WEBVTT - The Hashtag Heard Round the World

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<v Speaker 1>Welcome to Stuff to Blow Your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb and I'm Julie Douglas. Do

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<v Speaker 1>we have a hashtag for this podcast? We do? What

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<v Speaker 1>is it? It's called hashtag um blow the mind protest?

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<v Speaker 1>Whoa protesting in a digital age? That's that's really I

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<v Speaker 1>think that's gonna I don't know if we're going to

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<v Speaker 1>have enough room for the rest of the tweet, but

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<v Speaker 1>but it's it's it's pretty good. We'll try that out. Yeah,

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<v Speaker 1>we'll work on that. No, but this we we're talking

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<v Speaker 1>about today, I'm pretty sure we get to own that hashtag.

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<v Speaker 1>We don't know. I don't think anybody. It's not gonna

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<v Speaker 1>be like when I tried to retake blow blew my mind. Yeah,

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<v Speaker 1>from from from the rest of the twitter verse. But

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<v Speaker 1>but yeah, we're talking in this podcast specifically about Occupy

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<v Speaker 1>Wall Street and some of these other um social media

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<v Speaker 1>enhanced protest movements that have taken hold in late two

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<v Speaker 1>thousand ten and then throughout two thousand and eleven, ranging

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<v Speaker 1>from um, you know, from the Arab Spring to uh

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<v Speaker 1>to London to back in the US with the occupied stuff,

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<v Speaker 1>and of course the occupied stuff is has led over

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<v Speaker 1>into other countries as well. But we're talking about what

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<v Speaker 1>is a modern protest? What is it really is the

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<v Speaker 1>modern protests shaping up? I mean, uh, protests have always

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<v Speaker 1>utilized advanced technology to whatever degree it's available. I mean,

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<v Speaker 1>it's just the way we work, um. And so it's

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<v Speaker 1>no surprise that people are going to use modern technology,

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<v Speaker 1>modern social media to to to fuel the movement. Um.

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<v Speaker 1>But let's back up before we we get into two,

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<v Speaker 1>into the technology things. Just talking about numbers because yeah,

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<v Speaker 1>because when we're talking about hashtabs being heard around the

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<v Speaker 1>world to a certain extent, we're talking about the number

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<v Speaker 1>of people involved in that protest, because I mean, the

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<v Speaker 1>the people of serving a protest are arguably as important

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<v Speaker 1>as the individuals that are partaking in it, because it

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<v Speaker 1>has to be seen to really take that effect. That's

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<v Speaker 1>the whole point is to convey the importance of a

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<v Speaker 1>topic and to put a little context behind that. Two.

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<v Speaker 1>And we're talking about the hashtag occupy Wall Street, which

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<v Speaker 1>showed up on July. Right, It is just this sort

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<v Speaker 1>of idea linking to a blog about hey, we should

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<v Speaker 1>occupy Wall Street there. Obviously there was uh no formal

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<v Speaker 1>movement at that time or even intention. So the earth

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<v Speaker 1>we live on is currently home to what seven billion people? Now,

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<v Speaker 1>we just had the seven billion birth yea, like the

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<v Speaker 1>last couple. Can you imagine being like, hey, I'm baby

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<v Speaker 1>seven billion? Well my parents? Um, these billions and billions

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<v Speaker 1>of people, uh, roughly spread across two hundred and forty countries,

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<v Speaker 1>close to seven thousand languages around like documented documented languages, Yes,

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<v Speaker 1>somewhere in the neighborhood of sixty and twelve uh, and

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<v Speaker 1>more branches of religion, personal belief, ideology than you can

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<v Speaker 1>shake a stick at. Yeah, twenty major. But you're right,

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<v Speaker 1>there's there's uh quite a bit more than that. Yeah,

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<v Speaker 1>And we continue to grow, we continue to in some

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<v Speaker 1>cases of splinter uh and and reorganize amid those groups. Um,

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<v Speaker 1>So how are you going to get these people together?

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<v Speaker 1>Because I was I was talking with my life the

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<v Speaker 1>other day about a recent episode of This American Life

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<v Speaker 1>where they're talking about junior high and how junior high

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<v Speaker 1>is horrible, and how one of the things going on

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<v Speaker 1>in junior high is that when you're young, you get

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<v Speaker 1>along with everybody, but then as you get older. Uh,

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<v Speaker 1>just within school you begin you become more judgmental, you

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<v Speaker 1>become more perceptive to Uh, you know, who you want

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<v Speaker 1>to be associated with and who you want to to

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<v Speaker 1>identify with. You created this blueprint of reality. And you're right,

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<v Speaker 1>and so by junior high it's already pretty complicated. So

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<v Speaker 1>how do we ever agree on anything? How do we ever,

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<v Speaker 1>how do we get out of high school mentality? Right?

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<v Speaker 1>And Uh, Historically, wars are generally a pretty good way

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<v Speaker 1>to do it. Um. I mean, wars have long brought

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<v Speaker 1>together millions of individuals and pitched battles. It's thankfully, hopefully

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<v Speaker 1>it seems to be going out of style in recent

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<v Speaker 1>years and doing part well again because technology. Technology changed

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<v Speaker 1>the way that we wage war. Uh. And then maybe

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<v Speaker 1>there's something going on in the in our collective psyches

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<v Speaker 1>as well. But the better angels of ourselves, we can hope.

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<v Speaker 1>I've seen some interesting arguments of that that we you know,

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<v Speaker 1>we live in a time where there's there's less war

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<v Speaker 1>now than than ever before. So let's hope that keeps

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<v Speaker 1>up until the big machine human war. But singularity, Yeah,

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<v Speaker 1>but that's gonna bring us all together even more so,

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<v Speaker 1>Like it's hard to put stats on some of these

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<v Speaker 1>ancient battles, but for a DBC, the Persian army marched

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<v Speaker 1>into the Battle of Thermipoly with between two hundred thousand

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<v Speaker 1>and five hundred thousand men. More than two thousand years

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<v Speaker 1>later and three the Soviet Union's Red Army suffered more

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<v Speaker 1>than a million casualties of the Battle of Stalingrad. UH.

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<v Speaker 1>And then we have other examples where we can see

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<v Speaker 1>people converging UH for a cause that is not bloodthirsty

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<v Speaker 1>and drenched in hardship. UH. January two thousand seven, an

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<v Speaker 1>estimated sixty million Hindu pilgrims gathered at the convergence of

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<v Speaker 1>the Ganges and Yamuna rivers in northern India for the

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<v Speaker 1>um Are Kombla Mella Festival, huge festival. You've probably seen

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<v Speaker 1>clips to this individual's bathing UH in the rivers and

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<v Speaker 1>sort of an active purity, right, Yeah, in active purity.

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<v Speaker 1>Sixty million people coming together for that, which is amazing, amazing.

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<v Speaker 1>So protests also bring people together. And this is the

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<v Speaker 1>and we just recorded a podcast about this, so it

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<v Speaker 1>should already be in your iTunes folder or hanging out

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<v Speaker 1>on the web for you to listen to. If you

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<v Speaker 1>want a lettle more information about why we get into

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<v Speaker 1>into the protest mentality. But once we are there, we

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<v Speaker 1>can gather in in rather large numbers sometimes. And the

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<v Speaker 1>reason why Occupy on All Street has I think some

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<v Speaker 1>legs or has had legs at least over the past

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<v Speaker 1>four months. We don't again know what its fate is now. Um.

