WEBVTT - S4/E4 | Evaluation

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<v Speaker 1>Hmm. Thirteen Days of Halloween Penance, a co production of

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<v Speaker 1>iHeart three D Audio Blumhouse Television and Grim and Mild

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<v Speaker 1>from Aaron Yankee. Headphones recommended Listener discretion advised.

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<v Speaker 2>Hm hmmm, well someone here soon as an expect.

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<v Speaker 3>No time to waste on the examination table. There prepper

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<v Speaker 3>for treatment? Oh where am I?

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<v Speaker 2>Where am I?

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<v Speaker 1>Doctor?

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<v Speaker 3>She's come to?

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<v Speaker 1>Why can't I move?

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<v Speaker 3>The application is already prepped? Am I in the hospital?

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<v Speaker 3>The clinical make a fist for me? Why am I restrained?

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<v Speaker 3>It's for your own safety, my safety.

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<v Speaker 2>You could hurt yourself or someone else.

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<v Speaker 3>Why would I do that?

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<v Speaker 1>That's the single dose?

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<v Speaker 3>What the fuck might be enough?

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<v Speaker 2>Why did you just inject me?

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<v Speaker 3>Huh? Why would you look at that?

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<v Speaker 2>I believe she's already responding.

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<v Speaker 3>Should it really be so fast acting?

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<v Speaker 4>She probably hasn't aiden, But this one, too is a

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<v Speaker 4>special case.

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<v Speaker 2>What's happening? Well, missus Rodrige, that's not my name, that's

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<v Speaker 2>not just remain coin.

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<v Speaker 4>Everything will be much easier if you are cold.

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<v Speaker 3>You give me tell me what are you seeing? What

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<v Speaker 3>are you here? I think it could be sick.

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<v Speaker 5>Maybe we gave her too much.

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<v Speaker 2>Well, no science is exact.

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<v Speaker 3>Let's give it a beat.

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<v Speaker 2>Seven, Gatherine, can you.

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<v Speaker 3>Talk her through it? What am I just relaxed?

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<v Speaker 6>Now?

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<v Speaker 2>Talk to Catherine right back to check on you.

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<v Speaker 4>Could you imagine should be scheduled next week?

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<v Speaker 3>First time? Where are you just the next bed over?

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<v Speaker 3>How does it feel strange? I can't seem to focus. Yes,

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<v Speaker 3>it does give one a bit of a tumble. Well,

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<v Speaker 3>if you can listen to my voice while the worst

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<v Speaker 3>of it passes, you'll be right asway against soon, though

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<v Speaker 3>I suppose I should warn you I'm spectacularly tedious. Listen

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<v Speaker 3>to me too long and you may end up quite

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<v Speaker 3>literally bored to death. Who are you, oh, Catherine Sherwin?

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<v Speaker 3>I'm a scholar of medieval theology. Sounds dreadful, doesn't it.

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<v Speaker 3>I write books that no one reads, about books that

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<v Speaker 3>no one has read. My specialty is since Anselm of

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<v Speaker 3>Canterbury and the ontological argument? You familiar um? And why

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<v Speaker 3>would you be? Anselm was a Catholic theologian of the

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<v Speaker 3>eleventh century, a thundering, black habited engineer of the Arcanetus

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<v Speaker 3>of God. Before he was my research subject, Anselm was

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<v Speaker 3>a homegrown obsession of my father's yes, Dad, It was

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<v Speaker 3>a bit of an amateur theologian himself. He spent so

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<v Speaker 3>many hours pouring over Anselm, Augustine and that whole spectral

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<v Speaker 3>faculty of god minded men from ages past. Of course,

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<v Speaker 3>when I was a girl, I had about as much

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<v Speaker 3>interest in all of that as I had in the

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<v Speaker 3>design of seward rains. But I suppose death does have

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<v Speaker 3>a way of rearranging one's engrossments. My father died when

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<v Speaker 3>I was in my first year at university. He was alone,

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<v Speaker 3>alone on one of his meditations, as he called them,

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<v Speaker 3>hiking the peak of a mountain in Scotland called khn Aran.

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<v Speaker 3>It was a heart attack, or so they assumed. But

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<v Speaker 3>would you guess this, He did make it to the top.

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<v Speaker 3>They found him there in the cold rocks, in the fog,

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<v Speaker 3>as high as the mountain goes. I always liked that

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<v Speaker 3>felled by his ambition, but he did make it all

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<v Speaker 3>the way up. After he was gone, I found myself

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<v Speaker 3>home for Christmas reading through the books and papers in

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<v Speaker 3>his study. One story from a book on his desk

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<v Speaker 3>that arrested my attention was about Saint Anselm's childhood. Apparently,

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<v Speaker 3>as a young boy Anselm had met face to face

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<v Speaker 3>with God himself, or so he said. The encounter took

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<v Speaker 3>place on top of a mountain called Beccadinona, near his

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<v Speaker 3>home town of Aosta in Italy. After the young Anselmo

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<v Speaker 3>climbed the cliffs and scrambled over the ice and rocks

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<v Speaker 3>to the summit, he was found by a wandering angel

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<v Speaker 3>and ushered into the secret mansion of the Lord, where

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<v Speaker 3>they welcomed him with a meal the bread of God.

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<v Speaker 3>Now when I read this, I couldn't help but wonder

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<v Speaker 3>if Daddy's solitary mountaintop journeys were all in the vain

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<v Speaker 3>hope that he would one day stumble into the garden

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<v Speaker 3>of a secret manner and be welcomed inside by a

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<v Speaker 3>seraphic majordomo and taste the bread of God himself. After

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<v Speaker 3>I uncovered this window into my father's obsession, I had

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<v Speaker 3>to learn more about Anselm. It was in this that

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<v Speaker 3>I first crossed paths with my life's work and Saint

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<v Speaker 3>Anselm's most favorite invention, the ontological argument for the existence

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<v Speaker 3>of God. Are you ready for me to prove it

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<v Speaker 3>to you? The existence of God? Anselm says, if God exists.

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<v Speaker 3>He is the great conceivable being. No being greater could

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<v Speaker 3>be imagined. Now, I ask, would the greatest conceivable being

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<v Speaker 3>be greater if it existed only in your mind? Or

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<v Speaker 3>if it existed both in your mind and in reality.

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<v Speaker 3>Surely if the being were real, it would be greater

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<v Speaker 3>than if it were only imaginary. Therefore, the imaginary one

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<v Speaker 3>is not the greatest. The real one is. Therefore, by definition,

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<v Speaker 3>the greatest conceivable being must and does exist, not just

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<v Speaker 3>in here but out there. Ah, I take it, you're

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<v Speaker 3>not convinced. Some say the same form can be used

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<v Speaker 3>to prove the existence of any silly thing, the most

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<v Speaker 3>perfect island or the most perfect cup of laps and tea.

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<v Speaker 3>But that first night, when I read the proof, I

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<v Speaker 3>was flawed. It was late in the evening, and I

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<v Speaker 3>was alone in his study, and everything was quiet except

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<v Speaker 3>for the crackle of snow falling outside the window. I

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<v Speaker 3>walked out into the night and let the snow fall

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<v Speaker 3>on my face and melt on my skin. Every sensation

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<v Speaker 3>was rapturous. The air around me was bursting with the

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<v Speaker 3>life force of the presence previously unknown. I knew there

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<v Speaker 3>was a God. I had absolute proof, and that knowledge

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<v Speaker 3>meant I would one day see my father again. I

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<v Speaker 3>slept fitfully that night, dreaming about strange clouds that gathered

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<v Speaker 3>round a mountain top. When I woke in the morning,

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<v Speaker 3>I ran to my father's study and read the ontological

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<v Speaker 3>argument again. But something was wrong. The words were the same,

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<v Speaker 3>but they lacked the force of certainty they had the

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<v Speaker 3>night previous. To my horror, I was no longer persuaded.

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<v Speaker 3>Instead of absolute proof, I was left with a humiliating

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<v Speaker 3>sense of the hollowness of it all, like the whole

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<v Speaker 3>thing had been a mere word game, some kind of

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<v Speaker 3>clever trick of grammar. I couldn't say what was wrong

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<v Speaker 3>with Anselm's argument, but it just didn't feel right at all.

