WEBVTT - Rope, yeah ROPE!

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<v Speaker 1>Welcome to Stuff You Should Know, a production of iHeartRadio.

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<v Speaker 2>Hey, and welcome to the podcast. I'm Josh, and there's

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<v Speaker 2>Chuck and Jerry's here too, and we're going to rope

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<v Speaker 2>you into interest in ropes in this episode the Stuff

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<v Speaker 2>You Should Know on Ropes.

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<v Speaker 1>Yeah, I had this idea, and this is one of

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<v Speaker 1>those where it was a very distinct situation that made

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<v Speaker 1>me think of it, which was on our trip to

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<v Speaker 1>Nantucket when Emily and I went there for the first

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<v Speaker 1>time not too long ago. We did a sailing trip

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<v Speaker 1>on a kind of an old school boat sailing boat,

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<v Speaker 1>and they let me. I volunteered to help out. So

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<v Speaker 1>I was hoisting sails and raising jibs and things. I

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<v Speaker 1>don't know if that's proper terminology. And I had that

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<v Speaker 1>rope in my hand and I kind of looked at

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<v Speaker 1>it and it was the old school, you know, rope rope,

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<v Speaker 1>not synthetic. It was clearly made from natural fibers and

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<v Speaker 1>it was braided and very thick and heavy, and I

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<v Speaker 1>was like, man, rope, It's like, what a what an

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<v Speaker 1>undersung invention?

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<v Speaker 2>Had you taken mushrooms?

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<v Speaker 1>No, not at all, Well, maybe microdoes, but it was

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<v Speaker 1>definitely one of those moments where I was like, what

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<v Speaker 1>an undersung invention? Like, if you pulled one hundred people,

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<v Speaker 1>you would get lots of wheels or maybe gears or

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<v Speaker 1>fire or sliced bread or the toaster or whatever. But

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<v Speaker 1>I doubt if you would get more than like a

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<v Speaker 1>ten percent unless you work in like a sailing industry

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<v Speaker 1>or another industry that heavily relies on rope. I doubt

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<v Speaker 1>if you would get a ton of people that said, yeah, rope,

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<v Speaker 1>that's up there is one of the greatest inventions of

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<v Speaker 1>all time. But it has touched so much of humanity

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<v Speaker 1>and the forward progress of humanity.

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<v Speaker 2>Yeah, I mean, you'd make a great point. I hadn't

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<v Speaker 2>thought about it either. I probably would not have said rope.

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<v Speaker 2>But Julie helps us with this, I think. And I mean, like,

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<v Speaker 2>if you want to till some like really hard ground

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<v Speaker 2>to try to grow crops in it, try to do

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<v Speaker 2>that with an ox and a plow, but no rope. Sucker.

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<v Speaker 1>Yeah, if you want to shoot a wild boar from

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<v Speaker 1>thirty feet away, what are you gonna shoot it with?

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<v Speaker 1>You're gonna shoot it with a bow that has a

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<v Speaker 1>kind of rope. And you know we should point out

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<v Speaker 1>that what we're talking about is cordage. So any kind

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<v Speaker 1>of bundled fiber that's braided together, that's all sort of

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<v Speaker 1>a kind of rope. We wouldn't have had musical instruments,

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<v Speaker 1>we wouldn't have had undersea cabling to make the Internet possible.

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<v Speaker 1>And then what sailing came around that you know, you

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<v Speaker 1>think about, Yeah, big deal, it helps sailing, But sailing

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<v Speaker 1>is what helped discover the world.

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<v Speaker 2>Yeah, you got to think of it beyond the America's Cup.

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<v Speaker 1>Yeah for sure.

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<v Speaker 2>So like you said, let's talk about rope. Let's get

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<v Speaker 2>into it, shall we do it? I learned a lot

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<v Speaker 2>in this and like you said, rope is a type

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<v Speaker 2>of cordage, not all cordages rope. Rope is essentially made

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<v Speaker 2>of different types of smaller ropes bundled together, like you said, braided.

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<v Speaker 2>You can also twist them. And you can make it

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<v Speaker 2>out of everything from synthetic fibers like jute or sisol.

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<v Speaker 2>Sisol comes from the agave plant. Did you know that

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<v Speaker 2>I did? Oh? I didn't. And you can make it

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<v Speaker 2>out of wire a little bit. You can make it

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<v Speaker 2>out of wire. There's all sorts of stuff you can

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<v Speaker 2>make it out of But the point is is that

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<v Speaker 2>all of them follow essentially the same method of making

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<v Speaker 2>a rope. That if you strip away all like the

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<v Speaker 2>bells and whistles that you have today, it's they're putting

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<v Speaker 2>this stuff together in the same way that people put

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<v Speaker 2>it together from the very outset of rope making.

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<v Speaker 1>Yeah, and you know, I think that's the other thing

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<v Speaker 1>that appealed to me was I was looking at this

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<v Speaker 1>rope and saw the like an individual strand was frayed perhaps,

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<v Speaker 1>and I saw how just like human hair like that was.

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<v Speaker 1>And I just love the idea that somebody was like,

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<v Speaker 1>you know, this thing weak, but put all this together

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<v Speaker 1>in it strong.

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<v Speaker 2>Yeah, it's very clever. I never thought about it either.

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<v Speaker 2>But the way that rope is made strong and stable

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<v Speaker 2>in all of that is because they're twisted in opposing

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<v Speaker 2>like the fibers are twisted in opposing directions, held to tension,

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<v Speaker 2>and that I think the impression I have is that

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<v Speaker 2>you're actually storing somehow some energy or force in the

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<v Speaker 2>rope when you start braiding it and twisting it under tension.

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<v Speaker 1>Yeah, it creates something that has high torsional stability, so

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<v Speaker 1>it can hold its shape even though rope is moving

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<v Speaker 1>around and being tied into knots, and it's constantly twisting

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<v Speaker 1>around and getting pulled on. And you know, it depends

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<v Speaker 1>on what kind of rope you have. But you know,

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<v Speaker 1>if you see these those giant ropes that they still

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<v Speaker 1>use to tie in like a cruise ship or something,

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<v Speaker 1>I mean, it's still the same stuff. It's fascinating to me.

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<v Speaker 2>That's right. Let's talk specific jargon, baby, let's I love it.

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<v Speaker 1>I'll let some jargon.

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<v Speaker 2>All of this stuff is cordage. Like we said, a

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<v Speaker 2>cord is a rope that's three sixteenths of an inch

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<v Speaker 2>or less. That's right, use metric ts. It's still a chord.

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<v Speaker 2>You have to use inches for.

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<v Speaker 1>That, that's right. A rope is a rope if it

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<v Speaker 1>is above three sixteenths of an inch. And then a

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<v Speaker 1>cable is when you have several ropes that are twisted together.

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<v Speaker 1>And these can be made from all kinds of things,

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<v Speaker 1>like we said, obviously the organic fibers you mentioned some.

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<v Speaker 1>We also have hemp, you may have said hemp and cotton.

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<v Speaker 1>We'll get into synthetics. When that came along, it was

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<v Speaker 1>a real game changer because that provided a little stretch

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<v Speaker 1>so nylon and polyester and polypropylene, stuff like that, and

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<v Speaker 1>then wire wires usually steel. And you know, we might

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<v Speaker 1>call something like that a cable, but it's still the

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<v Speaker 1>same concept that it's a kind of rope, as a

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<v Speaker 1>steel cable is or a steel rope is basically a cable.

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<v Speaker 2>Yeah, wire rope is rope. A cable is a bunch

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<v Speaker 2>of ropes. You can make it out of sisol if

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<v Speaker 2>you wanted to a cable, sure, and then a bunch

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<v Speaker 2>of cables twisted together is called the super duper rope.

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<v Speaker 1>Right, that's right. Good jargon.

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<v Speaker 2>So let's keep going. Let's talk jargon in as far

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<v Speaker 2>as construction goes. You said you can braid ropes, you

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<v Speaker 2>can also twist them. I never thought about this, and

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<v Speaker 2>I watched two videos. The one is it was a

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<v Speaker 2>how It's made video. God bless how it's made. Because

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<v Speaker 2>if you ever run into a written or verbal explanation

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<v Speaker 2>of something where you're like what, go find the how

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<v Speaker 2>it's made version and you'll see it with your own eyes.

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<v Speaker 1>They've always done a great job. There's a lot, in fact,

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<v Speaker 1>there's a lot of good rope making videos online.

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<v Speaker 2>I watched like three or four others they're mesmerizing.

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<v Speaker 1>They got far.

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<v Speaker 2>There's another one we found called how Do They Braid Rope?

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<v Speaker 2>And it's from the National Film Board of Canada, the

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<v Speaker 2>Boards of Canada, and it doesn't even have narration. The

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<v Speaker 2>only soundtrack is the factory sounds like that really is mesmerizing.

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<v Speaker 2>And so you see the two different ways rope is made,

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<v Speaker 2>and the first how it's made one uses twist, which

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<v Speaker 2>is a conventional rope. And as I was saying, when

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<v Speaker 2>I started talking, I never realized that most ropes I've

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<v Speaker 2>ever seen in my life are twisted. I always just

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<v Speaker 2>assumed they were braided, and that was just wrong, wrong, wrong.

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<v Speaker 1>Yeah, And when you look at them up close, though,

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<v Speaker 1>you can definitely see the difference between a braid and

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<v Speaker 1>a twist. I love in twisted rope. This is when

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<v Speaker 1>you have twisted strands that are counter twisting around each other.

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<v Speaker 1>Usually it's three strands, and that's called a hawser laid twist.

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<v Speaker 1>But you can also have a four strander, which is

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<v Speaker 1>shroud laid. And that's if you've ever had a rope.

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<v Speaker 1>And then you've seen at the end of the rope

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<v Speaker 1>a little guy right in the center of it running

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<v Speaker 1>through the core. That's the fourth strand. It's like a

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<v Speaker 1>little core at the center of it all, and that

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<v Speaker 1>is the child blade.

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<v Speaker 2>Yes, and we should say another piece of jargon. You

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<v Speaker 2>don't make rope or produce rope or anything like that.

