WEBVTT - Classy with Jonathan Menjivar

0:00:00.520 --> 0:00:06.200
<v Speaker 1>Oh lad, dear listener, kipasor Radueskuchak Gomostan. Today we're going

0:00:06.280 --> 0:00:09.360
<v Speaker 1>to bring you an episode from Classy. It's a new

0:00:09.480 --> 0:00:13.039
<v Speaker 1>podcast hosted by Jonathan Menhivar, in which he explores a

0:00:13.080 --> 0:00:16.840
<v Speaker 1>topic that well, a lot of people find uncomfortable. It's

0:00:16.880 --> 0:00:19.880
<v Speaker 1>the issue of class. Jonathan grew up in a working

0:00:19.920 --> 0:00:22.720
<v Speaker 1>class family in a suburb of Los Angeles. His dad

0:00:22.760 --> 0:00:25.959
<v Speaker 1>is from Al Salvador, and as Jonathan built a career

0:00:26.000 --> 0:00:30.600
<v Speaker 1>in public radio, he didn't talk about his past. And

0:00:30.640 --> 0:00:33.519
<v Speaker 1>that was because of the issue of class. Now, you

0:00:33.560 --> 0:00:37.519
<v Speaker 1>can't separate class from race. They often go hand in

0:00:37.600 --> 0:00:40.080
<v Speaker 1>hand with the way we look, the way we dress,

0:00:40.240 --> 0:00:44.599
<v Speaker 1>and so in this episode of Classy, Jonathan interviews two

0:00:44.640 --> 0:00:48.000
<v Speaker 1>people of color who work in the fashion industry. One

0:00:48.040 --> 0:00:52.440
<v Speaker 1>of them is Brenda Equihua, Latina designer, who has turned

0:00:52.479 --> 0:00:58.000
<v Speaker 1>our beloved gobekass into a luxury fashion item. Because why

0:00:58.040 --> 0:01:02.200
<v Speaker 1>should we feel guilty about wanting nice things? And who

0:01:02.240 --> 0:01:07.320
<v Speaker 1>decides which things are considered nice and which things aren't.

0:01:07.680 --> 0:01:11.720
<v Speaker 1>Here's Jonathan men Hevar with this episode of Classy.

0:01:12.840 --> 0:01:16.200
<v Speaker 2>This episode was supposed to be about fashion. I think

0:01:16.200 --> 0:01:18.399
<v Speaker 2>a lot about what our clothes say about us and

0:01:18.520 --> 0:01:21.560
<v Speaker 2>what they convey to the world. What I wear has

0:01:21.560 --> 0:01:26.000
<v Speaker 2>been a pretty monumental part of the class shift I've made.

0:01:26.240 --> 0:01:28.360
<v Speaker 2>But then I talked to the two people who you're

0:01:28.360 --> 0:01:30.959
<v Speaker 2>going to hear from today. They've both worked in the

0:01:31.000 --> 0:01:36.840
<v Speaker 2>clothing and fashion industry, and those conversations they ended up

0:01:36.840 --> 0:01:41.720
<v Speaker 2>being about so much more than clothes, and more about

0:01:42.120 --> 0:01:46.160
<v Speaker 2>who is considered classy and who has the power to

0:01:46.240 --> 0:01:51.400
<v Speaker 2>say what classy actually is. From Pineapple Street Studios, this

0:01:51.600 --> 0:01:55.680
<v Speaker 2>is You Guessed It Classy, a show about the chasms

0:01:55.720 --> 0:01:57.840
<v Speaker 2>between us that are really hard to talk about but

0:01:57.960 --> 0:02:09.680
<v Speaker 2>too big to ignore. Your host Jonathan and Hev We're

0:02:09.680 --> 0:02:12.880
<v Speaker 2>gonna get started with this guy. His name is Amichi Uguo,

0:02:13.639 --> 0:02:15.720
<v Speaker 2>and I called him up because I knew he'd worked

0:02:15.800 --> 0:02:18.919
<v Speaker 2>in retail, selling clothes and high end men's to wear

0:02:18.919 --> 0:02:22.680
<v Speaker 2>shops across the country. I was interested in that dynamic

0:02:22.720 --> 0:02:27.200
<v Speaker 2>of being a salesman and selling really fancy suits and

0:02:27.240 --> 0:02:30.799
<v Speaker 2>shoes to people with a lot of money. Amichi first

0:02:30.840 --> 0:02:33.799
<v Speaker 2>got into clothes when he was in college. Back then,

0:02:33.919 --> 0:02:36.680
<v Speaker 2>he was experimenting a lot, and some of his clothes

0:02:36.680 --> 0:02:37.800
<v Speaker 2>were pretty wild.

0:02:38.360 --> 0:02:41.400
<v Speaker 3>I can describe to you one outfit that everybody always

0:02:41.440 --> 0:02:47.040
<v Speaker 3>remembers I had on a horse jockey helmet. A helmet, yeah,

0:02:47.880 --> 0:02:54.959
<v Speaker 3>horse jockey helmet, some mirrored aviator sunglasses, a satin gold

0:02:54.960 --> 0:03:03.240
<v Speaker 3>bow tie, a dress military jacket, some corn corduroys, red sox,

0:03:03.720 --> 0:03:07.200
<v Speaker 3>black pat leather shoes. I mean, if you can picture

0:03:07.320 --> 0:03:11.519
<v Speaker 3>dad outfit in your what that might have looked like. Oh,

0:03:11.560 --> 0:03:12.519
<v Speaker 3>I was having fun.

0:03:19.880 --> 0:03:22.520
<v Speaker 2>I mean, you grew up in Houston. His family was

0:03:22.560 --> 0:03:26.480
<v Speaker 2>middle class, it was mostly black neighborhood, and for college,

0:03:26.520 --> 0:03:29.679
<v Speaker 2>he went to Southern University in Baton, Riuge, Louisiana.

0:03:30.200 --> 0:03:34.040
<v Speaker 3>Southern University is a historically black college, and I remember

0:03:34.120 --> 0:03:37.520
<v Speaker 3>sitting in the crowd, you know, at convocation and I

0:03:37.560 --> 0:03:40.480
<v Speaker 3>looked to my left and every my right, and everybody's black.

0:03:40.520 --> 0:03:44.040
<v Speaker 3>I look into the stands and everybody's black. I graduated

0:03:44.040 --> 0:03:47.080
<v Speaker 3>on a Saturday. I start my first job following Tuesday,

0:03:48.320 --> 0:03:54.000
<v Speaker 3>and I remember being in the first morning meeting and

0:03:54.080 --> 0:03:57.000
<v Speaker 3>looking around. I was like, damn, it's really just it's

0:03:57.120 --> 0:04:00.880
<v Speaker 3>just me now, you know, It's just I'm I'm the

0:04:00.880 --> 0:04:05.120
<v Speaker 3>only black person now. And that was a different experience.

0:04:05.200 --> 0:04:07.640
<v Speaker 3>That was something that like in my life I had

0:04:07.680 --> 0:04:10.080
<v Speaker 3>never experienced. I think from elementary school, all the way

0:04:10.120 --> 0:04:13.800
<v Speaker 3>to college. Everybody was either black or Hispanic majority.

0:04:13.880 --> 0:04:17.080
<v Speaker 2>The shop Amichi was working at was fancy, the kind

0:04:17.080 --> 0:04:21.040
<v Speaker 2>of place featured in GQ magazine. His coworkers there, they

0:04:21.080 --> 0:04:24.400
<v Speaker 2>were welcoming, and they all had to wear a kind

0:04:24.440 --> 0:04:30.120
<v Speaker 2>of uniform, a blazer and Oxford shirt. Amichi looked good

0:04:30.120 --> 0:04:33.039
<v Speaker 2>in the clothes. He was wearing leather sold shoes for

0:04:33.080 --> 0:04:36.680
<v Speaker 2>the first time in his life. But pretty quickly the

0:04:36.680 --> 0:04:39.920
<v Speaker 2>fact that Amichi was black became a thing between him

0:04:39.920 --> 0:04:41.960
<v Speaker 2>and some of the guys he was working with, not

0:04:42.040 --> 0:04:44.760
<v Speaker 2>in any kind of overt way, but things would come

0:04:44.800 --> 0:04:48.640
<v Speaker 2>up when they were standing around waiting for customers, Like.

