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Speaker 1: What's up, y'all. It's your girl Licks.

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Speaker 2: Pete and it's your girls Ray and the Cold, and

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Speaker 2: you are tuned in to another episode of Poor Mine.

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Speaker 1: Where drunk Mine speaks sober thought.

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Speaker 2: We gotta guess today, We gotta guess.

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Speaker 3: Today, love, but we have getting me too.

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Speaker 2: I mean, I might not say I know you that

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Speaker 2: you you're really him because for Tea Paint the Coasts Honya,

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Speaker 2: Yeah you got that Tea Paint Coast sign.

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Speaker 1: Yeah, we got Nando the better y'all.

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Speaker 2: So I'm gonna let you give yourself an introduction to

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Speaker 2: the people and let him know exactly who you are.

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Speaker 4: Yeah, so I'm I'm the newest artist at Nappy Boy Entertainment.

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Speaker 1: Congratulations, that's what it is.

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Speaker 4: Thank you, Yeah you so much.

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Speaker 1: Wait, if you don't mind me asking, how old are you?

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Speaker 2: Okay, so you know about the t paint girl, it

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Speaker 2: was outside of that cause you look like a little

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Speaker 2: young book.

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Speaker 5: That's why baby face a little baby face.

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Speaker 1: Okay.

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Speaker 2: So what would you like compare your music to, Like

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Speaker 2: if people pulled you.

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Speaker 1: Up on like a Spotify, what other artists would play.

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Speaker 4: Yeah, it'd be more like a se Lo Green. Okay,

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Speaker 4: you know what I mean, Foojie's chance like a mixture

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Speaker 4: of all of that. It got like a Kevin Gates

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Speaker 4: field too. Oh oh, so it's like all in that

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Speaker 4: you be talking a little bit.

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Speaker 2: No, that's right, yup, Okay, So talk about you and

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Speaker 2: like T Paint's relationship, like how that came about.

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Speaker 4: Yeah, he had a competition on Twitch. He do it

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Speaker 4: like a lot of streaming and gaming. When he decided

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Speaker 4: he wanted to sign somebody and he was gonna do

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Speaker 4: a competition to where he took six hundred artists pinning

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Speaker 4: him against each other. We played the record, They played

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Speaker 4: the record, and then uh if you the chat would

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Speaker 4: like vote, and then every week y'all would do another song.

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Speaker 4: So I made it like top six hundred to three

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Speaker 4: hundred to sixteen, all the way down and then I

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Speaker 4: lost at the very end.

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Speaker 2: But he still was like I like that one, yeah for.

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Speaker 5: Sure, because I feel like when you just got that

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Speaker 5: factory and you've just got that talent, people gonna see it.

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Speaker 2: Yeah matter Look, T Paint's ear is one that you

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Speaker 2: can really Yeah, So how long have you been doing music?

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Speaker 4: Only been rapping like three and a half four.

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Speaker 1: Years really, so what made you start rapping.

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Speaker 2: I still got time bingch a studio right now? Well,

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Speaker 2: he said, he's thirty one. That mean he started it

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Speaker 2: had three four years.

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Speaker 1: That's degree. Like, go, we need to beget in the studio.

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Speaker 4: You gotta do it now. I was a musician first though,

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Speaker 4: I played instrument.

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Speaker 1: Okay, yeah, you was playing what you played? He said,

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Speaker 1: the drum playing the drums in church?

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Speaker 4: Yeah, because I just do.

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Speaker 6: My sory.

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Speaker 1: So you was playing? So you grew up in the church.

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Speaker 4: Yeah, So do you like?

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Speaker 1: How does your family feel like about you making you said.

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Speaker 6: Drink a little secular?

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Speaker 4: Oh, they don't care about that. Man, I ain't know.

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Speaker 4: I had so much family after I signed. Niggas called

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Speaker 4: me that's crazy.

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Speaker 1: So how do you deal with that? Like people being

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Speaker 1: like all of.

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Speaker 4: A sudden out Yeah, I don't know. You feel me?

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Speaker 4: I was always like confident in me, So I don't

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Speaker 4: really pay attention too much to it. If I see

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Speaker 4: you as what up? You know what I mean? If

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Speaker 4: I don't want to talk, I ain't gonna talk.

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Speaker 1: So are you sure?

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Speaker 4: I'm just reserved. I like to watch other people, you

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Speaker 4: know what I mean?

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Speaker 6: What's your sign?

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Speaker 4: Now?

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Speaker 2: You like a master nasty that's why he be making

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Speaker 2: nasty music.

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Speaker 6: Oh my god, Scorpio. No, I'm not about to play

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Speaker 6: with you.

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Speaker 2: I'm just saying, Okay, so you know we're about to

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Speaker 2: get our a little drink and drink.

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Speaker 1: So you don't drink, right?

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Speaker 2: So tell us is there a story why you don't drink?

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Speaker 2: Because every time somebody comes on, they don't drink.

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Speaker 4: Why I just don't really like it?

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Speaker 6: You don't like the taste?

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Speaker 4: No, I just ain't found my drink. You know what

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Speaker 4: I'm saying. I didn't been drunk before and don't usually

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Speaker 4: end with. But as far as like not being drunk,

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Speaker 4: I just don't don't really like to taste of it.

