WEBVTT - Jill Abramson

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<v Speaker 1>This is Alec Baldwin and you're listening to here's the thing.

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<v Speaker 1>In two thousand eleven, Jill Abramson became executive editor of

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<v Speaker 1>the New York Times, the first woman ever to hold

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<v Speaker 1>that position. On the day of her appointment, she was

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<v Speaker 1>quick to acknowledge those who had transformed the role of

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<v Speaker 1>women in journalism before her. She cited, among others, Anna Quinland,

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<v Speaker 1>Maureen Dowd, and Nan Robertson, a reporter at the paper

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<v Speaker 1>for over three decades, but there's no denying that Jill

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<v Speaker 1>had put in her time. She was the Times Washington

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<v Speaker 1>bureau chief and then it's managing editor before she was

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<v Speaker 1>offered the big job at her hometown paper, currently based

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<v Speaker 1>on Eighth Avenue between forty one Street on the West

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<v Speaker 1>Side of Manhattan. I am totally a west Side or

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<v Speaker 1>My parents were actually both born at home on the

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<v Speaker 1>Upper west Side. I mean everyone on both sides of

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<v Speaker 1>my family. No, they still live on the Upper west Side,

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<v Speaker 1>like stacked together. I just feel like I'm walking in

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<v Speaker 1>my sixth grade. For you, it's home. It's very much home.

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<v Speaker 1>So he went to Harvard to study history, history and literature. Yeah,

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<v Speaker 1>and was writing something in some fashion. Writing was what

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<v Speaker 1>was on your horizon from the beginning. From back then,

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<v Speaker 1>I knew I always liked to write, but it wasn't

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<v Speaker 1>that I set out to be a journalist. Freshman year

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<v Speaker 1>um was two for me, which sounds like the Stone Age,

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<v Speaker 1>but it was, you know, the McGovern Nickson election. It

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<v Speaker 1>was the dawn of Watergate. And so all through my

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<v Speaker 1>college years, Woodward and Bernstein, you know, I just like

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<v Speaker 1>glued to their reporting and thrilled by that coverage. It

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<v Speaker 1>seemed so ground raking and brave to me. So I

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<v Speaker 1>kind of fell in love with, at least the journalism

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<v Speaker 1>end of writing. I always liked to write, was a

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<v Speaker 1>fairly fascile rioter. But when you leave Harvard in seventies six,

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<v Speaker 1>if I'm not mistaken, you go pretty heavily into the

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<v Speaker 1>world of law. You were. The first writing you did

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<v Speaker 1>was with the first job I had in journalism was

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<v Speaker 1>for Time Magazine and Boston. I had been a stringer,

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<v Speaker 1>which is a part time reporter for them in college.

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<v Speaker 1>So how long did that last? That lasted two years?

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<v Speaker 1>So that's your apprenticeship. That was my apprenticeship. And what

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<v Speaker 1>kind of thing did you cover there? Oh? You name it?

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<v Speaker 1>From the hot socks craze back then to bus sing.

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<v Speaker 1>I mean it was from lifestyle to big issues unfolding.

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<v Speaker 1>Where do you go from there? Well, what I did

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<v Speaker 1>after time as I worked in the election unit of

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<v Speaker 1>NBC News. I'm a total political junkie, and uh work there,

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<v Speaker 1>and I met Steve Brill, who's another prominent journalist here

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<v Speaker 1>whose specialty was law, and Steve and I just got friendly,

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<v Speaker 1>and he was starting the American Lawyer magazine. And while

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<v Speaker 1>lawyers didn't particularly interest me, a number of journalists who

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<v Speaker 1>I knew from Harvard or or in New York had

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<v Speaker 1>gone to work for him because it was going to

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<v Speaker 1>be a writer early kind of investigative magazine that wasn't

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<v Speaker 1>cheering on lawyers, but was really examining the power that

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<v Speaker 1>lawyers and law firms wheeled behind legal perspective. So that

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<v Speaker 1>is so when that was brand new, I cast and

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<v Speaker 1>I worked for that magazine for a couple of years,

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<v Speaker 1>and then Steve bought a legal newspaper in Washington called

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<v Speaker 1>Legal Times, and when I was thirty, he's said, poof,

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<v Speaker 1>I'm making you the editor of this newspaper. And I

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<v Speaker 1>moved to Washington and did that and you're ready to

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<v Speaker 1>be the editor of something I don't. I certainly didn't

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<v Speaker 1>think I was ready, but he thought I was ready.

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<v Speaker 1>How long were you there? I was there for a

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<v Speaker 1>long time. I was there for about seven or eight

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<v Speaker 1>years and working for Steve both in New York and

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<v Speaker 1>in Washington. And then I went to the Wall Street

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<v Speaker 1>Journals for people who are late, people like myself. The

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<v Speaker 1>journalist obviously of you now as a pretty right of

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<v Speaker 1>center organization, the opinion page and so forth. And I'm

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<v Speaker 1>not going to characterize you as being either direction of center,

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<v Speaker 1>but was that in an interesting experience for you? How

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<v Speaker 1>would you characterize the political culture of the journal? Then?

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<v Speaker 1>The political culture of the journal then was set. The

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<v Speaker 1>editorial pages were extremely conservative. I mean Paul Jego, who

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<v Speaker 1>was the editor of those pages now is the of

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<v Speaker 1>Bob Bartley, who was for a very long time the

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<v Speaker 1>editor of the editorial journalism at Giant Conservative. And uh,

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<v Speaker 1>you know, operating as a news reporter in Washington at

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<v Speaker 1>the Journal, like at the New York Times, there's a

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<v Speaker 1>traditional separation between the editorial department and editorial views of

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<v Speaker 1>the paper and news gathering. And but you know, a

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<v Speaker 1>lot of people don't know that. Even a lot of

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<v Speaker 1>political people in Washington didn't know it. So in Washington

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<v Speaker 1>it was actually it advantaged me because in for example,

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<v Speaker 1>when Gingrich took over the House, like, there were Republicans

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<v Speaker 1>who would gladly talk to me. I have I have

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<v Speaker 1>always had good Republican sources because I think they felt

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<v Speaker 1>I can trust you because you're from the Wall Street Journal.

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<v Speaker 1>And so it was interesting, it was sometimes awkward because

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<v Speaker 1>in it, wellour Jane Mayor of the New Yorker who

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<v Speaker 1>was then at the Journal, and I wrote a book

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<v Speaker 1>about the Clarence Thomas Anita Hill. Did you have to

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<v Speaker 1>get permission from Norm Pearl Starte and then Paul ste

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<v Speaker 1>on the other side of the screen, right, And you know,

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<v Speaker 1>Jane and I worked on that book for several years

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<v Speaker 1>and found, you know, by doing a lot of in

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<v Speaker 1>depth reporting that we thought the weight of evidence for

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<v Speaker 1>sure was that Anita Hill had told the truth. Then

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<v Speaker 1>there had been a big campaign on the right to

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<v Speaker 1>destroy her credibility, not only during the hearings themselves, but

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<v Speaker 1>in the years after and when our book was published

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<v Speaker 1>at made you know, pretty big spot that it wasn't

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<v Speaker 1>my first book, but was uh the book that I'm

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<v Speaker 1>proudest to have. And why would you say it was it? Was?

