1 00:00:00,120 --> 00:00:02,200 Speaker 1: I got the footage of the nigga y'all want to see. 2 00:00:02,400 --> 00:00:05,480 Speaker 1: Y'all got enough of saying that bring two thousand and 3 00:00:05,559 --> 00:00:07,480 Speaker 1: six can get back. That Nigga was like, I got, 4 00:00:07,600 --> 00:00:11,600 Speaker 1: oh that I'm gonna dropped seven hours worth of documentaries 5 00:00:11,600 --> 00:00:13,440 Speaker 1: for the niggas who say that and then be right 6 00:00:13,520 --> 00:00:17,159 Speaker 1: to having Nigga talking about him every day. I don't know. 7 00:00:17,200 --> 00:00:19,680 Speaker 1: I think he had to breakthrough it though. I don't 8 00:00:19,720 --> 00:00:21,520 Speaker 1: even know if this just inter net cap, but he 9 00:00:21,600 --> 00:00:23,640 Speaker 1: got a new check that's supposed to look just like 10 00:00:23,640 --> 00:00:27,920 Speaker 1: the one he was saying about. That's real. I hope 11 00:00:27,960 --> 00:00:32,280 Speaker 1: that Nigga. I hope it's real for the niggas were 12 00:00:32,320 --> 00:00:38,360 Speaker 1: called him that we're gonna a bit. It's like having insurance, 13 00:00:39,440 --> 00:00:44,680 Speaker 1: you kid, you swapping personality out. You got you can 14 00:00:44,760 --> 00:00:47,919 Speaker 1: tell the other one is really responsible. You gotta tell 15 00:00:48,000 --> 00:00:50,680 Speaker 1: her exactly what you want because she's not your real girl. 16 00:00:51,120 --> 00:00:53,920 Speaker 1: This is your replacement. You remember when they had to 17 00:00:54,000 --> 00:01:00,080 Speaker 1: lockout when they brought in another replacement. Players, Yeah, you 18 00:01:00,160 --> 00:01:04,600 Speaker 1: to read. Basically, they're like when you get the Sade 19 00:01:04,640 --> 00:01:07,679 Speaker 1: Chicken promoter. It's kind of like when you're at the 20 00:01:07,680 --> 00:01:09,760 Speaker 1: concert and you just picked somebody at the crowd like 21 00:01:10,000 --> 00:01:12,120 Speaker 1: she living her dreams right now. She never thought she 22 00:01:12,120 --> 00:01:17,720 Speaker 1: would actually be Kanye's girlfriend, girlfriend, but she had. Yeah, 23 00:01:17,720 --> 00:01:22,080 Speaker 1: she was worth thirty in the white gregulars. Yeah she played. Yeah, 24 00:01:22,120 --> 00:01:24,120 Speaker 1: she worth thirty. I thought she was richer than that. 25 00:01:24,360 --> 00:01:26,920 Speaker 1: She thirty, young world with that so regular white people. 26 00:01:27,680 --> 00:01:30,720 Speaker 1: Yeah she thirty. Okay, I bet she played in the 27 00:01:31,000 --> 00:01:36,880 Speaker 1: show Hitting the Ship over. Yeah, yeah, yeah, come on, 28 00:01:37,040 --> 00:01:41,039 Speaker 1: come on, come on, Mike. I know, one time to 29 00:01:41,080 --> 00:01:44,880 Speaker 1: start it, one time to start out with a kid. 30 00:01:45,240 --> 00:01:49,240 Speaker 1: I told you it wasn't time to start. Yeah, you know, 31 00:01:49,320 --> 00:01:55,440 Speaker 1: we gotta do again. He's here, yes again and keep it. Yeah, 32 00:01:55,480 --> 00:01:58,160 Speaker 1: you just you know the divide. Hey man, he could 33 00:01:58,160 --> 00:02:01,200 Speaker 1: have got a Ethopian chick though this time that kind 34 00:02:01,200 --> 00:02:03,760 Speaker 1: of just he's gonna get the one. He could have 35 00:02:03,840 --> 00:02:06,160 Speaker 1: got to eat the Opian chick and looked like Kim 36 00:02:06,840 --> 00:02:10,840 Speaker 1: had but better but black. Like if getting back is 37 00:02:10,880 --> 00:02:14,200 Speaker 1: what are he getting with? That's where you should have got. 38 00:02:13,960 --> 00:02:17,640 Speaker 1: You go Armenian better than our goat. You gotta go 39 00:02:17,680 --> 00:02:22,960 Speaker 1: to Armenian. She ain't get a princess, Kim, Yeah, but 40 00:02:23,000 --> 00:02:25,200 Speaker 1: you gotta get with like the princess somebody she got 41 00:02:25,320 --> 00:02:30,520 Speaker 1: a respect And then keep bringing that around. Sure fu 42 00:02:30,600 --> 00:02:34,080 Speaker 1: from ship. That might be internet though I don't know, 43 00:02:35,720 --> 00:02:37,920 Speaker 1: because the nigga did say him on Little Nowhere. I 44 00:02:37,919 --> 00:02:40,200 Speaker 1: know you remember that part we can wrap the hing 45 00:02:40,240 --> 00:02:50,440 Speaker 1: to do so or you live in the stadium, Yeah, 46 00:02:47,000 --> 00:02:51,480 Speaker 1: in the state. And I was just telling them that 47 00:02:51,560 --> 00:02:54,560 Speaker 1: nigga genius because he dropped the documentary of footage. When 48 00:02:54,600 --> 00:02:58,600 Speaker 1: people said bring two thousand six two thousand six back, 49 00:02:59,639 --> 00:03:02,000 Speaker 1: he would off the footage of the footage. That nigger 50 00:03:02,080 --> 00:03:04,440 Speaker 1: you know that ship crazy to see like him playing 51 00:03:04,440 --> 00:03:07,840 Speaker 1: them them songs that's classic songs forever now playing for 52 00:03:07,840 --> 00:03:10,560 Speaker 1: people back then, and they're like, you know, that's the 53 00:03:11,200 --> 00:03:13,200 Speaker 1: that's the inspiring part of it though. That's the whole 54 00:03:13,200 --> 00:03:14,880 Speaker 1: inspiring part of it right there, though, Like you know 55 00:03:14,919 --> 00:03:18,240 Speaker 1: what I mean, nobody don't believe to you believe. Nobody 56 00:03:18,280 --> 00:03:20,639 Speaker 1: believes until you believe. You know what I mean. When 57 00:03:20,680 --> 00:03:22,680 Speaker 1: you believe, you know what I mean, that's the that's 58 00:03:22,720 --> 00:03:25,359 Speaker 1: the force, that's the magnet that pulls other people into it. 59 00:03:25,760 --> 00:03:28,760 Speaker 1: It's your belief and started with what you believe. It's 60 00:03:28,760 --> 00:03:30,720 Speaker 1: an internal first, you know what I mean. So you 61 00:03:30,720 --> 00:03:32,680 Speaker 1: see him making them moves and doing his thing, and 62 00:03:32,760 --> 00:03:35,680 Speaker 1: like you and I think it is. Ah, he's very smart. 63 00:03:35,720 --> 00:03:38,040 Speaker 1: Whatever he's running, you you don't become a being there 64 00:03:38,400 --> 00:03:40,640 Speaker 1: and I know nothing, but look at this ship that 65 00:03:40,720 --> 00:03:42,840 Speaker 1: he had to go through first cause you remember like 66 00:03:42,920 --> 00:03:45,400 Speaker 1: the first time his album got leaked, the nigga was crushed. 67 00:03:45,920 --> 00:03:47,760 Speaker 1: But then none of those samples class we had to 68 00:03:47,760 --> 00:03:50,200 Speaker 1: go back and read them. I know that I've been 69 00:03:50,960 --> 00:03:53,680 Speaker 1: there like like it's like it's like, but whoever on 70 00:03:53,720 --> 00:03:56,960 Speaker 1: his team, he's smart, Like you gotta think about it. 71 00:03:57,120 --> 00:03:59,320 Speaker 1: Kanya came with told Nigga's man it was a slave. 72 00:03:59,440 --> 00:04:01,520 Speaker 1: It was about choice. He heard everybody hot of him, 73 00:04:01,520 --> 00:04:04,520 Speaker 1: the inn heard everybody hid and put the Donald Trump 74 00:04:04,600 --> 00:04:07,840 Speaker 1: had on did all that right? Okay, bam niggas. Niggas 75 00:04:08,120 --> 00:04:11,800 Speaker 1: was hot, the urban marketplace was upset. So what did 76 00:04:11,800 --> 00:04:14,760 Speaker 1: he do? He swings to the God. He goes to 77 00:04:14,840 --> 00:04:18,839 Speaker 1: God and he's and now he's dropping the music for God. 78 00:04:18,880 --> 00:04:20,640 Speaker 1: You know what I mean. He go to Jesus. You're 79 00:04:20,640 --> 00:04:22,560 Speaker 1: mad at like I made a mistake. He goes and 80 00:04:22,839 --> 00:04:25,680 Speaker 1: performed with Joelos thing. You know, he was on Jolos things. 81 00:04:26,200 --> 00:04:27,479 Speaker 1: You know what I'm saying. He went through He go 82 00:04:27,600 --> 00:04:29,680 Speaker 1: to the spirit right because you know, you know us 83 00:04:29,680 --> 00:04:33,919 Speaker 1: as black folks, we got affection for Jesus. So it's like, Bam, 84 00:04:34,160 --> 00:04:37,200 Speaker 1: he's spent that way, okay, Bam, So he to the 85 00:04:37,240 --> 00:04:39,479 Speaker 1: camp Trump ship, calms down a little bit and all 86 00:04:39,480 --> 00:04:41,080 Speaker 1: that or whatever. And ship. Now he had a divorce, 87 00:04:41,160 --> 00:04:44,400 Speaker 1: it going on with old girl. Bam, what do he do? 88 00:04:44,080 --> 00:04:48,080 Speaker 1: So the documentary out Netflix been had the doctumentary, Bam. 89 00:04:48,360 --> 00:04:49,520 Speaker 1: You know what I mean? I think it was a 90 00:04:49,560 --> 00:04:51,719 Speaker 1: set up from the I think it's I think it's 91 00:04:51,800 --> 00:04:54,000 Speaker 1: all set up. I think the nigga figured out the 92 00:04:54,080 --> 00:04:57,120 Speaker 1: music business and said, funding this ship. Money is in 93 00:04:57,200 --> 00:05:00,000 Speaker 1: the media. So I'm about to do I'm gonna say, 94 00:05:00,160 --> 00:05:02,720 Speaker 1: holways in that ship and make y'all talk about me 95 00:05:03,400 --> 00:05:06,520 Speaker 1: every day whether you like it or don't like. School 96 00:05:06,600 --> 00:05:08,960 Speaker 1: them who who talk him? Man? The best people in 97 00:05:08,960 --> 00:05:15,360 Speaker 1: the fucking media, come on the gender they they've been 98 00:05:15,400 --> 00:05:18,520 Speaker 1: had to And for some reason, I think that's Nick 99 00:05:18,640 --> 00:05:21,400 Speaker 1: Mahn is in there to. I don't know, I know, 100 00:05:21,480 --> 00:05:24,800 Speaker 1: Ryan Ryn Seacrest, Oh, come on, come on, So you 101 00:05:24,920 --> 00:05:32,880 Speaker 1: say he was really infiltrate, he taking up, he was, 102 00:05:33,839 --> 00:05:37,880 Speaker 1: he was underst mom. It's a beast all the way. 103 00:05:38,160 --> 00:05:43,719 Speaker 1: You gotta respect you know, listen, man, you're slipping some 104 00:05:43,760 --> 00:05:46,520 Speaker 1: ship ships here people. It's some new mud. Yes, and 105 00:05:46,600 --> 00:05:51,000 Speaker 1: she got she definitely got a plane. She gotta play. 106 00:05:51,480 --> 00:05:53,880 Speaker 1: But see the thing about Kanye is he didn't did 107 00:05:54,080 --> 00:05:56,479 Speaker 1: like you said. Niggas was hot at him. But ship. 108 00:05:56,640 --> 00:05:59,880 Speaker 1: Back then in two thousand and six when Katriina happened, 109 00:06:00,640 --> 00:06:02,680 Speaker 1: the world was a white folks at him. So he 110 00:06:02,720 --> 00:06:05,240 Speaker 1: didn't he didn't have everybody, every type of person mad 111 00:06:05,279 --> 00:06:08,080 Speaker 1: at him. Bro, he literally has every type of person 112 00:06:08,200 --> 00:06:11,520 Speaker 1: from every and go from love to hate to love, 113 00:06:11,800 --> 00:06:14,400 Speaker 1: that everything over and over again. But they really wanted 114 00:06:14,440 --> 00:06:18,400 Speaker 1: the greatest man. You gotta give him that. If he's 115 00:06:18,440 --> 00:06:20,240 Speaker 1: if no, we didn't hate him, then when he put 116 00:06:20,279 --> 00:06:21,960 Speaker 1: the trump had on, that was the that was the 117 00:06:21,960 --> 00:06:24,440 Speaker 1: reverse of what he did. That. Yeah, we love him 118 00:06:24,440 --> 00:06:28,320 Speaker 1: all through all that. Beyonce had one of the greatest 119 00:06:28,400 --> 00:06:31,520 Speaker 1: videos all the time. He was with him the whole time. 120 00:06:31,600 --> 00:06:33,960 Speaker 1: You know, you ain't got the answer swaye a week 121 00:06:34,080 --> 00:06:36,440 Speaker 1: it took. You know that they ain't really did ship. 122 00:06:36,560 --> 00:06:40,720 Speaker 1: That's gonna make niggas be like, all right, it's hard. 123 00:06:40,720 --> 00:06:43,600 Speaker 1: They got them kicking. They got the black community that 124 00:06:43,800 --> 00:06:49,640 Speaker 1: really gotta ship. You remember he said you don't have 125 00:06:49,800 --> 00:06:53,920 Speaker 1: the answer, Sway. Sway did, but he didn't, but he did. 126 00:06:54,000 --> 00:06:58,240 Speaker 1: Why don't you do your own ship instead of going 127 00:06:58,279 --> 00:07:00,880 Speaker 1: to these motherfuckers and try to get him the problem. 128 00:07:01,320 --> 00:07:05,000 Speaker 1: You don't know, you don't know, I've been doing those, Swaye, 129 00:07:05,120 --> 00:07:12,480 Speaker 1: niggas how many feels? Nigga said, yeah. See, now that 130 00:07:12,600 --> 00:07:15,080 Speaker 1: I think about it, and I'm thinking that that interview, 131 00:07:15,600 --> 00:07:20,280 Speaker 1: swathead most of the fucking ass shot most. Maybe maybe 132 00:07:20,320 --> 00:07:22,800 Speaker 1: he was told Swaye he didn't have the answers to 133 00:07:22,920 --> 00:07:26,120 Speaker 1: throw us off as the public right, but each niggers 134 00:07:26,120 --> 00:07:29,160 Speaker 1: wouldn't be like that is the ship. He's like, you 135 00:07:29,200 --> 00:07:36,360 Speaker 1: don't have a basically saying nigga shut up. Really was 136 00:07:36,560 --> 00:07:44,840 Speaker 1: thank you for the answers. Say that to be talking 137 00:07:44,880 --> 00:07:47,800 Speaker 1: to you'd be like you gotta shut yours shut up. 138 00:07:50,360 --> 00:07:56,560 Speaker 1: Hey man, welcome back to the Yes sir oh. We've 139 00:07:56,560 --> 00:08:02,920 Speaker 1: been nominated again. We've been nominated nominations for the International 140 00:08:03,320 --> 00:08:13,160 Speaker 1: Right COLLI Ship Black Americans with Internet Access Award. Nigga, 141 00:08:14,040 --> 00:08:19,000 Speaker 1: it's the number one is hardst the people listen to 142 00:08:20,040 --> 00:08:26,280 Speaker 1: why did get the heap rated? We want we want 143 00:08:27,760 --> 00:08:32,120 Speaker 1: that guys congratulated. But I know for a fact that 144 00:08:32,280 --> 00:08:34,839 Speaker 1: when people get their habraded, this is some of the 145 00:08:34,880 --> 00:08:36,920 Speaker 1: ship that they got playing in the battle. They played 146 00:08:36,920 --> 00:08:40,440 Speaker 1: this in the bottle joll every WHI scout, y'all are 147 00:08:40,480 --> 00:08:43,320 Speaker 1: definitely want to give y'all, y'all roses. Y'all y'all roses 148 00:08:43,400 --> 00:08:46,959 Speaker 1: right now. Man, y'all definitely have have done a great thing. 149 00:08:47,040 --> 00:08:48,679 Speaker 1: Now you got from me, get deserved. You know, I 150 00:08:48,720 --> 00:08:50,480 Speaker 1: mean everything that I got coming to y'all because all 151 00:08:50,520 --> 00:08:53,280 Speaker 1: of y'all it work, You put that work in, you 152 00:08:53,280 --> 00:08:55,360 Speaker 1: know what I mean. So you know, I just love 153 00:08:55,440 --> 00:08:57,000 Speaker 1: what's going on the child though, Bro, you know what 154 00:08:57,000 --> 00:09:00,040 Speaker 1: I man, And it's again it's real. We appreciate that. 155 00:08:59,880 --> 00:09:02,160 Speaker 1: And you know he got some childoo brothers mine, so 156 00:09:02,240 --> 00:09:05,720 Speaker 1: you know, and and it's so much more on the way, appreciate, appreciated. 157 00:09:06,760 --> 00:09:08,520 Speaker 1: Hey man, if you don't know who we got in 158 00:09:08,520 --> 00:09:10,560 Speaker 1: the trap with us today, let me tell you, man, 159 00:09:11,160 --> 00:09:17,080 Speaker 1: one of the coldest, freshest, hardest working niggas I ever 160 00:09:17,200 --> 00:09:19,800 Speaker 1: met in my life. Bro all the way from men 161 00:09:20,760 --> 00:09:25,800 Speaker 1: and been nominated for multiple awards to Writer of the 162 00:09:25,920 --> 00:09:30,160 Speaker 1: Year ship like so five times in the road something 163 00:09:30,400 --> 00:09:34,160 Speaker 1: always represent and he got his hand and the music 164 00:09:34,200 --> 00:09:36,319 Speaker 1: game to the point what n be like, what do 165 00:09:36,400 --> 00:09:39,720 Speaker 1: you do on them? Yeah, man, nigga don't need no 166 00:09:39,840 --> 00:09:51,360 Speaker 1: longer introduction in my campo. I'm talking about thanks for 167 00:09:52,080 --> 00:09:54,960 Speaker 1: one of them niggas who took He was telling me 168 00:09:55,040 --> 00:09:58,520 Speaker 1: you took away and made a motherfucking way everything that 169 00:09:58,679 --> 00:10:01,000 Speaker 1: happens in the rep game. You been through it. You 170 00:10:01,080 --> 00:10:04,320 Speaker 1: don't route for motherfucker's to do songs and had your 171 00:10:04,320 --> 00:10:06,520 Speaker 1: hands and some of the biggest hits you've been around 172 00:10:06,640 --> 00:10:10,360 Speaker 1: the conversations that people know about. Man, catch us up 173 00:10:10,720 --> 00:10:15,320 Speaker 1: a start from the top. I mean like I think, like, um, 174 00:10:15,360 --> 00:10:17,880 Speaker 1: I'm thankful that I've been able to do some things, 175 00:10:18,000 --> 00:10:19,600 Speaker 1: but at the same time, I'm not what I want 176 00:10:19,600 --> 00:10:21,439 Speaker 1: to be. I'm thankful I'm not what I was though, 177 00:10:21,520 --> 00:10:23,079 Speaker 1: you know what I mean. I think if you stay humble, 178 00:10:23,120 --> 00:10:26,520 Speaker 1: you you won't crumble and your blessings won't fumble. That's 179 00:10:26,520 --> 00:10:29,360 Speaker 1: want to write that down, like, stay humble and you 180 00:10:29,400 --> 00:10:36,160 Speaker 1: won't crumble and your blessings won't vote. Need that the 181 00:10:36,200 --> 00:10:40,440 Speaker 1: Swiss exactly all the way. I feel like that's that's 182 00:10:40,480 --> 00:10:43,079 Speaker 1: the thing, Like, because if I always tell my my 183 00:10:43,440 --> 00:10:45,360 Speaker 1: son's just be like man, if I was the govereman, 184 00:10:45,400 --> 00:10:47,400 Speaker 1: I'd just be a cool goverageman. Man, I'll be you 185 00:10:47,400 --> 00:10:49,560 Speaker 1: know what I mean. But what you do it's not 186 00:10:49,559 --> 00:10:52,640 Speaker 1: really necessarily who you are. And I think that the 187 00:10:52,679 --> 00:10:56,600 Speaker 1: public kind of sometimes they misconstrue when they are person 188 00:10:56,720 --> 00:10:59,240 Speaker 1: what they do and who they are. Um, you know 189 00:10:59,280 --> 00:11:01,960 Speaker 1: who I am is a father and a husband, you 190 00:11:02,000 --> 00:11:03,920 Speaker 1: know what I mean, and and a in a faith 191 00:11:03,960 --> 00:11:05,719 Speaker 1: walker just like y'all you know what I mean, to 192 00:11:05,880 --> 00:11:08,800 Speaker 1: believe in something and got the balls enough to be 193 00:11:08,840 --> 00:11:11,199 Speaker 1: able to stand on it, stand on the business and 194 00:11:11,280 --> 00:11:14,120 Speaker 1: walk and walk what I talked. But you know I'm 195 00:11:14,120 --> 00:11:16,360 Speaker 1: from Memphysics, y'all know of those who were just tapping. 