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<v Speaker 3>And that's where I stayed. For thirty years. I became

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<v Speaker 3>a scholar of Saint Anselm. I under a professorship at Oxford, married,

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<v Speaker 3>had children, sent them off to university to foster their

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<v Speaker 3>own obsessions. I wrote several books about Anselm, dozens of

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<v Speaker 3>articles on the subject of the ontological argument, its modern proponents,

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<v Speaker 3>and so on and so on, bloody blaody blah. But

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<v Speaker 3>as many in my profession know, though they dare not

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<v Speaker 3>confess expertise has diminishing returns. In all all those years

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<v Speaker 3>and through all that study, I never once again found

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<v Speaker 3>what I was searching for that moment that night, where

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<v Speaker 3>I knew in my bones the ontological argument was sound,

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<v Speaker 3>and I knew he orri it was out there. This

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<v Speaker 3>rather boring life of flapping dust jackets and compiling endnotes

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<v Speaker 3>went on until one day, at an academic conference, I

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<v Speaker 3>was approached by another professor, not of theology or medieval studies,

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<v Speaker 3>but of biochemistry. I'd just given a presentation on modern

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<v Speaker 3>challenges on the ontological argument, and she met me afterwards

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<v Speaker 3>to see if I would like to chat over a

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<v Speaker 3>cup of tea. Her name was Professor Raymond. She was

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<v Speaker 3>a dashing woman with long black hair and livid eyes,

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<v Speaker 3>and her attention was dangerously exciting. I could hardly say no.

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<v Speaker 3>Raymard led me to a secluded corner in the college's library.

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<v Speaker 3>Once we were snuggled away in our little den, to

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<v Speaker 3>my astonishment, she narrated that she had one night long

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<v Speaker 3>ago become absolutely convinced that the ontological argument had force,

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<v Speaker 3>only to find upon waking the next morning that she

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<v Speaker 3>was once again doubtful. But she had never been able

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<v Speaker 3>to shake the memory of the Catharsis, the almost psychedelic

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<v Speaker 3>arising to a second substance of life that came from

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<v Speaker 3>that one night when it seemed true. Since then, she

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<v Speaker 3>had thought about the argument every day, but with a

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<v Speaker 3>different sort of lens than I had. Raymond asked me,

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<v Speaker 3>suppose that.

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<v Speaker 6>The argument is at bottom correct, and that it does

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<v Speaker 6>prove the greatest conceivable being must exist in reality out there?

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<v Speaker 6>Why are we so quick to assume we know what

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<v Speaker 6>the other qualities of the greatest conceivable being are? Might

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<v Speaker 6>not our idea of greatness be an illusion, a biological

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<v Speaker 6>contingency based on our ancestral environment. For example, we believe

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<v Speaker 6>the greatest conceivable being to be the biggest because it

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<v Speaker 6>is cooked into our animal brains that bigger beasts win

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<v Speaker 6>over smaller ones in a fight. But sweet aside the

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<v Speaker 6>preferences of generous Homo sapiens and ask, from the perspective of, say,

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<v Speaker 6>an atom of hydrogen, what are the qualities of the

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<v Speaker 6>greatest conceivable being? Might bound cell be proving the existence

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<v Speaker 6>of a different kind of being altogether? And if so,

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<v Speaker 6>what are those qualities that are the greatest as conceivable

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<v Speaker 6>by the universe, the true superlatives, if you will.

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<v Speaker 3>This stirred something both thrilling and frightening in me. I

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<v Speaker 3>remembered for the first time in years, the dream I

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<v Speaker 3>had about the clouds round the mountain top. Anyway, Raymond

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<v Speaker 3>had a theory about our mutual obsession with Anselm's argument

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<v Speaker 3>that to truly grasp the proof through ontology requires not

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<v Speaker 3>just an intellectual understanding, but an experience. To use the

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<v Speaker 3>analogy of an alien life form from the burning, sulfurous planet,

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<v Speaker 3>who could never understand the wetness of water, no matter

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<v Speaker 3>how many papers it read on the chemical properties of

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<v Speaker 3>H two O. The wetness must be seen with the eyes,

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<v Speaker 3>and felt with the skin, and tasted with the tongue.

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<v Speaker 3>And whom you've had the experience of a damp cloth

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<v Speaker 3>wrung out and dripping on your toes, you don't understand

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<v Speaker 3>what water is. After all, didn't Anselm himself taste of

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<v Speaker 3>the bread of God. This seemed true enough to me.

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<v Speaker 3>I'd spent years trying to recreate the experience of that

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<v Speaker 3>night in my father's study, and I didn't know anything

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<v Speaker 3>that could conjure it again. Well, she did, Remard had

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<v Speaker 3>in her laboratory happened to isolate a compound called seven

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<v Speaker 3>methyl ionamine. This molecule was an enzymatic byproduct of a

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<v Speaker 3>species of alpine lichen that grew on rocks above the

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<v Speaker 3>tree line in certain mountain ranges. It just so happened.

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<v Speaker 3>She noticed that this molecule was similar in structure to

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<v Speaker 3>a number of other molecules that are known as ensogens,

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<v Speaker 3>those used in religious ceremonies to bring messages from the gods.

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<v Speaker 3>She said that she had, on more than one occasion

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<v Speaker 3>happened to ingest a significant amount of this compound, and

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<v Speaker 3>she believed it had given her profound insights into the

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<v Speaker 3>ontological argument and the being to which it pointed naturally.

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<v Speaker 3>I asked what these insights were. She said that they

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<v Speaker 3>were difficult to put into words. She said, I would

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<v Speaker 3>need to see for myself. I would need to wring

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<v Speaker 3>the cloth to understand what it meant for water to

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<v Speaker 3>be wet. So I took what she offered me. It

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<v Speaker 3>was a white powder in a small plastic bag. She

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<v Speaker 3>gave me a dosy'ch advisory said she'd be in touch.

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<v Speaker 3>I mulled over it for a while. I'd never taken

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<v Speaker 3>drugs of any sort, not even a puff of grass.

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<v Speaker 3>In my school years, I only drank wine at Christmas time,

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<v Speaker 3>but I felt I owed it to myself, or perhaps

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<v Speaker 3>to Daddy, to understand what Raymard was hinting at. It

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<v Speaker 3>was a night my husband was away on some silly

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<v Speaker 3>mission of his, collecting fossils in Devon or some such

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<v Speaker 3>so I had the house to myself. I dipped candles.

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<v Speaker 3>Isn't that humorous? Why did I like candles? It just

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<v Speaker 3>seemed the thing to do. But I only had half

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<v Speaker 3>a dozen or so in the house. So there they were,

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<v Speaker 3>my six candles, melting on the sofa table while I

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<v Speaker 3>waited for the drug to take effect. I didn't know

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<v Speaker 3>what to expect, and for a long time nothing happened.

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<v Speaker 3>I rubbed my toes on the carpet and took deep

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<v Speaker 3>breaths and waited to feel something. I confess after some

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<v Speaker 3>time I grew rather bored. I began to wonder if

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<v Speaker 3>the powder had lost its potency, or if Reymard had

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<v Speaker 3>been pulling some kind of prank. For a while, I

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<v Speaker 3>became convinced this must be the case, and that I

0:16:59.400 --> 0:17:03.280
<v Speaker 3>had just swallowed several grams of baby powder dissolved in

0:17:03.320 --> 0:17:06.560
<v Speaker 3>a cup of tea. I was so embarrassed, What a

0:17:06.600 --> 0:17:11.560
<v Speaker 3>stupid thing to even try. But then, while I was

0:17:11.600 --> 0:17:15.520
<v Speaker 3>sitting there, feeling sorry for myself, I witnessed something quite

0:17:15.600 --> 0:17:19.320
<v Speaker 3>strange in my border. I'd flicked on the television, which

0:17:19.440 --> 0:17:22.600
<v Speaker 3>was showing a football match, but at some point, without

0:17:22.640 --> 0:17:27.880
<v Speaker 3>me noticing, everyone had stopped playing. No one was running

0:17:28.000 --> 0:17:31.320
<v Speaker 3>or kicking, no line up for a penalty, and they

0:17:31.359 --> 0:17:34.520
<v Speaker 3>weren't leaving the pitch either. They were just standing there,

0:17:34.960 --> 0:17:38.679
<v Speaker 3>all of them, stock still on the green. The crowd

0:17:38.720 --> 0:17:43.000
<v Speaker 3>in the stands had fallen silent, and one by one

0:17:43.040 --> 0:17:46.600
<v Speaker 3>all of the players began looking up up into the

0:17:46.720 --> 0:17:51.320
<v Speaker 3>sky at what. I had no idea. I suppose at

0:17:51.359 --> 0:17:56.040
<v Speaker 3>the camera hovering over the pitch, because our eyes met.

0:17:57.000 --> 0:18:00.280
<v Speaker 3>I was looking at them, and they were looking to me.

