1
00:00:00,640 --> 00:00:03,440
Speaker 1: Everyone deserves a chance in the driver's seat. For GM

2
00:00:03,440 --> 00:00:05,600
Speaker 1: and Revolt, that means leading the way on the road

3
00:00:05,640 --> 00:00:08,000
Speaker 1: to an all electric feature and envisioning a world to

4
00:00:08,200 --> 00:00:13,280
Speaker 1: zero crashes, zero tailpipe admissions, and zero congestion. GM's committed

5
00:00:13,280 --> 00:00:17,119
Speaker 1: to making evis accessible for everybody. That means you too.

6
00:00:17,720 --> 00:00:20,240
Speaker 1: So what are you waiting for? GM's got the keys,

7
00:00:20,520 --> 00:00:23,640
Speaker 1: You grab the wheel. Learn more about an all electric

8
00:00:23,680 --> 00:00:27,640
Speaker 1: feature and the zero zero Zero initiative at GM dot com,

9
00:00:27,840 --> 00:00:35,440
Speaker 1: GM everybody else, Yo, Yo, Yo, round of applause for

10
00:00:35,520 --> 00:00:40,479
Speaker 1: my mother supporters. Want to welcome everybody this up there podcast.

11
00:00:40,560 --> 00:00:42,360
Speaker 1: You know exactly where you were. I want to say

12
00:00:42,400 --> 00:00:44,040
Speaker 1: thank you for being here. You can be in and

13
00:00:44,080 --> 00:00:46,960
Speaker 1: where in the world and you stop battle with the RYA.

14
00:00:48,240 --> 00:00:51,720
Speaker 1: I gotta salute you. You understand me. If you're listening

15
00:00:51,760 --> 00:00:53,840
Speaker 1: to the audio adventure right now, I need you to

16
00:00:53,920 --> 00:00:56,960
Speaker 1: head the patreon dot com It's up there podcast. I'm

17
00:00:56,960 --> 00:00:59,520
Speaker 1: here today. I hope y'all hear me. I'm here today.

18
00:01:00,320 --> 00:01:02,360
Speaker 1: If you are looking at the video and you want

19
00:01:02,360 --> 00:01:05,360
Speaker 1: to support me, you need to head the patreon dot

20
00:01:05,360 --> 00:01:08,560
Speaker 1: com is up their podcast. For clips, you go to

21
00:01:08,640 --> 00:01:11,600
Speaker 1: foger Fo TV. Now that the business out the way.

22
00:01:11,840 --> 00:01:14,160
Speaker 1: Let's talk to the coach and like no one else can.

23
00:01:14,680 --> 00:01:16,479
Speaker 1: I want to be clear on something because I don't

24
00:01:16,480 --> 00:01:18,760
Speaker 1: know whether or not last week I was kind of

25
00:01:19,040 --> 00:01:20,920
Speaker 1: down a little bit, so I don't know whether or

26
00:01:20,920 --> 00:01:23,840
Speaker 1: not I'll be clear with what I be saying things right.

27
00:01:24,200 --> 00:01:26,839
Speaker 1: But the good thing about having a podcast and being

28
00:01:26,880 --> 00:01:29,800
Speaker 1: influential in the coach and having their minds, they hearts,

29
00:01:29,840 --> 00:01:33,360
Speaker 1: they time, they is in their ass, you're able to

30
00:01:33,400 --> 00:01:37,560
Speaker 1: reiterate your message. I want people to know they're dealing

31
00:01:37,560 --> 00:01:39,880
Speaker 1: with the truth when they're dealing with this. Up their podcast,

32
00:01:40,000 --> 00:01:43,280
Speaker 1: everything about it, everything we're into. And I also want

33
00:01:43,280 --> 00:01:46,400
Speaker 1: to be clear that I come from the South. There's

34
00:01:46,400 --> 00:01:49,120
Speaker 1: a lot of revisions history going on in media, and

35
00:01:49,160 --> 00:01:51,000
Speaker 1: I think it needs to be addressed in a way

36
00:01:51,080 --> 00:01:54,000
Speaker 1: where we can really have some real conversations, and I'll

37
00:01:54,040 --> 00:01:57,480
Speaker 1: be happy to do so under the right circumstances. One

38
00:01:57,520 --> 00:02:01,520
Speaker 1: thing I won't do, though, is waste time not interested

39
00:02:01,560 --> 00:02:04,559
Speaker 1: in speaking with people that's interested in speaking with everybody.

40
00:02:06,080 --> 00:02:08,760
Speaker 1: I want to be clear on that there's something happening

41
00:02:08,800 --> 00:02:11,680
Speaker 1: with me right. I'm getting a lot of love about

42
00:02:11,720 --> 00:02:15,880
Speaker 1: the industry, and I'm understanding that you can get caught

43
00:02:15,919 --> 00:02:18,000
Speaker 1: in that. And I won't get caught in that. I'm

44
00:02:18,000 --> 00:02:20,160
Speaker 1: clear that I need to get business done. I need

45
00:02:20,200 --> 00:02:23,399
Speaker 1: to be making money. Anything outside of that is fake

46
00:02:23,520 --> 00:02:25,560
Speaker 1: to me. A couple of weeks ago, I went to

47
00:02:25,639 --> 00:02:30,639
Speaker 1: invest fist. I bumped into a few people. Something went

48
00:02:30,680 --> 00:02:32,760
Speaker 1: off in my head because I know Richard, I know

49
00:02:32,840 --> 00:02:35,280
Speaker 1: the gang, I know everybody. I could easily call them

50
00:02:35,320 --> 00:02:38,240
Speaker 1: dudes that yo, I want to I stayed out there

51
00:02:38,280 --> 00:02:40,360
Speaker 1: with the people. I wanted to touch the people and

52
00:02:40,440 --> 00:02:43,600
Speaker 1: just experience things from that side. That would always keep

53
00:02:43,639 --> 00:02:47,359
Speaker 1: me grounded. Right, Never make a phone call to your

54
00:02:47,360 --> 00:02:50,679
Speaker 1: friends about any of that kind of little frivolous bulls. Right,

55
00:02:50,720 --> 00:02:54,040
Speaker 1: I'm just death supporting, right, I ain't pulling those strings

56
00:02:54,040 --> 00:02:57,520
Speaker 1: and none of that old suckers. I come from the street, right,

57
00:02:58,080 --> 00:03:01,560
Speaker 1: And I say that, And sometimes I'm always met with

58
00:03:01,720 --> 00:03:05,120
Speaker 1: resistance from some black people when I let it be

59
00:03:05,200 --> 00:03:08,640
Speaker 1: known that I'm from the streets, and it rung in

60
00:03:08,760 --> 00:03:10,600
Speaker 1: my mind. I say, you know what it is. Long

61
00:03:12,040 --> 00:03:14,040
Speaker 1: A lot of these people get a little money, a

62
00:03:14,040 --> 00:03:16,919
Speaker 1: little success, and when they want to separate themselves from

63
00:03:16,919 --> 00:03:21,519
Speaker 1: the pole, they want to separate themselves from the less fortunate.

64
00:03:22,000 --> 00:03:25,320
Speaker 1: They no longer can understand what the circumstance called for.

65
00:03:25,480 --> 00:03:28,080
Speaker 1: When they was back in the ghetto. I guess I

66
00:03:28,080 --> 00:03:31,400
Speaker 1: ain't so far removed from that. So and also I

67
00:03:31,520 --> 00:03:35,240
Speaker 1: heard if it decent speak about YO. They love things

68
00:03:35,280 --> 00:03:41,080
Speaker 1: that's been affected by the environment. And so for me,

69
00:03:41,840 --> 00:03:44,440
Speaker 1: I always leave with YO because now be clear, when

70
00:03:44,440 --> 00:03:47,920
Speaker 1: I go into my meetings, we do that a different way.

71
00:03:48,240 --> 00:03:52,480
Speaker 1: Part of being smart is knowing how to adapt to

72
00:03:52,520 --> 00:03:56,720
Speaker 1: the situation. Right when I go talking business, I look

73
00:03:56,800 --> 00:04:00,920
Speaker 1: like a business man, and one put those ten on

74
00:04:00,960 --> 00:04:04,000
Speaker 1: that right, but bag it up. It'd be so many people.

75
00:04:04,000 --> 00:04:06,920
Speaker 1: I ran into a dude out there, man, and the

76
00:04:07,000 --> 00:04:10,000
Speaker 1: dude was telling me certain things. You know, everybody when

77
00:04:10,000 --> 00:04:11,800
Speaker 1: they see me, they want to give me some game.

78
00:04:11,920 --> 00:04:14,360
Speaker 1: They don't know that my mind sometimes I gotta I

79
00:04:14,400 --> 00:04:17,839
Speaker 1: gotta lay down and getting this mindset right. Why I

80
00:04:17,880 --> 00:04:20,080
Speaker 1: even want to do this right here? You see me

81
00:04:20,200 --> 00:04:22,080
Speaker 1: out This is a different loom. You're dealing with this

82
00:04:22,240 --> 00:04:25,840
Speaker 1: high level. I'm paying attention, who moving, why he's so close?

83
00:04:25,920 --> 00:04:28,520
Speaker 1: Who he with? Who she with? Why they looking over here?

84
00:04:28,520 --> 00:04:32,039
Speaker 1: What's right? So you're dealing with the hyper census. It's

85
00:04:32,040 --> 00:04:34,479
Speaker 1: almost like I'm driving that one hundred miles an hour,

86
00:04:34,640 --> 00:04:37,160
Speaker 1: because my life means that much to me and why

87
00:04:37,200 --> 00:04:41,880
Speaker 1: I come from slippers count. Everything count, however the dice

88
00:04:41,960 --> 00:04:45,159
Speaker 1: roll out your hand, it count. So for me, I

89
00:04:45,200 --> 00:04:47,600
Speaker 1: had to pay attention. So when you out, when I'm out,

90
00:04:48,120 --> 00:04:51,080
Speaker 1: you ain't gonna really get that from me. I gotta

91
00:04:51,120 --> 00:04:53,559
Speaker 1: be comfortable in somewhere. Why I even feel like giving

92
00:04:53,560 --> 00:04:57,240
Speaker 1: that kind of understanding to the environment. You know, I

93
00:04:57,279 --> 00:04:59,360
Speaker 1: can tell by how he dressed that he's trying to

94
00:04:59,400 --> 00:05:02,120
Speaker 1: impress on the walk up. You know. You know, you

95
00:05:02,120 --> 00:05:05,000
Speaker 1: could telling they got old suit on or where to

96
00:05:05,120 --> 00:05:08,080
Speaker 1: do nick? You understand? So I respect him for what

97
00:05:08,160 --> 00:05:10,600
Speaker 1: he is. He pushed up on me. You know, I'm

98
00:05:11,520 --> 00:05:18,720
Speaker 1: you know, I'm I'm regular. See, I'm disguised as a hoodlum.

99
00:05:18,760 --> 00:05:22,000
Speaker 1: I'm disguised as a hoodlum right now, I'm I'm dealing

100
00:05:22,040 --> 00:05:25,719
Speaker 1: with high level information there. If you take this outfit

101
00:05:25,800 --> 00:05:27,800
Speaker 1: and you judge me out there, I got you right,

102
00:05:27,839 --> 00:05:30,840
Speaker 1: Why I won't you? But evidently he done so, So

103
00:05:30,880 --> 00:05:36,760
Speaker 1: we go to talking. He say, man, I'm did something, Dad,

104
00:05:36,839 --> 00:05:38,680
Speaker 1: and I'm here for this, and I'm here for that,

105
00:05:38,839 --> 00:05:42,279
Speaker 1: and think about invest vest. Everybody was in there on

106
00:05:42,360 --> 00:05:46,600
Speaker 1: the Entrepreneur time, you know, whether it's small or whether

107
00:05:46,640 --> 00:05:50,280
Speaker 1: it was an idea, you know. Um. And so he

108
00:05:50,920 --> 00:05:53,520
Speaker 1: proceeded to lay the game down about what he thought

109
00:05:53,560 --> 00:05:56,159
Speaker 1: he was coming to do in the next five years

110
00:05:56,200 --> 00:05:59,080
Speaker 1: and what have you. And so we're speaking, and I'm

111
00:05:59,080 --> 00:06:01,520
Speaker 1: telling him, I'm like, from the streets, man, but I

112
00:06:01,560 --> 00:06:05,599
Speaker 1: took it here, man, Like I'm I'm taking it somewhere

113
00:06:05,680 --> 00:06:10,880
Speaker 1: from the ghetto, man, you know. And he seemed to

114
00:06:10,920 --> 00:06:15,320
Speaker 1: be tooking back by that. And when people become well

115
00:06:15,440 --> 00:06:18,760
Speaker 1: to do and they think they bourgeois and they want

116
00:06:18,760 --> 00:06:21,360
Speaker 1: to separate themselves from the ghetto or from the streets

117
00:06:21,480 --> 00:06:24,159
Speaker 1: or from humble beginners, they want to really act like

118
00:06:24,200 --> 00:06:26,800
Speaker 1: it never happened. And I speak to it because I

119
00:06:26,839 --> 00:06:29,240
Speaker 1: know that tunnel is flooded with people trying to get

120
00:06:29,279 --> 00:06:31,279
Speaker 1: through it, trying to get to the other side of

121
00:06:31,360 --> 00:06:34,719
Speaker 1: whatever dreams they got. So maybe if I can put

122
00:06:34,760 --> 00:06:37,080
Speaker 1: a little light down there, y'all come from that down

123
00:06:37,160 --> 00:06:41,440
Speaker 1: that way right there, it's coming up that street. No boys,

124
00:06:41,520 --> 00:06:43,640
Speaker 1: dark right now, But boy, they say up there, if

125
00:06:43,680 --> 00:06:46,200
Speaker 1: I just keep up there, it might be an exit

126
00:06:46,279 --> 00:06:49,960
Speaker 1: from man. Right. So I'm speaking to my tribe when

127
00:06:50,000 --> 00:06:56,080
Speaker 1: I talk, like, can these don't forgot to try. See

128
00:06:56,080 --> 00:06:59,240
Speaker 1: the money, make you separate, make you forget. I could

129
00:06:59,279 --> 00:07:03,039
Speaker 1: never forget that. There's a very specific climb that I

130
00:07:03,120 --> 00:07:08,680
Speaker 1: had to There's some conditions I had to endure and circumvent.

131
00:07:09,240 --> 00:07:12,360
Speaker 1: There was some extreme circumstances that they had to endure.

132
00:07:14,000 --> 00:07:16,760
Speaker 1: And I think they don't want to talk about being

133
00:07:16,840 --> 00:07:19,520
Speaker 1: from the street number one, because they only use the

134
00:07:19,520 --> 00:07:21,720
Speaker 1: street when it's cool for him, when it's a cool

135
00:07:21,800 --> 00:07:24,600
Speaker 1: thing to say, or the hood or the ghetto or blacks.

136
00:07:24,640 --> 00:07:27,480
Speaker 1: They only use us when it's something that's healthy for

137
00:07:27,520 --> 00:07:29,920
Speaker 1: their business at the time. I've seen a lot of

138
00:07:29,920 --> 00:07:33,360
Speaker 1: promising going on when George Floyd happened, and I don't

139
00:07:33,360 --> 00:07:35,960
Speaker 1: even see those probims. Tyler Pier might be the only

140
00:07:36,000 --> 00:07:39,160
Speaker 1: one that made them, not even made them, but was

141
00:07:39,200 --> 00:07:41,520
Speaker 1: in position for them to stand on that right at

142
00:07:41,560 --> 00:07:44,400
Speaker 1: that moment, and he reached some of those benefits. But

143
00:07:44,440 --> 00:07:47,000
Speaker 1: other than that, there's been a lot of promises about

144
00:07:47,000 --> 00:07:50,120
Speaker 1: what black creators gonna do, who black people gonna get

145
00:07:50,200 --> 00:07:53,600
Speaker 1: something from In the LOEU of right, we pay attention

146
00:07:53,640 --> 00:07:59,600
Speaker 1: to what's said, but what's done it's more important. But

147
00:07:59,680 --> 00:08:03,080
Speaker 1: I think ain't wanna separate their self from black folk

148
00:08:03,160 --> 00:08:05,840
Speaker 1: and from the coach because they think you look like

149
00:08:06,000 --> 00:08:10,480
Speaker 1: failure when you got your hat, Like you understand when

150
00:08:10,480 --> 00:08:12,880
Speaker 1: you got the jil wrong. Certain things you look like

151
00:08:13,040 --> 00:08:16,560
Speaker 1: failure to some of the folk, but they don't understand that.

152
00:08:16,680 --> 00:08:19,280
Speaker 1: You gotta understand you're dealing with that are coming in

153
00:08:19,400 --> 00:08:24,559
Speaker 1: looking like failure and bust your Motherfuck. It only looked

154
00:08:24,560 --> 00:08:29,440
Speaker 1: like failure to a loser. It looked like greatness. To me.

155
00:08:30,000 --> 00:08:32,319
Speaker 1: It looked like, look what we come through, right right,

156
00:08:32,400 --> 00:08:36,280
Speaker 1: Look what I come about. Or I'm standing on principle

157
00:08:37,160 --> 00:08:41,040
Speaker 1: and I'm doing good business and finishing contracts and raking

158
00:08:41,120 --> 00:08:44,720
Speaker 1: in thousands and millions. I'm doing it the right way.

159
00:08:45,040 --> 00:08:48,440
Speaker 1: Coming in like this and I got man off the coner,

160
00:08:48,920 --> 00:08:51,160
Speaker 1: you got your from Harvard. It looked like I've done

161
00:08:51,200 --> 00:08:53,360
Speaker 1: better than you this year. What we're doing, baby, let's

162
00:08:53,360 --> 00:08:57,920
Speaker 1: step it up. Yeah, you got yours, you got your NBA,

163
00:08:57,960 --> 00:08:59,800
Speaker 1: I got man from the street. But it looked like

164
00:09:00,200 --> 00:09:02,040
Speaker 1: doing better than you when we look at the numbers.

165
00:09:02,080 --> 00:09:07,680
Speaker 1: Let's step it off. Specific set of skill. I was

166
00:09:07,720 --> 00:09:11,320
Speaker 1: thinking about my kids, man, and looking at women that

167
00:09:11,400 --> 00:09:15,120
Speaker 1: I know like i'd be just appreciating the fact that

168
00:09:15,160 --> 00:09:18,800
Speaker 1: they have a different set of like standards, a different

169
00:09:18,840 --> 00:09:21,360
Speaker 1: set of skills than me. You know what I'm saying.

170
00:09:21,360 --> 00:09:24,199
Speaker 1: When I think about my little boys, or I think

171
00:09:24,280 --> 00:09:28,960
Speaker 1: about just the makeup of why women right, the outlook,

172
00:09:29,679 --> 00:09:33,960
Speaker 1: the intake, the input, right, the direction, I just be like, Man,

173
00:09:34,000 --> 00:09:37,560
Speaker 1: it's a totally different thing. I think, like because of

174
00:09:37,600 --> 00:09:40,480
Speaker 1: my upbringing, the way that I come up and what

175
00:09:40,640 --> 00:09:44,480
Speaker 1: life done to me and the circumstances. Right, I'm not

176
00:09:44,559 --> 00:09:50,480
Speaker 1: sure that I can teach my children like that gullible

177
00:09:51,280 --> 00:09:55,800
Speaker 1: side right, that love and side, like that free side

178
00:09:57,480 --> 00:09:59,920
Speaker 1: because where I come from, I wasn't allowed to think

179
00:10:00,160 --> 00:10:03,680
Speaker 1: like that. You know what I'm saying. The people who

180
00:10:03,720 --> 00:10:08,200
Speaker 1: thought like that would always end up in bad circumstances.

181
00:10:08,200 --> 00:10:11,720
Speaker 1: So I had the adapt quick that nobody ain't playing

182
00:10:11,720 --> 00:10:15,400
Speaker 1: and there ain't nothing to play about, right, Everybody don't

183
00:10:15,440 --> 00:10:17,240
Speaker 1: love you. They're trying to get you. They're gonna set

184
00:10:17,320 --> 00:10:19,280
Speaker 1: you up, right. I come up with that. I got

185
00:10:19,679 --> 00:10:25,880
Speaker 1: survival instinct, and I wonder how much. And that's why

186
00:10:25,920 --> 00:10:28,920
Speaker 1: I say, God, it's so good the creator, because it's

187
00:10:28,960 --> 00:10:31,840
Speaker 1: just like you got the energy that comes from the

188
00:10:31,920 --> 00:10:35,040
Speaker 1: mom that allows them that grace to kind of man,

189
00:10:35,080 --> 00:10:38,760
Speaker 1: i'n't fell in love with foe. Men, I'm on my

190
00:10:38,880 --> 00:10:42,199
Speaker 1: fourth one deep end. They don't dumb it wrong three times.

191
00:10:42,240 --> 00:10:46,280
Speaker 1: I still got faith know what I'm saying. My heart

192
00:10:46,320 --> 00:10:49,040
Speaker 1: won't let me not love whether that see for me,

193
00:10:49,160 --> 00:10:51,280
Speaker 1: I look at that and risk assessment say no, I

194
00:10:51,320 --> 00:10:54,599
Speaker 1: ain't doing that. Faull five ain't no way know what

195
00:10:54,600 --> 00:10:58,960
Speaker 1: I'm saying. But the woman is wide different. You understand

196
00:10:58,960 --> 00:11:01,679
Speaker 1: what I'm saying. So just the understanding of all right,

197
00:11:01,760 --> 00:11:05,280
Speaker 1: my children need that side coming up. I want them

198
00:11:05,280 --> 00:11:08,000
Speaker 1: to have that side that I maybe don't have right

199
00:11:08,440 --> 00:11:12,000
Speaker 1: dead wrong standing on it at what kind of I

200
00:11:12,040 --> 00:11:17,760
Speaker 1: am dead wrong standing on it? But then getting the coning, No, man,

201
00:11:17,800 --> 00:11:21,480
Speaker 1: I'm wrong and a motherfucker, And then I gotta come out.

202
00:11:21,600 --> 00:11:24,440
Speaker 1: Now here's the hard paw for me. See, by the

203
00:11:24,480 --> 00:11:27,120
Speaker 1: time I hadn't told you I'm wrong, I knew ten

204
00:11:27,240 --> 00:11:30,959
Speaker 1: years ago it some about me. I gotta muster the

205
00:11:31,160 --> 00:11:35,719
Speaker 1: courage up to be vulnerable in that way. Some just

206
00:11:35,920 --> 00:11:38,800
Speaker 1: won't allow me just to do. You see what I'm saying.

207
00:11:39,160 --> 00:11:42,920
Speaker 1: I'd be dealing with that. But that doesn't save me

208
00:11:43,679 --> 00:11:46,720
Speaker 1: because I could have been quick to let somebody close

209
00:11:46,800 --> 00:11:49,200
Speaker 1: to me that would have got rid of me if

210
00:11:49,240 --> 00:11:53,040
Speaker 1: they had the chance. But because I didn't move on,

211
00:11:53,120 --> 00:11:56,320
Speaker 1: that instinct saved me because I saw him do that

212
00:11:56,360 --> 00:11:59,560
Speaker 1: to another and put him right in a blender. You

213
00:11:59,679 --> 00:12:02,480
Speaker 1: unders staying me. But I learned from other people mistakes

214
00:12:02,480 --> 00:12:06,440
Speaker 1: because I'm a wise man. I don't have to necessarily

215
00:12:06,480 --> 00:12:09,600
Speaker 1: put my feet in the water. You know what I'm saying.

216
00:12:09,640 --> 00:12:12,079
Speaker 1: I can really see from over here what's going on

217
00:12:12,840 --> 00:12:16,080
Speaker 1: because I'm paying that kind of close attention. But it

218
00:12:16,120 --> 00:12:20,880
Speaker 1: makes you applaud man like women they like wolverine sometimes

219
00:12:20,920 --> 00:12:23,440
Speaker 1: like and I know some of them carry a lot

220
00:12:23,440 --> 00:12:26,760
Speaker 1: of that on them, right, and it's like it's rough

221
00:12:26,800 --> 00:12:28,800
Speaker 1: on them. Shout out to the women that be listening

222
00:12:28,840 --> 00:12:30,920
Speaker 1: to me. I know y'all love me. I love y'all.

223
00:12:31,760 --> 00:12:35,000
Speaker 1: You know what I'm saying. But I know sometimes they

224
00:12:35,120 --> 00:12:39,560
Speaker 1: carry scars that they just wam where. It's a different

225
00:12:39,559 --> 00:12:43,040
Speaker 1: thing too to understand. Don't nobody wear them scars like

226
00:12:43,160 --> 00:12:45,800
Speaker 1: black women, Boy, they'd be wearing them scars. So and

227
00:12:45,840 --> 00:12:48,839
Speaker 1: that's why when I see certain things happen in the industry, Man,

228
00:12:48,920 --> 00:12:51,720
Speaker 1: why I'll be saying, yo, even with pee and glitter,

229
00:12:52,200 --> 00:12:56,720
Speaker 1: like yo, bro, you got a salute due right, Because

230
00:12:56,760 --> 00:12:59,240
Speaker 1: when I look at them girls over there. I see different,

231
00:12:59,400 --> 00:13:03,920
Speaker 1: y'all eat, and I see yea, I see us like

232
00:13:04,840 --> 00:13:09,920
Speaker 1: coming straight out of opportunity. You understand both of them,

233
00:13:10,000 --> 00:13:12,640
Speaker 1: both both of them. I look at that a different

234
00:13:12,640 --> 00:13:17,000
Speaker 1: way than most people because I'm knowing that's us. Like

235
00:13:17,160 --> 00:13:23,640
Speaker 1: fifty was saying, the environment home affected by the environment home.

236
00:13:24,720 --> 00:13:27,280
Speaker 1: A lot of us been through that, man, And to

237
00:13:27,360 --> 00:13:29,760
Speaker 1: see them people get a chance to leave their dreams,

238
00:13:29,840 --> 00:13:32,960
Speaker 1: like not even knowing what it's like to go in

239
00:13:32,960 --> 00:13:38,240
Speaker 1: the stow and just be like, let's go those experiences. Dog,

240
00:13:38,280 --> 00:13:40,959
Speaker 1: it ain't nothing like that. Let's talk about Breakfast Club.

241
00:13:41,720 --> 00:13:44,199
Speaker 1: Get into the show. You know, I get y'all a

242
00:13:44,200 --> 00:13:45,840
Speaker 1: little game here and there, but I wanted I got

243
00:13:45,880 --> 00:13:47,960
Speaker 1: a lot to talk about this week. Man. We're gonna

244
00:13:47,960 --> 00:13:52,240
Speaker 1: get into the Breakfast Club. But before we do that,

245
00:13:52,280 --> 00:13:54,440
Speaker 1: we're gonna talk about the fifty cent interview with the

246
00:13:54,440 --> 00:13:57,679
Speaker 1: Breakfast Club. Fifty cent is somebody that I gotta get

247
00:13:57,720 --> 00:14:01,760
Speaker 1: on this up there podcast. He wanted them one every interview.

248
00:14:01,760 --> 00:14:07,520
Speaker 1: He just his perspective. His perspective has always kept him

249
00:14:07,559 --> 00:14:10,520
Speaker 1: ahead of the curve. Right, So why you knew some

250
00:14:10,559 --> 00:14:16,120
Speaker 1: people were hustling and some people wasn't here hustling from

251
00:14:16,160 --> 00:14:18,880
Speaker 1: the tip top. But he said a few things. Let's

252
00:14:18,920 --> 00:14:21,320
Speaker 1: listen to a little bit of the interview, and before

253
00:14:21,320 --> 00:14:23,480
Speaker 1: we get to the interview, let me just put some

254
00:14:23,520 --> 00:14:26,200
Speaker 1: context around some of the things we're gonna speak about.

255
00:14:26,920 --> 00:14:29,920
Speaker 1: Dude went on him. He had just such a great conversation.

256
00:14:29,960 --> 00:14:33,200
Speaker 1: In my opinion, he's one of the best communicated, especially

257
00:14:33,280 --> 00:14:35,960
Speaker 1: from up top. You know, they got a lot of

258
00:14:36,000 --> 00:14:38,320
Speaker 1: good ones, though, they got some people that can explain

259
00:14:38,440 --> 00:14:40,240
Speaker 1: kind of their point of view. That's what we're working

260
00:14:40,280 --> 00:14:42,200
Speaker 1: on in the South. I'll be at the forefront of

261
00:14:42,200 --> 00:14:45,640
Speaker 1: getting them voices in front of Yo, we swift down

262
00:14:45,680 --> 00:14:48,720
Speaker 1: through here, don't play. Don't play with that South. You knowing,

263
00:14:48,840 --> 00:14:50,640
Speaker 1: all together, we're gonna be abe to sit down and

264
00:14:50,800 --> 00:14:53,600
Speaker 1: just really create some I think it'll be dope. Long

265
00:14:53,680 --> 00:14:56,960
Speaker 1: as said about his understanding is at the table. I

266
00:14:57,040 --> 00:14:59,360
Speaker 1: like when he spoke about a specific part what he

267
00:14:59,440 --> 00:15:03,120
Speaker 1: was saying. Some people's job in this industry is to

268
00:15:03,160 --> 00:15:07,680
Speaker 1: say no, you just got people can't justify the job

269
00:15:08,360 --> 00:15:11,080
Speaker 1: without saying no. I told him no, no, I'm the

270
00:15:11,120 --> 00:15:13,000
Speaker 1: one told him put the red in there. I told

271
00:15:13,040 --> 00:15:14,800
Speaker 1: him that he can't just do it that way. I

272
00:15:14,840 --> 00:15:18,640
Speaker 1: mean that because then if if if not, then what's

273
00:15:18,680 --> 00:15:22,320
Speaker 1: the why are you there? But let's let's listen to

274
00:15:22,320 --> 00:15:24,640
Speaker 1: a little bit of the interview, because he eating off

275
00:15:24,680 --> 00:15:27,120
Speaker 1: from like when the when the veasant saying yo, who

276
00:15:28,720 --> 00:15:31,640
Speaker 1: So he's he's right now. He's talking about IRV and

277
00:15:32,560 --> 00:15:36,760
Speaker 1: how he was dealing with street dudes and had to

278
00:15:36,800 --> 00:15:41,080
Speaker 1: wrap people involved, but they really wasn't ever involved. He'll

279
00:15:41,120 --> 00:15:43,480
Speaker 1: tell you he was two million in the hole. And

280
00:15:43,600 --> 00:15:45,160
Speaker 1: the thing I think I think I heard that he said,

281
00:15:45,160 --> 00:15:47,760
Speaker 1: the don't drink. Why are you two million in the hole?