196 00:11:16,600 --> 00:11:18,640 Speaker 1: I love y'all show because y'all allowed individuals to be 197 00:11:18,679 --> 00:11:21,679 Speaker 1: able to introduce people to like, you know, to to 198 00:11:21,800 --> 00:11:24,520 Speaker 1: people that necessarily might not be familiar. But like I 199 00:11:24,640 --> 00:11:27,240 Speaker 1: may be, I'm maybe new to you, but I ain't 200 00:11:27,280 --> 00:11:30,000 Speaker 1: new to the game. Um, it's like I've been around, 201 00:11:30,040 --> 00:11:32,319 Speaker 1: Like I started with with drummer boy, you know what 202 00:11:32,400 --> 00:11:34,520 Speaker 1: I mean. Back in the day in Memphish man shout 203 00:11:34,520 --> 00:11:37,400 Speaker 1: out the drum board, Yeah, shout out. He always stopped 204 00:11:37,400 --> 00:11:41,559 Speaker 1: your head. So I actually, man, I had recollabe with 205 00:11:41,640 --> 00:11:43,840 Speaker 1: Diamond Cut Entertainment. Memphish was trying to put out my 206 00:11:43,880 --> 00:11:47,360 Speaker 1: brother's music. I um, you know, just kept investing in 207 00:11:47,400 --> 00:11:49,400 Speaker 1: doing that thing man, you know, and he was trying 208 00:11:49,440 --> 00:11:52,440 Speaker 1: to make some pie and um actually met Dino del Val. 209 00:11:52,679 --> 00:11:55,200 Speaker 1: They got it sign cash money to that thirty million 210 00:11:55,200 --> 00:11:58,360 Speaker 1: all deal back University the Universal. He came to Memphish, 211 00:11:58,400 --> 00:12:01,120 Speaker 1: man and when he came to menth is uh I tried, 212 00:12:01,200 --> 00:12:03,040 Speaker 1: manh we linked up with him or whatever? Man I said, 213 00:12:03,040 --> 00:12:04,680 Speaker 1: when you ever got to New Yorker to book him up? 214 00:12:04,720 --> 00:12:06,760 Speaker 1: I came to New York and I end up playing 215 00:12:06,920 --> 00:12:09,440 Speaker 1: some records. Ain't like down the records. He was like, man, 216 00:12:09,520 --> 00:12:11,040 Speaker 1: you know, I'm like, this is my first trip in 217 00:12:11,040 --> 00:12:13,400 Speaker 1: New York and so we talking about two thousand. I'm like, man, 218 00:12:13,559 --> 00:12:15,480 Speaker 1: I gotta figure out something. So I played a tape 219 00:12:15,840 --> 00:12:18,160 Speaker 1: of a beat for to take down. Play this play 220 00:12:18,240 --> 00:12:20,360 Speaker 1: this beat right, I'm fin a rap because I felt 221 00:12:20,360 --> 00:12:21,800 Speaker 1: like he felt my vibe, you know what I mean. 222 00:12:21,880 --> 00:12:23,880 Speaker 1: So I'm thinking like, maybe, like you know, he can 223 00:12:23,920 --> 00:12:26,160 Speaker 1: just get into my vibe. When I played the beat, 224 00:12:26,200 --> 00:12:27,959 Speaker 1: he was like, my need be hard as hill? Who 225 00:12:27,960 --> 00:12:29,880 Speaker 1: beat this? It's your bet? I said, you just one 226 00:12:29,880 --> 00:12:31,920 Speaker 1: of my little youngest or whatever. He s my, A, 227 00:12:32,320 --> 00:12:34,520 Speaker 1: I want to buy this beat. I'm like, you want 228 00:12:34,520 --> 00:12:36,440 Speaker 1: to buy the beat? How much you give me for 229 00:12:36,440 --> 00:12:38,920 Speaker 1: the beat? So I give you five thousand for the beat. 230 00:12:39,400 --> 00:12:43,520 Speaker 1: I'm like to beat the soul to you. And it 231 00:12:43,640 --> 00:12:46,240 Speaker 1: was I'm gonna beer. Like My whole hustle was like on, 232 00:12:46,559 --> 00:12:49,040 Speaker 1: I'm a CEO of the record label. But then I 233 00:12:49,120 --> 00:12:51,160 Speaker 1: came up here and sold this man the beat. So 234 00:12:51,240 --> 00:12:53,760 Speaker 1: I went back and I one guy with drama them 235 00:12:53,760 --> 00:12:57,040 Speaker 1: man and got more beats and just started selling beats. 236 00:12:57,080 --> 00:12:58,640 Speaker 1: You did what I'm saying. I end up getting a 237 00:12:58,679 --> 00:13:01,679 Speaker 1: production deal with rough rod is Um when they were 238 00:13:01,760 --> 00:13:03,960 Speaker 1: rough Rider was like on fire and Ship. I got 239 00:13:04,000 --> 00:13:06,040 Speaker 1: a record with a DMX and this other girl they 240 00:13:06,080 --> 00:13:09,360 Speaker 1: had at the time and Jersey money and I'm and 241 00:13:09,360 --> 00:13:11,640 Speaker 1: I'm selling these beats. I don't know how terms drama 242 00:13:11,679 --> 00:13:13,559 Speaker 1: sine on you think what I'm saying. But I took 243 00:13:13,559 --> 00:13:14,920 Speaker 1: a trip to l A. Because I'm like, I'm gonna 244 00:13:15,000 --> 00:13:17,360 Speaker 1: in New York Southern Beast Ship, I'm gonna go uh 245 00:13:17,559 --> 00:13:18,840 Speaker 1: and see if I could get some money for the 246 00:13:18,840 --> 00:13:20,280 Speaker 1: beach in l A or whatever. And they ain't up 247 00:13:20,280 --> 00:13:22,440 Speaker 1: looking up with Universal and they gave me a pub 248 00:13:22,480 --> 00:13:24,559 Speaker 1: deal based on these Beast. Like I said, I couldn't 249 00:13:24,640 --> 00:13:25,920 Speaker 1: turn on the drum machine, ain't know how to do 250 00:13:25,960 --> 00:13:27,840 Speaker 1: none of that. I just had the youngest that was 251 00:13:27,880 --> 00:13:29,319 Speaker 1: like at the time, Chris was just getting out of 252 00:13:29,360 --> 00:13:31,400 Speaker 1: high school. You think what I'm saying, d on my boy. 253 00:13:31,440 --> 00:13:32,920 Speaker 1: And I was just at the right place, right time, 254 00:13:33,320 --> 00:13:35,480 Speaker 1: you know. And I was able to sell and I 255 00:13:35,760 --> 00:13:37,520 Speaker 1: got a publish the deal. I got a hunting for 256 00:13:37,640 --> 00:13:40,760 Speaker 1: the doll. I came back to Memphis and signed anything. 257 00:13:40,800 --> 00:13:42,920 Speaker 1: They had like a buzz in the hood at the time, 258 00:13:42,920 --> 00:13:45,360 Speaker 1: and that was like, yo, God, this skinny pimp came 259 00:13:45,440 --> 00:13:48,080 Speaker 1: to black live chat orders like that. So she had 260 00:13:48,120 --> 00:13:50,400 Speaker 1: just left three six or whatever. So I started took 261 00:13:50,440 --> 00:13:52,800 Speaker 1: that money and put that money into like branded this 262 00:13:53,040 --> 00:13:55,520 Speaker 1: new thing that I created, which was Raphast. Was Raphast 263 00:13:55,640 --> 00:13:57,719 Speaker 1: was like QC. You know what I mean. He is 264 00:13:57,840 --> 00:14:00,160 Speaker 1: now in Memphis then, and I had a round to 265 00:14:00,320 --> 00:14:02,280 Speaker 1: a bus or whatever. Man, I we ain't on tool 266 00:14:02,440 --> 00:14:04,520 Speaker 1: going on done. I just wrapped it. But we were 267 00:14:04,559 --> 00:14:06,120 Speaker 1: in the hood and there the two bus. But it's 268 00:14:06,160 --> 00:14:08,079 Speaker 1: like we're making you know, we're putting it in their face. 269 00:14:08,120 --> 00:14:09,840 Speaker 1: This is before Instagram and all that. So we had 270 00:14:09,880 --> 00:14:11,719 Speaker 1: to find a way to be able to get the 271 00:14:11,760 --> 00:14:14,120 Speaker 1: city owners because at that time with Three six Mafia, 272 00:14:14,880 --> 00:14:17,120 Speaker 1: the three six Mafia and there was a bottom j G. 273 00:14:17,600 --> 00:14:19,280 Speaker 1: So we're trying to like be the new thing to 274 00:14:19,320 --> 00:14:20,880 Speaker 1: come out of the city or whatever. So, you know, 275 00:14:21,040 --> 00:14:22,960 Speaker 1: to be able to stand up to what the Three 276 00:14:23,000 --> 00:14:24,640 Speaker 1: six Mafia were doing at the time, we had to 277 00:14:24,640 --> 00:14:26,800 Speaker 1: really make a splash. So I got the tour bus. 278 00:14:26,880 --> 00:14:30,440 Speaker 1: I put a criminal man Yo Gotti, skinny pimp, all 279 00:14:30,640 --> 00:14:32,560 Speaker 1: all my all my artists, and put myself on the 280 00:14:32,640 --> 00:14:35,240 Speaker 1: bus and we just build this buzz up. And I 281 00:14:35,320 --> 00:14:36,680 Speaker 1: was like to put these records out, you know what 282 00:14:36,720 --> 00:14:40,320 Speaker 1: I mean, they were like working criminal. He that's a 283 00:14:40,320 --> 00:14:42,480 Speaker 1: Memphis nigga for you. Nigga, winn't got a bus, were 284 00:14:42,520 --> 00:14:49,160 Speaker 1: nowhere to go, give me a bus if I even 285 00:14:49,160 --> 00:14:55,320 Speaker 1: hear nigga say, now you so you had a hand 286 00:14:55,360 --> 00:14:57,880 Speaker 1: and and helping you gotta get in the game. Yeah. 287 00:14:57,920 --> 00:14:59,520 Speaker 1: So like when I'm at guy that got there just 288 00:14:59,560 --> 00:15:01,760 Speaker 1: putting out mix saption the hood. He didn't have a 289 00:15:01,800 --> 00:15:04,960 Speaker 1: song on the radio yet, um so um. But we 290 00:15:04,960 --> 00:15:07,200 Speaker 1: was making noise in the city. You know, like when 291 00:15:07,240 --> 00:15:09,600 Speaker 1: you get money, the word it around. So it's like 292 00:15:09,640 --> 00:15:11,720 Speaker 1: I'm I'm going in our town selling pats or whatever 293 00:15:11,760 --> 00:15:13,720 Speaker 1: and stuff like that. So my my name get high 294 00:15:14,120 --> 00:15:16,280 Speaker 1: and I'm and I'm helping producers in the city like 295 00:15:16,400 --> 00:15:18,280 Speaker 1: drummer Boy get they look, you know what I mean, 296 00:15:18,320 --> 00:15:20,960 Speaker 1: and get inspiring them or whatever, and they're linking with 297 00:15:21,280 --> 00:15:23,720 Speaker 1: different rappers and stuff like that. They were bubbling right then, 298 00:15:23,760 --> 00:15:25,920 Speaker 1: so I'm like connecting the dots kind of the p 299 00:15:26,040 --> 00:15:27,680 Speaker 1: did it like vibe or whatever is what I was 300 00:15:27,760 --> 00:15:30,440 Speaker 1: doing for my city. And um so from that, um, 301 00:15:31,000 --> 00:15:33,080 Speaker 1: you know, I get gout in. We decided to do 302 00:15:33,120 --> 00:15:35,560 Speaker 1: a two album deal when we do a joint venture 303 00:15:35,640 --> 00:15:38,320 Speaker 1: with his label and my label or whatever, and and 304 00:15:38,360 --> 00:15:40,080 Speaker 1: that's what you got. The first album he came out, 305 00:15:40,120 --> 00:15:43,280 Speaker 1: which Major League, which was called Life. So what I did, 306 00:15:43,480 --> 00:15:44,960 Speaker 1: that's something when I got a guy and I put 307 00:15:45,040 --> 00:15:47,280 Speaker 1: that tourbus or the tour bus to New York. Steve 308 00:15:47,360 --> 00:15:50,160 Speaker 1: Gottlieb had t V t racors with John the tv 309 00:15:50,280 --> 00:15:54,240 Speaker 1: Ton and then back in the day it was because 310 00:15:54,240 --> 00:15:56,920 Speaker 1: back in the day, it wasn't a lot of New York, 311 00:15:57,480 --> 00:16:00,800 Speaker 1: New York labels giving Southern artists at hands. You's know 312 00:16:00,840 --> 00:16:03,000 Speaker 1: what I'm saying. So it's like you had Universal, you 313 00:16:03,040 --> 00:16:04,440 Speaker 1: know what I mean, t v T, but it was 314 00:16:04,640 --> 00:16:06,880 Speaker 1: some people don't understand what we're going on doing the South. 315 00:16:06,920 --> 00:16:08,920 Speaker 1: So it's like we go to New York pushing your 316 00:16:08,960 --> 00:16:11,600 Speaker 1: Gotti on people in Oh three, you know what I'm saying. 317 00:16:11,640 --> 00:16:13,840 Speaker 1: They're like, man, we don't understand it, but I'm seeing 318 00:16:13,840 --> 00:16:15,760 Speaker 1: what's going on within the town. I drove my tour 319 00:16:15,840 --> 00:16:17,920 Speaker 1: bus to tv T. They're like, man, this is beautiful. 320 00:16:18,080 --> 00:16:19,880 Speaker 1: I tell them, folks, I want to I want the same, 321 00:16:19,960 --> 00:16:21,720 Speaker 1: dear Masterpeak guy. You know what I mean. I want 322 00:16:21,880 --> 00:16:23,840 Speaker 1: to I want the money up front to give me 323 00:16:23,840 --> 00:16:25,680 Speaker 1: that I'm gonna just put my records out and do that. 324 00:16:26,080 --> 00:16:28,720 Speaker 1: They were like, they liked it, but they were in 325 00:16:28,760 --> 00:16:31,480 Speaker 1: the process of screwing Little John and you ain't you 326 00:16:31,520 --> 00:16:33,120 Speaker 1: know at the same time, you know what I mean. 327 00:16:33,160 --> 00:16:34,680 Speaker 1: So it's like they didn't like the fact that I 328 00:16:34,720 --> 00:16:36,720 Speaker 1: had all these artists and I'm up here popping my 329 00:16:36,800 --> 00:16:39,080 Speaker 1: word from Memphis and I'm like, I don't want no advantage. 330 00:16:39,240 --> 00:16:41,280 Speaker 1: I'm gonna push my things. So I push my thing. 331 00:16:41,960 --> 00:16:43,920 Speaker 1: And you know the guy that we put out, Skinny 332 00:16:43,960 --> 00:16:46,880 Speaker 1: Pim Gotti. These albums here like a hundred thousand records 333 00:16:46,880 --> 00:16:51,600 Speaker 1: you know anywhere? Was that a long time coming? So 334 00:16:51,920 --> 00:16:54,560 Speaker 1: that is a record produced by Drumma Boy, which I 335 00:16:54,640 --> 00:16:56,600 Speaker 1: put Gotti with Drama Boy, you know what I mean. 336 00:16:56,880 --> 00:16:59,240 Speaker 1: We did Life Life album, which you own that album 337 00:16:59,280 --> 00:17:00,960 Speaker 1: so you can go. String is on all the platforms 338 00:17:01,040 --> 00:17:03,520 Speaker 1: right now. With that album, he had had a record 339 00:17:03,520 --> 00:17:06,800 Speaker 1: feature a little John called Dirty South Soldiers. They had 340 00:17:06,800 --> 00:17:09,000 Speaker 1: a record U called I'm Gonna say on my Dog 341 00:17:09,119 --> 00:17:12,439 Speaker 1: Can't trust no bit part my real bread bread with 342 00:17:12,520 --> 00:17:19,040 Speaker 1: my click on they got that was me on that jump, 343 00:17:19,040 --> 00:17:21,639 Speaker 1: but like getting what giving what gud in putting those 344 00:17:21,680 --> 00:17:24,760 Speaker 1: trectors out and and then distributing it through TV team 345 00:17:25,200 --> 00:17:27,320 Speaker 1: did that. But then I'm in the street, my partner 346 00:17:27,359 --> 00:17:28,720 Speaker 1: in the street, you know what I mean, and we're like, 347 00:17:28,840 --> 00:17:31,399 Speaker 1: you know, we're turning up or whatever. And my partner 348 00:17:31,400 --> 00:17:33,680 Speaker 1: had called a charge. And when we called a charge 349 00:17:33,680 --> 00:17:35,920 Speaker 1: at the time, it was a big deal. People heard 350 00:17:35,920 --> 00:17:38,240 Speaker 1: about it or whatever, and then the labor heard about it, 351 00:17:38,280 --> 00:17:40,520 Speaker 1: so they took that as an opportunity to not get 352 00:17:40,560 --> 00:17:42,480 Speaker 1: your money and give me my bread and then to 353 00:17:42,520 --> 00:17:44,679 Speaker 1: try to steal my artists or whatever. So that so 354 00:17:44,760 --> 00:17:46,600 Speaker 1: that's what that's what took place with the Yo Gotti 355 00:17:46,720 --> 00:17:48,320 Speaker 1: thing and all that or whatever, and like that's how 356 00:17:48,760 --> 00:17:50,760 Speaker 1: we end up falling out doing that time or whatever. 357 00:17:50,800 --> 00:17:52,760 Speaker 1: But he was young and we was all going through 358 00:17:52,800 --> 00:17:54,280 Speaker 1: it to get to it because he was taking losses 359 00:17:54,280 --> 00:17:56,080 Speaker 1: in the street too, so it was like, you know, 360 00:17:56,240 --> 00:17:58,280 Speaker 1: and TVT was just a bad spot or whatever, like 361 00:17:58,320 --> 00:18:00,159 Speaker 1: you know what I mean. So I learned quick like 362 00:18:00,200 --> 00:18:01,880 Speaker 1: you can grow fast, but you can just grow too 363 00:18:01,920 --> 00:18:04,119 Speaker 1: fast or whatever. Right, So you know, I got I 364 00:18:04,320 --> 00:18:06,680 Speaker 1: got knocked the match for a man said thing I had, 365 00:18:06,760 --> 00:18:08,800 Speaker 1: you know what I mean, I had sold like two 366 00:18:08,920 --> 00:18:10,560 Speaker 1: d records through tv T, but didn't pay me for 367 00:18:10,560 --> 00:18:13,439 Speaker 1: not on so I went brol said and I just 368 00:18:13,480 --> 00:18:15,280 Speaker 1: had two bucks and all that. I don't think I 369 00:18:15,320 --> 00:18:16,840 Speaker 1: didn't lose with my wife, you know what I'm saying 370 00:18:16,840 --> 00:18:18,680 Speaker 1: with me to this day. I've been married twenty years. 