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Speaker 1: Welcome to Pod meets Twirl, the Dancing with the Stars

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Speaker 1: recap hosted by two guys who can't dance, don't want

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Speaker 1: to dance, and have now seen exactly seven episodes of

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Speaker 1: Dancing with the Stars. But since our best friend Danielle

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Speaker 1: has joined the cast for season thirty four, We're going

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Speaker 1: all in. We are Wilfred Allen, Ryder Strong aka the

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Speaker 1: two dudes standing next to Topanga aka Daniel Fishal's backup

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Speaker 1: aka the dan Yettes.

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Speaker 2: I will Daniete, Hi rider Dan.

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Speaker 3: Yet, how you feeling this week in my general life

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Speaker 3: or after watching whatever the that was?

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Speaker 1: I'm with you. I'm with you, but I'm angry. I

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Speaker 1: wasn't angry other weeks, but I'm angry this week.

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Speaker 2: What the hell?

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Speaker 1: Let's let's take a step back and just say, how

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Speaker 1: are you doing in general?

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Speaker 4: How are you feeling?

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Speaker 3: I am dude, Okay, you know it sounds like I've

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Speaker 3: had a call for the last four months of my life,

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Speaker 3: and I finally met with a new doctor yesterday that

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Speaker 3: now maybe I don't.

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Speaker 2: Need this sinus surgery, which is a good thing.

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Speaker 3: So I'm going to be doing this whole new steroid rinse,

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Speaker 3: which apparently is going to help because as a voiceover actor,

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Speaker 3: everybody knows sounding sick all the time great for your career.

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Speaker 3: So I'm uh, I'm excited about that. But that wasn't

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Speaker 3: you know? Actually that was the highlight of my week

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Speaker 3: because what, yeah.

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Speaker 1: This was a tough one. Hell ill I know, but

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Speaker 1: you know, I think it's actually gonna work in her favor.

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Speaker 2: I don't disagree.

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Speaker 1: I think because I think everybody feels it. I think

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Speaker 1: everybody sees it because I watch with my parents, my

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Speaker 1: wife and my son, who have not consistently watched every episode,

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Speaker 1: and their reaction was exactly mine and yours, which was,

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Speaker 1: while they are being harsh, really like why did they

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Speaker 1: give her? Why did they give other people a pass

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Speaker 1: and not her? Or yep, that's my wife. But it's like,

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Speaker 1: so the woman who didn't dance wet home got the

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Speaker 1: same score.

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Speaker 3: Yep, basically other than one point yeah, one part, And

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Speaker 3: I was like, I know that seems a little think yeah,

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Speaker 3: the guy who couldn't make it to the swim meet

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Speaker 3: tied for fourth or whatever the like what yeah, now

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Speaker 3: we we I was gonna ask a tar of this

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Speaker 3: because she knows a lot more about this than we do.

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Speaker 3: I have to imagine, with as physical a competition as

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Speaker 3: it is, they've they've had this happen before, where somebody

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Speaker 3: gets injured and can't dance, right, I mean, this wasn't

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Speaker 3: the first time.

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Speaker 1: Yeah, is this exactly what they do every time?

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Speaker 4: Like they Yeah, it's happened, it's happened before. Well, okay,

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Speaker 4: there are two different ways.

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Speaker 1: If it's the.

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Speaker 4: Pro who's injured, there could be another professional dancer who

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Speaker 4: steps in for the pro.

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Speaker 1: Oh that's almost worse.

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Speaker 4: Yeah, that's actually what happened with Sharna Burgess. She had

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Speaker 4: Jenna Johnson step in for her a couple of years ago,

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Speaker 4: and Jenna did the dance with her partner. And then

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Speaker 4: there was one other time that they played the celebrities

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Speaker 4: rehearsal to judge and I'm blanking on who it is.

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Speaker 4: So while you guys are talking, I want to look

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Speaker 4: it up. But it has happened before.

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Speaker 1: Yeah. I actually thought the rehearsal was great, you know,

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Speaker 1: I thought it was like you could see you know.

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Speaker 2: I didn't think her dance was that good. I didn't.

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Speaker 3: Sorry, And now I'm like, now I guess I'm looking

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Speaker 3: for reasons. And again this comes with the bias of

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Speaker 3: having a friend on the show. I guess I'm looking

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Speaker 3: for reasons why they would score this person one way

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Speaker 3: and this person another way. And it's also arbitrary.

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Speaker 1: It is all arbitrary. But I'm getting better at predicting

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Speaker 1: it now. I'm literally too. I'm spot on every time

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Speaker 1: because I shouted out to my family and it's gonna

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Speaker 1: be hs across the board. I feel the same one. Nine.

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Speaker 1: Then there's only one last night good that I actually

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Speaker 1: messed up everything else I've been. I've gotten to the

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Speaker 1: point where and I think that's just knowing the judges,

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Speaker 1: you know, like knowing, Oh, Derek's gonna like that, carry Anne's.

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Speaker 3: Yeah, Carrie An has her favorites, and she'll have two

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Speaker 3: or three that no matter what they do, they could

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Speaker 3: walk on the stage trip hit their face and she'd.

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Speaker 2: Be like, you tried so hard. Nine.

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Speaker 3: And then Danielle does the best thing where she's doing

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Speaker 3: triple flips and she's.

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Speaker 2: Like, you gotta your s Shelder is different too, and

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Speaker 2: it's like.

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Speaker 1: What the I'm with you? Man? I held back the anger.

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Speaker 1: I you know, I want to give them the benefit

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Speaker 1: of the doubt. But I could see at this point,

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Speaker 1: it's starting to feel like a personal thing. It are

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Speaker 1: you as open to like the potential that Danielle might

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Speaker 1: be working her like and I don't think she is.

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Speaker 1: I don't think she has. She's not seen. We'll get

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Speaker 1: into it, Okay. Halloween themed one of my favorite like

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Speaker 1: themes we could possibly do, although interestingly it was a

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Speaker 1: very dark Halloween interpretation. Dark there literally everybody went like

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Speaker 1: bloody and scary. Nobody went like nightmare before Christmas, fun

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Speaker 1: kookie Halloween, which I was a little surprised by it.

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Speaker 1: I was like, whoa, everybody's like bloody and like kind

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Speaker 1: of awful, but which which is so funny because that's

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Speaker 1: actually more me, Like that's more my taste and in general, yeah,

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Speaker 1: like I'm into it. But by the end I was like,

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Speaker 1: really another like sexy bloody dance.

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Speaker 3: Seriously, we couldn't have one person in a store bought

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Speaker 3: Luke Skywalker costume.

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Speaker 1: Like when I think about Disney Night which is like

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Speaker 1: or TikTok. It was like the opposite. And when I

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Speaker 1: was cravy, then I feel like they're all going way

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Speaker 1: too far in the other direction. Yeah, I think in

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Speaker 1: part because sexy has been working like really like the darker,

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Speaker 1: sexier said, like Danielle's dance from the week before, Yeah,

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Speaker 1: has been getting a reaction, and I think they're all

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Speaker 1: feeling a little pressure to be like let me be

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Speaker 1: dark and sexy lead.

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Speaker 3: But it's weird to go scary not spooky, especially on ABC,

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Speaker 3: like you figured to do somebody would do something spooky like.

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Speaker 2: Just oh yeah, I'm a cat, like a little nothing.

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Speaker 2: It was all like I died for it.

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Speaker 1: It goes back to my criticism of the Disney week

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Speaker 1: way too good a makeup. Yeah, I don't want this.

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Speaker 1: It's like, look, it looks real on camera. It's one

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Speaker 1: thing to look good during the dance and real, but

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Speaker 1: it is so really like those contacts were freaking me

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Speaker 1: out scared and it was like too much. I was like,

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Speaker 1: that's so distracting. I'm like I want to watch you dance,

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Speaker 1: and like there were three partners that had contacts and

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Speaker 1: I wanted them all to take them off right away.

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Speaker 1: And then like even like Dylan's like vainy neck thing

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Speaker 1: going up his head, like no, guys, it's looking and

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Speaker 1: the blood looked you real, Like when when what's it?

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Speaker 1: When rob Robbers? Like I was like dude, I was

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Speaker 1: in Cavin Fever. Take it off like no, like, this

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Speaker 1: is not good. It was true.

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Speaker 2: It was dark and good and dark.

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Speaker 1: After got a makeup, I just want to tell the

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Speaker 1: makeup team that you are amazing. You should all be

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Speaker 1: working in horror films. But for this make it more cartoony. Yeah,

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Speaker 1: don't a little a little lighter, little more fun, little

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Speaker 1: for this stage. But they're playing it up for the

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Speaker 1: camera and it's real for me.

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Speaker 2: I don't know, yah, yeah, yeah, no it was.

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Speaker 3: But again, there were certain cool things, like some of

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Speaker 3: the ways they started the dances, like coming out of

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Speaker 3: the dirt.

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Speaker 1: But I think I think the one who pulled it

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Speaker 1: off the best as far as the atmosphere was the

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Speaker 1: most playful and the only one that was, and that

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Speaker 1: was Andy. It was cinematic. Yep. It was so fun

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Speaker 1: and it felt like an actual movie with like atmosphere

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Speaker 1: and story and they started in black and white, involved

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Speaker 1: the camera moves. I was like, yes, and there was

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Speaker 1: something a little you know, it wasn't gory, it wasn't

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Speaker 1: like it was more like.

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Speaker 3: Almost whimsical, scary whimsical, yes, which I thought.

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Speaker 1: We were gonna get more of when we have to

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Speaker 1: start with a giant sparkly skull, which I was like, yeah, Halloween,

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Speaker 1: let's go. And then immediately we get a Lane's injury announced,

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Speaker 1: which I was like, oh, oh crap, this is this

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Speaker 1: is like what does this even mean? This sucks? Obviously

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Speaker 1: felt bad for her. Yeah, yeah, but you know, that

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Speaker 1: announcement immediately put me on edge and I was like,

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Speaker 1: oh them, we're not gonna have much fun tonight.

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Speaker 3: Yeah, and we didn't then our first our first dancwers.

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Speaker 2: I kind of didn't know.

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Speaker 1: I was on edge me too.

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Speaker 2: This was an anxiety filled night.

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Speaker 1: Yes, all right. First up was Whitney and Mark, who actually,

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Speaker 1: now that I think about it, were maybe a little

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Speaker 1: light hearted, you know. I just got into the darkness

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Speaker 1: that later on. Yeah, but even they you know, they

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Speaker 1: started with you know, I guess a zombie theme. Right,

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Speaker 1: there's zombies.

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Speaker 3: They're like dead, I think, so, yeah, they're undead, but

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Speaker 3: like from a sanitarium.

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Speaker 2: Yeah, I think there's supposed to be like a medical ward.

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Speaker 1: So like.

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Speaker 2: The dead isn't enough, You've got to be zombie day.

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Speaker 2: It's like, come on.

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Speaker 1: So the song was brain stew by Green Day. Yeah,

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Speaker 1: great song, did I don't know this song. Are you

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Speaker 1: You're like a green Day fan? Huh?

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Speaker 2: I like Green Day, I do.

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Speaker 3: I like I've like green Day from from before Dookie,

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Speaker 3: which was their first real, real big one that hit.

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Speaker 3: But yeah, I like the song. I liked just starting

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Speaker 3: with like the dunnet yea. It just kind of like

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Speaker 3: got you into the night, you.

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Speaker 1: Know, totally totally and it's and it's it's it's rare

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Speaker 1: to have that kind of heavy hitting like music beats

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Speaker 1: with silence. It was great, man, this was fun. I

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Speaker 1: I just like both of them. I like both of

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Speaker 1: them as people. As dancers. I feel like they continue

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Speaker 1: to show their personality and you know, just make great moves.

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Speaker 1: Like but I did notice, and they commented on this

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Speaker 1: her timing wasn't a little.

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Speaker 3: They're way out of sync. I like the look, I

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Speaker 3: like the style, I love the song. They're out of sync,

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Speaker 3: I know. So if I can notice that they're out

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Speaker 3: of sync, how does that get a ten?

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Speaker 1: Well? You know what they do that almost better than

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Speaker 1: anybody else in this competition is they do really good moves.

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Speaker 1: But they're also they always feel character based or emotion based,

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Speaker 1: like it always comes from somewhere do you know what

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Speaker 1: I mean. And that's really hard to achieve because I

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Speaker 1: feel like people are either technically very good, like I

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Speaker 1: think Alex you know, the is an amazing technical dancer,

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Speaker 1: but it doesn't come from like inside emotional sort of

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Speaker 1: personality based or character based stuff. And these two are

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Speaker 1: both so good at that they're actually hitting. But you're right,

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Speaker 1: sinc was off.

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Speaker 2: I was off. And again, if you're if you're doing

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Speaker 2: a dance, it's like that's good. You know, looked great.

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Speaker 2: I know it started the night. You probably got jitters.

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Speaker 3: It's probably the Also you've got the adrenaline pumping, like

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Speaker 3: you just want to get going. But she was off,

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Speaker 3: and so if you're or frankly or he was off,

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Speaker 3: who knows they were off. So if that's the case,

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Speaker 3: I get that. I still thought it was visually cool.

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Speaker 3: I love that all of all of their moves because

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Speaker 3: again I always talk about them as a professional dancing team.

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Speaker 3: All of their moves are very precise, like they're they

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Speaker 3: you know, when they hit a dance move like they're

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Speaker 3: they're finishing the move there. It's staccato when it needs

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Speaker 3: to be. It's all what it's supposed to be.

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Speaker 1: It was out of sake, right, So you think does

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Speaker 1: that I kind of agree with you that that means

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Speaker 1: you should not be getting a ten. No, because it

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Speaker 1: is supposed to be perfect.

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Speaker 2: That's the best you can get is a ten.

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Speaker 1: So Bruno was just like way too impressed because it's

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Speaker 1: Bruno that gave him.

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Speaker 2: Yeah, everye else gave them very generous all right.

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Speaker 1: They were given nine to nine, nine and ten.

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Speaker 3: Agree with the nines, Yeah, really yeah, I agree with

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Speaker 3: the Nines again. The way to start to show the

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Speaker 3: music the costumes. Like you said, they're both very good dancers,

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Speaker 3: but you're out of sink. You don't get a perfect score.

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Speaker 1: All right. Then we moved to Jordan and Ezra again

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Speaker 1: your face contacts and uh, you know, she really got

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Speaker 1: into the twitching this week.

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Speaker 2: Yeah, I'll say every time she was on camera.

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Speaker 1: She was like trying to be in character. It's like

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Speaker 1: this weird, twitchy zombie mummy person, which was at first

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Speaker 1: very funny, but then I was like, wow, this is

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Speaker 1: a this is a thing for you. You're like really

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Speaker 1: into character.

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Speaker 2: You also mixing genres. Are you a zombie? Are you

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Speaker 2: a mummy? What are you?

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Speaker 1: Yeah? I think they couldn't do zombies because there's a

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Speaker 1: lot of undead things going on, so it's like, let's

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Speaker 1: add a mummy ish outfit that also maybe makes sense

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Speaker 1: of the harness. Yeah, this was a little off for me.

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Speaker 3: The I thought the same I thought the rope was

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Speaker 3: there was a possibility of like, oh wow, we're going

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Speaker 3: to see something super cool with a gymnast attached to

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Speaker 3: a rope, like, oh my god, this is.

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Speaker 2: And then it was just kind of in the week.

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Speaker 1: One move that I thought was good was when he

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Speaker 1: split the rope and then flipped and she was able

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Speaker 1: to do the flip on her own, you know, but

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Speaker 1: made it look like he was like he was doing her.

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Speaker 1: But that actually doesn't require anything like that could have

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Speaker 1: been just as good if you did it without a rope,

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Speaker 1: like if you just made a spell of yes. So

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Speaker 1: I didn't think they took advantage of it, like once

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Speaker 1: they're like flinging her around with the rope. I know

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Speaker 1: that it's difficult, but it just isn't as impressive to watch, right.

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Speaker 3: It's also it's that's a huge risk because when he

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Speaker 3: pulls the rope at the like in the middle to

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Speaker 3: untie it if like something happens and that snags and

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Speaker 3: you've now got a rope on you for the rest

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Speaker 3: of the show, you're screwed. So that was that was

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Speaker 3: a risk, but it didn't fully pay off for me.