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<v Speaker 1>It has a classic earmarks of a protest. So we're

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<v Speaker 1>talking about disenfranchised people, right check. Crappy economy check uh huh,

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<v Speaker 1>and stagnating politics double check. Right. So pretty much this

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<v Speaker 1>is pretty much a global situation right now. Right. So

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<v Speaker 1>it's not just in the United States. Uh, you know

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<v Speaker 1>a group of people in New York starting this. Uh,

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<v Speaker 1>that's why it has, you know, such resonation all over

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<v Speaker 1>the world. Um. And of course we've seen this before.

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<v Speaker 1>We've seen it with Vietnam, right, Uh, a little bit

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<v Speaker 1>different circumstances. But we have people who are saying that

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<v Speaker 1>there are wrongs that need to be righted. We've seen

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<v Speaker 1>it with the Arab Spring. Um. But the Arab Spring

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<v Speaker 1>being just the the string of of protests and in

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<v Speaker 1>many in some cases actual rebellion revolution situations that has

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<v Speaker 1>just spread throughout various countries in the Middle East, ranging

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<v Speaker 1>from we've seen for the protest and I ran Tunisia

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<v Speaker 1>Egypt Um. I mean really, it points of the fact

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<v Speaker 1>that people will put up with a lot of crap

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<v Speaker 1>until it gets to the point where you know, it's

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<v Speaker 1>it's a it's making them powerless in their day to

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<v Speaker 1>day decisions on whether or not to buy groceries or

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<v Speaker 1>you know, buy new shoes, or you know, it's hamstringing them.

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<v Speaker 1>So yeah, we can put it with a lot of corruption,

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<v Speaker 1>a lot of political who until that happens. All right,

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<v Speaker 1>we're gonna take a quick break to hear a word

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<v Speaker 1>from our sponsors, and then we're gonna really break down

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<v Speaker 1>the question what is the largest protest of all time

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<v Speaker 1>and what factor has made it that way? Yeah. This

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<v Speaker 1>podcast is brought to you by Intel, the sponsors of

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<v Speaker 1>Tomorrow and the Discovery Channel. At Intel, we believe curiosity

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<v Speaker 1>is the spark which drives innovation. Join us at curiosity

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<v Speaker 1>dot com and explore the answers to life's questions. All right,

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<v Speaker 1>we're back largest protests. Uh. This is something that is

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<v Speaker 1>sometimes very difficult to gauge because not every protest consists

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<v Speaker 1>of individuals gathering in a in a square, and then

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<v Speaker 1>it's hard to count sizes and and and you're gonna

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<v Speaker 1>get into the wars of information and politics of information

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<v Speaker 1>to where the protesters are may in some cases want

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<v Speaker 1>to inflate the number because it sounds better, and then

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<v Speaker 1>the people cracking down on the protests are likely to

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<v Speaker 1>lower that number for obvious reasons. You know what I

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<v Speaker 1>just occurred to me, Why don't they use the same

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<v Speaker 1>technology that NASA does to count the constellations that they

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<v Speaker 1>then applied to tracking dolphins. Well, true, that's that's true.

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<v Speaker 1>You can do some sort of sophisticated data. But then

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<v Speaker 1>if you're the people who has that in that technology,

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<v Speaker 1>it's gonna tend to be the governmental forces, So they're

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<v Speaker 1>not gonna necessarily want an accurate count anyway, not for

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<v Speaker 1>public consumption. And then the other thing think back to

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<v Speaker 1>in the other podcast we mentioned Mohamma Gandhi and the

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<v Speaker 1>whole u uh. Some of the civil disobedience was going

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<v Speaker 1>on there, with individuals protesting by showing up for work

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<v Speaker 1>or by resigning from their positions. You get into protests

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<v Speaker 1>of that nature and it becomes even more difficult to

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<v Speaker 1>to gauge what the turnout is because they're protesting in

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<v Speaker 1>ways and ruch, they're not visible when you're getting down

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<v Speaker 1>into actual numbers though, and you can say like, well,

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<v Speaker 1>this is the number of individuals that we know of

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<v Speaker 1>the participated in this, and therefore this is a very

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<v Speaker 1>large or the biggest protests. One of the big ones,

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<v Speaker 1>according to Guinness Folk of World Records was it was

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<v Speaker 1>the Iraq protest in Rome UH February two thousand three.

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<v Speaker 1>The event drew a crowd of estimated three million people,

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<v Speaker 1>and on the same day, protesters gathered in nearly six

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<v Speaker 1>hundred cities in a coordinated global effort to express moral

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<v Speaker 1>outrage against the US invasion of Iraq. So you had

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<v Speaker 1>like one point three million protesters in Barcelona, Spain, between

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<v Speaker 1>seven fifty thousand and two million in London, um. All told,

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<v Speaker 1>according to BBC, between six and ten million people participating

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<v Speaker 1>in a global protest, which is amazing because think about

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<v Speaker 1>you know, when we talked about the civil rights movement,

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<v Speaker 1>and we talked about Rosa Parks and how her refusal

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<v Speaker 1>to give up a seat to a white person than

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<v Speaker 1>uh spurred a one day boycott of the bus system,

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<v Speaker 1>right um, And this was something that was in the

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<v Speaker 1>works forever. I mean that this there were a lot

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<v Speaker 1>of people working on this specific plan in other ones

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<v Speaker 1>um for months and months and months, and then you

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<v Speaker 1>have something like this, between six and ten million people protesting.

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<v Speaker 1>And I'm going to wager a bit that it didn't

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<v Speaker 1>take that long given the data that we know about

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<v Speaker 1>when the Iraq War broke out and when the protests happened,

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<v Speaker 1>um that people were mobilized. And so you can obviously

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<v Speaker 1>point to when really one key factor in mobilizing all

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<v Speaker 1>those people, which is the technology we have available today,

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<v Speaker 1>which really does change the landscape of protesting. It's it's

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<v Speaker 1>worth noting real quick before we get even more into

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<v Speaker 1>the technological stuff that that's sometimes the protest is just

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<v Speaker 1>as simple as a naked lady with a fur and

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<v Speaker 1>some fake blood splider on her, you know, or a

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<v Speaker 1>naked man or a naked man probably both, I guess.

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<v Speaker 1>So you get all your demographics covered. But that's the

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<v Speaker 1>shock tactic, that's like, hey, we want to we want

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<v Speaker 1>to the media to cover this. Yeah, and then that's

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<v Speaker 1>the thing like like Peter, no matter what you think

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<v Speaker 1>about Peter, and and certainly there's some very some very

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<v Speaker 1>contrary positions on on what Peter stands for and or

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<v Speaker 1>how they carry out their protests, but their protests tend

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<v Speaker 1>to uh to get attention, they do. And I will say,

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<v Speaker 1>you know, I've I've certainly walked through a Peter protest.