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<v Speaker 1>You lay rope, that's right, just like you lay a cable.

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<v Speaker 2>Oh yeah, I never thought about that. I thought that

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<v Speaker 2>meant like actually putting it down. But yeah, no, totally.

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<v Speaker 1>So what about the braid.

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<v Speaker 2>The braid is something to see. Watching a braided rope

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<v Speaker 2>being created is amazing because there's all these little spools

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<v Speaker 2>during this amazing like ballroom dance with one another. It's

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<v Speaker 2>really cool.

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<v Speaker 1>Yeah.

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<v Speaker 2>But they braiding is where you take a bunch of

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<v Speaker 2>strands and you braid, well, you braid them together into

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<v Speaker 2>an interlocking structure. Usually it has a core, and the

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<v Speaker 2>core can be twisted and have like a braided shell

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<v Speaker 2>around it. And when you're braiding stuff, you can use

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<v Speaker 2>way more strands than you can usually with a twisted rope.

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<v Speaker 1>Yeah, and they're generally a little longer and more appliable

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<v Speaker 1>than a twisted rope. But I like a good old

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<v Speaker 1>school rope.

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<v Speaker 2>I do too, A good natural fiber rope that you

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<v Speaker 2>can't even get your thumb and fingers to touch because

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<v Speaker 2>it's so thick. That's amazing.

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<v Speaker 1>Agreed. They've been using rope for probably hundreds of thousands

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<v Speaker 1>of years. Part of the problem with specifically dating rope

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<v Speaker 1>is that the early ropes were obviously organic in their

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<v Speaker 1>nature and their fibers, and so that stuff's not going

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<v Speaker 1>to stick around forever. We do have some, you know,

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<v Speaker 1>kind of cool evidence, like thirty four thousand years ago

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<v Speaker 1>in the Republic of Georgia where they saw flax fibers

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<v Speaker 1>embedded in clay, and so that was like, all right,

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<v Speaker 1>it's embedded in clay where it's sort of preserved, and

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<v Speaker 1>these were twisted and knotted up. So clearly people were

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<v Speaker 1>using rope back then. But there's other evidence of older

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<v Speaker 1>stuff too.

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<v Speaker 2>Right, Yeah, this is like implicit evidence. It's not direct,

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<v Speaker 2>like finding an actual piece of cordage. This is like

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<v Speaker 2>when they found a weaving tool years old in Germany.

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<v Speaker 2>It's made of ivory. Essentially, it was designed to keep

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<v Speaker 2>the strand separate when braiding or twisting the rope together,

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<v Speaker 2>which is still a technique that's used today.

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<v Speaker 1>Yeah.

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<v Speaker 2>And then also they found beads, stone and shell beads

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<v Speaker 2>that start appearing in the prehistoric record three hundred thousand

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<v Speaker 2>years back. And I mean, try to wear a bead

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<v Speaker 2>around your neck without some sort of cordage. You can't

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<v Speaker 2>do it.

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<v Speaker 1>No, those puka shells are just falling all over the floor.

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<v Speaker 2>Yeah, I mean maybe you could hold one under your chin,

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<v Speaker 2>between your chin and your neck, but who wants to

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<v Speaker 2>walk around like that?

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<v Speaker 1>Just use a cord, that's right. The idea for all

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<v Speaker 1>of this probably came from early on when they use

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<v Speaker 1>roots and vines for stuff like this. And you know,

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<v Speaker 1>I've got my camp up in the North Georgia Mountains.

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<v Speaker 1>There are some trees that have a like a like

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<v Speaker 1>a vine hanging down that like it might as well

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<v Speaker 1>be just nature's rope, you know.

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<v Speaker 2>For sure? What is I know exactly what you're talking about,

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<v Speaker 2>but I've never stopped and wondered what it was.

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<v Speaker 1>I guess it's a vine sure, Like it can't be

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<v Speaker 1>a root if it's coming down like from up top right.

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<v Speaker 2>Yeah, I didn't know if you knew what kind of

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<v Speaker 2>vine it was.

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<v Speaker 1>No, I don't know what kind of vine it is,

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<v Speaker 1>But you know, you can sometimes you can like swing

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<v Speaker 1>on that stuff if it's sure if it's attached, but

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<v Speaker 1>be careful.

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<v Speaker 2>I mean, I guess that's what Tarzan used in the

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<v Speaker 2>old movies, right.

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<v Speaker 1>Yeah, he wasn't carrying around rope and slaying it over

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<v Speaker 1>tree branches.

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<v Speaker 2>No. The other thing about rope is that it seems

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<v Speaker 2>to have been developed pretty much universally, Like like every group,

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<v Speaker 2>including ones that were never in contact with one another,

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<v Speaker 2>figured out how to make rope on their own. Yeah,

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<v Speaker 2>and then they just used whatever local types of fiber

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<v Speaker 2>was available. Like in North America, indigenous people used sinew

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<v Speaker 2>like tendons of say deer, I saw red deer sinew

0:11:57.960 --> 0:12:03.440
<v Speaker 2>rope making video. Yeah, yeah, hair, papyrus and reed in Egypt,

0:12:04.040 --> 0:12:09.439
<v Speaker 2>coconut fiber and bamboo in Southeast Asia. Like essentially you're like, okay,

0:12:09.480 --> 0:12:11.600
<v Speaker 2>can you make fibers out of this? Yes, well then

0:12:11.640 --> 0:12:13.080
<v Speaker 2>you can make a rope out of it too.

0:12:13.520 --> 0:12:16.679
<v Speaker 1>Yeah. And you know, like we mentioned stuff like you know,

0:12:16.760 --> 0:12:19.960
<v Speaker 1>to string a bow obviously, but also making netting to

0:12:20.000 --> 0:12:24.320
<v Speaker 1>catch fish, shelter to weave together, you know, rope to

0:12:24.360 --> 0:12:28.600
<v Speaker 1>help like lift up a heavy frame of a hut

0:12:28.720 --> 0:12:33.080
<v Speaker 1>or something, hauling stuff, lashing things together. And this is

0:12:33.080 --> 0:12:36.200
<v Speaker 1>what I didn't really think of. But early bridges were

0:12:36.720 --> 0:12:39.280
<v Speaker 1>made of rope, And so if you want to get

0:12:39.320 --> 0:12:41.800
<v Speaker 1>from here to there and you can't do it, one

0:12:41.840 --> 0:12:43.400
<v Speaker 1>of the earliest things you could do is build a

0:12:43.480 --> 0:12:44.080
<v Speaker 1>rope bridge.

0:12:44.360 --> 0:12:48.439
<v Speaker 2>I would just not have gone across well, or I'd

0:12:48.480 --> 0:12:52.080
<v Speaker 2>have to go around. But there was a Herodotus wrote

0:12:52.480 --> 0:12:56.800
<v Speaker 2>in its histories about Xerxes, the first army in the

0:12:56.840 --> 0:13:00.160
<v Speaker 2>Second Persian War. I failed to look where this like

0:13:00.200 --> 0:13:03.720
<v Speaker 2>when this took place. But this was ancient Greece, obviously,

0:13:04.280 --> 0:13:09.720
<v Speaker 2>But they apparently bridged something like a kilometer wide straight

0:13:10.480 --> 0:13:14.840
<v Speaker 2>using rope and their ships to basically stretch the rope

0:13:14.880 --> 0:13:17.679
<v Speaker 2>and then put boards over these two or three rope

0:13:17.920 --> 0:13:20.440
<v Speaker 2>strands that were going all the way across the strait

0:13:20.640 --> 0:13:21.680
<v Speaker 2>to go invade grease.

0:13:22.640 --> 0:13:26.560
<v Speaker 1>Yeah, could you supprobl So rope is being used for

0:13:26.679 --> 0:13:29.640
<v Speaker 1>a ton of things for you know, many thousands of years.

0:13:30.200 --> 0:13:32.440
<v Speaker 1>Then all of a sudden, around thirty five hundred BC,

0:13:33.280 --> 0:13:36.600
<v Speaker 1>sailing became a thing. Yeah, and all of a sudden

0:13:36.640 --> 0:13:39.440
<v Speaker 1>it was on. Everyone was like, all right, rope is

0:13:39.600 --> 0:13:42.520
<v Speaker 1>the key to all of this happening. Can't raise a

0:13:42.559 --> 0:13:46.000
<v Speaker 1>sail without rope, can't tie up a can't more a

0:13:46.040 --> 0:13:49.280
<v Speaker 1>ship or can't anchor a ship without rope, So it's

0:13:49.400 --> 0:13:53.360
<v Speaker 1>key to what we're doing. And you know, people sailed

0:13:53.360 --> 0:13:55.280
<v Speaker 1>around for a little while, but then the fifteenth century

0:13:55.360 --> 0:13:58.760
<v Speaker 1>rolls around and the Age of Discovery starts unfolding, and

0:13:58.880 --> 0:14:02.440
<v Speaker 1>all of a sudden, if you were a nation that

0:14:02.920 --> 0:14:06.199
<v Speaker 1>was really good at sailing, you could and they did,

0:14:07.000 --> 0:14:10.120
<v Speaker 1>you could go around the world and start claiming places

0:14:09.960 --> 0:14:10.760
<v Speaker 1>as your own.

0:14:12.200 --> 0:14:15.880
<v Speaker 2>Yes, and so rope became a really hot commodity during

0:14:15.920 --> 0:14:21.720
<v Speaker 2>the Age of Discovery or the Age of colonialism. I guess, yeah,

0:14:21.760 --> 0:14:25.640
<v Speaker 2>there was another industry that came along after, say, like

0:14:25.720 --> 0:14:30.040
<v Speaker 2>the navies of the world had started sailing, and that

0:14:30.120 --> 0:14:33.720
<v Speaker 2>was the whaling industry. For sure. The whaling industry needed

0:14:33.800 --> 0:14:37.120
<v Speaker 2>way more rope than a typical like you know, battleship

0:14:37.200 --> 0:14:40.280
<v Speaker 2>or cutter needed, because in addition to all the ropes

0:14:40.320 --> 0:14:44.200
<v Speaker 2>that like your typical sailing vessel needs, they also needed

0:14:44.640 --> 0:14:48.160
<v Speaker 2>lots and lots of rope, strong rope to connect to

0:14:48.200 --> 0:14:51.000
<v Speaker 2>the harpoon that they would harpoon a whale with and

0:14:51.040 --> 0:14:53.080
<v Speaker 2>then drag the whale around with them for the rest

0:14:53.080 --> 0:14:56.240
<v Speaker 2>of the time they were at sea. And there was

0:14:56.280 --> 0:14:59.640
<v Speaker 2>a I guess in Moby Dick. Still haven't read it yet.

