1
00:00:00,280 --> 00:00:03,200
Speaker 1: Stacy's Mom has got it going on. It's one more thing.

2
00:00:04,400 --> 00:00:06,640
Speaker 1: I'm strong Andy, one more thing.

3
00:00:10,240 --> 00:00:14,120
Speaker 2: I'm a great fan of that. Fountains of Wayne pop trifle,

4
00:00:14,440 --> 00:00:15,280
Speaker 2: can't wait to hear Mom.

5
00:00:15,440 --> 00:00:18,079
Speaker 1: Fountains of Wayne are awesome. But the main guy died

6
00:00:18,120 --> 00:00:21,520
Speaker 1: from COVID right when COVID hit the guitar player. Yeah

7
00:00:22,640 --> 00:00:26,079
Speaker 1: that sucks, Yeah it does. He was a young man too.

8
00:00:29,560 --> 00:00:32,800
Speaker 1: Before we get to something related to the song Stacy's

9
00:00:32,800 --> 00:00:36,120
Speaker 1: Mom and Fountains of Wayne, which is a humor based

10
00:00:38,040 --> 00:00:41,320
Speaker 1: I came across this headline. These twenty three classic baby

11
00:00:41,400 --> 00:00:44,360
Speaker 1: names are facing extinction in the US. They're about to

12
00:00:44,400 --> 00:00:46,760
Speaker 1: fall off the list completely, so somebody'd have to go

13
00:00:46,760 --> 00:00:48,080
Speaker 1: out of their way to bring them back.

14
00:00:48,360 --> 00:00:48,680
Speaker 2: I guess.

15
00:00:49,080 --> 00:00:51,120
Speaker 1: I mean, you can't make a name extinct. I mean,

16
00:00:51,159 --> 00:00:53,639
Speaker 1: see Elon Musk. You can name your kid anything you want.

17
00:00:53,680 --> 00:00:57,640
Speaker 1: Nobody can stop you. Sure, But the names that are

18
00:00:57,640 --> 00:00:59,880
Speaker 1: about to fall off the list, and these used to be.

19
00:01:00,000 --> 00:01:02,200
Speaker 2: If that reminds me, I'm sorry. Before you get to that,

20
00:01:04,480 --> 00:01:07,000
Speaker 2: can I say this, Well, of course I can say this.

21
00:01:08,240 --> 00:01:13,679
Speaker 2: A friend who I work with, his wife is an obstetrician.

22
00:01:14,760 --> 00:01:19,320
Speaker 2: That's when you look at women's you who's well, that's

23
00:01:19,360 --> 00:01:21,479
Speaker 2: one way to put it. Yes, you deal with the

24
00:01:21,520 --> 00:01:27,559
Speaker 2: reproductive parts of ladies. Yes, thank you. I'm so glad

25
00:01:27,560 --> 00:01:33,160
Speaker 2: you're here, Katie, because you can say that. And the

26
00:01:33,280 --> 00:01:40,000
Speaker 2: stories she has heard amaze and the tattoos she has seen,

27
00:01:40,240 --> 00:01:46,200
Speaker 2: oh what, including one one woman? I think I can

28
00:01:46,240 --> 00:01:47,040
Speaker 2: tell his story.

29
00:01:47,280 --> 00:01:48,360
Speaker 3: I'm sure you can.

30
00:01:49,960 --> 00:01:52,920
Speaker 2: Should I though, oh man, not want to get him

31
00:01:52,920 --> 00:01:53,160
Speaker 2: in trust.

32
00:01:53,200 --> 00:01:54,480
Speaker 1: So we're talking about tattoos on the you.

33
00:01:54,520 --> 00:01:58,600
Speaker 2: Who, oh my god, or in the you who will region.

34
00:01:58,600 --> 00:02:01,200
Speaker 3: The sympathy pain I'm right now is.

35
00:02:02,000 --> 00:02:08,000
Speaker 1: Sign did even without the pain, just as a lifestyle choice, right,

36
00:02:08,160 --> 00:02:11,680
Speaker 1: and sometimes it's just in the suburbs but not in

37
00:02:11,720 --> 00:02:12,480
Speaker 1: the city center.