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<v Speaker 1>It a combination of all these things. But was it

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<v Speaker 1>what happened to Hill? The way they dealt with Hill.

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<v Speaker 1>I think why um the book was so important is that, uh,

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<v Speaker 1>those hearings ended and everyone in Washington just said it's

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<v Speaker 1>he said, she said, and we'll never know. And for me,

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<v Speaker 1>that is bait. I really believe if you do enough digging,

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<v Speaker 1>in enough reporting, you can find the truth in most

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<v Speaker 1>and act accordingly. But why it created awkwardness at the

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<v Speaker 1>Journal is that when the book came out, even though

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<v Speaker 1>the journal's news pages ran an excerpt of the book,

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<v Speaker 1>the editorial page wrote an editorial like ripping, ripping, so

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<v Speaker 1>that you're passing in the in the hallway. In fact,

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<v Speaker 1>it was post pause, you go himself, He'll let you

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<v Speaker 1>know in no uncertain terms in writing fact, that's right,

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<v Speaker 1>how straightforward with him? No, it's was his right, that's

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<v Speaker 1>your business. What I always walk away from the Thomas

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<v Speaker 1>event was that in the arc of decades of political

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<v Speaker 1>life in this country, there's a kind of a score

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<v Speaker 1>that some people keep a moral score that kind of

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<v Speaker 1>like you guys had your chap aquittic when they're like,

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<v Speaker 1>some of our guys are going to get a pass,

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<v Speaker 1>like some of your guys got to pass. They don't

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<v Speaker 1>push too hard here on the Thomas things. So he

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<v Speaker 1>did some injrew things to this woman. That's a very

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<v Speaker 1>perceptive point, because Bork had gone down in flames after

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<v Speaker 1>a very vigorous liberal campaign against him, and so there

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<v Speaker 1>was a feeling of not again. Right, So when you're

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<v Speaker 1>at the Journal and you've got the first Bush term

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<v Speaker 1>and the first Clinton term, while you're at the Journal, Yeah,

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<v Speaker 1>what was it like for you covering Washington in the

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<v Speaker 1>scene between those two? What was it like covering the

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<v Speaker 1>Bush White House? What was it like covering the Clinton

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<v Speaker 1>White House? The Bush white House was, you know, not

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<v Speaker 1>that different from what the Reagan White House had been.

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<v Speaker 1>Do you have much interaction with Bush himself? No. I

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<v Speaker 1>had an investigative beat on the nexus of money in politics.

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<v Speaker 1>So I wasn't the White House car respondent ever at

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<v Speaker 1>the Journal or at the Times. I was always an

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<v Speaker 1>investigative reporter on the political team. And who was responsible

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<v Speaker 1>would you say for the time as being as concerned

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<v Speaker 1>about campaign finance issues as they were then? Was it

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<v Speaker 1>you was it Were they saying to yes in that direction?

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<v Speaker 1>I think the Times wanted to haire me because that

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<v Speaker 1>was a big strength of mine. I was well known

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<v Speaker 1>for covering at and had um at the Journal covered

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<v Speaker 1>just about every scandal of the eighties and early to

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<v Speaker 1>mid nineties set. When the Citizens United case came down,

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<v Speaker 1>how did you feel about that? Well, you know, I

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<v Speaker 1>I thought it definitely would change, uh the landscape of

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<v Speaker 1>how money was raised and spent in the election, and

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<v Speaker 1>and I think it and other court decisions did because

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<v Speaker 1>we were in this sort of wild west of spending

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<v Speaker 1>UH and the advent of the super PACs and all

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<v Speaker 1>of that in the campaign. It didn't really surprise me

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<v Speaker 1>because you know you had asked about Bush before. UM.

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<v Speaker 1>George Herbert Walker Bush actually built uh the state of

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<v Speaker 1>the art big money machine that was called Team one

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<v Speaker 1>hundred back in his day, and that was UM involving

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<v Speaker 1>big soft money donations which were ultimately outlawed. But in

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<v Speaker 1>some ways, you know, Tip O'Neill was right money fund away, UH.

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<v Speaker 1>So mainly I just knew it would have a big impact,

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<v Speaker 1>UH and that it would create a lot of great

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<v Speaker 1>stories for the Times, which it did, and then Clinton

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<v Speaker 1>came in, and how was that different for you? Clinton,

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<v Speaker 1>of course had his own set of fundraising excesses in

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<v Speaker 1>his nineties six reelection campaign. That was when he was

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<v Speaker 1>having the White House sleepovers in the Lincoln Bedroom for

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<v Speaker 1>big dardenings, right exactly. So that's why the Times like

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<v Speaker 1>wanted me because the journal was beating the Times on

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<v Speaker 1>that story. And then uh, Maureen Dowd accosts you somewhere

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<v Speaker 1>and uh, she's got some ideas for you. Maureen walked

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<v Speaker 1>up to me. It was at a book party for

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<v Speaker 1>Michael Kelly, who's another great journalist who's sadly died in

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<v Speaker 1>in Ira. But it was at a book party for him. Um,

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<v Speaker 1>and the Times was getting a new bureau chief in Washington,

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<v Speaker 1>and I knew more. And in fact, we sat across

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<v Speaker 1>a table much like we're sitting at now, across from

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<v Speaker 1>each other during the Clarence Thomas Anita Hill hearings, which

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<v Speaker 1>is kind of where we bond. Uh. She came up

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<v Speaker 1>to me at the book party and she said, do

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<v Speaker 1>you know of any good women we can hire? And

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<v Speaker 1>so I looked at her with us kind of what

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<v Speaker 1>am I chop liver look? And she said you would

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<v Speaker 1>never leave the journal. And I said, oh, what you think,

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<v Speaker 1>because I was like doing really well there and she

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<v Speaker 1>just didn't think I would want to. But what she

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<v Speaker 1>didn't know is that, you know, I grew up in

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<v Speaker 1>a family that had to print home delivery subscriptions to

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<v Speaker 1>the Times because my mom didn't like anyone touching the

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<v Speaker 1>section that had the puzzle own. Uh. And you know,

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<v Speaker 1>every time I had a front page piece in the journal,

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<v Speaker 1>my mother's brother would have to calm my parents and say,

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<v Speaker 1>go by the journal. Jilli's got a front page piece. Yeah,

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<v Speaker 1>you know the New York Times was you know, the

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<v Speaker 1>total voice of authority was my father. That was the

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<v Speaker 1>way it wasn't my So Maureen says this to you, guys,

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<v Speaker 1>are you have the one of my chopped liver moment

