1 00:00:01,000 --> 00:00:04,440 Speaker 1: Taking a Walk Nashville. Hi, this is Sarah Harrelson, your 2 00:00:04,559 --> 00:00:08,200 Speaker 1: host of Taking a Walk Nashville and joining me here 3 00:00:08,280 --> 00:00:11,639 Speaker 1: today at the Listening Room Cafe is the owner and 4 00:00:11,760 --> 00:00:15,600 Speaker 1: founder Chris Blair. The Listening Room Cafe is one of 5 00:00:15,720 --> 00:00:20,799 Speaker 1: Nashville's premiere venues for hit songwriters and up and coming songwriters. 6 00:00:20,840 --> 00:00:23,400 Speaker 1: I even have the chance to perform here a couple 7 00:00:23,440 --> 00:00:26,840 Speaker 1: times myself. It opened in two thousand and six, and 8 00:00:26,880 --> 00:00:30,800 Speaker 1: this year they are celebrating their twentieth anniversary with the 9 00:00:30,840 --> 00:00:35,120 Speaker 1: show at the Ryman Auditorium on March third. In addition 10 00:00:35,200 --> 00:00:38,640 Speaker 1: to being a venue owner, Saint Louis native, Chris Blair 11 00:00:38,720 --> 00:00:42,360 Speaker 1: is also a songwriter and host of the podcast Stories 12 00:00:42,400 --> 00:00:47,440 Speaker 1: Behind the Songs, featuring in depth interviews with Nashville songwriters 13 00:00:47,479 --> 00:00:50,199 Speaker 1: and artists. Chris, thank you so much for opening up 14 00:00:50,240 --> 00:00:53,440 Speaker 1: your doors and the stage for taking a Walk Nashville today. 15 00:00:53,600 --> 00:00:58,040 Speaker 1: So this is the third location of the Listening Room Correct, 16 00:00:58,640 --> 00:00:59,080 Speaker 1: this is. 17 00:00:59,080 --> 00:01:03,480 Speaker 2: The fourth location. Yeah, thank you for that intro, by 18 00:01:03,520 --> 00:01:06,600 Speaker 2: the way, Sarah, that was really nice. Yeah. We started 19 00:01:06,720 --> 00:01:10,040 Speaker 2: in Franklin in two thousand and six, so that's the 20 00:01:10,200 --> 00:01:13,240 Speaker 2: little area that most people don't even think about. So 21 00:01:14,480 --> 00:01:16,920 Speaker 2: there's a there's so many people that think of Coming 22 00:01:16,959 --> 00:01:21,880 Speaker 2: Station as our first location, but started in Franklin, moved 23 00:01:21,920 --> 00:01:24,360 Speaker 2: it to Coming Station in two thousand and eight, then 24 00:01:24,400 --> 00:01:27,720 Speaker 2: to Second Avenue in twenty twelve, and then to this 25 00:01:27,840 --> 00:01:29,319 Speaker 2: location in twenty seventeen. 26 00:01:29,640 --> 00:01:35,680 Speaker 1: Yeah, and it's progressively gotten bigger location. So when you 27 00:01:35,760 --> 00:01:39,000 Speaker 1: opened the listening room in two thousand and six, were 28 00:01:39,040 --> 00:01:43,039 Speaker 1: there any other venues you notice doing the same kind 29 00:01:43,040 --> 00:01:45,959 Speaker 1: of right around format besides the Bluebird Cafe? 30 00:01:47,600 --> 00:01:50,320 Speaker 2: Yeah, I mean a little bit. Obviously, the Bluebird was 31 00:01:50,320 --> 00:01:53,760 Speaker 2: the one that everybody knows and kind of what you know, 32 00:01:53,800 --> 00:01:57,160 Speaker 2: what I had had looked at when we were doing this. 33 00:01:57,840 --> 00:02:02,520 Speaker 2: But you know, there's other smaller place. Douglas Corner was 34 00:02:02,560 --> 00:02:05,320 Speaker 2: on Eighth Avenue at the time, and you know they 35 00:02:05,360 --> 00:02:08,400 Speaker 2: would do writers' rounds every now and then. You know 36 00:02:08,560 --> 00:02:13,640 Speaker 2: Commodore that's still around. You know, little places like that, 37 00:02:13,800 --> 00:02:17,840 Speaker 2: But you know, with the with the great hit songwriters, 38 00:02:18,960 --> 00:02:20,399 Speaker 2: the Bluebird was pretty much it. 39 00:02:21,040 --> 00:02:25,560 Speaker 1: Absolutely And what led you to working in the restaurant 40 00:02:25,639 --> 00:02:30,160 Speaker 1: industry in Missouri to wanting to come here to Nashville 41 00:02:30,200 --> 00:02:33,040 Speaker 1: to pursue music and open up a music venue. 