38
00:02:12,800 --> 00:02:17,239
Speaker 2: But uh, can I say this? You know what? I

39
00:02:17,560 --> 00:02:20,440
Speaker 2: can't say it. I'm gonna make this up completely. This

40
00:02:20,600 --> 00:02:24,440
Speaker 2: is Joe Geddy lying and creating fiction that is in

41
00:02:24,520 --> 00:02:28,040
Speaker 2: no way based on any truth ever spoken by anybody.

42
00:02:29,240 --> 00:02:32,679
Speaker 2: One gal who is well on in years, had a

43
00:02:32,760 --> 00:02:37,920
Speaker 2: boxing glove to either side and the caption hit it

44
00:02:38,040 --> 00:02:38,760
Speaker 2: like a champ.

45
00:02:40,600 --> 00:02:45,760
Speaker 1: Oh no, oh my god, Now didn't it appear? Was

46
00:02:45,800 --> 00:02:49,200
Speaker 1: the was the tattoo saggy like her age like she'd

47
00:02:49,200 --> 00:02:51,120
Speaker 1: gotten no whe who younger? Did she get it like

48
00:02:51,200 --> 00:02:53,720
Speaker 1: when she was in her golden ears.

49
00:02:53,200 --> 00:02:56,760
Speaker 2: Too busy laughing at this conversation that never took place

50
00:02:57,200 --> 00:02:58,919
Speaker 2: to follow up with any questions.

51
00:02:59,160 --> 00:03:03,000
Speaker 1: It's like, am so then you have to think as

52
00:03:03,040 --> 00:03:07,200
Speaker 1: a dude or a woman. I guess if she's a lesbian.

53
00:03:07,440 --> 00:03:11,799
Speaker 1: But your first you know, you become intimate after months

54
00:03:11,800 --> 00:03:15,400
Speaker 1: of dating and courting and then of course marriage, you decide.

55
00:03:15,080 --> 00:03:16,840
Speaker 2: To decide you love each other very much.

56
00:03:16,880 --> 00:03:19,360
Speaker 1: You decide to become intimate, and this is the first

57
00:03:19,360 --> 00:03:23,840
Speaker 1: time you become aware of your the love of your life. Uh,

58
00:03:24,600 --> 00:03:27,240
Speaker 1: having it to too, that's hit it like a champ.

59
00:03:28,280 --> 00:03:30,440
Speaker 3: Unless that tattoo is like a week old.

60
00:03:30,720 --> 00:03:32,799
Speaker 2: Yeah, I'm gonna have questions.

61
00:03:33,280 --> 00:03:35,440
Speaker 3: It's just reeks of class, you know.

62
00:03:35,800 --> 00:03:39,120
Speaker 1: Yeah, what do am I? Hm? How disturbed am I

63
00:03:39,200 --> 00:03:43,360
Speaker 1: at that point? Am I thinking? Eh, maybe not? Or

64
00:03:44,240 --> 00:03:45,360
Speaker 1: you're not who I thought you were?

65
00:03:45,680 --> 00:03:49,480
Speaker 2: Or and yesked, Michael, do you bring a boxing bell

66
00:03:49,600 --> 00:03:53,000
Speaker 2: to bed'll get ready?

67
00:03:53,040 --> 00:03:54,160
Speaker 1: Yeah? You do that whole round?

68
00:03:54,200 --> 00:03:57,800
Speaker 2: What was that a statement of kind of general principle

69
00:03:58,240 --> 00:04:02,760
Speaker 2: or was that like a specific message to a lover

70
00:04:02,880 --> 00:04:09,480
Speaker 2: of her past? I would have questions? So, baby, I

71
00:04:09,520 --> 00:04:13,360
Speaker 2: can't help but notice you've I'm going at a whole

72
00:04:13,480 --> 00:04:14,240
Speaker 2: set of to two.

73
00:04:14,520 --> 00:04:19,560
Speaker 1: That's my goal, regardless of your signage anyway, Right.

