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Speaker 1: Hi, everybody, Please enjoy this unpaywalled episode of the pro Version.

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Speaker 1: To hear more episodes like this, go to patreon dot

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Speaker 1: com slash the Flaker once.

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Speaker 2: Yeah, go ahead, go ahead.

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Speaker 1: I well, I whatever, we have a guess or whatever,

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Speaker 1: but I don't they can hear this. I think I

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Speaker 1: am gonna do what I was talking about doing last week,

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Speaker 1: and I am gonna start another bling ring.

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Speaker 2: I'm gonna do like a and actually and actually do

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Speaker 2: it for real this time.

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Speaker 1: Yes, because it was so half assed and corny ass,

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Speaker 1: and I just think like for me as a as

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Speaker 1: a forty something year old man, to really put both

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Speaker 1: fucking feet and butt cheeks behind doing a full ass

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Speaker 1: bling ring like hardcore smash and grabs and and get

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Speaker 1: a ring of bling that is substantial with some of

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Speaker 1: my cronies, with some of my buddies, yeah.

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Speaker 2: Not doing it for like one second and then going

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Speaker 2: to the news and being like we sw we we

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Speaker 2: accidentally did.

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Speaker 1: No doing it for a long time, getting shot and

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Speaker 1: killed by the police, you.

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Speaker 2: Know, taunting them with a letter before that that they

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Speaker 2: used to trace you.

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Speaker 1: This is the bling Ring. This is what's my name

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Speaker 1: as the leader. This is the Bling Master. Yes, this

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Speaker 1: is the bling master. By the time you read this letter,

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Speaker 1: I will already have gotten all of the bling for

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Speaker 1: my ring. I will strike again. Yeah. So I'm just

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Speaker 1: gonna do it. But I mean, I know we have

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Speaker 1: a guess and everything.

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Speaker 2: I just atention. He needs time to promote. It's like,

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Speaker 2: trust me, you'll have plenty of time in more than

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Speaker 2: you need. What do you call yourself over there these days?

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Speaker 1: What's the deal?

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Speaker 2: Yeah?

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Speaker 3: Currently senior editor, but uh, I'm pushing to be called comedy.

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Speaker 2: Critic, currently senior editor, currently senior editor, pushing to be

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Speaker 2: called comedy critic.

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Speaker 1: Pushing to who, like, who even talks to you? Just

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Speaker 1: call yourself that?

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Speaker 3: Well, I have been called that in the press.

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Speaker 1: So I so I was like, well, comedy critic.

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Speaker 3: Yeah, people are like Vulture's comedy critic Jesse David Fox,

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Speaker 3: which is my name. But I and so I was like,

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Speaker 3: they're already call me this. This is my title?

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Speaker 1: You want the David when you're just hanging out. No,

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Speaker 1: it's fine for this that it's Jesse David Fox, like,

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Speaker 1: and I know that's like what you write under because

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Speaker 1: already a Vulture writer named Jesse Fox.

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Speaker 3: Yeah, yeah, I need to distinguish from that person.

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Speaker 1: And then yeah, okay, but when we're just hanging out,

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Speaker 1: hopefully this podcast gets to a point where we're actually

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Speaker 1: just kind of chilling hanging out.

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Speaker 2: That's always my goal with the guests. Yes, so nice

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Speaker 2: to start with that, but if we need to sort

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Speaker 2: of ease into it over the course of the episode,

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Speaker 2: that's we can work with that. We'll work with whatever.

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Speaker 2: We'll honestly do whatever. He writes for Vulture Blog under

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Speaker 2: you know, part of New York the magazine. He is

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Speaker 2: famous in this show, which a lot of people don't

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Speaker 2: realize that he was a part of our only truly

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Speaker 2: failed episode that we ever did that we recorded in

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Speaker 2: New York, did a whole ass entire main feed episode

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Speaker 2: with with Jesse, David and Tom Sharpling right. Yes, that

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Speaker 2: was recorded by his associate producer Dudio. And then after

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Speaker 2: the show Jesse left and duty it was just like,

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Speaker 2: I'm sorry, I just couldn't handle that guy bullshit it.

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Speaker 2: And so that's what happened.

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Speaker 1: That was the only episode seemed unreleasable based purely on content.

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Speaker 1: It's become the stuff of legend. Yes, and I was

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Speaker 1: like time that there was a technical issue. Yeah.

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Speaker 3: Yeah, he sent me the technical issue because this is

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Speaker 3: what sounds like. It's just like, yes, you can't release.

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Speaker 2: That studio did that because of all the bullshit.

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Speaker 1: Yeah, he was kind of everything you said. He was

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Speaker 1: going this motherfucker.

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Speaker 3: Yeah, this guy shouldn't be on the main feed.

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Speaker 2: Yes. And so we're here in the pro version in

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Speaker 2: the same way as like, look, we do this dance

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Speaker 2: now we like we get like, let's just get into it.

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Speaker 2: The book's called Comedy Book and book. Kevin gets in there.

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Speaker 2: He knows what to do. Hit control F, search himself first, Okay,

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Speaker 2: whatever you need to do. Then search for the fellas

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Speaker 2: we're obviously not in there. It goes without knowing.

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Speaker 1: Well I want to do Wait, I didn't do that.

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Speaker 1: I skimmed the entire book. I didn't do control F.

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Speaker 1: Let me say this, Yeah, I'm fucking burning through it.