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Speaker 1: Elaborate on why it doesn't end with.

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Speaker 4: I just got some bad situations, you know what I'm saying.

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Speaker 4: Last time I got drunk, I got jumped by some studs.

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Speaker 1: Why.

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Speaker 4: I barely remember you first whooped your ass? They beat

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Speaker 4: the funk out of me.

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Speaker 5: But I'm trying to figure, okay, like with they girl, like,

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Speaker 5: was you like with one of their girlfriends or something?

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Speaker 4: It was a college party. It was a college party.

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Speaker 4: Was like in that apartment? I badly remember it, but

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Speaker 4: we was at this college party for sure, And I

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Speaker 4: know how I got into it. When one of them,

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Speaker 4: she had like had her shirt took behind her belt.

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Speaker 4: Remember niggas you do that. Yeah, And I just was like,

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Speaker 4: stop doing that, you know what I mean. I don't

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Speaker 4: know why I said it, but I said it. And

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Speaker 4: then she whooped your ass about took me behind that bill.

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Speaker 1: Oh, because you was all in that lady business. Why

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Speaker 1: would you be her business like that?

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Speaker 4: I was wrong it stop, but I didn't know what

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Speaker 4: So many of them.

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Speaker 2: They like, Oh, so you really got jumped like it

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Speaker 2: was a lot of they started coming behind the bushies

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Speaker 2: and ship and you.

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Speaker 1: Didn't have no help.

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Speaker 4: Bro, You went to the party one d Yeah, yeah,

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Speaker 4: I want to know.

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Speaker 1: He had to think about it.

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Speaker 4: No, No, I went to school in North Carolina, so

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Speaker 4: I didn't really know that many people. You know, I'm

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Speaker 4: from Saint Louis, So this was like when I first

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Speaker 4: got that, you know what I mean. So I was like,

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Speaker 4: I drink for the first time, for real, I try

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Speaker 4: everything for the first time.

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Speaker 1: So you gotta beat up by dyke and you never.

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Speaker 4: Drink a year, don't do that. It was a grouse.

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Speaker 4: There wasn't like one head on situation.

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Speaker 1: It was the leader.

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Speaker 6: The leader.

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Speaker 4: Yeah, she was was she was throwing them things. She

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Speaker 4: got hands, she had hands on Yeah. We good friends.

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Speaker 1: Oh that's good.

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Speaker 4: That word I don't know the Kansas and Teamobile man.

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Speaker 4: I appreciate you.

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Speaker 1: I don't want smoke, no smoke.

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Speaker 5: I've ever became friends with anybody that I fought. I mean,

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Speaker 5: I've only got like three fights in my whole life.

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Speaker 1: But you're still friends with me.

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Speaker 6: We never fought.

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Speaker 1: She pushed me on her house, and she.

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Speaker 5: Told everybody this safe, tired ass story they come on

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Speaker 5: the show. I did not kick her in the bug.

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Speaker 5: I didn't push her at the house because we was

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Speaker 5: not getting along at the time, Like we talk about

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Speaker 5: this all the time on the show.

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Speaker 1: We went through like a rough patch in.

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Speaker 5: Our friendship where we weren't really like fucking with each

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Speaker 5: other for like a year.

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Speaker 1: And she overstayed her welcome.

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Speaker 6: It was time for her.

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Speaker 2: To e and I and she didn't want to leave.

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Speaker 2: So I'm like, girl, go, and I'm like pushing her

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Speaker 2: out to me.

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Speaker 1: If you put your hands on me, that's a fight.

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Speaker 1: I'm a Karen. I'm a Karen.

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Speaker 2: Thanks the time, everything hurts, Okay, So talk about growing

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Speaker 2: up in Saint Louis because you know, I was a

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Speaker 2: big I was a Nelly girl. Yeah, you know, I

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Speaker 2: like Chingy all that ship. So talk about growing up

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Speaker 2: in Saint Louis like during that era and how that,

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Speaker 2: you know, affected you as far as you know.

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Speaker 1: Your music influence.

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Speaker 4: Yeah, for sure. Man, Like melodic rap is like a

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Speaker 4: big thing out there. You know what I mean before

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Speaker 4: Nelly of course you said conscious but yeah, okay, so.

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Speaker 1: A little bit, okay, okay, I got you.

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Speaker 4: No, no, no, you're good. But yeah, I mean it's basically

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Speaker 4: like anywhere else in the city. It's a city surrounded

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Speaker 4: by nothing. We and Missouri, but that's it. Yeah, that's it. Yeah.

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Speaker 2: I feel like that's how Atlanta is, Like there's nothing

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Speaker 2: that Atlanta in this sea. But see, Houston is different

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Speaker 2: because they got Dallas. You know, we got Antonio Austin.

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Speaker 6: No, we're actually well from Taxa.

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Speaker 5: So I'm from Houston and then she's from Orange shakesas

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Speaker 5: it's like two it's like two.

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Speaker 1: Hours from here.

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Speaker 2: Said, but the thing about Orange is we had that

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Speaker 2: Houston influence but were right there. So we had like

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Speaker 2: the Webby the Booty influence. So I grew up listening

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Speaker 2: to like, you know, Zero Slim Thug all that stuff.

