WEBVTT - Pod Meets Twirl'd: DWTS 3407

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<v Speaker 1>Welcome to Pod meets Twirl, the Dancing with the Stars

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<v Speaker 1>recap hosted by two guys who can't dance, don't want

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<v Speaker 1>to dance, and have now seen exactly seven episodes of

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<v Speaker 1>Dancing with the Stars. But since our best friend Danielle

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<v Speaker 1>has joined the cast for season thirty four, We're going

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<v Speaker 1>all in. We are Wilfred Allen, Ryder Strong aka the

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<v Speaker 1>two dudes standing next to Topanga aka Daniel Fishal's backup

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<v Speaker 1>aka the dan Yettes.

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<v Speaker 2>I will Daniete, Hi rider Dan.

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<v Speaker 3>Yet, how you feeling this week in my general life

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<v Speaker 3>or after watching whatever the that was?

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<v Speaker 1>I'm with you. I'm with you, but I'm angry. I

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<v Speaker 1>wasn't angry other weeks, but I'm angry this week.

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<v Speaker 2>What the hell?

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<v Speaker 1>Let's let's take a step back and just say, how

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<v Speaker 1>are you doing in general?

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<v Speaker 4>How are you feeling?

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<v Speaker 3>I am dude, Okay, you know it sounds like I've

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<v Speaker 3>had a call for the last four months of my life,

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<v Speaker 3>and I finally met with a new doctor yesterday that

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<v Speaker 3>now maybe I don't.

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<v Speaker 2>Need this sinus surgery, which is a good thing.

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<v Speaker 3>So I'm going to be doing this whole new steroid rinse,

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<v Speaker 3>which apparently is going to help because as a voiceover actor,

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<v Speaker 3>everybody knows sounding sick all the time great for your career.

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<v Speaker 3>So I'm uh, I'm excited about that. But that wasn't

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<v Speaker 3>you know? Actually that was the highlight of my week

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<v Speaker 3>because what, yeah.

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<v Speaker 1>This was a tough one. Hell ill I know, but

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<v Speaker 1>you know, I think it's actually gonna work in her favor.

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<v Speaker 2>I don't disagree.

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<v Speaker 1>I think because I think everybody feels it. I think

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<v Speaker 1>everybody sees it because I watch with my parents, my

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<v Speaker 1>wife and my son, who have not consistently watched every episode,

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<v Speaker 1>and their reaction was exactly mine and yours, which was,

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<v Speaker 1>while they are being harsh, really like why did they

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<v Speaker 1>give her? Why did they give other people a pass

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<v Speaker 1>and not her? Or yep, that's my wife. But it's like,

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<v Speaker 1>so the woman who didn't dance wet home got the

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<v Speaker 1>same score.

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<v Speaker 3>Yep, basically other than one point yeah, one part, And

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<v Speaker 3>I was like, I know that seems a little think yeah,

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<v Speaker 3>the guy who couldn't make it to the swim meet

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<v Speaker 3>tied for fourth or whatever the like what yeah, now

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<v Speaker 3>we we I was gonna ask a tar of this

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<v Speaker 3>because she knows a lot more about this than we do.

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<v Speaker 3>I have to imagine, with as physical a competition as

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<v Speaker 3>it is, they've they've had this happen before, where somebody

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<v Speaker 3>gets injured and can't dance, right, I mean, this wasn't

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<v Speaker 3>the first time.

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<v Speaker 1>Yeah, is this exactly what they do every time?

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<v Speaker 4>Like they Yeah, it's happened, it's happened before. Well, okay,

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<v Speaker 4>there are two different ways.

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<v Speaker 1>If it's the.

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<v Speaker 4>Pro who's injured, there could be another professional dancer who

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<v Speaker 4>steps in for the pro.

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<v Speaker 1>Oh that's almost worse.

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<v Speaker 4>Yeah, that's actually what happened with Sharna Burgess. She had

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<v Speaker 4>Jenna Johnson step in for her a couple of years ago,

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<v Speaker 4>and Jenna did the dance with her partner. And then

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<v Speaker 4>there was one other time that they played the celebrities

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<v Speaker 4>rehearsal to judge and I'm blanking on who it is.

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<v Speaker 4>So while you guys are talking, I want to look

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<v Speaker 4>it up. But it has happened before.

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<v Speaker 1>Yeah. I actually thought the rehearsal was great, you know,

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<v Speaker 1>I thought it was like you could see you know.

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<v Speaker 2>I didn't think her dance was that good. I didn't.

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<v Speaker 3>Sorry, And now I'm like, now I guess I'm looking

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<v Speaker 3>for reasons. And again this comes with the bias of

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<v Speaker 3>having a friend on the show. I guess I'm looking

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<v Speaker 3>for reasons why they would score this person one way

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<v Speaker 3>and this person another way. And it's also arbitrary.

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<v Speaker 1>It is all arbitrary. But I'm getting better at predicting

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<v Speaker 1>it now. I'm literally too. I'm spot on every time

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<v Speaker 1>because I shouted out to my family and it's gonna

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<v Speaker 1>be hs across the board. I feel the same one. Nine.

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<v Speaker 1>Then there's only one last night good that I actually

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<v Speaker 1>messed up everything else I've been. I've gotten to the

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<v Speaker 1>point where and I think that's just knowing the judges,

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<v Speaker 1>you know, like knowing, Oh, Derek's gonna like that, carry Anne's.

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<v Speaker 3>Yeah, Carrie An has her favorites, and she'll have two

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<v Speaker 3>or three that no matter what they do, they could

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<v Speaker 3>walk on the stage trip hit their face and she'd.

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<v Speaker 2>Be like, you tried so hard. Nine.

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<v Speaker 3>And then Danielle does the best thing where she's doing

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<v Speaker 3>triple flips and she's.

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<v Speaker 2>Like, you gotta your s Shelder is different too, and

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<v Speaker 2>it's like.

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<v Speaker 1>What the I'm with you? Man? I held back the anger.

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<v Speaker 1>I you know, I want to give them the benefit

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<v Speaker 1>of the doubt. But I could see at this point,

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<v Speaker 1>it's starting to feel like a personal thing. It are

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<v Speaker 1>you as open to like the potential that Danielle might

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<v Speaker 1>be working her like and I don't think she is.

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<v Speaker 1>I don't think she has. She's not seen. We'll get

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<v Speaker 1>into it, Okay. Halloween themed one of my favorite like

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<v Speaker 1>themes we could possibly do, although interestingly it was a

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<v Speaker 1>very dark Halloween interpretation. Dark there literally everybody went like

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<v Speaker 1>bloody and scary. Nobody went like nightmare before Christmas, fun

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<v Speaker 1>kookie Halloween, which I was a little surprised by it.

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<v Speaker 1>I was like, whoa, everybody's like bloody and like kind

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<v Speaker 1>of awful, but which which is so funny because that's

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<v Speaker 1>actually more me, Like that's more my taste and in general, yeah,

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<v Speaker 1>like I'm into it. But by the end I was like,

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<v Speaker 1>really another like sexy bloody dance.

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<v Speaker 3>Seriously, we couldn't have one person in a store bought

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<v Speaker 3>Luke Skywalker costume.

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<v Speaker 1>Like when I think about Disney Night which is like

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<v Speaker 1>or TikTok. It was like the opposite. And when I

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<v Speaker 1>was cravy, then I feel like they're all going way

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<v Speaker 1>too far in the other direction. Yeah, I think in

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<v Speaker 1>part because sexy has been working like really like the darker,

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<v Speaker 1>sexier said, like Danielle's dance from the week before, Yeah,

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<v Speaker 1>has been getting a reaction, and I think they're all

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<v Speaker 1>feeling a little pressure to be like let me be

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<v Speaker 1>dark and sexy lead.

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<v Speaker 3>But it's weird to go scary not spooky, especially on ABC,

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<v Speaker 3>like you figured to do somebody would do something spooky like.

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<v Speaker 2>Just oh yeah, I'm a cat, like a little nothing.

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<v Speaker 2>It was all like I died for it.

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<v Speaker 1>It goes back to my criticism of the Disney week

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<v Speaker 1>way too good a makeup. Yeah, I don't want this.

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<v Speaker 1>It's like, look, it looks real on camera. It's one

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<v Speaker 1>thing to look good during the dance and real, but

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<v Speaker 1>it is so really like those contacts were freaking me

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<v Speaker 1>out scared and it was like too much. I was like,

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<v Speaker 1>that's so distracting. I'm like I want to watch you dance,

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<v Speaker 1>and like there were three partners that had contacts and

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<v Speaker 1>I wanted them all to take them off right away.

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<v Speaker 1>And then like even like Dylan's like vainy neck thing

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<v Speaker 1>going up his head, like no, guys, it's looking and

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<v Speaker 1>the blood looked you real, Like when when what's it?

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<v Speaker 1>When rob Robbers? Like I was like dude, I was

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<v Speaker 1>in Cavin Fever. Take it off like no, like, this

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<v Speaker 1>is not good. It was true.

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<v Speaker 2>It was dark and good and dark.

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<v Speaker 1>After got a makeup, I just want to tell the

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<v Speaker 1>makeup team that you are amazing. You should all be

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<v Speaker 1>working in horror films. But for this make it more cartoony. Yeah,

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<v Speaker 1>don't a little a little lighter, little more fun, little

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<v Speaker 1>for this stage. But they're playing it up for the

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<v Speaker 1>camera and it's real for me.

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<v Speaker 2>I don't know, yah, yeah, yeah, no it was.

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<v Speaker 3>But again, there were certain cool things, like some of

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<v Speaker 3>the ways they started the dances, like coming out of

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<v Speaker 3>the dirt.

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<v Speaker 1>But I think I think the one who pulled it

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<v Speaker 1>off the best as far as the atmosphere was the

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<v Speaker 1>most playful and the only one that was, and that

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<v Speaker 1>was Andy. It was cinematic. Yep. It was so fun

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<v Speaker 1>and it felt like an actual movie with like atmosphere

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<v Speaker 1>and story and they started in black and white, involved

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<v Speaker 1>the camera moves. I was like, yes, and there was

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<v Speaker 1>something a little you know, it wasn't gory, it wasn't

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<v Speaker 1>like it was more like.

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<v Speaker 3>Almost whimsical, scary whimsical, yes, which I thought.

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<v Speaker 1>We were gonna get more of when we have to

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<v Speaker 1>start with a giant sparkly skull, which I was like, yeah, Halloween,

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<v Speaker 1>let's go. And then immediately we get a Lane's injury announced,

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<v Speaker 1>which I was like, oh, oh crap, this is this

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<v Speaker 1>is like what does this even mean? This sucks? Obviously

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<v Speaker 1>felt bad for her. Yeah, yeah, but you know, that

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<v Speaker 1>announcement immediately put me on edge and I was like,

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<v Speaker 1>oh them, we're not gonna have much fun tonight.

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<v Speaker 3>Yeah, and we didn't then our first our first dancwers.

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<v Speaker 2>I kind of didn't know.

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<v Speaker 1>I was on edge me too.

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<v Speaker 2>This was an anxiety filled night.

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<v Speaker 1>Yes, all right. First up was Whitney and Mark, who actually,

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<v Speaker 1>now that I think about it, were maybe a little

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<v Speaker 1>light hearted, you know. I just got into the darkness

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<v Speaker 1>that later on. Yeah, but even they you know, they

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<v Speaker 1>started with you know, I guess a zombie theme. Right,

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<v Speaker 1>there's zombies.

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<v Speaker 3>They're like dead, I think, so, yeah, they're undead, but

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<v Speaker 3>like from a sanitarium.

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<v Speaker 2>Yeah, I think there's supposed to be like a medical ward.

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<v Speaker 1>So like.

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<v Speaker 2>The dead isn't enough, You've got to be zombie day.

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<v Speaker 2>It's like, come on.

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<v Speaker 1>So the song was brain stew by Green Day. Yeah,

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<v Speaker 1>great song, did I don't know this song. Are you

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<v Speaker 1>You're like a green Day fan? Huh?

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<v Speaker 2>I like Green Day, I do.

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<v Speaker 3>I like I've like green Day from from before Dookie,

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<v Speaker 3>which was their first real, real big one that hit.

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<v Speaker 3>But yeah, I like the song. I liked just starting

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<v Speaker 3>with like the dunnet yea. It just kind of like

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<v Speaker 3>got you into the night, you.

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<v Speaker 1>Know, totally totally and it's and it's it's it's rare

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<v Speaker 1>to have that kind of heavy hitting like music beats

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<v Speaker 1>with silence. It was great, man, this was fun. I

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<v Speaker 1>I just like both of them. I like both of

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<v Speaker 1>them as people. As dancers. I feel like they continue

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<v Speaker 1>to show their personality and you know, just make great moves.

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<v Speaker 1>Like but I did notice, and they commented on this

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<v Speaker 1>her timing wasn't a little.

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<v Speaker 3>They're way out of sync. I like the look, I

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<v Speaker 3>like the style, I love the song. They're out of sync,

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<v Speaker 3>I know. So if I can notice that they're out

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<v Speaker 3>of sync, how does that get a ten?

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<v Speaker 1>Well? You know what they do that almost better than

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<v Speaker 1>anybody else in this competition is they do really good moves.

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<v Speaker 1>But they're also they always feel character based or emotion based,

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<v Speaker 1>like it always comes from somewhere do you know what

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<v Speaker 1>I mean. And that's really hard to achieve because I

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<v Speaker 1>feel like people are either technically very good, like I

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<v Speaker 1>think Alex you know, the is an amazing technical dancer,

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<v Speaker 1>but it doesn't come from like inside emotional sort of

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<v Speaker 1>personality based or character based stuff. And these two are

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<v Speaker 1>both so good at that they're actually hitting. But you're right,

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<v Speaker 1>sinc was off.

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<v Speaker 2>I was off. And again, if you're if you're doing

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<v Speaker 2>a dance, it's like that's good. You know, looked great.

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<v Speaker 2>I know it started the night. You probably got jitters.

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<v Speaker 3>It's probably the Also you've got the adrenaline pumping, like

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<v Speaker 3>you just want to get going. But she was off,

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<v Speaker 3>and so if you're or frankly or he was off,

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<v Speaker 3>who knows they were off. So if that's the case,

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<v Speaker 3>I get that. I still thought it was visually cool.

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<v Speaker 3>I love that all of all of their moves because

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<v Speaker 3>again I always talk about them as a professional dancing team.

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<v Speaker 3>All of their moves are very precise, like they're they

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<v Speaker 3>you know, when they hit a dance move like they're

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<v Speaker 3>they're finishing the move there. It's staccato when it needs

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<v Speaker 3>to be. It's all what it's supposed to be.

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<v Speaker 1>It was out of sake, right, So you think does

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<v Speaker 1>that I kind of agree with you that that means

0:10:36.720 --> 0:10:39.599
<v Speaker 1>you should not be getting a ten. No, because it

0:10:39.640 --> 0:10:40.560
<v Speaker 1>is supposed to be perfect.

0:10:40.640 --> 0:10:42.319
<v Speaker 2>That's the best you can get is a ten.

0:10:42.440 --> 0:10:45.959
<v Speaker 1>So Bruno was just like way too impressed because it's

0:10:45.960 --> 0:10:46.640
<v Speaker 1>Bruno that gave him.

0:10:46.840 --> 0:10:49.120
<v Speaker 2>Yeah, everye else gave them very generous all right.

0:10:49.160 --> 0:10:50.959
<v Speaker 1>They were given nine to nine, nine and ten.

0:10:52.520 --> 0:10:55.480
<v Speaker 3>Agree with the nines, Yeah, really yeah, I agree with

0:10:55.520 --> 0:10:57.720
<v Speaker 3>the Nines again. The way to start to show the

0:10:57.800 --> 0:11:00.920
<v Speaker 3>music the costumes. Like you said, they're both very good dancers,

0:11:00.920 --> 0:11:02.679
<v Speaker 3>but you're out of sink. You don't get a perfect score.

0:11:03.200 --> 0:11:07.199
<v Speaker 1>All right. Then we moved to Jordan and Ezra again

0:11:07.559 --> 0:11:11.600
<v Speaker 1>your face contacts and uh, you know, she really got

0:11:11.600 --> 0:11:12.839
<v Speaker 1>into the twitching this week.

0:11:13.200 --> 0:11:15.640
<v Speaker 2>Yeah, I'll say every time she was on camera.

0:11:15.400 --> 0:11:17.840
<v Speaker 1>She was like trying to be in character. It's like

0:11:17.880 --> 0:11:22.840
<v Speaker 1>this weird, twitchy zombie mummy person, which was at first

0:11:23.000 --> 0:11:24.560
<v Speaker 1>very funny, but then I was like, wow, this is

0:11:24.559 --> 0:11:26.280
<v Speaker 1>a this is a thing for you. You're like really

0:11:26.280 --> 0:11:26.960
<v Speaker 1>into character.

0:11:27.440 --> 0:11:29.520
<v Speaker 2>You also mixing genres. Are you a zombie? Are you

0:11:29.520 --> 0:11:30.320
<v Speaker 2>a mummy? What are you?

0:11:30.880 --> 0:11:33.319
<v Speaker 1>Yeah? I think they couldn't do zombies because there's a

0:11:33.400 --> 0:11:35.520
<v Speaker 1>lot of undead things going on, so it's like, let's

0:11:35.520 --> 0:11:38.320
<v Speaker 1>add a mummy ish outfit that also maybe makes sense

0:11:38.320 --> 0:11:42.200
<v Speaker 1>of the harness. Yeah, this was a little off for me.