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<v Speaker 1>I was walking through one in Boston with my mom

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<v Speaker 1>h when when we all lived there, um a number

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<v Speaker 1>of years ago, and my mom had a fake fur

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<v Speaker 1>colored line jacket on, and of course she was the target.

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<v Speaker 1>The thing that stood out is that they said, I

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<v Speaker 1>hope that you get cancer and die. Yeah, so I

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<v Speaker 1>mean obviously fake blood. Uh no, they didn't, but that

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<v Speaker 1>was in itself really very jarring. Obviously my mom um,

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<v Speaker 1>she was actually kind of oblivious, just kind of like,

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<v Speaker 1>what did I just say? And I was like nothing, um.

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<v Speaker 1>But you know, there are effective ways to to really

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<v Speaker 1>get at um at the psyche, right, and that's that's

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<v Speaker 1>what protests are trying to do. So you can do

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<v Speaker 1>it in numbers, or you can do it in an

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<v Speaker 1>awful things that you say to pastors by yeah. And

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<v Speaker 1>then of course there's there's art. There's music protests, songs protests.

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<v Speaker 1>In our art episode that we did recently about your

0:12:26.040 --> 0:12:28.520
<v Speaker 1>brain and are we mentioned, um, like the words of

0:12:28.520 --> 0:12:32.240
<v Speaker 1>public Picasso talking about the Spanish Civil War and expressing

0:12:32.280 --> 0:12:35.520
<v Speaker 1>that through art, prep expressing his outrage and varied emotions

0:12:35.559 --> 0:12:40.760
<v Speaker 1>about this political situation through the expression of art, you know.

0:12:40.760 --> 0:12:44.800
<v Speaker 1>And I'm thinking to um about the protests of the

0:12:44.840 --> 0:12:49.079
<v Speaker 1>Iraq War. And obviously this is before Twitter and Facebook,

0:12:49.200 --> 0:12:51.559
<v Speaker 1>and this isn't a question that we can answer today

0:12:51.640 --> 0:12:54.600
<v Speaker 1>or anytime soon. But uh, you know, I do wonder

0:12:54.600 --> 0:12:58.000
<v Speaker 1>how it would impact or would have impacted that protest.

0:12:58.160 --> 0:13:00.200
<v Speaker 1>Do you think more people would have participated? Do you

0:13:00.200 --> 0:13:02.640
<v Speaker 1>think that it would have attenuated it in some way

0:13:03.000 --> 0:13:05.640
<v Speaker 1>because it might have taken focus away? Um, And we

0:13:05.920 --> 0:13:08.720
<v Speaker 1>certainly know that the protests of late have been really

0:13:08.760 --> 0:13:12.920
<v Speaker 1>effective because of these technologies. Yeah, it's it's real effective

0:13:13.559 --> 0:13:15.920
<v Speaker 1>for a number of reasons. But I mean, I mean

0:13:15.960 --> 0:13:19.360
<v Speaker 1>because a it's instant networking and social networking. It's it's

0:13:19.480 --> 0:13:22.000
<v Speaker 1>the ability to throw something out with that hashtag occupy

0:13:22.040 --> 0:13:24.720
<v Speaker 1>Wall Street and then everybody following that hashtag can instantly

0:13:24.720 --> 0:13:28.120
<v Speaker 1>see what's up, real time information in all of it's

0:13:28.200 --> 0:13:31.760
<v Speaker 1>effective and in some cases perplexing manner, you know. I mean,

0:13:31.800 --> 0:13:34.120
<v Speaker 1>it's the real time aspect of it. I think is

0:13:34.160 --> 0:13:36.200
<v Speaker 1>really key because you can you could be like somebody

0:13:36.360 --> 0:13:39.920
<v Speaker 1>suddenly somebody's tweeting, Hey, the police are cracking down. Uh,

0:13:39.960 --> 0:13:43.400
<v Speaker 1>they're moving into this area and everybody knows. And it's

0:13:43.400 --> 0:13:46.680
<v Speaker 1>also allowed certain groups to even It allows you this

0:13:46.760 --> 0:13:51.280
<v Speaker 1>huge voice without necessarily having any huge investment in the megaphone,

0:13:51.360 --> 0:13:55.800
<v Speaker 1>in the metaphorical megaphone or the real megaphone. You know. Um,

0:13:56.000 --> 0:13:59.600
<v Speaker 1>like not quite a protest, but just consider with all

0:13:59.640 --> 0:14:02.960
<v Speaker 1>the crack downs that have occurred on Wiki leaks, a

0:14:03.000 --> 0:14:07.040
<v Speaker 1>lot of their continued momentum has taken place on Twitter,

0:14:07.400 --> 0:14:09.200
<v Speaker 1>where they have continued to be able to speak out

0:14:09.240 --> 0:14:12.520
<v Speaker 1>to all of these followers despite bank accounts and websites

0:14:12.880 --> 0:14:15.960
<v Speaker 1>going down around the world. Yeah, I just I can't

0:14:15.960 --> 0:14:18.719
<v Speaker 1>help but think about the protests in Iraq or the

0:14:18.720 --> 0:14:23.000
<v Speaker 1>protests of the Iraq War and ten million people mobilized

0:14:23.120 --> 0:14:26.520
<v Speaker 1>by via email. Right, that's a huge coordinated global effort.

0:14:26.840 --> 0:14:29.280
<v Speaker 1>Just what it might have looked like with these different

0:14:29.280 --> 0:14:33.520
<v Speaker 1>technologies that we used today. UM, where's people people were

0:14:33.720 --> 0:14:38.320
<v Speaker 1>have been studying the the impact of social media on protests,

0:14:38.800 --> 0:14:42.400
<v Speaker 1>UM and movements prior to all of this. I actually

0:14:42.480 --> 0:14:45.800
<v Speaker 1>spoke to uh, this guy by the name of Dr

0:14:45.880 --> 0:14:49.320
<v Speaker 1>Michael Best, who had Technologies and inter National Development the

0:14:49.400 --> 0:14:51.400
<v Speaker 1>lab at the Georgie Institute of Technology. I thought. I

0:14:51.400 --> 0:14:54.520
<v Speaker 1>spoke to him early two thousand eleven UM for an

0:14:54.600 --> 0:14:57.760
<v Speaker 1>article on Discovery News called our Smartphones Worth It, and

0:14:57.800 --> 0:15:00.080
<v Speaker 1>it ended up being a lot more interesting of an

0:15:00.160 --> 0:15:03.000
<v Speaker 1>article then it sounds, because I got to discuss like

0:15:03.040 --> 0:15:06.000
<v Speaker 1>how does it affect our daily lives? And and then

0:15:06.240 --> 0:15:08.920
<v Speaker 1>by talking to Best, learned a little bit about how

0:15:08.960 --> 0:15:14.120
<v Speaker 1>it was specifically being used by UM Nigerians leading into

0:15:14.120 --> 0:15:17.040
<v Speaker 1>the two thousand eleven Nigerian election, and they were doing

0:15:17.040 --> 0:15:20.120
<v Speaker 1>a lot of political organism organizing. They were planning activist

0:15:20.160 --> 0:15:24.160
<v Speaker 1>meetings and flash mobs all leading up to the election

0:15:24.200 --> 0:15:26.080
<v Speaker 1>that I was at least at that time slated to