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Speaker 2: But I also grew up like Booty Heavy Web.

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Speaker 1: Because y'all closer to Louisiana.

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Speaker 2: Yeah, we're actually all closer to Louisiana than we are,

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Speaker 2: you know, to Houston. So I want to get into

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Speaker 2: like the t pain era of your career because you

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Speaker 2: said you've only been rapping for three four years, which

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Speaker 2: is crazy to me because I've been doing this ship

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Speaker 2: for a long time and I still ain't got a deal.

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Speaker 1: This is wild. Let us hear one of your original originals.

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Speaker 2: I spent hot fire. I'm drinking my drink. I didn't

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Speaker 2: call that nigga back because it's goot stink.

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Speaker 1: That's why you haven't got picked the because.

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Speaker 6: That was ass.

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Speaker 1: What are you kidding me?

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Speaker 2: No haters in the building. But that's all right. I'm

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Speaker 2: gonna get I'm gonna give y'all some bars later. That

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Speaker 2: was just a little warm up.

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Speaker 4: He's like, what I with it a little bit. I

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Speaker 4: had to let it to sit with you. It was

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Speaker 4: poetic when you really think about it.

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Speaker 2: If you really think about it, sometimes you meet somebody

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Speaker 2: in the club, you'd be like, oh, man, I like

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Speaker 2: this nigg you take him home.

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Speaker 5: You be like, no, I gotta I do got like

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Speaker 5: an un serious question real quick, just because you made

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Speaker 5: me think about it because you said his gooch stink.

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Speaker 5: I've been seeing this meme going around on social media

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Speaker 5: where he said the problem is y'all be wanting too

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Speaker 5: much from niggas that make y'all nipples think when they

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Speaker 5: suck them, And he's.

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Speaker 1: Like, what the fuck you hoes problem?

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Speaker 4: Yeah? No, I have never seen that one. I'm sorry, okay.

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Speaker 1: I'm sorry. You know.

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Speaker 2: My first thought was, why are you fucking with a

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Speaker 2: nigga that make your nipples?

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Speaker 1: I don't Sometimes people spent think.

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Speaker 5: Yeah, but it's like, okay, so then if that happened,

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Speaker 5: why do you keep sucking with him?

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Speaker 6: Like if I smell my TV?

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Speaker 1: Any think after you said TV smell like right now?

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Speaker 1: You don't good?

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Speaker 6: It smell like way That's what she says.

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Speaker 1: The body was Let me get back to my question, bookie, damn.

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Speaker 4: What they say? What was the question about the nipples?

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Speaker 5: It said the problem because basically, you know, girls always

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Speaker 5: be like, oh, why I can't find a good nigga?

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Speaker 1: Why I can't find a nigga? They love me, treat

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Speaker 1: me right, whatever.

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Speaker 2: So basically the meme has said, the problem is y'all

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Speaker 2: be fucking y'all keep sucking with niggas who make y'all

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Speaker 2: nipples think after they suck.

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Speaker 6: So you and I do think that's the problem.

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Speaker 4: That's a deal breaker.

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Speaker 1: I never.

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Speaker 4: It's a lot of other good ship. They probably come

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Speaker 4: with you.

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Speaker 2: I mean, but that's that's the way, and the options

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Speaker 2: is wild.

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Speaker 1: Nando. I thought I could trust you. Fucking goal is universal.

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Speaker 4: Yeah, I'm just saying, okay, what we what were talking about?

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Speaker 1: Boy university he's talking.

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Speaker 4: About ye, I'm talking about though, like that if somebody

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Speaker 4: made your nipples.

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Speaker 6: Yes, yes you would it.

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Speaker 4: Who else can smell your nipples?

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Speaker 1: But you bro, you that's all that matters. You know.

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Speaker 2: The problem is not about your nipple, it's about why

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Speaker 2: they made it.

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Speaker 1: Same, it's about they bread. Why do they brind smell

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Speaker 1: like this? Why is it that potent?

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Speaker 4: I feel like that's fixable.

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Speaker 2: It could be now if you really love somebody and

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Speaker 2: maybe it happened one time, you know.

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Speaker 1: We work through that. But if it's like the first time,

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Speaker 1: I don't know if I can look through that.

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Speaker 4: I don't know.

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Speaker 1: But you getting into the bed too early, bitch.

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Speaker 5: I just it was a question because you you the

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Speaker 5: one who brought up somebody thinking.

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Speaker 1: That was in my bars. Nigga.

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Speaker 2: You don't feel me, nigga, I'm about to pull the

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Speaker 2: trigger and I got six figures in my bank account.

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Speaker 1: I ain't even gonna give you no more because you ain't.

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Speaker 1: Please don't I fuck with that That ship heavy heavy, nigga,

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Speaker 1: were going to the stool when we leave.

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Speaker 4: I'm with you. You don't like I thought that shit

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Speaker 4: was hard, hard, nigga. It was a bar.

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Speaker 1: It was a bar.

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Speaker 2: I mean, we got a studio in here. Y'all gonna

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Speaker 2: go for real.

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Speaker 1: Yeah, that song gonna be called bar for bar. We're

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Speaker 1: gonna go back and forth.

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Speaker 5: We should, I believe in thirty minutes.

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Speaker 1: Huh, we got ship to talk about.