0:11:44.160 --> 0:11:48.760
<v Speaker 3>The I thought the same I thought the rope was

0:11:48.880 --> 0:11:50.880
<v Speaker 3>there was a possibility of like, oh wow, we're going

0:11:50.920 --> 0:11:53.920
<v Speaker 3>to see something super cool with a gymnast attached to

0:11:54.000 --> 0:11:55.320
<v Speaker 3>a rope, like, oh my god, this is.

0:11:55.480 --> 0:11:56.920
<v Speaker 2>And then it was just kind of in the week.

0:11:57.000 --> 0:11:58.480
<v Speaker 1>One move that I thought was good was when he

0:11:58.559 --> 0:12:00.960
<v Speaker 1>split the rope and then flipped and she was able

0:12:00.960 --> 0:12:02.400
<v Speaker 1>to do the flip on her own, you know, but

0:12:02.440 --> 0:12:04.480
<v Speaker 1>made it look like he was like he was doing her.

0:12:04.640 --> 0:12:07.120
<v Speaker 1>But that actually doesn't require anything like that could have

0:12:07.160 --> 0:12:08.840
<v Speaker 1>been just as good if you did it without a rope,

0:12:08.840 --> 0:12:12.120
<v Speaker 1>like if you just made a spell of yes. So

0:12:12.800 --> 0:12:14.520
<v Speaker 1>I didn't think they took advantage of it, like once

0:12:14.559 --> 0:12:17.680
<v Speaker 1>they're like flinging her around with the rope. I know

0:12:17.760 --> 0:12:20.920
<v Speaker 1>that it's difficult, but it just isn't as impressive to watch, right.

0:12:21.840 --> 0:12:24.480
<v Speaker 3>It's also it's that's a huge risk because when he

0:12:24.559 --> 0:12:27.240
<v Speaker 3>pulls the rope at the like in the middle to

0:12:27.520 --> 0:12:30.360
<v Speaker 3>untie it if like something happens and that snags and

0:12:30.400 --> 0:12:31.839
<v Speaker 3>you've now got a rope on you for the rest

0:12:31.880 --> 0:12:34.640
<v Speaker 3>of the show, you're screwed. So that was that was

0:12:35.000 --> 0:12:37.199
<v Speaker 3>a risk, but it didn't fully pay off for me.

0:12:37.280 --> 0:12:40.839
<v Speaker 1>No, because I think that whenever they like it's it's

0:12:40.880 --> 0:12:44.120
<v Speaker 1>interesting because she's so athletic and she's so capable of

0:12:44.400 --> 0:12:48.000
<v Speaker 1>big moves. But actually when they when they get away

0:12:48.080 --> 0:12:52.559
<v Speaker 1>from elegance, when they get away from more dancery stuff

0:12:52.559 --> 0:12:55.560
<v Speaker 1>and they get more like, it becomes less interesting, like

0:12:55.600 --> 0:12:58.560
<v Speaker 1>she's better with the pressure of like, let's be more

0:12:58.720 --> 0:13:03.000
<v Speaker 1>sort of traditional in some way. Yes, when they when

0:13:03.040 --> 0:13:06.320
<v Speaker 1>they get expressive, I'm less interested for some reason, even

0:13:06.360 --> 0:13:08.679
<v Speaker 1>though I know it's impressive what they're doing. I think

0:13:08.679 --> 0:13:11.120
<v Speaker 1>the judges were a little too kind on this one.

0:13:11.400 --> 0:13:13.320
<v Speaker 1>I would have only gone eight's across the board. I

0:13:13.400 --> 0:13:16.320
<v Speaker 1>was like, and they give nines, you know, nine eight

0:13:16.440 --> 0:13:20.600
<v Speaker 1>eight nine, that's right. Yeah for me, it just I

0:13:20.600 --> 0:13:23.040
<v Speaker 1>don't know, man, it fell a little flat for me too, Yeah,

0:13:23.080 --> 0:13:25.360
<v Speaker 1>it did, you know. I I actually in this case,

0:13:25.400 --> 0:13:28.760
<v Speaker 1>I was judging their creativity. I was like, guys, if

0:13:28.800 --> 0:13:31.320
<v Speaker 1>you're going to involve a harness, do something more interesting

0:13:31.360 --> 0:13:35.160
<v Speaker 1>with it, and and they didn't. But then Also, it

0:13:35.200 --> 0:13:39.679
<v Speaker 1>wasn't like crazy technically so difficult or so like that

0:13:39.679 --> 0:13:41.520
<v Speaker 1>that the story, you know, like I would just forgive

0:13:41.520 --> 0:13:44.280
<v Speaker 1>a like weird sort of half story because of these

0:13:44.320 --> 0:13:46.720
<v Speaker 1>amazing moves. No, it was just kind of in between

0:13:46.760 --> 0:13:49.480
<v Speaker 1>on both, right, So I was like, I don't.

0:13:49.320 --> 0:13:52.040
<v Speaker 3>Know, do you think the other thing I was wondering

0:13:52.120 --> 0:13:56.160
<v Speaker 3>just from a personality standpoint, Yeah, she her entire life

0:13:56.360 --> 0:13:59.840
<v Speaker 3>has obviously been competition. Competition, competition. That's what she was

0:14:00.280 --> 0:14:02.679
<v Speaker 3>born to do. It's what she's really great at. It

0:14:02.800 --> 0:14:06.760
<v Speaker 3>also can come across as cold, yes, because it's like

0:14:07.040 --> 0:14:09.679
<v Speaker 3>I am here to win, That's what I'm here to do.

0:14:09.679 --> 0:14:11.319
<v Speaker 3>Do you think that's gonna hurt her.

0:14:11.200 --> 0:14:13.160
<v Speaker 1>In the long run. I think it's hurting her already, Yeah,

0:14:13.160 --> 0:14:18.360
<v Speaker 1>because I think, yeah, she's approaching this as an athlete,

0:14:18.360 --> 0:14:21.880
<v Speaker 1>as a gymnast, as a competitor, and I think if

0:14:21.920 --> 0:14:24.880
<v Speaker 1>you didn't have pre show packages and post show packages,

0:14:25.360 --> 0:14:29.200
<v Speaker 1>she would be doing way better. I disagree, and I

0:14:29.280 --> 0:14:31.120
<v Speaker 1>don't I like her in the pre show package because

0:14:31.120 --> 0:14:34.200
<v Speaker 1>I feel like there's a lack of Honestly, yeah, there's

0:14:34.200 --> 0:14:38.000
<v Speaker 1>a lack of presentation that I find so engaging and

0:14:38.040 --> 0:14:40.360
<v Speaker 1>actually very cool because she's much more like, this is

0:14:40.400 --> 0:14:42.440
<v Speaker 1>my job. What do I gotta do? I don't care

0:14:42.480 --> 0:14:44.600
<v Speaker 1>what people think about me. But I think that that

0:14:44.920 --> 0:14:47.160
<v Speaker 1>was maybe part of my problem this week is that

0:14:47.680 --> 0:14:50.200
<v Speaker 1>in the pre show she started talking about depression, and

0:14:50.240 --> 0:14:54.000
<v Speaker 1>she starts talking about her emotions, which I understand is

0:14:54.000 --> 0:14:58.240
<v Speaker 1>coming from a genuine place. But then when the performance, honestly,

0:14:58.480 --> 0:15:02.800
<v Speaker 1>it didn't feel emotional. It felt like performative emotion. It

0:15:02.880 --> 0:15:05.400
<v Speaker 1>actually like if I had not seen the pre show package,

0:15:05.400 --> 0:15:07.240
<v Speaker 1>I would have been more like, I would have been

0:15:07.400 --> 0:15:10.000
<v Speaker 1>more invested emotionally, I guess, because as it was, I

0:15:10.040 --> 0:15:12.800
<v Speaker 1>was like, it didn't feel And that's not that's not

0:15:12.840 --> 0:15:14.520
<v Speaker 1>a knock. It's just why are you trying to make

0:15:14.560 --> 0:15:16.880
<v Speaker 1>this about more than what it's actually about? Like for

0:15:16.960 --> 0:15:18.920
<v Speaker 1>I think for her it's actually just about dancing well

0:15:19.040 --> 0:15:22.240
<v Speaker 1>and winning, which is cool, but like she can't say

0:15:22.240 --> 0:15:24.560
<v Speaker 1>that necessarily, you know what I mean, She's got to

0:15:24.560 --> 0:15:27.320
<v Speaker 1>make it about a personal journey, and that's you know,

0:15:28.000 --> 0:15:30.080
<v Speaker 1>That's my problem with this whole show in general, is

0:15:30.120 --> 0:15:33.360
<v Speaker 1>all the pre show and post interview stuff just feels

0:15:33.360 --> 0:15:36.920
<v Speaker 1>so banal to me. It's so banal. It's it's either

0:15:37.000 --> 0:15:39.600
<v Speaker 1>performative or it's just like it's very rare that, you know,

0:15:39.920 --> 0:15:42.120
<v Speaker 1>unless it's like the dedication night, which, like I said,

0:15:42.160 --> 0:15:45.440
<v Speaker 1>I cried most of the time. It's like Disneyland's Fun

0:15:46.000 --> 0:15:47.960
<v Speaker 1>Halloween is scary. Sometimes it is.

0:15:48.000 --> 0:15:52.080
<v Speaker 3>It also, though it also gets a little a little

0:15:52.440 --> 0:15:56.560
<v Speaker 3>false sentimental, where it's almost like, let's let's all sit down,

0:15:56.640 --> 0:15:59.000
<v Speaker 3>and you almost hear the producer or director and you

0:15:59.040 --> 0:16:00.960
<v Speaker 3>know this isn't happening, but you also you just hear

0:16:01.000 --> 0:16:03.160
<v Speaker 3>them in their head, like, is there something more personal

0:16:03.280 --> 0:16:05.000
<v Speaker 3>you could talk about, like if you lost a pet

0:16:05.080 --> 0:16:06.080
<v Speaker 3>this week exactly?

0:16:06.440 --> 0:16:07.840
<v Speaker 2>Maybe we talk about something like that.

0:16:07.920 --> 0:16:11.120
<v Speaker 1>Also, also, would it be fine if the pre show

0:16:11.160 --> 0:16:16.120
<v Speaker 1>package began something like that? And then what's her name?

0:16:16.200 --> 0:16:18.200
<v Speaker 1>The host when she does the wrap up after the

0:16:18.320 --> 0:16:22.080
<v Speaker 1>dance could ask anything interesting that develops it. Instead, what

0:16:22.160 --> 0:16:25.400
<v Speaker 1>she tends to do is repeat like a question she

0:16:25.400 --> 0:16:27.360
<v Speaker 1>asked them, a question that just allows them to repeat

0:16:27.360 --> 0:16:29.160
<v Speaker 1>what they said in the pre show package, yeah, or

0:16:29.160 --> 0:16:32.680
<v Speaker 1>a pre dance package, And it's like, dude, ask something more,

0:16:32.760 --> 0:16:35.440
<v Speaker 1>ask them more. You know you said that sometimes you've

0:16:35.440 --> 0:16:39.880
<v Speaker 1>battled depression, talk about that. You already heard this, and

0:16:40.000 --> 0:16:43.080
<v Speaker 1>so inevitably what they say in the beginning. It's like

0:16:43.280 --> 0:16:45.480
<v Speaker 1>it's every week they just get to deliver a two

0:16:45.560 --> 0:16:48.840
<v Speaker 1>sentence like thing and it's like, I have struggle with

0:16:48.880 --> 0:16:51.800
<v Speaker 1>depression or I'm feeling this way about this, and then

0:16:51.840 --> 0:16:53.960
<v Speaker 1>they just repeat it again and I'm like, develop it.

0:16:54.080 --> 0:16:56.240
<v Speaker 1>Why are we showing this? Why are we having this conversation?

0:16:56.320 --> 0:16:58.400
<v Speaker 1>And it's frankly, it feels like we're killing time, which

0:16:58.400 --> 0:17:00.000
<v Speaker 1>is all we are doing because we're waiting for the judge.

0:17:00.360 --> 0:17:03.480
<v Speaker 1>But I think a real like a better host, in

0:17:03.520 --> 0:17:06.520
<v Speaker 1>my opinion, would take what they're hearing the person present

0:17:06.640 --> 0:17:09.080
<v Speaker 1>before the dance and after the dance find a way

0:17:09.119 --> 0:17:11.560
<v Speaker 1>to like develop it and not just say like, it

0:17:11.600 --> 0:17:15.480
<v Speaker 1>seems like you really like your mom, Yes, I dedicated

0:17:15.480 --> 0:17:16.160
<v Speaker 1>the dance to her.

0:17:16.240 --> 0:17:25.000
<v Speaker 3>Yeah okay, but sorry, yeah you really like your Mom's like.

0:17:26.440 --> 0:17:31.000
<v Speaker 1>You dance with a harness. Yeah okay, yeah, I agree.

0:17:31.200 --> 0:17:34.520
<v Speaker 1>I just gave nine eight eight nine. I do love

0:17:34.600 --> 0:17:37.280
<v Speaker 1>Jordan and Ezra. I do want them to stay. I

0:17:37.320 --> 0:17:38.960
<v Speaker 1>feel like this week was all they could have been

0:17:39.040 --> 0:17:39.359
<v Speaker 1>judged a.

0:17:39.320 --> 0:17:42.680
<v Speaker 3>Little harshirt and yeah, I think I think if you

0:17:42.880 --> 0:17:46.480
<v Speaker 3>if you set up that you're wearing giant trapeze wires

0:17:46.520 --> 0:17:49.040
<v Speaker 3>and then don't do anything trapezy, then I feel like

0:17:49.080 --> 0:17:49.920
<v Speaker 3>you've screwed me a bit.

0:17:50.080 --> 0:17:53.840
<v Speaker 1>So yeah, all right, next up Andy Richter and the

0:17:53.920 --> 0:17:58.360
<v Speaker 1>Slater Man. He just keeps plucking away, this guy, he does.

0:17:58.560 --> 0:18:01.120
<v Speaker 3>And you know, this is where this is the perfect

0:18:01.160 --> 0:18:04.639
<v Speaker 3>example of the pre show package saving you every week

0:18:05.040 --> 0:18:08.280
<v Speaker 3>because he's so likable, Like even Susan.

0:18:08.320 --> 0:18:10.399
<v Speaker 2>We're sitting on the couch and he comes on and

0:18:10.440 --> 0:18:12.719
<v Speaker 2>we sit up a little straighter. We start laughing.

0:18:13.119 --> 0:18:15.720
<v Speaker 3>He's funny, he's tongue in cheek, he's looking at the camera.

0:18:16.160 --> 0:18:17.320
<v Speaker 3>You want to vote for this guy?

0:18:17.400 --> 0:18:19.840
<v Speaker 2>I don't even need to see the dance. It's like,

0:18:19.880 --> 0:18:21.000
<v Speaker 2>all right, I'll vote for him.

0:18:21.280 --> 0:18:24.199
<v Speaker 1>I know, And I think so it's funny because he

0:18:24.359 --> 0:18:29.680
<v Speaker 1>actually he doesn't like and this is not a knock

0:18:29.720 --> 0:18:32.399
<v Speaker 1>on him, but like you are an incredibly witty, clever person,

0:18:32.440 --> 0:18:34.840
<v Speaker 1>like you actually say things that just if I saw

0:18:34.880 --> 0:18:39.119
<v Speaker 1>them written, are so funny. He's not actually that like,

0:18:39.200 --> 0:18:41.280
<v Speaker 1>he's not like a he's just kind of like a

0:18:41.359 --> 0:18:43.879
<v Speaker 1>presence that's positive, do you know what I mean? Like

0:18:44.040 --> 0:18:46.639
<v Speaker 1>you just like him? Yes, it's just like a natural

0:18:46.720 --> 0:18:50.600
<v Speaker 1>charisma and a natural sort of like normal guyness. Yeah,

0:18:50.680 --> 0:18:56.879
<v Speaker 1>feels very comforting in a world of incredibly chiseled, beautiful people, right,

0:18:57.240 --> 0:18:59.119
<v Speaker 1>you know, like all week you're just looking at people

0:18:59.160 --> 0:19:01.639
<v Speaker 1>like that. You're like, everyone's got the cheekbones and the

0:19:01.640 --> 0:19:04.480
<v Speaker 1>body and the muscles. And when I see him on camera,

0:19:04.520 --> 0:19:07.280
<v Speaker 1>it's like, well, thank god, someone's up there looking like me,

0:19:07.480 --> 0:19:10.600
<v Speaker 1>you know, or like you know. And though because he

0:19:10.640 --> 0:19:13.639
<v Speaker 1>actually isn't doing that much comedy wise, like he's he's

0:19:13.640 --> 0:19:16.240
<v Speaker 1>actually pretty earnest and just sort of straightforward. But it's

0:19:16.280 --> 0:19:20.200
<v Speaker 1>more just like physically and personality wise, he's not trying.

0:19:20.400 --> 0:19:22.840
<v Speaker 1>It's just like a relief every time it's on camera.