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<v Speaker 1>with ma And then and she had like the new

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<v Speaker 1>bureau chief called me up for lunch, and uh, he

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<v Speaker 1>made me a job offer, and I came. And then

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<v Speaker 1>Morien and I became completely inseparable. And how long did

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<v Speaker 1>were you in that position? I was in the Washington

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<v Speaker 1>Bureau from nineties seven. I went into editing there. I

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<v Speaker 1>became the deputy bureau chief to micro Riscus who was

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<v Speaker 1>hired me and then after the two thousand Stalemate campaign,

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<v Speaker 1>I became bureau chief and then I had that job

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<v Speaker 1>for three years. And so covering the Clinton impeachment, did

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<v Speaker 1>you did you well? I mean I was in I

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<v Speaker 1>was in Africa at the time, huh watching the proceedings

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<v Speaker 1>didn't miss you know. I watched it on the BBC

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<v Speaker 1>on Sky TV in the in South Africa where I

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<v Speaker 1>was with my ex wife while she made a film,

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<v Speaker 1>and we watched it. For me, I always wondered, did

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<v Speaker 1>anybody really cover the Clinton impeachment as well as they

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<v Speaker 1>might have? I think what was true is that, you know,

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<v Speaker 1>every reporter who was covering the main proceedings was probably

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<v Speaker 1>getting more information from the Prosecutor's office, from Ken Star's

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<v Speaker 1>office than they were through reporting around the president. And

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<v Speaker 1>mainly more people should have been reporting on what actually

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<v Speaker 1>had happened and how this case di up. And at

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<v Speaker 1>the Times, I you know, the Times was lucky in

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<v Speaker 1>that they have a big bureau and they sicked Uh

0:15:11.760 --> 0:15:15.520
<v Speaker 1>an investigative reporter named Don van Atta and and me

0:15:15.960 --> 0:15:22.600
<v Speaker 1>onto uh on two Stars office. And I had some

0:15:22.800 --> 0:15:28.560
<v Speaker 1>very good sources around the White House in the White House,

0:15:28.640 --> 0:15:31.840
<v Speaker 1>and also from my years of covering the legal community

0:15:32.200 --> 0:15:37.520
<v Speaker 1>in conservative legal circles. And what Don and I did

0:15:37.560 --> 0:15:42.280
<v Speaker 1>is show that it was Monica Winsky Linda Tripp. Didn't

0:15:42.800 --> 0:15:46.200
<v Speaker 1>you know, Linda Trip didn't appear on ken Star's doorstep.

0:15:46.800 --> 0:15:53.040
<v Speaker 1>Serendipitously that ever since a very conservative magazine named The

0:15:53.080 --> 0:15:57.360
<v Speaker 1>American Spectator had surface and named Paula Jones, there was

0:15:57.480 --> 0:16:03.240
<v Speaker 1>this plan with a bunch of young, relatively unknown conservative

0:16:03.360 --> 0:16:07.600
<v Speaker 1>lawyers working to make that into the case that being

0:16:08.080 --> 0:16:10.560
<v Speaker 1>on in the basis of those are the two sticks

0:16:10.560 --> 0:16:12.240
<v Speaker 1>they were up together to get the whole thing going.

0:16:13.120 --> 0:16:15.320
<v Speaker 1>You know, it's interesting because as for someone again as

0:16:15.320 --> 0:16:18.640
<v Speaker 1>a late person, you look at the arc of political coverage,

0:16:18.640 --> 0:16:23.440
<v Speaker 1>and you wonder where there are advances like glaciers almost

0:16:23.520 --> 0:16:27.440
<v Speaker 1>in retreats of the power and the authority of investigative

0:16:27.480 --> 0:16:31.880
<v Speaker 1>journalism in the post Ellsberg, in the post water Gate,

0:16:32.040 --> 0:16:33.560
<v Speaker 1>like that was a time in which the kind of

0:16:33.640 --> 0:16:36.680
<v Speaker 1>vesuvius of all this kind of work changed the course

0:16:36.680 --> 0:16:39.320
<v Speaker 1>of our country. And do you find now that when,

0:16:39.480 --> 0:16:42.120
<v Speaker 1>especially in your position now, people will come to you

0:16:42.240 --> 0:16:44.040
<v Speaker 1>like I know that if I worked at the times,

0:16:44.280 --> 0:16:46.920
<v Speaker 1>I'm assuming it wouldn't be diminished by the fact that

0:16:46.960 --> 0:16:49.840
<v Speaker 1>I was experienced and I was trained, I went to Columbia,

0:16:50.160 --> 0:16:52.720
<v Speaker 1>I'd still have my nature. And if my nature was

0:16:52.760 --> 0:16:54.400
<v Speaker 1>to come to you and say, man, I got a

0:16:54.440 --> 0:16:56.400
<v Speaker 1>story of you. I found out this stuff about this

0:16:56.440 --> 0:16:59.040
<v Speaker 1>and this and this. Do you literally have to say

0:16:59.080 --> 0:17:00.880
<v Speaker 1>to yourself, we can we have so much of that

0:17:00.920 --> 0:17:04.680
<v Speaker 1>in the paper. No, I don't say that, but when

0:17:04.760 --> 0:17:08.280
<v Speaker 1>someone is so eager a little bit, I have a

0:17:08.280 --> 0:17:12.919
<v Speaker 1>skeptical side, which is also saying, you know, we have

0:17:13.040 --> 0:17:17.600
<v Speaker 1>to independently report and see as this really the great story,

0:17:17.760 --> 0:17:20.520
<v Speaker 1>because you know, there have been a number of cases

0:17:20.560 --> 0:17:25.080
<v Speaker 1>in journalism, some of them at the times, where you're

0:17:25.119 --> 0:17:28.720
<v Speaker 1>getting all kinds of leaks from a prosecutor and you know,

0:17:30.080 --> 0:17:34.320
<v Speaker 1>well that wasn't from from a prosecutor, that was from

0:17:34.480 --> 0:17:40.679
<v Speaker 1>Iraqi defectors, mainland government officials. But where you're getting you

0:17:40.720 --> 0:17:44.320
<v Speaker 1>know only one side of it. But you know, since

0:17:44.400 --> 0:17:48.840
<v Speaker 1>you mentioned, uh, Judy Miller, I think that that's actually

0:17:48.880 --> 0:17:52.359
<v Speaker 1>a great case that I think about all the time

0:17:53.200 --> 0:17:56.639
<v Speaker 1>because I was Washington Bureau chief at that time, and

0:17:56.840 --> 0:17:59.120
<v Speaker 1>Judy didn't work for me, but she did a lot

0:17:59.160 --> 0:18:03.159
<v Speaker 1>of reporting viously in Washington and at the Bush, White

0:18:03.160 --> 0:18:09.960
<v Speaker 1>House and other places, and where the Iraqi defectors were

0:18:10.000 --> 0:18:14.879
<v Speaker 1>telling these you know, stories about Saddam supposed active w