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Speaker 1: No, because I think that whenever they like it's it's

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Speaker 1: interesting because she's so athletic and she's so capable of

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Speaker 1: big moves. But actually when they when they get away

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Speaker 1: from elegance, when they get away from more dancery stuff

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Speaker 1: and they get more like, it becomes less interesting, like

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Speaker 1: she's better with the pressure of like, let's be more

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Speaker 1: sort of traditional in some way. Yes, when they when

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Speaker 1: they get expressive, I'm less interested for some reason, even

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Speaker 1: though I know it's impressive what they're doing. I think

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Speaker 1: the judges were a little too kind on this one.

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Speaker 1: I would have only gone eight's across the board. I

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Speaker 1: was like, and they give nines, you know, nine eight

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Speaker 1: eight nine, that's right. Yeah for me, it just I

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Speaker 1: don't know, man, it fell a little flat for me too, Yeah,

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Speaker 1: it did, you know. I I actually in this case,

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Speaker 1: I was judging their creativity. I was like, guys, if

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Speaker 1: you're going to involve a harness, do something more interesting

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Speaker 1: with it, and and they didn't. But then Also, it

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Speaker 1: wasn't like crazy technically so difficult or so like that

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Speaker 1: that the story, you know, like I would just forgive

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Speaker 1: a like weird sort of half story because of these

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Speaker 1: amazing moves. No, it was just kind of in between

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Speaker 1: on both, right, So I was like, I don't.

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Speaker 3: Know, do you think the other thing I was wondering

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Speaker 3: just from a personality standpoint, Yeah, she her entire life

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Speaker 3: has obviously been competition. Competition, competition. That's what she was

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Speaker 3: born to do. It's what she's really great at. It

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Speaker 3: also can come across as cold, yes, because it's like

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Speaker 3: I am here to win, That's what I'm here to do.

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Speaker 3: Do you think that's gonna hurt her.

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Speaker 1: In the long run. I think it's hurting her already, Yeah,

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Speaker 1: because I think, yeah, she's approaching this as an athlete,

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Speaker 1: as a gymnast, as a competitor, and I think if

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Speaker 1: you didn't have pre show packages and post show packages,

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Speaker 1: she would be doing way better. I disagree, and I

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Speaker 1: don't I like her in the pre show package because

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Speaker 1: I feel like there's a lack of Honestly, yeah, there's

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Speaker 1: a lack of presentation that I find so engaging and

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Speaker 1: actually very cool because she's much more like, this is

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Speaker 1: my job. What do I gotta do? I don't care

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Speaker 1: what people think about me. But I think that that

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Speaker 1: was maybe part of my problem this week is that

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Speaker 1: in the pre show she started talking about depression, and

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Speaker 1: she starts talking about her emotions, which I understand is

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Speaker 1: coming from a genuine place. But then when the performance, honestly,

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Speaker 1: it didn't feel emotional. It felt like performative emotion. It

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Speaker 1: actually like if I had not seen the pre show package,

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Speaker 1: I would have been more like, I would have been

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Speaker 1: more invested emotionally, I guess, because as it was, I

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Speaker 1: was like, it didn't feel And that's not that's not

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Speaker 1: a knock. It's just why are you trying to make

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Speaker 1: this about more than what it's actually about? Like for

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Speaker 1: I think for her it's actually just about dancing well

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Speaker 1: and winning, which is cool, but like she can't say

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Speaker 1: that necessarily, you know what I mean, She's got to

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Speaker 1: make it about a personal journey, and that's you know,

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Speaker 1: That's my problem with this whole show in general, is

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Speaker 1: all the pre show and post interview stuff just feels

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Speaker 1: so banal to me. It's so banal. It's it's either

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Speaker 1: performative or it's just like it's very rare that, you know,

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Speaker 1: unless it's like the dedication night, which, like I said,

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Speaker 1: I cried most of the time. It's like Disneyland's Fun

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Speaker 1: Halloween is scary. Sometimes it is.

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Speaker 3: It also, though it also gets a little a little

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Speaker 3: false sentimental, where it's almost like, let's let's all sit down,

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Speaker 3: and you almost hear the producer or director and you

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Speaker 3: know this isn't happening, but you also you just hear

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Speaker 3: them in their head, like, is there something more personal

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00:16:03,280 --> 00:16:05,000
Speaker 3: you could talk about, like if you lost a pet

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Speaker 3: this week exactly?

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Speaker 2: Maybe we talk about something like that.

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Speaker 1: Also, also, would it be fine if the pre show

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Speaker 1: package began something like that? And then what's her name?

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Speaker 1: The host when she does the wrap up after the

350
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Speaker 1: dance could ask anything interesting that develops it. Instead, what

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Speaker 1: she tends to do is repeat like a question she

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Speaker 1: asked them, a question that just allows them to repeat

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Speaker 1: what they said in the pre show package, yeah, or

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Speaker 1: a pre dance package, And it's like, dude, ask something more,

355
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Speaker 1: ask them more. You know you said that sometimes you've

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Speaker 1: battled depression, talk about that. You already heard this, and

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Speaker 1: so inevitably what they say in the beginning. It's like

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Speaker 1: it's every week they just get to deliver a two

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Speaker 1: sentence like thing and it's like, I have struggle with

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Speaker 1: depression or I'm feeling this way about this, and then

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Speaker 1: they just repeat it again and I'm like, develop it.

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Speaker 1: Why are we showing this? Why are we having this conversation?

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Speaker 1: And it's frankly, it feels like we're killing time, which

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Speaker 1: is all we are doing because we're waiting for the judge.

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Speaker 1: But I think a real like a better host, in

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Speaker 1: my opinion, would take what they're hearing the person present

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00:17:06,640 --> 00:17:09,080
Speaker 1: before the dance and after the dance find a way

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Speaker 1: to like develop it and not just say like, it

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Speaker 1: seems like you really like your mom, Yes, I dedicated

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Speaker 1: the dance to her.

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Speaker 3: Yeah okay, but sorry, yeah you really like your Mom's like.

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Speaker 1: You dance with a harness. Yeah okay, yeah, I agree.

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Speaker 1: I just gave nine eight eight nine. I do love

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Speaker 1: Jordan and Ezra. I do want them to stay. I

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Speaker 1: feel like this week was all they could have been

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00:17:39,040 --> 00:17:39,359
Speaker 1: judged a.

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Speaker 3: Little harshirt and yeah, I think I think if you

378
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Speaker 3: if you set up that you're wearing giant trapeze wires

379
00:17:46,520 --> 00:17:49,040
Speaker 3: and then don't do anything trapezy, then I feel like

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Speaker 3: you've screwed me a bit.

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Speaker 1: So yeah, all right, next up Andy Richter and the

382
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Speaker 1: Slater Man. He just keeps plucking away, this guy, he does.

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Speaker 3: And you know, this is where this is the perfect

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Speaker 3: example of the pre show package saving you every week

385
00:18:05,040 --> 00:18:08,280
Speaker 3: because he's so likable, Like even Susan.

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Speaker 2: We're sitting on the couch and he comes on and

387
00:18:10,440 --> 00:18:12,719
Speaker 2: we sit up a little straighter. We start laughing.

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Speaker 3: He's funny, he's tongue in cheek, he's looking at the camera.

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Speaker 3: You want to vote for this guy?

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00:18:17,400 --> 00:18:19,840
Speaker 2: I don't even need to see the dance. It's like,

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Speaker 2: all right, I'll vote for him.

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Speaker 1: I know, And I think so it's funny because he

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Speaker 1: actually he doesn't like and this is not a knock

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00:18:29,720 --> 00:18:32,399
Speaker 1: on him, but like you are an incredibly witty, clever person,

395
00:18:32,440 --> 00:18:34,840
Speaker 1: like you actually say things that just if I saw

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00:18:34,880 --> 00:18:39,119
Speaker 1: them written, are so funny. He's not actually that like,

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00:18:39,200 --> 00:18:41,280
Speaker 1: he's not like a he's just kind of like a

398
00:18:41,359 --> 00:18:43,879
Speaker 1: presence that's positive, do you know what I mean? Like

399
00:18:44,040 --> 00:18:46,639
Speaker 1: you just like him? Yes, it's just like a natural

400
00:18:46,720 --> 00:18:50,600
Speaker 1: charisma and a natural sort of like normal guyness. Yeah,

401
00:18:50,680 --> 00:18:56,879
Speaker 1: feels very comforting in a world of incredibly chiseled, beautiful people, right,

402
00:18:57,240 --> 00:18:59,119
Speaker 1: you know, like all week you're just looking at people

403
00:18:59,160 --> 00:19:01,639
Speaker 1: like that. You're like, everyone's got the cheekbones and the

404
00:19:01,640 --> 00:19:04,480
Speaker 1: body and the muscles. And when I see him on camera,

405
00:19:04,520 --> 00:19:07,280
Speaker 1: it's like, well, thank god, someone's up there looking like me,

406
00:19:07,480 --> 00:19:10,600
Speaker 1: you know, or like you know. And though because he

407
00:19:10,640 --> 00:19:13,639
Speaker 1: actually isn't doing that much comedy wise, like he's he's

408
00:19:13,640 --> 00:19:16,240
Speaker 1: actually pretty earnest and just sort of straightforward. But it's

409
00:19:16,280 --> 00:19:20,200
Speaker 1: more just like physically and personality wise, he's not trying.

410
00:19:20,400 --> 00:19:22,840
Speaker 1: It's just like a relief every time it's on camera.

411
00:19:23,000 --> 00:19:26,760
Speaker 3: You're also there's a weird journey he's taking that very

412
00:19:26,760 --> 00:19:28,800
Speaker 3: few they mentioned it last week or the week before,

413
00:19:28,840 --> 00:19:32,360
Speaker 3: but he's also losing so much weight yep, that it's

414
00:19:32,359 --> 00:19:35,800
Speaker 3: like we're watching him get healthier. Yeah, and he's moving

415
00:19:35,880 --> 00:19:37,840
Speaker 3: better on stage and it's making you know, and it's

416
00:19:37,880 --> 00:19:39,600
Speaker 3: so it's one of those things where that's kind of

417
00:19:39,640 --> 00:19:40,960
Speaker 3: an interesting journey to watch as well.

418
00:19:41,119 --> 00:19:43,679
Speaker 2: This guy's got to be down twenty twenty five pounds. Yeah,

419
00:19:43,680 --> 00:19:44,720
Speaker 2: that's significant.

420
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Speaker 3: So uh yeah, but it's I'm kind of changing my

421
00:19:48,320 --> 00:19:52,760
Speaker 3: tune on him after coming off of everybody taking it

422
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Speaker 3: so seriously, which I guess they I get that they

423
00:19:55,520 --> 00:19:58,639
Speaker 3: have to and they should, but it's now like ramped

424
00:19:58,680 --> 00:20:00,240
Speaker 3: up so much. To have to see the guy who's

425
00:20:00,280 --> 00:20:03,119
Speaker 3: looking at the camera going like hi, Derek and just

426
00:20:03,240 --> 00:20:05,679
Speaker 3: kind of having fun is a little bit of in

427
00:20:05,680 --> 00:20:07,640
Speaker 3: a movie like it's a it's a it's a a

428
00:20:07,920 --> 00:20:10,439
Speaker 3: just a breath of fresh air in the middle of

429
00:20:10,520 --> 00:20:13,199
Speaker 3: kind of this intense it's I mean, it's it's a

430
00:20:13,280 --> 00:20:20,000
Speaker 3: ridiculous equivalency, but it's the it's the same as you're

431
00:20:20,040 --> 00:20:23,359
Speaker 3: watching these high wire acts, these trapeze artists, the guys

432
00:20:23,359 --> 00:20:25,359
Speaker 3: in the motorcycle doing the flaming thing, and then you

433
00:20:25,480 --> 00:20:27,440
Speaker 3: just cut to the clown for for a little bit

434
00:20:27,680 --> 00:20:29,840
Speaker 3: in the middle of the circus and you go from there.

435
00:20:30,320 --> 00:20:33,920
Speaker 1: Perfect analogy. I mean exactly. It's so nice you need it, Yeah,

436
00:20:33,960 --> 00:20:35,600
Speaker 1: I mean, that's what the circus needs. That's what There's

437
00:20:35,600 --> 00:20:38,200
Speaker 1: a reason that they have a clown troop come out

438
00:20:38,440 --> 00:20:41,080
Speaker 1: every three or four numbers to like it actually makes

439
00:20:41,080 --> 00:20:43,920
Speaker 1: them more serious, you know, like it actually elevates it

440
00:20:43,920 --> 00:20:46,600
Speaker 1: because you get a break. Good call man. Yeah, but

441
00:20:46,680 --> 00:20:49,520
Speaker 1: I thought this was really fun too. It was wise,

442
00:20:49,640 --> 00:20:51,520
Speaker 1: Like I said, in terms of like the lighting and

443
00:20:51,600 --> 00:20:55,240
Speaker 1: the incorporation of story elements and stuff. But I'm sitting

444
00:20:55,280 --> 00:20:57,240
Speaker 1: there with my parents who have only seen at this point,

445
00:20:57,280 --> 00:21:01,239
Speaker 1: I think, three episodes, you know, and my mom is like, well,

446
00:21:01,240 --> 00:21:02,480
Speaker 1: he's just standing there.

447
00:21:03,440 --> 00:21:07,720
Speaker 3: Yeah, And I was like, yeah, yeah, he.

448
00:21:07,680 --> 00:21:10,160
Speaker 1: Is, which only, like you pointed out last week, feels

449
00:21:10,240 --> 00:21:13,119
Speaker 1: unfair when somebody else gets kicked off. It does feel it,

450
00:21:13,160 --> 00:21:15,400
Speaker 1: does you know, But that is the nature of the game.

451
00:21:15,520 --> 00:21:16,200
Speaker 2: Yeah, I agree.

452
00:21:16,760 --> 00:21:19,560
Speaker 1: They all the contest as much as it is anything else.

453
00:21:19,640 --> 00:21:21,439
Speaker 2: So yeah, it could.

454
00:21:22,240 --> 00:21:24,960
Speaker 3: If they had put any more fog, you couldn't have

455
00:21:25,000 --> 00:21:25,880
Speaker 3: seen any of the dance.

456
00:21:27,320 --> 00:21:29,879
Speaker 1: It was just disappear At one point completely, it was

457
00:21:29,960 --> 00:21:32,080
Speaker 1: just fog. When he was dragging her, it was like,

458
00:21:32,160 --> 00:21:33,280
Speaker 1: is she even there anymore?

459
00:21:34,080 --> 00:21:36,760
Speaker 3: And you know, we we have very rarely, if ever,

460
00:21:36,880 --> 00:21:40,080
Speaker 3: really talked about her. I think she is the unsung

461
00:21:40,160 --> 00:21:44,280
Speaker 3: hero of this entire show because she is always has

462
00:21:44,320 --> 00:21:46,520
Speaker 3: a smile on her face, She's always so happy to

463
00:21:46,560 --> 00:21:46,920
Speaker 3: be there.

464
00:21:47,160 --> 00:21:49,920
Speaker 2: She's talking him through every dance. She's a rock star.

465
00:21:50,280 --> 00:21:52,040
Speaker 1: Well he I mean he and he said like when

466
00:21:52,080 --> 00:21:53,920
Speaker 1: they asked, I feel like at one point during his

467
00:21:54,280 --> 00:21:56,560
Speaker 1: interview it was like, how how are you doing or whatever,

468
00:21:56,600 --> 00:21:58,679
Speaker 1: and he was like pointing to her like she's making

469
00:21:58,760 --> 00:22:01,160
Speaker 1: everything happen, right, Yeah.

470
00:22:01,040 --> 00:22:02,680
Speaker 2: I think so she's Yeah.

471
00:22:02,840 --> 00:22:05,520
Speaker 1: Yeah. I also liked having like a dance to Beethoven.

472
00:22:05,680 --> 00:22:07,960
Speaker 1: It kind of felt, you know, I like we all

473
00:22:08,040 --> 00:22:10,520
Speaker 1: know the song, even if we don't know, we know it. Yeah,

474
00:22:10,640 --> 00:22:13,679
Speaker 1: so there was something like ah and again like I

475
00:22:13,760 --> 00:22:17,760
Speaker 1: like kind of a classical feeling injected into I don't

476
00:22:17,800 --> 00:22:18,720
Speaker 1: know it was. It was comforting.

477
00:22:18,760 --> 00:22:20,880
Speaker 3: They also just from the camera angles and the stuff

478
00:22:20,880 --> 00:22:22,600
Speaker 3: they were doing, they made that stage look like it

479
00:22:22,680 --> 00:22:24,960
Speaker 3: was forty five miles long.