0:19:23.000 --> 0:19:26.760
<v Speaker 3>You're also there's a weird journey he's taking that very

0:19:26.760 --> 0:19:28.800
<v Speaker 3>few they mentioned it last week or the week before,

0:19:28.840 --> 0:19:32.360
<v Speaker 3>but he's also losing so much weight yep, that it's

0:19:32.359 --> 0:19:35.800
<v Speaker 3>like we're watching him get healthier. Yeah, and he's moving

0:19:35.880 --> 0:19:37.840
<v Speaker 3>better on stage and it's making you know, and it's

0:19:37.880 --> 0:19:39.600
<v Speaker 3>so it's one of those things where that's kind of

0:19:39.640 --> 0:19:40.960
<v Speaker 3>an interesting journey to watch as well.

0:19:41.119 --> 0:19:43.679
<v Speaker 2>This guy's got to be down twenty twenty five pounds. Yeah,

0:19:43.680 --> 0:19:44.720
<v Speaker 2>that's significant.

0:19:45.119 --> 0:19:48.280
<v Speaker 3>So uh yeah, but it's I'm kind of changing my

0:19:48.320 --> 0:19:52.760
<v Speaker 3>tune on him after coming off of everybody taking it

0:19:52.880 --> 0:19:55.520
<v Speaker 3>so seriously, which I guess they I get that they

0:19:55.520 --> 0:19:58.639
<v Speaker 3>have to and they should, but it's now like ramped

0:19:58.680 --> 0:20:00.240
<v Speaker 3>up so much. To have to see the guy who's

0:20:00.280 --> 0:20:03.119
<v Speaker 3>looking at the camera going like hi, Derek and just

0:20:03.240 --> 0:20:05.679
<v Speaker 3>kind of having fun is a little bit of in

0:20:05.680 --> 0:20:07.640
<v Speaker 3>a movie like it's a it's a it's a a

0:20:07.920 --> 0:20:10.439
<v Speaker 3>just a breath of fresh air in the middle of

0:20:10.520 --> 0:20:13.199
<v Speaker 3>kind of this intense it's I mean, it's it's a

0:20:13.280 --> 0:20:20.000
<v Speaker 3>ridiculous equivalency, but it's the it's the same as you're

0:20:20.040 --> 0:20:23.359
<v Speaker 3>watching these high wire acts, these trapeze artists, the guys

0:20:23.359 --> 0:20:25.359
<v Speaker 3>in the motorcycle doing the flaming thing, and then you

0:20:25.480 --> 0:20:27.440
<v Speaker 3>just cut to the clown for for a little bit

0:20:27.680 --> 0:20:29.840
<v Speaker 3>in the middle of the circus and you go from there.

0:20:30.320 --> 0:20:33.920
<v Speaker 1>Perfect analogy. I mean exactly. It's so nice you need it, Yeah,

0:20:33.960 --> 0:20:35.600
<v Speaker 1>I mean, that's what the circus needs. That's what There's

0:20:35.600 --> 0:20:38.200
<v Speaker 1>a reason that they have a clown troop come out

0:20:38.440 --> 0:20:41.080
<v Speaker 1>every three or four numbers to like it actually makes

0:20:41.080 --> 0:20:43.920
<v Speaker 1>them more serious, you know, like it actually elevates it

0:20:43.920 --> 0:20:46.600
<v Speaker 1>because you get a break. Good call man. Yeah, but

0:20:46.680 --> 0:20:49.520
<v Speaker 1>I thought this was really fun too. It was wise,

0:20:49.640 --> 0:20:51.520
<v Speaker 1>Like I said, in terms of like the lighting and

0:20:51.600 --> 0:20:55.240
<v Speaker 1>the incorporation of story elements and stuff. But I'm sitting

0:20:55.280 --> 0:20:57.240
<v Speaker 1>there with my parents who have only seen at this point,

0:20:57.280 --> 0:21:01.239
<v Speaker 1>I think, three episodes, you know, and my mom is like, well,

0:21:01.240 --> 0:21:02.480
<v Speaker 1>he's just standing there.

0:21:03.440 --> 0:21:07.720
<v Speaker 3>Yeah, And I was like, yeah, yeah, he.

0:21:07.680 --> 0:21:10.160
<v Speaker 1>Is, which only, like you pointed out last week, feels

0:21:10.240 --> 0:21:13.119
<v Speaker 1>unfair when somebody else gets kicked off. It does feel it,

0:21:13.160 --> 0:21:15.400
<v Speaker 1>does you know, But that is the nature of the game.

0:21:15.520 --> 0:21:16.200
<v Speaker 2>Yeah, I agree.

0:21:16.760 --> 0:21:19.560
<v Speaker 1>They all the contest as much as it is anything else.

0:21:19.640 --> 0:21:21.439
<v Speaker 2>So yeah, it could.

0:21:22.240 --> 0:21:24.960
<v Speaker 3>If they had put any more fog, you couldn't have

0:21:25.000 --> 0:21:25.880
<v Speaker 3>seen any of the dance.

0:21:27.320 --> 0:21:29.879
<v Speaker 1>It was just disappear At one point completely, it was

0:21:29.960 --> 0:21:32.080
<v Speaker 1>just fog. When he was dragging her, it was like,

0:21:32.160 --> 0:21:33.280
<v Speaker 1>is she even there anymore?

0:21:34.080 --> 0:21:36.760
<v Speaker 3>And you know, we we have very rarely, if ever,

0:21:36.880 --> 0:21:40.080
<v Speaker 3>really talked about her. I think she is the unsung

0:21:40.160 --> 0:21:44.280
<v Speaker 3>hero of this entire show because she is always has

0:21:44.320 --> 0:21:46.520
<v Speaker 3>a smile on her face, She's always so happy to

0:21:46.560 --> 0:21:46.920
<v Speaker 3>be there.

0:21:47.160 --> 0:21:49.920
<v Speaker 2>She's talking him through every dance. She's a rock star.

0:21:50.280 --> 0:21:52.040
<v Speaker 1>Well he I mean he and he said like when

0:21:52.080 --> 0:21:53.920
<v Speaker 1>they asked, I feel like at one point during his

0:21:54.280 --> 0:21:56.560
<v Speaker 1>interview it was like, how how are you doing or whatever,

0:21:56.600 --> 0:21:58.679
<v Speaker 1>and he was like pointing to her like she's making

0:21:58.760 --> 0:22:01.160
<v Speaker 1>everything happen, right, Yeah.

0:22:01.040 --> 0:22:02.680
<v Speaker 2>I think so she's Yeah.

0:22:02.840 --> 0:22:05.520
<v Speaker 1>Yeah. I also liked having like a dance to Beethoven.

0:22:05.680 --> 0:22:07.960
<v Speaker 1>It kind of felt, you know, I like we all

0:22:08.040 --> 0:22:10.520
<v Speaker 1>know the song, even if we don't know, we know it. Yeah,

0:22:10.640 --> 0:22:13.679
<v Speaker 1>so there was something like ah and again like I

0:22:13.760 --> 0:22:17.760
<v Speaker 1>like kind of a classical feeling injected into I don't

0:22:17.800 --> 0:22:18.720
<v Speaker 1>know it was. It was comforting.

0:22:18.760 --> 0:22:20.880
<v Speaker 3>They also just from the camera angles and the stuff

0:22:20.880 --> 0:22:22.600
<v Speaker 3>they were doing, they made that stage look like it

0:22:22.680 --> 0:22:24.960
<v Speaker 3>was forty five miles long.

0:22:25.000 --> 0:22:27.359
<v Speaker 2>It was incredible. Yeah, really well done.

0:22:27.760 --> 0:22:29.639
<v Speaker 1>Oh let's see their score is seven seven seven.

0:22:30.080 --> 0:22:31.960
<v Speaker 3>Yeah, that's right, Derek. But we should talk about Derek

0:22:32.080 --> 0:22:33.159
<v Speaker 3>broke his sixth paddle.

0:22:33.240 --> 0:22:36.359
<v Speaker 2>Remember that. He's like he literally snapped the paddle.

0:22:36.359 --> 0:22:38.320
<v Speaker 1>It was like, okay, I mean he's never gonna give

0:22:38.359 --> 0:22:39.000
<v Speaker 1>sixes again.

0:22:39.440 --> 0:22:42.080
<v Speaker 2>I think, well that's the thing that the dancers know.

0:22:42.200 --> 0:22:44.520
<v Speaker 1>Now, Yeah, this scoring has been up.

0:22:44.680 --> 0:22:47.080
<v Speaker 3>It's right to the point where they're not gonna give

0:22:47.119 --> 0:22:49.920
<v Speaker 3>anything below seven anymore. And if you get an eight,

0:22:50.359 --> 0:22:53.440
<v Speaker 3>that's essentially the equivalent of season of episode one getting

0:22:53.440 --> 0:22:56.560
<v Speaker 3>a five. It's like you saw them all get eights

0:22:56.560 --> 0:22:59.160
<v Speaker 3>and They're like, ugh, whereas you know two weeks ago,

0:22:59.359 --> 0:23:01.720
<v Speaker 3>Oh my god, we got four eights. You're jumping up

0:23:01.720 --> 0:23:03.720
<v Speaker 3>and down now four eights. They're like, that was we

0:23:03.960 --> 0:23:04.800
<v Speaker 3>failed tonight?

0:23:05.240 --> 0:23:10.720
<v Speaker 1>Yeah, weird. It is weird. A great inflation, great inflation,

0:23:11.240 --> 0:23:14.880
<v Speaker 1>all right. Jan and Jenna then performed uh canceled by

0:23:14.880 --> 0:23:18.920
<v Speaker 1>Taylor Swift, and I have to say I really enjoyed this.

0:23:20.080 --> 0:23:22.480
<v Speaker 1>Most of them like professional. It's like there's usually too

0:23:22.520 --> 0:23:24.280
<v Speaker 1>many of them dancing for me to like really know

0:23:24.320 --> 0:23:27.640
<v Speaker 1>who everybody is. But I was blown away by him,

0:23:27.760 --> 0:23:30.080
<v Speaker 1>especially because I don't know. I guess I've taken him

0:23:30.119 --> 0:23:30.560
<v Speaker 1>for granted.

0:23:31.840 --> 0:23:36.160
<v Speaker 3>Anyway, Well he got he had a really rough week. Yeah,

0:23:36.400 --> 0:23:40.200
<v Speaker 3>if you followed all that stuff that was going on. No, So,

0:23:42.160 --> 0:23:46.000
<v Speaker 3>VAL's brother used to be a pro on Dancing with

0:23:46.040 --> 0:23:50.400
<v Speaker 3>the Stars, and VAL's brother it's so convoluted it sounds

0:23:50.400 --> 0:23:54.280
<v Speaker 3>like like a soap opera. VAL's brother's wife has a podcast,

0:23:55.200 --> 0:24:00.560
<v Speaker 3>so Max Cherminovsky went on his wife's pod cast and

0:24:00.640 --> 0:24:03.639
<v Speaker 3>talked about how as a professional dancer, Jan has no

0:24:03.760 --> 0:24:06.680
<v Speaker 3>business being on Dancing with the Stars. He's talked about

0:24:06.680 --> 0:24:09.000
<v Speaker 3>how he couldn't he's he's not right for the show.

0:24:09.119 --> 0:24:11.240
<v Speaker 3>His bass is wrong, his arms are wrong, he doesn't

0:24:11.280 --> 0:24:13.880
<v Speaker 3>he's not classically dance, he doesn't know the partner relationship.

0:24:13.920 --> 0:24:17.120
<v Speaker 3>Like he bashed this dude badly, which is and then

0:24:17.119 --> 0:24:19.159
<v Speaker 3>it kind of went viral and went everywhere, which is

0:24:19.200 --> 0:24:21.880
<v Speaker 3>why Derek specifically at the end was like, Jan, you've

0:24:21.920 --> 0:24:24.240
<v Speaker 3>been doing a great job this first season on the show.

0:24:24.320 --> 0:24:24.760
<v Speaker 1>I felt that.

0:24:24.840 --> 0:24:26.160
<v Speaker 2>Yeah, he had a rough week.

0:24:26.160 --> 0:24:28.359
<v Speaker 3>Everybody, you know this guy just literally came out and

0:24:28.400 --> 0:24:30.760
<v Speaker 3>just blasted him, saying like, this guy's no business being one.

0:24:30.640 --> 0:24:31.240
<v Speaker 2>Of the dancers.

0:24:31.520 --> 0:24:34.640
<v Speaker 1>Harsh, Well, that's interesting. Yeah, and he's the newest, he's

0:24:34.640 --> 0:24:36.720
<v Speaker 1>the only new one of the pros.

0:24:36.480 --> 0:24:37.240
<v Speaker 2>Right yeah, I think so.

0:24:37.320 --> 0:24:39.400
<v Speaker 3>Yeah, because he was Tailor and everyone says the only

0:24:39.440 --> 0:24:42.160
<v Speaker 3>reason he got booked is because he's Tailor.

0:24:42.320 --> 0:24:43.359
<v Speaker 2>Was Taylor Swift's dancer.

0:24:43.600 --> 0:24:45.440
<v Speaker 1>Well, I mean, I hate to say it, but maybe

0:24:45.440 --> 0:24:47.800
<v Speaker 1>there's some truth to that, because this really blew me away.

0:24:48.200 --> 0:24:51.359
<v Speaker 1>And this was not him dancing as as a pro

0:24:51.720 --> 0:24:54.600
<v Speaker 1>part of a team. This was him dancing to Taylor Swift.

0:24:54.359 --> 0:24:57.879
<v Speaker 3>Right, which and that was this guy's probably danced to

0:24:57.920 --> 0:24:59.879
<v Speaker 3>that song eight thousand times.

0:25:00.160 --> 0:25:03.040
<v Speaker 2>Like, so it was really good.

0:25:03.359 --> 0:25:04.840
<v Speaker 1>I thought it was really good, and.

0:25:04.800 --> 0:25:07.919
<v Speaker 3>I love her. She is a phenomenal dancer. She's got

0:25:08.000 --> 0:25:10.800
<v Speaker 3>kicked off what week one or we two? But oh god,

0:25:10.880 --> 0:25:13.240
<v Speaker 3>she's so the two of them together was like, that

0:25:13.359 --> 0:25:14.760
<v Speaker 3>was one of those things where you feel like you're

0:25:14.800 --> 0:25:16.520
<v Speaker 3>sitting in a theater watching a performance.

0:25:17.760 --> 0:25:20.320
<v Speaker 2>It was I thought it was just really good.

0:25:20.600 --> 0:25:38.160
<v Speaker 1>Yeah, okay, and then we get to the Elaine Hendrix

0:25:38.160 --> 0:25:40.760
<v Speaker 1>of it all. Man, this was rough.

0:25:41.520 --> 0:25:41.720
<v Speaker 2>Yeah.

0:25:41.920 --> 0:25:45.640
<v Speaker 3>Can I ask why her pro still had to dress

0:25:45.720 --> 0:25:49.280
<v Speaker 3>up like Gladiator? You know, if the guy's not dancing,

0:25:49.320 --> 0:25:51.080
<v Speaker 3>did he have to go through wardrobe? I get him

0:25:51.119 --> 0:25:53.280
<v Speaker 3>not being in jeans and a T shirt, but like,

0:25:53.359 --> 0:25:55.480
<v Speaker 3>did he have to get into full makeup and everything?

0:25:56.400 --> 0:26:00.159
<v Speaker 1>You know, that's actually an interesting question because it's you

0:26:00.240 --> 0:26:02.399
<v Speaker 1>pointed it out. I kind of liked it because the

0:26:02.520 --> 0:26:06.600
<v Speaker 1>rehearsal video, you know, part of the biggest problem with

0:26:06.640 --> 0:26:08.959
<v Speaker 1>it is that they're just in like workout clothes, right,

0:26:09.720 --> 0:26:13.160
<v Speaker 1>So I think seeing him in an outfit was like, oh,

0:26:13.200 --> 0:26:15.520
<v Speaker 1>there could have been what could have been? You know,

0:26:15.600 --> 0:26:17.160
<v Speaker 1>I think if you had just been in rehearsal clothes,

0:26:17.240 --> 0:26:18.800
<v Speaker 1>or even if you had just been wearing a suit,

0:26:18.920 --> 0:26:21.600
<v Speaker 1>it would have been like but because it was like

0:26:22.000 --> 0:26:23.879
<v Speaker 1>you always felt like what did her outfit look like

0:26:23.920 --> 0:26:25.760
<v Speaker 1>we never got to see it. I don't know. I

0:26:25.760 --> 0:26:28.360
<v Speaker 1>think it actually highlighted the absence in a positive way.

0:26:28.400 --> 0:26:29.399
<v Speaker 1>That was I don't know.

0:26:29.640 --> 0:26:31.760
<v Speaker 3>Do you think now dance aside, which we haven't even

0:26:31.760 --> 0:26:36.560
<v Speaker 3>got to yet, do you think it's fair that if

0:26:36.600 --> 0:26:39.119
<v Speaker 3>you can't dance, you're still in the competition?

0:26:42.720 --> 0:26:46.000
<v Speaker 1>Got that, you know? My instinct, like my feeling last

0:26:46.080 --> 0:26:50.840
<v Speaker 1>night was yes, this felt fair until Danielle's score game

0:26:51.119 --> 0:26:53.720
<v Speaker 1>thank you, and then I was really pissed off. Yeah,

0:26:53.760 --> 0:26:57.480
<v Speaker 1>I was like, really, we don't just give her fives

0:26:57.480 --> 0:26:59.920
<v Speaker 1>across the board or something, you know, like neutral.