0:18:15.240 --> 0:18:21.240
<v Speaker 1>m D programs and uh, these same defectors had told

0:18:21.280 --> 0:18:26.280
<v Speaker 1>their stories to people inside the government. So in some ways,

0:18:26.280 --> 0:18:30.280
<v Speaker 1>like the government sources pretended that they were confirming the

0:18:30.359 --> 0:18:33.920
<v Speaker 1>information given by the defectors. But it was like one

0:18:34.480 --> 0:18:40.240
<v Speaker 1>horrible feedback loop. And meanwhile that was very loud because

0:18:40.880 --> 0:18:43.840
<v Speaker 1>the defectors and the people in the government were aiding

0:18:44.280 --> 0:18:48.879
<v Speaker 1>you know, journalists to focus on these stories and in

0:18:49.000 --> 0:18:53.119
<v Speaker 1>real time. I don't think I appreciated this as I

0:18:53.200 --> 0:18:58.760
<v Speaker 1>should have. There were dissident analysts at the CIA who

0:18:58.920 --> 0:19:03.440
<v Speaker 1>you know, were very doubtful of the EVA. With your

0:19:03.480 --> 0:19:07.160
<v Speaker 1>perspective on history, do you in any way have more

0:19:07.240 --> 0:19:11.240
<v Speaker 1>sympathy for Bush forty three and Shaney in that crowd

0:19:11.280 --> 0:19:13.440
<v Speaker 1>for the way they reacted in the post nine eleven

0:19:13.480 --> 0:19:17.160
<v Speaker 1>world or did they acted improperly based on the information

0:19:17.200 --> 0:19:21.720
<v Speaker 1>they had. I think it's a combination. The Iraq connection.

0:19:21.880 --> 0:19:26.919
<v Speaker 1>We could certainly today, but I think they there was

0:19:27.119 --> 0:19:31.280
<v Speaker 1>real reason to feel after nine eleven. I was in Washington,

0:19:31.440 --> 0:19:34.440
<v Speaker 1>we had you know, tax in front of our building.

0:19:34.960 --> 0:19:39.840
<v Speaker 1>You know, it was a change world than that immediate

0:19:40.520 --> 0:19:45.760
<v Speaker 1>post nine eleven period. You know, it felt Yeah, I

0:19:45.800 --> 0:19:51.440
<v Speaker 1>mean on nine eleven, Uh, we did so many stories

0:19:51.480 --> 0:19:56.720
<v Speaker 1>that day out of Washington's more stories than we've ever had.

0:19:56.920 --> 0:20:00.600
<v Speaker 1>And the story list from that day still hang outside

0:20:00.640 --> 0:20:04.640
<v Speaker 1>of the Bureaucuese office. And you know, I didn't get

0:20:04.680 --> 0:20:07.679
<v Speaker 1>home until I don't know, three o'clock in the morning

0:20:07.800 --> 0:20:12.880
<v Speaker 1>or so, and drove right past the burning Pentagon, and

0:20:13.760 --> 0:20:16.040
<v Speaker 1>you know, my whole way home, you know, there were

0:20:16.119 --> 0:20:21.080
<v Speaker 1>flags already up on all the streets. And then I

0:20:21.160 --> 0:20:24.600
<v Speaker 1>got home to our house and you know, even my husband,

0:20:24.680 --> 0:20:29.560
<v Speaker 1>who isn't such a you know, overt patriot, had hung

0:20:29.640 --> 0:20:34.639
<v Speaker 1>our absurdly large Fourth of July flag, And you know,

0:20:34.720 --> 0:20:37.800
<v Speaker 1>at that point I just sat in my car and

0:20:37.880 --> 0:20:45.240
<v Speaker 1>kind of absorbed like it was changed. But that doesn't

0:20:45.359 --> 0:20:53.840
<v Speaker 1>justify such a you know, misreading of intelligence and such

0:20:53.880 --> 0:21:01.800
<v Speaker 1>an aggressive sales campaign for a war big Ston. Yeah,

0:21:02.760 --> 0:21:08.320
<v Speaker 1>supposed dangers that we're not. How long did you stay

0:21:08.320 --> 0:21:11.000
<v Speaker 1>in Washington after the attack of nine eleven, You were

0:21:11.000 --> 0:21:13.560
<v Speaker 1>there to a wint one year. I um left in

0:21:13.600 --> 0:21:16.639
<v Speaker 1>the summer of two thousand and three to go and

0:21:16.680 --> 0:21:20.679
<v Speaker 1>to do to become the managing managing Now, so this

0:21:20.760 --> 0:21:22.600
<v Speaker 1>is the beginning of a kind of a management the

0:21:22.640 --> 0:21:24.800
<v Speaker 1>management phase of your career. Correct. I mean, you were right.

0:21:24.840 --> 0:21:29.440
<v Speaker 1>It was sudden because at that point the executive editor

0:21:29.520 --> 0:21:33.720
<v Speaker 1>and managing editors of the time it's had both been fired.

0:21:34.440 --> 0:21:36.840
<v Speaker 1>And when you became managing editor, how did that condemn?

0:21:36.960 --> 0:21:40.800
<v Speaker 1>What was the time of tumult at the paper was

0:21:40.960 --> 0:21:46.680
<v Speaker 1>after the Jason Blair scandal, after big questions were being

0:21:46.760 --> 0:21:50.800
<v Speaker 1>raised about that period of leadership and also about our

0:21:50.840 --> 0:21:56.520
<v Speaker 1>pre war coverage. You know, no one came and said

0:21:56.560 --> 0:21:59.919
<v Speaker 1>we're looking for a woman. But you know I was

0:22:00.320 --> 0:22:04.600
<v Speaker 1>already in the leadership ranks as Washington Bureau chief. That's

0:22:05.640 --> 0:22:09.760
<v Speaker 1>big time job. You know that James Riston had another

0:22:10.119 --> 0:22:15.320
<v Speaker 1>lions of of journalism, and you know Bill Keller was

0:22:15.480 --> 0:22:19.280
<v Speaker 1>named the new executive editor, and I had always thought

0:22:19.320 --> 0:22:24.239
<v Speaker 1>the world of him, and you know he picked me.

0:22:25.359 --> 0:22:27.119
<v Speaker 1>Was it a hard seller? Were you ready? Did you

0:22:27.119 --> 0:22:29.760
<v Speaker 1>want to go back to New York too? Yeah? I

0:22:29.800 --> 0:22:33.040
<v Speaker 1>hadn't really thought about coming back to New York, but

0:22:33.119 --> 0:22:36.480
<v Speaker 1>because Washington seems so much more pure. I don't say

0:22:36.480 --> 0:22:39.080
<v Speaker 1>it as a compliment to myself, but it was very

0:22:39.200 --> 0:22:43.159
<v Speaker 1>much my test. Yes, my kind of town. Did you

0:22:43.240 --> 0:22:45.560
<v Speaker 1>did you think about that career wise? Was management going

0:22:45.600 --> 0:22:47.919
<v Speaker 1>to become a step back for you creatively? Even now?