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Speaker 2: We ain't even got to the t paint ear so

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Speaker 2: talk about working with tea paint?

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Speaker 1: Like, did you feel pressure? Because I'm not gonna lie.

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Speaker 2: I feel like when I go on like certain people

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Speaker 2: shows or podcasts, I'll be like, oh my god, I

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Speaker 2: gotta like show them that I'm entertaining.

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Speaker 1: How was it like y'all's first session together?

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Speaker 4: Nah? It wasn't no pressure at all. I think the

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Speaker 4: pressure came later. You know what I'm saying. After we

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Speaker 4: first met, you will forget Pain famous, you know what

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Speaker 4: I mean, Like he so goofy and laid back, yeah

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Speaker 4: all the time. Yeah, you know what I mean. So

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Speaker 4: you will really forget. But he's super creative, dog and

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Speaker 4: super talented, you know what I mean, Like he'll push

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Speaker 4: you to create some shit you never thought you could create.

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Speaker 4: So it was a great experience. Like I said, the

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Speaker 4: pressure didn't come to like after that, you know what

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Speaker 4: I mean, Like once I got like the explanation, Pain

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Speaker 4: got Like he did the good life Sprom Bartender, he

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Speaker 4: didn't did something some legendary shit, you know what I'm saying.

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Speaker 4: And when you kind of think about it, everybody who

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Speaker 4: does legendary stuff like that to become iconic, they put

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Speaker 4: somebody else on that become legendary, like Dre did and

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Speaker 4: M fifty cent God he did everybody in Memphis, Bouci

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Speaker 4: did everybody in Atlanta. Doctor. Yeah. So when he was

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Speaker 4: like you, my drake, now, it's like, oh, so I

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Speaker 4: gotta do that, you know what I'm saying. That's where

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Speaker 4: it's like, that's where it.

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Speaker 2: Didn't even get what's the other boy name? He could

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Speaker 2: have gave you what's the little boy name? Because that's

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Speaker 2: too much pressure to say you're my drake.

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Speaker 4: That's a lot of pressure.

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Speaker 1: That's a lot of pressure.

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Speaker 4: But I'm gonna do that shit though.

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Speaker 2: But he gonna, Yeah, I feel you, because I mean

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Speaker 2: for you to say like c Lo like that is

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Speaker 2: some really fucking that's an artistic man. So I like

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Speaker 2: when people compare their music to people who are really

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Speaker 2: about the art of music, because I feel like that's

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Speaker 2: kind of what's being lost right now. Like, you know,

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Speaker 2: people are kind of going in the studio and they're

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Speaker 2: making stuff.

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Speaker 1: To you know, bouncing the club, which which we need.

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Speaker 2: But I feel like there used to be a balance,

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Speaker 2: Like you had the people who made music for the club.

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Speaker 2: Then you have people who was making like real music

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Speaker 2: that people could feel, and it's kind of like a

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Speaker 2: little it's not balanced anymore. It's like everybody wants to

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Speaker 2: make that TikTok hit, that club hit.

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Speaker 1: You know what I'm saying.

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Speaker 5: Yeah, that's what I was gonna say. Everybody music kind

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Speaker 5: of sound alike. These days. I feel like people don't

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Speaker 5: really have like individuals sound anymore like he's kind of

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Speaker 5: got lost in the sauce because everybody just want to

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Speaker 5: create that hit. So it's like, okay, if this person

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Speaker 5: sound like they will let me create something, it sounds

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Speaker 5: like that too, because then he's probably gonna take off

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Speaker 5: right right.

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Speaker 1: So I want to get into this first topic today.

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Speaker 1: We ain't even got to the topic yet, Bookie.

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Speaker 4: I'm sorry, let's do it.

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Speaker 2: What's up, y'all? Is your Girl XP and it's your

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Speaker 2: Girls Ray the Call, and we're here to talk to

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Speaker 2: y'all about fab fits Fun. I know y'all love the

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Speaker 2: episodes and we always have our items of the week

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00:15:19,880 --> 00:15:22,840
Speaker 2: and sometimes things be a little pricey whatever, but I'm

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Speaker 2: telling y'all this is where we get.

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Speaker 1: Our products from a discounted price.

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Speaker 5: And one thing about it, y'all know, we love our products.

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Speaker 6: We love our brands.

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00:15:33,920 --> 00:15:36,920
Speaker 5: Like you can shop with that Fit Fun, you can

348
00:15:36,960 --> 00:15:40,880
Speaker 5: go to FENC, you can get you some case. I'm

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Speaker 5: telling you, get you some glossy. All of these top

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Speaker 5: notch brands, and you can get up to seventy percent

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Speaker 5: off of these brands.

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Speaker 2: And they're not sample sizes and they're not like the

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Speaker 2: throwaway the real deal Yeah, it's the real deal with

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Speaker 2: this stuff. Like they do big promotions, so they're just

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Speaker 2: trying to get their products out and so y'all can

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Speaker 2: try it. I'm telling y'all, y'all always ask us about

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Speaker 2: our skin products, our makeup.

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Speaker 1: This is what we use.

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Speaker 2: We get these products at a discount of price, so

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00:16:06,800 --> 00:16:07,960
Speaker 2: we're really putting y'all on.