0:15:26.120 --> 0:15:29.880
<v Speaker 1>take place in April, and and at the time I

0:15:29.920 --> 0:15:31.520
<v Speaker 1>thought it was really interesting. But then of course this

0:15:31.560 --> 0:15:33.520
<v Speaker 1>turns out to be a major theme of two thousand

0:15:33.560 --> 0:15:36.760
<v Speaker 1>and eleven UM as individuals are are tweeting about the

0:15:36.800 --> 0:15:40.520
<v Speaker 1>various protests that they're involved in uh and and coordinating

0:15:40.520 --> 0:15:44.400
<v Speaker 1>their movements. And in all of this, I also can't

0:15:44.400 --> 0:15:48.880
<v Speaker 1>help but think another advantage of social media, and specifically Twitter,

0:15:49.920 --> 0:15:54.120
<v Speaker 1>has to do with the people observing because I feel

0:15:54.160 --> 0:15:56.280
<v Speaker 1>like with Twitter, one of the things people like about

0:15:56.280 --> 0:15:59.200
<v Speaker 1>celebrities being on Twitter is that you're kind of as

0:15:59.280 --> 0:16:02.960
<v Speaker 1>close to that celebrity as you are to the friend,

0:16:03.040 --> 0:16:04.800
<v Speaker 1>the real life friend that you know on Twitter, Like

0:16:04.800 --> 0:16:09.280
<v Speaker 1>there's there's this um, there's this closeness. Well, there's this

0:16:09.320 --> 0:16:12.040
<v Speaker 1>idea that you're getting insights to how they're living in

0:16:12.440 --> 0:16:16.320
<v Speaker 1>and you're all a part of the same information stream.

0:16:16.440 --> 0:16:19.960
<v Speaker 1>So when you're observing like a real time protest taking

0:16:19.960 --> 0:16:22.800
<v Speaker 1>place on Twitter and you're seeing updates about Occupy Wall

0:16:22.840 --> 0:16:26.320
<v Speaker 1>Street or or the protests in Iran, well whatever it

0:16:26.360 --> 0:16:29.040
<v Speaker 1>may be, I feel like the people observing it on

0:16:29.080 --> 0:16:32.760
<v Speaker 1>Twitter end up feeling closer and a little more personally invested.

0:16:33.520 --> 0:16:36.640
<v Speaker 1>It probably gives people a little bit more empathy, right movement,

0:16:36.720 --> 0:16:38.960
<v Speaker 1>So if someone is sprayed with tear gas, right, and

0:16:39.040 --> 0:16:42.040
<v Speaker 1>let's say that this was a uh the use was

0:16:42.040 --> 0:16:45.880
<v Speaker 1>was just an indiscriminate response by police and that or

0:16:46.000 --> 0:16:48.960
<v Speaker 1>that was how it was tweeted, right, then people are

0:16:48.960 --> 0:16:50.880
<v Speaker 1>going to say, oh my, you know, the depth of

0:16:50.920 --> 0:16:54.400
<v Speaker 1>injustice here is unbearable. Yeah, because you're getting real time

0:16:54.480 --> 0:16:56.280
<v Speaker 1>data about this, right. I think it's like if you

0:16:56.520 --> 0:16:58.880
<v Speaker 1>it's as if you were standing on the edges of

0:16:58.920 --> 0:17:01.960
<v Speaker 1>a protesting crowd in real life, and even if you're

0:17:01.960 --> 0:17:04.920
<v Speaker 1>not actively participating in it, you're gonna feel a little

0:17:04.920 --> 0:17:09.040
<v Speaker 1>more like a protests, You're gonna feel more sympathetic to

0:17:09.200 --> 0:17:11.600
<v Speaker 1>that cause just by virtue of being in close proximity

0:17:11.640 --> 0:17:16.639
<v Speaker 1>to it, and the social media world of Twitter puts

0:17:16.640 --> 0:17:19.600
<v Speaker 1>you on the edges of that crowd in a virtual sense.

0:17:20.160 --> 0:17:22.640
<v Speaker 1>So I think that the same thing ends up happening. Well,

0:17:22.640 --> 0:17:24.720
<v Speaker 1>it's real. It's such a game changer too for the

0:17:24.760 --> 0:17:28.160
<v Speaker 1>government because now that you do have these so much

0:17:28.200 --> 0:17:33.199
<v Speaker 1>information to share, it's very easy to document the missteps

0:17:33.400 --> 0:17:35.720
<v Speaker 1>that the government might take or that a police force

0:17:35.800 --> 0:17:39.880
<v Speaker 1>might take against protesters. So you know, obviously that sort

0:17:39.880 --> 0:17:42.959
<v Speaker 1>of stuff came out before, but now it's it's pretty verifiable,

0:17:43.040 --> 0:17:44.960
<v Speaker 1>particularly if you've got, you know, a cell phone video

0:17:45.000 --> 0:17:47.040
<v Speaker 1>of it. Now. Of course, it's it's worth noting that

0:17:47.040 --> 0:17:49.880
<v Speaker 1>that throughout these these various protests and on Twitter hasn't

0:17:49.880 --> 0:17:53.879
<v Speaker 1>necessarily been the motivating force. It's not like Twitter was

0:17:53.920 --> 0:17:58.000
<v Speaker 1>the like the real power of the movement necessarily. It

0:17:58.080 --> 0:18:00.560
<v Speaker 1>certainly helped, and it was certainly a game changer, but

0:18:00.880 --> 0:18:06.919
<v Speaker 1>take the Egyptian Revolution UM January through February two eleven. UM.

0:18:07.000 --> 0:18:09.280
<v Speaker 1>So you know, Twitter and the various social media outlets

0:18:09.320 --> 0:18:12.800
<v Speaker 1>are made a lot of headlines, but the television newspapers

0:18:12.800 --> 0:18:17.240
<v Speaker 1>and telephone UM specifically like Al Jazeera UH continued to

0:18:17.240 --> 0:18:20.880
<v Speaker 1>to be a major informer for the people even as

0:18:20.920 --> 0:18:25.040
<v Speaker 1>the Egyptians the Egyptian government blocked internet connections in January.