0:22:48.119 --> 0:22:52.480
<v Speaker 1>I mean, the idea that I could ever be managing

0:22:52.680 --> 0:22:55.159
<v Speaker 1>editor of The New York Times, which is the number

0:22:55.720 --> 0:23:05.200
<v Speaker 1>two jobs, just seemed like incredible. This was two thousand three, when,

0:23:05.240 --> 0:23:09.359
<v Speaker 1>after only two years as executive editor, Howell Raines was

0:23:09.440 --> 0:23:13.879
<v Speaker 1>forced out due to the Jason Blair plagiarism scandal. Rains

0:23:13.920 --> 0:23:17.080
<v Speaker 1>had worked closely with Abramson when she was in Washington,

0:23:17.160 --> 0:23:21.040
<v Speaker 1>and their relationship had been a difficult one. Eight years later,

0:23:21.200 --> 0:23:24.520
<v Speaker 1>she had rains old job and strong ideas about the

0:23:24.600 --> 0:23:28.679
<v Speaker 1>kind of boss she wanted to be coming up. Abramson

0:23:28.760 --> 0:23:33.679
<v Speaker 1>talks about what she wants in a story. This is

0:23:33.680 --> 0:23:58.840
<v Speaker 1>Alec Baldwin and you're listening to. Here's the thing. The

0:23:58.920 --> 0:24:03.359
<v Speaker 1>newspaper business is in trouble. Print readership is plummeting, and

0:24:03.440 --> 0:24:07.760
<v Speaker 1>although digital subscriptions of The New York Times have exceeded expectations,

0:24:07.800 --> 0:24:10.679
<v Speaker 1>the Times is still navigating toward a new way of

0:24:10.720 --> 0:24:14.160
<v Speaker 1>doing business. The New York Times staff has seen three

0:24:14.280 --> 0:24:18.400
<v Speaker 1>rounds of buyouts in the last four years. Despite this,

0:24:18.720 --> 0:24:22.200
<v Speaker 1>Jill Abramson didn't hesitate when she got the call from

0:24:22.200 --> 0:24:26.240
<v Speaker 1>the Times publisher Arthur Salzburger. It was the brass ring

0:24:26.280 --> 0:24:30.040
<v Speaker 1>and I jumped for it. And you know, I certainly

0:24:30.119 --> 0:24:34.399
<v Speaker 1>knew that the newspaper industry certainly has been going through

0:24:35.080 --> 0:24:38.119
<v Speaker 1>you know, rough waters, and that there are you know,

0:24:38.240 --> 0:24:43.080
<v Speaker 1>secular changes in our industry. But I also have always

0:24:43.240 --> 0:24:48.000
<v Speaker 1>known that the Times News report is like none other

0:24:48.640 --> 0:24:54.400
<v Speaker 1>and that I think it's an indispensable institution and society,

0:24:54.840 --> 0:25:01.000
<v Speaker 1>the Times, including editorial and all aspects of of our

0:25:01.080 --> 0:25:05.720
<v Speaker 1>news report, And I just have always believed that it's

0:25:05.840 --> 0:25:10.439
<v Speaker 1>so worth paying for that it you know, it didn't

0:25:10.480 --> 0:25:13.360
<v Speaker 1>seem to me so odd. Everyone was saying that our

0:25:13.480 --> 0:25:18.399
<v Speaker 1>pay subscription plan was a rash move and that news

0:25:18.520 --> 0:25:21.199
<v Speaker 1>wants to be free and it would never work, and

0:25:21.359 --> 0:25:25.840
<v Speaker 1>it has created a very significant revenue stream for us.

0:25:26.640 --> 0:25:30.760
<v Speaker 1>It was a very smart decision of Arthur's to to

0:25:30.920 --> 0:25:33.520
<v Speaker 1>go that way. And how do you juice that up

0:25:33.560 --> 0:25:36.080
<v Speaker 1>a little bit? I mean, what's the strategy you must

0:25:36.119 --> 0:25:38.000
<v Speaker 1>have some where you can how are you going to

0:25:38.080 --> 0:25:42.640
<v Speaker 1>build build build that online presence. Well, we're gonna build

0:25:42.760 --> 0:25:48.560
<v Speaker 1>on our digital subscription base for sure. What's the obstacle

0:25:48.600 --> 0:25:52.040
<v Speaker 1>to getting people to because people will say, why pay

0:25:52.080 --> 0:25:54.679
<v Speaker 1>when it's free, But it's not really free. Some of

0:25:54.720 --> 0:25:59.800
<v Speaker 1>it's free. That our strategy is smart, that what we've

0:26:00.040 --> 0:26:04.879
<v Speaker 1>on is for people who are you know, inveterate readers

0:26:04.920 --> 0:26:10.359
<v Speaker 1>and frequent users of our website, we've asked them to pay.

0:26:10.400 --> 0:26:13.600
<v Speaker 1>You know, they want to read many articles and spend

0:26:13.880 --> 0:26:19.679
<v Speaker 1>significant time on our website. And yet we have a

0:26:19.760 --> 0:26:22.679
<v Speaker 1>kind of basic good to go. You know, if you

0:26:22.720 --> 0:26:26.640
<v Speaker 1>want on our apps, the top stories, you can look

0:26:26.640 --> 0:26:31.119
<v Speaker 1>at those. If you come, you know, from a link

0:26:31.280 --> 0:26:34.840
<v Speaker 1>from another site, you can read what you want to read.

0:26:35.040 --> 0:26:39.080
<v Speaker 1>It's it's flexible. It lets us stay part of the

0:26:39.119 --> 0:26:44.879
<v Speaker 1>open web while asking people who can't live without to

0:26:45.000 --> 0:26:48.720
<v Speaker 1>pay something for it. Now you would come to the paper,

0:26:48.760 --> 0:26:50.760
<v Speaker 1>I would assume it's like someone once said to me

0:26:50.800 --> 0:26:55.199
<v Speaker 1>about um political figures. I remember when Giuliani was the

0:26:55.200 --> 0:26:57.000
<v Speaker 1>mayor of New York, someone said to me that very

0:26:57.000 --> 0:26:59.560
<v Speaker 1>often people will bring to these jobs the spirit of

0:26:59.560 --> 0:27:02.600
<v Speaker 1>what they're previous career was. So Giuliani's job as a

0:27:02.640 --> 0:27:05.760
<v Speaker 1>prosecutor was to catch people doing bad things. So he

0:27:05.800 --> 0:27:07.920
<v Speaker 1>brought that to the mayoralty. His job as mayor was

0:27:07.960 --> 0:27:10.800
<v Speaker 1>to catch bad people doing things. You know, uh, and

0:27:11.080 --> 0:27:13.560
<v Speaker 1>you're kind of a crime stopper, mayoralty if you will.