42 00:02:33,400 --> 00:02:38,600 Speaker 2: An alarm clock. My dad saying you got to get 43 00:02:38,639 --> 00:02:41,800 Speaker 2: up at three thirty in the morning and go to 44 00:02:41,840 --> 00:02:48,320 Speaker 2: work with me. So I grew up around entrepreneurship. My 45 00:02:48,600 --> 00:02:54,080 Speaker 2: grandpa owned his own business in real estate. My dad 46 00:02:54,120 --> 00:02:57,320 Speaker 2: owned four restaurants when I was growing up, and I 47 00:02:57,360 --> 00:02:59,520 Speaker 2: always like to joke, there's no labor laws when when 48 00:02:59,560 --> 00:03:04,280 Speaker 2: you're the the owner's kid. So I would get up 49 00:03:04,880 --> 00:03:07,880 Speaker 2: on the weekends and literally at three thirty in the 50 00:03:07,919 --> 00:03:11,840 Speaker 2: morning and drive to work with my dad. And as 51 00:03:11,840 --> 00:03:13,680 Speaker 2: soon as I was old enough to stand on milk 52 00:03:13,760 --> 00:03:16,960 Speaker 2: rates in the kitchen, I was washing dishes, and then 53 00:03:16,960 --> 00:03:22,680 Speaker 2: I was slicing bread and slicing deli meat and just 54 00:03:22,760 --> 00:03:24,960 Speaker 2: kind of moved my way up. So it all kind 55 00:03:25,000 --> 00:03:25,880 Speaker 2: of started with that. 56 00:03:27,160 --> 00:03:30,640 Speaker 1: And the restaurant industry, like you said, it's brutal hours. 57 00:03:30,680 --> 00:03:34,160 Speaker 1: So you're definitely incorporating both the restaurant and the music 58 00:03:34,639 --> 00:03:35,640 Speaker 1: industry together. 59 00:03:35,800 --> 00:03:36,200 Speaker 2: Here. 60 00:03:37,200 --> 00:03:40,240 Speaker 1: Were you just interested in coming to Nashville to pursue 61 00:03:40,280 --> 00:03:41,640 Speaker 1: your own music at the time. 62 00:03:41,640 --> 00:03:45,720 Speaker 2: I was, Yeah, I moved here in two thousand and three. 63 00:03:46,200 --> 00:03:49,040 Speaker 2: I've been in music my entire life. I started singing. 64 00:03:50,080 --> 00:03:53,880 Speaker 2: My mom's got you know, old tapes of me singing 65 00:03:53,920 --> 00:03:57,120 Speaker 2: on pitch to songs when I was like three, started 66 00:03:57,120 --> 00:04:00,440 Speaker 2: taking piano lessons when I was four, and I mean, 67 00:04:00,480 --> 00:04:03,040 Speaker 2: it's just a it's a part of my DNA. I 68 00:04:03,080 --> 00:04:06,600 Speaker 2: don't remember any memories without music as a part of 69 00:04:06,600 --> 00:04:11,360 Speaker 2: my life. Started putting out my own songs. Started writing 70 00:04:11,600 --> 00:04:15,080 Speaker 2: a little bit back then, but mostly just getting songs 71 00:04:15,080 --> 00:04:18,760 Speaker 2: from other people. I didn't really fully understand what songwriting was. 72 00:04:19,880 --> 00:04:25,320 Speaker 2: And yeah, I got an offer to move to Nashville 73 00:04:25,360 --> 00:04:29,320 Speaker 2: from Doug Howard, who's the DIN of music over at Bellmont. 