480
00:22:25,000 --> 00:22:27,359
Speaker 2: It was incredible. Yeah, really well done.

481
00:22:27,760 --> 00:22:29,639
Speaker 1: Oh let's see their score is seven seven seven.

482
00:22:30,080 --> 00:22:31,960
Speaker 3: Yeah, that's right, Derek. But we should talk about Derek

483
00:22:32,080 --> 00:22:33,159
Speaker 3: broke his sixth paddle.

484
00:22:33,240 --> 00:22:36,359
Speaker 2: Remember that. He's like he literally snapped the paddle.

485
00:22:36,359 --> 00:22:38,320
Speaker 1: It was like, okay, I mean he's never gonna give

486
00:22:38,359 --> 00:22:39,000
Speaker 1: sixes again.

487
00:22:39,440 --> 00:22:42,080
Speaker 2: I think, well that's the thing that the dancers know.

488
00:22:42,200 --> 00:22:44,520
Speaker 1: Now, Yeah, this scoring has been up.

489
00:22:44,680 --> 00:22:47,080
Speaker 3: It's right to the point where they're not gonna give

490
00:22:47,119 --> 00:22:49,920
Speaker 3: anything below seven anymore. And if you get an eight,

491
00:22:50,359 --> 00:22:53,440
Speaker 3: that's essentially the equivalent of season of episode one getting

492
00:22:53,440 --> 00:22:56,560
Speaker 3: a five. It's like you saw them all get eights

493
00:22:56,560 --> 00:22:59,160
Speaker 3: and They're like, ugh, whereas you know two weeks ago,

494
00:22:59,359 --> 00:23:01,720
Speaker 3: Oh my god, we got four eights. You're jumping up

495
00:23:01,720 --> 00:23:03,720
Speaker 3: and down now four eights. They're like, that was we

496
00:23:03,960 --> 00:23:04,800
Speaker 3: failed tonight?

497
00:23:05,240 --> 00:23:10,720
Speaker 1: Yeah, weird. It is weird. A great inflation, great inflation,

498
00:23:11,240 --> 00:23:14,880
Speaker 1: all right. Jan and Jenna then performed uh canceled by

499
00:23:14,880 --> 00:23:18,920
Speaker 1: Taylor Swift, and I have to say I really enjoyed this.

500
00:23:20,080 --> 00:23:22,480
Speaker 1: Most of them like professional. It's like there's usually too

501
00:23:22,520 --> 00:23:24,280
Speaker 1: many of them dancing for me to like really know

502
00:23:24,320 --> 00:23:27,640
Speaker 1: who everybody is. But I was blown away by him,

503
00:23:27,760 --> 00:23:30,080
Speaker 1: especially because I don't know. I guess I've taken him

504
00:23:30,119 --> 00:23:30,560
Speaker 1: for granted.

505
00:23:31,840 --> 00:23:36,160
Speaker 3: Anyway, Well he got he had a really rough week. Yeah,

506
00:23:36,400 --> 00:23:40,200
Speaker 3: if you followed all that stuff that was going on. No, So,

507
00:23:42,160 --> 00:23:46,000
Speaker 3: VAL's brother used to be a pro on Dancing with

508
00:23:46,040 --> 00:23:50,400
Speaker 3: the Stars, and VAL's brother it's so convoluted it sounds

509
00:23:50,400 --> 00:23:54,280
Speaker 3: like like a soap opera. VAL's brother's wife has a podcast,

510
00:23:55,200 --> 00:24:00,560
Speaker 3: so Max Cherminovsky went on his wife's pod cast and

511
00:24:00,640 --> 00:24:03,639
Speaker 3: talked about how as a professional dancer, Jan has no

512
00:24:03,760 --> 00:24:06,680
Speaker 3: business being on Dancing with the Stars. He's talked about

513
00:24:06,680 --> 00:24:09,000
Speaker 3: how he couldn't he's he's not right for the show.

514
00:24:09,119 --> 00:24:11,240
Speaker 3: His bass is wrong, his arms are wrong, he doesn't

515
00:24:11,280 --> 00:24:13,880
Speaker 3: he's not classically dance, he doesn't know the partner relationship.

516
00:24:13,920 --> 00:24:17,120
Speaker 3: Like he bashed this dude badly, which is and then

517
00:24:17,119 --> 00:24:19,159
Speaker 3: it kind of went viral and went everywhere, which is

518
00:24:19,200 --> 00:24:21,880
Speaker 3: why Derek specifically at the end was like, Jan, you've

519
00:24:21,920 --> 00:24:24,240
Speaker 3: been doing a great job this first season on the show.

520
00:24:24,320 --> 00:24:24,760
Speaker 1: I felt that.

521
00:24:24,840 --> 00:24:26,160
Speaker 2: Yeah, he had a rough week.

522
00:24:26,160 --> 00:24:28,359
Speaker 3: Everybody, you know this guy just literally came out and

523
00:24:28,400 --> 00:24:30,760
Speaker 3: just blasted him, saying like, this guy's no business being one.

524
00:24:30,640 --> 00:24:31,240
Speaker 2: Of the dancers.

525
00:24:31,520 --> 00:24:34,640
Speaker 1: Harsh, Well, that's interesting. Yeah, and he's the newest, he's

526
00:24:34,640 --> 00:24:36,720
Speaker 1: the only new one of the pros.

527
00:24:36,480 --> 00:24:37,240
Speaker 2: Right yeah, I think so.

528
00:24:37,320 --> 00:24:39,400
Speaker 3: Yeah, because he was Tailor and everyone says the only

529
00:24:39,440 --> 00:24:42,160
Speaker 3: reason he got booked is because he's Tailor.

530
00:24:42,320 --> 00:24:43,359
Speaker 2: Was Taylor Swift's dancer.

531
00:24:43,600 --> 00:24:45,440
Speaker 1: Well, I mean, I hate to say it, but maybe

532
00:24:45,440 --> 00:24:47,800
Speaker 1: there's some truth to that, because this really blew me away.

533
00:24:48,200 --> 00:24:51,359
Speaker 1: And this was not him dancing as as a pro

534
00:24:51,720 --> 00:24:54,600
Speaker 1: part of a team. This was him dancing to Taylor Swift.

535
00:24:54,359 --> 00:24:57,879
Speaker 3: Right, which and that was this guy's probably danced to

536
00:24:57,920 --> 00:24:59,879
Speaker 3: that song eight thousand times.

537
00:25:00,160 --> 00:25:03,040
Speaker 2: Like, so it was really good.

538
00:25:03,359 --> 00:25:04,840
Speaker 1: I thought it was really good, and.

539
00:25:04,800 --> 00:25:07,919
Speaker 3: I love her. She is a phenomenal dancer. She's got

540
00:25:08,000 --> 00:25:10,800
Speaker 3: kicked off what week one or we two? But oh god,

541
00:25:10,880 --> 00:25:13,240
Speaker 3: she's so the two of them together was like, that

542
00:25:13,359 --> 00:25:14,760
Speaker 3: was one of those things where you feel like you're

543
00:25:14,800 --> 00:25:16,520
Speaker 3: sitting in a theater watching a performance.

544
00:25:17,760 --> 00:25:20,320
Speaker 2: It was I thought it was just really good.

545
00:25:20,600 --> 00:25:38,160
Speaker 1: Yeah, okay, and then we get to the Elaine Hendrix

546
00:25:38,160 --> 00:25:40,760
Speaker 1: of it all. Man, this was rough.

547
00:25:41,520 --> 00:25:41,720
Speaker 2: Yeah.

548
00:25:41,920 --> 00:25:45,640
Speaker 3: Can I ask why her pro still had to dress

549
00:25:45,720 --> 00:25:49,280
Speaker 3: up like Gladiator? You know, if the guy's not dancing,

550
00:25:49,320 --> 00:25:51,080
Speaker 3: did he have to go through wardrobe? I get him

551
00:25:51,119 --> 00:25:53,280
Speaker 3: not being in jeans and a T shirt, but like,

552
00:25:53,359 --> 00:25:55,480
Speaker 3: did he have to get into full makeup and everything?

553
00:25:56,400 --> 00:26:00,159
Speaker 1: You know, that's actually an interesting question because it's you

554
00:26:00,240 --> 00:26:02,399
Speaker 1: pointed it out. I kind of liked it because the

555
00:26:02,520 --> 00:26:06,600
Speaker 1: rehearsal video, you know, part of the biggest problem with

556
00:26:06,640 --> 00:26:08,959
Speaker 1: it is that they're just in like workout clothes, right,

557
00:26:09,720 --> 00:26:13,160
Speaker 1: So I think seeing him in an outfit was like, oh,

558
00:26:13,200 --> 00:26:15,520
Speaker 1: there could have been what could have been? You know,

559
00:26:15,600 --> 00:26:17,160
Speaker 1: I think if you had just been in rehearsal clothes,

560
00:26:17,240 --> 00:26:18,800
Speaker 1: or even if you had just been wearing a suit,

561
00:26:18,920 --> 00:26:21,600
Speaker 1: it would have been like but because it was like

562
00:26:22,000 --> 00:26:23,879
Speaker 1: you always felt like what did her outfit look like

563
00:26:23,920 --> 00:26:25,760
Speaker 1: we never got to see it. I don't know. I

564
00:26:25,760 --> 00:26:28,360
Speaker 1: think it actually highlighted the absence in a positive way.

565
00:26:28,400 --> 00:26:29,399
Speaker 1: That was I don't know.

566
00:26:29,640 --> 00:26:31,760
Speaker 3: Do you think now dance aside, which we haven't even

567
00:26:31,760 --> 00:26:36,560
Speaker 3: got to yet, do you think it's fair that if

568
00:26:36,600 --> 00:26:39,119
Speaker 3: you can't dance, you're still in the competition?

569
00:26:42,720 --> 00:26:46,000
Speaker 1: Got that, you know? My instinct, like my feeling last

570
00:26:46,080 --> 00:26:50,840
Speaker 1: night was yes, this felt fair until Danielle's score game

571
00:26:51,119 --> 00:26:53,720
Speaker 1: thank you, and then I was really pissed off. Yeah,

572
00:26:53,760 --> 00:26:57,480
Speaker 1: I was like, really, we don't just give her fives

573
00:26:57,480 --> 00:26:59,920
Speaker 1: across the board or something, you know, like neutral.

574
00:27:00,160 --> 00:27:04,280
Speaker 3: Yeah, they gave her eights.

575
00:27:04,600 --> 00:27:06,159
Speaker 2: She she scored higher.

576
00:27:06,200 --> 00:27:09,239
Speaker 3: The woman who was in an ambulance not at the

577
00:27:09,280 --> 00:27:14,560
Speaker 3: show scored higher than Andy by by every judge, And

578
00:27:14,600 --> 00:27:16,000
Speaker 3: it's I mean, it's weird.

579
00:27:16,040 --> 00:27:16,199
Speaker 5: You know.

580
00:27:16,240 --> 00:27:19,560
Speaker 1: It would have been fair to me is if they

581
00:27:19,640 --> 00:27:23,040
Speaker 1: don't show the rehearsal video, because it seems like questionable

582
00:27:23,040 --> 00:27:25,920
Speaker 1: whether that's fair or not. What if they just if

583
00:27:25,960 --> 00:27:28,080
Speaker 1: you miss it, if you injure, if an injury takes

584
00:27:28,119 --> 00:27:30,680
Speaker 1: you out, you just match the lowest score of the night.

585
00:27:32,080 --> 00:27:35,280
Speaker 1: That's fair, right, So like which in this case would

586
00:27:35,280 --> 00:27:38,840
Speaker 1: have been Andy and Emma. So whoever gets the lowest,

587
00:27:39,080 --> 00:27:41,960
Speaker 1: you also get the passing grid, like you also get

588
00:27:41,960 --> 00:27:42,440
Speaker 1: the lowest.

589
00:27:42,920 --> 00:27:44,480
Speaker 2: Yeh see, I think that didn't make it.

590
00:27:44,560 --> 00:27:47,080
Speaker 1: You didn't make it physically, right, But we're also not

591
00:27:47,119 --> 00:27:49,960
Speaker 1: going to, you know, completely give you zeros, So you're

592
00:27:50,000 --> 00:27:52,960
Speaker 1: just going to be like the person who also you know,

593
00:27:53,000 --> 00:27:55,159
Speaker 1: showed up and did their best but got the lowest

594
00:27:55,160 --> 00:27:57,520
Speaker 1: of the night. I feel like that would.

595
00:27:57,280 --> 00:27:58,680
Speaker 2: Be fair, that that could be fair.

596
00:27:58,720 --> 00:28:01,520
Speaker 3: The other thing that every other reality show does is

597
00:28:01,760 --> 00:28:04,720
Speaker 3: a night like this, no one goes home and two

598
00:28:04,800 --> 00:28:05,960
Speaker 3: couples go home next week.

599
00:28:06,960 --> 00:28:09,440
Speaker 2: So it's like, that's that's how you do it. That's fair.

600
00:28:09,520 --> 00:28:11,359
Speaker 3: You're not here, fine, we'll keep you in the competition,

601
00:28:11,680 --> 00:28:13,520
Speaker 3: so no one will go home tonight, but we're sending

602
00:28:13,560 --> 00:28:16,520
Speaker 3: two couples home next week because it's like that.

603
00:28:16,600 --> 00:28:18,760
Speaker 2: The whole situation was really strange.

604
00:28:19,400 --> 00:28:22,200
Speaker 3: So yeah, you know, any other thing you're in, like

605
00:28:22,280 --> 00:28:24,480
Speaker 3: I said, you're in a swimming competition, you're in whatever,

606
00:28:24,600 --> 00:28:26,920
Speaker 3: and you can't go physically, that's it.

607
00:28:27,080 --> 00:28:27,640
Speaker 2: You can't go.

608
00:28:28,720 --> 00:28:30,760
Speaker 1: So and what if somebody just gets like food poisoning

609
00:28:30,800 --> 00:28:33,520
Speaker 1: in and feels sick or says they're nauseous or whatever.

610
00:28:33,600 --> 00:28:36,720
Speaker 1: It's like power, where do you draw the line? You know,

611
00:28:36,800 --> 00:28:39,320
Speaker 1: in this case, it sounds like she really like really

612
00:28:39,360 --> 00:28:41,160
Speaker 1: hurt her rib and had to get out in the hospital.

613
00:28:41,200 --> 00:28:44,240
Speaker 1: But you can also just the kind.

614
00:28:44,120 --> 00:28:48,520
Speaker 2: Of yeah, not that we're saying she is, of course not,

615
00:28:48,800 --> 00:28:49,560
Speaker 2: but you would know.

616
00:28:49,480 --> 00:28:51,840
Speaker 1: That you could possibly get a score.

617
00:28:52,000 --> 00:28:54,360
Speaker 2: Yeah, you know, I deal with you anyway.

618
00:28:55,440 --> 00:28:55,720
Speaker 1: Video.

619
00:28:56,080 --> 00:28:57,680
Speaker 2: Yeah, see, I disagree. I didn't like. I didn't like

620
00:28:57,720 --> 00:28:59,240
Speaker 2: their dance at all. Frankly, I would love to.

621
00:28:59,320 --> 00:29:02,560
Speaker 3: And maybe it's because I was always throwing, but I

622
00:29:02,640 --> 00:29:04,680
Speaker 3: this was I think my least favorite dancer that I

623
00:29:04,760 --> 00:29:06,880
Speaker 3: just dance wise, I think this was my least favorite

624
00:29:06,920 --> 00:29:07,560
Speaker 3: dance of the night.

625
00:29:08,280 --> 00:29:10,960
Speaker 2: And so oh interesting, Yeah, it just it.

626
00:29:11,920 --> 00:29:14,720
Speaker 1: I thought the final lift was pretty awkward and painful,

627
00:29:14,880 --> 00:29:17,440
Speaker 1: like didn't feel smooth, But otherwise I was like really

628
00:29:17,440 --> 00:29:18,880
Speaker 1: into it, and I wish I could have seen it.

629
00:29:19,200 --> 00:29:22,200
Speaker 3: That's the thing is, I think the problem with rehearsal

630
00:29:22,440 --> 00:29:27,520
Speaker 3: is you don't necessarily finish all your moves, so like

631
00:29:27,600 --> 00:29:30,040
Speaker 3: when she leaned against them, she like kind of leaned

632
00:29:30,040 --> 00:29:31,880
Speaker 3: against them where I'm sure she would have gone one

633
00:29:31,960 --> 00:29:34,160
Speaker 3: or two inches deeper when you know.

