1 00:00:00,040 --> 00:00:01,680 Speaker 1: Are you a Stuff to Blow your Mind fan? Are 2 00:00:01,680 --> 00:00:03,880 Speaker 1: you a New Yorker? Do you plan to attend this 3 00:00:03,960 --> 00:00:06,800 Speaker 1: year's New York Comic Con. If so, then you've got 4 00:00:06,800 --> 00:00:10,600 Speaker 1: to check out our exclusive live show NYCC presents Stuff 5 00:00:10,640 --> 00:00:14,000 Speaker 1: to Blow Your Mind Live Stranger Science. Join all three 6 00:00:14,080 --> 00:00:16,880 Speaker 1: of us as we record a live podcast about the 7 00:00:16,920 --> 00:00:21,640 Speaker 1: exciting science and tantalizing pseudo science underlying the hit Netflix 8 00:00:21,640 --> 00:00:25,840 Speaker 1: show Stranger Things. It all goes down Friday, October six 9 00:00:26,239 --> 00:00:29,240 Speaker 1: from seven pm to eight thirty pm at the Hudson 10 00:00:29,280 --> 00:00:32,279 Speaker 1: Mercantile in Manhattan. Stuff you missed in history class has 11 00:00:32,280 --> 00:00:34,920 Speaker 1: a show right before us, so you can really double down, 12 00:00:35,080 --> 00:00:37,920 Speaker 1: learn more and buy your tickets today at New York 13 00:00:37,920 --> 00:00:46,239 Speaker 1: Comic Con dot com slash NYCC hyphen presents Welcome to 14 00:00:46,560 --> 00:00:55,840 Speaker 1: Stuff to Blow Your Mind from How Stuffworks dot com. Hey, 15 00:00:55,960 --> 00:00:57,960 Speaker 1: welcome to Stuff to Blow Your Mind. My name is 16 00:00:58,040 --> 00:01:01,920 Speaker 1: Robert Lamb and I'm Christian Saga. Hey, Robert, I remember 17 00:01:02,120 --> 00:01:04,280 Speaker 1: when you first told me that you had a tattoo. 18 00:01:04,880 --> 00:01:07,840 Speaker 1: It was when I first started the show. Uh. We 19 00:01:07,880 --> 00:01:11,000 Speaker 1: did an episode on stigmata, and I remember we were 20 00:01:11,000 --> 00:01:13,560 Speaker 1: about halfway through the episode. Listeners who have listened that 21 00:01:13,640 --> 00:01:16,039 Speaker 1: far back me remember this as well, and you just 22 00:01:16,080 --> 00:01:18,120 Speaker 1: kind of casually dropped like, oh, yeah, I've got this 23 00:01:18,160 --> 00:01:21,760 Speaker 1: tattoo that stigmata related, and I thought you might be 24 00:01:21,880 --> 00:01:24,800 Speaker 1: joking with me, but I just kept going and then 25 00:01:24,920 --> 00:01:27,080 Speaker 1: later on I found out it was true. It's true. Yeah, 26 00:01:27,080 --> 00:01:29,640 Speaker 1: I do have a tattoo that is um. It's it's 27 00:01:29,680 --> 00:01:33,000 Speaker 1: kind of an abstract thing, so it's it's definitely inspired 28 00:01:33,080 --> 00:01:37,640 Speaker 1: by stigmatic imagery, you know, regarding the spear wound of Christ, 29 00:01:38,040 --> 00:01:42,040 Speaker 1: especially in classic paintings. But it's also kind of shape, 30 00:01:42,319 --> 00:01:45,520 Speaker 1: kind of resembles an i'd has some yawnic symbolism to it. 31 00:01:45,880 --> 00:01:49,720 Speaker 1: So I in getting it, I wanted something that speaks 32 00:01:49,760 --> 00:01:52,400 Speaker 1: about who I am and where I came from and 33 00:01:52,760 --> 00:01:55,800 Speaker 1: you know, and and it kind of serves as um, 34 00:01:56,080 --> 00:01:59,240 Speaker 1: a hyper sigle, you know, to to to to wear 35 00:01:59,320 --> 00:02:02,280 Speaker 1: on my body and within my body. Uh. And it's 36 00:02:02,520 --> 00:02:04,720 Speaker 1: it's one that I've had an artist. I had, I 37 00:02:04,800 --> 00:02:06,800 Speaker 1: like some ideas, and I gave the ideas to an 38 00:02:06,840 --> 00:02:08,760 Speaker 1: artist and he came up with a few different sketches. 39 00:02:08,800 --> 00:02:10,560 Speaker 1: Then I picked one and then I said that's the one, 40 00:02:11,160 --> 00:02:14,560 Speaker 1: and then you know, waited until it was at the 41 00:02:14,680 --> 00:02:17,000 Speaker 1: right time. And I had that extra, you know, hundreds 42 00:02:17,040 --> 00:02:19,960 Speaker 1: or so bucks kicking around my my bank account to 43 00:02:20,080 --> 00:02:22,600 Speaker 1: spend on it. Wow, what how old were you when 44 00:02:22,600 --> 00:02:25,880 Speaker 1: you got it? Oh? I was. I might have been 45 00:02:25,919 --> 00:02:29,600 Speaker 1: in my early thirties or early twenties at the time. Yeah, 46 00:02:29,639 --> 00:02:31,640 Speaker 1: so it took a while. It was. I put a 47 00:02:31,639 --> 00:02:34,040 Speaker 1: lot of thought into it, thinking I'll probably only ever 48 00:02:34,080 --> 00:02:37,760 Speaker 1: get one tattoo, and I wanted to be the exact 49 00:02:37,919 --> 00:02:42,600 Speaker 1: right tattoo. How about yourself? Though, I have no tattoos, 50 00:02:42,720 --> 00:02:47,400 Speaker 1: and that's always surprising to people, but especially because you know, 51 00:02:47,480 --> 00:02:50,200 Speaker 1: I came from a punk metal subculture. I played music 52 00:02:50,240 --> 00:02:53,240 Speaker 1: in that, and there's obviously a lot of ink flowing 53 00:02:53,400 --> 00:02:57,560 Speaker 1: over there. Almost all of my friends have got tattoos 54 00:02:57,560 --> 00:03:00,760 Speaker 1: of some kind. My mom even tried to me to 55 00:03:00,840 --> 00:03:03,400 Speaker 1: get a tattoo with her when I was sixteen years old. 56 00:03:03,919 --> 00:03:07,200 Speaker 1: My mom is one of these people who she's like 57 00:03:07,960 --> 00:03:11,120 Speaker 1: an aging hippie now, but like when I was like 58 00:03:11,200 --> 00:03:14,120 Speaker 1: fourteen years old, she pierced her nose on her own, 59 00:03:14,639 --> 00:03:16,560 Speaker 1: like she's that kind of person. She was like, Oh, 60 00:03:16,600 --> 00:03:18,359 Speaker 1: I'm going to have a nose ring now, and like, 61 00:03:19,240 --> 00:03:21,520 Speaker 1: I just I think maybe that's probably part of it 62 00:03:21,600 --> 00:03:24,160 Speaker 1: is you know, the like whole idea of the rebelling 63 00:03:24,160 --> 00:03:27,920 Speaker 1: against authority figures, Like my authority figure was constantly like, 64 00:03:28,000 --> 00:03:30,920 Speaker 1: let's get tattoos, let's pierce my nose, and it just 65 00:03:31,000 --> 00:03:33,920 Speaker 1: never so for you was kind of an active rebellion 66 00:03:33,960 --> 00:03:36,119 Speaker 1: to not to do it was for a while. Yeah, 67 00:03:36,160 --> 00:03:38,600 Speaker 1: I think there's other reasons now. And as we were 68 00:03:38,600 --> 00:03:41,760 Speaker 1: doing research for this episode, I felt like it sort 69 00:03:41,760 --> 00:03:44,360 Speaker 1: of helped codify for me why I why I don't 70 00:03:44,400 --> 00:03:47,400 Speaker 1: have tattoos. Um. And the thing is is, while I 71 00:03:47,400 --> 00:03:51,720 Speaker 1: don't have any myself, I feel more comfortable around people 72 00:03:51,720 --> 00:03:54,840 Speaker 1: who have them, you know, like like the subcultures that 73 00:03:54,920 --> 00:03:59,760 Speaker 1: tend to have tattoos, like, for instance, like music subcultures 74 00:03:59,880 --> 00:04:02,520 Speaker 1: or or um, my wife takes part in roller derby, 75 00:04:02,640 --> 00:04:04,360 Speaker 1: so if I go to a roller Derby match, you know, 76 00:04:04,360 --> 00:04:08,320 Speaker 1: everybody's got tattoos there, I just feel more at home. 77 00:04:09,040 --> 00:04:11,120 Speaker 1: It's I think it's just maybe like they feel like 78 00:04:11,120 --> 00:04:13,960 Speaker 1: they're my people because that's who I kind of grew 79 00:04:14,040 --> 00:04:18,040 Speaker 1: up around. Maybe, But uh, I also have something to 80 00:04:18,080 --> 00:04:20,400 Speaker 1: add to this. I had a professor who was kind 81 00:04:20,400 --> 00:04:23,480 Speaker 1: of a mentor of mine when I was an undergraduate, 82 00:04:24,400 --> 00:04:29,040 Speaker 1: and he said multiple times to classes that he considered 83 00:04:29,440 --> 00:04:34,080 Speaker 1: tattoos as the first step toward fascism. Uh. And he 84 00:04:34,080 --> 00:04:36,560 Speaker 1: would never unpack that. If people asked him to, he 85 00:04:36,600 --> 00:04:40,200 Speaker 1: would basically say, you need to figure it out for yourself. Uh. 86 00:04:40,240 --> 00:04:43,120 Speaker 1: And it's important to remember this guy. His mentor was 87 00:04:43,160 --> 00:04:45,480 Speaker 1: Hannah Arrant, who's pretty famous. A lot of people know 88 00:04:45,520 --> 00:04:47,120 Speaker 1: who she is, but she's a person who coined the 89 00:04:47,240 --> 00:04:50,360 Speaker 1: term the banality of evil. She escaped from Europe during 90 00:04:50,360 --> 00:04:53,159 Speaker 1: the Holocaust. So I think that was influential on him 91 00:04:53,279 --> 00:04:57,599 Speaker 1: in terms of tattoos, thinking about the tattooing of people 92 00:04:57,640 --> 00:04:59,880 Speaker 1: going to concentration camps. Yeah, well as well as well 93 00:04:59,880 --> 00:05:02,719 Speaker 1: to us in this episode. There are certain tattooed traditions 94 00:05:02,720 --> 00:05:06,680 Speaker 1: where you see the use of penal tattoos, uh, tattoos 95 00:05:06,680 --> 00:05:09,039 Speaker 1: that are supposed to serve as a form of punishment 96 00:05:09,080 --> 00:05:11,560 Speaker 1: or as a mark to let other people know what 97 00:05:11,680 --> 00:05:15,400 Speaker 1: you're about. But basically it comes down to that kind 98 00:05:15,440 --> 00:05:18,240 Speaker 1: of communication. And all communication, can you know, can take 99 00:05:18,320 --> 00:05:22,040 Speaker 1: various forms. It canna be positive or negative or relatively mundane. 100 00:05:22,200 --> 00:05:25,320 Speaker 1: And I think I think the beauty of tattoo traditions 101 00:05:25,600 --> 00:05:28,320 Speaker 1: when they're when they're utilized, you know, for the positive 102 00:05:28,360 --> 00:05:30,760 Speaker 1: and they're not used as a form of punishment or subjugation. 103 00:05:31,240 --> 00:05:35,960 Speaker 1: Is that it does allow us to better control the 104 00:05:35,960 --> 00:05:41,080 Speaker 1: the outward communication that we're engaging with with other humans. Yeah, absolutely, 105 00:05:41,120 --> 00:05:44,000 Speaker 1: And I have notes about this later on in the episode, 106 00:05:44,000 --> 00:05:46,880 Speaker 1: but I consider it to be a form of nonverbal 107 00:05:46,880 --> 00:05:50,839 Speaker 1: communication that we have just sort of really taken control over. 108 00:05:51,200 --> 00:05:53,880 Speaker 1: We'll get into that later, but back to that professor, 109 00:05:54,360 --> 00:05:57,279 Speaker 1: I understand the logic of his point. I think I 110 00:05:57,279 --> 00:05:59,520 Speaker 1: don't necessarily agree with it, but I think what he 111 00:05:59,640 --> 00:06:03,400 Speaker 1: was trying to say is marking your body permanently is 112 00:06:03,440 --> 00:06:08,159 Speaker 1: a step toward a single symbol or signifier, right that 113 00:06:08,279 --> 00:06:12,640 Speaker 1: you only encapsulate maybe that one thing. And you know, 114 00:06:12,680 --> 00:06:14,880 Speaker 1: he was from a very different generation than ours as well, 115 00:06:14,920 --> 00:06:17,479 Speaker 1: and as we'll talk about, this is quite a generational 116 00:06:17,480 --> 00:06:22,120 Speaker 1: thing in terms of the psychology surrounding tattoos. But um so, yeah, 117 00:06:22,200 --> 00:06:24,320 Speaker 1: I think that's where he was coming from on it. 118 00:06:24,320 --> 00:06:26,880 Speaker 1: It was an interesting perspective. Well. I do sometimes think 119 00:06:26,880 --> 00:06:28,880 Speaker 1: of it in terms of, say, what if a what 120 00:06:28,960 --> 00:06:31,200 Speaker 1: if a government like the government in the Handmade's Tail 121 00:06:31,800 --> 00:06:33,640 Speaker 1: took over and then they're like, all right, we need 122 00:06:33,680 --> 00:06:36,479 Speaker 1: to see everybody's tattoos, so we'll know what you're about 123 00:06:36,560 --> 00:06:39,240 Speaker 1: and you can't keep your secrets from us. And uh 124 00:06:39,400 --> 00:06:41,080 Speaker 1: And in my own case, I know, I guess I 125 00:06:41,080 --> 00:06:44,160 Speaker 1: would just have to just really double down on the 126 00:06:44,240 --> 00:06:46,240 Speaker 1: Christians we have and be like, no, it's just it's 127 00:06:46,240 --> 00:06:48,600 Speaker 1: just a spear one, nothing else to it. Can I 128 00:06:48,680 --> 00:06:51,600 Speaker 1: put my shirt back on? But other people wouldn't be, 129 00:06:51,680 --> 00:06:54,120 Speaker 1: you know, so lucky. They would have to explain their 130 00:06:54,160 --> 00:06:57,760 Speaker 1: you know, their their Danzig skull skull on their their shoulders. 131 00:06:58,080 --> 00:07:01,160 Speaker 1: I have friends who got tatto two's when they're real 132 00:07:01,320 --> 00:07:04,040 Speaker 1: young and then regretted it and later on ended up 133 00:07:04,080 --> 00:07:08,120 Speaker 1: getting either tattoo removal like with lasers, or getting like 134 00:07:08,200 --> 00:07:12,840 Speaker 1: blackout tattoos where they would just cover there the tattoos 135 00:07:12,840 --> 00:07:15,640 Speaker 1: that they didn't like they regretted having with just like 136 00:07:15,840 --> 00:07:18,840 Speaker 1: blocks of black, which actually looks kind of cool. Yeah, 137 00:07:18,880 --> 00:07:21,960 Speaker 1: and you do see some cool examples two of people 138 00:07:22,200 --> 00:07:26,040 Speaker 1: covering up a tattoo that's either or augmenting in a 139 00:07:26,120 --> 00:07:27,800 Speaker 1: in a way. You know, if it's a dated tattoo 140 00:07:27,840 --> 00:07:30,120 Speaker 1: or tattoo that they just don't connect with anymore. So 141 00:07:30,240 --> 00:07:32,960 Speaker 1: where it is, you know, it's sustained damage over time, 142 00:07:33,520 --> 00:07:35,120 Speaker 1: so there are a number of different ways one might 143 00:07:35,440 --> 00:07:39,320 Speaker 1: address it. Yeah, So today's episode, if you haven't guessed already, 144 00:07:39,360 --> 00:07:43,080 Speaker 1: we're gonna talk mainly about the psychology of tattoos. There's 145 00:07:43,080 --> 00:07:46,000 Speaker 1: a previous episode of Stuff to Blow Your Mind that 146 00:07:46,120 --> 00:07:49,080 Speaker 1: Julie and Robert did together that was about the science, 147 00:07:49,120 --> 00:07:51,280 Speaker 1: so we will we will tap on that, but we're 148 00:07:51,320 --> 00:07:53,120 Speaker 1: not going to go as deep as I believe you 149 00:07:53,120 --> 00:07:55,560 Speaker 1: guys did in that episode. Yeah. Likewise, there is a 150 00:07:55,600 --> 00:07:57,840 Speaker 1: companion episode of that that we did about the future 151 00:07:57,840 --> 00:07:59,600 Speaker 1: of tattoos that gets into all of these you know, 152 00:07:59,600 --> 00:08:02,600 Speaker 1: crazy glowing tattoos and whatnot, and so we're not going 153 00:08:02,640 --> 00:08:04,920 Speaker 1: to touch on a lot of that. This episode is 154 00:08:04,920 --> 00:08:06,960 Speaker 1: gonna really we're gonna look a little bit of the 155 00:08:07,000 --> 00:08:10,160 Speaker 1: basic science of because I think that's important, but it's 156 00:08:10,200 --> 00:08:13,360 Speaker 1: gonna focus more on the psychology of it, so the 157 00:08:14,200 --> 00:08:17,600 Speaker 1: mindset of the the the individual with the tattoo, and 158 00:08:17,640 --> 00:08:20,560 Speaker 1: then those who gaze upon our tattoos. Yeah. So, if 159 00:08:20,640 --> 00:08:23,760 Speaker 1: you are looking for something about tattoos that we didn't 160 00:08:23,800 --> 00:08:27,240 Speaker 1: cover here, go to stuff works dot com and and 161 00:08:27,320 --> 00:08:29,720 Speaker 1: just type tattoos into it, and you're gonna find just 162 00:08:29,960 --> 00:08:33,280 Speaker 1: hundreds of pieces of information that are both in audio 163 00:08:33,520 --> 00:08:36,680 Speaker 1: and text format. I