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Speaker 1: No no, no, no, no, no can't. Is there any

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Speaker 1: way this could get to me? No no, no, like

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Speaker 1: nothing that could possibly. Oh, here's a whole section on

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Speaker 1: like comedy podcasts and stuff. Is this Nope, not anywhere

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Speaker 1: near it. Nothing. Then I do find the name of

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Speaker 1: Hayes Davenport and Hayes Davenport is listed as a podcast host,

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Speaker 1: no mention of the name of the fucking show, no

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Speaker 1: mention that he co hosts it with someone else whose

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Speaker 1: name is also not in there. And I find myself thinking, yes,

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Speaker 1: this pitch.

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Speaker 2: Want to come on my show, and it's s come

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Speaker 2: for and it's it's of course designed to drive a

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Speaker 2: wedge between us, when instead all of our animosities should

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Speaker 2: be directed at Jesse David. We're not putting the name

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Speaker 2: of the show in there, our show not being in

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Speaker 2: the comedy podcast section. Now that's comedy.

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Speaker 1: That's actually got me. Like, that's theties book I've ever seen.

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Speaker 2: Now, that's a comedy book.

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Speaker 1: That's a real comedy book. Well my shows I mentioned

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Speaker 1: the comedy podcast section. Oh wow, that's really good comedy

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Speaker 1: now by this book.

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Speaker 2: But he's dangling the second edition. He's dangling the paperback

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Speaker 2: just like I got a main feed to dangle.

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Speaker 1: Oh that's what I got it. And so did you

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Speaker 1: make some distinction, like did some people get like a

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Speaker 1: galleys of the book and then some people got what

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Speaker 1: I did, which was like a thrice forwarded PDF of

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Speaker 1: some kind. Yeah, well, it's like the Chain of Fox.

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Speaker 1: The chain of possession had to be established for legal reasons.

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Speaker 3: I believe Kevin checked the thread where he goes Kevin,

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Speaker 3: should I send them copies of the book? And no

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Speaker 3: response to that. So it's so I said, well, here's

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Speaker 3: a PDF just in case they want to look at

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Speaker 3: it before.

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Speaker 1: I wish you had sent me.

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Speaker 2: And I wish you had.

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Speaker 1: I wish you had sent it to me, and I

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Speaker 1: wish you had written a little like to Sean, here's

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Speaker 1: your copy, so that my name would end up in

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Speaker 1: the fucking books somewhere would have.

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Speaker 3: The worst part is you guys were in it for

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Speaker 3: like many drafts of the book.

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Speaker 1: And that's something I I did have to ask about.

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Speaker 1: So who ended up chopping us out? I got cats

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Speaker 1: at Rand McNally, who's publishing this f.

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Speaker 3: SG and here's the Comedy Pocket.

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Speaker 1: There's like three yeah, JD f SG, f m L everybody.

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Speaker 3: So yeah, they're like.

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Speaker 1: What did it used to say?

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Speaker 3: I was talking about the flagrant runs and how you

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Speaker 3: have people making, uh, writing and recording full music parodies

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Speaker 3: for a show that they are paying for, and that

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Speaker 3: was an example of how comedy fans these days feel

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Speaker 3: like they are part about that.

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Speaker 1: Yeah, don't do that. Don't remind them they're paying to

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Speaker 1: hear themselves the content they worked on. That's like not

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Speaker 1: I did, so I took it out partly to protect

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Speaker 1: not what I'm proud of. Okay, I'm happy you took

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Speaker 1: that out.

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Speaker 2: Sure it would be a shame if I were to

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Speaker 2: put your scheme in my comedy book.

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Speaker 1: Mm hmm.

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Speaker 2: It goes to that saying. And of course you never

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Speaker 2: put Hollywood to handbook in here. Your this is your

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Speaker 2: officer Gatekeep. You're the original officer Gatekeep. It's got to

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Speaker 2: be your little thing, your special little thing has to

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Speaker 2: be fucking sheriff. The only Vulture Fest has to be

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Speaker 2: the only festival we get invited to. We get invited

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Speaker 2: every four years like clockwork.

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Speaker 1: Mm hmm. It's the Olympics for us.

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Speaker 2: Just when I'm gasping for it.

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Speaker 1: Yeah, like many professional athletes will have three cracks at

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Speaker 1: Vulturefest in our career, just like with the Olympics, you know.

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Speaker 1: And I hope that we do stick the landing on

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Speaker 1: the next one, because otherwise it'll all have been wasted.

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Speaker 3: Haven't already done three? I feel like you've done three already?

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Speaker 3: Did you two?

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Speaker 2: Me? Oh?

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Speaker 1: We yeah, we did one with Alex Bloomberg, we did

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Speaker 1: one with Tom tom and we did one with Bosh Bosh.

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Speaker 2: And the last one was was two years ago. Is

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Speaker 2: that right?

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Speaker 1: Yeah?

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Speaker 2: I think I'm already getting a little Yeah, I'm.

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Speaker 3: Getting man starting to think about what maybe in I

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Speaker 3: guess two years.

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Speaker 1: Ye, I'm starting to get a four year itch.

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Speaker 2: When Jesse said that he was in town for Vulturefest,

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Speaker 2: and I learned that Vulturefest was happening right here as

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Speaker 2: I'm trying to get ready to show by the way

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Speaker 2: I find out Vulture was Vulture Best was happening when

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Speaker 2: like tomorrow, Yeah, it's in two days, okay, so not tomorrow.