634
00:29:34,160 --> 00:29:36,440
Speaker 2: She's not committing so yeah, so it's like little things

635
00:29:36,520 --> 00:29:36,760
Speaker 2: like that.

636
00:29:36,720 --> 00:29:39,120
Speaker 1: Injury and stuff. Yeah, I don't know.

637
00:29:40,880 --> 00:29:42,640
Speaker 2: Okay, wasn't even at the show all eight.

638
00:29:43,280 --> 00:29:45,800
Speaker 4: Just to jump in real quick, there was three other

639
00:29:45,880 --> 00:29:49,960
Speaker 4: times that people were scored based on their rehearsal footage, Okay,

640
00:29:50,600 --> 00:29:55,960
Speaker 4: season eight. There was Steve o in week two, Melissa

641
00:29:56,040 --> 00:30:00,640
Speaker 4: Ryecroft in week eight also season eight, and then Tamar

642
00:30:00,760 --> 00:30:04,040
Speaker 4: Braxton in season twenty one, and then Elaine. So this

643
00:30:04,120 --> 00:30:05,400
Speaker 4: is the fourth time they've done it.

644
00:30:06,000 --> 00:30:09,520
Speaker 3: Now what if they I mean, then if you couldn't rehearse,

645
00:30:09,640 --> 00:30:11,800
Speaker 3: are you then kicked off the show? I mean if

646
00:30:11,800 --> 00:30:14,400
Speaker 3: there's no rehearsal footage, Like if she can't go next week,

647
00:30:14,480 --> 00:30:15,280
Speaker 3: is she then done?

648
00:30:15,680 --> 00:30:17,440
Speaker 2: I mean imagine she would have to be right.

649
00:30:17,960 --> 00:30:21,200
Speaker 4: I mean, she got cleared by doctor like they said,

650
00:30:21,280 --> 00:30:23,880
Speaker 4: But if something else were to happen and she couldn't

651
00:30:25,200 --> 00:30:26,560
Speaker 4: learn the dance, then I.

652
00:30:26,560 --> 00:30:28,400
Speaker 2: Don't know that would be it. I think it would be.

653
00:30:28,320 --> 00:30:31,960
Speaker 4: A decision between the show and doctors and her. I

654
00:30:31,960 --> 00:30:33,680
Speaker 4: think it would be like a big decision made.

655
00:30:34,000 --> 00:30:34,360
Speaker 1: Okay.

656
00:30:35,240 --> 00:30:38,080
Speaker 2: I also think I like the Argentine Tango a lot,

657
00:30:38,360 --> 00:30:39,080
Speaker 2: Do you really?

658
00:30:39,480 --> 00:30:42,360
Speaker 1: Yeah? Because I loved Danielle's dance last week. And watching

659
00:30:42,440 --> 00:30:44,520
Speaker 1: Elaine and Allen do the Argentine tango ghett I was like,

660
00:30:44,760 --> 00:30:45,840
Speaker 1: this is my favorite dance.

661
00:30:46,200 --> 00:30:47,960
Speaker 3: Do you know how many people pointed out to us

662
00:30:48,000 --> 00:30:50,840
Speaker 3: that Buenos Aires is in Argentina even though that was

663
00:30:50,880 --> 00:30:51,240
Speaker 3: the joke.

664
00:30:51,640 --> 00:30:53,440
Speaker 1: Oh yeah, well I didn't get it at first. I

665
00:30:53,480 --> 00:30:55,840
Speaker 1: was like, isn't Buenos Aires an archida? And that's why

666
00:30:55,840 --> 00:30:58,280
Speaker 1: I doubted it. I was like, I have to check.

667
00:30:58,320 --> 00:31:00,320
Speaker 1: I wasn't sure. I was like, because you said it

668
00:31:00,360 --> 00:31:02,760
Speaker 1: so quick, I was like it was just the same.

669
00:31:02,880 --> 00:31:11,160
Speaker 1: And then I was like my book classic al eights, Yeah,

670
00:31:11,360 --> 00:31:15,960
Speaker 1: al eates. Now let's take a moment here to talk

671
00:31:16,000 --> 00:31:19,840
Speaker 1: about the Bruno of it all, because I Bruno has

672
00:31:19,880 --> 00:31:22,320
Speaker 1: been really getting into my head. And right about at

673
00:31:22,320 --> 00:31:25,000
Speaker 1: this point in the night is when my family stopped

674
00:31:25,040 --> 00:31:27,440
Speaker 1: because my parents were in town and we had ordered

675
00:31:27,560 --> 00:31:31,640
Speaker 1: a big sushi feast, and so we took a pause

676
00:31:32,240 --> 00:31:34,760
Speaker 1: and we all like had our sushi laid out, and

677
00:31:34,880 --> 00:31:37,840
Speaker 1: you know it, my son and my wife and at

678
00:31:37,840 --> 00:31:41,120
Speaker 1: one point, you know, somebody asked me like, my wife

679
00:31:41,240 --> 00:31:43,640
Speaker 1: is like, you know, oh, how's the Alba core? And

680
00:31:43,720 --> 00:31:47,200
Speaker 1: I you not what it was happening to my brand

681
00:31:47,440 --> 00:31:50,480
Speaker 1: is I wanted to stand up and go. This Albacorn

682
00:31:50,600 --> 00:31:55,320
Speaker 1: is fantastic, Darling, It's just amazing. I just I have

683
00:31:55,480 --> 00:32:00,160
Speaker 1: Bruno in my head. It's like everything coming off for

684
00:32:00,200 --> 00:32:03,720
Speaker 1: me is just like the most exaggerate. Oh, the soy

685
00:32:03,760 --> 00:32:07,400
Speaker 1: sauce it needs, of course, of course, but you're doing.

686
00:32:08,280 --> 00:32:14,360
Speaker 1: I love his excitement. Oh. I just always I want

687
00:32:14,400 --> 00:32:17,080
Speaker 1: to be I want to be as expressive and free

688
00:32:17,320 --> 00:32:20,880
Speaker 1: and positive. But Duen, he's negative. I don't get you.

689
00:32:21,080 --> 00:32:23,560
Speaker 1: He has like this rhythm to it. I love that.

690
00:32:23,680 --> 00:32:27,360
Speaker 1: I love that. Here's what I don't love. I cannot

691
00:32:27,720 --> 00:32:33,120
Speaker 1: well the the like cheesy corny quips related to the

692
00:32:33,120 --> 00:32:37,800
Speaker 1: theme of the dance. Yeah, it's like if it's a

693
00:32:38,000 --> 00:32:41,360
Speaker 1: if it's a police themed, it's like you are arresting Darling.

694
00:32:42,120 --> 00:32:45,360
Speaker 1: Shut up, Like, oh, it's a chef themed. It's like

695
00:32:45,560 --> 00:32:50,280
Speaker 1: that was a full course meal and a cake. What So,

696
00:32:50,480 --> 00:32:51,960
Speaker 1: here's what I want to do, because I think your

697
00:32:51,960 --> 00:32:56,040
Speaker 1: brain works better than Bruno's. I'm gonna give you a

698
00:32:56,120 --> 00:32:59,440
Speaker 1: quiz if you if you see a dance based on

699
00:32:59,480 --> 00:33:03,040
Speaker 1: a certain thing, what would you say, Oh, where's where's

700
00:33:03,120 --> 00:33:07,640
Speaker 1: your corny quip? Okay, are you ready? Yeah, it's a

701
00:33:07,720 --> 00:33:14,320
Speaker 1: New York themed fox trot, a New York themed fox Trotky,

702
00:33:14,520 --> 00:33:17,480
Speaker 1: it was wonderful and it was a good fox trot.

703
00:33:17,600 --> 00:33:21,920
Speaker 2: Sure, yeah, okay, it would be something like, uh after

704
00:33:22,000 --> 00:33:24,600
Speaker 2: that dance, darling, everyone is moving.

705
00:33:24,400 --> 00:33:28,760
Speaker 1: Uptown all right now, it's a Willy Wonka themed dance.

706
00:33:31,920 --> 00:33:34,720
Speaker 2: Go go treasure.

707
00:33:36,760 --> 00:33:39,880
Speaker 3: You are the music maker, you are the dreamer of dreams.

708
00:33:40,000 --> 00:33:42,600
Speaker 2: We are all getting a golden ticket dolling.

709
00:33:43,800 --> 00:33:46,240
Speaker 1: Right now. It's a Lord of the Rings dance.

710
00:33:46,320 --> 00:33:52,400
Speaker 3: Oh jeezus, you are then the whole demeanor ball at

711
00:33:52,400 --> 00:33:54,680
Speaker 3: the end, and it will be You're precious.

712
00:33:56,600 --> 00:33:59,600
Speaker 1: See you're already better he has all week because you know,

713
00:33:59,720 --> 00:34:02,760
Speaker 1: he was the theme of the Dad you in thirty

714
00:34:02,800 --> 00:34:05,840
Speaker 1: seconds come up with better quips than it's always his.

715
00:34:05,960 --> 00:34:08,360
Speaker 3: Or they they are there.

716
00:34:08,760 --> 00:34:10,200
Speaker 2: It's it's pretty funny too.

717
00:34:11,040 --> 00:34:11,200
Speaker 1: Well.

718
00:34:11,320 --> 00:34:15,960
Speaker 2: Did you also notice I think Carrie, Anne and Derek

719
00:34:16,480 --> 00:34:17,439
Speaker 2: don't like each other.

720
00:34:17,719 --> 00:34:20,319
Speaker 1: Yeah? Well there was that weird ooh where he kept

721
00:34:20,320 --> 00:34:21,920
Speaker 1: being like She's like blah blah blah, and I was

722
00:34:21,920 --> 00:34:24,520
Speaker 1: like what what and she kept trying to interrupt. I

723
00:34:24,520 --> 00:34:24,840
Speaker 1: don't know.

724
00:34:24,880 --> 00:34:26,800
Speaker 3: And then there was also a time he's like, oh wow, thanks,

725
00:34:26,800 --> 00:34:28,880
Speaker 3: I got no no time left, and you heard her like,

726
00:34:28,920 --> 00:34:30,560
Speaker 3: you've got plenty of time left.

727
00:34:30,600 --> 00:34:35,480
Speaker 2: It was like, oh God, I mean, you.

728
00:34:35,480 --> 00:34:39,560
Speaker 1: Know, surprise, surprise answers that are like paid to be judges,

729
00:34:39,800 --> 00:34:43,080
Speaker 1: have opinions and have egos.

730
00:34:43,320 --> 00:34:45,120
Speaker 2: Should we did we? We didn't mention we had a

731
00:34:45,160 --> 00:34:46,719
Speaker 2: guest judge this week, Ryl Burke.

732
00:34:47,040 --> 00:34:49,759
Speaker 3: The one thing I will say, I thought she was

733
00:34:49,800 --> 00:34:52,520
Speaker 3: giving the best criticism and was the most fair with

734
00:34:52,560 --> 00:34:53,719
Speaker 3: her judging all night long.

735
00:34:54,000 --> 00:34:56,520
Speaker 2: Frankly, I mean it was like, well.

736
00:34:56,400 --> 00:34:58,719
Speaker 1: She was also, I mean it was interesting because in

737
00:34:58,719 --> 00:35:01,719
Speaker 1: some ways it felt like she was coming from a

738
00:35:01,760 --> 00:35:05,040
Speaker 1: place like I feel like the judges in the first

739
00:35:05,080 --> 00:35:08,279
Speaker 1: four weeks were giving very good technical notes, yeah, on

740
00:35:08,280 --> 00:35:10,520
Speaker 1: a pretty regular basis, and then they sort of in

741
00:35:10,560 --> 00:35:13,239
Speaker 1: an howur just like we know who you are, we

742
00:35:13,320 --> 00:35:15,800
Speaker 1: know your story, and so I'm a judging you accordingly.

743
00:35:15,960 --> 00:35:18,400
Speaker 1: Where she was coming in like with a fresh perspective

744
00:35:18,400 --> 00:35:20,840
Speaker 1: and yeah, giving technical notes again, it felt like it

745
00:35:20,840 --> 00:35:24,160
Speaker 1: felt like a first four week judge, which I appreciate it.

746
00:35:24,200 --> 00:35:24,640
Speaker 2: I did too.

747
00:35:24,880 --> 00:35:27,080
Speaker 1: Why they bring in a guest you know, I swear

748
00:35:27,120 --> 00:35:27,800
Speaker 1: to God at.

749
00:35:27,640 --> 00:35:29,520
Speaker 3: Some point, because I think we've talked about this before

750
00:35:29,760 --> 00:35:32,680
Speaker 3: the first few seasons of the show, they were much

751
00:35:32,719 --> 00:35:35,520
Speaker 3: more harsh, and some network note or something came down

752
00:35:35,520 --> 00:35:36,960
Speaker 3: and said, we are not American idol.

753
00:35:37,160 --> 00:35:39,880
Speaker 2: We don't want the harsh judging. Lighten it up. And

754
00:35:39,920 --> 00:35:41,680
Speaker 2: I feel like they've been like because now they're going

755
00:35:41,719 --> 00:35:43,919
Speaker 2: like hah, you know, I love you, you're the best.

756
00:35:43,960 --> 00:35:46,080
Speaker 3: Oh my god, you're great, but maybe do your hand

757
00:35:46,200 --> 00:35:49,120
Speaker 3: like this like they're like trying to do it.

758
00:35:49,800 --> 00:35:51,399
Speaker 1: I don't know if that's the producers. I think that's

759
00:35:51,400 --> 00:35:52,640
Speaker 1: just in response.

760
00:35:52,239 --> 00:35:53,560
Speaker 2: To social media.

761
00:35:53,760 --> 00:35:56,759
Speaker 1: Yeah, the popularity thing. Like, you know, I think that

762
00:35:56,920 --> 00:35:59,320
Speaker 1: we're at a different age than when like Simon Cowell

763
00:35:59,480 --> 00:36:02,279
Speaker 1: was like miss Harsh and even then I feel like

764
00:36:03,160 --> 00:36:07,160
Speaker 1: people people kind of liked that. But now I feel

765
00:36:07,160 --> 00:36:11,440
Speaker 1: like being negative is just not as appreciated, even when

766
00:36:11,480 --> 00:36:14,480
Speaker 1: they are correct, you know, and they would rather their

767
00:36:14,520 --> 00:36:17,000
Speaker 1: careers are sort of it's better to be more positive.

768
00:36:17,040 --> 00:36:18,759
Speaker 1: I mean, even the way that we feel about carry

769
00:36:18,800 --> 00:36:21,640
Speaker 1: on right now, based on you know how she talked

770
00:36:21,640 --> 00:36:22,240
Speaker 1: to Danielle.

771
00:36:23,120 --> 00:36:24,360
Speaker 2: That's a whole other conversation.

772
00:36:25,800 --> 00:36:41,360
Speaker 5: Yeah, up next, daniel Fishel and Pasha pashkav.

773
00:36:43,880 --> 00:36:50,000
Speaker 1: I thought watching the rehearsal, watching Danielle be a director

774
00:36:51,000 --> 00:36:55,319
Speaker 1: as she is and an actor as she is, and

775
00:36:55,600 --> 00:36:59,120
Speaker 1: a dancer as she's become was so fun great and

776
00:36:59,160 --> 00:37:02,239
Speaker 1: I was just like, dude, you have like found your

777
00:37:02,320 --> 00:37:05,880
Speaker 1: stride literally and this is so fun. Like I'm she

778
00:37:06,040 --> 00:37:10,200
Speaker 1: like was making a story, was having such a blast,

779
00:37:10,480 --> 00:37:12,560
Speaker 1: and I was watching the versa where she was making

780
00:37:12,600 --> 00:37:16,360
Speaker 1: all her little god no yeah, I was like yes,

781
00:37:16,719 --> 00:37:19,040
Speaker 1: because that's the way she is, and she even did

782
00:37:19,080 --> 00:37:21,160
Speaker 1: like a little karate sound at one point. I was

783
00:37:21,200 --> 00:37:24,439
Speaker 1: like God, it's like, oh my god, I love you

784
00:37:24,520 --> 00:37:27,520
Speaker 1: so much. And then the dance itself I thought was

785
00:37:27,520 --> 00:37:32,719
Speaker 1: incredible and it was incredible what the actual yeah no,

786
00:37:32,880 --> 00:37:36,200
Speaker 1: to me, it was like oh nine, like across the board,

787
00:37:36,280 --> 00:37:41,960
Speaker 1: maybe maybe a ten because like her whole like you know,

788
00:37:42,000 --> 00:37:43,919
Speaker 1: the moment when she was saying no, no, no no,

789
00:37:43,920 --> 00:37:47,160
Speaker 1: it was so good acting just in the moment in

790
00:37:47,200 --> 00:37:49,200
Speaker 1: a way that like you know, they talk about her

791
00:37:49,239 --> 00:37:52,239
Speaker 1: being like like not worried about her steps. I was like,

792
00:37:52,320 --> 00:37:55,240
Speaker 1: she nailed this and was in control of the dance

793
00:37:55,320 --> 00:37:56,840
Speaker 1: and like, yeah.