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Speaker 1: Tea and oh.

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Speaker 5: We can get early access, exclusive drops all of these

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Speaker 5: if you sign up for food Fun.

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Speaker 6: Yeah.

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Speaker 2: So it's like if you see a brand that you

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00:16:16,960 --> 00:16:19,160
Speaker 2: like that's on there and they have a drop coming

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Speaker 2: and you know it's gonna sell out. If you sign

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Speaker 2: up for fab fit Fun, you're gonna get early access

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Speaker 2: so you don't have to worry about waiting in line

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Speaker 2: the website crash and this and that.

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Speaker 6: You're gonna get first access.

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Speaker 4: Hun.

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Speaker 1: I love it.

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Speaker 5: In the full size products again, no semple sizes, no small.

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Speaker 2: Products, and not the stuff that got throwaway, Like this

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Speaker 2: is the this is the products, the good stuff. So

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Speaker 2: what you're gonna do is go to fab fit fund

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Speaker 2: dot com slash poor p o you are. The link

379
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Speaker 2: is gonna be in the bio, So y'all gonna sign

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Speaker 2: up and start your shopping. I'm telling you you're gonna

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Speaker 2: absolutely love it. Get all your beauty products, everything you need.

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Speaker 1: Sign up today, y'all.

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00:17:00,080 --> 00:17:01,960
Speaker 2: This episode is sponsored by Better Help.

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00:17:02,840 --> 00:17:03,600
Speaker 1: What's Up, y'all is.

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00:17:03,600 --> 00:17:06,119
Speaker 2: Your girl xp andy shit Girl's rating to call And

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00:17:06,200 --> 00:17:08,800
Speaker 2: y'all know we always tell y'all, therapy is the way

387
00:17:08,840 --> 00:17:10,680
Speaker 2: to go. I don't care if your life is going great,

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00:17:10,720 --> 00:17:12,600
Speaker 2: if it's going bad, if you're just kind of in

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00:17:12,640 --> 00:17:15,640
Speaker 2: a space where you don't know where it's going, Therapy

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00:17:15,720 --> 00:17:19,080
Speaker 2: is gonna help you make those decisions more clear. Whatever

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Speaker 2: you're going through.

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Speaker 1: Therapy gonna help.

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Speaker 6: Yeah.

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Speaker 5: I love Better Help like it makes it so easy

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00:17:23,960 --> 00:17:25,960
Speaker 5: to go to therapy and get the help that you need.

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00:17:26,520 --> 00:17:28,600
Speaker 5: My favorite thing about Better Help that I feel like

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00:17:28,640 --> 00:17:30,960
Speaker 5: I always tress is that you can literally do it.

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00:17:30,880 --> 00:17:32,440
Speaker 1: From the comfort of your own home.

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00:17:32,520 --> 00:17:33,879
Speaker 6: You don't even have to leave your house.

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00:17:34,080 --> 00:17:35,680
Speaker 5: And then, on top of that, if you don't like

401
00:17:35,720 --> 00:17:37,800
Speaker 5: your therapy so you want to try somebody new because

402
00:17:37,800 --> 00:17:39,720
Speaker 5: you feel like, y'all not a good feed and make

403
00:17:39,760 --> 00:17:40,880
Speaker 5: it super easy.

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00:17:40,600 --> 00:17:43,560
Speaker 1: To change counselors anytime you need. You could do it

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00:17:43,560 --> 00:17:44,840
Speaker 1: from the comfort of your own home.

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00:17:45,119 --> 00:17:45,680
Speaker 6: You could do it.

407
00:17:45,600 --> 00:17:47,520
Speaker 2: From your phone when you in the car. You could

408
00:17:47,560 --> 00:17:49,240
Speaker 2: do it anytime you need help, because they got to

409
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Speaker 2: help too. That's all I use it on is my

410
00:17:51,680 --> 00:17:53,679
Speaker 2: m that's not all gonna do it all. So what

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00:17:53,720 --> 00:17:55,760
Speaker 2: you're gonna do is go to better help dot Com.

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00:17:55,800 --> 00:17:59,560
Speaker 2: That's better h e LP dot com backslash Poor Minds,

413
00:17:59,560 --> 00:18:01,960
Speaker 2: and you're gonna get ten percent off of your first month.

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00:18:02,000 --> 00:18:05,280
Speaker 2: Y'all got to Better Help dot Com Backslash Poor Minds.

415
00:18:05,320 --> 00:18:07,480
Speaker 2: Y'all know we talk about therapy a lot on the show.

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00:18:07,920 --> 00:18:10,240
Speaker 2: This is literally the app we use. I have used

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00:18:10,240 --> 00:18:11,959
Speaker 2: it NonStop. I feel like it's been one of two

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00:18:12,040 --> 00:18:15,040
Speaker 2: years at this point. So yeah, Betterhelp dot Com backslash

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00:18:15,119 --> 00:18:18,560
Speaker 2: Poor Minds. It's super affordable, super easy to use.

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00:18:18,680 --> 00:18:21,200
Speaker 1: So yeah, sign up and get your therapy on booth.