0:18:01.600 --> 0:18:05.440
<v Speaker 3>No one moved. For what seemed like ages, they gazed

0:18:05.520 --> 0:18:09.159
<v Speaker 3>into my eyes. I said to myself, now that is

0:18:09.320 --> 0:18:13.399
<v Speaker 3>rather odd. Then one of the football announcers answered me.

0:18:13.480 --> 0:18:19.280
<v Speaker 3>He said, scarcely ever happens. And I said, what makes

0:18:19.359 --> 0:18:22.320
<v Speaker 3>them do that? And the man at the microphone said,

0:18:22.960 --> 0:18:27.119
<v Speaker 3>they're showing respect for the arrival of an important guest.

0:18:28.560 --> 0:18:32.600
<v Speaker 3>I said, well, I suppose I'm flattered, and he said,

0:18:32.880 --> 0:18:39.000
<v Speaker 3>I'm not talking about you. The hare stood up on

0:18:39.040 --> 0:18:41.919
<v Speaker 3>the back of my neck. I felt jets of cold

0:18:42.000 --> 0:18:45.800
<v Speaker 3>water rushing over my bones. I swirled round to look

0:18:45.880 --> 0:18:50.440
<v Speaker 3>behind me, but saw nothing except the blank wall. However,

0:18:50.600 --> 0:18:54.679
<v Speaker 3>I knew there was someone in the house with me.

0:18:56.000 --> 0:18:59.600
<v Speaker 3>I didn't know who it was. I said, I'm afraid,

0:19:01.200 --> 0:19:04.640
<v Speaker 3>but the announcer wouldn't reply again. The football players all

0:19:04.640 --> 0:19:07.919
<v Speaker 3>stood there, looking right at me, not smiling, saying nothing,

0:19:08.200 --> 0:19:14.480
<v Speaker 3>just watching what I was going to do. Suddenly, they

0:19:14.600 --> 0:19:18.119
<v Speaker 3>all raised their arms and pointed upward to the sky.

0:19:21.000 --> 0:19:24.479
<v Speaker 3>Without warning, the telly switched off. Then all the lights

0:19:24.520 --> 0:19:28.639
<v Speaker 3>began to grow dim. The lamp bulbs faded to gray,

0:19:28.960 --> 0:19:32.119
<v Speaker 3>and even the flames on my half dozen candles shrunk

0:19:32.200 --> 0:19:38.200
<v Speaker 3>down to mruborn pinpricks of light. I stood and they

0:19:38.240 --> 0:19:42.040
<v Speaker 3>all snuffed out completely. The only light left was what

0:19:42.119 --> 0:19:47.240
<v Speaker 3>I could see up the staircase from the second story.

0:19:47.400 --> 0:19:50.920
<v Speaker 3>It was as if the tide of darkness were rising

0:19:51.000 --> 0:19:58.520
<v Speaker 3>through the house. In that darkness, there were things. I

0:19:58.560 --> 0:20:02.200
<v Speaker 3>could hear them, soft squeaks and shuffling on the wood

0:20:02.240 --> 0:20:05.600
<v Speaker 3>of the floor, like little infants crawling towards me to play,

0:20:05.720 --> 0:20:12.440
<v Speaker 3>But without laughter or even breath, I lunged for the

0:20:12.520 --> 0:20:15.160
<v Speaker 3>staircase and climbed it into the safety of the light.

0:20:15.560 --> 0:20:17.920
<v Speaker 3>But no sooner had I come into the upper hall

0:20:18.160 --> 0:20:22.119
<v Speaker 3>than the lamps there began to fade as well. The

0:20:22.200 --> 0:20:26.040
<v Speaker 3>dark flood was rising evermore, driving me up and up.

0:20:26.880 --> 0:20:29.640
<v Speaker 3>I heard the crawling of the creatures. Now upon the stairs,

0:20:30.359 --> 0:20:33.639
<v Speaker 3>How could I go any higher? Then I looked to

0:20:33.760 --> 0:20:37.200
<v Speaker 3>the ceiling and saw, yes, in the little crack around

0:20:37.200 --> 0:20:38.919
<v Speaker 3>the door to the loft, there was a glow of

0:20:39.040 --> 0:20:43.480
<v Speaker 3>yellow light. I snatched the chain, leave it down the door,

0:20:43.680 --> 0:20:46.080
<v Speaker 3>and scurried off the ladder as fast as I could.

0:20:54.160 --> 0:20:56.440
<v Speaker 3>The loft was lit with a single yellow light bulb.

0:20:57.160 --> 0:21:01.320
<v Speaker 3>The shadows were throbbing, and there in the just within

0:21:01.440 --> 0:21:06.520
<v Speaker 3>reach of the light, there it was the stack of

0:21:06.720 --> 0:21:12.359
<v Speaker 3>things from Daddy's office. I tore open the boxes and

0:21:12.400 --> 0:21:16.359
<v Speaker 3>began paging moniately through the papers inside. These were not

0:21:16.440 --> 0:21:19.400
<v Speaker 3>my father's books, which were now part of my own library,

0:21:19.560 --> 0:21:23.600
<v Speaker 3>but his notes and his diaries. I blazed through the pages,

0:21:23.640 --> 0:21:26.000
<v Speaker 3>searching for something that would make sense of it all.

0:21:26.480 --> 0:21:29.199
<v Speaker 3>I said out loud, what is it you want to

0:21:29.280 --> 0:21:36.640
<v Speaker 3>show me? And Then a voice, speaking from a darkened

0:21:36.680 --> 0:21:46.719
<v Speaker 3>corner of the loft whispered, what shood dear. At that moment,

0:21:47.119 --> 0:21:49.919
<v Speaker 3>the tattered notebook in my hand fell open to a

0:21:50.000 --> 0:21:53.119
<v Speaker 3>page where my father had made a long diary entry

0:21:53.480 --> 0:21:57.280
<v Speaker 3>about plans for one of his meditations, a mountain hike

0:21:57.440 --> 0:22:02.200
<v Speaker 3>at Ben Lower's. He noted his transportation, his packing list,

0:22:02.320 --> 0:22:04.919
<v Speaker 3>the books he would take with him, et cetera, et cetera.

0:22:06.280 --> 0:22:09.760
<v Speaker 3>But after his return from the mountain, the entry was

0:22:09.840 --> 0:22:14.400
<v Speaker 3>only two words, written with such force his pen had

0:22:14.560 --> 0:22:25.760
<v Speaker 3>cut through the page. It said most ancient. After this,

0:22:25.920 --> 0:22:29.119
<v Speaker 3>I have very little memory of that night. I know

0:22:29.280 --> 0:22:32.119
<v Speaker 3>there was something else. The man in my house told

0:22:32.160 --> 0:22:36.960
<v Speaker 3>me something important, but I couldn't recall beyond that, only

0:22:37.000 --> 0:22:40.800
<v Speaker 3>faint sensations of fibers, like soft hair brushing against my

0:22:40.960 --> 0:23:27.760
<v Speaker 3>skin and hearing a melody ah. When I woke the

0:23:27.800 --> 0:23:30.960
<v Speaker 3>next morning, I was in a rather strange position, blank

0:23:31.000 --> 0:23:33.520
<v Speaker 3>curled on the floor of my son's bedroom, with a

0:23:33.720 --> 0:23:36.639
<v Speaker 3>vague sense of discomfort in my mouth and a taste

0:23:36.640 --> 0:23:41.239
<v Speaker 3>of salt on my tongue. When I went to wash up,

0:23:41.320 --> 0:23:43.680
<v Speaker 3>I discovered the source of the taste in my mouth,

0:23:44.080 --> 0:23:47.000
<v Speaker 3>which was an unexpected gap in the molars on the

0:23:47.000 --> 0:23:50.359
<v Speaker 3>lower left side of my jaw. I searched around the

0:23:50.359 --> 0:23:54.159
<v Speaker 3>house for the missing tooth to no avail, but no

0:23:54.240 --> 0:23:57.320
<v Speaker 3>sense wailing about a lost tooth. Here and there. I

0:23:57.520 --> 0:24:01.840
<v Speaker 3>was exhilarated about what had been revealed to me, the

0:24:02.480 --> 0:24:08.440
<v Speaker 3>most Ancient. I tried to call Raymond on the telephone

0:24:08.440 --> 0:24:12.520
<v Speaker 3>that very morning. Could it be that most Ancient was

0:24:12.520 --> 0:24:16.920
<v Speaker 3>one of her true superlatives? Had I and Daddy before

0:24:16.960 --> 0:24:20.480
<v Speaker 3>me somehow discovered one of the objective properties of the

0:24:20.480 --> 0:24:25.479
<v Speaker 3>greatest conceivable being. It's hard to express how true and

0:24:25.640 --> 0:24:30.280
<v Speaker 3>how important this discovery felt. I was tingling all over,

