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Speaker 1: Donald. They are making a Lando series for Disney Plus,

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Speaker 1: and uh, Donald Lover's coming back and I just don't

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Speaker 1: see how anyone could avoid you being on this show.

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Speaker 1: Wait Donald's when did How did I miss this morning?

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Speaker 1: Oh see, Joel, I had it right. Yeah, this is

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Speaker 1: brand new news. Uh. They think they just dropped a trailer.

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Speaker 1: I haven't watched the chair trailer. Yeah, I think Yeah,

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Speaker 1: somebody was saying that there's some images on Disney Plus.

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Speaker 1: So I'm not sure if they cut a trailer from

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Speaker 1: nobody call me listen. Wait, Joel, it's already been filmed. No,

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Speaker 1: it hasn't been filmed. No, no, no, I think it's

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Speaker 1: footage from Solo that's been caught up like that, Like yeah,

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Speaker 1: but he's in there doing his Landau thing and they're

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Speaker 1: like coming soon and Lando CALRISI and listen. I was

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Speaker 1: gonna say, Solo is a good movie. Y'all can hate

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Speaker 1: if you want to and act like so I didn't

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Speaker 1: make it through. Let me just listen. Let me just

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Speaker 1: tell you something right now. It was nothing wrong with Solo.

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Speaker 1: It was a fun Star Wars movie. If it had

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Speaker 1: come out before the Last Jedi when everybody was kind

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Speaker 1: of over Star Wars for that little bit of time.

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Speaker 1: I promise you it would have been well received. The

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Speaker 1: problem was it was Rogue One, the Last Jedi, and

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Speaker 1: then Solo, all within a year and a half, and

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Speaker 1: Nat freaking made it so everyone was like, I'm not

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Speaker 1: up there. It's too much Star Wars. For me. It's

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Speaker 1: too much Star Wars. But listen, listen. If that would

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Speaker 1: have if that were the Force Awakens, let's say, how

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Speaker 1: about this now, I'm not gonna go down to wormhole.

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Speaker 1: What if that was one of them, if that was

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Speaker 1: one of the first television shows. Let's say that was

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Speaker 1: what the Mandalorian was, if Solo was what the Mandalorian was.

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Speaker 1: When it came on, everybody and it and and and

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Speaker 1: they were like, look, we're not gonna make it a movie.

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Speaker 1: We're just gonna make it a television show. We're gonna

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Speaker 1: do nine episodes of Solo. And the first episode was

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Speaker 1: the movie that we saw. Everybody would be losing their

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Speaker 1: mind on how great Solo was, So don't give me

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Speaker 1: a bullshit. It was just too much Star Wars. Okay

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Speaker 1: for our own podcast, Yeah, exactly. And I also think

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Speaker 1: anytime a directors are replaced with a new director, and

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Speaker 1: that director comes in and has to sort of start

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Speaker 1: from whatever point he's starting. I mean, it's kind of

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Speaker 1: a recipe for a disaster. It's two different movies. There's

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Speaker 1: the there's the Christ and Film movie, and then there's

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Speaker 1: the Ron Horward movie. I would have really liked to

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Speaker 1: have seen the Christ and Film movie, because they're they're

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Speaker 1: funny dudes. But but I guess my my assumption was

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Speaker 1: always that they must have gone off too far in

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Speaker 1: there in their own direction. And Kathleen Kennedy, the woman

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Speaker 1: who you can't recognize from her identical twin, probably thought like, Hey,

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Speaker 1: that's not the tone of this. What are you guys doing.

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Speaker 1: I don't know, I don't know what I made that up.

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Speaker 1: I made that up in my head, Joel. But doesn't

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Speaker 1: sound like it's realistic. I'm very curious to know the

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Speaker 1: real story of what all went down. I've heard a lot,

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Speaker 1: a lot of rumors, but there's there's nothing conferred. Everyone's

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Speaker 1: being very tight lipped as of now. I think it's

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Speaker 1: a story we'll hear more about in five or ten years. Well,

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Speaker 1: I think yeah, one day. Yes. Everybody's so excited for

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Speaker 1: the Snyder DC cut and everything like that, is it

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Speaker 1: really going to be better than the Justice League movie? Though?

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Speaker 1: I don't know, but all I can tell you is this,

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Speaker 1: I'm just asking out there. Joel nodded her head like

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Speaker 1: I don't know. Dan nodded his head like I don't know.

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Speaker 1: But everybody bought whatever the HBO Max. Is that what

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Speaker 1: it is? Yeah? Yeah, you have to buy HBO Max?

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Speaker 1: Or is it if you have you have Hbo do

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Speaker 1: you just get HBO Max? No? You actually answer this question. No,

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Speaker 1: if you have a subscription, you do not need to

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Speaker 1: buy it. You can use your can log in like

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Speaker 1: your you're yeah, like if I have it through if

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Speaker 1: I have it through my cable or whatever, I have it, Okay.

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Speaker 1: But if you don't have it and you're like, I'd

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Speaker 1: rather just pay like ten dollars and have the HBO

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Speaker 1: streaming experience, you can do that as well, and it's

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Speaker 1: totally worth it. There's so much content. And when does

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Speaker 1: the Snyder cut drop? That is a Google question. Let

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Speaker 1: me find out sting And how are you a day show?

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Speaker 1: Are you? Well? I'm you know, doing it the best

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Speaker 1: I can. California just reached reached number one in the

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Speaker 1: US with Yeah. Congrats everybody, congrats we did We did

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Speaker 1: a thunderous applause Dan, No, how about instead of thunderous applause, Dan,

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Speaker 1: you just do thunderous booing. Yeah, jeers, Dan, jeers. We

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Speaker 1: did work, good work, did it? Good work? La could work, California.

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Speaker 1: We are the worst, dude. We're gonna be making movies

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Speaker 1: and Stad nobody's gonna make anything here. Well, you know

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Speaker 1: it's okay, though, it's okay. We had it coming. We

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Speaker 1: were so freakingy. This is Canada's chance, you know, how

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Speaker 1: like if we're in pole position for production and Canada's like,

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Speaker 1: oh shit, and now you can hold in the cars

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Speaker 1: and they take it on the turn and then they

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Speaker 1: make a move on turns. Yeah, this is Canada's chance

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Speaker 1: to come in. Just steal all the US production. Good luck.

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Speaker 1: They can do it right now. You can do it

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Speaker 1: right now, Canada, right now, Canada. You need to make

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Speaker 1: the incentives even bigger and bam, it's over. Just don't

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Speaker 1: tax us, just don't tax us. Everyone will come. Do

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Speaker 1: you know that the film industry started in my in

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Speaker 1: my hometown, well, my home neighborhood of what well Edison's

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Speaker 1: Black Mariah, where he was making the very first films

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Speaker 1: was in West Orange, New Jersey. That's where his laboratory

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Speaker 1: and where he did all his work was. You can

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Speaker 1: actually go there. It's a museum. And the Black Mariah

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Speaker 1: was his first sound stage. I don't know if you

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Speaker 1: guys know this trivia and the Black Mariah was a

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Speaker 1: rectangle or square that sat on a giant circular track

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Speaker 1: and so it could spin. It had a sunroof and

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Speaker 1: it would spin to find the light because Edison needed

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Speaker 1: so much light to make these films that the roof

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Speaker 1: would open and the whole thing would rotate three hundred

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Speaker 1: and sixty degrees to find the sun. And so the

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Speaker 1: movie industry begins and it's like, holy shit, this is

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Speaker 1: the thing. And then someone goes, why are we doing

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Speaker 1: this in New Jersey? Why don't we do this where

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Speaker 1: the sun is always out and it's always seventy five

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Speaker 1: degrees and it's always sunny, and we don't have to

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Speaker 1: We can do whatever the how we want. And that's

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Speaker 1: how this song. All the leaders, all the leaves are brown,

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Speaker 1: and this guy is great, and this guy is great.

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Speaker 1: California Candyfunia Tree on a Way Tuesday. Hey, Well that

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Speaker 1: was that was a beautiful ndition that was written a

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Speaker 1: few years later in the sixties. Okay, but that's about

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Speaker 1: living in Laurel Canyon. And I think right being, there's

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Speaker 1: a great documentary on the Laurel Canyon music scene. I

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Speaker 1: highly It's called Laurel Canyon, I believe, and it's on

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Speaker 1: epics UM and there's a two parter and it's about

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Speaker 1: the music scene in the sixties and the seventies and

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Speaker 1: Laurel Canyon, and it's just fucking great if you love

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Speaker 1: music and music documentaries. I do love music and I do.

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Speaker 1: How are you man? It's I'm good. Heather Lockleer's here today.

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Speaker 1: That's a thing that's amazing. First, is she here, Dan, Joel?

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Speaker 1: Is she in the waiting room? Probably we should probably

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Speaker 1: get into this shing. Nobody leaves Heather in the corner.

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Speaker 1: Heather in the corner. I'm nervous. Can I be honest

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Speaker 1: with you that I'm nervous too. I'm gonna be honest

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Speaker 1: with you. Yes, I knew that we had a guest,

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Speaker 1: and I knew that it was someone of importance. Yes,

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Speaker 1: I did not. I'm afraid I did not know the

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Speaker 1: magnitude of the guests this week. I how did you

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Speaker 1: not know that it was Heather Locklear. She's the only

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Speaker 1: star in the episode that would that we would ask,

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Speaker 1: I mean, who did you think it might be besides

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Speaker 1: Heather Locklear? I thought it was Shay because this is

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Speaker 1: such an important episode. Also, no Shay were specifically requested

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Speaker 1: his story, which I believe is the episode Johnny C voiceovers, Okay,

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Speaker 1: so I think that's one of Shay's favorites. So we said, Shay,

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Speaker 1: you pick because this is such an important story in

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Speaker 1: the whole you know, scrubs thing. This episode is so important.

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Speaker 1: I never imagine in my whole life that I would

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Speaker 1: ever be in in a position to keep Heather Locklear winning.

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Speaker 1: Let's not doing anymore sending stop it. Seven stories about

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Speaker 1: Shore we made about a bunch of dots and nurses,

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Speaker 1: and Jan said, he's the stories. So gather around you.

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Speaker 1: Here are yeado around you? Here a Heather? Can you

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Speaker 1: get us? Here we go. I got so excited. My

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Speaker 1: dogs are all barking. Now, hey, shut up, I'm talking

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Speaker 1: to Heather lock Clear. How are you guys? Hi, Heather?

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Speaker 1: We are so excited you're doing this. We're very deep

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Speaker 1: saying Donald, you look like you're in a closet with clothes.

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Speaker 1: What's going on? Where are he is at in a

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Speaker 1: closet with clothes that you nailed it? This is my closet.

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Speaker 1: I share it with my wife. I was hoping because

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Speaker 1: there's some nice thing. Yeah, put something up, something else up,

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Speaker 1: because it was just my golf shirts and stuff. She

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Speaker 1: would like, that's ugly to look at. Let me put

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Speaker 1: Let me put Oh, you didn't tell me that those

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Speaker 1: dresses were up as background designed by Casey. I thought

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Speaker 1: that they were outfit she might be wearing soon. Now

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Speaker 1: you're telling me that the Donald might be or Donald

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Speaker 1: might be wearing. But you're now you're saying that Casey

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Speaker 1: didn't like the look of the closet on the and

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Speaker 1: decorated a little bit. Yeah, she put up. She put

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Speaker 1: up something so that the backdrop was a little different.

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Speaker 1: The camera is so Zach, you're all happening there that, Yes, Heather,

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Speaker 1: I I well, Donald has you. Donald has two young children,

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Speaker 1: and so he kind of has to hide out in

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Speaker 1: his walking closet to do this here. I put my

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Speaker 1: dog out with my boyfriend because he would bark and

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Speaker 1: be all over and and my daughter just left Donald,

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Speaker 1: I have to say, she just wanted to say that

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Speaker 1: she has a crush on you. I don't think she Yeah,

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Speaker 1: I don't think she ever saw it Scrubs, but she

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Speaker 1: I don't think she was alive, but I think she

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Speaker 1: saw Uptown Girls together and right were We've been talking

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Speaker 1: about this now we have so much to ask you.

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Speaker 1: But wait, since you brought it up, let's start with

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Speaker 1: Uptown Girls. Donald's told us a lot of fun memories

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Speaker 1: of making that movie. Howther did you have a good

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Speaker 1: time making that movie? No, he had good friends with

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Speaker 1: the co stars. He really didn't talk to me. I

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Speaker 1: think we had one night out. Yeah. He was really sweet,

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Speaker 1: but he had He was very much in a group,

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Speaker 1: and I was the old lady of everything. So I

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Speaker 1: was like, okay, that's not it at all. Were you

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Speaker 1: too cool for school? For so wevous? I was so nervous, Yes,

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Speaker 1: I was. He was, he was he was trust me,

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Speaker 1: I was. That's so sweet? We had we I think

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Speaker 1: we had one just one night out, right, that was it.

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Speaker 1: It was one long night, long night in a line

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Speaker 1: or something. Yeah, yeah, but if yeah, that was it.

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Speaker 1: Fun time. I enjoyed making that movie. I enjoyed being

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Speaker 1: in that city in the summertime. That was so cool.

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Speaker 1: I know, I was like, I'll all go to New York.

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Speaker 1: That's great. It's so rare when someone actually lets you

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Speaker 1: shoot in Manhattan these days or even those days. So

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Speaker 1: when someone's like it's a movie and you're like, okay,

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Speaker 1: I like the script, they're like, and it's shooting in Vancouver. Yeah, exactly,

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Speaker 1: exactly right, That's how it always. We were just saying

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Speaker 1: that how Vancouver has an opportunity right now, right this

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Speaker 1: mo yeah, right, but they could snatch up all the work.

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Speaker 1: I know. We just said that before you, before you

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Speaker 1: came out and Heather, we were saying that Canada is

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Speaker 1: in a position since the since COVID is just devouring

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Speaker 1: Los Angeles to steal production once and for all. Oh

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Speaker 1: for sure, yeah, just not with us. Yeah we're not

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Speaker 1: allowed in, but maybe one day to let us in.

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Speaker 1: Maybe one day to let us in. We never really

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Speaker 1: wanted to go to Canada so much, I know, and

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Speaker 1: now and now it's exact. It's exactly like like life

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Speaker 1: when someone's like, now we don't now you know, now

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Speaker 1: we're all please let us in, please let be let

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Speaker 1: us be in a relationship. With you right exactly, Heather.

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Speaker 1: I was just looking at your IMDb, and an actor

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Speaker 1: could only dream to have had the length of a

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Speaker 1: career you've had. I mean you have. I can't I

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Speaker 1: I donald, and I can only hope that that we

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Speaker 1: have a fraction of the success you've had over your life.

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Speaker 1: Oh you already do no, No, no, you're started. No,

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Speaker 1: you start right. I'm older than you. Well, i'm older

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Speaker 1: than you. Time to catch up. You have a smigels.

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Speaker 1: But but you started very young. And now is it

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Speaker 1: true that I was just looking? What was the was

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Speaker 1: it Chips? Your very first job, That's what I mean?

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Speaker 1: He says. It was my first job, my first line,

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Speaker 1: make them stop? Please make them stops, and remember that

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Speaker 1: was good. It was actually a group of motorcycle riders

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Speaker 1: throwing a girl up in a blanket. I don't know

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Speaker 1: if it was me or someone else, but I remember

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Speaker 1: for the audition, I was always nervous and um. For

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Speaker 1: the audition. I heard the girl before me say make

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Speaker 1: them so, please make them talk, and I'm like, oh,

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Speaker 1: that's the way I'm supposed to do it. So I

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Speaker 1: copied her. You stole her line reading I'm gonna try

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Speaker 1: that yes, I did. I was. Yeah, it was very good.

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Speaker 1: So wait, why was it so these motorcycle man? I

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Speaker 1: just want to catch the scene. They have a teenage

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Speaker 1: girl in a blanket and they're throwing I think there's

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Speaker 1: two of us and um and I think, yeah, they

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Speaker 1: might be throwing the other girl up in a blanket

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Speaker 1: and there she's so terrified of these guys and I'm screaming,

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Speaker 1: make them stop. I don't know who I'm screaming too.

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Speaker 1: Probably probably to punch, Yeah, probably to punch your job.

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Speaker 1: I hope it was John or Punch that came to

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Speaker 1: your rescue. Yeah, it's like if you're on if you're

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Speaker 1: on Chips and like your storyline didn't involve pont puncher

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Speaker 1: John point Ye. I wonder if that happen with us,

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Speaker 1: like people like you know, Heather, you got to do

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Speaker 1: two episodes and you got to interact with almost everyone. Yeah,

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Speaker 1: I'd be funny if you came to do a show

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Speaker 1: that was popular and like you never your storyline didn't

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Speaker 1: include any of the lead character. Can you imagine You're like, oh,

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Speaker 1: it's that's well. Oh, actually there was something I did.

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Speaker 1: I did the First Wives Club, and there was a

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Speaker 1: couple of scenes and there was there was a couple

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Speaker 1: of scenes that they cut out of me, and then

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Speaker 1: the only scene that I had at no lines, and

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Speaker 1: one of the actors were at a funeral and he's

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Speaker 1: supposed to take his hand and touch my breast and

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Speaker 1: they show that and he actually touched more than It

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Speaker 1: was kind of gross, and so I said, can you

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Speaker 1: just take my name off the credit since now I

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Speaker 1: don't have any lines or and you know I saw

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Speaker 1: everyone from Afar, so it was credit less. So wait,

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Speaker 1: you're in the First Wives Club and the only thing

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Speaker 1: that happens is a man grabs your breast. He doesn't

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Speaker 1: grab it, he actually outlines my area with his finger.

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Speaker 1: I didn't say that in the script. I was like,

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Speaker 1: I'm so glad they're following his hand down because my face,

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Speaker 1: my mouth is fallen open and I can't believe it.

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Speaker 1: And don't do it again. Just one take and let's go.

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Speaker 1: Oh my god. Yeah, you know, I you know, I've

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Speaker 1: never asked someone this, but it's just it must be.

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Speaker 1: It's a it's a blessing because you're such a stunning

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Speaker 1: woman and always have been a sex I think it's

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Speaker 1: safe to say you were a sex symbol because you

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Speaker 1: are you are were okay, no, you were in art

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Speaker 1: and uh is it ever? Because Donald and I never

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Speaker 1: faced this problem. We're not sex symbols. But I mean,

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Speaker 1: did you ever feel like did you feel like did

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Speaker 1: you did you sometimes feel like guys like I don't

292
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Speaker 1: I want to do the part, but I don't want

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Speaker 1: to do that that random sex scene with that guy,

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Speaker 1: Like does that have to be in there? Does that

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Speaker 1: come up? Well, it wasn't really. We were at we

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Speaker 1: were in a funeral. We were on the benches at

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Speaker 1: the church. Yeah, so it was, and so there was

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Speaker 1: more to the part, and I had feeling the bigger,

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Speaker 1: bigger scenes, and that's they just thought they, I don't know,

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Speaker 1: maybe I was bad in it, and they went, let's

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Speaker 1: just put that. I doubt it. You're one of the viewer.

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Speaker 1: You're one of the very few people. You're one of

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Speaker 1: the people that we were talking about you because you're

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Speaker 1: one of the very few people that was on two

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Speaker 1: hit shows at the same time, right right, that was

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Speaker 1: very cool. I tell us about that you were doing,

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Speaker 1: you were doing um Dynasty, Dynasty and and t J Hooker. First,

308
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Speaker 1: I did, how opposite can you be? Um, and Dynasty.

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Speaker 1: I think they let me go because they were letting

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Speaker 1: someone else go and I'm like, okay, So then I

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Speaker 1: got this other job t J. Hooker, and then they

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Speaker 1: brought me back, so um, you know I would we

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Speaker 1: work week here in a couple days on Dynasty and

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Speaker 1: it was no big deal. I wasn't the main purse character,

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Speaker 1: so it's only had a few lines in each thing.

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Speaker 1: It wasn't tough about it was a big deal because

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Speaker 1: that doesn't ever happen to anybody. Yeah, it two different networks.