74
00:04:19,440 --> 00:04:21,839
Speaker 3: You didn't, I don't tell me to do that, right.

75
00:04:21,760 --> 00:04:24,200
Speaker 2: Right, exactly. It's extraneous motivation.

76
00:04:25,640 --> 00:04:27,040
Speaker 3: This is reminding me that's.

77
00:04:26,839 --> 00:04:28,280
Speaker 1: My general practice.

78
00:04:28,760 --> 00:04:31,440
Speaker 4: Right, This is reminding me of one of the funniest things.

79
00:04:31,440 --> 00:04:34,440
Speaker 4: So my mother got a tattoo for her fiftieth birthday

80
00:04:34,839 --> 00:04:37,720
Speaker 4: and it is a dolphin that is jumping over a shamrock.

81
00:04:37,800 --> 00:04:41,680
Speaker 4: And her big line was like, yeah, in fifteen years,

82
00:04:41,680 --> 00:04:44,000
Speaker 4: it'll be an eel stuck in a pine tree.

83
00:04:45,920 --> 00:04:46,480
Speaker 3: Wow.

84
00:04:47,240 --> 00:04:51,120
Speaker 2: The comedy stylings of Katie's mom, she's fantastic.

85
00:04:54,520 --> 00:04:56,200
Speaker 1: So does this where were we?

86
00:04:56,320 --> 00:04:56,400
Speaker 5: So?

87
00:04:56,480 --> 00:04:59,000
Speaker 1: Does this made up? Doctor?

88
00:04:59,680 --> 00:04:59,920
Speaker 2: Yes?

89
00:05:00,320 --> 00:05:02,640
Speaker 1: Find a way to I just need to check my

90
00:05:02,680 --> 00:05:04,440
Speaker 1: messages real quick, and then you kind of lean your

91
00:05:04,440 --> 00:05:07,400
Speaker 1: phone this way, quick turn the sound off again.

92
00:05:08,320 --> 00:05:10,640
Speaker 2: No time for follow ups because I was laughing too much.

93
00:05:10,920 --> 00:05:12,080
Speaker 1: You'd want a picture of that.

94
00:05:12,800 --> 00:05:16,279
Speaker 2: And then the list of names she has to sign,

95
00:05:16,320 --> 00:05:20,719
Speaker 2: the birth certificate that people give their kids, many of

96
00:05:20,760 --> 00:05:21,880
Speaker 2: them ill considered.

97
00:05:22,080 --> 00:05:27,880
Speaker 1: But moving speaking of names, these baby names are facing extinction,

98
00:05:28,040 --> 00:05:29,599
Speaker 1: just a couple of them that are about to fall

99
00:05:29,640 --> 00:05:31,159
Speaker 1: off the list. So if you're about to have a kid,

100
00:05:31,520 --> 00:05:34,360
Speaker 1: keep these names alive. Name your girl Kathy. I have

101
00:05:34,480 --> 00:05:37,599
Speaker 1: a cousin named Kathy, perfectly nice name for people our age.

102
00:05:38,440 --> 00:05:40,840
Speaker 1: But nobody's naming their kid dad anymore. If I had

103
00:05:40,839 --> 00:05:43,600
Speaker 1: friends and they had a baby, Oh she's cute, what's

104
00:05:43,600 --> 00:05:47,359
Speaker 1: her name, Kathy? I think that's interesting, nothing wrong with it.

105
00:05:47,400 --> 00:05:55,719
Speaker 1: But al is headed out the door. Bess Bess Verne,

106
00:05:57,240 --> 00:05:59,720
Speaker 1: and Wally vern is a good name.

107
00:06:02,600 --> 00:06:03,680
Speaker 3: It's stuck on Bess.