0:15:00.600 --> 0:15:05.560
<v Speaker 2>Melville talks about how the rope was coiled so precisely

0:15:05.800 --> 0:15:08.920
<v Speaker 2>by like a professional rope layer in the bow of

0:15:08.960 --> 0:15:12.600
<v Speaker 2>the boat. This rope that was connected to the harpoon

0:15:12.880 --> 0:15:15.480
<v Speaker 2>because if there was any kind of like kink or

0:15:15.640 --> 0:15:17.800
<v Speaker 2>loop or something in it, it would just take your

0:15:17.880 --> 0:15:20.200
<v Speaker 2>arm clean off. Like if you got your arm caught

0:15:20.240 --> 0:15:23.080
<v Speaker 2>in this thing and a whale was rushing away with

0:15:23.120 --> 0:15:27.280
<v Speaker 2>a harpoon in it, it would your arm was just gone.

0:15:27.880 --> 0:15:30.200
<v Speaker 1>Yeah, and you know what I'm remembering now too. This

0:15:30.360 --> 0:15:33.600
<v Speaker 1>was another reason for rope because in Nantucket they had

0:15:33.600 --> 0:15:36.280
<v Speaker 1>the whaling museum there. Oh ye, So I went to

0:15:36.280 --> 0:15:39.600
<v Speaker 1>the whaling museum, which I thought was super interesting. And

0:15:40.200 --> 0:15:43.520
<v Speaker 1>I've never been more close than reading Moby Dick. Like

0:15:43.920 --> 0:15:47.000
<v Speaker 1>I'm right there. I'm just I'm working on a book

0:15:47.040 --> 0:15:50.800
<v Speaker 1>right now. The next horror book coming out soon from

0:15:50.840 --> 0:15:52.640
<v Speaker 1>Keith Rossen, the guy who had been reading lately, is

0:15:52.640 --> 0:15:55.040
<v Speaker 1>called chron By the way. It's great, but Moby Dick

0:15:55.160 --> 0:15:57.280
<v Speaker 1>is right there. And the thing that really pushed me

0:15:57.320 --> 0:16:00.320
<v Speaker 1>over the edge is I just saw that Rob Delaney, Uh,

0:16:00.520 --> 0:16:03.320
<v Speaker 1>you know the actor and comedian Rob Delaney. He's got

0:16:03.320 --> 0:16:08.200
<v Speaker 1>a podcast out now called Exploring the Greats that I

0:16:08.200 --> 0:16:11.800
<v Speaker 1>haven't listened to yet. But he and a professor named

0:16:11.840 --> 0:16:16.920
<v Speaker 1>Hester Bloom are doing Moby Dick one chapter at a time,

0:16:17.120 --> 0:16:18.640
<v Speaker 1>and I love Rob Delaney. I was like, you know what,

0:16:19.120 --> 0:16:22.040
<v Speaker 1>I think everything in life is telling me to finally

0:16:22.560 --> 0:16:24.920
<v Speaker 1>read Moby Dick and maybe listen to this podcast as

0:16:24.960 --> 0:16:26.440
<v Speaker 1>I go along and be a good way to do it.

0:16:26.680 --> 0:16:27.720
<v Speaker 2>Okay, do it.

0:16:28.200 --> 0:16:30.600
<v Speaker 1>So I'm right, as soon as I finished Keith Rossen's book,

0:16:30.600 --> 0:16:33.680
<v Speaker 1>I'm gonna I think I'm going to dive into Moby Dick.

0:16:33.720 --> 0:16:34.720
<v Speaker 2>Fine, you can do it. Man.

0:16:35.480 --> 0:16:36.840
<v Speaker 1>Should we take a break, Yeah.

0:16:36.680 --> 0:16:37.400
<v Speaker 2>Let's take a break.

0:16:37.480 --> 0:16:38.840
<v Speaker 1>All right, We're gonna take a break and we're going

0:16:38.920 --> 0:16:58.760
<v Speaker 1>to talk about how rope is made right after this, So.

0:16:58.880 --> 0:17:03.680
<v Speaker 2>Chuck, like we were saying that ivory weaving tool forty

0:17:03.720 --> 0:17:09.080
<v Speaker 2>thousand years ago in Germany, it's essentially like it's still

0:17:09.119 --> 0:17:13.119
<v Speaker 2>definitely a part of how rope making was made traditionally

0:17:13.160 --> 0:17:16.240
<v Speaker 2>and then still today. But there is essentially if you

0:17:16.240 --> 0:17:20.919
<v Speaker 2>were making a rope, say pre twentieth century, yeah, you

0:17:20.960 --> 0:17:23.720
<v Speaker 2>were following essentially four steps. You have to prepare the fibers.

0:17:24.080 --> 0:17:26.480
<v Speaker 2>You spin those fibers in a yarn. You twist the

0:17:26.560 --> 0:17:28.560
<v Speaker 2>yarn and the strands, and then you twist the strands

0:17:28.560 --> 0:17:31.439
<v Speaker 2>and a rope, because, like I was saying before, a

0:17:31.600 --> 0:17:38.480
<v Speaker 2>rope is actually just increasingly large ropes twisted or braided together.

0:17:39.480 --> 0:17:42.199
<v Speaker 1>Yeah, and when we say yarn, that's a term that

0:17:42.240 --> 0:17:45.640
<v Speaker 1>you might think of as twine if you like bought

0:17:45.680 --> 0:17:48.240
<v Speaker 1>it in a store. We're not talking about like crafting yarn. No,

0:17:48.280 --> 0:17:50.720
<v Speaker 1>but it just maybe ounts yeah, for sure, but maybe

0:17:50.800 --> 0:17:53.840
<v Speaker 1>think twine and we'll go over these steps. We're not

0:17:53.840 --> 0:17:55.840
<v Speaker 1>going to get like super super in the weeds because

0:17:56.200 --> 0:17:59.760
<v Speaker 1>we've learned that, you know, trying to describe a like

0:17:59.760 --> 0:18:02.639
<v Speaker 1>a process, a factory process with just your mouth, is

0:18:02.680 --> 0:18:05.399
<v Speaker 1>that the easiest thing to do. So I would encourage

0:18:05.400 --> 0:18:09.879
<v Speaker 1>everyone to go look up a rope walk on YouTube,

0:18:10.160 --> 0:18:12.040
<v Speaker 1>and like we said, there are a bunch of different videos.

0:18:13.400 --> 0:18:15.400
<v Speaker 1>Just pick one of them. And if that doesn't fancy,

0:18:16.200 --> 0:18:21.480
<v Speaker 1>that isn't your fancy, isn't your fancy, cat fancy, I

0:18:21.640 --> 0:18:25.639
<v Speaker 1>love your markets just to shout out cat fancy. If

0:18:25.640 --> 0:18:27.680
<v Speaker 1>that one's not your liking, then there will no doubt

0:18:27.680 --> 0:18:30.480
<v Speaker 1>be another one. But we're talking about like up until

0:18:30.520 --> 0:18:32.920
<v Speaker 1>the seventeen hundreds, they used something called a rope walk,

0:18:33.680 --> 0:18:39.080
<v Speaker 1>which was a configuration of machines at opposite ends of

0:18:39.480 --> 0:18:42.080
<v Speaker 1>a long space. Sometimes it was an open field. Sometimes

0:18:42.080 --> 0:18:45.680
<v Speaker 1>it was a big, huge open like barn, but you

0:18:46.240 --> 0:18:48.960
<v Speaker 1>had a flaming tarpet nearby, which we'll see why in

0:18:49.000 --> 0:18:52.080
<v Speaker 1>a minute. Maybe you had a water wheel helping out.

0:18:52.080 --> 0:18:56.159
<v Speaker 1>But it was generally human powered, and it needed to

0:18:56.160 --> 0:18:58.439
<v Speaker 1>be long because they were making long ropes. And in

0:18:58.520 --> 0:19:00.080
<v Speaker 1>order to make a long rope, you just have to

0:19:00.760 --> 0:19:04.480
<v Speaker 1>walk this thing down hundreds and hundreds and hundreds of

0:19:04.480 --> 0:19:06.159
<v Speaker 1>feet until it's twisted up.

0:19:06.880 --> 0:19:10.560
<v Speaker 2>Yep. I mean that's essentially that. And you have to

0:19:10.560 --> 0:19:14.040
<v Speaker 2>start with fiber. And again whatever local fiber you had works,

0:19:14.600 --> 0:19:18.720
<v Speaker 2>But do you need fiber to spin yarn? And yarn

0:19:18.800 --> 0:19:22.000
<v Speaker 2>is step two. Fibers you have to prepare. You do

0:19:22.040 --> 0:19:23.800
<v Speaker 2>all sorts of things to them, like you beat them,

0:19:23.840 --> 0:19:27.440
<v Speaker 2>you soak them, you call them names, and then once

0:19:27.480 --> 0:19:30.360
<v Speaker 2>they dry out, you run them through like giant combs.

0:19:30.400 --> 0:19:34.520
<v Speaker 2>You pull them through combs to basically individuate them. Right, Yeah,

0:19:34.680 --> 0:19:37.960
<v Speaker 2>then you start spinning those fibers into yarn. Now you're

0:19:38.000 --> 0:19:40.679
<v Speaker 2>in the rope making this for sure.