0:27:00.160 --> 0:27:04.280
<v Speaker 3>Yeah, they gave her eights.

0:27:04.600 --> 0:27:06.159
<v Speaker 2>She she scored higher.

0:27:06.200 --> 0:27:09.239
<v Speaker 3>The woman who was in an ambulance not at the

0:27:09.280 --> 0:27:14.560
<v Speaker 3>show scored higher than Andy by by every judge, And

0:27:14.600 --> 0:27:16.000
<v Speaker 3>it's I mean, it's weird.

0:27:16.040 --> 0:27:16.199
<v Speaker 5>You know.

0:27:16.240 --> 0:27:19.560
<v Speaker 1>It would have been fair to me is if they

0:27:19.640 --> 0:27:23.040
<v Speaker 1>don't show the rehearsal video, because it seems like questionable

0:27:23.040 --> 0:27:25.920
<v Speaker 1>whether that's fair or not. What if they just if

0:27:25.960 --> 0:27:28.080
<v Speaker 1>you miss it, if you injure, if an injury takes

0:27:28.119 --> 0:27:30.680
<v Speaker 1>you out, you just match the lowest score of the night.

0:27:32.080 --> 0:27:35.280
<v Speaker 1>That's fair, right, So like which in this case would

0:27:35.280 --> 0:27:38.840
<v Speaker 1>have been Andy and Emma. So whoever gets the lowest,

0:27:39.080 --> 0:27:41.960
<v Speaker 1>you also get the passing grid, like you also get

0:27:41.960 --> 0:27:42.440
<v Speaker 1>the lowest.

0:27:42.920 --> 0:27:44.480
<v Speaker 2>Yeh see, I think that didn't make it.

0:27:44.560 --> 0:27:47.080
<v Speaker 1>You didn't make it physically, right, But we're also not

0:27:47.119 --> 0:27:49.960
<v Speaker 1>going to, you know, completely give you zeros, So you're

0:27:50.000 --> 0:27:52.960
<v Speaker 1>just going to be like the person who also you know,

0:27:53.000 --> 0:27:55.159
<v Speaker 1>showed up and did their best but got the lowest

0:27:55.160 --> 0:27:57.520
<v Speaker 1>of the night. I feel like that would.

0:27:57.280 --> 0:27:58.680
<v Speaker 2>Be fair, that that could be fair.

0:27:58.720 --> 0:28:01.520
<v Speaker 3>The other thing that every other reality show does is

0:28:01.760 --> 0:28:04.720
<v Speaker 3>a night like this, no one goes home and two

0:28:04.800 --> 0:28:05.960
<v Speaker 3>couples go home next week.

0:28:06.960 --> 0:28:09.440
<v Speaker 2>So it's like, that's that's how you do it. That's fair.

0:28:09.520 --> 0:28:11.359
<v Speaker 3>You're not here, fine, we'll keep you in the competition,

0:28:11.680 --> 0:28:13.520
<v Speaker 3>so no one will go home tonight, but we're sending

0:28:13.560 --> 0:28:16.520
<v Speaker 3>two couples home next week because it's like that.

0:28:16.600 --> 0:28:18.760
<v Speaker 2>The whole situation was really strange.

0:28:19.400 --> 0:28:22.200
<v Speaker 3>So yeah, you know, any other thing you're in, like

0:28:22.280 --> 0:28:24.480
<v Speaker 3>I said, you're in a swimming competition, you're in whatever,

0:28:24.600 --> 0:28:26.920
<v Speaker 3>and you can't go physically, that's it.

0:28:27.080 --> 0:28:27.640
<v Speaker 2>You can't go.

0:28:28.720 --> 0:28:30.760
<v Speaker 1>So and what if somebody just gets like food poisoning

0:28:30.800 --> 0:28:33.520
<v Speaker 1>in and feels sick or says they're nauseous or whatever.

0:28:33.600 --> 0:28:36.720
<v Speaker 1>It's like power, where do you draw the line? You know,

0:28:36.800 --> 0:28:39.320
<v Speaker 1>in this case, it sounds like she really like really

0:28:39.360 --> 0:28:41.160
<v Speaker 1>hurt her rib and had to get out in the hospital.

0:28:41.200 --> 0:28:44.240
<v Speaker 1>But you can also just the kind.

0:28:44.120 --> 0:28:48.520
<v Speaker 2>Of yeah, not that we're saying she is, of course not,

0:28:48.800 --> 0:28:49.560
<v Speaker 2>but you would know.

0:28:49.480 --> 0:28:51.840
<v Speaker 1>That you could possibly get a score.

0:28:52.000 --> 0:28:54.360
<v Speaker 2>Yeah, you know, I deal with you anyway.

0:28:55.440 --> 0:28:55.720
<v Speaker 1>Video.

0:28:56.080 --> 0:28:57.680
<v Speaker 2>Yeah, see, I disagree. I didn't like. I didn't like

0:28:57.720 --> 0:28:59.240
<v Speaker 2>their dance at all. Frankly, I would love to.

0:28:59.320 --> 0:29:02.560
<v Speaker 3>And maybe it's because I was always throwing, but I

0:29:02.640 --> 0:29:04.680
<v Speaker 3>this was I think my least favorite dancer that I

0:29:04.760 --> 0:29:06.880
<v Speaker 3>just dance wise, I think this was my least favorite

0:29:06.920 --> 0:29:07.560
<v Speaker 3>dance of the night.

0:29:08.280 --> 0:29:10.960
<v Speaker 2>And so oh interesting, Yeah, it just it.

0:29:11.920 --> 0:29:14.720
<v Speaker 1>I thought the final lift was pretty awkward and painful,

0:29:14.880 --> 0:29:17.440
<v Speaker 1>like didn't feel smooth, But otherwise I was like really

0:29:17.440 --> 0:29:18.880
<v Speaker 1>into it, and I wish I could have seen it.

0:29:19.200 --> 0:29:22.200
<v Speaker 3>That's the thing is, I think the problem with rehearsal

0:29:22.440 --> 0:29:27.520
<v Speaker 3>is you don't necessarily finish all your moves, so like

0:29:27.600 --> 0:29:30.040
<v Speaker 3>when she leaned against them, she like kind of leaned

0:29:30.040 --> 0:29:31.880
<v Speaker 3>against them where I'm sure she would have gone one

0:29:31.960 --> 0:29:34.160
<v Speaker 3>or two inches deeper when you know.

0:29:34.160 --> 0:29:36.440
<v Speaker 2>She's not committing so yeah, so it's like little things

0:29:36.520 --> 0:29:36.760
<v Speaker 2>like that.

0:29:36.720 --> 0:29:39.120
<v Speaker 1>Injury and stuff. Yeah, I don't know.

0:29:40.880 --> 0:29:42.640
<v Speaker 2>Okay, wasn't even at the show all eight.

0:29:43.280 --> 0:29:45.800
<v Speaker 4>Just to jump in real quick, there was three other

0:29:45.880 --> 0:29:49.960
<v Speaker 4>times that people were scored based on their rehearsal footage, Okay,

0:29:50.600 --> 0:29:55.960
<v Speaker 4>season eight. There was Steve o in week two, Melissa

0:29:56.040 --> 0:30:00.640
<v Speaker 4>Ryecroft in week eight also season eight, and then Tamar

0:30:00.760 --> 0:30:04.040
<v Speaker 4>Braxton in season twenty one, and then Elaine. So this

0:30:04.120 --> 0:30:05.400
<v Speaker 4>is the fourth time they've done it.

0:30:06.000 --> 0:30:09.520
<v Speaker 3>Now what if they I mean, then if you couldn't rehearse,

0:30:09.640 --> 0:30:11.800
<v Speaker 3>are you then kicked off the show? I mean if

0:30:11.800 --> 0:30:14.400
<v Speaker 3>there's no rehearsal footage, Like if she can't go next week,

0:30:14.480 --> 0:30:15.280
<v Speaker 3>is she then done?

0:30:15.680 --> 0:30:17.440
<v Speaker 2>I mean imagine she would have to be right.

0:30:17.960 --> 0:30:21.200
<v Speaker 4>I mean, she got cleared by doctor like they said,

0:30:21.280 --> 0:30:23.880
<v Speaker 4>But if something else were to happen and she couldn't

0:30:25.200 --> 0:30:26.560
<v Speaker 4>learn the dance, then I.

0:30:26.560 --> 0:30:28.400
<v Speaker 2>Don't know that would be it. I think it would be.

0:30:28.320 --> 0:30:31.960
<v Speaker 4>A decision between the show and doctors and her. I

0:30:31.960 --> 0:30:33.680
<v Speaker 4>think it would be like a big decision made.

0:30:34.000 --> 0:30:34.360
<v Speaker 1>Okay.

0:30:35.240 --> 0:30:38.080
<v Speaker 2>I also think I like the Argentine Tango a lot,

0:30:38.360 --> 0:30:39.080
<v Speaker 2>Do you really?

0:30:39.480 --> 0:30:42.360
<v Speaker 1>Yeah? Because I loved Danielle's dance last week. And watching

0:30:42.440 --> 0:30:44.520
<v Speaker 1>Elaine and Allen do the Argentine tango ghett I was like,

0:30:44.760 --> 0:30:45.840
<v Speaker 1>this is my favorite dance.

0:30:46.200 --> 0:30:47.960
<v Speaker 3>Do you know how many people pointed out to us

0:30:48.000 --> 0:30:50.840
<v Speaker 3>that Buenos Aires is in Argentina even though that was

0:30:50.880 --> 0:30:51.240
<v Speaker 3>the joke.

0:30:51.640 --> 0:30:53.440
<v Speaker 1>Oh yeah, well I didn't get it at first. I

0:30:53.480 --> 0:30:55.840
<v Speaker 1>was like, isn't Buenos Aires an archida? And that's why

0:30:55.840 --> 0:30:58.280
<v Speaker 1>I doubted it. I was like, I have to check.

0:30:58.320 --> 0:31:00.320
<v Speaker 1>I wasn't sure. I was like, because you said it

0:31:00.360 --> 0:31:02.760
<v Speaker 1>so quick, I was like it was just the same.

0:31:02.880 --> 0:31:11.160
<v Speaker 1>And then I was like my book classic al eights, Yeah,

0:31:11.360 --> 0:31:15.960
<v Speaker 1>al eates. Now let's take a moment here to talk

0:31:16.000 --> 0:31:19.840
<v Speaker 1>about the Bruno of it all, because I Bruno has

0:31:19.880 --> 0:31:22.320
<v Speaker 1>been really getting into my head. And right about at

0:31:22.320 --> 0:31:25.000
<v Speaker 1>this point in the night is when my family stopped

0:31:25.040 --> 0:31:27.440
<v Speaker 1>because my parents were in town and we had ordered

0:31:27.560 --> 0:31:31.640
<v Speaker 1>a big sushi feast, and so we took a pause

0:31:32.240 --> 0:31:34.760
<v Speaker 1>and we all like had our sushi laid out, and

0:31:34.880 --> 0:31:37.840
<v Speaker 1>you know it, my son and my wife and at

0:31:37.840 --> 0:31:41.120
<v Speaker 1>one point, you know, somebody asked me like, my wife

0:31:41.240 --> 0:31:43.640
<v Speaker 1>is like, you know, oh, how's the Alba core? And

0:31:43.720 --> 0:31:47.200
<v Speaker 1>I you not what it was happening to my brand

0:31:47.440 --> 0:31:50.480
<v Speaker 1>is I wanted to stand up and go. This Albacorn

0:31:50.600 --> 0:31:55.320
<v Speaker 1>is fantastic, Darling, It's just amazing. I just I have

0:31:55.480 --> 0:32:00.160
<v Speaker 1>Bruno in my head. It's like everything coming off for

0:32:00.200 --> 0:32:03.720
<v Speaker 1>me is just like the most exaggerate. Oh, the soy

0:32:03.760 --> 0:32:07.400
<v Speaker 1>sauce it needs, of course, of course, but you're doing.

0:32:08.280 --> 0:32:14.360
<v Speaker 1>I love his excitement. Oh. I just always I want

0:32:14.400 --> 0:32:17.080
<v Speaker 1>to be I want to be as expressive and free

0:32:17.320 --> 0:32:20.880
<v Speaker 1>and positive. But Duen, he's negative. I don't get you.

0:32:21.080 --> 0:32:23.560
<v Speaker 1>He has like this rhythm to it. I love that.

0:32:23.680 --> 0:32:27.360
<v Speaker 1>I love that. Here's what I don't love. I cannot

0:32:27.720 --> 0:32:33.120
<v Speaker 1>well the the like cheesy corny quips related to the

0:32:33.120 --> 0:32:37.800
<v Speaker 1>theme of the dance. Yeah, it's like if it's a

0:32:38.000 --> 0:32:41.360
<v Speaker 1>if it's a police themed, it's like you are arresting Darling.

0:32:42.120 --> 0:32:45.360
<v Speaker 1>Shut up, Like, oh, it's a chef themed. It's like

0:32:45.560 --> 0:32:50.280
<v Speaker 1>that was a full course meal and a cake. What So,

0:32:50.480 --> 0:32:51.960
<v Speaker 1>here's what I want to do, because I think your

0:32:51.960 --> 0:32:56.040
<v Speaker 1>brain works better than Bruno's. I'm gonna give you a

0:32:56.120 --> 0:32:59.440
<v Speaker 1>quiz if you if you see a dance based on

0:32:59.480 --> 0:33:03.040
<v Speaker 1>a certain thing, what would you say, Oh, where's where's

0:33:03.120 --> 0:33:07.640
<v Speaker 1>your corny quip? Okay, are you ready? Yeah, it's a

0:33:07.720 --> 0:33:14.320
<v Speaker 1>New York themed fox trot, a New York themed fox Trotky,

0:33:14.520 --> 0:33:17.480
<v Speaker 1>it was wonderful and it was a good fox trot.

0:33:17.600 --> 0:33:21.920
<v Speaker 2>Sure, yeah, okay, it would be something like, uh after

0:33:22.000 --> 0:33:24.600
<v Speaker 2>that dance, darling, everyone is moving.

0:33:24.400 --> 0:33:28.760
<v Speaker 1>Uptown all right now, it's a Willy Wonka themed dance.

0:33:31.920 --> 0:33:34.720
<v Speaker 2>Go go treasure.

0:33:36.760 --> 0:33:39.880
<v Speaker 3>You are the music maker, you are the dreamer of dreams.

0:33:40.000 --> 0:33:42.600
<v Speaker 2>We are all getting a golden ticket dolling.

0:33:43.800 --> 0:33:46.240
<v Speaker 1>Right now. It's a Lord of the Rings dance.

0:33:46.320 --> 0:33:52.400
<v Speaker 3>Oh jeezus, you are then the whole demeanor ball at

0:33:52.400 --> 0:33:54.680
<v Speaker 3>the end, and it will be You're precious.

0:33:56.600 --> 0:33:59.600
<v Speaker 1>See you're already better he has all week because you know,

0:33:59.720 --> 0:34:02.760
<v Speaker 1>he was the theme of the Dad you in thirty

0:34:02.800 --> 0:34:05.840
<v Speaker 1>seconds come up with better quips than it's always his.

0:34:05.960 --> 0:34:08.360
<v Speaker 3>Or they they are there.

0:34:08.760 --> 0:34:10.200
<v Speaker 2>It's it's pretty funny too.

0:34:11.040 --> 0:34:11.200
<v Speaker 1>Well.

0:34:11.320 --> 0:34:15.960
<v Speaker 2>Did you also notice I think Carrie, Anne and Derek

0:34:16.480 --> 0:34:17.439
<v Speaker 2>don't like each other.

0:34:17.719 --> 0:34:20.319
<v Speaker 1>Yeah? Well there was that weird ooh where he kept

0:34:20.320 --> 0:34:21.920
<v Speaker 1>being like She's like blah blah blah, and I was

0:34:21.920 --> 0:34:24.520
<v Speaker 1>like what what and she kept trying to interrupt. I

0:34:24.520 --> 0:34:24.840
<v Speaker 1>don't know.

0:34:24.880 --> 0:34:26.800
<v Speaker 3>And then there was also a time he's like, oh wow, thanks,

0:34:26.800 --> 0:34:28.880
<v Speaker 3>I got no no time left, and you heard her like,

0:34:28.920 --> 0:34:30.560
<v Speaker 3>you've got plenty of time left.

0:34:30.600 --> 0:34:35.480
<v Speaker 2>It was like, oh God, I mean, you.

0:34:35.480 --> 0:34:39.560
<v Speaker 1>Know, surprise, surprise answers that are like paid to be judges,

0:34:39.800 --> 0:34:43.080
<v Speaker 1>have opinions and have egos.

0:34:43.320 --> 0:34:45.120
<v Speaker 2>Should we did we? We didn't mention we had a

0:34:45.160 --> 0:34:46.719
<v Speaker 2>guest judge this week, Ryl Burke.

0:34:47.040 --> 0:34:49.759
<v Speaker 3>The one thing I will say, I thought she was

0:34:49.800 --> 0:34:52.520
<v Speaker 3>giving the best criticism and was the most fair with

0:34:52.560 --> 0:34:53.719
<v Speaker 3>her judging all night long.

0:34:54.000 --> 0:34:56.520
<v Speaker 2>Frankly, I mean it was like, well.