371 00:18:19,080 --> 00:18:26,160 Speaker 1: And yeah, we got a podcast coming to Kim fucking 372 00:18:26,240 --> 00:18:29,919 Speaker 1: Queen that's dropping his month too. But um um, basically 373 00:18:30,000 --> 00:18:31,600 Speaker 1: it's like, you know, I had to build it back 374 00:18:31,640 --> 00:18:33,639 Speaker 1: up again. But once more, thing I did do I 375 00:18:33,680 --> 00:18:36,359 Speaker 1: put my DVD inside that Yo Gotti see me, and 376 00:18:36,400 --> 00:18:39,359 Speaker 1: by doing that at the time, it's like the niggas 377 00:18:39,359 --> 00:18:41,120 Speaker 1: who was buying my music or buying a yo gotta 378 00:18:41,119 --> 00:18:43,879 Speaker 1: see they will get my DVD inside of And my 379 00:18:43,960 --> 00:18:46,240 Speaker 1: mom was gonna see April, and I like that. You 380 00:18:46,280 --> 00:18:47,960 Speaker 1: people got a man come down here and to know 381 00:18:48,400 --> 00:18:50,040 Speaker 1: and uh and then do some records for me. Man, 382 00:18:50,119 --> 00:18:52,440 Speaker 1: so may me and my wife and my little brother 383 00:18:52,520 --> 00:18:54,680 Speaker 1: had my car reposessing sover my house too. So I 384 00:18:54,760 --> 00:18:57,399 Speaker 1: got the Hunter City and we we draw the here 385 00:18:57,880 --> 00:19:00,160 Speaker 1: there being a down, just just selling selling me East 386 00:19:00,160 --> 00:19:02,119 Speaker 1: texting like selling beasts or whatever. Bro to get it 387 00:19:02,160 --> 00:19:04,159 Speaker 1: back up. But then when I got it back up, 388 00:19:04,200 --> 00:19:06,040 Speaker 1: I said, I'm gonna do to get what I never had, 389 00:19:06,080 --> 00:19:07,320 Speaker 1: I do what I've never done. So I got I 390 00:19:07,320 --> 00:19:09,479 Speaker 1: gotta come up with with a song. I gotta come 391 00:19:09,560 --> 00:19:11,399 Speaker 1: up with some music. Ain't gonna cross me. He did 392 00:19:11,480 --> 00:19:13,639 Speaker 1: what I'm saying. So I did that. And when I 393 00:19:13,680 --> 00:19:15,640 Speaker 1: did that or whatever, I had already did the groundwork 394 00:19:15,680 --> 00:19:17,359 Speaker 1: with my records that I put out with a chatting 395 00:19:17,640 --> 00:19:21,119 Speaker 1: skinny Pimp and Gainster Black and and and Yo Gudy, 396 00:19:21,200 --> 00:19:22,960 Speaker 1: so people I would wrap on the records too so 397 00:19:22,960 --> 00:19:25,159 Speaker 1: people would know me. So it was like when I 398 00:19:25,160 --> 00:19:27,080 Speaker 1: came out with my own thing immediately was able to 399 00:19:27,080 --> 00:19:30,160 Speaker 1: get a deal, and I was with stunt of frames 400 00:19:30,160 --> 00:19:32,880 Speaker 1: and respect my Fresh, I'll be able to where those 401 00:19:32,920 --> 00:19:35,840 Speaker 1: songs came like it kind of started swag music, you 402 00:19:35,880 --> 00:19:37,600 Speaker 1: know what I mean, Like this whole respect my Fresh 403 00:19:37,760 --> 00:19:40,760 Speaker 1: was like I'm talking about number clothed and looting number 404 00:19:40,840 --> 00:19:43,400 Speaker 1: that number you don't doing the time when everybody we're 405 00:19:43,400 --> 00:19:45,640 Speaker 1: talking about trap or die. And I ended up being 406 00:19:45,640 --> 00:19:47,960 Speaker 1: different enough to be able to and had my buzz up. 407 00:19:48,000 --> 00:19:49,480 Speaker 1: I got my spins up, and I was able to 408 00:19:49,480 --> 00:19:52,040 Speaker 1: give me a deal with Sylvia as a universal motowns 409 00:19:52,119 --> 00:19:54,680 Speaker 1: They're Wrong, signed with her and No. Seven and then 410 00:19:54,720 --> 00:19:57,040 Speaker 1: I came with it, so crispycame yeah, you know what 411 00:19:57,080 --> 00:19:59,040 Speaker 1: I mean. So that's kind of like how how I 412 00:19:59,160 --> 00:20:01,679 Speaker 1: how to wrap things? You kind of like happened for me. 413 00:20:01,720 --> 00:20:04,560 Speaker 1: It was like, you know, kind of like guy used 414 00:20:04,560 --> 00:20:06,680 Speaker 1: me on the mic. Behind the mic, you know me 415 00:20:06,840 --> 00:20:09,399 Speaker 1: depend on what season, and they got me in. They 416 00:20:09,440 --> 00:20:11,240 Speaker 1: could be selling beats. I just know that anything to 417 00:20:11,320 --> 00:20:13,240 Speaker 1: sell and no I won't. So it's like, you know 418 00:20:13,280 --> 00:20:15,520 Speaker 1: what I mean, It's like for me, it's like okay, 419 00:20:15,760 --> 00:20:17,800 Speaker 1: like if I'm selling beats this this time, okay, I 420 00:20:17,800 --> 00:20:19,520 Speaker 1: gotta let one the late with this time. Okay, Now 421 00:20:19,520 --> 00:20:21,520 Speaker 1: I gotta put myself. I'll be an arts. Okay, I 422 00:20:21,560 --> 00:20:23,440 Speaker 1: can do that. You did what I'm saying. And then 423 00:20:23,480 --> 00:20:26,200 Speaker 1: from there, you know, I was, you know, so crispy 424 00:20:26,240 --> 00:20:28,080 Speaker 1: and wile and that whole thing or whatever. I really 425 00:20:28,080 --> 00:20:30,440 Speaker 1: did a good deal with Universal because you know, coming 426 00:20:30,480 --> 00:20:33,639 Speaker 1: into it, I owned anything or whatever like, so you know, 427 00:20:33,800 --> 00:20:36,280 Speaker 1: did that and then um, you know, end up working 428 00:20:36,280 --> 00:20:39,240 Speaker 1: with the Wayne had hobbies out here in Atlanta or whatever, right, 429 00:20:39,600 --> 00:20:41,440 Speaker 1: and one of the records that I end up doing 430 00:20:41,480 --> 00:20:44,000 Speaker 1: for Wayne end up being the best to ever had. 431 00:20:44,119 --> 00:20:46,800 Speaker 1: You know what I'm saying, start right there, because we 432 00:20:46,840 --> 00:20:53,600 Speaker 1: gotta take a break and come back right after these messages. 433 00:20:51,680 --> 00:20:57,560 Speaker 1: I need food. They don't need new brother and to 434 00:20:57,560 --> 00:21:01,760 Speaker 1: go shooting. Bro go hard, Bro, you go hard. Come 435 00:21:01,760 --> 00:21:04,000 Speaker 1: on man, like you go like you really go hard. 436 00:21:04,040 --> 00:21:06,200 Speaker 1: Youre telling there like I was just saying, I'll give 437 00:21:06,200 --> 00:21:09,200 Speaker 1: me all roses anywhere. I was like, bro like multiple 438 00:21:09,280 --> 00:21:13,600 Speaker 1: hustles man, multiple hustles man, wanted too close to Nune 439 00:21:14,400 --> 00:21:16,960 Speaker 1: like like the whole set up. You know what I mean, 440 00:21:17,040 --> 00:21:21,119 Speaker 1: this skill, this creative, this today is this day, This 441 00:21:21,200 --> 00:21:22,680 Speaker 1: day is that you know what I mean, Like, brod 442 00:21:23,520 --> 00:21:25,560 Speaker 1: like I see I've seen that in all of y'all. 443 00:21:25,560 --> 00:21:29,359 Speaker 1: Like I'm inspired by y'all, Like I want to like 444 00:21:29,440 --> 00:21:34,040 Speaker 1: you know what I mean, like this you had the 445 00:21:34,040 --> 00:21:36,320 Speaker 1: hand and like it was setting us a backstory about 446 00:21:36,320 --> 00:21:38,000 Speaker 1: all this. Damn man, nigger had a hand in so 447 00:21:38,040 --> 00:21:40,440 Speaker 1: many niggas in the game. You gotta y'all them early 448 00:21:40,480 --> 00:21:44,119 Speaker 1: in the game and that wise, I thank y'all for 449 00:21:44,280 --> 00:21:46,480 Speaker 1: letting me be able to talk because they're like, it's 450 00:21:46,520 --> 00:21:49,600 Speaker 1: like a lot of them, you know how it is 451 00:21:49,600 --> 00:21:52,280 Speaker 1: in the game, a certain niggas is, bro they don't 452 00:21:52,480 --> 00:21:55,080 Speaker 1: they feel like if they would pub you, you're a 453 00:21:55,080 --> 00:21:57,560 Speaker 1: threat to them. But it's like, man, god, I said, 454 00:21:57,560 --> 00:21:59,720 Speaker 1: you've got no respective persons waiting for one year, dude, 455 00:21:59,720 --> 00:22:02,480 Speaker 1: for of the substance of brothers. It was like, you know, 456 00:22:03,000 --> 00:22:04,959 Speaker 1: but some people that don't do that, they don't, they 457 00:22:05,000 --> 00:22:07,800 Speaker 1: don't you know what I mean. It's a hard to maintain. 458 00:22:08,480 --> 00:22:11,480 Speaker 1: It's a hard to maintain quality relationships in this game, busness. 459 00:22:11,520 --> 00:22:13,040 Speaker 1: Don't you've been in there for a long time, you 460 00:22:13,119 --> 00:22:14,879 Speaker 1: know what I mean? Does it like and you was 461 00:22:15,160 --> 00:22:18,240 Speaker 1: at one point was super duper hot, So I'm sure 462 00:22:18,240 --> 00:22:21,440 Speaker 1: everybody asks your phone calls. Then, but as time goes on, 463 00:22:21,520 --> 00:22:25,560 Speaker 1: as any of those relationships solid or do you keep them? 464 00:22:25,560 --> 00:22:27,440 Speaker 1: Gonna do most of them? You know? Folk by night, 465 00:22:27,600 --> 00:22:29,439 Speaker 1: man listen, man, Like the thing I know is that 466 00:22:29,480 --> 00:22:32,840 Speaker 1: anything is selling, none won't. Anything is selling none won't. 467 00:22:32,880 --> 00:22:36,000 Speaker 1: Man Like the circle. I respect the circle of bid 468 00:22:36,080 --> 00:22:38,160 Speaker 1: because I understand what it is. Is been I stand 469 00:22:38,200 --> 00:22:40,640 Speaker 1: on the Okay, cool, I gotta have something to sell you, 470 00:22:40,640 --> 00:22:41,960 Speaker 1: you know what I mean. I gotta have something to 471 00:22:42,000 --> 00:22:43,600 Speaker 1: tell you. And if you're in the streetep that has 472 00:22:43,600 --> 00:22:45,960 Speaker 1: some the million but not it's another conversation. But what 473 00:22:46,320 --> 00:22:48,879 Speaker 1: I'm saying like, you've gotta have something to sell, So 474 00:22:48,920 --> 00:22:51,840 Speaker 1: I like, I respect it. I called the treat theory. 475 00:22:51,880 --> 00:22:53,680 Speaker 1: This is why I feel about it. Right, Okay, So 476 00:22:54,000 --> 00:22:56,160 Speaker 1: right now we're in the winner. Okay. So if you're 477 00:22:56,119 --> 00:22:59,000 Speaker 1: a fruit, treat peace, treat whatever that is right, that 478 00:22:59,200 --> 00:23:01,440 Speaker 1: fruit is not don't want you right now? Okay, it's 479 00:23:01,520 --> 00:23:05,160 Speaker 1: bare all right, whatever fruit is in the season, they're 480 00:23:05,160 --> 00:23:07,000 Speaker 1: gonna go pick from the tree. They got the fruit, 481 00:23:07,119 --> 00:23:09,280 Speaker 1: you know what I mean. So that's why I get it. 482 00:23:09,320 --> 00:23:11,040 Speaker 1: If I'm on fire and I'm on high, you know 483 00:23:11,080 --> 00:23:12,520 Speaker 1: what I mean. You're gonna pick from the fruit. But 484 00:23:12,520 --> 00:23:14,760 Speaker 1: then when my season over, when I when I got 485 00:23:14,880 --> 00:23:16,120 Speaker 1: to go through my heart, I was gonna go through 486 00:23:16,119 --> 00:23:17,760 Speaker 1: my you know what i mean, go through my prone in. 487 00:23:18,000 --> 00:23:19,960 Speaker 1: You did what I'm saying. I'm still a fruit tree. 488 00:23:20,240 --> 00:23:21,959 Speaker 1: He did what I'm saying. But it's like I respect 489 00:23:22,000 --> 00:23:23,600 Speaker 1: how the gang's gonna go pick up somebody else and 490 00:23:23,680 --> 00:23:26,200 Speaker 1: this in their season. But it's about seasons, you know 491 00:23:26,240 --> 00:23:28,320 Speaker 1: what I mean. Our lives that we live right now, 492 00:23:28,359 --> 00:23:32,160 Speaker 1: we mirror. We mirror the natural. Natural natural mirrors are alive. 493 00:23:32,280 --> 00:23:35,520 Speaker 1: The nature mirrors mirrors our own life. So what I'm 494 00:23:35,520 --> 00:23:37,919 Speaker 1: saying like is this like you're gonna always have a 495 00:23:37,960 --> 00:23:40,880 Speaker 1: season to where like you have fruit and they're gonna 496 00:23:40,880 --> 00:23:43,400 Speaker 1: be season what somebody is in their season. I don't 497 00:23:43,440 --> 00:23:45,080 Speaker 1: mean you ain't the tree no more. They mean you 498 00:23:45,080 --> 00:23:46,560 Speaker 1: gotta go through your prone in, you know what I mean, 499 00:23:46,600 --> 00:23:48,399 Speaker 1: so you can have richer fruit in your different season. 500 00:23:48,720 --> 00:23:50,600 Speaker 1: So for me, I always look at it like life 501 00:23:50,600 --> 00:23:52,960 Speaker 1: being like that, It's like, okay, cool I can be. 502 00:23:53,040 --> 00:23:55,040 Speaker 1: So I was telling them like, okay, if one season, 503 00:23:55,080 --> 00:23:57,520 Speaker 1: I'm I'm finding this young kid Dramma board and I'm 504 00:23:57,520 --> 00:23:59,640 Speaker 1: selling his beasts and I end up getting a song 505 00:23:59,760 --> 00:24:02,239 Speaker 1: deal with these dudes, beasts in the publishing deal and 506 00:24:02,280 --> 00:24:05,359 Speaker 1: doing all that. All these dudes these okay cool, and 507 00:24:05,400 --> 00:24:06,879 Speaker 1: he go on with his life and he do this 508 00:24:07,000 --> 00:24:09,359 Speaker 1: thing perfect. But then I got a whole plan on 509 00:24:09,440 --> 00:24:11,119 Speaker 1: my plan, like okay, cool, I want to wrap, I 510 00:24:11,160 --> 00:24:12,720 Speaker 1: want to do this thing or whatever. So I want 511 00:24:12,720 --> 00:24:15,280 Speaker 1: to sign artists. So it's like God had me doing 512 00:24:15,680 --> 00:24:18,240 Speaker 1: behind them mic on some season. Something had me fun 513 00:24:18,240 --> 00:24:20,560 Speaker 1: And I'm like, sometimes you have me on the camera, 514 00:24:20,600 --> 00:24:23,240 Speaker 1: sometimes I'm behind the scenes. I just know, like you 515 00:24:23,280 --> 00:24:26,080 Speaker 1: know what I mean. It's the relationships in some stain 516 00:24:26,119 --> 00:24:29,360 Speaker 1: relationships you can activate when you're on fire. Certain relationships 517 00:24:29,359 --> 00:24:31,440 Speaker 1: you're right when you ain't when you ain't on vibe, 518 00:24:31,480 --> 00:24:33,560 Speaker 1: don't post nothing after the phone, you know what I mean, 519 00:24:33,560 --> 00:24:36,520 Speaker 1: and all that. But it's cool because we're just talking 520 00:24:36,560 --> 00:24:40,160 Speaker 1: about it. Like having multiple talents, having multiple skill sets 521 00:24:40,200 --> 00:24:41,800 Speaker 1: and not being able to be put in the box 522 00:24:42,200 --> 00:24:44,240 Speaker 1: is like, okay, cool. If the phone ain't ringing for 523 00:24:44,280 --> 00:24:48,080 Speaker 1: me to do Kia Shine music right now, kids, go 524 00:24:48,160 --> 00:24:50,840 Speaker 1: hopping this movie super Fly, I'll go hopping this this 525 00:24:50,960 --> 00:24:52,760 Speaker 1: this TV show over here, and go do star and 526 00:24:52,800 --> 00:24:54,760 Speaker 1: Fox and play Leo and go play because I'm in 527 00:24:54,840 --> 00:24:57,800 Speaker 1: Atlanta and there are other opportunities for creatives to be 528 00:24:57,880 --> 00:24:59,920 Speaker 1: able to create, because that's what I want to be 529 00:25:00,040 --> 00:25:04,119 Speaker 1: the job to do inside of this. It justn't music 530 00:25:04,359 --> 00:25:06,639 Speaker 1: like it just named off. But when you were selling 531 00:25:06,640 --> 00:25:09,199 Speaker 1: the beach, I can tell you. I can tell you 532 00:25:09,200 --> 00:25:11,919 Speaker 1: when I did. When when the pandemic hit, right like 533 00:25:11,960 --> 00:25:14,480 Speaker 1: when the pandemic came and everybody, you know, everybody self 534 00:25:14,520 --> 00:25:18,040 Speaker 1: starts snowing down, right, Okay. So at that time, the 535 00:25:18,040 --> 00:25:21,240 Speaker 1: only thing that rappers could sell was like they weren't 536 00:25:21,240 --> 00:25:24,120 Speaker 1: doing shows, so it was like they publishing, you see 537 00:25:24,160 --> 00:25:26,600 Speaker 1: what I'm saying. Publishing became valuable in their time. So 538 00:25:26,600 --> 00:25:28,000 Speaker 1: it was like if you had a record that was 539 00:25:28,040 --> 00:25:29,760 Speaker 1: streaming or whatever all that, you might want to do 540 00:25:29,800 --> 00:25:32,320 Speaker 1: a publishing deal or whatever. Get you, you know, get 541 00:25:32,320 --> 00:25:33,920 Speaker 1: you a little bit breed right now while you ain't 542 00:25:33,920 --> 00:25:36,800 Speaker 1: doing shows and all that. So what I was doing 543 00:25:36,880 --> 00:25:39,439 Speaker 1: is running around doing that Frank's key. He had a 544 00:25:39,480 --> 00:25:41,760 Speaker 1: song that some Holes in this House does Some Holes 545 00:25:41,840 --> 00:25:45,000 Speaker 1: in this House. I knew his song was semple by 546 00:25:45,080 --> 00:25:47,680 Speaker 1: Meg and car d B. Soon as they dropped that, 547 00:25:47,760 --> 00:25:49,119 Speaker 1: Joe and I was like, Frank but you have a 548 00:25:49,119 --> 00:25:51,600 Speaker 1: pub deal. No you don't. Okay, cool, stop what you're doing. 549 00:25:51,680 --> 00:25:53,719 Speaker 1: Let me call my guy up here at Sony. They 550 00:25:53,760 --> 00:25:56,000 Speaker 1: flew down that man his anniversary and food down here 551 00:25:56,040 --> 00:25:58,720 Speaker 1: man with Frank Man devot pour together be an ill deal. 552 00:25:59,280 --> 00:26:01,159 Speaker 1: You see what I'm saying, because it end up in 553 00:26:01,200 --> 00:26:03,440 Speaker 1: the middle of a pandemic. Only because I knew that 554 00:26:03,440 --> 00:26:06,080 Speaker 1: that sample where that sample came from, and I knew 555 00:26:06,119 --> 00:26:07,800 Speaker 1: that soumple word wanting you see what I'm saying, So 556 00:26:07,800 --> 00:26:09,360 Speaker 1: I was able to go make a make a play 557 00:26:09,359 --> 00:26:12,320 Speaker 1: and make some money with Frank's king. There ain't something 558 00:26:12,400 --> 00:26:14,800 Speaker 1: that a fit to get about it though. You didn't 559 00:26:14,800 --> 00:26:16,320 Speaker 1: have to do that. You don't have to tell Frank 560 00:26:17,920 --> 00:26:22,680 Speaker 1: because you know the music industry that's the yeah whatever, 561 00:26:23,000 --> 00:26:25,760 Speaker 1: Like definitely. But for me, it's like, man, like you know, 562 00:26:26,040 --> 00:26:29,040 Speaker 1: I'm in the building up business of empowering other individuals. 