282
00:15:48,280 --> 00:15:50,400
Speaker 1: It's to make sure you can't help him. He went

283
00:15:50,520 --> 00:15:53,720
Speaker 1: to trial with the legal eight. They never had a home.

284
00:15:53,760 --> 00:15:56,920
Speaker 1: Jeury know nothing. These words out his mouth, You go,

285
00:15:57,040 --> 00:16:01,600
Speaker 1: I don't understand he was supposed to have both. Why

286
00:16:01,680 --> 00:16:05,880
Speaker 1: you choose you see what I'm saying, like y'all from

287
00:16:05,920 --> 00:16:08,760
Speaker 1: you from it, like you're from this that that's automatic

288
00:16:09,200 --> 00:16:11,360
Speaker 1: and you're gonna I understand that these kids are trying

289
00:16:11,400 --> 00:16:15,840
Speaker 1: to make death row. This is cat saying they're trying

290
00:16:15,840 --> 00:16:17,520
Speaker 1: to make death row. That's what they're trying to do

291
00:16:17,560 --> 00:16:21,240
Speaker 1: with this. With that, But why would you go against that?

292
00:16:21,400 --> 00:16:24,880
Speaker 1: To do that? When you know I had to residence

293
00:16:24,960 --> 00:16:27,800
Speaker 1: to go against anybody like there's nobody this too else.

294
00:16:28,200 --> 00:16:30,160
Speaker 1: Those are the guys that you would choose not to

295
00:16:30,360 --> 00:16:33,160
Speaker 1: go against at that point. I want you to hear that,

296
00:16:33,200 --> 00:16:35,480
Speaker 1: and I want you to know I share that. It's

297
00:16:35,480 --> 00:16:38,320
Speaker 1: a think about being a counsel man. Sometimes I think

298
00:16:39,000 --> 00:16:41,520
Speaker 1: the energy in the in the in the world dog.

299
00:16:41,600 --> 00:16:44,920
Speaker 1: It's something about being born at certain times. And I

300
00:16:45,040 --> 00:16:46,960
Speaker 1: believe that you know what I'm saying. I don't know

301
00:16:47,000 --> 00:16:51,200
Speaker 1: how true astrology and all that is, but I second

302
00:16:51,240 --> 00:16:54,200
Speaker 1: that you gotta listen to what he's saying. Home, ain't nobody,

303
00:16:54,360 --> 00:16:58,600
Speaker 1: Ain't nobody more, I don't whoever. You go get and

304
00:16:58,760 --> 00:17:00,920
Speaker 1: you hear how I talk about what it is I do.

305
00:17:01,160 --> 00:17:05,360
Speaker 1: It's more than confidence. You're dealing with this information. Come

306
00:17:05,400 --> 00:17:08,880
Speaker 1: off his cock head. Now, you're dealing with information when

307
00:17:08,880 --> 00:17:11,920
Speaker 1: you're working with me. I ain't know it. Ain't looked

308
00:17:11,920 --> 00:17:15,320
Speaker 1: at the playbook about this. I know what I'm looking at.

309
00:17:15,400 --> 00:17:17,959
Speaker 1: I know what it costs, what it's worth, I know

310
00:17:18,000 --> 00:17:20,560
Speaker 1: what I'm doing. You know what I'm saying. So when

311
00:17:20,560 --> 00:17:24,120
Speaker 1: you want to say it wasn't nobody, that's too ill

312
00:17:24,240 --> 00:17:28,120
Speaker 1: for us. We'll gore gets the world about this we'll

313
00:17:28,200 --> 00:17:31,520
Speaker 1: gore gets the world about this hill, this money, they

314
00:17:31,600 --> 00:17:35,200
Speaker 1: got the bad rest about this money, say brus, hundreds

315
00:17:35,240 --> 00:17:38,360
Speaker 1: of millions on the table. Bro, You think I'm gonna

316
00:17:38,440 --> 00:17:40,520
Speaker 1: let the fault run out with media and loone ain't

317
00:17:40,520 --> 00:17:43,560
Speaker 1: gonna get none of But they got to kill me. Boy,

318
00:17:43,880 --> 00:17:46,280
Speaker 1: I gave my life to some dumbsh on my life

319
00:17:46,280 --> 00:17:49,679
Speaker 1: this cake. But you can't even think about those things

320
00:17:49,720 --> 00:17:54,400
Speaker 1: without really feeling that. You can't say that without feeling that,

321
00:17:54,480 --> 00:17:57,159
Speaker 1: in my opinion. But even with fifty, you're dealing with

322
00:17:57,200 --> 00:17:59,080
Speaker 1: the results of a man that had to come up

323
00:17:59,119 --> 00:18:02,000
Speaker 1: through that and may that happened. And so even when

324
00:18:02,040 --> 00:18:05,080
Speaker 1: he talks, right, I say to myself, all right, and

325
00:18:05,200 --> 00:18:07,320
Speaker 1: I knew back in the day when he did his interview,

326
00:18:07,359 --> 00:18:10,399
Speaker 1: I said, oh, oh this See he disguised as a rapper.

327
00:18:10,520 --> 00:18:13,720
Speaker 1: See that's my new thing, that's my new merchant line.

328
00:18:13,760 --> 00:18:17,480
Speaker 1: We're coming out with disguise. There's a rapper, because y'all

329
00:18:17,480 --> 00:18:19,920
Speaker 1: got a lot of these rappers sut up, Like, even

330
00:18:20,000 --> 00:18:22,639
Speaker 1: when you're dealing with the fifter was up there disguised

331
00:18:22,640 --> 00:18:25,640
Speaker 1: as a rapper. Home he was up there doing business.

332
00:18:26,520 --> 00:18:28,879
Speaker 1: And I knew back then when he went answer the questions.

333
00:18:28,920 --> 00:18:31,280
Speaker 1: I said, Oh this he got a little information. He

334
00:18:31,320 --> 00:18:35,320
Speaker 1: ain't wanted them on because I peeped this perspective. See,

335
00:18:35,359 --> 00:18:37,880
Speaker 1: y'all judge a man by how many cause he got

336
00:18:37,920 --> 00:18:41,399
Speaker 1: how much watches? How many chains he got? I judge

337
00:18:41,400 --> 00:18:44,480
Speaker 1: a man how answer question? Eta let me know what

338
00:18:44,600 --> 00:18:47,479
Speaker 1: I'm dealing with, depending on the question and depending on

339
00:18:47,560 --> 00:18:50,439
Speaker 1: high answer. And so I knew when he on the

340
00:18:50,480 --> 00:18:53,320
Speaker 1: push up, Oh he disguised as a rapper, bullet proof

341
00:18:53,359 --> 00:18:55,960
Speaker 1: that in all it's real smoke out there. But boy,

342
00:18:56,320 --> 00:19:03,360
Speaker 1: these circumstances ain't him disguise. Tied a big business going on.

343
00:19:03,480 --> 00:19:05,680
Speaker 1: You look up, you understand. I knew that's what he

344
00:19:05,840 --> 00:19:10,159
Speaker 1: was doing, and I always respected it. It's in the

345
00:19:10,240 --> 00:19:14,399
Speaker 1: environment they got and it's not him individually, because everybody's

346
00:19:14,440 --> 00:19:16,440
Speaker 1: greater than the absence, and they are the presence. His

347
00:19:16,680 --> 00:19:19,879
Speaker 1: or is stronger than his m He asked me about that.

348
00:19:20,000 --> 00:19:22,240
Speaker 1: When you go get his arm broke and they joint,

349
00:19:22,359 --> 00:19:25,560
Speaker 1: they missed that part. He's gonna say he slipped fell

350
00:19:25,640 --> 00:19:32,880
Speaker 1: on the mop. Yeah, a lot of them gangster stories,

351
00:19:32,960 --> 00:19:38,480
Speaker 1: y'allt here understand just the out of water man said,

352
00:19:38,560 --> 00:19:41,280
Speaker 1: dude right here, got just the man said to even

353
00:19:41,320 --> 00:19:44,879
Speaker 1: be thinking like that, right, then, don't get in the

354
00:19:44,920 --> 00:19:48,320
Speaker 1: absence believe that a matter of facts, said, said, said

355
00:19:48,440 --> 00:19:50,040
Speaker 1: said the Sunday, you know what I'm saying, and he

356
00:19:50,160 --> 00:19:53,240
Speaker 1: telling you why he's putting that together like that, computing

357
00:19:53,280 --> 00:19:55,600
Speaker 1: the same way I do. Like I ain't just wanted

358
00:19:55,640 --> 00:19:59,359
Speaker 1: them to say, man, dude such as such. Now I'm

359
00:19:59,400 --> 00:20:01,960
Speaker 1: gonna say, yo, dude suddenly says, because man, when this happened,

360
00:20:02,000 --> 00:20:03,960
Speaker 1: he done this, and that's done this, and this is

361
00:20:03,960 --> 00:20:05,919
Speaker 1: why because he went this way with that and that

362
00:20:06,119 --> 00:20:10,200
Speaker 1: was this. I'm laying it out and when you deal

363
00:20:10,200 --> 00:20:15,600
Speaker 1: with that information you valuable home. Is there anybody fifty

364
00:20:15,600 --> 00:20:19,840
Speaker 1: cent fears ever historically in life, all of the situations.

365
00:20:20,320 --> 00:20:22,360
Speaker 1: If you don't have feared, then you're not Then you're

366
00:20:22,400 --> 00:20:28,880
Speaker 1: just not acknowledging danger point. Yeah, but you're just not stupid,

367
00:20:29,080 --> 00:20:32,600
Speaker 1: you're not scared. Enohing You watch that guy that just

368
00:20:32,680 --> 00:20:35,280
Speaker 1: has a zero fear and say, yeah, we can get him.

369
00:20:35,320 --> 00:20:37,440
Speaker 1: He's tough, we're gonna have a hard time chewing on him,

370
00:20:37,480 --> 00:20:40,240
Speaker 1: but we're gonna get him. We get him. Like other

371
00:20:40,320 --> 00:20:43,000
Speaker 1: than that, you just got pay attention to it's surrounded.

372
00:20:43,280 --> 00:20:45,960
Speaker 1: This is going on like and you say not never, No,

373
00:20:46,680 --> 00:20:53,000
Speaker 1: you missed that. You missed that that tough. We're gonna

374
00:20:53,000 --> 00:20:55,919
Speaker 1: have trouble chewing on him and we'll get him. I

375
00:20:56,040 --> 00:20:58,639
Speaker 1: keep telling you, tough, we walk y'all right into it.

376
00:20:59,720 --> 00:21:01,760
Speaker 1: And he was showing you that back in the day,

377
00:21:01,800 --> 00:21:04,680
Speaker 1: even in his records, how he would say, he'll lure

378
00:21:04,720 --> 00:21:07,720
Speaker 1: you out shoot his mama house up he coming. You

379
00:21:07,800 --> 00:21:10,160
Speaker 1: know what I'm saying, certain things right, lure you right

380
00:21:10,200 --> 00:21:13,800
Speaker 1: into the trap because I use you against you. I

381
00:21:13,880 --> 00:21:16,480
Speaker 1: always said, man, one of the biggest attributes that a

382
00:21:16,480 --> 00:21:18,760
Speaker 1: lot of street niggers got is they fearless. They'll go

383
00:21:18,840 --> 00:21:22,199
Speaker 1: all the way and no matter the circumstances, they're going forward.

384
00:21:22,840 --> 00:21:24,920
Speaker 1: And I said, one of the biggest weaknesses of the

385
00:21:25,040 --> 00:21:27,800
Speaker 1: dope boys that they fearless. They'll go all the way.

386
00:21:29,320 --> 00:21:32,680
Speaker 1: The same things, right, And so what make you laugh

387
00:21:32,800 --> 00:21:35,200
Speaker 1: make you cry, just depending on how it's being used

388
00:21:35,240 --> 00:21:37,640
Speaker 1: against you or for you. And that's where you got

389
00:21:37,640 --> 00:21:40,960
Speaker 1: to try to wield them skills into what you can

390
00:21:41,240 --> 00:21:43,680
Speaker 1: use them. Fuck, because if not, what will happened is

391
00:21:43,720 --> 00:21:48,240
Speaker 1: you'd die before you did. You super tough, you're really

392
00:21:48,280 --> 00:21:52,240
Speaker 1: just waiting to die. You can't think you're gonna get

393
00:21:52,240 --> 00:21:54,639
Speaker 1: that tough shelf on the everybody. You think that, so

394
00:21:54,760 --> 00:21:57,679
Speaker 1: you think you're gonna rocket tough, said, boy it you

395
00:21:57,800 --> 00:22:02,600
Speaker 1: just everybody. It's just everybody going on for the tough. Nah,

396
00:22:02,800 --> 00:22:05,560
Speaker 1: somebody gonna bake you a cake. It just depends on

397
00:22:05,640 --> 00:22:07,960
Speaker 1: who it is, where it is. If you don't small

398
00:22:08,080 --> 00:22:12,600
Speaker 1: enough and open the market up, you know what I'm saying.

399
00:22:12,680 --> 00:22:17,600
Speaker 1: Sometimes that aura or surrounding you're gonna get you killed. Sometime,

400
00:22:17,680 --> 00:22:19,879
Speaker 1: that aura surrounding a lot of these dudes to get

401
00:22:19,920 --> 00:22:22,840
Speaker 1: them killed, you know what I'm saying. And that's another

402
00:22:22,920 --> 00:22:25,480
Speaker 1: thing with the industry that I kind of been going

403
00:22:25,520 --> 00:22:28,720
Speaker 1: through over the last couple of weeks or months, right,

404
00:22:28,760 --> 00:22:30,880
Speaker 1: because I get a lot of love, and I got

405
00:22:30,920 --> 00:22:33,880
Speaker 1: a lot of respect and admiration. I come from the streets.

406
00:22:33,880 --> 00:22:36,199
Speaker 1: So that's something that's gonna happen. And this is what

407
00:22:36,359 --> 00:22:39,920
Speaker 1: makes me so kind of like dope in my opinion,

408
00:22:40,040 --> 00:22:42,639
Speaker 1: is that I know that I'm headed in that I

409
00:22:42,680 --> 00:22:45,800
Speaker 1: don't know, right, So I know something that's gonna happen

410
00:22:45,840 --> 00:22:48,840
Speaker 1: where I'm gonna look at these guys like my friends,

411
00:22:49,560 --> 00:22:52,439
Speaker 1: right because they do this industry thing like over the

412
00:22:52,520 --> 00:22:54,440
Speaker 1: last couple of days, like I said, I've just been

413
00:22:54,480 --> 00:22:57,760
Speaker 1: watching Breakfast Club interviews because I got a couple of

414
00:22:57,840 --> 00:23:01,800
Speaker 1: things coming that's larger than light. And so they've been

415
00:23:01,800 --> 00:23:03,719
Speaker 1: in the culture for twelve years. So I've just been

416
00:23:03,800 --> 00:23:07,160
Speaker 1: kind of watching transitions and questions and right, this ain't

417
00:23:07,200 --> 00:23:09,440
Speaker 1: just I keep telling them I'm a scientist when it

418
00:23:09,520 --> 00:23:12,399
Speaker 1: comes to this. This is not a joke. Right, So

419
00:23:12,440 --> 00:23:15,480
Speaker 1: I just kind of been diving deep off into what

420
00:23:15,560 --> 00:23:19,000
Speaker 1: they are and how they've been able to have those

421
00:23:19,080 --> 00:23:22,639
Speaker 1: dope conversations for so long. Man, And I was surprised

422
00:23:22,680 --> 00:23:25,119
Speaker 1: and amazed by a couple of things that I found.

423
00:23:25,359 --> 00:23:27,520
Speaker 1: There's gonna be a time because I don't know how

424
00:23:27,560 --> 00:23:30,480
Speaker 1: to like, I don't know how to be an industry

425
00:23:30,760 --> 00:23:33,639
Speaker 1: I'm a streeting it or the industry thing is weird

426
00:23:33,720 --> 00:23:37,119
Speaker 1: to me. Right, If I really would like i'd be

427
00:23:37,200 --> 00:23:41,600
Speaker 1: really with some of these people and see, like fifty said,

428
00:23:41,640 --> 00:23:46,159
Speaker 1: respect come from two places, either admiration or feel and

429
00:23:46,280 --> 00:23:50,840
Speaker 1: my respect be coming from admiration, right, And in this industry,

430
00:23:51,160 --> 00:23:53,960
Speaker 1: sometimes I'd be like, yo, I got fifteen meetings secured

431
00:23:54,080 --> 00:23:57,399
Speaker 1: with their podcast. And because I'm not vocal about it, it

432
00:23:57,280 --> 00:23:59,840
Speaker 1: it almost feels like that people be thinking they're doing

433
00:24:00,160 --> 00:24:03,440
Speaker 1: favors and it'd be it's a weird feeling in this industry, bro,

434
00:24:04,000 --> 00:24:06,440
Speaker 1: And I'm trying to walk y'all through because it's something

435
00:24:06,480 --> 00:24:09,480
Speaker 1: that I'm trying to really understand the street because it's love.

436
00:24:09,920 --> 00:24:13,199
Speaker 1: I show up in the town, it's like yo, and

437
00:24:13,240 --> 00:24:16,280
Speaker 1: it's like yo, are they with loan? But a lot

438
00:24:16,280 --> 00:24:19,040
Speaker 1: of this industry should be different. It's like Yo, what

439
00:24:19,280 --> 00:24:23,280
Speaker 1: is this? This is a weird little area. And so

440
00:24:23,440 --> 00:24:25,760
Speaker 1: that's something that's gonna happen in which I'm gonna go

441
00:24:25,840 --> 00:24:29,600
Speaker 1: through this phase. Well, I'm not gonna be saying certain

442
00:24:29,640 --> 00:24:34,680
Speaker 1: things because I don't really want to, you know, of

443
00:24:34,840 --> 00:24:37,320
Speaker 1: fitting this person or like, you know what I'm saying.

444
00:24:37,320 --> 00:24:39,560
Speaker 1: It's just naturally gonna happen because I look up to

445
00:24:39,680 --> 00:24:42,359
Speaker 1: some of these guys. But after I've got in the

446
00:24:42,440 --> 00:24:45,560
Speaker 1: industry and had some experience with these guys, that's gonna

447
00:24:45,600 --> 00:24:48,439
Speaker 1: go away, you know what I'm saying. So I'm just

448
00:24:48,520 --> 00:24:51,440
Speaker 1: trying to navigate this because it's a weird thing, bro.

449
00:24:51,640 --> 00:24:54,240
Speaker 1: It's a weird thing being from the street and then

450
00:24:54,400 --> 00:24:58,280
Speaker 1: coming into all this like everybody with your s and

451
00:24:58,320 --> 00:25:01,560
Speaker 1: it's like, oh, but back back to what fifty was

452
00:25:01,600 --> 00:25:04,879
Speaker 1: saying in the hood. A lot of times, like I said, man,

453
00:25:05,080 --> 00:25:07,200
Speaker 1: a lot of dudes think that it's honor and being

454
00:25:07,359 --> 00:25:10,800
Speaker 1: killed or knocked out, or it's honor and going out

455
00:25:10,840 --> 00:25:13,400
Speaker 1: on your sword, and all that they ain't thinking men,

456
00:25:14,160 --> 00:25:17,640
Speaker 1: these is dumb and stupid. Right. So for me, when

457
00:25:17,640 --> 00:25:21,480
Speaker 1: I look at these super tough knicks, I say to myself, boy,

458
00:25:21,840 --> 00:25:25,920
Speaker 1: you're a missile. We call them missiles. Missiles is good

459
00:25:25,960 --> 00:25:31,199
Speaker 1: for one thing and one time. You better understand that

460
00:25:31,280 --> 00:25:37,080
Speaker 1: ain't no reusing a missile. You understand. So um Now,

461
00:25:37,240 --> 00:25:39,520
Speaker 1: Now a lot of times even now, dudes just telling

462
00:25:39,600 --> 00:25:41,879
Speaker 1: on each other, like it just ain't even worth getting

463
00:25:41,880 --> 00:25:44,439
Speaker 1: involved in all this, you know what I'm saying. But

464
00:25:44,560 --> 00:25:47,840
Speaker 1: all this super tough don't work. That's gonna get somebody hurt.

465
00:25:49,119 --> 00:25:52,679
Speaker 1: Saying the toughest. God, I just I'm gonna do what

466
00:25:52,720 --> 00:25:56,520
Speaker 1: I want to do. But that's rearranging my presentation what

467
00:25:56,560 --> 00:26:01,600
Speaker 1: I'm doing. So now, I wouldn't I wouldn't have given

468
00:26:01,640 --> 00:26:03,560
Speaker 1: them things it was so good if I felt like

469
00:26:03,640 --> 00:26:06,280
Speaker 1: it was going all to what I'm doing, you know

470
00:26:06,359 --> 00:26:08,560
Speaker 1: what I'm saying, Like I did my first record so fast,

471
00:26:08,600 --> 00:26:11,880
Speaker 1: like the second record, my attempted the first record went

472
00:26:12,000 --> 00:26:15,359
Speaker 1: was done in the weekend, so just get rich. No,

473
00:26:15,880 --> 00:26:19,399
Speaker 1: the second the MASc and that the attempt that was

474
00:26:19,400 --> 00:26:21,920
Speaker 1: done in the weekend turns into games out you regret

475
00:26:21,960 --> 00:26:27,360
Speaker 1: giving game. You know. You know what else I noticed

476
00:26:27,880 --> 00:26:31,000
Speaker 1: that you really can't tell how good or wrapped the

477
00:26:31,119 --> 00:26:34,880
Speaker 1: hustle in the middle of their career, because while they're

478
00:26:34,880 --> 00:26:36,639
Speaker 1: in the middle of the career, a lot of the

479
00:26:36,720 --> 00:26:39,000
Speaker 1: times the laybel gonna keep them in a situation to

480
00:26:39,080 --> 00:26:41,879
Speaker 1: be looking a certain way. So when you look at

481
00:26:41,960 --> 00:26:45,240
Speaker 1: fifties and you look at certain people that's outside of

482
00:26:45,280 --> 00:26:47,520
Speaker 1: that prime of their career and they still living a

483
00:26:47,560 --> 00:26:49,800
Speaker 1: certain way, you said, oh, he must have hustled good.

484
00:26:51,600 --> 00:26:53,960
Speaker 1: That's why I respect dudes like fit. There are certain

485
00:26:54,040 --> 00:26:56,919
Speaker 1: rap dudes that took it to the next level. The

486
00:26:57,040 --> 00:27:00,119
Speaker 1: next clicker. You understand, she we don't hate that in

487
00:27:00,160 --> 00:27:02,439
Speaker 1: the South. If it's if it's if you've done some

488
00:27:02,560 --> 00:27:05,240
Speaker 1: legendary we're gonna give you them profit, you know what

489
00:27:05,320 --> 00:27:09,040
Speaker 1: I'm saying. But one thing about these rappers, a lot

490
00:27:09,080 --> 00:27:12,280
Speaker 1: of them smiling with somebody else teeth, you know what

491
00:27:12,320 --> 00:27:14,720
Speaker 1: I'm saying, Meaning you're thinking as they hustle that you

492
00:27:14,800 --> 00:27:16,840
Speaker 1: look at that. But that's the label keeping out the

493
00:27:16,960 --> 00:27:20,920
Speaker 1: buttons up. They keeping everything together, doing taxes, all kind

494
00:27:20,920 --> 00:27:23,480
Speaker 1: of just helping them live a certain way. Why he

495
00:27:25,119 --> 00:27:28,840
Speaker 1: why they got interest in the partnership. When they take

496
00:27:28,880 --> 00:27:30,960
Speaker 1: the hands off the wheel, it's a different fight. That's

497
00:27:30,960 --> 00:27:34,479
Speaker 1: why you gotta applause. Certain is saying, you know, I'm

498
00:27:34,520 --> 00:27:37,480
Speaker 1: putting this in my hands. Now, you know what I'm saying,

499
00:27:37,520 --> 00:27:41,439
Speaker 1: because it's a it's a that's a larger fight for you. Well,

500
00:27:41,520 --> 00:27:43,560
Speaker 1: fifth is a great interview, man. Like I said, if

501
00:27:43,560 --> 00:27:45,680
Speaker 1: you if you haven't saw that interview on Breakfast Club,

502
00:27:45,760 --> 00:27:47,960
Speaker 1: go see that. Matter of fact, let's talk about the

503
00:27:48,000 --> 00:27:50,480
Speaker 1: Breakfast Club for those of you unaware. Over the last

504
00:27:50,520 --> 00:27:54,800
Speaker 1: couple of days, Angela Yee came out and tweeted the

505
00:27:54,960 --> 00:27:58,400
Speaker 1: Breakfast Club as you know, it's over. Breakfast Club has

506
00:27:58,440 --> 00:28:01,640
Speaker 1: been a staple in the industry before our culture, one

507
00:28:01,680 --> 00:28:05,040
Speaker 1: of the most monumental hip hop shows ever to grace

508
00:28:05,880 --> 00:28:08,720
Speaker 1: the presence of hip hoop. And if they were going

509
00:28:08,800 --> 00:28:11,560
Speaker 1: out at that time, I would say that they would

510
00:28:11,600 --> 00:28:14,720
Speaker 1: have went out as the top show ever. But still

511
00:28:15,160 --> 00:28:17,240
Speaker 1: I didn't think they was going out because I'm a

512
00:28:17,280 --> 00:28:19,920
Speaker 1: word smith. I deal with information and so I knew

513
00:28:19,960 --> 00:28:23,280
Speaker 1: that that was a situation where she was getting hush off. Now,

514
00:28:23,320 --> 00:28:25,639
Speaker 1: I didn't know what was to come behind it, but

515
00:28:25,760 --> 00:28:28,480
Speaker 1: I knew the breakfast club wasn't over. Then the court

516
00:28:28,600 --> 00:28:32,080
Speaker 1: that begs me to question, Damn did Charlemagne envy even

517
00:28:32,200 --> 00:28:35,480
Speaker 1: like her to do that? You know, because it blew

518
00:28:35,600 --> 00:28:38,280
Speaker 1: up everywhere and she knew it would do that. I'm

519
00:28:38,320 --> 00:28:40,680
Speaker 1: pretty sure she wanted to be empowered to make her

520
00:28:40,760 --> 00:28:44,400
Speaker 1: own kind of announcement. You know. The way she did

521
00:28:44,480 --> 00:28:47,160
Speaker 1: it was misleading to the casual fan. I think they

522
00:28:47,280 --> 00:28:50,400
Speaker 1: kind of took that and thought that the entire breakfast

523
00:28:50,480 --> 00:28:52,720
Speaker 1: club was over. But a lot of people in the

524
00:28:52,800 --> 00:28:55,200
Speaker 1: industry kind of read in between the lines and was like,

525
00:28:55,280 --> 00:28:59,600
Speaker 1: all right, so something's happening there. There's a mix up happening.

526
00:28:59,800 --> 00:29:03,000
Speaker 1: I'm gonna say that Charlemagne did not know she was

527
00:29:03,040 --> 00:29:05,560
Speaker 1: gonna do it that way, based on just how they

528
00:29:05,600 --> 00:29:08,440
Speaker 1: would talking. You know, after she explained that, she kind

529
00:29:08,480 --> 00:29:10,960
Speaker 1: of came out and say, yo, I have my own show. Congratulations,

530
00:29:11,040 --> 00:29:14,200
Speaker 1: round of applause for her. She has her own show

531
00:29:14,280 --> 00:29:19,280
Speaker 1: now on our hearts. So she's doing her own She's

532
00:29:19,320 --> 00:29:21,480
Speaker 1: doing her own show on our heart. Now, what's gonna

533
00:29:21,480 --> 00:29:24,120
Speaker 1: be syndicated. It's big business, and I think a black

534
00:29:24,200 --> 00:29:28,520
Speaker 1: woman needs that position. But still, that announcement came off

535
00:29:28,600 --> 00:29:32,200
Speaker 1: as like something may be going on behind the scenes

536
00:29:32,240 --> 00:29:37,240
Speaker 1: between that whole staff. I remember when Charlemagne and Gucci

537
00:29:37,400 --> 00:29:41,280
Speaker 1: had that situation where like Gucci and Angela got into

538
00:29:41,360 --> 00:29:43,440
Speaker 1: it and Charlemagne did that interview, and a lot of

539
00:29:43,480 --> 00:29:46,760
Speaker 1: people pointed at that as being something kind that kind

540
00:29:46,760 --> 00:29:49,760
Speaker 1: of caused the riff in the relationship. You know, I'm

541
00:29:49,800 --> 00:29:51,920
Speaker 1: not sure. I just know that that is a point

542
00:29:51,960 --> 00:29:55,920
Speaker 1: of contending that is a watermark or a high mark

543
00:29:56,360 --> 00:30:00,440
Speaker 1: of their relationship, like something happened there, you know. But

544
00:30:00,560 --> 00:30:03,680
Speaker 1: Breakfast Club, man, like I said, they have been able

545
00:30:03,760 --> 00:30:08,400
Speaker 1: to have a longevity in the industry that they actually

546
00:30:08,480 --> 00:30:11,000
Speaker 1: created the business model. If we want to talk about it,

547
00:30:11,520 --> 00:30:14,600
Speaker 1: like we really want to talk about shows, what's happening

548
00:30:14,720 --> 00:30:18,600
Speaker 1: right now, Breakfast Club created that business model. When we

549
00:30:18,720 --> 00:30:22,040
Speaker 1: deal with taking our culture leaders putting them on the camera,

550
00:30:22,360 --> 00:30:26,360
Speaker 1: that market really didn't exist. It did, but from a

551
00:30:26,520 --> 00:30:30,160
Speaker 1: totally different aspect, right, It was a totally different thing

552
00:30:30,680 --> 00:30:33,880
Speaker 1: before Breakfast Club. Breakfast Club took that and kind of

553
00:30:33,960 --> 00:30:37,600
Speaker 1: packaged it and was already syndicated, which created the audience

554
00:30:37,680 --> 00:30:41,160
Speaker 1: and everything all across Like that was a dope thing

555
00:30:41,280 --> 00:30:43,120
Speaker 1: they did thinking on their feet. I don't know if

556
00:30:43,160 --> 00:30:46,680
Speaker 1: it was just by chort by chance or luck or what,

557
00:30:46,920 --> 00:30:51,800
Speaker 1: but that was that was a great addition to hip hop,

558
00:30:52,360 --> 00:30:54,880
Speaker 1: not even to just media, to hip hop bro that

559
00:30:55,080 --> 00:30:58,280
Speaker 1: that helped even shed light on a lot of artists

560
00:30:58,360 --> 00:31:01,760
Speaker 1: that were not as big prior to that, even shit

561
00:31:01,920 --> 00:31:04,480
Speaker 1: light on some people that sales would kind of I

562
00:31:04,640 --> 00:31:07,200
Speaker 1: remember ray Ja coming up there with the fabulous thing,

563
00:31:07,720 --> 00:31:09,720
Speaker 1: Like a lot of those dudes back then, well it

564
00:31:09,840 --> 00:31:13,200
Speaker 1: was getting slippery for them, but those interviews will start

565
00:31:13,280 --> 00:31:16,000
Speaker 1: to shit light on dudes and put them in greater positions.