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00:18:22,240 --> 00:18:25,320
Speaker 2: Okay, so you know, nowadays, I feel like a lot

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00:18:25,320 --> 00:18:29,159
Speaker 2: of times the kids. When I say kids, I mean

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Speaker 2: like the younger crowd. Okay, the like sixteen to like

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Speaker 2: twenty five year olds. They pretty much run what gol

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Speaker 2: what pops right now? So you know, when we were younger,

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Speaker 2: you know, I'm a little older than you, I'm thirty three,

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Speaker 2: So like when I was younger, I didn't care what

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Speaker 2: somebody had on. I didn't care how they looked. It

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Speaker 2: was just like, did you make something that made me

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Speaker 2: feel good? Now it's different. You gotta have the cars,

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Speaker 2: the chains, the women, this and that. So I want

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Speaker 2: you to talk a little bit about being a new

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Speaker 2: artist and feeling that pressure to look like you have

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Speaker 2: money and to look like I'm not saying that you

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Speaker 2: don't have it.

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Speaker 1: I'm just saying to look like a rapper, like have

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Speaker 1: that image.

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Speaker 4: Yeah, I don't know if that really apply to me.

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Speaker 4: You feel what I'm saying. I work what the funk

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Speaker 4: I want to wear, and I do what I want

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Speaker 4: to do. I'm not really like I think it would

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Speaker 4: be more pressure if I was in that era, But

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Speaker 4: I don't. I got kids, like you know what I mean.

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Speaker 4: I got a boy and a girl. Ye how old

445
00:19:23,800 --> 00:19:25,760
Speaker 4: are they? Okay?

446
00:19:26,000 --> 00:19:28,000
Speaker 1: Oh so you got a lot riding on you gotta

447
00:19:28,040 --> 00:19:30,280
Speaker 1: make it? Make it?

448
00:19:31,320 --> 00:19:33,760
Speaker 4: Yeah you heard that note though, Yeah for sure. So

449
00:19:33,800 --> 00:19:35,440
Speaker 4: I mean, if i want to work some saucy shit,

450
00:19:35,520 --> 00:19:36,800
Speaker 4: I will, But if I'm in the moved to just

451
00:19:36,800 --> 00:19:38,160
Speaker 4: work with swipt pans and words, whippings.

452
00:19:38,840 --> 00:19:42,040
Speaker 2: Do you feel like that people that feed into that,

453
00:19:42,040 --> 00:19:43,680
Speaker 2: they brought that on themselves.

454
00:19:44,240 --> 00:19:47,359
Speaker 4: Uh I think nah, I think both. I think some

455
00:19:47,400 --> 00:19:49,520
Speaker 4: people dream of having that type of stuff. You know

456
00:19:49,520 --> 00:19:51,480
Speaker 4: what I mean. I ain't never dreamed of having that.

457
00:19:52,000 --> 00:19:55,200
Speaker 4: I always wanted bigger ship than clothes. I always had clothes,

458
00:19:55,560 --> 00:19:56,919
Speaker 4: you know what I mean. It wasn't really nothing that

459
00:19:57,480 --> 00:19:59,440
Speaker 4: was impressive to me. You feel what I'm saying.

460
00:20:00,119 --> 00:20:02,679
Speaker 2: So when you say like bigger dreams, like what is

461
00:20:02,760 --> 00:20:04,840
Speaker 2: your like ultimate goal with this?

462
00:20:05,400 --> 00:20:08,399
Speaker 4: Yeah? It be changing every day. I think right now

463
00:20:08,480 --> 00:20:10,000
Speaker 4: the biggest thing is I want to buy a house

464
00:20:10,240 --> 00:20:13,000
Speaker 4: with music, nothing else with music. I want to feel

465
00:20:13,000 --> 00:20:15,840
Speaker 4: like a thought that I decided I wanted to do,

466
00:20:16,080 --> 00:20:19,000
Speaker 4: and a hobby pay from where I live in you

467
00:20:19,080 --> 00:20:22,120
Speaker 4: know what I'm saying. And then uh, that's really it. Man,

468
00:20:22,160 --> 00:20:24,280
Speaker 4: put some shit aside for my kids. Yeah, so they

469
00:20:24,280 --> 00:20:25,760
Speaker 4: ain't got to wait in the financial aid line.

470
00:20:25,760 --> 00:20:28,040
Speaker 1: And shit, I'm telling you now, child, because that.

471
00:20:28,160 --> 00:20:29,800
Speaker 4: Line used to be crazy and long.

472
00:20:30,480 --> 00:20:34,320
Speaker 1: Here what you wasn't in that line? Yes?

473
00:20:34,400 --> 00:20:39,359
Speaker 2: I was okay, yeah what's girl? But I will say this,

474
00:20:39,400 --> 00:20:41,160
Speaker 2: I'm glad that you said that because I do feel

475
00:20:41,240 --> 00:20:45,399
Speaker 2: like nowadays people don't work for things that really mean something,

476
00:20:45,480 --> 00:20:47,199
Speaker 2: like something that's going to like buying a home is

477
00:20:47,200 --> 00:20:50,240
Speaker 2: something that can be in your family for generations.

478
00:20:50,960 --> 00:20:52,000
Speaker 1: You know, a lot of.