0:27:13.680 --> 0:27:15.359
<v Speaker 1>And I wonder if the same is true for you

0:27:15.720 --> 0:27:18.360
<v Speaker 1>in your job as executive editor, meaning you had your beat,

0:27:18.440 --> 0:27:20.800
<v Speaker 1>so to speak, you had your desk, you've had your coverage,

0:27:20.800 --> 0:27:23.720
<v Speaker 1>most of it Washington based. Do you bring to the

0:27:23.840 --> 0:27:27.359
<v Speaker 1>job your passion and and everybody knows that there's something

0:27:27.359 --> 0:27:28.680
<v Speaker 1>can be done about it? Or did you have to

0:27:28.840 --> 0:27:31.119
<v Speaker 1>did you have to broaden your passions in order to

0:27:31.119 --> 0:27:36.680
<v Speaker 1>do the job. Well, my my interests were pretty broad.

0:27:37.080 --> 0:27:39.880
<v Speaker 1>I grew up here in New York and I was

0:27:39.960 --> 0:27:43.679
<v Speaker 1>like a mini version of a culture vulture. And you know,

0:27:44.280 --> 0:27:47.720
<v Speaker 1>when when I was small and I'm a huge reader

0:27:48.200 --> 0:27:53.359
<v Speaker 1>of books and articles about many things, sub ranging appetites

0:27:53.400 --> 0:27:57.560
<v Speaker 1>going in I did and basically wouldn't. But I have

0:27:57.720 --> 0:28:03.720
<v Speaker 1>a singular passion. And the singular passion with any subject

0:28:04.200 --> 0:28:07.600
<v Speaker 1>is the story behind the store. You know, if if

0:28:07.640 --> 0:28:11.919
<v Speaker 1>if it's the Metropolitan Museum choose as a new head,

0:28:12.880 --> 0:28:15.640
<v Speaker 1>which they did Tom Campbell a couple of years ago.

0:28:15.760 --> 0:28:19.520
<v Speaker 1>I want to know, like what happened behind the scenes

0:28:19.800 --> 0:28:23.120
<v Speaker 1>and what role did a Nette de Laurent to play

0:28:23.160 --> 0:28:26.840
<v Speaker 1>and the choice and there's always like a kind of

0:28:26.920 --> 0:28:32.520
<v Speaker 1>juicy story but behind the public stage that you're onto

0:28:32.560 --> 0:28:36.399
<v Speaker 1>which events unfold. And I love that kind of story,

0:28:36.400 --> 0:28:39.040
<v Speaker 1>and it can be about anything. We have, you know,

0:28:39.080 --> 0:28:43.440
<v Speaker 1>an investigative story coming pretty soon about the world of

0:28:43.480 --> 0:28:50.560
<v Speaker 1>auctions that I'm incredibly excited about. Yeah. The other side

0:28:50.600 --> 0:28:54.360
<v Speaker 1>of the coin for me as a New Yorkers The Times,

0:28:54.360 --> 0:28:56.800
<v Speaker 1>of course, is the you go through a period in

0:28:56.800 --> 0:28:59.080
<v Speaker 1>your twenties and thirties where you like what The Times

0:28:59.120 --> 0:29:01.160
<v Speaker 1>tells you to like in terms of film and theater

0:29:01.280 --> 0:29:04.560
<v Speaker 1>and so forth, restaurants. I mean The Times as an

0:29:04.720 --> 0:29:07.520
<v Speaker 1>arbiter of culture in this city and beyond like no

0:29:07.600 --> 0:29:11.080
<v Speaker 1>other publication ever. Is that one of the roles you

0:29:11.080 --> 0:29:12.720
<v Speaker 1>play where you have to kind of deal with that,

0:29:12.800 --> 0:29:17.240
<v Speaker 1>where you know The Times has the power to aid

0:29:17.360 --> 0:29:20.719
<v Speaker 1>in a debt certain enterprise here or destroy them. I

0:29:20.760 --> 0:29:26.040
<v Speaker 1>think you know you mentioned restaurant reviews, and I actually

0:29:26.880 --> 0:29:30.600
<v Speaker 1>I shouldn't laugh for the one you had with Guy

0:29:30.680 --> 0:29:36.440
<v Speaker 1>fieria Um, but Frank Bruney when he was our restaurant critic,

0:29:37.200 --> 0:29:41.680
<v Speaker 1>actually because the critics often will go three times to

0:29:41.760 --> 0:29:46.240
<v Speaker 1>a restaurant before they write their reviews, and Frank was

0:29:46.440 --> 0:29:51.720
<v Speaker 1>reviewing a downtown restaurant. Uh. And I went with him

0:29:52.800 --> 0:29:57.040
<v Speaker 1>on his second visit, and I could just tell he did.

0:29:57.200 --> 0:29:59.760
<v Speaker 1>He would never say whether he liked or didn't like

0:30:00.040 --> 0:30:03.800
<v Speaker 1>at that point, but um, at one point in the meal,

0:30:04.120 --> 0:30:07.760
<v Speaker 1>he looked at me and he said, because he was

0:30:07.920 --> 0:30:11.800
<v Speaker 1>tasted what I was having. The peas in your dish

0:30:11.840 --> 0:30:16.479
<v Speaker 1>are camp. And then his review, which was really one

0:30:16.520 --> 0:30:20.600
<v Speaker 1>of the best written things that eviscerated this restaurant. And

0:30:20.680 --> 0:30:24.120
<v Speaker 1>he described in his first visit how he had witnessed

0:30:24.480 --> 0:30:31.920
<v Speaker 1>the Poseidon Adventure of Wine Spill, which just like and

0:30:32.760 --> 0:30:39.200
<v Speaker 1>you know my brain that that restaurant did close short thereafter.

0:30:39.600 --> 0:30:41.840
<v Speaker 1>Maureen came to me once and she said, would you

0:30:41.920 --> 0:30:46.000
<v Speaker 1>like to come with Frank to review a restaurant. She said,

0:30:46.000 --> 0:30:48.440
<v Speaker 1>I'm gonna put together a quartet of people as you

0:30:48.720 --> 0:30:50.880
<v Speaker 1>and I and Frank and a fourth and she said,

0:30:50.920 --> 0:30:56.320
<v Speaker 1>he and here's how it works to orders for us,

0:30:56.400 --> 0:30:58.160
<v Speaker 1>and he has to be able to taste everything. And

0:30:58.200 --> 0:31:00.600
<v Speaker 1>then and then when we're sitting with Frank, he takes

0:31:00.640 --> 0:31:03.320
<v Speaker 1>me through how it works. He told me how he

0:31:03.400 --> 0:31:05.760
<v Speaker 1>got the job, blah blah blah. And I said to him,

0:31:05.800 --> 0:31:07.200
<v Speaker 1>where do you live? He said, I live on the

0:31:07.280 --> 0:31:09.040
<v Speaker 1>Upper West Side. I said, you're kidding. I said, that's

0:31:09.040 --> 0:31:12.080
<v Speaker 1>the restaurant. Wise, that's the most bankrupt part of Manhattan.