mean there's there's literally I think 164 00:08:36,920 --> 00:08:40,120 Speaker 1: over a hundred pieces. And likewise, as we go through this, 165 00:08:40,280 --> 00:08:43,679 Speaker 1: I know that individuals out there with tattoos and tattoos, 166 00:08:43,679 --> 00:08:47,199 Speaker 1: stories and deep thoughts on their choices and tattoos. You 167 00:08:47,360 --> 00:08:49,600 Speaker 1: may want to share your stories and or images of 168 00:08:49,600 --> 00:08:52,760 Speaker 1: those tattoos with us, and uh, just stick around. At 169 00:08:52,760 --> 00:08:53,719 Speaker 1: the end of the show, we'll tell you how to 170 00:08:53,760 --> 00:08:55,560 Speaker 1: get in touch with us. A great way to do 171 00:08:55,600 --> 00:08:58,840 Speaker 1: that would be either email us or to go onto 172 00:08:59,080 --> 00:09:02,640 Speaker 1: the Facebook group the discussion module for the stuff to 173 00:09:02,640 --> 00:09:04,040 Speaker 1: blow your mind if you want to share it not 174 00:09:04,080 --> 00:09:06,680 Speaker 1: only with us, but also with other listeners. Yeah. Absolutely, 175 00:09:06,720 --> 00:09:09,080 Speaker 1: there's a great community going on there all right. So 176 00:09:09,720 --> 00:09:12,840 Speaker 1: when did tattoos start? Like, when did people start doing 177 00:09:12,880 --> 00:09:15,720 Speaker 1: this to themselves? Oh? Man, this is one of those 178 00:09:16,080 --> 00:09:19,400 Speaker 1: those questions. Whether the answer is just lost ultimately in 179 00:09:19,440 --> 00:09:22,920 Speaker 1: the mists of history. You can only assume as soon 180 00:09:23,000 --> 00:09:25,920 Speaker 1: as individuals were uh, you know, learned that they could 181 00:09:26,200 --> 00:09:28,559 Speaker 1: augment their bodies, that they could you know, it probably 182 00:09:28,600 --> 00:09:32,800 Speaker 1: began with accidental scratches and uh and mutilations and scars 183 00:09:32,840 --> 00:09:36,160 Speaker 1: forming and then realizing that sometimes pigment could wind up 184 00:09:36,160 --> 00:09:39,880 Speaker 1: in there, and uh, eventually the the the earliest tattoo 185 00:09:40,200 --> 00:09:44,080 Speaker 1: rituals began to emerge. Yeah, the earliest example we have 186 00:09:44,520 --> 00:09:47,760 Speaker 1: is this guy who's referred to as the Iceman Mummy 187 00:09:47,800 --> 00:09:50,400 Speaker 1: that was found in the Alps, and he had tattoos 188 00:09:50,400 --> 00:09:52,200 Speaker 1: and as far as we can tell, he lived around 189 00:09:52,640 --> 00:09:56,360 Speaker 1: three thousand, three hundred BCS, so that's pretty far back. Yeah, 190 00:09:56,360 --> 00:10:02,200 Speaker 1: that we're talking years older. So also known as Ootsi 191 00:10:02,400 --> 00:10:05,439 Speaker 1: the Iceman. I wonder who got to name him. Well, 192 00:10:05,480 --> 00:10:07,760 Speaker 1: we looked it up real quick and it's it's referring 193 00:10:07,760 --> 00:10:09,800 Speaker 1: to the region in which the body was found. It's 194 00:10:09,800 --> 00:10:14,240 Speaker 1: a region of the Alps near the Austrian Italian border. Now, 195 00:10:14,360 --> 00:10:18,679 Speaker 1: tattooing traditions they pop up just about everywhere in human culture, 196 00:10:18,800 --> 00:10:24,080 Speaker 1: from degrading penal tattooed traditions in China and late antiquity Europe, 197 00:10:24,360 --> 00:10:30,000 Speaker 1: the Mediterranean uh proud aesthetic tattooing traditions among the ancient Egyptians, 198 00:10:30,040 --> 00:10:32,560 Speaker 1: the ancient Persians, and now just about you know, anyone 199 00:10:32,640 --> 00:10:35,679 Speaker 1: with an inclination for a bit of ink, uh, can 200 00:10:35,720 --> 00:10:38,040 Speaker 1: it can at least grab you know, something off of 201 00:10:38,080 --> 00:10:41,360 Speaker 1: the chart on the wall. If they're nearest tattoo parlor 202 00:10:41,440 --> 00:10:44,439 Speaker 1: and join the club. Yeah, absolutely, and we will when 203 00:10:44,440 --> 00:10:46,880 Speaker 1: we get into the psychology of this. Uh, we're going 204 00:10:46,920 --> 00:10:50,240 Speaker 1: to talk about the difference between how people choose what 205 00:10:50,280 --> 00:10:53,800 Speaker 1: their tattoo is going to be too. Now I want 206 00:10:53,840 --> 00:10:55,760 Speaker 1: to have it. Just to throw in something else about 207 00:10:55,760 --> 00:10:58,600 Speaker 1: the ancient Egyptians because this is really really fascinating and 208 00:10:58,600 --> 00:11:01,640 Speaker 1: gets into some of the reasons were discussed later. But uh, 209 00:11:01,760 --> 00:11:05,680 Speaker 1: we find these presidents several female mummies dated to around 210 00:11:05,800 --> 00:11:12,120 Speaker 1: two thousand BC, exclusively female, perhaps royal cortisans, dancers, etcetera. 211 00:11:12,600 --> 00:11:17,880 Speaker 1: And our archaeologist Joanne Fletcher theorizes that these tattoos had 212 00:11:18,080 --> 00:11:21,120 Speaker 1: had some sort of a therapeutic purpose and they functioned 213 00:11:21,640 --> 00:11:24,640 Speaker 1: as a sort of a permanent form of protective ammulet, 214 00:11:24,720 --> 00:11:28,040 Speaker 1: kind of a magical spell that was intended to protect 215 00:11:28,120 --> 00:11:34,560 Speaker 1: the individual during pregnancy and childbirth. Oh wow, that's really interesting. Okay, huh. Well, 216 00:11:34,760 --> 00:11:38,240 Speaker 1: given what we know about ancient Egyptians and mummification and 217 00:11:38,720 --> 00:11:43,560 Speaker 1: how into body I guess sculpting they were, right or 218 00:11:43,640 --> 00:11:48,760 Speaker 1: just like just turning, turning the body into something other. Right, 219 00:11:49,120 --> 00:11:51,120 Speaker 1: it totally makes sense that tattoos would be a big 220 00:11:51,160 --> 00:11:53,040 Speaker 1: part of that culture and It's interesting when you think 221 00:11:53,120 --> 00:11:57,400 Speaker 1: of language and symbolism as language and symbolism as a 222 00:11:57,440 --> 00:12:01,360 Speaker 1: way to communicate meaning and to UH and and to 223 00:12:01,720 --> 00:12:04,360 Speaker 1: externalized meaning, and then to take that and put it 224 00:12:04,400 --> 00:12:07,040 Speaker 1: on the body and make it a part of yourself again. 225 00:12:07,080 --> 00:12:09,840 Speaker 1: I think that's an interesting process. So, if we're talking 226 00:12:09,920 --> 00:12:13,280 Speaker 1: about modern day, here's some general tattoo stats for you. 227 00:12:13,360 --> 00:12:17,960 Speaker 1: They have increased significantly in popularity in the last two decades. 228 00:12:18,280 --> 00:12:22,840 Speaker 1: Almost one in five people across all age groups has 229 00:12:22,880 --> 00:12:26,920 Speaker 1: a tattoo, and this is as of one in ten 230 00:12:27,080 --> 00:12:31,960 Speaker 1: people have two or more tattoos. Nearly forty of young adults, 231 00:12:31,960 --> 00:12:34,880 Speaker 1: that's people ages eighteen to twenty five have at least one, 232 00:12:35,400 --> 00:12:38,640 Speaker 1: and only fifteen percent of that age group had them 233 00:12:38,640 --> 00:12:40,480 Speaker 1: in nineteen nineties. So you can see that there's been 234 00:12:40,520 --> 00:12:43,440 Speaker 1: a big boom since uh, since I guess you and 235 00:12:43,480 --> 00:12:47,320 Speaker 1: I were in high school, up until present day. UH. Now, 236 00:12:47,360 --> 00:12:51,520 Speaker 1: despite this, there's still seems to be discrimination and negative 237 00:12:51,600 --> 00:12:56,040 Speaker 1: stigma toward people who have tattoos, and this subsequently leads 238 00:12:56,080 --> 00:12:59,320 Speaker 1: to lower levels of employment for them. Don't forget the 239 00:12:59,360 --> 00:13:01,240 Speaker 1: Book of Live Viticus has a little bit of a 240 00:13:01,360 --> 00:13:04,080 Speaker 1: role in this, and this is the passage from it. 241 00:13:04,160 --> 00:13:07,800 Speaker 1: This is a Leviticus nine, you shall not make any 242 00:13:07,840 --> 00:13:11,960 Speaker 1: gashes on your flesh for the dead, or tattoo any 243 00:13:12,040 --> 00:13:15,480 Speaker 1: marks upon you. But at the same time, there's a 244 00:13:15,559 --> 00:13:19,480 Speaker 1: long history of Christian tattooing as well. Coptic Christians have 245 00:13:19,600 --> 00:13:23,400 Speaker 1: marked their bodies with Christian symbols since the eighth century. Yeah, 246 00:13:23,440 --> 00:13:25,040 Speaker 1: and of course you have to point out that if 247 00:13:25,160 --> 00:13:27,440 Speaker 1: you start poking around on Leviticus, I mean, technically you 248 00:13:27,480 --> 00:13:30,040 Speaker 1: can't do anything. Yeah. Isn't that the one that like 249 00:13:30,120 --> 00:13:32,800 Speaker 1: talks about like um pig skin like you, I think 250 00:13:32,840 --> 00:13:36,920 Speaker 1: you can't play football. Yeah, it's It's definitely the part 251 00:13:36,920 --> 00:13:38,640 Speaker 1: of the Bible that always brings to mind the bit 252 00:13:38,679 --> 00:13:41,040 Speaker 1: on The Simpsons where the pastor points out to ned 253 00:13:41,080 --> 00:13:45,679 Speaker 1: Flanders that technically we can't do anything. But here's the thing. 254 00:13:45,679 --> 00:13:50,079 Speaker 1: In Western culture tattoos, you know, honestly, they were originally 255 00:13:50,120 --> 00:13:54,560 Speaker 1: associated with criminals and the sexually promiscuous, but other recent 256 00:13:54,640 --> 00:13:58,280 Speaker 1: studies show these are the following stereotypes that people associate 257 00:13:58,360 --> 00:14:04,840 Speaker 1: tattoos with academic struggle, broken homes, traumatic childhood, lack of 258 00:14:05,000 --> 00:14:08,560 Speaker 1: church in their life, poor decision making skills, and the 259 00:14:08,640 --> 00:14:12,520 Speaker 1: susceptibility to peer pressure. But you have to ask yourself. 260 00:14:12,760 --> 00:14:16,600 Speaker 1: With this rising popularity, is this changing? And I don't 261 00:14:16,640 --> 00:14:21,280 Speaker 1: mean is are these people changing from being those types 262 00:14:21,320 --> 00:14:23,520 Speaker 1: of people to being other types of people? I mean 263 00:14:23,560 --> 00:14:27,000 Speaker 1: the stigma. Is the stigma changing? Are people realizing that 264 00:14:27,000 --> 00:14:31,560 Speaker 1: that stigma is unfair? I think? And I can totally 265 00:14:31,600 --> 00:14:33,800 Speaker 1: understand why. If you're listening right now and you have 266 00:14:33,840 --> 00:14:37,760 Speaker 1: a tattoo, you're probably thinking this is really it's really unfair. 267 00:14:37,920 --> 00:14:43,200 Speaker 1: But remember, human nonverbal communication is heavily built around appearance 268 00:14:43,600 --> 00:14:46,640 Speaker 1: and the artifacts that we own and where, and these 269 00:14:46,640 --> 00:14:50,080 Speaker 1: can alter judgment and interpretations, and these even lead to 270 00:14:50,320 --> 00:14:54,120 Speaker 1: how much money people can earn. And here's a simple example, right, 271 00:14:54,480 --> 00:14:58,680 Speaker 1: think to how much time people spend agonizing over what 272 00:14:58,760 --> 00:15:01,520 Speaker 1: their online a tar is going to be, right like, 273 00:15:02,080 --> 00:15:04,440 Speaker 1: what what? What is going to be that representation to 274 00:15:04,440 --> 00:15:06,880 Speaker 1: people who may not ever even meet me in real life. 275 00:15:07,560 --> 00:15:10,920 Speaker 1: It's not necessarily the best or the most logical practice, 276 00:15:11,600 --> 00:15:16,000 Speaker 1: but it is inherently how human animals operate. It's how 277 00:15:16,080 --> 00:15:18,200 Speaker 1: we communicate with each other on like a kind of 278 00:15:18,560 --> 00:15:22,880 Speaker 1: primal basis. So all right, Despite that, the market for 279 00:15:22,920 --> 00:15:28,840 Speaker 1: tattoo consumption has largely been seen as bikers prisoners, gang members, 280 00:15:28,880 --> 00:15:32,640 Speaker 1: and other marginalized members of the working class. But now 281 00:15:32,680 --> 00:15:35,400 Speaker 1: with this boom, it's also being seen as something that 282 00:15:35,440 --> 00:15:39,880 Speaker 1: belongs to middle class artists or professionals. And I would 283 00:15:39,880 --> 00:15:44,080 Speaker 1: also throw in, like, you know, high level movie actors 284 00:15:44,080 --> 00:15:46,000 Speaker 1: as well. I mean, how how many actors can you 285 00:15:46,040 --> 00:15:49,600 Speaker 1: think of now that have at times a ridiculous amount 286 00:15:49,600 --> 00:15:51,720 Speaker 1: of tattoos on their body that have to be covered 287 00:15:51,760 --> 00:15:55,280 Speaker 1: of with makeup for their roles Except for the Rock 288 00:15:55,440 --> 00:15:58,080 Speaker 1: That guy never covers his tattoos, it seems. I think 289 00:15:58,080 --> 00:16:00,680 Speaker 1: I've seen him have them painted over here. I feel 290 00:16:00,720 --> 00:16:03,320 Speaker 1: like every character he plays has the exact same tattoos 291 00:16:03,360 --> 00:16:05,640 Speaker 1: he has in real life. I'm glad that they were 292 00:16:05,680 --> 00:16:08,080 Speaker 1: on actors and movies now, because I think that is 293 00:16:08,160 --> 00:16:11,520 Speaker 1: that is essential here. Because on one hand, yes, we 294 00:16:11,520 --> 00:16:14,440 Speaker 1: we all inevitably get engaged with individuals in our life 295 00:16:14,440 --> 00:16:17,680 Speaker 1: that have tattoos, and therefore know that just everyday folks 296 00:16:17,960 --> 00:16:21,400 Speaker 1: have tattoos in many cases, however, we're also consuming all 297 00:16:21,400 --> 00:16:25,040 Speaker 1: of this media and just think of the tattoos that 298 00:16:25,160 --> 00:16:29,280 Speaker 1: you experience on television and in films, and how many 299 00:16:29,280 --> 00:16:32,800 Speaker 1: of those individuals end up falling into these categories, Like 300 00:16:32,880 --> 00:16:36,400 Speaker 1: how many tattooed gang members. Have you encountered on TV? 301 00:16:36,720 --> 00:16:41,760 Speaker 1: How many like tattooed bikers or stripper characters, or you know, 302 00:16:41,760 --> 00:16:47,320 Speaker 1: we're somehow sexually dangerous individuals. All of these stereotypes are 303 00:16:47,360 --> 00:16:50,840 Speaker 1: still very much in play in our media, even if 304 00:16:50,920 --> 00:16:53,560 Speaker 1: we're getting better at dealing with them in our daily life. 305 00:16:53,720 --> 00:16:56,920 Speaker 1: And so you end up with, if not overt bias, 306 00:16:57,000 --> 00:17:01,119 Speaker 1: you have this implicit bias in dealing with uh with tattoos. 307 00:17:01,120 --> 00:17:03,840 Speaker 1: You know, you just encounter someone with a tattoo and 308 00:17:03,920 --> 00:17:06,720 Speaker 1: suddenly you're you're checking it based on something you saw 309 00:17:06,760 --> 00:17:09,160 Speaker 1: in a prison movie. Yeah. Yeah, I have a perfect 310 00:17:09,200 --> 00:17:12,160 Speaker 1: example that I think might be like a a nice 311 00:17:12,240 --> 00:17:16,120 Speaker 1: like marker point in the nineties for when the tattoo 312 00:17:16,160 --> 00:17:19,199 Speaker 1: culture started to become more prominent and acceptable. I know 313 00:17:19,240 --> 00:17:21,000 Speaker 1: you haven't watched The X Files a lot, but you 314 00:17:21,080 --> 00:17:24,440 Speaker 1: might know about this one. There's an episode where Scully 315 00:17:24,560 --> 00:17:28,639 Speaker 1: gets a tattoo and uh it, but she gets ergot 316 00:17:28,640 --> 00:17:32,000 Speaker 1: poisoning from the tattoo. We have we have an episode 317 00:17:32,000 --> 00:17:36,119 Speaker 1: about about right, Yeah, and so the tattoo artist for 318 00:17:36,160 --> 00:17:40,280 Speaker 1: some reason is mixing or got into the ink, and 319 00:17:40,280 --> 00:17:43,320 Speaker 1: the people who get tattoos from this person subsequently hallucinate 320 00:17:43,359 --> 00:17:47,560 Speaker 1: and start doing crazy things. She is among them. Uh 321 00:17:47,600 --> 00:17:49,720 Speaker 1: but you know, if you've seen the show before, Scully 322 00:17:49,880 --> 00:17:53,959 Speaker 1: is like the consummate professional, very white collar FBI agent. 