479
00:20:51,960 --> 00:20:53,880
Speaker 2: Times people just I mean, even with us, I feel

480
00:20:53,880 --> 00:20:56,679
Speaker 2: like with this show, people expect us to dress a

481
00:20:56,680 --> 00:20:58,800
Speaker 2: certain way, look a certain way, and be a certain way.

482
00:20:59,000 --> 00:21:00,600
Speaker 2: And I feel like in the beginning, I used to

483
00:21:00,680 --> 00:21:03,360
Speaker 2: really feed into that, like, oh, I gotta put this on,

484
00:21:03,400 --> 00:21:05,439
Speaker 2: I gotta put that on. And it's like, when you

485
00:21:05,520 --> 00:21:08,600
Speaker 2: really kind of get comfortable into yourself and who you are.

486
00:21:09,200 --> 00:21:11,160
Speaker 1: That shit really don't It don't matter.

487
00:21:11,600 --> 00:21:13,720
Speaker 2: Yeah, it don't cause in the grand scheme of things,

488
00:21:13,720 --> 00:21:16,240
Speaker 2: when you think about it, like when you pass away,

489
00:21:16,280 --> 00:21:18,480
Speaker 2: nobody's gonna be like, oh, member, what she had on.

490
00:21:18,600 --> 00:21:20,439
Speaker 1: Remember she had them read bottoms on. Remember she had

491
00:21:20,440 --> 00:21:21,080
Speaker 1: that chanel back.

492
00:21:21,200 --> 00:21:23,280
Speaker 2: They're gonna talk about how you made them feel They're

493
00:21:23,280 --> 00:21:25,040
Speaker 2: gonna talk about your music. They're gonna talk about an

494
00:21:25,040 --> 00:21:27,160
Speaker 2: episode that we had that made them feel good. So

495
00:21:27,520 --> 00:21:30,800
Speaker 2: I feel like we should be working towards things that

496
00:21:30,840 --> 00:21:33,000
Speaker 2: people are really gonna remember us by.

497
00:21:33,200 --> 00:21:33,320
Speaker 4: Now.

498
00:21:33,320 --> 00:21:34,000
Speaker 1: I'm not gonna lie.

499
00:21:34,119 --> 00:21:37,840
Speaker 2: Some people their passion is fashion, you know what I'm saying,

500
00:21:37,840 --> 00:21:39,879
Speaker 2: So they're gonna be remembered by that shit that they

501
00:21:39,920 --> 00:21:41,639
Speaker 2: put on. But I feel like a lot of times

502
00:21:41,640 --> 00:21:44,440
Speaker 2: in the community, we get behind because we're trying to

503
00:21:44,520 --> 00:21:47,080
Speaker 2: keep up with people who don't even have it.

504
00:21:47,160 --> 00:21:50,159
Speaker 5: I mean, I agree, but then I do feel like

505
00:21:50,280 --> 00:21:52,800
Speaker 5: some people they gotta put this shit on for people

506
00:21:52,800 --> 00:21:55,960
Speaker 5: to pay attention to them. Yeah in the first place. Yeah,

507
00:21:56,119 --> 00:21:59,199
Speaker 5: Like I feel like, to a certain extent, for some

508
00:21:59,240 --> 00:22:01,440
Speaker 5: people these days, if you don't look the part, people

509
00:22:01,520 --> 00:22:03,240
Speaker 5: not going to even listen to what you gotta.

510
00:22:03,040 --> 00:22:04,719
Speaker 6: Say because they feel like you capping.

511
00:22:05,000 --> 00:22:08,040
Speaker 2: Yeah, I mean not even because they feel like you capping.

512
00:22:08,119 --> 00:22:09,960
Speaker 5: But I think we just live in a generation where

513
00:22:10,000 --> 00:22:13,360
Speaker 5: people play so much value on themes, right.

514
00:22:13,440 --> 00:22:15,280
Speaker 2: But I mean a lot of the music is that

515
00:22:15,600 --> 00:22:18,000
Speaker 2: they're rapping about their cars, they're rapping about how much

516
00:22:18,000 --> 00:22:19,919
Speaker 2: they got in the bay, they're rapping about, you know,

517
00:22:19,960 --> 00:22:22,080
Speaker 2: how much they make a show and stuff like that.

518
00:22:22,240 --> 00:22:24,560
Speaker 2: Like I remember one time it was like the rappers

519
00:22:24,560 --> 00:22:26,440
Speaker 2: were going all the rappers were going back and forth

520
00:22:26,560 --> 00:22:28,680
Speaker 2: making verses about how much they get paid per show,

521
00:22:29,280 --> 00:22:31,000
Speaker 2: and like everybody was like, oh, I get paid this,

522
00:22:31,080 --> 00:22:33,800
Speaker 2: and like everybody was dropping a new verse about how

523
00:22:33,800 --> 00:22:36,600
Speaker 2: they get paid for show, which is cool, but it's like, okay,

524
00:22:36,880 --> 00:22:38,600
Speaker 2: but ten years from now, are we still going to.

525
00:22:38,600 --> 00:22:39,359
Speaker 1: Be talking about you?

526
00:22:39,400 --> 00:22:42,080
Speaker 2: Are we still going to be you know, thinking like, man,

527
00:22:42,119 --> 00:22:43,560
Speaker 2: this is the legendary nigga, because I.