563 00:26:29,080 --> 00:26:30,840 Speaker 1: So it's like, you know, you're boss. I just want 564 00:26:30,880 --> 00:26:32,879 Speaker 1: to connect the dots and collect a lot, you know 565 00:26:32,920 --> 00:26:35,159 Speaker 1: what I mean, And then like you and then you 566 00:26:35,280 --> 00:26:37,120 Speaker 1: go ahead and do your thing, you know what I mean? 567 00:26:37,680 --> 00:26:39,760 Speaker 1: You know, you know, we just we keep it moving, 568 00:26:40,080 --> 00:26:44,320 Speaker 1: you know what I mean. Don't saying like like, so 569 00:26:44,359 --> 00:26:46,479 Speaker 1: it's like it's like for me and that they might 570 00:26:46,480 --> 00:26:49,280 Speaker 1: not be something that's being pulled up or whatever I 571 00:26:49,359 --> 00:26:51,720 Speaker 1: talked about on this cast on his podcast with Child, 572 00:26:51,760 --> 00:26:54,760 Speaker 1: but it's like that's what the music industry gives me. 573 00:26:54,760 --> 00:26:58,080 Speaker 1: It's like, okay, cool, I understand that, Like, Okay, I'm 574 00:26:58,119 --> 00:26:59,920 Speaker 1: not going to be the hottest individual at all time. 575 00:27:00,440 --> 00:27:02,520 Speaker 1: So but I'm gonna make some relationships and I'm gonna 576 00:27:02,520 --> 00:27:05,040 Speaker 1: make some relationships with people that Okay, I see that 577 00:27:05,080 --> 00:27:07,240 Speaker 1: I could sell something too, but I could be able 578 00:27:07,240 --> 00:27:09,240 Speaker 1: to have something valuable. You know what I mean. I 579 00:27:09,280 --> 00:27:11,320 Speaker 1: got something that's valuable no matter where they is. I'm 580 00:27:11,320 --> 00:27:13,280 Speaker 1: gonna be able to turn one and two. That's what 581 00:27:13,400 --> 00:27:15,600 Speaker 1: Memphis and that's what the music been is it taught me. 582 00:27:15,640 --> 00:27:18,960 Speaker 1: Like it's like, okay, you know, this is intellectual property 583 00:27:19,000 --> 00:27:21,040 Speaker 1: that we're doing. Like so it's like it's really just 584 00:27:21,080 --> 00:27:23,520 Speaker 1: about being able to to package it and sell it 585 00:27:23,560 --> 00:27:25,280 Speaker 1: and being able to for somebody to be able to 586 00:27:25,320 --> 00:27:27,199 Speaker 1: in hell, you know what I mean. So you know 587 00:27:27,359 --> 00:27:29,160 Speaker 1: that's what that's what That's what I feel like I've 588 00:27:29,200 --> 00:27:30,720 Speaker 1: been able to do with just do that because I 589 00:27:31,280 --> 00:27:33,320 Speaker 1: can sit there and be and be crying like, Okay, man, 590 00:27:33,640 --> 00:27:36,560 Speaker 1: this season might on me. My damn what you better? Man? 591 00:27:37,600 --> 00:27:39,640 Speaker 1: You gotta make what's she gonna do? We need those 592 00:27:39,720 --> 00:27:42,560 Speaker 1: key players to me those specifics, you know what I'm saying, 593 00:27:42,640 --> 00:27:48,560 Speaker 1: plays where it's just like, what's what's the O G name? Yeah, 594 00:27:50,000 --> 00:27:53,960 Speaker 1: don't sing no wrap. But it's intellectual, you know what 595 00:27:54,000 --> 00:28:00,639 Speaker 1: I'm saying. Examples, reci recipes, so recipes, so move, but 596 00:28:00,680 --> 00:28:04,920 Speaker 1: it's intellectual mindset to just you know what, it's wrap, 597 00:28:06,840 --> 00:28:09,360 Speaker 1: but it's intellectual mindset, just like you know what, Let 598 00:28:09,359 --> 00:28:11,440 Speaker 1: me bring this personally good. Let me let me go talk. 599 00:28:11,600 --> 00:28:14,000 Speaker 1: And then the crazy part about it, those people respected 600 00:28:14,160 --> 00:28:16,760 Speaker 1: each mind. You can be all you're coming and blet 601 00:28:16,800 --> 00:28:18,920 Speaker 1: merapping up the same they listen to you. Let me 602 00:28:19,000 --> 00:28:21,600 Speaker 1: mr a want coming head again? Hey I want to 603 00:28:21,640 --> 00:28:25,800 Speaker 1: do Yeah, it's a real. Yeah, it's relation. There's money 604 00:28:25,840 --> 00:28:27,800 Speaker 1: and pure attentions, you know especially, and that's the end 605 00:28:27,800 --> 00:28:32,320 Speaker 1: of yet money and pure attentions because a lot of 606 00:28:32,400 --> 00:28:35,240 Speaker 1: people don't have pure attentions and the longest streak you 607 00:28:35,359 --> 00:28:38,720 Speaker 1: create making pure connection that people trust you for that 608 00:28:38,840 --> 00:28:40,600 Speaker 1: whether or not you hot or not you know what 609 00:28:40,600 --> 00:28:44,080 Speaker 1: I mean, You might not hear that's relevant, it's irrelevant 610 00:28:44,120 --> 00:28:46,600 Speaker 1: to to whatever I got that on. I don't know. 611 00:28:46,600 --> 00:28:48,760 Speaker 1: Through show over Future, right, I think I thought brought 612 00:28:48,760 --> 00:28:51,840 Speaker 1: the future the Little Rock Arkansas back when right when 613 00:28:51,880 --> 00:28:53,440 Speaker 1: he was going to drop with the time to be Allowed. 614 00:28:53,480 --> 00:28:56,000 Speaker 1: It was the same week, like you know what I mean, 615 00:28:56,040 --> 00:28:57,920 Speaker 1: this manin drops was the time to be alive and 616 00:28:57,920 --> 00:29:00,240 Speaker 1: I got this main books for a Little Rock and 617 00:29:00,600 --> 00:29:02,960 Speaker 1: it's like it was a man of the spot was 618 00:29:03,080 --> 00:29:05,800 Speaker 1: a was a complete sellout, like you know what I mean, 619 00:29:06,280 --> 00:29:08,800 Speaker 1: you know, and it's just like the habit of relationship 620 00:29:08,840 --> 00:29:11,120 Speaker 1: with him to be able to call them and do 621 00:29:11,280 --> 00:29:13,080 Speaker 1: that and put that play together whatever, that's the thing 622 00:29:13,160 --> 00:29:15,560 Speaker 1: to keep me in that keep that keep the my 623 00:29:15,680 --> 00:29:17,480 Speaker 1: nose and throats taking care of you know what I'm saying, 624 00:29:17,840 --> 00:29:19,040 Speaker 1: Like you know what I mean, that's what That's what 625 00:29:19,200 --> 00:29:20,920 Speaker 1: it is mine. It's just like doing good batters with 626 00:29:21,000 --> 00:29:23,880 Speaker 1: people or whatever. That's what relationships or whatever have been 627 00:29:23,960 --> 00:29:26,160 Speaker 1: for me. Even when I got my record deal or whatever. 628 00:29:26,200 --> 00:29:28,000 Speaker 1: I started hosting that Rap City, you know what I mean, 629 00:29:28,080 --> 00:29:30,360 Speaker 1: Like White I sent to take the Rap City Man, 630 00:29:30,400 --> 00:29:32,320 Speaker 1: and they were like, okay, cool, we want you to 631 00:29:32,400 --> 00:29:34,360 Speaker 1: host rap City. So I go to host Rap City 632 00:29:34,720 --> 00:29:37,400 Speaker 1: it's right when I signed my deal was so crispy 633 00:29:37,520 --> 00:29:40,200 Speaker 1: and doing it or whatever. Right, I'm doing the film 634 00:29:40,240 --> 00:29:42,400 Speaker 1: and TV and doing the rap city thing, and I'm like, Okay, 635 00:29:43,360 --> 00:29:45,240 Speaker 1: I'm digging this TV thing, like you know what I mean. 636 00:29:45,400 --> 00:29:47,840 Speaker 1: Like so it's like, okay, like Sylvie won't let me 637 00:29:47,920 --> 00:29:50,280 Speaker 1: be the host or whatever because they felt like the 638 00:29:50,320 --> 00:29:52,560 Speaker 1: people would see me as a host and will see 639 00:29:52,560 --> 00:29:54,480 Speaker 1: me as an artist. So it was like dealing with 640 00:29:54,600 --> 00:29:57,320 Speaker 1: that kind of like thing or whatever. Universal but like, yeah, 641 00:29:57,360 --> 00:29:59,120 Speaker 1: I was like film and TV. I'm gonna get right 642 00:29:59,120 --> 00:30:00,920 Speaker 1: back to that, you know what I mean. Because that's 643 00:30:00,960 --> 00:30:02,680 Speaker 1: why I moved to Atlanta. That's why I came down 644 00:30:02,760 --> 00:30:05,280 Speaker 1: because I saw it like, Okay, they're putting millions of 645 00:30:05,560 --> 00:30:08,520 Speaker 1: being putting the billions of dollars into this marketplace. You know, 646 00:30:08,560 --> 00:30:09,880 Speaker 1: I men shout out to what you just you know 647 00:30:09,920 --> 00:30:11,320 Speaker 1: what I mean, just just hopped the one and then 648 00:30:11,400 --> 00:30:13,640 Speaker 1: what over that Tyler Perry. You know, it's like it's 649 00:30:13,680 --> 00:30:16,320 Speaker 1: just it's it's it's just this Hollywood. It's like it's 650 00:30:16,400 --> 00:30:18,120 Speaker 1: money is out here, you know what I mean. And 651 00:30:18,400 --> 00:30:21,320 Speaker 1: then things weren't available to me being in Memphis. Will 652 00:30:21,320 --> 00:30:22,920 Speaker 1: being like, well, I'm from the whatever, Like you don't 653 00:30:22,960 --> 00:30:25,720 Speaker 1: have those resources on there. So it's like, you know, 654 00:30:26,080 --> 00:30:28,040 Speaker 1: I love that you can be able to like put 655 00:30:28,120 --> 00:30:30,640 Speaker 1: this hustle hat on today and then put the podcast 656 00:30:30,760 --> 00:30:32,160 Speaker 1: hus along the mare and you know what I mean, 657 00:30:32,240 --> 00:30:34,760 Speaker 1: you put the comedian husts along right now, Bam, you 658 00:30:34,800 --> 00:30:36,000 Speaker 1: go put you know what I mean, You're just like 659 00:30:36,320 --> 00:30:37,880 Speaker 1: the writer hustle along today, you know what I mean, 660 00:30:38,000 --> 00:30:40,880 Speaker 1: Like it's just these different lanes that you can be 661 00:30:40,960 --> 00:30:43,880 Speaker 1: able to get to to get your creativity out, you 662 00:30:43,920 --> 00:30:45,360 Speaker 1: know what I mean, Because they're really about the money, 663 00:30:45,400 --> 00:30:46,720 Speaker 1: you know what I mean, just about being able to 664 00:30:46,800 --> 00:30:50,640 Speaker 1: get the purpose out. You know what I mean, Yeah, 665 00:30:50,640 --> 00:30:52,360 Speaker 1: because that's that's what it is. Bro. Like I've been 666 00:30:52,360 --> 00:30:54,120 Speaker 1: seeing the young dudes. They'd be on the ground with 667 00:30:54,160 --> 00:30:55,960 Speaker 1: the money and all that. I'd be like, man, the 668 00:30:56,080 --> 00:30:59,200 Speaker 1: people on that money don't even respect y'all. The faces 669 00:30:59,240 --> 00:31:01,520 Speaker 1: on that money, the respected us. I don't even like us, 670 00:31:01,560 --> 00:31:04,080 Speaker 1: don't even like us. That's why I keep them folded 671 00:31:04,160 --> 00:31:06,080 Speaker 1: in my pocket right on the face that you know 672 00:31:06,120 --> 00:31:14,600 Speaker 1: what I mean, right there, my money, my drugs money. 673 00:31:15,960 --> 00:31:19,760 Speaker 1: Before You've always been as though you've been in the 674 00:31:20,200 --> 00:31:22,320 Speaker 1: game so long, you always hit people get ass like 675 00:31:22,400 --> 00:31:24,400 Speaker 1: that you had a chance to sign somebody that you 676 00:31:24,520 --> 00:31:26,960 Speaker 1: didn't sign, or somebody that you saw before they blew 677 00:31:27,080 --> 00:31:29,400 Speaker 1: up and you knew it, like you havingy those artists 678 00:31:29,440 --> 00:31:32,120 Speaker 1: that you saw way before they became superstars. And he 679 00:31:32,240 --> 00:31:33,960 Speaker 1: was like, I had a hand that you could have 680 00:31:34,040 --> 00:31:35,560 Speaker 1: had a hand in it, but you was just maybe 681 00:31:35,600 --> 00:31:38,280 Speaker 1: you passed or you know, it wasn't the right time. Yeah, 682 00:31:39,160 --> 00:31:42,959 Speaker 1: gorillas old rillas old. Like when I first moved to Atlanta, 683 00:31:43,040 --> 00:31:49,360 Speaker 1: man minutes old, Like listen, I been on that, I've 684 00:31:49,400 --> 00:31:51,000 Speaker 1: been on that record, But I was like when you 685 00:31:51,080 --> 00:31:54,200 Speaker 1: first recording there, like a verse two. I was like, yeah, him, 686 00:31:54,480 --> 00:31:57,120 Speaker 1: you know, like I played y'all that the Pressure record 687 00:31:57,200 --> 00:31:58,959 Speaker 1: like now like it was like that, like I moved here. 688 00:31:59,000 --> 00:32:00,920 Speaker 1: He was just moving around whatever, bro. But I was 689 00:32:00,960 --> 00:32:03,080 Speaker 1: so busy trying to get my get my thing up, 690 00:32:03,160 --> 00:32:05,280 Speaker 1: you know what I mean, and and kind of get 691 00:32:05,360 --> 00:32:06,840 Speaker 1: my legs back gonnerneath me. Because I told you the 692 00:32:06,920 --> 00:32:09,560 Speaker 1: tv T this is a horrible deal. I went to 693 00:32:09,640 --> 00:32:11,239 Speaker 1: real estate. I was like, yep, I went about two 694 00:32:11,280 --> 00:32:14,560 Speaker 1: hours in Memphis, okay, and then about six months re 695 00:32:14,720 --> 00:32:16,720 Speaker 1: finding both of them, pull about fift out of each 696 00:32:16,760 --> 00:32:18,640 Speaker 1: one of them pulled a hunted out and I had 697 00:32:18,720 --> 00:32:21,120 Speaker 1: this song called respect my Fresh, and I came to 698 00:32:21,160 --> 00:32:23,320 Speaker 1: Atlanta work it, you know what I mean. I already 699 00:32:23,400 --> 00:32:25,400 Speaker 1: knew how to work music because I had already had God, 700 00:32:25,480 --> 00:32:28,360 Speaker 1: he already had Chat, already had Skinning Pimp and all 701 00:32:28,400 --> 00:32:30,160 Speaker 1: the other artists that I put music out on. So 702 00:32:30,240 --> 00:32:32,160 Speaker 1: I knew how to just break me, you know what 703 00:32:32,160 --> 00:32:33,920 Speaker 1: I mean. And I once I broke my music and 704 00:32:34,000 --> 00:32:35,960 Speaker 1: got the spins up because that's what they looked for 705 00:32:36,000 --> 00:32:37,840 Speaker 1: at the time. I was able to get that bag 706 00:32:37,920 --> 00:32:39,880 Speaker 1: and get on my feet. But I was still in 707 00:32:39,960 --> 00:32:42,280 Speaker 1: that process of getting on my feet when I met 708 00:32:42,560 --> 00:32:44,440 Speaker 1: when I'm as out, you know what I mean, or whatever. 709 00:32:44,560 --> 00:32:46,440 Speaker 1: So but I knew he was getting ready to go somewhere, 710 00:32:46,520 --> 00:32:49,920 Speaker 1: like you know what I mean, it's in the house. 711 00:32:50,240 --> 00:32:53,400 Speaker 1: That's one of the coldest things ever wrapped. Bro, Skinny 712 00:32:53,440 --> 00:32:57,000 Speaker 1: Pimp is is I want to give him as roses? Well, 713 00:32:57,040 --> 00:33:04,040 Speaker 1: I love it. I got one life to live. Listen, listen, 714 00:33:04,280 --> 00:33:08,160 Speaker 1: Skinny Pump started the flow that the me gos or 715 00:33:08,240 --> 00:33:10,760 Speaker 1: like that that style, you know what I mean. Like 716 00:33:10,960 --> 00:33:13,160 Speaker 1: but you know he showed your age when you should go. 717 00:33:13,360 --> 00:33:16,200 Speaker 1: But that's how long he's been doing that, Lord Infamoution, 718 00:33:17,280 --> 00:33:28,360 Speaker 1: you know, like he came from the up like this. Listen, 719 00:33:32,600 --> 00:33:35,040 Speaker 1: I gotta be honest with you, man, Listen, the Triplers 720 00:33:35,280 --> 00:33:41,320 Speaker 1: came from Lord Infamous skin come this is we got 721 00:33:41,400 --> 00:33:44,240 Speaker 1: to go back to the to the early nineties man 722 00:33:45,000 --> 00:33:49,080 Speaker 1: like like it was before. Like Bone for sure, no doubt. 723 00:33:49,200 --> 00:33:51,200 Speaker 1: I love on what they brought to the game and 724 00:33:51,280 --> 00:33:53,920 Speaker 1: the harmony and all that. But the Tripler is mine, 725 00:33:54,520 --> 00:33:58,600 Speaker 1: Triple six my favure. Like listen, Oh, that's that's Lowing 726 00:33:58,640 --> 00:34:01,520 Speaker 1: Infamous bro me and I can't folk know in Am 727 00:34:01,560 --> 00:34:04,440 Speaker 1: I wrong? Right? You know what I mean to come 728 00:34:04,480 --> 00:34:09,319 Speaker 1: home man like? Like it is true. I'm talking about 729 00:34:09,400 --> 00:34:12,080 Speaker 1: all the way back to three sites Mafia mix tapes. Man, 730 00:34:12,320 --> 00:34:14,279 Speaker 1: I can go listen to this ship. I go back 731 00:34:14,320 --> 00:34:17,080 Speaker 1: to DJ Spanish Flag, go back to DJ Squeaky Taste 732 00:34:17,120 --> 00:34:19,919 Speaker 1: bro Like, that's what like, man like my favorite ship 733 00:34:21,040 --> 00:34:24,600 Speaker 1: from I'm talking about the moment looking for the chore 734 00:34:24,600 --> 00:34:29,399 Speaker 1: and they're hooking for the choice. Listen to listen to me, man, 735 00:34:29,880 --> 00:34:33,440 Speaker 1: listen these taste bro like or the sound when you 736 00:34:33,560 --> 00:34:37,200 Speaker 1: hear that the CARDI b uh Niggas get some money 737 00:34:38,160 --> 00:34:45,080 Speaker 1: Listen from squeaky is just like that's the sea. Yeah, 738 00:34:45,320 --> 00:34:47,840 Speaker 1: the tempo to beat, the rhythm that is from that 739 00:34:49,239 --> 00:34:51,359 Speaker 1: for the chore nothing. That's just been a market that's 740 00:34:51,480 --> 00:34:54,600 Speaker 1: just now we're just now getting our light future. Think 741 00:34:54,680 --> 00:34:57,719 Speaker 1: so what we just like right now over that I 742 00:34:57,800 --> 00:35:03,479 Speaker 1: gotta disagree with how you go because from you really 743 00:35:03,520 --> 00:35:11,480 Speaker 1: gotta Memphis is always rest d C has been a 744 00:35:12,320 --> 00:35:14,120 Speaker 1: good Memphis market for music. I go into all the 745 00:35:14,160 --> 00:35:16,040 Speaker 1: time shout that the whole d m V. But what 746 00:35:16,160 --> 00:35:18,400 Speaker 1: I'm saying, no, Bro is no no, no, no, no, no, no, 747 00:35:18,480 --> 00:35:20,560 Speaker 1: no no, I gotta ring his down. Bro. Memphis right 748 00:35:20,600 --> 00:35:22,640 Speaker 1: now has money bag Yo has a number one album 749 00:35:22,719 --> 00:35:25,440 Speaker 1: and the number one album in the country. Never happened 750 00:35:25,440 --> 00:35:27,560 Speaker 1: from Memphis before, you know what I mean, Like, um, 751 00:35:28,000 --> 00:35:30,800 Speaker 1: we got you had you had rest in peace golf, 752 00:35:30,920 --> 00:35:34,080 Speaker 1: but you got like Dolf coming out of there going gold, platinum, 753 00:35:34,360 --> 00:35:37,040 Speaker 1: and and and independently. You know what I mean, key glock, 754 00:35:37,280 --> 00:35:40,440 Speaker 1: you guys are like we've never had this type of 755 00:35:40,800 --> 00:35:43,600 Speaker 1: vibe going black. Youngster was doing his thing. He had 756 00:35:43,640 --> 00:35:45,520 Speaker 1: a goal when he came with the joint. You know 757 00:35:45,640 --> 00:35:47,880 Speaker 1: you got uh, you got some boy who something with 758 00:35:48,040 --> 00:35:51,359 Speaker 1: QC from do Doude. Dude didn't he just didn't want 759 00:35:53,520 --> 00:35:58,759 Speaker 1: regular old old Memphis sound. Just I just did one 760 00:35:58,840 --> 00:36:04,800 Speaker 1: for him for the New prob. Know what it's everybody 761 00:36:04,800 --> 00:36:09,719 Speaker 1: didn't davel with in New York. Yes, yes, every year. Yeah, 762 00:36:10,800 --> 00:36:13,480 Speaker 1: this this has happened. So it's like we have been sampled, 763 00:36:13,920 --> 00:36:17,080 Speaker 1: and it's like now we're getting