323 00:17:54,080 --> 00:17:56,920 Speaker 1: She comes from a good family, she's very Christian, right, 324 00:17:57,160 --> 00:17:59,800 Speaker 1: But there's like a point in that series where she decides, 325 00:18:00,000 --> 00:18:01,760 Speaker 1: you know, I need to I need to get a tattoo. 326 00:18:01,880 --> 00:18:05,200 Speaker 1: She gets an herborous tattoo, I believe, and there's even 327 00:18:05,280 --> 00:18:10,080 Speaker 1: some implication show that her tattoo somehow means that she's immortal. 328 00:18:10,520 --> 00:18:13,080 Speaker 1: If you're a real hardcore X Files fan, you'll know 329 00:18:13,119 --> 00:18:14,760 Speaker 1: what I'm talking about. Where does she get it? Out 330 00:18:14,800 --> 00:18:17,560 Speaker 1: of curiosity? It's like, if I remember correctly, it's like 331 00:18:18,200 --> 00:18:22,560 Speaker 1: a real like dingy tattoo show. It's like a stigma. Yeah. 332 00:18:22,560 --> 00:18:25,280 Speaker 1: I think it's like a Russian tattoo guy and like 333 00:18:25,320 --> 00:18:29,520 Speaker 1: the the you know this like horrible back room closet 334 00:18:29,560 --> 00:18:32,720 Speaker 1: where he does tattoos wearing her wear in her body's 335 00:18:32,800 --> 00:18:36,159 Speaker 1: I believe. I think it's on her back. Yeah, you know, 336 00:18:36,480 --> 00:18:38,879 Speaker 1: I think my version of this was probably watching the 337 00:18:38,920 --> 00:18:41,040 Speaker 1: Tales from the Crypt episode back in the day where 338 00:18:41,119 --> 00:18:44,240 Speaker 1: somebody gets a tattoo and it's like it's a possessed 339 00:18:44,240 --> 00:18:47,560 Speaker 1: tattoo over them, which which is a you know, a 340 00:18:47,640 --> 00:18:52,280 Speaker 1: none too subtle invoking of of tattoo stereotypes. Yeah, absolutely 341 00:18:52,320 --> 00:18:55,159 Speaker 1: that this would actually make a great trailer talk for us. 342 00:18:55,240 --> 00:18:57,320 Speaker 1: Maybe maybe when this episode airs, we can do a 343 00:18:57,359 --> 00:19:00,439 Speaker 1: trailer talk that week about evil tattoo of views or 344 00:19:00,440 --> 00:19:03,639 Speaker 1: something like that, because there's so many like h And 345 00:19:03,680 --> 00:19:06,440 Speaker 1: I'm just thinking about like the Ray Bradberry book of 346 00:19:06,520 --> 00:19:09,919 Speaker 1: short stories, The Illustrated Man, which is like basically the 347 00:19:09,920 --> 00:19:13,119 Speaker 1: conceit is that somebody meets a tattooed man from like 348 00:19:13,160 --> 00:19:16,240 Speaker 1: a freak show, and each one of his tattoos kind 349 00:19:16,240 --> 00:19:18,840 Speaker 1: of comes to life and tells one of the short stories. 350 00:19:19,520 --> 00:19:21,960 Speaker 1: It's pretty wonderful idea, and I think it's been taken. 351 00:19:22,280 --> 00:19:25,280 Speaker 1: You know. There's like, if I remember correctly, they're superheroes 352 00:19:25,359 --> 00:19:28,480 Speaker 1: who have like tattoo powers, like their tattoos come to 353 00:19:28,520 --> 00:19:31,000 Speaker 1: life or something like a giant snakell jump off their 354 00:19:31,000 --> 00:19:34,399 Speaker 1: body and to fight people for them or something. Alright, well, 355 00:19:34,440 --> 00:19:36,160 Speaker 1: let's take a quick break and when we come back, 356 00:19:36,560 --> 00:19:40,040 Speaker 1: we will we will breathe through how a tattoo actually 357 00:19:40,040 --> 00:19:42,880 Speaker 1: comes to life on your body, and then we'll begin 358 00:19:42,920 --> 00:19:45,520 Speaker 1: to get into a lot of this psychological content that 359 00:19:45,560 --> 00:19:52,280 Speaker 1: we've been we've been hinting at all. Right, we're back. 360 00:19:52,560 --> 00:19:55,280 Speaker 1: So how does this whole thing work? I mean, essentially, 361 00:19:55,920 --> 00:19:58,840 Speaker 1: we know, we understand there's a needle, there's ink and 362 00:19:58,920 --> 00:20:01,200 Speaker 1: gets pushed into your flow. It's a cut, the ink 363 00:20:01,359 --> 00:20:03,840 Speaker 1: is underneath that. Right. We actually did a brain Stuff 364 00:20:03,920 --> 00:20:07,560 Speaker 1: video episode all about the actual process and how the 365 00:20:07,560 --> 00:20:10,960 Speaker 1: machines work. Is this the one where Holly from Stuff 366 00:20:10,960 --> 00:20:12,800 Speaker 1: you missed in history class got the Star Wars stuff? 367 00:20:12,880 --> 00:20:15,600 Speaker 1: That's a different one actually, Yeah, this one's hosted by 368 00:20:15,640 --> 00:20:19,560 Speaker 1: Lauren Vogelbaum from the food Stuff podcast. But but it's 369 00:20:19,600 --> 00:20:22,840 Speaker 1: mainly about how the actual machines work, or what most 370 00:20:22,840 --> 00:20:25,360 Speaker 1: people refer to as tattoo guns, but tattoo artists will 371 00:20:25,359 --> 00:20:28,840 Speaker 1: tell you they prefer the term machines rather than guns. Yeah, 372 00:20:28,880 --> 00:20:33,400 Speaker 1: and obviously we didn't always have the machines. But but 373 00:20:33,680 --> 00:20:36,919 Speaker 1: whether you're dealing with a high tech tattoo machine or 374 00:20:36,920 --> 00:20:40,840 Speaker 1: you're dealing with more traditional practices, I mean, the basic 375 00:20:40,960 --> 00:20:44,600 Speaker 1: idea is still the same. You're taking tattoo inc and 376 00:20:44,640 --> 00:20:47,840 Speaker 1: you're pushing it up into the under the skin, into 377 00:20:47,880 --> 00:20:50,520 Speaker 1: the skin, and doing so in a way to to 378 00:20:50,640 --> 00:20:53,520 Speaker 1: form shape, symbols, et cetera. It's kind of like a 379 00:20:53,640 --> 00:20:56,960 Speaker 1: light bright but with with you know, little little bits 380 00:20:57,000 --> 00:21:00,640 Speaker 1: of ink and your skin. Yeah, okay, So, traditionally, tattoo 381 00:21:00,760 --> 00:21:04,600 Speaker 1: ink was made out of anything from soot to metal salts, 382 00:21:04,680 --> 00:21:07,920 Speaker 1: and as health concerns cropped up around the use of 383 00:21:07,960 --> 00:21:12,560 Speaker 1: potentially toxic substances as a pigment, natural vegetable based organic 384 00:21:12,560 --> 00:21:16,520 Speaker 1: pigments have also come into fashion. Um, And there's actually 385 00:21:16,960 --> 00:21:19,679 Speaker 1: I don't want to talk too much about futuristic tattoo ideas, 386 00:21:19,680 --> 00:21:22,080 Speaker 1: but there's a remarkable approach that's out there today that 387 00:21:22,240 --> 00:21:26,320 Speaker 1: entails gaining the carbon for black tattoos because and in 388 00:21:26,359 --> 00:21:28,680 Speaker 1: many cases you would get the black for the tattoos 389 00:21:28,680 --> 00:21:30,720 Speaker 1: from just burnt wood, but you can also get it 390 00:21:30,720 --> 00:21:34,439 Speaker 1: from burnt organic samples such as hair or even like 391 00:21:34,640 --> 00:21:37,960 Speaker 1: the cremains of a loved one. There's no reason you 392 00:21:38,000 --> 00:21:40,800 Speaker 1: can't take that, make it into a tattoo ink and 393 00:21:40,800 --> 00:21:44,679 Speaker 1: put it right into your body. So once you have 394 00:21:44,760 --> 00:21:47,720 Speaker 1: the ink, yeah, it's basically just as simple as injecting 395 00:21:47,720 --> 00:21:50,720 Speaker 1: it under the skin, spelling drawing something out as you 396 00:21:50,760 --> 00:21:52,879 Speaker 1: see fit um. You know, in the hands of a 397 00:21:53,560 --> 00:21:57,840 Speaker 1: tattoo artist. So the big question I think that a 398 00:21:57,840 --> 00:21:59,880 Speaker 1: lot of people have. The big question I have had 399 00:22:00,000 --> 00:22:03,359 Speaker 1: of the longest was well, once you get that in 400 00:22:03,400 --> 00:22:05,840 Speaker 1: the skin, well, how does it stay there? Why does 401 00:22:05,880 --> 00:22:08,359 Speaker 1: it stay there? Because we've all heard these stats about, 402 00:22:08,440 --> 00:22:10,720 Speaker 1: you know, the cell replacement in our bodies, and you 403 00:22:10,720 --> 00:22:13,680 Speaker 1: know how long you're seven years, you're a different person. Yeah, 404 00:22:13,760 --> 00:22:16,719 Speaker 1: and we know that over time tattoos can certainly degray. 405 00:22:16,880 --> 00:22:20,280 Speaker 1: Like I remember seeing naval tattoos on old men and 406 00:22:20,400 --> 00:22:23,080 Speaker 1: church growing up, and it was like, maybe it was 407 00:22:23,080 --> 00:22:25,320 Speaker 1: a mermaid once, maybe it was a military insignia, but 408 00:22:25,359 --> 00:22:27,320 Speaker 1: it just turns to a green glob. Yeah, exactly. I 409 00:22:27,400 --> 00:22:29,600 Speaker 1: worked with an old naval marine in a restaurant when 410 00:22:29,640 --> 00:22:31,639 Speaker 1: I was in high school, and he was one of 411 00:22:31,640 --> 00:22:33,720 Speaker 1: those guys. He just he had like all these old 412 00:22:33,760 --> 00:22:36,520 Speaker 1: tattoos he got from when he was you know, on ships, 413 00:22:36,800 --> 00:22:41,040 Speaker 1: but they were unrecognizable. They're just kind of like green blobs. Yeah, Okay, 414 00:22:41,080 --> 00:22:44,200 Speaker 1: So here's how they do stick around and why they 415 00:22:44,280 --> 00:22:47,359 Speaker 1: do kind of degrade after a while. Um, the body 416 00:22:47,400 --> 00:22:50,440 Speaker 1: replaces itself with a largely new set of cells every 417 00:22:50,520 --> 00:22:53,120 Speaker 1: seven years to ten years, and some of our most 418 00:22:53,119 --> 00:22:57,600 Speaker 1: important parts are revamped even more rapidly. Red blood cells 419 00:22:57,640 --> 00:23:01,239 Speaker 1: live for about four months, and those cells lining your 420 00:23:01,280 --> 00:23:03,760 Speaker 1: acid filled stomach, they're gonna they're gonna be lucky to 421 00:23:03,840 --> 00:23:06,840 Speaker 1: last five days. So don't never get a tattoo on 422 00:23:06,840 --> 00:23:09,960 Speaker 1: the inside of your stomach throwing it out there. Meanwhile, 423 00:23:10,000 --> 00:23:12,920 Speaker 1: the cells in your skeletal system, those are constantly regenerating. 424 00:23:13,200 --> 00:23:15,800 Speaker 1: But a full turn turnover there takes a full decade. 425 00:23:16,160 --> 00:23:19,200 Speaker 1: Now getting to the skin though, where they where you're 426 00:23:19,200 --> 00:23:22,760 Speaker 1: actually having the tattooing take place. Your outer layer of skin, 427 00:23:22,840 --> 00:23:26,200 Speaker 1: the epidermis has a has a pretty rough turnover as well. 428 00:23:26,240 --> 00:23:29,200 Speaker 1: It's it's the front line in the war against bodily infection, 429 00:23:29,359 --> 00:23:33,520 Speaker 1: solar radiation, razor burn uh, you know, skateboard wipeouts, you 430 00:23:33,600 --> 00:23:36,760 Speaker 1: name it. Uh. In this here you'll find a skin 431 00:23:36,840 --> 00:23:41,560 Speaker 1: rejuvenation takes place every two to four weeks. But when 432 00:23:41,640 --> 00:23:45,520 Speaker 1: you look at a snazzy tattoo be at you know 433 00:23:45,560 --> 00:23:50,120 Speaker 1: a mermaid or you know a tribal pattern, whatever, you're 434 00:23:50,160 --> 00:23:53,639 Speaker 1: not looking at the epidermis. You're looking through the epidermis. 435 00:23:53,680 --> 00:23:56,200 Speaker 1: The ink is in the dermis, which is the second 436 00:23:56,240 --> 00:23:58,879 Speaker 1: layer of the skin, and the cells of the dermis 437 00:23:58,960 --> 00:24:01,320 Speaker 1: are far more stable than the cells of the epidermist, 438 00:24:01,440 --> 00:24:04,480 Speaker 1: so the tattoo ink stays in place with minor fading 439 00:24:04,640 --> 00:24:08,320 Speaker 1: and dispersion over the course of a human lifetime. Okay, 440 00:24:08,520 --> 00:24:11,160 Speaker 1: and as an added a bit of insight into white 441 00:24:11,200 --> 00:24:16,200 Speaker 1: sticking around the University of Pittsburgh Medical Center dermatologist James B. 442 00:24:16,200 --> 00:24:19,840 Speaker 1: Britt and Stein pointed out in the Scientific American article 443 00:24:20,040 --> 00:24:22,240 Speaker 1: the tattoos remain in the skin as well because the 444 00:24:22,280 --> 00:24:25,000 Speaker 1: ink particles are too large to be ingested by the 445 00:24:25,040 --> 00:24:28,359 Speaker 1: white blood cells that patrol the body and carry away 446 00:24:28,440 --> 00:24:32,600 Speaker 1: foreign elements. Wow, that's really interesting. Yeah, huh, I wonder. 447 00:24:32,720 --> 00:24:37,679 Speaker 1: I mean obviously, like early man that was giving himself 448 00:24:37,760 --> 00:24:40,840 Speaker 1: a tattoo, right, like this iceman that we talked about earlier, 449 00:24:41,520 --> 00:24:45,000 Speaker 1: didn't know that, right, but they must have somehow figured 450 00:24:45,040 --> 00:24:47,840 Speaker 1: that out. Like I wonder who the poor soul was 451 00:24:47,920 --> 00:24:50,280 Speaker 1: who had to like just keep going with a needle 452 00:24:50,400 --> 00:24:52,800 Speaker 1: until it went as deep as it needed to go 453 00:24:53,320 --> 00:24:56,720 Speaker 1: and then stay there. Yeah. It's one of those things 454 00:24:56,720 --> 00:24:59,000 Speaker 1: where you just you ask so many questions about how 455 00:24:59,119 --> 00:25:01,679 Speaker 1: you discover it and then how you sort of, you know, 456 00:25:01,720 --> 00:25:04,920 Speaker 1: trial and error, figure out the right the ritual and 457 00:25:04,960 --> 00:25:08,680 Speaker 1: the technique. Um, It also makes you think too about 458 00:25:08,760 --> 00:25:12,560 Speaker 1: human lifespans, like in a case where we're violence or 459 00:25:12,600 --> 00:25:15,760 Speaker 1: just the realities of early life or cutting human life 460 00:25:15,960 --> 00:25:19,080 Speaker 1: span short. Then you know that the tattoo is gonna 461 00:25:19,480 --> 00:25:24,840 Speaker 1: stay in there, unchanged for the duration. Likewise, what would uh, 462 00:25:24,960 --> 00:25:27,359 Speaker 1: what would an individual in the future who's living, you know, 463 00:25:27,680 --> 00:25:31,240 Speaker 1: easily over a century, Uh, what kind what is tattoo 464 00:25:32,640 --> 00:25:34,720 Speaker 1: alteration going to be? Like? Then? Oh, they're gonna have 465 00:25:34,760 --> 00:25:37,120 Speaker 1: to get touch ups. We're we're getting to that now. Really. 