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Speaker 1: It two different networks. Now it was ABC and it

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Speaker 1: was they were both spelling o that. Yeah. Did love

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Speaker 1: Heather Locklear? He sure did? And then he passed away

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Speaker 1: and then I'm like, jobless, don't say that, don't say

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Speaker 1: you listen to Bill Bill Lawrence clear Well, I did

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Speaker 1: Spin City and I'm not sure if he was writing

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Speaker 1: on it then or not. I'm not sure what the

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Speaker 1: thing was. Maybe he left, but I think he might

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Speaker 1: have created it. Is that true or not? Yes, he

327
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Speaker 1: created the show, and I'm sure if he wasn't writing that,

328
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Speaker 1: he obviously thought you were very funny something. Yeah, but

329
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Speaker 1: he also you know, Bill is a very one thing

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Speaker 1: about our friends. He's very loyal and when he likes people,

331
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Speaker 1: he likes to work with them over and over again.

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Speaker 1: So even if he wasn't writing the show at the time,

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Speaker 1: the fact that you were on the show means he

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Speaker 1: was like, oh, you know, he's obviously seen your work

335
00:17:26,640 --> 00:17:29,359
Speaker 1: and thought, oh, she's so funny, she's so beautiful. And

336
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Speaker 1: well I befriended his wife, and so now I get

337
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Speaker 1: Christmas cards. Oh that's the way in, that's the way

338
00:17:36,600 --> 00:17:39,639
Speaker 1: that is. It's always the wife. Chris. What was t J.

339
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Speaker 1: Hooker like, because we always hear all these Shattner stories,

340
00:17:42,840 --> 00:17:46,200
Speaker 1: mostly from Star Trek, but but you knew like Shatner,

341
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Speaker 1: I mean, this is a long time ago. Well, he

342
00:17:49,160 --> 00:17:52,040
Speaker 1: was very intimidating to me, and he's like, when you

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Speaker 1: stop speaking, saying, you know, like you can't think for

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Speaker 1: any lines, kind of like on your Sean Scrubs, you

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Speaker 1: can't think, you can't go hum. I mean you do,

346
00:17:59,480 --> 00:18:01,240
Speaker 1: you guys do, because then you have that bubble where

347
00:18:01,280 --> 00:18:03,440
Speaker 1: you're doing something else. But he would say, if you

348
00:18:03,520 --> 00:18:06,480
Speaker 1: stop speaking and take I'm gonna start, I'm gonna jump in.

349
00:18:06,960 --> 00:18:10,119
Speaker 1: So I'm like baa. And it was always like license

350
00:18:10,200 --> 00:18:12,720
Speaker 1: plate numbers. I'd have to remember, oh, license plate blah

351
00:18:12,720 --> 00:18:14,480
Speaker 1: blah blah, blah blah, and this and blah blah. And

352
00:18:14,480 --> 00:18:16,920
Speaker 1: they'd have different fifty different characters in one show, and

353
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Speaker 1: so I was just delivering them boring information and it

354
00:18:19,200 --> 00:18:22,000
Speaker 1: made me so nervous. So and he'd look at me

355
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Speaker 1: and stare and wait, and I'd go and he jumped

356
00:18:26,640 --> 00:18:30,040
Speaker 1: in and that was about it. Yea, he is very intimate.

357
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Speaker 1: He's Captain Kirk. I can understand why he's well, I

358
00:18:32,840 --> 00:18:36,360
Speaker 1: didn't ever see those shows. So he was the shat

359
00:18:36,480 --> 00:18:38,199
Speaker 1: even at the last even at the time, Heather, were

360
00:18:38,240 --> 00:18:40,479
Speaker 1: you curious to not to go back and see, like, oh,

361
00:18:40,640 --> 00:18:42,960
Speaker 1: let me see what this was? This guy's the lure

362
00:18:43,080 --> 00:18:46,679
Speaker 1: of of Shatner. Yes, I did. I could see the allure.

363
00:18:46,760 --> 00:18:50,520
Speaker 1: He's very charming. Um. But he's very and he's very

364
00:18:50,600 --> 00:18:53,439
Speaker 1: funny and very dry. Um. I had ended up doing

365
00:18:53,480 --> 00:18:56,440
Speaker 1: a Boston Legal with him and that was fun. And

366
00:18:56,640 --> 00:18:59,399
Speaker 1: I was a little older more it seemed closer to

367
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Speaker 1: his age than when I was eighteen, um and brand new. Um.

368
00:19:04,640 --> 00:19:06,879
Speaker 1: But he and then I remember going, I think I

369
00:19:06,920 --> 00:19:10,920
Speaker 1: don't maybe it was Nobu and um I it was

370
00:19:11,000 --> 00:19:14,080
Speaker 1: he and his wife, and we went to some place

371
00:19:14,119 --> 00:19:15,879
Speaker 1: where you throw the braws off and you put him

372
00:19:15,920 --> 00:19:21,680
Speaker 1: on the ceiling something like something similar, something similar. I

373
00:19:21,760 --> 00:19:23,400
Speaker 1: don't think it was that, but it was another place

374
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Speaker 1: and I was on the bar and I go, should

375
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Speaker 1: I take it off? And I'm thinking he's probably going,

376
00:19:28,440 --> 00:19:30,680
Speaker 1: why are you asking me? And he said sure, and

377
00:19:30,800 --> 00:19:32,919
Speaker 1: I took it off and it's left there somewhere. Um,

378
00:19:33,960 --> 00:19:43,240
Speaker 1: he's like, why asking me? Right? Um? What's his name?

379
00:19:43,359 --> 00:19:49,119
Speaker 1: On a Seinfeld? The little guy who Yes, So he

380
00:19:49,400 --> 00:19:52,080
Speaker 1: is a huge fan of William Shatters And if you watch,

381
00:19:52,720 --> 00:19:54,240
Speaker 1: he goes, tell me what schatters like, tell me what

382
00:19:54,400 --> 00:19:57,360
Speaker 1: he's like. And I'm like, well, sometimes he's an asshole,

383
00:19:57,840 --> 00:20:00,560
Speaker 1: and um, sometimes he's not. But he's like, oh, I

384
00:20:00,600 --> 00:20:02,920
Speaker 1: got and I didn't want to, you know, say anything there.

385
00:20:03,000 --> 00:20:05,560
Speaker 1: I mean, there's nothing wrong with William Bill but um,

386
00:20:06,000 --> 00:20:08,240
Speaker 1: so you if you go back and watch, you'll see

387
00:20:08,320 --> 00:20:12,320
Speaker 1: his cadence is similar to William Shatner's. Oh really he

388
00:20:12,440 --> 00:20:16,400
Speaker 1: was Jerry. Now you have to look at it differently. Yeah,

389
00:20:17,000 --> 00:20:25,000
Speaker 1: coming over, yeah, coming over, Jerry exactly past the Wow,

390
00:20:25,080 --> 00:20:28,520
Speaker 1: this is gonna blow people's minds. So Jason Alexander was

391
00:20:28,640 --> 00:20:30,240
Speaker 1: such a big fan of William Shatner that if you

392
00:20:30,320 --> 00:20:32,000
Speaker 1: listen to his cadence, some of it is in the

393
00:20:32,080 --> 00:20:38,480
Speaker 1: spirit of that unique Shatner cadence. Exactly. I want to

394
00:20:38,480 --> 00:20:40,320
Speaker 1: meet the person. I want to meet the person who's

395
00:20:40,359 --> 00:20:42,639
Speaker 1: a fan like like it's such a fan of like

396
00:20:42,760 --> 00:20:45,560
Speaker 1: Christopher Walking and tries to steal his cadence. That's the

397
00:20:45,640 --> 00:20:47,720
Speaker 1: hardest cadence I've ever heard in my life. That is

398
00:20:47,760 --> 00:20:52,959
Speaker 1: the toughest I feel at home speaking right the seeing

399
00:20:53,080 --> 00:20:56,520
Speaker 1: of wait, by the way, you do a great um

400
00:20:56,800 --> 00:21:00,720
Speaker 1: Jimmy crack Corn of Neildman I had. That's stuck in

401
00:21:00,840 --> 00:21:06,240
Speaker 1: my head. I don't care. Only that is the only

402
00:21:06,359 --> 00:21:09,680
Speaker 1: impersonation that I can do that's actually close to it.

403
00:21:10,240 --> 00:21:13,520
Speaker 1: It's it's it's it's only because when I was a kid,

404
00:21:13,640 --> 00:21:16,879
Speaker 1: I used to watch you know, Transformers and and G

405
00:21:17,119 --> 00:21:21,720
Speaker 1: I Joe after school on you know, W P I X,

406
00:21:22,040 --> 00:21:24,720
Speaker 1: and they would always in between the shows that they

407
00:21:24,760 --> 00:21:29,239
Speaker 1: would play a commercial for Neil Diamond's greatest hits, Oh

408
00:21:29,320 --> 00:21:32,560
Speaker 1: my gosh, and I could only get the first few lines.

409
00:21:32,640 --> 00:21:35,440
Speaker 1: I don't I've never owned a Neil Diamond record. I've

410
00:21:35,480 --> 00:21:39,160
Speaker 1: never been to a Neil Diamond concert. I've never seen

411
00:21:39,240 --> 00:21:42,200
Speaker 1: a Neil Diamond movie. All I know is that he

412
00:21:42,400 --> 00:21:44,920
Speaker 1: sang a bunch of songs and they went like turn

413
00:21:45,040 --> 00:21:48,760
Speaker 1: on your hard light, a very good let it shine

414
00:21:48,760 --> 00:22:02,919
Speaker 1: wherever you go around the world. Oh my, that's surprised. Now.

415
00:22:02,960 --> 00:22:05,960
Speaker 1: It's the only all the years I've known him, Heather,

416
00:22:06,080 --> 00:22:09,199
Speaker 1: it's the only impression he does. Well. Yeah, like they

417
00:22:09,320 --> 00:22:11,440
Speaker 1: tried to get me to do Aaron nevill I can't do.

418
00:22:24,560 --> 00:22:27,520
Speaker 1: That's great, that's all we got. Now. I'm guessing Jimmy

419
00:22:27,560 --> 00:22:31,280
Speaker 1: Krackcorn is probably a public domain song. I'm guessing because

420
00:22:31,320 --> 00:22:34,960
Speaker 1: they didn't. Maybe that's why we chose it because we

421
00:22:35,000 --> 00:22:37,359
Speaker 1: didn't have to pay for it. But all the songs

422
00:22:37,400 --> 00:22:40,960
Speaker 1: in this episode, Heather, sometimes, now that these shows are

423
00:22:41,040 --> 00:22:43,760
Speaker 1: all streaming, some of the songs had to be replaced

424
00:22:44,160 --> 00:22:46,880
Speaker 1: because the contracts they signed for the original show didn't

425
00:22:46,960 --> 00:22:50,760
Speaker 1: didn't extend to streaming. So, uh, this episode I thought

426
00:22:50,800 --> 00:22:52,760
Speaker 1: really suffered because there was some good music in this

427
00:22:52,880 --> 00:22:55,080
Speaker 1: episode that is all gone. I don't know if you

428
00:22:55,520 --> 00:22:59,240
Speaker 1: guys love Yeah, I did watch, but I didn't. Well,

429
00:22:59,320 --> 00:23:02,000
Speaker 1: the end be a Nelly song, right, and that was

430
00:23:02,119 --> 00:23:03,960
Speaker 1: not the song. If you want to go and take

431
00:23:03,960 --> 00:23:14,560
Speaker 1: a rap with me might yeah and then wow, but

432
00:23:15,040 --> 00:23:17,480
Speaker 1: I just wanted to say that the show ends, and

433
00:23:17,560 --> 00:23:19,520
Speaker 1: it's supposed to be like we're on a rooftop and

434
00:23:19,720 --> 00:23:22,800
Speaker 1: in downtown LA, and it's it's like and then I

435
00:23:22,960 --> 00:23:25,440
Speaker 1: was really I was really noticing that that song whenever

436
00:23:25,440 --> 00:23:29,040
Speaker 1: they replaced the song, well, was someone that went in.

437
00:23:29,280 --> 00:23:36,040
Speaker 1: I think it was Randall? Oh you did Spin City? Yeah?

438
00:23:36,400 --> 00:23:38,320
Speaker 1: Well he he told Donald and I that he was

439
00:23:38,359 --> 00:23:41,639
Speaker 1: the one who had to oversee someone going, hey, we

440
00:23:41,720 --> 00:23:44,119
Speaker 1: got to fill in these slots, and so I don't know,

441
00:23:44,160 --> 00:23:46,240
Speaker 1: they're not nearly as good, but I guess if you

442
00:23:46,359 --> 00:23:48,560
Speaker 1: have the DVDs, you're the only person with the real

443
00:23:48,720 --> 00:23:51,200
Speaker 1: all the real original music. But we we usually I

444
00:23:51,280 --> 00:23:53,760
Speaker 1: think I do. Should we get into the recap? Let's

445
00:23:53,800 --> 00:23:56,359
Speaker 1: get into the recap because we've got the how they're Lockley,

446
00:23:56,400 --> 00:24:00,200
Speaker 1: you're here? Um. JANEA. Bachin wrote this episode. She's a

447
00:24:00,240 --> 00:24:01,240
Speaker 1: very I mean, do you want me to do that

448
00:24:01,320 --> 00:24:06,720
Speaker 1: thirty minute recap? Oh? Sorry, thirty minutes, thirty minutes. Sorry,

449
00:24:07,240 --> 00:24:10,280
Speaker 1: I forgot Heather. Um, we have a new thing there, Donald,

450
00:24:10,880 --> 00:24:12,760
Speaker 1: it's not new anymore, but we keep forgetting it. But

451
00:24:12,840 --> 00:24:15,320
Speaker 1: Zach keeps forgetting about it. I love it. I know

452
00:24:15,359 --> 00:24:16,800
Speaker 1: why I forget about it. I love it. I don't

453
00:24:16,840 --> 00:24:20,240
Speaker 1: know either. Listen, it's anxiety for me. I freaking sit

454
00:24:20,520 --> 00:24:23,480
Speaker 1: down and I really think about it. And sometimes it's good,

455
00:24:23,600 --> 00:24:26,440
Speaker 1: sometimes it's not. That's how it goes anyway, Heather, he

456
00:24:26,600 --> 00:24:29,159
Speaker 1: is going to sum up the whole episode in thirty seconds,

457
00:24:29,359 --> 00:24:32,119
Speaker 1: and then together we'll go through and really parse it

458
00:24:32,240 --> 00:24:34,520
Speaker 1: all out. But now I get stop, watch out, hold

459
00:24:34,560 --> 00:24:36,359
Speaker 1: on Donald. Okay, listen, this might be a little bit

460
00:24:36,400 --> 00:24:38,760
Speaker 1: longer than thirty seconds, but I really like it when

461
00:24:38,760 --> 00:24:40,800
Speaker 1: you at least try to get thirty sets. But then

462
00:24:40,840 --> 00:24:43,119
Speaker 1: I might miss out on things and stutter over my

463
00:24:43,200 --> 00:24:45,880
Speaker 1: words because I'm so nervous. This is This is very nervouacking.

464
00:24:45,960 --> 00:24:49,520
Speaker 1: But here we go, keep marks, get set go. This

465
00:24:49,640 --> 00:24:52,560
Speaker 1: episode's about a bunch of things, but mostly it's about

466
00:24:52,600 --> 00:24:55,440
Speaker 1: double standards. Turke and jd are fine if they robbed

467
00:24:55,480 --> 00:24:58,440
Speaker 1: the hospital, but not each other. Cox hates his hates

468
00:24:58,480 --> 00:25:01,600
Speaker 1: the fact that his girlfriend has baggage, but binds up

469
00:25:01,640 --> 00:25:04,440
Speaker 1: having his own. Elliott loves the perks of having daddy

470
00:25:04,520 --> 00:25:07,040
Speaker 1: take care of everything, but longs to make her own

471
00:25:07,160 --> 00:25:10,639
Speaker 1: career decisions. This is an important episode because at the end,

472
00:25:11,000 --> 00:25:13,600
Speaker 1: all of them are moving forward in their personal lives.

473
00:25:14,000 --> 00:25:17,160
Speaker 1: Turken Caller at the next level of their relationship, Jordan

474
00:25:17,200 --> 00:25:20,320
Speaker 1: and Cox are going to start a family, Elliott is

475
00:25:20,359 --> 00:25:22,920
Speaker 1: stepping away from her comfort zone, and the hospital is

476
00:25:22,920 --> 00:25:25,920
Speaker 1: becoming more of a backdrop. Meaning this is a sneak

477
00:25:26,000 --> 00:25:29,760
Speaker 1: peak of what's to come. Oh shit, that was amazing.

478
00:25:29,920 --> 00:25:32,159
Speaker 1: It was amazing. It was thirty nine seconds. So in

479
00:25:32,280 --> 00:25:34,000
Speaker 1: some ways you failed. But let me tell you how.

480
00:25:34,200 --> 00:25:35,840
Speaker 1: You listen, let me tell you how. I didn't give

481
00:25:35,880 --> 00:25:37,960
Speaker 1: a I don't care. I don't care if I feel

482
00:25:38,040 --> 00:25:41,760
Speaker 1: it anymore. I don't care because it could be I'll

483
00:25:41,800 --> 00:25:43,639
Speaker 1: do a minute one next time. I want to give

484
00:25:43,680 --> 00:25:46,480
Speaker 1: you a genuine compliment. Do a minute one next time.

485
00:25:47,600 --> 00:25:49,800
Speaker 1: I want to give you a genuine compliment. Donald, That

486
00:25:50,040 --> 00:25:53,160
Speaker 1: was real, not no bullshit. That was a very good summary,

487
00:25:53,400 --> 00:25:57,040
Speaker 1: and you actually highlighted things that I didn't even see.

488
00:25:57,200 --> 00:25:58,960
Speaker 1: I saw what you were saying in terms of the

489
00:25:59,040 --> 00:26:03,760
Speaker 1: episode being um being about new chapters in a sense,

490
00:26:03,800 --> 00:26:05,520
Speaker 1: but I didn't think of it in the macro like, oh,

491
00:26:05,640 --> 00:26:08,960
Speaker 1: this is a shift in in in the show in

492
00:26:09,160 --> 00:26:12,639
Speaker 1: that we tease the marriage, we tease Johnny c and

493
00:26:13,000 --> 00:26:17,399
Speaker 1: Christa getting back together. Um, we tease Elliott going off

494
00:26:17,480 --> 00:26:20,399
Speaker 1: on her own. Right, Elliott is separating from her parents

495
00:26:20,480 --> 00:26:24,160
Speaker 1: and and and and being financially independent. And JD realizing

496
00:26:24,200 --> 00:26:26,040
Speaker 1: he's about to be in limbo at the end of

497
00:26:26,080 --> 00:26:29,200
Speaker 1: the episode, Right j JD nervous about losing his best

498
00:26:29,280 --> 00:26:32,000
Speaker 1: friend because Carlos says the word we about Turk and

499
00:26:32,119 --> 00:26:34,760
Speaker 1: her and and he's like, whoa, whoa, whoa, whoa, what's

500
00:26:34,800 --> 00:26:36,920
Speaker 1: happening here? Am I gonna lose my best friend? So

501
00:26:37,320 --> 00:26:40,640
Speaker 1: my point is that was very good because your your

502
00:26:40,800 --> 00:26:43,800
Speaker 1: summary was not just hey, here are the facts. It

503
00:26:43,960 --> 00:26:47,119
Speaker 1: had some insight into it. I will gladly give up

504
00:26:47,160 --> 00:26:50,000
Speaker 1: those nine seconds of failure appreciate the insight. So that

505
00:26:50,119 --> 00:26:53,240
Speaker 1: thunders applause Dan, thunders applause Dan, Dan, I'm going to

506
00:26:53,280 --> 00:26:57,440
Speaker 1: approve that. Thunderous applause TECHND. I wonder if we should

507
00:26:57,520 --> 00:27:00,240
Speaker 1: make it so when we add these on, there's a

508
00:27:00,320 --> 00:27:02,479
Speaker 1: plause toun of x if if we both need to improve.