0:24:32.080 --> 0:24:35.880
<v Speaker 3>but alas Raymond's telephone rang and rang and rang without answers,

0:24:35.920 --> 0:24:41.000
<v Speaker 3>so I couldn't share what I'd found. It was, I

0:24:41.000 --> 0:24:45.960
<v Speaker 3>think the loneliest I had ever been ah, but I

0:24:46.080 --> 0:24:49.359
<v Speaker 3>was ravenous to learn more. A few nights later, I

0:24:49.440 --> 0:24:52.680
<v Speaker 3>fabricated a story to feed my husband about an overnight

0:24:52.720 --> 0:24:56.720
<v Speaker 3>trip to visit relatives on my side. Instead, I set

0:24:56.720 --> 0:25:00.160
<v Speaker 3>out to have another meeting with the presents. This time,

0:25:00.280 --> 0:25:03.000
<v Speaker 3>I wanted to learn as much as I possibly could,

0:25:03.320 --> 0:25:06.879
<v Speaker 3>so I ignored Raymard's dosage instructions and took the rest

0:25:07.000 --> 0:25:14.159
<v Speaker 3>of what she had given me. In one go, I

0:25:14.240 --> 0:25:16.439
<v Speaker 3>had landed at the ruins of an abbey in the

0:25:16.440 --> 0:25:19.800
<v Speaker 3>East Country, thinking this setting would aid in perceiving the

0:25:19.880 --> 0:25:23.800
<v Speaker 3>qualities of Anselm's God. Of course, I had to do

0:25:23.840 --> 0:25:26.240
<v Speaker 3>a bit of fence jumping, since the grounds were closed

0:25:26.240 --> 0:25:30.080
<v Speaker 3>to tourists after sunset, but I didn't think much of it.

0:25:30.480 --> 0:25:32.760
<v Speaker 3>Little was left but a broken wall on the southern

0:25:32.840 --> 0:25:36.080
<v Speaker 3>face and a row of stone archways, all of it

0:25:36.119 --> 0:25:38.480
<v Speaker 3>now covered in moss so green it seemed to glow

0:25:38.480 --> 0:25:44.760
<v Speaker 3>in the dark. I took the powder and waited, writing

0:25:44.800 --> 0:25:47.240
<v Speaker 3>meanwhile in my journal, which I had brought along so

0:25:47.320 --> 0:25:52.879
<v Speaker 3>I could record my experience despite my previous encounter. It

0:25:52.920 --> 0:25:55.919
<v Speaker 3>took long enough that I began to wonder, if you

0:25:56.000 --> 0:25:57.800
<v Speaker 3>may laugh at me for this, But so be it.

0:25:58.480 --> 0:26:02.040
<v Speaker 3>I wondered if it had ever done anything in the

0:26:02.080 --> 0:26:05.200
<v Speaker 3>first place, and the source of my previous experience had

0:26:05.200 --> 0:26:08.600
<v Speaker 3>been nothing but my own mind, perhaps in the effort

0:26:08.680 --> 0:26:14.200
<v Speaker 3>of arriving at some form of madness. Oh but as

0:26:14.240 --> 0:26:17.679
<v Speaker 3>I put all this down to paper, I began to

0:26:17.720 --> 0:26:27.280
<v Speaker 3>hear voices singing a quiet melody that was unlike any

0:26:27.400 --> 0:26:30.919
<v Speaker 3>chance I'd ever heard before. I tried to sing along,

0:26:45.359 --> 0:26:53.480
<v Speaker 3>and then I was somewhere else. Entirely the abbey was gone.

0:26:54.320 --> 0:26:58.399
<v Speaker 3>I was floating up, as if clutching to a trail

0:26:58.520 --> 0:27:04.720
<v Speaker 3>of steam rising in the sky. But I wasn't simply

0:27:04.840 --> 0:27:11.239
<v Speaker 3>rising up. I was rising backwards, backwards in time. I

0:27:11.280 --> 0:27:15.960
<v Speaker 3>saw the earth below my feet, with civilization retreating, every

0:27:16.040 --> 0:27:19.320
<v Speaker 3>road fading to grass, and then grass fading to stone,

0:27:19.359 --> 0:27:22.480
<v Speaker 3>and then stone to icy waters, and then icy waters

0:27:22.520 --> 0:27:28.680
<v Speaker 3>to entrails of flame, a landscape of illimitable, writhing worms

0:27:28.720 --> 0:27:35.520
<v Speaker 3>made of molten rock. The earth glowed like a forge,

0:27:35.760 --> 0:27:42.720
<v Speaker 3>and I was silent. And then he was there with me,

0:27:43.840 --> 0:27:48.320
<v Speaker 3>the presence from the shadows in my loft, the one

0:27:48.320 --> 0:27:52.080
<v Speaker 3>who would show me the way. I asked him, Are

0:27:52.119 --> 0:27:55.920
<v Speaker 3>you going to welcome me into the mansion of God?

0:27:56.640 --> 0:28:07.159
<v Speaker 3>The voice said, The sterile earth burned below us. I

0:28:07.240 --> 0:28:14.439
<v Speaker 3>asked what we were looking at? He said rest. I

0:28:14.480 --> 0:28:18.159
<v Speaker 3>gathered my wits and remembered why I had come. I

0:28:18.240 --> 0:28:22.720
<v Speaker 3>asked him of the ontological argument. I asked him what

0:28:22.920 --> 0:28:25.840
<v Speaker 3>it was I had understood the night in my father's

0:28:25.840 --> 0:28:31.200
<v Speaker 3>study that I could no longer see now, And damn

0:28:31.200 --> 0:28:33.360
<v Speaker 3>it to hill as I tell it, I can't explain

0:28:33.440 --> 0:28:36.639
<v Speaker 3>precisely what he said. He did whisper something to me

0:28:37.160 --> 0:28:40.720
<v Speaker 3>from just behind my ears, so that I could feel

0:28:40.720 --> 0:28:47.440
<v Speaker 3>his breadth through my hair, something so so not words,

0:28:47.480 --> 0:28:52.280
<v Speaker 3>more like a melody, a melody that somehow in itself

0:28:52.400 --> 0:28:56.160
<v Speaker 3>carried a logic. And I knew. I knew in some

0:28:56.520 --> 0:29:01.200
<v Speaker 3>sense it contained a hidden premise that made the ontological

0:29:01.400 --> 0:29:06.760
<v Speaker 3>argument irrefuteable. I could almost put it into words. It

0:29:06.840 --> 0:29:10.240
<v Speaker 3>was right behind the veil in the back of my mind.

0:29:10.840 --> 0:29:13.160
<v Speaker 3>How I failed around for my notebook so I would

0:29:13.160 --> 0:29:15.040
<v Speaker 3>be ready to write it down as soon as I

0:29:15.080 --> 0:29:18.520
<v Speaker 3>worked it out. But then then below, as the earth

0:29:18.560 --> 0:29:23.000
<v Speaker 3>opened its mouth a chasm of unimaginable heat and darkness,

0:29:24.240 --> 0:29:38.480
<v Speaker 3>I asked, Must I go in there? He whispered. A

0:29:38.640 --> 0:29:42.760
<v Speaker 3>change came over me, the beginning of an unfolding of

0:29:42.840 --> 0:29:49.280
<v Speaker 3>sensation into impossible dimensions of strangeness and understanding and pain,

0:29:49.880 --> 0:29:57.640
<v Speaker 3>thought without meaning, sight without light. There was an infinite more,

0:29:57.760 --> 0:30:05.400
<v Speaker 3>but I could not remember it. I came to the

0:30:05.440 --> 0:30:09.360
<v Speaker 3>next morning with a policeman gruptly shaking me awake. Had

0:30:09.400 --> 0:30:11.160
<v Speaker 3>slept in the grass at the crest of the hill,

0:30:11.280 --> 0:30:14.240
<v Speaker 3>somewhere beyond the abbey. I dealt with the policeman quickly

0:30:14.240 --> 0:30:19.640
<v Speaker 3>as I could, and darted off to my car leave me.

0:30:19.680 --> 0:30:24.400
<v Speaker 3>Through the pages of my journal, I'd left several indecipherable illustrations,

0:30:24.800 --> 0:30:27.480
<v Speaker 3>along with scribbled notes from the part of the night

0:30:27.680 --> 0:30:32.840
<v Speaker 3>I could not recall. One note said the terrible Angel

0:30:33.440 --> 0:30:38.640
<v Speaker 3>the Majordomo. Another said the bread of God. It is

0:30:38.800 --> 0:30:44.920
<v Speaker 3>of God, but it is not bread. And finally, at

0:30:44.920 --> 0:30:47.680
<v Speaker 3>the end of my notes I had written with such

0:30:47.840 --> 0:30:53.680
<v Speaker 3>force that my pen tore through the pages most secret.