0:04:48.600 --> 0:04:54.640
<v Speaker 3>If we were talking about cars, right, and everybody's super

0:04:54.640 --> 0:05:00.880
<v Speaker 3>into the Ferraris and porsches in and Lamborghini's, you know,

0:05:01.800 --> 0:05:05.320
<v Speaker 3>and I was talking, man, I want a nineteen seventy

0:05:05.320 --> 0:05:10.080
<v Speaker 3>six Cadillac Eldorado. I wanted to be silver, and you know,

0:05:10.160 --> 0:05:13.599
<v Speaker 3>I'll describe my own car like what inspire me, you know,

0:05:13.839 --> 0:05:19.760
<v Speaker 3>I think about like blaxploitation films and just in the neighborhood,

0:05:19.800 --> 0:05:22.599
<v Speaker 3>like you grow up seeing like that was part of

0:05:22.640 --> 0:05:26.600
<v Speaker 3>our culture. Was like taking these old school cars and

0:05:26.640 --> 0:05:27.440
<v Speaker 3>fixing them up.

0:05:28.160 --> 0:05:30.400
<v Speaker 2>I mean she would talk about the bright, shiny paint

0:05:30.440 --> 0:05:33.479
<v Speaker 2>people used on the cars, the big sound systems.

0:05:34.000 --> 0:05:36.440
<v Speaker 3>Those were the things that like really inspired me, Like

0:05:36.480 --> 0:05:39.560
<v Speaker 3>seeing those things like, man, look like spaceship. I was like,

0:05:39.600 --> 0:05:42.239
<v Speaker 3>look at that, look at the cars, like the hood

0:05:42.279 --> 0:05:45.760
<v Speaker 3>of the car is super long. It's something about seeing

0:05:45.800 --> 0:05:58.760
<v Speaker 3>those cars that like, really I wanted one. So to

0:05:58.880 --> 0:06:01.800
<v Speaker 3>come to that group where that's talking about Ferrari and

0:06:02.240 --> 0:06:09.479
<v Speaker 3>Porsche and Binzes and Rose Royce. They were what like

0:06:10.360 --> 0:06:13.359
<v Speaker 3>that Cadillac? They thought it was strange. They were like,

0:06:13.400 --> 0:06:16.360
<v Speaker 3>why would you want a Cadillac? And I was like, man,

0:06:16.520 --> 0:06:19.840
<v Speaker 3>look at it like they didn't get it, Like they

0:06:19.880 --> 0:06:20.880
<v Speaker 3>just didn't understand.

0:06:21.480 --> 0:06:22.400
<v Speaker 2>And what that feel like?

0:06:23.279 --> 0:06:25.880
<v Speaker 3>It's like feeling rejected a little bit. You know, you

0:06:26.040 --> 0:06:28.560
<v Speaker 3>like you present something that you're excited about or that

0:06:28.600 --> 0:06:34.160
<v Speaker 3>you love and then people laugh at it, and it

0:06:34.640 --> 0:06:36.840
<v Speaker 3>kind of like puts you in a position where you

0:06:37.200 --> 0:06:40.799
<v Speaker 3>kind of doubt yourself, you know, like is this good?

0:06:40.920 --> 0:06:43.880
<v Speaker 3>Like should I not? You know, like you start to

0:06:43.880 --> 0:06:46.960
<v Speaker 3>look at your opinions or your ideas and question yourself.

0:06:48.040 --> 0:06:53.479
<v Speaker 3>And it was frustrating because I wanted to be myself,

0:06:54.440 --> 0:06:58.039
<v Speaker 3>but you also in a sense want to be a

0:06:58.080 --> 0:07:00.640
<v Speaker 3>part of the team. You know, you want to feel

0:07:00.640 --> 0:07:03.560
<v Speaker 3>like the things that you think are cool that somebody

0:07:03.560 --> 0:07:05.440
<v Speaker 3>else is like, I see what you're talking about. You know,

0:07:05.480 --> 0:07:09.159
<v Speaker 3>they can relate to it in some way, But sometimes

0:07:09.160 --> 0:07:13.520
<v Speaker 3>it felt like they wouldn't even try. Even though I

0:07:13.600 --> 0:07:17.000
<v Speaker 3>learned a lot about Porsches and Ferraris and Rolls Royces,

0:07:17.200 --> 0:07:19.320
<v Speaker 3>and you know, I learned a lot about it.

0:07:24.880 --> 0:07:28.200
<v Speaker 2>This car thing. It wasn't just a matter of not

0:07:28.400 --> 0:07:33.200
<v Speaker 2>fitting in and having his taste questioned. It's actually important

0:07:33.200 --> 0:07:37.480
<v Speaker 2>to the job relating to customers, having some sort of

0:07:37.720 --> 0:07:41.640
<v Speaker 2>shared understanding of the things you're into. That's how you

0:07:41.680 --> 0:07:42.840
<v Speaker 2>sell clothes.

0:07:43.560 --> 0:07:47.080
<v Speaker 3>In luxury fashion. A lot of your job as a

0:07:47.120 --> 0:07:51.160
<v Speaker 3>salesperson when they walk in is not necessarily trying to

0:07:51.240 --> 0:07:56.040
<v Speaker 3>sell them this one item, but to connect with them

0:07:56.440 --> 0:07:59.200
<v Speaker 3>and make them feel like they belong here and this

0:07:59.280 --> 0:08:01.960
<v Speaker 3>is where they want to buy it. And I think

0:08:02.000 --> 0:08:04.560
<v Speaker 3>it was when I started having conversations with these people

0:08:04.600 --> 0:08:10.040
<v Speaker 3>that I started to get a better understanding like how

0:08:10.080 --> 0:08:13.200
<v Speaker 3>different we were, Like, oh yeah, me and my wife

0:08:13.240 --> 0:08:15.000
<v Speaker 3>went to the country club and we were you know,

0:08:15.040 --> 0:08:17.960
<v Speaker 3>played some rounds of tennis, and then we had brunch,

0:08:18.000 --> 0:08:20.160
<v Speaker 3>and then we did it, and it's like, that's not

0:08:20.200 --> 0:08:22.280
<v Speaker 3>a part of my brand. I don't you know, I

0:08:22.280 --> 0:08:24.560
<v Speaker 3>don't know anybody who went to brunch when I was

0:08:25.200 --> 0:08:26.640
<v Speaker 3>when I was growing up.

0:08:27.760 --> 0:08:30.600
<v Speaker 2>Selling clothes to guys who are driving roles choices, this

0:08:30.760 --> 0:08:34.400
<v Speaker 2>kind of power dynamic. I mean, you found it intimidating.

0:08:35.280 --> 0:08:38.520
<v Speaker 2>He says. He kind of folded in on himself at first,

0:08:38.760 --> 0:08:41.640
<v Speaker 2>but over time it went away because he developed this

0:08:41.679 --> 0:08:42.920
<v Speaker 2>way to combat that feeling.

0:08:43.800 --> 0:08:47.680
<v Speaker 3>You know, growing up in my community, we have a

0:08:47.720 --> 0:08:51.120
<v Speaker 3>way of still being able to like find our own

0:08:51.200 --> 0:08:55.719
<v Speaker 3>worth regardless of what such and such or whoever might have.

0:08:56.400 --> 0:08:59.000
<v Speaker 3>You know, you can't tell me I'm not that guy

0:08:59.040 --> 0:09:01.040
<v Speaker 3>because I don't have money. You may have money, you

0:09:01.080 --> 0:09:03.240
<v Speaker 3>may have the cars, whatever, But I'm flyed in you.

0:09:03.320 --> 0:09:05.760
<v Speaker 3>I dress better than you, I look better than you.

0:09:05.760 --> 0:09:07.600
<v Speaker 3>You know, like all of these things you find to

0:09:07.760 --> 0:09:12.160
<v Speaker 3>like stop, I ain't worried about, you know, what such

0:09:12.160 --> 0:09:14.120
<v Speaker 3>and such has when he walks in the door. And

0:09:14.160 --> 0:09:17.760
<v Speaker 3>that became like the attitude that I had to tap into.

0:09:27.040 --> 0:09:29.400
<v Speaker 2>I Maye worked at this store for a few years,

0:09:30.280 --> 0:09:33.000
<v Speaker 2>and then he moved to New York and started working

0:09:33.040 --> 0:09:36.240
<v Speaker 2>I didn't even higher end menswear store that kind of

0:09:36.240 --> 0:09:38.760
<v Speaker 2>place where you can't just walk out the door with clothes.

0:09:39.120 --> 0:09:42.040
<v Speaker 2>You gotta get measured and have them all tailored and everything.

0:09:43.160 --> 0:09:46.720
<v Speaker 2>This shop is a little more international. There were Asians

0:09:46.720 --> 0:09:50.800
<v Speaker 2>from all over the world and some white.

0:09:50.559 --> 0:09:53.040
<v Speaker 3>Guys, so it was a little bit of a mixed bag.