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Speaker 3: Yeah, like tomorrow.

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Speaker 2: So no, in two days.

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Speaker 1: Two days from now is a lot like tomorrow.

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Speaker 3: Yeah, especially because it's nighttime. It starts in the morning.

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Speaker 2: If this were a year ago, I could give a fuck.

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Speaker 2: I just did it last year. Yeah, I don't want

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Speaker 2: to do it again. But now two years I'm like,

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Speaker 2: I don't need to do it, but.

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Speaker 3: We move location, so we want to make sure it's

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Speaker 3: it's good before we invite y'all to it.

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Speaker 2: Staying ahead of the sheriff.

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Speaker 1: This guy even talks like a book he's gone so

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Speaker 1: book mode.

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Speaker 2: Who's the funny who's the funniest person in applications?

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Speaker 1: Fucking book? Ass? What you would write a book about it?

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Speaker 2: Who's the funniest person in the book?

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Speaker 1: Who made you laugh the most in the book when

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Speaker 1: you were writing about it?

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Speaker 2: Mm? And he doesn't even have to say I can't

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Speaker 2: like okay, I can read in his face. All you

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Speaker 2: have to do is ask and like you you can't

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Speaker 2: really see as And obviously Sewan is even better at

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Speaker 2: this than I am. But like, we don't we don't

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Speaker 2: need an answer when we ask questions on this show,

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Speaker 2: or like if we're just hanging out with you, we

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Speaker 2: asked the question and then we're good. You can chill.

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Speaker 2: We got the answer all over your fucking face, Doug.

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Speaker 1: You already told me man, and.

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Speaker 2: Out of courtesy to you, I will not be sharing

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Speaker 2: who you said, because it will it would it's very problematic.

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Speaker 2: It would not be good for sales. Let's put it

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Speaker 2: that way.

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Speaker 1: No, no, no, I'm like, it's like John Edwards crossing

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Speaker 1: over up in this piece, like I don't need you

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Speaker 1: to actually tell me anything, Like I'm getting it all.

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Speaker 1: You're giving me everything. I guess I'm getting, I'll tell

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Speaker 1: you what I'm getting, A C and a K. Now, look,

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Speaker 1: I want to know what the post is going to

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Speaker 1: look like. When you write about coming on this podcast,

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Speaker 1: let me I can read you my favorite Instagram caption

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Speaker 1: of the past week or so about someone appearing on

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Speaker 1: a podcast. When writing the book, I would listen to

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Speaker 1: long form a lot. Primarily I was trying to learn

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Speaker 1: things from the guests, but I'd be lying if it wasn't.

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Speaker 1: Also out of secret esque dream of being on one day,

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Speaker 1: I am on this week's episode and it rules. I'll

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Speaker 1: be the jude to that. Also, if you are a

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Speaker 1: journal I watch story link in my stories. So a

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Speaker 1: lot of things look, a lot of things were done right,

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Speaker 1: some things could be done better. The watch story thing

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Speaker 1: is genius because it does make me go now I

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Speaker 1: need to listen. Yeah, and I'm not even a journalist,

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Speaker 1: but if you're a journalist, please don't steal my watch story.

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Speaker 1: So there's some watch story that could be stolen by journalists,

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Speaker 1: and it's just enough of a specific to get me

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Speaker 1: clicking play and listening. Haven't done it yet. Have a

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Speaker 1: lot going on this.

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Speaker 2: Week that's interesting because watch story is the one thing

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Speaker 2: I don't want to do when I see Jesse's Instagram bodied.

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Speaker 2: So that was really funny, right about it? Remember when write, yeah.

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Speaker 1: That's for your next comedy book. I'm on this week's

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Speaker 1: episode and it rules, Jesse, it rules to be on it.

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Speaker 1: Right do you get to say that your episode rules?

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Speaker 3: You know what You're correct? That is unclear. I more

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Speaker 3: meant that it ruled to be on it, but it

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Speaker 3: does make it seem like the episode rules, and I

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Speaker 3: don't know if that's necessarily the case.

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Speaker 1: Well, if you think that's unclear, let me hit you

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Speaker 1: at the sentence before. I'd be lying if it wasn't

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Speaker 1: also out of secret esque dream of being on one day.

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Speaker 1: Now I know what you mean, sure, but for me.

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Speaker 2: I don't. Why would you be lying that wasn't I.

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Speaker 3: Don't remembers say it again, read it again.

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Speaker 1: I'd be lying if it wasn't also out of secret

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Speaker 1: esk dream of being on one day.

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Speaker 2: And so if if you listening secret capitalized, if you

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Speaker 2: listening to long form was not out of a secret

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Speaker 2: esque dream of being on the show one day, why

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Speaker 2: would you be lying? Yeah?

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Speaker 3: Be lying because the previous sentence, I believe implies that

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Speaker 3: I listened.

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Speaker 1: Uh, primarily I was trying to learn things from the guests. Yes,

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Speaker 1: but I'd be lying if it wasn't also out of

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Speaker 1: secret esk dream of being on one day.

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Speaker 2: Yeah.

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Speaker 3: Yeah, yeah, it's like a because I'm implying like, oh,

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Speaker 3: look at look at me, I'm like a good student,

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Speaker 3: but actually I am a snake.