0:34:56.400 --> 0:34:58.719
<v Speaker 1>She was also, I mean it was interesting because in

0:34:58.719 --> 0:35:01.719
<v Speaker 1>some ways it felt like she was coming from a

0:35:01.760 --> 0:35:05.040
<v Speaker 1>place like I feel like the judges in the first

0:35:05.080 --> 0:35:08.279
<v Speaker 1>four weeks were giving very good technical notes, yeah, on

0:35:08.280 --> 0:35:10.520
<v Speaker 1>a pretty regular basis, and then they sort of in

0:35:10.560 --> 0:35:13.239
<v Speaker 1>an howur just like we know who you are, we

0:35:13.320 --> 0:35:15.800
<v Speaker 1>know your story, and so I'm a judging you accordingly.

0:35:15.960 --> 0:35:18.400
<v Speaker 1>Where she was coming in like with a fresh perspective

0:35:18.400 --> 0:35:20.840
<v Speaker 1>and yeah, giving technical notes again, it felt like it

0:35:20.840 --> 0:35:24.160
<v Speaker 1>felt like a first four week judge, which I appreciate it.

0:35:24.200 --> 0:35:24.640
<v Speaker 2>I did too.

0:35:24.880 --> 0:35:27.080
<v Speaker 1>Why they bring in a guest you know, I swear

0:35:27.120 --> 0:35:27.800
<v Speaker 1>to God at.

0:35:27.640 --> 0:35:29.520
<v Speaker 3>Some point, because I think we've talked about this before

0:35:29.760 --> 0:35:32.680
<v Speaker 3>the first few seasons of the show, they were much

0:35:32.719 --> 0:35:35.520
<v Speaker 3>more harsh, and some network note or something came down

0:35:35.520 --> 0:35:36.960
<v Speaker 3>and said, we are not American idol.

0:35:37.160 --> 0:35:39.880
<v Speaker 2>We don't want the harsh judging. Lighten it up. And

0:35:39.920 --> 0:35:41.680
<v Speaker 2>I feel like they've been like because now they're going

0:35:41.719 --> 0:35:43.919
<v Speaker 2>like hah, you know, I love you, you're the best.

0:35:43.960 --> 0:35:46.080
<v Speaker 3>Oh my god, you're great, but maybe do your hand

0:35:46.200 --> 0:35:49.120
<v Speaker 3>like this like they're like trying to do it.

0:35:49.800 --> 0:35:51.399
<v Speaker 1>I don't know if that's the producers. I think that's

0:35:51.400 --> 0:35:52.640
<v Speaker 1>just in response.

0:35:52.239 --> 0:35:53.560
<v Speaker 2>To social media.

0:35:53.760 --> 0:35:56.759
<v Speaker 1>Yeah, the popularity thing. Like, you know, I think that

0:35:56.920 --> 0:35:59.320
<v Speaker 1>we're at a different age than when like Simon Cowell

0:35:59.480 --> 0:36:02.279
<v Speaker 1>was like miss Harsh and even then I feel like

0:36:03.160 --> 0:36:07.160
<v Speaker 1>people people kind of liked that. But now I feel

0:36:07.160 --> 0:36:11.440
<v Speaker 1>like being negative is just not as appreciated, even when

0:36:11.480 --> 0:36:14.480
<v Speaker 1>they are correct, you know, and they would rather their

0:36:14.520 --> 0:36:17.000
<v Speaker 1>careers are sort of it's better to be more positive.

0:36:17.040 --> 0:36:18.759
<v Speaker 1>I mean, even the way that we feel about carry

0:36:18.800 --> 0:36:21.640
<v Speaker 1>on right now, based on you know how she talked

0:36:21.640 --> 0:36:22.240
<v Speaker 1>to Danielle.

0:36:23.120 --> 0:36:24.360
<v Speaker 2>That's a whole other conversation.

0:36:25.800 --> 0:36:41.360
<v Speaker 5>Yeah, up next, daniel Fishel and Pasha pashkav.

0:36:43.880 --> 0:36:50.000
<v Speaker 1>I thought watching the rehearsal, watching Danielle be a director

0:36:51.000 --> 0:36:55.319
<v Speaker 1>as she is and an actor as she is, and

0:36:55.600 --> 0:36:59.120
<v Speaker 1>a dancer as she's become was so fun great and

0:36:59.160 --> 0:37:02.239
<v Speaker 1>I was just like, dude, you have like found your

0:37:02.320 --> 0:37:05.880
<v Speaker 1>stride literally and this is so fun. Like I'm she

0:37:06.040 --> 0:37:10.200
<v Speaker 1>like was making a story, was having such a blast,

0:37:10.480 --> 0:37:12.560
<v Speaker 1>and I was watching the versa where she was making

0:37:12.600 --> 0:37:16.360
<v Speaker 1>all her little god no yeah, I was like yes,

0:37:16.719 --> 0:37:19.040
<v Speaker 1>because that's the way she is, and she even did

0:37:19.080 --> 0:37:21.160
<v Speaker 1>like a little karate sound at one point. I was

0:37:21.200 --> 0:37:24.439
<v Speaker 1>like God, it's like, oh my god, I love you

0:37:24.520 --> 0:37:27.520
<v Speaker 1>so much. And then the dance itself I thought was

0:37:27.520 --> 0:37:32.719
<v Speaker 1>incredible and it was incredible what the actual yeah no,

0:37:32.880 --> 0:37:36.200
<v Speaker 1>to me, it was like oh nine, like across the board,

0:37:36.280 --> 0:37:41.960
<v Speaker 1>maybe maybe a ten because like her whole like you know,

0:37:42.000 --> 0:37:43.919
<v Speaker 1>the moment when she was saying no, no, no no,

0:37:43.920 --> 0:37:47.160
<v Speaker 1>it was so good acting just in the moment in

0:37:47.200 --> 0:37:49.200
<v Speaker 1>a way that like you know, they talk about her

0:37:49.239 --> 0:37:52.239
<v Speaker 1>being like like not worried about her steps. I was like,

0:37:52.320 --> 0:37:55.240
<v Speaker 1>she nailed this and was in control of the dance

0:37:55.320 --> 0:37:56.840
<v Speaker 1>and like, yeah.

0:37:56.719 --> 0:38:01.200
<v Speaker 3>I also love the visual of starting clean and then

0:38:01.280 --> 0:38:04.320
<v Speaker 3>his hands have but the his hands have the blood

0:38:04.360 --> 0:38:07.440
<v Speaker 3>on it, which is all you know, is physical and metaphorical,

0:38:07.719 --> 0:38:09.720
<v Speaker 3>and then his hands are on the white dress.

0:38:09.719 --> 0:38:11.880
<v Speaker 2>So now her white dress is getting covered in blood.

0:38:12.360 --> 0:38:12.760
<v Speaker 1>Awesome.

0:38:13.320 --> 0:38:15.480
<v Speaker 3>And I was like, God, this is great, Oh my god,

0:38:15.520 --> 0:38:17.440
<v Speaker 3>she might be doing better than last week.

0:38:17.600 --> 0:38:20.080
<v Speaker 2>Like, oh man, how no one could say anything negative

0:38:20.080 --> 0:38:21.440
<v Speaker 2>about this? This is incredible.

0:38:21.480 --> 0:38:23.759
<v Speaker 1>I was nine nines across the border as my my.

0:38:24.120 --> 0:38:25.919
<v Speaker 1>I was like, one hundred percent, it's gonna be great.

0:38:25.960 --> 0:38:27.439
<v Speaker 1>It's gonna be great, maybe even a ten.

0:38:27.719 --> 0:38:29.200
<v Speaker 3>I thought she was gonna get her first ten of

0:38:29.239 --> 0:38:31.000
<v Speaker 3>the night from Bruno. I thought he was going to

0:38:31.040 --> 0:38:32.839
<v Speaker 3>give a ten because he was being very generous all

0:38:32.920 --> 0:38:34.799
<v Speaker 3>night long. I was like, oh my god, they're gonna

0:38:34.800 --> 0:38:37.200
<v Speaker 3>do it. They're gonna get a ten. She's gonna freak out.

0:38:37.600 --> 0:38:40.000
<v Speaker 3>This is absolutely breakout from the pack like she did

0:38:40.080 --> 0:38:43.040
<v Speaker 3>last week. And then they went in front of the judges.

0:38:43.360 --> 0:38:45.520
<v Speaker 1>I think they're holding her to a higher.

0:38:45.239 --> 0:38:47.359
<v Speaker 2>Standard for what to what.

0:38:47.400 --> 0:38:52.160
<v Speaker 1>End because because a she looks young, so I don't

0:38:52.200 --> 0:38:54.680
<v Speaker 1>think I think they're treating her as like she's in

0:38:54.719 --> 0:38:57.440
<v Speaker 1>the same category as like the thirty somethings that are

0:38:57.520 --> 0:39:00.719
<v Speaker 1>or even early twenty somethings, and it's just not the case. Right,

0:39:00.760 --> 0:39:03.359
<v Speaker 1>This is this is a mother, This is somebody who

0:39:03.400 --> 0:39:06.319
<v Speaker 1>is forty five years old, and I think that they're

0:39:06.360 --> 0:39:09.839
<v Speaker 1>not because she looks so young and they still associate

0:39:09.880 --> 0:39:12.279
<v Speaker 1>her with Aztapanga. They think of her as like a

0:39:12.360 --> 0:39:16.239
<v Speaker 1>young American sweetheart, and it's like, that's not really fair.

0:39:16.360 --> 0:39:18.520
<v Speaker 1>I don't think that's a fair assessment of who she

0:39:18.640 --> 0:39:21.000
<v Speaker 1>is as a person and how hard she's working physically

0:39:21.400 --> 0:39:24.319
<v Speaker 1>to keep up. So that's like I think part of it.

0:39:24.360 --> 0:39:26.680
<v Speaker 1>And then I think she's very popular, and I think

0:39:26.719 --> 0:39:30.000
<v Speaker 1>that because she's so popular, there's a little bit of like,

0:39:30.640 --> 0:39:32.520
<v Speaker 1>you know, you can deserve, you can take a little

0:39:32.560 --> 0:39:34.960
<v Speaker 1>harsher from the judges in a way that I just

0:39:34.960 --> 0:39:37.759
<v Speaker 1>don't think they're just not on her side. They're not

0:39:37.880 --> 0:39:38.600
<v Speaker 1>rooting for her.

0:39:39.000 --> 0:39:42.719
<v Speaker 3>Say I think again it Carrie Ann tonight last night

0:39:42.880 --> 0:39:44.400
<v Speaker 3>it felt personal.

0:39:45.360 --> 0:39:47.000
<v Speaker 2>I can't explain it. I'm sure it's not.

0:39:47.200 --> 0:39:50.440
<v Speaker 3>I don't know, but it felt personally like she does

0:39:50.480 --> 0:39:53.120
<v Speaker 3>not like Danielle and I don't know what the hell

0:39:53.239 --> 0:39:53.799
<v Speaker 3>daniel did.

0:39:53.719 --> 0:39:56.160
<v Speaker 2>She take her parking spot? Is there something we don't know?

0:39:56.280 --> 0:40:01.719
<v Speaker 3>Because it how you can watch that after watching a

0:40:01.760 --> 0:40:07.160
<v Speaker 3>rehearsal tape and give it the same score because Carrie

0:40:07.160 --> 0:40:08.840
<v Speaker 3>Anne gave it the same damn.

0:40:08.600 --> 0:40:09.920
<v Speaker 2>Score as the one before.

0:40:10.280 --> 0:40:14.239
<v Speaker 3>Are you can't like I know less about dance than

0:40:14.280 --> 0:40:17.680
<v Speaker 3>anyone on the planet, and I know that Danielle's dance

0:40:17.800 --> 0:40:19.360
<v Speaker 3>was better than that one. Even if you want to

0:40:19.360 --> 0:40:21.760
<v Speaker 3>give Danielle an eight, then the other one was a six.

0:40:22.080 --> 0:40:23.560
<v Speaker 2>It's like, what the hell is going on?

0:40:24.200 --> 0:40:25.879
<v Speaker 1>Yeah, I don't know. I mean, she's got a chip

0:40:25.920 --> 0:40:27.600
<v Speaker 1>on her shoulder. I think Carrie An's got a chip

0:40:27.600 --> 0:40:29.319
<v Speaker 1>on her shoulder. I think, I mean, I think most

0:40:29.520 --> 0:40:33.920
<v Speaker 1>I think there's a sense of like Danielle being maybe.

0:40:34.160 --> 0:40:35.040
<v Speaker 2>Too good at everything.

0:40:36.200 --> 0:40:39.160
<v Speaker 1>Yeah, she's just like the popular girl you know and

0:40:39.239 --> 0:40:43.600
<v Speaker 1>like but which is just annoying her. It's like she's

0:40:43.640 --> 0:40:48.600
<v Speaker 1>the most loving kind yeah, like non exclusive, Like Danielle

0:40:48.680 --> 0:40:50.880
<v Speaker 1>never gives off the vibe that she deserves anything. She

0:40:51.080 --> 0:40:54.759
<v Speaker 1>knows hard and enjoys herself. Yeah, but I think that

0:40:54.800 --> 0:40:58.080
<v Speaker 1>there's the potential that as opposed to like Robert who

0:40:58.120 --> 0:41:01.360
<v Speaker 1>goes next, Right, Robert feels like, even though it's supposed

0:41:01.360 --> 0:41:04.320
<v Speaker 1>to be the stars, he is the celebrity who doesn't

0:41:04.320 --> 0:41:06.440
<v Speaker 1>feel like he belongs here to a certain degree. Right,

0:41:06.440 --> 0:41:09.200
<v Speaker 1>there's a sense of like, oh, wow, he's he's famous

0:41:09.200 --> 0:41:11.480
<v Speaker 1>because of his dad and because of his like you know,

0:41:11.600 --> 0:41:13.719
<v Speaker 1>environmental work. But for the most part. He's kind of

0:41:13.719 --> 0:41:16.640
<v Speaker 1>an everyman. Same with Dylan, there's a sense of like

0:41:16.680 --> 0:41:19.960
<v Speaker 1>people coming from like you know, whereas Danielle there's a

0:41:19.960 --> 0:41:22.640
<v Speaker 1>little bit of like, you know, you've been a star

0:41:22.760 --> 0:41:25.080
<v Speaker 1>all your life. You've been the center of attention for

0:41:25.120 --> 0:41:27.480
<v Speaker 1>a long time. And I don't know what against her.

0:41:27.719 --> 0:41:29.319
<v Speaker 3>I don't know what it is, but it's like, I

0:41:29.400 --> 0:41:32.840
<v Speaker 3>don't know what else she can do. Like that's the

0:41:32.840 --> 0:41:35.160
<v Speaker 3>thing is you're setting an impossible standard when you have

0:41:35.680 --> 0:41:38.120
<v Speaker 3>that kind of dance, which I then went back and

0:41:38.160 --> 0:41:39.400
<v Speaker 3>I was like, all right, maybe I'm wrong.

0:41:39.280 --> 0:41:40.680
<v Speaker 2>Maybe she screwed up this grow up.

0:41:40.719 --> 0:41:43.200
<v Speaker 3>I watched this thing like three times and I was like, Nope,

0:41:43.480 --> 0:41:44.160
<v Speaker 3>great dance.

0:41:44.440 --> 0:41:49.840
<v Speaker 2>And then it gets to Cheryl, who's like, we do

0:41:49.880 --> 0:41:51.280
<v Speaker 2>everything big in ballroom.

0:41:51.360 --> 0:41:53.040
<v Speaker 3>We danced to the ceiling, we do all this as like,

0:41:53.080 --> 0:41:55.200
<v Speaker 3>did you watch the same thing we did? Did you

0:41:55.200 --> 0:41:58.040
<v Speaker 3>see the facial expression she was making and pointing, the

0:41:58.040 --> 0:42:01.200
<v Speaker 3>way she was ripping open her and she's covered in blood.

0:42:01.280 --> 0:42:03.279
<v Speaker 2>You you didn't see all that. That's what you point

0:42:03.320 --> 0:42:06.319
<v Speaker 2>out is she needs to act bigger. Really, I know.

0:42:06.719 --> 0:42:09.839
<v Speaker 3>It was so it was like I was in the

0:42:09.840 --> 0:42:12.640
<v Speaker 3>matrix and everybody saw something different.

0:42:12.680 --> 0:42:14.480
<v Speaker 2>Than I did. And I was just sitting there going like,

0:42:14.719 --> 0:42:17.279
<v Speaker 2>how is how what? How how is that possible? I

0:42:17.320 --> 0:42:19.279
<v Speaker 2>don't get it, Like I give you Robert Irwin thing.

0:42:19.280 --> 0:42:22.400
<v Speaker 3>The other thing with Robert is he's instantly become America's

0:42:22.400 --> 0:42:24.279
<v Speaker 3>little brother, right like he.

0:42:24.600 --> 0:42:27.319
<v Speaker 1>Just said that about Dylan too. But right, but so

0:42:27.560 --> 0:42:29.919
<v Speaker 1>but here here, here, here is something that could be

0:42:30.280 --> 0:42:33.879
<v Speaker 1>taken into consideration in terms of Danielle's strategy, which is,

0:42:34.239 --> 0:42:39.160
<v Speaker 1>has she opened up personally as much as most other contestants?

0:42:39.160 --> 0:42:41.200
<v Speaker 1>In other words, has Danielle talked about her family?