466 00:25:37,160 --> 00:25:39,360 Speaker 1: I mean I have friends who've already gotten touch ups 467 00:25:39,359 --> 00:25:41,480 Speaker 1: and they're only in middle age. Yeah, I mean yeah, 468 00:25:41,480 --> 00:25:43,280 Speaker 1: because if you get them in in high school or 469 00:25:43,320 --> 00:25:46,280 Speaker 1: even earlier, uh, then you know you're gonna have to 470 00:25:46,520 --> 00:25:49,320 Speaker 1: have to do something as your body changes. All right, 471 00:25:49,359 --> 00:25:51,639 Speaker 1: So those are the basics of how it works. And 472 00:25:51,800 --> 00:25:53,639 Speaker 1: again I feel like that's essential to just sort of 473 00:25:53,760 --> 00:25:55,520 Speaker 1: nail that, get it out of the way, so we 474 00:25:55,520 --> 00:25:59,920 Speaker 1: can start talking about some additional cultural practices and then 475 00:26:00,040 --> 00:26:03,639 Speaker 1: in the psychology that's wrapped up in those practices. All right, 476 00:26:03,680 --> 00:26:05,679 Speaker 1: So we're gonna jump around a little bit here, but 477 00:26:05,760 --> 00:26:08,640 Speaker 1: let's like, let's throw like a grab bag of cultural 478 00:26:08,720 --> 00:26:13,040 Speaker 1: practice examples out here. Related to tattooing. Okay, well, during 479 00:26:13,040 --> 00:26:15,320 Speaker 1: the Crusades of the eleven and twelfth century, you had 480 00:26:15,640 --> 00:26:18,679 Speaker 1: warriors that had tattoos on their body the mark of 481 00:26:18,680 --> 00:26:21,760 Speaker 1: the Jerusalem Cross, so that they could ideally be given 482 00:26:22,080 --> 00:26:25,120 Speaker 1: a Christian burial if they died in battle. And this 483 00:26:25,200 --> 00:26:29,320 Speaker 1: is in line with really with a lot of modern 484 00:26:29,359 --> 00:26:32,000 Speaker 1: tattoo medical tattoos, which we'll get to in a bit. 485 00:26:32,119 --> 00:26:35,959 Speaker 1: You know, basically, there's information, vital information about who you 486 00:26:36,000 --> 00:26:38,399 Speaker 1: are and what should be done to your body in 487 00:26:38,440 --> 00:26:41,520 Speaker 1: the in the event of death or in the event 488 00:26:42,000 --> 00:26:46,600 Speaker 1: of of illness. It's like an idea bracelet now elsewhere 489 00:26:46,600 --> 00:26:48,639 Speaker 1: in the world. I mean, we'll jump around a little bit, 490 00:26:48,680 --> 00:26:51,840 Speaker 1: and we can't possibly touch every tattooing tradition, so apologies 491 00:26:51,880 --> 00:26:53,640 Speaker 1: of you know, for any of we left out here, 492 00:26:53,680 --> 00:26:57,440 Speaker 1: but tattooing has been pretty practice in Japan since at 493 00:26:57,520 --> 00:27:00,800 Speaker 1: least the fifth century BC for b two vacation from 494 00:27:00,840 --> 00:27:05,800 Speaker 1: magic to mark criminals, and certainly today, uh you know, 495 00:27:06,240 --> 00:27:09,520 Speaker 1: tattoos have an interesting place in Japanese culture because the 496 00:27:09,880 --> 00:27:13,200 Speaker 1: stigma of the Japanese yakuza tattoos still lingers, and we've 497 00:27:13,200 --> 00:27:15,600 Speaker 1: all seen images of like the full uh you know, 498 00:27:16,040 --> 00:27:21,040 Speaker 1: body tattooing that would traditionally take place there that has 499 00:27:21,240 --> 00:27:25,000 Speaker 1: you know, you know, images of dragons and uh, you know, 500 00:27:25,040 --> 00:27:28,280 Speaker 1: sort of violent imagery. Uh. And and so that that's 501 00:27:28,440 --> 00:27:32,280 Speaker 1: that's an area where you see probably more cultural stigma 502 00:27:32,520 --> 00:27:36,160 Speaker 1: as a whole towards tattoos. But even there things continue 503 00:27:36,200 --> 00:27:37,880 Speaker 1: to change. So that's one thing to keep in mind 504 00:27:37,920 --> 00:27:42,000 Speaker 1: when we talk about changing attitudes towards tattoos, that even 505 00:27:42,040 --> 00:27:45,560 Speaker 1: as acceptance grows, there's very much a topography to that 506 00:27:45,680 --> 00:27:50,320 Speaker 1: acceptance depending on where in the world we're discussing on, 507 00:27:50,440 --> 00:27:53,479 Speaker 1: what particular subcultures are in place, et cetera. This actually 508 00:27:53,520 --> 00:27:56,159 Speaker 1: just dawned on me. For those of you outside the 509 00:27:56,240 --> 00:27:58,080 Speaker 1: United States, you might not be aware of this, but 510 00:27:58,119 --> 00:28:00,399 Speaker 1: there are some states at least are used to be 511 00:28:00,600 --> 00:28:04,160 Speaker 1: where it's illegal to tattoo. Uh. And I guess so 512 00:28:04,280 --> 00:28:06,440 Speaker 1: I'm not originally from the South where we are right now, 513 00:28:06,480 --> 00:28:09,440 Speaker 1: but are there any states around here where it's illegal? Um? 514 00:28:09,520 --> 00:28:11,359 Speaker 1: You know, I don't know offhand, Okay, I mean I 515 00:28:11,359 --> 00:28:13,640 Speaker 1: always grew I grew up in Tennessee, yeah, and spent 516 00:28:13,880 --> 00:28:16,040 Speaker 1: most of my additional time in Georgia and always saw 517 00:28:16,080 --> 00:28:19,879 Speaker 1: tattoo Parlors. So it's legal in New Hampshire and it 518 00:28:19,960 --> 00:28:22,840 Speaker 1: wasn't legal in Massachusetts for a long time until like 519 00:28:22,920 --> 00:28:25,840 Speaker 1: maybe a little over a decade ago. Uh. And so 520 00:28:26,000 --> 00:28:29,520 Speaker 1: when I lived in Massachusetts, when people needed to get tattoos, 521 00:28:29,520 --> 00:28:31,840 Speaker 1: they would either drive north over the border to New 522 00:28:31,880 --> 00:28:34,520 Speaker 1: Hampshire and there was just tattooed. There were tons of 523 00:28:34,560 --> 00:28:37,119 Speaker 1: tattoo places right over the border, or they would go 524 00:28:37,160 --> 00:28:40,640 Speaker 1: down to Rhode Island and get tattoos. Yeah, but there's 525 00:28:40,840 --> 00:28:44,400 Speaker 1: obviously tattoo studios all over Massachusetts now since it's become legal, 526 00:28:44,440 --> 00:28:48,120 Speaker 1: But that was a thing for the recent you know history. Well, yeah, 527 00:28:48,080 --> 00:28:50,360 Speaker 1: it makes sense even in the face of legality, you 528 00:28:50,400 --> 00:28:54,080 Speaker 1: would have changing regulations depending on the state. Yeah. But 529 00:28:54,200 --> 00:28:56,840 Speaker 1: let's go back a little further than that. In Polynesia 530 00:28:57,040 --> 00:29:01,920 Speaker 1: in seventeen sixty nine, Captain Cook first observed that tattoos 531 00:29:01,960 --> 00:29:05,960 Speaker 1: there on the locals had a social function, and what 532 00:29:06,040 --> 00:29:10,880 Speaker 1: they did was they displayed hierarchical and genealogical information about 533 00:29:10,880 --> 00:29:14,360 Speaker 1: the owners, so what their place was within the class 534 00:29:14,400 --> 00:29:18,200 Speaker 1: of their society, but then also what their family information was, 535 00:29:18,240 --> 00:29:22,080 Speaker 1: who their relatives were. Uh. Here in the US, tattooing 536 00:29:22,680 --> 00:29:27,320 Speaker 1: was the practice really of mainly subcultures until the nineteen sixties. Right. 537 00:29:27,320 --> 00:29:30,840 Speaker 1: They were first seen on display and merchant seamen uh, 538 00:29:30,880 --> 00:29:33,240 Speaker 1: and then bikers seemed to be the next group that 539 00:29:33,360 --> 00:29:35,560 Speaker 1: decorated their bodies. My father in law is one of 540 00:29:35,600 --> 00:29:38,000 Speaker 1: these folks. He's a he's a biker and has lots 541 00:29:38,000 --> 00:29:40,800 Speaker 1: of tattoos that are related to riding his bike. But 542 00:29:40,880 --> 00:29:45,080 Speaker 1: in the late sixties, UH, tattoo studios became more prominent 543 00:29:45,640 --> 00:29:49,840 Speaker 1: and they had a focus on formal training, sterilization, and 544 00:29:49,880 --> 00:29:53,800 Speaker 1: the actual art of tattooing. Right, so you get to 545 00:29:54,280 --> 00:29:58,320 Speaker 1: two thousand. Okay, there is a study on demographics of 546 00:29:58,360 --> 00:30:01,360 Speaker 1: tattoo adopters and here's what they I found is that 547 00:30:01,400 --> 00:30:05,240 Speaker 1: the people who get tattoos do not differ from non 548 00:30:05,360 --> 00:30:10,040 Speaker 1: consumers of tattoos in the following areas socio economic origin, 549 00:30:10,400 --> 00:30:18,440 Speaker 1: family stability, volunteering, alcohol use, college performance, or sorority fraternity affiliation. Okay, 550 00:30:18,600 --> 00:30:22,120 Speaker 1: the only distinguishing factors that they could find were that 551 00:30:22,200 --> 00:30:26,560 Speaker 1: tattoo adopters tended to have a lower level of religiosity, 552 00:30:26,600 --> 00:30:30,480 Speaker 1: a higher level of tobacco use, and in fact, women 553 00:30:31,080 --> 00:30:34,760 Speaker 1: were slightly more likely to have tattoos, which surprised me. 554 00:30:34,800 --> 00:30:39,520 Speaker 1: I thought that was interesting, especially in the early two thousand's. Again, though, 555 00:30:39,720 --> 00:30:45,640 Speaker 1: here's another study in they identified two levels of tattoo symbolism. 556 00:30:45,800 --> 00:30:48,680 Speaker 1: This is again mainly in the West here. The first 557 00:30:48,800 --> 00:30:51,239 Speaker 1: is the act of getting a tattoo that all on 558 00:30:51,280 --> 00:30:54,760 Speaker 1: its own is a symbolic act, but the second one 559 00:30:54,840 --> 00:30:58,360 Speaker 1: is obviously the art and design choice. Right. So interestingly, 560 00:30:58,840 --> 00:31:03,320 Speaker 1: they found that design was most often chosen by popularity 561 00:31:03,880 --> 00:31:08,320 Speaker 1: rather than internal symbolism. It seemed to be motivated by 562 00:31:08,400 --> 00:31:11,560 Speaker 1: imitation and was caused by the desire to create a 563 00:31:11,600 --> 00:31:15,920 Speaker 1: public self that signaled likeness to others. So this is 564 00:31:15,960 --> 00:31:18,600 Speaker 1: interesting to me. This is so we mentioned this earlier, right. 565 00:31:18,720 --> 00:31:20,840 Speaker 1: This is sort of the difference between walking into a 566 00:31:20,840 --> 00:31:25,080 Speaker 1: tattoo studio and picking something off the wall or doing 567 00:31:25,120 --> 00:31:28,000 Speaker 1: what you did where you've got a very specific idea, 568 00:31:28,240 --> 00:31:31,760 Speaker 1: you've worked long and hard on the artistic project behind it, 569 00:31:31,840 --> 00:31:34,320 Speaker 1: and then you bring that to the tattoo artist. Yeah, 570 00:31:34,360 --> 00:31:36,440 Speaker 1: I guess yes. The difference between sort of outward view 571 00:31:36,480 --> 00:31:39,560 Speaker 1: and outward facing and inward facing. I guess mine's even 572 00:31:39,560 --> 00:31:42,320 Speaker 1: more inward facing, since it only you know, not I 573 00:31:42,400 --> 00:31:44,600 Speaker 1: don't only show it off if I'm swimming or at 574 00:31:44,600 --> 00:31:48,120 Speaker 1: the beach or something, or to Saana. But but yeah, 575 00:31:48,160 --> 00:31:49,920 Speaker 1: I guess a lot of people it's it's a matter 576 00:31:49,960 --> 00:31:52,640 Speaker 1: of saying, I really like this sports team, are I 577 00:31:52,720 --> 00:31:55,400 Speaker 1: really like my country, or I was a part of 578 00:31:55,440 --> 00:31:58,800 Speaker 1: this military unit, and saying and so you choose the 579 00:31:58,920 --> 00:32:02,560 Speaker 1: established emblem and make it part of your body to 580 00:32:02,200 --> 00:32:05,120 Speaker 1: to communicate that out to the world. So yeah, there's 581 00:32:05,160 --> 00:32:08,120 Speaker 1: a there's a lot of variations in in at least 582 00:32:08,120 --> 00:32:12,160 Speaker 1: American tattoo culture. Now. In two thousand four, yet another 583 00:32:12,240 --> 00:32:16,080 Speaker 1: paper identified three types of people who adopt tattoos. The 584 00:32:16,120 --> 00:32:18,840 Speaker 1: first are the what they refer to as the fashion 585 00:32:19,000 --> 00:32:22,480 Speaker 1: aesthetic tattoo adopters, and these are people who are usually 586 00:32:22,520 --> 00:32:25,800 Speaker 1: influenced by peer groups and fashion trends towards what their 587 00:32:25,800 --> 00:32:28,520 Speaker 1: tattoos are. Then there is a group they called the 588 00:32:28,600 --> 00:32:32,760 Speaker 1: committed but concealed tattoos. This sounds like you. They're extensively 589 00:32:32,880 --> 00:32:37,440 Speaker 1: used as symbolic representations of personal life events. And then 590 00:32:37,600 --> 00:32:40,920 Speaker 1: the last one is committed collectors. Now, these are people 591 00:32:41,160 --> 00:32:45,120 Speaker 1: that reject the mainstream completely and develop their tattoos as 592 00:32:45,160 --> 00:32:47,560 Speaker 1: a career. They get a lot of tattoos and they 593 00:32:47,600 --> 00:32:50,200 Speaker 1: see it as a lifelong pursuit. So this would be 594 00:32:50,320 --> 00:32:52,840 Speaker 1: like the what's his name? The the individual with the 595 00:32:52,920 --> 00:32:56,240 Speaker 1: Jigsaw pattern who I think he was on the X Files. Yeah, 596 00:32:56,280 --> 00:32:59,400 Speaker 1: I forget what that guy's name is. Yeah, um, but yes, 597 00:33:00,000 --> 00:33:01,800 Speaker 1: exactly what you're talking about. The man who's just tattooed 598 00:33:01,800 --> 00:33:04,120 Speaker 1: all over it was like a lizard man. Yeah, he 599 00:33:04,160 --> 00:33:07,200 Speaker 1: had like a forked tongue. Yeah. Uh. Now. In two 600 00:33:07,200 --> 00:33:12,480 Speaker 1: thousand and five, another paper identified that there are two 601 00:33:12,520 --> 00:33:16,360 Speaker 1: different types of tattoos. There are tattoos as art, but 602 00:33:16,440 --> 00:33:20,240 Speaker 1: then there are also tattoos as adornment. Now, what they 603 00:33:20,240 --> 00:33:23,520 Speaker 1: mean here is something that's similar to jewelry and clothes. Right, 604 00:33:23,560 --> 00:33:25,880 Speaker 1: So you don't necessarily like I put my T shirt 605 00:33:25,920 --> 00:33:27,520 Speaker 1: on this morning. It's just a brown T shirt I'm 606 00:33:27,520 --> 00:33:30,720 Speaker 1: wearing today, Right, I didn't necessarily think of it as art. 607 00:33:31,200 --> 00:33:35,200 Speaker 1: It is still artifactual communication, regardless of what I think 608 00:33:35,240 --> 00:33:38,640 Speaker 1: about it. Some people are seeing this shirt and taking 609 00:33:38,720 --> 00:33:41,960 Speaker 1: something from that that I can't really control, and identifying 610 00:33:42,040 --> 00:33:45,760 Speaker 1: meaning from it. So I think what they're getting around too, 611 00:33:45,800 --> 00:33:49,640 Speaker 1: is that some tattoos are less quote artistic than others 612 00:33:49,680 --> 00:33:53,280 Speaker 1: and more intended as just being symbols. Yeah, and I 613 00:33:53,280 --> 00:33:55,360 Speaker 1: guess there's you get into a lot of gray area 614 00:33:55,440 --> 00:33:58,959 Speaker 1: trying to decide. I think, so, yeah, it's tough. Now. 615 00:33:59,000 --> 00:34:01,160 Speaker 1: I like how you hit on the experience too, because 616 00:34:01,480 --> 00:34:03,560 Speaker 1: it's always the case when you if you show someone 617 00:34:03,560 --> 00:34:06,680 Speaker 1: a tattoo or someone or someone showing it off, generally 618 00:34:06,720 --> 00:34:09,719 Speaker 1: there there are two questions, right One it pertains to 619 00:34:09,840 --> 00:34:12,439 Speaker 1: what it means or why you got it, and then 620 00:34:12,520 --> 00:34:14,400 Speaker 1: they want to know did it hurt, what did it 621 00:34:14,440 --> 00:34:17,640 Speaker 1: feel like? Um? And uh and and so it is. 622 00:34:17,680 --> 00:34:22,000 Speaker 1: It is an experience as well as an aesthetic purely 623 00:34:22,040 --> 00:34:26,440 Speaker 1: aesthetic adornment. So I always have stories of tattoos by 624 00:34:26,520 --> 00:34:28,360 Speaker 1: other people since I don't have any. But I have 625 00:34:28,480 --> 00:34:32,319 Speaker 1: two really close friends who got the same tattoo uh. 626 00:34:32,360 --> 00:34:37,000 Speaker 1: And they were very into like postmodern symbology at the time, 627 00:34:37,040 --> 00:34:39,960 Speaker 1: and so they like designed this thing themselves that was 628 00:34:40,000 --> 00:34:43,560 Speaker 1: just this kind of honestly like a nonsense symbol and 629 00:34:43,640 --> 00:34:45,960 Speaker 1: it looked sort of like a maze, and they got it. 630 00:34:46,000 --> 00:34:49,400 Speaker 1: They both got it tattooed, and then they found afterwards 631 00:34:49,480 --> 00:34:53,040 Speaker 1: that everyone was asking them what it meant, and so 632 00:34:53,120 --> 00:34:56,160 Speaker 1: they got to the point where they got so sick 633 00:34:56,200 --> 00:34:59,920 Speaker 1: of trying to explain the complexity of this, like absurdist, 634 00:35:00,239 --> 00:35:04,960 Speaker 1: data ist tattoo to strangers. Essentially that they would just 635 00:35:05,040 --> 00:35:08,520 Speaker 1: lie and they would say, Oh, it's my friends initials 636 00:35:08,520 --> 00:35:13,279 Speaker 1: he died in a car crash. Huh. Well, you know 637 00:35:13,320 --> 00:35:14,839 Speaker 1: that's one way, one way to handle it, and then 638 00:35:14,840 --> 00:35:16,920 Speaker 1: it kind of becomes a different story each time you 639 00:35:17,280 --> 00:35:20,319 Speaker 1: adjusted to the social setting. Yeah, exactly. All right, let's 640 00:35:20,320 --> 00:35:22,120 Speaker 1: talk about why we get them. Let's get into some 641 00:35:22,120 --> 00:35:26,920 Speaker 1: more of the psychology. Right, So the first psychological reason 642 00:35:26,960 --> 00:35:30,680 Speaker 1: that's identified as why we choose to get tattoos is 643 00:35:30,760 --> 00:35:34,120 Speaker 1: based on your identity. That makes sense, right, So they 644 00:35:34,160 --> 00:35:37,879 Speaker 1: are usually personal traits that are materialistic, and they, as 645 00:35:38,120 --> 00:35:41,319 Speaker 1: we mentioned earlier, they established a group identity, such as 646 00:35:41,400 --> 00:35:44,759 Speaker 1: a fraternity you belong to, or military group that you 647 00:35:44,800 --> 00:35:48,439 Speaker 1: were in, or gang membership or even sports teams. Yeah, 648 00:35:48,560 --> 00:35:50,960 Speaker 1: and then of course there's a whole range of religious 649 00:35:50,960 --> 00:35:55,839 Speaker 1: tattoosh and some of those get into varying levels of 650 00:35:55,920 --> 00:35:58,640 Speaker 1: magical and protective tattoos as well. So, for instance, you 651 00:35:58,719 --> 00:36:02,759 Speaker 1: might have a crucifix on your body just because you know, 652 00:36:02,760 --> 00:36:05,959 Speaker 1: you're saying Christianity means something to you and you want 653 00:36:06,080 --> 00:36:09,600 Speaker 1: you want that part of your identity to be visible. Right. Yeah, Well, exactly. 