0:30:55.440 --> 0:30:58.719
<v Speaker 3>Upon reading this, my heart raised, Could this be another

0:30:58.800 --> 0:31:04.200
<v Speaker 3>of the true superlityis of the greatest conceivable being? It

0:31:04.280 --> 0:31:07.440
<v Speaker 3>must be, Though it made less sense than the last.

0:31:08.120 --> 0:31:11.320
<v Speaker 3>It was hard to reconcile the evangelical message of Christ

0:31:11.600 --> 0:31:15.160
<v Speaker 3>with the idea that God's greatness could be a secret.

0:31:15.960 --> 0:31:19.560
<v Speaker 3>But nevertheless I knew this insight had to be correct.

0:31:20.560 --> 0:31:24.360
<v Speaker 3>I would make sense of it somehow next time I

0:31:24.400 --> 0:31:31.320
<v Speaker 3>would understand. In this excitement, I knew immediately I had

0:31:31.320 --> 0:31:34.760
<v Speaker 3>to get more of the powder. I called and called

0:31:34.760 --> 0:31:38.760
<v Speaker 3>for Professor Raymond dozens of times, but you never answered

0:31:38.760 --> 0:31:42.760
<v Speaker 3>the telephone. Eventually, I became so desperate I booked a

0:31:42.760 --> 0:31:47.640
<v Speaker 3>plane ticket and made my way to her university. After

0:31:47.680 --> 0:31:50.480
<v Speaker 3>a bit of asking around, I came to the correct building.

0:31:53.560 --> 0:31:57.400
<v Speaker 3>I found her office locked, with parcels overflowing her mailbox.

0:31:58.120 --> 0:32:00.000
<v Speaker 3>So I went to the office next door, where I

0:32:00.080 --> 0:32:03.240
<v Speaker 3>met a small, timid looking man, framed with a bald

0:32:03.320 --> 0:32:06.800
<v Speaker 3>head and neatly trimmed beard. He was friendly at first,

0:32:07.160 --> 0:32:09.800
<v Speaker 3>asked if I needed help. I told him I was

0:32:09.800 --> 0:32:12.760
<v Speaker 3>looking for Raymond. He said that she'd recently gone on

0:32:12.800 --> 0:32:15.480
<v Speaker 3>sabbatical and he didn't know when she would be back.

0:32:16.040 --> 0:32:19.200
<v Speaker 3>He asked who I was. I said I was a

0:32:19.600 --> 0:32:23.960
<v Speaker 3>research partner, and that we were considering authoring a book

0:32:24.120 --> 0:32:28.680
<v Speaker 3>chapter together. The little man frowned. My deception must have

0:32:28.720 --> 0:32:32.520
<v Speaker 3>been rather obvious and really not good at lying. He

0:32:32.600 --> 0:32:35.560
<v Speaker 3>asked what we were writing about, and in a panic

0:32:35.680 --> 0:32:39.479
<v Speaker 3>for what to say, I blurted out a compound, A

0:32:39.520 --> 0:32:45.920
<v Speaker 3>compound called seven metal I ownamine. He stiffened, rose from

0:32:45.960 --> 0:32:48.640
<v Speaker 3>his chair and took a step backward, as if suddenly

0:32:48.680 --> 0:32:52.200
<v Speaker 3>afraid of me. He looked me up and down. His

0:32:52.320 --> 0:32:57.080
<v Speaker 3>voice became very quiet. You're not one of them, he said,

0:32:58.200 --> 0:33:02.480
<v Speaker 3>Did they send you? I asked who he meant? With

0:33:02.640 --> 0:33:07.920
<v Speaker 3>evident terror, he whispered foss. I said I didn't know

0:33:08.000 --> 0:33:11.000
<v Speaker 3>what he was talking about, but that I had been

0:33:11.440 --> 0:33:14.320
<v Speaker 3>given to some of the compound by raymart and I

0:33:14.400 --> 0:33:17.720
<v Speaker 3>needed more. Could he get it for me? He said

0:33:17.760 --> 0:33:20.840
<v Speaker 3>no and told me to go away. I explained I

0:33:20.960 --> 0:33:24.000
<v Speaker 3>was desperate. I told him I would pay anything for it.

0:33:24.520 --> 0:33:27.959
<v Speaker 3>He began shouting, shouting for me to leave his office

0:33:27.960 --> 0:33:34.200
<v Speaker 3>and never come back. Not knowing what to do, I

0:33:34.240 --> 0:33:36.800
<v Speaker 3>hid in a laboratory stall down the hall until later

0:33:36.880 --> 0:33:39.240
<v Speaker 3>that night, when every one had left and the building

0:33:39.320 --> 0:33:46.160
<v Speaker 3>was locked up. With a bit of a jimmy, I

0:33:46.240 --> 0:33:53.920
<v Speaker 3>broke into Raymard's laboratory and began looking around. I ransacked

0:33:53.920 --> 0:33:57.360
<v Speaker 3>the cupboards and the sample drawers and the file cabinets. Nothing.

0:33:57.880 --> 0:34:04.920
<v Speaker 3>There was no powder anywhere. But then something caught my attention.

0:34:06.280 --> 0:34:09.480
<v Speaker 3>A large photograph lying in the heap among all the

0:34:09.520 --> 0:34:13.080
<v Speaker 3>papers from the file cabinets, A photograph of a rock

0:34:13.480 --> 0:34:19.080
<v Speaker 3>covered in splotches of gray, green, and yellow. I knelt

0:34:19.080 --> 0:34:23.080
<v Speaker 3>and picked up the picture. It was a patch of lichen.

0:34:24.239 --> 0:34:27.239
<v Speaker 3>The photo was dated from several years before, and it

0:34:27.320 --> 0:34:32.560
<v Speaker 3>was labeled source of sample north face of khn Iron.

0:34:35.840 --> 0:34:39.640
<v Speaker 3>I felt something grip inside my gut. I'd heard that

0:34:39.800 --> 0:34:44.160
<v Speaker 3>name before, long before. Khn Iron was the mountain of

0:34:44.239 --> 0:34:47.600
<v Speaker 3>Daddy's last meditation, where they found him at the top.

0:34:49.840 --> 0:34:52.799
<v Speaker 3>Without returning home, I booked another ticket and made my

0:34:52.880 --> 0:34:58.719
<v Speaker 3>way to Aberdeen. There I rented a car. I was delirious,

0:34:59.120 --> 0:35:01.400
<v Speaker 3>no telling how long I had gone without proper sleep.

0:35:04.920 --> 0:35:08.040
<v Speaker 3>I drove up a long, lonely road through the Highland

0:35:08.040 --> 0:35:14.279
<v Speaker 3>glen to the foot of cahn Aran. The peak of

0:35:14.320 --> 0:35:16.799
<v Speaker 3>the mountain was ringed with gray fog when it came

0:35:16.880 --> 0:35:20.120
<v Speaker 3>into view, and the rocks along the path were slick

0:35:20.160 --> 0:35:30.120
<v Speaker 3>from the morning's rain. I began to hike up the slope,

0:35:30.160 --> 0:35:33.399
<v Speaker 3>clutching the photograph of the Lichen. I made my way

0:35:33.480 --> 0:35:36.200
<v Speaker 3>up through the corner of the forest, then on a

0:35:36.200 --> 0:35:39.319
<v Speaker 3>steep incline over a ridge like the spine of a

0:35:39.400 --> 0:35:45.440
<v Speaker 3>great beast. I looked all around for the Lichen, venturing

0:35:45.480 --> 0:35:48.280
<v Speaker 3>far off the hiking trail, turning over rocks and checking

0:35:48.320 --> 0:35:53.040
<v Speaker 3>their undersides like a child collecting insects. And finally, at

0:35:53.160 --> 0:35:58.680
<v Speaker 3>long last, I found it on the upturned face of

0:35:58.760 --> 0:36:04.960
<v Speaker 3>a huge flat boulder. The lichen was a papery mass

0:36:04.960 --> 0:36:11.720
<v Speaker 3>of pale green and yellow substance that somehow looked almost delicious.

0:36:12.520 --> 0:36:17.120
<v Speaker 3>I assure you it was not. It was poisonously bitter,

0:36:17.480 --> 0:36:20.960
<v Speaker 3>with the texture of old rope. But I choked down

0:36:21.000 --> 0:36:23.879
<v Speaker 3>as much as I could. I managed quite a bit.