566
00:31:16,040 --> 00:31:18,920
Speaker 1: And Breakfast Club even broke a couple of people like,

567
00:31:19,080 --> 00:31:21,320
Speaker 1: if you really wanted to break your act, or break

568
00:31:21,400 --> 00:31:24,040
Speaker 1: your song, or put your people right in front of

569
00:31:24,080 --> 00:31:26,480
Speaker 1: our culture, you will go to the Breakfast Club. They

570
00:31:26,560 --> 00:31:29,360
Speaker 1: probably have had they probably have had deals with almost

571
00:31:29,440 --> 00:31:33,800
Speaker 1: everybody concerning our culture at some point of time, some way,

572
00:31:33,920 --> 00:31:37,640
Speaker 1: shape or form. So breakfast club bills what breakfast club bills?

573
00:31:38,040 --> 00:31:40,040
Speaker 1: While I was looking at a lot of these Breakfast

574
00:31:40,080 --> 00:31:41,920
Speaker 1: Club interviews and we got a lot to talk about.

575
00:31:41,960 --> 00:31:44,320
Speaker 1: We're gonna get the blue face next and this girl

576
00:31:44,760 --> 00:31:48,160
Speaker 1: but fifty came up and of course, like I said,

577
00:31:48,400 --> 00:31:53,720
Speaker 1: dope interview. Then I started watching Casting OVA Free, casting Ova.

578
00:31:53,800 --> 00:31:56,040
Speaker 1: He wanted them, he wanted them ones. I had never

579
00:31:56,160 --> 00:31:59,240
Speaker 1: really watched him a lot, you know, when I watched

580
00:31:59,280 --> 00:32:01,360
Speaker 1: these rap dude, I know a lot of them faking,

581
00:32:01,520 --> 00:32:03,360
Speaker 1: you know what I'm saying. And so when I'm watching them,

582
00:32:03,680 --> 00:32:05,880
Speaker 1: watch a couple of his interviews, I said, he got

583
00:32:05,920 --> 00:32:10,080
Speaker 1: that energy, he wanted them once. Now he needed to

584
00:32:10,160 --> 00:32:14,160
Speaker 1: be I think that he might have got tricked out

585
00:32:14,160 --> 00:32:16,720
Speaker 1: of his position. I think takash in them play the

586
00:32:16,840 --> 00:32:20,520
Speaker 1: role and then breaking fears up through the hot board,

587
00:32:20,560 --> 00:32:22,040
Speaker 1: and then he kind of got in a mixed with

588
00:32:22,160 --> 00:32:24,880
Speaker 1: that and they led to I really believe to kash

589
00:32:25,000 --> 00:32:28,080
Speaker 1: In them people you know, or not even to kashi

590
00:32:28,160 --> 00:32:31,480
Speaker 1: In them saying nothing or rat it on him specifically,

591
00:32:31,800 --> 00:32:34,560
Speaker 1: but just that running that whole ship. This was a

592
00:32:34,680 --> 00:32:37,600
Speaker 1: bad play for him, being somebody that already had their

593
00:32:37,720 --> 00:32:42,200
Speaker 1: kind of background. But this particular interview, man, he was

594
00:32:42,280 --> 00:32:46,560
Speaker 1: talking about the industry and I told y'all, the universe

595
00:32:46,600 --> 00:32:48,560
Speaker 1: I always speak to me and being in that place

596
00:32:48,640 --> 00:32:52,280
Speaker 1: where like you getting reached out to by everybody. You

597
00:32:52,360 --> 00:32:54,760
Speaker 1: know what I'm saying, and how that feels and how

598
00:32:54,840 --> 00:32:57,160
Speaker 1: fake the industry is. Let's let's listen to them speak

599
00:32:57,160 --> 00:33:00,240
Speaker 1: about that and we'll add some gang tour buggings. Stop

600
00:33:00,320 --> 00:33:03,680
Speaker 1: talking about Drake parents, stop doing this. That's not how

601
00:33:03,760 --> 00:33:05,520
Speaker 1: you do it. Let me show you how you do it.

602
00:33:06,040 --> 00:33:10,000
Speaker 1: Make your music. Nobody did that, everybody I was. I

603
00:33:10,080 --> 00:33:13,160
Speaker 1: saw him after BT Awards last year and he was

604
00:33:13,200 --> 00:33:15,840
Speaker 1: walking by itself. I posted a picture. We was in

605
00:33:15,920 --> 00:33:18,200
Speaker 1: the picture. You got me and him and two other people.

606
00:33:18,240 --> 00:33:22,120
Speaker 1: I just hit put it on my instant snap. Nobody

607
00:33:22,240 --> 00:33:25,880
Speaker 1: was walking in, Nobody was talking to him. Everybody once

608
00:33:25,960 --> 00:33:29,400
Speaker 1: he did that with Drake, Everybody like, oh dude, it's wild.

609
00:33:30,000 --> 00:33:33,320
Speaker 1: He's willing. So what do you what? All his love

610
00:33:34,040 --> 00:33:36,600
Speaker 1: is fake and and and it's and it's killing me.

611
00:33:36,680 --> 00:33:40,520
Speaker 1: But I understand it now, I understand it. I understand it.

612
00:33:40,600 --> 00:33:42,320
Speaker 1: These people are not gonna let you win until you

613
00:33:42,440 --> 00:33:45,880
Speaker 1: somebody a top priority. That's it. If you wasn't who

614
00:33:46,000 --> 00:33:47,880
Speaker 1: you was, people wouldn't even say, what's up to you?

615
00:33:48,920 --> 00:33:50,760
Speaker 1: You have a platform? You know what I'm saying. No,

616
00:33:50,880 --> 00:33:53,240
Speaker 1: I'm aware of that. If I when you know whatever,

617
00:33:53,360 --> 00:33:56,960
Speaker 1: no more breakfast club than done. People won't care about

618
00:33:56,960 --> 00:33:59,360
Speaker 1: it done. And you know what I'm saying, that's why

619
00:33:59,640 --> 00:34:01,000
Speaker 1: can't still be here. That's why I don't go to

620
00:34:01,080 --> 00:34:05,000
Speaker 1: nosening parties, none of that. That's what I'm saying. I go,

621
00:34:05,520 --> 00:34:09,880
Speaker 1: I go to dudes listening parties. I go to du shows.

622
00:34:10,640 --> 00:34:12,080
Speaker 1: I do a lot of stuff. I post a lot

623
00:34:12,120 --> 00:34:13,640
Speaker 1: of people in music and then I looked at it.

624
00:34:13,719 --> 00:34:17,560
Speaker 1: I said, thing, ain't nobody post my music? That really

625
00:34:17,680 --> 00:34:21,439
Speaker 1: makes me be like yo yo, just a little yadi

626
00:34:21,480 --> 00:34:22,960
Speaker 1: post something like that. This morning he was like, how

627
00:34:23,000 --> 00:34:25,799
Speaker 1: the ogs to be listening to their music, but don't

628
00:34:25,840 --> 00:34:28,560
Speaker 1: pick up the young the young boys inspiration for them?

629
00:34:28,600 --> 00:34:30,040
Speaker 1: You know what I mean? Even with me? With me,

630
00:34:30,239 --> 00:34:32,440
Speaker 1: when I saw me got my show at so Obs

631
00:34:32,480 --> 00:34:36,560
Speaker 1: just years ago, I was hyped, I was turning up.

632
00:34:37,160 --> 00:34:40,279
Speaker 1: I was turned and make you feel good. It makes

633
00:34:40,320 --> 00:34:43,439
Speaker 1: you understand you doing the right thing. Don't wait till

634
00:34:43,480 --> 00:34:45,160
Speaker 1: I die to tell me that, because you could have

635
00:34:45,200 --> 00:34:48,200
Speaker 1: saved my life if one of them ogs that's saying

636
00:34:48,280 --> 00:34:51,479
Speaker 1: they loved x x X would have went come here listen.

637
00:34:51,560 --> 00:34:55,880
Speaker 1: You go to dudes listening parties. I go to do shows.

638
00:34:56,640 --> 00:34:58,080
Speaker 1: I do a lot of stuff. I post a lot

639
00:34:58,120 --> 00:34:59,640
Speaker 1: of people of music, and then I looked at it.

640
00:34:59,680 --> 00:35:03,680
Speaker 1: I said, thing, ain't nobody post my music, nobody coming

641
00:35:03,719 --> 00:35:06,279
Speaker 1: to my stuff. I'm done with that. It's over for

642
00:35:06,360 --> 00:35:08,360
Speaker 1: the fake love. I'm not pulling up to your party.

643
00:35:08,680 --> 00:35:11,000
Speaker 1: None of that is over for that because you really

644
00:35:11,040 --> 00:35:14,200
Speaker 1: don't genuinely care about me anyway. Seeing that, what it

645
00:35:14,360 --> 00:35:17,880
Speaker 1: be is that you be trying to be like a

646
00:35:18,080 --> 00:35:21,759
Speaker 1: real right far as me anyway. I know what's up

647
00:35:21,800 --> 00:35:24,000
Speaker 1: with me. I know the people I'm in being this way,

648
00:35:24,080 --> 00:35:26,480
Speaker 1: I know what we've been talked about, know what's happening.

649
00:35:26,840 --> 00:35:31,000
Speaker 1: I know it's lit right, But I don't just carry that.

650
00:35:31,280 --> 00:35:33,319
Speaker 1: I'd be trying to just be in the industry, like Bro,

651
00:35:33,719 --> 00:35:35,759
Speaker 1: I put you man, I push up to your ship.

652
00:35:36,160 --> 00:35:39,200
Speaker 1: Oh but you know, and it's just like it don't

653
00:35:39,239 --> 00:35:42,200
Speaker 1: be reciprocated because they think they're bigger than you. It's

654
00:35:42,239 --> 00:35:45,440
Speaker 1: something that's happening in this culture, bro. What people can

655
00:35:45,640 --> 00:35:50,719
Speaker 1: only appreciate things from people that's bigger than them. I

656
00:35:50,840 --> 00:35:53,840
Speaker 1: think in our culture anyway, we got a disease that

657
00:35:54,120 --> 00:35:56,879
Speaker 1: we don't count what we have. We literally only count

658
00:35:56,920 --> 00:35:59,680
Speaker 1: what we don't have. The people that's not looking the people.

659
00:35:59,719 --> 00:36:01,920
Speaker 1: That's not like in the ones. It's not viewing. You

660
00:36:01,960 --> 00:36:05,200
Speaker 1: don't even like the people that you got on your

661
00:36:05,239 --> 00:36:07,960
Speaker 1: team and rocking with you. You gotta appreciate that more.

662
00:36:08,360 --> 00:36:11,120
Speaker 1: But a lot of times we only count what we

663
00:36:11,280 --> 00:36:13,960
Speaker 1: don't have. You know, you don't appreciate the house you

664
00:36:14,120 --> 00:36:17,040
Speaker 1: got because you want that mansion. You don't appreciate the

665
00:36:17,640 --> 00:36:20,239
Speaker 1: two die in the eighteen Cadillac because you want the

666
00:36:20,280 --> 00:36:23,120
Speaker 1: two die in the twenty three. You understand what I'm saying.

667
00:36:23,160 --> 00:36:26,000
Speaker 1: So it's just a situation where it's something happening that

668
00:36:26,120 --> 00:36:28,520
Speaker 1: we can't count what we have and only count what

669
00:36:28,680 --> 00:36:33,279
Speaker 1: we don't have. But in this game, it's a weird aura. Man.

670
00:36:34,239 --> 00:36:36,799
Speaker 1: It's like even streating to be getting in this game.

671
00:36:36,920 --> 00:36:40,319
Speaker 1: Some people that you thought were streating. If you think

672
00:36:40,680 --> 00:36:43,000
Speaker 1: if you get, if you get a little care about

673
00:36:43,000 --> 00:36:46,480
Speaker 1: to be I don't know. They're talking about it, yo, gods,

674
00:36:46,520 --> 00:36:48,200
Speaker 1: what's going on it? What's up? We need to get

675
00:36:48,200 --> 00:36:51,080
Speaker 1: in the studio. Where was you? We need to get

676
00:36:51,120 --> 00:36:54,120
Speaker 1: in the studio two three weeks ago. As soon as

677
00:36:54,160 --> 00:36:56,440
Speaker 1: somebody get a song, I see it every time, Just

678
00:36:56,600 --> 00:36:59,560
Speaker 1: like with Young and Made, I swear she was in

679
00:36:59,640 --> 00:37:07,120
Speaker 1: the club. Nobody was paying her no attention. That wool different.

680
00:37:07,200 --> 00:37:09,279
Speaker 1: Everybody talking about younger men. I can't even get in

681
00:37:09,360 --> 00:37:10,960
Speaker 1: the club no more. I gotta wait for younger men

682
00:37:11,040 --> 00:37:14,520
Speaker 1: to get it. But again, just watching Breathless club Man,

683
00:37:14,840 --> 00:37:17,280
Speaker 1: we'll be around for a while. It's up there, pardcad

684
00:37:17,320 --> 00:37:20,200
Speaker 1: waen stopping and we're gonna take the coach over one

685
00:37:20,280 --> 00:37:23,440
Speaker 1: by one. Man. Um, let's talk about this blue Face.

686
00:37:24,120 --> 00:37:28,040
Speaker 1: Blue Face and his girlfriend, Christine Rock they got into

687
00:37:28,080 --> 00:37:33,239
Speaker 1: an altercation. This altercation was live I think somewhere in Hollywood,

688
00:37:33,320 --> 00:37:36,080
Speaker 1: where she was fighting him and they was going at it.

689
00:37:36,680 --> 00:37:40,680
Speaker 1: The circumstances surrounding this situation to be always be vague

690
00:37:40,719 --> 00:37:44,480
Speaker 1: because no one to be talking about exactly what took place.

691
00:37:45,120 --> 00:37:47,000
Speaker 1: Let's like, let's take a look at the video and

692
00:37:47,080 --> 00:38:13,640
Speaker 1: come back with some games. M H O R right

693
00:38:13,760 --> 00:38:21,000
Speaker 1: now what I know? Bro? You all right? Dude, Bro,

694
00:38:21,280 --> 00:38:34,680
Speaker 1: that's not good. Bro H. I'm dude, broy. Let me go,

695
00:38:35,960 --> 00:38:46,440
Speaker 1: dam bro keep following me, damn. Um, welcome to Hollywood.

696
00:38:55,600 --> 00:39:04,480
Speaker 1: Just take the easy. Oh h that was bad, Well

697
00:39:04,520 --> 00:39:36,160
Speaker 1: that was bad. I was bad, dude. You know yo,

698
00:39:36,239 --> 00:39:43,279
Speaker 1: you guys just dropped the phone. You just dropped the phone. Yo.

699
00:39:43,400 --> 00:39:47,680
Speaker 1: You just dropped the phone. Yo. Why are you Yeah, man, Yo,

700
00:39:47,800 --> 00:40:03,680
Speaker 1: he's not doing nothing to you. Yeah, man, M see

701
00:40:03,760 --> 00:40:05,520
Speaker 1: the man that he take her to the car to

702
00:40:05,600 --> 00:40:11,560
Speaker 1: see the man. Come on, We're just started to do

703
00:40:11,600 --> 00:40:15,320
Speaker 1: a little roll here, guys. I just walked out the house. Dogs.

704
00:40:21,080 --> 00:40:33,320
Speaker 1: It's just a little dramatic. Oh yeah, bro, I just

705
00:40:33,480 --> 00:40:57,920
Speaker 1: you know, first responder on the scene. No, no, no,

706
00:40:58,719 --> 00:41:06,319
Speaker 1: maybe you guys. Man, that's a lot when I look

707
00:41:06,360 --> 00:41:08,759
Speaker 1: at this situation. Man, I'm starting to really think she

708
00:41:08,880 --> 00:41:11,680
Speaker 1: maybe be the one with the game. You know, I'm

709
00:41:11,760 --> 00:41:16,000
Speaker 1: always looking everybody everybody running game, you know, especially the

710
00:41:16,120 --> 00:41:18,560
Speaker 1: more and more of the TV shows, and now Let's

711
00:41:18,640 --> 00:41:22,600
Speaker 1: coming out. I'm like, nah, she acting she's a different

712
00:41:22,680 --> 00:41:25,720
Speaker 1: individual that ain't. I don't know, man, maybe I'm tripping,

713
00:41:25,800 --> 00:41:28,439
Speaker 1: but I'm starting to view it a different way. I'm

714
00:41:28,480 --> 00:41:31,880
Speaker 1: thinking she's still in his powers, Like she's still in

715
00:41:31,960 --> 00:41:35,600
Speaker 1: the order that was around him. That Like I even

716
00:41:35,640 --> 00:41:38,120
Speaker 1: see then what they're trying to say, like she's the

717
00:41:38,200 --> 00:41:40,279
Speaker 1: only reason he still is talked about it. I'm not

718
00:41:40,360 --> 00:41:42,640
Speaker 1: sure if that's the case, but I know he got

719
00:41:42,719 --> 00:41:46,359
Speaker 1: a bunch of you know, platinum singles, so I mean

720
00:41:46,480 --> 00:41:49,560
Speaker 1: he's somebody that has a certain level of market Shaw.

721
00:41:50,160 --> 00:41:52,960
Speaker 1: But I always said this might end bad man, and

722
00:41:53,080 --> 00:41:54,759
Speaker 1: we can really take it off them and kind of

723
00:41:54,800 --> 00:41:57,279
Speaker 1: move past them and kind of just deal with relationships.

724
00:41:57,320 --> 00:42:01,359
Speaker 1: But every every five stars small, every filestar small, ain't

725
00:42:01,400 --> 00:42:07,319
Speaker 1: no way that's happening outside on Hollywood Boulevard. And it's

726
00:42:07,360 --> 00:42:10,719
Speaker 1: peaceful in the house. And as you see, she's trying

727
00:42:10,760 --> 00:42:13,920
Speaker 1: to squabble. She throwing him and hitting him in his chain, ripping,

728
00:42:14,000 --> 00:42:17,600
Speaker 1: and now it's like, yo, man, I'm too playfile. It's here.

729
00:42:19,239 --> 00:42:22,319
Speaker 1: Oh man, you out of control? See me, I got

730
00:42:22,400 --> 00:42:24,879
Speaker 1: that button in my brain. Boom, soon you do one.

731
00:42:25,200 --> 00:42:28,799
Speaker 1: Damn it's mother handing over here. Out of control. Man.

732
00:42:28,840 --> 00:42:32,120
Speaker 1: I got to just get away right quick once she

733
00:42:32,239 --> 00:42:35,040
Speaker 1: once I'm gone right here, that's it, because you can't

734
00:42:35,080 --> 00:42:38,719
Speaker 1: re respect somebody, you know what I'm saying. You once

735
00:42:38,760 --> 00:42:40,919
Speaker 1: you don't flip the switch and you don't win role.

736
00:42:41,560 --> 00:42:43,719
Speaker 1: Oh man, I got to treat you Roy. It's over,

737
00:42:44,239 --> 00:42:46,319
Speaker 1: and you can't come back at the house. It's over,

738
00:42:47,320 --> 00:42:48,919
Speaker 1: you know what I'm saying. It's too much at risk.

739
00:42:48,960 --> 00:42:50,919
Speaker 1: I can't play that little game you like to play

740
00:42:51,000 --> 00:42:53,200
Speaker 1: where you want to make up and do it again

741
00:42:53,280 --> 00:42:56,040
Speaker 1: and may I ain't got that kind of time. Nah,

742
00:42:56,200 --> 00:42:59,120
Speaker 1: it's over and it might hurt me, but it's over

743
00:42:59,239 --> 00:43:02,480
Speaker 1: for show because I can't get mad at you forbite

744
00:43:02,560 --> 00:43:07,360
Speaker 1: me twice. That's my mistake. Anything over once is a decision.

745
00:43:08,400 --> 00:43:11,920
Speaker 1: But I also know me and love power. But you

746
00:43:12,040 --> 00:43:14,720
Speaker 1: gotta be careful because women know that me and love power.

747
00:43:14,840 --> 00:43:17,239
Speaker 1: So they get the illusion of power because they know

748
00:43:17,320 --> 00:43:21,319
Speaker 1: you're fall in love with that. Oh man, I can't

749
00:43:21,400 --> 00:43:24,680
Speaker 1: make a decision without it. Ain't not knocking that. There's

750
00:43:24,920 --> 00:43:27,360
Speaker 1: boil a lot of that time that bet count. And

751
00:43:27,480 --> 00:43:30,239
Speaker 1: see a lot of dudes, ain't They don't have enough

752
00:43:30,320 --> 00:43:33,560
Speaker 1: game to know that women know that me and love power,

753
00:43:34,320 --> 00:43:39,840
Speaker 1: and so they're played downzel in distress, right you you

754
00:43:40,280 --> 00:43:44,960
Speaker 1: because some men like the helpless don't know which way

755
00:43:45,120 --> 00:43:48,839
Speaker 1: is up type vibe right and whatever you like, that's

756
00:43:48,880 --> 00:43:51,439
Speaker 1: on you. What I'm saying is, though, when they break

757
00:43:51,560 --> 00:43:54,080
Speaker 1: character like that, you better you better know what you're

758
00:43:54,120 --> 00:43:57,320
Speaker 1: dealing with at that point, because what happens is he

759
00:43:57,520 --> 00:44:02,160
Speaker 1: then starts to use your celebrity again. Issue. Now, I

760
00:44:02,320 --> 00:44:04,320
Speaker 1: know for a fact that if we get the fighting

761
00:44:04,400 --> 00:44:06,680
Speaker 1: out here like this, that ain't a good thing for you.

762
00:44:07,719 --> 00:44:11,520
Speaker 1: So now you really spookeed, you got an hour, and

763
00:44:11,600 --> 00:44:15,319
Speaker 1: you really just hoping she won't go haywire. And peace

764
00:44:15,400 --> 00:44:20,200
Speaker 1: with fears not true peace. Right when you when you're scared,

765
00:44:20,360 --> 00:44:23,640
Speaker 1: that ain't true peace. And what will happen is is

766
00:44:23,719 --> 00:44:25,759
Speaker 1: that Shill started to do that because they say he

767
00:44:25,880 --> 00:44:29,480
Speaker 1: lost one point two million on a boxing match because

768
00:44:29,520 --> 00:44:33,040
Speaker 1: of that. You know what I'm saying, And that's according

769
00:44:33,080 --> 00:44:35,839
Speaker 1: to his manager. He posted a loss of one point

770
00:44:35,920 --> 00:44:38,560
Speaker 1: two million. That's a lot of money to lose about

771
00:44:38,600 --> 00:44:41,880
Speaker 1: somebody I ain't married to. Sometime when you're marriage, you

772
00:44:41,960 --> 00:44:43,920
Speaker 1: go down with the ship, loon, don't go down with

773
00:44:44,040 --> 00:44:47,040
Speaker 1: the ship, because if we marriage, you ain't got no

774
00:44:47,120 --> 00:44:51,440
Speaker 1: being to sinking the ship. And if you go to

775
00:44:51,520 --> 00:44:53,800
Speaker 1: singing the ship and not have made the great mistake

776
00:44:53,840 --> 00:44:56,080
Speaker 1: of having myself in a marriage with you, I got

777
00:44:56,160 --> 00:44:59,720
Speaker 1: to make some adjustments because whoever I'm married to wouldn't

778
00:44:59,719 --> 00:45:04,120
Speaker 1: sing the ship, and whoever I'm gonna continue to be

779
00:45:04,320 --> 00:45:07,000
Speaker 1: married two ain't gonna be responsible for trying to sink

780
00:45:07,080 --> 00:45:10,600
Speaker 1: the ship. But my thing is when you put yourself

781
00:45:10,640 --> 00:45:13,239
Speaker 1: in a situation like that and she break the seal

782
00:45:13,600 --> 00:45:16,240
Speaker 1: and she started fighting you in public and doing outlet.

783
00:45:16,360 --> 00:45:18,600
Speaker 1: How you go back to that? What happens? How do

784
00:45:18,680 --> 00:45:21,680
Speaker 1: you reverse that? What do you say? What conversation gonna

785
00:45:21,719 --> 00:45:25,680
Speaker 1: make hers say, I ain't doing that no more? What

786
00:45:25,880 --> 00:45:28,040
Speaker 1: you're gonna do to make hers say that ain't the

787
00:45:28,120 --> 00:45:32,799
Speaker 1: circumstances no more? You really at her mercy And any

788
00:45:32,880 --> 00:45:35,480
Speaker 1: time they pop out with something missing issue on your end,

789
00:45:36,360 --> 00:45:39,520
Speaker 1: ain't nobody saying them about her swing and she clearly swinging.

790
00:45:40,320 --> 00:45:43,279
Speaker 1: They still saying she the truth. He don't ruined her,

791
00:45:43,440 --> 00:45:45,839
Speaker 1: this and that, that and this. Now he come out

792
00:45:45,880 --> 00:45:49,000
Speaker 1: after and say she'd been cheating, because clearly he in

793
00:45:49,120 --> 00:45:51,799
Speaker 1: the feeling And like, man, the world looking at her

794
00:45:51,920 --> 00:45:54,719
Speaker 1: like this, and they're looking at me like this, and

795
00:45:54,880 --> 00:45:57,359
Speaker 1: I just lost some money. They're thinking it's a certain way.

796
00:45:58,000 --> 00:46:01,000
Speaker 1: That's hard to battle with the internet too, you know

797
00:46:01,040 --> 00:46:02,920
Speaker 1: what I'm saying, It's hard to battle with the internet.

798
00:46:03,000 --> 00:46:05,480
Speaker 1: They've already started to create a little narrative on the

799
00:46:05,560 --> 00:46:07,880
Speaker 1: side over there, And I think that she may be

800
00:46:08,440 --> 00:46:11,280
Speaker 1: the type of person that can be influenced and swayed

801
00:46:11,360 --> 00:46:16,839
Speaker 1: by the public if you got something strong at the house. Man,

802
00:46:16,920 --> 00:46:21,360
Speaker 1: the public ain't talking about the motherfucker. The public is

803
00:46:21,440 --> 00:46:24,560
Speaker 1: say whatever they won't man houses. Yeah, they put up

804
00:46:24,680 --> 00:46:27,480
Speaker 1: bang you know what I'm saying. But let's listen to

805
00:46:27,560 --> 00:46:33,480
Speaker 1: what he said. Yeah, I don't notice. I don't know

806
00:46:33,640 --> 00:46:40,440
Speaker 1: her Rick, I barely I barely know her. I went

807
00:46:40,520 --> 00:46:47,640
Speaker 1: through a damn phone ectly CEO at the damn jail house.

808
00:46:49,440 --> 00:46:53,760
Speaker 1: They come ball her out, She's said in the ceo

809
00:46:53,880 --> 00:47:01,680
Speaker 1: the hotel. Mister Hughes too. Yeah, and he got a

810
00:47:01,760 --> 00:47:06,480
Speaker 1: wife and she probably gonna see this your mister Hughes. Yeah,

811
00:47:06,760 --> 00:47:14,200
Speaker 1: like at the jailhouse in New Orleans, Like what type

812
00:47:14,239 --> 00:47:18,040
Speaker 1: of like what but the seeoka he wasn't jail for

813
00:47:18,200 --> 00:47:25,680
Speaker 1: twenty forty eight hours. What I want to know is real,

814
00:47:28,000 --> 00:47:30,640
Speaker 1: how do you got to build a cha ceeo? Like

815
00:47:31,000 --> 00:47:36,200
Speaker 1: couldn't g get a jail free card? You hap to?

816
00:47:37,480 --> 00:47:41,000
Speaker 1: He didn't. So you know what hotel? You standing up?