0:18:25.200 --> 0:18:27.520
<v Speaker 1>So UH, you know, it's worth noting that there are

0:18:27.520 --> 0:18:31.239
<v Speaker 1>other media outlets and employ here uh. And then in

0:18:31.280 --> 0:18:34.120
<v Speaker 1>some cases, UM, this was pretty interesting. This is from

0:18:34.600 --> 0:18:38.000
<v Speaker 1>February two th eleven, following the uprisings in the Middle East,

0:18:38.400 --> 0:18:42.240
<v Speaker 1>some individuals in China were arguing for a quote Jasmine revolution,

0:18:43.000 --> 0:18:45.720
<v Speaker 1>and they were talking about on this overseas Chinese community

0:18:45.760 --> 0:18:49.320
<v Speaker 1>news site boxing bo x u n. The Chinese government

0:18:49.400 --> 0:18:52.760
<v Speaker 1>ended up blocking searches for Jasmine for the term jasmine,

0:18:53.160 --> 0:18:56.840
<v Speaker 1>and they also the the website was hacked by a

0:18:56.840 --> 0:19:00.280
<v Speaker 1>denial of service attack. So right, so that you see

0:19:00.280 --> 0:19:03.200
<v Speaker 1>a little bit of this sort of digital virtual social

0:19:03.200 --> 0:19:06.680
<v Speaker 1>media warfare. It ends up taking place like the basically

0:19:06.720 --> 0:19:11.680
<v Speaker 1>the protest testing UH situation of the crowd of protesters

0:19:11.760 --> 0:19:16.080
<v Speaker 1>and the riot control taking place in a vertu. Yeah,

0:19:16.080 --> 0:19:18.720
<v Speaker 1>seeing it play out there. But and actually that's it's

0:19:18.720 --> 0:19:23.080
<v Speaker 1>worth noting to the Jasmine Revolution really didn't have legs,

0:19:23.200 --> 0:19:26.879
<v Speaker 1>right for that very reason that it was shut down. So,

0:19:27.480 --> 0:19:29.320
<v Speaker 1>you know, looking to the future a bit, it would

0:19:29.320 --> 0:19:33.080
<v Speaker 1>be very interesting to see how China and protesting uh

0:19:33.400 --> 0:19:36.400
<v Speaker 1>take place in the future, giving technologies and also given

0:19:36.440 --> 0:19:39.280
<v Speaker 1>the fact that you know, if you can shut down

0:19:40.640 --> 0:19:43.840
<v Speaker 1>a protest that way, you can obviously have people go

0:19:43.920 --> 0:19:47.159
<v Speaker 1>in and hack the other way. Uh. So, I don't know,

0:19:47.440 --> 0:19:50.320
<v Speaker 1>just just interesting thought. With that many people in in

0:19:50.480 --> 0:19:54.080
<v Speaker 1>one country, surely something will come out of it. Yeah,

0:19:54.400 --> 0:19:55.960
<v Speaker 1>But I guess one of the things too, is that

0:19:56.000 --> 0:20:01.040
<v Speaker 1>even even as as we've been increasingly digital, it seems

0:20:01.080 --> 0:20:04.080
<v Speaker 1>like the idea of individuals gathering together to support a

0:20:04.119 --> 0:20:06.440
<v Speaker 1>cause is just is going to remain a vital part

0:20:06.440 --> 0:20:09.000
<v Speaker 1>of protests. Like I can't see I can't see protests

0:20:09.040 --> 0:20:12.119
<v Speaker 1>going completely digital, you know, because it's kind of like

0:20:12.359 --> 0:20:15.000
<v Speaker 1>on Facebook, for instance, for while, there there were a

0:20:15.000 --> 0:20:17.600
<v Speaker 1>string of these things where it's like, uh, speak out

0:20:17.640 --> 0:20:21.439
<v Speaker 1>against I don't know, something like child abuse by changing

0:20:21.480 --> 0:20:25.000
<v Speaker 1>your your profile picture to a cartoon or something like.

0:20:25.040 --> 0:20:27.480
<v Speaker 1>There was there was a there were stringy and and

0:20:27.520 --> 0:20:29.600
<v Speaker 1>then finally people started saying, you know, this is this

0:20:29.680 --> 0:20:32.119
<v Speaker 1>is kind of dumb because we're not doing anything. You're

0:20:32.160 --> 0:20:35.840
<v Speaker 1>not actually doing anything for these causes. You're just it's

0:20:35.880 --> 0:20:37.800
<v Speaker 1>not like you quit paying your taxes, right, right, right,

0:20:38.280 --> 0:20:39.720
<v Speaker 1>It's not like you went out in the street and

0:20:39.760 --> 0:20:42.840
<v Speaker 1>made yourself known. And we're I mean, there's something about

0:20:42.880 --> 0:20:45.919
<v Speaker 1>people gathering in a space generally a space they're not

0:20:45.960 --> 0:20:50.040
<v Speaker 1>really supposed to be in, um and speaking out as

0:20:50.119 --> 0:20:52.840
<v Speaker 1>as as a group and saying, look at these individuals

0:20:52.880 --> 0:20:56.200
<v Speaker 1>all piled here together, look at them, uh, look at us. Yeah,

0:20:56.280 --> 0:20:58.240
<v Speaker 1>but it's not to sound too or well in again,

0:20:58.359 --> 0:21:01.800
<v Speaker 1>looking for the future and thinking about facial recognition software,

0:21:01.840 --> 0:21:03.880
<v Speaker 1>it could be really problematic for people in the near

0:21:03.920 --> 0:21:06.879
<v Speaker 1>future to congregate and um, I was just thinking about

0:21:06.880 --> 0:21:10.240
<v Speaker 1>the app that came out for the Chicago bar scene

0:21:10.400 --> 0:21:13.760
<v Speaker 1>using facial recognition software, which you can you know, go

0:21:13.840 --> 0:21:17.040
<v Speaker 1>buy a bar and it basically is going to tell you, um,

0:21:17.080 --> 0:21:19.040
<v Speaker 1>the age range of the people in there and the

0:21:19.080 --> 0:21:22.399
<v Speaker 1>relative income, which, by the way, if you've ever just

0:21:22.480 --> 0:21:25.919
<v Speaker 1>by looking at faces, yeah, from the facial recognition software,

0:21:25.960 --> 0:21:27.720
<v Speaker 1>like you take a picture of people at the bar

0:21:27.880 --> 0:21:30.879
<v Speaker 1>and then it yeah, because it's because it's indexing some

0:21:30.920 --> 0:21:33.399
<v Speaker 1>sort of database that's basically saying, okay, well, I mean,

0:21:33.440 --> 0:21:36.359
<v Speaker 1>I don't know if someone's wearing pearls, maybe it's looking

0:21:36.400 --> 0:21:39.040
<v Speaker 1>at that. I don't you know. But anyway, the point

0:21:39.119 --> 0:21:41.479
<v Speaker 1>is that this is a software that could be used

0:21:42.359 --> 0:21:45.280
<v Speaker 1>for crowds and you could start, you know, I ding

0:21:45.400 --> 0:21:49.320
<v Speaker 1>certain people UM. You could tag them as a known protester.