0:19:40.800 --> 0:19:44.000
<v Speaker 1>So you've got a spinning wheel At this point, you've

0:19:44.040 --> 0:19:46.680
<v Speaker 1>got a person with a bundle of fibers coiled around

0:19:46.680 --> 0:19:50.000
<v Speaker 1>their waist. It's hooked to a spindle, and then they

0:19:50.119 --> 0:19:54.680
<v Speaker 1>just very slowly walk backward, feeding those fibers in until

0:19:54.720 --> 0:19:56.680
<v Speaker 1>you get to the end of the rope walk. And

0:19:56.720 --> 0:19:59.960
<v Speaker 1>then you have your yarn. But in order to make

0:20:00.119 --> 0:20:02.560
<v Speaker 1>that yarn into the strand, you got to soak that in,

0:20:02.760 --> 0:20:06.640
<v Speaker 1>tar ring it through a roller. And then you've got

0:20:06.680 --> 0:20:10.080
<v Speaker 1>like a usable yarn or twine that you roll around

0:20:10.600 --> 0:20:12.320
<v Speaker 1>or wind around a big bobbin.

0:20:12.760 --> 0:20:15.760
<v Speaker 2>Yes, and now that you have yarn, which is essentially

0:20:15.800 --> 0:20:17.840
<v Speaker 2>just think of it as a bunch of really really

0:20:18.359 --> 0:20:22.400
<v Speaker 2>thin ropes. Right. Now that you have your yarn, you've

0:20:22.400 --> 0:20:25.320
<v Speaker 2>got your first component of rope. Now you take the

0:20:25.400 --> 0:20:28.440
<v Speaker 2>yarn and you twist it or you braid it into strands. Right,

0:20:28.480 --> 0:20:31.200
<v Speaker 2>so you take a bunch of different lines of yarn,

0:20:32.040 --> 0:20:34.560
<v Speaker 2>you pull it through a tube which smooths the fibers,

0:20:34.600 --> 0:20:38.200
<v Speaker 2>compacts it, right, and then you also have it under tension.

0:20:38.320 --> 0:20:41.320
<v Speaker 2>You want it to be tense. And again you a

0:20:41.440 --> 0:20:45.800
<v Speaker 2>machine basically pulls it down the length of this rope walk,

0:20:45.840 --> 0:20:48.080
<v Speaker 2>which are really long. I don't know if you said

0:20:48.080 --> 0:20:49.520
<v Speaker 2>it or not. Some of them are like a thousand

0:20:49.520 --> 0:20:50.399
<v Speaker 2>feet long.

0:20:51.400 --> 0:20:54.800
<v Speaker 1>Right, Yeah, it depends on how long you need your rope. Sure, yeah.

0:20:54.840 --> 0:20:59.680
<v Speaker 2>And then there's a forming machine that essentially separates the yarn,

0:20:59.680 --> 0:21:01.960
<v Speaker 2>and on the other side of the forming machine is

0:21:02.000 --> 0:21:04.719
<v Speaker 2>whatever machine they used to twist or braid it. And

0:21:04.760 --> 0:21:07.919
<v Speaker 2>then as you just keep walking backward that more and

0:21:08.000 --> 0:21:10.920
<v Speaker 2>more yarn gets turned into rope where it all comes

0:21:10.920 --> 0:21:13.199
<v Speaker 2>together at the center and it's twisted or braided. You

0:21:13.240 --> 0:21:15.400
<v Speaker 2>get to the other end. Now you have a strand.

0:21:15.640 --> 0:21:17.600
<v Speaker 2>You do that a bunch of times. Then you have

0:21:17.720 --> 0:21:19.800
<v Speaker 2>the components you need to make a rope.

0:21:20.320 --> 0:21:22.879
<v Speaker 1>That's right, and you're going to twist those strands into rope.

0:21:23.520 --> 0:21:26.000
<v Speaker 1>Three or four of those strands are going to stretch

0:21:26.040 --> 0:21:29.760
<v Speaker 1>between a couple of twisting machines and they have Again

0:21:29.760 --> 0:21:31.440
<v Speaker 1>you got to really look this thing up because all

0:21:31.480 --> 0:21:33.520
<v Speaker 1>of this is possible, of course, because of two other

0:21:33.600 --> 0:21:37.240
<v Speaker 1>key inventions, the wheel and the gear. Yeah, because it's

0:21:37.280 --> 0:21:39.000
<v Speaker 1>you know, it looks like a sort of like a

0:21:39.040 --> 0:21:43.760
<v Speaker 1>little horse cart moving very slowly backward. So that's on wheels,

0:21:44.200 --> 0:21:47.200
<v Speaker 1>and then you have these gears moving in different directions.

0:21:47.200 --> 0:21:52.440
<v Speaker 1>That's making a thing that all these strands are tied

0:21:52.440 --> 0:21:55.679
<v Speaker 1>to goes in a circle, so it just starts twisting it.

0:21:56.480 --> 0:22:00.199
<v Speaker 1>And you got to have this other thing though, Man,

0:22:00.240 --> 0:22:03.000
<v Speaker 1>I forgot about the cone. Yeah, this cone that's got

0:22:03.000 --> 0:22:05.920
<v Speaker 1>these three notches, like you know, one at the top

0:22:05.920 --> 0:22:07.280
<v Speaker 1>and two on the sides. Like if you looked at

0:22:07.280 --> 0:22:09.280
<v Speaker 1>it from the front, it would be a triangle. But

0:22:09.680 --> 0:22:14.080
<v Speaker 1>it just runs through those I guess cutouts from the

0:22:14.119 --> 0:22:17.720
<v Speaker 1>cone to kind of keep everything from getting like twisted

0:22:17.720 --> 0:22:18.359
<v Speaker 1>in a bad way.

0:22:18.560 --> 0:22:21.760
<v Speaker 2>Yeah. So on the on the back side of that cone,

0:22:21.800 --> 0:22:24.800
<v Speaker 2>which is called the laying top, it's keeping all those

0:22:24.840 --> 0:22:27.960
<v Speaker 2>strands separated. On the front side of it, that's where

0:22:28.000 --> 0:22:31.399
<v Speaker 2>the strands are being brought together and twisted into the rope.

0:22:31.480 --> 0:22:35.200
<v Speaker 2>Right again, you just walk backward, you pull those strands

0:22:35.240 --> 0:22:38.399
<v Speaker 2>through that processor that turn that twists them into rope,

0:22:38.640 --> 0:22:40.600
<v Speaker 2>and once you reach the end of the rope walk,

0:22:40.640 --> 0:22:44.159
<v Speaker 2>you've got a huge long length of rope that you

0:22:44.200 --> 0:22:49.040
<v Speaker 2>cut and you say presto. That's a tradition in rope making.

0:22:49.080 --> 0:22:52.000
<v Speaker 2>You have to shout presto when the rope is finished. Yeah.

0:22:52.000 --> 0:22:54.040
<v Speaker 1>It's really neat though, Like when you look at this

0:22:54.359 --> 0:22:59.159
<v Speaker 1>big like rack of bobbins with like maybe dozens of

0:22:59.480 --> 0:23:03.439
<v Speaker 1>I guess arns feeding through this little doughnut like tube

0:23:04.160 --> 0:23:07.080
<v Speaker 1>to make a strand and then that all being twisted

0:23:07.080 --> 0:23:10.560
<v Speaker 1>together with another. You know, these are machines, but it's

0:23:10.600 --> 0:23:13.080
<v Speaker 1>like the most basic machines you can have. It's a gear,

0:23:13.800 --> 0:23:16.040
<v Speaker 1>you know, twisting a thing in a circle. So it's

0:23:16.080 --> 0:23:19.400
<v Speaker 1>like it's just I love the really ingenious lo fi

0:23:19.520 --> 0:23:20.040
<v Speaker 1>stuff like this.

0:23:20.280 --> 0:23:24.040
<v Speaker 2>Yeah, for sure, that's what that how it's made video

0:23:24.800 --> 0:23:28.760
<v Speaker 2>features is an old rope walk. Apparently one of the

0:23:28.760 --> 0:23:32.119
<v Speaker 2>oldest ones that's still around is in the Sweden city

0:23:32.160 --> 0:23:35.760
<v Speaker 2>of Karlskrona. It's from the eighteenth century. It's like a

0:23:35.840 --> 0:23:39.800
<v Speaker 2>thousand feet long three hundred meters and it's Sweden's longest building.

0:23:40.440 --> 0:23:42.800
<v Speaker 2>Oh well, which makes sense. I mean, there's probably not

0:23:42.840 --> 0:23:44.959
<v Speaker 2>a lot of buildings that are a thousand feet wide

0:23:45.359 --> 0:23:45.960
<v Speaker 2>in Sweden.

0:23:47.080 --> 0:23:51.200
<v Speaker 1>Probably just the no, never mind, bad joke, that's gonna say,

0:23:51.200 --> 0:23:53.159
<v Speaker 1>the Toble run factory. That's Switzerland, though, isn't it.

0:23:53.200 --> 0:23:57.000
<v Speaker 2>Oh that was great, Chuck. I love that. There was

0:23:57.040 --> 0:24:00.400
<v Speaker 2>a problem with this early rope up until about the

0:24:00.520 --> 0:24:04.600
<v Speaker 2>end of the eighteenth century, and that was you were

0:24:04.640 --> 0:24:07.880
<v Speaker 2>pulling these strands through and they were all the same

0:24:07.960 --> 0:24:11.520
<v Speaker 2>length when they were twisted together. The problem is is

0:24:11.560 --> 0:24:15.440
<v Speaker 2>that meant that the stuff on the outside was under

0:24:15.520 --> 0:24:17.959
<v Speaker 2>higher tension than the stuff on the inside because they

0:24:17.960 --> 0:24:21.240
<v Speaker 2>were all the same length. Yeah, don't look too deeply

0:24:21.240 --> 0:24:24.360
<v Speaker 2>into it, just trust me. That's what happened, right, never

0:24:24.400 --> 0:24:27.880
<v Speaker 2>thought about it. So that meant that these ropes were

0:24:28.160 --> 0:24:31.080
<v Speaker 2>more likely to fray and crack and in turn break,

0:24:31.240 --> 0:24:34.240
<v Speaker 2>and that you needed a really thick, heavy rope to

0:24:34.320 --> 0:24:37.320
<v Speaker 2>make up for that. And then this captain for the

0:24:37.320 --> 0:24:40.359
<v Speaker 2>East India Company came along the same was Joseph Hudder.