654 00:36:09,600 --> 00:36:11,600 Speaker 1: It's sort of like, if you're putting that too in 655 00:36:11,640 --> 00:36:14,439 Speaker 1: a visible place, right, you're announcing to the world, Hey, 656 00:36:14,520 --> 00:36:16,799 Speaker 1: I am a Christian. Are you a Christian too? We 657 00:36:17,239 --> 00:36:20,800 Speaker 1: have something in common now. But then you don't necessarily 658 00:36:20,880 --> 00:36:23,040 Speaker 1: think that putting the cross on your body is going 659 00:36:23,080 --> 00:36:26,400 Speaker 1: to protect you, but you could like they're just varying 660 00:36:26,480 --> 00:36:31,319 Speaker 1: levels of magical thinking and religiosity that come into play. Now. 661 00:36:31,360 --> 00:36:34,319 Speaker 1: The sort of more mundane version of this, right, that 662 00:36:34,440 --> 00:36:36,680 Speaker 1: I always like to think of is you know when 663 00:36:36,680 --> 00:36:40,040 Speaker 1: you go on vacation and you're like at a beach 664 00:36:40,120 --> 00:36:42,040 Speaker 1: or something like that, or maybe you're at the airport 665 00:36:42,120 --> 00:36:44,880 Speaker 1: and there's those touristy shirts, right. Like, let's say you 666 00:36:44,920 --> 00:36:47,200 Speaker 1: go to Miami and you're on your way back home 667 00:36:47,360 --> 00:36:49,120 Speaker 1: and you buy a T shirt that's like a dolphin 668 00:36:49,239 --> 00:36:51,279 Speaker 1: jumping out of the waves and just says Miami with 669 00:36:51,320 --> 00:36:53,799 Speaker 1: a big exclamation point on it, right, and you wear 670 00:36:53,880 --> 00:36:57,480 Speaker 1: that out? What is that telling the world? You're telling 671 00:36:57,480 --> 00:37:00,040 Speaker 1: people I've been to Miami, right, And it's essentially in 672 00:37:00,080 --> 00:37:02,960 Speaker 1: fighting other people who have been to Miami to say, hey, 673 00:37:03,000 --> 00:37:05,600 Speaker 1: I've been to Miami too, what what did you like 674 00:37:05,680 --> 00:37:08,879 Speaker 1: about it? Or I've never been to Miami. What's it like? Well? 675 00:37:09,120 --> 00:37:11,960 Speaker 1: And I think that comes into play, especially with individuals 676 00:37:11,960 --> 00:37:14,480 Speaker 1: who have a lot of tattoos and have sleeves and whatnot, 677 00:37:14,800 --> 00:37:16,840 Speaker 1: because you know, when you just have one tattoo, you 678 00:37:16,920 --> 00:37:19,480 Speaker 1: just you, or even just a couple, you put a 679 00:37:19,480 --> 00:37:21,279 Speaker 1: lot of thought into that one tattoo and it has 680 00:37:21,320 --> 00:37:23,960 Speaker 1: to me to mean a lot or or just represent 681 00:37:24,040 --> 00:37:25,759 Speaker 1: one aspect of your life. But when you have like 682 00:37:25,760 --> 00:37:28,760 Speaker 1: a whole sleeve, like each little bit. I've seen people 683 00:37:28,920 --> 00:37:32,160 Speaker 1: sort of narrate their tattoos, and so each little one, 684 00:37:32,480 --> 00:37:34,080 Speaker 1: some of them, some of the little details might not 685 00:37:34,200 --> 00:37:36,880 Speaker 1: mean anything that much. It's just, hey, I went somewhere 686 00:37:36,880 --> 00:37:41,000 Speaker 1: with some friends and we got this to commemorate what happened. Uh. 687 00:37:41,040 --> 00:37:43,480 Speaker 1: But it becomes this, Uh, it's like the illustrated Man, 688 00:37:43,640 --> 00:37:46,560 Speaker 1: like they overall tell the story of that individual's life. 689 00:37:46,680 --> 00:37:48,719 Speaker 1: I had a buddy who recently got a sleeve here 690 00:37:48,719 --> 00:37:52,280 Speaker 1: in Atlanta, and he got the ig Dristill, the tree 691 00:37:52,280 --> 00:37:55,440 Speaker 1: of life from Norse mythology, done as a full sleeve, 692 00:37:55,920 --> 00:37:59,280 Speaker 1: and then he had like aspects of the tree exactly 693 00:37:59,320 --> 00:38:02,160 Speaker 1: as you described, being like manifest parts of his life 694 00:38:02,200 --> 00:38:04,760 Speaker 1: that were important to him. So it's it's a pretty 695 00:38:04,760 --> 00:38:08,719 Speaker 1: interesting one. Now. Um, in all of this, we're talking 696 00:38:08,760 --> 00:38:11,920 Speaker 1: about identity. And I found it summed up rather nicely 697 00:38:12,080 --> 00:38:15,080 Speaker 1: in an article title the Psychology of Tattoos was published 698 00:38:15,120 --> 00:38:18,799 Speaker 1: in San Diego Magazine is written by Michael R. Mentel, PhD. 699 00:38:19,120 --> 00:38:21,480 Speaker 1: And he pointed out the individuals with tattoos tend to 700 00:38:21,480 --> 00:38:25,120 Speaker 1: have a stronger sense of identity. Now, you know, there 701 00:38:25,120 --> 00:38:26,719 Speaker 1: are a lot of interpretations of that, and you know, 702 00:38:26,760 --> 00:38:30,440 Speaker 1: certainly identity can range from identity within a group to 703 00:38:30,680 --> 00:38:33,120 Speaker 1: identity outside of a group. But I think that is 704 00:38:33,120 --> 00:38:36,279 Speaker 1: an important point to drive home that identity in tattoos 705 00:38:36,440 --> 00:38:39,600 Speaker 1: or are are closely intertwined. So on a on a 706 00:38:39,680 --> 00:38:43,040 Speaker 1: very basic level, you have your identity somehow wrapped up 707 00:38:43,040 --> 00:38:46,080 Speaker 1: in this tattoo, A tattoo conserved to announce who you 708 00:38:46,120 --> 00:38:48,799 Speaker 1: are to the world. You know, and this is an 709 00:38:48,920 --> 00:38:52,680 Speaker 1: essential thing given our social species and the survival advantage 710 00:38:52,680 --> 00:38:55,600 Speaker 1: associated with acceptance within a group. So it sends that 711 00:38:55,719 --> 00:38:59,720 Speaker 1: message I am this, I associate with this thing, idea symbol, 712 00:38:59,760 --> 00:39:02,920 Speaker 1: our ist or ideal enough diffuse it with my body. 713 00:39:03,719 --> 00:39:05,360 Speaker 1: And you know, it's not just a band shirt that 714 00:39:05,360 --> 00:39:08,600 Speaker 1: you can take on and off. This is me. Now. 715 00:39:08,640 --> 00:39:12,160 Speaker 1: The next psychological reason why we seem to get tattoos 716 00:39:12,280 --> 00:39:18,080 Speaker 1: has to do with transformation. That's right, because in advertising, 717 00:39:18,120 --> 00:39:21,080 Speaker 1: one is putting the inner self or the ideal in 718 00:39:21,120 --> 00:39:24,320 Speaker 1: herself on the outside. Because normally all of those cool 719 00:39:24,400 --> 00:39:28,360 Speaker 1: ideas and loves and wonders, they're encased within you. But 720 00:39:28,360 --> 00:39:31,919 Speaker 1: but only with this normal human body to even hint 721 00:39:31,960 --> 00:39:34,160 Speaker 1: at it. But the tattoo puts puts it on the outside. 722 00:39:34,200 --> 00:39:38,440 Speaker 1: It beautifies the external with the internal. I found a 723 00:39:38,440 --> 00:39:41,560 Speaker 1: wonderful quote here. This is from Kirby Feral, PhD. Of 724 00:39:41,560 --> 00:39:44,560 Speaker 1: the University of Massachusetts in Amherst, and she put it 725 00:39:44,600 --> 00:39:48,920 Speaker 1: this way, springing off a discussion of roaring sports mascots 726 00:39:48,920 --> 00:39:53,520 Speaker 1: and screaming skulls as totems against impermanence and death. She said, 727 00:39:53,800 --> 00:39:57,800 Speaker 1: for one thing, that devouring mall is open to swallow 728 00:39:57,840 --> 00:40:00,719 Speaker 1: more life, more food, energy, but also, as a tattoo, 729 00:40:01,160 --> 00:40:05,120 Speaker 1: more vital attention where social animals. It's how we're built. Remember, 730 00:40:05,200 --> 00:40:08,040 Speaker 1: the self is an event, not a thing. In the 731 00:40:08,120 --> 00:40:12,239 Speaker 1: neurochemical conditions of deep sleep, the self disappears. We rely 732 00:40:12,360 --> 00:40:16,120 Speaker 1: on social behavior attention to substantiate us and make us 733 00:40:16,160 --> 00:40:21,120 Speaker 1: feel real. Exile solitary confinement and social death punished by 734 00:40:21,160 --> 00:40:24,560 Speaker 1: starving the self for attention. You know, it's interesting. I 735 00:40:24,680 --> 00:40:29,080 Speaker 1: also read something by Kirby Ferrell. It seems like we 736 00:40:29,080 --> 00:40:32,880 Speaker 1: we hit upon the same source. Yeah. Uh. She wrote 737 00:40:32,880 --> 00:40:37,120 Speaker 1: for Psychology Today that tattoos modify our self esteem as 738 00:40:37,200 --> 00:40:40,080 Speaker 1: much as they modify our bodies, and she referred to 739 00:40:40,080 --> 00:40:44,000 Speaker 1: them as a prosthetic that makes up for something that 740 00:40:44,040 --> 00:40:47,160 Speaker 1: you feel to be missing or inadequate. It's sort of 741 00:40:47,200 --> 00:40:49,640 Speaker 1: like thinking about it as like an artificial limb. Right. 742 00:40:50,040 --> 00:40:52,480 Speaker 1: And here's another quote related to the one that you said. 743 00:40:52,800 --> 00:40:56,120 Speaker 1: She said, by putting a skull on your skin, for instance, 744 00:40:56,200 --> 00:40:59,360 Speaker 1: you and everyone who looks at you honors your control 745 00:40:59,480 --> 00:41:03,400 Speaker 1: over death. The skull insists that you are not afraid 746 00:41:03,719 --> 00:41:07,520 Speaker 1: of even your own death. If you emphasize teeth as 747 00:41:07,560 --> 00:41:11,239 Speaker 1: an images of wolfs, jaws, and fangs, the signal is 748 00:41:11,280 --> 00:41:15,960 Speaker 1: a threat display that should intimidate potential adversaries and pump 749 00:41:16,120 --> 00:41:20,040 Speaker 1: up you the beast's owner, turning your nervous system flight 750 00:41:20,120 --> 00:41:24,920 Speaker 1: into courage and fight. Pretty interesting. Yeah, and you know 751 00:41:24,960 --> 00:41:27,480 Speaker 1: this ties in nicely with the example I want to 752 00:41:27,480 --> 00:41:31,319 Speaker 1: bring up next for the transformative power of tattoos. So 753 00:41:31,360 --> 00:41:33,960 Speaker 1: one of my favorite tattoo traditions that I've I've read 754 00:41:34,000 --> 00:41:37,720 Speaker 1: about and seen footage job is UH, the so called 755 00:41:37,719 --> 00:41:41,520 Speaker 1: tattoo festival in the Buddhist temple Wat bang Fra in 756 00:41:41,560 --> 00:41:45,560 Speaker 1: central Thailand's about thirty one miles or fifty kilometers west 757 00:41:45,600 --> 00:41:49,200 Speaker 1: of Bangkok. So tattoos have a deep history and Thai culture, 758 00:41:49,560 --> 00:41:53,319 Speaker 1: but the custom declined in the early modern period with UH, 759 00:41:53,680 --> 00:41:56,560 Speaker 1: with the upper middle class in particular looking down on it, 760 00:41:56,920 --> 00:41:59,400 Speaker 1: but traditions remain in remained in rural areas in a 761 00:41:59,400 --> 00:42:02,799 Speaker 1: middle lower class urban youths, tattoos function in a way 762 00:42:02,840 --> 00:42:07,000 Speaker 1: that closely aligned with the Thai emphasis emphasis on protective 763 00:42:07,080 --> 00:42:11,239 Speaker 1: ambulance against the spirit world. But there are also traditional 764 00:42:11,280 --> 00:42:14,600 Speaker 1: taipe tattoos that aim to protect one against physical harm, 765 00:42:14,960 --> 00:42:19,080 Speaker 1: even specific injuries including stabbings or gunshots, and these are 766 00:42:19,080 --> 00:42:21,920 Speaker 1: most popular among you know, police, soldiers and of course criminals. 767 00:42:22,920 --> 00:42:27,280 Speaker 1: Among these magical tattoos, you have two types. There's gaffa 768 00:42:27,920 --> 00:42:30,160 Speaker 1: or magic spells, and these are are written in the 769 00:42:30,200 --> 00:42:34,000 Speaker 1: ancient key mirror script, and then you have representations of 770 00:42:34,040 --> 00:42:36,680 Speaker 1: creatures with mythical powers, so they might be you know, 771 00:42:36,760 --> 00:42:39,880 Speaker 1: existing creatures like lions, panthers or boars or eagles, or 772 00:42:39,880 --> 00:42:44,280 Speaker 1: it might be dragons or Hanuman the monkey king from 773 00:42:44,320 --> 00:42:48,600 Speaker 1: of course Hindu iconography yea. In either case, the tattoos 774 00:42:48,600 --> 00:42:51,759 Speaker 1: are administered by a traditional tattoo master, either a layperson 775 00:42:51,920 --> 00:42:54,879 Speaker 1: or a Buddhist monk. Some tattoo artists of the lay 776 00:42:54,920 --> 00:42:58,200 Speaker 1: of variety they claim to be possessed by generally it's 777 00:42:58,239 --> 00:43:01,400 Speaker 1: like an Indian Hindu occultist, and they enter into a 778 00:43:01,440 --> 00:43:05,839 Speaker 1: trance like state and they dawn a mask. Now back 779 00:43:05,840 --> 00:43:09,680 Speaker 1: to this tattoo festival at Wat bang Fra. The tattoo 780 00:43:09,760 --> 00:43:12,000 Speaker 1: festival sprang up in the wake of tattoo master and 781 00:43:12,080 --> 00:43:16,040 Speaker 1: monk Longfow Poem, who died in two thousand two, but 782 00:43:16,120 --> 00:43:18,560 Speaker 1: they erected a bronze statue of him in his honor. 783 00:43:18,880 --> 00:43:23,800 Speaker 1: So during this festival, tattooed adherents gather, sometimes in the thousands. 784 00:43:23,840 --> 00:43:26,840 Speaker 1: They pay respects to the statue and they meditate, and 785 00:43:26,840 --> 00:43:29,360 Speaker 1: then a few individuals will enter into a self induced 786 00:43:29,400 --> 00:43:31,839 Speaker 1: trance and begin to act in the manner of one 787 00:43:31,840 --> 00:43:36,560 Speaker 1: of their bestial tattoos. Yeah, so they're like manifesting their 788 00:43:36,560 --> 00:43:39,360 Speaker 1: power animal exactly. So if they have if they have 789 00:43:39,400 --> 00:43:41,000 Speaker 1: a tiger on there. It might be, you know, a 790 00:43:41,120 --> 00:43:43,960 Speaker 1: snarling kind of behavior. If they have Hanuman, then they 791 00:43:44,040 --> 00:43:47,280 Speaker 1: might be doing having movements that mimic the traditional dance 792 00:43:47,320 --> 00:43:50,800 Speaker 1: movements of of the Monkey King. But overall they act 793 00:43:51,160 --> 00:43:54,200 Speaker 1: as if possessed or in sourcefuled uh. And this this 794 00:43:54,239 --> 00:43:56,439 Speaker 1: happens in the morning until and it keeps going until 795 00:43:56,480 --> 00:43:59,440 Speaker 1: around nine thirty am when the monks lead a Buddhist prayer. 