0:09:53.200 --> 0:10:06.000
<v Speaker 3>And then again just me still the only black guy here.

0:10:06.320 --> 0:10:11.440
<v Speaker 2>There weren't people actively questioning them Chie's taste, but still

0:10:12.000 --> 0:10:14.960
<v Speaker 2>being the only black eye, he found himself kind of

0:10:15.000 --> 0:10:18.439
<v Speaker 2>hemmed in trying to follow some unspoken rules about the

0:10:18.440 --> 0:10:22.040
<v Speaker 2>way he should behave all the standard code switching that

0:10:22.080 --> 0:10:24.840
<v Speaker 2>people of color often have to do in situations like this,

0:10:26.080 --> 0:10:30.480
<v Speaker 2>but maybe weirder, there seemed to be these rules that

0:10:30.520 --> 0:10:32.839
<v Speaker 2>the other employees in the store were following about the

0:10:32.880 --> 0:10:34.760
<v Speaker 2>way they should behave around him.

0:10:35.080 --> 0:10:39.000
<v Speaker 3>There were times when it was really apparent that some

0:10:39.080 --> 0:10:43.640
<v Speaker 3>of my white coworkers had never worked with black people before,

0:10:43.760 --> 0:10:46.000
<v Speaker 3>like they didn't know how what to do with themselves,

0:10:46.720 --> 0:10:50.960
<v Speaker 3>you know, like it manifests itself as like over compensation.

0:10:52.080 --> 0:10:55.800
<v Speaker 3>I mean sometimes it would be like just overpraising me,

0:10:55.880 --> 0:10:57.719
<v Speaker 3>you know, like, oh, you're doing this so well, you're

0:10:57.760 --> 0:10:59.719
<v Speaker 3>doing that. It's like, man, I literally just put the

0:10:59.760 --> 0:11:01.440
<v Speaker 3>shoe on the shelf, like why are you doing?

0:11:01.520 --> 0:11:01.600
<v Speaker 4>Like?

0:11:02.880 --> 0:11:03.120
<v Speaker 3>You know.

0:11:15.120 --> 0:11:18.440
<v Speaker 2>So it's in this environment that something happens one day

0:11:18.480 --> 0:11:22.640
<v Speaker 2>that really shakes him achi It makes him question all

0:11:22.679 --> 0:11:25.120
<v Speaker 2>the ways he's been adjusting himself to fit in.

0:11:26.559 --> 0:11:28.720
<v Speaker 3>It was a really quiet day, we didn't have a

0:11:28.720 --> 0:11:32.600
<v Speaker 3>whole lot going on in the shop, and this guy

0:11:32.640 --> 0:11:37.640
<v Speaker 3>walks in and immediately when he walks in, everybody's ears

0:11:37.720 --> 0:11:40.640
<v Speaker 3>kind of perk up because dude kind of looks like

0:11:41.160 --> 0:11:45.840
<v Speaker 3>he's homeless and tells everybody he wants to get a suit.

0:11:46.880 --> 0:11:51.520
<v Speaker 3>So they're like, all right, they start putting suits on him.

0:11:51.679 --> 0:11:54.520
<v Speaker 3>You know, he's trying on everything. He eventually ends up

0:11:54.559 --> 0:12:00.959
<v Speaker 3>with a whole kid on shirt, jacket, shoes, socks, tie,

0:12:01.160 --> 0:12:05.440
<v Speaker 3>whole thing, and he puts it on. He's looking at mirror.

0:12:05.440 --> 0:12:07.280
<v Speaker 3>He's like, oh yeah, man, I like it. He's like,

0:12:07.320 --> 0:12:11.280
<v Speaker 3>I'll take it. And we're all kind of like because

0:12:11.520 --> 0:12:15.760
<v Speaker 3>all of the clothes at this shop come unfinished. So

0:12:16.240 --> 0:12:18.600
<v Speaker 3>the hem on the pants is not done, the sleeves

0:12:18.600 --> 0:12:21.960
<v Speaker 3>are not done, and it looks like at this point

0:12:22.000 --> 0:12:24.640
<v Speaker 3>the suit is swallowing him a little bit.

0:12:25.640 --> 0:12:27.920
<v Speaker 2>I mean she is standing off to the side watching

0:12:27.960 --> 0:12:31.040
<v Speaker 2>all this happen. The guy tells the salesmen that are

0:12:31.080 --> 0:12:34.720
<v Speaker 2>helping him that he'll take the suit as is. He

0:12:34.800 --> 0:12:36.280
<v Speaker 2>wants to walk out wearing it.

0:12:37.040 --> 0:12:39.160
<v Speaker 3>So he gets up to the counter and they ring

0:12:39.280 --> 0:12:45.120
<v Speaker 3>everything up, comes out to a couple thousand dollars, and

0:12:45.160 --> 0:12:47.800
<v Speaker 3>he starts looking for his wallet. After we give him total.

0:12:48.360 --> 0:12:51.720
<v Speaker 3>He's like patting his pockets, and we're like, oh, man,

0:12:52.520 --> 0:12:54.760
<v Speaker 3>I think in the back of everybody's mind, we're like,

0:12:55.160 --> 0:12:58.520
<v Speaker 3>he ain't got no wallet. And he starts patting his pockets.

0:12:58.520 --> 0:13:00.240
<v Speaker 3>He's like, maybe i'll lift it in dressing room, goes

0:13:00.280 --> 0:13:05.120
<v Speaker 3>back in the dressing room. There's no wallet, and we're

0:13:05.160 --> 0:13:08.679
<v Speaker 3>preparing for something to happen. We're like, all right, he

0:13:08.679 --> 0:13:10.840
<v Speaker 3>can't find his wallet. Like this is the point where

0:13:11.520 --> 0:13:13.440
<v Speaker 3>he just like braks for the door and tries to

0:13:13.480 --> 0:13:16.760
<v Speaker 3>tackle somebody, you know. So you know, we kind of

0:13:16.800 --> 0:13:19.400
<v Speaker 3>get into this formation that lets him know like, you know,

0:13:19.440 --> 0:13:22.559
<v Speaker 3>we're all here, we're all paying attention, we're all alert,

0:13:23.800 --> 0:13:27.839
<v Speaker 3>and you can kind of see him looking around and checking.

0:13:27.960 --> 0:13:30.560
<v Speaker 3>He sees somebody at the door, he sees somebody standing

0:13:30.600 --> 0:13:34.360
<v Speaker 3>next to him. The guy at the counter is just

0:13:34.440 --> 0:13:38.640
<v Speaker 3>kind of like waiting, like what you're gonna do, and

0:13:38.679 --> 0:13:41.080
<v Speaker 3>then he just kind of pauses and says, you know what,

0:13:42.480 --> 0:13:44.880
<v Speaker 3>I guess I'm just gonna come back, you know, I

0:13:44.880 --> 0:13:48.400
<v Speaker 3>gotta go find my wallet, and goes back to the

0:13:48.400 --> 0:13:54.440
<v Speaker 3>fitting room, takes everything off, and leaves, never comes back.

0:14:05.679 --> 0:14:10.680
<v Speaker 3>That was a particularly strange like scenario for me because

0:14:10.720 --> 0:14:13.680
<v Speaker 3>the guy happened to be black. I had my own

0:14:13.840 --> 0:14:15.959
<v Speaker 3>you know, there was my own ideas, my own thoughts

0:14:16.040 --> 0:14:18.400
<v Speaker 3>that were that were happening while this was going, and

0:14:19.120 --> 0:14:23.120
<v Speaker 3>I think one of them was feeling like, oh man,

0:14:23.120 --> 0:14:26.840
<v Speaker 3>why is this guy coming in here and and doing this?

0:14:27.040 --> 0:14:29.120
<v Speaker 3>Why is he making us look bad? You know, That's

0:14:29.160 --> 0:14:43.600
<v Speaker 3>that's what's going through my head at the time. It

0:14:43.640 --> 0:14:45.920
<v Speaker 3>was unfair, that was I mean to say that, like,

0:14:45.920 --> 0:14:48.120
<v Speaker 3>in hindsight, that's an unfair way to look at that,

0:14:49.320 --> 0:14:51.320
<v Speaker 3>But that was that was what I was thinking at

0:14:51.320 --> 0:14:51.720
<v Speaker 3>that time.

0:14:52.520 --> 0:14:54.480
<v Speaker 2>Did you guys talk about it after the guy left?

0:14:55.880 --> 0:14:57.720
<v Speaker 3>I think when he walked out the door, everybody just

0:14:57.760 --> 0:15:00.440
<v Speaker 3>kind of stared at each other for like thirty seconds.

