscope and then shoots out the lane as like a

954
00:50:36,760 --> 00:50:43,440
Speaker 1: sort of goo. So luckily that didn't happen. Uh huh,

955
00:50:43,520 --> 00:50:48,440
Speaker 1: he breaks my arm. I reset it, No harm, no foul.

956
00:50:50,360 --> 00:50:53,880
Speaker 1: I start steering the thing and off in the distance,

957
00:50:53,960 --> 00:50:57,400
Speaker 1: I get a glimpse. I can see what I believe

958
00:50:57,520 --> 00:51:06,360
Speaker 1: to be Atlantis, And I say, Bradley, that's it.

959
00:51:06,400 --> 00:51:12,080
Speaker 3: All's forgiven. Right. Who comes swimming out of the bubble

960
00:51:12,160 --> 00:51:18,759
Speaker 3: surrounding the lost time of Atlantis? But a Dungan from

961
00:51:19,320 --> 00:51:20,120
Speaker 3: Star Wars?

962
00:51:20,239 --> 00:51:26,839
Speaker 1: Yes, but like for real, a real Gungan. Well, they

963
00:51:26,880 --> 00:51:28,560
Speaker 1: had to put them somewhere when they got rid of

964
00:51:28,600 --> 00:51:29,400
Speaker 1: them from the movie.

965
00:51:30,000 --> 00:51:34,000
Speaker 3: Right, They dumped them into the ocean, and they bred,

966
00:51:34,040 --> 00:51:36,719
Speaker 3: do you not know about those? I really don't. Yeah,

967
00:51:36,840 --> 00:51:40,319
Speaker 3: they had to. They They told them that there was

968
00:51:40,360 --> 00:51:44,000
Speaker 3: apples of the ocean refreshment memory. What is a gungan?

969
00:51:44,440 --> 00:51:45,080
Speaker 3: Is it? Jar jar?

970
00:51:45,600 --> 00:51:53,560
Speaker 2: It's a mystical creature with war powers. Apple loves apples?

971
00:51:53,840 --> 00:51:57,640
Speaker 3: Who doesn't? Yes? Yes, he still love apples?

972
00:51:57,960 --> 00:52:00,320
Speaker 6: Can I I got to pop in one quick Q?

973
00:52:01,120 --> 00:52:04,799
Speaker 3: Why? Very unorthodox, but I'll allow it.

974
00:52:04,920 --> 00:52:08,160
Speaker 6: Why has the government entrusted you and Bradley Whitford on

975
00:52:08,200 --> 00:52:10,000
Speaker 6: this mission to find in Atlantis?

976
00:52:10,160 --> 00:52:12,920
Speaker 3: Oh? Please, it's not the American government?

977
00:52:13,120 --> 00:52:17,040
Speaker 1: Yeah, say no more, it's not a government. You've heard of,

978
00:52:17,600 --> 00:52:21,960
Speaker 1: but like, why were you the two me and Bradley? Yeah, well,

979
00:52:22,040 --> 00:52:26,359
Speaker 1: I mean he has some political experience, so we thought

980
00:52:26,360 --> 00:52:27,560
Speaker 1: he could be a good diplomat.

981
00:52:27,719 --> 00:52:31,760
Speaker 6: I feel like you're blurring a little bit scripted stuff

982
00:52:31,760 --> 00:52:32,880
Speaker 6: and what actually.

983
00:52:34,000 --> 00:52:37,480
Speaker 3: Happens in real life, Like he doesn't please explain.

984
00:52:38,520 --> 00:52:45,040
Speaker 6: He portrayed hot shot attorney Jack Whitlock on the West

985
00:52:45,040 --> 00:52:46,360
Speaker 6: Wide made all of that up, but he was on

986
00:52:46,400 --> 00:52:48,120
Speaker 6: the West wing that.

987
00:52:48,280 --> 00:52:50,160
Speaker 3: Yeah, that is right. He's a shot in the dark.