0:24:40.480 --> 0:24:43.480
<v Speaker 2>Captain Joseph Hudder, and at the end of the eighteenth

0:24:43.480 --> 0:24:46.280
<v Speaker 2>century he created the forming plate, which is still very

0:24:46.400 --> 0:24:49.520
<v Speaker 2>much in use today. And it is so simple and

0:24:49.600 --> 0:24:51.840
<v Speaker 2>it makes so much sense that I would love to

0:24:51.920 --> 0:24:54.479
<v Speaker 2>just explain it real quick. Are you okay with that please?

0:24:55.480 --> 0:24:58.360
<v Speaker 2>The forming plate is a disc flat disk and there's

0:24:58.359 --> 0:25:02.160
<v Speaker 2>a bunch of consent circles drilled into it from made

0:25:02.160 --> 0:25:07.320
<v Speaker 2>out of individual holes. The fibers go through each of

0:25:07.320 --> 0:25:10.000
<v Speaker 2>those holes and then they all come together at a

0:25:10.040 --> 0:25:14.040
<v Speaker 2>center point where they're twisted or braided right well, because

0:25:14.160 --> 0:25:17.199
<v Speaker 2>the fibers going through the holes that make up the

0:25:17.240 --> 0:25:21.160
<v Speaker 2>outer circles have to technically travel further to that center

0:25:21.200 --> 0:25:23.639
<v Speaker 2>point because they're being bowed out. They have to go

0:25:23.840 --> 0:25:28.040
<v Speaker 2>far out. And then in that means that the fibers

0:25:28.200 --> 0:25:32.000
<v Speaker 2>used in the outside of the rope are longer than

0:25:32.040 --> 0:25:34.760
<v Speaker 2>the fibers on the inside of the rope, which means

0:25:34.760 --> 0:25:38.520
<v Speaker 2>that they're all under equal tension when the rope is finished.

0:25:38.840 --> 0:25:43.080
<v Speaker 2>And so basically, Joseph hutter made it quite possible for

0:25:43.280 --> 0:25:47.240
<v Speaker 2>much narrower, lighter ropes to do the job of heavier

0:25:47.359 --> 0:25:51.560
<v Speaker 2>ropes because they resisted fraying and breaking because of the

0:25:51.600 --> 0:25:53.320
<v Speaker 2>different lengths of fiber used in them.

0:25:54.359 --> 0:25:57.600
<v Speaker 1>Again, and genius Joseph uder It seems like one of

0:25:57.640 --> 0:25:59.840
<v Speaker 1>those guys. My brother's kind of one of these guys,

0:26:00.560 --> 0:26:02.680
<v Speaker 1>and I have a good friend named John Wolf who

0:26:02.720 --> 0:26:04.800
<v Speaker 1>is one of these guys. Just really smart people that

0:26:05.320 --> 0:26:09.760
<v Speaker 1>when presented with a almost like a mechanical problem like this, yeah,

0:26:09.800 --> 0:26:12.439
<v Speaker 1>their brains can just see it in a way and say, well,

0:26:12.440 --> 0:26:15.520
<v Speaker 1>why don't you just do this? And that I think

0:26:15.600 --> 0:26:17.360
<v Speaker 1>Josep Huttert might have been one of those guys where

0:26:17.400 --> 0:26:18.679
<v Speaker 1>he's like, well, you should just do this.

0:26:19.400 --> 0:26:21.600
<v Speaker 2>Yeah, I think you're exactly right, because it's that it's

0:26:21.680 --> 0:26:25.200
<v Speaker 2>that basic. Yeah, but it solves the problem so elegantly.

0:26:25.240 --> 0:26:26.280
<v Speaker 2>It's it's beautiful.

0:26:26.440 --> 0:26:27.840
<v Speaker 1>Yeah, but you got to have a certain kind of

0:26:27.840 --> 0:26:30.960
<v Speaker 1>brain to think that way. And I don't absolutely.

0:26:31.720 --> 0:26:34.520
<v Speaker 2>I'd be like, I still don't understand why the outer

0:26:34.680 --> 0:26:36.840
<v Speaker 2>edges are fraying, you know, when they're all the same length.

0:26:37.840 --> 0:26:40.439
<v Speaker 1>A quick example is I have a system at my

0:26:40.480 --> 0:26:43.120
<v Speaker 1>camp where it draws water out of the creek and

0:26:43.520 --> 0:26:45.359
<v Speaker 1>there's a propane hot water heater so we can have

0:26:45.520 --> 0:26:48.240
<v Speaker 1>like hot water and a sink. Awesome for washing dishes.

0:26:48.320 --> 0:26:52.680
<v Speaker 1>And it wasn't It was too long of a pool

0:26:52.720 --> 0:26:54.320
<v Speaker 1>at one point, and the motor, I guess, was getting

0:26:54.359 --> 0:26:56.240
<v Speaker 1>weaker and it wasn't pulling far enough. And I was like,

0:26:56.280 --> 0:26:57.879
<v Speaker 1>I don't know what to do, man, this thing well pull.

0:26:57.920 --> 0:27:00.240
<v Speaker 1>I wonder if they have a bigger one. And John

0:27:00.280 --> 0:27:01.959
<v Speaker 1>Wolf was there and he's like, yeah, I gotta just

0:27:02.000 --> 0:27:04.840
<v Speaker 1>get Like when I worked for Coke years ago and

0:27:04.880 --> 0:27:07.120
<v Speaker 1>we had really long lines, we would just put another

0:27:07.240 --> 0:27:09.560
<v Speaker 1>pump in the middle so it would just get to

0:27:09.600 --> 0:27:11.119
<v Speaker 1>that point and then that pump would pump it to

0:27:11.200 --> 0:27:13.080
<v Speaker 1>the other pump. He said, you should do that. I

0:27:13.119 --> 0:27:16.199
<v Speaker 1>was like, that is so simple. That's either something like

0:27:16.280 --> 0:27:18.960
<v Speaker 1>Ruby tells me or that you tell me because I

0:27:19.000 --> 0:27:21.280
<v Speaker 1>would never been able to figure that dumb thing out.

0:27:21.440 --> 0:27:22.040
<v Speaker 2>That's awesome.

0:27:22.320 --> 0:27:24.800
<v Speaker 1>Yeah, that kind of brain I just really admire.

0:27:25.000 --> 0:27:25.680
<v Speaker 2>Did you do it?

0:27:26.440 --> 0:27:29.040
<v Speaker 1>Oh yeah, and it worked, works like a charm. You

0:27:29.040 --> 0:27:29.800
<v Speaker 1>should see the flow.

0:27:30.040 --> 0:27:33.200
<v Speaker 2>That's awesome. That's funny. John Wolf always works how he

0:27:33.280 --> 0:27:35.240
<v Speaker 2>used to work for Coke into every conversation.

0:27:35.440 --> 0:27:36.560
<v Speaker 1>Oh man, you know Wolf.

0:27:37.480 --> 0:27:39.960
<v Speaker 2>So is it break time yet or are we still

0:27:40.000 --> 0:27:42.680
<v Speaker 2>going No, let's take a break. Okay, we're taking a break.

0:27:42.680 --> 0:27:44.200
<v Speaker 2>Everybody just watch.

0:27:43.920 --> 0:28:02.760
<v Speaker 3>Us, all right.

0:28:02.880 --> 0:28:06.680
<v Speaker 1>So we've covered up through the seventeen hundreds, told everyone

0:28:06.720 --> 0:28:09.159
<v Speaker 1>how rope is made. When it comes to the eighteen

0:28:09.240 --> 0:28:12.560
<v Speaker 1>hundreds and the Industrial Revolution starts happening, all of a sudden,

0:28:12.560 --> 0:28:18.000
<v Speaker 1>we have steam powered machines, and so rope is evolving

0:28:18.000 --> 0:28:20.560
<v Speaker 1>at the same time, and like how it's used in

0:28:20.600 --> 0:28:23.560
<v Speaker 1>applications and stuff like that. So you need like better rope,

0:28:23.800 --> 0:28:27.080
<v Speaker 1>bigger rope, longer rope, stronger rope, and all of a sudden,

0:28:27.080 --> 0:28:30.680
<v Speaker 1>with steam power, you could do that. And you know,

0:28:31.080 --> 0:28:34.440
<v Speaker 1>it's basically the same way you're just using like kind

0:28:34.480 --> 0:28:36.960
<v Speaker 1>of like everything with the Industrial Revolution, all of a sudden,

0:28:36.960 --> 0:28:38.560
<v Speaker 1>you could just do it on a much bigger scale

0:28:38.640 --> 0:28:39.440
<v Speaker 1>using machinery.

0:28:39.800 --> 0:28:43.160
<v Speaker 2>Yeah, it's interesting. It's like the Industrial Revolution changed the

0:28:43.240 --> 0:28:45.680
<v Speaker 2>demands that were put on rope and that at the

0:28:45.720 --> 0:28:48.880
<v Speaker 2>same time it changed the ways that rope could be

0:28:48.920 --> 0:28:50.680
<v Speaker 2>made to satisfy those demands.

0:28:50.720 --> 0:28:51.520
<v Speaker 1>Pretty cool point.

0:28:51.800 --> 0:28:55.080
<v Speaker 2>And it all comes down to steam power. One of

0:28:55.120 --> 0:28:57.800
<v Speaker 2>the cool things about making rope with steam power with

0:28:58.600 --> 0:29:02.280
<v Speaker 2>an automated factory, even like this is early nineteenth century,

0:29:03.280 --> 0:29:06.560
<v Speaker 2>you need rope because they would use rope that ran

0:29:06.640 --> 0:29:09.720
<v Speaker 2>through the whole factory around like a central steam engine.