74 00:04:29,400 --> 00:04:32,760 Speaker 2: Now by the time, he was running A and R 75 00:04:32,800 --> 00:04:35,680 Speaker 2: for a label here in town and said move to 76 00:04:35,720 --> 00:04:39,880 Speaker 2: town and we'll work together. So that's what ultimately brought 77 00:04:39,960 --> 00:04:43,760 Speaker 2: me here. And then you know, through multiple steps that 78 00:04:43,960 --> 00:04:47,960 Speaker 2: just that led to more songwriting and this passion of 79 00:04:49,760 --> 00:04:54,240 Speaker 2: just sharing the stories behind the songs, and then the 80 00:04:54,400 --> 00:04:57,480 Speaker 2: idea to to do something like the Listening Room. 81 00:04:58,200 --> 00:05:02,040 Speaker 1: Yeah, and it's expanded so much in the last twenty years, 82 00:05:02,080 --> 00:05:06,280 Speaker 1: and so many artists and songwriters have taken the stage 83 00:05:06,320 --> 00:05:09,880 Speaker 1: at the Listening Room. And you're celebrating your twentieth anniversary 84 00:05:09,960 --> 00:05:13,600 Speaker 1: show this year, as I mentioned, at the Ryman Auditorium 85 00:05:13,680 --> 00:05:17,320 Speaker 1: on March third. You have a great lineup It includes Hardy, 86 00:05:17,640 --> 00:05:23,520 Speaker 1: Jody Messina, Mitchell Tinpenny, and many more hit songwriters and artists. 87 00:05:24,160 --> 00:05:26,279 Speaker 1: Will this concert at the Ryman. Is it going to 88 00:05:26,320 --> 00:05:29,080 Speaker 1: be in the round style like the listening room format 89 00:05:29,240 --> 00:05:31,960 Speaker 1: or is it more full band with the artists. 90 00:05:32,000 --> 00:05:36,080 Speaker 2: No full bands. We may have a little a couple surprises, 91 00:05:36,240 --> 00:05:42,479 Speaker 2: but mostly in the round type style. The names that 92 00:05:42,520 --> 00:05:45,840 Speaker 2: you mentioned, you know, those are all great friends that 93 00:05:46,200 --> 00:05:49,279 Speaker 2: as soon as I reached out, was an immediate yes, 94 00:05:49,320 --> 00:05:51,080 Speaker 2: we'd love to be a part of it, along with 95 00:05:51,839 --> 00:05:55,159 Speaker 2: several other artists that we haven't even announced yet. We're 96 00:05:55,160 --> 00:05:57,640 Speaker 2: going to have some special guests that we won't announce 97 00:05:57,720 --> 00:06:03,040 Speaker 2: until they walk on stage. Great hit songwriters you're hearing 98 00:06:03,080 --> 00:06:05,960 Speaker 2: at first. I just got confirmation from Ashley Gorley yesterday, 99 00:06:06,040 --> 00:06:10,120 Speaker 2: so absolute monster songwriter that was trying to figure out 100 00:06:10,120 --> 00:06:13,440 Speaker 2: his schedule, so he will be there, and Matt Jenkins 101 00:06:13,480 --> 00:06:16,440 Speaker 2: and j T. Harding and Phil Barton and it's just 102 00:06:16,560 --> 00:06:19,280 Speaker 2: the going to be It's gonna be amazing. So it's 103 00:06:19,400 --> 00:06:23,680 Speaker 2: kind of a little bit of mix of some artists 104 00:06:23,680 --> 00:06:26,560 Speaker 2: who got their start here on this stage as well 105 00:06:26,600 --> 00:06:28,479 Speaker 2: as you know, the best songwriters in the world. 106 00:06:28,720 --> 00:06:31,520 Speaker 1: Yeah, that's going to be a great event. People don't 107 00:06:31,520 --> 00:06:34,839 Speaker 1: want to miss it. Can people purchase tickets on the 108 00:06:34,880 --> 00:06:37,479 Speaker 1: Listening Room Cafe site for this event? 109 00:06:37,680 --> 00:06:40,200 Speaker 2: Yeah, if you go to our website, there is a 110 00:06:40,839 --> 00:06:44,120 Speaker 2: link that will take you to the Ryman's website, but 111 00:06:44,200 --> 00:06:47,040 Speaker 2: you can also go directly to the Ryman's website and 112 00:06:47,520 --> 00:06:49,320 Speaker 2: just go to go to the March shows. We're the 113 00:06:49,360 --> 00:06:52,320 Speaker 2: first one on there, I think, and we still have 114 00:06:52,800 --> 00:06:56,200 Speaker 2: a few tickets left. It's almost sold out. Wow, that's amazing. 