796 00:44:00,239 --> 00:44:03,160 Speaker 1: Some adherents continue to frenzy at that point until the 797 00:44:03,200 --> 00:44:06,239 Speaker 1: monks spray them down with a garden hose uh. And 798 00:44:06,320 --> 00:44:09,640 Speaker 1: then everyone disperses and something, except for those who stick 799 00:44:09,680 --> 00:44:13,759 Speaker 1: around to receive tattoos from the monks. There's a great 800 00:44:13,840 --> 00:44:16,720 Speaker 1: article about this that I read to get these details. 801 00:44:16,800 --> 00:44:19,280 Speaker 1: This is from two thousand and eight titled Spirit Possession 802 00:44:19,280 --> 00:44:23,080 Speaker 1: and Tourism at Thai Festivals Compared to Study by Eric Cohen, 803 00:44:23,480 --> 00:44:25,600 Speaker 1: and he pointed out that this is one of those 804 00:44:25,600 --> 00:44:29,080 Speaker 1: events where if you're a Western tourist and you show up, 805 00:44:29,520 --> 00:44:33,759 Speaker 1: you're gonna be tolerated as an interloper. But but you know, 806 00:44:33,800 --> 00:44:37,680 Speaker 1: you're not gonna be encouraged to attend um. But but 807 00:44:37,960 --> 00:44:39,920 Speaker 1: there are individuals who do seek it out. You know, 808 00:44:39,960 --> 00:44:43,680 Speaker 1: just because of the spectacle of the thing. But I 809 00:44:43,760 --> 00:44:46,480 Speaker 1: think the whole festival is a testament to the overt 810 00:44:46,800 --> 00:44:49,839 Speaker 1: and or implied power that we give tattoos. Not only 811 00:44:49,880 --> 00:44:52,880 Speaker 1: are the ideas images and symbols to protect your body, 812 00:44:53,360 --> 00:44:57,160 Speaker 1: but those ideas become one with the body. And uh 813 00:44:57,200 --> 00:44:59,600 Speaker 1: and and you know, maybe and maybe we become one 814 00:44:59,640 --> 00:45:01,600 Speaker 1: with the sub to the tattoo. Yeah, I think there's 815 00:45:01,640 --> 00:45:05,440 Speaker 1: something to be said transformatively about the use of tattoos 816 00:45:05,480 --> 00:45:09,120 Speaker 1: as a form of self control, right. Uh. And in fact, 817 00:45:09,560 --> 00:45:12,200 Speaker 1: there's a lens that you can look at tattoos as 818 00:45:12,239 --> 00:45:16,680 Speaker 1: sort of pro social, regulated acts of communication, rather than 819 00:45:16,680 --> 00:45:21,040 Speaker 1: this idea that seems so pervasive, especially in early psychology, 820 00:45:21,080 --> 00:45:23,319 Speaker 1: of that you know, people who get tattoos are just 821 00:45:23,400 --> 00:45:28,200 Speaker 1: pathologically insistent on self injury and something like that. For 822 00:45:28,200 --> 00:45:31,560 Speaker 1: for people who have a transformative aspect with it, tattoos 823 00:45:31,560 --> 00:45:35,320 Speaker 1: are a form of controlled coping mechanisms, right. And actually, 824 00:45:35,360 --> 00:45:38,040 Speaker 1: this is an interesting stat Women are more likely than 825 00:45:38,120 --> 00:45:41,920 Speaker 1: men to choose tattoo symbols as an expression of self 826 00:45:42,000 --> 00:45:46,000 Speaker 1: identity through uniqueness and independence. So again, so it seems 827 00:45:46,000 --> 00:45:48,759 Speaker 1: to be more than just the act of getting the 828 00:45:48,800 --> 00:45:53,080 Speaker 1: tattoo in this. In these cases, the transformative aspect is 829 00:45:53,560 --> 00:45:56,960 Speaker 1: choosing what the symbol reflects, right, and how that's going 830 00:45:57,000 --> 00:45:59,719 Speaker 1: to change you. Well, you know, this makes me think 831 00:46:00,000 --> 00:46:04,279 Speaker 1: of the use of tattoos to cover up or in 832 00:46:04,320 --> 00:46:08,719 Speaker 1: some cases sort of adorned scars, especially surgical scars. And 833 00:46:08,719 --> 00:46:10,839 Speaker 1: this is of course very prevalent in the case of 834 00:46:11,360 --> 00:46:16,160 Speaker 1: women who receives Yeah, like you see these these these 835 00:46:16,160 --> 00:46:19,320 Speaker 1: images of women who have taken that that scar, taken 836 00:46:19,480 --> 00:46:23,360 Speaker 1: the absence and transformed it into into something you know, 837 00:46:23,440 --> 00:46:27,200 Speaker 1: meaningful and symbolic. Uh. And in milder cases you also 838 00:46:27,239 --> 00:46:30,520 Speaker 1: see like a purely medical tattoo where a nipple um, 839 00:46:30,520 --> 00:46:32,799 Speaker 1: you know, or some other feature of the skin is 840 00:46:32,800 --> 00:46:36,920 Speaker 1: repaired with tattooing. But but I think those those transformative 841 00:46:37,239 --> 00:46:41,279 Speaker 1: moments are the most most potent. Yeah. And so the 842 00:46:41,360 --> 00:46:44,120 Speaker 1: third psychological factor that we get to here, I think 843 00:46:44,239 --> 00:46:47,879 Speaker 1: is connected to the transformative nature, and this is remembrance. Right. 844 00:46:48,200 --> 00:46:50,920 Speaker 1: So we've actually talked about this before in episodes we've 845 00:46:51,000 --> 00:46:56,000 Speaker 1: done about palam sests and anthropodermic biblio peggy. But in 846 00:46:56,080 --> 00:47:02,360 Speaker 1: contemporary America, the meanings of tattoos can actually be possessions 847 00:47:02,440 --> 00:47:06,480 Speaker 1: that reflect your experiences, your memories, your feelings, or your values. 848 00:47:06,960 --> 00:47:08,960 Speaker 1: It sort of looks at the body as a living 849 00:47:09,120 --> 00:47:12,480 Speaker 1: record of your life history, right, and especially like when 850 00:47:12,520 --> 00:47:15,840 Speaker 1: we're talking about people who see their tattooing as a career, 851 00:47:16,360 --> 00:47:19,799 Speaker 1: that their body is becoming like a permanent record of 852 00:47:19,800 --> 00:47:21,880 Speaker 1: of what's happened to them in their life. Yeah, you 853 00:47:21,920 --> 00:47:24,160 Speaker 1: see people getting the names of their children, or their 854 00:47:24,239 --> 00:47:26,880 Speaker 1: names of their loved one, their mother, you know, various 855 00:47:26,880 --> 00:47:30,160 Speaker 1: family members engraved on their body to say like, these 856 00:47:30,160 --> 00:47:31,960 Speaker 1: people are important to me and they are a part 857 00:47:32,000 --> 00:47:35,399 Speaker 1: of name. My brother in law has his last name 858 00:47:35,440 --> 00:47:38,560 Speaker 1: tattooed on his leg in Old English, and whenever you 859 00:47:38,600 --> 00:47:40,239 Speaker 1: ask him about it, he says that it's just so 860 00:47:40,280 --> 00:47:44,000 Speaker 1: I can remember what my last name is. But it's 861 00:47:44,000 --> 00:47:47,400 Speaker 1: obviously supposed to be you know, remembrance of family, and 862 00:47:47,400 --> 00:47:50,360 Speaker 1: the family is important to him. Um. So here's a 863 00:47:50,360 --> 00:47:52,760 Speaker 1: couple of studies that are related to the remembrance aspect. 864 00:47:53,040 --> 00:47:58,200 Speaker 1: One study from eleven used content analysis on student essays 865 00:47:58,560 --> 00:48:03,200 Speaker 1: and online blogs that were about casual tattooing adoption. What 866 00:48:03,280 --> 00:48:06,920 Speaker 1: they found was that the motivations manifesting through the meanings 867 00:48:06,920 --> 00:48:09,840 Speaker 1: of these tattoos are first of all, the act of 868 00:48:09,880 --> 00:48:13,160 Speaker 1: getting the tattoo. Second, the design of the tattoo image. 869 00:48:13,400 --> 00:48:16,920 Speaker 1: But then the motivation for people not to get tattoos 870 00:48:16,920 --> 00:48:21,920 Speaker 1: were actually anchored in the individual's public persona, So how 871 00:48:22,440 --> 00:48:25,920 Speaker 1: uh they felt like their self was perceived by other people, 872 00:48:26,320 --> 00:48:29,879 Speaker 1: but also their private persona, which really to them meant 873 00:48:29,920 --> 00:48:32,719 Speaker 1: their authentic and real self. So there's a lot of 874 00:48:33,280 --> 00:48:37,040 Speaker 1: you know, tattoos are really like creating a lot of 875 00:48:37,520 --> 00:48:42,319 Speaker 1: dissonance inside you know, your identity and cognition essentially, right, 876 00:48:42,640 --> 00:48:44,640 Speaker 1: So this is like, you know, it may seem like, oh, 877 00:48:44,680 --> 00:48:46,640 Speaker 1: this doesn't make sense for a science podcast where you 878 00:48:46,640 --> 00:48:48,720 Speaker 1: guys talking about tattoos, but there's a lot of stuff 879 00:48:48,760 --> 00:48:52,040 Speaker 1: going on inside our heads when we're making these decisions, 880 00:48:52,160 --> 00:48:56,640 Speaker 1: you know, now choosing one that also creates a negotiation 881 00:48:56,719 --> 00:49:00,720 Speaker 1: between these two aspects of ourselves. A sub ancial number 882 00:49:00,760 --> 00:49:04,000 Speaker 1: of the respondents that they talked to mentioned getting tattoos 883 00:49:04,800 --> 00:49:07,080 Speaker 1: in a phase of their life when they quoted wanted 884 00:49:07,160 --> 00:49:11,440 Speaker 1: to rebel against conformity, right. So they found that this 885 00:49:11,560 --> 00:49:15,000 Speaker 1: is usually characterized by less attention to the meaning of 886 00:49:15,040 --> 00:49:17,840 Speaker 1: the design. So for instance, you go to a tattoo 887 00:49:17,920 --> 00:49:21,120 Speaker 1: parlor and you're like, I'll get that Tasmanian devil. Uh. 888 00:49:21,160 --> 00:49:23,640 Speaker 1: You get that tattooed, and then five years later you're like, oh, 889 00:49:23,840 --> 00:49:26,439 Speaker 1: I really wish I didn't do that. Uh, it must 890 00:49:26,440 --> 00:49:28,319 Speaker 1: have been because I was rebelling or something. Right, this 891 00:49:28,360 --> 00:49:30,680 Speaker 1: is a common narrative that you hear. Yeah, I think 892 00:49:30,719 --> 00:49:32,920 Speaker 1: a lot a lot of tattoo parlors I've heard have 893 00:49:33,040 --> 00:49:37,640 Speaker 1: a wall of shame versus some of the in their opinions, 894 00:49:37,719 --> 00:49:41,080 Speaker 1: at least wise tattoos. Yeah. Well, it's usually to like 895 00:49:41,160 --> 00:49:42,880 Speaker 1: people who come in at three in the morning, like 896 00:49:42,960 --> 00:49:47,400 Speaker 1: completely drunk and uh. You know, I think a responsible 897 00:49:47,400 --> 00:49:51,280 Speaker 1: tattoo studio usually won't give you a tattoo in those situations. 898 00:49:51,320 --> 00:49:53,359 Speaker 1: But there are plenty of those stories out there, all right, 899 00:49:53,440 --> 00:49:57,080 Speaker 1: you know, with varying degrees of validity. Yeah. Absolutely So, 900 00:49:57,400 --> 00:50:01,160 Speaker 1: those though, who get their tattoos for you nique creative art, 901 00:50:01,520 --> 00:50:04,359 Speaker 1: tend to search for a feeling of pride in their 902 00:50:04,400 --> 00:50:07,200 Speaker 1: tattoo and something that if it's visible, is going to 903 00:50:07,239 --> 00:50:10,719 Speaker 1: be praised. Right. Some of them get these tattoos out 904 00:50:10,719 --> 00:50:14,520 Speaker 1: of a desire for conformity that comes from social pressure 905 00:50:14,640 --> 00:50:17,399 Speaker 1: or influence. Okay, I want to put a pin on that, right, 906 00:50:17,600 --> 00:50:19,759 Speaker 1: Remember I talked about my mentor at the beginning, and 907 00:50:19,840 --> 00:50:22,239 Speaker 1: his whole thing about how a tattoo is the first 908 00:50:22,239 --> 00:50:25,520 Speaker 1: step towards fascism. Well, there, I can see what he's 909 00:50:25,560 --> 00:50:28,839 Speaker 1: talking about, right, Like the idea that some people are 910 00:50:28,920 --> 00:50:32,440 Speaker 1: getting tattoos out of a desire to conform to something. 911 00:50:32,960 --> 00:50:35,520 Speaker 1: I think he saw that. I don't think he was 912 00:50:35,600 --> 00:50:39,280 Speaker 1: aware of all of these broad variety of psychological reasons 913 00:50:39,280 --> 00:50:41,400 Speaker 1: why people got them, but that was the one he 914 00:50:41,560 --> 00:50:44,840 Speaker 1: was honing in on their right with the conformity aspect, 915 00:50:45,040 --> 00:50:48,600 Speaker 1: him linking it to fascism. Oh yeah, but it also 916 00:50:48,640 --> 00:50:50,960 Speaker 1: comes back to just the social nature of humans and 917 00:50:51,320 --> 00:50:54,360 Speaker 1: conformity is is kind of what we do. It depends 918 00:50:54,360 --> 00:50:56,880 Speaker 1: on which group you're trying to conform. Yeah, I don't. Again, 919 00:50:57,000 --> 00:50:59,400 Speaker 1: I don't think I necessarily agree with him. I understand 920 00:50:59,400 --> 00:51:01,359 Speaker 1: where he's coming from. I think it's a broader, more 921 00:51:01,400 --> 00:51:04,759 Speaker 1: complicated thing than that, as is often the case. Now, 922 00:51:04,800 --> 00:51:06,719 Speaker 1: there's one more study i'd like to mention here. This 923 00:51:06,800 --> 00:51:09,399 Speaker 1: is from twiften, and they found that even though there 924 00:51:09,480 --> 00:51:12,960 Speaker 1: is independence in the choice and purchase of tattoo art, 925 00:51:13,440 --> 00:51:18,480 Speaker 1: there are usually both external and internal influences that are 926 00:51:18,520 --> 00:51:23,440 Speaker 1: related to whether somebody regretted acquiring a tattoo. Right now, 927 00:51:23,480 --> 00:51:26,920 Speaker 1: that's either your you know, essentially your personal identity for 928 00:51:27,000 --> 00:51:29,799 Speaker 1: your regret, or people saying to you, geez, why did 929 00:51:29,840 --> 00:51:33,000 Speaker 1: you get that Tasmanian devil? Or why did you my 930 00:51:33,080 --> 00:51:36,200 Speaker 1: favorite one? Some buddies of mine used to always joke 931 00:51:36,239 --> 00:51:40,359 Speaker 1: about this because it's a very common tattoo. You'd say, like, uh, hey, dude, 932 00:51:40,400 --> 00:51:42,520 Speaker 1: would you get that tattoo with a it's a skull 933 00:51:42,600 --> 00:51:45,640 Speaker 1: with like a fire for hair or something like that, 934 00:51:46,000 --> 00:51:48,200 Speaker 1: you know, like like people would go, oh, maybe I 935 00:51:48,239 --> 00:51:50,359 Speaker 1: really shouldn't have gotten that skull with fire for hair. 936 00:51:50,560 --> 00:51:52,680 Speaker 1: I don't know, but of course it depends how it's 937 00:51:52,680 --> 00:51:56,279 Speaker 1: stick fire for hair skull. But oh man, if you're 938 00:51:56,320 --> 00:51:59,080 Speaker 1: a ghostwriter fan, that's right there for you. Yeah, you know. 939 00:52:00,360 --> 00:52:02,279 Speaker 1: All right, well, let's take a one more break, and 940 00:52:02,280 --> 00:52:04,880 Speaker 1: when we come back, we're going to get into the 941 00:52:04,920 --> 00:52:08,799 Speaker 1: psychology of how others interpret tattoos. Uh And again, this 942 00:52:08,840 --> 00:52:11,759 Speaker 1: is gonna be uh uh an issue where it's going 943 00:52:11,840 --> 00:52:14,120 Speaker 1: to vary a lot depending on, you know, exactly what 944 00:52:14,160 --> 00:52:20,880 Speaker 1: the culture is and what the tattoo happens to be. Alright, 945 00:52:20,880 --> 00:52:24,520 Speaker 1: we're back. So now we're talking about the psychology of tattoos, 946 00:52:25,120 --> 00:52:27,239 Speaker 1: not from the point of view of why we get them, 947 00:52:27,280 --> 00:52:30,719 Speaker 1: but how other people tend to interpret them. There's been 948 00:52:30,760 --> 00:52:32,920 Speaker 1: a lot of research on this. Yeah, and anyone out 949 00:52:32,920 --> 00:52:35,400 Speaker 1: there with tattoos you can I'm sure you can relate. 