0:36:27.280 --> 0:36:31.440
<v Speaker 3>I waited and waited for what seemed like hours on end,

0:36:31.520 --> 0:36:35.520
<v Speaker 3>but I felt nothing save for an increasingly vicious stirring

0:36:35.560 --> 0:36:40.000
<v Speaker 3>of nausea. Eventually I had to be sick in the

0:36:40.040 --> 0:36:47.480
<v Speaker 3>weeds beside the boulder. Had I lost my mind? I

0:36:47.560 --> 0:36:50.200
<v Speaker 3>didn't even know if it would work this way? Did

0:36:50.320 --> 0:36:53.759
<v Speaker 3>Raymond have to do some sort of chemistry to isolate

0:36:53.840 --> 0:36:57.280
<v Speaker 3>something within the lichen? Was I even sure I'd found

0:36:57.320 --> 0:37:03.080
<v Speaker 3>the right organism? It was a miserable defeat. I sat

0:37:03.120 --> 0:37:06.640
<v Speaker 3>on the boulder, ill and exhausted, and sulked in self

0:37:06.680 --> 0:37:12.440
<v Speaker 3>pity as clouds gathered their gray bulk. Evermore overhead, the

0:37:12.480 --> 0:37:15.200
<v Speaker 3>sun went down, and the shadow of the mountain swept

0:37:15.200 --> 0:37:17.760
<v Speaker 3>over the valley to the east at a racing clip.

0:37:19.320 --> 0:37:23.399
<v Speaker 3>As I thought about it, I realized Daddy may well

0:37:23.480 --> 0:37:27.480
<v Speaker 3>have looked out over the same gloomy view his last

0:37:27.560 --> 0:37:31.200
<v Speaker 3>day on Earth. Did he sit on the same boulder

0:37:31.960 --> 0:37:35.279
<v Speaker 3>and rest half way up the mountain? Was he surrounded

0:37:35.320 --> 0:37:41.200
<v Speaker 3>by pale pink frogs just like these? Would he have

0:37:41.400 --> 0:37:45.480
<v Speaker 3>noticed the way their skin looked like rare veal, leaking

0:37:45.640 --> 0:37:49.479
<v Speaker 3>juices under the pressure of the carving fork. I tried

0:37:49.520 --> 0:37:52.680
<v Speaker 3>to ask the rosy froglets if they had any memory

0:37:52.680 --> 0:37:57.480
<v Speaker 3>of him, but they were not especially talkative. Instead, they

0:37:57.520 --> 0:38:00.360
<v Speaker 3>began to leave my side all at once, in a

0:38:00.360 --> 0:38:06.279
<v Speaker 3>frenzy up the mountain slope. How strange, I thought it

0:38:06.360 --> 0:38:09.680
<v Speaker 3>was almost as if they were fleeing in terror. So

0:38:09.800 --> 0:38:13.000
<v Speaker 3>I turned back to look down at the valley, and

0:38:13.120 --> 0:38:17.759
<v Speaker 3>I saw what it was, the water line of darkness.

0:38:18.680 --> 0:38:21.440
<v Speaker 3>I had felt just the edges of it in my

0:38:21.560 --> 0:38:25.480
<v Speaker 3>house a few nights before. Now I saw it complete

0:38:25.640 --> 0:38:29.520
<v Speaker 3>in its awful majesty, stretching as far as an ocean

0:38:29.520 --> 0:38:33.320
<v Speaker 3>would have. A mist of moonless blackness rose from the

0:38:33.400 --> 0:38:37.239
<v Speaker 3>valley and ascended the mountain side, And hidden in the

0:38:37.360 --> 0:38:44.839
<v Speaker 3>darkness came the things creatures of a chilling primeval innocence,

0:38:45.440 --> 0:38:50.600
<v Speaker 3>the silent Cambrian infants crawling on hands and knees. My

0:38:50.719 --> 0:38:53.279
<v Speaker 3>mind was seized with flashes of what could happen if

0:38:53.360 --> 0:38:56.600
<v Speaker 3>the little children overtook me. They did not laugh or

0:38:56.640 --> 0:39:02.000
<v Speaker 3>shout that they would play. My heart contracted with terror.

0:39:02.880 --> 0:39:05.400
<v Speaker 3>I scrambled from the boulder and ran as fast as

0:39:05.440 --> 0:39:10.000
<v Speaker 3>I could up the mountain path. Up above me were

0:39:10.000 --> 0:39:13.240
<v Speaker 3>the silhouettes of several men, whose skin seemed to glitter

0:39:13.320 --> 0:39:17.880
<v Speaker 3>with dull reflections in the gray light. When I came close,

0:39:18.280 --> 0:39:22.840
<v Speaker 3>I saw they were man shaped things, made not a flesh,

0:39:22.920 --> 0:39:27.200
<v Speaker 3>but of thousands of little metal objects, safety pins, batteries

0:39:27.200 --> 0:39:29.759
<v Speaker 3>and fish hawks, all held together by a sort of

0:39:30.480 --> 0:39:36.920
<v Speaker 3>animate magnetism. They were slow moving. They begged me for

0:39:37.000 --> 0:39:40.239
<v Speaker 3>help in their rattling language, but I couldn't stop. I

0:39:40.600 --> 0:39:44.520
<v Speaker 3>ran past and left them behind to be played with.

0:39:49.040 --> 0:39:52.080
<v Speaker 3>The path steepened, and I climbed with a ferocity of

0:39:52.120 --> 0:39:55.760
<v Speaker 3>which I wouldn't have thought myself capable. I was driven

0:39:55.800 --> 0:39:58.600
<v Speaker 3>now not only by the fear of what rose from below,

0:39:59.120 --> 0:40:02.320
<v Speaker 3>but by a del larious ecstasy of what lay above.

0:40:04.040 --> 0:40:07.960
<v Speaker 3>Stone shattered under my toes like globes of glass, and

0:40:08.000 --> 0:40:12.120
<v Speaker 3>the soil gave off the aroma of bread crust. The

0:40:12.160 --> 0:40:15.480
<v Speaker 3>boulders that lined the path bloomed with the sacred lichen

0:40:15.560 --> 0:40:20.880
<v Speaker 3>in shapes of naked bodies, humming with pleasure, and splitting

0:40:21.000 --> 0:40:24.400
<v Speaker 3>up masses of oysters and offal that fell at my

0:40:24.520 --> 0:40:29.360
<v Speaker 3>feet as I passed this. This was their way of

0:40:29.400 --> 0:40:35.920
<v Speaker 3>showing respect. Meanwhile, all around black habitat. Monks stood guard

0:40:36.200 --> 0:40:40.399
<v Speaker 3>underneath prisoners who were hoisted up to the sky upon

0:40:40.600 --> 0:40:47.480
<v Speaker 3>Catherine wheels, my namesake, I thought. The men and women

0:40:47.520 --> 0:40:52.600
<v Speaker 3>blashed on the wheels sang together. Yes, it was all

0:40:52.640 --> 0:40:56.759
<v Speaker 3>starting to make sense. I understood that the prisoners on

0:40:56.840 --> 0:41:00.480
<v Speaker 3>the wheels were not being punished. They were in the shines,

0:41:01.400 --> 0:41:05.279
<v Speaker 3>machines for generating a kind of power, like the turbines

0:41:05.320 --> 0:41:11.640
<v Speaker 3>in a down. The monks standing guard under the wheels

0:41:11.640 --> 0:41:14.520
<v Speaker 3>of torture all raised their arms when they saw me,

0:41:15.000 --> 0:41:19.799
<v Speaker 3>all pointing in the same direction to the top, just

0:41:20.080 --> 0:41:24.880
<v Speaker 3>over the last ridge of rock. As I climbed above,

0:41:25.040 --> 0:41:36.960
<v Speaker 3>finally I felt him, the presence the Major DOMO. He

0:41:37.040 --> 0:41:42.200
<v Speaker 3>was looming just behind me, breathing on my neck. But

0:41:42.320 --> 0:41:45.160
<v Speaker 3>I knew it would be terribly bad manners to turn

0:41:45.160 --> 0:41:52.719
<v Speaker 3>and look. Without a word, he guided me through the

0:41:52.760 --> 0:41:56.160
<v Speaker 3>fog until the jagged rocks of the peak gave way

0:41:56.280 --> 0:42:01.080
<v Speaker 3>to a smooth, paved pathway of flagstones and mortar, surrounded

0:42:01.120 --> 0:42:05.920
<v Speaker 3>by crisp green hedges on either side. It was a

0:42:06.000 --> 0:42:11.120
<v Speaker 3>secret garden path leading me to a mansion with its

0:42:11.200 --> 0:42:17.520
<v Speaker 3>windows bleeding yellow light. My voice trembling, I asked the