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Speaker 2: But that's not what you said. Yeah, you said you

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Speaker 2: would be lying if you listening to long form if

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Speaker 2: the condition of you listening to law form was not

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Speaker 2: out of a secret esque dream of If you'd be

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Speaker 2: lying if you if that were not the case.

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Speaker 3: Yes, I'd be lying if that was not so, I'd

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Speaker 3: be lying.

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Speaker 2: You'd be lying if you said that, yes, that that

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Speaker 2: it was not out of the secret dream.

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Speaker 1: You wouldn't be lying if it wasn't. But that's not

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Speaker 1: what you said.

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Speaker 3: I'm going to do immediately edit this right when it leaves,

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Speaker 3: and then they.

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Speaker 2: Shouldn't let you do that. They should they should let

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Speaker 2: some people.

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Speaker 1: Know that should be locked in, because then it's going

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Speaker 1: to look like I'd be lying if I said that's

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Speaker 1: what you said exactly. Won't make you will not make

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Speaker 1: a fool of me.

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Speaker 2: But this is we got another law in New York,

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Speaker 2: Like this is how you like get you know, it's

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Speaker 2: it's the hustle, it's like the whole, it's whatever it

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Speaker 2: takes in New York, like whatever, I understand how it

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Speaker 2: works there. We like, I'm gonna be honest.

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Speaker 1: I'm going to do two captions now. Okay, first one's

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Speaker 1: law four thousand years ago. He's kidding four thousand years ago.

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Speaker 1: When I imagine moving back to New York to try to

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Speaker 1: become a professional writer. I wondered if i'd ever get

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Speaker 1: to meet Maris Slaughterhouse nine er two and zero was

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Speaker 1: the only tumbler I actually followed, and I thought it

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Speaker 1: was the coolest thing on the internet. I feel very

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Speaker 1: fortunate to be her friend.

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Speaker 4: Now.

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Speaker 1: It is quite meaningful that she enjoyed my book and

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Speaker 1: wanted to talk to me about it on her podcast

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Speaker 1: with a perfect name, and it's called the Maris Review.

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Speaker 1: Then I'm going to read another caption. I am on

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Speaker 1: the Bechdel Cast this week. Wow, I do not want

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Speaker 1: to get bechdel casted.

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Speaker 2: I only what are we gonna get? But I didn't

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Speaker 2: know that that the Bechdel cast treatment was an option

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Speaker 2: that's on the table now. I'm scared.

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Speaker 1: Well yeah, I mean, like this is terrifying to me.

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Speaker 1: First of all, there better be a grid post, and

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Speaker 1: the grid post better.

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Speaker 2: Have as Sorry, these are all on the grid.

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Speaker 1: He's hitting the griddy with everyone. I was here.

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Speaker 3: I did a poll asking if I'm supposed to put

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Speaker 3: everything on the grid and my stories. Readers including Sean said,

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Speaker 3: and I don't know if you voted, but.

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Speaker 2: I gotta vote democratic.

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Speaker 1: Vot you got no right to complain.

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Speaker 3: Yeah, so I believe I vote should put it. Did

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Speaker 3: you think they should all go on the grid?

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Speaker 1: Of course? Of course.

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Speaker 2: So there you go.

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Speaker 1: There's more to the post. I'm being unfair. I'm on

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Speaker 1: the Bechdel Cast this week talking about Ruby Sparks, Thank you,

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Speaker 1: Jamie Christ Superstar and Caitlyn Duranty. It was a manic

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Speaker 1: Pixie dream. Yeah, it's like a cute little joke. But

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Speaker 1: I just I just hope that we I hope we

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Speaker 1: get more and all respect to that podcast. But you know,

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Speaker 1: you see the Maris review one, you see the long

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Speaker 1: form one, You think, boy, this guy's really digging deep

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Speaker 1: to do these captions. So what do we think, think, Like,

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Speaker 1: what do we want to say? And if these guys

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Speaker 1: for a long time.

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Speaker 2: We can workshop some of the the quotes on this

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Speaker 2: as well. For the second edition, Tig on the cover says,

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Speaker 2: not a single personal life knows, consumes or truly loves

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Speaker 2: comedy like Jesse David Fox knows. She didn't say as

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Speaker 2: well as Jesse David Fox. No one knows consumes or

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Speaker 2: truly loves comedy like Jesse David Fox.

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Speaker 1: She's merely copping to the fact that you are an individual.

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Speaker 2: Specific, very specific in your tastes, in your predilections.

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Speaker 3: I think that's accurate. M.

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Speaker 1: Yeah, it has to be. It has to be. That's

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Speaker 1: something I think she's worried about getting pulled into court.

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Speaker 2: Let's look at this index COVID nineteen pandemic twenty seven,

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Speaker 2: one hundred and twelve, one hundred and fifty five, one

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Speaker 2: hundred fifty seven, one hundred eighty five to eighty six,

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Speaker 2: two fifty nine, two sixty sixty seven to ninety nine,

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Speaker 2: three or four, three oh six, three eleven to fourteen

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Speaker 2: comedians and two ninety three ninety four, three oh four

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Speaker 2: to three h five. Jesus, I'm lapping my ass off.

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Speaker 1: I'm losing my shit. Man. Well, we have twenty six

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Speaker 1: pages mentioning the COVID pandemic. I'm losing it.

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Speaker 3: It was happening while I was writing the book. How

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Speaker 3: could I not bring it up that much?

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Speaker 1: You did it? Now, explain this other Explain this other

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Speaker 1: grid post to me.