950 00:52:35,600 --> 00:52:39,040 Speaker 1: Oh oh yeah, I bet. Now let's go back to 951 00:52:39,120 --> 00:52:43,160 Speaker 1: early psychology. I mentioned this in Passing earlier. It really 952 00:52:43,880 --> 00:52:47,719 Speaker 1: seemed to get tattooing wrong. I think it described tattooing 953 00:52:47,920 --> 00:52:52,960 Speaker 1: as exhibitionism and masochism, and this led many psychologists to 954 00:52:53,080 --> 00:52:57,400 Speaker 1: describe people who got tattoos as uninhibited and impulsive and 955 00:52:57,520 --> 00:53:02,120 Speaker 1: more likely to exhibit psychopaths oology. Uh. They were also 956 00:53:02,200 --> 00:53:07,120 Speaker 1: described as signs of emotional immaturity and neurotic conflicts, and 957 00:53:07,120 --> 00:53:11,239 Speaker 1: by the nineteen nineties there was an association of manliness 958 00:53:11,320 --> 00:53:14,800 Speaker 1: and sexuality connected to tattoos, which I thought was interesting 959 00:53:14,840 --> 00:53:18,800 Speaker 1: as well. I guess I can sort of picture that, um, 960 00:53:18,920 --> 00:53:20,680 Speaker 1: because that was right around the time when like the 961 00:53:20,719 --> 00:53:23,080 Speaker 1: people around me were starting to get tattooed. Yeah, it 962 00:53:23,640 --> 00:53:26,680 Speaker 1: gets into media representations to write like the tough biker, 963 00:53:26,800 --> 00:53:30,200 Speaker 1: the tough prisoner, or say, like the tough wrestler with 964 00:53:30,280 --> 00:53:34,560 Speaker 1: a tattoo. There were the tough athlete with a tattoo. Right, yeah, 965 00:53:35,080 --> 00:53:38,279 Speaker 1: So if you go way back to nineteen sixty seven, though, 966 00:53:38,280 --> 00:53:42,880 Speaker 1: there's an interesting paper by Isaenick and Isaenick. I'm assuming 967 00:53:42,920 --> 00:53:46,440 Speaker 1: they're either siblings or maybe they're married, but they proposed 968 00:53:46,480 --> 00:53:50,440 Speaker 1: an idea called stimulation theory, and the idea here is 969 00:53:50,480 --> 00:53:54,520 Speaker 1: related to extraversion and introversion of people, and the idea 970 00:53:54,560 --> 00:53:58,360 Speaker 1: that their products of our cortical arousal inside our brains 971 00:53:58,800 --> 00:54:02,840 Speaker 1: and essentially this in lunces our response to external stimuli. So, 972 00:54:03,120 --> 00:54:06,799 Speaker 1: for instance, if you have a high level of cortical arousal, 973 00:54:07,120 --> 00:54:11,359 Speaker 1: then you are more sensitive to external stimuli. That's me, Like, 974 00:54:11,760 --> 00:54:14,960 Speaker 1: I'm way more sensitive to external stimuli than most people. 975 00:54:15,400 --> 00:54:18,279 Speaker 1: And uh I especially like if there's if I'm in 976 00:54:18,560 --> 00:54:20,080 Speaker 1: like a big room with a lot of people being 977 00:54:20,160 --> 00:54:23,240 Speaker 1: loud or something like that, Like it seems to affect 978 00:54:23,320 --> 00:54:29,000 Speaker 1: me more, right in many ways, Okay, But introverts seem 979 00:54:29,080 --> 00:54:32,480 Speaker 1: to be more sensitive to stimuli and seek to avoid it. 980 00:54:32,560 --> 00:54:36,720 Speaker 1: So seems like I'm an introvert in n Though another 981 00:54:36,760 --> 00:54:39,640 Speaker 1: study came along, this is Copes and Forsyth, and they 982 00:54:39,680 --> 00:54:43,480 Speaker 1: tried to determine whether the extra version levels of people 983 00:54:43,960 --> 00:54:48,680 Speaker 1: with tattoos lent support to the idea of stimulation theory. Okay, 984 00:54:48,680 --> 00:54:52,960 Speaker 1: so how how much cortical stimulation or arousal you were 985 00:54:52,960 --> 00:54:57,759 Speaker 1: actually getting was related to your basically the amount of 986 00:54:57,760 --> 00:55:00,359 Speaker 1: tattoos that you were getting, And they found that yes, 987 00:55:00,400 --> 00:55:04,279 Speaker 1: actually the more tattoos that somebody gets, the higher their 988 00:55:04,360 --> 00:55:08,000 Speaker 1: level of extra version. So they tend to be extroverts 989 00:55:08,040 --> 00:55:14,200 Speaker 1: who are these sort of like careerst tattoo uh consumers. Now, 990 00:55:14,280 --> 00:55:18,759 Speaker 1: research does show that there are personality differences between those 991 00:55:18,800 --> 00:55:21,080 Speaker 1: who are tattooed and those who are not, but there 992 00:55:21,080 --> 00:55:25,440 Speaker 1: are a few studies that investigate whether these show positive 993 00:55:25,440 --> 00:55:29,880 Speaker 1: indicators for people with tattoos. So, for instance, extroverts, however, 994 00:55:30,040 --> 00:55:33,000 Speaker 1: they have lower levels of cortical arousal. They tend to 995 00:55:33,040 --> 00:55:36,440 Speaker 1: seek external stimuli through social arousal. So one way to 996 00:55:36,480 --> 00:55:38,760 Speaker 1: do that would be to get tattoos. It's an instant 997 00:55:38,800 --> 00:55:42,080 Speaker 1: conversation starter, right exactly. Yeah, if you're the type of 998 00:55:42,120 --> 00:55:44,880 Speaker 1: person who loves talking to the clerk at the grocery 999 00:55:44,920 --> 00:55:48,200 Speaker 1: store when you're in line, get a tattoo, write easy 1000 00:55:48,239 --> 00:55:51,759 Speaker 1: way to start a conversation. Me I go immediately to 1001 00:55:51,800 --> 00:55:54,200 Speaker 1: the robot area and just want to swipe my goods 1002 00:55:54,200 --> 00:55:57,680 Speaker 1: through there and get out of the store. The research, however, 1003 00:55:57,800 --> 00:56:02,160 Speaker 1: seems to be a little mixed about whether there's negative 1004 00:56:02,239 --> 00:56:06,240 Speaker 1: stereotypes that are associated with tattoos and whether those negative 1005 00:56:06,239 --> 00:56:09,600 Speaker 1: stereotypes are accurate. So in two thousand and seven, there 1006 00:56:09,640 --> 00:56:13,239 Speaker 1: was a German study that found that those with tattoos 1007 00:56:13,280 --> 00:56:18,120 Speaker 1: scored higher on a scale of extraversion, but lower on 1008 00:56:18,160 --> 00:56:21,160 Speaker 1: a scale of neuroticism. So this seems to dispel the 1009 00:56:21,239 --> 00:56:26,120 Speaker 1: myth of neuroticism being associated with tattoos. Another twenty twelve study, 1010 00:56:26,239 --> 00:56:29,560 Speaker 1: this was done in Austria and Germany, concluded that those 1011 00:56:29,560 --> 00:56:32,600 Speaker 1: with tattoos have a higher level of need for the 1012 00:56:32,640 --> 00:56:38,680 Speaker 1: following things uniqueness, sensation seeking, and thrill and adventure seeking. 1013 00:56:39,400 --> 00:56:42,760 Speaker 1: But it also found that these people have lower levels 1014 00:56:42,800 --> 00:56:46,680 Speaker 1: of self esteem, they attend religious services less, and are 1015 00:56:46,880 --> 00:56:52,000 Speaker 1: generally less educated than individuals who don't have tattoos. So 1016 00:56:52,040 --> 00:56:55,960 Speaker 1: that seems to feed into that stereotype. But let's keep 1017 00:56:56,000 --> 00:56:58,719 Speaker 1: in mind this is like a small study in one 1018 00:56:58,920 --> 00:57:02,560 Speaker 1: country in Europe. It's not I don't think this necessarily 1019 00:57:02,640 --> 00:57:06,879 Speaker 1: encapsulates the entire broad tattoo And of course, just going 1020 00:57:06,880 --> 00:57:08,520 Speaker 1: through that list, you can think of any number of 1021 00:57:08,520 --> 00:57:12,680 Speaker 1: exceptions I think in people's lives. Yeah, absolutely so. Studies 1022 00:57:12,719 --> 00:57:15,160 Speaker 1: like this one and another one I'm about to talk about, 1023 00:57:15,200 --> 00:57:17,440 Speaker 1: they tend to look at three of what are referred 1024 00:57:17,480 --> 00:57:22,120 Speaker 1: to as the Big five personality dimensions that are the 1025 00:57:22,160 --> 00:57:26,280 Speaker 1: best predictors of successful job performance. And this relates to 1026 00:57:26,280 --> 00:57:30,520 Speaker 1: the whole idea of like that there is discrimination against 1027 00:57:30,560 --> 00:57:34,000 Speaker 1: people with tattoos when you're going through the hiring process. 1028 00:57:34,520 --> 00:57:42,200 Speaker 1: These indicators are neuroticism, extra version, and conscientiousness. This this 1029 00:57:42,520 --> 00:57:45,560 Speaker 1: strikes me as very bizarre just from my my subjective 1030 00:57:45,560 --> 00:57:48,160 Speaker 1: point of view, because every job I've ever had, I 1031 00:57:48,200 --> 00:57:52,240 Speaker 1: don't I can't imagine that tattoos have been like a 1032 00:57:53,320 --> 00:57:56,720 Speaker 1: topic that has like dispelled somebody from getting a job 1033 00:57:56,720 --> 00:57:59,840 Speaker 1: at those places. But also, I'm a creative person. I 1034 00:57:59,840 --> 00:58:02,200 Speaker 1: tell to work in creative places like this one, and 1035 00:58:02,360 --> 00:58:07,720 Speaker 1: you know most people who work here have tattoos. Yeah. Well, 1036 00:58:07,760 --> 00:58:09,360 Speaker 1: you know, I think back at my own work experience 1037 00:58:09,400 --> 00:58:11,800 Speaker 1: and say, so, I was in journalism for a while, 1038 00:58:12,200 --> 00:58:15,280 Speaker 1: and and especially when you're doing with small town newspapers, Yeah, 1039 00:58:15,320 --> 00:58:18,080 Speaker 1: I can definitely see it being a factor. Yeah, they 1040 00:58:18,080 --> 00:58:20,520 Speaker 1: wouldn't want you to have like a skull tattoo tattooed 1041 00:58:20,520 --> 00:58:22,680 Speaker 1: over your face if you're going out to like interview 1042 00:58:23,240 --> 00:58:26,600 Speaker 1: the local sheriff. Well, I remember a guy interviewing for 1043 00:58:26,720 --> 00:58:29,920 Speaker 1: the the head editor position of this paper that I 1044 00:58:29,960 --> 00:58:33,240 Speaker 1: worked for, and he had a tattoo of an eyeball 1045 00:58:33,360 --> 00:58:36,760 Speaker 1: ring on his finger. Well, I mean that's all that 1046 00:58:36,760 --> 00:58:40,160 Speaker 1: we could see. But it was never you know, discussed. 1047 00:58:40,200 --> 00:58:41,560 Speaker 1: There were some other things that came up that I 1048 00:58:41,600 --> 00:58:44,640 Speaker 1: think disqualified him from the position. But I know that 1049 00:58:44,960 --> 00:58:47,640 Speaker 1: when people saw that tattoo, they were already thinking, like, 1050 00:58:47,760 --> 00:58:49,680 Speaker 1: this guy is gonna be the face of the company 1051 00:58:49,720 --> 00:58:53,880 Speaker 1: dealing with people. Everybody's going to see that eyeball tattoo, Like, 1052 00:58:54,160 --> 00:58:58,280 Speaker 1: what is what does that mean for this small town newspaper. Um. 1053 00:58:58,440 --> 00:59:00,920 Speaker 1: And I'm not saying that's that's right, but well, it 1054 00:59:00,920 --> 00:59:03,040 Speaker 1: gets back to what I was saying earlier that human 1055 00:59:03,080 --> 00:59:07,200 Speaker 1: beings judge one another based on artifactual communication. It's just 1056 00:59:07,360 --> 00:59:11,760 Speaker 1: unfortunately the way we work. Another study related to this 1057 00:59:11,880 --> 00:59:14,400 Speaker 1: about the whole job thing comes from twenty sixteen, just 1058 00:59:14,520 --> 00:59:17,360 Speaker 1: last year. It looked at the differences using those same 1059 00:59:17,400 --> 00:59:21,160 Speaker 1: five personality traits, uh, those that are considered critical to 1060 00:59:21,320 --> 00:59:24,800 Speaker 1: successful employees in the workforce. And the hypothesis of this 1061 00:59:24,840 --> 00:59:28,320 Speaker 1: study was that people with tattoos would actually show higher 1062 00:59:28,440 --> 00:59:34,120 Speaker 1: levels of conscientiousness and extra version and lower levels of neuroticism. 1063 00:59:34,120 --> 00:59:36,720 Speaker 1: And what they actually found was that there weren't a 1064 00:59:36,720 --> 00:59:40,200 Speaker 1: lot of statistical changes between the two other than a 1065 00:59:40,320 --> 00:59:44,479 Speaker 1: very slight trend towards extra version. Okay, so despite all 1066 00:59:44,560 --> 00:59:48,200 Speaker 1: that stuff about simulation theory and cortical arousal, you know, 1067 00:59:48,640 --> 00:59:51,560 Speaker 1: some of these studies don't seem to support that. The 1068 00:59:51,680 --> 00:59:55,560 Speaker 1: reading on this last study, though, was that tattooed individuals 1069 00:59:55,600 --> 01:00:00,480 Speaker 1: maybe better employees than was previously believed. Right as specially 1070 01:00:00,760 --> 01:00:03,680 Speaker 1: since extra virgin has been found to be a critical 1071 01:00:03,760 --> 01:00:07,200 Speaker 1: indicator of people who are successful in their job performance. 1072 01:00:07,600 --> 01:00:10,520 Speaker 1: So this really calls into question how those who are 1073 01:00:10,680 --> 01:00:13,640 Speaker 1: judging people with tattoos about whether or not they would 1074 01:00:13,640 --> 01:00:17,600 Speaker 1: be good employees, how they how they consider that, and 1075 01:00:17,960 --> 01:00:20,880 Speaker 1: what they think that actually means versus what it seems 1076 01:00:20,960 --> 01:00:24,080 Speaker 1: to actually say about personality traits. Plus it, we just 1077 01:00:24,120 --> 01:00:26,080 Speaker 1: seem to me that if an individual has a lot 1078 01:00:26,120 --> 01:00:31,439 Speaker 1: of tattoos, I mean, those things aren't cheap. Yeah, yeah, 1079 01:00:31,480 --> 01:00:33,640 Speaker 1: I remember, I had a buddy. You'll like this because 1080 01:00:33,640 --> 01:00:36,320 Speaker 1: you're a tool fan. I had a buddy who didn't 1081 01:00:36,360 --> 01:00:38,960 Speaker 1: have a lot of money, and he spent like everything 1082 01:00:39,000 --> 01:00:41,400 Speaker 1: in his bank account to get that same tattoo that 1083 01:00:41,800 --> 01:00:45,840 Speaker 1: Maynard James Keenan tattoos. Yeah, he had his entire spinal 1084 01:00:45,880 --> 01:00:50,439 Speaker 1: cord traced, uh, and he didn't like one go too 1085 01:00:50,640 --> 01:00:53,240 Speaker 1: And it was like I remember seeing him afterwards, and 1086 01:00:53,280 --> 01:00:56,640 Speaker 1: he was like like weak from the loss of blood 1087 01:00:56,680 --> 01:00:58,760 Speaker 1: and like wanting to eat, you know, like a lot 1088 01:00:58,800 --> 01:01:02,040 Speaker 1: of food at that time. But he was the kind 1089 01:01:02,080 --> 01:01:05,760 Speaker 1: of guy who had essentially resigned himself like I'm never 1090 01:01:05,800 --> 01:01:08,800 Speaker 1: gonna work in like an office setting or anything like that, 1091 01:01:08,880 --> 01:01:10,919 Speaker 1: so I might as well get tattoos on my neck 1092 01:01:11,000 --> 01:01:14,160 Speaker 1: or on my hands or whatever, you know. Well, of course, 1093 01:01:14,200 --> 01:01:18,360 Speaker 1: the the final frontier of tattooing and the ultimate test 1094 01:01:18,400 --> 01:01:22,120 Speaker 1: of the social acceptance of tattooing is probably the facial 1095 01:01:22,160 --> 01:01:25,320 Speaker 1: tattoo or any near face tattoo, you know, also bringing 1096 01:01:25,320 --> 01:01:28,560 Speaker 1: in neck tattoos. Yeah. Now I have two areas I 1097 01:01:28,560 --> 01:01:30,400 Speaker 1: want to touch on here. But the first test to 1098 01:01:30,440 --> 01:01:33,800 Speaker 1: do with probably the most famous facial tattoo custom, the 1099 01:01:34,240 --> 01:01:37,400 Speaker 1: to moco of the Maori people. Uh. These were quite 1100 01:01:37,400 --> 01:01:42,160 Speaker 1: prominent in pre colonial Maori culture, but there's been a 1101 01:01:42,160 --> 01:01:45,480 Speaker 1: big resurgence since the nineteen nineties, but for the most part, 1102 01:01:45,560 --> 01:01:48,360 Speaker 1: even tattoo accepting cultures, you know, they're not going to 1103 01:01:48,440 --> 01:01:51,560 Speaker 1: be that accepting of neck and facial tattoos. Now among 1104 01:01:51,760 --> 01:01:54,000 Speaker 1: the Maori, it's a rite of passage. It's it's a 1105 01:01:54,000 --> 01:01:57,760 Speaker 1: lot deeper than near esthetics. Maori tattoo traditionally does not 1106 01:01:57,880 --> 01:02:01,080 Speaker 1: involve the use of needles rather than already used knives 1107 01:02:01,080 --> 01:02:05,200 Speaker 1: and chisels made from shark's teeth, sharpened bone or sharp stone. 