0:42:42.480 --> 0:42:42.520
<v Speaker 3>No?

0:42:43.320 --> 0:42:46.120
<v Speaker 1>Has she talked about her journey as a child actor

0:42:46.640 --> 0:42:49.839
<v Speaker 1>moving into directing or and no, she has. She has not.

0:42:50.000 --> 0:42:52.200
<v Speaker 1>She has worked her tough to prove that she can

0:42:52.239 --> 0:42:54.480
<v Speaker 1>do the technical side of the dancing, and she is.

0:42:54.680 --> 0:42:58.239
<v Speaker 1>She has leaned into her you know, her public persona,

0:42:59.320 --> 0:43:02.200
<v Speaker 1>but she has about her husband. She has not talked

0:43:02.200 --> 0:43:04.920
<v Speaker 1>about being a mother in the same way that almost

0:43:04.920 --> 0:43:07.680
<v Speaker 1>every other contestant has had at least one moment where

0:43:07.719 --> 0:43:09.879
<v Speaker 1>they opened up in that way. And I think maybe

0:43:09.960 --> 0:43:12.279
<v Speaker 1>it's time for her, you know, because even in this one,

0:43:12.680 --> 0:43:16.080
<v Speaker 1>she told a fun story and it was great, but

0:43:16.120 --> 0:43:18.320
<v Speaker 1>it wasn't like this is the way I think of marriage,

0:43:18.360 --> 0:43:20.279
<v Speaker 1>and sometimes I struggle with my husband. You know, it

0:43:20.280 --> 0:43:22.880
<v Speaker 1>didn't have any of the like, So she hasn't She

0:43:22.960 --> 0:43:26.880
<v Speaker 1>hasn't connected, maybe in the same way that everybody's had

0:43:26.920 --> 0:43:28.920
<v Speaker 1>at least one moment where you're like, oh, you are

0:43:28.960 --> 0:43:31.520
<v Speaker 1>an entertainer, you are an actor, but you also have this,

0:43:31.840 --> 0:43:34.720
<v Speaker 1>you know, like Andy has his daughter. You know, everybody

0:43:34.719 --> 0:43:37.759
<v Speaker 1>has had. And she chose for her dedication to do Bill,

0:43:38.200 --> 0:43:41.080
<v Speaker 1>which we know is personal, but it's also what she's

0:43:41.080 --> 0:43:44.080
<v Speaker 1>already known for. So I wonder if strategy wise, it's

0:43:44.120 --> 0:43:47.200
<v Speaker 1>time for you know, the only like real like she

0:43:47.480 --> 0:43:49.200
<v Speaker 1>you know, in the beginning, she had her injury. She's

0:43:49.200 --> 0:43:50.680
<v Speaker 1>talked about that, but.

0:43:52.280 --> 0:43:53.560
<v Speaker 3>It might be good for her to open up a

0:43:53.600 --> 0:43:55.759
<v Speaker 3>little bit more personally maybe. But I also I think

0:43:55.800 --> 0:43:57.839
<v Speaker 3>there's a strength to what she's doing too though. I mean,

0:43:57.920 --> 0:44:02.360
<v Speaker 3>this woman, it was dealing with cancer and she hasn't

0:44:02.400 --> 0:44:05.200
<v Speaker 3>mentioned that since the very very first episode.

0:44:05.239 --> 0:44:06.759
<v Speaker 2>I know, because she's like, I don't want to, I

0:44:06.760 --> 0:44:08.080
<v Speaker 2>want to I want to dance. I don't want to

0:44:08.120 --> 0:44:10.839
<v Speaker 2>go out and mention that, right, And so I think

0:44:10.920 --> 0:44:13.560
<v Speaker 2>you everyone's already forgotten that, right exactly.

0:44:13.640 --> 0:44:16.560
<v Speaker 3>But it's I don't know. Maybe you're right, Maybe next

0:44:16.560 --> 0:44:18.440
<v Speaker 3>week she needs to open up more about everything that's

0:44:18.480 --> 0:44:21.319
<v Speaker 3>going on. But I just from a dancing perspective, how

0:44:21.400 --> 0:44:23.360
<v Speaker 3>you look at that and again, we look at it

0:44:23.400 --> 0:44:26.399
<v Speaker 3>through I love you goggles. I get that, But how

0:44:26.480 --> 0:44:29.879
<v Speaker 3>you look at that and see And I'm not trying

0:44:29.920 --> 0:44:32.080
<v Speaker 3>to bash Alane. This poor woman has had an incredible

0:44:32.160 --> 0:44:35.000
<v Speaker 3>journey and was hit by a car. I mean, yes,

0:44:35.080 --> 0:44:38.480
<v Speaker 3>she's had a ton of problems and was probably crushed.

0:44:38.480 --> 0:44:41.520
<v Speaker 3>She couldn't dance last night. But how you look at

0:44:42.080 --> 0:44:45.919
<v Speaker 3>that dance and then you look at Danielle's and give

0:44:46.000 --> 0:44:49.000
<v Speaker 3>them the same score. I don't, I don't. I That's

0:44:49.000 --> 0:44:50.120
<v Speaker 3>what I just kind of threw up my hands. I

0:44:50.200 --> 0:44:52.319
<v Speaker 3>was like, okay, none of this makes any sense. Like

0:44:52.400 --> 0:44:53.880
<v Speaker 3>it just none of this makes any sense.

0:44:55.120 --> 0:44:58.279
<v Speaker 1>She got eight, eight, eight and nine. Yeah, good old

0:44:58.280 --> 0:44:59.680
<v Speaker 1>Bruno came through a nine.

0:45:00.080 --> 0:45:03.000
<v Speaker 2>He was also writer. We should talk about what she

0:45:03.040 --> 0:45:03.319
<v Speaker 2>was doing.

0:45:03.360 --> 0:45:07.560
<v Speaker 3>She was dancing the Viennese waltz. Oh yeah, Via, So

0:45:07.600 --> 0:45:09.080
<v Speaker 3>we're going to talk a little bit about.

0:45:08.880 --> 0:45:11.239
<v Speaker 2>Whiz history of dance.

0:45:11.840 --> 0:45:17.719
<v Speaker 3>This was in the Viennese waltz was created in Buenos Aires. Uh,

0:45:19.600 --> 0:45:23.240
<v Speaker 3>I'm kidding, of course, I don't know if Austria Austria.

0:45:23.360 --> 0:45:23.520
<v Speaker 1>Yes.

0:45:23.760 --> 0:45:27.879
<v Speaker 3>It is a fast rotary ballroom dance, characterized by its

0:45:27.920 --> 0:45:30.040
<v Speaker 3>constant turning, which is either to the right, which is

0:45:30.080 --> 0:45:32.200
<v Speaker 3>called a natural turn, or to the left, which is

0:45:32.200 --> 0:45:35.800
<v Speaker 3>called a reverse turn. Unlike the slower wallts, it lacks

0:45:35.840 --> 0:45:38.719
<v Speaker 3>the pronounced rise and fall as I like to call

0:45:38.760 --> 0:45:41.400
<v Speaker 3>it because of its high speed, which is about sixty

0:45:41.400 --> 0:45:44.680
<v Speaker 3>bars per minute. Key techniques include maintaining soft knees and

0:45:44.719 --> 0:45:47.360
<v Speaker 3>a stable posture, taking small steps on the inside of

0:45:47.360 --> 0:45:52.000
<v Speaker 3>a turn, and transitioning between rotations and change steps. That's

0:45:52.040 --> 0:45:55.399
<v Speaker 3>your Viennese waltz, my friend. Cool, Yeah, I figured you'd

0:45:55.400 --> 0:45:55.880
<v Speaker 3>want to know that.

0:45:56.080 --> 0:46:00.279
<v Speaker 1>Yeah, So are you always turning the same direction? Is

0:46:00.320 --> 0:46:02.000
<v Speaker 1>that the idea? Or you can't switch it up?

0:46:02.040 --> 0:46:04.120
<v Speaker 3>No, you can switch You can either go natural turn

0:46:04.320 --> 0:46:06.440
<v Speaker 3>or reverse turn. So like as they would say it

0:46:06.440 --> 0:46:09.879
<v Speaker 3>would be in skateboarding and everything. Isn't that a right

0:46:09.920 --> 0:46:11.520
<v Speaker 3>turn or goofy foot? I think they call it is

0:46:11.520 --> 0:46:13.480
<v Speaker 3>when you spin the other way, or that might just

0:46:13.520 --> 0:46:15.600
<v Speaker 3>be which way your goofy is when your left foot's forward?

0:46:15.680 --> 0:46:15.879
<v Speaker 1>Right?

0:46:15.960 --> 0:46:16.080
<v Speaker 3>Right?

0:46:16.120 --> 0:46:17.080
<v Speaker 1>Okay?

0:46:16.400 --> 0:46:18.680
<v Speaker 2>Yeah, are you interesting?

0:46:18.719 --> 0:46:21.560
<v Speaker 1>It's my right foot that's forward. Nice, even though yeah.

0:46:21.719 --> 0:46:23.760
<v Speaker 2>Uh so, yeah, that's the Viennese waltz.

0:46:23.800 --> 0:46:25.160
<v Speaker 1>Thanks dude, good to.

0:46:25.160 --> 0:46:26.040
<v Speaker 2>Know you're welcome.

0:46:38.760 --> 0:46:42.200
<v Speaker 1>Moving on to Robert Irwin and Whitney Carson, what can

0:46:42.239 --> 0:46:42.680
<v Speaker 1>you say?

0:46:42.960 --> 0:46:44.239
<v Speaker 2>Really great, really great?

0:46:44.560 --> 0:46:49.000
<v Speaker 1>Like I said, I think I love the Argentinian tanger He's.

0:46:49.400 --> 0:46:51.680
<v Speaker 3>I also thought this was, in my opinion, the coolest

0:46:51.960 --> 0:46:55.120
<v Speaker 3>stage of the night. Yeah, just to look with the

0:46:54.840 --> 0:46:57.239
<v Speaker 3>but the giant thing of roses behind them and then

0:46:57.440 --> 0:46:59.960
<v Speaker 3>her coming up on like they're lifting her up on

0:47:00.080 --> 0:47:00.520
<v Speaker 3>the cello.

0:47:01.040 --> 0:47:03.239
<v Speaker 2>Oh sick way to start. That was cool.

0:47:03.360 --> 0:47:05.239
<v Speaker 1>Yeah, and fun to see him go a little like

0:47:05.360 --> 0:47:08.160
<v Speaker 1>more dark. Yeah, and you know, there's nothing goofy about this.

0:47:08.239 --> 0:47:12.640
<v Speaker 1>It was just like full commitment HALLOWEENI yeah, I thought

0:47:12.640 --> 0:47:16.959
<v Speaker 1>this was great. He's I mean clearly, I mean part

0:47:16.960 --> 0:47:20.760
<v Speaker 1>of okay, like honestly part of my think I started

0:47:21.480 --> 0:47:25.720
<v Speaker 1>to turn on Robert unfairly, probably because he's so beloved

0:47:25.719 --> 0:47:30.360
<v Speaker 1>by the judges. I was like, uh, Derek, we get it.

0:47:30.400 --> 0:47:32.719
<v Speaker 1>You love him and his family because you dance with

0:47:32.840 --> 0:47:35.840
<v Speaker 1>his sister. Can you give Danielle Fish a little credit?

0:47:35.960 --> 0:47:41.040
<v Speaker 1>You're like, yeah, no, so I was, Yeah, but the

0:47:41.160 --> 0:47:44.160
<v Speaker 1>dance itself was so fun. This was it was dances

0:47:44.200 --> 0:47:45.719
<v Speaker 1>of the night totally deserved.

0:47:46.080 --> 0:47:48.640
<v Speaker 3>Love her too, by the way, she's she's such a

0:47:48.640 --> 0:47:50.879
<v Speaker 3>good dancer. The two of them together just work. They

0:47:50.920 --> 0:47:54.920
<v Speaker 3>look great. Ye, her choreography is phenomenal. There's I think

0:47:54.960 --> 0:47:56.680
<v Speaker 3>there's only been one of the seven weeks so far

0:47:56.680 --> 0:47:59.560
<v Speaker 3>where it's been like, eh, not the best. They're just

0:47:59.760 --> 0:48:01.640
<v Speaker 3>and I I think that's one of the things they are,

0:48:02.320 --> 0:48:05.600
<v Speaker 3>of all the couples there by far.

0:48:05.560 --> 0:48:06.520
<v Speaker 2>The most consistent.

0:48:06.840 --> 0:48:09.080
<v Speaker 3>Yeah, like they're just we And that was the thing

0:48:09.080 --> 0:48:10.920
<v Speaker 3>we joked about after the first episode, was like, well,

0:48:10.920 --> 0:48:12.000
<v Speaker 3>where do you go from here, Robert?

0:48:12.040 --> 0:48:13.960
<v Speaker 2>You started an eleven? Good luck with that. And then

0:48:14.000 --> 0:48:16.000
<v Speaker 2>it's like, oh, he's he's actually maintaining that.

0:48:16.080 --> 0:48:17.200
<v Speaker 1>Yeah, he's done really well.

0:48:17.280 --> 0:48:18.400
<v Speaker 2>Yeah he has.

0:48:19.840 --> 0:48:26.160
<v Speaker 1>They got ten, nine, nine, and ten, which yeah, carry

0:48:26.160 --> 0:48:26.799
<v Speaker 1>on through out A ten.

0:48:26.840 --> 0:48:30.360
<v Speaker 2>I was like really, yeah, of course really she loves.

0:48:30.160 --> 0:48:36.560
<v Speaker 3>Him, and she's like you're a leading man, Like okay, sure.

0:48:36.400 --> 0:48:42.640
<v Speaker 1>All right, next up Jen and Jan Yeah, I mean,

0:48:42.760 --> 0:48:45.759
<v Speaker 1>I you know, it seemed pretty obvious right away that

0:48:46.480 --> 0:48:49.600
<v Speaker 1>tonight was going to be kind of between yep, Jen

0:48:49.800 --> 0:48:52.040
<v Speaker 1>and Andy Yep. As far as he was going to

0:48:52.120 --> 0:48:55.520
<v Speaker 1>kick kicked off, I think it's probably inevitable that Andy

0:48:55.560 --> 0:48:57.239
<v Speaker 1>will get kicked off next week, but you never know,

0:48:57.840 --> 0:49:01.440
<v Speaker 1>never know, because yeah, I thought this was one of

0:49:01.800 --> 0:49:05.239
<v Speaker 1>Jen's best actually, and again I felt the judges were

0:49:05.239 --> 0:49:08.520
<v Speaker 1>a little too harsh on her. Yeah, I agree with you, Yeah,

0:49:08.640 --> 0:49:12.279
<v Speaker 1>because I feel like they've decided something about her and

0:49:12.400 --> 0:49:15.520
<v Speaker 1>maybe something about John that we don't know a little

0:49:15.600 --> 0:49:18.040
<v Speaker 1>behind the scenes, like you were talking about that. It

0:49:18.200 --> 0:49:21.480
<v Speaker 1>just it just feels like they're I don't know, they're

0:49:21.480 --> 0:49:24.360
<v Speaker 1>they're they're they're getting they're falling through the cracks. And

0:49:24.400 --> 0:49:28.719
<v Speaker 1>they did fall through the cracks. So I thought this

0:49:28.800 --> 0:49:29.839
<v Speaker 1>was actually pretty great.

0:49:31.080 --> 0:49:32.160
<v Speaker 2>Thought they looked great.

0:49:32.239 --> 0:49:34.399
<v Speaker 1>They looked great. I thought she gave it her all.

0:49:35.239 --> 0:49:39.040
<v Speaker 1>But you know, eight's across the board, and again I

0:49:39.080 --> 0:49:40.399
<v Speaker 1>was like, really, not a nine in.

0:49:40.360 --> 0:49:43.600
<v Speaker 3>There, the same score as the person who didn't dance.

0:49:44.480 --> 0:49:45.759
<v Speaker 1>Yeah, seems a little.

0:49:46.120 --> 0:49:49.440
<v Speaker 3>It just it's again that's why they're just kind of arbitrary.

0:49:49.680 --> 0:49:53.840
<v Speaker 3>And did you see this was the first time that

0:49:54.000 --> 0:49:57.600
<v Speaker 3>at least I saw the celebrity not holding her emotions

0:49:57.640 --> 0:49:59.160
<v Speaker 3>back when she was getting her scores.

0:49:59.280 --> 0:50:03.400
<v Speaker 2>She was pissed and you could see that she was pissed.

0:50:03.640 --> 0:50:06.640
<v Speaker 3>Yeah, she was just like, Okay, well great, not I

0:50:06.920 --> 0:50:08.919
<v Speaker 3>guess I can't do anything was kind of the face

0:50:08.960 --> 0:50:09.399
<v Speaker 3>that I think.

0:50:09.520 --> 0:50:13.200
<v Speaker 1>Yeah, and I think unfortunately the favorites are so clear

0:50:13.200 --> 0:50:13.840
<v Speaker 1>at this point.

0:50:14.080 --> 0:50:15.720
<v Speaker 2>Yeah, yeah, yeah.