0:31:12.160 --> 0:31:13.240
<v Speaker 1>He said, I know, he goes, but I have to

0:31:13.280 --> 0:31:15.800
<v Speaker 1>live near the park. I have to go running every day.

0:31:16.160 --> 0:31:18.400
<v Speaker 1>He was, I'm meeting lunch and dinner out twenty eight

0:31:18.400 --> 0:31:20.680
<v Speaker 1>out of thirty days out of the month. And it

0:31:20.800 --> 0:31:23.560
<v Speaker 1>was really really a thrill to be with him and

0:31:23.640 --> 0:31:26.520
<v Speaker 1>to have him tell me what he happened for and

0:31:26.560 --> 0:31:28.560
<v Speaker 1>what he was what he was focusing on. But you

0:31:28.680 --> 0:31:32.600
<v Speaker 1>had the thing with Fieri's restaurant, which reminded you of

0:31:32.680 --> 0:31:35.120
<v Speaker 1>the residents the paper has. But if you could say,

0:31:35.160 --> 0:31:37.080
<v Speaker 1>I mean people used to joke, consider that there was

0:31:37.120 --> 0:31:40.800
<v Speaker 1>a you know, a pipeline from Morningside Heights and the

0:31:40.880 --> 0:31:45.640
<v Speaker 1>Columbia School of Journalism to Fort Street, and an argument

0:31:45.640 --> 0:31:47.000
<v Speaker 1>could be made, I suppose I'll live to get your

0:31:47.000 --> 0:31:49.560
<v Speaker 1>opinion about this. Whether The Times was the bastion of

0:31:50.400 --> 0:31:53.440
<v Speaker 1>Ivy League types of men and women, but mostly men

0:31:53.880 --> 0:31:56.120
<v Speaker 1>in the fifties and on into the sixties. And if

0:31:56.120 --> 0:31:59.959
<v Speaker 1>the complexion, if the stripe, if you would the dominant stripe,

0:32:00.080 --> 0:32:03.400
<v Speaker 1>that fabric was Ivy League men for many many years.

0:32:03.440 --> 0:32:06.040
<v Speaker 1>What would you characterize it as. Now, who's coming to

0:32:06.080 --> 0:32:08.840
<v Speaker 1>you for a job and who are you hiring? I mean,

0:32:08.960 --> 0:32:11.680
<v Speaker 1>right now we're hiring you know, a lot of people

0:32:11.760 --> 0:32:17.320
<v Speaker 1>that have digital skills, as we're hiring videographers or technology.

0:32:17.840 --> 0:32:19.680
<v Speaker 1>Percentage of the people working with you now are men

0:32:19.680 --> 0:32:23.680
<v Speaker 1>and how many are women? Women are thirty seven percent.

0:32:25.040 --> 0:32:27.040
<v Speaker 1>You're a woman who's the first person in this job,

0:32:27.800 --> 0:32:30.880
<v Speaker 1>and I'm wondering how much of that do you get

0:32:30.880 --> 0:32:33.200
<v Speaker 1>in the sense that people expect you as a woman

0:32:33.640 --> 0:32:38.040
<v Speaker 1>to help lift up that the rising tide of Jill

0:32:38.120 --> 0:32:40.960
<v Speaker 1>Abramson is going to raise all female boats now at

0:32:40.960 --> 0:32:44.120
<v Speaker 1>the time, Well, in part I expect that of myself.

0:32:44.200 --> 0:32:47.160
<v Speaker 1>I mean, I don't expect that I can ever raise

0:32:47.320 --> 0:32:52.440
<v Speaker 1>all female boats, but I try to go out of

0:32:52.480 --> 0:32:56.640
<v Speaker 1>my way, not to the exclusion of of men. But

0:32:56.960 --> 0:33:01.120
<v Speaker 1>I do take a particular interest in the careers and

0:33:01.280 --> 0:33:04.600
<v Speaker 1>work of many of the younger women at the time.

0:33:05.760 --> 0:33:09.200
<v Speaker 1>And I'm like open about if anyone has a problem

0:33:09.240 --> 0:33:13.400
<v Speaker 1>with that, too bad. What sympathies do you have for

0:33:13.440 --> 0:33:16.120
<v Speaker 1>Howell Rains today that you didn't have two years ago,

0:33:16.760 --> 0:33:31.200
<v Speaker 1>since you took this job, I have many, Yeah, I

0:33:31.200 --> 0:33:37.000
<v Speaker 1>mean I have sympathy with the fact that he was such.

0:33:37.400 --> 0:33:43.360
<v Speaker 1>He was really a great rioter, and he had lots

0:33:43.360 --> 0:33:47.720
<v Speaker 1>of story ideas and he could see in his mind

0:33:47.880 --> 0:33:50.680
<v Speaker 1>side how he wanted them to come out. On the

0:33:50.720 --> 0:33:55.240
<v Speaker 1>other end, it was very frustrating to him when things

0:33:55.320 --> 0:34:01.080
<v Speaker 1>didn't wind up the way he hoped they were. And uh,

0:34:01.080 --> 0:34:05.360
<v Speaker 1>when I was on the receiving end of that displeasure

0:34:05.480 --> 0:34:08.080
<v Speaker 1>when he think some of the work when I was

0:34:08.160 --> 0:34:12.360
<v Speaker 1>Washington Bureau Chief that was coming from the political correspondence

0:34:12.400 --> 0:34:18.319
<v Speaker 1>in the Washington Correspondence fell short. He seemed sometimes impatient

0:34:18.760 --> 0:34:22.640
<v Speaker 1>and too quick to be angry. But I think my

0:34:22.800 --> 0:34:29.880
<v Speaker 1>sympathy is he had high standards but very little time.

0:34:31.120 --> 0:34:35.480
<v Speaker 1>Your day is so crowded with you know, I'm scheduled

0:34:35.480 --> 0:34:39.880
<v Speaker 1>with not fifteen minutes segments every day, and that, you know,

0:34:39.960 --> 0:34:44.320
<v Speaker 1>can make you irritable when what you most care about

0:34:45.360 --> 0:34:48.400
<v Speaker 1>is the quality of the journalism itself, and you have

0:34:48.719 --> 0:34:50.919
<v Speaker 1>you know, you would think that would be the thing

0:34:51.080 --> 0:34:53.640
<v Speaker 1>you spend all of your time on, but it's not.