794
00:37:56,719 --> 00:38:01,200
Speaker 3: I also love the visual of starting clean and then

795
00:38:01,280 --> 00:38:04,320
Speaker 3: his hands have but the his hands have the blood

796
00:38:04,360 --> 00:38:07,440
Speaker 3: on it, which is all you know, is physical and metaphorical,

797
00:38:07,719 --> 00:38:09,720
Speaker 3: and then his hands are on the white dress.

798
00:38:09,719 --> 00:38:11,880
Speaker 2: So now her white dress is getting covered in blood.

799
00:38:12,360 --> 00:38:12,760
Speaker 1: Awesome.

800
00:38:13,320 --> 00:38:15,480
Speaker 3: And I was like, God, this is great, Oh my god,

801
00:38:15,520 --> 00:38:17,440
Speaker 3: she might be doing better than last week.

802
00:38:17,600 --> 00:38:20,080
Speaker 2: Like, oh man, how no one could say anything negative

803
00:38:20,080 --> 00:38:21,440
Speaker 2: about this? This is incredible.

804
00:38:21,480 --> 00:38:23,759
Speaker 1: I was nine nines across the border as my my.

805
00:38:24,120 --> 00:38:25,919
Speaker 1: I was like, one hundred percent, it's gonna be great.

806
00:38:25,960 --> 00:38:27,439
Speaker 1: It's gonna be great, maybe even a ten.

807
00:38:27,719 --> 00:38:29,200
Speaker 3: I thought she was gonna get her first ten of

808
00:38:29,239 --> 00:38:31,000
Speaker 3: the night from Bruno. I thought he was going to

809
00:38:31,040 --> 00:38:32,839
Speaker 3: give a ten because he was being very generous all

810
00:38:32,920 --> 00:38:34,799
Speaker 3: night long. I was like, oh my god, they're gonna

811
00:38:34,800 --> 00:38:37,200
Speaker 3: do it. They're gonna get a ten. She's gonna freak out.

812
00:38:37,600 --> 00:38:40,000
Speaker 3: This is absolutely breakout from the pack like she did

813
00:38:40,080 --> 00:38:43,040
Speaker 3: last week. And then they went in front of the judges.

814
00:38:43,360 --> 00:38:45,520
Speaker 1: I think they're holding her to a higher.

815
00:38:45,239 --> 00:38:47,359
Speaker 2: Standard for what to what.

816
00:38:47,400 --> 00:38:52,160
Speaker 1: End because because a she looks young, so I don't

817
00:38:52,200 --> 00:38:54,680
Speaker 1: think I think they're treating her as like she's in

818
00:38:54,719 --> 00:38:57,440
Speaker 1: the same category as like the thirty somethings that are

819
00:38:57,520 --> 00:39:00,719
Speaker 1: or even early twenty somethings, and it's just not the case. Right,

820
00:39:00,760 --> 00:39:03,359
Speaker 1: This is this is a mother, This is somebody who

821
00:39:03,400 --> 00:39:06,319
Speaker 1: is forty five years old, and I think that they're

822
00:39:06,360 --> 00:39:09,839
Speaker 1: not because she looks so young and they still associate

823
00:39:09,880 --> 00:39:12,279
Speaker 1: her with Aztapanga. They think of her as like a

824
00:39:12,360 --> 00:39:16,239
Speaker 1: young American sweetheart, and it's like, that's not really fair.

825
00:39:16,360 --> 00:39:18,520
Speaker 1: I don't think that's a fair assessment of who she

826
00:39:18,640 --> 00:39:21,000
Speaker 1: is as a person and how hard she's working physically

827
00:39:21,400 --> 00:39:24,319
Speaker 1: to keep up. So that's like I think part of it.

828
00:39:24,360 --> 00:39:26,680
Speaker 1: And then I think she's very popular, and I think

829
00:39:26,719 --> 00:39:30,000
Speaker 1: that because she's so popular, there's a little bit of like,

830
00:39:30,640 --> 00:39:32,520
Speaker 1: you know, you can deserve, you can take a little

831
00:39:32,560 --> 00:39:34,960
Speaker 1: harsher from the judges in a way that I just

832
00:39:34,960 --> 00:39:37,759
Speaker 1: don't think they're just not on her side. They're not

833
00:39:37,880 --> 00:39:38,600
Speaker 1: rooting for her.

834
00:39:39,000 --> 00:39:42,719
Speaker 3: Say I think again it Carrie Ann tonight last night

835
00:39:42,880 --> 00:39:44,400
Speaker 3: it felt personal.

836
00:39:45,360 --> 00:39:47,000
Speaker 2: I can't explain it. I'm sure it's not.

837
00:39:47,200 --> 00:39:50,440
Speaker 3: I don't know, but it felt personally like she does

838
00:39:50,480 --> 00:39:53,120
Speaker 3: not like Danielle and I don't know what the hell

839
00:39:53,239 --> 00:39:53,799
Speaker 3: daniel did.

840
00:39:53,719 --> 00:39:56,160
Speaker 2: She take her parking spot? Is there something we don't know?

841
00:39:56,280 --> 00:40:01,719
Speaker 3: Because it how you can watch that after watching a

842
00:40:01,760 --> 00:40:07,160
Speaker 3: rehearsal tape and give it the same score because Carrie

843
00:40:07,160 --> 00:40:08,840
Speaker 3: Anne gave it the same damn.

844
00:40:08,600 --> 00:40:09,920
Speaker 2: Score as the one before.

845
00:40:10,280 --> 00:40:14,239
Speaker 3: Are you can't like I know less about dance than

846
00:40:14,280 --> 00:40:17,680
Speaker 3: anyone on the planet, and I know that Danielle's dance

847
00:40:17,800 --> 00:40:19,360
Speaker 3: was better than that one. Even if you want to

848
00:40:19,360 --> 00:40:21,760
Speaker 3: give Danielle an eight, then the other one was a six.

849
00:40:22,080 --> 00:40:23,560
Speaker 2: It's like, what the hell is going on?

850
00:40:24,200 --> 00:40:25,879
Speaker 1: Yeah, I don't know. I mean, she's got a chip

851
00:40:25,920 --> 00:40:27,600
Speaker 1: on her shoulder. I think Carrie An's got a chip

852
00:40:27,600 --> 00:40:29,319
Speaker 1: on her shoulder. I think, I mean, I think most

853
00:40:29,520 --> 00:40:33,920
Speaker 1: I think there's a sense of like Danielle being maybe.

854
00:40:34,160 --> 00:40:35,040
Speaker 2: Too good at everything.

855
00:40:36,200 --> 00:40:39,160
Speaker 1: Yeah, she's just like the popular girl you know and

856
00:40:39,239 --> 00:40:43,600
Speaker 1: like but which is just annoying her. It's like she's

857
00:40:43,640 --> 00:40:48,600
Speaker 1: the most loving kind yeah, like non exclusive, Like Danielle

858
00:40:48,680 --> 00:40:50,880
Speaker 1: never gives off the vibe that she deserves anything. She

859
00:40:51,080 --> 00:40:54,759
Speaker 1: knows hard and enjoys herself. Yeah, but I think that

860
00:40:54,800 --> 00:40:58,080
Speaker 1: there's the potential that as opposed to like Robert who

861
00:40:58,120 --> 00:41:01,360
Speaker 1: goes next, Right, Robert feels like, even though it's supposed

862
00:41:01,360 --> 00:41:04,320
Speaker 1: to be the stars, he is the celebrity who doesn't

863
00:41:04,320 --> 00:41:06,440
Speaker 1: feel like he belongs here to a certain degree. Right,

864
00:41:06,440 --> 00:41:09,200
Speaker 1: there's a sense of like, oh, wow, he's he's famous

865
00:41:09,200 --> 00:41:11,480
Speaker 1: because of his dad and because of his like you know,

866
00:41:11,600 --> 00:41:13,719
Speaker 1: environmental work. But for the most part. He's kind of

867
00:41:13,719 --> 00:41:16,640
Speaker 1: an everyman. Same with Dylan, there's a sense of like

868
00:41:16,680 --> 00:41:19,960
Speaker 1: people coming from like you know, whereas Danielle there's a

869
00:41:19,960 --> 00:41:22,640
Speaker 1: little bit of like, you know, you've been a star

870
00:41:22,760 --> 00:41:25,080
Speaker 1: all your life. You've been the center of attention for

871
00:41:25,120 --> 00:41:27,480
Speaker 1: a long time. And I don't know what against her.

872
00:41:27,719 --> 00:41:29,319
Speaker 3: I don't know what it is, but it's like, I

873
00:41:29,400 --> 00:41:32,840
Speaker 3: don't know what else she can do. Like that's the

874
00:41:32,840 --> 00:41:35,160
Speaker 3: thing is you're setting an impossible standard when you have

875
00:41:35,680 --> 00:41:38,120
Speaker 3: that kind of dance, which I then went back and

876
00:41:38,160 --> 00:41:39,400
Speaker 3: I was like, all right, maybe I'm wrong.

877
00:41:39,280 --> 00:41:40,680
Speaker 2: Maybe she screwed up this grow up.

878
00:41:40,719 --> 00:41:43,200
Speaker 3: I watched this thing like three times and I was like, Nope,

879
00:41:43,480 --> 00:41:44,160
Speaker 3: great dance.

880
00:41:44,440 --> 00:41:49,840
Speaker 2: And then it gets to Cheryl, who's like, we do

881
00:41:49,880 --> 00:41:51,280
Speaker 2: everything big in ballroom.

882
00:41:51,360 --> 00:41:53,040
Speaker 3: We danced to the ceiling, we do all this as like,

883
00:41:53,080 --> 00:41:55,200
Speaker 3: did you watch the same thing we did? Did you

884
00:41:55,200 --> 00:41:58,040
Speaker 3: see the facial expression she was making and pointing, the

885
00:41:58,040 --> 00:42:01,200
Speaker 3: way she was ripping open her and she's covered in blood.

886
00:42:01,280 --> 00:42:03,279
Speaker 2: You you didn't see all that. That's what you point

887
00:42:03,320 --> 00:42:06,319
Speaker 2: out is she needs to act bigger. Really, I know.

888
00:42:06,719 --> 00:42:09,839
Speaker 3: It was so it was like I was in the

889
00:42:09,840 --> 00:42:12,640
Speaker 3: matrix and everybody saw something different.

890
00:42:12,680 --> 00:42:14,480
Speaker 2: Than I did. And I was just sitting there going like,

891
00:42:14,719 --> 00:42:17,279
Speaker 2: how is how what? How how is that possible? I

892
00:42:17,320 --> 00:42:19,279
Speaker 2: don't get it, Like I give you Robert Irwin thing.

893
00:42:19,280 --> 00:42:22,400
Speaker 3: The other thing with Robert is he's instantly become America's

894
00:42:22,400 --> 00:42:24,279
Speaker 3: little brother, right like he.

895
00:42:24,600 --> 00:42:27,319
Speaker 1: Just said that about Dylan too. But right, but so

896
00:42:27,560 --> 00:42:29,919
Speaker 1: but here here, here, here is something that could be

897
00:42:30,280 --> 00:42:33,879
Speaker 1: taken into consideration in terms of Danielle's strategy, which is,

898
00:42:34,239 --> 00:42:39,160
Speaker 1: has she opened up personally as much as most other contestants?

899
00:42:39,160 --> 00:42:41,200
Speaker 1: In other words, has Danielle talked about her family?

900
00:42:42,480 --> 00:42:42,520
Speaker 3: No?

901
00:42:43,320 --> 00:42:46,120
Speaker 1: Has she talked about her journey as a child actor

902
00:42:46,640 --> 00:42:49,839
Speaker 1: moving into directing or and no, she has. She has not.

903
00:42:50,000 --> 00:42:52,200
Speaker 1: She has worked her tough to prove that she can

904
00:42:52,239 --> 00:42:54,480
Speaker 1: do the technical side of the dancing, and she is.

905
00:42:54,680 --> 00:42:58,239
Speaker 1: She has leaned into her you know, her public persona,

906
00:42:59,320 --> 00:43:02,200
Speaker 1: but she has about her husband. She has not talked

907
00:43:02,200 --> 00:43:04,920
Speaker 1: about being a mother in the same way that almost

908
00:43:04,920 --> 00:43:07,680
Speaker 1: every other contestant has had at least one moment where

909
00:43:07,719 --> 00:43:09,879
Speaker 1: they opened up in that way. And I think maybe

910
00:43:09,960 --> 00:43:12,279
Speaker 1: it's time for her, you know, because even in this one,

911
00:43:12,680 --> 00:43:16,080
Speaker 1: she told a fun story and it was great, but

912
00:43:16,120 --> 00:43:18,320
Speaker 1: it wasn't like this is the way I think of marriage,

913
00:43:18,360 --> 00:43:20,279
Speaker 1: and sometimes I struggle with my husband. You know, it

914
00:43:20,280 --> 00:43:22,880
Speaker 1: didn't have any of the like, So she hasn't She

915
00:43:22,960 --> 00:43:26,880
Speaker 1: hasn't connected, maybe in the same way that everybody's had

916
00:43:26,920 --> 00:43:28,920
Speaker 1: at least one moment where you're like, oh, you are

917
00:43:28,960 --> 00:43:31,520
Speaker 1: an entertainer, you are an actor, but you also have this,

918
00:43:31,840 --> 00:43:34,720
Speaker 1: you know, like Andy has his daughter. You know, everybody

919
00:43:34,719 --> 00:43:37,759
Speaker 1: has had. And she chose for her dedication to do Bill,

920
00:43:38,200 --> 00:43:41,080
Speaker 1: which we know is personal, but it's also what she's

921
00:43:41,080 --> 00:43:44,080
Speaker 1: already known for. So I wonder if strategy wise, it's

922
00:43:44,120 --> 00:43:47,200
Speaker 1: time for you know, the only like real like she

923
00:43:47,480 --> 00:43:49,200
Speaker 1: you know, in the beginning, she had her injury. She's

924
00:43:49,200 --> 00:43:50,680
Speaker 1: talked about that, but.

925
00:43:52,280 --> 00:43:53,560
Speaker 3: It might be good for her to open up a

926
00:43:53,600 --> 00:43:55,759
Speaker 3: little bit more personally maybe. But I also I think

927
00:43:55,800 --> 00:43:57,839
Speaker 3: there's a strength to what she's doing too though. I mean,

928
00:43:57,920 --> 00:44:02,360
Speaker 3: this woman, it was dealing with cancer and she hasn't

929
00:44:02,400 --> 00:44:05,200
Speaker 3: mentioned that since the very very first episode.

930
00:44:05,239 --> 00:44:06,759
Speaker 2: I know, because she's like, I don't want to, I

931
00:44:06,760 --> 00:44:08,080
Speaker 2: want to I want to dance. I don't want to

932
00:44:08,120 --> 00:44:10,839
Speaker 2: go out and mention that, right, And so I think

933
00:44:10,920 --> 00:44:13,560
Speaker 2: you everyone's already forgotten that, right exactly.

934
00:44:13,640 --> 00:44:16,560
Speaker 3: But it's I don't know. Maybe you're right, Maybe next

935
00:44:16,560 --> 00:44:18,440
Speaker 3: week she needs to open up more about everything that's

936
00:44:18,480 --> 00:44:21,319
Speaker 3: going on. But I just from a dancing perspective, how

937
00:44:21,400 --> 00:44:23,360
Speaker 3: you look at that and again, we look at it

938
00:44:23,400 --> 00:44:26,399
Speaker 3: through I love you goggles. I get that, But how

939
00:44:26,480 --> 00:44:29,879
Speaker 3: you look at that and see And I'm not trying

940
00:44:29,920 --> 00:44:32,080
Speaker 3: to bash Alane. This poor woman has had an incredible

941
00:44:32,160 --> 00:44:35,000
Speaker 3: journey and was hit by a car. I mean, yes,

942
00:44:35,080 --> 00:44:38,480
Speaker 3: she's had a ton of problems and was probably crushed.