817
00:47:44,680 --> 00:47:48,360
Speaker 1: He was waiting outside your hotel? He called you. You

818
00:47:48,440 --> 00:47:57,320
Speaker 1: said you enjoyed this company? Like yeah, he said, I

819
00:47:57,480 --> 00:48:00,480
Speaker 1: was just observing person, is what she said. It just

820
00:48:00,640 --> 00:48:05,680
Speaker 1: happened that she running game home because they think they

821
00:48:05,800 --> 00:48:10,200
Speaker 1: think you just the real thought. They don't know you

822
00:48:10,280 --> 00:48:14,480
Speaker 1: really a word just or whorewood with tattoos? Like what

823
00:48:14,600 --> 00:48:18,359
Speaker 1: type of ship is that it's crazy. Uh, we gotta

824
00:48:18,400 --> 00:48:26,359
Speaker 1: bell y'all. Then we got this ain't bad picktures up

825
00:48:29,800 --> 00:48:37,440
Speaker 1: from her little apartment wherever picked her up, dropped her

826
00:48:37,480 --> 00:48:46,120
Speaker 1: off they did, Lord knows what I'm Who else we got.

827
00:48:46,440 --> 00:48:52,000
Speaker 1: We got Terry sending them his whole whole video. Then

828
00:48:52,040 --> 00:48:56,080
Speaker 1: we got Jarvis while she was out um on tour

829
00:48:56,200 --> 00:49:00,000
Speaker 1: with Batties. Jarvis talking about some stay two more days.

830
00:49:01,880 --> 00:49:04,920
Speaker 1: She talking my mom on tour. I can't I gotta go.

831
00:49:05,080 --> 00:49:08,080
Speaker 1: I'm on tour. You're talking about let me be your bodyguard?

832
00:49:08,200 --> 00:49:17,239
Speaker 1: Probably something buff because she's like, I'm only Aaron. I

833
00:49:17,520 --> 00:49:23,879
Speaker 1: felt because y'all I think she's solid sh shit. See look,

834
00:49:24,000 --> 00:49:26,480
Speaker 1: y'all know, I'm an. That's the difference. You see me.

835
00:49:27,160 --> 00:49:29,600
Speaker 1: It's like she know for y'all know. More so it's

836
00:49:29,640 --> 00:49:33,760
Speaker 1: like you shouldn't you know what you get. It's different

837
00:49:33,840 --> 00:49:37,960
Speaker 1: when you think somebody's not the world like like that's

838
00:49:38,040 --> 00:49:41,080
Speaker 1: like somebody playing like that, the toughest most gangsters dude

839
00:49:41,480 --> 00:49:45,480
Speaker 1: in the world, and then you find out feeling it's

840
00:49:45,520 --> 00:49:48,960
Speaker 1: more disappointing than if you just already know it. Sure,

841
00:49:49,040 --> 00:49:52,279
Speaker 1: if you already just know they took That's why I'm

842
00:49:52,360 --> 00:50:00,919
Speaker 1: doing her like this because she she really had. She's

843
00:50:00,920 --> 00:50:04,040
Speaker 1: a good actor, that's what she was. Carl. I'm gonna

844
00:50:04,040 --> 00:50:09,160
Speaker 1: put you in a movie, all right. I need you

845
00:50:09,239 --> 00:50:12,680
Speaker 1: in the blues fishing. So we d seeing this is

846
00:50:12,719 --> 00:50:19,160
Speaker 1: the thing. I know us. So we're we're dumb enough

847
00:50:19,239 --> 00:50:23,239
Speaker 1: to play with five, right, were dumb enough to just

848
00:50:23,400 --> 00:50:26,520
Speaker 1: as long as you can keep constantly reassuring or somebody,

849
00:50:27,640 --> 00:50:31,680
Speaker 1: they dumb enough to keep going, so they'd be like,

850
00:50:31,800 --> 00:50:33,520
Speaker 1: she ain't gonna do right, You ain't nothing, man, you

851
00:50:33,560 --> 00:50:35,680
Speaker 1: ain't gonna do nothing. Man, you ain't gonna do nothing

852
00:50:35,719 --> 00:50:37,960
Speaker 1: long as you keep saying yeah, I am, Yeah, I am, Yeah,

853
00:50:37,960 --> 00:50:40,239
Speaker 1: I am. You can really be doing anything out there,

854
00:50:40,360 --> 00:50:42,600
Speaker 1: Yeah I am NA. I'm doing right now. I'm gonna

855
00:50:42,719 --> 00:50:45,759
Speaker 1: keep doing Yeah, I'm doing anything. I never jeopardize it

856
00:50:45,880 --> 00:50:49,240
Speaker 1: is as long as they can hear that shit. Sometimes niggas,

857
00:50:49,239 --> 00:50:58,120
Speaker 1: it's really dump man. Sometimes it's damaged boy. You understand now,

858
00:50:58,400 --> 00:51:01,279
Speaker 1: I've been said not with shouted. I don't know her,

859
00:51:02,160 --> 00:51:06,000
Speaker 1: but I've been telling people the tattoo game is old

860
00:51:06,160 --> 00:51:09,239
Speaker 1: game because you can just get the tattoo covered up.

861
00:51:09,880 --> 00:51:14,480
Speaker 1: So the tattoo thing is it's for you though, it'll

862
00:51:14,520 --> 00:51:18,320
Speaker 1: had you thinking that it's all yeah, but now that's game,

863
00:51:18,960 --> 00:51:21,640
Speaker 1: and the internet might be blowing shout the game up.

864
00:51:22,640 --> 00:51:26,440
Speaker 1: They bringing out old footage where she act regular like nah,

865
00:51:26,600 --> 00:51:29,000
Speaker 1: you ain't nah, you wouldn't. You ain't come up like that.

866
00:51:29,280 --> 00:51:33,080
Speaker 1: You wouldn't like that at first, sum is you understand me?

867
00:51:33,280 --> 00:51:37,040
Speaker 1: You might do a whole whoa whoa whoa right because

868
00:51:37,120 --> 00:51:39,080
Speaker 1: the way she aint you would think that she kind

869
00:51:39,120 --> 00:51:41,640
Speaker 1: of And sometimes she'll say I ain't the slowest people

870
00:51:41,719 --> 00:51:44,400
Speaker 1: think I am. Like you be careful man. The women

871
00:51:44,480 --> 00:51:47,600
Speaker 1: really got game out here, man. And I ain't talking

872
00:51:47,600 --> 00:51:50,359
Speaker 1: about she don't love dude, because I think she love dude.

873
00:51:50,800 --> 00:51:53,879
Speaker 1: But I think she understand what's at stake. That's all

874
00:51:54,000 --> 00:51:57,120
Speaker 1: I'm saying. And a lot of times these women get

875
00:51:57,200 --> 00:52:00,479
Speaker 1: in these situations, they understand what's at stake. It ain't

876
00:52:00,520 --> 00:52:03,600
Speaker 1: that they necessarily using you, but they know they know

877
00:52:03,719 --> 00:52:07,320
Speaker 1: what they're getting into. Though this is beautiful and to me,

878
00:52:08,080 --> 00:52:13,799
Speaker 1: you know, blue faces inviting the energy that I wouldn't allow. Sometimes, bro,

879
00:52:15,000 --> 00:52:17,080
Speaker 1: if you're dealing with women, a lot of times they'll

880
00:52:17,120 --> 00:52:19,759
Speaker 1: wait for you to crack the cold on certain things.

881
00:52:20,640 --> 00:52:22,239
Speaker 1: You know what I'm saying Less you got something to

882
00:52:22,320 --> 00:52:25,719
Speaker 1: just try you. But some ain't really gonna go in

883
00:52:25,880 --> 00:52:28,160
Speaker 1: your house and go live and I'll let into you

884
00:52:28,320 --> 00:52:30,160
Speaker 1: might go live and put them in there. They ain't. No,

885
00:52:30,280 --> 00:52:33,319
Speaker 1: it's lit. I can go live do my story. Yeah

886
00:52:33,440 --> 00:52:35,480
Speaker 1: it's living here and we're in the mansion with it.

887
00:52:35,840 --> 00:52:38,359
Speaker 1: But when you break the see it, you can't put

888
00:52:38,440 --> 00:52:42,360
Speaker 1: the toothpaste back in the tool. So sometimes you can't.

889
00:52:42,719 --> 00:52:44,960
Speaker 1: That's what I'm saying. When she swing on you, like,

890
00:52:45,120 --> 00:52:51,799
Speaker 1: oh damn, you just ent that relationship shoulder. Like if

891
00:52:51,880 --> 00:52:54,360
Speaker 1: you just beat into your emotions and went there, that

892
00:52:54,560 --> 00:53:00,440
Speaker 1: just enter us by default because you ain't somebody that

893
00:53:00,560 --> 00:53:02,480
Speaker 1: was women shooting in the gym. And I gotta have

894
00:53:02,600 --> 00:53:06,360
Speaker 1: this high level of you know, understanding and empathy and

895
00:53:06,520 --> 00:53:10,160
Speaker 1: sympathy for now you somebody I met along the way.

896
00:53:11,719 --> 00:53:16,279
Speaker 1: So now you just boom and that's that's it. Let's

897
00:53:16,320 --> 00:53:18,640
Speaker 1: get rid of that one. Because women ain't as stupid

898
00:53:18,680 --> 00:53:22,560
Speaker 1: as you think they are. I know one thing about women. Boy,

899
00:53:22,600 --> 00:53:24,480
Speaker 1: you look like a donkey, They're gonna put a load

900
00:53:24,600 --> 00:53:27,759
Speaker 1: on your back. Boy, they can love you like a

901
00:53:27,920 --> 00:53:30,799
Speaker 1: mouth boy. If you look like a donkey, boy, than

902
00:53:30,840 --> 00:53:33,800
Speaker 1: women gonna put a load on your back. You understand,

903
00:53:33,880 --> 00:53:35,759
Speaker 1: So you gotta make sure that she keep you in

904
00:53:35,840 --> 00:53:38,200
Speaker 1: the proper content shot to deal with me, like you

905
00:53:38,360 --> 00:53:41,200
Speaker 1: know what you're dealing with. We ain't playing a little

906
00:53:41,280 --> 00:53:43,480
Speaker 1: game with each other, right. We know who is what

907
00:53:43,640 --> 00:53:46,000
Speaker 1: and what it was for. It was what it is,

908
00:53:46,200 --> 00:53:48,440
Speaker 1: don't we. We ain't gonna play with each other like

909
00:53:48,560 --> 00:53:50,840
Speaker 1: the results ain't the results. I ain't playing with you.

910
00:53:51,000 --> 00:53:54,120
Speaker 1: I'm high level. I'm I'm taking care of what needs

911
00:53:54,160 --> 00:53:56,280
Speaker 1: to be took care of, treating me with a certain

912
00:53:56,400 --> 00:54:00,360
Speaker 1: level of Yeah, don't never swing on this hill. Whenever

913
00:54:00,520 --> 00:54:03,600
Speaker 1: you decide to swing on this here, you end our relationship.

914
00:54:04,360 --> 00:54:08,040
Speaker 1: And I'm standing on that. Ain't nobody too cool? Ain't

915
00:54:08,080 --> 00:54:12,239
Speaker 1: nobody nah? Whenever you swing on me shouted, whenever you

916
00:54:12,360 --> 00:54:15,600
Speaker 1: do certain little things, you just end our relationship. It's

917
00:54:15,640 --> 00:54:19,200
Speaker 1: all on you. Volume two. Nah, It's all on you,

918
00:54:19,440 --> 00:54:23,480
Speaker 1: Volume two. Whatever you do, just don't disrespect the standards.

919
00:54:23,520 --> 00:54:26,040
Speaker 1: And we're gonna be our the terms and conditions. We're

920
00:54:26,040 --> 00:54:28,680
Speaker 1: gonna be a me and you is, and we're gonna

921
00:54:28,719 --> 00:54:32,239
Speaker 1: go far and we're gonna stay up there. We may

922
00:54:32,360 --> 00:54:34,759
Speaker 1: not never come down long as you don't violate them

923
00:54:34,920 --> 00:54:38,640
Speaker 1: terms and conditions. But the instant you do, we're going platinum,

924
00:54:39,280 --> 00:54:43,040
Speaker 1: and we got to cancel the relationship the very second.

925
00:54:43,920 --> 00:54:46,200
Speaker 1: And the boundaries gotta be in place, and he gotta

926
00:54:46,280 --> 00:54:48,920
Speaker 1: know that. She gotta know that. And to me, she

927
00:54:49,040 --> 00:54:52,480
Speaker 1: don't know no boundaries. That one. I'm trying to tell you,

928
00:54:52,520 --> 00:54:55,080
Speaker 1: see how you can't re respect them of I swing

929
00:54:55,200 --> 00:54:59,000
Speaker 1: on you, I'm gonna frame it every time in a

930
00:54:59,080 --> 00:55:01,359
Speaker 1: way that's gonna be effective for me. I don't never

931
00:55:01,440 --> 00:55:04,960
Speaker 1: listen to no mom from the wrong when you're getting

932
00:55:04,960 --> 00:55:07,080
Speaker 1: the wrong. I don't even listen to you ideal with

933
00:55:07,160 --> 00:55:12,080
Speaker 1: the information that what happened, what you're talking about, Because

934
00:55:12,120 --> 00:55:14,120
Speaker 1: you're in the wrong, you're gonna frame it a certain

935
00:55:14,200 --> 00:55:17,560
Speaker 1: way to make it. So I'm just listening to the information. Now,

936
00:55:18,320 --> 00:55:20,840
Speaker 1: she has swung on you. That's why she has swayed

937
00:55:20,840 --> 00:55:23,600
Speaker 1: on your mama. That's why she has swayed on her

938
00:55:23,680 --> 00:55:26,160
Speaker 1: nigga's sister. Now, they might be in the wrong, but

939
00:55:26,320 --> 00:55:28,480
Speaker 1: you gotta have a certain level of respect for me.

940
00:55:28,640 --> 00:55:32,120
Speaker 1: You know you've been I never hit my mama. Man,

941
00:55:32,200 --> 00:55:34,320
Speaker 1: Come on, man, what you're talking about hitting mine? Come on,

942
00:55:34,480 --> 00:55:37,960
Speaker 1: man now. But their relationship must be strained. I could

943
00:55:38,080 --> 00:55:42,160
Speaker 1: never understand that me, big loan, I could never understand that,

944
00:55:43,040 --> 00:55:46,319
Speaker 1: never understand that, right, So maybe me and him could

945
00:55:46,320 --> 00:55:48,200
Speaker 1: have a talk on the par one day about that,

946
00:55:48,280 --> 00:55:51,799
Speaker 1: because that's super deep. That showed me home hurt over there,

947
00:55:51,880 --> 00:55:55,239
Speaker 1: man home hurt man home, dealing with some that fame

948
00:55:55,320 --> 00:55:59,200
Speaker 1: that and interrupted some for home over there may main, Dude,

949
00:55:59,280 --> 00:56:02,000
Speaker 1: this ain't no lay up. I keep telling you. They

950
00:56:02,080 --> 00:56:04,520
Speaker 1: want everything to come with it. They don't understand. You

951
00:56:04,640 --> 00:56:07,560
Speaker 1: can't pick and choose out of this. You can't just say, boy,

952
00:56:07,680 --> 00:56:10,759
Speaker 1: I jail want the money. Can't do that. Gotta get

953
00:56:10,800 --> 00:56:13,919
Speaker 1: the term more, Gotta get the turbulence, Gotta get the circumstances,

954
00:56:14,000 --> 00:56:16,799
Speaker 1: Gotta get the women, Gotta get the family members that's

955
00:56:17,040 --> 00:56:22,160
Speaker 1: getting getting destroyed. Everything you built, everything you still and on,

956
00:56:22,320 --> 00:56:25,520
Speaker 1: it's gone. Nay, You're in this big world trying to

957
00:56:25,560 --> 00:56:28,400
Speaker 1: figure out who is what and I'm worth a certain amount.

958
00:56:31,120 --> 00:56:34,960
Speaker 1: This ship is amazed, and it's amazing if a nigga

959
00:56:35,040 --> 00:56:38,040
Speaker 1: can get through it. And it's only us that can

960
00:56:38,120 --> 00:56:40,880
Speaker 1: be craftsman like that. It's on us that got that

961
00:56:41,000 --> 00:56:43,799
Speaker 1: kind of craftsmanship that can go from through this kind

962
00:56:43,880 --> 00:56:47,920
Speaker 1: of ship being an extension of wealth. Dealing with folks

963
00:56:47,920 --> 00:56:51,840
Speaker 1: that ain't got nothing. You understand how much balance a

964
00:56:51,960 --> 00:56:54,800
Speaker 1: man gotta have to be still connected with Toghether and

965
00:56:54,920 --> 00:56:59,200
Speaker 1: living in the hills. You understand the level of understanding.

966
00:56:59,280 --> 00:57:01,600
Speaker 1: I gotta have the be able to talk in both rooms.

967
00:57:02,719 --> 00:57:05,879
Speaker 1: They don't respect the future. These folks is lost. Man.

968
00:57:06,800 --> 00:57:08,960
Speaker 1: I can't invite an energy from a woman that I

969
00:57:09,080 --> 00:57:13,440
Speaker 1: can't maintain and peace with ain't peace at all. So

970
00:57:13,640 --> 00:57:16,200
Speaker 1: you can't scare me into like I don't want to

971
00:57:16,240 --> 00:57:18,520
Speaker 1: be scared. At any moment, you will break the ceiling

972
00:57:18,640 --> 00:57:23,040
Speaker 1: embarrassment and calls me in me yo, baby, I love you,

973
00:57:23,160 --> 00:57:26,040
Speaker 1: but I'm gonna have to get over that immediately. But

974
00:57:26,200 --> 00:57:29,600
Speaker 1: them dudes young, That's what I'm saying. I don't know, dog,

975
00:57:29,880 --> 00:57:31,720
Speaker 1: you need to be home and somebody got to put

976
00:57:31,800 --> 00:57:35,120
Speaker 1: the game down. They'll be asking me, you know why

977
00:57:35,240 --> 00:57:38,080
Speaker 1: she stayed with him, and I'll be saying, Yo, the

978
00:57:38,280 --> 00:57:42,200
Speaker 1: thing about it is he playing because he probably really

979
00:57:42,320 --> 00:57:47,600
Speaker 1: love her on the slick right, she give him access

980
00:57:47,640 --> 00:57:51,560
Speaker 1: to power. Right. The women I'm telling they know that

981
00:57:52,120 --> 00:57:55,400
Speaker 1: they know like a gonna feel power when they're around

982
00:57:55,480 --> 00:57:58,360
Speaker 1: this woman. You know what I'm saying that sometimes they

983
00:57:58,400 --> 00:58:01,720
Speaker 1: can get lost in translation to where that can. That

984
00:58:01,840 --> 00:58:04,640
Speaker 1: can look ugly on the other side, but if it's

985
00:58:04,720 --> 00:58:08,680
Speaker 1: handled with care and it's done just right right, it

986
00:58:08,800 --> 00:58:12,360
Speaker 1: can be a unique situation that can last a long time.

987
00:58:13,960 --> 00:58:15,920
Speaker 1: And so the women like to give you the illusion

988
00:58:15,960 --> 00:58:19,960
Speaker 1: of power. I put your face right here, big old face.

989
00:58:21,560 --> 00:58:27,479
Speaker 1: Put your name on my A nut on that an

990
00:58:27,760 --> 00:58:31,560
Speaker 1: nut on that name. Then got no more. There's no

991
00:58:31,720 --> 00:58:35,520
Speaker 1: holes barred when it comes to this ship on that night.

992
00:58:35,720 --> 00:58:39,640
Speaker 1: The horn on our lead drill, then right on that name.

993
00:58:41,480 --> 00:58:43,520
Speaker 1: And she might not be letting them, And it's it's

994
00:58:43,560 --> 00:58:45,480
Speaker 1: a lot of women that might not be letting them.

995
00:58:45,720 --> 00:58:47,800
Speaker 1: But I'm telling you, though, when the you know, the

996
00:58:47,880 --> 00:58:52,160
Speaker 1: circumstances that I know that exists in the real world

997
00:58:52,320 --> 00:58:55,080
Speaker 1: is just a different one that I'm seeing painted everywhere,

998
00:58:55,520 --> 00:58:57,920
Speaker 1: the allusion of power will say back, I wouldn't put

999
00:58:58,000 --> 00:59:00,200
Speaker 1: you on my tooth. I told him, lad time put

1000
00:59:00,240 --> 00:59:04,240
Speaker 1: a yosh. I don't never put me on your tooth. No, sir, Now,

1001
00:59:04,360 --> 00:59:08,360
Speaker 1: you can't leave me. You're tricking me. You're tricking me.

1002
00:59:09,200 --> 00:59:11,840
Speaker 1: Soon she showed up with that on a tooth, ould

1003
00:59:11,840 --> 00:59:16,520
Speaker 1: have said she's tricking me. Damn, I must look like

1004
00:59:16,640 --> 00:59:18,800
Speaker 1: a donker. She doesn't put a load on my back.

1005
00:59:19,680 --> 00:59:21,840
Speaker 1: That woman tricking me. She didn't showed up with a

1006
00:59:21,960 --> 00:59:25,720
Speaker 1: picture of me on her She tricking me. That ain't normal.

1007
00:59:26,000 --> 00:59:28,920
Speaker 1: That ain't even say, come on this big loon you're

1008
00:59:28,960 --> 00:59:32,840
Speaker 1: dealing with man, I ain't no rookt man. Come on, man,

1009
00:59:34,160 --> 00:59:38,800
Speaker 1: I'd have knew that with game to me, maybe it's real.

1010
00:59:38,880 --> 00:59:43,560
Speaker 1: I don't know, somebody, yo, I think that's high level game.

1011
00:59:44,160 --> 00:59:46,720
Speaker 1: If it was me, you coming me like I'm instantly

1012
00:59:46,720 --> 00:59:59,919
Speaker 1: clocking out. Old, I'm dealing with a magician. But she's

1013
01:00:00,120 --> 01:00:02,280
Speaker 1: becoming a star in her own the right man. If

1014
01:00:02,320 --> 01:00:05,560
Speaker 1: you look, she got three vote TV show going on

1015
01:00:05,760 --> 01:00:08,120
Speaker 1: zeus Finn the signing for some music. Try to push

1016
01:00:08,160 --> 01:00:11,440
Speaker 1: her like they playing. She gonna steal the thundering get

1017
01:00:11,480 --> 01:00:13,760
Speaker 1: out of the lead, that dude, and then take it

1018
01:00:13,880 --> 01:00:16,320
Speaker 1: too for I get another and get the tattoo covered

1019
01:00:16,440 --> 01:00:18,760
Speaker 1: like all that can be That's why I don't mean

1020
01:00:18,920 --> 01:00:22,600
Speaker 1: much to me, because all that can be raced. You

1021
01:00:22,680 --> 01:00:24,680
Speaker 1: know what I'm saying. You can eily put something right

1022
01:00:24,760 --> 01:00:27,480
Speaker 1: on top of that. You can eily take it too.

1023
01:00:27,520 --> 01:00:30,520
Speaker 1: If I get a nune, that's it. Now what five

1024
01:00:30,640 --> 01:00:33,680
Speaker 1: years later they're gonna forget all that what's happening, and

1025
01:00:33,840 --> 01:00:36,720
Speaker 1: then you a million Now I want to know both side.

1026
01:00:36,760 --> 01:00:39,440
Speaker 1: I want to know like and not necessarily for them.

1027
01:00:39,560 --> 01:00:42,760
Speaker 1: I just like to examine like situations like love is

1028
01:00:42,800 --> 01:00:45,600
Speaker 1: like so slippery to me. I don't never understand it.

1029
01:00:45,680 --> 01:00:48,440
Speaker 1: I talk about it, but I have limited understanding about

1030
01:00:48,480 --> 01:00:52,720
Speaker 1: it because I know that it's just agreement. It's just

1031
01:00:52,880 --> 01:00:55,440
Speaker 1: like it's just like it's agreement we have and I

1032
01:00:55,600 --> 01:00:57,480
Speaker 1: take it serious. I don't want to say that like

1033
01:00:57,640 --> 01:01:00,040
Speaker 1: I'm not respecting what it is, but I'm saying and

1034
01:01:00,520 --> 01:01:04,440
Speaker 1: I know people that misuse those words, you know, speaking

1035
01:01:04,520 --> 01:01:08,280
Speaker 1: of that. Let's talk about this, IRV got it went

1036
01:01:08,320 --> 01:01:12,120
Speaker 1: on the dream Chumps said a lot of different things.

1037
01:01:12,480 --> 01:01:15,520
Speaker 1: A couple of those things was about Ashanti. He was

1038
01:01:15,560 --> 01:01:18,200
Speaker 1: speaking about him and her head a love affair where

1039
01:01:18,240 --> 01:01:21,400
Speaker 1: the internet said, damn, homie, you was married when that

1040
01:01:21,520 --> 01:01:27,000
Speaker 1: was the circumstance. But see richness being their own world.

1041
01:01:27,480 --> 01:01:31,520
Speaker 1: Wen't know he's talking like that. Wen't know that. That's man,

1042
01:01:31,640 --> 01:01:35,360
Speaker 1: that's beside the point. That's how when you locked in

1043
01:01:35,480 --> 01:01:39,560
Speaker 1: this little ecosystem and you and your own echo chamber,

1044
01:01:39,640 --> 01:01:42,439
Speaker 1: you don't even know you're talking like that. You don't

1045
01:01:42,440 --> 01:01:47,440
Speaker 1: even know what I'm saying some wild like yo, ESPN

1046
01:01:48,080 --> 01:01:54,320
Speaker 1: like watching it small and nell league can't right, you

1047
01:01:54,400 --> 01:01:57,560
Speaker 1: don't even know. This is saying Yo, you was married, bro,

1048
01:01:59,400 --> 01:02:02,760
Speaker 1: they come right, you don't even know your your your

1049
01:02:02,800 --> 01:02:04,520
Speaker 1: own world. But let's look at a little bit of

1050
01:02:04,600 --> 01:02:06,240
Speaker 1: that and talk about some of the things he was

1051
01:02:06,280 --> 01:02:08,640
Speaker 1: speaking up. We are talking about masters and all that

1052
01:02:08,760 --> 01:02:11,760
Speaker 1: is where wing gonna just talk about the relationship and

1053
01:02:11,840 --> 01:02:14,640
Speaker 1: extract whatever information we can out of that, and learning

1054
01:02:14,720 --> 01:02:18,240
Speaker 1: from that, we're gonna try to talk about contracts, masters,

1055
01:02:18,320 --> 01:02:21,720
Speaker 1: what that means, who makes money, win, deal points, things

1056
01:02:21,840 --> 01:02:23,840
Speaker 1: like that. Let's take a look at it. It's not

1057
01:02:24,000 --> 01:02:26,080
Speaker 1: only a shanteeper. This has been rumors for you with

1058
01:02:26,200 --> 01:02:31,120
Speaker 1: Charlie bought tomorrow? Like is that sexually? Yes, there's been rumors. No,

1059
01:02:31,560 --> 01:02:45,600
Speaker 1: never heard when you didn't mess up? Was that kind

1060
01:02:45,680 --> 01:02:48,480
Speaker 1: of like did that ever get involved with the business

1061
01:02:48,560 --> 01:02:50,880
Speaker 1: part of it? Like you know that that you guys

1062
01:02:50,960 --> 01:02:54,160
Speaker 1: were most romantically involved. Did that ever, like you know,

1063
01:02:54,280 --> 01:02:59,400
Speaker 1: trickle down to the business like it helped her? Ya?

1064
01:02:59,520 --> 01:03:07,240
Speaker 1: Hey yea yeah so happy. Let me let me explain

1065
01:03:07,480 --> 01:03:09,800
Speaker 1: how the relationship and how it worked. And if you

1066
01:03:09,920 --> 01:03:13,120
Speaker 1: look at him, he's dead serious he's not playing up there.

1067
01:03:13,200 --> 01:03:15,320
Speaker 1: A lot of people think he backing for the camera.

1068
01:03:15,440 --> 01:03:18,840
Speaker 1: Take a look at this dude. He's not playing my boy.

1069
01:03:19,440 --> 01:03:24,600
Speaker 1: She she she gained him. I don't know. Okay, track

1070
01:03:24,680 --> 01:03:28,840
Speaker 1: in the shower, I'm do do do do do do do? Dude?

1071
01:03:28,920 --> 01:03:32,880
Speaker 1: Do do do? I get out the shower. I called

1072
01:03:32,960 --> 01:03:38,360
Speaker 1: my check. I'm on the phone. Check y'all. Do dude, dude,

1073
01:03:38,760 --> 01:03:42,560
Speaker 1: we get to the studio. Chang dude, chefs it up

1074
01:03:42,600 --> 01:03:49,560
Speaker 1: to beat everything. Okay, now it's time for you to write. Yo.

1075
01:03:49,920 --> 01:03:53,640
Speaker 1: I want to be a feel good joint like summertime things.

1076
01:03:55,520 --> 01:04:00,840
Speaker 1: I'm so happy, baby made me happy day. I mean,

1077
01:04:00,960 --> 01:04:04,920
Speaker 1: but that the energy that record came about because of

1078
01:04:05,040 --> 01:04:08,680
Speaker 1: our energy. You missed that energy a little bit. Not

1079
01:04:08,880 --> 01:04:13,120
Speaker 1: anymore when when like twenty years ago, when we stopped

1080
01:04:13,120 --> 01:04:16,880
Speaker 1: to take fresh out of who I ask you again? Yeah, yeah,

1081
01:04:17,040 --> 01:04:19,440
Speaker 1: you don't go on her Graham sometime and be not

1082
01:04:19,800 --> 01:04:25,760
Speaker 1: come on, got it. I'm being I'm I'm listen, I'm

1083
01:04:25,800 --> 01:04:29,440
Speaker 1: being that serious. And if I'm being that serious, if

1084
01:04:29,480 --> 01:04:33,720
Speaker 1: you take a look at some of my girlfriends or whatever, Yo,

1085
01:04:33,880 --> 01:04:38,000
Speaker 1: they banging, they all banging, they banging. But you see

1086
01:04:38,120 --> 01:04:40,560
Speaker 1: you see Nellie flew out for verses, and that's my

1087
01:04:40,760 --> 01:04:44,720
Speaker 1: good friend. I'm good friends with Nellie and all good.