0:21:49.920 --> 0:21:52.359
<v Speaker 1>You could begin tracking them, and this is fascinating. I

0:21:52.400 --> 0:21:55.520
<v Speaker 1>could see then a situation where say a protest movement

0:21:55.520 --> 0:21:59.639
<v Speaker 1>begins to um gel together in a public space. They

0:21:59.680 --> 0:22:01.960
<v Speaker 1>send a guy out with one of these devices. All

0:22:02.000 --> 0:22:04.679
<v Speaker 1>he has to do is take a picture of analyze it,

0:22:04.720 --> 0:22:07.159
<v Speaker 1>just a quick scan of the crowd, and then it

0:22:07.200 --> 0:22:09.880
<v Speaker 1>will it will compare faces with the database. It will

0:22:10.160 --> 0:22:13.840
<v Speaker 1>sort of judge, you know, the various socio economic status,

0:22:14.160 --> 0:22:17.760
<v Speaker 1>any possible criminal histories, and then give them a readout

0:22:18.400 --> 0:22:20.840
<v Speaker 1>with advice. On the next step. They could be like, oh,

0:22:20.840 --> 0:22:22.840
<v Speaker 1>this has nothing to worry about. This is going to

0:22:22.920 --> 0:22:25.840
<v Speaker 1>break down in a couple of hours, versus go ahead

0:22:25.880 --> 0:22:28.000
<v Speaker 1>and shut this down now because this is going to

0:22:28.080 --> 0:22:30.520
<v Speaker 1>get bad. Right so, right now, we think about protesters

0:22:30.560 --> 0:22:35.000
<v Speaker 1>facing UM officers who might be armored with kevlar vests

0:22:35.000 --> 0:22:38.360
<v Speaker 1>and plastic shields, and um, you know, instead of bullets,

0:22:38.359 --> 0:22:42.520
<v Speaker 1>they might be hit by rubber bullets, which we've seen before. Um,

0:22:42.520 --> 0:22:45.080
<v Speaker 1>you know you've got snatched squads that will come and

0:22:45.119 --> 0:22:48.000
<v Speaker 1>snatch people. Um and sound cannon. We've talked about this

0:22:48.040 --> 0:22:50.320
<v Speaker 1>to you in our Future of Pain podcast about how

0:22:50.400 --> 0:22:53.679
<v Speaker 1>you can basically just scatter a bunch of people with

0:22:53.760 --> 0:22:56.880
<v Speaker 1>an incredibly loud noises. Okay, so you have all of that,

0:22:57.480 --> 0:22:59.840
<v Speaker 1>but maybe in the future, you know, you don't have

0:23:00.040 --> 0:23:03.480
<v Speaker 1>of uh as much of a police presence, but you

0:23:03.520 --> 0:23:06.720
<v Speaker 1>do have people in the crowd who are trying to

0:23:06.720 --> 0:23:09.440
<v Speaker 1>shut it down by getting the data on the people

0:23:09.880 --> 0:23:14.160
<v Speaker 1>and preventing them for future, you know, and from participating

0:23:14.160 --> 0:23:19.600
<v Speaker 1>in future protests. It's very likely. Uh, this is yeah,

0:23:19.800 --> 0:23:21.959
<v Speaker 1>this is kind of a tangent, but I can't help

0:23:22.040 --> 0:23:24.560
<v Speaker 1>ever be reminded. I think it's a So it's like

0:23:24.600 --> 0:23:27.920
<v Speaker 1>a DJ shadow track UM from an older album where

0:23:28.000 --> 0:23:30.760
<v Speaker 1>he ended up sampling this this bit from a sermon

0:23:31.200 --> 0:23:34.520
<v Speaker 1>who was taking place in the Woodstock era, and uh,

0:23:35.240 --> 0:23:37.359
<v Speaker 1>the preacher giving this sermon was talking like he was

0:23:37.440 --> 0:23:40.879
<v Speaker 1>describing outlandish lee like a situation where you had like

0:23:40.960 --> 0:23:44.920
<v Speaker 1>hippies in uh in kind of a protest environment, and

0:23:45.160 --> 0:23:48.320
<v Speaker 1>the police could not enter, they could not even like

0:23:48.440 --> 0:23:51.480
<v Speaker 1>enter in to like control them, because the marijuana smoke

0:23:51.600 --> 0:23:54.119
<v Speaker 1>was too thick that that it was just there was

0:23:54.160 --> 0:23:57.080
<v Speaker 1>just this crowd of just out of control, sinful hippies

0:23:57.320 --> 0:23:59.520
<v Speaker 1>and they were just just layed in drug smoke so

0:23:59.560 --> 0:24:01.600
<v Speaker 1>that the police couldn't go in. And so the way

0:24:01.640 --> 0:24:04.720
<v Speaker 1>to combat facial recognition software is just to have a

0:24:04.760 --> 0:24:10.000
<v Speaker 1>big thick uh ganja cloud. Well, and according to this guy,

0:24:10.080 --> 0:24:13.440
<v Speaker 1>according to that guy, yeah, I'm not suggesting that you're

0:24:13.240 --> 0:24:16.600
<v Speaker 1>you're you're saying people should do that, but it is

0:24:17.119 --> 0:24:19.119
<v Speaker 1>well but but no, I'm not suggesting people do that.

0:24:19.200 --> 0:24:20.760
<v Speaker 1>But but you know, it just brought it to mind.

0:24:20.760 --> 0:24:23.879
<v Speaker 1>But here's the thing about the facial recognition software. Um,

0:24:23.920 --> 0:24:25.920
<v Speaker 1>everybody could just end up wearing masks, right, I mean

0:24:25.920 --> 0:24:28.159
<v Speaker 1>that's the whole, the whole vif for Vendetta guy fox Man,

0:24:28.320 --> 0:24:33.080
<v Speaker 1>that's true. That become increasingly a symbol really more of

0:24:33.080 --> 0:24:35.560
<v Speaker 1>a symbol of these various movements in various groups like

0:24:35.560 --> 0:24:40.679
<v Speaker 1>anonymous h etcetera, rather than just this movie based on

0:24:40.720 --> 0:24:42.960
<v Speaker 1>this Alan More graphic novel. Yeah, yeah, you could you

0:24:42.960 --> 0:24:45.720
<v Speaker 1>could dial down the protester profiling profiling by doing that.

0:24:45.760 --> 0:24:47.560
<v Speaker 1>For so, in some cases it's illegal to wear a

0:24:47.600 --> 0:24:52.119
<v Speaker 1>mask in public officially, so I can understand why. I

0:24:52.200 --> 0:24:53.960
<v Speaker 1>was on Marto one day and someone had a mask

0:24:54.040 --> 0:24:56.240
<v Speaker 1>on um, but I can't remember. It was maybe like

0:24:56.280 --> 0:25:00.840
<v Speaker 1>Tigger or something. It was so disconcerting I thought, for sure,

0:25:01.160 --> 0:25:05.160
<v Speaker 1>you know, no good will come with this. You know this? Yeah, Well,

0:25:05.160 --> 0:25:08.600
<v Speaker 1>when uh, for the Olympics it took place in China,

0:25:09.119 --> 0:25:13.879
<v Speaker 1>Mexico sent a couple of Lucadors. They masked wrestlers, not

0:25:13.920 --> 0:25:15.640
<v Speaker 1>to actually compete, but to just sort of I think

0:25:15.640 --> 0:25:17.840
<v Speaker 1>they were doing the show. There's goodwill kind of thing.

0:25:18.080 --> 0:25:20.480
<v Speaker 1>But they had to get special permission for them to

0:25:20.560 --> 0:25:23.960
<v Speaker 1>wear their masks because they can't take their masks off.

0:25:24.359 --> 0:25:27.040
<v Speaker 1>I mean, that's their identity, right, I mean right, And

0:25:27.440 --> 0:25:29.000
<v Speaker 1>I mean there's no point in them going over there

0:25:29.000 --> 0:25:30.639
<v Speaker 1>if they can't wear their mass they are their masks.