115 00:06:56,320 --> 00:06:58,520 Speaker 1: Yeah, And if it does get sold out, people who 116 00:06:58,520 --> 00:07:01,000 Speaker 1: are coming in town can still check out shows right here. 117 00:07:01,400 --> 00:07:06,320 Speaker 1: Took the Listening Room Cafe too. So over the course 118 00:07:06,360 --> 00:07:10,080 Speaker 1: of twenty years, what has been the change the biggest 119 00:07:10,160 --> 00:07:13,000 Speaker 1: change you've seen in Nashville since two thousand and six, 120 00:07:13,200 --> 00:07:16,360 Speaker 1: and you know since the original location in Franklin of 121 00:07:16,440 --> 00:07:17,160 Speaker 1: the Listening Room. 122 00:07:17,440 --> 00:07:21,480 Speaker 2: Yeah, I wish I would have bought the overpriced real 123 00:07:21,600 --> 00:07:25,520 Speaker 2: estate that I didn't buy fifteen years ago. I've heard 124 00:07:25,520 --> 00:07:28,920 Speaker 2: both sides of the fence on this. You know that 125 00:07:29,080 --> 00:07:32,960 Speaker 2: Nashville has grown so much that we're losing a bit 126 00:07:33,000 --> 00:07:36,200 Speaker 2: of history, and I agree with that. You know, I 127 00:07:36,280 --> 00:07:40,880 Speaker 2: remember walking down Music Row when I first moved here. 128 00:07:40,920 --> 00:07:45,600 Speaker 2: It was just publisher after publisher after you know, Studio 129 00:07:45,720 --> 00:07:48,120 Speaker 2: B and like, I mean, just all of these great 130 00:07:48,120 --> 00:07:53,120 Speaker 2: things and to watch everything go vertical and that's been 131 00:07:53,160 --> 00:07:55,280 Speaker 2: a big change, and it's pushed a lot of small 132 00:07:55,280 --> 00:07:58,160 Speaker 2: businesses out because they can't afford it. But at the 133 00:07:58,160 --> 00:08:01,280 Speaker 2: same time, you know, Nashville is for several years now 134 00:08:01,360 --> 00:08:04,080 Speaker 2: been kind of the it city and it's for the 135 00:08:04,120 --> 00:08:08,760 Speaker 2: economy year and I think what we're able to provide 136 00:08:08,840 --> 00:08:11,480 Speaker 2: for all of the tourists that are coming in, you know, 137 00:08:11,560 --> 00:08:14,000 Speaker 2: that's what I've seen change the most. And I think 138 00:08:14,000 --> 00:08:16,560 Speaker 2: it's just like I think we have to embrace it 139 00:08:16,600 --> 00:08:20,200 Speaker 2: and be proud of a city that's growing. Maybe still 140 00:08:20,240 --> 00:08:25,200 Speaker 2: work on the parking or the driving situation, but you know, 141 00:08:25,480 --> 00:08:30,400 Speaker 2: I think from everything that I see, it's not slowing down. 142 00:08:31,000 --> 00:08:34,480 Speaker 2: And you know, we're we're working on some things behind 143 00:08:34,480 --> 00:08:37,040 Speaker 2: the scenes of you know, how we can sustain the 144 00:08:37,080 --> 00:08:41,320 Speaker 2: growth and be here for another twenty years. Yeah, but 145 00:08:41,600 --> 00:08:43,120 Speaker 2: you know, I think it's good. 146 00:08:43,800 --> 00:08:47,720 Speaker 1: Yeah, it's I think it's all good change too. Do 147 00:08:47,760 --> 00:08:52,520 Speaker 1: you have a favorite or most memorable listening room show 148 00:08:52,679 --> 00:08:53,720 Speaker 1: we've experienced? 