108
00:06:03,960 --> 00:06:07,720
Speaker 1: It's interesting that it goes. It's just it's just like

109
00:06:08,240 --> 00:06:10,119
Speaker 1: my son and I were talking about this with cars

110
00:06:10,120 --> 00:06:15,160
Speaker 1: the other day, with how you know a ten year

111
00:06:15,200 --> 00:06:17,720
Speaker 1: old car is that it's like lowest peak of value

112
00:06:17,839 --> 00:06:19,760
Speaker 1: ten to fifteen years or something like that, and then

113
00:06:19,800 --> 00:06:21,520
Speaker 1: you get to like twenty thirty years and you wish

114
00:06:21,520 --> 00:06:23,560
Speaker 1: you'd have kept it because it's like seems cool now,

115
00:06:23,880 --> 00:06:25,599
Speaker 1: you know. So it is just that whole thing, and

116
00:06:25,760 --> 00:06:31,120
Speaker 1: names do that, obviously, because names between forty six, nineteen

117
00:06:31,160 --> 00:06:34,359
Speaker 1: forty six and nineteen sixty four are dropping off the list.

118
00:06:34,720 --> 00:06:37,200
Speaker 1: Names previous to forty six, as we all know, are

119
00:06:37,240 --> 00:06:40,320
Speaker 1: starting to make a comeback, like the re early nineteen hundreds,

120
00:06:40,360 --> 00:06:43,440
Speaker 1: Old timy names I've made it. Yeah, yesture, all right,

121
00:06:44,480 --> 00:06:46,320
Speaker 1: and it's just they come and go out of fashion

122
00:06:46,360 --> 00:06:52,200
Speaker 1: and then, you know, so it doesn't mean anything. But

123
00:06:53,920 --> 00:06:56,000
Speaker 1: yeah again, I have friends and they have a baby

124
00:06:56,040 --> 00:06:57,360
Speaker 1: and they say we named her best.

125
00:06:58,640 --> 00:07:02,440
Speaker 4: They've all been replaced by Aiden's and Braden's and right.

126
00:07:03,040 --> 00:07:05,680
Speaker 2: Right, and of course the Irish form of Catherine Caitlin

127
00:07:06,000 --> 00:07:08,880
Speaker 2: and Judy and I knew nobody who named their kid

128
00:07:08,960 --> 00:07:10,960
Speaker 2: Caitlin when we named our kid Caitlyn, and then it

129
00:07:11,000 --> 00:07:12,720
Speaker 2: became like the most popular name on earth.

130
00:07:14,160 --> 00:07:16,120
Speaker 4: And I frequently get asked if I'm a Kathy when

131
00:07:16,120 --> 00:07:18,280
Speaker 4: I tell people that, you know, if I introduce, if

132
00:07:18,280 --> 00:07:20,200
Speaker 4: I'm doing something like official, and I'll say, oh, you know,

133
00:07:20,440 --> 00:07:21,080
Speaker 4: my name is Caitlyn.

134
00:07:21,120 --> 00:07:24,240
Speaker 3: I'll be like, oh, Kathy. I've had that happen more

135
00:07:24,240 --> 00:07:24,880
Speaker 3: times than once.

136
00:07:26,440 --> 00:07:30,560
Speaker 1: I don't know. So this song, do enough people know

137
00:07:30,600 --> 00:07:32,680
Speaker 1: the original song for this to be enjoy I guess

138
00:07:32,680 --> 00:07:34,200
Speaker 1: we're assuming. So yeah, it was a big hit.

139
00:07:34,600 --> 00:07:37,200
Speaker 2: And if you don't, you know, grab it, listen to it.

140
00:07:37,200 --> 00:07:37,800
Speaker 2: It was a catchy.

141
00:07:37,920 --> 00:07:39,960
Speaker 1: It was about a kid going over to his friend's

142
00:07:39,960 --> 00:07:44,520
Speaker 1: house and he recognizes that his friend's mom is kind

143
00:07:44,560 --> 00:07:46,080
Speaker 1: of hot, and he wishes he could get with her.

144
00:07:46,840 --> 00:07:49,640
Speaker 2: Well, yeah, specifically he's going over to his girlfriend's house

145
00:07:49,680 --> 00:07:51,520
Speaker 2: thinking I don't want to be with you, I want

146
00:07:51,520 --> 00:07:52,600
Speaker 2: to be with your mom.