988
00:52:50,200 --> 00:52:51,000
Speaker 3: Speak on that.

989
00:52:52,800 --> 00:52:56,160
Speaker 6: And he wasn't actually that. He's just an actor. He's

990
00:52:56,200 --> 00:52:58,680
Speaker 6: married to the mom from either Everybody Loves Ray married

991
00:52:58,800 --> 00:53:02,600
Speaker 6: the Yeah with Michelle Pfeiffer.

992
00:53:03,760 --> 00:53:07,560
Speaker 3: He's married to that movie. He well, he dated that movie.

993
00:53:07,960 --> 00:53:08,279
Speaker 3: M hm.

994
00:53:09,880 --> 00:53:14,319
Speaker 1: Well be that as it may, Pat, he was my

995
00:53:14,520 --> 00:53:15,720
Speaker 1: co captain.

996
00:53:15,480 --> 00:53:17,839
Speaker 2: And he was in that Will I Am video. I

997
00:53:17,880 --> 00:53:22,960
Speaker 2: think that God Obama elected. So that is political experience

998
00:53:22,960 --> 00:53:25,120
Speaker 2: if I ever heard of many.

999
00:53:25,239 --> 00:53:27,520
Speaker 1: And if you recall Blue Bloods, I think he was

1000
00:53:27,560 --> 00:53:32,840
Speaker 1: eating a chili dog with a mustache. So it's not

1001
00:53:33,000 --> 00:53:34,680
Speaker 1: all as black and white as you want to make

1002
00:53:34,719 --> 00:53:35,239
Speaker 1: it out to be.

1003
00:53:35,840 --> 00:53:37,759
Speaker 2: And Sean can hold his breath for a really long time.

1004
00:53:37,800 --> 00:53:39,520
Speaker 2: If you were wondering why they would pick Sean.

1005
00:53:39,640 --> 00:53:41,760
Speaker 3: How I got in there. I didn't question why Sean

1006
00:53:41,840 --> 00:53:41,960
Speaker 3: was on.

1007
00:53:42,160 --> 00:53:48,640
Speaker 6: Okay, Shawn's a nautilist mm hmm, yes, I'm a workout machine.

1008
00:53:48,760 --> 00:53:48,960
Speaker 3: Yeah.

1009
00:53:49,640 --> 00:53:55,279
Speaker 1: Now when I see the gung and I know we

1010
00:53:55,360 --> 00:53:58,879
Speaker 1: made a wrong turn somewhere, so I say, b dub,

1011
00:54:00,080 --> 00:54:03,919
Speaker 1: I mean you gotta wheel it around. He goes, no,

1012
00:54:05,239 --> 00:54:05,760
Speaker 1: I go.

1013
00:54:06,640 --> 00:54:08,360
Speaker 3: Am I gonna have to start to try to slap

1014
00:54:08,400 --> 00:54:13,120
Speaker 3: this guy again? Inside my head, I don't do it. Instead.

1015
00:54:13,200 --> 00:54:14,880
Speaker 3: Are you even starting to start to slap him or

1016
00:54:14,960 --> 00:54:16,080
Speaker 3: not even there yet? No?

1017
00:54:16,160 --> 00:54:21,279
Speaker 2: No, God, no, no, that oh, which probably costs you

1018
00:54:21,320 --> 00:54:22,279
Speaker 2: a pinky or two.

1019
00:54:22,960 --> 00:54:24,680
Speaker 3: Well, uh, yes, that's true.

1020
00:54:24,719 --> 00:54:26,839
Speaker 1: He saw the glint in my eye and he did

1021
00:54:27,960 --> 00:54:30,680
Speaker 1: shoot down grab my hand, which I which was my

1022
00:54:30,960 --> 00:54:37,480
Speaker 1: good slapping hand, and shattered several of the meta tarsals

1023
00:54:37,880 --> 00:54:45,680
Speaker 1: no carpals tarsals. But anyway, my hands sprouted webs, and

1024
00:54:45,719 --> 00:54:48,359
Speaker 1: I sprouted gills in my neck and I burst out

1025
00:54:48,360 --> 00:54:50,279
Speaker 1: at the top of the submarine. Left him there and

1026
00:54:50,360 --> 00:54:52,560
Speaker 1: if he wanted to deal with those Gungans, more power

1027
00:54:52,600 --> 00:54:54,800
Speaker 1: to him, and I swim around lived in the ocean.