0:42:17.560 --> 0:42:24.240
<v Speaker 3>Major d'ama, Will you ah take me inside? The Major

0:42:24.320 --> 0:42:33.160
<v Speaker 3>d'omo whispered, perhaps, but not yet. I understood there was

0:42:33.160 --> 0:42:36.439
<v Speaker 3>something I had to do first. I had to meet

0:42:36.440 --> 0:42:42.640
<v Speaker 3>some one. There was a lanky human shadow on the

0:42:42.680 --> 0:42:45.640
<v Speaker 3>path just ahead. When I saw the figure, my heart

0:42:45.719 --> 0:42:51.040
<v Speaker 3>leapt into my throat. I thought, Daddy. But as I

0:42:51.120 --> 0:42:54.040
<v Speaker 3>ran to meet him, with tears gathering in my eyes,

0:42:54.719 --> 0:42:57.560
<v Speaker 3>the shape that came into focus was all wrong. It

0:42:58.040 --> 0:43:04.480
<v Speaker 3>was not my father. It was Raymard, standing athwart the path,

0:43:04.880 --> 0:43:09.160
<v Speaker 3>wearing a cheshire cat grin. I asked her what she

0:43:09.360 --> 0:43:15.359
<v Speaker 3>was doing here, and she leaned in to embrace me, whispering, Catherine,

0:43:15.640 --> 0:43:19.760
<v Speaker 3>I have the most wonderful news. I have been given

0:43:19.800 --> 0:43:25.120
<v Speaker 3>a research grant by God Almighty, and you are to

0:43:25.160 --> 0:43:30.840
<v Speaker 3>be my assistant. I was flummoxed to say the least.

0:43:31.280 --> 0:43:35.160
<v Speaker 3>I said, but his house is right there. Can't I

0:43:35.360 --> 0:43:39.600
<v Speaker 3>go inside and learn what he is like? Raymard said,

0:43:40.360 --> 0:43:44.960
<v Speaker 3>you will, but you're not ready yet. First you must

0:43:45.080 --> 0:43:55.640
<v Speaker 3>learn the secret, the oldest secret. She then stepped back

0:43:56.440 --> 0:44:04.360
<v Speaker 3>and unbuttoned her glass, and her skin was not skin,

0:44:05.520 --> 0:44:12.120
<v Speaker 3>but a sort of plate thronged with legs. Hundreds thousands

0:44:12.160 --> 0:44:18.080
<v Speaker 3>of dancing, undulating articulated legs like the underside of a

0:44:18.160 --> 0:44:23.560
<v Speaker 3>horseshoe crab. A tear of blue blood leaped from the

0:44:23.600 --> 0:44:27.280
<v Speaker 3>corner of her eye. She came in close to embrace

0:44:27.320 --> 0:44:30.440
<v Speaker 3>me again. In horror, I tried my best to recoil,

0:44:30.800 --> 0:44:34.160
<v Speaker 3>but now the major Domo stood behind to hold me

0:44:34.239 --> 0:44:40.200
<v Speaker 3>in place. Raymond's breath smelled like copper. The legs wriggled

0:44:40.200 --> 0:44:45.200
<v Speaker 3>and flexed, close enough to tickle my stomach. I screamed, no, no,

0:44:45.440 --> 0:44:51.400
<v Speaker 3>this is not what I wanted. Raymond leaned to my

0:44:51.520 --> 0:44:53.160
<v Speaker 3>ear and said.

0:44:55.680 --> 0:44:58.560
<v Speaker 2>Hard, let us be here.

0:44:59.200 --> 0:45:14.320
<v Speaker 3>Instr my memory stops there. I woke the next morning,

0:45:14.400 --> 0:45:17.240
<v Speaker 3>lying on the cold rocks of the mountain top, parched

0:45:17.560 --> 0:45:20.200
<v Speaker 3>stiff as a plank. There was a man dressed in

0:45:20.239 --> 0:45:25.080
<v Speaker 3>a black habit, kneeling beside me, touching my arm. He said, good, Heavens,

0:45:25.120 --> 0:45:29.160
<v Speaker 3>are you all right? He must have seen me looking

0:45:29.200 --> 0:45:33.040
<v Speaker 3>at his clothes, and answered, without my asking, I'm one

0:45:33.080 --> 0:45:36.040
<v Speaker 3>of the brothers of the monastery here at carm Aron.

0:45:36.840 --> 0:45:39.680
<v Speaker 3>You look like you've taken a fall. Would you like

0:45:39.800 --> 0:45:43.160
<v Speaker 3>me to get some help? I told him not to bother,

0:45:44.040 --> 0:45:46.440
<v Speaker 3>and I rose to go on my way, limping on

0:45:46.480 --> 0:45:49.640
<v Speaker 3>a leg I had injured somehow in the night. But

0:45:49.719 --> 0:45:53.840
<v Speaker 3>as I was walking away, he said, were you invited in?

0:45:56.360 --> 0:46:02.200
<v Speaker 3>I stopped. I asked in where? He said, beyond the

0:46:02.320 --> 0:46:08.080
<v Speaker 3>secret garden, into his house. I rushed back to the

0:46:08.120 --> 0:46:11.400
<v Speaker 3>monk's side. What do you know about it? I asked.

0:46:12.320 --> 0:46:16.960
<v Speaker 3>The monk smiled. He said, are you seeking to believe

0:46:17.320 --> 0:46:21.880
<v Speaker 3>in order that you may understand? Or seeking to understand

0:46:22.160 --> 0:46:27.120
<v Speaker 3>in order that you may believe? I felt a hopeless

0:46:27.120 --> 0:46:31.319
<v Speaker 3>despair come over me. I didn't know. In truth, I

0:46:31.400 --> 0:46:33.319
<v Speaker 3>feared I'd lost track of what it was I was

0:46:33.320 --> 0:46:35.239
<v Speaker 3>trying to prove and whom I was trying to prove

0:46:35.280 --> 0:46:39.440
<v Speaker 3>it too. But I was in his presence, I said,

0:46:40.040 --> 0:46:45.319
<v Speaker 3>nearly in his mansion, I see, said the monk, the

0:46:45.360 --> 0:46:50.520
<v Speaker 3>greatest conceivable being, I said. He smiled placidly, as if

0:46:50.520 --> 0:46:53.759
<v Speaker 3>to humor me, the god who called out to Abraham,

0:46:54.080 --> 0:47:00.200
<v Speaker 3>I said. But then the monk's expression changed. He looked, amuteoos,

0:47:01.000 --> 0:47:06.120
<v Speaker 3>oh him, you think down here on this bleak mountain

0:47:06.200 --> 0:47:09.959
<v Speaker 3>top with us. I didn't know what to make of that.

0:47:10.480 --> 0:47:13.520
<v Speaker 3>The monk said to me, if there were two beings,

0:47:13.840 --> 0:47:18.840
<v Speaker 3>both infinitely beyond your understanding, and both claimed to be

0:47:18.960 --> 0:47:25.000
<v Speaker 3>the greatest? How would you tell them apart? I had

0:47:25.000 --> 0:47:29.520
<v Speaker 3>no answer. I asked, will I ever understand what he is?

0:47:30.560 --> 0:47:34.440
<v Speaker 3>The monk said, well, now, if you wish to be

0:47:34.560 --> 0:47:38.960
<v Speaker 3>welcomed into his manner and taste of his bread, I

0:47:39.040 --> 0:47:44.479
<v Speaker 3>suggest you make yourself a courteous house guest. I said,

0:47:44.880 --> 0:47:49.319
<v Speaker 3>how would one do that? He said, for one thing,

0:47:49.960 --> 0:47:54.239
<v Speaker 3>when a courteous house guest comes to visit, she always

0:47:54.360 --> 0:47:58.080
<v Speaker 3>brings a gift. I asked, well, what should she bring?

0:48:00.000 --> 0:48:02.560
<v Speaker 3>I laid a gentle hand on my shoulder and said,

0:48:03.239 --> 0:48:14.160
<v Speaker 3>what is most precious? Looking back, I realized the sheer

0:48:14.239 --> 0:48:17.799
<v Speaker 3>hubris of my initial endeavor. Though I find myself in

0:48:17.840 --> 0:48:22.600
<v Speaker 3>good company with the likes of Daddy and Saint Anselm himself,

0:48:23.640 --> 0:48:26.719
<v Speaker 3>I know now that the mysteries of totality are too

0:48:26.800 --> 0:48:30.800
<v Speaker 3>much for one mind alone, and with alacrity I settled

0:48:30.800 --> 0:48:34.400
<v Speaker 3>for just a glimpse. So I turned myself over to

0:48:34.440 --> 0:48:38.720
<v Speaker 3>Doctor Raymard's care, in which I have been ever since.