0:29:09.720 --> 0:29:11.640
<v Speaker 2>We've talked about this before and I don't remember what

0:29:11.720 --> 0:29:15.240
<v Speaker 2>it was in maybe diesel generator, I don't remember, but

0:29:16.680 --> 0:29:21.320
<v Speaker 2>that main engine spun it moved the rope, and the

0:29:21.400 --> 0:29:24.560
<v Speaker 2>rope ran around and moved these individual machines. It's one long,

0:29:24.640 --> 0:29:27.600
<v Speaker 2>continuous thing of rope. It's like the idiom says, you

0:29:27.640 --> 0:29:28.840
<v Speaker 2>need rope to make rope.

0:29:29.320 --> 0:29:31.880
<v Speaker 1>Yeah, it's good idiom.

0:29:32.160 --> 0:29:34.400
<v Speaker 2>I think so too. I don't know what it means,

0:29:34.440 --> 0:29:35.840
<v Speaker 2>but it sounds like it.

0:29:36.400 --> 0:29:40.320
<v Speaker 1>Well. They also were had innovations and textiles at the time,

0:29:40.520 --> 0:29:42.479
<v Speaker 1>so they were kind of co opting some of that

0:29:42.560 --> 0:29:47.240
<v Speaker 1>stuff to make better ropes. Like one example, I guess

0:29:47.400 --> 0:29:49.680
<v Speaker 1>is they were able to shrink a lot of stuff

0:29:49.720 --> 0:29:52.440
<v Speaker 1>to much smaller things. So the spinning jenny that used

0:29:52.440 --> 0:29:54.040
<v Speaker 1>to be this you know, mammoth machine, all of a

0:29:54.040 --> 0:29:56.240
<v Speaker 1>sudden you could fit in a room. And because it's

0:29:56.280 --> 0:29:58.840
<v Speaker 1>in a room and you didn't have this like two

0:29:58.880 --> 0:30:02.040
<v Speaker 1>thousand foot rope walk, you could like fully enclose that

0:30:02.120 --> 0:30:04.280
<v Speaker 1>and you could make rope year round, and it could

0:30:04.320 --> 0:30:07.720
<v Speaker 1>be heated, and you could hire women to work in

0:30:07.760 --> 0:30:10.880
<v Speaker 1>there because they already had experience working in textiles, so

0:30:10.960 --> 0:30:12.120
<v Speaker 1>now they could help make rope.

0:30:12.320 --> 0:30:17.720
<v Speaker 2>Right. So, yeah, the nineteenth century, the industrial Revolution essentially

0:30:18.720 --> 0:30:22.040
<v Speaker 2>well revolutionized how rope is made, even though it's still

0:30:22.280 --> 0:30:26.120
<v Speaker 2>using the same technique. It's just now the work is

0:30:26.160 --> 0:30:29.120
<v Speaker 2>being done more and more by machines. Right, Well, that's

0:30:29.280 --> 0:30:33.640
<v Speaker 2>industrial revolution at its core, But it didn't really kind

0:30:33.680 --> 0:30:36.960
<v Speaker 2>of change the types of rope that were being produced

0:30:36.960 --> 0:30:39.360
<v Speaker 2>as much. One thing that did come out of the

0:30:39.400 --> 0:30:41.720
<v Speaker 2>nineteenth century was wire rope. That was a brand new

0:30:41.720 --> 0:30:44.640
<v Speaker 2>thing that the Germans gave us in the eighteen thirties

0:30:44.880 --> 0:30:47.280
<v Speaker 2>because they needed it for their mining industry. And now

0:30:47.280 --> 0:30:50.520
<v Speaker 2>all of a sudden, you could build bigger and bigger

0:30:50.640 --> 0:30:54.120
<v Speaker 2>ships and make them out of metal because you didn't

0:30:54.200 --> 0:30:56.600
<v Speaker 2>need to use fiber rope any longer. You could use

0:30:56.640 --> 0:31:00.479
<v Speaker 2>metal rope which people call cable, but again it's still

0:31:00.560 --> 0:31:01.920
<v Speaker 2>just wire rope.

0:31:02.040 --> 0:31:06.200
<v Speaker 1>That's right. And things stayed humming along pretty great until

0:31:06.240 --> 0:31:09.200
<v Speaker 1>the nineteen hundreds came along, and all of a sudden

0:31:09.240 --> 0:31:13.000
<v Speaker 1>in the twentieth century, we had synthetics upon us. So

0:31:14.320 --> 0:31:18.440
<v Speaker 1>nylon was the next like real big game changer when

0:31:18.480 --> 0:31:21.040
<v Speaker 1>it was introduced by the DuPont Chemical Company in nineteen

0:31:21.080 --> 0:31:25.040
<v Speaker 1>thirty nine as toothbrush bristles. When people are like, hey,

0:31:25.160 --> 0:31:27.320
<v Speaker 1>if you make these super long and they're not just

0:31:27.360 --> 0:31:30.960
<v Speaker 1>for toothbrushes, we can make this into rope, and I

0:31:31.000 --> 0:31:34.640
<v Speaker 1>think it'll be stronger, think it'll be stretchier. And within

0:31:34.680 --> 0:31:38.040
<v Speaker 1>a couple of years, you know, World War two definitely

0:31:38.040 --> 0:31:41.480
<v Speaker 1>helped when they had blocked like using raw materials for

0:31:41.560 --> 0:31:44.280
<v Speaker 1>rope making. So that's when nylon really had a chance

0:31:44.320 --> 0:31:44.920
<v Speaker 1>to shine.

0:31:45.240 --> 0:31:49.160
<v Speaker 2>Yeah, and then shortly after that, polypropylene and polyester followed too,

0:31:49.480 --> 0:31:53.520
<v Speaker 2>and so synthetics were basically everybody was like better living

0:31:53.560 --> 0:31:56.880
<v Speaker 2>through chemistry in the second half of the twentieth century,

0:31:56.880 --> 0:31:59.719
<v Speaker 2>and that certainly applied to rope making two and it's

0:31:59.760 --> 0:32:03.160
<v Speaker 2>still around today. I mean, like synthetics are. You can

0:32:03.200 --> 0:32:06.800
<v Speaker 2>find both natural fiber rope and synthetic rope as well.

0:32:07.120 --> 0:32:11.440
<v Speaker 2>But just because of the kind of operations that you

0:32:11.520 --> 0:32:15.240
<v Speaker 2>see in modern rope making facilities and factories, uh huh,

0:32:15.280 --> 0:32:18.440
<v Speaker 2>it just it'd be almost weird to see somebody make

0:32:18.920 --> 0:32:22.120
<v Speaker 2>a fiber rope in one of the modern factories, like

0:32:22.400 --> 0:32:27.200
<v Speaker 2>synthetic nylon and other kinds of material ropes just make sense.

0:32:28.200 --> 0:32:32.160
<v Speaker 1>Yeah, for sure. And the process is really similar because

0:32:32.200 --> 0:32:35.680
<v Speaker 1>you're you're still physically doing the same thing, but in

0:32:35.720 --> 0:32:39.280
<v Speaker 1>this case, you're starting out instead of you know, like

0:32:39.440 --> 0:32:41.760
<v Speaker 1>long fibers that you're running through a steel comb, you're

0:32:41.760 --> 0:32:45.680
<v Speaker 1>starting out with pellets that came from processed crude oil,

0:32:46.080 --> 0:32:49.760
<v Speaker 1>like little rice sized pellets of like you know, nylon,

0:32:49.840 --> 0:32:51.640
<v Speaker 1>let's say. And then you got to melt those down

0:32:51.880 --> 0:32:56.360
<v Speaker 1>in an extruder and push it through like smaller and

0:32:56.400 --> 0:32:59.280
<v Speaker 1>smaller nozzles until you get down to the diameter of

0:32:59.280 --> 0:33:02.480
<v Speaker 1>a hair, say, And then you have this long filament

0:33:03.120 --> 0:33:04.400
<v Speaker 1>and you know, you have to put it in a

0:33:04.400 --> 0:33:07.080
<v Speaker 1>cooling bath and so it holds a shape and stuff

0:33:07.120 --> 0:33:09.640
<v Speaker 1>like that. You stretch it out some on some rollers.

0:33:10.760 --> 0:33:13.720
<v Speaker 1>Apparently the stretching causes the polymer chains to align, which

0:33:13.760 --> 0:33:16.920
<v Speaker 1>is really going to strengthen it. But after that, aside

0:33:16.960 --> 0:33:19.880
<v Speaker 1>from having to treat it a little differently, it's kind

0:33:19.880 --> 0:33:23.240
<v Speaker 1>of the same process as an old rope walk and

0:33:23.280 --> 0:33:25.840
<v Speaker 1>then a factory as far as twisting the stuff together.

0:33:25.840 --> 0:33:28.640
<v Speaker 2>Exactly, except that these are done by machines that can

0:33:28.720 --> 0:33:33.080
<v Speaker 2>spin at like a thousand RPMs. As they're twisting these things.

0:33:33.120 --> 0:33:36.560
<v Speaker 2>It can make rope super fast. They do that with

0:33:36.680 --> 0:33:39.760
<v Speaker 2>yarn and then onto strands and then onto rope, and yeah,

0:33:39.760 --> 0:33:42.320
<v Speaker 2>it's essentially the same stuff again, back to that forty

0:33:42.320 --> 0:33:46.880
<v Speaker 2>thousand year old ivory weaving tool. And but once you

0:33:47.040 --> 0:33:49.480
<v Speaker 2>have the rope made, then it kind of jumps back

0:33:49.520 --> 0:33:52.880
<v Speaker 2>into modern the modern era because you have to do

0:33:52.960 --> 0:33:55.520
<v Speaker 2>things with nylon rope that you don't have to do

0:33:55.960 --> 0:33:58.400
<v Speaker 2>with fiber rope, which is like you have to heat

0:33:58.480 --> 0:34:02.640
<v Speaker 2>set it with steam that helps keep those polymers locked

0:34:02.680 --> 0:34:06.160
<v Speaker 2>in that same direction. They test them. I'm sure they

0:34:06.200 --> 0:34:09.799
<v Speaker 2>do this with modern fiber ropes too, but they they

0:34:09.840 --> 0:34:12.719
<v Speaker 2>stretch them, they jump on them, they beat them up,

0:34:12.800 --> 0:34:15.000
<v Speaker 2>they do all sorts of stuff, and they have sensors

0:34:15.000 --> 0:34:17.759
<v Speaker 2>that detect what's going on within the rope, and then

0:34:17.840 --> 0:34:21.320
<v Speaker 2>once the rope passes some sort of certification, it's maximum

0:34:21.400 --> 0:34:25.680
<v Speaker 2>operating capacities are stamped on the label and it's coiled

0:34:25.760 --> 0:34:27.000
<v Speaker 2>up and sold.