we're getting the looks 764 00:36:17,120 --> 00:36:19,880 Speaker 1: we're getting. You know, you're getting some actual real traction 765 00:36:19,960 --> 00:36:22,960 Speaker 1: from Memphis artists that are like coming out and really 766 00:36:23,040 --> 00:36:24,680 Speaker 1: making some noise, you know what I mean? Right now, 767 00:36:24,960 --> 00:36:26,759 Speaker 1: Juicy Fruits is doing hard thing. I like hers, you 768 00:36:26,840 --> 00:36:28,799 Speaker 1: got that down in the Valley with the p Valley 769 00:36:28,840 --> 00:36:32,120 Speaker 1: intro whatever. Like, it's a lot of dope talent from Memphis, 770 00:36:32,239 --> 00:36:34,080 Speaker 1: and there's a lot of you know, right now, we're 771 00:36:34,120 --> 00:36:35,320 Speaker 1: just getting a lot of We're getting a lot of 772 00:36:35,360 --> 00:36:37,839 Speaker 1: shine right now. We're really getting getting some looks. We're 773 00:36:37,840 --> 00:36:45,160 Speaker 1: speaking of Memphis. Who's somebody from Memphis and Wild res Man? Yeah, 774 00:36:45,239 --> 00:36:48,480 Speaker 1: y'all all I know you Rescue Pece suit Man show. 775 00:36:48,880 --> 00:36:52,120 Speaker 1: So who's somebody from Memphis that didn't go mainstream that 776 00:36:52,200 --> 00:36:55,960 Speaker 1: you felt like if they were to gainst the black 777 00:36:56,719 --> 00:37:00,320 Speaker 1: case of Black. Definitely the Black old you see a 778 00:37:00,600 --> 00:37:05,600 Speaker 1: set just do comtant to talking ship over the little 779 00:37:05,640 --> 00:37:14,440 Speaker 1: wind right ship just another day you made to tash 780 00:37:14,680 --> 00:37:19,279 Speaker 1: up chiefly Yeah he got that ship that you just 781 00:37:19,480 --> 00:37:22,399 Speaker 1: like do me wrong test my, that's that's once lug 782 00:37:22,640 --> 00:37:27,120 Speaker 1: and yo gun around like that's why I like a 783 00:37:27,160 --> 00:37:31,880 Speaker 1: lot because he does right third right to me right 784 00:37:31,960 --> 00:37:38,440 Speaker 1: talks to another day man name little Jack. I think 785 00:37:38,480 --> 00:37:40,960 Speaker 1: his name was groopy bitch. What's the name. I think 786 00:37:41,040 --> 00:37:43,600 Speaker 1: that's the that's the name. Night out to be it 787 00:37:43,800 --> 00:37:45,400 Speaker 1: on the gig in the mouth that would do it 788 00:37:45,480 --> 00:37:54,240 Speaker 1: in the South. Come to sounds like it was made 789 00:37:55,360 --> 00:38:02,160 Speaker 1: not like no bro litten Primro Marvin might listen eight 790 00:38:02,200 --> 00:38:06,279 Speaker 1: bart M j G classic just like the P eight 791 00:38:06,400 --> 00:38:09,279 Speaker 1: ball that from they had there was on the people 792 00:38:09,920 --> 00:38:14,719 Speaker 1: to listen they were ball and j G was on 793 00:38:14,800 --> 00:38:19,160 Speaker 1: the P before gunna to me on anybody. You know 794 00:38:19,200 --> 00:38:23,120 Speaker 1: what I mean, like like you know that that that 795 00:38:23,360 --> 00:38:27,960 Speaker 1: pefore they had been talking about this one big area too, 796 00:38:28,440 --> 00:38:33,399 Speaker 1: but really from baby and Memphis the Bay Memphis. Listen. 797 00:38:33,440 --> 00:38:35,640 Speaker 1: I want to tell you man, like I gotta tell 798 00:38:35,640 --> 00:38:41,720 Speaker 1: you that your test that drew down the niggers, herms 799 00:38:41,760 --> 00:38:48,120 Speaker 1: and ship everything, Vegasaly said all the you know what 800 00:38:48,160 --> 00:38:52,279 Speaker 1: I mean, Like we definitely it's funny because musically they're 801 00:38:52,320 --> 00:38:54,960 Speaker 1: just certain markets that Memphis even before the World I 802 00:38:55,000 --> 00:38:57,080 Speaker 1: don't want we got going on now, It's like it 803 00:38:57,160 --> 00:38:59,120 Speaker 1: was certain markets that you can go tours the Memphis 804 00:38:59,200 --> 00:39:00,719 Speaker 1: artist and you know you was, well, get the bag 805 00:39:01,280 --> 00:39:04,200 Speaker 1: out of the debate. Let me ask you about the membership. 806 00:39:04,239 --> 00:39:08,520 Speaker 1: But you see, the Games of Walking has come back hard. Yeah. 807 00:39:08,680 --> 00:39:10,800 Speaker 1: I'm talking about the gags to walk in Japan and 808 00:39:10,880 --> 00:39:20,719 Speaker 1: ship yeah yeah, yeah, yeah, shout out to my boy Japan. Listen, 809 00:39:21,000 --> 00:39:23,000 Speaker 1: I stayed between Chris we go hard over the to 810 00:39:23,200 --> 00:39:26,800 Speaker 1: to this day over there, um for sure life but 811 00:39:26,920 --> 00:39:28,680 Speaker 1: like what you just you gotta figure out what this 812 00:39:28,719 --> 00:39:30,759 Speaker 1: ship means over there, bro, it might probably mean. So 813 00:39:30,760 --> 00:39:33,800 Speaker 1: I'm totally different to them. Got like the internationals, like 814 00:39:33,920 --> 00:39:35,640 Speaker 1: I could see, like I could see being in the 815 00:39:36,040 --> 00:39:43,759 Speaker 1: country that could be like like he's been to me. 816 00:39:44,600 --> 00:39:50,279 Speaker 1: They don't with other bros. They don't work with each other, 817 00:39:50,400 --> 00:40:09,480 Speaker 1: bron You know right, you say ya, you just shot you. 818 00:40:10,200 --> 00:40:17,280 Speaker 1: I'm bucked up. You's rolling up. We've got some damn devine. 819 00:40:17,360 --> 00:40:19,479 Speaker 1: What's wrong with us? But now what you said about 820 00:40:19,520 --> 00:40:23,919 Speaker 1: the Games of Walking though, um, and they're joking. Yeah men, yeah, 821 00:40:24,080 --> 00:40:26,560 Speaker 1: like for sure. You know what the code part of 822 00:40:26,640 --> 00:40:29,400 Speaker 1: me though is it's like the coldest niggas who've been 823 00:40:29,400 --> 00:40:32,760 Speaker 1: doing that ship he kills, they ain't even they haven't 824 00:40:32,840 --> 00:40:36,040 Speaker 1: even found them niggas yet. They don't even know that 825 00:40:36,160 --> 00:40:39,520 Speaker 1: the ship that blew blew back up. It's some niggas 826 00:40:39,600 --> 00:40:44,840 Speaker 1: who they ain't found it stopped doing that. An he 827 00:40:45,239 --> 00:40:47,680 Speaker 1: fighting me, He like, I just won't showed the nigga 828 00:40:47,760 --> 00:40:51,120 Speaker 1: one time, I'm telling you, But ain't nobody gonna work 829 00:40:51,120 --> 00:40:53,120 Speaker 1: with him because he looked old. At this point, he 830 00:40:53,640 --> 00:40:55,759 Speaker 1: went to the niggas who was really out there doing this, 831 00:40:56,280 --> 00:41:00,160 Speaker 1: they can go back up shut out to shout out 832 00:41:00,160 --> 00:41:02,759 Speaker 1: to up. You see, Miles Yachts, he's one of the 833 00:41:02,800 --> 00:41:05,359 Speaker 1: guys from Memphis, just killing it out there. Way to man. Uh, 834 00:41:05,920 --> 00:41:10,400 Speaker 1: it's Memphis. A lot of gener of course, um, a 835 00:41:10,440 --> 00:41:12,640 Speaker 1: lot of as you know what I mean. It's it's 836 00:41:12,640 --> 00:41:15,000 Speaker 1: a lot of girl, a lot of it. She sucks. 837 00:41:15,040 --> 00:41:17,560 Speaker 1: You don't play with a lot of you, crown head. 838 00:41:18,800 --> 00:41:20,960 Speaker 1: The other dude to what's the name, like chan Tavis 839 00:41:21,280 --> 00:41:25,640 Speaker 1: Schantavius or something. He older, he'd be really fucking that 840 00:41:25,680 --> 00:41:29,359 Speaker 1: ship up. Look look Downiel too. It's hard too. It's 841 00:41:29,360 --> 00:41:31,680 Speaker 1: a couple of them that's hard. And I got something 842 00:41:31,760 --> 00:41:34,239 Speaker 1: very special coming in that lane that I you know, 843 00:41:34,320 --> 00:41:39,480 Speaker 1: I swear I don't want to listen. Listen. There's something 844 00:41:39,520 --> 00:41:43,440 Speaker 1: we're definitely working on something for that culture. So um so, 845 00:41:43,880 --> 00:41:45,320 Speaker 1: and I got some things that I'm gonna talk to 846 00:41:45,360 --> 00:41:47,680 Speaker 1: you about all camera though, but like it's on the 847 00:41:47,760 --> 00:41:49,640 Speaker 1: way though, you know, it means some really cool things 848 00:41:49,680 --> 00:41:52,560 Speaker 1: that we're doing for the dance community in Memphis, because 849 00:41:52,560 --> 00:41:54,239 Speaker 1: a lot of people don't really highlight that. So some 850 00:41:54,320 --> 00:41:57,360 Speaker 1: cool things on the way. What you just did speak 851 00:41:57,400 --> 00:42:01,120 Speaker 1: to Keeping ship to yourself sometimes made like not not 852 00:42:01,680 --> 00:42:04,360 Speaker 1: speaking on something until it's done. I don't think a 853 00:42:04,400 --> 00:42:06,640 Speaker 1: lot of people understand that you step on your blessings 854 00:42:06,640 --> 00:42:09,000 Speaker 1: a lot of time by letting other people's energy in 855 00:42:09,160 --> 00:42:11,480 Speaker 1: on your what you got going on, because you might 856 00:42:11,560 --> 00:42:13,279 Speaker 1: say it, oh, yeah, I've got this coming, and then 857 00:42:13,360 --> 00:42:15,480 Speaker 1: you don't even know the person you're telling can't stand you, 858 00:42:15,600 --> 00:42:18,080 Speaker 1: so they can hole as soon as you walk away. 859 00:42:18,160 --> 00:42:21,040 Speaker 1: Please God that this Nike accomplished it. Hey man, I'm 860 00:42:21,040 --> 00:42:29,400 Speaker 1: gonna tell you something, the really hello, You're not created 861 00:42:29,480 --> 00:42:33,000 Speaker 1: in who you waste a prep to tell God, don't 862 00:42:33,120 --> 00:42:44,200 Speaker 1: let another nigell prayer. He canceled out. They weren't praying 863 00:42:44,280 --> 00:42:51,399 Speaker 1: to God. That's what they told me. I gotten it's good. 864 00:42:57,080 --> 00:43:00,040 Speaker 1: Was what was that? Tell you the best? That the 865 00:43:00,080 --> 00:43:01,839 Speaker 1: guy was in the looking store. It was just drunk 866 00:43:01,840 --> 00:43:04,040 Speaker 1: a dude, bro. He was standing in the middle of 867 00:43:04,160 --> 00:43:07,560 Speaker 1: the liquor store. He turned around, he looking and he said, 868 00:43:07,600 --> 00:43:11,160 Speaker 1: young Nick, you might as well be happy. They're gonna 869 00:43:11,200 --> 00:43:17,560 Speaker 1: like get away back. Yeah, him for that, but he 870 00:43:17,640 --> 00:43:21,279 Speaker 1: just left it like that's real. Whatever got him drunk 871 00:43:21,320 --> 00:43:22,879 Speaker 1: and the leta store in the middle of the day. 872 00:43:23,520 --> 00:43:26,320 Speaker 1: He hadn't been through. Some ship ain't seen it. He 873 00:43:26,480 --> 00:43:27,840 Speaker 1: don't went through, and he didn't want to let you 874 00:43:27,960 --> 00:43:30,680 Speaker 1: know all right, that way you didn't get the really 875 00:43:30,719 --> 00:43:33,239 Speaker 1: stick pace through the people at the motherfucking liquor Stoke, Bro, 876 00:43:33,400 --> 00:43:36,120 Speaker 1: They ain't got no light to tell you. I just 877 00:43:36,160 --> 00:43:40,800 Speaker 1: tell him. I like to hush, like I hush, I 878 00:43:40,920 --> 00:43:44,000 Speaker 1: just hustle at your song. You know what I mean? Um, 879 00:43:44,400 --> 00:43:47,000 Speaker 1: you know you know I feel like that that that 880 00:43:47,080 --> 00:43:49,759 Speaker 1: would you know what I'm saying, Hush, I feel like 881 00:43:50,719 --> 00:43:52,880 Speaker 1: I feel like, you know, it'd be too late to 882 00:43:52,920 --> 00:43:54,919 Speaker 1: hate a lot of time. You know, you got people 883 00:43:54,960 --> 00:43:56,760 Speaker 1: that don't want to see you be successful. So sometimes 884 00:43:56,960 --> 00:43:59,040 Speaker 1: like by the time they found out about it, but 885 00:43:59,080 --> 00:44:01,120 Speaker 1: too late the hate they got to see me, you 886 00:44:01,160 --> 00:44:03,759 Speaker 1: know what I mean, there's a must how they're gonna 887 00:44:03,760 --> 00:44:08,000 Speaker 1: avoid this ship. I'm telling you they're going even if 888 00:44:08,000 --> 00:44:10,239 Speaker 1: they don't watch it, they're gonna hear that its good 889 00:44:10,360 --> 00:44:11,640 Speaker 1: and being an on the dollar like you on the 890 00:44:11,680 --> 00:44:15,720 Speaker 1: first a second call, he mainly got to two rounds. 891 00:44:16,120 --> 00:44:20,640 Speaker 1: Imagine it's not like this show. I know that. I 892 00:44:20,680 --> 00:44:22,920 Speaker 1: imagine thinking not like in this show where everywhere he 893 00:44:23,000 --> 00:44:25,640 Speaker 1: goes they watched even I'm talking about Hate girl sitting 894 00:44:25,640 --> 00:44:27,880 Speaker 1: on the couch on her phone with her thin tucked in, 895 00:44:28,040 --> 00:44:33,520 Speaker 1: watching this ship, watching our episode man turn that ship 896 00:44:33,680 --> 00:44:44,399 Speaker 1: down right, and the little boy and watching too never 897 00:44:44,480 --> 00:44:54,960 Speaker 1: get called a little brother that I definitely like. But 898 00:44:55,320 --> 00:44:57,200 Speaker 1: it's fun. We're talking about it though, But y'all definitely 899 00:44:57,280 --> 00:44:59,880 Speaker 1: chopped into something that that we're definitely working on. Like 900 00:45:00,040 --> 00:45:03,919 Speaker 1: I think, like after playing in super Fly the Star 901 00:45:04,080 --> 00:45:06,839 Speaker 1: on Fox Atlanta, I played last season of the Land, 902 00:45:06,880 --> 00:45:08,759 Speaker 1: I was in there. I like what you did on 903 00:45:08,880 --> 00:45:15,279 Speaker 1: the on the B came in. I like that time, 904 00:45:16,640 --> 00:45:23,640 Speaker 1: like any later the Twins, Mama, she got rid of down. 905 00:45:27,880 --> 00:45:30,680 Speaker 1: I couldn't. I can't really get a call for show, 906 00:45:30,800 --> 00:45:33,000 Speaker 1: Like no, I love it, but like you know, when 907 00:45:33,040 --> 00:45:34,400 Speaker 1: you get when you when you get to play and 908 00:45:34,480 --> 00:45:36,960 Speaker 1: that stuff and playing, and you could be like, Okay, yeah, 909 00:45:37,200 --> 00:45:41,839 Speaker 1: I gotta boss up. I gotta be able to. Yeah yeah, 910 00:45:41,920 --> 00:45:45,840 Speaker 1: but I'm here to I'm an entertainer. You're not just 911 00:45:45,920 --> 00:45:48,800 Speaker 1: gonna do your jokes you're talking to I'm going to 912 00:45:48,920 --> 00:45:54,239 Speaker 1: show you a mother. Yeah. They don't love the drum though. 913 00:45:55,160 --> 00:45:57,319 Speaker 1: They always talked about how dark comedians are, and they 914 00:45:57,360 --> 00:45:59,440 Speaker 1: don't know. We'll flip the whole script. We'll turn this 915 00:45:59,520 --> 00:46:07,680 Speaker 1: bitch from a from the cramp right Immediately immedly comedians 916 00:46:07,719 --> 00:46:11,120 Speaker 1: went on stage and really seeing the dog shit that 917 00:46:11,280 --> 00:46:21,000 Speaker 1: we really won't say you were going through you man, 918 00:46:21,280 --> 00:46:27,719 Speaker 1: you meet and greepy, all hugs coming. I don't even 919 00:46:27,719 --> 00:46:30,239 Speaker 1: want to picture. Just give me, but tell you didn't 920 00:46:30,280 --> 00:46:32,680 Speaker 1: tell them sometimes that the shows. I'm like, listen, this 921 00:46:32,920 --> 00:46:35,480 Speaker 1: is why us comedian we come on stage think what 922 00:46:35,560 --> 00:46:38,080 Speaker 1: we do so good because y'all energies at all time. 923 00:46:38,200 --> 00:46:41,160 Speaker 1: How we feed off they y'all like, we don't go 924 00:46:41,280 --> 00:46:43,440 Speaker 1: through ship. We got to come up your heads and 925 00:46:43,560 --> 00:46:46,759 Speaker 1: forget it, just to make y'all forget what y'all going through. 926 00:46:47,080 --> 00:46:49,080 Speaker 1: So y'all energy got to be right so we can 927 00:46:49,160 --> 00:46:52,319 Speaker 1: give y'all maybe this one. Most comedians being fucked up 928 00:46:53,040 --> 00:46:56,320 Speaker 1: because we have to delay eye problems and ship people 929 00:46:56,400 --> 00:46:58,520 Speaker 1: who people who don't have to go in front of 930 00:46:58,560 --> 00:47:01,360 Speaker 1: nobody again just go through the ship. From then on, 931 00:47:01,640 --> 00:47:04,000 Speaker 1: they just get over that ship. But like maybe, like 932 00:47:04,480 --> 00:47:08,560 Speaker 1: if you pose that ship, that ship, just letlater whatever 933 00:47:08,640 --> 00:47:12,359 Speaker 1: the light on them. Literally, because you're talking about your life, 934 00:47:12,400 --> 00:47:14,520 Speaker 1: you're talking about whatever it is you're going through. You 935 00:47:14,600 --> 00:47:17,200 Speaker 1: gotta navigate it. Not to make people be like god damn, 936 00:47:17,239 --> 00:47:18,920 Speaker 1: but you need to go see a thurpist like you 937 00:47:18,960 --> 00:47:23,319 Speaker 1: know what, Like you gotta delay made but that I'm saying, 938 00:47:23,360 --> 00:47:25,200 Speaker 1: but to the point where people looking at you like, bro, 939 00:47:25,280 --> 00:47:27,640 Speaker 1: I ain't come here to realize I up my ship 940 00:47:27,680 --> 00:47:30,680 Speaker 1: in you know what I'm saying. It's coming about it 941 00:47:31,480 --> 00:47:36,959 Speaker 1: as a convenient We literally let people laugh at us. Bright. 942 00:47:37,160 --> 00:47:39,200 Speaker 1: We gonna stand. If you just walk up to a 943 00:47:39,280 --> 00:47:42,239 Speaker 1: motherfucking start laughing, they're gonna want to fight. They're gonna 944 00:47:42,920 --> 00:47:49,400 Speaker 1: kick now when you laughing, your man, they could be 945 00:47:49,480 --> 00:47:53,440 Speaker 1: like Joe Pete, I'm funny to you. That funny, how funny? 946 00:47:55,000 --> 00:48:04,040 Speaker 1: I don't don't. I don't know you're gonna get you 947 00:48:04,400 --> 00:48:13,400 Speaker 1: when he's like, hey man, you stupid, hell you you stupid, 948 00:48:14,280 --> 00:48:26,480 Speaker 1: you stupid, study just crazy. You don't be doing all right. 