509
00:27:03,080 --> 00:27:05,040
Speaker 1: It's like it's like you know when in the Nuclear

510
00:27:05,200 --> 00:27:06,679
Speaker 1: Code where they both have it to turn their key.

511
00:27:06,920 --> 00:27:10,919
Speaker 1: Oh yeah, yeah, that's my favorite part of Superman UH

512
00:27:11,560 --> 00:27:14,600
Speaker 1: three with Richard Pryor in it where he's pretending he's

513
00:27:14,680 --> 00:27:16,800
Speaker 1: drunk and he has to put the keys in at

514
00:27:16,880 --> 00:27:19,959
Speaker 1: the same time, and he makes he makes a little uh,

515
00:27:20,320 --> 00:27:22,960
Speaker 1: not a concoction, but like a little uh levy using

516
00:27:22,960 --> 00:27:25,280
Speaker 1: another person. If you ever going to be the opportunity,

517
00:27:25,440 --> 00:27:27,080
Speaker 1: what about the beginning of war games? What about the

518
00:27:27,119 --> 00:27:29,160
Speaker 1: beginning of war games when they go turn your key, sir,

519
00:27:29,440 --> 00:27:32,040
Speaker 1: put the turn your key and he puts his gun. Yeah,

520
00:27:32,440 --> 00:27:35,720
Speaker 1: oh that was a great scene. Love it. Sorry, Heather,

521
00:27:35,800 --> 00:27:40,879
Speaker 1: we sometimes have trouble staying on love me. Thanks to

522
00:27:40,960 --> 00:27:46,800
Speaker 1: look for this podcast should be called a digression. That's okay.

523
00:27:46,840 --> 00:27:48,760
Speaker 1: It's some people. I see some people on the web.

524
00:27:49,000 --> 00:27:51,000
Speaker 1: We're commenting like, I really enjoy it, but they don't

525
00:27:51,000 --> 00:27:53,080
Speaker 1: always talk about the episode. I'm like, well, guys, that's

526
00:27:53,119 --> 00:27:55,399
Speaker 1: the show. This is the show. That the show, the

527
00:27:55,520 --> 00:28:01,480
Speaker 1: show is there, right, the show is this? Right? We also, okay,

528
00:28:01,640 --> 00:28:03,720
Speaker 1: so they all they talk about things I don't know

529
00:28:03,760 --> 00:28:06,280
Speaker 1: where Yeah, all right, so um. The first thing I

530
00:28:06,400 --> 00:28:10,320
Speaker 1: laughed at out loud was when I walk in Carla

531
00:28:10,440 --> 00:28:13,080
Speaker 1: is in the apartment and I pick up our taxidermy

532
00:28:13,160 --> 00:28:17,320
Speaker 1: dog to hide my my tidy whities, and Donald walks

533
00:28:17,320 --> 00:28:19,960
Speaker 1: and he goes, don't use rowdy to cover up your giblets.

534
00:28:24,400 --> 00:28:28,400
Speaker 1: The dialogue is excellent. Weird word for what A weird

535
00:28:28,480 --> 00:28:32,200
Speaker 1: word for what a great word for grind giblets. I

536
00:28:32,320 --> 00:28:37,600
Speaker 1: like it giblets. It sounds like what what is it? Gizzards?

537
00:28:37,680 --> 00:28:40,600
Speaker 1: To me? Like, what are giblets? What are giblets? It's

538
00:28:40,640 --> 00:28:45,400
Speaker 1: the extra it's the extra stuff. Biscuits A burning giblets

539
00:28:45,440 --> 00:28:48,280
Speaker 1: are the stuff you don't use when you cook a turkey, right,

540
00:28:48,360 --> 00:28:51,880
Speaker 1: chicken or whatever. I don't know. I thought take it

541
00:28:51,920 --> 00:28:56,880
Speaker 1: out that I don't know the culinary term for edible

542
00:28:57,000 --> 00:29:00,680
Speaker 1: awful of a foul that typically includes the heart, the

543
00:29:00,880 --> 00:29:04,280
Speaker 1: actual gizzards, liver, and other organs. There you go, I

544
00:29:04,360 --> 00:29:09,239
Speaker 1: know what those other ones are. Yeah, yeah, no one

545
00:29:09,320 --> 00:29:15,920
Speaker 1: cooks chicken. Penis might be a delicacy. Somewhere about to say,

546
00:29:16,000 --> 00:29:19,760
Speaker 1: you never know? You never know either do you like

547
00:29:19,920 --> 00:29:24,480
Speaker 1: eating weird stuff? Or or are you conservatively you're you know, no,

548
00:29:24,760 --> 00:29:27,840
Speaker 1: I eat like, what's weird giblets? I don't know. I'm

549
00:29:27,880 --> 00:29:31,600
Speaker 1: not saiblets, but like to eat like, you know, when

550
00:29:31,600 --> 00:29:33,600
Speaker 1: you're out and about and someone says, oh, tried this

551
00:29:33,680 --> 00:29:35,360
Speaker 1: weird food? Do you do you do that because I

552
00:29:35,440 --> 00:29:36,959
Speaker 1: normally don't. I'm like, no, I'm gonna have you ever

553
00:29:37,760 --> 00:29:40,080
Speaker 1: Have you ever had snails? No, I've never had a cargo.

554
00:29:40,600 --> 00:29:43,200
Speaker 1: I have that's good, but no, I usually ask for

555
00:29:43,280 --> 00:29:50,280
Speaker 1: someone else to taste it first and look at their face. Donald, Donald,

556
00:29:50,280 --> 00:29:54,080
Speaker 1: are you an adventurous I don't think you too. You

557
00:29:54,160 --> 00:29:56,520
Speaker 1: like what you like. I don't around with food, man,

558
00:29:56,600 --> 00:29:59,200
Speaker 1: but you like sushi. I do like sushi, and I

559
00:29:59,320 --> 00:30:02,080
Speaker 1: like some texture is a big deal for me. And

560
00:30:02,200 --> 00:30:05,240
Speaker 1: if I know what it is and then the texture

561
00:30:05,600 --> 00:30:08,240
Speaker 1: is what I imagine it would be like, then I

562
00:30:08,360 --> 00:30:10,120
Speaker 1: have a problem with it. Like somebody was like, do

563
00:30:10,200 --> 00:30:13,000
Speaker 1: you like beef tongue? And I was like, absolutely not. No.

564
00:30:14,200 --> 00:30:16,600
Speaker 1: And it's all because when I was younger, I tried

565
00:30:16,680 --> 00:30:19,240
Speaker 1: it and my grandmother made it and I tried it

566
00:30:19,720 --> 00:30:22,680
Speaker 1: and it tasted exactly well, it didn't taste like but

567
00:30:22,800 --> 00:30:25,200
Speaker 1: it felt in my mouth exactly what I thought a

568
00:30:25,280 --> 00:30:29,360
Speaker 1: tongue would feel like. If you can always like, just

569
00:30:29,520 --> 00:30:31,520
Speaker 1: check your own tongue and it's probably like that, yeah,

570
00:30:32,080 --> 00:30:34,280
Speaker 1: exactly what it was like chewing all night tongue And

571
00:30:34,320 --> 00:30:36,560
Speaker 1: I was like, I'll never ever ever see it in there,

572
00:30:36,600 --> 00:30:38,400
Speaker 1: and like the deli counter. They'll be just like a

573
00:30:38,560 --> 00:30:43,080
Speaker 1: giant beef tongue. It's I don't like that. But those

574
00:30:43,480 --> 00:30:46,520
Speaker 1: people eat brains too, they eat cal brains, right, yeah, no,

575
00:30:46,760 --> 00:30:48,760
Speaker 1: I do you know it's a delicacy in some places.

576
00:30:48,800 --> 00:30:50,760
Speaker 1: It's like it's like watching Indiana Jones and the Temple

577
00:30:50,840 --> 00:30:54,760
Speaker 1: of Doom Chilled monkey Brain. Yeah, as we talked about

578
00:30:54,800 --> 00:30:59,160
Speaker 1: that movie Gaming Nightmares. Yeah, um, this was a big episode, yeah,

579
00:30:59,640 --> 00:31:02,800
Speaker 1: from me in particular. When I look back at it now,

580
00:31:02,960 --> 00:31:07,720
Speaker 1: it's even bigger. Ken Winningham, the first black director Scrubs

581
00:31:07,760 --> 00:31:12,040
Speaker 1: has ever had, yes, directed this episode. Yeah, I think

582
00:31:12,040 --> 00:31:14,920
Speaker 1: this is its first time directing it too. And Ken's

583
00:31:14,960 --> 00:31:17,840
Speaker 1: a very good director, and he became one of our

584
00:31:17,880 --> 00:31:20,400
Speaker 1: regulars because we love Ken Winningham. He's gone on to

585
00:31:20,480 --> 00:31:24,080
Speaker 1: direct so many shows. He's directed pretty much everything. He's

586
00:31:24,160 --> 00:31:27,920
Speaker 1: directed pretty much everything. But I remember thinking, I remember

587
00:31:28,360 --> 00:31:31,960
Speaker 1: thinking about, oh, they hired a brother. Okay, Um, so

588
00:31:32,200 --> 00:31:34,040
Speaker 1: that that was good. I mean that was that made

589
00:31:34,080 --> 00:31:38,120
Speaker 1: you feel um like okay about obviously about time, guys,

590
00:31:38,160 --> 00:31:40,680
Speaker 1: it's like middle of season two. How about some people

591
00:31:40,720 --> 00:31:44,160
Speaker 1: of of different minorities that are directing the show? Right?

592
00:31:44,240 --> 00:31:46,400
Speaker 1: We did? We had had a had we had a woman,

593
00:31:46,640 --> 00:31:48,880
Speaker 1: we'd had a couple of women director already at this point,

594
00:31:49,440 --> 00:31:54,040
Speaker 1: maybe Gail Mancuso. I think, m yeah, but I mean

595
00:31:54,120 --> 00:31:55,800
Speaker 1: now and now this is twenty years later, this is

596
00:31:55,840 --> 00:31:59,440
Speaker 1: still a big conversation. Yeah, it's what it is, right

597
00:31:59,480 --> 00:32:01,880
Speaker 1: and you know, you know, we've still got to make

598
00:32:01,960 --> 00:32:04,560
Speaker 1: these moves, but it's it's it's what it is, and

599
00:32:04,760 --> 00:32:07,040
Speaker 1: it's time for it's time to change that. We got

600
00:32:07,120 --> 00:32:12,959
Speaker 1: to restart coming up soon. So that's that's uh now

601
00:32:13,200 --> 00:32:15,360
Speaker 1: now in again, I think in a in a good way,

602
00:32:15,400 --> 00:32:18,360
Speaker 1: there's a mandate making sure people do it. You know,

603
00:32:18,400 --> 00:32:20,640
Speaker 1: the networks in the studios. I've really said when I

604
00:32:20,680 --> 00:32:22,720
Speaker 1: when we made our show Alex Sync, they said, no,

605
00:32:22,840 --> 00:32:25,240
Speaker 1: we want you know, it isn't It isn't like, oh,

606
00:32:26,000 --> 00:32:27,440
Speaker 1: you guys can do whatever you want. It's like, no,

607
00:32:27,560 --> 00:32:30,760
Speaker 1: we would like a certain amount of minorities to be represented,

608
00:32:30,800 --> 00:32:32,680
Speaker 1: we'd like a certain amount of women to be represented.

609
00:32:32,720 --> 00:32:34,920
Speaker 1: And I think that that's really great and only getting better.

610
00:32:35,480 --> 00:32:38,880
Speaker 1: I agree with you. Let's go to break, guys, We're

611
00:32:38,880 --> 00:32:42,120
Speaker 1: gonna go to break and be right back with Heather Lock.

612
00:32:42,200 --> 00:32:54,120
Speaker 1: Were any bad? Um? I'm weeping at two fifty four

613
00:32:54,240 --> 00:32:57,240
Speaker 1: because doctor Cox, I think winked at me. And that's

614
00:32:57,280 --> 00:33:01,560
Speaker 1: how happy I am that is approved. Were those real

615
00:33:01,760 --> 00:33:06,160
Speaker 1: tears or did somebody? No? No, I mean when I'm

616
00:33:06,200 --> 00:33:09,240
Speaker 1: doing a dramatic thing, I can get myself there. But

617
00:33:09,360 --> 00:33:11,200
Speaker 1: in a comedic cart in no way, am I just

618
00:33:11,280 --> 00:33:13,360
Speaker 1: gonna start bawling? All right? I want to ask you,

619
00:33:13,440 --> 00:33:14,760
Speaker 1: I want to ask you to do it. Can you

620
00:33:14,880 --> 00:33:18,240
Speaker 1: do that? Can you cry on cue? No? Right, it's

621
00:33:18,360 --> 00:33:22,320
Speaker 1: very hard. I meant to tell the Garden State story, dude,

622
00:33:22,560 --> 00:33:24,800
Speaker 1: tell the story of Natalie Portman and tell the story

623
00:33:24,840 --> 00:33:28,160
Speaker 1: of you. The two different versions of crying in that movie. Well,

624
00:33:28,280 --> 00:33:31,320
Speaker 1: Natalie is very good at that. Natalie Um like some

625
00:33:31,480 --> 00:33:34,760
Speaker 1: actresses I know. Can Sarah Chawk's another person I know

626
00:33:34,800 --> 00:33:36,200
Speaker 1: who can do this, can kind of go off in

627
00:33:36,240 --> 00:33:38,400
Speaker 1: the corner for a minute and get herself into a

628
00:33:38,560 --> 00:33:41,120
Speaker 1: head place. Yeah, and then and then do it and

629
00:33:41,240 --> 00:33:43,560
Speaker 1: cry for me. And then Garden State she had to

630
00:33:43,600 --> 00:33:46,000
Speaker 1: do that a lot because she had some some crying

631
00:33:46,720 --> 00:33:50,760
Speaker 1: moments for me. I actually was a blessing in disguise

632
00:33:50,920 --> 00:33:53,920
Speaker 1: because when there was a scene in in the in

633
00:33:54,000 --> 00:33:56,680
Speaker 1: a bathtub, empty bathtub where we're sitting and I was

634
00:33:56,720 --> 00:33:59,800
Speaker 1: meant to cry, and I there was a we shot

635
00:33:59,840 --> 00:34:03,160
Speaker 1: the wide master shot first, and and and like I said,

636
00:34:03,280 --> 00:34:05,520
Speaker 1: just being in that moment and with such a good actress,

637
00:34:05,520 --> 00:34:08,480
Speaker 1: and it was so real. It genuinely happened, and I

638
00:34:08,719 --> 00:34:14,000
Speaker 1: cried and it was a powerful moment, except that it

639
00:34:14,120 --> 00:34:17,000
Speaker 1: was the big wide master right and um, and the

640
00:34:17,080 --> 00:34:18,680
Speaker 1: camera wasn't going to see most of that. It was

641
00:34:18,719 --> 00:34:21,279
Speaker 1: just sort of establishing the room. The trick for those

642
00:34:21,320 --> 00:34:23,480
Speaker 1: of you who aren't in the entertainment sustry and doing

643
00:34:23,480 --> 00:34:24,759
Speaker 1: what we do is now you're gonna to do that

644
00:34:24,880 --> 00:34:26,960
Speaker 1: over and over and over again. You're gonna have to

645
00:34:27,000 --> 00:34:28,800
Speaker 1: do it when then when the medium shot, you have

646
00:34:28,840 --> 00:34:30,000
Speaker 1: to do it. When it's a close up, you're gonna

647
00:34:30,000 --> 00:34:31,600
Speaker 1: have to do it when it's over Natalie's shoulder. And

648
00:34:32,800 --> 00:34:35,200
Speaker 1: for me that was close to impossible to just keep

649
00:34:35,320 --> 00:34:39,160
Speaker 1: being able to emulate what had happened naturally in the

650
00:34:39,239 --> 00:34:41,239
Speaker 1: wide shot. But that's the that's the task of a

651
00:34:41,840 --> 00:34:44,200
Speaker 1: of an actor, but for me it was. But but

652
00:34:44,280 --> 00:34:46,800
Speaker 1: I was also directing, so then I had to go, Okay,

653
00:34:46,880 --> 00:34:49,239
Speaker 1: this isn't gonna match and you know what, maybe it's

654
00:34:49,280 --> 00:34:53,239
Speaker 1: too much. So I decided just to just on the

655
00:34:53,360 --> 00:34:56,839
Speaker 1: spot go if it's not happening naturally, I don't want

656
00:34:56,880 --> 00:34:59,719
Speaker 1: it to be this false. So then it became I

657
00:35:00,000 --> 00:35:02,719
Speaker 1: only shed one single tear, and then we had a

658
00:35:02,800 --> 00:35:05,520
Speaker 1: joke about her collecting it in a little plastic cup.

659
00:35:06,680 --> 00:35:08,680
Speaker 1: But but so that that was kind of how I help,

660
00:35:08,719 --> 00:35:10,080
Speaker 1: because when I was directing, I felt like, you know,

661
00:35:10,120 --> 00:35:12,080
Speaker 1: if it's forced and it's false, and it's weird that

662
00:35:12,120 --> 00:35:14,520
Speaker 1: I'd rather not have it even be in the in

663
00:35:14,640 --> 00:35:16,719
Speaker 1: the show, is that what you meant to submit itself?

664
00:35:16,840 --> 00:35:19,200
Speaker 1: The exact story I was talking about. I found that such.

665
00:35:19,280 --> 00:35:22,280
Speaker 1: I found that so fascinating. It was like the scene

666
00:35:22,400 --> 00:35:26,480
Speaker 1: was supposed to be something else, and you you know,

667
00:35:26,800 --> 00:35:30,680
Speaker 1: you blew your wad in the first your first in

668
00:35:30,760 --> 00:35:34,759
Speaker 1: the yeah, and now it's and now it's time to

669
00:35:34,800 --> 00:35:36,839
Speaker 1: do it again, and it's like, all right, well we're

670
00:35:36,880 --> 00:35:39,799
Speaker 1: not gonna get that. And you turned it. You turned

671
00:35:39,880 --> 00:35:42,080
Speaker 1: the negative into a positive. And it's actually one of

672
00:35:42,120 --> 00:35:45,360
Speaker 1: the more powerful scenes in the movie. Yeah, thank you,

673
00:35:45,520 --> 00:35:49,480
Speaker 1: thank you. That's pretty great. Thank you. I just go, no,

674
00:35:49,560 --> 00:35:51,200
Speaker 1: no go you guys. I was going to say that

675
00:35:51,239 --> 00:35:55,239
Speaker 1: it's a it's a good lesson for filmmakers out there. Um,

676
00:35:56,640 --> 00:35:58,760
Speaker 1: it doesn't have to be related to tears, but about

677
00:35:58,880 --> 00:36:01,480
Speaker 1: about adapting. So something happens and you go and I've

678
00:36:01,480 --> 00:36:03,439
Speaker 1: had this happen. You know, when you're directing something, whether

679
00:36:03,480 --> 00:36:05,839
Speaker 1: it's a music video or a giant feature film, every

680
00:36:05,920 --> 00:36:08,359
Speaker 1: day something is going to happen where you're gonna go, Okay,

681
00:36:08,360 --> 00:36:11,720
Speaker 1: that's not according to plan. Is this a blessing in disguise?

682
00:36:12,080 --> 00:36:14,560
Speaker 1: So for me and this example Donald's talking about, it

683
00:36:14,719 --> 00:36:18,560
Speaker 1: was like being able to cry NonStop for hours was

684
00:36:18,640 --> 00:36:20,480
Speaker 1: just not going to happen. It just wasn't what my

685
00:36:20,520 --> 00:36:22,480
Speaker 1: head wasn't in that space. I was also directing the

686
00:36:22,560 --> 00:36:24,799
Speaker 1: movie and had so much anxiety going on. So then

687
00:36:24,840 --> 00:36:26,360
Speaker 1: it was like shifting, Well, what if it's not that.