0:34:27.760 --> 0:34:32.360
<v Speaker 1>Yeah, exactly. Let's talk about a few specific kinds of

0:34:32.440 --> 0:34:36.719
<v Speaker 1>rope because it gets depending on what you need to do.

0:34:36.760 --> 0:34:39.960
<v Speaker 1>You might need a rope that's like stretch here or

0:34:41.760 --> 0:34:45.560
<v Speaker 1>I don't know, stiffer. Let's say, so, if you want

0:34:45.600 --> 0:34:48.600
<v Speaker 1>to talk about shot cord, that is bungee cord. Yeah,

0:34:48.640 --> 0:34:53.200
<v Speaker 1>and that is you know, if I've never bungee jumped,

0:34:53.200 --> 0:34:56.440
<v Speaker 1>but I did learn at one point that a bungee

0:34:56.440 --> 0:34:59.080
<v Speaker 1>cord was just a lot of rubber bands twisted into

0:34:59.120 --> 0:35:01.319
<v Speaker 1>a rope. And I don't know if that made me

0:35:01.320 --> 0:35:03.080
<v Speaker 1>feel better or worse about the whole process.

0:35:03.239 --> 0:35:06.120
<v Speaker 2>Well, yeah, so this is it's silicone to begin with,

0:35:06.160 --> 0:35:10.200
<v Speaker 2>silicone rubber and it's vulcanized and usually they're made of

0:35:10.360 --> 0:35:14.959
<v Speaker 2>sixteen different strands and then that's just the core. There's

0:35:15.239 --> 0:35:18.960
<v Speaker 2>a synthetic fiber shell that goes around the cord. Yeah,

0:35:19.000 --> 0:35:23.480
<v Speaker 2>and yeah, I think shock chords are pretty pretty reliable

0:35:23.520 --> 0:35:26.839
<v Speaker 2>for the most part. Yeah, they apparently stretched to about

0:35:26.880 --> 0:35:29.799
<v Speaker 2>one hundred and thirty percent of their original length, and

0:35:29.840 --> 0:35:35.240
<v Speaker 2>then Benden snatched back to their original length again without

0:35:35.400 --> 0:35:42.040
<v Speaker 2>being mall, without breaking sure or without losing their elasticity.

0:35:42.280 --> 0:35:45.359
<v Speaker 1>Oh yeah, yeah, I seriously what I mean? Uh, Well,

0:35:45.400 --> 0:35:48.120
<v Speaker 1>eventually they do over time, though, I guess because just

0:35:48.280 --> 0:35:50.560
<v Speaker 1>using regular bungee cords around the house, like old old

0:35:50.560 --> 0:35:51.680
<v Speaker 1>ones aren't as stretchy as they.

0:35:51.680 --> 0:35:54.080
<v Speaker 2>Used to be. Good point, And you probably want to

0:35:54.560 --> 0:35:57.279
<v Speaker 2>go bungee jump at a place that's reputable enough that

0:35:57.320 --> 0:36:00.640
<v Speaker 2>they're not over using their bungee cords. Agreed, Great point.

0:36:00.960 --> 0:36:04.520
<v Speaker 1>You've also got spot cord, and that is not super

0:36:04.520 --> 0:36:08.080
<v Speaker 1>strong or anything, but it has a high resistance to snags.

0:36:08.200 --> 0:36:11.280
<v Speaker 1>And the cool thing about spot cord it's a cotton

0:36:11.360 --> 0:36:14.560
<v Speaker 1>rope that's braided and it's been produced by the Samson

0:36:15.040 --> 0:36:18.200
<v Speaker 1>Cordage Company for about one hundred and fifty years. And

0:36:18.320 --> 0:36:21.520
<v Speaker 1>if you go to like a big box hardware store

0:36:21.600 --> 0:36:24.200
<v Speaker 1>or something and you just get like a little fifty

0:36:24.200 --> 0:36:28.200
<v Speaker 1>foot small thin rope, it's probably a spot cord.

0:36:28.440 --> 0:36:31.440
<v Speaker 2>Yeah. They feel real nice because they're cotton. Yeah, if

0:36:31.440 --> 0:36:34.399
<v Speaker 2>you've ever used a clothes line that's not wire, yeah,

0:36:34.440 --> 0:36:36.480
<v Speaker 2>there you go, it's probably a spot cord.

0:36:37.000 --> 0:36:40.399
<v Speaker 1>Yeah, if you've ever tied up your neighbor to a chair,

0:36:41.000 --> 0:36:43.279
<v Speaker 1>probably using spot cord, if you're not into the duct

0:36:43.280 --> 0:36:43.840
<v Speaker 1>tape thing.

0:36:43.920 --> 0:36:47.719
<v Speaker 2>And came into the room saying, well, well, well look

0:36:47.760 --> 0:36:49.120
<v Speaker 2>how the tables have turned.

0:36:49.480 --> 0:36:51.600
<v Speaker 1>That's right. I hope that comes across as a joke.

0:36:51.640 --> 0:36:55.040
<v Speaker 1>I know, I'm sure that's real world violence or although

0:36:55.040 --> 0:36:56.480
<v Speaker 1>you could just be tying them to a chair to

0:36:56.520 --> 0:36:58.879
<v Speaker 1>make them watch the Simpsons or something. Let's say that's

0:36:58.920 --> 0:36:59.680
<v Speaker 1>what I was talking about.

0:37:00.880 --> 0:37:04.360
<v Speaker 2>And then another special rope, and these are very special ropes,

0:37:04.400 --> 0:37:09.200
<v Speaker 2>by the way, it's the lariat. And lariat is the

0:37:09.280 --> 0:37:12.719
<v Speaker 2>correct term for what a lot of people call lassos,

0:37:12.800 --> 0:37:16.080
<v Speaker 2>but I lift it up, chuck. Lasso is a verb,

0:37:16.880 --> 0:37:19.319
<v Speaker 2>and it's what you do with a lariat, which is.

0:37:19.480 --> 0:37:23.480
<v Speaker 1>Now, yeah, yeah, that makes sense. You lasso a horse

0:37:23.560 --> 0:37:24.040
<v Speaker 1>or something.

0:37:24.000 --> 0:37:26.880
<v Speaker 2>Yes, exactly. And you and I both have our own lariots.

0:37:26.880 --> 0:37:29.239
<v Speaker 2>Do you remember Kathy with the ka and Phoenix gave

0:37:29.280 --> 0:37:30.280
<v Speaker 2>them to us at the field.

0:37:30.560 --> 0:37:32.120
<v Speaker 1>I thought it was Denver, but was it Phoenix?

0:37:32.200 --> 0:37:32.640
<v Speaker 2>Phoenix?

0:37:33.080 --> 0:37:35.319
<v Speaker 1>Okay, yeah, I still have mine. It's hanging up at

0:37:35.360 --> 0:37:35.720
<v Speaker 1>the camp.

0:37:36.040 --> 0:37:38.240
<v Speaker 2>Yeah. I can't tell you how many steer I've wrestled

0:37:38.280 --> 0:37:39.840
<v Speaker 2>with mine.

0:37:40.840 --> 0:37:45.520
<v Speaker 1>These are traditionally made with horsehair or raw hide. Today

0:37:45.560 --> 0:37:49.640
<v Speaker 1>they're usually braided with nylon or polyester maybe. But the

0:37:49.719 --> 0:37:52.880
<v Speaker 1>key to this thing is is that it's stiff. Like

0:37:52.920 --> 0:37:54.799
<v Speaker 1>I said, sometimes you might need a stiff rope. So

0:37:56.080 --> 0:37:58.360
<v Speaker 1>you know, if you've never used a or tried to

0:37:58.400 --> 0:38:00.680
<v Speaker 1>lasso something, you might be surprised to know that it's

0:38:00.719 --> 0:38:03.400
<v Speaker 1>a it's a you know, it's stiff.

0:38:03.480 --> 0:38:06.360
<v Speaker 2>It's very stiff, super stiff, and it barely fits in

0:38:06.400 --> 0:38:08.680
<v Speaker 2>your suitcase from Phoenix back home to Atlantic.

0:38:08.719 --> 0:38:10.279
<v Speaker 1>I know we managed it though.

0:38:10.480 --> 0:38:12.480
<v Speaker 2>Yeah. The way they work though, is a Honda knot

0:38:12.520 --> 0:38:16.640
<v Speaker 2>which slides up and down the rigid rope or stiff

0:38:16.719 --> 0:38:19.080
<v Speaker 2>rope very easily. So when you get it around to

0:38:19.160 --> 0:38:22.600
<v Speaker 2>steers horns, you pull it and the loop closes, but

0:38:22.680 --> 0:38:26.520
<v Speaker 2>it doesn't close mid air on your way right on

0:38:26.560 --> 0:38:28.600
<v Speaker 2>its way to the steers horns like it would if

0:38:28.640 --> 0:38:30.160
<v Speaker 2>you made it out of a spot cord.

0:38:30.800 --> 0:38:31.239
<v Speaker 1>That's right.

0:38:32.160 --> 0:38:35.120
<v Speaker 2>There's also we can't not talk about climbing ropes. Chuck.