943
00:44:38,480 --> 00:44:41,520
Speaker 3: She couldn't dance last night. But how you look at

944
00:44:42,080 --> 00:44:45,919
Speaker 3: that dance and then you look at Danielle's and give

945
00:44:46,000 --> 00:44:49,000
Speaker 3: them the same score. I don't, I don't. I That's

946
00:44:49,000 --> 00:44:50,120
Speaker 3: what I just kind of threw up my hands. I

947
00:44:50,200 --> 00:44:52,319
Speaker 3: was like, okay, none of this makes any sense. Like

948
00:44:52,400 --> 00:44:53,880
Speaker 3: it just none of this makes any sense.

949
00:44:55,120 --> 00:44:58,279
Speaker 1: She got eight, eight, eight and nine. Yeah, good old

950
00:44:58,280 --> 00:44:59,680
Speaker 1: Bruno came through a nine.

951
00:45:00,080 --> 00:45:03,000
Speaker 2: He was also writer. We should talk about what she

952
00:45:03,040 --> 00:45:03,319
Speaker 2: was doing.

953
00:45:03,360 --> 00:45:07,560
Speaker 3: She was dancing the Viennese waltz. Oh yeah, Via, So

954
00:45:07,600 --> 00:45:09,080
Speaker 3: we're going to talk a little bit about.

955
00:45:08,880 --> 00:45:11,239
Speaker 2: Whiz history of dance.

956
00:45:11,840 --> 00:45:17,719
Speaker 3: This was in the Viennese waltz was created in Buenos Aires. Uh,

957
00:45:19,600 --> 00:45:23,240
Speaker 3: I'm kidding, of course, I don't know if Austria Austria.

958
00:45:23,360 --> 00:45:23,520
Speaker 1: Yes.

959
00:45:23,760 --> 00:45:27,879
Speaker 3: It is a fast rotary ballroom dance, characterized by its

960
00:45:27,920 --> 00:45:30,040
Speaker 3: constant turning, which is either to the right, which is

961
00:45:30,080 --> 00:45:32,200
Speaker 3: called a natural turn, or to the left, which is

962
00:45:32,200 --> 00:45:35,800
Speaker 3: called a reverse turn. Unlike the slower wallts, it lacks

963
00:45:35,840 --> 00:45:38,719
Speaker 3: the pronounced rise and fall as I like to call

964
00:45:38,760 --> 00:45:41,400
Speaker 3: it because of its high speed, which is about sixty

965
00:45:41,400 --> 00:45:44,680
Speaker 3: bars per minute. Key techniques include maintaining soft knees and

966
00:45:44,719 --> 00:45:47,360
Speaker 3: a stable posture, taking small steps on the inside of

967
00:45:47,360 --> 00:45:52,000
Speaker 3: a turn, and transitioning between rotations and change steps. That's

968
00:45:52,040 --> 00:45:55,399
Speaker 3: your Viennese waltz, my friend. Cool, Yeah, I figured you'd

969
00:45:55,400 --> 00:45:55,880
Speaker 3: want to know that.

970
00:45:56,080 --> 00:46:00,279
Speaker 1: Yeah, So are you always turning the same direction? Is

971
00:46:00,320 --> 00:46:02,000
Speaker 1: that the idea? Or you can't switch it up?

972
00:46:02,040 --> 00:46:04,120
Speaker 3: No, you can switch You can either go natural turn

973
00:46:04,320 --> 00:46:06,440
Speaker 3: or reverse turn. So like as they would say it

974
00:46:06,440 --> 00:46:09,879
Speaker 3: would be in skateboarding and everything. Isn't that a right

975
00:46:09,920 --> 00:46:11,520
Speaker 3: turn or goofy foot? I think they call it is

976
00:46:11,520 --> 00:46:13,480
Speaker 3: when you spin the other way, or that might just

977
00:46:13,520 --> 00:46:15,600
Speaker 3: be which way your goofy is when your left foot's forward?

978
00:46:15,680 --> 00:46:15,879
Speaker 1: Right?

979
00:46:15,960 --> 00:46:16,080
Speaker 3: Right?

980
00:46:16,120 --> 00:46:17,080
Speaker 1: Okay?

981
00:46:16,400 --> 00:46:18,680
Speaker 2: Yeah, are you interesting?

982
00:46:18,719 --> 00:46:21,560
Speaker 1: It's my right foot that's forward. Nice, even though yeah.

983
00:46:21,719 --> 00:46:23,760
Speaker 2: Uh so, yeah, that's the Viennese waltz.

984
00:46:23,800 --> 00:46:25,160
Speaker 1: Thanks dude, good to.

985
00:46:25,160 --> 00:46:26,040
Speaker 2: Know you're welcome.

986
00:46:38,760 --> 00:46:42,200
Speaker 1: Moving on to Robert Irwin and Whitney Carson, what can

987
00:46:42,239 --> 00:46:42,680
Speaker 1: you say?

988
00:46:42,960 --> 00:46:44,239
Speaker 2: Really great, really great?

989
00:46:44,560 --> 00:46:49,000
Speaker 1: Like I said, I think I love the Argentinian tanger He's.

990
00:46:49,400 --> 00:46:51,680
Speaker 3: I also thought this was, in my opinion, the coolest

991
00:46:51,960 --> 00:46:55,120
Speaker 3: stage of the night. Yeah, just to look with the

992
00:46:54,840 --> 00:46:57,239
Speaker 3: but the giant thing of roses behind them and then

993
00:46:57,440 --> 00:46:59,960
Speaker 3: her coming up on like they're lifting her up on

994
00:47:00,080 --> 00:47:00,520
Speaker 3: the cello.

995
00:47:01,040 --> 00:47:03,239
Speaker 2: Oh sick way to start. That was cool.

996
00:47:03,360 --> 00:47:05,239
Speaker 1: Yeah, and fun to see him go a little like

997
00:47:05,360 --> 00:47:08,160
Speaker 1: more dark. Yeah, and you know, there's nothing goofy about this.

998
00:47:08,239 --> 00:47:12,640
Speaker 1: It was just like full commitment HALLOWEENI yeah, I thought

999
00:47:12,640 --> 00:47:16,959
Speaker 1: this was great. He's I mean clearly, I mean part

1000
00:47:16,960 --> 00:47:20,760
Speaker 1: of okay, like honestly part of my think I started

1001
00:47:21,480 --> 00:47:25,720
Speaker 1: to turn on Robert unfairly, probably because he's so beloved

1002
00:47:25,719 --> 00:47:30,360
Speaker 1: by the judges. I was like, uh, Derek, we get it.

1003
00:47:30,400 --> 00:47:32,719
Speaker 1: You love him and his family because you dance with

1004
00:47:32,840 --> 00:47:35,840
Speaker 1: his sister. Can you give Danielle Fish a little credit?

1005
00:47:35,960 --> 00:47:41,040
Speaker 1: You're like, yeah, no, so I was, Yeah, but the

1006
00:47:41,160 --> 00:47:44,160
Speaker 1: dance itself was so fun. This was it was dances

1007
00:47:44,200 --> 00:47:45,719
Speaker 1: of the night totally deserved.

1008
00:47:46,080 --> 00:47:48,640
Speaker 3: Love her too, by the way, she's she's such a

1009
00:47:48,640 --> 00:47:50,879
Speaker 3: good dancer. The two of them together just work. They

1010
00:47:50,920 --> 00:47:54,920
Speaker 3: look great. Ye, her choreography is phenomenal. There's I think

1011
00:47:54,960 --> 00:47:56,680
Speaker 3: there's only been one of the seven weeks so far

1012
00:47:56,680 --> 00:47:59,560
Speaker 3: where it's been like, eh, not the best. They're just

1013
00:47:59,760 --> 00:48:01,640
Speaker 3: and I I think that's one of the things they are,

1014
00:48:02,320 --> 00:48:05,600
Speaker 3: of all the couples there by far.

1015
00:48:05,560 --> 00:48:06,520
Speaker 2: The most consistent.

1016
00:48:06,840 --> 00:48:09,080
Speaker 3: Yeah, like they're just we And that was the thing

1017
00:48:09,080 --> 00:48:10,920
Speaker 3: we joked about after the first episode, was like, well,

1018
00:48:10,920 --> 00:48:12,000
Speaker 3: where do you go from here, Robert?

1019
00:48:12,040 --> 00:48:13,960
Speaker 2: You started an eleven? Good luck with that. And then

1020
00:48:14,000 --> 00:48:16,000
Speaker 2: it's like, oh, he's he's actually maintaining that.

1021
00:48:16,080 --> 00:48:17,200
Speaker 1: Yeah, he's done really well.

1022
00:48:17,280 --> 00:48:18,400
Speaker 2: Yeah he has.

1023
00:48:19,840 --> 00:48:26,160
Speaker 1: They got ten, nine, nine, and ten, which yeah, carry

1024
00:48:26,160 --> 00:48:26,799
Speaker 1: on through out A ten.

1025
00:48:26,840 --> 00:48:30,360
Speaker 2: I was like really, yeah, of course really she loves.

1026
00:48:30,160 --> 00:48:36,560
Speaker 3: Him, and she's like you're a leading man, Like okay, sure.

1027
00:48:36,400 --> 00:48:42,640
Speaker 1: All right, next up Jen and Jan Yeah, I mean,

1028
00:48:42,760 --> 00:48:45,759
Speaker 1: I you know, it seemed pretty obvious right away that

1029
00:48:46,480 --> 00:48:49,600
Speaker 1: tonight was going to be kind of between yep, Jen

1030
00:48:49,800 --> 00:48:52,040
Speaker 1: and Andy Yep. As far as he was going to

1031
00:48:52,120 --> 00:48:55,520
Speaker 1: kick kicked off, I think it's probably inevitable that Andy

1032
00:48:55,560 --> 00:48:57,239
Speaker 1: will get kicked off next week, but you never know,

1033
00:48:57,840 --> 00:49:01,440
Speaker 1: never know, because yeah, I thought this was one of

1034
00:49:01,800 --> 00:49:05,239
Speaker 1: Jen's best actually, and again I felt the judges were

1035
00:49:05,239 --> 00:49:08,520
Speaker 1: a little too harsh on her. Yeah, I agree with you, Yeah,

1036
00:49:08,640 --> 00:49:12,279
Speaker 1: because I feel like they've decided something about her and

1037
00:49:12,400 --> 00:49:15,520
Speaker 1: maybe something about John that we don't know a little

1038
00:49:15,600 --> 00:49:18,040
Speaker 1: behind the scenes, like you were talking about that. It

1039
00:49:18,200 --> 00:49:21,480
Speaker 1: just it just feels like they're I don't know, they're

1040
00:49:21,480 --> 00:49:24,360
Speaker 1: they're they're they're getting they're falling through the cracks. And

1041
00:49:24,400 --> 00:49:28,719
Speaker 1: they did fall through the cracks. So I thought this

1042
00:49:28,800 --> 00:49:29,839
Speaker 1: was actually pretty great.

1043
00:49:31,080 --> 00:49:32,160
Speaker 2: Thought they looked great.

1044
00:49:32,239 --> 00:49:34,399
Speaker 1: They looked great. I thought she gave it her all.

1045
00:49:35,239 --> 00:49:39,040
Speaker 1: But you know, eight's across the board, and again I

1046
00:49:39,080 --> 00:49:40,399
Speaker 1: was like, really, not a nine in.

1047
00:49:40,360 --> 00:49:43,600
Speaker 3: There, the same score as the person who didn't dance.

1048
00:49:44,480 --> 00:49:45,759
Speaker 1: Yeah, seems a little.

1049
00:49:46,120 --> 00:49:49,440
Speaker 3: It just it's again that's why they're just kind of arbitrary.

1050
00:49:49,680 --> 00:49:53,840
Speaker 3: And did you see this was the first time that

1051
00:49:54,000 --> 00:49:57,600
Speaker 3: at least I saw the celebrity not holding her emotions

1052
00:49:57,640 --> 00:49:59,160
Speaker 3: back when she was getting her scores.

1053
00:49:59,280 --> 00:50:03,400
Speaker 2: She was pissed and you could see that she was pissed.

1054
00:50:03,640 --> 00:50:06,640
Speaker 3: Yeah, she was just like, Okay, well great, not I

1055
00:50:06,920 --> 00:50:08,919
Speaker 3: guess I can't do anything was kind of the face

1056
00:50:08,960 --> 00:50:09,399
Speaker 3: that I think.

1057
00:50:09,520 --> 00:50:13,200
Speaker 1: Yeah, and I think unfortunately the favorites are so clear

1058
00:50:13,200 --> 00:50:13,840
Speaker 1: at this point.

1059
00:50:14,080 --> 00:50:15,720
Speaker 2: Yeah, yeah, yeah.

1060
00:50:15,560 --> 00:50:17,759
Speaker 1: I think that the only people like the judges, are

1061
00:50:17,800 --> 00:50:24,360
Speaker 1: being so predictable, which became really obvious during the whatever

1062
00:50:24,400 --> 00:50:28,160
Speaker 1: the monster bash dance off at the end of this

1063
00:50:28,280 --> 00:50:33,160
Speaker 1: which we'll talk about, which really was that kissed me off? Yeah,

1064
00:50:33,200 --> 00:50:35,600
Speaker 1: you know that the judges have set their their path

1065
00:50:35,680 --> 00:50:40,200
Speaker 1: at this point and and unless you the only way

1066
00:50:40,239 --> 00:50:42,120
Speaker 1: to upend it is with the popular vote. It seems like,

1067
00:50:42,680 --> 00:50:45,719
Speaker 1: and I think Jen was not competing with in the

1068
00:50:45,760 --> 00:50:48,040
Speaker 1: popular vote. She doesn't stand a chance against Andy and

1069
00:50:48,160 --> 00:50:50,440
Speaker 1: Danielle and the other people that are not like getting

1070
00:50:50,520 --> 00:50:54,000
Speaker 1: tens and nines every time. Therefore, I think she went

1071
00:50:54,040 --> 00:50:57,520
Speaker 1: into tonight knowing that she just was at a disadvantage

1072
00:50:57,560 --> 00:50:59,600
Speaker 1: and that sucks because.

1073
00:50:59,280 --> 00:51:01,440
Speaker 3: I think also they had again with all the press

1074
00:51:01,440 --> 00:51:03,279
Speaker 3: that they were getting and at Jan was getting. I

1075
00:51:03,280 --> 00:51:06,200
Speaker 3: think this was overall just a rough week for them.

1076
00:51:06,640 --> 00:51:08,600
Speaker 3: I mean, can you imagine sitting there as your first

1077
00:51:08,680 --> 00:51:11,960
Speaker 3: year as a pro. You're on the biggest dance stage

1078
00:51:11,960 --> 00:51:15,120
Speaker 3: in America. You're probably loving life, enjoying it, You're just

1079
00:51:15,160 --> 00:51:17,600
Speaker 3: with Taylor Swift and one of the other pros comes

1080
00:51:17,600 --> 00:51:19,879
Speaker 3: out publicly and it's like you don't belong there.

1081
00:51:19,920 --> 00:51:21,680
Speaker 2: It's like, oh, dude, that sucks.

1082
00:51:22,360 --> 00:51:22,640
Speaker 1: Weird.

1083
00:51:23,000 --> 00:51:25,760
Speaker 3: Yeah, so that and I thought he's again knowing nothing

1084
00:51:25,760 --> 00:51:28,320
Speaker 3: of dance. He seems like a very nice guy, very personable,

1085
00:51:29,120 --> 00:51:30,640
Speaker 3: and you know, they I.

1086
00:51:30,560 --> 00:51:32,600
Speaker 2: Thought they were good. I definitely thought they were good.

1087
00:51:32,600 --> 00:51:35,840
Speaker 3: And then seeing him dance the pro dance, the interlude

1088
00:51:35,880 --> 00:51:40,120
Speaker 3: dance there, this guy can dance, So yeah, this is

1089
00:51:41,239 --> 00:51:42,719
Speaker 3: that was rough though, But this was the first time

1090
00:51:42,760 --> 00:51:45,360
Speaker 3: I actually saw the contestant like, yeah, I can't do

1091
00:51:45,400 --> 00:51:45,839
Speaker 3: anything else.