949 00:48:26,560 --> 00:48:39,800 Speaker 1: So the real ship then, isn't like that rappers what 950 00:48:39,880 --> 00:48:41,919 Speaker 1: people wants up to you like walking up, I don't 951 00:48:41,920 --> 00:48:49,080 Speaker 1: no matter what yell across the ball. Yeah yeah, I 952 00:48:49,120 --> 00:48:50,760 Speaker 1: don't think I don't think it would be like different 953 00:48:50,800 --> 00:48:53,880 Speaker 1: most wrappers like like Chicken this ship like nikas. You 954 00:48:53,920 --> 00:48:56,680 Speaker 1: know rappers. We know nigga's niggas do that ship and 955 00:48:57,080 --> 00:48:59,759 Speaker 1: they show you they like that be hear little face 956 00:49:00,200 --> 00:49:04,000 Speaker 1: nigga Mine. That's how when I meant growth hero for 957 00:49:04,080 --> 00:49:07,399 Speaker 1: the first time that he was like yeah, he was like, yeah, 958 00:49:07,400 --> 00:49:09,320 Speaker 1: you gets to add my super for money. Yeah. I'm like, 959 00:49:09,560 --> 00:49:13,840 Speaker 1: who here to me to come in and chaking like 960 00:49:13,920 --> 00:49:15,799 Speaker 1: you know what I'm saying. Like, but he's a good dude. 961 00:49:16,120 --> 00:49:18,040 Speaker 1: I love. I don't think it like that though, but 962 00:49:18,120 --> 00:49:20,080 Speaker 1: I do think it like when you're in between, I 963 00:49:20,200 --> 00:49:21,960 Speaker 1: like what you when you're talking about how y'all can 964 00:49:22,040 --> 00:49:23,560 Speaker 1: take your feelings and what you feeling and you can 965 00:49:23,600 --> 00:49:26,000 Speaker 1: able to compartment a lot of those for the moment 966 00:49:26,080 --> 00:49:28,680 Speaker 1: to be able to use yourself, to be used, to 967 00:49:28,760 --> 00:49:30,560 Speaker 1: be able to use your gift, to be able to 968 00:49:30,920 --> 00:49:33,840 Speaker 1: make some money else laugh, even if you inside crime 969 00:49:33,920 --> 00:49:35,480 Speaker 1: like that's that's a lot of strength, you know what 970 00:49:35,520 --> 00:49:38,160 Speaker 1: I mean. And people don't show how vulnerable you are. 971 00:49:38,200 --> 00:49:41,480 Speaker 1: That's why most uh comedians all can't go drama and 972 00:49:41,600 --> 00:49:43,120 Speaker 1: can't be able to act and be able to go 973 00:49:43,560 --> 00:49:45,440 Speaker 1: go serious or whatever and be really good at I 974 00:49:45,880 --> 00:49:48,560 Speaker 1: love Kevin Hart's love movie His can't with whatever I 975 00:49:48,640 --> 00:49:51,400 Speaker 1: thought that series on that dope, you know what I mean. 976 00:49:51,400 --> 00:49:55,600 Speaker 1: I'm so you know, I want to say the right 977 00:49:56,640 --> 00:50:08,440 Speaker 1: uh ye right, right right man. But people got understand 978 00:50:08,480 --> 00:50:10,440 Speaker 1: that they come from my hot power. It does, you 979 00:50:10,480 --> 00:50:13,200 Speaker 1: see what I'm saying. So for a fact, like when 980 00:50:13,200 --> 00:50:17,439 Speaker 1: we're gonna stay, even when we're gonna stay ten two people, 981 00:50:17,440 --> 00:50:21,000 Speaker 1: I'll be like man, hilf five man, I know, I 982 00:50:21,080 --> 00:50:23,359 Speaker 1: mean we wouldut be able to stay. You mean it's 983 00:50:23,360 --> 00:50:26,520 Speaker 1: coming through you and you use it and us ain't 984 00:50:26,560 --> 00:50:34,520 Speaker 1: gonna lie I like a little bit yet just people 985 00:50:34,600 --> 00:50:37,840 Speaker 1: always just don't mean to use me, because if you 986 00:50:37,920 --> 00:50:42,279 Speaker 1: can't be you when you listen that voluntary reaction. That laughs. Man, 987 00:50:43,640 --> 00:50:45,759 Speaker 1: that ain't some people just do all the time? You 988 00:50:45,840 --> 00:50:47,879 Speaker 1: do it all time. You like to sit your down. 989 00:50:48,760 --> 00:51:01,080 Speaker 1: I'm wrong, done night, that's right, that's right now. But 990 00:51:01,160 --> 00:51:03,200 Speaker 1: I'd like to ask people this who they've been famous, 991 00:51:03,440 --> 00:51:05,800 Speaker 1: you know, before the internet, Like what's the difference for you? 992 00:51:06,160 --> 00:51:08,759 Speaker 1: Like but coming up in a time where they wanted 993 00:51:08,760 --> 00:51:11,400 Speaker 1: to talk to you had to write your letters like 994 00:51:11,520 --> 00:51:15,279 Speaker 1: that versus now when people can access you. What's the 995 00:51:15,360 --> 00:51:18,680 Speaker 1: difference in in in that time? Wasn't that long room? 996 00:51:18,840 --> 00:51:26,399 Speaker 1: I mean it is like my Space days. My Space 997 00:51:26,480 --> 00:51:29,640 Speaker 1: is out in two thousands. My familys out like seven 998 00:51:29,800 --> 00:51:35,920 Speaker 1: or eight, you know what I mean. Like time was texted. Yeah, 999 00:51:36,160 --> 00:51:43,439 Speaker 1: like you had to have a whole another machine. Yeah, 1000 00:51:43,480 --> 00:51:46,520 Speaker 1: the two you can take. Yeah, that's what I'm saying. 1001 00:51:46,600 --> 00:51:50,360 Speaker 1: That was the first text. I think, like the difference 1002 00:51:50,440 --> 00:51:53,440 Speaker 1: is just like the I think the difference is more 1003 00:51:53,560 --> 00:51:58,279 Speaker 1: like like the the most of the audiences are like 1004 00:51:58,320 --> 00:52:01,359 Speaker 1: a little more fickle, you know, mean that they are 1005 00:52:01,640 --> 00:52:03,480 Speaker 1: back to the day. If you look at the individuals 1006 00:52:03,520 --> 00:52:06,759 Speaker 1: that winning bought a CD, drove to drive to buy 1007 00:52:06,800 --> 00:52:09,759 Speaker 1: your favorite artists music. I think that's an affection not 1008 00:52:09,920 --> 00:52:12,040 Speaker 1: o to that there's a there's a connection with the 1009 00:52:12,200 --> 00:52:14,160 Speaker 1: fan and the actual artists. You know what I'm saying 1010 00:52:14,239 --> 00:52:17,279 Speaker 1: that that that like a little bit like in today's marketplace, 1011 00:52:17,680 --> 00:52:19,520 Speaker 1: it's like, okay, well I can just follow you and 1012 00:52:19,600 --> 00:52:21,160 Speaker 1: see what you're doing, I can stream you know what 1013 00:52:21,320 --> 00:52:25,759 Speaker 1: have you. That's not not yet. Sometimes there's there's not 1014 00:52:25,920 --> 00:52:28,160 Speaker 1: a real connection though, you know what I mean, they 1015 00:52:28,200 --> 00:52:30,520 Speaker 1: do be a real connection sometimes because you look at 1016 00:52:30,560 --> 00:52:32,600 Speaker 1: it the crowd and you'd be like, how and the 1017 00:52:33,000 --> 00:52:36,040 Speaker 1: fuck that these people finding me? Yeah? You know what 1018 00:52:36,040 --> 00:52:37,759 Speaker 1: I'm saying. I'm not saying you can't connect to because 1019 00:52:37,760 --> 00:52:39,520 Speaker 1: I connect with confeet with Kim folk every day. Is 1020 00:52:39,560 --> 00:52:42,120 Speaker 1: inspiating for the situation. All I'm saying because real is real. 1021 00:52:42,200 --> 00:52:43,600 Speaker 1: The truth is truth them out of you on I 1022 00:52:43,760 --> 00:52:45,840 Speaker 1: G or or view in the street. But I just 1023 00:52:45,960 --> 00:52:48,880 Speaker 1: think that though they came through the street and was 1024 00:52:48,960 --> 00:52:50,839 Speaker 1: able to press the flesh of those fans and those 1025 00:52:50,880 --> 00:52:54,359 Speaker 1: people like y'all go out and y'all touch people, y'all fulfilling. Yeah, 1026 00:52:54,400 --> 00:52:57,440 Speaker 1: the access to be able to perform and touch people. 1027 00:52:57,520 --> 00:53:00,560 Speaker 1: Some of these new artists are just simply stream well 1028 00:53:00,680 --> 00:53:02,640 Speaker 1: or whatever. And that's what they do, and you know 1029 00:53:02,640 --> 00:53:04,520 Speaker 1: what I mean, and that they don't have that that 1030 00:53:04,640 --> 00:53:06,440 Speaker 1: relationship with a lot of those artists that did have 1031 00:53:06,640 --> 00:53:08,600 Speaker 1: that still seem to make a lot of money to 1032 00:53:08,680 --> 00:53:10,360 Speaker 1: this day, you know what I mean, because they have 1033 00:53:10,520 --> 00:53:12,719 Speaker 1: this following, you know what I mean, this this this 1034 00:53:12,920 --> 00:53:15,319 Speaker 1: this this engagement with your with your audience or whatever. 1035 00:53:15,400 --> 00:53:16,840 Speaker 1: But I like both. I think it's cool that you 1036 00:53:16,880 --> 00:53:19,239 Speaker 1: could be able to just touch millions of people from 1037 00:53:19,320 --> 00:53:21,520 Speaker 1: your house to or whatever. Actually, like what like like 1038 00:53:21,640 --> 00:53:25,680 Speaker 1: that's that's dope too, Like it's about the messaging or whatever. 1039 00:53:25,840 --> 00:53:28,759 Speaker 1: Like it's just like I think, I think the whole 1040 00:53:28,840 --> 00:53:30,880 Speaker 1: game itself, because like you know, you can have a 1041 00:53:30,920 --> 00:53:32,759 Speaker 1: dope car, but sometimes you gotta you gotta get your 1042 00:53:32,800 --> 00:53:34,680 Speaker 1: front wheels a line, you know what I mean, Because 1043 00:53:34,680 --> 00:53:36,920 Speaker 1: you're not aligning that the balance gets off. I think 1044 00:53:37,000 --> 00:53:39,400 Speaker 1: some songs, like in the music and and then with 1045 00:53:39,560 --> 00:53:41,400 Speaker 1: the content, that the balance is off, you know what 1046 00:53:41,440 --> 00:53:44,080 Speaker 1: I mean. Like, you know, the people that actually curated 1047 00:53:44,480 --> 00:53:46,880 Speaker 1: music back in the day when you just had MTV 1048 00:53:47,040 --> 00:53:49,600 Speaker 1: and BT and certain things like that, the people that 1049 00:53:49,960 --> 00:53:52,520 Speaker 1: created that sound that you saw, you know, got to 1050 00:53:53,480 --> 00:53:55,640 Speaker 1: like bring a little a little more variety because right 1051 00:53:55,680 --> 00:53:58,200 Speaker 1: now it's just it's just it's you're seeing the same 1052 00:53:58,360 --> 00:54:00,839 Speaker 1: copy and paste. Like you don't think the music game 1053 00:54:01,080 --> 00:54:04,080 Speaker 1: has variety. There's a lot of people that streamed very well. 1054 00:54:04,400 --> 00:54:08,160 Speaker 1: It's not positive to the coming here, no doubt, no doubt. Um, 1055 00:54:08,840 --> 00:54:11,440 Speaker 1: I just think the we're just talking about the masters. 1056 00:54:12,920 --> 00:54:15,520 Speaker 1: If you know the music, like you, you've got great music, 1057 00:54:15,560 --> 00:54:17,200 Speaker 1: you know what I mean. Like if you like and 1058 00:54:17,280 --> 00:54:19,480 Speaker 1: you you do your your comedy and you do this. 1059 00:54:19,640 --> 00:54:21,440 Speaker 1: But it's like that's something that you can see that's 1060 00:54:21,440 --> 00:54:24,200 Speaker 1: just passionate about. You could get the conviction in it, 1061 00:54:24,320 --> 00:54:25,759 Speaker 1: you know what I mean, when you're doing it, it's 1062 00:54:25,800 --> 00:54:28,960 Speaker 1: something that you love to do. But it's like the masses, 1063 00:54:29,080 --> 00:54:31,759 Speaker 1: the labels with those individuals, they kind of put out 1064 00:54:31,760 --> 00:54:34,920 Speaker 1: a lot of music. They're like, you know, they market 1065 00:54:35,040 --> 00:54:37,040 Speaker 1: that like that. They wouldn't even let their own kids 1066 00:54:37,120 --> 00:54:39,239 Speaker 1: like listen to, you know what I mean. And that 1067 00:54:39,440 --> 00:54:41,440 Speaker 1: just being able to be aware of what you're what 1068 00:54:41,560 --> 00:54:44,160 Speaker 1: you put in the argan place, and the influencing its influencing, 1069 00:54:44,440 --> 00:54:46,440 Speaker 1: you know what I mean. I think that's like kind 1070 00:54:46,480 --> 00:54:48,719 Speaker 1: of out the the out out the window right now. 1071 00:54:48,719 --> 00:54:49,960 Speaker 1: I think we've got to just get a little more 1072 00:54:50,000 --> 00:54:52,719 Speaker 1: alignment going on. I mean, I think that makes it 1073 00:54:53,200 --> 00:54:55,800 Speaker 1: work for artists now because Ship Martin didn't have to 1074 00:54:55,840 --> 00:54:57,640 Speaker 1: worry about showing us what he ate to day at 1075 00:54:57,719 --> 00:55:00,319 Speaker 1: ninety six. But now, you know what I mean, want 1076 00:55:00,360 --> 00:55:02,560 Speaker 1: to see those things probably going on TV with your 1077 00:55:02,560 --> 00:55:05,000 Speaker 1: age to day, what you're watching on TV? What you 1078 00:55:05,120 --> 00:55:07,040 Speaker 1: you know what I mean with type of toothpage you use? 1079 00:55:07,080 --> 00:55:11,400 Speaker 1: All that pressure like that, that's a lot of pressure 1080 00:55:11,960 --> 00:55:15,279 Speaker 1: if you're famous, Uh you're famous, like say fans as 1081 00:55:15,400 --> 00:55:19,200 Speaker 1: Unity is famous that your only famous because we keep 1082 00:55:19,239 --> 00:55:21,440 Speaker 1: seeing you on ship? Do you know how all that 1083 00:55:21,600 --> 00:55:26,080 Speaker 1: is to keep getting on ship? Now th empt on TV? 1084 00:55:26,239 --> 00:55:30,800 Speaker 1: Beery any year? Boy, get on five different ships in 1085 00:55:30,880 --> 00:55:34,799 Speaker 1: a year as a comedian. Nigga you're doing You're being 1086 00:55:34,840 --> 00:55:37,360 Speaker 1: blessed after the niggas, who is really blessed? Who like 1087 00:55:37,480 --> 00:55:40,480 Speaker 1: nigga got a show nigga hosted the ward it was on. 1088 00:55:40,880 --> 00:55:44,560 Speaker 1: I'm talking about nigga who still Brandon check the check TV? 1089 00:55:44,719 --> 00:55:48,359 Speaker 1: The TV period appears. You know what I mean? You're 1090 00:55:48,360 --> 00:55:53,680 Speaker 1: working ship. It's it's awesome you get famous, just like 1091 00:55:53,719 --> 00:55:55,120 Speaker 1: how are the money come in May? But I think 1092 00:55:55,160 --> 00:55:57,239 Speaker 1: you could be a non nigga with it'sufficient fund. You 1093 00:55:57,280 --> 00:55:59,279 Speaker 1: want to talk about the nigga with some pressure. Just 1094 00:55:59,440 --> 00:56:03,200 Speaker 1: imagine you're in a Spike Lee movie, but you gotta 1095 00:56:03,239 --> 00:56:06,480 Speaker 1: wait seven more months. But ship the government ship that 1096 00:56:09,320 --> 00:56:13,560 Speaker 1: waiting for that. It's like trying to change in this ship. 1097 00:56:13,880 --> 00:56:16,920 Speaker 1: Everybody in the hood and go see that ship. I've 1098 00:56:16,960 --> 00:56:20,799 Speaker 1: got the I've experienced that on on on the super 1099 00:56:20,840 --> 00:56:24,920 Speaker 1: Fly thing, on like on Atlanta, on green Leaf, on 1100 00:56:25,440 --> 00:56:27,879 Speaker 1: this Johnson thing. I just shot even just I got 1101 00:56:27,920 --> 00:56:29,560 Speaker 1: on the Saints and centers them on that that the 1102 00:56:29,840 --> 00:56:36,960 Speaker 1: show April third, April third Child makes y'all watched the 1103 00:56:37,000 --> 00:56:39,160 Speaker 1: new It's gonna be the last season the Saint to sells. 1104 00:56:39,200 --> 00:56:41,920 Speaker 1: It's a sixth season, gonna be on bouncing, And I 1105 00:56:41,960 --> 00:56:49,120 Speaker 1: played big odds in that joint. So y'all, miss y'all consistent. 1106 00:56:49,920 --> 00:56:52,320 Speaker 1: I just branded and listen. I can tell you it's 1107 00:56:52,360 --> 00:56:54,480 Speaker 1: like you go through a thousand dollars to get to 1108 00:56:54,600 --> 00:56:56,920 Speaker 1: one yuess and that's all that count is the one 1109 00:56:57,000 --> 00:56:59,239 Speaker 1: yea And in the one somebody like, no, you just 1110 00:56:59,280 --> 00:57:02,000 Speaker 1: gotta figure out two things. You're not getting what you 1111 00:57:02,080 --> 00:57:06,360 Speaker 1: want now you feel about it was playing something with 1112 00:57:06,440 --> 00:57:10,080 Speaker 1: no means to me, no means next opper time, next 1113 00:57:10,200 --> 00:57:13,200 Speaker 1: opportunity to no means next old means the next opportunity, 1114 00:57:13,239 --> 00:57:16,040 Speaker 1: no right opportunity. That's far right there and flame you, bro, 1115 00:57:16,280 --> 00:57:21,800 Speaker 1: you know I didn't getting no. No means no, I 1116 00:57:21,840 --> 00:57:24,760 Speaker 1: didn't get it. Chill tell you all this ship. You 1117 00:57:25,040 --> 00:57:29,280 Speaker 1: don't want to my life. Just like I come to you, 1118 00:57:29,360 --> 00:57:30,760 Speaker 1: I see you, I see you when you be out there, 1119 00:57:30,760 --> 00:57:33,080 Speaker 1: I see y'all. Have y'all never like sometimes so many 1120 00:57:33,080 --> 00:57:35,800 Speaker 1: stuff thing wrote, they don't just they're in the vibe. 1121 00:57:35,840 --> 00:57:37,640 Speaker 1: They're in the oldience. They're feeling what they're doing and 1122 00:57:37,680 --> 00:57:39,720 Speaker 1: they're at it. And I'm like, from artists to artists, 1123 00:57:39,720 --> 00:57:41,560 Speaker 1: I'm feeling that and I'm like, I'm seeing that now 1124 00:57:41,640 --> 00:57:45,439 Speaker 1: they like that Benny Hannah's open face grill ship. We'll 1125 00:57:45,440 --> 00:57:53,960 Speaker 1: be cooking that ship right there. Like you're thinking, you 1126 00:57:59,320 --> 00:58:11,200 Speaker 1: just man, I know, well, tell y'all got rehearsal. That's 1127 00:58:11,240 --> 00:58:21,919 Speaker 1: the point about being. You're mixing up that think whatever 1128 00:58:22,000 --> 00:58:26,360 Speaker 1: things be done that they put on this about your grandma, 1129 00:58:26,760 --> 00:58:32,200 Speaker 1: hit you with that. This is about you, Oh man, 1130 00:58:32,320 --> 00:58:35,600 Speaker 1: that's coming to you though it's being used by you 1131 00:58:35,720 --> 00:58:38,480 Speaker 1: being used. That's the joy of the comedy, man, It's 1132 00:58:38,520 --> 00:58:42,520 Speaker 1: like you a little entertainment because he's like, I'm just 1133 00:58:42,640 --> 00:58:44,240 Speaker 1: saying that. I was like, Nick, don't even know like 1134 00:58:44,320 --> 00:58:47,880 Speaker 1: my music made me cry because I know I did 1135 00:58:48,000 --> 00:58:51,080 Speaker 1: serious about everything and I don't see it. When I ride, 1136 00:58:51,080 --> 00:58:53,200 Speaker 1: I'm so passionate. I did be like you know how 1137 00:58:53,280 --> 00:58:56,840 Speaker 1: you somebody else didn't say if they saw you crying, 1138 00:58:57,240 --> 00:58:59,760 Speaker 1: I ain't gonna think something fun up in the world. 