1088
01:04:44,800 --> 01:04:50,880
Speaker 1: That ain't mean money back. I think like I know

1089
01:04:51,040 --> 01:04:53,640
Speaker 1: that person. So the rest of the world doesn't know

1090
01:04:53,720 --> 01:04:57,120
Speaker 1: that person, but you know, people change, don't give a better.

1091
01:04:58,120 --> 01:05:00,920
Speaker 1: I know that person, and I I am cool with

1092
01:05:01,120 --> 01:05:04,120
Speaker 1: where we are, with not speaking, not anything. When we

1093
01:05:04,240 --> 01:05:06,280
Speaker 1: tried to do the murder ring shot, that was like

1094
01:05:06,400 --> 01:05:09,320
Speaker 1: an olive branch. I ain't never fling with that. I

1095
01:05:09,360 --> 01:05:12,760
Speaker 1: ain't doing no murdering ship. I give her the ability

1096
01:05:12,800 --> 01:05:15,920
Speaker 1: to say her side of the story, but she's never

1097
01:05:16,040 --> 01:05:18,280
Speaker 1: gonna do that because she's never gonna say she was

1098
01:05:18,320 --> 01:05:20,440
Speaker 1: in love with me. She's never gonna say we was

1099
01:05:20,520 --> 01:05:23,160
Speaker 1: together because I don't dodge gerry Vade. You ask me

1100
01:05:23,240 --> 01:05:25,800
Speaker 1: a question, I answer it. I see this deal was

1101
01:05:25,880 --> 01:05:29,000
Speaker 1: no shame in us being together. She wasn't responsible for

1102
01:05:29,120 --> 01:05:31,880
Speaker 1: my divorce. I could give you three other chicks that was.

1103
01:05:32,400 --> 01:05:35,840
Speaker 1: I was being separated and out the fucking house. She

1104
01:05:36,120 --> 01:05:38,480
Speaker 1: was so the things that she's concerned with, I'm like, yo,

1105
01:05:38,600 --> 01:05:44,479
Speaker 1: I've told her back then, you're not the person she wasn't.

1106
01:05:44,960 --> 01:05:47,240
Speaker 1: She wasn't faking me to get a record deal. She

1107
01:05:47,320 --> 01:05:49,640
Speaker 1: got a record deal through a man, Mary Obaasa, who

1108
01:05:49,720 --> 01:05:52,720
Speaker 1: was a mutual friend. He had a sign and she

1109
01:05:52,880 --> 01:05:55,160
Speaker 1: worked for her deal. When I first met her, I said, Yo,

1110
01:05:55,240 --> 01:05:57,440
Speaker 1: I'm doing Jackson job. I ain't got no time to

1111
01:05:57,520 --> 01:05:59,440
Speaker 1: do no R and B. But here's what you could do,

1112
01:05:59,760 --> 01:06:03,080
Speaker 1: just hang around being the studio being studio. Right. So

1113
01:06:03,280 --> 01:06:04,560
Speaker 1: for her to say, I don't want to do this

1114
01:06:04,760 --> 01:06:09,480
Speaker 1: no more, I don't respect it, and that's like I'm

1115
01:06:09,520 --> 01:06:12,120
Speaker 1: a family. Right. When she said I don't want to

1116
01:06:12,120 --> 01:06:14,880
Speaker 1: do this no more, that she cut deep because I

1117
01:06:15,000 --> 01:06:17,320
Speaker 1: put you the one. I named you the Princess City,

1118
01:06:17,880 --> 01:06:20,000
Speaker 1: because I see you put your signed up. She didn't

1119
01:06:20,000 --> 01:06:21,960
Speaker 1: do that, right, she did that, I don't want to

1120
01:06:22,000 --> 01:06:25,680
Speaker 1: do it no more. Yeah, I realized that. I realized that.

1121
01:06:25,760 --> 01:06:31,600
Speaker 1: I realized that your songs got even. See, you're not

1122
01:06:33,960 --> 01:06:39,720
Speaker 1: living without breathing, without just words you do. If you

1123
01:06:39,920 --> 01:06:42,240
Speaker 1: was me and you and these words, y'all in love

1124
01:06:42,400 --> 01:06:46,120
Speaker 1: and y'all every day we're together, that's the problem. Every

1125
01:06:46,240 --> 01:06:49,560
Speaker 1: day for like two years, except the day she's with Nellie.

1126
01:06:50,280 --> 01:06:58,040
Speaker 1: M hmm. Got real, all right, So let's put some

1127
01:06:58,200 --> 01:07:01,480
Speaker 1: context on what's happening. What we're looking at is Earth

1128
01:07:01,600 --> 01:07:04,560
Speaker 1: got it twenty years later talking about the relationship with

1129
01:07:04,680 --> 01:07:07,720
Speaker 1: a young lady. You know, I always think you gotta

1130
01:07:07,800 --> 01:07:09,760
Speaker 1: keep it peace, so you know, I don't really think

1131
01:07:09,840 --> 01:07:12,040
Speaker 1: that's the right thing to do. But I understand that

1132
01:07:12,720 --> 01:07:16,320
Speaker 1: that had money for a while. Industry make these weird

1133
01:07:16,600 --> 01:07:18,200
Speaker 1: a lot of these now, I'm telling man, a lot

1134
01:07:18,240 --> 01:07:20,240
Speaker 1: of these people y'all liking a lot of these weird

1135
01:07:20,320 --> 01:07:23,440
Speaker 1: old news. You know, there's an old saying that a

1136
01:07:23,560 --> 01:07:27,800
Speaker 1: rich man don't need character. You know, these forgot about

1137
01:07:27,840 --> 01:07:30,240
Speaker 1: their character a lot of times. They only they got money.

1138
01:07:30,280 --> 01:07:31,880
Speaker 1: They don't forgot it. I keep telling they in the

1139
01:07:31,960 --> 01:07:35,800
Speaker 1: echo chamber. Everything they say, people just say the same thing.

1140
01:07:36,720 --> 01:07:38,720
Speaker 1: I think, it's a good idea. It's a good idea.

1141
01:07:38,840 --> 01:07:40,960
Speaker 1: It's a good idea. It's a good idea. It's a

1142
01:07:41,040 --> 01:07:45,800
Speaker 1: good idea. It's a good idea. You know whatever. They

1143
01:07:45,960 --> 01:07:49,720
Speaker 1: think that the hole, that the hole that they can

1144
01:07:49,760 --> 01:07:52,080
Speaker 1: send the same thing down about the same thing to

1145
01:07:52,280 --> 01:07:55,160
Speaker 1: come back. They could have just sent down there that

1146
01:07:55,360 --> 01:07:58,400
Speaker 1: dala nothing. That deal ain't nothing. Everybody telling them, man,

1147
01:07:58,440 --> 01:08:00,680
Speaker 1: I don't think that deal nothing, man. You know, like

1148
01:08:00,840 --> 01:08:05,080
Speaker 1: you said, man, they did really right. So you get

1149
01:08:05,160 --> 01:08:09,000
Speaker 1: caught in these weird places. I look at this and

1150
01:08:09,120 --> 01:08:12,040
Speaker 1: I say, yo, we be arrogant. This is arrogant. Men.

1151
01:08:12,120 --> 01:08:15,120
Speaker 1: We just think we can just say, hey, come he shoulder, listen, man,

1152
01:08:15,160 --> 01:08:17,160
Speaker 1: there ain't nothing to worry about. Man, I knew. I know.

1153
01:08:17,200 --> 01:08:19,559
Speaker 1: I've been with Gad twenty two years and were married

1154
01:08:19,600 --> 01:08:21,840
Speaker 1: and everything, but that is nothing to worry about. Don't

1155
01:08:21,880 --> 01:08:24,639
Speaker 1: you worry about that? Ain't nothing now? And we think

1156
01:08:24,720 --> 01:08:27,599
Speaker 1: they posted just take it okay, he said, ain't nothing now.

1157
01:08:27,680 --> 01:08:31,599
Speaker 1: We locked it. You gotta understand, bro, we all got

1158
01:08:31,680 --> 01:08:35,880
Speaker 1: different bench marks and women why are totally different. So

1159
01:08:36,080 --> 01:08:39,160
Speaker 1: even though that might be the truth, you can't just

1160
01:08:39,320 --> 01:08:43,200
Speaker 1: tell a woman, yo, don't worry about that. If she

1161
01:08:43,360 --> 01:08:45,680
Speaker 1: worried about it, you gotta find a way to address it.

1162
01:08:46,360 --> 01:08:48,680
Speaker 1: You understand. You can't just That's that's something we do

1163
01:08:48,800 --> 01:08:53,760
Speaker 1: a lot. Men. We're kind of just. She'll come up

1164
01:08:53,760 --> 01:08:56,439
Speaker 1: with should be like something's been bothering me and this ship.

1165
01:08:56,560 --> 01:08:58,439
Speaker 1: You'll be like, what is it? I think that you

1166
01:08:59,320 --> 01:09:02,599
Speaker 1: there ain't nothing to where about, you know, because from

1167
01:09:02,680 --> 01:09:06,840
Speaker 1: your viewpoint that's a pity thing. But that might mean

1168
01:09:06,920 --> 01:09:09,880
Speaker 1: the world to the other person. And sometimes, like I say, bro,

1169
01:09:10,840 --> 01:09:14,280
Speaker 1: me and get caught in this illusion where it's like,

1170
01:09:14,400 --> 01:09:17,000
Speaker 1: all right, whatever I say, that's what it is. Listen,

1171
01:09:17,040 --> 01:09:20,439
Speaker 1: Listen to a little moment I can get past you

1172
01:09:20,600 --> 01:09:23,680
Speaker 1: want to be with Nellie? Sounds like you didn't get

1173
01:09:23,680 --> 01:09:32,120
Speaker 1: past them. Listen, listen at the time it happens any man. Yeah,

1174
01:09:32,120 --> 01:09:35,920
Speaker 1: of course it's you. It's to check you are in

1175
01:09:36,000 --> 01:09:39,680
Speaker 1: love with It's with this country. Grandma. You want to

1176
01:09:39,760 --> 01:09:44,000
Speaker 1: you want to hear how I found out only on

1177
01:09:44,080 --> 01:09:47,120
Speaker 1: a drink chat, but saw the documentary too. How did

1178
01:09:47,160 --> 01:09:50,120
Speaker 1: you find out, sir? I was at home? Huh, there

1179
01:09:50,200 --> 01:09:52,840
Speaker 1: wasn't on Twitter or Instagram back then. At home. Listen

1180
01:09:52,880 --> 01:09:55,240
Speaker 1: to this. This is God wanted me to find out.

1181
01:09:56,080 --> 01:10:04,120
Speaker 1: Was at home. NBA package. I like watching sports. D

1182
01:10:04,320 --> 01:10:10,800
Speaker 1: Rose is playing Rose. Tune into the Chicago game at

1183
01:10:10,840 --> 01:10:15,639
Speaker 1: home in trobeca fedolo. Oh my god, what's this commotion

1184
01:10:15,760 --> 01:10:20,080
Speaker 1: going on in the stadium. We just found out what

1185
01:10:20,160 --> 01:10:23,519
Speaker 1: the commotion is. Nellie has walked in with the shot team.

1186
01:10:29,640 --> 01:10:32,400
Speaker 1: But you didn't know. You didn't know that. I knew nothing.

1187
01:10:33,960 --> 01:10:36,720
Speaker 1: Let's be perfectly clear. He's not hitting that blunt that's

1188
01:10:36,840 --> 01:10:39,200
Speaker 1: number one, number two. He don't even know. He's saying

1189
01:10:39,240 --> 01:10:43,960
Speaker 1: some wild called in their little clicks. He don't even know.

1190
01:10:44,280 --> 01:10:48,000
Speaker 1: That's why what you're saying, Bro, you're married. He don't

1191
01:10:48,080 --> 01:10:50,760
Speaker 1: know that though, because we don't know that. Yeah. I'm

1192
01:10:50,800 --> 01:10:53,640
Speaker 1: the same one too. Sometimes I might get caught up

1193
01:10:53,640 --> 01:10:56,640
Speaker 1: in Man, I'm gone on, man, this this is my

1194
01:10:56,800 --> 01:11:00,640
Speaker 1: regular life. That ain't gonna happen over here. People said, man,

1195
01:11:00,680 --> 01:11:03,559
Speaker 1: that's kind of wild. Well damn, I didn't know. I mean,

1196
01:11:03,640 --> 01:11:06,000
Speaker 1: it's normal over here for me to say such and such.

1197
01:11:06,600 --> 01:11:09,120
Speaker 1: But again, that illusion of power of me having a

1198
01:11:09,240 --> 01:11:12,560
Speaker 1: wife right and then got one of the baddest in

1199
01:11:12,640 --> 01:11:15,080
Speaker 1: the game is my side piece. I'm knocking or down

1200
01:11:15,240 --> 01:11:19,439
Speaker 1: like that power with trip dudes. Gotta you gotta check

1201
01:11:19,520 --> 01:11:21,880
Speaker 1: it power trip, because sometimes they can lead to some

1202
01:11:22,000 --> 01:11:25,400
Speaker 1: bad circumstances for even me. I know what it feels

1203
01:11:25,439 --> 01:11:27,439
Speaker 1: like to feel like the king or the hell, especially

1204
01:11:27,560 --> 01:11:30,080
Speaker 1: by somebody you want, not by all of them. Nay,

1205
01:11:30,160 --> 01:11:31,960
Speaker 1: I don't care about all the I'm talking about this

1206
01:11:32,240 --> 01:11:35,479
Speaker 1: particular people as I'm on my journey that I pick

1207
01:11:35,600 --> 01:11:38,720
Speaker 1: out that when they make me feel like king or

1208
01:11:38,800 --> 01:11:42,960
Speaker 1: the heel, it just hit different. There's something come with it.

1209
01:11:43,120 --> 01:11:45,960
Speaker 1: It got some moan it. It just it feel different

1210
01:11:46,040 --> 01:11:48,920
Speaker 1: to me. I know, he felt powerless at that moment,

1211
01:11:49,520 --> 01:11:53,639
Speaker 1: even though the circumstances was unusual. But in his life,

1212
01:11:53,720 --> 01:11:56,439
Speaker 1: he don't you see, he ain't smiling joking, lad, that's

1213
01:11:56,479 --> 01:12:00,120
Speaker 1: how he thinks, like this is normal. Everybody knew this

1214
01:12:00,280 --> 01:12:03,240
Speaker 1: type of thing. That's how to go the feeling. But

1215
01:12:03,400 --> 01:12:05,600
Speaker 1: it shows you the arrogance of a man me and

1216
01:12:05,720 --> 01:12:09,240
Speaker 1: get arrogant artists to three sixty deals. I never say

1217
01:12:09,320 --> 01:12:12,240
Speaker 1: give me some of your show money or your mentor

1218
01:12:12,400 --> 01:12:14,360
Speaker 1: you could have. You could have because Leo's a three

1219
01:12:14,479 --> 01:12:17,040
Speaker 1: sixty money. He is three sixty. You look up three sixty,

1220
01:12:19,240 --> 01:12:21,439
Speaker 1: But I never did that. I was. I feel I

1221
01:12:21,640 --> 01:12:25,639
Speaker 1: was always very good to my artists before all time,

1222
01:12:26,160 --> 01:12:28,640
Speaker 1: just to be fair, three sixties before our times. All right,

1223
01:12:28,760 --> 01:12:34,360
Speaker 1: But what I'm saying, no, but listen, let me make

1224
01:12:34,560 --> 01:12:39,240
Speaker 1: this statement. Okay, artists have a way of getting money.

1225
01:12:39,640 --> 01:12:42,679
Speaker 1: Rule makes a lot of money as he does doing shows.

1226
01:12:43,200 --> 01:12:45,400
Speaker 1: A Shan team makes a lot of money doing shows.

1227
01:12:46,000 --> 01:12:48,759
Speaker 1: So what's left for the guy who was the record label,

1228
01:12:49,040 --> 01:12:53,240
Speaker 1: who helped make the records? What how I make money

1229
01:12:53,280 --> 01:12:57,600
Speaker 1: out of? This is the masterest? So how am I

1230
01:12:57,640 --> 01:13:00,519
Speaker 1: supposed to feel? When you want to remove that aspect,

1231
01:13:00,920 --> 01:13:03,479
Speaker 1: you really basically saying, you don't want Sunny JJ and

1232
01:13:03,560 --> 01:13:06,360
Speaker 1: Angie my beautiful kise, you don't want them to eat

1233
01:13:06,760 --> 01:13:11,320
Speaker 1: it's they're compromise because we heard what she said. She

1234
01:13:11,400 --> 01:13:14,760
Speaker 1: said that she asked for the instrumentals back, and let's

1235
01:13:14,840 --> 01:13:17,760
Speaker 1: let's definitely address that. A cool I'm trying to be

1236
01:13:17,800 --> 01:13:22,400
Speaker 1: good at my job. Is this camera shot. I'm not

1237
01:13:22,640 --> 01:13:28,200
Speaker 1: falling for the banana and the tailpipe. This is exactly

1238
01:13:28,240 --> 01:13:31,439
Speaker 1: where we're going. She's been performing for twenty years, She's

1239
01:13:31,520 --> 01:13:35,439
Speaker 1: never asked for her stems. She's asking for stems because

1240
01:13:35,680 --> 01:13:39,479
Speaker 1: he's what I suggests happened. She went in the studio

1241
01:13:39,760 --> 01:13:45,320
Speaker 1: and tried to redo Babe, Babe, Mary Jane, you can't

1242
01:13:45,360 --> 01:13:47,639
Speaker 1: do that. You could do that. That's where we took

1243
01:13:47,680 --> 01:13:50,599
Speaker 1: it from, right, So she probably went in the studio

1244
01:13:50,760 --> 01:13:56,040
Speaker 1: tried to recreate this and fell drastically short with people

1245
01:13:56,160 --> 01:14:00,599
Speaker 1: saying that don't sound like what they did. I need

1246
01:14:00,720 --> 01:14:03,760
Speaker 1: my stems. You know what stems are? Yes, So you

1247
01:14:03,880 --> 01:14:06,120
Speaker 1: want me to give you the stems of your whole

1248
01:14:06,240 --> 01:14:09,080
Speaker 1: album now after twenties, So you're saying you need it

1249
01:14:09,160 --> 01:14:12,840
Speaker 1: for shows. You want to take my stems, and now

1250
01:14:12,920 --> 01:14:15,519
Speaker 1: you're gonna be able to remake your album and you

1251
01:14:15,560 --> 01:14:17,360
Speaker 1: wouldn't be able to get a dollar of that. I don't,

1252
01:14:17,479 --> 01:14:19,479
Speaker 1: I didn't never know. I still eat off of it

1253
01:14:19,640 --> 01:14:23,960
Speaker 1: because I owned the publish here okay, okay, okay, And

1254
01:14:24,520 --> 01:14:26,479
Speaker 1: let me you know. When she'd be on the shows

1255
01:14:26,479 --> 01:14:29,160
Speaker 1: and she's like, I'm gonna splits it up and jazz

1256
01:14:29,240 --> 01:14:32,360
Speaker 1: it up. Is this the camera? Yes, a shanty. You

1257
01:14:32,479 --> 01:14:35,920
Speaker 1: cannot sprits it up. You cannot jazz it up. The

1258
01:14:36,080 --> 01:14:39,920
Speaker 1: minute you put some spritzy and jazz it up, it's

1259
01:14:39,960 --> 01:14:43,120
Speaker 1: not a cover. So when it's not a cover now

1260
01:14:43,240 --> 01:14:45,560
Speaker 1: it has to come back to me to clear it.

1261
01:14:46,479 --> 01:14:48,479
Speaker 1: Let me give you an example of shanty. We had

1262
01:14:48,560 --> 01:14:53,320
Speaker 1: this record with Vita called Justify My Love. Yes, I remember,

1263
01:14:53,640 --> 01:14:57,760
Speaker 1: we redid that record and we sprints it up. We

1264
01:14:58,080 --> 01:15:04,759
Speaker 1: Vita spitter verse with Johanna said rejected, No, that's my classic.

1265
01:15:05,160 --> 01:15:07,799
Speaker 1: We took the verse off and we made that record

1266
01:15:07,960 --> 01:15:12,760
Speaker 1: identically the same to Lenny Kravitz his ad libs. Ashanti

1267
01:15:12,880 --> 01:15:15,800
Speaker 1: did the ad libs, but we had to make it identical.

1268
01:15:16,640 --> 01:15:20,120
Speaker 1: If you change anything, it reverts back to the writers

1269
01:15:20,200 --> 01:15:23,840
Speaker 1: to clear it. Wow, let me just give you the

1270
01:15:23,920 --> 01:15:32,560
Speaker 1: answer now, no, no, So it's up to you and

1271
01:15:33,280 --> 01:15:37,880
Speaker 1: whatever books, players and musicians, you have to recreate the

1272
01:15:38,000 --> 01:15:43,599
Speaker 1: magic that we made me chink and seven. All right,

1273
01:15:43,680 --> 01:15:47,759
Speaker 1: let's talk about that. So irv God is explaining the business,

1274
01:15:48,280 --> 01:15:51,360
Speaker 1: the business deal, right, the structure. The structure of the

1275
01:15:51,439 --> 01:15:55,000
Speaker 1: deal usually is, hey, artists, you're gonna come in, You're

1276
01:15:55,000 --> 01:15:57,679
Speaker 1: gonna record these songs. This is before three to sixty

1277
01:15:57,880 --> 01:16:00,680
Speaker 1: was introduced, a three to sixty deal, or if you

1278
01:16:00,800 --> 01:16:03,640
Speaker 1: understand what the term three to sixty indicates, didn't you

1279
01:16:03,800 --> 01:16:08,520
Speaker 1: understand that they eat from everything. The reason they implemented

1280
01:16:08,600 --> 01:16:11,799
Speaker 1: a deal like that is because record labels find themselves

1281
01:16:11,840 --> 01:16:14,799
Speaker 1: in a situation like what earth Gott he is speaking about,

1282
01:16:14,840 --> 01:16:20,280
Speaker 1: where they have an act that's roll performance. It's worth

1283
01:16:20,439 --> 01:16:25,120
Speaker 1: more than the masters, right, And so luckily for earth

1284
01:16:25,240 --> 01:16:27,839
Speaker 1: Gotti he has people like Ashanti some of these legacy

1285
01:16:27,920 --> 01:16:31,560
Speaker 1: acts where the masters do carry weight. But oftentimes you

1286
01:16:31,680 --> 01:16:37,080
Speaker 1: have people who are that maybe was not selling a lot,

1287
01:16:37,160 --> 01:16:40,760
Speaker 1: proud of streaming, but on the role making a lot

1288
01:16:40,840 --> 01:16:44,479
Speaker 1: of money being booked. Maybe maybe seventy eighty dates a year,

1289
01:16:44,520 --> 01:16:46,680
Speaker 1: one hundred dates a year, two hundred dates a year,

1290
01:16:46,800 --> 01:16:49,360
Speaker 1: depending on who those situations is in the number they're

1291
01:16:49,360 --> 01:16:52,800
Speaker 1: willing to take in this situation. Earth Gotti didn't eat

1292
01:16:52,840 --> 01:16:55,320
Speaker 1: off tours, didn't eat off merch, didn't eat off in

1293
01:16:55,439 --> 01:16:58,880
Speaker 1: there that. So he's basically saying, look, the exact gotta

1294
01:16:58,960 --> 01:17:00,720
Speaker 1: have a way to eat too, And I can't say

1295
01:17:00,760 --> 01:17:03,799
Speaker 1: that that's not fair seeing that he created the music.

1296
01:17:04,760 --> 01:17:07,280
Speaker 1: You know, I always talk about people who basically give

1297
01:17:07,320 --> 01:17:10,559
Speaker 1: you an investment and then they kind of eat off

1298
01:17:10,640 --> 01:17:13,120
Speaker 1: of it too, which is still a valuable thing, right

1299
01:17:13,160 --> 01:17:16,320
Speaker 1: because that money in those contexts allow you to do

1300
01:17:16,520 --> 01:17:19,719
Speaker 1: certain things, but it still should be a deal worth writing.

1301
01:17:20,360 --> 01:17:23,960
Speaker 1: But when you've actually been a part of writing those records,

1302
01:17:24,320 --> 01:17:28,600
Speaker 1: that's a totally different swing at the ball. So he

1303
01:17:28,800 --> 01:17:32,479
Speaker 1: was coming up with those records, he didn't go on tour, right,

1304
01:17:32,600 --> 01:17:34,720
Speaker 1: so he didn't get a piece of your tour. So

1305
01:17:34,960 --> 01:17:37,400
Speaker 1: I think that he does reserve some right in the

1306
01:17:37,520 --> 01:17:40,200
Speaker 1: masters of that. Now, do I think he should be

1307
01:17:40,280 --> 01:17:42,479
Speaker 1: laughing at a woman trying to get the masters back

1308
01:17:42,520 --> 01:17:44,960
Speaker 1: and he won't do it. No, I think that's more

1309
01:17:45,040 --> 01:17:48,120
Speaker 1: so of him exhibiting the fact that he's hurt and

1310
01:17:48,320 --> 01:17:51,519
Speaker 1: that he's that he's failed to be able to evolve

1311
01:17:51,640 --> 01:17:56,360
Speaker 1: from twenty years ago in regards to emotionally. So you

1312
01:17:56,439 --> 01:17:58,800
Speaker 1: can get older, but your emotions can still be in

1313
01:17:58,840 --> 01:18:02,840
Speaker 1: the same place. You gotta work on emotional intelligence. Even me,

1314
01:18:03,080 --> 01:18:07,000
Speaker 1: sometimes I get angry for things. That's my new. Sometimes

1315
01:18:07,040 --> 01:18:10,719
Speaker 1: I overreact for things that didn't deserve that level of attention.

1316
01:18:11,080 --> 01:18:13,360
Speaker 1: But I'm still a work in progress. But one thing

1317
01:18:13,520 --> 01:18:16,680
Speaker 1: I know I need to work on my emotional intelligence.

1318
01:18:16,760 --> 01:18:19,200
Speaker 1: And this is what if God seems to be exhibited

1319
01:18:19,280 --> 01:18:24,080
Speaker 1: to me, a lack of ability to control his emotional intelligence.

1320
01:18:24,320 --> 01:18:26,600
Speaker 1: He don't even understand even when he was saying that

1321
01:18:26,720 --> 01:18:29,519
Speaker 1: about Nelly and all of that about the love life.

1322
01:18:29,760 --> 01:18:32,679
Speaker 1: He think because on his end that the coaches clear,

1323
01:18:32,760 --> 01:18:35,720
Speaker 1: baby ain't nothing to be ashamed of. Say, you can

1324
01:18:35,800 --> 01:18:40,040
Speaker 1: be embarrassing her money. Yeah, Now they got their own

1325
01:18:40,160 --> 01:18:43,960
Speaker 1: things that embarrassed them at just like a dropping a

1326
01:18:44,080 --> 01:18:46,880
Speaker 1: six tape because he was clowning. Yeah, but she think

1327
01:18:46,960 --> 01:18:51,120
Speaker 1: her this was hanged too low. She think her wig

1328
01:18:51,320 --> 01:18:55,120
Speaker 1: was crooked. He ain't starting that because he getting his off. No,

1329
01:18:55,280 --> 01:18:59,040
Speaker 1: I'm saying he gonna uploaded. He ain't. You know, you can't.

1330
01:18:59,160 --> 01:19:02,320
Speaker 1: You can't just do that. And sometimes, boy, that's why

1331
01:19:02,360 --> 01:19:05,320
Speaker 1: I say I gotta salute and applaud people that get rich,

1332
01:19:05,360 --> 01:19:09,240
Speaker 1: because that's even a more difficult task, right to obtain

1333
01:19:09,320 --> 01:19:11,800
Speaker 1: the level of fame and money and still be connected

1334
01:19:11,840 --> 01:19:14,760
Speaker 1: with those real feelings and just that real behavior and

1335
01:19:14,880 --> 01:19:17,600
Speaker 1: not get caught in this weird thing or where you

1336
01:19:17,760 --> 01:19:21,680
Speaker 1: think your circumstances outweigh somebody else's. You know what I'm

1337
01:19:21,680 --> 01:19:24,640
Speaker 1: saying and me, I'm not the greatest guy, but I

1338
01:19:24,840 --> 01:19:27,840
Speaker 1: understand thing because you can be thinking, Yo, man, they

1339
01:19:27,840 --> 01:19:30,200
Speaker 1: ain't gonna say nothing. You didn't ruin my marriage. Now

1340
01:19:30,400 --> 01:19:33,360
Speaker 1: they ain't gonna say nothing about me ruining your marriage.

1341
01:19:33,400 --> 01:19:35,680
Speaker 1: But damn what if they say she will get it

1342
01:19:35,760 --> 01:19:39,400
Speaker 1: cheated out of masks she on there that won't even

1343
01:19:39,439 --> 01:19:42,040
Speaker 1: center the steams while he was married, like they might

1344
01:19:42,120 --> 01:19:47,000
Speaker 1: be embarrassing. Don't even consider that though. When you get rich, boy,

1345
01:19:47,040 --> 01:19:49,280
Speaker 1: you do this thing on the world. Its magic treat

1346
01:19:49,360 --> 01:19:51,800
Speaker 1: man and it all, especially when you get to fame

1347
01:19:51,920 --> 01:19:57,320
Speaker 1: with it. That's the confused like scrambles you. That's that's

1348
01:19:57,360 --> 01:19:59,760
Speaker 1: why I'm telling you, bro, when I get all my money,

1349
01:19:59,800 --> 01:20:03,880
Speaker 1: I'm I'm hiring around me that just got certain mindsets.