0:25:31.040 --> 0:25:33.000
<v Speaker 1>So they had to get special permission from the Chinese

0:25:33.040 --> 0:25:37.000
<v Speaker 1>government to to wear these things. Well. Oh, by the way,

0:25:37.040 --> 0:25:38.840
<v Speaker 1>when I speak of MARTA, I'm talking about the train

0:25:38.840 --> 0:25:41.480
<v Speaker 1>system we have here in Atlanta. Yes, okay, Anybody's like,

0:25:41.520 --> 0:25:44.680
<v Speaker 1>what do you mean you are in Marta. Who's Marta? Yeah,

0:25:45.119 --> 0:25:47.960
<v Speaker 1>that's the train system. Alright. So just just a little

0:25:47.960 --> 0:25:50.640
<v Speaker 1>bit of food for thought. Um, the number one indicator

0:25:50.720 --> 0:25:54.040
<v Speaker 1>civil unrest lack of money, right, yes, and then of

0:25:54.040 --> 0:25:58.679
<v Speaker 1>course resources and political corruption. Now keep in mind that

0:25:58.760 --> 0:26:03.280
<v Speaker 1>by thinking about two and a half billion more people, Well,

0:26:03.320 --> 0:26:05.879
<v Speaker 1>I don't know, what do you think is gonna happen? Well,

0:26:06.080 --> 0:26:09.879
<v Speaker 1>I think, as with any age in the past, there

0:26:09.920 --> 0:26:12.919
<v Speaker 1>will continue to be protests, There will continue to be

0:26:13.480 --> 0:26:17.879
<v Speaker 1>situations that are worth protesting about. Uh, and hopefully, like

0:26:17.920 --> 0:26:19.840
<v Speaker 1>I said at the start of the podcast, will continue

0:26:19.840 --> 0:26:23.760
<v Speaker 1>to engage in these type of group activities rather than

0:26:24.119 --> 0:26:27.280
<v Speaker 1>open warfare. Yeah, absolutely, I mean, but it's it's a

0:26:27.359 --> 0:26:30.480
<v Speaker 1>much better prospect for sure. So there you go. What

0:26:30.560 --> 0:26:32.840
<v Speaker 1>do we have in our magic mailbox? I don't know

0:26:32.880 --> 0:26:36.560
<v Speaker 1>where's the robot that's always taken breaks? Here you go,

0:26:36.800 --> 0:26:40.800
<v Speaker 1>bring us some of that sweet listener mail. All right,

0:26:40.800 --> 0:26:43.520
<v Speaker 1>here we go. We have one from a listener by

0:26:43.560 --> 0:26:48.280
<v Speaker 1>the name of Jen. Jen writes in UH and says, Hello,

0:26:48.400 --> 0:26:50.280
<v Speaker 1>Robert and Julie. I hope this finds you Well. I've

0:26:50.320 --> 0:26:52.120
<v Speaker 1>been listening to your podcast for about half a year,

0:26:52.359 --> 0:26:54.760
<v Speaker 1>and I've loved every single one. That's that's great. I

0:26:54.800 --> 0:26:58.840
<v Speaker 1>even I haven't loved every single one. UM, I know

0:26:59.040 --> 0:27:00.919
<v Speaker 1>I love every single one. I have loved all of them,

0:27:01.160 --> 0:27:04.959
<v Speaker 1>from one I want to talk about. Okay, UM. I

0:27:05.000 --> 0:27:07.320
<v Speaker 1>now look forward to my long commutes because I get

0:27:07.320 --> 0:27:10.480
<v Speaker 1>to listen to your entertaining and insightful conversations. I think

0:27:10.480 --> 0:27:12.360
<v Speaker 1>that's why your podcast really stands out for me. You're

0:27:12.359 --> 0:27:15.480
<v Speaker 1>not just delivering information UH to your listeners, but you

0:27:15.560 --> 0:27:18.800
<v Speaker 1>are actively engaging with it and picking apart of some

0:27:18.880 --> 0:27:21.720
<v Speaker 1>quite complimented topics for us. Thank you for hours of entertainment.

0:27:21.720 --> 0:27:23.800
<v Speaker 1>It takes my mind up of how much I'm standing

0:27:23.800 --> 0:27:27.800
<v Speaker 1>on GAS as a graduate student researching medieval gender in

0:27:27.800 --> 0:27:31.440
<v Speaker 1>women's history, which is pretty exciting. I particularly appreciated your

0:27:31.480 --> 0:27:35.560
<v Speaker 1>October eleventh podcast on evolution of and the Orgasm war UM.

0:27:35.600 --> 0:27:37.800
<v Speaker 1>I apologize for this being late. My pod broke and

0:27:37.840 --> 0:27:40.720
<v Speaker 1>I only just replaced it, so I was listening to

0:27:40.840 --> 0:27:44.040
<v Speaker 1>two months worth of podcast last week. Ideas about the

0:27:44.119 --> 0:27:46.960
<v Speaker 1>nature of the female orgasm, especially in regard to its

0:27:47.359 --> 0:27:51.359
<v Speaker 1>UH necessity or lack thereof, for conception, was a topic

0:27:51.400 --> 0:27:54.960
<v Speaker 1>of interest for doctors, church officials, and court officials. Alike

0:27:55.000 --> 0:27:57.639
<v Speaker 1>in the Middle Ages. In fact, it had rather tragic

0:27:57.680 --> 0:28:01.280
<v Speaker 1>consequences for a number of women throughout the period. Um

0:28:01.480 --> 0:28:04.840
<v Speaker 1>galenic medicine, The dominant theory throughout the Middle Ages held

0:28:04.840 --> 0:28:08.919
<v Speaker 1>the female orgasm wasn't necessary requisite for conception. It was

0:28:09.240 --> 0:28:12.720
<v Speaker 1>widely believed that women also produced sperm during intercourse, and

0:28:12.800 --> 0:28:17.160
<v Speaker 1>it could only be released if the woman had enjoyed herself. Consequently,

0:28:17.240 --> 0:28:18.960
<v Speaker 1>a woman in the Middle Ages who was the victim

0:28:19.000 --> 0:28:21.959
<v Speaker 1>of a rape resulting in pregnancy had no legal recourses

0:28:22.520 --> 0:28:25.560
<v Speaker 1>in many areas of Europe. Her pregnancy belied her enjoyment

0:28:25.600 --> 0:28:29.960
<v Speaker 1>of the encounter, which inherently singled her consent to the act. Well,

0:28:30.119 --> 0:28:32.639
<v Speaker 1>that was a bummer anyway, thank you once again for

0:28:32.680 --> 0:28:36.120
<v Speaker 1>your wonderful podcast, and I'm sorry that my gratitude prompt

0:28:36.240 --> 0:28:38.400
<v Speaker 1>need to tell you some really sad history. You guys

0:28:38.440 --> 0:28:42.560
<v Speaker 1>rule best gen Well, that's awesome. That yeah, very interesting

0:28:42.560 --> 0:28:46.040
<v Speaker 1>and certainly kind of sad, rather insight but I mean

0:28:46.080 --> 0:28:49.400
<v Speaker 1>that's that's exploring anything about the Middle Ages. What's true true,

0:28:49.440 --> 0:28:51.200
<v Speaker 1>But it is uplifting in the sense that if you

0:28:51.280 --> 0:28:53.640
<v Speaker 1>think that the female orgasm is still a mystery, just