1139 00:59:01,360 --> 00:59:10,920 Speaker 1: You got the light. You see what wrong you're striking me? 1140 00:59:12,560 --> 00:59:14,720 Speaker 1: If I pull up to anything and he cram, I'm 1141 00:59:14,760 --> 00:59:23,280 Speaker 1: letting him pull out first. You know, I don't know 1142 00:59:23,440 --> 00:59:31,320 Speaker 1: what he's thinking. I don't know what making make it 1143 00:59:31,400 --> 00:59:40,320 Speaker 1: your funny crown. When you say put on my side, 1144 00:59:55,640 --> 01:00:10,120 Speaker 1: I don't think even then laugh a lot. Laughing the 1145 01:00:10,240 --> 01:00:12,440 Speaker 1: best matter. But you know what you show. You know 1146 01:00:12,520 --> 01:00:14,560 Speaker 1: the bad part about the show that people don't understand 1147 01:00:15,160 --> 01:00:18,439 Speaker 1: it's me to greet you can do my real foot 1148 01:00:18,560 --> 01:00:21,680 Speaker 1: that they'd be like, funk this show. We wouldn't go 1149 01:00:21,840 --> 01:00:24,400 Speaker 1: hook them, don't be the folk they be with all 1150 01:00:24,440 --> 01:00:29,280 Speaker 1: the stories are the key, but real live black weirds 1151 01:00:29,280 --> 01:00:37,560 Speaker 1: over the bedtime and then the show that hard fan 1152 01:00:37,880 --> 01:00:41,000 Speaker 1: I love that I'm putting as a fan base. My 1153 01:00:41,120 --> 01:00:43,080 Speaker 1: nig do you think that like everything you know, it's 1154 01:00:43,160 --> 01:00:45,320 Speaker 1: everything is everything? Like that's how like that's what I 1155 01:00:45,400 --> 01:00:46,840 Speaker 1: we're talking about the end of that, and I was 1156 01:00:46,840 --> 01:00:48,920 Speaker 1: good about it. It's good about it. Like you can 1157 01:00:48,960 --> 01:00:51,280 Speaker 1: have your own website, you can have your merch, you 1158 01:00:51,360 --> 01:00:54,880 Speaker 1: can put your posts out and people can call and 1159 01:00:54,920 --> 01:00:57,000 Speaker 1: they can shot, and they can wear and they can share. 1160 01:00:57,600 --> 01:00:59,120 Speaker 1: And that's what they do with my slighte Coffee with 1161 01:00:59,200 --> 01:01:00,600 Speaker 1: kim Folk dot com. And that's what they do with 1162 01:01:00,680 --> 01:01:03,240 Speaker 1: multiple hustles. That's what we do with our with our brand. 1163 01:01:03,360 --> 01:01:04,880 Speaker 1: Is I think it's it's dope to be able to 1164 01:01:04,960 --> 01:01:07,200 Speaker 1: have a base of people. It's one thing when someone 1165 01:01:07,240 --> 01:01:09,560 Speaker 1: streams your music, that's cool, and we gotta fix that 1166 01:01:09,640 --> 01:01:12,240 Speaker 1: streaming race because artists are being raped with the straight 1167 01:01:12,360 --> 01:01:15,520 Speaker 1: with the streaming. It's just po point point this point 1168 01:01:15,520 --> 01:01:19,000 Speaker 1: point point poet is not cool and it's not cool, 1169 01:01:19,440 --> 01:01:20,920 Speaker 1: like it's not cool at all, like and it's like 1170 01:01:21,040 --> 01:01:23,520 Speaker 1: that that's gotta change and things are being put into 1171 01:01:23,560 --> 01:01:26,520 Speaker 1: place to make that change. But it's like when your 1172 01:01:26,560 --> 01:01:30,840 Speaker 1: fan base forward and fourth of a page somebody piece 1173 01:01:30,880 --> 01:01:32,400 Speaker 1: from you or something like that, man like that, and 1174 01:01:32,880 --> 01:01:34,680 Speaker 1: you you get them blocks from your phone or whatever 1175 01:01:34,760 --> 01:01:37,520 Speaker 1: when you when you're hitting them, pay your fan base 1176 01:01:37,520 --> 01:01:40,200 Speaker 1: actually copy from you, like bro, that that's what That's 1177 01:01:40,240 --> 01:01:42,840 Speaker 1: one thing about setting the CDs back in the day. Well, 1178 01:01:42,880 --> 01:01:45,120 Speaker 1: it's like your favorite at the came and got something 1179 01:01:45,200 --> 01:01:47,200 Speaker 1: from you. You know what I'm saying. So it's like 1180 01:01:47,240 --> 01:01:49,560 Speaker 1: when somebody copy your merchant and go online and copy 1181 01:01:50,040 --> 01:01:53,200 Speaker 1: your and your fan base, you can be successful individual 1182 01:01:53,520 --> 01:01:57,120 Speaker 1: without everybody knowing you being successful, be completely under radar, 1183 01:01:57,520 --> 01:01:59,280 Speaker 1: you know what I mean. And I think that's that's 1184 01:01:59,320 --> 01:02:01,040 Speaker 1: cool too, you know what I mean, Because I think 1185 01:02:01,080 --> 01:02:03,040 Speaker 1: it's cool to be blessed by the best, but like 1186 01:02:03,120 --> 01:02:05,720 Speaker 1: not how to necessarily be the you know what I mean, 1187 01:02:05,840 --> 01:02:07,520 Speaker 1: like when you can't move you can't move around or 1188 01:02:07,560 --> 01:02:09,720 Speaker 1: whatever and all that. I think it's cool to be 1189 01:02:09,920 --> 01:02:12,280 Speaker 1: to Tom blessings. Everything ain't fun to be posted some 1190 01:02:12,440 --> 01:02:14,520 Speaker 1: things that you've got going on. You know, it's just 1191 01:02:14,680 --> 01:02:17,360 Speaker 1: it's just for you and your family and see how 1192 01:02:17,520 --> 01:02:20,200 Speaker 1: how real God is because it's you know what I mean, 1193 01:02:21,240 --> 01:02:23,920 Speaker 1: you know before you like you know what I mean? 1194 01:02:24,040 --> 01:02:27,439 Speaker 1: So like I just I dig that about it. Really, 1195 01:02:28,000 --> 01:02:30,800 Speaker 1: I'll be telling God, bro, if you feel like this 1196 01:02:30,960 --> 01:02:33,479 Speaker 1: is showing that in my life don't do it. Don't 1197 01:02:33,520 --> 01:02:36,720 Speaker 1: do it. And whatever you want to do, I'm talking 1198 01:02:36,760 --> 01:02:40,880 Speaker 1: about this get ridiculous. And when you do it, what 1199 01:02:41,040 --> 01:02:46,240 Speaker 1: you do, big Lord, big God, God, the biggest man, 1200 01:02:46,640 --> 01:02:49,200 Speaker 1: the biggest I'm just saying, I don't even want nothing. 1201 01:02:50,400 --> 01:02:55,720 Speaker 1: What you already than did it's good or not? I 1202 01:02:56,080 --> 01:03:01,360 Speaker 1: want what you want. I don't want nothing, no nothing. 1203 01:03:01,720 --> 01:03:07,280 Speaker 1: He's a shepherd. See a lot of people on my 1204 01:03:07,400 --> 01:03:13,920 Speaker 1: lad when you think that you sheat you scared now 1205 01:03:14,000 --> 01:03:17,040 Speaker 1: they don't want to be she because they knew what 1206 01:03:17,240 --> 01:03:24,320 Speaker 1: a wolf here, and they eat she who even she 1207 01:03:24,440 --> 01:03:28,160 Speaker 1: got a man? Because sometimes the shepherd isn't God. It 1208 01:03:28,240 --> 01:03:35,920 Speaker 1: by God. But what you know, shop, you shall not go, 1209 01:03:36,880 --> 01:03:39,680 Speaker 1: and I'll take you. Let's take what she gets lost 1210 01:03:39,720 --> 01:03:44,000 Speaker 1: from the flock. She'd been in the wilderness. His fleece 1211 01:03:44,080 --> 01:03:48,160 Speaker 1: has overgrown in the very same world, going eat this. 1212 01:03:48,360 --> 01:03:55,200 Speaker 1: She can't get through all of the head, all head 1213 01:03:55,880 --> 01:03:59,040 Speaker 1: whenever the work for girls understood. Because God, let's round 1214 01:03:59,120 --> 01:04:10,560 Speaker 1: him in a little flood the bolled with it that 1215 01:04:10,760 --> 01:04:14,600 Speaker 1: God gotta put your little ball. That's a prayer for 1216 01:04:14,720 --> 01:04:17,360 Speaker 1: you right there. God, surround me in a ruffing ball, 1217 01:04:18,880 --> 01:04:25,080 Speaker 1: check me in a little fluff don't ever lead me 1218 01:04:25,200 --> 01:04:28,439 Speaker 1: a straight as lone as I stayed within the pros. 1219 01:04:30,080 --> 01:04:34,360 Speaker 1: Fluffy ball ball, Oh that ain't that's the fool you 1220 01:04:34,440 --> 01:04:38,640 Speaker 1: know right O. I see something y'all want y'all fluffy 1221 01:04:38,680 --> 01:04:44,160 Speaker 1: ball to be gold. If you're divings man, put your 1222 01:04:44,280 --> 01:04:50,960 Speaker 1: name girls, just take a regular flumping God, the regular ball. God, 1223 01:04:56,800 --> 01:04:59,720 Speaker 1: I didn't see it had to be a brand new ball. 1224 01:05:02,360 --> 01:05:11,280 Speaker 1: God musing and read me the work before. He's love. 1225 01:05:13,000 --> 01:05:18,160 Speaker 1: It's his. It's if you won't got to put you 1226 01:05:18,360 --> 01:05:23,240 Speaker 1: to look loving ball awful. It's love John and with 1227 01:05:23,320 --> 01:05:28,760 Speaker 1: the brother and say it's loving. I remember me love 1228 01:05:28,840 --> 01:05:37,200 Speaker 1: the ball, it's loving. I need one ball. I came 1229 01:05:37,280 --> 01:05:43,200 Speaker 1: with you to ball. Then I red me a little 1230 01:05:43,280 --> 01:05:49,439 Speaker 1: flock ball full blessings. I'm gonna know a little love. 1231 01:05:50,240 --> 01:05:55,680 Speaker 1: I don't care one like me. I like me. I 1232 01:05:55,880 --> 01:06:02,920 Speaker 1: like me so much. That's the only thing missing. It 1233 01:06:03,000 --> 01:06:08,480 Speaker 1: ain't enough love of yourself. Wow, I don't you don't 1234 01:06:08,560 --> 01:06:14,600 Speaker 1: love yourself because sometimes you fuck yourself? Love? Why would 1235 01:06:14,640 --> 01:06:19,680 Speaker 1: you fuck you? I love you? See I this mad 1236 01:06:19,760 --> 01:06:24,280 Speaker 1: sit trying to last me. If you don't just so God, 1237 01:06:26,920 --> 01:06:36,640 Speaker 1: he's good. I'm sorry, Lord, I stuff, don't sund that look, 1238 01:06:40,000 --> 01:06:42,560 Speaker 1: but I had to tell you the one who wasn't 1239 01:06:51,280 --> 01:06:57,640 Speaker 1: around you'self like God love me love said all that. 1240 01:06:57,840 --> 01:07:02,040 Speaker 1: The same God he put you in the little pluffy 1241 01:07:02,120 --> 01:07:12,320 Speaker 1: ball so that you outside you look, it's flooding. All right, 1242 01:07:14,440 --> 01:07:19,400 Speaker 1: it's flood it's that flipball. We'll get to that. It's 1243 01:07:19,480 --> 01:07:25,960 Speaker 1: floo Always remember chiny, you stell outside your little flooding 1244 01:07:26,000 --> 01:07:32,880 Speaker 1: that phone, it's floods. Getting back in the phone like 1245 01:07:33,440 --> 01:07:37,320 Speaker 1: it's floor. Get back in the look fluffing Paul with God, 1246 01:07:38,120 --> 01:07:44,680 Speaker 1: he's don't stop listen that fo tip balls. Good, listen 1247 01:07:44,720 --> 01:07:50,320 Speaker 1: to my fluffy ball. He's fluffy listen in that fluff 1248 01:07:50,320 --> 01:07:53,800 Speaker 1: tip ball. The door to the church. Why I don't care. 1249 01:07:54,240 --> 01:07:56,840 Speaker 1: Why don't you come in? And whether you come in 1250 01:07:57,080 --> 01:08:03,040 Speaker 1: a out, we're coming out chat because well it's God. 1251 01:08:06,680 --> 01:08:17,320 Speaker 1: It's easy to tell who's nice in sad gods love. 1252 01:08:19,160 --> 01:08:23,640 Speaker 1: Everybody ain't gonna be in there. You know what what 1253 01:08:25,720 --> 01:08:39,880 Speaker 1: it's guess what. Some people don't like He's love. Like 1254 01:08:40,000 --> 01:08:44,560 Speaker 1: brother was saying earlier, it's time to take off the connection. 1255 01:08:46,280 --> 01:08:51,840 Speaker 1: We just passed the place in savings people, it's not free. 1256 01:08:53,560 --> 01:08:58,559 Speaker 1: We need material. Also, we're gonna stay in the blessing building. 1257 01:08:58,600 --> 01:09:05,000 Speaker 1: But you know we need you to bless ours. We 1258 01:09:05,200 --> 01:09:10,680 Speaker 1: got expensive too. We need some materity to keep the 1259 01:09:11,040 --> 01:09:28,800 Speaker 1: lessons going. It's come on, brain, it's what's up. It's 1260 01:09:28,840 --> 01:09:31,439 Speaker 1: Carlos Miller. In case you haven't heard, we over hered 1261 01:09:31,479 --> 01:09:34,440 Speaker 1: the eighty five South Show. Have launched our own independent 1262 01:09:34,600 --> 01:09:39,120 Speaker 1: streaming service called Channel eighty five. Once you sign up, 1263 01:09:39,320 --> 01:09:42,160 Speaker 1: you get access to the podcast a whole day earlier 1264 01:09:42,200 --> 01:09:46,880 Speaker 1: than anyone on YouTube, all of our live shows, independent specials, 1265 01:09:47,600 --> 01:09:51,479 Speaker 1: uh new shows like Project Carlos eighty five, and we 1266 01:09:51,680 --> 01:09:54,439 Speaker 1: even got you know, special officers and discount codes for 1267 01:09:54,600 --> 01:09:57,880 Speaker 1: merchandise and show tickets. It's on the eight fifth month 1268 01:09:58,080 --> 01:10:01,040 Speaker 1: or eighty five dollars a year that eighty five dot 1269 01:10:01,120 --> 01:10:07,040 Speaker 1: com or or oh yeah, Ion, Apple TV, Amazon Firestick, 1270 01:10:07,360 --> 01:10:10,720 Speaker 1: Real Cool Android is coming soon. That's Child eighty five. 1271 01:10:11,040 --> 01:10:13,560 Speaker 1: Make sure you subscribe. Hey man, welcome back to the 1272 01:10:13,640 --> 01:10:19,920 Speaker 1: eight show. We don't and I just want to let you. 1273 01:10:21,000 --> 01:10:26,080 Speaker 1: But as long as you stay inside God's little fluffy ball, alright, 1274 01:10:26,880 --> 01:10:30,160 Speaker 1: what everything will be all right, everything, We'll be all 1275 01:10:30,240 --> 01:10:38,040 Speaker 1: right the ground that's what we're on. Man, What kind 1276 01:10:38,040 --> 01:10:40,080 Speaker 1: of advice you got for full up and coming artists 1277 01:10:40,120 --> 01:10:44,599 Speaker 1: on the independent ground seeing with the you know fack 1278 01:10:44,680 --> 01:10:48,439 Speaker 1: then that we're in the digital age. Now, yeah, I 1279 01:10:48,520 --> 01:10:53,559 Speaker 1: think like the you know, it's gonna sound kind of crazy, 1280 01:10:53,600 --> 01:10:58,040 Speaker 1: but it's like you're gonna have to like have a bag, 1281 01:10:58,240 --> 01:11:00,439 Speaker 1: like on the music, like you know what I mean. 1282 01:11:00,560 --> 01:11:04,639 Speaker 1: Like the music, it's like you're not hearing the best 1283 01:11:05,560 --> 01:11:07,479 Speaker 1: artists in the world when you're hearing the music right now, 1284 01:11:07,560 --> 01:11:10,719 Speaker 1: You're you're hearing the artists that have the best office, 1285 01:11:10,760 --> 01:11:15,200 Speaker 1: have money to be able to your market themselves in 1286 01:11:15,400 --> 01:11:18,280 Speaker 1: this day and age and in this market in the marketplace. 1287 01:11:18,760 --> 01:11:20,760 Speaker 1: So it's like you've got some artists that like they're 1288 01:11:20,800 --> 01:11:24,680 Speaker 1: not necessarily like great business people. They might just be 1289 01:11:24,760 --> 01:11:27,600 Speaker 1: a dope ass talent, you know what I mean. But 1290 01:11:27,720 --> 01:11:32,400 Speaker 1: it's like that dope talent in today's marketplace has to 1291 01:11:32,479 --> 01:11:34,920 Speaker 1: have a bag to be able to you know what 1292 01:11:34,960 --> 01:11:37,920 Speaker 1: I mean, get to maneuver, to be able to for 1293 01:11:38,120 --> 01:11:40,759 Speaker 1: agle the bangle, to be able to get the audience 1294 01:11:41,280 --> 01:11:43,920 Speaker 1: that that that here she needs to be able to see. 1295 01:11:44,479 --> 01:11:47,560 Speaker 1: So it's like like that's the thing, like I feel like, 1296 01:11:47,680 --> 01:11:49,400 Speaker 1: you know what I mean, when you when you're an artist, 1297 01:11:49,479 --> 01:11:51,880 Speaker 1: you you've got to find a way to fund what 1298 01:11:52,000 --> 01:11:54,920 Speaker 1: you're doing, you know what I mean, and that maybe 1299 01:11:55,200 --> 01:11:57,640 Speaker 1: getting another hustle that can be able to you know 1300 01:11:57,640 --> 01:11:59,160 Speaker 1: what I mean, the multiple hustle. You're gonna have to 1301 01:11:59,200 --> 01:12:02,760 Speaker 1: find something to be able to to uh to to 1302 01:12:03,000 --> 01:12:07,320 Speaker 1: to withstand yourself. You know what you did about what 1303 01:12:07,439 --> 01:12:16,640 Speaker 1: the reason I heard somebody? I mean like and to 1304 01:12:16,760 --> 01:12:18,800 Speaker 1: really break it. Yeah, I mean to be honest with 1305 01:12:18,920 --> 01:12:22,360 Speaker 1: you guys. I mean it it ain't just for the streaming. 