688
00:36:26,520 --> 00:36:28,920
Speaker 1: Maybe maybe bawling like that is way too much for

689
00:36:29,000 --> 00:36:31,000
Speaker 1: this character. What if it's if? What if it's actually

690
00:36:31,040 --> 00:36:33,040
Speaker 1: a joke that all I can produce is one tier

691
00:36:33,120 --> 00:36:37,360
Speaker 1: and we laugh about it. So sometimes just going with

692
00:36:37,480 --> 00:36:39,160
Speaker 1: it and coming up with a new plan on the

693
00:36:39,280 --> 00:36:42,200
Speaker 1: spot is one of the most crucial things of being

694
00:36:42,840 --> 00:36:46,560
Speaker 1: a filmmaker, but also a lot of blessings in disguise

695
00:36:46,640 --> 00:36:49,319
Speaker 1: can come out of it. Usually when I'm in that place,

696
00:36:49,400 --> 00:36:52,200
Speaker 1: the director says, don't blow it on this master, we're

697
00:36:52,239 --> 00:36:54,279
Speaker 1: gonna it's going to be for a second and then

698
00:36:54,320 --> 00:36:56,399
Speaker 1: we'll come in and do that. But I do find

699
00:36:56,480 --> 00:37:00,279
Speaker 1: what you said. I mean, I I don't think heavy

700
00:37:00,320 --> 00:37:03,640
Speaker 1: tears unless it's like for whatever reason is called for.

701
00:37:03,800 --> 00:37:06,560
Speaker 1: I think the real moment is when you're in the moment,

702
00:37:06,640 --> 00:37:08,560
Speaker 1: and if it comes, it comes, But usually your face

703
00:37:08,600 --> 00:37:10,719
Speaker 1: and your heart starts to happen, and all kinds of

704
00:37:10,760 --> 00:37:14,040
Speaker 1: stuff happen. It becomes more real. Rather than showing something

705
00:37:14,080 --> 00:37:17,160
Speaker 1: and trying to get to show something, it's whatever else

706
00:37:17,200 --> 00:37:19,160
Speaker 1: has I agree, it never feels as good as a

707
00:37:19,200 --> 00:37:21,520
Speaker 1: pet peeve of mine when you watch so many movies

708
00:37:21,800 --> 00:37:24,800
Speaker 1: and TV shows where someone is crying but there aren't

709
00:37:24,960 --> 00:37:28,080
Speaker 1: tears coming down their face. Yeah, next time you watch

710
00:37:28,120 --> 00:37:31,120
Speaker 1: it a crying scene, notice if the persons has actual

711
00:37:32,040 --> 00:37:34,040
Speaker 1: tears in their eyes, because a lot of times they're

712
00:37:34,040 --> 00:37:36,880
Speaker 1: scrunging up their face and making the noises, which is

713
00:37:36,920 --> 00:37:39,720
Speaker 1: just a huge pet peeve of mine. I would if

714
00:37:39,760 --> 00:37:42,520
Speaker 1: the moment, if it's a necessity and the project needs it,

715
00:37:43,120 --> 00:37:45,920
Speaker 1: are there's mental things blow in their eyes. There's all

716
00:37:45,960 --> 00:37:48,239
Speaker 1: sorts of tricks like if it's mandatory, go do it,

717
00:37:48,320 --> 00:37:51,080
Speaker 1: Go fake it. But don't don't do the there's no

718
00:37:51,840 --> 00:37:54,279
Speaker 1: water in your eyes crunch up face thing. I hate that.

719
00:37:55,440 --> 00:37:57,880
Speaker 1: I feel like Jane Fonda did that on a Golden

720
00:37:57,920 --> 00:38:00,239
Speaker 1: Pond or something. She talked about that she had more

721
00:38:00,280 --> 00:38:02,440
Speaker 1: tears left or something. I don't remember something like that,

722
00:38:03,040 --> 00:38:05,880
Speaker 1: but um, yeah, I think whatever the real moment is is,

723
00:38:06,360 --> 00:38:08,800
Speaker 1: if there's not a tear, yeah, just don't fake it.

724
00:38:08,960 --> 00:38:12,160
Speaker 1: Just go Yeah. People have reactions about stuff and it's

725
00:38:12,239 --> 00:38:15,440
Speaker 1: no tears come out, of course. And also sometimes even

726
00:38:15,440 --> 00:38:17,680
Speaker 1: as a writer, I find myself writing something where I'll go,

727
00:38:18,640 --> 00:38:21,520
Speaker 1: you know, in the script, I'll write, she hears the

728
00:38:21,600 --> 00:38:24,799
Speaker 1: news and instantly breaks down crying, and and then you think,

729
00:38:25,360 --> 00:38:27,480
Speaker 1: in reality, a lot of times people that doesn't happen

730
00:38:27,480 --> 00:38:29,800
Speaker 1: at all. You might cry later, but in the moment

731
00:38:29,880 --> 00:38:32,799
Speaker 1: of hearing it, you're just fucking dumbfounded. You're sitting there

732
00:38:32,880 --> 00:38:35,719
Speaker 1: likes like, you know what I mean. And I have

733
00:38:35,800 --> 00:38:37,719
Speaker 1: to catch yourself as I have to catch myself as

734
00:38:37,760 --> 00:38:41,239
Speaker 1: a writer going be very sparing with with with with

735
00:38:41,480 --> 00:38:45,840
Speaker 1: tears direction and yeah, of course, because that might happen naturally,

736
00:38:45,920 --> 00:38:48,759
Speaker 1: but also it can get especially it's tricky when you're

737
00:38:48,800 --> 00:38:50,640
Speaker 1: writing it. I'm one of the things I'm working on

738
00:38:50,760 --> 00:38:52,480
Speaker 1: now is this is this drama and I have to

739
00:38:52,560 --> 00:38:54,480
Speaker 1: find you have to find those moments so it doesn't

740
00:38:54,520 --> 00:38:56,640
Speaker 1: feel like, oh my god, there's all these these tears

741
00:38:57,000 --> 00:38:59,719
Speaker 1: and how do you do that when the stuff you're

742
00:38:59,719 --> 00:39:02,879
Speaker 1: talking it is very heavy? Well, what happens in real life?

743
00:39:02,960 --> 00:39:05,600
Speaker 1: You know? We Donald, I just had a friend die.

744
00:39:05,719 --> 00:39:08,960
Speaker 1: Of course I cried, but I got sorry, thank you.

745
00:39:09,120 --> 00:39:10,839
Speaker 1: But nine times out of ten, I was more sitting

746
00:39:10,920 --> 00:39:13,400
Speaker 1: there like this, dumbfounded with my with my head in

747
00:39:13,480 --> 00:39:15,759
Speaker 1: my hands and my jaw dropped. You know. So you

748
00:39:15,840 --> 00:39:18,120
Speaker 1: gotta you gotta remind yourselves about what's what's real, What's

749
00:39:18,160 --> 00:39:21,680
Speaker 1: what's really, what's what's what really happens. I remember doing

750
00:39:21,719 --> 00:39:23,520
Speaker 1: a scene for Dynasty. I don't think I've ever been

751
00:39:23,560 --> 00:39:25,759
Speaker 1: angry in my life, you know, in that up to

752
00:39:25,880 --> 00:39:29,960
Speaker 1: that time, and um, I was angry, but I'm so angry.

753
00:39:30,000 --> 00:39:33,279
Speaker 1: I started crying, and uh, I think they were like,

754
00:39:33,400 --> 00:39:35,719
Speaker 1: what the fff is she doing? But that was a

755
00:39:35,800 --> 00:39:38,279
Speaker 1: real emotion for where probably just for me, you know,

756
00:39:38,320 --> 00:39:41,120
Speaker 1: because being angry and that brought it about. But they

757
00:39:41,200 --> 00:39:43,680
Speaker 1: ended up did they use it? Oh good? Yeah? I

758
00:39:43,840 --> 00:39:47,680
Speaker 1: love that stuff. I love happy accidents. You know, you know, yeah,

759
00:39:47,760 --> 00:39:50,200
Speaker 1: in the in the comedy world, we are always you know,

760
00:39:50,360 --> 00:39:52,560
Speaker 1: it goes without saying you're trying to keep those moments in.

761
00:39:52,680 --> 00:39:54,360
Speaker 1: You know, we ripped something. We think it's fun. But

762
00:39:54,480 --> 00:39:57,000
Speaker 1: in the drama space too, you want to be like,

763
00:39:57,640 --> 00:40:02,759
Speaker 1: oh my god, Heather got so fucking mad she started crying. Eureka,

764
00:40:02,920 --> 00:40:05,040
Speaker 1: that was natural. That was real, Like keep it like,

765
00:40:05,320 --> 00:40:07,480
Speaker 1: that's the stuff, that's the that's the precious things we

766
00:40:07,600 --> 00:40:11,120
Speaker 1: all stumble into, you know, yes, yeah, it's amazing. Well

767
00:40:11,200 --> 00:40:14,640
Speaker 1: we started someone was comedically. I can never do it comedically,

768
00:40:14,840 --> 00:40:19,000
Speaker 1: so right that Meg Ryan scene in Freaking when Harry

769
00:40:19,080 --> 00:40:24,239
Speaker 1: met Sally when he comes over and she's crying because uh,

770
00:40:25,080 --> 00:40:28,200
Speaker 1: she's gonna be thirty soon and he's like when she's

771
00:40:28,239 --> 00:40:34,399
Speaker 1: like some day and she's crying, but it's there. That's

772
00:40:34,480 --> 00:40:37,440
Speaker 1: one of the best scenes ever in the history of

773
00:40:38,280 --> 00:40:40,600
Speaker 1: that That that's scene right there. That was your favorite

774
00:40:40,640 --> 00:40:45,200
Speaker 1: comedic that's your favorite comedic crying moment. Yeah, easily one

775
00:40:45,280 --> 00:40:48,960
Speaker 1: of That is my favorite comedic cry. Sarah Chuk was

776
00:40:49,040 --> 00:40:51,480
Speaker 1: good at doing it for real on this show because

777
00:40:51,480 --> 00:40:53,800
Speaker 1: she had times, I think even we've talked about it

778
00:40:53,880 --> 00:40:57,720
Speaker 1: where she had to be like you know, crying pretty

779
00:40:57,800 --> 00:40:59,839
Speaker 1: much on cute, not even from a dramatic moment from

780
00:41:00,200 --> 00:41:06,200
Speaker 1: from like, yeah, it's pretty hard, I think. Yeah, analgesic. Now,

781
00:41:06,280 --> 00:41:09,440
Speaker 1: I didn't know what what an anal jesic was. It's

782
00:41:09,480 --> 00:41:13,200
Speaker 1: aspirin um. Yeah, but we've always laughed at this joke

783
00:41:13,280 --> 00:41:15,920
Speaker 1: because your patient thinks it's anal jesic and puts the

784
00:41:16,040 --> 00:41:23,640
Speaker 1: pills in his Buttah, that's so good. It's a great joke. Yeah,

785
00:41:23,880 --> 00:41:28,080
Speaker 1: it's great. It's pronounced analgesic. The pills go in your mouth, sir, Yeah, no,

786
00:41:28,320 --> 00:41:30,680
Speaker 1: I didn't. I didn't know what that was, did you

787
00:41:30,800 --> 00:41:32,640
Speaker 1: don Donald, you didn't know either, right, I don't know

788
00:41:32,719 --> 00:41:35,279
Speaker 1: how many people got that joke at the time. Well, no,

789
00:41:35,440 --> 00:41:38,560
Speaker 1: the joke isn't that. The joke is actually when you

790
00:41:38,680 --> 00:41:42,200
Speaker 1: tell him that it's not on your Yeah, right, right, yeah,

791
00:41:42,320 --> 00:41:46,000
Speaker 1: who gives a shit? Exactly? Okay, you're right, you're right,

792
00:41:46,040 --> 00:41:48,080
Speaker 1: you're right. Who cares? What it really is? The joke is,

793
00:41:48,160 --> 00:41:50,680
Speaker 1: old man, don't put these pills in your ass, right exactly?

794
00:41:53,680 --> 00:41:55,800
Speaker 1: That guy, I think Donald, if I'm not mistaken, he

795
00:41:55,960 --> 00:41:59,879
Speaker 1: was like a regular go to old man we often knew.

796
00:42:00,080 --> 00:42:02,680
Speaker 1: I've seen all was he in a bunch of episodes.

797
00:42:02,920 --> 00:42:05,560
Speaker 1: I've seen him a few times be like the go

798
00:42:05,760 --> 00:42:09,920
Speaker 1: to ancient old man. Do you want to ask Wicki

799
00:42:10,360 --> 00:42:13,040
Speaker 1: or is this something that would Wicki's not gonna know that,

800
00:42:13,080 --> 00:42:14,960
Speaker 1: And we haven't given him his his funkle pops. Dan.

801
00:42:15,120 --> 00:42:18,200
Speaker 1: Those his funk pops behind you. They're real. I didn't

802
00:42:18,200 --> 00:42:21,880
Speaker 1: know Dan has his funcle pops right behind that. Dan.

803
00:42:21,920 --> 00:42:23,960
Speaker 1: I didn't know if you purchased those for yourself or

804
00:42:24,040 --> 00:42:26,880
Speaker 1: if they were for Scrubs. Wicky guy. I acquire them

805
00:42:26,960 --> 00:42:30,359
Speaker 1: so that we could get weight signed as fast as possible. Okay, Heather,

806
00:42:30,480 --> 00:42:32,239
Speaker 1: you might want some of these. They're there. You have

807
00:42:32,360 --> 00:42:36,720
Speaker 1: a Scrubs pops. We have a Scrubs Wikipedia type page

808
00:42:36,840 --> 00:42:42,120
Speaker 1: where you uh can look up facts on the show.

809
00:42:42,320 --> 00:42:45,120
Speaker 1: And so we got the guy who helped curate this

810
00:42:45,200 --> 00:42:48,000
Speaker 1: whole thing with a bunch of other people, and he

811
00:42:48,160 --> 00:42:50,800
Speaker 1: comes on the show every now and then answers questions

812
00:42:50,880 --> 00:42:53,680
Speaker 1: for us, but he's he's not really into it, Like

813
00:42:53,800 --> 00:42:55,600
Speaker 1: he's kind of into it, but he's not really into it.

814
00:42:55,840 --> 00:42:58,800
Speaker 1: So we're bribing him. So we're like a technical advisor

815
00:42:58,880 --> 00:43:02,480
Speaker 1: kind of guy, somewhat of a yes, I that's a

816
00:43:02,640 --> 00:43:04,040
Speaker 1: that's a great way to put it. Yeah, that's a

817
00:43:04,080 --> 00:43:07,480
Speaker 1: good way of saying it. He's technically advising. He's like

818
00:43:07,840 --> 00:43:11,759
Speaker 1: the keeper of the scrubs Bible. Right, Well, yeah, I

819
00:43:11,800 --> 00:43:14,640
Speaker 1: guess so and so we but we got to bribe

820
00:43:14,719 --> 00:43:17,319
Speaker 1: him with Funco pops otherwise he doesn't do his job. Well,

821
00:43:17,440 --> 00:43:21,200
Speaker 1: that's what oh show for, Heather. Um. They're they kind

822
00:43:21,239 --> 00:43:23,880
Speaker 1: of look like bubble heads. They're they're a very popular thing.

823
00:43:24,200 --> 00:43:26,760
Speaker 1: Grown up action figures is what they are. They're action

824
00:43:26,880 --> 00:43:30,120
Speaker 1: figures from grown ups. It's kind of like it's kind

825
00:43:30,160 --> 00:43:32,439
Speaker 1: of like a bobblehead, but they don't bother. These ones

826
00:43:32,480 --> 00:43:35,480
Speaker 1: don't babble. I don't think, right, Dan, these aren't bobble ones. Right,

827
00:43:37,120 --> 00:43:41,160
Speaker 1: there are Funco pops that that that bobble We didn't

828
00:43:41,160 --> 00:43:44,200
Speaker 1: get those. Okay, that's very cool. So if your daughter

829
00:43:44,360 --> 00:43:48,200
Speaker 1: is truly a fan of Donald Faison, um, I know

830
00:43:48,280 --> 00:43:50,200
Speaker 1: it's from Uptown Girls, but you could get her a

831
00:43:50,360 --> 00:43:54,360
Speaker 1: Donald Faison Funco pop. You know, her boyfriend would be destroyed,

832
00:43:54,760 --> 00:44:01,040
Speaker 1: okay for him. Don't come up break them? Oh right,

833
00:44:02,120 --> 00:44:04,200
Speaker 1: that would be the coolest thing ever. I could walk

834
00:44:04,239 --> 00:44:08,080
Speaker 1: around and say that I broke them up. The craziest

835
00:44:08,120 --> 00:44:10,160
Speaker 1: thing is if my daughter wore that dress behind you,

836
00:44:10,840 --> 00:44:14,000
Speaker 1: oh my god, she might like it. Well, my wife

837
00:44:14,000 --> 00:44:20,400
Speaker 1: would probably break up with me. Now I like that.

838
00:44:20,800 --> 00:44:25,280
Speaker 1: So there's this pressure, as we understand it, for women,

839
00:44:25,440 --> 00:44:29,279
Speaker 1: young doctors to go into become ob gyms because they

840
00:44:29,400 --> 00:44:32,000
Speaker 1: make a lot of money, I guess. So we have

841
00:44:32,120 --> 00:44:35,640
Speaker 1: this thing where the guino girls are are coming after

842
00:44:35,960 --> 00:44:38,800
Speaker 1: that was funny, and then Jady goes in this fantasy

843
00:44:39,280 --> 00:44:41,439
Speaker 1: and they're having a pillow fight and they start making

844
00:44:41,520 --> 00:44:43,920
Speaker 1: out and then he gets interrupted, so he never gets

845
00:44:43,960 --> 00:44:47,279
Speaker 1: to see any of the fun sex. And then he

846
00:44:47,400 --> 00:44:50,080
Speaker 1: tries to go back into the fantasy and she says,

847
00:44:50,160 --> 00:44:52,920
Speaker 1: I'm very glad that we experimented with each other, but

848
00:44:52,960 --> 00:44:55,879
Speaker 1: I'll never do it again. That will never happen again. Yeah,

849
00:44:56,640 --> 00:44:59,840
Speaker 1: he's missed the whole dreamy fantasy. Yeah, I love the

850
00:45:00,120 --> 00:45:05,759
Speaker 1: fact that, uh that when uh Heather and Cox are

851
00:45:05,800 --> 00:45:08,160
Speaker 1: walking through the hallway and she's saying hi to all

852
00:45:08,200 --> 00:45:10,759
Speaker 1: the other doctors and everything like that. Yeah, he thinks

853
00:45:10,800 --> 00:45:13,520
Speaker 1: she's just flirting and she's like, no, no, no, I

854
00:45:13,640 --> 00:45:20,560
Speaker 1: slept with them, and right Heather unabashedly the characters like

855
00:45:21,480 --> 00:45:23,200
Speaker 1: he was like, thinks, oh, you're bribing them because you're

856
00:45:23,200 --> 00:45:25,960
Speaker 1: selling pharmaceuticals. She's like, no, I just slept with them

857
00:45:26,520 --> 00:45:28,520
Speaker 1: exactly like that about her though, she was like, no,

858
00:45:28,640 --> 00:45:30,879
Speaker 1: you get to fuck around, Like yeah, I bug around. Yeah,

859
00:45:31,200 --> 00:45:34,520
Speaker 1: I mean, and that's my motto too. I think that's

860
00:45:34,560 --> 00:45:36,879
Speaker 1: I think that's everybody. I think we're starting to gear

861
00:45:36,960 --> 00:45:39,719
Speaker 1: into that being everybody's motto now, like that shouldn't be

862
00:45:39,800 --> 00:45:41,680
Speaker 1: any stead Like that's what I was saying. The show

863
00:45:41,760 --> 00:45:44,360
Speaker 1: is such about it's this episode in particular is about

864
00:45:44,440 --> 00:45:46,719
Speaker 1: double standards, you know what I mean, and how to

865
00:45:47,239 --> 00:45:49,680
Speaker 1: and how we and how we tackle double standards. This

866
00:45:49,840 --> 00:45:53,640
Speaker 1: dude's so bent out of shape, uh that you slept

867
00:45:53,680 --> 00:45:56,240
Speaker 1: with guys at the hospital, but he's got a pregnant

868
00:45:56,280 --> 00:46:00,160
Speaker 1: lady yea in his back pocket and what I'm mean,

869
00:46:00,280 --> 00:46:02,719
Speaker 1: it's like, yep, come on now, you can't. You can't.