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Speaker 2: Oh, Stephen Crowder's in here.

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Speaker 1: Great, I got another grid post to go over in

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Speaker 1: the same chapter.

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Speaker 3: I think you're in.

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Speaker 2: Stephen Crowder is on page two eighty eight. I am

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Speaker 2: on page two seventy five. Great.

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Speaker 1: Thanks, yep, at thirteen pages make a craction between the

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Speaker 1: two of you. But he did it. There's thirteen pages

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Speaker 1: of like supporting evidence that it's like and that is

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Speaker 1: why Hayes is the same dude crowded. So I have

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Speaker 1: an I have another grid post I want to mention,

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Speaker 1: and I don't totally understand it. But I'm just looking

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Speaker 1: at the picture and I'm sort of skimming the post

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Speaker 1: as I did the book. Are you the one who

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Speaker 1: told Hassan Minaj to make up those stories?

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Speaker 3: Why do you ask?

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Speaker 1: It's as truth is what a comedian makes of it.

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Speaker 1: And then there's a photo of Hassan Minage and then

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Speaker 1: it says our comedy writer, Well, you wanted to be

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Speaker 1: called comedy critic. Our comedy writer Jesse David Fox wrote

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Speaker 1: a book exclamation Point. It's called Comedy Book, How Comedy

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Speaker 1: Conquer Culture and the magic that makes it work. And

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Speaker 1: lucky for us, we have a first look excerpt in

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Speaker 1: the bio Beat a little about a lot of the

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Speaker 1: US skibb it adh and the whole for comedy books,

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Speaker 1: blah blah blah, and then it says, was not to

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Speaker 1: change what people think about comedians and their comedy, but

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Speaker 1: how you want to? So you want to change how

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Speaker 1: I think. I do not use the term emotional truth,

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Speaker 1: but I get pretty close. So why did you make

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Speaker 1: Hassan say those things?

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Speaker 3: Because otherwise no one would care about the book. I

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Speaker 3: don't write about him, but like I write about things that.

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Speaker 1: Are He's not even in it.

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Speaker 2: He's on page one photo for the excerpt why Detected,

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Speaker 2: Why Detected?

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Speaker 1: Yeah, he's in the book.

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Speaker 3: I think it's in a parenthetical about people that were

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Speaker 3: on the Daily Show.

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Speaker 2: So that doesn't when you say I don't write about him,

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Speaker 2: you think the paradetical. No one can read those. Yeah,

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00:21:53,040 --> 00:21:56,600
Speaker 2: that's right, that's just just for Jesse.

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Speaker 1: That's some secret esque writing. I'd be lying if it

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Speaker 1: wasn't secret esplating when I did it parenthetical.

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00:22:02,600 --> 00:22:04,760
Speaker 2: It isn't a parenthetical. You're right, but it's a long

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Speaker 2: ass perpose.

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Speaker 3: That's a lot of people are on a daily.

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Speaker 1: Huge right, Well, I guess there's no lie detected there.

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Speaker 1: There were a lot of people on the Daily Show.

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Speaker 2: Catherine Zada Jones's book, Catherine Data Jones is in the book,

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Speaker 2: and Sean Clements is not. The book is called comedy Book,

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Speaker 2: Catherine Data Books.

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Speaker 1: We found our way to Catherine Zada Jones as Sean didn't.

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Speaker 3: Come out today. I was watching Ocean's twelve and I thought,

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Speaker 3: I wish I didn't put Catherine Zada Jones in the book, and.

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Speaker 1: I thought would have left a little bit of room.

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Speaker 1: How many pages is it his?

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Speaker 2: It is three hundred and sixteen, generously spaced.

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Speaker 1: So we're sub three point fifty to explain how comedy

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Speaker 1: concer culture and the magic that makes it work. And

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Speaker 1: we got to gather Dada Jones' me seems like we

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Speaker 1: were doing some filler at some point. I don't know,

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Speaker 1: I don't know. Maybe it's me, Maybe I'm crazy.

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Speaker 2: Narendra Mody, page one hundred and twenty five the first

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Speaker 2: half of the book. We get to Mody early. It

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Speaker 2: just seems early to get to Mody.

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Speaker 3: He's only in it once.

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Speaker 2: He is only in it once.

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Speaker 3: I thought maybe he's in it twice. But around the

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Speaker 3: same time.

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Speaker 1: Just killed a mosquito. They're still out there. Well, you know,

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Speaker 1: I mean, you've had a lot of space to.

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Speaker 2: Apologize and to devise your caption. We still got it.

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Speaker 2: We still have to do that.

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Speaker 1: We haven't. Yeah, we haven't really dug in at all

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Speaker 1: on what it's going to say. So give me a

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Speaker 1: taste of what it means, Doctor Luke. Fear it up,

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Speaker 1: Doctor Luke. Yeah, Doctor Laura as well, I believe.

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Speaker 2: Yeah, let's take a first pat.

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00:24:04,680 --> 00:24:08,520
Speaker 1: I mean, doctor Drew's got to be in there, Doctor Drew.

440
00:24:08,880 --> 00:24:11,320
Speaker 2: Do you just do it like off the written when

441
00:24:11,320 --> 00:24:13,399
Speaker 2: you are captioning this stuff, do you just kind of

442
00:24:14,720 --> 00:24:16,640
Speaker 2: roll your eyes back in your head and just let

443
00:24:16,680 --> 00:24:18,520
Speaker 2: the let your fingers go.