1306 01:12:22,400 --> 01:12:24,720 Speaker 1: I mean it's like if you're gonna work radio, if 1307 01:12:24,720 --> 01:12:26,680 Speaker 1: you're gonna work sidelle, if you're gonna work to rest 1308 01:12:26,720 --> 01:12:28,680 Speaker 1: your radio, you're gonna work regular radio. You're gonna work 1309 01:12:28,680 --> 01:12:31,720 Speaker 1: all these cities. You're gonna work, Richman, gonna work early. Different. Yeah, 1310 01:12:31,760 --> 01:12:33,880 Speaker 1: these are different individuals. I gotta get paid. You did 1311 01:12:34,000 --> 01:12:36,200 Speaker 1: what I'm saying, and what you guaranteed is about it 1312 01:12:36,320 --> 01:12:38,600 Speaker 1: was about four to six weeks of whatever it is that, 1313 01:12:38,680 --> 01:12:40,240 Speaker 1: you know what I mean, And I have to spend 1314 01:12:40,320 --> 01:12:41,960 Speaker 1: that money. That money has been spent and then it's like, 1315 01:12:42,080 --> 01:12:44,080 Speaker 1: you know, I mean, I'm not I'm not here to 1316 01:12:44,120 --> 01:12:46,120 Speaker 1: say that I don't know what the what, what the 1317 01:12:46,280 --> 01:12:48,800 Speaker 1: what the race is or whatever, like to work your 1318 01:12:49,160 --> 01:12:51,960 Speaker 1: streaming platforms. But I mean, Stevie want to know that. 1319 01:12:52,080 --> 01:12:54,360 Speaker 1: It's like, you know, we know we're going on and 1320 01:12:54,400 --> 01:12:56,400 Speaker 1: it's like to be able to get that audience in 1321 01:12:56,439 --> 01:12:59,080 Speaker 1: a certain position or whatever. Man take and take money, 1322 01:12:59,240 --> 01:13:01,640 Speaker 1: Dolf rest piece, he spoke about it too fitted to 1323 01:13:01,720 --> 01:13:04,840 Speaker 1: a meal. Man. Do you know how many when I 1324 01:13:04,920 --> 01:13:06,679 Speaker 1: talked about that bus and how we had that busting 1325 01:13:06,720 --> 01:13:08,439 Speaker 1: Memphis and doing the wrap us and when YO got 1326 01:13:08,520 --> 01:13:09,960 Speaker 1: in the whole thing, man, we spent about four in 1327 01:13:10,000 --> 01:13:11,880 Speaker 1: a thousand, you know what I mean? Like that that 1328 01:13:12,120 --> 01:13:14,320 Speaker 1: that's that's that's summer, you know what I mean. Like 1329 01:13:15,080 --> 01:13:18,400 Speaker 1: it's like the music it coast it's still then too 1330 01:13:18,479 --> 01:13:20,639 Speaker 1: even two now, you know what I mean. It's always 1331 01:13:20,640 --> 01:13:24,000 Speaker 1: about like you know, the market. It's gonna take money, 1332 01:13:24,040 --> 01:13:25,080 Speaker 1: you know what I mean. So you're gonna have to 1333 01:13:25,160 --> 01:13:27,040 Speaker 1: have some money with the talent. You're gonna have to 1334 01:13:27,120 --> 01:13:28,560 Speaker 1: get to have something to be able to you know 1335 01:13:28,600 --> 01:13:30,800 Speaker 1: what I mean, to market your thing. I think that's 1336 01:13:30,960 --> 01:13:34,080 Speaker 1: that's that's key, is like, but if it's by putting 1337 01:13:34,080 --> 01:13:37,400 Speaker 1: together your own like incubator system, like your your individual 1338 01:13:37,479 --> 01:13:40,840 Speaker 1: staff and yourself, like finding the outsourcing the individuals that's 1339 01:13:40,880 --> 01:13:43,240 Speaker 1: working for these labels, all sources and individuals that are 1340 01:13:43,600 --> 01:13:45,479 Speaker 1: doing things that are in the in the market place 1341 01:13:45,520 --> 01:13:47,519 Speaker 1: that you want to do and you know what I mean, 1342 01:13:47,640 --> 01:13:49,519 Speaker 1: and like and putting together that team and like you 1343 01:13:49,560 --> 01:13:51,439 Speaker 1: know what I mean. But it's gonna take some money though, 1344 01:13:51,560 --> 01:13:54,200 Speaker 1: you know it's gonna take that's the that's the it's 1345 01:13:54,240 --> 01:13:56,800 Speaker 1: like the music and it is the business. And it's 1346 01:13:56,840 --> 01:13:59,439 Speaker 1: like it's like it's music. Music could be great, but 1347 01:13:59,479 --> 01:14:05,800 Speaker 1: it hit. But they're like, yeah, but yeah, they want 1348 01:14:05,840 --> 01:14:09,000 Speaker 1: to see that they're not they're there too. They chase 1349 01:14:09,120 --> 01:14:11,000 Speaker 1: hit records they're not really making. They want to see 1350 01:14:11,040 --> 01:14:14,720 Speaker 1: it already happening. It's already happening. If there's already real 1351 01:14:14,840 --> 01:14:17,479 Speaker 1: traction going on with the record, if it's doing a 1352 01:14:17,560 --> 01:14:20,160 Speaker 1: certain amount of streams per week with per trajecting Rey, 1353 01:14:20,240 --> 01:14:22,720 Speaker 1: then yeah, they it's gonna look good at somebody else. 1354 01:14:22,760 --> 01:14:24,120 Speaker 1: But you've got to be able to go to the 1355 01:14:24,200 --> 01:14:27,320 Speaker 1: people that are able to to to to help break 1356 01:14:27,920 --> 01:14:30,320 Speaker 1: and to do those particular things and that and the 1357 01:14:30,439 --> 01:14:33,240 Speaker 1: thing costs money, you think what I'm saying. And especially 1358 01:14:33,280 --> 01:14:35,680 Speaker 1: if you called them, yeah, like because like if you 1359 01:14:35,800 --> 01:14:40,400 Speaker 1: called them, then any of if you're done, if they's 1360 01:14:40,400 --> 01:14:41,880 Speaker 1: just like they're gonna with their money, and it's like 1361 01:14:41,960 --> 01:14:43,840 Speaker 1: it's a it's a it's a huge batty goes too. 1362 01:14:43,880 --> 01:14:46,040 Speaker 1: And if you've got the right record and you're able 1363 01:14:46,080 --> 01:14:48,840 Speaker 1: to connect these dits, you're going to collect a lot. 1364 01:14:49,200 --> 01:14:51,120 Speaker 1: You think what I'm saying, But but it's end's going 1365 01:14:51,200 --> 01:14:52,519 Speaker 1: to take some money to be able to do it. 1366 01:14:52,640 --> 01:14:54,800 Speaker 1: Not saying, hey, somebody can hear you sing and hear 1367 01:14:54,800 --> 01:14:57,040 Speaker 1: you sing on the line, and you signed with jay 1368 01:14:57,160 --> 01:14:59,040 Speaker 1: Z or signed with somebody. But I'm not saying that, 1369 01:14:59,160 --> 01:15:02,639 Speaker 1: more telling not gonna whoever, you know, I mean, meet 1370 01:15:02,680 --> 01:15:04,600 Speaker 1: with your whatever or whoever you want to get signed with. 1371 01:15:04,720 --> 01:15:06,880 Speaker 1: But I think, like then it's about the kind of 1372 01:15:06,920 --> 01:15:08,360 Speaker 1: deal you get, Like you know what I mean. Like 1373 01:15:08,400 --> 01:15:09,960 Speaker 1: it's like, Okay, do you want to just be an 1374 01:15:10,040 --> 01:15:11,320 Speaker 1: artist on the shelf. Do you want to be an 1375 01:15:11,400 --> 01:15:13,800 Speaker 1: artist that's following someone else's tootles? Do you want to 1376 01:15:13,800 --> 01:15:17,840 Speaker 1: be your own independent brand in today's marketplaces? Direct the market? 1377 01:15:18,120 --> 01:15:20,360 Speaker 1: It's like you can you can have fans and you 1378 01:15:20,400 --> 01:15:24,080 Speaker 1: can you know, you can be a volatile marketable. You 1379 01:15:24,120 --> 01:15:25,599 Speaker 1: can make some money as an artist and not even 1380 01:15:25,640 --> 01:15:28,439 Speaker 1: necessarily be an artist. It's like, you know, the number 1381 01:15:28,439 --> 01:15:29,600 Speaker 1: one on the chart. You know what I mean, just 1382 01:15:29,600 --> 01:15:31,519 Speaker 1: as long as you're in touch with with your base. 1383 01:15:31,880 --> 01:15:34,200 Speaker 1: So I think it's just about building your base, building 1384 01:15:34,240 --> 01:15:36,240 Speaker 1: your fan base, like you know what I mean, getting 1385 01:15:36,439 --> 01:15:38,040 Speaker 1: getting you know what I mean, You gotta spend some 1386 01:15:38,120 --> 01:15:40,080 Speaker 1: money online on it, but you gotta press the flesh too. 1387 01:15:40,160 --> 01:15:42,040 Speaker 1: So I think that's what this whole show is about. 1388 01:15:42,080 --> 01:15:45,680 Speaker 1: Building that fan base. But we're targeting black people who 1389 01:15:45,800 --> 01:15:47,840 Speaker 1: have been forgotten about, the black people who we don't 1390 01:15:47,840 --> 01:15:50,880 Speaker 1: have a TV show that represent us. This is for 1391 01:15:51,000 --> 01:15:54,880 Speaker 1: me who's still like this saying okay, real niggas, who's 1392 01:15:54,880 --> 01:15:56,880 Speaker 1: still like Hamm with couch. You feel what I'm saying, 1393 01:15:56,920 --> 01:15:58,960 Speaker 1: The type of niggat that gotta pick his you know, 1394 01:15:59,040 --> 01:16:07,439 Speaker 1: baby mama up and car sometime. Yeah, look, give me 1395 01:16:07,520 --> 01:16:15,920 Speaker 1: some of this ship week hands the ant like give 1396 01:16:15,960 --> 01:16:18,760 Speaker 1: me the cheap the middle version, like the cheap I mean, 1397 01:16:18,800 --> 01:16:23,720 Speaker 1: it's like it's like, give me some examples. Like it's 1398 01:16:23,760 --> 01:16:25,519 Speaker 1: like it's record when I put out like I just 1399 01:16:25,600 --> 01:16:27,920 Speaker 1: reck it out, car respect my fresh right, and I 1400 01:16:28,040 --> 01:16:31,719 Speaker 1: put like I don't know, maybe like thousand into the record. 1401 01:16:32,520 --> 01:16:34,400 Speaker 1: But it started to pop and it started to work, 1402 01:16:34,479 --> 01:16:36,320 Speaker 1: and it was like a really good song at the time. 1403 01:16:36,400 --> 01:16:38,479 Speaker 1: It was like it did enough at that time with 1404 01:16:38,600 --> 01:16:40,120 Speaker 1: that amount of money to be able to get it 1405 01:16:40,640 --> 01:16:44,679 Speaker 1: going at some records or whatever that the boy felt 1406 01:16:44,680 --> 01:16:47,160 Speaker 1: he failed, had the record cards on the frame felli fail, 1407 01:16:47,280 --> 01:16:49,000 Speaker 1: just got the record, heard the record, and just started 1408 01:16:49,040 --> 01:16:51,080 Speaker 1: playing the record. I didn't even know me. You just 1409 01:16:51,120 --> 01:16:53,080 Speaker 1: started playing because I thought it was dope, you know 1410 01:16:53,080 --> 01:16:55,360 Speaker 1: what I mean, Like I mixed it with John Fryver 1411 01:16:55,479 --> 01:16:57,960 Speaker 1: and stink on spec of Money, but then just stopped 1412 01:16:57,960 --> 01:17:03,439 Speaker 1: playing that bit. I'm like, okay, I mean, but I 1413 01:17:03,560 --> 01:17:11,280 Speaker 1: just I don't know the game hold with some pieces 1414 01:17:11,960 --> 01:17:15,960 Speaker 1: fit is bed with that motherfucker. Oh, I missed the 1415 01:17:16,000 --> 01:17:19,400 Speaker 1: whole goddamn this piece of clems his hell. Yeah, I 1416 01:17:19,439 --> 01:17:22,200 Speaker 1: could have told you that my bro keep getting the 1417 01:17:22,360 --> 01:17:29,320 Speaker 1: vote man getting dominover gotta kick. Yeah, that's it. That's 1418 01:17:29,360 --> 01:17:34,439 Speaker 1: where it's at the hut Man right right now, My 1419 01:17:34,560 --> 01:17:47,200 Speaker 1: taste off, taste off right now? How about about you? 1420 01:17:51,360 --> 01:17:56,200 Speaker 1: Now that should't gonna come to the mom right that 1421 01:17:56,800 --> 01:17:59,880 Speaker 1: come winds. But that's why about bordering piece of ober age. Man, 1422 01:18:01,000 --> 01:18:03,240 Speaker 1: I was holding this piece out like what this place 1423 01:18:03,720 --> 01:18:09,920 Speaker 1: hunt gas station, hunts brod yea yeah, gas station piece 1424 01:18:10,040 --> 01:18:12,120 Speaker 1: Brooks and they're like, where the Uz brothers go. They 1425 01:18:12,200 --> 01:18:15,439 Speaker 1: got they got gas station piecea on the fucking Uber 1426 01:18:15,479 --> 01:18:19,960 Speaker 1: east Man the man they shold both Mirkel got damn 1427 01:18:20,040 --> 01:18:23,360 Speaker 1: Meal Nichols on the I've seen the nig I'm looking 1428 01:18:23,400 --> 01:18:25,000 Speaker 1: at the hotel. I'm watching me to come on the 1429 01:18:25,040 --> 01:18:28,760 Speaker 1: Bible and he pulled up and he might count he 1430 01:18:28,920 --> 01:18:33,679 Speaker 1: hould that now and we still got the east falsor 1431 01:18:38,000 --> 01:18:44,960 Speaker 1: doing that that, you know, make a joke man when 1432 01:18:45,000 --> 01:18:46,920 Speaker 1: they were in his name, you know, I man like 1433 01:18:46,960 --> 01:18:53,920 Speaker 1: where hello, friends were roper you go, you want to 1434 01:18:53,960 --> 01:18:56,280 Speaker 1: pick this ship? He send some money over here where 1435 01:18:56,320 --> 01:19:04,320 Speaker 1: he changed changing in the right. Now, what's next for 1436 01:19:04,400 --> 01:19:06,719 Speaker 1: you know? Kim Folk like what you what you got coming? 1437 01:19:07,160 --> 01:19:09,920 Speaker 1: I think like record that as it? Oh yeah that 1438 01:19:10,360 --> 01:19:13,160 Speaker 1: that freshman right yeah that that's the one of the 1439 01:19:13,240 --> 01:19:18,280 Speaker 1: music side. But like I said, that saintson Center's season six, 1440 01:19:18,960 --> 01:19:24,920 Speaker 1: Um that's coming, um April April three, that's dropping. There's 1441 01:19:24,960 --> 01:19:28,960 Speaker 1: a movie I men called they cloned Tyron, They cloned 1442 01:19:29,640 --> 01:19:33,960 Speaker 1: use Jamie Fox, Keeper Southerland, John Woyago crazy and I 1443 01:19:34,040 --> 01:19:36,639 Speaker 1: saw Netflix they started doing promotions or whatever. I've seem 1444 01:19:36,720 --> 01:19:39,760 Speaker 1: like some of the upcoming movies or whatever. Let's tell 1445 01:19:39,960 --> 01:19:42,560 Speaker 1: about some new years. Yeah, j ells Taylor Bro. He 1446 01:19:42,600 --> 01:19:45,200 Speaker 1: did his thing on on Thing that creed on the 1447 01:19:45,400 --> 01:19:48,960 Speaker 1: last create and he's directed at his joint and it's 1448 01:19:49,000 --> 01:19:51,200 Speaker 1: coming out on Netflix. I got a partner John that's 1449 01:19:51,200 --> 01:19:53,160 Speaker 1: coming out this summer, though I think that they're dropping. 1450 01:19:53,160 --> 01:20:01,479 Speaker 1: It's just summer's coming up. Yeah, and then on Time, Yeah, 1451 01:20:01,560 --> 01:20:06,000 Speaker 1: they gotta add it and they gotta but that's coming up. 1452 01:20:06,040 --> 01:20:08,040 Speaker 1: And I think like there's some you know, I got 1453 01:20:08,120 --> 01:20:10,439 Speaker 1: a song with Artism, you know what I mean, Jamison, 1454 01:20:10,560 --> 01:20:13,080 Speaker 1: you know what I mean? And easy eleven and and 1455 01:20:13,280 --> 01:20:16,320 Speaker 1: and there's some some things that I'm getting ready to 1456 01:20:16,960 --> 01:20:20,560 Speaker 1: to do a docuseries about you know, my life, you 1457 01:20:20,640 --> 01:20:22,000 Speaker 1: know his life, you know what I mean, And how 1458 01:20:22,200 --> 01:20:24,280 Speaker 1: how it is to be a parent of us and 1459 01:20:24,479 --> 01:20:26,920 Speaker 1: a child with artism and really special needs, like you 1460 01:20:26,960 --> 01:20:28,200 Speaker 1: know what I mean, and really be able to show 1461 01:20:28,280 --> 01:20:30,680 Speaker 1: some light and speak some light into that, you know 1462 01:20:30,680 --> 01:20:32,880 Speaker 1: what I mean. Able coming up artist my work this month, 1463 01:20:32,960 --> 01:20:35,640 Speaker 1: so like you know, definitely like into that coming up 1464 01:20:35,720 --> 01:20:38,160 Speaker 1: and just um me and my wife. You got a 1465 01:20:38,200 --> 01:20:40,320 Speaker 1: cool podcast man that we're about to drive about to 1466 01:20:40,320 --> 01:20:41,760 Speaker 1: get you all to come on because it's gonna be 1467 01:20:41,840 --> 01:20:45,040 Speaker 1: like it's it's something, it's a it's it's king fucking 1468 01:20:45,120 --> 01:20:46,920 Speaker 1: queen folk, you know what I mean? You know what 1469 01:20:46,920 --> 01:20:48,680 Speaker 1: I mean? And you know, like I said, we've been 1470 01:20:48,680 --> 01:20:51,320 Speaker 1: together twenty years and she like wanted realists, and it's like, 1471 01:20:52,000 --> 01:20:53,880 Speaker 1: you know, we're just like you know, we just five 1472 01:20:57,800 --> 01:21:04,920 Speaker 1: yeah yeah now. But though we had those powerful conversations 1473 01:21:05,000 --> 01:21:07,320 Speaker 1: on there, like those unpopular truths like you know what 1474 01:21:07,320 --> 01:21:10,040 Speaker 1: I mean, we're like, you know, kind of about whatever. Bro. 1475 01:21:10,240 --> 01:21:12,720 Speaker 1: So that's going on, and then like more to like 1476 01:21:12,800 --> 01:21:14,920 Speaker 1: coffee with caning folk, Like you know, I like doing 1477 01:21:14,960 --> 01:21:17,680 Speaker 1: an inspiration for your situation. I like to to like 1478 01:21:17,800 --> 01:21:21,200 Speaker 1: inspire people. I think, like you know people, I love 1479 01:21:21,280 --> 01:21:22,800 Speaker 1: to do that, bro. So I like doing that in 1480 01:21:22,840 --> 01:21:25,000 Speaker 1: the mornings, and like I want to do more of 1481 01:21:25,800 --> 01:21:27,560 Speaker 1: just being more of a giver of being ever to 1482 01:21:27,600 --> 01:21:30,360 Speaker 1: be more of a an inspiration. But like that's all 1483 01:21:30,400 --> 01:21:32,280 Speaker 1: I feel like, that's that's my purpose is to be 1484 01:21:32,360 --> 01:21:33,800 Speaker 1: able to pay it for it, to be able to 1485 01:21:33,880 --> 01:21:36,439 Speaker 1: like use all influence, to be able to change like 1486 01:21:36,600 --> 01:21:38,880 Speaker 1: these breaking the generational curses, and be able to like 1487 01:21:39,000 --> 01:21:41,680 Speaker 1: really like you know, do something, do something here that's 1488 01:21:41,680 --> 01:21:43,640 Speaker 1: really pushing some real peace and positive you know what 1489 01:21:43,680 --> 01:21:45,720 Speaker 1: I mean. So you know that's what I feel like 1490 01:21:45,760 --> 01:21:48,240 Speaker 1: I stand for and that's what my brands for. And 1491 01:21:48,320 --> 01:21:50,960 Speaker 1: it's like, you know, that's why I really appreciate, you know, 1492 01:21:51,080 --> 01:21:53,439 Speaker 1: being able to speak and being able to tap in 1493 01:21:53,640 --> 01:21:55,800 Speaker 1: because I like, I like what you guys are doing 1494 01:21:55,840 --> 01:21:57,880 Speaker 1: and I think that you know, it needs to be 1495 01:21:58,000 --> 01:22:00,320 Speaker 1: more more. They're going to have more that bout on it, so, 1496 01:22:00,920 --> 01:22:03,240 Speaker 1: you know, the social media so they can catch up 1497 01:22:03,280 --> 01:22:06,000 Speaker 1: with coffee with kim Folk dot com. Coffee Kim Folk 1498 01:22:06,080 --> 01:22:08,200 Speaker 1: dr Do you know what I mean? Everything right there 1499 01:22:08,320 --> 01:22:11,120 Speaker 1: coffee we kim Folk dot com. And you know, man, 1500 01:22:11,160 --> 01:22:13,360 Speaker 1: it's just inspirations for your situation is to cut full 1501 01:22:13,400 --> 01:22:16,519 Speaker 1: of positivity with me and my coffee. Always people that number, 1502 01:22:16,560 --> 01:22:24,920 Speaker 1: but maybe you have a call in everybody joy. Remember 1503 01:22:25,640 --> 01:22:32,320 Speaker 1: you did staying shot god huh and that ball give 1504 01:22:32,680 --> 01:22:37,439 Speaker 1: the ball puff boat ball And that's one of the 1505 01:22:37,479 --> 01:22:48,920 Speaker 1: really I love collect you did the nectivity hold on, 1506 01:22:49,000 --> 01:22:52,080 Speaker 1: let me move to piece chi oh yeah we show 1507 01:22:52,240 --> 01:23:01,680 Speaker 1: right and why ran if your foul you made me 1508 01:23:01,840 --> 01:23:03,040 Speaker 1: sleep too much? Numb