1350
01:20:05,200 --> 01:20:08,240
Speaker 1: I gotta stay connected to some reality. These folks will

1351
01:20:08,280 --> 01:20:11,080
Speaker 1: blow your shop and you will get the thinking everything

1352
01:20:11,320 --> 01:20:14,519
Speaker 1: is everything, and it ain't never everything ain't never everything,

1353
01:20:15,160 --> 01:20:18,120
Speaker 1: but you can be you can. It might be embarrassing

1354
01:20:18,200 --> 01:20:21,120
Speaker 1: you that man, that man cheated you out your masters,

1355
01:20:22,160 --> 01:20:24,280
Speaker 1: he didn't even give you your You asked for his

1356
01:20:24,400 --> 01:20:27,280
Speaker 1: stems to songs y'all created together, he wouldn't even send

1357
01:20:27,320 --> 01:20:30,519
Speaker 1: them to you, and you white man like, I don't

1358
01:20:30,600 --> 01:20:33,880
Speaker 1: even think that's to me, bro, That's what I'm saying, Bro,

1359
01:20:34,040 --> 01:20:37,360
Speaker 1: we gotta do better with our emotional intelligence, not just eyes,

1360
01:20:37,479 --> 01:20:40,479
Speaker 1: just respecting like I'm trying to do better even that,

1361
01:20:41,360 --> 01:20:44,200
Speaker 1: identifying the people around me and the way they feel

1362
01:20:44,200 --> 01:20:48,439
Speaker 1: about things, because I'm cold harder a little bit. I'm

1363
01:20:48,520 --> 01:20:51,400
Speaker 1: kind of cold harder because I'm so. I'm just I'm

1364
01:20:51,439 --> 01:20:55,040
Speaker 1: just outn't been harmed, man Like, I haven't been through things,

1365
01:20:55,120 --> 01:20:57,960
Speaker 1: so I ain't got no feelings, you know what I'm saying.

1366
01:20:58,760 --> 01:21:01,280
Speaker 1: At least that's what I exit. But those that I love,

1367
01:21:01,360 --> 01:21:04,479
Speaker 1: I love more than I can explain, and sometimes I

1368
01:21:04,560 --> 01:21:07,559
Speaker 1: don't find myself exhibiting that love. I don't know why

1369
01:21:07,640 --> 01:21:11,120
Speaker 1: I think vulnerability. I don't like to be vulnerable. I

1370
01:21:11,240 --> 01:21:13,760
Speaker 1: think you feel weak to me, and I know it

1371
01:21:13,880 --> 01:21:17,879
Speaker 1: ain't weak because to be able to show compassion and strength,

1372
01:21:18,560 --> 01:21:21,639
Speaker 1: but let's talk about deals at a certain amount of time.

1373
01:21:21,680 --> 01:21:23,280
Speaker 1: I think you're supposed to be able to get your

1374
01:21:23,360 --> 01:21:26,360
Speaker 1: masters back, So she may just be playing a waiting

1375
01:21:26,439 --> 01:21:29,280
Speaker 1: game at this point. I think her use of that

1376
01:21:29,520 --> 01:21:32,519
Speaker 1: song will more so be for movies and things like that.

1377
01:21:33,160 --> 01:21:35,439
Speaker 1: It ain't to try to go platinum again. Like a

1378
01:21:35,520 --> 01:21:37,320
Speaker 1: lot of people are wondering, why would she want to

1379
01:21:38,160 --> 01:21:41,160
Speaker 1: redo the song and redo it now, It's because she

1380
01:21:41,320 --> 01:21:45,040
Speaker 1: can sink it like in movies and you know, TV

1381
01:21:45,200 --> 01:21:48,200
Speaker 1: shows and things like that, and probably get a little streaming.

1382
01:21:48,280 --> 01:21:51,000
Speaker 1: But it ain't, you know, it's just having ownership as

1383
01:21:51,040 --> 01:21:53,000
Speaker 1: a beautiful thing and being able to do that. I

1384
01:21:53,120 --> 01:21:56,840
Speaker 1: remember the Babel, one of them did that song and

1385
01:21:57,120 --> 01:22:00,920
Speaker 1: she came in and done it over. They must had

1386
01:22:00,960 --> 01:22:03,479
Speaker 1: got that cleared at that time. I'm not sure that's

1387
01:22:03,560 --> 01:22:08,240
Speaker 1: interesting though, But I was thinking, and I'm gonna put

1388
01:22:08,320 --> 01:22:10,759
Speaker 1: this out of the universe and see if Drake somebody

1389
01:22:10,760 --> 01:22:12,479
Speaker 1: to tell me if I'm right or wrong, because I

1390
01:22:12,560 --> 01:22:15,160
Speaker 1: think it might be just me. It might be that

1391
01:22:15,439 --> 01:22:17,799
Speaker 1: my brain is working in a way that other people's

1392
01:22:17,960 --> 01:22:21,599
Speaker 1: is not. But and me, I want you to understand,

1393
01:22:21,640 --> 01:22:23,800
Speaker 1: I look at this game and I understand that it's

1394
01:22:23,800 --> 01:22:27,040
Speaker 1: a formula with almost everything you see, especially people that's

1395
01:22:27,080 --> 01:22:31,160
Speaker 1: operating at a very high click. They depended more song

1396
01:22:31,320 --> 01:22:37,200
Speaker 1: technique than talent. But technique plus talent make you a tycoon, right,

1397
01:22:37,360 --> 01:22:40,560
Speaker 1: And so me understanding that I'm always looking for technique

1398
01:22:40,560 --> 01:22:43,600
Speaker 1: and for man in this game because I know longevity

1399
01:22:43,720 --> 01:22:46,200
Speaker 1: lies on the side of being able to do this

1400
01:22:46,360 --> 01:22:48,519
Speaker 1: a million times, not one or two. A lot of

1401
01:22:48,600 --> 01:22:52,200
Speaker 1: y'all make one or two hits. Y'all don't understand. So me, bam,

1402
01:22:52,320 --> 01:22:55,160
Speaker 1: I'm paying attention to the whole game and how everybody's

1403
01:22:55,200 --> 01:22:58,360
Speaker 1: putting it down, the infrastructure, the inside, the ends and outs.

1404
01:22:59,240 --> 01:23:01,240
Speaker 1: I said, when when I heard that Drake and DJ

1405
01:23:01,439 --> 01:23:04,439
Speaker 1: Kelly and a little Babe, I love a song staying Alive, right,

1406
01:23:04,560 --> 01:23:17,960
Speaker 1: I said, that song is this song. I'm going somewhere

1407
01:23:18,040 --> 01:23:21,360
Speaker 1: with this. Pay attention in this game. You gotta be

1408
01:23:21,439 --> 01:23:33,120
Speaker 1: a scientist. If you're a consumer, you might not get

1409
01:23:33,160 --> 01:23:36,240
Speaker 1: what I'm saying. But if you're a person at right music,

1410
01:23:36,400 --> 01:24:01,000
Speaker 1: that's a creative pay attention. Pay attention. Now. Now you're

1411
01:24:01,000 --> 01:24:09,200
Speaker 1: gonna say I'm bugging, but watch this. Try me. Any

1412
01:24:09,320 --> 01:24:12,880
Speaker 1: time wanted me to lie, wanted me to cry, wanted

1413
01:24:12,920 --> 01:24:17,240
Speaker 1: me to die. Attention. I gotta be a scientist in

1414
01:24:17,360 --> 01:24:23,040
Speaker 1: this guy standing alone, standing alone, another one another, try

1415
01:24:23,200 --> 01:24:27,240
Speaker 1: me any time. Wanted me to lie, wanted me to cry.

1416
01:24:27,280 --> 01:24:32,639
Speaker 1: I wanted me to down Drake College, standing alone, standing alone,

1417
01:24:32,920 --> 01:24:37,400
Speaker 1: standing alone, standing You see what I'm saying. Now, if

1418
01:24:37,439 --> 01:24:41,720
Speaker 1: you're a scientist, you know that I'm paying attention in

1419
01:24:41,760 --> 01:25:09,920
Speaker 1: a way that you probably not living. I don't know, man,

1420
01:25:10,040 --> 01:25:14,320
Speaker 1: like I say it, just maybe I'm wrong. I'm stand alized,

1421
01:25:14,520 --> 01:25:19,320
Speaker 1: stand alized, stand ali. I don't know. Like I say again,

1422
01:25:19,400 --> 01:25:22,800
Speaker 1: I'm always thinking this formulas technique. You know what I'm saying.

1423
01:25:22,880 --> 01:25:26,960
Speaker 1: And it's like I see that, right, and only the

1424
01:25:27,080 --> 01:25:30,639
Speaker 1: savvage sees that because nobody's reported on that. And that's

1425
01:25:30,680 --> 01:25:33,799
Speaker 1: the level of that's the That's what makes me interested

1426
01:25:33,880 --> 01:25:36,599
Speaker 1: in this game. That's what makes my place a little

1427
01:25:36,640 --> 01:25:39,439
Speaker 1: bit more interesting than these other guys. It's number one.

1428
01:25:39,479 --> 01:25:42,479
Speaker 1: I come from it for real, right, I'm really from that.

1429
01:25:43,439 --> 01:25:46,320
Speaker 1: I'm really from the concrete, the roles from the concrete.

1430
01:25:46,360 --> 01:25:49,960
Speaker 1: That's number one. Like fifty said, I've been damaged by

1431
01:25:50,000 --> 01:25:54,639
Speaker 1: the environment. That's number one. Number two, the information I'm

1432
01:25:54,680 --> 01:25:58,040
Speaker 1: dealing with, the masset right the way I put or

1433
01:25:58,160 --> 01:26:01,320
Speaker 1: just how I look at life. This is built on that.

1434
01:26:01,560 --> 01:26:03,880
Speaker 1: A lot of this is on the back of my understanding.

1435
01:26:03,920 --> 01:26:05,960
Speaker 1: That's why I try to protect my brain. I pray

1436
01:26:06,040 --> 01:26:09,120
Speaker 1: to God that nothing ever happens to well I alter

1437
01:26:09,320 --> 01:26:11,880
Speaker 1: this in a way that's not productive for me and

1438
01:26:12,000 --> 01:26:15,920
Speaker 1: my family, because man, if I can keep a hold

1439
01:26:15,960 --> 01:26:17,960
Speaker 1: of this and we go further and further, we got

1440
01:26:18,080 --> 01:26:20,280
Speaker 1: we got a major upswing. But y'all let me know

1441
01:26:20,360 --> 01:26:23,080
Speaker 1: if y'all believe that, if that was in his mind

1442
01:26:23,160 --> 01:26:25,800
Speaker 1: when he was writing that, and I'll put this out

1443
01:26:25,840 --> 01:26:28,400
Speaker 1: in the world. We'll see if if the universe respond.

1444
01:26:28,760 --> 01:26:32,439
Speaker 1: Here's another thing I wonder over the week. I wonder

1445
01:26:32,520 --> 01:26:37,160
Speaker 1: how long No Jumper can hold his business out there

1446
01:26:37,200 --> 01:26:39,439
Speaker 1: with all them gang bangers and ship because he got

1447
01:26:39,479 --> 01:26:42,040
Speaker 1: a lot of gangs ship going on, but everybody seemed

1448
01:26:42,080 --> 01:26:45,400
Speaker 1: like they respecting it. I wonder how long before that

1449
01:26:45,680 --> 01:26:50,120
Speaker 1: turns into something else, some explodes up there or somebody

1450
01:26:50,240 --> 01:26:52,400
Speaker 1: gets into it. I think they making money, so I

1451
01:26:52,880 --> 01:26:56,160
Speaker 1: salute him. He gave them dudes a opportunity, you know

1452
01:26:56,160 --> 01:26:58,360
Speaker 1: what I'm saying. Gave them dudes a situation to make

1453
01:26:58,439 --> 01:27:01,120
Speaker 1: some money, and they black do so I got respect

1454
01:27:01,200 --> 01:27:03,519
Speaker 1: for it. I just don't know if he has the

1455
01:27:03,600 --> 01:27:08,360
Speaker 1: ability to control that. I think it's running itself right

1456
01:27:08,439 --> 01:27:10,639
Speaker 1: now because it's just trying to get out the mud.

1457
01:27:11,040 --> 01:27:14,280
Speaker 1: But once everybody financially stable and shot around there, I

1458
01:27:14,320 --> 01:27:17,080
Speaker 1: don't know if he's gonna bear to control it. Adam's

1459
01:27:17,120 --> 01:27:20,280
Speaker 1: not holding them down. It's it's literally the money right now,

1460
01:27:20,600 --> 01:27:24,000
Speaker 1: dudes is like now we're eating over here, Wayne missing

1461
01:27:24,040 --> 01:27:26,160
Speaker 1: this up? This is you know what I'm saying. But

1462
01:27:26,479 --> 01:27:28,920
Speaker 1: at some point I just don't see him being able

1463
01:27:28,960 --> 01:27:32,920
Speaker 1: to control that environment, right It ain't. I don't think

1464
01:27:32,960 --> 01:27:35,240
Speaker 1: he one of them guys that can really handle that

1465
01:27:35,479 --> 01:27:38,400
Speaker 1: type of thing. Even with the new dude up, they're

1466
01:27:38,439 --> 01:27:41,599
Speaker 1: getting into a lot of things, like it's already starting

1467
01:27:41,640 --> 01:27:45,519
Speaker 1: to whoa they spit on something wall? What was that? Right?

1468
01:27:46,080 --> 01:27:48,840
Speaker 1: You know? People coming up there. It's like, I wonder

1469
01:27:48,880 --> 01:27:51,840
Speaker 1: how long before he really gonna have to you know

1470
01:27:51,880 --> 01:27:54,000
Speaker 1: what I'm saying, or what's gonna like. I don't know.

1471
01:27:54,200 --> 01:27:56,120
Speaker 1: I'm just watching it, you know what I'm saying. Because

1472
01:27:56,160 --> 01:27:57,920
Speaker 1: he is white, he ain't one of us, So I

1473
01:27:57,960 --> 01:28:00,360
Speaker 1: don't know if he got the thinking like us and everything.

1474
01:28:00,479 --> 01:28:02,960
Speaker 1: I know he he bought as close as you can

1475
01:28:03,040 --> 01:28:06,080
Speaker 1: get to be around us, but he ain't won us.

1476
01:28:06,120 --> 01:28:08,639
Speaker 1: So I know that he still don't got the mind

1477
01:28:08,720 --> 01:28:10,760
Speaker 1: set in the streets sense to be able to see

1478
01:28:10,800 --> 01:28:13,200
Speaker 1: it coming from the right. Oh they went this that

1479
01:28:13,479 --> 01:28:15,479
Speaker 1: like he just saying. I don't think he got that,

1480
01:28:15,960 --> 01:28:17,880
Speaker 1: you know what I'm saying. Maybe some people he loved,

1481
01:28:18,479 --> 01:28:21,320
Speaker 1: some of them dudes up they love might matter tippingm

1482
01:28:21,320 --> 01:28:23,000
Speaker 1: out put him on game. I don't know, man, it's

1483
01:28:23,040 --> 01:28:25,519
Speaker 1: just seems to get it. Seems like it can. It

1484
01:28:25,640 --> 01:28:27,640
Speaker 1: can get wild up there right now. Ain't doing a

1485
01:28:27,680 --> 01:28:30,960
Speaker 1: great job, but seemed like it might take a turn

1486
01:28:31,040 --> 01:28:35,559
Speaker 1: if they're not careful. Well, I look at podcasting. It's

1487
01:28:35,560 --> 01:28:38,639
Speaker 1: a lot of competition. It's a lot going on out there,

1488
01:28:39,360 --> 01:28:41,639
Speaker 1: you know, because you're not dealing, you're not just battling

1489
01:28:41,720 --> 01:28:44,040
Speaker 1: with is in their current form. If you do that,

1490
01:28:44,160 --> 01:28:47,800
Speaker 1: you don't respect the game. Right when you into the game,

1491
01:28:47,880 --> 01:28:51,160
Speaker 1: and when you into a market, you respect the game.

1492
01:28:51,320 --> 01:28:55,599
Speaker 1: So you're battling the folk catalog. You ain't just battling

1493
01:28:55,640 --> 01:28:58,240
Speaker 1: what they currently seeing. You're battling what all they've done

1494
01:28:59,720 --> 01:29:02,320
Speaker 1: all the times we take from a man what they've learned.

1495
01:29:02,360 --> 01:29:04,360
Speaker 1: And I try my best never to do that, because

1496
01:29:04,360 --> 01:29:06,080
Speaker 1: I know how hard it is to get some of

1497
01:29:06,120 --> 01:29:09,840
Speaker 1: these badges that you see. Nick, you know what I'm saying,

1498
01:29:10,080 --> 01:29:14,240
Speaker 1: getting rid of ten million albums here, now, you know

1499
01:29:14,280 --> 01:29:16,519
Speaker 1: what I'm saying. I'm understanding what it's taking to make

1500
01:29:16,600 --> 01:29:18,720
Speaker 1: that happen. So I have a high level respect for

1501
01:29:19,000 --> 01:29:22,320
Speaker 1: So when I come into game podcasting, I know currently

1502
01:29:22,760 --> 01:29:27,080
Speaker 1: they can't talk with it. It's over moving forward. The

1503
01:29:27,240 --> 01:29:30,280
Speaker 1: game belong on this side right now. I ain't being

1504
01:29:30,400 --> 01:29:34,360
Speaker 1: arrogant with that. I'm engulfed to with the information everything

1505
01:29:34,479 --> 01:29:38,080
Speaker 1: about the culture I am, and I dance outside the culture.

1506
01:29:38,520 --> 01:29:42,280
Speaker 1: It's over. There's nothing more to right, and I'm in power,

1507
01:29:42,920 --> 01:29:46,599
Speaker 1: got really believing in this ship. Now I'm saying, i'd

1508
01:29:46,600 --> 01:29:48,759
Speaker 1: be wanting to talk about it so hard. That's another

1509
01:29:48,880 --> 01:29:52,640
Speaker 1: thing I'm going through, right. I'm a street right, and

1510
01:29:52,800 --> 01:29:55,920
Speaker 1: so I'm understanding I'm operating in the industry and so

1511
01:29:56,160 --> 01:29:58,320
Speaker 1: certain it's happening. I be wanting to just come and

1512
01:29:58,400 --> 01:30:02,559
Speaker 1: let y'all know, listening the gangsters' realness in the game,

1513
01:30:02,680 --> 01:30:05,840
Speaker 1: this is what's happening, and this is the circumstance, right,

1514
01:30:05,920 --> 01:30:08,040
Speaker 1: And it's like, I don't know if it's stepping on

1515
01:30:08,200 --> 01:30:10,720
Speaker 1: how we're gonna roll it out. Because the industry, I

1516
01:30:10,880 --> 01:30:14,519
Speaker 1: understand that there's formula, there's technique happening right for you

1517
01:30:14,640 --> 01:30:16,640
Speaker 1: to hit the market in a certain way. Right, So

1518
01:30:16,800 --> 01:30:19,639
Speaker 1: I sometimes I'm stuck in between that. But man, I'm

1519
01:30:19,680 --> 01:30:24,800
Speaker 1: telling you, as far as podcasting, I say, there's no

1520
01:30:24,920 --> 01:30:28,439
Speaker 1: way they can moving forward. The game belong on this side.

1521
01:30:28,680 --> 01:30:32,360
Speaker 1: That's a period after that. But loon, you gotta respect

1522
01:30:32,439 --> 01:30:36,160
Speaker 1: what Default hasn't done. Right. When I look at the space,

1523
01:30:36,280 --> 01:30:38,120
Speaker 1: when I look at us, right, I say, boy, it's

1524
01:30:38,160 --> 01:30:41,599
Speaker 1: been a lot of legendary interviews, some conversations doesn't happen

1525
01:30:41,680 --> 01:30:45,479
Speaker 1: out there, some set designs done been upgrade. Like, it's

1526
01:30:45,479 --> 01:30:48,120
Speaker 1: a lot going on in the game that you gotta respect.

1527
01:30:48,640 --> 01:30:51,360
Speaker 1: And I taking our grab holder. Then I say, all right,

1528
01:30:52,280 --> 01:30:55,599
Speaker 1: you gotta build your catalog. You gotta do that little

1529
01:30:55,640 --> 01:30:58,240
Speaker 1: thing they like. You gotta do that a million times.

1530
01:30:59,600 --> 01:31:02,080
Speaker 1: See a lot of y'all don't know. I got so

1531
01:31:02,360 --> 01:31:06,040
Speaker 1: much bleeding in this podcast. I literally can choose how

1532
01:31:06,160 --> 01:31:08,519
Speaker 1: I want to right, if I want to come out

1533
01:31:08,560 --> 01:31:11,160
Speaker 1: and put all topics on Instagram for six months, right,

1534
01:31:11,320 --> 01:31:14,720
Speaker 1: just evincing me breaking it down, Contracts I do all

1535
01:31:14,760 --> 01:31:18,560
Speaker 1: of that in this show. Often times I grab a

1536
01:31:18,680 --> 01:31:20,840
Speaker 1: couple of minutes of me just getting in my bag

1537
01:31:20,960 --> 01:31:23,120
Speaker 1: and put it out, and he go crazy every time

1538
01:31:24,240 --> 01:31:28,000
Speaker 1: the game is reacting. You understand what I'm saying. Now,

1539
01:31:28,200 --> 01:31:31,400
Speaker 1: what we gotta understand is that as a culture, we

1540
01:31:31,520 --> 01:31:35,160
Speaker 1: gotta empower with things like this. We can't just play

1541
01:31:35,240 --> 01:31:38,120
Speaker 1: with it right. A lot of the nick on top

1542
01:31:38,240 --> 01:31:41,080
Speaker 1: cherry picking the game right, and then I'm gonna end

1543
01:31:41,160 --> 01:31:43,439
Speaker 1: up going to prison before I let them steal from

1544
01:31:43,479 --> 01:31:46,600
Speaker 1: me everything I am and not pay me for I

1545
01:31:46,680 --> 01:31:49,439
Speaker 1: don't mind going to lay down for that, you know

1546
01:31:49,479 --> 01:31:51,800
Speaker 1: what I'm saying. So with that in mind, I try

1547
01:31:51,840 --> 01:31:56,760
Speaker 1: to come through the game without fumbling. I understand what's

1548
01:31:56,800 --> 01:31:59,080
Speaker 1: at stake, But we got to do a better job

1549
01:31:59,160 --> 01:32:03,080
Speaker 1: and understand what this is. Even in the incubator. We

1550
01:32:03,240 --> 01:32:08,000
Speaker 1: gotta understand what this is at the very new born stages,

1551
01:32:08,080 --> 01:32:14,680
Speaker 1: the very infant stages of this. We gotta understand that

1552
01:32:14,800 --> 01:32:17,200
Speaker 1: this is gonna turn into a butterfly, not only for me,

1553
01:32:17,320 --> 01:32:19,400
Speaker 1: but for us to have a louder voice, a more

1554
01:32:19,479 --> 01:32:23,320
Speaker 1: clearer voice. Right. They like to confuse what they think

1555
01:32:23,400 --> 01:32:26,760
Speaker 1: they know, but you can't explain what you ain't experienced,

1556
01:32:27,800 --> 01:32:32,240
Speaker 1: and I come from it. And so in podcasting, right, like,

1557
01:32:32,400 --> 01:32:34,639
Speaker 1: I know a lot of times I'm critical or the game.

1558
01:32:35,080 --> 01:32:38,560
Speaker 1: You know, that's how that's my style of pardon, but

1559
01:32:38,760 --> 01:32:41,040
Speaker 1: my way of communicating should let you know that I

1560
01:32:41,080 --> 01:32:42,920
Speaker 1: got a high level of respect for a lot of

1561
01:32:42,960 --> 01:32:46,400
Speaker 1: these people. I understand what they've done, been through, right,

1562
01:32:46,479 --> 01:32:50,760
Speaker 1: I know because right now I'm young and stronger, faster, newer, Right,

1563
01:32:50,800 --> 01:32:53,320
Speaker 1: I understand. You know what I'm saying. We ain't dumb,

1564
01:32:53,960 --> 01:32:58,520
Speaker 1: But I understand one thing too. My technique is intact,

1565
01:33:00,880 --> 01:33:05,960
Speaker 1: they're dealing with Bruce Lee, not Bruce Lee Roy. They're

1566
01:33:06,000 --> 01:33:09,040
Speaker 1: dealing with Bruce Lee. And I can't emphasize, man, how

1567
01:33:09,200 --> 01:33:13,519
Speaker 1: how important it or how valuable it is, bro what

1568
01:33:13,680 --> 01:33:16,960
Speaker 1: I'm doing like and I only have to point it

1569
01:33:17,000 --> 01:33:20,479
Speaker 1: out because I don't have no big entourage, Like, I

1570
01:33:20,520 --> 01:33:23,200
Speaker 1: don't got no whole bunch of around me pulling from me.

1571
01:33:23,280 --> 01:33:25,920
Speaker 1: I'm taking care of news and that ain't has happening

1572
01:33:26,120 --> 01:33:29,400
Speaker 1: most of my friends in the FIDS, I got one,

1573
01:33:29,560 --> 01:33:32,679
Speaker 1: maybe five of them that's out here that I can't

1574
01:33:32,720 --> 01:33:35,439
Speaker 1: involve myself too close with what they got going on

1575
01:33:35,560 --> 01:33:38,959
Speaker 1: because it can pull me into a conspiracy. They understand

1576
01:33:39,040 --> 01:33:41,400
Speaker 1: that we can't be involved in the same ways now

1577
01:33:41,520 --> 01:33:45,040
Speaker 1: because I'm in ering in things that everything that I

1578
01:33:45,160 --> 01:33:47,160
Speaker 1: got on the line ain't worth what they're willing to

1579
01:33:47,600 --> 01:33:49,920
Speaker 1: pull me into about what it may or may not

1580
01:33:50,120 --> 01:33:53,360
Speaker 1: be right. So we gotta respect each other's boundaries. I

1581
01:33:53,439 --> 01:33:55,720
Speaker 1: got boundaries in place. I got a fence around what

1582
01:33:55,880 --> 01:33:59,360
Speaker 1: I'm doing. A lot of y'all that'd be wrong with

1583
01:33:59,439 --> 01:34:01,240
Speaker 1: wrap me. They don't know how to put a fence

1584
01:34:01,320 --> 01:34:04,599
Speaker 1: around the money, you know what I'm saying. Like, See,

1585
01:34:04,640 --> 01:34:08,320
Speaker 1: I'm an old gambling I play numbers. Put a box

1586
01:34:08,400 --> 01:34:12,320
Speaker 1: on that. Yeah, put a box on that. That means

1587
01:34:12,360 --> 01:34:15,599
Speaker 1: any way them numbers fall. I win. May not win

1588
01:34:15,680 --> 01:34:17,720
Speaker 1: as much, but a win is a win, right, So

1589
01:34:17,880 --> 01:34:19,920
Speaker 1: I look at the game different man, That's what I'm

1590
01:34:19,960 --> 01:34:22,200
Speaker 1: trying to tell you. So for me entering in a

1591
01:34:22,320 --> 01:34:27,760
Speaker 1: game like this, you also gotta put some value on there.

1592
01:34:27,800 --> 01:34:30,599
Speaker 1: Ain't no I don't pull from nobody. If I pull

1593
01:34:30,720 --> 01:34:33,400
Speaker 1: from somebody, y'all stand up right now so I can

1594
01:34:33,479 --> 01:34:36,800
Speaker 1: send you something. They don't. Don't let me make out

1595
01:34:36,840 --> 01:34:40,599
Speaker 1: the money in these your ideas. Don't let me make

1596
01:34:40,680 --> 01:34:42,640
Speaker 1: out the money in this your life. I'm speaking on

1597
01:34:42,760 --> 01:34:46,120
Speaker 1: behalf for me what I've done, what I've seen, my understanding.

1598
01:34:46,240 --> 01:34:49,240
Speaker 1: It's a difference there. A lot of these dudes are

1599
01:34:49,320 --> 01:34:52,600
Speaker 1: just regurgitating what's in books, so they're giving you the

1600
01:34:52,840 --> 01:34:57,599
Speaker 1: interpretation of someone else's interpretation of some information. Loom giving

1601
01:34:57,640 --> 01:35:03,720
Speaker 1: you his interpretation. Its firsthand. It's firsthand, and it's the

1602
01:35:03,800 --> 01:35:06,760
Speaker 1: first time it being done this way. It won't be

1603
01:35:06,840 --> 01:35:09,080
Speaker 1: the last, though, because with this is the birth of

1604
01:35:09,160 --> 01:35:13,839
Speaker 1: a nation, right, young nis that understand the street understand

1605
01:35:13,960 --> 01:35:16,120
Speaker 1: being is understand a little bit of this, A little

1606
01:35:16,160 --> 01:35:18,760
Speaker 1: bit of that gonna get in powered to get on

1607
01:35:18,880 --> 01:35:23,160
Speaker 1: the mic and say, yo, this is life and I

1608
01:35:23,320 --> 01:35:25,280
Speaker 1: got this from it. It went that way with it

1609
01:35:25,360 --> 01:35:28,960
Speaker 1: and come out with this and done that. But it's valuable, man,

1610
01:35:29,040 --> 01:35:33,679
Speaker 1: It's important that this is all of me. I bleed

1611
01:35:33,840 --> 01:35:38,240
Speaker 1: this ship. These are my thoughts and understandings. But with

1612
01:35:38,479 --> 01:35:41,439
Speaker 1: me respecting the game, right, I'm always putting it in

1613
01:35:41,560 --> 01:35:44,240
Speaker 1: perspective like a loon. Most dudes that you got to

1614
01:35:44,280 --> 01:35:48,400
Speaker 1: compete with this three four them, it's three folks co

1615
01:35:48,720 --> 01:35:52,920
Speaker 1: hosts and it's just behind the scene. It's giving folks

1616
01:35:53,080 --> 01:35:56,920
Speaker 1: questions and it's all kind of going on and you coming.