444
00:24:18,640 --> 00:24:21,440
Speaker 1: Are they preloaded? Is it like how they have obituaries

445
00:24:21,440 --> 00:24:25,160
Speaker 1: written already for people? Do you I wrote podcast captions?

446
00:24:25,400 --> 00:24:29,600
Speaker 2: It's like Jim Carrey wrote himself a million dollar check. Yeah.

447
00:24:29,640 --> 00:24:31,800
Speaker 3: When I was on the first time, I go this

448
00:24:31,920 --> 00:24:34,200
Speaker 3: is I can't wait for what. I'm back on the

449
00:24:34,240 --> 00:24:37,040
Speaker 3: show on main feed show. They're gonna invite me back

450
00:24:37,080 --> 00:24:40,200
Speaker 3: any day now as a make good for my main

451
00:24:40,240 --> 00:24:42,800
Speaker 3: episode not being on it. Sean wasn't even on that record.

452
00:24:42,960 --> 00:24:45,680
Speaker 2: Jim Carrey's in the book on three pages and pages

453
00:24:45,960 --> 00:24:47,800
Speaker 2: either fewer pages than Drew Michael.

454
00:24:49,960 --> 00:24:52,080
Speaker 3: I don't even remember what I talked about Jim Carrey.

455
00:24:51,840 --> 00:24:55,760
Speaker 2: About Jim Carrey is on pages eight, fifty eight and

456
00:24:55,800 --> 00:24:59,440
Speaker 2: sixty three. Michael is on.

457
00:24:59,680 --> 00:25:03,400
Speaker 1: I think Jim Carrey is a bigger comedian than I am.

458
00:25:03,800 --> 00:25:07,440
Speaker 1: I'm not crazy, like I haven't lost, you know, all

459
00:25:07,520 --> 00:25:10,040
Speaker 1: sense of scale. I do think Jim Carrey is a

460
00:25:10,040 --> 00:25:11,800
Speaker 1: bigger comedia. I'm trying to think of the I think

461
00:25:11,800 --> 00:25:13,240
Speaker 1: you should be on three different pages.

462
00:25:13,560 --> 00:25:16,159
Speaker 3: The least famous person that has the most pages.

463
00:25:17,400 --> 00:25:20,239
Speaker 1: In the book, I don't who do you think it is?

464
00:25:21,240 --> 00:25:25,560
Speaker 1: I have some ideas, but by fucking Hayes? Was it?

465
00:25:25,640 --> 00:25:25,880
Speaker 2: Hayes?

466
00:25:25,920 --> 00:25:28,240
Speaker 3: Hayes is one page.

467
00:25:27,920 --> 00:25:32,320
Speaker 2: A glancing mention, mm hmm, ruffles my hair a little

468
00:25:32,359 --> 00:25:37,040
Speaker 2: bit of moves along the mean while Nick Ciarelli pages

469
00:25:37,119 --> 00:25:41,800
Speaker 2: two to two fifty two. Oh yeah, and I really

470
00:25:41,840 --> 00:25:44,320
Speaker 2: that weren't enough. We come back for more on page

471
00:25:44,359 --> 00:25:47,119
Speaker 2: two fifty four. We just thought we were done with

472
00:25:47,240 --> 00:25:47,920
Speaker 2: Nick Cirelli.

473
00:25:48,000 --> 00:25:50,680
Speaker 3: Well, I'm summarizing that section after I go.

474
00:25:50,640 --> 00:25:55,680
Speaker 2: To the book section, this silly section, Well it's with Bradford.

475
00:25:56,760 --> 00:25:58,280
Speaker 2: I'm not even going to turn to that part of

476
00:25:58,280 --> 00:25:59,200
Speaker 2: the index.

477
00:25:59,520 --> 00:26:00,919
Speaker 3: Right about the same exact pages.

478
00:26:01,240 --> 00:26:05,480
Speaker 2: What about I mean, obviously, so you're you're writing the Captain.

479
00:26:06,040 --> 00:26:08,040
Speaker 2: I start with something. When I was a little baby,

480
00:26:09,880 --> 00:26:14,480
Speaker 2: I my like, my my dream was to be honest.

481
00:26:14,560 --> 00:26:19,879
Speaker 2: I told my mommy, okay, that I wanted to be

482
00:26:19,960 --> 00:26:23,880
Speaker 2: on Hollywood Handbook. And I couldn't say so. I said,

483
00:26:23,920 --> 00:26:25,520
Speaker 2: how we Holly would.

484
00:26:25,440 --> 00:26:32,119
Speaker 1: How we would hollywould hamd Book. Yeah.

485
00:26:32,280 --> 00:26:41,040
Speaker 2: I wish little baby JD could have could have seen

486
00:26:42,320 --> 00:26:54,879
Speaker 2: how much I rocked what I did the show.

487
00:26:57,200 --> 00:26:58,560
Speaker 1: The boys were loving.

488
00:26:58,280 --> 00:27:00,919
Speaker 2: My stuff, the perfect named show.