149 00:08:54,760 --> 00:08:58,280 Speaker 2: Sarah, I get asked this all the time, and it's 150 00:08:58,360 --> 00:09:03,720 Speaker 2: so hard because there. There are a flood of memories 151 00:09:03,760 --> 00:09:07,560 Speaker 2: that come up anytime this question is asked. I mean 152 00:09:08,080 --> 00:09:10,480 Speaker 2: it is. I can't pick one, there's no way. But 153 00:09:10,800 --> 00:09:14,360 Speaker 2: you know, just the moments that stopped me in my 154 00:09:14,440 --> 00:09:16,320 Speaker 2: tracks when I hear a song for the first time 155 00:09:16,360 --> 00:09:19,200 Speaker 2: that no one's ever heard, and I kind of get 156 00:09:19,280 --> 00:09:21,320 Speaker 2: numb to songs. I hear so many of them that 157 00:09:22,720 --> 00:09:26,760 Speaker 2: it really takes a great lyric to stop me. So 158 00:09:26,880 --> 00:09:29,920 Speaker 2: those are those are amazing moments when I hear something 159 00:09:30,000 --> 00:09:32,600 Speaker 2: that is like, man, that is that is so good, 160 00:09:32,800 --> 00:09:36,120 Speaker 2: and then you know months later it's a number one 161 00:09:36,200 --> 00:09:42,200 Speaker 2: hit it's been released. Full circle moments from back when 162 00:09:42,280 --> 00:09:46,200 Speaker 2: I still was an artist and I was touring doing 163 00:09:46,320 --> 00:09:48,720 Speaker 2: a lot of cover songs even back in the day, 164 00:09:49,840 --> 00:09:53,880 Speaker 2: and looking at songs that I used to sing with 165 00:09:53,920 --> 00:09:59,280 Speaker 2: my band, like I don't know, amazed by lone Star, 166 00:09:59,480 --> 00:10:02,720 Speaker 2: you know, and and then becoming very good friends with 167 00:10:02,800 --> 00:10:05,720 Speaker 2: guys like Richard McDonald and Dean Sam's and getting to 168 00:10:05,720 --> 00:10:08,800 Speaker 2: know those guys I used to tour on the road 169 00:10:08,800 --> 00:10:11,120 Speaker 2: with Andy Griggs, he and I had music out at 170 00:10:11,120 --> 00:10:15,200 Speaker 2: the same time, and really getting to know those guys 171 00:10:15,200 --> 00:10:18,320 Speaker 2: like as friends. Those are those are amazing moments and 172 00:10:18,360 --> 00:10:21,080 Speaker 2: then you know, like the people that are playing the rhyman, 173 00:10:21,360 --> 00:10:25,560 Speaker 2: you know, just watching Michael you know, like before he 174 00:10:25,679 --> 00:10:29,600 Speaker 2: was known just as hearty, you know, like watching him 175 00:10:30,440 --> 00:10:34,319 Speaker 2: and Morgan Wallen play songs here, you know, when they 176 00:10:34,320 --> 00:10:40,160 Speaker 2: were just trying to pay rent tenpenny. You know, there's 177 00:10:40,320 --> 00:10:43,440 Speaker 2: just Garth Brooks is the reason that I got into 178 00:10:43,480 --> 00:10:46,760 Speaker 2: music in the first place, as far as country music goes. 179 00:10:47,840 --> 00:10:53,439 Speaker 2: And you know, those those moments where having Garth on 180 00:10:53,520 --> 00:10:56,880 Speaker 2: this stage that we're sitting on right now and watching 181 00:10:56,960 --> 00:10:58,839 Speaker 2: him play for I don't know, an hour and a 182 00:10:58,880 --> 00:11:02,240 Speaker 2: half and I don't think he finished one song because 183 00:11:02,280 --> 00:11:06,960 Speaker 2: it was just like this melodic mash of all of 184 00:11:07,000 --> 00:11:10,240 Speaker 2: his hits and going into other songs that he loves 185 00:11:10,280 --> 00:11:13,600 Speaker 2: and all. I mean, there's just literally so many moments 186 00:11:13,640 --> 00:11:17,160 Speaker 2: I have to pinch myself, even when you were doing 187 00:11:17,160 --> 00:11:20,000 Speaker 2: that intro, you know, it just it's hard to believe 188 00:11:20,040 --> 00:11:23,720 Speaker 2: that we've been doing this for twenty years. And it's awesome. 