0:50:15.560 --> 0:50:17.759
<v Speaker 1>I think that the only people like the judges, are

0:50:17.800 --> 0:50:24.360
<v Speaker 1>being so predictable, which became really obvious during the whatever

0:50:24.400 --> 0:50:28.160
<v Speaker 1>the monster bash dance off at the end of this

0:50:28.280 --> 0:50:33.160
<v Speaker 1>which we'll talk about, which really was that kissed me off? Yeah,

0:50:33.200 --> 0:50:35.600
<v Speaker 1>you know that the judges have set their their path

0:50:35.680 --> 0:50:40.200
<v Speaker 1>at this point and and unless you the only way

0:50:40.239 --> 0:50:42.120
<v Speaker 1>to upend it is with the popular vote. It seems like,

0:50:42.680 --> 0:50:45.719
<v Speaker 1>and I think Jen was not competing with in the

0:50:45.760 --> 0:50:48.040
<v Speaker 1>popular vote. She doesn't stand a chance against Andy and

0:50:48.160 --> 0:50:50.440
<v Speaker 1>Danielle and the other people that are not like getting

0:50:50.520 --> 0:50:54.000
<v Speaker 1>tens and nines every time. Therefore, I think she went

0:50:54.040 --> 0:50:57.520
<v Speaker 1>into tonight knowing that she just was at a disadvantage

0:50:57.560 --> 0:50:59.600
<v Speaker 1>and that sucks because.

0:50:59.280 --> 0:51:01.440
<v Speaker 3>I think also they had again with all the press

0:51:01.440 --> 0:51:03.279
<v Speaker 3>that they were getting and at Jan was getting. I

0:51:03.280 --> 0:51:06.200
<v Speaker 3>think this was overall just a rough week for them.

0:51:06.640 --> 0:51:08.600
<v Speaker 3>I mean, can you imagine sitting there as your first

0:51:08.680 --> 0:51:11.960
<v Speaker 3>year as a pro. You're on the biggest dance stage

0:51:11.960 --> 0:51:15.120
<v Speaker 3>in America. You're probably loving life, enjoying it, You're just

0:51:15.160 --> 0:51:17.600
<v Speaker 3>with Taylor Swift and one of the other pros comes

0:51:17.600 --> 0:51:19.879
<v Speaker 3>out publicly and it's like you don't belong there.

0:51:19.920 --> 0:51:21.680
<v Speaker 2>It's like, oh, dude, that sucks.

0:51:22.360 --> 0:51:22.640
<v Speaker 1>Weird.

0:51:23.000 --> 0:51:25.760
<v Speaker 3>Yeah, so that and I thought he's again knowing nothing

0:51:25.760 --> 0:51:28.320
<v Speaker 3>of dance. He seems like a very nice guy, very personable,

0:51:29.120 --> 0:51:30.640
<v Speaker 3>and you know, they I.

0:51:30.560 --> 0:51:32.600
<v Speaker 2>Thought they were good. I definitely thought they were good.

0:51:32.600 --> 0:51:35.840
<v Speaker 3>And then seeing him dance the pro dance, the interlude

0:51:35.880 --> 0:51:40.120
<v Speaker 3>dance there, this guy can dance, So yeah, this is

0:51:41.239 --> 0:51:42.719
<v Speaker 3>that was rough though, But this was the first time

0:51:42.760 --> 0:51:45.360
<v Speaker 3>I actually saw the contestant like, yeah, I can't do

0:51:45.400 --> 0:51:45.839
<v Speaker 3>anything else.

0:51:45.840 --> 0:51:47.279
<v Speaker 2>They're just they're going to keep giving me eights no

0:51:47.360 --> 0:51:47.920
<v Speaker 2>matter what I do.

0:51:48.400 --> 0:51:54.040
<v Speaker 1>Yeah, which sucks because like it's probably bad for her

0:51:54.040 --> 0:51:56.759
<v Speaker 1>career to react this way, right right right. The only

0:51:56.800 --> 0:51:58.080
<v Speaker 1>thing you could do is just be like I had

0:51:58.120 --> 0:51:59.799
<v Speaker 1>a good time, which she says all the right things,

0:51:59.840 --> 0:52:02.040
<v Speaker 1>but I felt the energy like you did, especially during

0:52:02.080 --> 0:52:03.879
<v Speaker 1>the final judging when they wouldn't even look up.

0:52:04.440 --> 0:52:06.560
<v Speaker 3>Yeah, no one, no one likes the guy who argues

0:52:06.719 --> 0:52:09.080
<v Speaker 3>with the yump. But like nobody nobody likes that guy.

0:52:09.239 --> 0:52:10.960
<v Speaker 1>So if you know you're getting off the show, just

0:52:11.120 --> 0:52:11.520
<v Speaker 1>leave with.

0:52:11.480 --> 0:52:15.480
<v Speaker 3>A smile, hold your head up high. It was so hard,

0:52:15.520 --> 0:52:17.600
<v Speaker 3>and then smash the window in your dressing room. That's

0:52:18.280 --> 0:52:20.280
<v Speaker 3>you know, that's what you do. You do that privately,

0:52:21.239 --> 0:52:23.040
<v Speaker 3>But that was it was tough for her to hide

0:52:23.080 --> 0:52:26.000
<v Speaker 3>her I mean, again, these are not actors. She's a

0:52:26.120 --> 0:52:29.799
<v Speaker 3>TikTok star dancer, so this is nobody classically trained. The

0:52:29.880 --> 0:52:32.560
<v Speaker 3>things like that we knew where you put a big

0:52:32.560 --> 0:52:33.880
<v Speaker 3>smile on your face and then you go and you

0:52:33.880 --> 0:52:35.759
<v Speaker 3>complain to your agent or your publicist. They didn't have

0:52:35.800 --> 0:52:38.000
<v Speaker 3>any of that. You just you wear your emotions on

0:52:38.040 --> 0:52:40.560
<v Speaker 3>your sleeve. But man, it was noticeable she was. She

0:52:40.640 --> 0:52:42.719
<v Speaker 3>was angry, and I think rightfully so, but you still

0:52:42.719 --> 0:52:43.360
<v Speaker 3>got to hide.

0:52:43.160 --> 0:52:47.120
<v Speaker 1>It all right. Next up was Alex and Val. I mean,

0:52:47.120 --> 0:52:51.279
<v Speaker 1>these two are just pretty pretty damn great. During the

0:52:51.280 --> 0:52:53.680
<v Speaker 1>whole pre show package was like, you're gonna be harsh

0:52:53.680 --> 0:52:57.600
<v Speaker 1>with me this time, and Val was very strict, and

0:53:00.000 --> 0:53:01.960
<v Speaker 1>and then they did a great dance they did. And

0:53:01.960 --> 0:53:03.439
<v Speaker 1>what was so funny is they spent all this time

0:53:03.480 --> 0:53:06.239
<v Speaker 1>talking about like the technicality, but actually I thought this

0:53:06.320 --> 0:53:09.240
<v Speaker 1>dance was more fun for its expressiveness and its storytelling,

0:53:09.480 --> 0:53:12.800
<v Speaker 1>Like well all the like buried alive stuff.

0:53:12.600 --> 0:53:14.880
<v Speaker 3>That buried the way it started and the way that

0:53:14.920 --> 0:53:19.239
<v Speaker 3>it ended. We're so cool, so great, but it is

0:53:20.120 --> 0:53:22.160
<v Speaker 3>very and I do not know this man, so I

0:53:22.200 --> 0:53:24.200
<v Speaker 3>could be one thousand percent wrong, and if I am,

0:53:24.239 --> 0:53:27.279
<v Speaker 3>I apologize. But it seems like it's kind of all

0:53:27.320 --> 0:53:31.080
<v Speaker 3>about him. I mean, he's mugging to the camera a lot,

0:53:31.160 --> 0:53:34.440
<v Speaker 3>and it's all and they're the judges are congratulating Val.

0:53:34.520 --> 0:53:35.680
<v Speaker 2>They're like vintage Val.

0:53:36.200 --> 0:53:39.280
<v Speaker 3>It's like, okay, he's the pro so, but it seems

0:53:39.280 --> 0:53:41.799
<v Speaker 3>like he's it's a it's it's about Val when you're

0:53:41.880 --> 0:53:42.480
<v Speaker 3>dancing with Val.

0:53:43.400 --> 0:53:45.840
<v Speaker 1>But got the dance to her credit though she's keeping

0:53:45.920 --> 0:53:48.720
<v Speaker 1>up right. And yes, the point is they looked great together.

0:53:49.000 --> 0:53:51.480
<v Speaker 3>They looked great together, and they're hitting them in in

0:53:51.520 --> 0:53:52.960
<v Speaker 3>the head with the shovel at the end of the.

0:53:53.120 --> 0:53:54.920
<v Speaker 1>End was hysterical and perfect.

0:53:55.160 --> 0:53:56.440
<v Speaker 2>It was a great dance.

0:53:56.600 --> 0:54:01.200
<v Speaker 1>Yeah, really really really top notch. So ten nine and ten.

0:54:01.480 --> 0:54:03.200
<v Speaker 3>I want to talk about the nine real quick because

0:54:03.239 --> 0:54:05.759
<v Speaker 3>I agree with her, but I don't get what she said.

0:54:05.800 --> 0:54:08.160
<v Speaker 3>She's so she said there's a cardinal rule in tango

0:54:08.200 --> 0:54:11.560
<v Speaker 3>that you don't break break contact, like you don't break

0:54:11.560 --> 0:54:15.600
<v Speaker 3>the hold hold, right, So, but does that mean the

0:54:15.640 --> 0:54:18.040
<v Speaker 3>whole dance. You have to be touching, so at the

0:54:18.040 --> 0:54:19.560
<v Speaker 3>beginning you can't start separate.

0:54:19.600 --> 0:54:21.920
<v Speaker 1>Is that what you talk Because they haven't. They always

0:54:21.960 --> 0:54:23.880
<v Speaker 1>break in to do like a lot of times in

0:54:23.960 --> 0:54:26.080
<v Speaker 1>almost every dance. I feel like they have one point

0:54:26.080 --> 0:54:28.359
<v Speaker 1>where they split up you a thing. Are you not

0:54:28.600 --> 0:54:30.160
<v Speaker 1>ever supposed to do that with a tango?

0:54:30.360 --> 0:54:31.959
<v Speaker 3>I don't know, because I thought that's what a side

0:54:31.960 --> 0:54:35.320
<v Speaker 3>by side is is. It's like you gotta also dance

0:54:35.520 --> 0:54:38.080
<v Speaker 3>side by side. So part of me was like, I

0:54:38.120 --> 0:54:40.560
<v Speaker 3>respected the fact that she said it's a cardinal rule

0:54:40.640 --> 0:54:43.360
<v Speaker 3>you don't break hold, so I'm giving you a nine. Essentially,

0:54:43.400 --> 0:54:46.359
<v Speaker 3>It's like it wasn't perfect and that's what a ten

0:54:46.440 --> 0:54:47.640
<v Speaker 3>is for. But at the same time, I was like,

0:54:48.000 --> 0:54:50.240
<v Speaker 3>then do they have to touch the whole dance?

0:54:50.360 --> 0:54:51.799
<v Speaker 2>Like I don't. I didn't understand it.

0:54:52.000 --> 0:54:54.160
<v Speaker 1>I don't know, but it's it's I kind of feel

0:54:54.200 --> 0:54:56.480
<v Speaker 1>like if that is the case, then like they all

0:54:56.480 --> 0:54:57.600
<v Speaker 1>should have kind of held to that.

0:54:57.719 --> 0:54:59.839
<v Speaker 2>Maybe that's why I said, I like it would one

0:54:59.840 --> 0:55:00.400
<v Speaker 2>of the charles.

0:55:00.480 --> 0:55:02.200
<v Speaker 1>They would have been the top scorers if they had

0:55:02.239 --> 0:55:04.720
<v Speaker 1>gotten nines across the board, right.

0:55:05.080 --> 0:55:09.480
<v Speaker 2>I don't know, somebody got a ten. Robert got a ten, right, but.

0:55:09.560 --> 0:55:12.000
<v Speaker 1>I don't know, I still be one of the top scorers.

0:55:12.000 --> 0:55:14.440
<v Speaker 1>Oh yeah, they had gotten all nines. Yeah, and you

0:55:14.480 --> 0:55:16.600
<v Speaker 1>could have just said, like, hey, guys, rules of rules.

0:55:16.640 --> 0:55:18.080
<v Speaker 1>We're going to be technical about this.

0:55:18.520 --> 0:55:21.040
<v Speaker 2>Yeah. I don't know. It was it was interesting, but yeah,

0:55:21.120 --> 0:55:22.799
<v Speaker 2>it's uh. They were great.

0:55:22.880 --> 0:55:25.400
<v Speaker 3>They were They were dancing the night For me, I thought,

0:55:25.600 --> 0:55:28.640
<v Speaker 3>uh all the way around, and that's saying something because

0:55:28.800 --> 0:55:30.279
<v Speaker 3>Robert had a great dance. There's a couple of people

0:55:30.280 --> 0:55:32.640
<v Speaker 3>that had great dances, but this one was just kind

0:55:32.640 --> 0:55:33.760
<v Speaker 3>of on another level tonight.

0:55:34.800 --> 0:55:37.879
<v Speaker 1>All right. Then we had Dylan and Daniella, your fave

0:55:38.760 --> 0:55:41.239
<v Speaker 1>them with the nosebreak.

0:55:43.040 --> 0:55:44.600
<v Speaker 2>She felt so bad too.

0:55:44.640 --> 0:55:47.040
<v Speaker 3>You can tell she was just devastated that she broke

0:55:47.360 --> 0:55:48.680
<v Speaker 3>this adonna's face.

0:55:49.280 --> 0:55:50.960
<v Speaker 2>She put an elbow into his nose.

0:55:51.360 --> 0:55:53.960
<v Speaker 1>He could sue her for them all the millions. He's

0:55:54.040 --> 0:55:56.120
<v Speaker 1>not gonna make a by the way, he couldn't tell

0:55:56.120 --> 0:56:01.239
<v Speaker 1>it all like I couldn't see where is no you know? Yeah,

0:56:01.560 --> 0:56:04.520
<v Speaker 1>super interesting that he likes romanticy.

0:56:04.760 --> 0:56:06.799
<v Speaker 2>I was like, all right, good for you, dude.

0:56:06.840 --> 0:56:08.839
<v Speaker 1>Have you read romanticy books? I know you're a big

0:56:08.880 --> 0:56:09.839
<v Speaker 1>fantasy person, but.

0:56:09.840 --> 0:56:13.440
<v Speaker 3>Not not really romanticy is not my not.

0:56:13.480 --> 0:56:16.239
<v Speaker 1>My so like Twilight is romanticy.

0:56:15.800 --> 0:56:16.879
<v Speaker 2>Right, I would think.

0:56:16.920 --> 0:56:19.239
<v Speaker 3>So. I think the original what's the one they made

0:56:19.239 --> 0:56:22.120
<v Speaker 3>a huge show about where she's married but then goes

0:56:22.160 --> 0:56:25.319
<v Speaker 3>back into the past and is banging a guy there too, Outlander?

0:56:25.800 --> 0:56:26.360
<v Speaker 1>Outlander?

0:56:26.480 --> 0:56:30.520
<v Speaker 2>Yeah, that so that is another. I think that's also romanticy.

0:56:30.960 --> 0:56:33.680
<v Speaker 3>If there's if there's a wizard and the word throbbing,

0:56:35.080 --> 0:56:39.840
<v Speaker 3>that's romanticy, I think, is what I would say.

0:56:39.920 --> 0:56:45.239
<v Speaker 1>Yeah, all right, I thought these guys were great. I

0:56:46.760 --> 0:56:49.200
<v Speaker 1>just loved the two of them together so much. I

0:56:49.320 --> 0:56:53.279
<v Speaker 1>thought the fact, you know, like Danielle Official, he came

0:56:53.320 --> 0:56:55.839
<v Speaker 1>in with like a point of view and wanting to

0:56:55.880 --> 0:56:58.200
<v Speaker 1>like influence the story in the way that I think

0:56:58.280 --> 0:57:01.280
<v Speaker 1>is so fun and oppressive and and should be considered

0:57:01.280 --> 0:57:03.960
<v Speaker 1>as part of like the cool thing about your growing

0:57:03.960 --> 0:57:06.239
<v Speaker 1>as a dancer. You're wanting to express yourself more. You're

0:57:06.280 --> 0:57:09.399
<v Speaker 1>not just taking instructions from a pro. You're like having

0:57:09.480 --> 0:57:11.719
<v Speaker 1>a partnership with your pro where they're listening to you.

0:57:12.080 --> 0:57:14.040
<v Speaker 1>And you know, I feel that from these two, they're

0:57:14.040 --> 0:57:15.640
<v Speaker 1>just dancing together so well.

0:57:16.080 --> 0:57:18.880
<v Speaker 3>And she also I thought it was super cool that

0:57:18.920 --> 0:57:22.160
<v Speaker 3>she started this thing blindfolded. Yeah, I mean, just the

0:57:22.240 --> 0:57:24.560
<v Speaker 3>idea where it's like I'm the pro, but I'm putting

0:57:24.560 --> 0:57:26.560
<v Speaker 3>myself totally in your hands. I'm going to be blindfolded

0:57:26.640 --> 0:57:29.200
<v Speaker 3>like that was. That was a neat twist that you've

0:57:29.200 --> 0:57:31.000
<v Speaker 3>got to do. The first half of the dance blindfolded

0:57:31.080 --> 0:57:31.680
<v Speaker 3>was pretty great.