489
00:27:01,840 --> 00:27:06,080
Speaker 1: None of them called me Chuck further Man. That's my

490
00:27:06,160 --> 00:27:11,280
Speaker 1: little joke about writing a bunch of essays with pop

491
00:27:11,320 --> 00:27:20,399
Speaker 1: culture references. I think that could be really good. I

492
00:27:20,440 --> 00:27:26,840
Speaker 1: think that if it's talking about how he was telling

493
00:27:26,880 --> 00:27:28,760
Speaker 1: his mommy that he wanted to be on the show,

494
00:27:29,960 --> 00:27:33,040
Speaker 1: maybe it's like and I sit here so proud today

495
00:27:34,600 --> 00:27:40,679
Speaker 1: as she laughs her fucking guts out at their entire

496
00:27:40,880 --> 00:27:47,119
Speaker 1: catalog of incredible work, not just my episode, which is

497
00:27:47,160 --> 00:27:50,880
Speaker 1: worth subscribing for, but so many others. And you could

498
00:27:50,920 --> 00:27:54,520
Speaker 1: just start listing, you know, twenty five thirty episodes of

499
00:27:54,560 --> 00:27:58,120
Speaker 1: the show that people need to check out and Kwaald stuff.

500
00:27:58,280 --> 00:28:04,000
Speaker 2: Yeah cool. There's a section two hundred, two hundred and

501
00:28:04,000 --> 00:28:07,320
Speaker 2: eighty two to two ninety three is about bad little boys.

502
00:28:08,359 --> 00:28:10,240
Speaker 2: And Sean's not in that you.

503
00:28:10,240 --> 00:28:12,280
Speaker 3: Don't want to be, you know, you don't want to

504
00:28:12,280 --> 00:28:12,480
Speaker 3: be on.

505
00:28:12,520 --> 00:28:14,000
Speaker 1: That insane excuse.

506
00:28:14,119 --> 00:28:16,680
Speaker 2: He doesn't want to be, but he is. Of course

507
00:28:16,760 --> 00:28:17,600
Speaker 2: he doesn't want to be.

508
00:28:17,680 --> 00:28:19,439
Speaker 1: I don't want to be, and nobody wants me to be.

509
00:28:19,560 --> 00:28:22,720
Speaker 2: But the fact is it's undeniable.

510
00:28:23,880 --> 00:28:27,600
Speaker 1: I've been a little naughty lately. He's a bad little boy.

511
00:28:27,720 --> 00:28:29,120
Speaker 1: He's been a bad little boy.

512
00:28:29,359 --> 00:28:36,040
Speaker 2: I don't he needs to be punished, all.

513
00:28:36,000 --> 00:28:39,040
Speaker 1: Right, I'm trying to find my consequences.

514
00:28:41,320 --> 00:28:43,280
Speaker 3: In the next edition. I'll put you in a parenthetical

515
00:28:43,360 --> 00:28:44,760
Speaker 3: next to Andrew Schultz and.

516
00:28:48,400 --> 00:28:51,160
Speaker 2: Rick Gervaise. Well, we have a podcast with almost the

517
00:28:51,160 --> 00:28:52,200
Speaker 2: same exactly.

518
00:28:52,480 --> 00:28:58,560
Speaker 1: I know. Yeah, he comes, he comes across my feet

519
00:28:58,600 --> 00:29:01,800
Speaker 1: a little bit now and then and I do go like,

520
00:29:02,360 --> 00:29:03,960
Speaker 1: am I did I do this?

521
00:29:06,200 --> 00:29:12,400
Speaker 2: Yeah, how they know that's the Yeah, where the the

522
00:29:12,400 --> 00:29:15,240
Speaker 2: the Ginsburg and the I don't even think about you, meme.

523
00:29:17,760 --> 00:29:24,920
Speaker 2: That's not so bad. It's okay, comedy seller, Okay, a

524
00:29:24,960 --> 00:29:28,120
Speaker 2: lot of pages of the cellar. Yeah, they let you

525
00:29:28,120 --> 00:29:28,959
Speaker 2: sit at the table.

526
00:29:30,120 --> 00:29:30,680
Speaker 3: I think I said.

527
00:29:30,680 --> 00:29:34,400
Speaker 2: If you don't remember, the answer is no, you weren't

528
00:29:34,400 --> 00:29:36,560
Speaker 2: at the table. If the sentence you said, I think,

529
00:29:36,960 --> 00:29:38,600
Speaker 2: then it wasn't that table.

530
00:29:39,200 --> 00:29:41,240
Speaker 3: I stood in front of it, and I can't remember

531
00:29:41,240 --> 00:29:44,400
Speaker 3: if I sat down to talk to Gary Goleman, or

532
00:29:44,560 --> 00:29:46,160
Speaker 3: if I or if he stood up.

533
00:29:46,680 --> 00:29:50,240
Speaker 2: Uh huh, he's still there, friend, Yeah, you would also

534
00:29:50,280 --> 00:29:52,360
Speaker 2: remember if he You don't sit.

535
00:29:52,280 --> 00:29:54,520
Speaker 1: Here here, let me show you the really great table.

536
00:29:56,040 --> 00:30:00,920
Speaker 1: Just take you outside, sit you down to Denny's across

537
00:30:00,960 --> 00:30:04,280
Speaker 1: the street. This is where it really happens.

538
00:30:05,960 --> 00:30:08,080
Speaker 3: Do you have any big interviews at Vulture Fest this

539
00:30:08,120 --> 00:30:13,440
Speaker 3: weekend that you're doing. I'm interviewing Robin THEDI. Wow, she's

540
00:30:13,680 --> 00:30:17,400
Speaker 3: she's teaching a comedy class, a comedy writing class, bigd.