1617
01:35:57,160 --> 01:36:00,439
Speaker 1: But I got mine out the street though I know. See,

1618
01:36:00,479 --> 01:36:02,600
Speaker 1: I can do all that, but they can't do that.

1619
01:36:02,760 --> 01:36:06,000
Speaker 1: All the thing. I got mine where they can't get

1620
01:36:06,080 --> 01:36:09,800
Speaker 1: there as from you understand me, I know where to

1621
01:36:09,880 --> 01:36:12,479
Speaker 1: go get it there, right, So I bleed it. So

1622
01:36:12,600 --> 01:36:15,200
Speaker 1: I understand. I always got that one up. But I

1623
01:36:15,320 --> 01:36:18,200
Speaker 1: gotta understand. I gotta build the infrastructure because I'm dealing

1624
01:36:18,240 --> 01:36:22,000
Speaker 1: with teams. Young Loon come in by itself, but it's

1625
01:36:22,040 --> 01:36:26,040
Speaker 1: teams you know, two, three, the co host this that

1626
01:36:26,200 --> 01:36:28,360
Speaker 1: they don't mix the you know, it's all kind of

1627
01:36:28,600 --> 01:36:31,000
Speaker 1: going on in the market right now. I can handle

1628
01:36:31,040 --> 01:36:35,120
Speaker 1: it though, because people out there receptive to what's going on.

1629
01:36:35,360 --> 01:36:38,439
Speaker 1: For some reason, I'm resonating with the people, right, So

1630
01:36:38,600 --> 01:36:41,000
Speaker 1: it seemed like I can cut through it, right. I can,

1631
01:36:41,439 --> 01:36:44,520
Speaker 1: but I must remain aware that those are the circumstances.

1632
01:36:44,800 --> 01:36:47,920
Speaker 1: You know, it's three different personalities on this show really

1633
01:36:48,000 --> 01:36:49,800
Speaker 1: fall and it's a dude that will pop out on

1634
01:36:49,920 --> 01:36:52,360
Speaker 1: the mic and they don't build him up as a

1635
01:36:52,400 --> 01:36:55,680
Speaker 1: little character on the show, right, and so Loon coming out.

1636
01:36:56,120 --> 01:36:58,639
Speaker 1: But my message be so powerful and I'm just coming

1637
01:36:58,760 --> 01:37:02,320
Speaker 1: up here talking to my people about our circumstances. What's

1638
01:37:02,360 --> 01:37:04,720
Speaker 1: happening in the game. How I look at it, and

1639
01:37:04,880 --> 01:37:08,560
Speaker 1: that's resonating. But then I say, Loon, just because you

1640
01:37:08,640 --> 01:37:12,280
Speaker 1: surround yourself with doors don't make you a giant. You're

1641
01:37:12,320 --> 01:37:16,600
Speaker 1: a giant. You ain't got all that fake clapping and

1642
01:37:17,160 --> 01:37:19,599
Speaker 1: laughing at your jokes. If they corny you in there

1643
01:37:19,680 --> 01:37:22,679
Speaker 1: by yourself, what you put down gotta be the truth.

1644
01:37:23,920 --> 01:37:26,760
Speaker 1: You gotta resonate. You can't pull that face. You see

1645
01:37:26,760 --> 01:37:30,080
Speaker 1: a lot of time you ever seen running packing, they

1646
01:37:30,160 --> 01:37:32,600
Speaker 1: gainst each other up. We're gonna whoop him into it.

1647
01:37:32,680 --> 01:37:36,240
Speaker 1: They don't talk for forty five minutes. You understand what

1648
01:37:36,320 --> 01:37:40,080
Speaker 1: I'm saying, And that's just enough for one punch. You

1649
01:37:40,160 --> 01:37:42,080
Speaker 1: know what I'm saying that for Loon. I come in

1650
01:37:42,200 --> 01:37:45,920
Speaker 1: here by myself right now, I say yo, because even

1651
01:37:45,960 --> 01:37:49,160
Speaker 1: if it's people in here, ain't nobody saying Loon talk

1652
01:37:49,200 --> 01:37:51,960
Speaker 1: about this, say this, Get this, dude, that this is

1653
01:37:52,040 --> 01:37:54,960
Speaker 1: all what Loon think. And I also know the business,

1654
01:37:55,040 --> 01:37:57,559
Speaker 1: so I know all of those people around sometimes make

1655
01:37:57,640 --> 01:38:01,599
Speaker 1: it more heavyer because let's say you're dealing with host

1656
01:38:01,680 --> 01:38:06,960
Speaker 1: that don't contribute. They've convinced themselves and not understood that.

1657
01:38:07,760 --> 01:38:09,880
Speaker 1: They make it look so effortless. You just sit there

1658
01:38:09,920 --> 01:38:13,080
Speaker 1: and talk. I don't really gotta have no thought process

1659
01:38:13,280 --> 01:38:16,680
Speaker 1: or no groove. I need to catch no. Like I

1660
01:38:16,760 --> 01:38:21,320
Speaker 1: always say, I look at dudes like Joe. Joe is

1661
01:38:21,360 --> 01:38:26,200
Speaker 1: a very talented person in this space, right. I've seen

1662
01:38:26,280 --> 01:38:28,240
Speaker 1: the other week that he was in this really big

1663
01:38:28,400 --> 01:38:30,400
Speaker 1: room that they said it was kind of reverb, and

1664
01:38:30,479 --> 01:38:32,400
Speaker 1: I said, see, they don't know what it's like. Even

1665
01:38:32,479 --> 01:38:35,360
Speaker 1: little things like that throw off some people's whole part.

1666
01:38:36,200 --> 01:38:39,400
Speaker 1: It's a bad part. But to go anywhere and be

1667
01:38:39,479 --> 01:38:43,679
Speaker 1: able to cut that on, it's a real fucking treat

1668
01:38:43,840 --> 01:38:46,160
Speaker 1: to see. And I gotta you know, that's something that

1669
01:38:46,240 --> 01:38:47,880
Speaker 1: I may. I have to make sure that I'm able

1670
01:38:47,880 --> 01:38:50,400
Speaker 1: to cut that on at any moment because that's a

1671
01:38:50,479 --> 01:38:53,719
Speaker 1: strength that you're gonna need to battle with these guys

1672
01:38:53,760 --> 01:38:56,560
Speaker 1: in the market. Right, A lot of people see me

1673
01:38:56,640 --> 01:38:58,240
Speaker 1: and they want me to cut it right on, and

1674
01:38:58,320 --> 01:39:01,839
Speaker 1: it's like sometimes I ain't in that. It's an element

1675
01:39:01,920 --> 01:39:05,560
Speaker 1: that I got to be in. Even this is vulnerable

1676
01:39:05,680 --> 01:39:09,360
Speaker 1: for me. I played dumb so long and this is

1677
01:39:09,439 --> 01:39:13,320
Speaker 1: vulnerable to go to talking like this part of my

1678
01:39:13,479 --> 01:39:17,000
Speaker 1: game was playing dumb. But everybody working on their house

1679
01:39:17,080 --> 01:39:20,880
Speaker 1: in this sub division and podcasting. You know what I'm saying,

1680
01:39:20,960 --> 01:39:25,920
Speaker 1: dudes is putting up some knife too, you know, but

1681
01:39:26,040 --> 01:39:28,840
Speaker 1: we've beenna put a mansion on the block, you know

1682
01:39:28,880 --> 01:39:31,040
Speaker 1: what I'm saying, it's up the podcast. And then it's

1683
01:39:31,080 --> 01:39:34,679
Speaker 1: so many different variations of this, Like I'm not sure

1684
01:39:34,760 --> 01:39:39,440
Speaker 1: people understand. I know that this brand or this personality

1685
01:39:39,560 --> 01:39:44,679
Speaker 1: that Loan is right, it can go in many different rooms.

1686
01:39:45,600 --> 01:39:48,519
Speaker 1: And I know people don't see that right yet, and

1687
01:39:48,600 --> 01:39:51,439
Speaker 1: it's unfortunate for them because they don't respect the future right.

1688
01:39:51,520 --> 01:39:53,920
Speaker 1: But for me, I know what's happening. I already see

1689
01:39:54,000 --> 01:39:57,160
Speaker 1: where it can go, how it can go, you know. Um,

1690
01:39:58,720 --> 01:40:01,200
Speaker 1: and I know that the coach it's gonna be receptive

1691
01:40:01,720 --> 01:40:03,920
Speaker 1: because it's just part of what we have going on.

1692
01:40:05,560 --> 01:40:07,760
Speaker 1: Let's talk about this. I want to I want to

1693
01:40:07,800 --> 01:40:10,320
Speaker 1: point out a few things about folding counting. Man. I

1694
01:40:10,439 --> 01:40:13,479
Speaker 1: think it's interesting. Right for me, I'm someone on the

1695
01:40:13,560 --> 01:40:16,280
Speaker 1: outside looking in, and I think that life is about

1696
01:40:17,439 --> 01:40:23,280
Speaker 1: explaining your experiences. I think understanding where you are, what's happening,

1697
01:40:24,000 --> 01:40:27,760
Speaker 1: you know the history and how things unfold. It's a

1698
01:40:27,920 --> 01:40:31,639
Speaker 1: very important thing to have as you live your life.

1699
01:40:31,680 --> 01:40:33,720
Speaker 1: And for me, as I watched this young thug and

1700
01:40:33,920 --> 01:40:37,639
Speaker 1: y I sail gonna reco down them. Man, I keep

1701
01:40:37,840 --> 01:40:40,320
Speaker 1: saying that something just as a little if it than me.

1702
01:40:41,880 --> 01:40:44,599
Speaker 1: You know, it ain't all police work. It's some petty work.

1703
01:40:46,160 --> 01:40:48,439
Speaker 1: See that right there, ain't all police work. And I

1704
01:40:48,520 --> 01:40:50,920
Speaker 1: say that because even last week I saw it come

1705
01:40:50,960 --> 01:40:53,280
Speaker 1: out young thug here with new charges. And you know

1706
01:40:53,360 --> 01:40:56,439
Speaker 1: how it already spoke on the game is when they

1707
01:40:56,520 --> 01:40:58,960
Speaker 1: come get you. How they do that? They know right,

1708
01:40:59,000 --> 01:41:01,599
Speaker 1: they play a little gay, right, we understand the game

1709
01:41:01,680 --> 01:41:04,200
Speaker 1: they're playing, right, but we know that y'all cain't bull

1710
01:41:04,280 --> 01:41:06,360
Speaker 1: us no more. We don't get old. And it's a

1711
01:41:06,400 --> 01:41:08,640
Speaker 1: little more information out there. Way ain't going for the

1712
01:41:08,760 --> 01:41:11,599
Speaker 1: bull game no more. If y'all got it, y'all got

1713
01:41:11,680 --> 01:41:15,040
Speaker 1: to have it. There ain't no more that your boy said.

1714
01:41:15,160 --> 01:41:18,840
Speaker 1: This ain't no more that way ain't no sub But

1715
01:41:19,800 --> 01:41:24,439
Speaker 1: so they come out right, and for me, my first

1716
01:41:24,520 --> 01:41:26,320
Speaker 1: thought is, all right, so this is part of what

1717
01:41:26,439 --> 01:41:28,880
Speaker 1: I already saw coming, part of the game. But then

1718
01:41:29,640 --> 01:41:33,080
Speaker 1: shout out Lloyds for workers I've seen. Well, oh no,

1719
01:41:34,479 --> 01:41:38,680
Speaker 1: this paperwork ain't even been filed yet. See when you

1720
01:41:38,760 --> 01:41:42,120
Speaker 1: don't know, you don't know. But I know this ain't

1721
01:41:42,160 --> 01:41:44,839
Speaker 1: all police work. I know this some petty work involved.

1722
01:41:45,880 --> 01:41:49,120
Speaker 1: You understand, I'm a gamester. I come, I already know

1723
01:41:49,240 --> 01:41:51,880
Speaker 1: what they're doing. So when I say damn so that

1724
01:41:52,520 --> 01:41:54,800
Speaker 1: they hadn't even filed. So what that tells me is,

1725
01:41:54,960 --> 01:41:57,479
Speaker 1: say long, they they ain't founded it in the quarter

1726
01:41:57,479 --> 01:41:59,920
Speaker 1: of law, They're fouled it in the quart of public opinion.

1727
01:42:02,280 --> 01:42:05,720
Speaker 1: They're trying to play a game. Man. They fed this

1728
01:42:05,880 --> 01:42:08,679
Speaker 1: to the media before they handed it to the court man,

1729
01:42:09,080 --> 01:42:11,200
Speaker 1: and these are real facts. I don't know if it's

1730
01:42:11,200 --> 01:42:13,880
Speaker 1: filed at this particular time, but when the media was

1731
01:42:13,960 --> 01:42:16,760
Speaker 1: running around with that, dudes, when they tried to pull

1732
01:42:16,920 --> 01:42:20,880
Speaker 1: that and it wasn't there, but the news had a

1733
01:42:20,920 --> 01:42:24,120
Speaker 1: whole clipping going around about it. I want y'all to

1734
01:42:24,280 --> 01:42:28,960
Speaker 1: understand that. For me, it's unfortunate. You got every black

1735
01:42:29,040 --> 01:42:33,200
Speaker 1: man in the line of skid that you're gonna interrupt

1736
01:42:33,280 --> 01:42:37,680
Speaker 1: their life for frivolous things. And they make a mother

1737
01:42:38,080 --> 01:42:41,040
Speaker 1: feel big. They have these melli and they're feeling small,

1738
01:42:41,920 --> 01:42:46,439
Speaker 1: getting little. Some of them giants, they're getting little because

1739
01:42:46,439 --> 01:42:49,639
Speaker 1: they da playing different games. They got kids, they got

1740
01:42:49,800 --> 01:42:53,679
Speaker 1: love warns. The circumstances say, if I got to our will,

1741
01:42:53,800 --> 01:42:58,320
Speaker 1: but I don't need to God. If I got to

1742
01:42:58,520 --> 01:43:01,080
Speaker 1: our will, but I don't need to God. What the

1743
01:43:01,400 --> 01:43:05,160
Speaker 1: I didn't got? Well up here and they interrupting the broadcast,

1744
01:43:06,800 --> 01:43:11,200
Speaker 1: they cout chasing, they feed to the media, and ain't

1745
01:43:11,200 --> 01:43:14,960
Speaker 1: nobody saying no, because we don't give a black media

1746
01:43:15,120 --> 01:43:17,600
Speaker 1: most not even black media, got to stop saying and

1747
01:43:17,680 --> 01:43:23,679
Speaker 1: shout out the black media blog media. So blog media

1748
01:43:23,760 --> 01:43:27,639
Speaker 1: don't give a fuck about that kind of ask yourself

1749
01:43:27,720 --> 01:43:31,519
Speaker 1: why they're feeding that to the media. Some's coming, right,

1750
01:43:31,640 --> 01:43:34,240
Speaker 1: They might want to influence somebody to do something right.

1751
01:43:35,160 --> 01:43:40,439
Speaker 1: Circumstances is heavy, right, say, when these people got enough,

1752
01:43:40,520 --> 01:43:46,000
Speaker 1: they stopped shooting and they firm on their prices. Deed,

1753
01:43:46,040 --> 01:43:48,560
Speaker 1: people here don't do no negotiation. When they got you

1754
01:43:48,680 --> 01:43:51,600
Speaker 1: how they want you. Man. See, the problem is they

1755
01:43:51,800 --> 01:43:55,160
Speaker 1: never had y'all. They didn't had loom. I have been

1756
01:43:55,240 --> 01:43:59,240
Speaker 1: set up myself, not my homeboy, Loon. I've been set

1757
01:43:59,360 --> 01:44:05,760
Speaker 1: up me told long why you're informed I have I know.

1758
01:44:05,920 --> 01:44:08,840
Speaker 1: They don't budge, dog, They don't budge when they got

1759
01:44:08,920 --> 01:44:11,800
Speaker 1: you how they want you, and they don't have to

1760
01:44:11,920 --> 01:44:16,479
Speaker 1: keep feeding because they got the game written down. They say,

1761
01:44:16,520 --> 01:44:19,840
Speaker 1: if it's this, is that that means guilty. That's enough.

1762
01:44:20,880 --> 01:44:25,679
Speaker 1: But when you see them standard fishing, it says something.

1763
01:44:27,240 --> 01:44:29,679
Speaker 1: We don't know what it say. We don't speculate knowing

1764
01:44:29,760 --> 01:44:35,160
Speaker 1: his participation, but it says something. I know how, I

1765
01:44:35,280 --> 01:44:39,880
Speaker 1: know how they play right, especially with these superstars where

1766
01:44:39,920 --> 01:44:42,000
Speaker 1: the case with so many people, they just need one

1767
01:44:42,120 --> 01:44:45,240
Speaker 1: or two of them come on over to this side

1768
01:44:45,320 --> 01:44:49,160
Speaker 1: and put these jurors on and make it easy. But

1769
01:44:49,280 --> 01:44:51,479
Speaker 1: if everybody's stay on this side of the street, it's

1770
01:44:51,479 --> 01:44:55,880
Speaker 1: a harder fighting hold on. Man, y'all prove what y'all saying.

1771
01:44:55,960 --> 01:44:58,360
Speaker 1: I know y'all saying it was some snipers following us.

1772
01:44:59,280 --> 01:45:02,720
Speaker 1: Y'alln't have their arrested. Any snipers? Matter of fact, have

1773
01:45:02,840 --> 01:45:06,240
Speaker 1: they even got a sniper rifle? Had they heard us?

1774
01:45:06,720 --> 01:45:11,639
Speaker 1: What the how the getting court? Yanna? Oh, they're playing

1775
01:45:11,680 --> 01:45:14,120
Speaker 1: a different game, so and they're moved right past, said

1776
01:45:14,160 --> 01:45:17,439
Speaker 1: to something else. But I ain't paying attended to the

1777
01:45:17,560 --> 01:45:20,200
Speaker 1: games being played. I got I talked to every day.

1778
01:45:20,240 --> 01:45:23,759
Speaker 1: I was just talking to my cousin in the figs,

1779
01:45:24,640 --> 01:45:26,799
Speaker 1: you know, talk about how they've been in these laws,

1780
01:45:26,840 --> 01:45:30,120
Speaker 1: in this good faith they use in it, like you

1781
01:45:30,240 --> 01:45:32,920
Speaker 1: know for me, bro, like I say, I'm connected to it,

1782
01:45:33,120 --> 01:45:35,439
Speaker 1: so I see it different. A lot of these dudes

1783
01:45:35,600 --> 01:45:38,960
Speaker 1: is just blog media, so they don't have no understanding.

1784
01:45:40,479 --> 01:45:42,720
Speaker 1: Look at Gunna, Look what they got Gunna going through,

1785
01:45:44,760 --> 01:45:48,320
Speaker 1: Like if anything gonna post, have been out Big Loon

1786
01:45:48,479 --> 01:45:51,800
Speaker 1: saying that I ain't no rapper from Atlanta. Homes can't

1787
01:45:51,800 --> 01:45:54,519
Speaker 1: scare me. I don't do nothing no more. It's over with.

1788
01:45:55,240 --> 01:45:57,719
Speaker 1: I speak to the culture. They paid me for my time.

1789
01:45:58,400 --> 01:46:01,519
Speaker 1: They just happened to have made me valuable around this mother.

1790
01:46:03,400 --> 01:46:06,679
Speaker 1: But my name is Big Loan. I'm saying that gonna

1791
01:46:06,760 --> 01:46:11,000
Speaker 1: post a bid home what they got don't do. They

1792
01:46:11,000 --> 01:46:12,920
Speaker 1: don't wan't nobody at home because they know how what

1793
01:46:13,080 --> 01:46:15,639
Speaker 1: that means. See from the street. Fighting from the street

1794
01:46:15,760 --> 01:46:19,800
Speaker 1: is like fighting on your feet. You're fighting in the pin.

1795
01:46:19,920 --> 01:46:23,479
Speaker 1: It's like fighting on your back. You understand. You gotta

1796
01:46:23,920 --> 01:46:26,640
Speaker 1: just gotta have that kind of game in UFC. You know,

1797
01:46:26,760 --> 01:46:28,880
Speaker 1: some of them is good on their back. They're lay

1798
01:46:28,960 --> 01:46:32,400
Speaker 1: down there, kick up that you can't even really get

1799
01:46:32,560 --> 01:46:35,679
Speaker 1: nothing off on them, nick and they on their back.

1800
01:46:35,880 --> 01:46:38,559
Speaker 1: But somebodys ain't no good on their back. And when

1801
01:46:38,600 --> 01:46:41,000
Speaker 1: you win prison, they're trying to put you on your

1802
01:46:41,040 --> 01:46:44,360
Speaker 1: back for the fight. It don't make it foul when

1803
01:46:44,400 --> 01:46:47,360
Speaker 1: you outside that momble boyd even it a little bit

1804
01:46:47,479 --> 01:46:50,280
Speaker 1: more feel a little different coming from the free world

1805
01:46:50,360 --> 01:46:53,640
Speaker 1: in that more we can file this and file that

1806
01:46:53,840 --> 01:46:58,400
Speaker 1: and no. So they know what they're doing. A lot

1807
01:46:58,439 --> 01:47:03,439
Speaker 1: of people ask me, They say, long, you know Savage

1808
01:47:03,439 --> 01:47:06,559
Speaker 1: had came out last week saying some things about Lanta

1809
01:47:06,640 --> 01:47:10,880
Speaker 1: put the guns down. Blog media took that that what

1810
01:47:11,000 --> 01:47:16,599
Speaker 1: they do. My thing is is that wise rappers stated

1811
01:47:16,720 --> 01:47:18,960
Speaker 1: more feet going to talk to these people. These people

1812
01:47:18,960 --> 01:47:21,719
Speaker 1: don't have no understand The only thing they're doing nothing wrong.

1813
01:47:22,560 --> 01:47:26,280
Speaker 1: I just think they squires in a circle. You see

1814
01:47:27,160 --> 01:47:33,160
Speaker 1: rapp then start producing reals. It's really rappid now right,

1815
01:47:33,280 --> 01:47:35,880
Speaker 1: And then they they they they going to shake hands

1816
01:47:35,960 --> 01:47:38,400
Speaker 1: and and and break bread with the squares, and then

1817
01:47:38,520 --> 01:47:41,320
Speaker 1: wondering why the squarees are called, They phone wishing well

1818
01:47:41,600 --> 01:47:46,440
Speaker 1: and then report on that hypocrite, not understanding how complex

1819
01:47:46,560 --> 01:47:51,320
Speaker 1: the circumstances. Ill he come out and say, yo man,

1820
01:47:51,479 --> 01:47:53,960
Speaker 1: put the guns down. They say, yo man, all your music,

1821
01:47:54,040 --> 01:47:59,120
Speaker 1: say spending on your ops And they think they don't understand.

1822
01:47:59,640 --> 01:48:03,080
Speaker 1: For me, dog, what kind of mindset these people got? Fifth,

1823
01:48:03,120 --> 01:48:05,000
Speaker 1: it just was timing by of Yo, the dude that's

1824
01:48:05,080 --> 01:48:08,160
Speaker 1: doing that, the dude that's doing exactly what he's rapping about,

1825
01:48:08,479 --> 01:48:12,880
Speaker 1: he cannot be successful. It's a crash course. It's a

1826
01:48:13,000 --> 01:48:17,280
Speaker 1: fucking crash course. How many of y'all more reality thing

1827
01:48:17,360 --> 01:48:20,200
Speaker 1: to wrap Nick doing exactly what they're saying? Man, come on, man,

1828
01:48:20,320 --> 01:48:25,639
Speaker 1: put your motherfucking thinking glass his own. What they put

1829
01:48:25,680 --> 01:48:28,920
Speaker 1: your thinking hats on around this small no. I was

1830
01:48:29,000 --> 01:48:33,040
Speaker 1: telling p say man, I was telling Coach k Mans

1831
01:48:33,080 --> 01:48:39,519
Speaker 1: guys is rapper's business man disguised as rappers the fun y'all,

1832
01:48:40,160 --> 01:48:42,800
Speaker 1: Mike man, But they don't have no understanding. Look, my

1833
01:48:42,920 --> 01:48:46,840
Speaker 1: circumstances called for that. You understand me. If you're in

1834
01:48:46,920 --> 01:48:49,799
Speaker 1: the wars, you need certain things to survive in the wars,

1835
01:48:49,840 --> 01:48:54,280
Speaker 1: amongst the baths, the tigers, the jungle. If you're in

1836
01:48:54,320 --> 01:48:56,880
Speaker 1: the jungle home, you need certain things. You can't be

1837
01:48:57,000 --> 01:48:59,880
Speaker 1: in the jungle ignoring the circumstances. So I'm telling y'all,

1838
01:49:00,000 --> 01:49:02,519
Speaker 1: I had to evolve in a way. This is what

1839
01:49:02,680 --> 01:49:04,880
Speaker 1: I come up this tunnel that, y'all. I didn't put

1840
01:49:04,920 --> 01:49:07,679
Speaker 1: the tunnel down. I happen to survive it. So I'm

1841
01:49:07,680 --> 01:49:10,560
Speaker 1: speaking on behalfful to be old and why is you

1842
01:49:10,680 --> 01:49:14,640
Speaker 1: much first, be young and dumb. I can't teach what

1843
01:49:14,760 --> 01:49:17,280
Speaker 1: I don't know, and they don't understand certain things because

1844
01:49:17,320 --> 01:49:20,040
Speaker 1: they don't have time to educate themselves outside of this

1845
01:49:20,720 --> 01:49:25,680
Speaker 1: type of communication. It's very this very direct communication that

1846
01:49:25,760 --> 01:49:27,840
Speaker 1: I gotta give them. It's a certain way. I gotta

1847
01:49:28,080 --> 01:49:31,439
Speaker 1: hand it to him to pique their interests and then

1848
01:49:31,560 --> 01:49:33,960
Speaker 1: pull them over here and tell them say, this is

1849
01:49:34,000 --> 01:49:37,320
Speaker 1: what we're doing now. We disguise now. And so when

1850
01:49:37,400 --> 01:49:40,720
Speaker 1: rappers talk about to get old, like yo, if you

1851
01:49:40,840 --> 01:49:45,599
Speaker 1: document crames, you're dumb, disappeared behind that you don't document crames.

1852
01:49:45,800 --> 01:49:49,120
Speaker 1: That's their job, right, So if you implement yourself, I

1853
01:49:49,240 --> 01:49:52,000
Speaker 1: can't stand bad because I wouldn't be able to leave. See,

1854
01:49:52,040 --> 01:49:54,080
Speaker 1: I'm doing this because my kids got to grow up

1855
01:49:54,120 --> 01:49:57,760
Speaker 1: in this world. Too many that nick saying ain't no

1856
01:49:57,960 --> 01:50:00,560
Speaker 1: rules or no game being put x to it. I

1857
01:50:00,600 --> 01:50:02,719
Speaker 1: got to put something next to some of the bullish

1858
01:50:02,840 --> 01:50:05,640
Speaker 1: they putting out. My children got to grow up and

1859
01:50:05,960 --> 01:50:07,679
Speaker 1: I need them to be able to pull a Dada

1860
01:50:07,760 --> 01:50:10,760
Speaker 1: said when they sudden, nah, hell nah, we ain't doing that.

1861
01:50:10,920 --> 01:50:14,840
Speaker 1: Dada said that that makes sense too, now that I

1862
01:50:14,960 --> 01:50:17,799
Speaker 1: think about it. But I think it's a difference between

1863
01:50:17,920 --> 01:50:23,000
Speaker 1: documenting crimes and documenting the conditions. Rappers are documenting the

1864
01:50:23,120 --> 01:50:26,000
Speaker 1: conditions that my people is in, that we've been in,

1865
01:50:27,120 --> 01:50:29,559
Speaker 1: and I think that, man, you gotta respect that artful

1866
01:50:29,600 --> 01:50:32,960
Speaker 1: what it is. These are young, successful black men, right.

1867
01:50:34,680 --> 01:50:37,320
Speaker 1: They got the future in their hands. You know, there's

1868
01:50:37,360 --> 01:50:39,479
Speaker 1: an old saying that the passes in your head and

1869
01:50:39,560 --> 01:50:42,479
Speaker 1: the future is in your hands. A lot of them

1870
01:50:42,600 --> 01:50:45,759
Speaker 1: young the future in their hands, right, So they're dealing

1871
01:50:45,800 --> 01:50:51,240
Speaker 1: with what's in their head. Them circumstances, right, them circumstances,

1872
01:50:51,360 --> 01:50:53,880
Speaker 1: the agust other folk coming up a tunnel. That's why

1873
01:50:53,880 --> 01:50:57,240
Speaker 1: I'll be speaking on these recos in certain Thunn't say, bro,

1874
01:50:57,320 --> 01:50:59,519
Speaker 1: I can go get some money with the with some

1875
01:50:59,640 --> 01:51:02,000
Speaker 1: of these well to do media companies. Man, I can

1876
01:51:02,080 --> 01:51:05,439
Speaker 1: button this little sup easily. I got enough game. I

1877
01:51:05,520 --> 01:51:08,120
Speaker 1: can button it up right up and never had to

1878
01:51:08,200 --> 01:51:10,360
Speaker 1: talk about none of this. But I know we need this,

1879
01:51:11,560 --> 01:51:14,200
Speaker 1: so I try to provide this lane, right. And what

1880
01:51:14,360 --> 01:51:17,200
Speaker 1: I say, if I think these rappers they have a

1881
01:51:17,320 --> 01:51:20,840
Speaker 1: formula of how they peak the people's interest, and I

1882
01:51:21,000 --> 01:51:23,639
Speaker 1: respect the formula for what it is. And I think

1883
01:51:23,680 --> 01:51:26,320
Speaker 1: they document the conditions. You know what I'm saying, and

1884
01:51:26,439 --> 01:51:31,200
Speaker 1: again for me, being dumb is unacceptable for me. Now,

1885
01:51:31,280 --> 01:51:33,960
Speaker 1: I mean spelling when we come from where we come from, right,

1886
01:51:34,160 --> 01:51:36,640
Speaker 1: So I ain't ain't giving no passes on that. What

1887
01:51:36,760 --> 01:51:43,040
Speaker 1: I'm saying there is the conditions, not crimes. The conditions. Yeah,

1888
01:51:43,080 --> 01:51:46,439
Speaker 1: it's criminal activity and the conditions crimes. It's just it's

1889
01:51:46,479 --> 01:51:50,679
Speaker 1: you gotta follow the game, man, Just follow the game.