0:15:00.440 --> 0:15:04.040
<v Speaker 3>We were just like trying to figure out exactly what,

0:15:04.200 --> 0:15:08.680
<v Speaker 3>you know, what just happened. Yeah, that was something I

0:15:08.800 --> 0:15:11.120
<v Speaker 3>more had to sit with on my own, and I

0:15:11.120 --> 0:15:13.120
<v Speaker 3>don't I don't even think I talked to any friends

0:15:13.160 --> 0:15:16.840
<v Speaker 3>about it or or really got to like hash that

0:15:16.920 --> 0:15:23.800
<v Speaker 3>out with anybody.

0:15:28.880 --> 0:15:30.320
<v Speaker 2>What is that making us look bad?

0:15:30.360 --> 0:15:30.560
<v Speaker 4>What?

0:15:30.560 --> 0:15:33.320
<v Speaker 2>What in what way were you thinking, like he's making

0:15:33.400 --> 0:15:36.480
<v Speaker 2>us look bad? I think I understand, but uh, well,

0:15:39.080 --> 0:15:43.360
<v Speaker 2>you know, like there's this idea in in the black

0:15:43.400 --> 0:15:47.040
<v Speaker 2>community that like we always have to be on our

0:15:47.040 --> 0:15:50.320
<v Speaker 2>best behavior, like we all have to be doing, you know,

0:15:50.440 --> 0:15:55.320
<v Speaker 2>doing the right thing. Like you know, a white person

0:15:55.600 --> 0:15:58.000
<v Speaker 2>or anybody, it doesn't have to necessarily be somebody white,

0:15:58.040 --> 0:16:01.040
<v Speaker 2>but they experience like a black person, one black person

0:16:01.120 --> 0:16:06.000
<v Speaker 2>or two or five, and then they say black people

0:16:06.040 --> 0:16:10.040
<v Speaker 2>are this, or they behave like that, or black people

0:16:10.080 --> 0:16:14.920
<v Speaker 2>are always doing this. So where I was coming from

0:16:14.920 --> 0:16:17.960
<v Speaker 2>when I thought that was, you know, like this is

0:16:18.080 --> 0:16:21.400
<v Speaker 2>just another strike on that you know, on that list.

0:16:21.520 --> 0:16:24.680
<v Speaker 2>You know, someone who's not black experiencing a black person

0:16:24.800 --> 0:16:28.960
<v Speaker 2>in this way and them putting that like, oh they

0:16:29.080 --> 0:16:31.240
<v Speaker 2>black people, da da da. And this is in my mind,

0:16:31.280 --> 0:16:34.520
<v Speaker 2>this may not even be what these other people were thinking,

0:16:35.600 --> 0:16:38.280
<v Speaker 2>but this is just because of how I'm experiencing the

0:16:38.320 --> 0:16:40.960
<v Speaker 2>world and people who look like me have experienced the world.

0:16:41.800 --> 0:16:43.440
<v Speaker 2>This is what's going through my mind.

0:16:44.160 --> 0:16:47.920
<v Speaker 3>I may and with all my coworkers, with all of

0:16:47.960 --> 0:16:50.800
<v Speaker 3>the people that we work with, I might be the

0:16:50.840 --> 0:16:54.600
<v Speaker 3>only black person they ever interact with, you know, in

0:16:54.640 --> 0:17:00.680
<v Speaker 3>their life, and I just think about like those space.

0:17:00.920 --> 0:17:04.040
<v Speaker 3>I think in that space, I was thinking, well, like,

0:17:04.200 --> 0:17:10.000
<v Speaker 3>we're never here, so when we do show up, it

0:17:10.040 --> 0:17:11.200
<v Speaker 3>needs to be in the best light.

0:17:12.560 --> 0:17:15.119
<v Speaker 2>Did that make you think anything at all about the

0:17:15.160 --> 0:17:20.520
<v Speaker 2>way that it's different? But in some ways you had

0:17:20.520 --> 0:17:23.359
<v Speaker 2>to be on your best behavior at these places, Like

0:17:23.400 --> 0:17:26.640
<v Speaker 2>you couldn't be one hundred percent authentically who you were.

0:17:27.640 --> 0:17:32.320
<v Speaker 3>Yeah. Yeah, I felt like that. And maybe some of

0:17:32.320 --> 0:17:34.399
<v Speaker 3>that might have been in my head too, you know,

0:17:34.560 --> 0:17:37.280
<v Speaker 3>thinking that I couldn't be myself, and maybe I could

0:17:37.280 --> 0:17:39.920
<v Speaker 3>have been and they would have been totally accepting of it.

0:17:40.440 --> 0:17:46.560
<v Speaker 3>You know, that's quite possible. But I think at that time,

0:17:47.560 --> 0:17:50.159
<v Speaker 3>I don't think I ever felt comfortable completely, you know,

0:17:50.280 --> 0:17:54.879
<v Speaker 3>one hundred percent being myself because there was still a

0:17:54.880 --> 0:17:58.200
<v Speaker 3>little bit of discomfort for me in being the only

0:17:58.280 --> 0:18:01.040
<v Speaker 3>black guy, like being the only black person. I still

0:18:01.080 --> 0:18:03.720
<v Speaker 3>feel like there were certain topics, certain subjects that I

0:18:03.760 --> 0:18:06.840
<v Speaker 3>would only want to talk about with other black people,

0:18:07.080 --> 0:18:09.560
<v Speaker 3>or only want to hear the perspective of certain people.

0:18:11.800 --> 0:18:14.399
<v Speaker 3>I mean, like I think about that scenario that I

0:18:14.480 --> 0:18:18.120
<v Speaker 3>just told you about. It's like I couldn't imagine ever

0:18:18.200 --> 0:18:21.280
<v Speaker 3>having that conversation with somebody, or telling somebody about my

0:18:21.359 --> 0:18:25.119
<v Speaker 3>thoughts and how I felt with somebody who wasn't black

0:18:25.480 --> 0:18:29.639
<v Speaker 3>up until now, because if you don't come from that

0:18:29.800 --> 0:18:33.919
<v Speaker 3>or understand why I might have thought that, it'd be

0:18:33.920 --> 0:18:37.160
<v Speaker 3>hard for you to understand where I was coming from

0:18:37.280 --> 0:18:39.399
<v Speaker 3>or how to rationalize what it was I was saying.

0:18:52.560 --> 0:18:55.080
<v Speaker 2>I mean, chi Uu no longer works at that shop

0:18:55.119 --> 0:19:00.080
<v Speaker 2>in New York. His last retail job was in twenty twenty.

0:19:00.560 --> 0:19:02.440
<v Speaker 2>In some ways, he's returned to a place where he's

0:19:02.480 --> 0:19:04.520
<v Speaker 2>not having to think about things like this all the time.

0:19:05.480 --> 0:19:08.680
<v Speaker 2>He now runs his own brand, making sportswear for HBCUs.

0:19:09.359 --> 0:19:10.959
<v Speaker 2>It's called Torch Sportswear.

0:19:12.280 --> 0:19:15.120
<v Speaker 3>Where I am now, I don't think I'll ever work

0:19:15.200 --> 0:19:18.840
<v Speaker 3>another retail job. I pray that I never have to

0:19:18.880 --> 0:19:23.080
<v Speaker 3>work in retail again, but I know that if that

0:19:23.200 --> 0:19:26.800
<v Speaker 3>day ever came, my approach would be a lot different.

0:19:27.080 --> 0:19:29.320
<v Speaker 3>You know, how I would move in that space and

0:19:29.359 --> 0:19:31.560
<v Speaker 3>how I would present myself would be different than I

0:19:31.600 --> 0:19:35.320
<v Speaker 3>have in the past. I can't compress myself anymore.

0:19:47.600 --> 0:19:49.800
<v Speaker 2>I'm never going to fully understand what it was like

0:19:49.880 --> 0:19:53.240
<v Speaker 2>for Amhi in that moment, but it makes so much sense.

0:19:53.640 --> 0:19:56.439
<v Speaker 2>I think you probably understand it to some degree too.

0:19:56.600 --> 0:20:00.359
<v Speaker 2>But I have had experiences where the combination of race

0:20:00.560 --> 0:20:04.080
<v Speaker 2>and class has made me do things that I have questioned.

0:20:05.240 --> 0:20:08.560
<v Speaker 2>I'm a pretty white, passing Latino. I grew up with

0:20:08.640 --> 0:20:13.359
<v Speaker 2>the culture. My first language was Spanglish, but my Spanish

0:20:13.440 --> 0:20:16.760
<v Speaker 2>is pretty broken now. Sometimes people don't know I'm Latino

0:20:16.840 --> 0:20:20.359
<v Speaker 2>until I tell them, Like this one time at work,

0:20:20.960 --> 0:20:23.280
<v Speaker 2>someone pointed at my face after I told them, and

0:20:23.320 --> 0:20:26.360
<v Speaker 2>they said, I knew there was something going on there.