147
00:07:54,600 --> 00:07:56,680
Speaker 1: Sordid and so we've got that. I haven't heard this

148
00:07:56,720 --> 00:07:58,640
Speaker 1: thing any other setup required, Katie.

149
00:07:59,000 --> 00:08:01,600
Speaker 4: This is it's basically talking about how now that we're older,

150
00:08:01,640 --> 00:08:02,280
Speaker 4: this song.

151
00:08:02,160 --> 00:08:04,200
Speaker 1: Is okay, gotcha?

152
00:08:04,280 --> 00:08:04,760
Speaker 2: Okay.

153
00:08:05,320 --> 00:08:12,640
Speaker 5: I have so many questions now for Stacy's mom. Stacy's mom, like,

154
00:08:13,480 --> 00:08:15,840
Speaker 5: why did she come out with just.

155
00:08:15,880 --> 00:08:17,000
Speaker 3: A towbl a.

156
00:08:18,080 --> 00:08:20,040
Speaker 1: That's a good question, tobl on.

157
00:08:21,760 --> 00:08:25,960
Speaker 5: When she knew that kid was gone and low her grass,

158
00:08:27,480 --> 00:08:32,480
Speaker 5: low her graph. Stacy's mom is like the people Chris

159
00:08:32,600 --> 00:08:38,600
Speaker 5: Hansen would have dancing with nance And I know growing

160
00:08:38,760 --> 00:08:41,720
Speaker 5: up it was a fantasy.

161
00:08:41,760 --> 00:08:45,120
Speaker 1: It's a little different now then I'm thirty three.

162
00:08:45,840 --> 00:08:52,320
Speaker 5: Stacy's mom she put some clues, he says, and he's

163
00:08:52,360 --> 00:08:55,400
Speaker 5: so wrong, Stacy, can't you seen.

164
00:08:55,360 --> 00:08:56,880
Speaker 1: It's gonna be a feeling me.

165
00:08:57,640 --> 00:09:00,480
Speaker 2: I know it's just a song, but so things.

166
00:09:02,360 --> 00:09:03,480
Speaker 1: That's pretty clever.

167
00:09:04,120 --> 00:09:06,000
Speaker 2: That's funny. I missed that one line in the middle

168
00:09:06,040 --> 00:09:07,360
Speaker 2: that you guys thought was so funny.

169
00:09:07,679 --> 00:09:11,040
Speaker 1: Being called by Chris Hanson, the guy who does the predator. Yeah,

170
00:09:11,080 --> 00:09:11,800
Speaker 1: that is funny.

171
00:09:11,960 --> 00:09:14,199
Speaker 4: You're seeming like one of the people Chris Hansen would

172
00:09:14,240 --> 00:09:17,360
Speaker 4: ca a hatch, hands would catch.

173
00:09:17,880 --> 00:09:19,000
Speaker 2: Oh that's beautiful.

174
00:09:20,000 --> 00:09:21,520
Speaker 4: He goes on and one of the things he goes

175
00:09:21,520 --> 00:09:23,480
Speaker 4: could you imagine if it was Stacy's dad?

176
00:09:23,559 --> 00:09:24,160
Speaker 3: How bad this?

177
00:09:24,480 --> 00:09:29,800
Speaker 1: Oh yeah, but you're right. You got your daughter's teenage

178
00:09:29,880 --> 00:09:31,720
Speaker 1: boyfriend at the house. You don't come out and just

179
00:09:31,760 --> 00:09:35,240
Speaker 1: a towel and flaunt it. That makes you a weirdo.

180
00:09:36,840 --> 00:09:39,240
Speaker 3: This could be a felony.

181
00:09:40,120 --> 00:09:43,360
Speaker 1: Now that I'm thirty three, seems kind of weird. Something's

182
00:09:43,360 --> 00:09:44,720
Speaker 1: wrong with Stacy's ball.

183
00:09:46,800 --> 00:09:49,800
Speaker 2: I always the thing I liked about Fountains of Wayne

184
00:09:49,880 --> 00:09:54,679
Speaker 2: was how they were willing to not take themselves seriously

185
00:09:54,880 --> 00:09:59,679
Speaker 2: at all, with like pooh ooh ooh nobody, nobody would

186
00:09:59,720 --> 00:10:00,920
Speaker 2: sing that life.