870
00:46:02,880 --> 00:46:07,680
Speaker 1: What's good for these exactly right, exactly, Heather. Did you

871
00:46:07,760 --> 00:46:10,240
Speaker 1: have fun working with our with our pal, the legendary

872
00:46:10,320 --> 00:46:12,560
Speaker 1: Johnny c McGinley, Because it looks like you guys had

873
00:46:12,640 --> 00:46:16,759
Speaker 1: great chemistry. He was so much fun and everybody talks

874
00:46:16,800 --> 00:46:18,600
Speaker 1: so fast on that show. I was like, oh my god,

875
00:46:19,239 --> 00:46:21,640
Speaker 1: here I am well I'm shotting her again. Um, but no,

876
00:46:21,800 --> 00:46:24,200
Speaker 1: I had a great time with him, and yeah, he

877
00:46:24,360 --> 00:46:26,719
Speaker 1: was very very fun. I really adored him. You guys

878
00:46:26,760 --> 00:46:30,680
Speaker 1: had such good chemistry together. You did. Thanks, you did.

879
00:46:30,800 --> 00:46:32,440
Speaker 1: You had a good you had a good Bansward. I'm

880
00:46:32,440 --> 00:46:34,560
Speaker 1: sure Johnny C was excited when Bill was like, oh,

881
00:46:34,600 --> 00:46:37,160
Speaker 1: in your love interest for the week is Heather Lucklear.

882
00:46:39,520 --> 00:46:44,600
Speaker 1: I don't think so. It was really fun. John C

883
00:46:44,760 --> 00:46:49,960
Speaker 1: McGinley was single at this moment too. He was like, yeah,

884
00:46:50,000 --> 00:46:54,560
Speaker 1: he did the Ralph Heather we were talking about. And

885
00:46:54,600 --> 00:46:56,719
Speaker 1: then the episode before this one, because you're in that

886
00:46:56,840 --> 00:47:01,040
Speaker 1: one too, about these pharmaceutical reps who were often attractive

887
00:47:01,120 --> 00:47:03,200
Speaker 1: women and they flirt with the doctors. Did you know

888
00:47:03,280 --> 00:47:06,680
Speaker 1: about this lunch? Yeah? Did you know? I did know

889
00:47:06,800 --> 00:47:09,239
Speaker 1: about it. I um. They were like, oh yeah, they

890
00:47:09,280 --> 00:47:11,840
Speaker 1: take all the doctors to lunch and they flirt with

891
00:47:11,960 --> 00:47:13,839
Speaker 1: them and give them all them you know, And yeah

892
00:47:13,960 --> 00:47:16,800
Speaker 1: I did. I was very well aware. But my favorite

893
00:47:16,880 --> 00:47:19,399
Speaker 1: line was anal leakage and the thing I got to say.

894
00:47:19,480 --> 00:47:24,960
Speaker 1: I loved saying anal I think I might be that

895
00:47:25,000 --> 00:47:28,360
Speaker 1: could be a good ring tone. Guy. Another one, another

896
00:47:28,520 --> 00:47:38,400
Speaker 1: one one Heather Lockley's saying anal leakage could be your notification. Um,

897
00:47:39,160 --> 00:47:41,520
Speaker 1: but yeah, so that but I did. I was aware

898
00:47:41,520 --> 00:47:43,640
Speaker 1: of that. Yeah, because we were talking about in the

899
00:47:43,719 --> 00:47:46,319
Speaker 1: last episode, how was such a thing where they they

900
00:47:46,520 --> 00:47:49,720
Speaker 1: they hired, they recruit these beautiful women who who doctors

901
00:47:49,760 --> 00:47:51,440
Speaker 1: are going to flirt with and go to dinner and

902
00:47:51,560 --> 00:47:54,160
Speaker 1: drinks with and uh and and we kept this going,

903
00:47:54,239 --> 00:47:56,440
Speaker 1: you know, you bring all this swag to the hospital

904
00:47:56,520 --> 00:47:58,360
Speaker 1: and the mug. Actually, if you see there's an earlier

905
00:47:58,400 --> 00:48:00,839
Speaker 1: scene in this where I'm holding I'm drinking coffee out

906
00:48:00,840 --> 00:48:03,840
Speaker 1: of a Plomox mug. That's the that's oh gosh. And

907
00:48:03,960 --> 00:48:05,680
Speaker 1: then I think donald didn't we keep it going for

908
00:48:05,800 --> 00:48:10,080
Speaker 1: like any shows up in the hospital, there was always

909
00:48:10,120 --> 00:48:14,080
Speaker 1: Plomox stuff all around because all your all the swag

910
00:48:14,200 --> 00:48:17,920
Speaker 1: you left stayed around for years. Now, here's something I wonder, Um,

911
00:48:18,160 --> 00:48:20,320
Speaker 1: you know they're always say beautiful women doing that, But

912
00:48:20,520 --> 00:48:23,480
Speaker 1: are there beautiful men doing it? Because there's female doctors.

913
00:48:23,600 --> 00:48:25,440
Speaker 1: That's a very good question. I think there are. I

914
00:48:25,520 --> 00:48:28,520
Speaker 1: think I'm sure there's. I had a handsome friend. I

915
00:48:28,560 --> 00:48:31,799
Speaker 1: had a handsome friend from high school who became one

916
00:48:31,840 --> 00:48:35,000
Speaker 1: of those guys. I definitely think they're they'd lean to

917
00:48:35,160 --> 00:48:38,520
Speaker 1: being good looking people because yeah, I don't know. I think,

918
00:48:38,719 --> 00:48:42,840
Speaker 1: I think again. I just remember knowing about this twenty

919
00:48:43,000 --> 00:48:46,160
Speaker 1: over twenty years ago because I knew girls who did

920
00:48:46,200 --> 00:48:47,680
Speaker 1: it and they were all very pretty and they and

921
00:48:47,680 --> 00:48:49,160
Speaker 1: they would tell me they were like, you won't believe

922
00:48:49,160 --> 00:48:51,040
Speaker 1: how fucked up this is, Like people don't know, people

923
00:48:51,080 --> 00:48:53,200
Speaker 1: don't remember a girl from my from my high school

924
00:48:53,200 --> 00:48:56,520
Speaker 1: telling me you don't. You can't believe the data we

925
00:48:56,600 --> 00:48:59,040
Speaker 1: have on these doctors, like the shit we know, we know,

926
00:48:59,440 --> 00:49:01,800
Speaker 1: we know, and they're prescribing it. What else they're prescribing

927
00:49:01,800 --> 00:49:04,640
Speaker 1: If they're not prescribing that, how many How it's compared

928
00:49:04,719 --> 00:49:07,399
Speaker 1: to last month, Um, when we gave them a big

929
00:49:07,440 --> 00:49:10,279
Speaker 1: incentive that trip. Look how much the graph showed how

930
00:49:10,360 --> 00:49:13,040
Speaker 1: much they prescribed it more. And I just can remember

931
00:49:13,080 --> 00:49:15,400
Speaker 1: I remember being like, this is so fucked up. And

932
00:49:15,480 --> 00:49:17,200
Speaker 1: then I thought it'd be like I thought it'd be

933
00:49:17,239 --> 00:49:19,279
Speaker 1: like discovered and over it's like payola back in the

934
00:49:19,360 --> 00:49:22,000
Speaker 1: day of the radio station days. And no it's still

935
00:49:22,080 --> 00:49:25,000
Speaker 1: going on. Um, that's still going on today, Like aren't

936
00:49:25,040 --> 00:49:27,560
Speaker 1: the doctors aware that this is happening? And there, Yeah,

937
00:49:27,600 --> 00:49:32,359
Speaker 1: but they want the trip and the pretty woman. I'm sure. Yeah,

938
00:49:32,400 --> 00:49:35,279
Speaker 1: I would love to go play golf with a pharmaceutical rep.

939
00:49:35,560 --> 00:49:37,960
Speaker 1: Get me out of the hospital for four hours, perfect,

940
00:49:38,719 --> 00:49:41,480
Speaker 1: all the yeah, and sometimes it's like a golf retreat.

941
00:49:41,520 --> 00:49:43,080
Speaker 1: All you have to do is go like watch the

942
00:49:43,160 --> 00:49:46,120
Speaker 1: Plumox video and then you're like on a golf retreat,

943
00:49:46,400 --> 00:49:50,439
Speaker 1: right yeah, yeah, um Donald, we have to let Heather

944
00:49:50,520 --> 00:49:53,120
Speaker 1: Lockleier go because we only asked her. Yes, listen, we

945
00:49:53,200 --> 00:49:57,200
Speaker 1: only we only recruited a legend for an hour, and

946
00:49:57,320 --> 00:50:00,520
Speaker 1: we can't. We can't keep her. You're funny, you are funny,

947
00:50:00,560 --> 00:50:04,239
Speaker 1: but how do we really want to because we really

948
00:50:04,280 --> 00:50:07,640
Speaker 1: are yours. We were both genuinely nervous, so I'm sorry

949
00:50:07,680 --> 00:50:10,960
Speaker 1: if we spoke fast and nervously. No, no, me too,

950
00:50:11,200 --> 00:50:13,759
Speaker 1: so I might with you. It was it was here

951
00:50:13,840 --> 00:50:16,040
Speaker 1: was a pleasure. But it was such a big deal

952
00:50:16,120 --> 00:50:18,960
Speaker 1: to have you on the show. When when uh when

953
00:50:19,000 --> 00:50:20,920
Speaker 1: this I remember when it happened and they were like,

954
00:50:21,000 --> 00:50:23,439
Speaker 1: we got Heather Lockleer and me being like, holy shit,

955
00:50:23,520 --> 00:50:25,799
Speaker 1: how do we get out of Lockleer because he had

956
00:50:25,800 --> 00:50:29,040
Speaker 1: a good show. Yeah, well, thank you very much. But

957
00:50:29,120 --> 00:50:31,759
Speaker 1: it was such a it was it was such an

958
00:50:31,800 --> 00:50:34,879
Speaker 1: amazing moment, amazing moment to have you on the show

959
00:50:34,960 --> 00:50:37,680
Speaker 1: and then still having an end also because we had

960
00:50:37,719 --> 00:50:40,440
Speaker 1: spent the summer together doing Uptown Girl. Yeah right, that

961
00:50:40,560 --> 00:50:42,160
Speaker 1: was crazy. It was really nice, and you know what,

962
00:50:42,280 --> 00:50:44,480
Speaker 1: it was such a joy for me to do because

963
00:50:44,520 --> 00:50:47,040
Speaker 1: it was so different from what I was doing. And

964
00:50:47,360 --> 00:50:49,440
Speaker 1: the writing is excellent, the show is great, and you

965
00:50:49,520 --> 00:50:52,680
Speaker 1: guys are great and et cetera, et cetera. Well, thank you.

966
00:50:52,760 --> 00:50:55,800
Speaker 1: How we really it's good to see you. Good to

967
00:50:55,840 --> 00:51:01,719
Speaker 1: see you. Do we have a caller? We do? We

968
00:51:01,840 --> 00:51:05,480
Speaker 1: do have a caller? Um um, We're gonna take them

969
00:51:05,560 --> 00:51:06,840
Speaker 1: right away. We have to go to break. What do

970
00:51:06,920 --> 00:51:08,279
Speaker 1: we do? Think I think we should go to break.

971
00:51:08,520 --> 00:51:10,560
Speaker 1: Let's just talk for one second about head of Lockdo

972
00:51:10,680 --> 00:51:13,000
Speaker 1: I have to admen? I was very nervous. I spoke fast.

973
00:51:13,560 --> 00:51:16,920
Speaker 1: I apologize to the audience. You have to understand I

974
00:51:17,000 --> 00:51:19,800
Speaker 1: had such a crush on her as as a young person,

975
00:51:20,040 --> 00:51:23,879
Speaker 1: and I I was tongue tied, Donald, I was tongue tied.

976
00:51:24,280 --> 00:51:26,400
Speaker 1: You did great. You know what I knew. I sensed

977
00:51:26,480 --> 00:51:28,960
Speaker 1: that you were a little nervous. I was making was

978
00:51:29,880 --> 00:51:32,160
Speaker 1: I was talking like that, but I sensed it, and

979
00:51:32,280 --> 00:51:34,680
Speaker 1: so I tried to throw you into a comfort zone

980
00:51:34,920 --> 00:51:38,000
Speaker 1: and just have you talk about you know, uh, garden State.

981
00:51:38,120 --> 00:51:40,480
Speaker 1: Oh yeah that was good. Good Alley you yeah, yeah,

982
00:51:40,520 --> 00:51:42,399
Speaker 1: you got me. Yeah, I see what you did. You're

983
00:51:42,400 --> 00:51:46,879
Speaker 1: a good co host, you said. Zach's rambling nonsense. Why

984
00:51:46,880 --> 00:51:49,200
Speaker 1: don't I steer him to some subject he likes to

985
00:51:49,320 --> 00:51:53,520
Speaker 1: discuss directing films? Right exactly? I see, God, you're good.

986
00:51:53,760 --> 00:51:55,840
Speaker 1: It's just because I love you, fucking hell, I love you.

987
00:51:55,960 --> 00:51:59,239
Speaker 1: I want to do And on that note, we'll be

988
00:51:59,360 --> 00:52:09,200
Speaker 1: right back. How about Sarah calling a vagina a bijinga?

989
00:52:09,320 --> 00:52:12,040
Speaker 1: I had? Is this something that it goes on forever

990
00:52:12,239 --> 00:52:14,920
Speaker 1: it goes? No? But I'm saying, like, did they make

991
00:52:15,000 --> 00:52:16,960
Speaker 1: this up the scrubs writers? Because what that I've never

992
00:52:17,000 --> 00:52:19,400
Speaker 1: heard of vagina called a bajinga before. I've heard it

993
00:52:19,480 --> 00:52:22,560
Speaker 1: called so many things that it has. Somebody somewhere has

994
00:52:22,600 --> 00:52:26,440
Speaker 1: to call it a bigenga, like I've heard Nanni my

995
00:52:26,600 --> 00:52:30,480
Speaker 1: key key vertical smile, my right, my my my new

996
00:52:30,600 --> 00:52:38,560
Speaker 1: new my she she yeah, my bigengau, my vagina, my birdginer,

997
00:52:39,120 --> 00:52:53,960
Speaker 1: my birdginer yeah, Mgina yeah, vagina gin je Joel or

998
00:52:54,000 --> 00:52:56,800
Speaker 1: any jobel or any of those nicknames from vagina. I

999
00:52:56,840 --> 00:53:00,279
Speaker 1: don't know, we'll have to google it. I remember, I've

1000
00:53:00,320 --> 00:53:07,640
Speaker 1: never heard. I've never heard before. It was crazy that

1001
00:53:07,719 --> 00:53:09,640
Speaker 1: you gotta kind of put it like a different like.

1002
00:53:09,719 --> 00:53:11,400
Speaker 1: I don't know where this accent would come from, but

1003
00:53:11,400 --> 00:53:18,600
Speaker 1: it's sort of like a growlinan too much yang yang

1004
00:53:18,920 --> 00:53:27,399
Speaker 1: too much, too much? Another another one, another one. Oh,

1005
00:53:28,600 --> 00:53:31,279
Speaker 1: that's a fun game to play make up nonsense terms

1006
00:53:31,320 --> 00:53:34,960
Speaker 1: for vagina. I'm glad we played. Well, you know we

1007
00:53:35,080 --> 00:53:38,200
Speaker 1: are well listen, but jingo is bajingo. That's that becomes

1008
00:53:38,280 --> 00:53:41,359
Speaker 1: Sarah's term for vagina. It's her go to. It's her

1009
00:53:41,440 --> 00:53:44,160
Speaker 1: go to. Let's bring it our guest. Okay, but don't

1010
00:53:44,239 --> 00:53:46,839
Speaker 1: mention any of the vagina terms around the gas. Dude,

1011
00:53:46,840 --> 00:53:51,560
Speaker 1: I'm done. I'm done with it. Want to be appropriate? Hey,

1012
00:53:52,560 --> 00:54:00,880
Speaker 1: Hilly and Shine? Who Shelley? Shelley is mom. So the

1013
00:54:01,040 --> 00:54:04,959
Speaker 1: last time I used this, we um we were playing

1014
00:54:05,160 --> 00:54:08,680
Speaker 1: categories with my boyfriend who's in England. But the day

1015
00:54:08,760 --> 00:54:14,439
Speaker 1: to you, oh you, she took audience members. She took

1016
00:54:14,480 --> 00:54:17,239
Speaker 1: a sip of a of what looks like an apple tine.

1017
00:54:18,040 --> 00:54:19,759
Speaker 1: It looks like an appletinea. I don't think it's just

1018
00:54:19,920 --> 00:54:24,279
Speaker 1: wearing water. She's wearing a han solo tank top. Donald. Yeah,

1019
00:54:24,320 --> 00:54:26,399
Speaker 1: she knows the way to my heart. Yeah she does.

1020
00:54:27,560 --> 00:54:29,919
Speaker 1: I'm gonna say something. I'm gonna say something real quick.

1021
00:54:30,120 --> 00:54:32,279
Speaker 1: Yeah ahead, Haley, you might just be the best guest

1022
00:54:32,320 --> 00:54:35,120
Speaker 1: we've ever had ever. She's wearing that shirt. Can you

1023
00:54:35,239 --> 00:54:38,880
Speaker 1: tell Donald where to get that shirt? Haley? Please? One

1024
00:54:40,200 --> 00:54:43,719
Speaker 1: that's not gonna be Donald. You shopping Forever twenty one

1025
00:54:44,040 --> 00:54:47,120
Speaker 1: Donald's Forever six. You know, I thought Forever twenty one

1026
00:54:47,200 --> 00:54:48,480
Speaker 1: was the store that you went to when you were

1027
00:54:48,520 --> 00:54:52,360
Speaker 1: twenty one. I thought that too, but I was not

1028
00:54:52,520 --> 00:54:54,719
Speaker 1: twenty one when I bought it, So I thought Forever

1029
00:54:54,800 --> 00:54:57,000
Speaker 1: twenty one meant that you wanted to look like a

1030
00:54:57,040 --> 00:54:59,879
Speaker 1: twenty one year old. That's not It mean everything under

1031
00:55:00,160 --> 00:55:04,360
Speaker 1: everything is twenty one dollars an under or something? Really, Yeah, Joel,

1032
00:55:04,640 --> 00:55:07,960
Speaker 1: is that true? I think there's things for over. It's listen,

1033
00:55:08,000 --> 00:55:09,680
Speaker 1: I will think it. You can buy have three dollars

1034
00:55:10,120 --> 00:55:15,360
Speaker 1: and lager items were more expensive, but yeah, but you

1035
00:55:15,440 --> 00:55:18,200
Speaker 1: can divide it and at the end you get twenty one, right,

1036
00:55:18,400 --> 00:55:21,759
Speaker 1: something like that. This is oh my god, this is

1037
00:55:21,800 --> 00:55:24,320
Speaker 1: a mind blowing moment for me because I, up to

1038
00:55:24,440 --> 00:55:27,120
Speaker 1: this moment, thought the whole concept was let's say you're

1039
00:55:27,120 --> 00:55:29,480
Speaker 1: a little bit older, but you miss feeling like a

1040
00:55:29,520 --> 00:55:31,960
Speaker 1: little hip. You can go to Forever twenty one and

1041
00:55:31,960 --> 00:55:34,719
Speaker 1: you're gonna look Forever twenty one. No, no, no, no, no,

1042
00:55:35,280 --> 00:55:37,839
Speaker 1: it's it's it's you got a couple of You got

1043
00:55:37,880 --> 00:55:44,040
Speaker 1: a couple of twenty ones in your pocket and five

1044
00:55:44,120 --> 00:55:47,640
Speaker 1: dollars in your pocket. You can get five outfits from

1045
00:55:47,680 --> 00:55:50,759
Speaker 1: Forever twenty one. Okay, I did that math quick. That

1046
00:55:50,880 --> 00:55:54,640
Speaker 1: was quick. That's relatively good. Where are you calling from, Haley.