1092
00:51:45,840 --> 00:51:47,279
Speaker 2: They're just they're going to keep giving me eights no

1093
00:51:47,360 --> 00:51:47,920
Speaker 2: matter what I do.

1094
00:51:48,400 --> 00:51:54,040
Speaker 1: Yeah, which sucks because like it's probably bad for her

1095
00:51:54,040 --> 00:51:56,759
Speaker 1: career to react this way, right right right. The only

1096
00:51:56,800 --> 00:51:58,080
Speaker 1: thing you could do is just be like I had

1097
00:51:58,120 --> 00:51:59,799
Speaker 1: a good time, which she says all the right things,

1098
00:51:59,840 --> 00:52:02,040
Speaker 1: but I felt the energy like you did, especially during

1099
00:52:02,080 --> 00:52:03,879
Speaker 1: the final judging when they wouldn't even look up.

1100
00:52:04,440 --> 00:52:06,560
Speaker 3: Yeah, no one, no one likes the guy who argues

1101
00:52:06,719 --> 00:52:09,080
Speaker 3: with the yump. But like nobody nobody likes that guy.

1102
00:52:09,239 --> 00:52:10,960
Speaker 1: So if you know you're getting off the show, just

1103
00:52:11,120 --> 00:52:11,520
Speaker 1: leave with.

1104
00:52:11,480 --> 00:52:15,480
Speaker 3: A smile, hold your head up high. It was so hard,

1105
00:52:15,520 --> 00:52:17,600
Speaker 3: and then smash the window in your dressing room. That's

1106
00:52:18,280 --> 00:52:20,280
Speaker 3: you know, that's what you do. You do that privately,

1107
00:52:21,239 --> 00:52:23,040
Speaker 3: But that was it was tough for her to hide

1108
00:52:23,080 --> 00:52:26,000
Speaker 3: her I mean, again, these are not actors. She's a

1109
00:52:26,120 --> 00:52:29,799
Speaker 3: TikTok star dancer, so this is nobody classically trained. The

1110
00:52:29,880 --> 00:52:32,560
Speaker 3: things like that we knew where you put a big

1111
00:52:32,560 --> 00:52:33,880
Speaker 3: smile on your face and then you go and you

1112
00:52:33,880 --> 00:52:35,759
Speaker 3: complain to your agent or your publicist. They didn't have

1113
00:52:35,800 --> 00:52:38,000
Speaker 3: any of that. You just you wear your emotions on

1114
00:52:38,040 --> 00:52:40,560
Speaker 3: your sleeve. But man, it was noticeable she was. She

1115
00:52:40,640 --> 00:52:42,719
Speaker 3: was angry, and I think rightfully so, but you still

1116
00:52:42,719 --> 00:52:43,360
Speaker 3: got to hide.

1117
00:52:43,160 --> 00:52:47,120
Speaker 1: It all right. Next up was Alex and Val. I mean,

1118
00:52:47,120 --> 00:52:51,279
Speaker 1: these two are just pretty pretty damn great. During the

1119
00:52:51,280 --> 00:52:53,680
Speaker 1: whole pre show package was like, you're gonna be harsh

1120
00:52:53,680 --> 00:52:57,600
Speaker 1: with me this time, and Val was very strict, and

1121
00:53:00,000 --> 00:53:01,960
Speaker 1: and then they did a great dance they did. And

1122
00:53:01,960 --> 00:53:03,439
Speaker 1: what was so funny is they spent all this time

1123
00:53:03,480 --> 00:53:06,239
Speaker 1: talking about like the technicality, but actually I thought this

1124
00:53:06,320 --> 00:53:09,240
Speaker 1: dance was more fun for its expressiveness and its storytelling,

1125
00:53:09,480 --> 00:53:12,800
Speaker 1: Like well all the like buried alive stuff.

1126
00:53:12,600 --> 00:53:14,880
Speaker 3: That buried the way it started and the way that

1127
00:53:14,920 --> 00:53:19,239
Speaker 3: it ended. We're so cool, so great, but it is

1128
00:53:20,120 --> 00:53:22,160
Speaker 3: very and I do not know this man, so I

1129
00:53:22,200 --> 00:53:24,200
Speaker 3: could be one thousand percent wrong, and if I am,

1130
00:53:24,239 --> 00:53:27,279
Speaker 3: I apologize. But it seems like it's kind of all

1131
00:53:27,320 --> 00:53:31,080
Speaker 3: about him. I mean, he's mugging to the camera a lot,

1132
00:53:31,160 --> 00:53:34,440
Speaker 3: and it's all and they're the judges are congratulating Val.

1133
00:53:34,520 --> 00:53:35,680
Speaker 2: They're like vintage Val.

1134
00:53:36,200 --> 00:53:39,280
Speaker 3: It's like, okay, he's the pro so, but it seems

1135
00:53:39,280 --> 00:53:41,799
Speaker 3: like he's it's a it's it's about Val when you're

1136
00:53:41,880 --> 00:53:42,480
Speaker 3: dancing with Val.

1137
00:53:43,400 --> 00:53:45,840
Speaker 1: But got the dance to her credit though she's keeping

1138
00:53:45,920 --> 00:53:48,720
Speaker 1: up right. And yes, the point is they looked great together.

1139
00:53:49,000 --> 00:53:51,480
Speaker 3: They looked great together, and they're hitting them in in

1140
00:53:51,520 --> 00:53:52,960
Speaker 3: the head with the shovel at the end of the.

1141
00:53:53,120 --> 00:53:54,920
Speaker 1: End was hysterical and perfect.

1142
00:53:55,160 --> 00:53:56,440
Speaker 2: It was a great dance.

1143
00:53:56,600 --> 00:54:01,200
Speaker 1: Yeah, really really really top notch. So ten nine and ten.

1144
00:54:01,480 --> 00:54:03,200
Speaker 3: I want to talk about the nine real quick because

1145
00:54:03,239 --> 00:54:05,759
Speaker 3: I agree with her, but I don't get what she said.

1146
00:54:05,800 --> 00:54:08,160
Speaker 3: She's so she said there's a cardinal rule in tango

1147
00:54:08,200 --> 00:54:11,560
Speaker 3: that you don't break break contact, like you don't break

1148
00:54:11,560 --> 00:54:15,600
Speaker 3: the hold hold, right, So, but does that mean the

1149
00:54:15,640 --> 00:54:18,040
Speaker 3: whole dance. You have to be touching, so at the

1150
00:54:18,040 --> 00:54:19,560
Speaker 3: beginning you can't start separate.

1151
00:54:19,600 --> 00:54:21,920
Speaker 1: Is that what you talk Because they haven't. They always

1152
00:54:21,960 --> 00:54:23,880
Speaker 1: break in to do like a lot of times in

1153
00:54:23,960 --> 00:54:26,080
Speaker 1: almost every dance. I feel like they have one point

1154
00:54:26,080 --> 00:54:28,359
Speaker 1: where they split up you a thing. Are you not

1155
00:54:28,600 --> 00:54:30,160
Speaker 1: ever supposed to do that with a tango?

1156
00:54:30,360 --> 00:54:31,959
Speaker 3: I don't know, because I thought that's what a side

1157
00:54:31,960 --> 00:54:35,320
Speaker 3: by side is is. It's like you gotta also dance

1158
00:54:35,520 --> 00:54:38,080
Speaker 3: side by side. So part of me was like, I

1159
00:54:38,120 --> 00:54:40,560
Speaker 3: respected the fact that she said it's a cardinal rule

1160
00:54:40,640 --> 00:54:43,360
Speaker 3: you don't break hold, so I'm giving you a nine. Essentially,

1161
00:54:43,400 --> 00:54:46,359
Speaker 3: It's like it wasn't perfect and that's what a ten

1162
00:54:46,440 --> 00:54:47,640
Speaker 3: is for. But at the same time, I was like,

1163
00:54:48,000 --> 00:54:50,240
Speaker 3: then do they have to touch the whole dance?

1164
00:54:50,360 --> 00:54:51,799
Speaker 2: Like I don't. I didn't understand it.

1165
00:54:52,000 --> 00:54:54,160
Speaker 1: I don't know, but it's it's I kind of feel

1166
00:54:54,200 --> 00:54:56,480
Speaker 1: like if that is the case, then like they all

1167
00:54:56,480 --> 00:54:57,600
Speaker 1: should have kind of held to that.

1168
00:54:57,719 --> 00:54:59,839
Speaker 2: Maybe that's why I said, I like it would one

1169
00:54:59,840 --> 00:55:00,400
Speaker 2: of the charles.

1170
00:55:00,480 --> 00:55:02,200
Speaker 1: They would have been the top scorers if they had

1171
00:55:02,239 --> 00:55:04,720
Speaker 1: gotten nines across the board, right.

1172
00:55:05,080 --> 00:55:09,480
Speaker 2: I don't know, somebody got a ten. Robert got a ten, right, but.

1173
00:55:09,560 --> 00:55:12,000
Speaker 1: I don't know, I still be one of the top scorers.

1174
00:55:12,000 --> 00:55:14,440
Speaker 1: Oh yeah, they had gotten all nines. Yeah, and you

1175
00:55:14,480 --> 00:55:16,600
Speaker 1: could have just said, like, hey, guys, rules of rules.

1176
00:55:16,640 --> 00:55:18,080
Speaker 1: We're going to be technical about this.

1177
00:55:18,520 --> 00:55:21,040
Speaker 2: Yeah. I don't know. It was it was interesting, but yeah,

1178
00:55:21,120 --> 00:55:22,799
Speaker 2: it's uh. They were great.

1179
00:55:22,880 --> 00:55:25,400
Speaker 3: They were They were dancing the night For me, I thought,

1180
00:55:25,600 --> 00:55:28,640
Speaker 3: uh all the way around, and that's saying something because

1181
00:55:28,800 --> 00:55:30,279
Speaker 3: Robert had a great dance. There's a couple of people

1182
00:55:30,280 --> 00:55:32,640
Speaker 3: that had great dances, but this one was just kind

1183
00:55:32,640 --> 00:55:33,760
Speaker 3: of on another level tonight.

1184
00:55:34,800 --> 00:55:37,879
Speaker 1: All right. Then we had Dylan and Daniella, your fave

1185
00:55:38,760 --> 00:55:41,239
Speaker 1: them with the nosebreak.

1186
00:55:43,040 --> 00:55:44,600
Speaker 2: She felt so bad too.

1187
00:55:44,640 --> 00:55:47,040
Speaker 3: You can tell she was just devastated that she broke

1188
00:55:47,360 --> 00:55:48,680
Speaker 3: this adonna's face.

1189
00:55:49,280 --> 00:55:50,960
Speaker 2: She put an elbow into his nose.

1190
00:55:51,360 --> 00:55:53,960
Speaker 1: He could sue her for them all the millions. He's

1191
00:55:54,040 --> 00:55:56,120
Speaker 1: not gonna make a by the way, he couldn't tell

1192
00:55:56,120 --> 00:56:01,239
Speaker 1: it all like I couldn't see where is no you know? Yeah,

1193
00:56:01,560 --> 00:56:04,520
Speaker 1: super interesting that he likes romanticy.

1194
00:56:04,760 --> 00:56:06,799
Speaker 2: I was like, all right, good for you, dude.

1195
00:56:06,840 --> 00:56:08,839
Speaker 1: Have you read romanticy books? I know you're a big

1196
00:56:08,880 --> 00:56:09,839
Speaker 1: fantasy person, but.

1197
00:56:09,840 --> 00:56:13,440
Speaker 3: Not not really romanticy is not my not.

1198
00:56:13,480 --> 00:56:16,239
Speaker 1: My so like Twilight is romanticy.

1199
00:56:15,800 --> 00:56:16,879
Speaker 2: Right, I would think.

1200
00:56:16,920 --> 00:56:19,239
Speaker 3: So. I think the original what's the one they made

1201
00:56:19,239 --> 00:56:22,120
Speaker 3: a huge show about where she's married but then goes

1202
00:56:22,160 --> 00:56:25,319
Speaker 3: back into the past and is banging a guy there too, Outlander?

1203
00:56:25,800 --> 00:56:26,360
Speaker 1: Outlander?

1204
00:56:26,480 --> 00:56:30,520
Speaker 2: Yeah, that so that is another. I think that's also romanticy.

1205
00:56:30,960 --> 00:56:33,680
Speaker 3: If there's if there's a wizard and the word throbbing,

1206
00:56:35,080 --> 00:56:39,840
Speaker 3: that's romanticy, I think, is what I would say.

1207
00:56:39,920 --> 00:56:45,239
Speaker 1: Yeah, all right, I thought these guys were great. I

1208
00:56:46,760 --> 00:56:49,200
Speaker 1: just loved the two of them together so much. I

1209
00:56:49,320 --> 00:56:53,279
Speaker 1: thought the fact, you know, like Danielle Official, he came

1210
00:56:53,320 --> 00:56:55,839
Speaker 1: in with like a point of view and wanting to

1211
00:56:55,880 --> 00:56:58,200
Speaker 1: like influence the story in the way that I think

1212
00:56:58,280 --> 00:57:01,280
Speaker 1: is so fun and oppressive and and should be considered

1213
00:57:01,280 --> 00:57:03,960
Speaker 1: as part of like the cool thing about your growing

1214
00:57:03,960 --> 00:57:06,239
Speaker 1: as a dancer. You're wanting to express yourself more. You're

1215
00:57:06,280 --> 00:57:09,399
Speaker 1: not just taking instructions from a pro. You're like having

1216
00:57:09,480 --> 00:57:11,719
Speaker 1: a partnership with your pro where they're listening to you.

1217
00:57:12,080 --> 00:57:14,040
Speaker 1: And you know, I feel that from these two, they're

1218
00:57:14,040 --> 00:57:15,640
Speaker 1: just dancing together so well.

1219
00:57:16,080 --> 00:57:18,880
Speaker 3: And she also I thought it was super cool that

1220
00:57:18,920 --> 00:57:22,160
Speaker 3: she started this thing blindfolded. Yeah, I mean, just the

1221
00:57:22,240 --> 00:57:24,560
Speaker 3: idea where it's like I'm the pro, but I'm putting

1222
00:57:24,560 --> 00:57:26,560
Speaker 3: myself totally in your hands. I'm going to be blindfolded

1223
00:57:26,640 --> 00:57:29,200
Speaker 3: like that was. That was a neat twist that you've

1224
00:57:29,200 --> 00:57:31,000
Speaker 3: got to do. The first half of the dance blindfolded

1225
00:57:31,080 --> 00:57:31,680
Speaker 3: was pretty great.

1226
00:57:31,960 --> 00:57:37,080
Speaker 1: Yep, they got nine to nine eight nine. I would

1227
00:57:37,080 --> 00:57:38,520
Speaker 1: have given them nines across the board.

1228
00:57:38,560 --> 00:57:39,200
Speaker 2: I would have too.

1229
00:57:39,440 --> 00:57:42,280
Speaker 3: I would have too Cheryl, But Cheryl was she was

1230
00:57:42,280 --> 00:57:44,800
Speaker 3: harsh this, you know, and maybe she's the most real

1231
00:57:44,840 --> 00:57:45,400
Speaker 3: of all the judges.

1232
00:57:45,440 --> 00:57:45,800
Speaker 2: I don't know.

1233
00:57:45,840 --> 00:57:49,680
Speaker 1: But I thought from a more of an outsider perspective.

1234
00:57:49,360 --> 00:57:52,160
Speaker 3: I thought it was cool. They look great together. I

1235
00:57:52,240 --> 00:57:54,360
Speaker 3: just my heart broke for her, like his nose broke

1236
00:57:54,400 --> 00:57:57,360
Speaker 3: for her when because she just you could tell she

1237
00:57:57,560 --> 00:58:01,840
Speaker 3: just felt so bad that this happened. But yeah, he's great.

1238
00:58:01,880 --> 00:58:04,680
Speaker 3: He's super personable, very likable. He's gonna be there at

1239
00:58:04,720 --> 00:58:06,560
Speaker 3: the end. They're not kicking this guy off anytime soon.

1240
00:58:06,800 --> 00:58:10,479
Speaker 3: They announced that he also won the Sexiest Tattooed Guy

1241
00:58:10,680 --> 00:58:12,880
Speaker 3: for the People magazine.

1242
00:58:13,040 --> 00:58:13,959
Speaker 1: Know what they're talking about.