189 00:11:24,000 --> 00:11:28,400 Speaker 1: Yeah, it's amazing to see where songwriters have gone with 190 00:11:28,480 --> 00:11:31,680 Speaker 1: their journey with the listening room too, like you said, 191 00:11:31,800 --> 00:11:34,880 Speaker 1: especially you know, even just coming for shows of the 192 00:11:34,920 --> 00:11:38,120 Speaker 1: listening room at ten Pan's house sing a songwriter who 193 00:11:38,120 --> 00:11:41,199 Speaker 1: maybe just got signed, play a song that's never been 194 00:11:41,240 --> 00:11:44,480 Speaker 1: released before, and you know, two months later you heard 195 00:11:44,559 --> 00:11:48,080 Speaker 1: on Cody Johnson's album or someone's album. I think that's 196 00:11:48,120 --> 00:11:52,040 Speaker 1: what's so special about this format and hearing songwriters share 197 00:11:52,120 --> 00:11:57,440 Speaker 1: their stories behind the songs. You're also involved in a 198 00:11:57,480 --> 00:12:02,600 Speaker 1: lot of philanthropic causes, such as the Listening Room Sound 199 00:12:02,600 --> 00:12:05,680 Speaker 1: Good Do Good program, and it gives back to the 200 00:12:05,720 --> 00:12:09,760 Speaker 1: community by donating a portion of ticket sales to locally 201 00:12:09,920 --> 00:12:14,080 Speaker 1: based charities. So when people buy a ticket to the 202 00:12:14,120 --> 00:12:16,680 Speaker 1: Listening Room, who are they supporting. 203 00:12:18,320 --> 00:12:21,600 Speaker 2: We work with a lot of nonprofits. So we are 204 00:12:21,679 --> 00:12:25,000 Speaker 2: actually booked up for the entire year of twenty twenty six, 205 00:12:25,280 --> 00:12:28,520 Speaker 2: and we have a waiting list and then starting to 206 00:12:28,559 --> 00:12:31,400 Speaker 2: look at twenty seven already. This started back in the 207 00:12:31,480 --> 00:12:34,920 Speaker 2: year of the flood. You know, this is early days 208 00:12:34,960 --> 00:12:43,439 Speaker 2: where I was bartending, running sound booking, the talent, you know, everything, 209 00:12:44,160 --> 00:12:47,920 Speaker 2: and we were struggling pretty bad, and a couple songwriting 210 00:12:47,960 --> 00:12:50,800 Speaker 2: friends put together a show that later I found out 211 00:12:51,040 --> 00:12:54,640 Speaker 2: was a benefit for us, and it just happened to 212 00:12:54,640 --> 00:13:01,560 Speaker 2: be right after the Nashville flood. So we're doing all 213 00:13:01,679 --> 00:13:05,520 Speaker 2: this hype, trying to talk up the show, and then 214 00:13:06,320 --> 00:13:10,120 Speaker 2: it happened. In the aftermath of that, decided that we 215 00:13:10,200 --> 00:13:12,920 Speaker 2: should give a small portion of the proceeds back to 216 00:13:13,679 --> 00:13:15,960 Speaker 2: a nonprofit. So I teamed up with Hands on Nashville, 217 00:13:16,920 --> 00:13:20,800 Speaker 2: and something hit me during that show where it's just like, 218 00:13:20,920 --> 00:13:23,320 Speaker 2: you know what, like this is this isn't right. It 219 00:13:23,440 --> 00:13:25,720 Speaker 2: just didn't feel right. I looked at us as like 220 00:13:25,960 --> 00:13:30,120 Speaker 2: we are we're we're a venue or a bar, we're 221 00:13:30,160 --> 00:13:35,560 Speaker 2: a restaurant, entertainment, and people have lost their homes, they're clothes, 222 00:13:35,679 --> 00:13:39,400 Speaker 2: some of them have lost family members. You know, the 223 00:13:39,480 --> 00:13:42,600 Speaker 2: Nashville flood was terrible. So we gave it all back 224 00:13:42,640 --> 00:13:44,640 Speaker 2: and that was kind of the birth of like, you know, 225 00:13:44,679 --> 00:13:47,680 Speaker 2: if we're able to keep going. I'm big in my 226 00:13:47,760 --> 00:13:50,560 Speaker 2: faith and you know, just kind of vowed at that point, 227 00:13:50,600 --> 00:13:53,280 Speaker 2: like Lord, if this is what we're meant to do, 228 00:13:53,720 --> 00:13:55,960 Speaker 2: help us get through it, and this is what we'll 229 00:13:55,960 --> 00:13:58,880 Speaker 2: do