0:34:54.840 --> 0:34:58.279
<v Speaker 1>Especially now, would you say, with the financial imperatives, mean

0:34:58.320 --> 0:35:00.279
<v Speaker 1>when the time is from But I think it just

0:35:00.520 --> 0:35:04.720
<v Speaker 1>always there have been, you know, issues from the business

0:35:04.760 --> 0:35:09.359
<v Speaker 1>side of the Times and other things that like take

0:35:09.440 --> 0:35:13.440
<v Speaker 1>your mind away from a focus on what is the

0:35:13.520 --> 0:35:18.359
<v Speaker 1>smartest way, and to guns, sir, any of the things

0:35:18.400 --> 0:35:23.160
<v Speaker 1>we're covering right now. And he seemed too impatient to

0:35:23.320 --> 0:35:27.440
<v Speaker 1>me when I was Washington Bureau Chief and he was

0:35:27.600 --> 0:35:34.400
<v Speaker 1>the boss. And now I completely understand that in a

0:35:34.440 --> 0:35:38.839
<v Speaker 1>way I didn't. As someone who was a great admirer

0:35:38.920 --> 0:35:41.560
<v Speaker 1>of the Times and does depend on the Times for

0:35:41.640 --> 0:35:44.000
<v Speaker 1>the truth, I read the Times cover to cover every

0:35:44.320 --> 0:35:46.080
<v Speaker 1>even in the morning, I read half and I read

0:35:46.080 --> 0:35:47.920
<v Speaker 1>the other half of the night when I'm lying in bed. Well,

0:35:47.960 --> 0:35:49.719
<v Speaker 1>what's the first thing most people read in the Times?

0:35:49.760 --> 0:35:53.600
<v Speaker 1>They tell you the cap shuttings and the front page photos.

0:35:54.360 --> 0:35:57.000
<v Speaker 1>If they're reading the print paper, I go to one

0:35:57.080 --> 0:36:00.640
<v Speaker 1>column first because it's usually the best riding. It's the

0:36:00.640 --> 0:36:05.120
<v Speaker 1>most moving riding, which is the obituaries every morning. It's

0:36:05.160 --> 0:36:08.880
<v Speaker 1>some of the most beautiful. It's incredible. It's the little

0:36:09.120 --> 0:36:20.239
<v Speaker 1>digest bio of someone's life. It's an art. In the

0:36:20.280 --> 0:36:23.360
<v Speaker 1>midst of talking with Jill about her career, I neglected

0:36:23.400 --> 0:36:26.360
<v Speaker 1>to ask her about another important part of her life.

0:36:26.840 --> 0:36:29.920
<v Speaker 1>In May two thousand seven, early one morning, Jill Abramson

0:36:30.040 --> 0:36:33.000
<v Speaker 1>was struck by a truck and nearly killed while crossing

0:36:33.000 --> 0:36:35.560
<v Speaker 1>the street just blocks from the New York Times building.

0:36:36.040 --> 0:36:38.160
<v Speaker 1>So I called her up to find out what kind

0:36:38.160 --> 0:36:44.640
<v Speaker 1>of impact that event had on her. It's Alec Baldwin

0:36:44.719 --> 0:36:48.040
<v Speaker 1>calling for Jill Abramson. This is it's you. It's you.

0:36:48.800 --> 0:36:51.640
<v Speaker 1>Well you know we we are calling you. And Abramson

0:36:51.760 --> 0:36:55.480
<v Speaker 1>spent three weeks in Bellevue Hospital with a broken femur

0:36:55.640 --> 0:36:59.120
<v Speaker 1>and a fractured hip. Two years after her accident, she

0:36:59.239 --> 0:37:03.640
<v Speaker 1>took home out a Golden Retriever. She'll be four and April.

0:37:03.920 --> 0:37:07.000
<v Speaker 1>So then wind it back and that's when she came

0:37:07.040 --> 0:37:13.040
<v Speaker 1>into our law. Yeah, two thousand and nine, that feels right. Uh,

0:37:14.000 --> 0:37:20.000
<v Speaker 1>and yeah, she was obviously a tiny thing when we

0:37:20.040 --> 0:37:22.920
<v Speaker 1>first got her. We got her as a puppy. We

0:37:23.000 --> 0:37:29.080
<v Speaker 1>didn't um adopt her. We got her from a breeder.

0:37:29.120 --> 0:37:31.280
<v Speaker 1>And you know, I didn't know it at the time

0:37:31.320 --> 0:37:33.600
<v Speaker 1>that it was you know, my husband was the one

0:37:33.640 --> 0:37:37.399
<v Speaker 1>who pushed hardest, and my two children also for us

0:37:37.440 --> 0:37:41.040
<v Speaker 1>to get a new dog. Are um we we had

0:37:41.080 --> 0:37:45.759
<v Speaker 1>had a dog, a terrier who had passed away. Yeah,

0:37:46.680 --> 0:37:51.560
<v Speaker 1>just a little bit before I had my accident, and uh,

0:37:51.600 --> 0:37:55.799
<v Speaker 1>you know it turned out to be, as the cliche says,

0:37:55.840 --> 0:38:00.080
<v Speaker 1>just what the doctor or uh, frankly, I did it

0:38:00.360 --> 0:38:05.480
<v Speaker 1>when I had my my two children, just ridiculously obsessed

0:38:05.719 --> 0:38:10.400
<v Speaker 1>with every aspect of puppy life. And my husband and

0:38:10.440 --> 0:38:12.879
<v Speaker 1>I were at the stage of life where we were

0:38:12.920 --> 0:38:17.080
<v Speaker 1>empty nesters, and you know, I just I think we're

0:38:17.080 --> 0:38:22.520
<v Speaker 1>both built to take care of living things. And you know,

0:38:22.600 --> 0:38:27.040
<v Speaker 1>we found ourselves in you know, puppy kindergarten and you know,

0:38:27.120 --> 0:38:31.360
<v Speaker 1>worrying that that scalt you know, was the worst student

0:38:31.440 --> 0:38:37.440
<v Speaker 1>in the class, which she somewhat was. And I found,

0:38:37.640 --> 0:38:42.160
<v Speaker 1>you know that, especially late at night, walking the dog

0:38:42.440 --> 0:38:46.600
<v Speaker 1>in New York I lived downtown near the Hudson River

0:38:47.360 --> 0:38:51.080
<v Speaker 1>is the best way to kind of get rid of

0:38:51.120 --> 0:38:56.160
<v Speaker 1>whatever anxiety and intention you might have from the day's work.

0:38:57.760 --> 0:39:01.640
<v Speaker 1>And Jill Abramson's work continues every day. Her job is

0:39:01.680 --> 0:39:03.879
<v Speaker 1>to take care that the news coverage of The New

0:39:03.960 --> 0:39:07.839
<v Speaker 1>York Times remains unbiased, and to take care of her

0:39:07.880 --> 0:39:14.680
<v Speaker 1>special friend. She's just a bundle of constant that both

0:39:14.800 --> 0:39:19.000
<v Speaker 1>joy and trouble, as you all no doubt know from

0:39:19.040 --> 0:39:25.600
<v Speaker 1>your experience with with your dogs. This is Alec Baldwin

0:39:25.760 --> 0:39:27.719
<v Speaker 1>and you're listening to here's the thing,