1108 01:02:05,400 --> 01:02:07,480 Speaker 1: And the ink two is pretty fascinating. The black was 1109 01:02:07,520 --> 01:02:10,080 Speaker 1: made from burnt wood. That's where they would give their carbon. 1110 01:02:10,760 --> 01:02:16,280 Speaker 1: Lighter pigments came from fungus infected caterpillars or burnt gum. Wow. Now, 1111 01:02:16,320 --> 01:02:20,800 Speaker 1: men traditionally had full facial tattoos. Women had chin, lip 1112 01:02:20,840 --> 01:02:23,360 Speaker 1: and nostrils. But if you had them, it was a 1113 01:02:23,360 --> 01:02:27,040 Speaker 1: sign of high social rank. Again bringing in that communication 1114 01:02:27,600 --> 01:02:30,960 Speaker 1: and you already you already touched on the hereditary information 1115 01:02:31,000 --> 01:02:33,800 Speaker 1: that is often present in those facial tattoos. Uh. The 1116 01:02:33,800 --> 01:02:36,440 Speaker 1: way it would work is the left side is generally 1117 01:02:36,440 --> 01:02:38,960 Speaker 1: the father's side and the right side of the mothers. 1118 01:02:39,280 --> 01:02:42,520 Speaker 1: So if only one side of the family had social rank. 1119 01:02:42,800 --> 01:02:46,840 Speaker 1: You might only have a half facial tattoo. That's really interesting. Okay, 1120 01:02:46,880 --> 01:02:49,880 Speaker 1: I didn't know that. So there's you know, so there's 1121 01:02:49,960 --> 01:02:51,880 Speaker 1: meaning when you look at it. You know, there's information 1122 01:02:51,960 --> 01:02:55,120 Speaker 1: to be imparted. People might look at a Maori tattoo 1123 01:02:55,240 --> 01:02:57,600 Speaker 1: and they think, oh, it's just some fearsome face meant 1124 01:02:57,600 --> 01:03:00,720 Speaker 1: to intimidate somebody. But there's a lot more to I 1125 01:03:00,760 --> 01:03:03,360 Speaker 1: look to an older source on this from a two 1126 01:03:03,360 --> 01:03:08,560 Speaker 1: thousand four article titled Wearing Moco Maori Facial Marking in 1127 01:03:08,640 --> 01:03:12,600 Speaker 1: Today's World from the University of Waikato in New Zealand, 1128 01:03:12,640 --> 01:03:14,720 Speaker 1: and they pointed out that a number of strides have 1129 01:03:14,760 --> 01:03:19,040 Speaker 1: been made in acceptance of moco um among the Maori 1130 01:03:19,240 --> 01:03:23,000 Speaker 1: by non Maori people, but the despite increased understanding of 1131 01:03:23,040 --> 01:03:26,000 Speaker 1: the tattoos and establishment of this as a you know, 1132 01:03:26,000 --> 01:03:31,080 Speaker 1: a positive cultural marking, they're still prejudice as there always was. Now. 1133 01:03:31,280 --> 01:03:34,400 Speaker 1: On the extreme, the authors point out, there are those 1134 01:03:34,440 --> 01:03:37,400 Speaker 1: who passed judgments on economic status and or mental health 1135 01:03:37,400 --> 01:03:39,760 Speaker 1: when they see such a tattoo. With others, there's this, 1136 01:03:39,920 --> 01:03:43,320 Speaker 1: you know, weird mix of acceptance and stereotyping. Here's a 1137 01:03:43,360 --> 01:03:46,640 Speaker 1: particularly telling quote, uh from from a Maori with the 1138 01:03:46,840 --> 01:03:50,440 Speaker 1: traditional tattoos from the article quote, I get a lot 1139 01:03:50,480 --> 01:03:55,000 Speaker 1: of good response from Paquia. That's those a non Maori people. 1140 01:03:55,400 --> 01:03:57,600 Speaker 1: A lot of them go to me and say, gee, 1141 01:03:57,680 --> 01:04:00,959 Speaker 1: that's beautiful, well balanced, and there's not too much. That's 1142 01:04:00,960 --> 01:04:03,760 Speaker 1: what they're saying. Some moco you can't see the person, 1143 01:04:03,880 --> 01:04:05,880 Speaker 1: you can't see the face. But with mine, you can 1144 01:04:05,920 --> 01:04:08,480 Speaker 1: see my face, you can see who I am, And 1145 01:04:08,520 --> 01:04:10,400 Speaker 1: I think that's see who I am. Things rather telling, 1146 01:04:10,400 --> 01:04:13,440 Speaker 1: because it's kind of a misunderstanding of what the tattoo is. 1147 01:04:13,680 --> 01:04:17,680 Speaker 1: We're really most tattoos are bart about you. You're communicating 1148 01:04:18,120 --> 01:04:21,920 Speaker 1: who you are. It's about identity. Yeah. Now that being said, 1149 01:04:22,160 --> 01:04:25,680 Speaker 1: it is important to note that a facial tattoo, I 1150 01:04:25,680 --> 01:04:28,240 Speaker 1: mean it is on your face. It's on the facial 1151 01:04:28,240 --> 01:04:31,080 Speaker 1: communication array that you use to communicate with other people. 1152 01:04:31,240 --> 01:04:33,440 Speaker 1: If you're making eye contact with people, you're talking with 1153 01:04:33,440 --> 01:04:36,280 Speaker 1: people who have this range of facial expressions and micro 1154 01:04:36,360 --> 01:04:41,280 Speaker 1: expressions that you're utilizing to communicate with someone. So you 1155 01:04:41,320 --> 01:04:44,240 Speaker 1: have to ask, well, to what extent does a tattoo 1156 01:04:44,360 --> 01:04:48,840 Speaker 1: like that interfere or augment your just basic communication. Well, 1157 01:04:48,920 --> 01:04:51,240 Speaker 1: I found a really cool study there's a two thousand 1158 01:04:51,320 --> 01:04:54,720 Speaker 1: fifteen study from the University of Arizona titled evidence of 1159 01:04:54,800 --> 01:04:58,720 Speaker 1: negative implicit attitudes towards invisive individuals with a tattoo near 1160 01:04:58,800 --> 01:05:01,760 Speaker 1: the face. So wasn't a full blown facial tattoo, but 1161 01:05:01,880 --> 01:05:03,920 Speaker 1: you know, they're looking at near facial tattoos. So the 1162 01:05:03,960 --> 01:05:06,920 Speaker 1: what the way it was always established for me, even 1163 01:05:06,960 --> 01:05:09,160 Speaker 1: with my friends who were getting tattoos as we were 1164 01:05:09,160 --> 01:05:12,480 Speaker 1: growing up, was if you chose to get a tattoo 1165 01:05:12,640 --> 01:05:16,000 Speaker 1: on or near your face, you were essentially looking at 1166 01:05:16,360 --> 01:05:19,040 Speaker 1: either working outdoors for the rest of your life or 1167 01:05:19,080 --> 01:05:22,400 Speaker 1: working in the back part of a restaurant. H yeah, 1168 01:05:22,400 --> 01:05:25,240 Speaker 1: and I think that stigmat I always felt like that 1169 01:05:25,320 --> 01:05:29,600 Speaker 1: was unfair obviously, But so that what's the research, Okay. 1170 01:05:29,640 --> 01:05:32,120 Speaker 1: So what they did is that they looked into this 1171 01:05:32,440 --> 01:05:35,960 Speaker 1: through a three different studies, okay, three different experiments, and 1172 01:05:36,000 --> 01:05:39,120 Speaker 1: they found the test subjects tended to hold negative associations 1173 01:05:39,160 --> 01:05:42,400 Speaker 1: towards people with near facial tattoos. And then it wasn't 1174 01:05:42,400 --> 01:05:46,640 Speaker 1: an issue of asymmetrical tattoo interrupting visual processing, So that 1175 01:05:46,680 --> 01:05:49,120 Speaker 1: was that was one concern. The idea like, oh, well, 1176 01:05:49,160 --> 01:05:51,320 Speaker 1: you if you have a neck tattoo on one side 1177 01:05:51,360 --> 01:05:54,080 Speaker 1: of your neck. Is that just throwing off people's just 1178 01:05:54,200 --> 01:05:58,600 Speaker 1: perception of your face? And they said that that facial recognition. Yeah, 1179 01:05:58,720 --> 01:06:00,280 Speaker 1: and they said that I did not seem to be 1180 01:06:00,400 --> 01:06:04,480 Speaker 1: the case. Um, I wonder how that works on facial 1181 01:06:04,520 --> 01:06:08,000 Speaker 1: recognition software. Uh, there there are some studies out there 1182 01:06:08,000 --> 01:06:09,640 Speaker 1: about it. We didn't have time to go into it 1183 01:06:09,680 --> 01:06:11,640 Speaker 1: for this episode, but there are some studies that look 1184 01:06:11,640 --> 01:06:15,360 Speaker 1: at at facial recognition software and tattoos. That's important to 1185 01:06:15,360 --> 01:06:17,600 Speaker 1: remember as Big Brother takes us over, we should all 1186 01:06:17,680 --> 01:06:20,960 Speaker 1: get face tattoos. Now. They did find that a couple 1187 01:06:21,040 --> 01:06:25,920 Speaker 1: of things did help the individual's perception and help positive 1188 01:06:25,960 --> 01:06:30,920 Speaker 1: perception of near facial tattoos, either higher intelligence on the 1189 01:06:30,920 --> 01:06:34,680 Speaker 1: part of the perceiver or quote low external motivation to 1190 01:06:34,760 --> 01:06:40,080 Speaker 1: respond with prejudice, So these perceivers exhibited lower implicit prejudice. 1191 01:06:40,400 --> 01:06:43,560 Speaker 1: It also helped if the perceiver themselves had a tattoo 1192 01:06:44,160 --> 01:06:47,160 Speaker 1: and h the exact nature of that the tattoo near 1193 01:06:47,200 --> 01:06:49,880 Speaker 1: the face matter. So is it tribal? Is it a 1194 01:06:49,960 --> 01:06:53,479 Speaker 1: quote unquote positive image? Do you remember we talked about 1195 01:06:53,480 --> 01:06:55,880 Speaker 1: this maybe a year or so ago on the show. 1196 01:06:55,920 --> 01:06:57,760 Speaker 1: I think I can't remember if you've read this or 1197 01:06:57,760 --> 01:07:01,360 Speaker 1: not the comic book series King's City by and Graham. No, 1198 01:07:01,480 --> 01:07:03,880 Speaker 1: I haven't read that one. H He that guy Brandon 1199 01:07:03,920 --> 01:07:06,439 Speaker 1: Graham has a tattoo of an elephant on his neck. 1200 01:07:06,520 --> 01:07:09,360 Speaker 1: That's pretty prominent. But so I I would think in 1201 01:07:09,400 --> 01:07:12,920 Speaker 1: this situation, like the elephant is a fairly non threatening 1202 01:07:13,080 --> 01:07:15,880 Speaker 1: kind of you know, thing that doesn't seem to necessarily 1203 01:07:15,960 --> 01:07:20,840 Speaker 1: represent any kind of violent or aggressive identity, right, Yeah, 1204 01:07:20,880 --> 01:07:23,520 Speaker 1: Like that would be an example of a positive or 1205 01:07:23,560 --> 01:07:27,880 Speaker 1: at least a mundane tattoo. Likewise, a heart or you know, 1206 01:07:27,920 --> 01:07:30,919 Speaker 1: the name of someone's child like that would I feel 1207 01:07:30,920 --> 01:07:34,360 Speaker 1: like that would also be a positive or mundane use. However, 1208 01:07:34,480 --> 01:07:37,280 Speaker 1: it's a tattoo of, say, you know, like a dagger 1209 01:07:37,320 --> 01:07:40,960 Speaker 1: cutting your throat or was it Richard Rowntree that supposedly 1210 01:07:41,000 --> 01:07:43,040 Speaker 1: had one that was a dotted line and it said 1211 01:07:43,040 --> 01:07:45,000 Speaker 1: cut on the dotted line? Is that right? I've never 1212 01:07:45,040 --> 01:07:48,240 Speaker 1: heard that. I believe that is the case. But if 1213 01:07:48,280 --> 01:07:51,640 Speaker 1: that's still with fire for hair, right, those kind of 1214 01:07:51,680 --> 01:07:54,400 Speaker 1: tattoos would be more likely to be perceived as as 1215 01:07:54,480 --> 01:07:56,880 Speaker 1: negative by the individual. And then you have all these 1216 01:07:56,880 --> 01:08:00,000 Speaker 1: issues of masculinity and femininity as well, which we touched 1217 01:08:00,040 --> 01:08:02,800 Speaker 1: on as well, so again you can't just look at 1218 01:08:02,880 --> 01:08:06,480 Speaker 1: it in complete isolation. But even still, the negative trends 1219 01:08:06,560 --> 01:08:09,800 Speaker 1: persisted in the experiments, perhaps due in large part two 1220 01:08:09,920 --> 01:08:13,440 Speaker 1: negative portrayals of individuals with facial tattoos or near facial 1221 01:08:13,440 --> 01:08:17,200 Speaker 1: tattoos in media, even if you yourself have a number 1222 01:08:17,240 --> 01:08:19,800 Speaker 1: of tattoos. But I I want to say this is 1223 01:08:19,840 --> 01:08:22,160 Speaker 1: related to the episode we did a couple of years 1224 01:08:22,200 --> 01:08:26,080 Speaker 1: ago about Halloween and in clothes cognition. I want to 1225 01:08:26,120 --> 01:08:30,519 Speaker 1: say that Halloween costumes of like being a criminal or 1226 01:08:30,560 --> 01:08:34,400 Speaker 1: a prisoner come with like fake tattoos for your face. Yeah, 1227 01:08:34,400 --> 01:08:36,840 Speaker 1: I seem to remember that. Yeah, that that sounds right. 1228 01:08:36,880 --> 01:08:38,880 Speaker 1: You know, I think there are there are other examples 1229 01:08:38,880 --> 01:08:41,640 Speaker 1: to where they'll be like ninja costumes to come with 1230 01:08:41,640 --> 01:08:46,519 Speaker 1: a dragon tattoo. But um, yeah, I mean it's certainly 1231 01:08:47,000 --> 01:08:49,120 Speaker 1: when you're get to dealing with Halloween costumes, you're dealing 1232 01:08:49,200 --> 01:08:52,040 Speaker 1: with in clothed cognition. You're you're you're changing the way 1233 01:08:52,080 --> 01:08:54,800 Speaker 1: you think about yourself and how others will interpret you 1234 01:08:55,520 --> 01:08:57,960 Speaker 1: with the way that you're dressed. And uh, and tattoos 1235 01:08:57,960 --> 01:09:00,400 Speaker 1: are in a large part in another version of if 1236 01:09:00,439 --> 01:09:03,800 Speaker 1: you're interested in that episode and Halloween's coming up, So 1237 01:09:04,200 --> 01:09:06,240 Speaker 1: you go back into our archives at stuff to Blow 1238 01:09:06,240 --> 01:09:08,120 Speaker 1: your Mind dot com you can find that one. Yeah, 1239 01:09:08,160 --> 01:09:09,599 Speaker 1: and I'll try to link to it on the landing 1240 01:09:09,640 --> 01:09:12,000 Speaker 1: page for this episode's Stuff to Blow your Mind dot 1241 01:09:12,080 --> 01:09:15,479 Speaker 1: com as well. So we would love to hear from 1242 01:09:15,520 --> 01:09:18,760 Speaker 1: our listeners who have tattoos, and I'm sure many of 1243 01:09:18,800 --> 01:09:22,840 Speaker 1: you have strong opinions about the research we just presented. Uh, 1244 01:09:22,880 --> 01:09:25,280 Speaker 1: you know, do you agree with what it says about 1245 01:09:25,360 --> 01:09:27,640 Speaker 1: why people get tattoos? Do you agree with what it 1246 01:09:27,680 --> 01:09:31,920 Speaker 1: says about how people interpret tattoos? Let us know. You 1247 01:09:31,920 --> 01:09:35,400 Speaker 1: can get in touch with us on Facebook, Twitter, Tumbler, 1248 01:09:35,840 --> 01:09:39,960 Speaker 1: and Instagram. That's right, and again that discussion module group 1249 01:09:40,000 --> 01:09:41,800 Speaker 1: on Facebook. That's a great way if you want to 1250 01:09:41,800 --> 01:09:45,719 Speaker 1: share your tattoo and your tattoo story with other listeners 1251 01:09:45,800 --> 01:09:47,880 Speaker 1: and UH and your host here. But if you want 1252 01:09:47,880 --> 01:09:50,160 Speaker 1: to get in touch with us directly, you shoot us 1253 01:09:50,160 --> 01:09:52,719 Speaker 1: an email and blow the mind and how stuff Works 1254 01:09:52,920 --> 01:10:05,799 Speaker 1: dot com for more on this and thousands of other topics. 1255 01:10:06,080 --> 01:10:30,240 Speaker 1: Is it how stuff Works dot com