forever. And that's what we've done once a month 230 00:13:58,960 --> 00:14:01,440 Speaker 2: ever since then. And it's not portion of the tickets, 231 00:14:01,480 --> 00:14:04,360 Speaker 2: it's one hundred percent of them. So we we will 232 00:14:04,360 --> 00:14:08,520 Speaker 2: team up with anywhere from you know, we we've found 233 00:14:08,600 --> 00:14:12,600 Speaker 2: local families that may have a child and you know, 234 00:14:12,640 --> 00:14:16,920 Speaker 2: going through cancer treatments at Vanderbilt and they can't afford it. 235 00:14:17,120 --> 00:14:23,160 Speaker 2: Most often it's more local charities that are all across 236 00:14:23,200 --> 00:14:26,920 Speaker 2: the board from we've worked with, you know, people who 237 00:14:26,920 --> 00:14:32,760 Speaker 2: support hearing aids and animal shelters and homeless and education 238 00:14:32,960 --> 00:14:34,720 Speaker 2: and you know, just all of these things. And then 239 00:14:35,480 --> 00:14:38,480 Speaker 2: you know larger things like Unit Away, Red Cross, Tug 240 00:14:38,600 --> 00:14:41,960 Speaker 2: McGraw Foundation, stuff like that. So it's just a big 241 00:14:42,000 --> 00:14:46,760 Speaker 2: part of my heart and and it's part of our 242 00:14:46,760 --> 00:14:49,920 Speaker 2: core values. And you know, as long as as long 243 00:14:49,920 --> 00:14:52,480 Speaker 2: as we're allowed to keep these doors open, that'll be 244 00:14:52,520 --> 00:14:53,000 Speaker 2: a part of it. 245 00:14:53,120 --> 00:14:56,040 Speaker 1: Yeah, that's amazing. I love to hear how the listening 246 00:14:56,120 --> 00:14:59,760 Speaker 1: room is giving back to the Nashville community. I also 247 00:14:59,800 --> 00:15:03,360 Speaker 1: saw something very interesting reading about you, Chris. I saw 248 00:15:03,400 --> 00:15:08,000 Speaker 1: that in your free time you enjoy flying planes. So 249 00:15:08,320 --> 00:15:09,880 Speaker 1: what peaqued this interest for you? 250 00:15:10,880 --> 00:15:17,760 Speaker 2: Uh? Kennett, Missouri. The Kennett Country Club. My grandparents were 251 00:15:17,800 --> 00:15:20,320 Speaker 2: not members of the country club. They couldn't afford that, 252 00:15:20,680 --> 00:15:24,040 Speaker 2: but we would get passes to be able to go 253 00:15:24,120 --> 00:15:27,000 Speaker 2: in there. And I had a great uncle who was 254 00:15:27,160 --> 00:15:31,800 Speaker 2: an incredible golfer. He took me golfing when I think 255 00:15:31,880 --> 00:15:36,600 Speaker 2: I was like maybe nine ten years old something like that, 256 00:15:37,160 --> 00:15:40,720 Speaker 2: and it was right beside this small airfield that was 257 00:15:40,760 --> 00:15:43,440 Speaker 2: full of just crop dusters. Kennett, Misouri is a big 258 00:15:43,480 --> 00:15:48,120 Speaker 2: cotton town, and I was not into golf whatsoever. I 259 00:15:48,160 --> 00:15:51,080 Speaker 2: hated being out there. And I think about a whole 260 00:15:51,080 --> 00:15:54,240 Speaker 2: three or four he realized I was watching these guys 261 00:15:54,280 --> 00:15:57,040 Speaker 2: take off in their planes. And of course this was 262 00:15:57,200 --> 00:16:01,360 Speaker 2: years ago before any kind of security, and he also 263 00:16:01,480 --> 00:16:05,920 Speaker 2: was one that just wasn't afraid to ask anything. And 264 00:16:06,360 --> 00:16:11,040 Speaker 2: we left the golf course. My uncle drove right past 265 00:16:11,120 --> 00:16:15,640 Speaker 2: the restricted area sign and drove right into the airport 266 00:16:15,960 --> 00:16:18,600 Speaker 2: up to a hangar, found a guy outside working on 267 00:16:18,640 --> 00:16:21,480 Speaker 2: a plane and said, you know, hey, is this your plane? 