0:28:53.680 --> 0:28:57.040
<v Speaker 1>look back down and say, ah, the understanding is is

0:28:57.680 --> 0:29:00.640
<v Speaker 1>a little bit better there. Yeah, you gotta love the

0:29:00.680 --> 0:29:03.160
<v Speaker 1>middle Age. So I'm excited that we have a listener

0:29:03.160 --> 0:29:06.680
<v Speaker 1>who is steeped in medieval lore. Yeah, well, especially in

0:29:07.320 --> 0:29:09.440
<v Speaker 1>gender issues. All right, Robot, hand me another one. Here

0:29:09.480 --> 0:29:12.880
<v Speaker 1>we go, Um Jim right then and says, hi, guys,

0:29:12.960 --> 0:29:16.320
<v Speaker 1>your mind. Slash Art show reminded me of an exhibit

0:29:16.360 --> 0:29:18.440
<v Speaker 1>I saw a few years ago. I took my then

0:29:18.480 --> 0:29:20.240
<v Speaker 1>eight year old son to the Moment in New York

0:29:20.240 --> 0:29:22.600
<v Speaker 1>City on a school holiday. They had a really cool

0:29:22.640 --> 0:29:25.560
<v Speaker 1>temporary exhibit. It contained something like sixty four small works

0:29:25.560 --> 0:29:28.680
<v Speaker 1>of art in sequential order. The concept of this exhibit

0:29:28.840 --> 0:29:31.920
<v Speaker 1>was that each work related to the to the next one,

0:29:32.400 --> 0:29:34.520
<v Speaker 1>uh the one next to it. For example, a Rubik's

0:29:34.560 --> 0:29:37.280
<v Speaker 1>cube was next to a drawing of a Rubik's cube,

0:29:37.440 --> 0:29:39.840
<v Speaker 1>which was next to a drawing of a cube shaped building,

0:29:39.880 --> 0:29:42.880
<v Speaker 1>which was next to a round building, et cetera. At

0:29:42.960 --> 0:29:46.000
<v Speaker 1>one place, we came across a photo of rocks. Then

0:29:46.200 --> 0:29:49.200
<v Speaker 1>there were rocks displayed as a sculpture. Then the rocks

0:29:49.200 --> 0:29:52.360
<v Speaker 1>were on paper, Then there was paper, then shredded paper,

0:29:52.640 --> 0:29:56.080
<v Speaker 1>then some scissors, ah, rock paper scissors. The exhibit came

0:29:56.080 --> 0:29:58.560
<v Speaker 1>with a brochure which identified the works and artists, but

0:29:58.880 --> 0:30:01.320
<v Speaker 1>there were no details about how the pieces related. This

0:30:01.400 --> 0:30:04.120
<v Speaker 1>was up to the viewer. The last several items were

0:30:04.480 --> 0:30:07.760
<v Speaker 1>a dangling bear light bulb that talked a set of

0:30:08.080 --> 0:30:11.520
<v Speaker 1>phrases out of out of any meaningful context, a film

0:30:11.520 --> 0:30:14.320
<v Speaker 1>projector a vintage photo from the balcony of a nine

0:30:14.920 --> 0:30:17.920
<v Speaker 1>era movie theater, a sign that said the end. And

0:30:17.960 --> 0:30:20.720
<v Speaker 1>finally you had to check the brochure for this one,

0:30:21.000 --> 0:30:23.920
<v Speaker 1>but the rooms built in exit sign was the final piece.

0:30:24.520 --> 0:30:26.360
<v Speaker 1>It was a really cool and fun to walk through

0:30:26.360 --> 0:30:30.160
<v Speaker 1>the exhibit with my son and figure out the connections. Well,

0:30:30.160 --> 0:30:33.040
<v Speaker 1>that's that's interesting. I've gotten to to look at some

0:30:33.160 --> 0:30:36.840
<v Speaker 1>art with Nissan nephews and uh and it is interesting

0:30:36.920 --> 0:30:40.680
<v Speaker 1>too to sort of prod young minds on and see

0:30:40.720 --> 0:30:44.160
<v Speaker 1>them inspired by kind of figure out what art is about.

0:30:44.240 --> 0:30:46.200
<v Speaker 1>And then, as we discussed in the podcast, it's one

0:30:46.200 --> 0:30:48.720
<v Speaker 1>of the amazing things about art how it engages in

0:30:48.880 --> 0:30:52.520
<v Speaker 1>their brain on both conscious and subconscious levels. Yeah, it

0:30:52.720 --> 0:30:55.160
<v Speaker 1>was that quote from Picasso, something like he you know,

0:30:55.240 --> 0:30:59.040
<v Speaker 1>he could draw like Rembrandt, but it took him, but

0:30:59.640 --> 0:31:02.840
<v Speaker 1>you know, his whole lifetime to draw like a child

0:31:03.240 --> 0:31:04.640
<v Speaker 1>or think like a child. I guess that's what he

0:31:04.720 --> 0:31:07.080
<v Speaker 1>was saying. Um, so, yeah, that's really cool And I

0:31:07.160 --> 0:31:10.480
<v Speaker 1>love the idea that it's this cumulative work that you

0:31:10.560 --> 0:31:14.240
<v Speaker 1>content like, your your perception is forced to reevaluate each

0:31:14.280 --> 0:31:20.120
<v Speaker 1>piece that you're seeing as a whole. Pretty trippy. Yeah. Well, hey,

0:31:20.160 --> 0:31:21.720
<v Speaker 1>if you have anything trip you would like to share

0:31:21.760 --> 0:31:24.040
<v Speaker 1>with us, you can find us on Facebook and Twitter.

0:31:24.120 --> 0:31:27.000
<v Speaker 1>We are blow the Mind on both of those and uh,

0:31:27.040 --> 0:31:29.239
<v Speaker 1>we we find update both of those fees with all

0:31:29.240 --> 0:31:32.480
<v Speaker 1>sorts of cool links, uh, both the stuff that we're

0:31:32.600 --> 0:31:35.040
<v Speaker 1>working on and stuff we've done and you know, podcast stop,

0:31:35.320 --> 0:31:37.800
<v Speaker 1>but also just cool things we find around the net.

0:31:38.040 --> 0:31:40.600
<v Speaker 1>And certainly you guys are invited to share that kind

0:31:40.640 --> 0:31:43.560
<v Speaker 1>of stuff as well. On more than one occasion, something

0:31:43.600 --> 0:31:45.760
<v Speaker 1>you guys have shared with us has turned around and

0:31:45.880 --> 0:31:48.360
<v Speaker 1>ended up being a podcast episode all and you can

0:31:48.400 --> 0:31:51.160
<v Speaker 1>always send us your thoughts via email at blow the

0:31:51.200 --> 0:31:58.560
<v Speaker 1>Mind at how supports dot com. Be sure to check

0:31:58.560 --> 0:32:01.680
<v Speaker 1>out our new video podcast, Stuff from the Future. Join

0:32:01.800 --> 0:32:04.280
<v Speaker 1>House to work staff as we explore the most promising

0:32:04.360 --> 0:32:06.680
<v Speaker 1>and perplexing possibilities of tomorrow.