0:20:27.760 --> 0:20:30.240
<v Speaker 2>The thing that's happened for me, the way that I

0:20:30.440 --> 0:20:34.679
<v Speaker 2>have frankly gotten a little confused, I guess when it

0:20:34.720 --> 0:20:38.280
<v Speaker 2>comes to race and class, is that when I decided

0:20:38.280 --> 0:20:40.760
<v Speaker 2>that I wanted a life where I could be creative

0:20:40.840 --> 0:20:44.920
<v Speaker 2>and not have to do manual labor, I mostly look

0:20:45.000 --> 0:20:50.520
<v Speaker 2>to white people and white culture, but like odd, dorky

0:20:50.680 --> 0:20:54.119
<v Speaker 2>pockets of white culture. Like when I was a teenager,

0:20:54.680 --> 0:20:57.439
<v Speaker 2>one of my first exposures to journalism, the thing I

0:20:57.440 --> 0:20:59.360
<v Speaker 2>would watch whenever it was on TV was this guy,

0:20:59.640 --> 0:21:04.240
<v Speaker 2>Hugh Houser. He was from Tennessee and he'd travel all

0:21:04.280 --> 0:21:07.399
<v Speaker 2>over California with a microphone, doing features on things like

0:21:07.960 --> 0:21:09.000
<v Speaker 2>making peanut brittle.

0:21:10.080 --> 0:21:11.359
<v Speaker 1>Now we're gonna pour it out.

0:21:11.640 --> 0:21:12.960
<v Speaker 2>That's right there.

0:21:13.040 --> 0:21:17.879
<v Speaker 1>You go, oh look, now that's peanut brittle.

0:21:18.000 --> 0:21:19.000
<v Speaker 3>That's peanut brittle.

0:21:19.680 --> 0:21:24.600
<v Speaker 2>There's other stuff too. I'm an eagle Scout. I wore

0:21:24.600 --> 0:21:29.520
<v Speaker 2>that uniform until I was eighteen years old. But maybe

0:21:29.560 --> 0:21:33.520
<v Speaker 2>the strangest thing I got into I think I am

0:21:33.920 --> 0:21:38.199
<v Speaker 2>very embarrassed to confess right now, is it. For a

0:21:38.280 --> 0:21:41.840
<v Speaker 2>year or two when I was in high school, I

0:21:42.000 --> 0:21:55.000
<v Speaker 2>had a subscription to Country Living magazine. I think maybe

0:21:55.000 --> 0:21:58.160
<v Speaker 2>it started because I was into ram and they were

0:21:58.160 --> 0:22:01.119
<v Speaker 2>from the South, or maybe I just wanted out of

0:22:01.119 --> 0:22:06.159
<v Speaker 2>my house, out of my boring suburban town, and the

0:22:06.200 --> 0:22:10.480
<v Speaker 2>country somehow seemed appealing. I don't know, but one day

0:22:10.600 --> 0:22:14.439
<v Speaker 2>in the grocery store I picked up this magazine and

0:22:14.960 --> 0:22:18.880
<v Speaker 2>I just couldn't get enough. There was feature after feature

0:22:19.160 --> 0:22:22.560
<v Speaker 2>of nice, proper little houses out in the country somewhere,

0:22:22.600 --> 0:22:26.760
<v Speaker 2>with everything decorated just so. I thought it was so classy.

0:22:27.440 --> 0:22:30.080
<v Speaker 2>It was like Dwell Magazine if Colonel Sanders was the

0:22:30.200 --> 0:22:30.960
<v Speaker 2>editor in chief.

0:22:31.920 --> 0:22:32.640
<v Speaker 4>I loved it.

0:22:33.960 --> 0:22:36.800
<v Speaker 2>And you know, people of color are allowed to consume

0:22:36.800 --> 0:22:40.679
<v Speaker 2>whatever culture. They want all this nerdy white stuff. It

0:22:40.800 --> 0:22:45.600
<v Speaker 2>influenced me deeply, still does. My daughter makes fun of

0:22:45.640 --> 0:22:48.159
<v Speaker 2>me because I will watch hours and hours of that

0:22:48.240 --> 0:22:52.920
<v Speaker 2>home renovation show Hometown that's basically country living on HGTV.

0:22:54.920 --> 0:22:59.080
<v Speaker 2>The part of all of this that feels upsetting is

0:22:59.119 --> 0:23:02.919
<v Speaker 2>that when I was looking for an escape hatch, I

0:23:03.000 --> 0:23:07.240
<v Speaker 2>didn't see any examples of Latinos out there. They were

0:23:07.240 --> 0:23:12.439
<v Speaker 2>there in music and film and literature, even journalism. I

0:23:12.520 --> 0:23:16.439
<v Speaker 2>know that now, but they weren't on the TV. They

0:23:16.440 --> 0:23:21.200
<v Speaker 2>weren't mainstream. This was all happening at a time when

0:23:21.359 --> 0:23:26.840
<v Speaker 2>anti immigrant fervor was raging in California. Voters had overwhelmingly

0:23:26.880 --> 0:23:31.480
<v Speaker 2>supported Prop One eighty seven, basically taking away all social

0:23:31.520 --> 0:23:35.400
<v Speaker 2>services for undocumented immigrants, and kids at my school were

0:23:35.400 --> 0:23:39.040
<v Speaker 2>openly talking to me about Mexicans stealing jobs and living

0:23:39.080 --> 0:23:43.080
<v Speaker 2>off of welfare. At the same time, some people in

0:23:43.080 --> 0:23:46.480
<v Speaker 2>my own family were calling me owero for living in

0:23:46.520 --> 0:23:49.080
<v Speaker 2>the suburbs and being into the things I was into.

0:23:50.640 --> 0:23:53.800
<v Speaker 2>I think, in some ways, through some combination of all

0:23:53.840 --> 0:24:00.399
<v Speaker 2>of that, I internalized that Latinos didn't deserve better, that

0:24:00.480 --> 0:24:06.159
<v Speaker 2>we didn't deserve nice things. Coming up, someone helps me

0:24:06.200 --> 0:24:18.439
<v Speaker 2>see that we do, all right, Jonathan, back here, you're

0:24:18.640 --> 0:24:23.960
<v Speaker 2>very classy host. Brenda Akihwa is a luxury fashion designer

0:24:24.000 --> 0:24:27.359
<v Speaker 2>in la Her work has been featured in Vogue and

0:24:27.480 --> 0:24:30.720
<v Speaker 2>The La Times. Bad Bunny and Lil nas X have

0:24:30.760 --> 0:24:33.119
<v Speaker 2>worn her stuff, but it took her a while to

0:24:33.160 --> 0:24:35.879
<v Speaker 2>get to that place. Her journey into the world of

0:24:35.920 --> 0:24:39.639
<v Speaker 2>fashion started in high school when she applied to Parsons,

0:24:40.320 --> 0:24:42.120
<v Speaker 2>the Art and Design College in New York.

0:24:42.960 --> 0:24:47.560
<v Speaker 4>I'd heard of that school just through overhearing someone's conversation.

0:24:48.680 --> 0:24:50.879
<v Speaker 4>That's how I heard about that fashion school.

0:24:51.320 --> 0:24:52.160
<v Speaker 2>Someone at school.

0:24:52.560 --> 0:24:56.120
<v Speaker 4>Yeah, someone at school. So I'm a very curious person,

0:24:56.320 --> 0:25:02.040
<v Speaker 4>and that's how I've acquired. Percent of the information has

0:25:02.080 --> 0:25:07.320
<v Speaker 4>been through nosiness. You know, I am a professional Chi's moosa,

0:25:09.880 --> 0:25:13.520
<v Speaker 4>that's use this information for good reasons.

0:25:13.960 --> 0:25:17.600
<v Speaker 2>A chismosa is a gossip and you could call Brenda

0:25:17.640 --> 0:25:21.400
<v Speaker 2>a Chi's moosa. But really what she was was an observer,

0:25:22.200 --> 0:25:25.600
<v Speaker 2>the trait she picked up from her mom. Brenda grew

0:25:25.680 --> 0:25:28.280
<v Speaker 2>up in Santa Barbara, California. It's a town right on

0:25:28.359 --> 0:25:31.959
<v Speaker 2>the beach, super affluent. Brenda was being raised by her

0:25:31.960 --> 0:25:35.040
<v Speaker 2>single mom there in a Latino community that was mostly

0:25:35.080 --> 0:25:38.760
<v Speaker 2>employed working for the rich, mostly white people in town.