1028
00:54:55,480 --> 00:54:58,200
Speaker 1: Uh So that was probably the first time he and

1029
00:54:58,320 --> 00:55:07,240
Speaker 1: I worked together, and I think we all saw.

1030
00:55:07,760 --> 00:55:11,879
Speaker 3: Hung out a little bit around the time of what

1031
00:55:11,960 --> 00:55:12,359
Speaker 3: was the show?

1032
00:55:12,400 --> 00:55:18,319
Speaker 1: You said he was in West Wing, right, so we

1033
00:55:18,400 --> 00:55:21,719
Speaker 1: have kind of two experiences together right now.

1034
00:55:23,160 --> 00:55:24,640
Speaker 3: You said it was Atlantis.

1035
00:55:25,640 --> 00:55:28,720
Speaker 1: No, I assumed it was Atlantis because what I saw

1036
00:55:28,840 --> 00:55:31,239
Speaker 1: was an island surrounded by a bubble with what I

1037
00:55:31,320 --> 00:55:34,960
Speaker 1: assumed to be mer people swimming around it. But instead

1038
00:55:35,160 --> 00:55:38,560
Speaker 1: what it was was some sort of Gungan colony, which

1039
00:55:38,760 --> 00:55:41,400
Speaker 1: is like, well, thanks.

1040
00:55:41,120 --> 00:55:45,600
Speaker 3: Did you ever find Atlantis? Oh? Pat, that's a story

1041
00:55:45,640 --> 00:55:48,000
Speaker 3: for another Wheelspince, Yeah, you're not allowed. Let me check

1042
00:55:48,040 --> 00:55:48,640
Speaker 3: the rule book.

1043
00:55:48,760 --> 00:55:51,960
Speaker 1: Yes, please get into the rules Hayes before Pat humiliates himthing.

1044
00:55:52,080 --> 00:55:54,840
Speaker 2: So the price for asking for an extra story, and

1045
00:55:54,920 --> 00:55:58,560
Speaker 2: that's really interesting is giving Ryan a kiss right on

1046
00:55:58,719 --> 00:55:59,640
Speaker 2: his little nose.

1047
00:56:02,280 --> 00:56:04,320
Speaker 3: Do I have to do that? If you want to

1048
00:56:04,360 --> 00:56:05,879
Speaker 3: ask the question, let me check the real book.

1049
00:56:05,960 --> 00:56:08,960
Speaker 2: He has to pucker up that nose. Ry, Oh, he

1050
00:56:09,080 --> 00:56:14,279
Speaker 2: is actually doing it. I didn't think he was going

1051
00:56:14,320 --> 00:56:15,640
Speaker 2: to be able to pucker up his nose.

1052
00:56:15,680 --> 00:56:20,600
Speaker 3: But to words, Ryan, you're a strip. Did you ever

1053
00:56:20,640 --> 00:56:24,160
Speaker 3: find Atlanta? Your mouth looks like a cactus. That's disgusting.

1054
00:56:26,840 --> 00:56:32,320
Speaker 1: Yes, I did awesome, congrats it was in Georgia.

1055
00:56:33,160 --> 00:56:37,719
Speaker 2: No shut now, this I like, I wish we could

1056
00:56:37,719 --> 00:56:41,360
Speaker 2: have that that that joke further joke.

1057
00:56:41,560 --> 00:56:43,600
Speaker 3: Yes, it's too bad that we have time.