1047
00:55:55,000 --> 00:55:59,839
Speaker 1: I'm in Sola Dad, California, at my mom's right now.

1048
00:56:00,160 --> 00:56:02,239
Speaker 1: So this is where I've been all lockdown. Yeah, there

1049
00:56:02,320 --> 00:56:04,480
Speaker 1: is Solo Dad. Where is Solo Dad? I don't know

1050
00:56:04,520 --> 00:56:06,960
Speaker 1: where that is. Um, So it's near. It's about half

1051
00:56:06,960 --> 00:56:10,880
Speaker 1: an hour south on the one on one of Monterey. Okay, okay,

1052
00:56:11,520 --> 00:56:15,600
Speaker 1: So it's there's nothing here, there's nothing. You do? You

1053
00:56:15,680 --> 00:56:20,239
Speaker 1: do you're gonna do? You're doing? What are you doing? Haley? Um?

1054
00:56:21,160 --> 00:56:24,640
Speaker 1: Right now, I bide my time until I get to

1055
00:56:24,719 --> 00:56:28,239
Speaker 1: go back to the UK. So that's where your boyfriend is.

1056
00:56:29,000 --> 00:56:31,279
Speaker 1: And that's where your boyfriend is, So you want to

1057
00:56:31,360 --> 00:56:34,840
Speaker 1: you want to get back to him? I do, yes, Haley,

1058
00:56:34,880 --> 00:56:36,959
Speaker 1: You can go. You can go to the UK, Haley,

1059
00:56:37,000 --> 00:56:41,120
Speaker 1: you just have to quarantine for two weeks on your own. Yeah. Yeah, Um,

1060
00:56:41,560 --> 00:56:44,440
Speaker 1: well we're doing a visa right now, so we're working

1061
00:56:44,520 --> 00:56:47,200
Speaker 1: on that. Oh I see and and um and are

1062
00:56:47,280 --> 00:56:50,200
Speaker 1: you are you content to to be a transplant and

1063
00:56:50,280 --> 00:56:53,359
Speaker 1: live there full time with your with your boyfriend? Yeah,

1064
00:56:53,560 --> 00:56:56,520
Speaker 1: I'd love to be transplanted into that country, so stick

1065
00:56:56,600 --> 00:57:00,520
Speaker 1: me there. I do love the UK, love it. We

1066
00:57:00,680 --> 00:57:02,799
Speaker 1: love it too. I'm gonna be uh yeah, I'm gonna

1067
00:57:02,800 --> 00:57:08,160
Speaker 1: be transplanting there myself. Wait what Yeah, you're gonna love

1068
00:57:08,160 --> 00:57:10,920
Speaker 1: them to UK? Well, for part I'm I'm I'm I'm

1069
00:57:11,000 --> 00:57:14,040
Speaker 1: dating a British woman and part time I will be

1070
00:57:14,239 --> 00:57:16,600
Speaker 1: I'm spending I'm sure a percentage of my life there.

1071
00:57:16,640 --> 00:57:20,440
Speaker 1: Don't get upset. I'm not moving there, Donald, I'm just

1072
00:57:20,520 --> 00:57:23,920
Speaker 1: saying that if if, if I'm if one Hayley can attest,

1073
00:57:24,000 --> 00:57:26,919
Speaker 1: if one is in a relationship with an English person,

1074
00:57:27,040 --> 00:57:28,800
Speaker 1: you have to you have to go there sometimes, and

1075
00:57:28,880 --> 00:57:31,280
Speaker 1: it's a delightful place to go. Hey, listen, they could

1076
00:57:31,320 --> 00:57:34,680
Speaker 1: be from a country you don't want to visit. Hayley

1077
00:57:34,720 --> 00:57:36,840
Speaker 1: and I are lucky that it's a country we both love,

1078
00:57:37,520 --> 00:57:39,840
Speaker 1: and the food's not as bad as everyone says it is. Oh,

1079
00:57:39,880 --> 00:57:42,720
Speaker 1: the food's wonderful. Give me you can give me mushy

1080
00:57:42,760 --> 00:57:45,000
Speaker 1: peas any day of the week. Oh my god. Do

1081
00:57:45,160 --> 00:57:47,080
Speaker 1: I like the bangers in Mash? You like the bangers

1082
00:57:47,120 --> 00:57:49,840
Speaker 1: in Mash? I don't. I don't really eat pork, so

1083
00:57:50,120 --> 00:57:52,880
Speaker 1: I eat the mash but not the bangers. I don't

1084
00:57:53,000 --> 00:57:55,080
Speaker 1: understand why we don't have mushy peas in this country,

1085
00:57:55,080 --> 00:58:01,000
Speaker 1: because it's as good. You can use my my pool

1086
00:58:01,040 --> 00:58:04,840
Speaker 1: when I'm gone. Okay, cool, Haley. I'm gonna miss you.

1087
00:58:05,200 --> 00:58:07,160
Speaker 1: Haley doesn't have to hear about this. We can negotiate

1088
00:58:07,200 --> 00:58:10,080
Speaker 1: that off all right. Oh it's fine. Just make sure

1089
00:58:10,120 --> 00:58:16,560
Speaker 1: all my rafts stay inflated, right anyway, Haley, Haley, do

1090
00:58:16,600 --> 00:58:18,880
Speaker 1: you have a question for us? Please? Please? I do.

1091
00:58:19,040 --> 00:58:20,360
Speaker 1: I had it on a piece of paper and I

1092
00:58:20,480 --> 00:58:24,800
Speaker 1: left it in the other room. But don't get it. Okay. Um,

1093
00:58:25,240 --> 00:58:28,439
Speaker 1: So this is my Fruit Cups. Yeah, yeah, yeah, which

1094
00:58:28,560 --> 00:58:32,040
Speaker 1: is probably my favorite episode and I don't really know why.

1095
00:58:32,240 --> 00:58:35,240
Speaker 1: It's just my favorite episode. It's the one I probably

1096
00:58:35,320 --> 00:58:38,160
Speaker 1: quote the most, you know, like the Daily Users and

1097
00:58:38,320 --> 00:58:41,960
Speaker 1: walks away right, um? And I love the music the

1098
00:58:42,040 --> 00:58:45,040
Speaker 1: first scene. Whenever I used to where I worked, I

1099
00:58:45,040 --> 00:58:47,760
Speaker 1: wouldn't occasionally had to take you know, a toilet paper

1100
00:58:47,840 --> 00:58:50,400
Speaker 1: roll or two from work, and I'd occasionally be like,

1101
00:58:50,560 --> 00:58:53,160
Speaker 1: or you steal stuff and take it back to work

1102
00:58:53,760 --> 00:58:56,680
Speaker 1: or take it back home. Um, But I feel like

1103
00:58:56,720 --> 00:59:01,120
Speaker 1: it's a pivotal point for all the characters. Doctor Cox

1104
00:59:01,200 --> 00:59:04,360
Speaker 1: gets back together with Jordan, j D and Turk kind

1105
00:59:04,400 --> 00:59:07,640
Speaker 1: of both realized that, you know, Turk's relationship with Carla

1106
00:59:07,800 --> 00:59:10,160
Speaker 1: is really solidifying in this, and Elliott stands up to

1107
00:59:10,240 --> 00:59:12,760
Speaker 1: her dad. So I was kind of wondering, at what

1108
00:59:12,920 --> 00:59:15,800
Speaker 1: point in the series did you think that your characters

1109
00:59:16,120 --> 00:59:18,760
Speaker 1: matured the most, or whether it was how you played

1110
00:59:18,800 --> 00:59:21,280
Speaker 1: them or how it was written. All right, Hailey, look

1111
00:59:21,320 --> 00:59:24,120
Speaker 1: at Donald's smug face. Does he said he say the

1112
00:59:24,160 --> 00:59:27,040
Speaker 1: same thing? Yes? He No, he totally agrees with you.

1113
00:59:27,200 --> 00:59:30,120
Speaker 1: He gave his thirty second summary and touched on everything

1114
00:59:30,200 --> 00:59:32,840
Speaker 1: that you just said. And that's why he's got that

1115
00:59:32,960 --> 00:59:37,200
Speaker 1: shit eating grin on his face. Why did they call

1116
00:59:37,280 --> 00:59:40,160
Speaker 1: it a shitted ingrin? You wouldn't be grinny when you

1117
00:59:40,200 --> 00:59:42,360
Speaker 1: were eating shit, would you, No? I would not be

1118
00:59:42,480 --> 00:59:44,960
Speaker 1: smiling if I had to stick Dodo in my mouth

1119
00:59:45,240 --> 00:59:47,960
Speaker 1: that would be like it would be like it would

1120
00:59:48,000 --> 00:59:50,720
Speaker 1: be I get it. So it's not really a shittat ingrin.

1121
00:59:50,960 --> 00:59:53,000
Speaker 1: It's the face you make but you're like, oh god,

1122
00:59:53,760 --> 00:59:56,800
Speaker 1: growth and it looks like a smile, but really what

1123
00:59:56,880 --> 00:59:59,880
Speaker 1: it is? Joel, are you looking around up for a

1124
01:00:00,120 --> 01:00:02,000
Speaker 1: we need to know the origin of shit eating grin?

1125
01:00:02,480 --> 01:00:06,360
Speaker 1: What though? Anyway? Anyway, um so Donald, your best to

1126
01:00:06,400 --> 01:00:09,479
Speaker 1: answer that because you you you've already spoken about this price.

1127
01:00:09,520 --> 01:00:12,200
Speaker 1: I think this is the episode where now when we

1128
01:00:12,280 --> 01:00:14,320
Speaker 1: were filming it, No, I did not realize this because

1129
01:00:14,360 --> 01:00:15,800
Speaker 1: none of us knew where the show was going to

1130
01:00:15,880 --> 01:00:20,800
Speaker 1: go at this point. But you're absolutely right. Every story

1131
01:00:20,880 --> 01:00:25,440
Speaker 1: that's told in this in this episode goes to the

1132
01:00:25,640 --> 01:00:29,400
Speaker 1: end yea, each and every one of these stories. Elliot

1133
01:00:29,560 --> 01:00:33,960
Speaker 1: standing up to her dad, this becomes her on her

1134
01:00:34,040 --> 01:00:36,520
Speaker 1: own and having to make decisions on her own, and

1135
01:00:36,800 --> 01:00:39,880
Speaker 1: we see how crazy life is for her when she

1136
01:00:40,000 --> 01:00:45,440
Speaker 1: has to do that, right, She's a hectic person. Jude, Carla,

1137
01:00:45,560 --> 01:00:47,640
Speaker 1: and Turk go on to get married and have kids.

1138
01:00:48,320 --> 01:00:52,400
Speaker 1: Cox and Jordan gone to have more children every one

1139
01:00:52,440 --> 01:00:54,880
Speaker 1: of these and Jad's in limbo for the rest of

1140
01:00:54,960 --> 01:00:57,800
Speaker 1: the season up until the last Forever in Limbo. That

1141
01:00:57,880 --> 01:00:59,760
Speaker 1: could be the name of the show. Forever in Limbo

1142
01:00:59,840 --> 01:01:03,080
Speaker 1: j season up until season eight, you are forever in Limbo.

1143
01:01:03,200 --> 01:01:07,160
Speaker 1: You are the dude who has no idea. We don't

1144
01:01:07,200 --> 01:01:10,760
Speaker 1: know where you're gonna go. But at this point, if

1145
01:01:10,800 --> 01:01:13,800
Speaker 1: you were to look back after doing the whole show,

1146
01:01:13,960 --> 01:01:16,760
Speaker 1: this would be the episode my fruit Cups where you're like,

1147
01:01:17,960 --> 01:01:19,400
Speaker 1: this is where they gave us a taste of what

1148
01:01:19,600 --> 01:01:22,760
Speaker 1: was to come. Yeah. Yeah, I didn't see that, to

1149
01:01:22,840 --> 01:01:25,360
Speaker 1: be honest, I was just kind of in more of

1150
01:01:25,720 --> 01:01:28,400
Speaker 1: a micro viewing of it, laughing at the jokes. There

1151
01:01:28,480 --> 01:01:30,480
Speaker 1: was some. There's some one like you keep saying beday

1152
01:01:30,560 --> 01:01:33,720
Speaker 1: bidet to you, sir, the mention of Beijingo. There's some.

1153
01:01:33,840 --> 01:01:37,000
Speaker 1: There's a few classic sort of moments in here. Um

1154
01:01:37,360 --> 01:01:40,280
Speaker 1: Laverne in the beginning when she's like you look pretty right,

1155
01:01:42,480 --> 01:01:52,040
Speaker 1: Jes the pills and right, Jim. It's the first appearance

1156
01:01:52,080 --> 01:01:53,880
Speaker 1: of the Volvo. I believe Donald, do you know that?

1157
01:01:53,960 --> 01:01:56,320
Speaker 1: Don't don't ruin it, Hailey, because you probably know Donald.

1158
01:01:56,360 --> 01:02:02,480
Speaker 1: Do you know the name of the brown Volvo? No Malik.

1159
01:02:04,760 --> 01:02:09,200
Speaker 1: We named the Vovo malik Ya. I named my Vovo Malik. Yeah. Wow.

1160
01:02:09,520 --> 01:02:13,880
Speaker 1: And then you named just it might be my vovo.

1161
01:02:14,040 --> 01:02:16,640
Speaker 1: I don't know. Why did you name your brown Bobo Malik?

1162
01:02:17,000 --> 01:02:20,600
Speaker 1: I have a feeling, I have a feeling. Yeah, I

1163
01:02:20,720 --> 01:02:23,920
Speaker 1: think tur named the car because I definitely I definitely

1164
01:02:24,000 --> 01:02:27,600
Speaker 1: named my scooter Sasha. Yeah. Sure, sure you know. Remember

1165
01:02:27,640 --> 01:02:30,320
Speaker 1: I I post a picture of me on on anything

1166
01:02:30,400 --> 01:02:35,200
Speaker 1: two wheels. People were like, is that new Sasha? I like,

1167
01:02:35,280 --> 01:02:37,040
Speaker 1: post a picture of my motorcycle, and I'm like, oh,

1168
01:02:37,240 --> 01:02:43,280
Speaker 1: Sasha got an upgrade. There was that time that you

1169
01:02:43,400 --> 01:02:45,720
Speaker 1: brought me that scooter and it was gray. He didn't

1170
01:02:45,720 --> 01:02:47,840
Speaker 1: even wear it, didn't even drive it once I did

1171
01:02:47,960 --> 01:02:53,520
Speaker 1: drive it around. You named it? What are you talking about? Oh?

1172
01:02:53,600 --> 01:02:58,800
Speaker 1: You named it Sasha Gray? Yeah? And then back, Well,

1173
01:02:58,880 --> 01:03:01,040
Speaker 1: let's tell the audience the true story of this, because

1174
01:03:01,040 --> 01:03:02,880
Speaker 1: it really it was hurtful to me. No, I had

1175
01:03:02,920 --> 01:03:07,840
Speaker 1: to Here's the thing it don't do as I'm gonna

1176
01:03:07,840 --> 01:03:09,840
Speaker 1: be one hundred percent on. So for my birthday, Zach

1177
01:03:09,880 --> 01:03:13,160
Speaker 1: buys me a scooter, a great scooter named I named

1178
01:03:13,160 --> 01:03:23,280
Speaker 1: her Sasha Gray. Sure. Sure, let's keep let's keep a

1179
01:03:23,680 --> 01:03:29,480
Speaker 1: Hailey innocent of any absolute knowledge, right. And the problem

1180
01:03:29,520 --> 01:03:31,240
Speaker 1: with it was, though, is that you had to have

1181
01:03:31,320 --> 01:03:33,560
Speaker 1: a motorcycle license to drive it. It wasn't one of

1182
01:03:33,600 --> 01:03:36,240
Speaker 1: those things where you could just it wasn't a scooter

1183
01:03:36,400 --> 01:03:40,520
Speaker 1: that was uh slow enough that you could ride around

1184
01:03:40,640 --> 01:03:42,480
Speaker 1: on it and not have to have a license. So

1185
01:03:42,480 --> 01:03:44,919
Speaker 1: if I would have got pulled over, they automatically would

1186
01:03:44,960 --> 01:03:46,560
Speaker 1: have been like, let me see your license. I'd be like,

1187
01:03:46,640 --> 01:03:49,080
Speaker 1: I don't have a license, and then they confiscate Sasha

1188
01:03:49,160 --> 01:03:58,960
Speaker 1: Gray and then I'd never see her again. All right now,

1189
01:03:59,000 --> 01:04:01,680
Speaker 1: from my point of view, Haley, imagine you're my really

1190
01:04:01,720 --> 01:04:04,480
Speaker 1: good friend and it's a big birthday. I think it

1191
01:04:04,640 --> 01:04:07,480
Speaker 1: was a meaningful, important birthday, and I was like, I

1192
01:04:07,560 --> 01:04:09,760
Speaker 1: want to do something like baller for you. I'm gonna like,

1193
01:04:10,520 --> 01:04:12,800
Speaker 1: I know what I'm gonna do. I'm gonna ring your doorbell, Haley,

1194
01:04:12,840 --> 01:04:16,640
Speaker 1: and when you come outside, there's gonna be a brand new, beautiful, expensive,

1195
01:04:17,080 --> 01:04:19,520
Speaker 1: shiny scooter there for you. Yeah. It was one of

1196
01:04:19,560 --> 01:04:21,960
Speaker 1: the best birthday presents ever. And then and then and

1197
01:04:22,040 --> 01:04:24,160
Speaker 1: then for years and years and years, I'd be like,

1198
01:04:24,920 --> 01:04:30,160
Speaker 1: do you ever use the good And he'd be like, oh,

1199
01:04:30,240 --> 01:04:32,520
Speaker 1: my motorcycle license, my motor and I'd be like, oh, okay,

1200
01:04:32,520 --> 01:04:33,800
Speaker 1: well you're gonna get that right, You can get that.

1201
01:04:33,880 --> 01:04:36,040
Speaker 1: Just go go take the test real quick, you and

1202
01:04:36,120 --> 01:04:39,800
Speaker 1: he'd be like, oh, yeah, yeah, the battery's dead now,

1203
01:04:39,840 --> 01:04:42,560
Speaker 1: I know. Yeah, there was always a reason. There was

1204
01:04:42,560 --> 01:04:46,240
Speaker 1: always a real scooter around my neighborhood quite a few times. Bullshit, Haley,

1205
01:04:46,280 --> 01:04:47,960
Speaker 1: you know what I finally did you want gonna go

1206
01:04:48,040 --> 01:04:50,280
Speaker 1: get Casey? I reclaimed that shit, Haley, I was like

1207
01:04:50,560 --> 01:04:53,600
Speaker 1: taking her. That ship was straight up out of a

1208
01:04:53,680 --> 01:04:56,080
Speaker 1: jay Z song. Yeah. I rolled up, I rolled up

1209
01:04:56,080 --> 01:05:00,320
Speaker 1: and took it back. At a protest, they repo Javi Cole.

1210
01:05:01,160 --> 01:05:04,560
Speaker 1: Everything was all good just a week ago. That's what

1211
01:05:04,680 --> 01:05:07,360
Speaker 1: you did. You rewed the vehicle. I took Sasha Gray

1212
01:05:07,400 --> 01:05:11,160
Speaker 1: away from you. You did, and it hurt my feelings. Yeah,

1213
01:05:11,160 --> 01:05:14,680
Speaker 1: I understand. Um. Anyway, Sorry we had to air that

1214
01:05:14,760 --> 01:05:16,760
Speaker 1: in front of you, Hailey. Do you have another question

1215
01:05:16,880 --> 01:05:21,560
Speaker 1: for Donald Phazon or I guess um, I have a

1216
01:05:21,760 --> 01:05:24,160
Speaker 1: funny story that relates to Zach what you were talking

1217
01:05:24,160 --> 01:05:27,439
Speaker 1: about a few episodes ago with the Temple of Doom. Yeah,

1218
01:05:27,840 --> 01:05:30,240
Speaker 1: I have a funny I can ask my question or

1219
01:05:30,280 --> 01:05:35,200
Speaker 1: I can relate another silly story story serious story and

1220
01:05:35,280 --> 01:05:36,880
Speaker 1: if it's and if it's not funny, we'll let you.