0:25:39.440 --> 0:25:43.600
<v Speaker 2>Brenda's mom cleaned houses, and sometimes Brenda would come along

0:25:43.640 --> 0:25:47.440
<v Speaker 2>with her, and she'd see firsthand the way her mom

0:25:47.800 --> 0:25:50.480
<v Speaker 2>was actively studying these people's lives.

0:25:51.680 --> 0:25:56.040
<v Speaker 4>So my mom would always show us like, oh, look,

0:25:56.160 --> 0:25:58.760
<v Speaker 4>you know, smell this perfume. It smells really good. We

0:25:58.760 --> 0:26:02.679
<v Speaker 4>should get this. Or I've seen this grandma at this

0:26:02.880 --> 0:26:06.320
<v Speaker 4>other lady's house, so this must be really good, you know.

0:26:07.119 --> 0:26:11.800
<v Speaker 4>And so we learned through this sort of unauthorized access

0:26:13.280 --> 0:26:18.199
<v Speaker 4>what good products were that we wouldn't have known otherwise.

0:26:18.960 --> 0:26:22.320
<v Speaker 2>Brenda's mom would do the same at yard sales. She'd

0:26:22.400 --> 0:26:24.960
<v Speaker 2>drive her rich neighborhoods and buy up all the brand

0:26:25.040 --> 0:26:29.120
<v Speaker 2>name clothing they couldn't normally afford. She got brand of fancy,

0:26:29.359 --> 0:26:34.440
<v Speaker 2>almost over the top stuff for coats, this pleated vintage

0:26:34.520 --> 0:26:35.560
<v Speaker 2>dress from the thirties.

0:26:36.320 --> 0:26:42.000
<v Speaker 4>In my world, having a crocodile alligator clutch, you know,

0:26:42.640 --> 0:26:44.800
<v Speaker 4>in junior high was totally normal.

0:26:45.640 --> 0:26:48.600
<v Speaker 2>Her mom would indulge in nice clothes too, living out

0:26:48.600 --> 0:26:50.800
<v Speaker 2>a life where she was saying that you can be

0:26:50.880 --> 0:26:53.399
<v Speaker 2>classy no matter where you come from.

0:26:53.920 --> 0:26:58.680
<v Speaker 4>My mom was wearing evening gowns like to my fifth

0:26:58.720 --> 0:27:05.280
<v Speaker 4>grade parties that were outside in the dusty like environment

0:27:05.400 --> 0:27:10.000
<v Speaker 4>of our apartment complex, and she'd be decked out for

0:27:10.119 --> 0:27:15.160
<v Speaker 4>our parties, like she was like my Beyonce, And now

0:27:15.200 --> 0:27:18.080
<v Speaker 4>that I'm older, I'm like, that's so cool that she

0:27:18.280 --> 0:27:22.359
<v Speaker 4>was like that because maybe in her mind she knew

0:27:22.440 --> 0:27:26.320
<v Speaker 4>that she might not ever have the opportunity to wear

0:27:26.440 --> 0:27:30.560
<v Speaker 4>that gown to whatever is considered acceptable.

0:27:40.680 --> 0:27:44.800
<v Speaker 2>So she's Mosa Brenda. She overhears about this fashion school

0:27:44.840 --> 0:27:48.080
<v Speaker 2>in New York. She applies to Parsons, she gets in.

0:27:48.480 --> 0:27:50.639
<v Speaker 2>She can't afford to visit New York before she goes,

0:27:50.760 --> 0:27:55.040
<v Speaker 2>really can't afford the school, but the community rallies around

0:27:55.080 --> 0:27:59.440
<v Speaker 2>her to help her cover some costs, and once she's there,

0:28:00.400 --> 0:28:04.120
<v Speaker 2>she's overwhelmed by the level of wealth. There are students

0:28:04.119 --> 0:28:07.439
<v Speaker 2>from all over the world, and they are wealthy in

0:28:07.480 --> 0:28:10.399
<v Speaker 2>a way that even growing up in Santa Barbara, she'd

0:28:10.480 --> 0:28:11.000
<v Speaker 2>never seen.

0:28:12.200 --> 0:28:15.080
<v Speaker 4>I had a friend who told me that, you know,

0:28:15.160 --> 0:28:17.679
<v Speaker 4>back home, she'd come out of the shower and all

0:28:17.720 --> 0:28:19.360
<v Speaker 4>of her clothes was already laid.

0:28:19.200 --> 0:28:22.080
<v Speaker 2>Out for her, who laid out her clothes.

0:28:23.440 --> 0:28:24.160
<v Speaker 4>Her workers.

0:28:24.920 --> 0:28:27.720
<v Speaker 2>But the thing she really notices, the thing she struggles with,

0:28:28.480 --> 0:28:32.280
<v Speaker 2>is that it Parsons all the reference points come from

0:28:32.359 --> 0:28:36.840
<v Speaker 2>white culture. It's in the designers they're being taught about

0:28:36.920 --> 0:28:39.160
<v Speaker 2>and the classic films they're being shown.

0:28:40.320 --> 0:28:42.719
<v Speaker 4>Some of the movies were like Gone with the Wind

0:28:43.080 --> 0:28:46.400
<v Speaker 4>and some like It Hot, You.

0:28:47.560 --> 0:28:51.360
<v Speaker 3>Like go watch My Do Frankly might hair, I don't

0:28:51.400 --> 0:28:51.960
<v Speaker 3>give a damn.

0:28:53.560 --> 0:28:57.680
<v Speaker 4>And these were the things that you were supposed to know,

0:28:57.920 --> 0:29:01.800
<v Speaker 4>right like the Marilyn Monroe, Catherine have Burned, you know

0:29:02.400 --> 0:29:08.239
<v Speaker 4>what are considered American classic icons and movies. It was

0:29:08.320 --> 0:29:12.240
<v Speaker 4>good education, Like I was happy to learn it because

0:29:12.280 --> 0:29:15.600
<v Speaker 4>I didn't really have a lot of exposure to that.

0:29:15.640 --> 0:29:18.840
<v Speaker 4>I mean, I did grow up watching classic films, but

0:29:18.880 --> 0:29:22.960
<v Speaker 4>they were Mexican ones. They were movies with Betherin Fante

0:29:23.080 --> 0:29:30.360
<v Speaker 4>and Maria Felix. And then of course we're in New York,

0:29:30.560 --> 0:29:33.240
<v Speaker 4>so it was all about being chic, and it was

0:29:33.240 --> 0:29:38.760
<v Speaker 4>about Calvin Klein and Donna Karen and Jill Sander, and

0:29:39.000 --> 0:29:43.640
<v Speaker 4>it was about being sleek and chic and clean cut.

0:29:44.240 --> 0:29:47.560
<v Speaker 2>Brenda says she was in survival mode at Parsons. She

0:29:47.720 --> 0:29:50.800
<v Speaker 2>was scraping money together to buy fabric for her projects.

0:29:51.400 --> 0:29:54.400
<v Speaker 2>She was basically just eating bagels with cream cheese for

0:29:54.440 --> 0:29:59.640
<v Speaker 2>every meal, and on this tight budget and under stress.

0:30:00.680 --> 0:30:03.960
<v Speaker 2>She couldn't make work that matched the garments she was

0:30:04.000 --> 0:30:07.440
<v Speaker 2>seeing in her head. She started failing classes.

0:30:08.360 --> 0:30:11.720
<v Speaker 4>And as this was happening, I remember I went on

0:30:11.760 --> 0:30:14.479
<v Speaker 4>a walk one day with one of the guys that

0:30:14.520 --> 0:30:18.680
<v Speaker 4>I was in class with, and I shared with him

0:30:19.040 --> 0:30:22.280
<v Speaker 4>my story of how I was being failed, and he

0:30:22.560 --> 0:30:28.640
<v Speaker 4>told me that he had a woman that lived with him,

0:30:29.160 --> 0:30:33.000
<v Speaker 4>that cooked for him, cleaned for him, and sewed all

0:30:33.040 --> 0:30:36.720
<v Speaker 4>of his projects for him. And I'm just listening to

0:30:36.800 --> 0:30:41.280
<v Speaker 4>this story, thinking, our worlds are so drastically different, I

0:30:41.320 --> 0:30:52.080
<v Speaker 4>can't even believe that we're being graded by the same standards.

0:30:55.200 --> 0:30:59.360
<v Speaker 2>Brenda eventually finds her stride. She manages to get through Parsons.