1890
01:51:51,960 --> 01:51:56,120
Speaker 1: But what amazes me is that these rabbers that go

1891
01:51:56,240 --> 01:51:58,840
Speaker 1: speak with a lot of these media people who again

1892
01:51:58,880 --> 01:52:00,760
Speaker 1: I'm gonna stand by this. I don't think they're doing

1893
01:52:00,840 --> 01:52:03,160
Speaker 1: nothing wrong. They're just being media people. It the point

1894
01:52:03,240 --> 01:52:07,120
Speaker 1: of the rapping ain't putting on position that even gotten

1895
01:52:07,560 --> 01:52:10,360
Speaker 1: see it posted to be a person in media that

1896
01:52:10,479 --> 01:52:13,680
Speaker 1: can go and speak with this other media where these

1897
01:52:13,840 --> 01:52:17,840
Speaker 1: different sizes are not understood and give some understanding. You know,

1898
01:52:17,960 --> 01:52:19,640
Speaker 1: you see it pop up here and now, But it

1899
01:52:19,760 --> 01:52:22,240
Speaker 1: ain't strong as I needed to be maybe to understand

1900
01:52:22,320 --> 01:52:24,519
Speaker 1: it ain't there. Sometime it made me think I'm more

1901
01:52:24,640 --> 01:52:27,920
Speaker 1: valuable than I really know, you know, because it ain't

1902
01:52:27,920 --> 01:52:29,920
Speaker 1: as easy as I may think it is to be

1903
01:52:30,040 --> 01:52:33,000
Speaker 1: able to articulate some of these things, like it may

1904
01:52:33,120 --> 01:52:35,479
Speaker 1: not never been another who could have said, yo, man,

1905
01:52:35,520 --> 01:52:41,000
Speaker 1: infold documented conditions. Man, Man, it might not be another

1906
01:52:41,120 --> 01:52:43,280
Speaker 1: nigga in the world that would have put that light.

1907
01:52:43,400 --> 01:52:46,960
Speaker 1: Get right there. And I know nigga sleep only because

1908
01:52:47,000 --> 01:52:52,040
Speaker 1: they sleep to sleep. Man. You know what I'm saying,

1909
01:52:52,120 --> 01:52:53,800
Speaker 1: and I know what it is. But get what I

1910
01:52:54,120 --> 01:52:57,880
Speaker 1: even posted the other day, like, because a lot of

1911
01:52:57,920 --> 01:53:01,599
Speaker 1: these industry people beholding ain't nuts matter And I hope

1912
01:53:01,640 --> 01:53:03,880
Speaker 1: they don't offend them as they loved me, because I

1913
01:53:03,960 --> 01:53:05,840
Speaker 1: ain't talking about y'all. You know what I'm talking about.

1914
01:53:05,880 --> 01:53:08,439
Speaker 1: There's a few. It's a handful of people that I'm

1915
01:53:08,520 --> 01:53:13,600
Speaker 1: uncomfortable with the treatment or the real So I be

1916
01:53:13,720 --> 01:53:17,720
Speaker 1: uncomfortable how they do real in this game. Ones that's

1917
01:53:17,760 --> 01:53:20,440
Speaker 1: been solid don't being no man, So I be uncomfortable

1918
01:53:20,520 --> 01:53:26,320
Speaker 1: how they be reporting. Man, you know what I'm saying,

1919
01:53:26,400 --> 01:53:30,280
Speaker 1: No benefit of the doubt, no understanding of none. Hey,

1920
01:53:30,320 --> 01:53:32,920
Speaker 1: they got Kyle braining, some shitting the gunner from with

1921
01:53:33,040 --> 01:53:37,400
Speaker 1: the bone. They gone with the media and they put

1922
01:53:37,479 --> 01:53:43,080
Speaker 1: allegedly there that's a that's an invisible word, man. Allegedly

1923
01:53:43,200 --> 01:53:47,559
Speaker 1: don't mean nothing no more. That's just some other ship

1924
01:53:47,680 --> 01:53:50,640
Speaker 1: that the news. We just copied the news with that

1925
01:53:50,680 --> 01:53:52,760
Speaker 1: because they got the best lawyers in the world. The

1926
01:53:52,920 --> 01:53:56,240
Speaker 1: netlag down if need be. But man, when you say

1927
01:53:56,320 --> 01:54:01,320
Speaker 1: allegedly that, I said, that's it's invisible mine. This game

1928
01:54:01,520 --> 01:54:03,960
Speaker 1: is podcast space. I just come to add something too it.

1929
01:54:04,080 --> 01:54:08,000
Speaker 1: I think rappers have to be a little more pure

1930
01:54:08,040 --> 01:54:10,439
Speaker 1: in their communication, but they gotta get next to people

1931
01:54:10,439 --> 01:54:13,439
Speaker 1: to help them do that, right, get another side of

1932
01:54:13,520 --> 01:54:15,600
Speaker 1: what they what it is they're trying to bring. You

1933
01:54:15,640 --> 01:54:18,040
Speaker 1: know what I'm saying because so many people don't know

1934
01:54:18,320 --> 01:54:22,240
Speaker 1: how do you rappers feel? You know, they've been misrepresented

1935
01:54:22,320 --> 01:54:24,960
Speaker 1: sometime and some of them is dumb, some of them small,

1936
01:54:25,120 --> 01:54:28,519
Speaker 1: some of them disguised, And we're gonna get to the

1937
01:54:28,600 --> 01:54:31,840
Speaker 1: bottom up man, But were just parting the day, you know,

1938
01:54:32,040 --> 01:54:35,360
Speaker 1: I got to thank him, man, like it's really over

1939
01:54:35,520 --> 01:54:37,800
Speaker 1: for these industry people, like I don't want to be

1940
01:54:37,920 --> 01:54:41,280
Speaker 1: cool with it, like it's a couple of stuff. But

1941
01:54:41,400 --> 01:54:45,120
Speaker 1: other than that, man, we ain't really it's industry weird

1942
01:54:45,720 --> 01:54:48,879
Speaker 1: sover for them in this game, you gotta be careful,

1943
01:54:49,040 --> 01:54:52,760
Speaker 1: like you know, the fake love or get you. But

1944
01:54:52,920 --> 01:54:55,600
Speaker 1: I know I know that help is better than sympathy.

1945
01:54:56,560 --> 01:55:00,360
Speaker 1: Opportunity is better than sympathy. You understand what I'm saying

1946
01:55:00,400 --> 01:55:02,520
Speaker 1: a lot of these have sympathy on you when you

1947
01:55:03,080 --> 01:55:07,280
Speaker 1: crash out. Man, Damn Bruges should have set us up. Man,

1948
01:55:07,440 --> 01:55:09,560
Speaker 1: you could have gave an open hand. You saw the

1949
01:55:09,640 --> 01:55:12,360
Speaker 1: what doing a thing? I I don't be understanding like

1950
01:55:12,480 --> 01:55:15,240
Speaker 1: celebrities that follow you and don't repost you, or like

1951
01:55:16,160 --> 01:55:18,760
Speaker 1: like why you what is that about? It's weird. These

1952
01:55:18,880 --> 01:55:21,680
Speaker 1: dudes kind of be weird those man. But I wanted

1953
01:55:21,720 --> 01:55:25,560
Speaker 1: to talk to y'all about something. I wanted to talk

1954
01:55:25,560 --> 01:55:29,000
Speaker 1: to y'all about the reception of Andrew Taate versus Kevin Samuels.

1955
01:55:29,040 --> 01:55:31,200
Speaker 1: No one's talking about this, but don't want to brain

1956
01:55:31,320 --> 01:55:35,200
Speaker 1: this to the forefront. Kevin Samuels was ridiculed looked at

1957
01:55:35,240 --> 01:55:37,080
Speaker 1: a certain way. But I keep telling you, when you

1958
01:55:37,160 --> 01:55:39,840
Speaker 1: got the complexion for the protection and me Andrew Tator

1959
01:55:39,920 --> 01:55:43,160
Speaker 1: probably have a conversation here soon. I chopped it up

1960
01:55:43,160 --> 01:55:44,960
Speaker 1: with him, see what he got going on. You know,

1961
01:55:45,120 --> 01:55:47,840
Speaker 1: game respect game. But at the end of the day,

1962
01:55:47,880 --> 01:55:50,160
Speaker 1: I know they ain't treat Kevin Samuels that way. He

1963
01:55:50,200 --> 01:55:52,880
Speaker 1: didn't get to see some of those outlets that Andrew

1964
01:55:52,960 --> 01:55:56,280
Speaker 1: Tator is able to see because he speak with an

1965
01:55:56,320 --> 01:56:00,560
Speaker 1: accid and he got a different complexion. He being received different. Now.

1966
01:56:00,560 --> 01:56:02,879
Speaker 1: I don't want to act like there's not any feminist

1967
01:56:03,200 --> 01:56:06,280
Speaker 1: things that's trying to smother him and all his ideas

1968
01:56:06,320 --> 01:56:08,600
Speaker 1: are correct, because they're not. But I want to be

1969
01:56:08,800 --> 01:56:13,520
Speaker 1: clear that there's a difference in the treatment of these individuals,

1970
01:56:14,280 --> 01:56:16,640
Speaker 1: although a lot of the messaging is the same. It's

1971
01:56:16,680 --> 01:56:20,200
Speaker 1: like he really stole Kevin Samuel's game. He was out

1972
01:56:20,240 --> 01:56:22,960
Speaker 1: when Kevin was out, But Kevin laid the groundwork for

1973
01:56:23,040 --> 01:56:25,840
Speaker 1: what them guys are doing right, And they won't never

1974
01:56:25,960 --> 01:56:28,200
Speaker 1: say that he died too young. He didn't get to

1975
01:56:28,240 --> 01:56:30,280
Speaker 1: do it long enough. He was on his weight though

1976
01:56:30,760 --> 01:56:32,920
Speaker 1: he was gonna spin out on y'all. He was gonna

1977
01:56:32,960 --> 01:56:35,760
Speaker 1: turn into some kind of dating dude, like he was

1978
01:56:35,840 --> 01:56:40,680
Speaker 1: gonna spin out on y'all. No, but unfortunately RP Kevin Simmons,

1979
01:56:40,720 --> 01:56:43,400
Speaker 1: that happened to him. But his message, all his message

1980
01:56:43,520 --> 01:56:46,360
Speaker 1: wasn't right. But that ain't the point I'm making. I'm saying,

1981
01:56:46,400 --> 01:56:51,160
Speaker 1: the framework that Andrew Tate now is laying under, or

1982
01:56:51,240 --> 01:56:54,440
Speaker 1: the framework that Andrew Tate has now built his house on,

1983
01:56:55,920 --> 01:57:01,400
Speaker 1: was crafted by Kevin Samuel's hands. And this dude get

1984
01:57:01,440 --> 01:57:05,160
Speaker 1: a million, easy million, likes millionis. Did that he going

1985
01:57:05,560 --> 01:57:08,520
Speaker 1: algorithm Google? More than this? Then? Than that? He's going

1986
01:57:08,600 --> 01:57:12,040
Speaker 1: crazy right now? A lot of people listening and seeing

1987
01:57:12,080 --> 01:57:15,240
Speaker 1: what he's saying. He's he's speaker. See one of them

1988
01:57:15,360 --> 01:57:18,480
Speaker 1: dudes that you know, he just put his game down.

1989
01:57:18,560 --> 01:57:23,280
Speaker 1: I say that some of these guys not him necessarily,

1990
01:57:23,320 --> 01:57:27,240
Speaker 1: because he's always kind of articulating his ideas. So even

1991
01:57:27,320 --> 01:57:30,720
Speaker 1: if he's wrong, he gives you an avenue to argue

1992
01:57:30,760 --> 01:57:33,360
Speaker 1: back and forth with him. Sometimes when you get caught

1993
01:57:33,440 --> 01:57:35,720
Speaker 1: in this game and you say things to shock people,

1994
01:57:36,080 --> 01:57:38,960
Speaker 1: they got you boxing yourself out of the real money.

1995
01:57:40,080 --> 01:57:43,040
Speaker 1: You don't even know that. Let's talk about this. Magnan

1996
01:57:43,120 --> 01:57:46,040
Speaker 1: Stallion was charged two hundred and fifty thousand from Future

1997
01:57:46,080 --> 01:57:48,400
Speaker 1: four verse. I want to put some context around this

1998
01:57:48,520 --> 01:57:51,240
Speaker 1: and help you guys understand what Dix takes the price.

1999
01:57:51,680 --> 01:57:55,320
Speaker 1: But first let's look at what Meg said. Is the

2000
01:57:55,360 --> 01:57:57,000
Speaker 1: one I want to talk about, all right, So you

2001
01:57:57,120 --> 01:57:59,600
Speaker 1: in future? How does this song come about? Okay? So

2002
01:58:00,560 --> 01:58:03,960
Speaker 1: it's a really crazy story. So I had the beat

2003
01:58:04,000 --> 01:58:06,800
Speaker 1: for pressure less right, and I recorded the song and

2004
01:58:06,880 --> 01:58:08,800
Speaker 1: I recorded it one way, and I'm like, you know

2005
01:58:08,880 --> 01:58:11,120
Speaker 1: what this would really sound hard? If Future was on it.

2006
01:58:11,800 --> 01:58:14,720
Speaker 1: So I feel like being a woman in the industry

2007
01:58:16,480 --> 01:58:18,240
Speaker 1: reaching out to a man trying to get a feature,

2008
01:58:18,280 --> 01:58:20,840
Speaker 1: it's always gonna be attack, like you know, like you

2009
01:58:20,920 --> 01:58:22,880
Speaker 1: never know what to expect, like you know what I'm saying,

2010
01:58:22,880 --> 01:58:24,960
Speaker 1: Like you don't know how it's about to go. Um. So,

2011
01:58:25,280 --> 01:58:28,440
Speaker 1: how I went about it was, Okay, somebody figured out

2012
01:58:28,440 --> 01:58:31,760
Speaker 1: what's feture future to feature price, Like, let's let's just

2013
01:58:31,880 --> 01:58:34,480
Speaker 1: ask him what's his feature price? Okay, uh? And they

2014
01:58:34,600 --> 01:58:37,040
Speaker 1: was like, okay, two fifty he want two hundred fifty K.

2015
01:58:37,320 --> 01:58:40,800
Speaker 1: I was like, okay, bet uh, somebody go pulled two

2016
01:58:40,880 --> 01:58:45,000
Speaker 1: hundred thousand dollars dollar. Yes, somebody gonna pull two hundred

2017
01:58:45,000 --> 01:58:46,680
Speaker 1: fifi thous dollars out the bank and go drop it

2018
01:58:46,720 --> 01:58:48,680
Speaker 1: off to Future. Tell him I need the verse before

2019
01:58:48,760 --> 01:58:51,000
Speaker 1: he leaves because we I feel like we was both

2020
01:58:51,080 --> 01:58:53,440
Speaker 1: in Miami and Uh. I told my man of Jo

2021
01:58:53,440 --> 01:58:55,120
Speaker 1: I was like, fears, and I feel like it was

2022
01:58:55,200 --> 01:58:58,760
Speaker 1: a Sunday, but I wanted that feature. I was like, Fairs,

2023
01:58:58,800 --> 01:58:59,960
Speaker 1: you gotta go get that money out of the ban

2024
01:59:00,240 --> 01:59:01,960
Speaker 1: He was like, man, how y'all how you want us

2025
01:59:02,000 --> 01:59:04,160
Speaker 1: to put two hundred fifty thousand dollars? I told us

2026
01:59:04,160 --> 01:59:05,200
Speaker 1: somebody from my lap. I was like, we need to

2027
01:59:05,200 --> 01:59:07,000
Speaker 1: get future two hundred and fi thousand dollars. Leave my

2028
01:59:07,080 --> 01:59:08,800
Speaker 1: m it because I got to get this verse. Um.

2029
01:59:09,360 --> 01:59:12,480
Speaker 1: But anyway, it's blah blah blah. We got to two

2030
01:59:12,560 --> 01:59:15,040
Speaker 1: hundred thousan dollars okay, okay, and I had my manager

2031
01:59:15,120 --> 01:59:16,800
Speaker 1: go drop it off to him in a backpack, and

2032
01:59:17,000 --> 01:59:18,760
Speaker 1: UH gave me my verse back. First of all, he

2033
01:59:18,800 --> 01:59:21,480
Speaker 1: wrapped over the whole beat, like he gave you, He

2034
01:59:21,560 --> 01:59:26,200
Speaker 1: gave you the full He gave me the whole future experience. Like, yeah,

2035
01:59:26,240 --> 01:59:28,920
Speaker 1: he gave me the whole song. So because he gave

2036
01:59:29,000 --> 01:59:30,880
Speaker 1: me the whole song, I had to go into studio

2037
01:59:31,000 --> 01:59:34,280
Speaker 1: and I had to like put it together. Yeah. So

2038
01:59:34,480 --> 01:59:36,240
Speaker 1: then when I got his verses, I was like, I

2039
01:59:36,320 --> 01:59:38,200
Speaker 1: gotta write some new verses, like because I gotta make

2040
01:59:38,280 --> 01:59:40,200
Speaker 1: this make sense. So then I got in the studio

2041
01:59:40,280 --> 01:59:41,920
Speaker 1: with my engineer and then I put the song together

2042
01:59:41,920 --> 01:59:43,320
Speaker 1: and I was like, this is pressure. Let's just this

2043
01:59:43,480 --> 01:59:46,320
Speaker 1: makes sense. I like this, let's do this. When when

2044
01:59:46,360 --> 01:59:47,480
Speaker 1: he heard it was he like, what the hell? I

2045
01:59:47,840 --> 01:59:53,400
Speaker 1: gave you seven minutes where you go a few songs,

2046
01:59:53,520 --> 01:59:57,840
Speaker 1: but I'm probably gonna makes you should take a little

2047
01:59:57,880 --> 02:00:00,880
Speaker 1: to go, You eat a little, you take something to

2048
02:00:00,960 --> 02:00:02,760
Speaker 1: go out. Yeah, you know what I mean. I'm saying,

2049
02:00:02,800 --> 02:00:06,960
Speaker 1: I pack me a lot arm for later. So first

2050
02:00:06,960 --> 02:00:09,720
Speaker 1: of all, I want to say congratulations to Meg. She's

2051
02:00:09,760 --> 02:00:12,680
Speaker 1: doing good in the space. A new album. How y'all

2052
02:00:12,680 --> 02:00:14,960
Speaker 1: will get that mag It's gonna be here. She got

2053
02:00:15,040 --> 02:00:17,400
Speaker 1: some people that love it. It's in position. A lot

2054
02:00:17,440 --> 02:00:19,360
Speaker 1: of this game is about that. And then she's gonna

2055
02:00:19,400 --> 02:00:23,080
Speaker 1: keep hustling, So shout out to her. I also want

2056
02:00:23,120 --> 02:00:25,880
Speaker 1: to point out that how is it not for her sake?

2057
02:00:26,320 --> 02:00:28,400
Speaker 1: I'm want to talk to the insecure man that's in

2058
02:00:28,520 --> 02:00:32,800
Speaker 1: love with a respectfully. She says she loved Future You

2059
02:00:32,880 --> 02:00:36,360
Speaker 1: want to be Future up now he's a rapper, right,

2060
02:00:36,400 --> 02:00:38,120
Speaker 1: It's part of the game. I just want to point

2061
02:00:38,160 --> 02:00:41,520
Speaker 1: that out because the inconsistencies in me and behavior can

2062
02:00:41,640 --> 02:00:44,480
Speaker 1: kind of show you what a week at you know,

2063
02:00:44,600 --> 02:00:46,480
Speaker 1: and not only for him, for all of us. We

2064
02:00:46,600 --> 02:00:50,000
Speaker 1: got to really do self inventory and check these emotions.

2065
02:00:51,880 --> 02:00:54,600
Speaker 1: We gotta be emotional list in this game, especially when

2066
02:00:54,800 --> 02:00:57,120
Speaker 1: somebody we love is at the forefront of the game

2067
02:00:57,240 --> 02:01:01,040
Speaker 1: like that and need some of that high level marketing.

2068
02:01:01,160 --> 02:01:04,080
Speaker 1: They come around when the rock and people say things

2069
02:01:04,160 --> 02:01:09,040
Speaker 1: like that, like that helps her. But a lot of

2070
02:01:09,080 --> 02:01:11,360
Speaker 1: people went crazy because she had to pay two hundred

2071
02:01:11,360 --> 02:01:12,840
Speaker 1: and fifty K. And then I want to say that

2072
02:01:12,960 --> 02:01:15,160
Speaker 1: that's a good number for future, especially if he's gonna

2073
02:01:15,160 --> 02:01:18,520
Speaker 1: give you seven minutes worth future. You own all that,

2074
02:01:19,200 --> 02:01:21,640
Speaker 1: so he didn't charge you two fifty four. Verse, he

2075
02:01:21,720 --> 02:01:24,240
Speaker 1: could have really sent the twelve back for two fifty.

2076
02:01:24,720 --> 02:01:28,720
Speaker 1: He sent the whole beat, so again gives her opportunity

2077
02:01:28,760 --> 02:01:31,320
Speaker 1: to do other things with it. But understanding the business

2078
02:01:31,600 --> 02:01:34,400
Speaker 1: helps you understand that. But this was plastered everywhere like

2079
02:01:34,480 --> 02:01:36,840
Speaker 1: it was some hell of a thing. I know that

2080
02:01:36,960 --> 02:01:39,720
Speaker 1: she probably charged two fifty three hundred to Nick. Dudes,

2081
02:01:40,240 --> 02:01:42,360
Speaker 1: they're gonna say she killing it. Boy, Meg got two

2082
02:01:42,440 --> 02:01:45,040
Speaker 1: fifty for that feature, you know what I'm saying. So

2083
02:01:45,240 --> 02:01:47,560
Speaker 1: it's just part of the game, you know, future as

2084
02:01:47,560 --> 02:01:50,960
Speaker 1: a certain market, shall he warrants that kind of number,

2085
02:01:52,240 --> 02:01:56,120
Speaker 1: you know, And I for him to send a whole

2086
02:01:56,240 --> 02:02:00,360
Speaker 1: record back, like six seven minutes that speaks volumes. So ever,

2087
02:02:00,440 --> 02:02:05,080
Speaker 1: then this is her last album with Carl Crawford. Shortly

2088
02:02:05,160 --> 02:02:07,919
Speaker 1: after this, there was some back and forth going on online,

2089
02:02:08,320 --> 02:02:12,400
Speaker 1: and part of the commotion was because that man Kate

2090
02:02:12,480 --> 02:02:14,480
Speaker 1: came out and said, Yo, y'all know how much it

2091
02:02:14,720 --> 02:02:17,760
Speaker 1: take me to drop these albums going through this label.

2092
02:02:17,840 --> 02:02:20,360
Speaker 1: Y'all running this last one up like this is her

2093
02:02:20,440 --> 02:02:24,360
Speaker 1: last album called Crawford. They respond it basically saying it

2094
02:02:24,440 --> 02:02:28,720
Speaker 1: ain't a last album. After this album dropped, I guess

2095
02:02:28,800 --> 02:02:31,560
Speaker 1: she was free. So she tweeted at him because he

2096
02:02:31,680 --> 02:02:35,160
Speaker 1: said that, and she says, tweet for Megna style. You

2097
02:02:35,360 --> 02:02:37,320
Speaker 1: I know he over there wiping the shout of the

2098
02:02:37,480 --> 02:02:41,680
Speaker 1: head with that tile, cursing hardest, called me so much

2099
02:02:41,920 --> 02:02:44,520
Speaker 1: and made high That's why you can't make no more

2100
02:02:44,560 --> 02:02:49,040
Speaker 1: money out of me talking about using this for marketing.

2101
02:02:49,120 --> 02:02:51,800
Speaker 1: How I need money for marketing? The money y'all told

2102
02:02:51,840 --> 02:02:53,680
Speaker 1: me to put up because y'all wasn't gonna do it.

2103
02:02:54,120 --> 02:02:57,280
Speaker 1: Not Instagram rants from a fake ceo all of a

2104
02:02:57,360 --> 02:03:01,280
Speaker 1: sudden time about let me help promote. It's where you've

2105
02:03:01,320 --> 02:03:04,120
Speaker 1: been with the money to promote for the last few years.

2106
02:03:04,360 --> 02:03:07,760
Speaker 1: How to ig story gonna help me? And so this

2107
02:03:07,960 --> 02:03:11,920
Speaker 1: is what she was talking about. Evidently she's saying there

2108
02:03:11,960 --> 02:03:15,080
Speaker 1: were some leaks. So Carl Crawford came out and tagged

2109
02:03:15,080 --> 02:03:20,040
Speaker 1: her managers, which is t faris throw other people name

2110
02:03:20,120 --> 02:03:23,040
Speaker 1: in the mix because you want sympathy. You had every

2111
02:03:23,160 --> 02:03:25,440
Speaker 1: major figure in the city hoping to get a pad

2112
02:03:25,520 --> 02:03:29,120
Speaker 1: on the bag. Everyone in Houston know you a snake. Now.

2113
02:03:29,120 --> 02:03:31,680
Speaker 1: I don't give a for dirty laundry you let out.

2114
02:03:31,880 --> 02:03:36,880
Speaker 1: You always be The Nicks tagged them again. Sorry, fat Boy,

2115
02:03:36,960 --> 02:03:39,560
Speaker 1: but nobody believes you, just like we don't believe your artist.

2116
02:03:39,600 --> 02:03:43,080
Speaker 1: She learned all these files from you. That's why everyone

2117
02:03:43,200 --> 02:03:46,000
Speaker 1: hates her the same way Houston. So the circumstances where

2118
02:03:46,080 --> 02:03:50,120
Speaker 1: she alleged that somebody leaked the album, right, he came

2119
02:03:50,160 --> 02:03:52,640
Speaker 1: out and said, damn T Ferris, was this the best

2120
02:03:52,720 --> 02:03:54,440
Speaker 1: you and your artists can come up with? A good

2121
02:03:54,560 --> 02:03:58,720
Speaker 1: job you, fat as it made. She using this as

2122
02:03:58,760 --> 02:04:03,280
Speaker 1: a marketing strategy to promote the album. Why wow? By

2123
02:04:03,320 --> 02:04:06,040
Speaker 1: the way, what leaks have y'all seen any leaks? People

2124
02:04:06,080 --> 02:04:09,520
Speaker 1: said that there wasn't no leaks. I'm not sure. Situation

2125
02:04:09,720 --> 02:04:12,840
Speaker 1: is sticky, bro. Situation is kind of, you know, messed

2126
02:04:12,920 --> 02:04:15,760
Speaker 1: up between them people. I think that at some point

2127
02:04:15,840 --> 02:04:18,320
Speaker 1: she's gonna get out the deal. He may argue for

2128
02:04:18,440 --> 02:04:20,560
Speaker 1: another one like it seemed like they've been going back

2129
02:04:20,600 --> 02:04:22,240
Speaker 1: and forth for a while to try to figure that

2130
02:04:22,360 --> 02:04:27,120
Speaker 1: out and it's just been missing. It's it's hurting her career. Man.

2131
02:04:28,160 --> 02:04:30,400
Speaker 1: That's why I don't know why her boyfriend would come

2132
02:04:30,400 --> 02:04:33,000
Speaker 1: out and say things like that, because she needs the rock.

2133
02:04:33,160 --> 02:04:35,640
Speaker 1: She needs all these big boys celebrities to continue to

2134
02:04:36,120 --> 02:04:38,360
Speaker 1: help her with her marketing, you know what I'm saying.

2135
02:04:38,400 --> 02:04:41,400
Speaker 1: Because she's already going through things with the music, trying

2136
02:04:41,440 --> 02:04:43,920
Speaker 1: to get out of labels. I can only imagine it's

2137
02:04:43,960 --> 02:04:48,880
Speaker 1: probably not comfortable right, Probably hard to create in that

2138
02:04:49,080 --> 02:04:51,920
Speaker 1: kind of atmosphere when you feel like, damn, I don't

2139
02:04:51,960 --> 02:04:53,880
Speaker 1: really want to be with the people no more. Man.

2140
02:04:54,000 --> 02:04:56,120
Speaker 1: They kind of got me in a bad circumstance and

2141
02:04:56,200 --> 02:04:59,320
Speaker 1: they keep trying to make you create. It's like, uh,

2142
02:05:00,080 --> 02:05:04,680
Speaker 1: that's a lot. But another episode of the Fascist Growing podcasts.

2143
02:05:04,760 --> 02:05:07,560
Speaker 1: Y'all come to Patron right now. It's up there podcast,

2144
02:05:08,720 --> 02:05:11,560
Speaker 1: y'all Vibe with Me, Rock Out with Me. Man. I

2145
02:05:11,680 --> 02:05:14,000
Speaker 1: gave y'all the long part today because I put y'all

2146
02:05:14,120 --> 02:05:16,320
Speaker 1: a long way. It's up there podcast. You know what

2147
02:05:16,440 --> 02:05:17,640
Speaker 1: it is. Vibes