541
00:30:21,200 --> 00:30:25,440
Speaker 2: Call it that. Call it that now, yes, change the

542
00:30:25,480 --> 00:30:28,640
Speaker 2: name of the event, change the name of the event, yes,

543
00:30:28,720 --> 00:30:33,760
Speaker 2: the big thet all right. She's probably been known to

544
00:30:34,120 --> 00:30:35,640
Speaker 2: partake every now and then.

545
00:30:36,280 --> 00:30:39,640
Speaker 1: Mm hmm, a thediocre interview.

546
00:30:40,520 --> 00:30:43,920
Speaker 3: That's it, and I'm introducing Chelsea Pretty's doing a play

547
00:30:44,080 --> 00:30:46,200
Speaker 3: she wrote. Her podcast is.

548
00:30:46,120 --> 00:30:48,240
Speaker 2: Back, and you're introducing.

549
00:30:47,640 --> 00:30:48,560
Speaker 3: It and introducing it.

550
00:30:50,000 --> 00:30:53,600
Speaker 2: Okay, mm hmm, what what what's the plan for that?

551
00:30:54,400 --> 00:30:54,920
Speaker 3: I don't know?

552
00:30:55,360 --> 00:30:57,160
Speaker 1: How do we do it? I haven't seen plays get

553
00:30:57,240 --> 00:30:59,720
Speaker 1: introduced a lot. Usually when I go the play, just

554
00:30:59,760 --> 00:31:00,760
Speaker 1: start So.

555
00:31:01,160 --> 00:31:03,240
Speaker 2: How are you going to talk? Are you like? How

556
00:31:03,280 --> 00:31:06,080
Speaker 2: well you're doing it? The introduction? During the introduction, it's

557
00:31:06,080 --> 00:31:06,680
Speaker 2: gonna be tough.

558
00:31:07,880 --> 00:31:09,800
Speaker 3: I think it's mostly just gonna be about how our

559
00:31:09,840 --> 00:31:14,040
Speaker 3: podcast is back and how that's exciting it is? It

560
00:31:14,120 --> 00:31:14,720
Speaker 3: is exciting?

561
00:31:15,120 --> 00:31:16,000
Speaker 2: No, I mean it's back?

562
00:31:16,080 --> 00:31:20,680
Speaker 3: Yeah, yeah, yeah, it's on Big Money Players.

563
00:31:21,000 --> 00:31:24,040
Speaker 1: Is there as if she wants us to be on it?

564
00:31:24,120 --> 00:31:25,160
Speaker 2: Is there a Patreon?

565
00:31:26,160 --> 00:31:28,080
Speaker 3: I don't think I have not seen her announce a patreon.

566
00:31:29,200 --> 00:31:32,080
Speaker 1: If we get on the podcast, the next book.

567
00:31:32,520 --> 00:31:34,600
Speaker 3: About your episode of call Chelsea Pretty?

568
00:31:34,760 --> 00:31:35,120
Speaker 1: Yeah?

569
00:31:35,560 --> 00:31:35,680
Speaker 3: Right?

570
00:31:35,760 --> 00:31:38,760
Speaker 1: Does that make the book? What do I have to

571
00:31:38,800 --> 00:31:39,280
Speaker 1: do here?

572
00:31:42,480 --> 00:31:45,160
Speaker 2: Renoir is in this that keeps.

573
00:31:45,520 --> 00:31:48,240
Speaker 1: Keeps moving the fucking target for me?

574
00:31:50,040 --> 00:31:52,320
Speaker 3: If I do an extended version, I will put back

575
00:31:52,360 --> 00:31:55,760
Speaker 3: the thing about flagrant once and I put in, but

576
00:31:55,840 --> 00:31:59,520
Speaker 3: all those funny songs your subscribers paid to write for you,

577
00:32:00,240 --> 00:32:00,880
Speaker 3: excuse me.

578
00:32:01,000 --> 00:32:03,960
Speaker 1: We also wrote some funny songs, so.

579
00:32:03,960 --> 00:32:05,160
Speaker 3: There hasn't been songs in a while.

580
00:32:06,120 --> 00:32:11,840
Speaker 1: I know, we're just it's so crazy lately, you know,

581
00:32:12,000 --> 00:32:15,760
Speaker 1: I mean, the COVID nineteen pandemic wrote half your book.

582
00:32:15,800 --> 00:32:17,880
Speaker 2: You want five months of not being allowed to do

583
00:32:17,960 --> 00:32:22,360
Speaker 2: other work like it's it's just crazy.

584
00:32:22,160 --> 00:32:26,920
Speaker 1: Crazy made, it's all so crazy, But now you can

585
00:32:26,920 --> 00:32:28,680
Speaker 1: get well, I guess.

586
00:32:28,360 --> 00:32:37,600
Speaker 4: I'll be beaten feet right about now, you know, like

587
00:32:37,800 --> 00:32:39,240
Speaker 4: I would love to go a longer.

588
00:32:41,400 --> 00:32:47,320
Speaker 1: There's talk about it. Sure was fine to see you,

589
00:32:47,440 --> 00:32:50,840
Speaker 1: mister comedy book and I and I and I did

590
00:32:50,920 --> 00:32:55,760
Speaker 1: love it and and uh until next time to mister

591
00:32:57,080 --> 00:33:01,080
Speaker 1: just Jesse Fox Now to me, oh bye

592
00:33:01,560 --> 00:33:03,280
Speaker 4: Ooa Hollywood, Hamburg