1221
01:05:37,000 --> 01:05:41,320
Speaker 1: You can edit it out. We edited out everything. No one. Um. So,

1222
01:05:41,440 --> 01:05:44,920
Speaker 1: when I was maybe about eight nine ten m I

1223
01:05:45,040 --> 01:05:48,400
Speaker 1: noticed that were you eight nine or ten in between there?

1224
01:05:48,480 --> 01:05:51,360
Speaker 1: I don't really remember you were. I was an adolescent

1225
01:05:52,400 --> 01:05:54,960
Speaker 1: right about it. But I had noticed that there was

1226
01:05:55,040 --> 01:05:58,120
Speaker 1: something kind of growing on my throat area, and I

1227
01:05:58,200 --> 01:06:00,200
Speaker 1: went up to my dad, who's a doctor, and I

1228
01:06:00,320 --> 01:06:02,680
Speaker 1: was like, Dad, look, I have an Adam's apple. Because

1229
01:06:02,680 --> 01:06:04,360
Speaker 1: I was a child, I didn't know that that was

1230
01:06:04,640 --> 01:06:08,480
Speaker 1: not a girl thing to have, right, Well, that's not normal.

1231
01:06:08,840 --> 01:06:10,160
Speaker 1: So we went to go get it checked out and

1232
01:06:10,160 --> 01:06:11,840
Speaker 1: I had to get something removed that was growing on

1233
01:06:11,920 --> 01:06:15,120
Speaker 1: my vocal cords, and it was as a child, surgery

1234
01:06:15,240 --> 01:06:18,840
Speaker 1: is kind of scary. So after we had done the

1235
01:06:18,880 --> 01:06:22,400
Speaker 1: surgery and I was staying overnight, UM, my dad was like, oh,

1236
01:06:22,480 --> 01:06:24,480
Speaker 1: we have some movies that are at the hospital. Here,

1237
01:06:24,520 --> 01:06:26,680
Speaker 1: we'll watch this one. And it was Indiana Jones Temple

1238
01:06:26,760 --> 01:06:29,320
Speaker 1: of Do And right when it gets to the part,

1239
01:06:29,360 --> 01:06:33,960
Speaker 1: you know, and he's ripping out the heart, I just

1240
01:06:34,080 --> 01:06:39,600
Speaker 1: immediately started bawling. Yeah, yeah, that's why exactly. My mom

1241
01:06:39,680 --> 01:06:41,120
Speaker 1: came the next day. He's like, yeah, she had this

1242
01:06:41,240 --> 01:06:43,640
Speaker 1: really bad reaction to the movie and She's like, well,

1243
01:06:43,640 --> 01:06:46,560
Speaker 1: of course she did. They were pipping out somebody's heart. Yeah,

1244
01:06:47,280 --> 01:06:49,480
Speaker 1: and I don't think I watched it for at least

1245
01:06:49,520 --> 01:06:51,680
Speaker 1: another ten years, and then I watched it again and

1246
01:06:51,720 --> 01:06:57,080
Speaker 1: I was like, this isn't that bad. But Haley, but Haley,

1247
01:06:57,520 --> 01:06:59,960
Speaker 1: Haley and I were scarred by this film. Are Yeah,

1248
01:07:00,040 --> 01:07:03,840
Speaker 1: our parents made bad choices. How can you be upset

1249
01:07:03,880 --> 01:07:08,439
Speaker 1: at that movie? I had a whole birthday revolved around

1250
01:07:08,480 --> 01:07:11,840
Speaker 1: Indiana Jones later, not Temple of Doom, the first one. Mainly.

1251
01:07:13,200 --> 01:07:15,240
Speaker 1: Raiders in a low stark is just as scary when

1252
01:07:15,280 --> 01:07:17,200
Speaker 1: they opened the Ark of the Covenant and it makes

1253
01:07:17,240 --> 01:07:19,640
Speaker 1: the dude's face smut. No, I had no problem with that.

1254
01:07:20,440 --> 01:07:22,760
Speaker 1: There was something about there was something about there was

1255
01:07:22,760 --> 01:07:25,640
Speaker 1: a man that screams like a blood curdling scream. He's like,

1256
01:07:28,920 --> 01:07:31,560
Speaker 1: screams like that. I backed up from the mic. You're welcome,

1257
01:07:32,280 --> 01:07:39,640
Speaker 1: You're welcome. You're welcome America, America, UK, Germany, Italy, Australia.

1258
01:07:39,720 --> 01:07:44,439
Speaker 1: But you listen, Australia, You're welcome. Another one, another one, listen.

1259
01:07:44,520 --> 01:07:46,000
Speaker 1: A lot of people are asking I don't mean to

1260
01:07:46,040 --> 01:07:47,560
Speaker 1: cut you up, but a lot of people are asking me.

1261
01:07:47,880 --> 01:07:50,360
Speaker 1: And this is I feel we need to explain this.

1262
01:07:51,240 --> 01:07:54,120
Speaker 1: We didn't make up another one. Oh yeah, I didn't.

1263
01:07:54,120 --> 01:07:56,560
Speaker 1: I just thought everyone would know the pop culture thing

1264
01:07:56,600 --> 01:08:04,320
Speaker 1: of another. No, DJ k Yes, DJ Khalid. College's college?

1265
01:08:04,560 --> 01:08:07,640
Speaker 1: Isn't it college? Depending? You know, some people say college,

1266
01:08:07,720 --> 01:08:11,000
Speaker 1: some people say college. Dan, you're a DJ, what is it? Well,

1267
01:08:11,040 --> 01:08:13,800
Speaker 1: there's there's Khalid, the artist who made talk um. And

1268
01:08:13,880 --> 01:08:15,960
Speaker 1: then I thought it was DJ Khaled with it more

1269
01:08:16,000 --> 01:08:19,200
Speaker 1: like I thought too Yeah, yeah, okay, Jay Kalid DJ

1270
01:08:19,520 --> 01:08:23,320
Speaker 1: Khaled when he drops his latest tracks, he will in

1271
01:08:23,400 --> 01:08:26,839
Speaker 1: the spirit of Puffy back in the day, going ahead

1272
01:08:27,479 --> 01:08:31,560
Speaker 1: or can't stop, won't stop? Yeah, his his thing is

1273
01:08:32,640 --> 01:08:35,559
Speaker 1: a number one, Like, here's another hit song for you guys.

1274
01:08:36,040 --> 01:08:39,240
Speaker 1: He has another one. There's that, and then there's major key,

1275
01:08:39,840 --> 01:08:43,680
Speaker 1: and then there's way the best. Major key means what

1276
01:08:44,160 --> 01:08:46,280
Speaker 1: if the song isn't a major key. I don't know

1277
01:08:46,400 --> 01:08:49,439
Speaker 1: what major key is. That's a question to ask scrubs Wicky.

1278
01:08:49,640 --> 01:08:51,600
Speaker 1: Now we're gonna go to no. Now we're gonna go

1279
01:08:51,640 --> 01:08:55,080
Speaker 1: to no. Imagine, imagine we have we have, we have

1280
01:08:55,200 --> 01:08:57,960
Speaker 1: asked DJ Khalid, and now we're gonna gonna ask DJ Khaled.

1281
01:08:58,160 --> 01:09:03,800
Speaker 1: Um mean by major key? Another one? Um? Joe, did

1282
01:09:03,840 --> 01:09:07,080
Speaker 1: you ever find out what shit eating grin was about? Yeah,

1283
01:09:07,160 --> 01:09:09,599
Speaker 1: there's a couple of stories you want to hear. Yeah

1284
01:09:09,640 --> 01:09:14,680
Speaker 1: please sure? Okay? Um, So, my favorite one comes from

1285
01:09:14,840 --> 01:09:18,280
Speaker 1: RB Smith. He's from the UCSD Astrophysics program, and this

1286
01:09:18,439 --> 01:09:20,840
Speaker 1: is off with the San Diego reader dot com. He

1287
01:09:20,960 --> 01:09:24,120
Speaker 1: says the original form of this phrase was grinning like

1288
01:09:24,200 --> 01:09:27,719
Speaker 1: a possum eating shit, which was occasionally euphemized to grinning

1289
01:09:27,760 --> 01:09:30,559
Speaker 1: like a possum eating pumpkin seeds. To those are us

1290
01:09:30,600 --> 01:09:33,360
Speaker 1: fortunate enough to have observed this teeth together, lips apart,

1291
01:09:33,479 --> 01:09:36,600
Speaker 1: smile on the face of the aforementioned marsupial munching on

1292
01:09:36,680 --> 01:09:41,160
Speaker 1: the aforementioned sectological delegacy. He's smart. The expression conjures up

1293
01:09:41,160 --> 01:09:44,600
Speaker 1: a very explicit and not infrequently very apropro image, So

1294
01:09:44,720 --> 01:09:49,519
Speaker 1: that's part of it. Did he say scatological delicacy? Yes,

1295
01:09:49,800 --> 01:09:52,680
Speaker 1: those are not two words I've ever heard together. It

1296
01:09:52,800 --> 01:09:54,639
Speaker 1: was not fun to say that name of my band,

1297
01:09:57,120 --> 01:09:59,920
Speaker 1: I m so. So it's referring to an animal who's

1298
01:10:00,000 --> 01:10:01,680
Speaker 1: eating shit. It has a big smile on his face

1299
01:10:01,680 --> 01:10:03,960
Speaker 1: because the animal likes eating shit. But it's not really shit.

1300
01:10:04,000 --> 01:10:07,160
Speaker 1: It's actually pumpkin pumpkin. No, no, no, no, that's like

1301
01:10:07,240 --> 01:10:09,320
Speaker 1: a clean version. Yeah, when if you're saying it in

1302
01:10:09,400 --> 01:10:11,040
Speaker 1: front of a kid, you're like, oh, he's like he's

1303
01:10:11,040 --> 01:10:15,400
Speaker 1: eating pumpkin. Look at that pumpkin seed eating grin on

1304
01:10:15,520 --> 01:10:18,599
Speaker 1: his face. Yeah, I'm gonna start saying pumpkin seeding grin

1305
01:10:18,680 --> 01:10:22,680
Speaker 1: instead of shit eating grin. Um, Haley, Um, we like

1306
01:10:22,800 --> 01:10:24,759
Speaker 1: you so much. We're gonna end with one more question

1307
01:10:24,920 --> 01:10:28,360
Speaker 1: from you, all right, Um. If so, I don't know

1308
01:10:28,360 --> 01:10:29,920
Speaker 1: if you guys remember, because I know you guys have

1309
01:10:30,000 --> 01:10:33,440
Speaker 1: been saying that you don't remember um some of the episodes.

1310
01:10:33,760 --> 01:10:36,200
Speaker 1: But if there was one line that another character had

1311
01:10:36,280 --> 01:10:39,479
Speaker 1: that you wish you could have had to say, what

1312
01:10:39,640 --> 01:10:42,720
Speaker 1: do you remember? Which one? It was? Good question? M

1313
01:10:43,560 --> 01:10:52,600
Speaker 1: m m m m m m No. I like in

1314
01:10:52,720 --> 01:10:56,080
Speaker 1: your Endough, that's I say that a lot as well.

1315
01:10:56,160 --> 01:10:58,559
Speaker 1: I say that a lot. I think i'd take sometimes

1316
01:10:58,600 --> 01:11:01,280
Speaker 1: when I'm banging this mattress, I pretend I'm banging that

1317
01:11:01,360 --> 01:11:09,479
Speaker 1: one something Todd said. The Todd says, Um, I also

1318
01:11:09,880 --> 01:11:12,920
Speaker 1: like Niel's line, my good Lord didn't bless my wife

1319
01:11:13,320 --> 01:11:22,280
Speaker 1: with another pointer pointer in thumb pinky nine French nine

1320
01:11:22,320 --> 01:11:27,680
Speaker 1: French is very popular yeah, you know, for you know, uh,

1321
01:11:29,479 --> 01:11:31,120
Speaker 1: I want to be the one inside of you. I

1322
01:11:31,200 --> 01:11:33,240
Speaker 1: thought that was very funny too, But I said that

1323
01:11:33,680 --> 01:11:36,280
Speaker 1: you said that, so you didn't really answer. You're the

1324
01:11:36,400 --> 01:11:40,360
Speaker 1: only man who's ever been inside of me. Whoa, I

1325
01:11:40,439 --> 01:11:43,840
Speaker 1: just took out his appendix. There's no mean to clarify.

1326
01:11:44,640 --> 01:11:49,320
Speaker 1: Oh no, okay, sum Hayley. Thank you so much for

1327
01:11:49,400 --> 01:11:52,000
Speaker 1: coming on. Good luck getting to be with your your

1328
01:11:52,080 --> 01:11:55,559
Speaker 1: fella in the in the United Kingdom. Perhaps perhaps I'll

1329
01:11:55,600 --> 01:11:58,880
Speaker 1: see you over there after we've both the quarantined and

1330
01:11:59,040 --> 01:12:03,880
Speaker 1: most likely you won't be nice. Donald. This is called pleasantries. Donald,

1331
01:12:04,320 --> 01:12:07,720
Speaker 1: I will wave to you. I will. I'm about the train.

1332
01:12:09,240 --> 01:12:12,000
Speaker 1: It's not a train, it's called the tube. There are trains.

1333
01:12:12,080 --> 01:12:14,479
Speaker 1: The tube is only in London. Yeah, Donald, don't listen,

1334
01:12:14,520 --> 01:12:19,120
Speaker 1: don't know. I'm in Newcastle. So I'm in like the

1335
01:12:19,280 --> 01:12:24,720
Speaker 1: north north of London. Oh it's we ritzy. No, it's

1336
01:12:24,800 --> 01:12:30,360
Speaker 1: not rit ritzy. London is London is the hood if

1337
01:12:30,400 --> 01:12:34,000
Speaker 1: you ask me, Yo, tonight on Donald talks about different

1338
01:12:34,040 --> 01:12:37,080
Speaker 1: neighborhoods of London. All right, bye, Hailey, thank you so much,

1339
01:12:37,120 --> 01:12:43,719
Speaker 1: thank you so much, thank you, guys. I saw Lisa

1340
01:12:43,760 --> 01:12:47,479
Speaker 1: Marie Pressley in London. Really yeah, like at a show.

1341
01:12:47,560 --> 01:12:50,600
Speaker 1: She did a show. It was like, my buddy was like,

1342
01:12:50,880 --> 01:12:55,599
Speaker 1: Lisa Marie Pressley is performing, you know. Um, first one,

1343
01:12:55,640 --> 01:12:57,880
Speaker 1: I'm glad we're all finally alone now because I feel

1344
01:12:57,880 --> 01:13:00,160
Speaker 1: like we had to be great for Heather, and then

1345
01:13:00,200 --> 01:13:03,960
Speaker 1: we had to host Hayley, who was delightful. But sometimes

1346
01:13:04,040 --> 01:13:06,080
Speaker 1: you just want to just curl up on the couch

1347
01:13:06,120 --> 01:13:09,400
Speaker 1: with your friends and and just shoot the ship, you know. No,

1348
01:13:09,560 --> 01:13:13,200
Speaker 1: I totally agree. Yeah, so let's just let's relax. I'm

1349
01:13:13,200 --> 01:13:17,920
Speaker 1: gonna top up my pants and just I'm gonna kick

1350
01:13:18,000 --> 01:13:21,080
Speaker 1: my shoes off. Let's pack a bowl and let's just

1351
01:13:21,200 --> 01:13:26,960
Speaker 1: fucking relax now. No more house guests, no more visitors. Okay,

1352
01:13:27,360 --> 01:13:29,880
Speaker 1: just us. Let's get feedle on the couch and watch alone.

1353
01:13:33,520 --> 01:13:36,000
Speaker 1: Um now Donald Show, ladies and gentle. No, no, no, no,

1354
01:13:36,080 --> 01:13:39,160
Speaker 1: it's not we got more to do. Don't crystals back

1355
01:13:39,200 --> 01:13:43,919
Speaker 1: on the Christa Miller's back looking gorgeous and pregnant and pregnant.

1356
01:13:44,120 --> 01:13:46,200
Speaker 1: Is that William in her belly? That must be will

1357
01:13:46,280 --> 01:13:50,719
Speaker 1: in her belly? Yes, that's amazing. What I told Casey

1358
01:13:50,880 --> 01:13:54,320
Speaker 1: that she was like, holy cow, it was this was

1359
01:13:54,400 --> 01:13:57,800
Speaker 1: that long ago because William is a what is he

1360
01:13:57,840 --> 01:14:00,679
Speaker 1: a senior in high school? Now? Yea, he must people

1361
01:14:00,880 --> 01:14:03,440
Speaker 1: and he dunked. He can dunk, and he plays basketball

1362
01:14:03,479 --> 01:14:05,960
Speaker 1: and he got the game. Yeah, you guys are seeing

1363
01:14:06,040 --> 01:14:09,400
Speaker 1: him in this episode in utero and now he dunks.

1364
01:14:11,000 --> 01:14:12,600
Speaker 1: If you want to see him do it, you can

1365
01:14:12,640 --> 01:14:15,080
Speaker 1: go to Bill Lawrence's Yeah, Bill Lawrence on him on

1366
01:14:15,160 --> 01:14:18,679
Speaker 1: Bill Lawrences Vduzer v Duzer's Instagram and you can see

1367
01:14:18,760 --> 01:14:22,320
Speaker 1: his son dunk. How about a ten thirteen when I

1368
01:14:22,360 --> 01:14:26,080
Speaker 1: go I told her you smoked the angel. Yeah, that

1369
01:14:26,240 --> 01:14:29,320
Speaker 1: was improvd that wasn't something really that was improved. I

1370
01:14:29,400 --> 01:14:33,519
Speaker 1: remember it was something else originally, and uh, that was funny. Yeah.

1371
01:14:33,520 --> 01:14:35,640
Speaker 1: I remember laughing so hard when you said that too,

1372
01:14:35,840 --> 01:14:37,840
Speaker 1: and I remember thinking that'll never make this episode. That

1373
01:14:37,840 --> 01:14:39,519
Speaker 1: will never make the shit because we weren't allowed to

1374
01:14:39,520 --> 01:14:42,160
Speaker 1: talk about weed back then. It was so scandalous. Now,

1375
01:14:42,160 --> 01:14:43,800
Speaker 1: I want to know something you're you're I read on

1376
01:14:43,880 --> 01:14:48,720
Speaker 1: scrubs Wiki that your Brady Bunch trivia here is wrong. Um,

1377
01:14:49,200 --> 01:14:51,639
Speaker 1: I don't know not about Listen. I don't know nothing

1378
01:14:51,680 --> 01:14:53,720
Speaker 1: about the Brady Bunch in the first place, so I

1379
01:14:53,760 --> 01:14:57,320
Speaker 1: don't Okay, Well, Turk Turk is quite wrong here, and

1380
01:14:57,360 --> 01:14:59,519
Speaker 1: I'll tell you why. I can't back it up though,

1381
01:14:59,520 --> 01:15:01,439
Speaker 1: because I don't no shit about the Brady Bunch. I'm

1382
01:15:01,439 --> 01:15:03,080
Speaker 1: just telling you so you know if it ever comes

1383
01:15:03,120 --> 01:15:05,840
Speaker 1: up again in your life. When Turk tries to prove

1384
01:15:05,920 --> 01:15:08,880
Speaker 1: his knowledge of the Brady Bunch by describing exactly which

1385
01:15:08,960 --> 01:15:12,680
Speaker 1: episode JD is referring to, he's incorrect. He claims the

1386
01:15:12,760 --> 01:15:16,880
Speaker 1: episode quote Marcia gets creamed, and quote was in by

1387
01:15:16,880 --> 01:15:18,800
Speaker 1: the way, you could never name a show that today

1388
01:15:19,720 --> 01:15:24,679
Speaker 1: was in seasons was in season five, episode three, while

1389
01:15:24,720 --> 01:15:28,720
Speaker 1: it was actually episode seven that season. So somebody fucked up.