0:31:00.240 --> 0:31:04.000
<v Speaker 2>After she graduates, she gets a couple different jobs working

0:31:04.080 --> 0:31:08.160
<v Speaker 2>in the industry as a designer, but she finds it

0:31:08.240 --> 0:31:11.880
<v Speaker 2>working in the fashion world. It's like Parsons the Reboot.

0:31:12.600 --> 0:31:18.000
<v Speaker 2>There's money, there's whiteness. She's working in fashion, but she's miserable.

0:31:19.240 --> 0:31:22.320
<v Speaker 2>The people she really connects with are the pattern makers,

0:31:22.960 --> 0:31:27.160
<v Speaker 2>who are working class, mostly Asian and Latino. She really

0:31:27.280 --> 0:31:29.560
<v Speaker 2>values the level of skill they're bringing to the work,

0:31:30.880 --> 0:31:34.440
<v Speaker 2>but still she wants to build something of her own.

0:31:36.280 --> 0:31:39.520
<v Speaker 2>And then one day, she's with her family. They're driving

0:31:39.560 --> 0:31:42.480
<v Speaker 2>to Six Flags Magic Mountain. Her brothers at the wheel,

0:31:43.040 --> 0:31:44.240
<v Speaker 2>and she says.

0:31:44.400 --> 0:31:47.440
<v Speaker 4>Turn the music down. I have an announcement. I have

0:31:47.480 --> 0:31:51.280
<v Speaker 4>something I want to tell you guys. So they turn

0:31:51.320 --> 0:31:54.000
<v Speaker 4>the music down and I told them I have this

0:31:54.440 --> 0:32:00.920
<v Speaker 4>crazy idea. I want to make jackets and outer wear

0:32:01.760 --> 0:32:04.880
<v Speaker 4>out of Golobeha blankets.

0:32:05.480 --> 0:32:10.760
<v Speaker 2>Okay, Latinos, this school golobia has are these blankets that

0:32:10.880 --> 0:32:16.560
<v Speaker 2>are super popular in the Latino community. They're soft, thick, plushy,

0:32:17.520 --> 0:32:20.600
<v Speaker 2>and probably the most notable thing about them is that

0:32:20.600 --> 0:32:23.920
<v Speaker 2>they're loud. You can get them with almost anything printed

0:32:23.960 --> 0:32:27.960
<v Speaker 2>on them, Lakers logo, the Virgin Mary. A lot of

0:32:27.960 --> 0:32:32.400
<v Speaker 2>them have exotic animals, tigers and lions and wolves and

0:32:32.520 --> 0:32:36.840
<v Speaker 2>cheetahs and wild horses and tigers and unicorns and tigers,

0:32:37.000 --> 0:32:40.280
<v Speaker 2>so many tigers. I still have some that I've had

0:32:40.320 --> 0:32:44.960
<v Speaker 2>since I was a kid. They're also pretty cheap. So

0:32:45.040 --> 0:32:47.760
<v Speaker 2>with this idea, the next day, Brenda goes to her

0:32:47.800 --> 0:32:51.880
<v Speaker 2>studio and gets to work right away. She wants to

0:32:51.880 --> 0:32:55.320
<v Speaker 2>take gobe has and turn them into something luxurious.

0:32:56.160 --> 0:32:59.440
<v Speaker 4>I built a pattern, I figured out what, you know,

0:32:59.480 --> 0:33:02.600
<v Speaker 4>what I need to do first and try to figure

0:33:02.600 --> 0:33:04.720
<v Speaker 4>out the steps, and I knew that it logistically it

0:33:04.760 --> 0:33:06.400
<v Speaker 4>was going to be a hot disaster.

0:33:07.680 --> 0:33:10.560
<v Speaker 2>Okay, I understand you like have this vision, but why, like,

0:33:10.600 --> 0:33:12.680
<v Speaker 2>why do you want to take this thing that is

0:33:13.240 --> 0:33:16.600
<v Speaker 2>seen as cheap and kind of even like low class

0:33:16.600 --> 0:33:18.320
<v Speaker 2>if people even know about it at all? Why do

0:33:18.360 --> 0:33:21.120
<v Speaker 2>you want to take that and turn it into a coat?

0:33:22.200 --> 0:33:22.640
<v Speaker 3>Gosh?

0:33:22.680 --> 0:33:26.120
<v Speaker 4>You know, I mean it's my story. I feel like

0:33:26.200 --> 0:33:28.960
<v Speaker 4>it's very much me right, Like I came from that

0:33:29.080 --> 0:33:32.760
<v Speaker 4>world and then I learned all of these things, like

0:33:33.040 --> 0:33:38.520
<v Speaker 4>all of like ways of seeing that were a bit different,

0:33:39.040 --> 0:33:44.440
<v Speaker 4>And when I thought about the blankets, a part of

0:33:44.520 --> 0:33:51.040
<v Speaker 4>me felt like, damn, I really don't want this to disappear.

0:33:52.200 --> 0:33:54.680
<v Speaker 2>Is any of it at all a kind of fuck

0:33:54.800 --> 0:33:59.479
<v Speaker 2>you to a culture that sort of rejected you for

0:33:59.520 --> 0:33:59.920
<v Speaker 2>a while?

0:34:00.120 --> 0:34:00.320
<v Speaker 3>Oh?

0:34:00.440 --> 0:34:03.720
<v Speaker 4>Absolutely. My life has been a series of fuck yous

0:34:04.400 --> 0:34:08.439
<v Speaker 4>at every environment that I've been in. You know, that's

0:34:08.480 --> 0:34:11.360
<v Speaker 4>always been me. I've always been like with my finger

0:34:11.480 --> 0:34:15.040
<v Speaker 4>out in every environment. That's why I'm like, I don't

0:34:15.160 --> 0:34:18.040
<v Speaker 4>care if I belong, I'm going to be here. This

0:34:18.080 --> 0:34:28.920
<v Speaker 4>is where I need to be. Growing up in Santa

0:34:28.960 --> 0:34:33.440
<v Speaker 4>Barbara and going to school aut Parsons and being in

0:34:33.480 --> 0:34:39.320
<v Speaker 4>the industry, it was always felt like this very curated

0:34:39.400 --> 0:34:42.880
<v Speaker 4>experience by other people that didn't feel relatable to me,

0:34:44.480 --> 0:34:47.279
<v Speaker 4>And I was like, how do I change that? Like

0:34:47.360 --> 0:34:50.279
<v Speaker 4>this isn't right, this doesn't feel good.

0:34:50.680 --> 0:34:53.359
<v Speaker 2>I'm so jealous of people like this who can walk

0:34:53.400 --> 0:34:56.360
<v Speaker 2>through the world giving the bird and relying on the

0:34:56.360 --> 0:35:00.719
<v Speaker 2>strength of that, that ability to deflect rich with your

0:35:00.719 --> 0:35:05.840
<v Speaker 2>middle fingers like their wonder Woman's bracelets. I've tried being angry,

0:35:05.880 --> 0:35:10.680
<v Speaker 2>but all it ever got me was bitterness and callouses. Instead,

0:35:10.800 --> 0:35:13.799
<v Speaker 2>I've kept my middle fingers in my pockets and tried

0:35:13.800 --> 0:35:17.920
<v Speaker 2>to blend in. For me, that seemed like the classiest

0:35:17.960 --> 0:35:22.640
<v Speaker 2>way to get by, But I don't know. Now I'm

0:35:22.640 --> 0:35:26.120
<v Speaker 2>not so sure.

0:35:33.040 --> 0:35:35.359
<v Speaker 4>I'm about to try on the devotion coat.

0:35:37.360 --> 0:35:39.680
<v Speaker 2>Unfortunately, I was stuck in my closet with all my

0:35:39.760 --> 0:35:42.920
<v Speaker 2>lame clothes while I was talking to Brenda. But my

0:35:42.960 --> 0:35:47.360
<v Speaker 2>producer Kristen was there in Brenda's studio in La surrounded

0:35:47.400 --> 0:35:52.239
<v Speaker 2>by all Herkulebeha inspired clothes. Kristin pulled out a full

0:35:52.360 --> 0:35:56.439
<v Speaker 2>length hooded coat. It's deep red with roses all over

0:35:56.480 --> 0:35:59.040
<v Speaker 2>the front, no big gest virgin mary on the back.

0:36:00.040 --> 0:36:01.080
<v Speaker 1>My gosh, thank you.

0:36:01.800 --> 0:36:12.760
<v Speaker 4>Wow, Oh my gosh, oh my gosh. Like eating, but wow,

0:36:12.880 --> 0:36:14.520
<v Speaker 4>I look so fine.