0:48:42.040 --> 0:48:46.840
<v Speaker 3>Ever said, what do you mean? Will call me a

0:48:46.920 --> 0:48:50.400
<v Speaker 3>test case? An experiment in the long term effects of

0:48:50.520 --> 0:48:54.799
<v Speaker 3>seven metal ie on mine on human consciousness? How can

0:48:54.800 --> 0:48:59.560
<v Speaker 3>you big if you like but one of many and

0:49:00.080 --> 0:49:04.560
<v Speaker 3>the labrat likes to have company in her cage.

0:49:07.280 --> 0:49:10.839
<v Speaker 6>You're saying, you're saying they drugged me too.

0:49:12.160 --> 0:49:16.440
<v Speaker 3>Oh I mview you know, experiencing it all for the

0:49:16.520 --> 0:49:23.520
<v Speaker 3>first time. No, no, help, give me out, you need

0:49:24.080 --> 0:49:32.200
<v Speaker 3>let out? You mean cat? No you say, let me

0:49:32.280 --> 0:49:35.720
<v Speaker 3>have her heart rate spike crack on the rejection.

0:49:35.920 --> 0:49:37.360
<v Speaker 2>All of you will get away from me.

0:49:37.719 --> 0:49:38.359
<v Speaker 1>What's the course?

0:49:38.400 --> 0:49:41.080
<v Speaker 3>Gave me alone? It's a tranquilizer with one more dos

0:49:41.480 --> 0:49:44.400
<v Speaker 3>seven stop stops.

0:49:45.280 --> 0:49:59.360
<v Speaker 5>No you see look here not seeing me?

0:49:59.680 --> 0:49:59.920
<v Speaker 6>Was it?

0:50:00.200 --> 0:50:01.480
<v Speaker 3>Where are you taking me?

0:50:06.239 --> 0:50:07.240
<v Speaker 2>Where is this saying?

0:50:08.920 --> 0:50:09.640
<v Speaker 5>Was on the ground?

0:50:09.880 --> 0:50:10.720
<v Speaker 3>How much you listen?

0:50:13.160 --> 0:50:14.480
<v Speaker 2>Why are you carrying me?

0:50:15.800 --> 0:50:19.080
<v Speaker 3>Because you wouldn't walk?

0:50:19.920 --> 0:50:21.840
<v Speaker 2>Where are my shoes?

0:50:22.040 --> 0:50:23.040
<v Speaker 5>Would you t.

0:50:25.040 --> 0:50:25.200
<v Speaker 1>There?

0:50:25.239 --> 0:50:25.680
<v Speaker 6>You go.

0:50:33.480 --> 0:50:33.880
<v Speaker 3>Go to?

0:50:34.040 --> 0:50:34.719
<v Speaker 6>What the like?

0:50:40.160 --> 0:50:46.120
<v Speaker 3>Mm hmm? Well look who's back?

0:50:47.440 --> 0:50:47.800
<v Speaker 6>Frip.

0:50:48.120 --> 0:50:52.560
<v Speaker 3>I wasn't sure you were still with us? Frip. I

0:50:52.560 --> 0:50:53.680
<v Speaker 3>I sorry.

0:50:55.760 --> 0:50:57.720
<v Speaker 2>Everything is so overwhelming.

0:50:58.800 --> 0:51:05.160
<v Speaker 3>What happened to you? The door? I'm the dungeon.

0:51:06.520 --> 0:51:07.400
<v Speaker 6>And the doctor.

0:51:09.480 --> 0:51:12.879
<v Speaker 3>Did you put you on a new course of treatment? Yes,

0:51:14.760 --> 0:51:18.640
<v Speaker 3>and I am. I don't know if I can take it?

0:51:19.200 --> 0:51:24.200
<v Speaker 3>You can, it will run its course. How How do

0:51:24.280 --> 0:51:25.680
<v Speaker 3>I just relax?

0:51:26.680 --> 0:51:28.640
<v Speaker 2>Okay, lay down on the bed.

0:51:29.160 --> 0:51:39.600
<v Speaker 3>Okay, okay, now, imagine you are in a river right

0:51:39.640 --> 0:51:43.719
<v Speaker 3>in the middle where the current is strongest. You guess

0:51:43.760 --> 0:51:44.560
<v Speaker 3>whom against it?

0:51:45.560 --> 0:51:45.680
<v Speaker 6>Uh?

0:51:46.120 --> 0:51:47.400
<v Speaker 3>You can't fight back?

0:51:48.360 --> 0:51:51.880
<v Speaker 5>Nope, I can't, but you can.

0:51:51.760 --> 0:51:58.640
<v Speaker 3>Float Okay, don't fight it. Okay, let the current move you. Okay,

0:51:59.239 --> 0:51:59.799
<v Speaker 3>float down?

0:52:00.600 --> 0:52:06.560
<v Speaker 6>Okay, okay, Hey, frip myself.

0:52:06.680 --> 0:52:10.680
<v Speaker 3>They didn't, They didn't give it away. Who would they

0:52:10.680 --> 0:52:11.279
<v Speaker 3>have given it to?

0:52:12.680 --> 0:52:13.040
<v Speaker 6>Frip?

0:52:14.360 --> 0:52:17.319
<v Speaker 3>Have you seen anyone walk in the halls at night?

0:52:18.520 --> 0:52:22.840
<v Speaker 3>You mean, besides the guards, the barefoot woman? Have you

0:52:22.880 --> 0:52:29.640
<v Speaker 3>heard her singing? Quiet? Now? Okay, just flew okay down?

0:52:31.040 --> 0:52:31.440
<v Speaker 6>Thank you?

0:52:31.560 --> 0:52:38.440
<v Speaker 3>Frip Frip, frip.

0:52:40.280 --> 0:52:40.720
<v Speaker 6>Frip.

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<v Speaker 3>Oh YEA.

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<v Speaker 1>Thirteen Days of Halloween pennance starring Natalie Morales, Episode four

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<v Speaker 1>Evaluation written by Joe McCormick, editing and sound design by

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<v Speaker 1>Chandler Mays, featuring the voices of Roz Gentel Blair, Chandler,

0:53:30.719 --> 0:53:35.759
<v Speaker 1>Alex Bowling, Jay Jones, Raphael Corkil, and Wilbur Fitzgerald, with

0:53:35.960 --> 0:53:41.400
<v Speaker 1>music by Noel Brown. Directed by Alexander Williams. Executive producers

0:53:41.440 --> 0:53:45.880
<v Speaker 1>Aaron Mankey, Noah Feinberg, Chris Dicky, Matt Frederick and Alexander

0:53:45.920 --> 0:53:51.400
<v Speaker 1>Williams Supervising producers Trevor Young and Josh Thain. Producers Jesse Funk,

0:53:51.560 --> 0:53:56.680
<v Speaker 1>Rima Ilkali, Noami Griffin, Chandler Mays, and Casby Bias. Script

0:53:56.840 --> 0:54:01.040
<v Speaker 1>editing by Lauren Vogelbaum, Story consultants Ben Bowley and Matthew Riddle.

0:54:01.400 --> 0:54:05.840
<v Speaker 1>Casting by Sunday Bowling CSA and Meg Mormon CSA. Production

0:54:05.960 --> 0:54:11.160
<v Speaker 1>coordinator Wayna Calderon. Production assistants Jenna Johnson and Winona Low.

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<v Speaker 1>Theme music by Rose Aserti with vocals by Anna Hummler,

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<v Speaker 1>recorded at This Is Sound Design Studios in Burbank, California.

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<v Speaker 1>Engineered by Ross aeronaut special thanks to Romelia Osorio, Nathan Rule,

0:54:25.600 --> 0:54:29.560
<v Speaker 1>Glen Nishida, and Rob Mosca. Thirteen Days of Halloween was

0:54:29.640 --> 0:54:33.040
<v Speaker 1>created by Matt Frederick and Alexander Williams and is a

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<v Speaker 1>production of iHeart Podcasts, Blumhouse Television, and Grim and Mild

0:54:37.120 --> 0:54:40.640
<v Speaker 1>from Aaron Makey. Learn more about the show at Grimandmild

0:54:40.800 --> 0:54:44.319
<v Speaker 1>dot com slash thirteen Days and find more podcasts from

0:54:44.360 --> 0:54:48.520
<v Speaker 1>iHeartRadio by visiting the iHeartRadio app, Apple Podcasts, or wherever

0:54:48.600 --> 0:54:51.640
<v Speaker 1>you listen to your favorite shows. Happy Halloween,