0:57:31.960 --> 0:57:37.080
<v Speaker 1>Yep, they got nine to nine eight nine. I would

0:57:37.080 --> 0:57:38.520
<v Speaker 1>have given them nines across the board.

0:57:38.560 --> 0:57:39.200
<v Speaker 2>I would have too.

0:57:39.440 --> 0:57:42.280
<v Speaker 3>I would have too Cheryl, But Cheryl was she was

0:57:42.280 --> 0:57:44.800
<v Speaker 3>harsh this, you know, and maybe she's the most real

0:57:44.840 --> 0:57:45.400
<v Speaker 3>of all the judges.

0:57:45.440 --> 0:57:45.800
<v Speaker 2>I don't know.

0:57:45.840 --> 0:57:49.680
<v Speaker 1>But I thought from a more of an outsider perspective.

0:57:49.360 --> 0:57:52.160
<v Speaker 3>I thought it was cool. They look great together. I

0:57:52.240 --> 0:57:54.360
<v Speaker 3>just my heart broke for her, like his nose broke

0:57:54.400 --> 0:57:57.360
<v Speaker 3>for her when because she just you could tell she

0:57:57.560 --> 0:58:01.840
<v Speaker 3>just felt so bad that this happened. But yeah, he's great.

0:58:01.880 --> 0:58:04.680
<v Speaker 3>He's super personable, very likable. He's gonna be there at

0:58:04.720 --> 0:58:06.560
<v Speaker 3>the end. They're not kicking this guy off anytime soon.

0:58:06.800 --> 0:58:10.479
<v Speaker 3>They announced that he also won the Sexiest Tattooed Guy

0:58:10.680 --> 0:58:12.880
<v Speaker 3>for the People magazine.

0:58:13.040 --> 0:58:13.959
<v Speaker 1>Know what they're talking about.

0:58:14.400 --> 0:58:16.640
<v Speaker 3>So you know how People magazine does Sexiest Man Alive

0:58:16.960 --> 0:58:20.600
<v Speaker 3>every year? Well, there's also subcategories. It's like sexiest funny

0:58:20.600 --> 0:58:22.920
<v Speaker 3>guy sex so he was like sexiest tattoos.

0:58:23.000 --> 0:58:25.160
<v Speaker 1>So they were actually referencing People magazine.

0:58:25.240 --> 0:58:29.880
<v Speaker 3>Yeah, who cares people, That's why it's in the title.

0:58:31.960 --> 0:58:38.800
<v Speaker 3>Just ascid throbbing wizard. Yeah, have things that she would

0:58:38.840 --> 0:58:41.160
<v Speaker 3>do with your wand take on a whole different thing

0:58:41.240 --> 0:58:49.920
<v Speaker 3>and romanticy So yeah.

0:58:46.800 --> 0:58:54.160
<v Speaker 1>All right. Then we had this dance of thought, which stupid,

0:58:54.680 --> 0:58:55.560
<v Speaker 1>was really dumb.

0:58:55.720 --> 0:58:56.800
<v Speaker 2>It was so stupid.

0:58:56.880 --> 0:59:00.240
<v Speaker 1>I like it in theory, but then the fact that

0:59:00.320 --> 0:59:03.960
<v Speaker 1>the scoring ended up being almost exactly the order of

0:59:04.000 --> 0:59:07.000
<v Speaker 1>the night, like they were in the order of their

0:59:07.000 --> 0:59:08.800
<v Speaker 1>scores to the night. All it did was just make

0:59:08.800 --> 0:59:10.320
<v Speaker 1>the top scorers top again.

0:59:10.520 --> 0:59:10.760
<v Speaker 2>Yep.

0:59:10.920 --> 0:59:12.960
<v Speaker 1>It was like, why are you doing this if you're

0:59:13.000 --> 0:59:16.120
<v Speaker 1>literally going to eliminate them in the order of you know,

0:59:16.280 --> 0:59:18.280
<v Speaker 1>like the only it seems like the only It came

0:59:18.320 --> 0:59:21.720
<v Speaker 1>down to like whether Robert you know, and Whitney or

0:59:23.320 --> 0:59:25.760
<v Speaker 1>Alex and it was just like, the same people are

0:59:25.760 --> 0:59:28.440
<v Speaker 1>gonna win that were already gonna Look it's so dumb.

0:59:28.800 --> 0:59:31.480
<v Speaker 3>This is also the first thing of the entire show

0:59:31.560 --> 0:59:34.840
<v Speaker 3>that I thought was really poorly directed. Yeah, they're like

0:59:34.880 --> 0:59:37.520
<v Speaker 3>they're kicking people off who aren't even on camera, Like, what,

0:59:37.520 --> 0:59:39.600
<v Speaker 3>what's happening? What the hell is going on? It was

0:59:39.640 --> 0:59:43.160
<v Speaker 3>just a mismash of it was weird. The whole thing

0:59:43.240 --> 0:59:45.160
<v Speaker 3>was just I didn't get it and did the two

0:59:45.160 --> 0:59:47.080
<v Speaker 3>points at the end, Like three points at the end.

0:59:47.080 --> 0:59:50.720
<v Speaker 3>Does that really matter anymore? It's you give your arbitrary

0:59:50.720 --> 0:59:52.680
<v Speaker 3>scores in America votes, you know.

0:59:52.760 --> 0:59:55.880
<v Speaker 1>It's Yeah. When they kicked Andy and Emma off right away,

0:59:55.920 --> 0:59:57.800
<v Speaker 1>I was like, really, yeah, we didn't even get to

0:59:57.840 --> 0:59:59.360
<v Speaker 1>see them for any and then it was like, oh,

0:59:59.400 --> 1:00:02.160
<v Speaker 1>we're just gonna kick the people who were down and

1:00:02.480 --> 1:00:04.360
<v Speaker 1>just like and then we're just adding more to the same.

1:00:04.840 --> 1:00:05.000
<v Speaker 2>YEP.

1:00:05.200 --> 1:00:08.400
<v Speaker 1>I don't see this as allays like more.

1:00:08.680 --> 1:00:12.160
<v Speaker 3>I will say from a physicality point of view, especially

1:00:12.160 --> 1:00:13.560
<v Speaker 3>the people that were there at the end. You got

1:00:13.600 --> 1:00:17.080
<v Speaker 3>to dance for like three or four minutes straight. I

1:00:17.160 --> 1:00:19.600
<v Speaker 3>remember when I took boxing lessons once. My first lesson

1:00:19.680 --> 1:00:21.560
<v Speaker 3>was I had to just hold my hands up with

1:00:21.640 --> 1:00:23.920
<v Speaker 3>boxing gloves on for a one round, which is three.

1:00:23.720 --> 1:00:26.000
<v Speaker 2>Minutes, and it was horrifying.

1:00:26.360 --> 1:00:28.439
<v Speaker 3>So the idea that you've got to dance for three

1:00:28.480 --> 1:00:31.880
<v Speaker 3>or four minutes straight is that in itself is just

1:00:31.920 --> 1:00:35.920
<v Speaker 3>physically impressive, But the whole thing just I was like, wait,

1:00:35.960 --> 1:00:36.840
<v Speaker 3>who do they kick off?

1:00:36.880 --> 1:00:39.080
<v Speaker 2>What's happening? There's a grim Reaper? Who were not cutting

1:00:39.080 --> 1:00:40.160
<v Speaker 2>to what the hell's going on?

1:00:40.280 --> 1:00:43.120
<v Speaker 4>It was just say I was in the audience this week.

1:00:43.400 --> 1:00:45.520
<v Speaker 2>Yeah, it played out.

1:00:45.440 --> 1:00:47.880
<v Speaker 4>So much better in person than when I watched it

1:00:47.920 --> 1:00:50.280
<v Speaker 4>back on TV, because I was like watching everyone on

1:00:50.320 --> 1:00:53.439
<v Speaker 4>the floor and you would see the Grim Reaper come over.

1:00:53.560 --> 1:00:56.080
<v Speaker 4>Because so what they would do is they would hold

1:00:56.160 --> 1:00:58.479
<v Speaker 4>up a sign saying like Andy and em are out,

1:00:58.680 --> 1:01:01.320
<v Speaker 4>and then the Grim Reaper would come over and pull

1:01:01.360 --> 1:01:04.600
<v Speaker 4>them away and take them out. So in the ballroom

1:01:04.960 --> 1:01:07.440
<v Speaker 4>it made sense on TV, it didn't translate.

1:01:07.640 --> 1:01:08.560
<v Speaker 2>Yeah, well then they cut.

1:01:08.600 --> 1:01:10.720
<v Speaker 3>They should cut to the judges holding up the placard

1:01:10.760 --> 1:01:11.680
<v Speaker 3>and then cut the guys out.

1:01:11.720 --> 1:01:13.919
<v Speaker 2>I mean, it was probably just too much visual.

1:01:14.000 --> 1:01:16.480
<v Speaker 1>It was just too much happening. I think that's why. Yeah,

1:01:16.480 --> 1:01:18.200
<v Speaker 1>it's hard to direct something like that, you know. It's

1:01:18.200 --> 1:01:19.960
<v Speaker 1>when they kept cutting to the overhead.

1:01:19.560 --> 1:01:22.040
<v Speaker 2>Shot, right, Okay, weird?

1:01:22.760 --> 1:01:26.000
<v Speaker 1>All right, Well, I guess we don't have a Will

1:01:26.080 --> 1:01:28.480
<v Speaker 1>Rider be on Dancing with the Stars.

1:01:28.520 --> 1:01:30.000
<v Speaker 3>The only thing I was going to say to up

1:01:30.000 --> 1:01:34.720
<v Speaker 3>the ante was I, unfortunately just got a call from ABC,

1:01:36.800 --> 1:01:38.480
<v Speaker 3>and to do Dancing with the Stars, you have to

1:01:38.480 --> 1:01:39.360
<v Speaker 3>sign a dual contract.

1:01:39.400 --> 1:01:41.800
<v Speaker 2>You also have to hop over and do American Idol.

1:01:42.560 --> 1:01:49.520
<v Speaker 1>Oh never, never, I just have to sing.

1:01:49.720 --> 1:01:51.760
<v Speaker 3>You have to first dance and then go on tour,

1:01:52.240 --> 1:01:53.640
<v Speaker 3>and then you have to go and you have to

1:01:53.680 --> 1:01:56.120
<v Speaker 3>sing on Idol to start all over, and you have

1:01:56.200 --> 1:01:58.080
<v Speaker 3>to sing on Idol, and then after that you have

1:01:58.120 --> 1:02:00.200
<v Speaker 3>to go on Top Chef and then for some reason

1:02:00.240 --> 1:02:00.520
<v Speaker 3>you have to go.

1:02:00.560 --> 1:02:03.400
<v Speaker 1>On I would I would do like a something like

1:02:03.520 --> 1:02:07.280
<v Speaker 1>But singing and dancing are just too close to my heart.

1:02:07.360 --> 1:02:09.160
<v Speaker 2>It's too close, I know.

1:02:10.040 --> 1:02:12.760
<v Speaker 3>So yeah, I got the game's over. You're on the show.

1:02:12.880 --> 1:02:14.240
<v Speaker 3>We got to come up with a new one.

1:02:14.200 --> 1:02:14.640
<v Speaker 1>All right.

1:02:14.760 --> 1:02:16.240
<v Speaker 3>I don't know what it is. People have said, you

1:02:16.280 --> 1:02:17.560
<v Speaker 3>have to ask me what I would do to be

1:02:17.600 --> 1:02:18.000
<v Speaker 3>on the show.

1:02:18.000 --> 1:02:21.320
<v Speaker 1>But there's I I think we could do that maybe.

1:02:21.000 --> 1:02:21.440
<v Speaker 2>But there's no.

1:02:21.560 --> 1:02:24.240
<v Speaker 3>But again I said no for different reasons. I just

1:02:24.240 --> 1:02:25.880
<v Speaker 3>don't think I'd ever learned how to dance. Like the

1:02:26.200 --> 1:02:28.240
<v Speaker 3>social media stuff. I don't do social media at all,

1:02:28.280 --> 1:02:29.680
<v Speaker 3>but I could do it and forget it, Like I

1:02:29.680 --> 1:02:31.960
<v Speaker 3>would have them run my social media platform.

1:02:32.000 --> 1:02:33.400
<v Speaker 2>I would have nothing to do with it. I wouldn't

1:02:33.400 --> 1:02:33.800
<v Speaker 2>look at it.

1:02:33.840 --> 1:02:36.600
<v Speaker 1>So if they just asked right now, like let's just

1:02:36.600 --> 1:02:39.240
<v Speaker 1>say they just ask for next season, you'd probably do it.

1:02:39.240 --> 1:02:41.600
<v Speaker 2>Then maybe not.

1:02:42.320 --> 1:02:44.840
<v Speaker 3>My anxiety would probably get the better of me because

1:02:44.880 --> 1:02:49.280
<v Speaker 3>I have I have anticipatory anxiety. So the closer I

1:02:49.320 --> 1:02:52.160
<v Speaker 3>got to having to do stuff like, oh my god,

1:02:52.160 --> 1:02:54.680
<v Speaker 3>I have to dance tonight, I think my anxiety would

1:02:54.680 --> 1:02:55.560
<v Speaker 3>probably get the better of me.

1:02:55.640 --> 1:02:58.040
<v Speaker 1>Even if okay, let's just say they outright offered it

1:02:58.080 --> 1:03:03.520
<v Speaker 1>to you based on having listened to this podcast and

1:03:03.640 --> 1:03:06.200
<v Speaker 1>you know that it's based on your personality and them

1:03:06.280 --> 1:03:10.600
<v Speaker 1>wanting you because who you are, and knowing that you're gonna,

1:03:10.640 --> 1:03:13.440
<v Speaker 1>you know, probably not be a great dancer that you

1:03:13.520 --> 1:03:16.280
<v Speaker 1>might be like Andy, right, but but you belove it,

1:03:16.440 --> 1:03:18.440
<v Speaker 1>Like wouldn't that make you feel comforted?

1:03:18.480 --> 1:03:18.760
<v Speaker 2>Maybe?

1:03:19.080 --> 1:03:21.120
<v Speaker 3>I mean maybe I would certainly think about it. It wouldn't

1:03:21.120 --> 1:03:23.560
<v Speaker 3>be an instant. No, I would definitely think about it.

1:03:23.560 --> 1:03:26.680
<v Speaker 2>But it's just not for me. It's like it's just.

1:03:26.680 --> 1:03:28.160
<v Speaker 1>Not for you. But yeah, I think that would be

1:03:28.200 --> 1:03:30.720
<v Speaker 1>part of the charm. Maybe, you know, if they if

1:03:30.760 --> 1:03:33.240
<v Speaker 1>you're coming in as like, hey, I'm a funny guy.

1:03:33.400 --> 1:03:35.600
<v Speaker 1>I would love to get in better shape. This all

1:03:35.640 --> 1:03:38.840
<v Speaker 1>works for me, but ultimately I'm gonna be a horrible dancer,

1:03:39.120 --> 1:03:42.120
<v Speaker 1>I think, and then everybody's along for that journey.

1:03:42.640 --> 1:03:43.760
<v Speaker 2>That could work, I mean, that could work.

1:03:43.800 --> 1:03:45.520
<v Speaker 3>The thing that would also save me, though, is I

1:03:45.520 --> 1:03:49.320
<v Speaker 3>would tell Danielle's story, so I'd be like, sometimes being

1:03:49.320 --> 1:03:50.880
<v Speaker 3>with Jensen is not the easiest thing in the world,

1:03:51.200 --> 1:03:51.440
<v Speaker 3>you know.

1:03:52.640 --> 1:03:53.200
<v Speaker 2>Yeah, I don't know.

1:03:53.240 --> 1:03:54.840
<v Speaker 3>I mean again, it wouldn't be an instant no, but

1:03:54.920 --> 1:03:58.560
<v Speaker 3>it also it would definitely be seventy thirty no to

1:03:58.640 --> 1:04:00.680
<v Speaker 3>start with, and then my wife woul probably have something

1:04:00.720 --> 1:04:02.320
<v Speaker 3>to say about it too, so we'd have to.

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<v Speaker 1>All right, that's it for this episode of Pod Meets Tworld.

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<v Speaker 1>Join us next week as we continue watching season thirty

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<v Speaker 1>four of Dancing with the Stars. We may not know

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<v Speaker 1>a Charleston from a cheeze It, but we know what

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<v Speaker 1>we learned way back in Phoenie's class. Danielle Fischel is

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<v Speaker 1>the star of the show.

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<v Speaker 2>She's a star, He's a star.

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<v Speaker 1>You're fantastic dollin. Pod Meets World is an iHeart podcast

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<v Speaker 1>producer hosted by Danielle Fischle, Wilfredell, and Ryder Strong. Executive

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<v Speaker 1>producers Jensen Karp and Amy Sugarman, Executive in charge of production,

1:04:35.800 --> 1:04:40.360
<v Speaker 1>Danielle Romo, producer and editor, Tarasubasch producer, Maddy Moore engineer

1:04:40.360 --> 1:04:43.240
<v Speaker 1>and Boy meets World Superman Easton Allen. Our theme song

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<v Speaker 1>is by Kyle Morton of Typhoon. Follow us on Instagram

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<v Speaker 1>at Podmeats World Show or email us at Podmeats World

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<v Speaker 1>Show at gmail dot com