187
00:10:00,800 --> 00:10:03,840
Speaker 1: Ooo oooh ooh no no.

188
00:10:04,400 --> 00:10:08,320
Speaker 2: And then it's perfect, incredibly well crafted pop music. I

189
00:10:08,360 --> 00:10:09,520
Speaker 2: mean really good.

190
00:10:09,880 --> 00:10:12,160
Speaker 1: My son, my twelve year old's favorite song from that album,

191
00:10:12,320 --> 00:10:13,840
Speaker 1: just loves it so much, as that one about I'm

192
00:10:13,840 --> 00:10:17,480
Speaker 1: gonna get my shit together. Oh I can't live like

193
00:10:17,600 --> 00:10:18,559
Speaker 1: this forever?

194
00:10:18,880 --> 00:10:25,760
Speaker 2: Yeah yeah, yeah, Fountains of Wayne, May they flow forever

195
00:10:25,920 --> 00:10:26,520
Speaker 2: in our hearts.

196
00:10:26,559 --> 00:10:29,079
Speaker 1: I was actually surprised, and then I'll be done talking

197
00:10:29,120 --> 00:10:30,760
Speaker 1: about fountains wayn because I don't know how many people

198
00:10:30,760 --> 00:10:32,800
Speaker 1: know who that band is. But they have several songs,

199
00:10:32,840 --> 00:10:36,200
Speaker 1: quite a few songs that are about modern life, about

200
00:10:36,600 --> 00:10:40,320
Speaker 1: like the modern workplace. And I thought, Okay, that's gonna

201
00:10:40,320 --> 00:10:43,680
Speaker 1: become a thing because it's so relatable for young people,

202
00:10:43,840 --> 00:10:46,640
Speaker 1: you know, in their experiences with modern workplace. But it hasn't.

203
00:10:47,160 --> 00:10:48,800
Speaker 1: And I don't know why, but I thought that would

204
00:10:48,800 --> 00:10:52,679
Speaker 1: become a genre of music, you know, just modern cubical life,

205
00:10:53,080 --> 00:10:53,920
Speaker 1: cubicle rock.

206
00:10:54,160 --> 00:10:55,960
Speaker 2: Yeah, that sound attractive.

207
00:10:56,160 --> 00:10:58,200
Speaker 1: Wow, Well, they have several great songs that are great

208
00:10:58,240 --> 00:10:58,640
Speaker 1: about it.

209
00:10:58,679 --> 00:11:01,560
Speaker 4: But that's actually because think about the show The Office,

210
00:11:01,600 --> 00:11:02,440
Speaker 4: How that took office?

211
00:11:02,440 --> 00:11:08,520
Speaker 2: You did that musically exactly? Also known as cashier pop right,

212
00:11:09,160 --> 00:11:14,840
Speaker 2: dead end job? Yeah, what does bts? The Korean kids

213
00:11:14,880 --> 00:11:18,360
Speaker 2: sing about love, and of course nobody's in nobody has

214
00:11:18,440 --> 00:11:22,200
Speaker 2: sex in Korea, so why bother right crushes?

215
00:11:22,240 --> 00:11:24,240
Speaker 1: They all have crushes and giggle about it, I guess,

216
00:11:24,240 --> 00:11:25,840
Speaker 1: but never actually get to see there, you know, they

217
00:11:25,920 --> 00:11:27,360
Speaker 1: never get to hit it like a champ if you don

218
00:11:27,320 --> 00:11:27,840
Speaker 1: know what I'm saying.

219
00:11:27,920 --> 00:11:30,280
Speaker 2: Yeah, which is god tragic.

220
00:11:31,240 --> 00:11:35,520
Speaker 3: Full circle life may be like a boxing match, but

221
00:11:35,640 --> 00:11:40,400
Speaker 3: sex shouldn't be Yes. Well, I guess that's it, Well,

222
00:11:40,440 --> 00:11:42,800
Speaker 3: said Michael