268 00:16:21,720 --> 00:16:24,440 Speaker 2: Can you take him up? I would not have wanted 269 00:16:24,440 --> 00:16:26,200 Speaker 2: to be in the room when my mom found out 270 00:16:26,240 --> 00:16:31,200 Speaker 2: this happened after the fact, but yeah, that's where you know, 271 00:16:31,480 --> 00:16:35,760 Speaker 2: like nine ish years old, I was in one of 272 00:16:35,800 --> 00:16:39,440 Speaker 2: those planes and got to the take the yolk and 273 00:16:40,320 --> 00:16:43,320 Speaker 2: feel what that was like. And it was just a 274 00:16:43,360 --> 00:16:46,680 Speaker 2: burning love inside of me for a long time. So 275 00:16:47,040 --> 00:16:51,480 Speaker 2: finally in two thousand and nine I started taking pilot 276 00:16:51,520 --> 00:16:54,000 Speaker 2: lessons and been doing ever since. 277 00:16:54,080 --> 00:16:58,200 Speaker 1: Wow, that's very cool. So Chris my last question for 278 00:16:58,280 --> 00:17:01,680 Speaker 1: you is something I always as my guest. Since we 279 00:17:01,760 --> 00:17:04,320 Speaker 1: are on taking a Walk Nashville, do you have a 280 00:17:04,480 --> 00:17:07,440 Speaker 1: favorite place you like to take a walk in Nashville. 281 00:17:09,160 --> 00:17:12,200 Speaker 2: Uh. Yeah, We live out in Mount Juliet and there 282 00:17:12,320 --> 00:17:15,560 Speaker 2: is a there's a park out in that area that 283 00:17:15,760 --> 00:17:19,040 Speaker 2: it goes around a really large lake and it's just 284 00:17:19,160 --> 00:17:25,360 Speaker 2: quiet and I spend time out there alone just walking 285 00:17:25,440 --> 00:17:29,800 Speaker 2: and thinking and being a visionary. And then I also 286 00:17:30,480 --> 00:17:34,719 Speaker 2: just love taking my family and doing that. So you know, 287 00:17:34,760 --> 00:17:37,960 Speaker 2: there's there's several places in Nashville. I think that's That's 288 00:17:38,000 --> 00:17:40,720 Speaker 2: another great thing that the city has done a pretty 289 00:17:40,720 --> 00:17:44,240 Speaker 2: decent job of is throughout this growth, they've you know, 290 00:17:44,280 --> 00:17:47,119 Speaker 2: they've kept this certain areas like Percy Warner Park or 291 00:17:47,200 --> 00:17:50,560 Speaker 2: whatever where they have you know, really not let those 292 00:17:50,600 --> 00:17:56,560 Speaker 2: areas get developed. So Nashville is good for that. Yeah. 293 00:17:56,760 --> 00:17:59,680 Speaker 1: Yeah. And the listening room is right near downtown Nashville, 294 00:17:59,760 --> 00:18:02,760 Speaker 1: so people can get a show here and walk downtown 295 00:18:02,840 --> 00:18:05,879 Speaker 1: askraards too. Yeah. Well, Chris, thank you so much for 296 00:18:05,920 --> 00:18:09,760 Speaker 1: being on taking a Walk Nashville Today. Everyone can find 297 00:18:09,800 --> 00:18:13,880 Speaker 1: tickets to upcoming shows and your twentieth anniversary event at 298 00:18:13,880 --> 00:18:15,280 Speaker 1: the Ryeman on March. 299 00:18:15,080 --> 00:18:19,280 Speaker 2: Third at your website. Thank you again, Thank you, thanks 300 00:18:19,320 --> 00:18:19,880 Speaker 2: for having. 301 00:18:19,680 --> 00:18:24,080 Speaker 1: Me, Thanks for listening to Taking a Walk Nashville with 302 00:18:24,119 --> 00:18:29,119 Speaker 1: singer songwriter Sarah Harrelson, and check out our other podcasts, Music, 303 00:18:29,200 --> 00:18:32,879 Speaker 1: Save Me, Comedy Save Me, and Taking a Walk. Available 304 00:18:32,920 --> 00:18:36,200 Speaker 1: on the iHeartRadio app, Apple Podcasts, or wherever you get 305 00:18:36,240 --> 00:18:37,480 Speaker 1: your podcasts