0:38:36.120 --> 0:38:38.719
<v Speaker 1>Yeah, that's that's what keeps you alive if you're a

0:38:39.640 --> 0:38:43.080
<v Speaker 1>into repelling and rock climbing. Yep, they used to be

0:38:43.160 --> 0:38:47.200
<v Speaker 1>made out of plant fibers before nylon, just like any

0:38:47.239 --> 0:38:50.319
<v Speaker 1>other rope that we're talking about, of course. But you know,

0:38:50.400 --> 0:38:53.040
<v Speaker 1>if you've seen an action movie from the old days

0:38:53.600 --> 0:38:57.960
<v Speaker 1>and that rope is being you know, wearing against that

0:38:58.120 --> 0:39:00.480
<v Speaker 1>rock at the top of a cliff, yeah, it starts

0:39:00.480 --> 0:39:04.600
<v Speaker 1>going dying, dying, dying, and you're worried about your action hero,

0:39:05.120 --> 0:39:07.200
<v Speaker 1>then you need to go to a nylon rope because

0:39:07.680 --> 0:39:09.719
<v Speaker 1>one of the important things about a nylon rope is

0:39:09.719 --> 0:39:11.600
<v Speaker 1>not going to phrase as much like in the movie.

0:39:11.640 --> 0:39:14.160
<v Speaker 1>And also if you fall, it's going to be a

0:39:14.200 --> 0:39:17.440
<v Speaker 1>little stretchier. So in the old days, if you fell

0:39:17.440 --> 0:39:19.560
<v Speaker 1>like off of Everest in the old days, with a

0:39:19.680 --> 0:39:23.359
<v Speaker 1>fiber rope, like the entire force of falling is just

0:39:23.480 --> 0:39:25.839
<v Speaker 1>stops in an instant because there's zero stretch. And that's

0:39:25.880 --> 0:39:26.279
<v Speaker 1>no good.

0:39:26.560 --> 0:39:28.520
<v Speaker 2>No, that produces rope trauma.

0:39:29.440 --> 0:39:32.160
<v Speaker 1>Aha, very nice.

0:39:32.280 --> 0:39:34.200
<v Speaker 2>It can cut you just clean in half.

0:39:35.080 --> 0:39:35.799
<v Speaker 1>That's what I've heard.

0:39:36.360 --> 0:39:39.839
<v Speaker 2>So with climbing ropes in particular, there's a special type

0:39:39.880 --> 0:39:42.719
<v Speaker 2>of rope construction that's he's called the Kern mantle construction

0:39:43.239 --> 0:39:46.680
<v Speaker 2>and it refers to the Kern the core like a kernel,

0:39:47.000 --> 0:39:50.319
<v Speaker 2>and that's made of a nylon rope, and then there's

0:39:50.360 --> 0:39:54.000
<v Speaker 2>a mantle the shell that has made of braided nylon

0:39:55.280 --> 0:39:59.000
<v Speaker 2>that protects the internal nylon rope, so the internal kern

0:39:59.280 --> 0:40:03.279
<v Speaker 2>rope is low bearing. The outer shell rope protects that

0:40:03.440 --> 0:40:06.920
<v Speaker 2>internal load bearing one. But because they're both so strong,

0:40:07.600 --> 0:40:09.839
<v Speaker 2>if one failed, the other would be able to keep

0:40:09.880 --> 0:40:14.400
<v Speaker 2>you dangling. And they're stretchy enough that rope trauma is

0:40:14.440 --> 0:40:17.440
<v Speaker 2>brought to almost nil. The possibility of it. When you

0:40:17.520 --> 0:40:20.640
<v Speaker 2>fall off of a cliff wearing a current mantle rope

0:40:21.120 --> 0:40:21.640
<v Speaker 2>that's right now.

0:40:21.680 --> 0:40:26.160
<v Speaker 1>You came around in nineteen and fifty three. Yep, the odds,

0:40:27.120 --> 0:40:29.160
<v Speaker 1>and I guess that's kind of it on rope, right.

0:40:29.160 --> 0:40:32.000
<v Speaker 2>That's it. One thing that struck me I could not

0:40:32.239 --> 0:40:36.200
<v Speaker 2>find an answer for it is that in the United

0:40:36.200 --> 0:40:40.040
<v Speaker 2>States alone, in twenty twenty five, three point five billion

0:40:40.120 --> 0:40:44.839
<v Speaker 2>dollars worth of rope was sold. Pretty impressive. They're projecting

0:40:44.880 --> 0:40:48.200
<v Speaker 2>it to increase to six billion in less than ten

0:40:48.280 --> 0:40:51.560
<v Speaker 2>years by twenty thirty three. I could not find why,

0:40:52.920 --> 0:40:54.839
<v Speaker 2>what do we need more rope for? I don't know.

0:40:55.000 --> 0:40:57.640
<v Speaker 2>Maybe gen Z's going to finally discover rope in twenty

0:40:57.680 --> 0:40:58.719
<v Speaker 2>thirty three, I don't know.

0:41:00.040 --> 0:41:01.719
<v Speaker 1>I don't know. I'm trying to think of how like

0:41:01.760 --> 0:41:04.720
<v Speaker 1>a data center uses rope or something that's like something

0:41:04.800 --> 0:41:07.600
<v Speaker 1>really like growing fast right now, But I don't know.

0:41:07.840 --> 0:41:11.000
<v Speaker 2>Yeah, I guess maybe if you include fiber optic cable.

0:41:11.400 --> 0:41:14.120
<v Speaker 2>Oh maybe fiber optic rope, I should say in in

0:41:14.280 --> 0:41:18.040
<v Speaker 2>that that might account for it. Good con Well, that's

0:41:18.080 --> 0:41:21.400
<v Speaker 2>it for rope everybody, which means it's time for listener mail.

0:41:24.560 --> 0:41:27.759
<v Speaker 1>This goes back to the voice of God Dan Lafontaine,

0:41:27.800 --> 0:41:30.600
<v Speaker 1>the famous movie trailer guy in a World, We did

0:41:30.640 --> 0:41:34.080
<v Speaker 1>a what is say? Dan? M No, that was his brother.

0:41:34.120 --> 0:41:39.120
<v Speaker 1>He should have heard his voice. Hey, guys, Don Lafontaine,

0:41:39.120 --> 0:41:40.399
<v Speaker 1>I think we did a shorty on him.

0:41:40.960 --> 0:41:42.239
<v Speaker 2>Shorty yeah, voice of God.

0:41:42.760 --> 0:41:45.000
<v Speaker 1>So hey, guys, been meaning to write for a while,

0:41:45.719 --> 0:41:47.879
<v Speaker 1>and when I heard the short stuff, I was like, Bam,

0:41:48.000 --> 0:41:50.440
<v Speaker 1>now I have to write. Because my father was a

0:41:50.480 --> 0:41:53.360
<v Speaker 1>sound editor in New York City and worked on movie trailers,

0:41:53.640 --> 0:41:57.200
<v Speaker 1>the sound mixes for them, and recording the voiceovers. He

0:41:57.239 --> 0:42:00.799
<v Speaker 1>met many actors over the years, and also Don, who

0:42:00.800 --> 0:42:03.600
<v Speaker 1>became a good friend of our family. When my younger

0:42:03.600 --> 0:42:06.440
<v Speaker 1>brother Travis was born in nineteen seventy one, Don became

0:42:06.480 --> 0:42:09.800
<v Speaker 1>his godfather. Even my mother loved Don and was always

0:42:09.840 --> 0:42:12.359
<v Speaker 1>said he was such a neat guy and fun and

0:42:12.400 --> 0:42:14.960
<v Speaker 1>they spent some time partying with him back in the day.

0:42:15.480 --> 0:42:17.560
<v Speaker 1>I have some old pictures of Don and my parents,

0:42:18.080 --> 0:42:20.680
<v Speaker 1>those little square wins with the rounded off corners where

0:42:20.680 --> 0:42:22.760
<v Speaker 1>everything looks like shades of brown and orange and yellow.

0:42:23.520 --> 0:42:26.200
<v Speaker 1>You know the ones. Guys, if I can lay my

0:42:26.239 --> 0:42:29.359
<v Speaker 1>hands on one, I'll attach it, which did not happen,

0:42:29.400 --> 0:42:31.200
<v Speaker 1>by the way, but I'd be tickled to death if

0:42:31.200 --> 0:42:32.960
<v Speaker 1>you selected my email to be read on the air

0:42:33.520 --> 0:42:36.799
<v Speaker 1>like you have no idea. Ll you can even edit

0:42:36.840 --> 0:42:41.840
<v Speaker 1>down and I won't mind. Smiley face yours, both of you's, truly.

0:42:42.480 --> 0:42:47.160
<v Speaker 1>That is from Tegwin Allen Stockdale or the nickname.

0:42:46.920 --> 0:42:51.319
<v Speaker 2>Tag What a name? That is a great name? Agreed, Well,

0:42:51.360 --> 0:42:54.080
<v Speaker 2>thanks a lot, Teglin Allen Stockdale. I don't think I

0:42:54.080 --> 0:42:57.480
<v Speaker 2>would ever say your name other than to use.

0:42:57.360 --> 0:42:58.640
<v Speaker 1>All three agreed.

0:42:59.000 --> 0:43:01.439
<v Speaker 2>Oh great. If you want to be like Tiglin Allen

0:43:01.520 --> 0:43:04.640
<v Speaker 2>Stockdale and email us with a great story about something

0:43:04.680 --> 0:43:06.839
<v Speaker 2>we talked about. We love that kind of thing. You

0:43:06.840 --> 0:43:08.719
<v Speaker 2>can wrap it up, spank it on the bottom, and

0:43:08.760 --> 0:43:15.480
<v Speaker 2>send it off to Stuff podcast at iHeartRadio dot com.

0:43:15.600 --> 0:43:18.480
<v Speaker 1>Stuff You should Know is a production of iHeartRadio. For

0:43:18.560 --> 0:43:22.759
<v Speaker 1>more podcasts my heart Radio, visit the iHeartRadio app, Apple Podcasts,

0:43:22.880 --> 0:43:24.720
<v Speaker 1>or wherever you listen to your favorite shows.