1390
01:15:28,760 --> 01:15:34,599
Speaker 1: We can blame Whee who wrote this. Janee, you fucked up, okay,

1391
01:15:34,640 --> 01:15:37,240
Speaker 1: and you're a north Western grad. I expected more from you.

1392
01:15:38,000 --> 01:15:40,360
Speaker 1: I really got a hand it to Christopher in this episode,

1393
01:15:40,479 --> 01:15:44,439
Speaker 1: you know, making fun of herself and you know, making

1394
01:15:44,479 --> 01:15:47,080
Speaker 1: fun of the fact that she's pregnant and being so vulnerable.

1395
01:15:47,439 --> 01:15:49,160
Speaker 1: She did such a great job, and the scene in

1396
01:15:49,200 --> 01:15:53,439
Speaker 1: the bathroom where she's crying, you know, and I felt

1397
01:15:53,520 --> 01:15:56,320
Speaker 1: very raw and real. Yeah it did, you know. And

1398
01:15:58,520 --> 01:16:00,760
Speaker 1: I remember when my wife was and there were days

1399
01:16:00,800 --> 01:16:04,120
Speaker 1: where she didn't necessarily feel like you know, she was

1400
01:16:05,080 --> 01:16:08,280
Speaker 1: the sexiest person on the planet. And I remember just thinking, Wow,

1401
01:16:08,360 --> 01:16:11,960
Speaker 1: she's so beautiful. She's so beautiful, And I feel like

1402
01:16:12,040 --> 01:16:14,840
Speaker 1: that's what Cox was going through in this episode, you know,

1403
01:16:16,120 --> 01:16:21,160
Speaker 1: regardless of him dating how the Lockeleyest character and everything

1404
01:16:21,240 --> 01:16:25,400
Speaker 1: like that, there's something special about when you see somebody

1405
01:16:25,439 --> 01:16:29,360
Speaker 1: who you love and they're carrying your baby inside of them,

1406
01:16:29,800 --> 01:16:32,840
Speaker 1: that you just think that the most beautiful human on

1407
01:16:32,960 --> 01:16:36,720
Speaker 1: the planet. Like I just I just remember looking at

1408
01:16:36,760 --> 01:16:39,240
Speaker 1: Casey and being like, holy shit, she's so beautiful. And

1409
01:16:39,280 --> 01:16:41,400
Speaker 1: she and she'd be like I got three chins, and

1410
01:16:41,439 --> 01:16:42,960
Speaker 1: I'd be like, I don't give a shit. You could

1411
01:16:42,960 --> 01:16:45,120
Speaker 1: have twenty chin. You looked so beautiful. I love all

1412
01:16:45,200 --> 01:16:47,439
Speaker 1: three of them, right, you know what I mean? Well,

1413
01:16:47,479 --> 01:16:50,400
Speaker 1: I bet you know christ is a really good actress.

1414
01:16:50,439 --> 01:16:53,879
Speaker 1: But I also bet that you know she was legit pregnant,

1415
01:16:53,960 --> 01:16:56,599
Speaker 1: and I'm sure that she could call upon those feelings

1416
01:16:56,880 --> 01:16:59,280
Speaker 1: when she's sitting on the bathroom floor feeling, you know,

1417
01:17:00,479 --> 01:17:03,000
Speaker 1: undesired by by doctor Cox. I thought that was a

1418
01:17:03,040 --> 01:17:05,200
Speaker 1: really nice scene between the two of them. Yeah, and

1419
01:17:05,320 --> 01:17:08,400
Speaker 1: it was a good fake out too. Yeah, that was

1420
01:17:08,479 --> 01:17:10,280
Speaker 1: clever how they had to do that. So Johnny C

1421
01:17:10,439 --> 01:17:13,360
Speaker 1: grabs two things whiskey. Heather's on the couch. By the

1422
01:17:13,439 --> 01:17:15,600
Speaker 1: time he comes around, it's been changed to Krista and

1423
01:17:15,680 --> 01:17:17,559
Speaker 1: she's like, you know, I can't drink that, right. He's like, yeah,

1424
01:17:17,560 --> 01:17:21,840
Speaker 1: they're both for me. Yeah, I love that. Yeah. Now,

1425
01:17:21,920 --> 01:17:23,600
Speaker 1: this we've we've said it a couple of times, but

1426
01:17:23,680 --> 01:17:25,479
Speaker 1: this is one of the greatest lines in Scrub's history.

1427
01:17:25,720 --> 01:17:28,400
Speaker 1: In this episode thirteen o nine, I have one of

1428
01:17:28,439 --> 01:17:31,360
Speaker 1: those French things that shoots water up my butt. But

1429
01:17:31,560 --> 01:17:39,000
Speaker 1: day the day to use her, however, I said, but Day,

1430
01:17:40,400 --> 01:17:43,679
Speaker 1: that was very clever. Heather has a line that's funny

1431
01:17:43,720 --> 01:17:47,880
Speaker 1: when she disses Kristen. She says, anywhere anybody looks, they'll

1432
01:17:47,920 --> 01:17:53,080
Speaker 1: see that was fucked up. And how about when I

1433
01:17:53,200 --> 01:17:56,400
Speaker 1: scare you in the ambulance and you scream? That was funny? Yeah,

1434
01:17:56,439 --> 01:17:59,800
Speaker 1: and yeah, I was gonna say, dude, such a good scene. Man,

1435
01:18:00,560 --> 01:18:03,519
Speaker 1: that's one of those moments. You know, you we've worked

1436
01:18:03,520 --> 01:18:05,360
Speaker 1: together for a really long time, and you have and

1437
01:18:05,640 --> 01:18:09,000
Speaker 1: and I've seen I feel like i've seen most of

1438
01:18:09,120 --> 01:18:11,960
Speaker 1: your tricks. You've developed some new tricks that I haven't

1439
01:18:12,000 --> 01:18:14,600
Speaker 1: seen in the last ten years because you've gone on

1440
01:18:14,680 --> 01:18:17,439
Speaker 1: to work on other things and everything like that, but

1441
01:18:17,560 --> 01:18:19,320
Speaker 1: this is one of those. But this is one of

1442
01:18:19,360 --> 01:18:22,040
Speaker 1: the first times where we had done a season of

1443
01:18:24,280 --> 01:18:27,559
Speaker 1: of Scrubs together already, and I hadn't seen you play

1444
01:18:28,560 --> 01:18:33,160
Speaker 1: this this this side before where it was like you

1445
01:18:33,240 --> 01:18:37,080
Speaker 1: were you were thinking, you you're really thinking about it

1446
01:18:37,240 --> 01:18:41,360
Speaker 1: in the scene and it disturbs you, but it doesn't

1447
01:18:41,360 --> 01:18:43,120
Speaker 1: disturb you to where you're like kind of fucked up

1448
01:18:43,120 --> 01:18:45,479
Speaker 1: about it, but it's just like, holy shit, life's changing

1449
01:18:45,560 --> 01:18:47,840
Speaker 1: for us. And I had never seen you played that before.

1450
01:18:47,840 --> 01:18:50,519
Speaker 1: And I remember watching this because I watched it like

1451
01:18:50,720 --> 01:18:56,839
Speaker 1: two two hours ago and thinking, if I remember correctly,

1452
01:18:56,920 --> 01:18:59,679
Speaker 1: I remember Zach not knowing how he wanted to play

1453
01:18:59,760 --> 01:19:02,960
Speaker 1: this scene, and we worked on this on his side

1454
01:19:03,720 --> 01:19:06,280
Speaker 1: for a bit and this is what he came up with,

1455
01:19:06,880 --> 01:19:09,200
Speaker 1: and it works so well, dude, it works. It's like

1456
01:19:09,800 --> 01:19:12,920
Speaker 1: it's it's one of those moments where you know you're

1457
01:19:12,960 --> 01:19:15,960
Speaker 1: in awe of the moment as an actor, but you're

1458
01:19:16,000 --> 01:19:19,920
Speaker 1: also you want to keep it grounded, like so she said,

1459
01:19:20,120 --> 01:19:24,080
Speaker 1: she said, you said we No, she said we you

1460
01:19:24,160 --> 01:19:27,479
Speaker 1: know what I mean. And that could have been played

1461
01:19:27,760 --> 01:19:30,040
Speaker 1: so many other ways, it could have been underplayed, but

1462
01:19:30,160 --> 01:19:32,280
Speaker 1: you played it very thoughtfully, and I thought that was

1463
01:19:32,320 --> 01:19:34,280
Speaker 1: so amazing. Thank you, thank you for saying that. I,

1464
01:19:34,479 --> 01:19:36,760
Speaker 1: you know, it's on this show. It was always you

1465
01:19:36,920 --> 01:19:40,120
Speaker 1: and I so easily went into the silly stuff, right

1466
01:19:40,640 --> 01:19:42,800
Speaker 1: because that's just that's who we are and that came

1467
01:19:42,880 --> 01:19:45,280
Speaker 1: naturally to us. But then there's always these great moments

1468
01:19:45,320 --> 01:19:46,560
Speaker 1: in the scene is one of them where we have

1469
01:19:46,640 --> 01:19:49,400
Speaker 1: this sort of heart to heart where we would have

1470
01:19:49,560 --> 01:19:51,360
Speaker 1: to shift our brains a bit and be like no, no, no,

1471
01:19:53,160 --> 01:19:55,800
Speaker 1: go out of broad silliness and like drop in and

1472
01:19:55,920 --> 01:19:57,800
Speaker 1: be just totally real and straight with one another. And

1473
01:19:58,000 --> 01:19:59,800
Speaker 1: I think that's one of the things that made this

1474
01:20:00,280 --> 01:20:03,559
Speaker 1: special to a lot of people because because it had

1475
01:20:03,840 --> 01:20:05,600
Speaker 1: it had the ability to do that, it had the

1476
01:20:05,640 --> 01:20:09,200
Speaker 1: ability to drop in and be real. Yeah, you know,

1477
01:20:09,360 --> 01:20:14,160
Speaker 1: and and and and that's I mean, yeah, obviously that's

1478
01:20:14,160 --> 01:20:16,240
Speaker 1: the reason why we ran for so long. But that's

1479
01:20:16,280 --> 01:20:19,400
Speaker 1: such a special thing man to to for me now,

1480
01:20:19,479 --> 01:20:21,439
Speaker 1: to go back and look at the things that we

1481
01:20:21,600 --> 01:20:23,720
Speaker 1: did in our past and the things that you know,

1482
01:20:23,840 --> 01:20:26,120
Speaker 1: it's a lot like what this episode is about, you know,

1483
01:20:28,120 --> 01:20:31,360
Speaker 1: just to look at, you know, moments that we had

1484
01:20:31,960 --> 01:20:36,320
Speaker 1: back in the day and really appreciating them. You know, Uh,

1485
01:20:37,080 --> 01:20:39,680
Speaker 1: I miss the camaraderie that we had. I don't think

1486
01:20:39,720 --> 01:20:44,720
Speaker 1: i'll ever in my life experience what we experienced when

1487
01:20:44,760 --> 01:20:47,280
Speaker 1: we were making this show again. And you know, you

1488
01:20:47,439 --> 01:20:50,479
Speaker 1: search for it and you try to create it with

1489
01:20:50,640 --> 01:20:54,439
Speaker 1: other people, and sometimes you even fake it. But you know,

1490
01:20:54,960 --> 01:20:57,160
Speaker 1: we were also young, but we were also young. And

1491
01:20:57,880 --> 01:21:00,519
Speaker 1: I mean, first of all, yeah, of course nine year

1492
01:21:00,600 --> 01:21:02,960
Speaker 1: runs on a show with great people, it's not something

1493
01:21:02,960 --> 01:21:05,280
Speaker 1: that happens multiple times in a lifetime, necessarily, But also

1494
01:21:05,320 --> 01:21:08,760
Speaker 1: we were young and so wide eyed and so um

1495
01:21:09,520 --> 01:21:15,280
Speaker 1: excited and really savoring it, I think. And now you know,

1496
01:21:15,360 --> 01:21:18,200
Speaker 1: you have a family, you know, we all have grown up.

1497
01:21:18,200 --> 01:21:19,880
Speaker 1: We've got other things going on. I didn't even know

1498
01:21:20,000 --> 01:21:22,480
Speaker 1: that we would. I don't even know if it's recreatable

1499
01:21:22,560 --> 01:21:24,880
Speaker 1: in a new environment, you know what I mean. Yeah,

1500
01:21:24,960 --> 01:21:29,200
Speaker 1: I I I can't imagine myself like I can't imagine

1501
01:21:29,240 --> 01:21:31,799
Speaker 1: myself spending the amount of time that we've spent together

1502
01:21:31,920 --> 01:21:34,760
Speaker 1: with someone else, now, you know, other than my wife.

1503
01:21:35,000 --> 01:21:37,280
Speaker 1: And the hours too, man, I also don't want to

1504
01:21:37,320 --> 01:21:40,640
Speaker 1: work that hard. I don't mind working those hours when

1505
01:21:40,680 --> 01:21:43,160
Speaker 1: I love I love working. I love working. But when

1506
01:21:43,160 --> 01:21:45,400
Speaker 1: I look at this show and how much how we were,

1507
01:21:45,560 --> 01:21:47,960
Speaker 1: We were just non existent. Well, you worked a lot

1508
01:21:48,000 --> 01:21:50,360
Speaker 1: about there were times where you just didn't do but

1509
01:21:50,840 --> 01:21:52,640
Speaker 1: I just didn't leave. There there were times where I

1510
01:21:52,640 --> 01:21:55,720
Speaker 1: thought about sleeping in that fucking hospital. Yeah no, not me,

1511
01:21:55,960 --> 01:22:01,920
Speaker 1: but I never did. Um Listen. The rooftop that ends

1512
01:22:02,000 --> 01:22:05,720
Speaker 1: this show, wasn't it Downtown La? I don't know. I

1513
01:22:05,800 --> 01:22:07,600
Speaker 1: would like to believe that it was. It could have

1514
01:22:07,680 --> 01:22:10,200
Speaker 1: been Joseph's. No it wasn't it was. It could have

1515
01:22:10,280 --> 01:22:12,639
Speaker 1: fancy rooftop, and I believe it. We went down Town

1516
01:22:12,840 --> 01:22:15,000
Speaker 1: LA for it and then but scrubs Wiki is saying

1517
01:22:15,080 --> 01:22:17,519
Speaker 1: that it was at UCLA, and I think it might

1518
01:22:17,560 --> 01:22:20,519
Speaker 1: be wrong. And they're saying it's the the roof of

1519
01:22:20,800 --> 01:22:23,120
Speaker 1: COPD give this and we kinda give this to freaking

1520
01:22:23,160 --> 01:22:26,559
Speaker 1: funcos Man. No, listen, he deserves funcos for the services

1521
01:22:26,600 --> 01:22:30,320
Speaker 1: he's already performed. They've given us false. False. It's false though, man,

1522
01:22:31,200 --> 01:22:34,679
Speaker 1: that definitely where at UCLA? Was that? He says? Well,

1523
01:22:34,720 --> 01:22:37,080
Speaker 1: Wiki or it's s just him, him and his thousand

1524
01:22:37,120 --> 01:22:41,040
Speaker 1: minions say couple commons, but that would be Westwood and

1525
01:22:41,160 --> 01:22:43,720
Speaker 1: that's not Westwood. And the end of the show, right, Dan,

1526
01:22:43,760 --> 01:22:49,719
Speaker 1: you want to ask Bill. Do you think Bill would remember? Remember?

1527
01:22:49,800 --> 01:22:55,720
Speaker 1: Let's ask DJ dj Khaled at the end of this episode, um,

1528
01:22:55,920 --> 01:22:58,840
Speaker 1: what what building are we on? I believe it was

1529
01:22:58,920 --> 01:23:03,080
Speaker 1: Downtown Summer saying it's a UCLA property, which is Westwood.

1530
01:23:03,880 --> 01:23:09,439
Speaker 1: What are your thoughts on this, Zach major Key, I

1531
01:23:09,600 --> 01:23:13,040
Speaker 1: got nothing. I don't I really honestly don't even have

1532
01:23:13,160 --> 01:23:16,840
Speaker 1: a DJ Khalid impersonation in my repertoire. If you watch

1533
01:23:16,880 --> 01:23:21,840
Speaker 1: Scrubs on Hulu, they play a DJ Khaled commercial about

1534
01:23:21,920 --> 01:23:24,519
Speaker 1: him brush somebody brushing their teeth, and DJ Kaled's like

1535
01:23:24,960 --> 01:23:30,760
Speaker 1: circular motions. Do another one? What if I another one?

1536
01:23:30,960 --> 01:23:34,080
Speaker 1: What if I do DJ Khaled? But as an as

1537
01:23:34,160 --> 01:23:37,120
Speaker 1: a as an impersonation that I'm good at. So you

1538
01:23:37,200 --> 01:23:38,840
Speaker 1: just have to use the audience. We'll just have to

1539
01:23:38,920 --> 01:23:43,880
Speaker 1: pretend this is how he talks ahead. He talks like

1540
01:23:44,200 --> 01:23:51,559
Speaker 1: Aaron Neville. I don't remember who where you got shot

1541
01:23:51,640 --> 01:23:54,320
Speaker 1: that scene? But I don't think it was you don't

1542
01:23:54,320 --> 01:24:02,880
Speaker 1: see him. It was downtown LA. That's how djal talks someone. Mind?

1543
01:24:07,920 --> 01:24:12,720
Speaker 1: Oh right now, did Aaron Neville die? I don't know,

1544
01:24:12,840 --> 01:24:14,960
Speaker 1: but he's rolling over it right right? Why is he

1545
01:24:15,080 --> 01:24:17,679
Speaker 1: rolling over in his grave? He's alive. Well that's something

1546
01:24:17,760 --> 01:24:22,320
Speaker 1: Charles Barkley says. Oh, um, dj kal it is Aaron

1547
01:24:22,400 --> 01:24:32,479
Speaker 1: Neville dead. No, he's very much laugh We should probably

1548
01:24:33,200 --> 01:24:38,040
Speaker 1: show great show listeners, we love you. Why is the

1549
01:24:38,120 --> 01:24:42,080
Speaker 1: janitor stealing a computer? He goes the whole the whole episode.

1550
01:24:42,120 --> 01:24:44,160
Speaker 1: He's trying to figure out who's stealing all of these

1551
01:24:45,479 --> 01:24:47,120
Speaker 1: I think the reveal is that he's the one stealing

1552
01:24:47,160 --> 01:24:49,280
Speaker 1: everything out of the hospital. Right. Well, no, he didn't

1553
01:24:49,280 --> 01:24:51,200
Speaker 1: steal the drugs and he definitely didn't steal the pudding

1554
01:24:51,240 --> 01:24:54,840
Speaker 1: pops because we did the pudding. Because we did right. Hey, guys,

1555
01:24:55,240 --> 01:24:57,400
Speaker 1: we had a great time with you today. Yes, sorry

1556
01:24:57,640 --> 01:25:00,800
Speaker 1: um um for anything that went Yeah, we want to

1557
01:25:00,840 --> 01:25:02,840
Speaker 1: thank Heatha Locklear for being on the show. I want

1558
01:25:02,880 --> 01:25:05,960
Speaker 1: to thank Joel and Daniel. Joel and Daniel, you guys

1559
01:25:06,040 --> 01:25:09,720
Speaker 1: are amazing. Thank you listeners all around the world for uh,

1560
01:25:10,000 --> 01:25:12,560
Speaker 1: for for tuning in and for having a giggle with

1561
01:25:12,680 --> 01:25:15,680
Speaker 1: us and uh and we hope that this this, this

1562
01:25:15,920 --> 01:25:20,160
Speaker 1: this audio file finds you smiling day the day to

1563
01:25:20,280 --> 01:25:25,800
Speaker 1: you bibe six seven day stories about Sure we made

1564
01:25:27,080 --> 01:25:32,760
Speaker 1: about a bunch of dots and nurses and the stories