1243
00:58:14,400 --> 00:58:16,640
Speaker 3: So you know how People magazine does Sexiest Man Alive

1244
00:58:16,960 --> 00:58:20,600
Speaker 3: every year? Well, there's also subcategories. It's like sexiest funny

1245
00:58:20,600 --> 00:58:22,920
Speaker 3: guy sex so he was like sexiest tattoos.

1246
00:58:23,000 --> 00:58:25,160
Speaker 1: So they were actually referencing People magazine.

1247
00:58:25,240 --> 00:58:29,880
Speaker 3: Yeah, who cares people, That's why it's in the title.

1248
00:58:31,960 --> 00:58:38,800
Speaker 3: Just ascid throbbing wizard. Yeah, have things that she would

1249
00:58:38,840 --> 00:58:41,160
Speaker 3: do with your wand take on a whole different thing

1250
00:58:41,240 --> 00:58:49,920
Speaker 3: and romanticy So yeah.

1251
00:58:46,800 --> 00:58:54,160
Speaker 1: All right. Then we had this dance of thought, which stupid,

1252
00:58:54,680 --> 00:58:55,560
Speaker 1: was really dumb.

1253
00:58:55,720 --> 00:58:56,800
Speaker 2: It was so stupid.

1254
00:58:56,880 --> 00:59:00,240
Speaker 1: I like it in theory, but then the fact that

1255
00:59:00,320 --> 00:59:03,960
Speaker 1: the scoring ended up being almost exactly the order of

1256
00:59:04,000 --> 00:59:07,000
Speaker 1: the night, like they were in the order of their

1257
00:59:07,000 --> 00:59:08,800
Speaker 1: scores to the night. All it did was just make

1258
00:59:08,800 --> 00:59:10,320
Speaker 1: the top scorers top again.

1259
00:59:10,520 --> 00:59:10,760
Speaker 2: Yep.

1260
00:59:10,920 --> 00:59:12,960
Speaker 1: It was like, why are you doing this if you're

1261
00:59:13,000 --> 00:59:16,120
Speaker 1: literally going to eliminate them in the order of you know,

1262
00:59:16,280 --> 00:59:18,280
Speaker 1: like the only it seems like the only It came

1263
00:59:18,320 --> 00:59:21,720
Speaker 1: down to like whether Robert you know, and Whitney or

1264
00:59:23,320 --> 00:59:25,760
Speaker 1: Alex and it was just like, the same people are

1265
00:59:25,760 --> 00:59:28,440
Speaker 1: gonna win that were already gonna Look it's so dumb.

1266
00:59:28,800 --> 00:59:31,480
Speaker 3: This is also the first thing of the entire show

1267
00:59:31,560 --> 00:59:34,840
Speaker 3: that I thought was really poorly directed. Yeah, they're like

1268
00:59:34,880 --> 00:59:37,520
Speaker 3: they're kicking people off who aren't even on camera, Like, what,

1269
00:59:37,520 --> 00:59:39,600
Speaker 3: what's happening? What the hell is going on? It was

1270
00:59:39,640 --> 00:59:43,160
Speaker 3: just a mismash of it was weird. The whole thing

1271
00:59:43,240 --> 00:59:45,160
Speaker 3: was just I didn't get it and did the two

1272
00:59:45,160 --> 00:59:47,080
Speaker 3: points at the end, Like three points at the end.

1273
00:59:47,080 --> 00:59:50,720
Speaker 3: Does that really matter anymore? It's you give your arbitrary

1274
00:59:50,720 --> 00:59:52,680
Speaker 3: scores in America votes, you know.

1275
00:59:52,760 --> 00:59:55,880
Speaker 1: It's Yeah. When they kicked Andy and Emma off right away,

1276
00:59:55,920 --> 00:59:57,800
Speaker 1: I was like, really, yeah, we didn't even get to

1277
00:59:57,840 --> 00:59:59,360
Speaker 1: see them for any and then it was like, oh,

1278
00:59:59,400 --> 01:00:02,160
Speaker 1: we're just gonna kick the people who were down and

1279
01:00:02,480 --> 01:00:04,360
Speaker 1: just like and then we're just adding more to the same.

1280
01:00:04,840 --> 01:00:05,000
Speaker 2: YEP.

1281
01:00:05,200 --> 01:00:08,400
Speaker 1: I don't see this as allays like more.

1282
01:00:08,680 --> 01:00:12,160
Speaker 3: I will say from a physicality point of view, especially

1283
01:00:12,160 --> 01:00:13,560
Speaker 3: the people that were there at the end. You got

1284
01:00:13,600 --> 01:00:17,080
Speaker 3: to dance for like three or four minutes straight. I

1285
01:00:17,160 --> 01:00:19,600
Speaker 3: remember when I took boxing lessons once. My first lesson

1286
01:00:19,680 --> 01:00:21,560
Speaker 3: was I had to just hold my hands up with

1287
01:00:21,640 --> 01:00:23,920
Speaker 3: boxing gloves on for a one round, which is three.

1288
01:00:23,720 --> 01:00:26,000
Speaker 2: Minutes, and it was horrifying.

1289
01:00:26,360 --> 01:00:28,439
Speaker 3: So the idea that you've got to dance for three

1290
01:00:28,480 --> 01:00:31,880
Speaker 3: or four minutes straight is that in itself is just

1291
01:00:31,920 --> 01:00:35,920
Speaker 3: physically impressive, But the whole thing just I was like, wait,

1292
01:00:35,960 --> 01:00:36,840
Speaker 3: who do they kick off?

1293
01:00:36,880 --> 01:00:39,080
Speaker 2: What's happening? There's a grim Reaper? Who were not cutting

1294
01:00:39,080 --> 01:00:40,160
Speaker 2: to what the hell's going on?

1295
01:00:40,280 --> 01:00:43,120
Speaker 4: It was just say I was in the audience this week.

1296
01:00:43,400 --> 01:00:45,520
Speaker 2: Yeah, it played out.

1297
01:00:45,440 --> 01:00:47,880
Speaker 4: So much better in person than when I watched it

1298
01:00:47,920 --> 01:00:50,280
Speaker 4: back on TV, because I was like watching everyone on

1299
01:00:50,320 --> 01:00:53,439
Speaker 4: the floor and you would see the Grim Reaper come over.

1300
01:00:53,560 --> 01:00:56,080
Speaker 4: Because so what they would do is they would hold

1301
01:00:56,160 --> 01:00:58,479
Speaker 4: up a sign saying like Andy and em are out,

1302
01:00:58,680 --> 01:01:01,320
Speaker 4: and then the Grim Reaper would come over and pull

1303
01:01:01,360 --> 01:01:04,600
Speaker 4: them away and take them out. So in the ballroom

1304
01:01:04,960 --> 01:01:07,440
Speaker 4: it made sense on TV, it didn't translate.

1305
01:01:07,640 --> 01:01:08,560
Speaker 2: Yeah, well then they cut.

1306
01:01:08,600 --> 01:01:10,720
Speaker 3: They should cut to the judges holding up the placard

1307
01:01:10,760 --> 01:01:11,680
Speaker 3: and then cut the guys out.

1308
01:01:11,720 --> 01:01:13,919
Speaker 2: I mean, it was probably just too much visual.

1309
01:01:14,000 --> 01:01:16,480
Speaker 1: It was just too much happening. I think that's why. Yeah,

1310
01:01:16,480 --> 01:01:18,200
Speaker 1: it's hard to direct something like that, you know. It's

1311
01:01:18,200 --> 01:01:19,960
Speaker 1: when they kept cutting to the overhead.

1312
01:01:19,560 --> 01:01:22,040
Speaker 2: Shot, right, Okay, weird?

1313
01:01:22,760 --> 01:01:26,000
Speaker 1: All right, Well, I guess we don't have a Will

1314
01:01:26,080 --> 01:01:28,480
Speaker 1: Rider be on Dancing with the Stars.

1315
01:01:28,520 --> 01:01:30,000
Speaker 3: The only thing I was going to say to up

1316
01:01:30,000 --> 01:01:34,720
Speaker 3: the ante was I, unfortunately just got a call from ABC,

1317
01:01:36,800 --> 01:01:38,480
Speaker 3: and to do Dancing with the Stars, you have to

1318
01:01:38,480 --> 01:01:39,360
Speaker 3: sign a dual contract.

1319
01:01:39,400 --> 01:01:41,800
Speaker 2: You also have to hop over and do American Idol.

1320
01:01:42,560 --> 01:01:49,520
Speaker 1: Oh never, never, I just have to sing.

1321
01:01:49,720 --> 01:01:51,760
Speaker 3: You have to first dance and then go on tour,

1322
01:01:52,240 --> 01:01:53,640
Speaker 3: and then you have to go and you have to

1323
01:01:53,680 --> 01:01:56,120
Speaker 3: sing on Idol to start all over, and you have

1324
01:01:56,200 --> 01:01:58,080
Speaker 3: to sing on Idol, and then after that you have

1325
01:01:58,120 --> 01:02:00,200
Speaker 3: to go on Top Chef and then for some reason

1326
01:02:00,240 --> 01:02:00,520
Speaker 3: you have to go.

1327
01:02:00,560 --> 01:02:03,400
Speaker 1: On I would I would do like a something like

1328
01:02:03,520 --> 01:02:07,280
Speaker 1: But singing and dancing are just too close to my heart.

1329
01:02:07,360 --> 01:02:09,160
Speaker 2: It's too close, I know.

1330
01:02:10,040 --> 01:02:12,760
Speaker 3: So yeah, I got the game's over. You're on the show.

1331
01:02:12,880 --> 01:02:14,240
Speaker 3: We got to come up with a new one.

1332
01:02:14,200 --> 01:02:14,640
Speaker 1: All right.

1333
01:02:14,760 --> 01:02:16,240
Speaker 3: I don't know what it is. People have said, you

1334
01:02:16,280 --> 01:02:17,560
Speaker 3: have to ask me what I would do to be

1335
01:02:17,600 --> 01:02:18,000
Speaker 3: on the show.

1336
01:02:18,000 --> 01:02:21,320
Speaker 1: But there's I I think we could do that maybe.

1337
01:02:21,000 --> 01:02:21,440
Speaker 2: But there's no.

1338
01:02:21,560 --> 01:02:24,240
Speaker 3: But again I said no for different reasons. I just

1339
01:02:24,240 --> 01:02:25,880
Speaker 3: don't think I'd ever learned how to dance. Like the

1340
01:02:26,200 --> 01:02:28,240
Speaker 3: social media stuff. I don't do social media at all,

1341
01:02:28,280 --> 01:02:29,680
Speaker 3: but I could do it and forget it, Like I

1342
01:02:29,680 --> 01:02:31,960
Speaker 3: would have them run my social media platform.

1343
01:02:32,000 --> 01:02:33,400
Speaker 2: I would have nothing to do with it. I wouldn't

1344
01:02:33,400 --> 01:02:33,800
Speaker 2: look at it.

1345
01:02:33,840 --> 01:02:36,600
Speaker 1: So if they just asked right now, like let's just

1346
01:02:36,600 --> 01:02:39,240
Speaker 1: say they just ask for next season, you'd probably do it.

1347
01:02:39,240 --> 01:02:41,600
Speaker 2: Then maybe not.

1348
01:02:42,320 --> 01:02:44,840
Speaker 3: My anxiety would probably get the better of me because

1349
01:02:44,880 --> 01:02:49,280
Speaker 3: I have I have anticipatory anxiety. So the closer I

1350
01:02:49,320 --> 01:02:52,160
Speaker 3: got to having to do stuff like, oh my god,

1351
01:02:52,160 --> 01:02:54,680
Speaker 3: I have to dance tonight, I think my anxiety would

1352
01:02:54,680 --> 01:02:55,560
Speaker 3: probably get the better of me.

1353
01:02:55,640 --> 01:02:58,040
Speaker 1: Even if okay, let's just say they outright offered it

1354
01:02:58,080 --> 01:03:03,520
Speaker 1: to you based on having listened to this podcast and

1355
01:03:03,640 --> 01:03:06,200
Speaker 1: you know that it's based on your personality and them

1356
01:03:06,280 --> 01:03:10,600
Speaker 1: wanting you because who you are, and knowing that you're gonna,

1357
01:03:10,640 --> 01:03:13,440
Speaker 1: you know, probably not be a great dancer that you

1358
01:03:13,520 --> 01:03:16,280
Speaker 1: might be like Andy, right, but but you belove it,

1359
01:03:16,440 --> 01:03:18,440
Speaker 1: Like wouldn't that make you feel comforted?

1360
01:03:18,480 --> 01:03:18,760
Speaker 2: Maybe?

1361
01:03:19,080 --> 01:03:21,120
Speaker 3: I mean maybe I would certainly think about it. It wouldn't

1362
01:03:21,120 --> 01:03:23,560
Speaker 3: be an instant. No, I would definitely think about it.

1363
01:03:23,560 --> 01:03:26,680
Speaker 2: But it's just not for me. It's like it's just.

1364
01:03:26,680 --> 01:03:28,160
Speaker 1: Not for you. But yeah, I think that would be

1365
01:03:28,200 --> 01:03:30,720
Speaker 1: part of the charm. Maybe, you know, if they if

1366
01:03:30,760 --> 01:03:33,240
Speaker 1: you're coming in as like, hey, I'm a funny guy.

1367
01:03:33,400 --> 01:03:35,600
Speaker 1: I would love to get in better shape. This all

1368
01:03:35,640 --> 01:03:38,840
Speaker 1: works for me, but ultimately I'm gonna be a horrible dancer,

1369
01:03:39,120 --> 01:03:42,120
Speaker 1: I think, and then everybody's along for that journey.

1370
01:03:42,640 --> 01:03:43,760
Speaker 2: That could work, I mean, that could work.

1371
01:03:43,800 --> 01:03:45,520
Speaker 3: The thing that would also save me, though, is I

1372
01:03:45,520 --> 01:03:49,320
Speaker 3: would tell Danielle's story, so I'd be like, sometimes being

1373
01:03:49,320 --> 01:03:50,880
Speaker 3: with Jensen is not the easiest thing in the world,

1374
01:03:51,200 --> 01:03:51,440
Speaker 3: you know.

1375
01:03:52,640 --> 01:03:53,200
Speaker 2: Yeah, I don't know.

1376
01:03:53,240 --> 01:03:54,840
Speaker 3: I mean again, it wouldn't be an instant no, but

1377
01:03:54,920 --> 01:03:58,560
Speaker 3: it also it would definitely be seventy thirty no to

1378
01:03:58,640 --> 01:04:00,680
Speaker 3: start with, and then my wife woul probably have something

1379
01:04:00,720 --> 01:04:02,320
Speaker 3: to say about it too, so we'd have to.

1380
01:04:03,360 --> 01:04:05,640
Speaker 1: All right, that's it for this episode of Pod Meets Tworld.

1381
01:04:05,800 --> 01:04:08,400
Speaker 1: Join us next week as we continue watching season thirty

1382
01:04:08,400 --> 01:04:11,000
Speaker 1: four of Dancing with the Stars. We may not know

1383
01:04:11,040 --> 01:04:13,160
Speaker 1: a Charleston from a cheeze It, but we know what

1384
01:04:13,200 --> 01:04:17,040
Speaker 1: we learned way back in Phoenie's class. Danielle Fischel is

1385
01:04:17,080 --> 01:04:17,960
Speaker 1: the star of the show.

1386
01:04:18,560 --> 01:04:20,360
Speaker 2: She's a star, He's a star.

1387
01:04:21,280 --> 01:04:28,480
Speaker 1: You're fantastic dollin. Pod Meets World is an iHeart podcast

1388
01:04:28,480 --> 01:04:32,280
Speaker 1: producer hosted by Danielle Fischle, Wilfredell, and Ryder Strong. Executive

1389
01:04:32,280 --> 01:04:35,680
Speaker 1: producers Jensen Karp and Amy Sugarman, Executive in charge of production,

1390
01:04:35,800 --> 01:04:40,360
Speaker 1: Danielle Romo, producer and editor, Tarasubasch producer, Maddy Moore engineer

1391
01:04:40,360 --> 01:04:43,240
Speaker 1: and Boy meets World Superman Easton Allen. Our theme song

1392
01:04:43,400 --> 01:04:46,480
Speaker 1: is by Kyle Morton of Typhoon. Follow us on Instagram

1393
01:04:46,520 --> 01:04:49,560
Speaker 1: at Podmeats World Show or email us at Podmeats World

1394
01:04:49,600 --> 01:04:54,440
Speaker 1: Show at gmail dot com