1058
00:56:43,400 --> 00:56:45,719
Speaker 2: To go into the right out of time because that

1059
00:56:45,880 --> 00:56:48,160
Speaker 2: really is a rich joke area.

1060
00:56:47,960 --> 00:56:52,239
Speaker 3: The Atlantis Braves. I mean, it is so good.

1061
00:56:52,280 --> 00:56:55,399
Speaker 2: I wish I call it hot Lantis. This is all

1062
00:56:55,600 --> 00:56:56,560
Speaker 2: such good stuff.

1063
00:56:56,760 --> 00:56:59,800
Speaker 1: This is the whole podcast will do itself, should we ask.

1064
00:56:59,719 --> 00:57:01,840
Speaker 3: Laura and if we could get an extra half.

1065
00:57:01,640 --> 00:57:08,560
Speaker 1: Hours or that's not enough time, Hayes, Well, thank you

1066
00:57:08,640 --> 00:57:10,840
Speaker 1: so much, Pat for being here in the studio and

1067
00:57:10,880 --> 00:57:13,200
Speaker 1: doing the show and with.

1068
00:57:13,200 --> 00:57:15,520
Speaker 3: Your stories and for making it weird with us. What

1069
00:57:15,640 --> 00:57:20,000
Speaker 3: a brave man. And and so we all had fun.

1070
00:57:20,120 --> 00:57:21,200
Speaker 3: And I remember that.

1071
00:57:21,520 --> 00:57:24,560
Speaker 1: I really want you guys to like us on Facebook,

1072
00:57:24,600 --> 00:57:27,480
Speaker 1: w rate us on iTunes, talk to us on the forums,

1073
00:57:27,600 --> 00:57:30,400
Speaker 1: and tell your friends, and please be nice.

1074
00:57:30,560 --> 00:57:33,320
Speaker 3: It's important to me as well. Be good to each other.

1075
00:57:34,320 --> 00:57:38,120
Speaker 2: And we want to give out the pro version to

1076
00:57:38,480 --> 00:57:41,920
Speaker 2: a very special listener and Sean who is that.

1077
00:57:42,840 --> 00:57:47,000
Speaker 1: Well, as you know, Eliza Muffins is the listener.

1078
00:57:46,640 --> 00:57:48,480
Speaker 3: Who've got the pro version this week.

1079
00:57:48,280 --> 00:57:50,400
Speaker 2: And she gets to hear a great story just for

1080
00:57:50,480 --> 00:57:54,960
Speaker 2: her from Pat Walsh about how exactly JT. Walsh died.

1081
00:57:55,520 --> 00:58:00,240
Speaker 1: Oh and it can only be about thirty seconds, the

1082
00:58:00,400 --> 00:58:01,840
Speaker 1: really the outside just.

1083
00:58:01,800 --> 00:58:04,040
Speaker 2: The really really short because I know you could go

1084
00:58:04,120 --> 00:58:07,280
Speaker 2: on for a long time about this, but uh sure,

1085
00:58:07,480 --> 00:58:08,920
Speaker 2: how exactly did he?

1086
00:58:09,760 --> 00:58:10,560
Speaker 3: Uh?

1087
00:58:10,720 --> 00:58:15,320
Speaker 6: JT was having a heart attack and I shot him

1088
00:58:15,320 --> 00:58:15,840
Speaker 6: in the face.

1089
00:58:16,480 --> 00:58:18,920
Speaker 3: Bye bye.

1090
00:58:22,800 --> 00:58:25,800
Speaker 1: This has been an Earwolf Media production executive producers Jeff

1091
00:58:25,840 --> 00:58:26,800
Speaker 1: Ulrich and Scott Ackerman.

1092
00:58:26,960 --> 00:58:28,760
Speaker 3: For more information, visit earwolf dot.

1093
00:58:28,640 --> 00:58:36,280
Speaker 2: Com, ear Warlf Radio, Boom dot

1094
00:58:36,320 --> 00:58:44,160
Speaker 3: Com, The Wolf Dead