0:36:15.280 --> 0:36:19.600
<v Speaker 3>The pockets are perfect. The moment I put my arm in.

0:36:19.600 --> 0:36:22.719
<v Speaker 1>The sleeve, I felt like.

0:36:24.360 --> 0:36:27.680
<v Speaker 4>Ephic like it, Like I just felt like my arm

0:36:27.840 --> 0:36:30.320
<v Speaker 4>just dipped into some like comfort puddle.

0:36:30.800 --> 0:36:34.120
<v Speaker 3>Yeah, that's what we try to do.

0:36:34.840 --> 0:36:45.360
<v Speaker 2>Wow, these coats are so nice. Anybody who's spent winter's

0:36:45.400 --> 0:36:49.920
<v Speaker 2>snuggles under golovi hus LUs after them. But I wondered

0:36:49.960 --> 0:36:53.000
<v Speaker 2>how Brenda felt taking this blanket you can get for

0:36:53.000 --> 0:36:58.560
<v Speaker 2>forty dollars, this working class immigrant luxury item, and turning

0:36:58.600 --> 0:37:01.000
<v Speaker 2>it into coats that some of them I sell for

0:37:01.080 --> 0:37:02.560
<v Speaker 2>more than seven hundred dollars.

0:37:03.400 --> 0:37:06.120
<v Speaker 4>These codes don't have to be that price. I make

0:37:06.160 --> 0:37:10.400
<v Speaker 4>them that price because of all the work and the

0:37:10.440 --> 0:37:13.239
<v Speaker 4>details that I put into it. You know, Like we

0:37:13.400 --> 0:37:16.759
<v Speaker 4>buy all of our zippers here in LA because they're

0:37:16.800 --> 0:37:20.000
<v Speaker 4>the best zippers that I could find. So they are

0:37:20.080 --> 0:37:23.240
<v Speaker 4>expensive because I make them more expensive than they should

0:37:23.239 --> 0:37:28.799
<v Speaker 4>be through my choices. And that is my education. That

0:37:28.960 --> 0:37:33.000
<v Speaker 4>is me. Like, that is how I grew up. I

0:37:33.120 --> 0:37:37.560
<v Speaker 4>wanted to have nice things. I like how nice things feel.

0:37:37.840 --> 0:37:40.280
<v Speaker 4>I like having them in my home. I like touching

0:37:40.360 --> 0:37:43.759
<v Speaker 4>nice things. I like looking at them, so I make

0:37:43.920 --> 0:37:49.680
<v Speaker 4>things that look and feel good. You know, we've never

0:37:49.880 --> 0:37:55.280
<v Speaker 4>been given the authority to be the curators of style,

0:37:56.520 --> 0:38:01.360
<v Speaker 4>and that's sort of what I feel like I want

0:38:01.400 --> 0:38:01.719
<v Speaker 4>to do.

0:38:01.960 --> 0:38:17.320
<v Speaker 2>Loudly hearing Brenda's say this, it had a profound effect

0:38:17.360 --> 0:38:21.879
<v Speaker 2>on me, just hearing someone say it's okay to have

0:38:22.040 --> 0:38:25.920
<v Speaker 2>nice things and that those nice things don't have to

0:38:25.920 --> 0:38:29.440
<v Speaker 2>be what mainstream culture says they are. A lot of

0:38:29.480 --> 0:38:32.680
<v Speaker 2>us are Latinos because we grew up with people who

0:38:32.680 --> 0:38:37.160
<v Speaker 2>didn't have nice things, and because the images of Latinos

0:38:37.200 --> 0:38:39.840
<v Speaker 2>that we see most often are people who are suffering

0:38:40.520 --> 0:38:44.880
<v Speaker 2>and working their asses off, desperately trying to build new lives.

0:38:45.840 --> 0:38:51.560
<v Speaker 2>Sometimes it feels like an abandonment to want, but I want.

0:38:53.680 --> 0:38:57.080
<v Speaker 2>It wasn't immediately after this interview, but sometime in the

0:38:57.080 --> 0:39:00.560
<v Speaker 2>making of this show, I put on this this old

0:39:00.800 --> 0:39:02.759
<v Speaker 2>gold chain my dad had given me when I was

0:39:02.800 --> 0:39:06.799
<v Speaker 2>a teenager. When he first gave it to me, it

0:39:06.840 --> 0:39:10.239
<v Speaker 2>didn't feel right. It wasn't my Weddo vibe at the time.

0:39:12.280 --> 0:39:15.719
<v Speaker 2>But a few weeks ago I dug the chain out

0:39:15.719 --> 0:39:18.839
<v Speaker 2>of a little box in my nightstand and I put

0:39:18.880 --> 0:39:23.120
<v Speaker 2>it on and it looked right. I know gold chains

0:39:23.120 --> 0:39:26.760
<v Speaker 2>aren't solely the domain of latinos, just like country living

0:39:26.800 --> 0:39:31.640
<v Speaker 2>isn't just for white people. But this one is. It's gold,

0:39:31.840 --> 0:39:50.680
<v Speaker 2>and it's a little loud, and it looks good on me. Okay,

0:39:50.920 --> 0:39:54.919
<v Speaker 2>here we are. We've been talking about class for three episodes,

0:39:55.040 --> 0:39:58.719
<v Speaker 2>and man, it is even clearer to me now than

0:39:58.800 --> 0:40:04.160
<v Speaker 2>when we started that class can be so sticky and uncomfortable,

0:40:05.560 --> 0:40:09.800
<v Speaker 2>and you know, nobody's perfect no matter what our class

0:40:09.800 --> 0:40:13.720
<v Speaker 2>background is. We are all bound to cross some lines

0:40:14.040 --> 0:40:19.719
<v Speaker 2>and make mistakes, maybe even defend people. And I don't

0:40:19.760 --> 0:40:22.160
<v Speaker 2>necessarily have all the answers for what to do in

0:40:22.200 --> 0:40:25.600
<v Speaker 2>those situations, but I know someone who might be able

0:40:25.640 --> 0:40:29.080
<v Speaker 2>to help, and he's going to answer your questions. That's

0:40:29.120 --> 0:40:38.440
<v Speaker 2>on the next episode of Classy. Classy is a production

0:40:38.520 --> 0:40:41.759
<v Speaker 2>of Pineapple Street Studios. It's written and produced by me

0:40:42.080 --> 0:40:46.840
<v Speaker 2>Jonathan men Ivar. Our producer is Kristin Torres, Associate producer

0:40:46.920 --> 0:40:52.279
<v Speaker 2>Marina Hanke, Senior managing producer Asha Saluja. Our editor is

0:40:52.360 --> 0:40:57.120
<v Speaker 2>Haley Howell, Executive editor Joel Lovel. Our assistant engineers are

0:40:57.160 --> 0:41:01.879
<v Speaker 2>Sharon Bardallas and Jade Brooks. Senior engineers are Mari Na

0:41:01.880 --> 0:41:07.040
<v Speaker 2>Fais and bedro Lviira, fact checking by Tom Colligan. This

0:41:07.120 --> 0:41:10.600
<v Speaker 2>episode was mixed and scored by Marina Pais, with additional

0:41:10.600 --> 0:41:14.160
<v Speaker 2>scoring by Me. Music in this episode from Joseph Chabasan

0:41:14.480 --> 0:41:18.359
<v Speaker 2>courtesy of Western Vinyl Joseph Chabasan and Vibrant Matter and

0:41:18.440 --> 0:41:22.719
<v Speaker 2>Shavason and Gunning courtesy of Seance Center. Additional music from

0:41:22.800 --> 0:41:27.280
<v Speaker 2>Epidemic Sound. Our artwork is by Kurt Courtney and Lauren

0:41:27.360 --> 0:41:32.200
<v Speaker 2>Vira at Cadence thirteen. Marketing and promotion by Grace cohen Chen,

0:41:32.440 --> 0:41:36.880
<v Speaker 2>Hillary Schuff and Liz O'Malley. Legal services for Pineapple Street

0:41:36.920 --> 0:41:41.840
<v Speaker 2>Studios by Crystal Tupia at Odyssey Special thanks to Jeremy Kirkland.

0:41:42.680 --> 0:41:45.880
<v Speaker 2>Jenna Wey Sperman and Max Lensky are the executive producers

0:41:45.920 --> 0:41:49.239
<v Speaker 2>at Pineapple Street. The next episode will be out in

0:41:49.400 --> 0:41:52.640
<v Speaker 2>a week. Make sure to listen on the Odyssey app

0:41:52.719 --> 0:41:54.160
<v Speaker 2>or wherever you get your podcasts.