528
00:22:43,560 --> 00:22:47,760
Speaker 1: Feel like being legendary is priceless. Yeah, like that's cool.

529
00:22:47,800 --> 00:22:50,480
Speaker 2: You're getting you know, one hundred K per show right now,

530
00:22:50,560 --> 00:22:54,040
Speaker 2: but you literally probably owe your record label about six

531
00:22:54,119 --> 00:22:56,520
Speaker 2: hundred K. So it really don't matter, like you know

532
00:22:56,560 --> 00:22:58,160
Speaker 2: what I'm saying. So it's like when you think about

533
00:22:58,160 --> 00:23:00,520
Speaker 2: the long term of things, it's kind of like you

534
00:23:00,680 --> 00:23:03,439
Speaker 2: rapping that you're making this much, but talk about what

535
00:23:03,520 --> 00:23:03,920
Speaker 2: you owe.

536
00:23:04,800 --> 00:23:07,320
Speaker 1: I'm talking about some real shit. So what do you

537
00:23:07,400 --> 00:23:10,160
Speaker 1: really talk about in your music? You be talking about.

538
00:23:09,920 --> 00:23:12,960
Speaker 4: Flashy shit, not for I'm been talking about everything. So

539
00:23:13,040 --> 00:23:14,840
Speaker 4: I got lines that's flashy. You know what I'm saying.

540
00:23:14,880 --> 00:23:16,840
Speaker 4: I talk about my life more than anything. If I

541
00:23:16,840 --> 00:23:19,040
Speaker 4: ain't did it, it ain't going in there, Okay what

542
00:23:19,040 --> 00:23:21,960
Speaker 4: I'm saying. So yeah, in my experiences. So the music

543
00:23:22,040 --> 00:23:24,000
Speaker 4: change every song because I've been and did some new shit.

544
00:23:24,359 --> 00:23:26,040
Speaker 6: Yeah have you been in love?

545
00:23:26,640 --> 00:23:27,000
Speaker 4: Yeah?

546
00:23:27,040 --> 00:23:28,240
Speaker 1: So you write love songs.

547
00:23:28,280 --> 00:23:29,600
Speaker 4: I wrote some love songs before.

548
00:23:29,720 --> 00:23:31,120
Speaker 1: See, that's what we need.

549
00:23:31,760 --> 00:23:32,720
Speaker 6: We need more life.

550
00:23:32,760 --> 00:23:36,199
Speaker 1: I want some niggas. That's begging. I say that you

551
00:23:36,400 --> 00:23:39,439
Speaker 1: need to beg. Beg that woman to come home.

552
00:23:39,960 --> 00:23:40,480
Speaker 4: All right?

553
00:23:40,800 --> 00:23:43,360
Speaker 1: Yeah, you know what I'm saying.

554
00:23:43,400 --> 00:23:46,400
Speaker 2: I feel like men used to be if everything would

555
00:23:46,400 --> 00:23:48,320
Speaker 2: be right in the world. Y'all talking about, Oh shit

556
00:23:48,440 --> 00:23:50,280
Speaker 2: fucked up. It ain't like it used to be. That's

557
00:23:50,320 --> 00:23:53,040
Speaker 2: cause niggas used to beg. Niggas got too much pride

558
00:23:53,040 --> 00:23:55,840
Speaker 2: these days. If y'all start begging again, watch how everything

559
00:23:55,880 --> 00:23:56,280
Speaker 2: fall al.

560
00:23:57,400 --> 00:24:01,040
Speaker 1: Why you not down on ben dn Remember Tom's was

561
00:24:01,080 --> 00:24:03,080
Speaker 1: good when niggas was down on bended knee.

562
00:24:03,680 --> 00:24:04,160
Speaker 4: That's true.

563
00:24:04,400 --> 00:24:06,520
Speaker 1: I'm telling you no.

564
00:24:06,600 --> 00:24:09,840
Speaker 2: When Keith Sweat said, girl, you got me twisted over you,

565
00:24:09,920 --> 00:24:14,199
Speaker 2: Toms was good. Eggs was ninety nine cents, bitch. Well,

566
00:24:14,240 --> 00:24:17,159
Speaker 2: I'm not gonna I don't remember much from the bitch.

567
00:24:17,280 --> 00:24:21,399
Speaker 1: Eggs wasn't five sixty eight for six eggs?

568
00:24:22,560 --> 00:24:24,000
Speaker 6: Milk everything high.

569
00:24:24,280 --> 00:24:26,520
Speaker 1: Nigga shout out to Killer Bee and Jazz.

570
00:24:26,560 --> 00:24:28,919
Speaker 2: They was on Twitter yesterday arguing for hours because they

571
00:24:28,960 --> 00:24:30,560
Speaker 2: was like, I don't eat lead quarters. They was like, oh,

572
00:24:30,640 --> 00:24:33,760
Speaker 2: y'all too good for leg quarters. Niggas is fighting over

573
00:24:33,840 --> 00:24:34,520
Speaker 2: leg quarters.

574
00:24:34,560 --> 00:24:37,920
Speaker 4: Bro, I don't like you like you like.

575
00:24:39,440 --> 00:24:40,840
Speaker 6: Breast be dry.

576
00:24:41,080 --> 00:24:45,240
Speaker 4: That's true. I'll take driver slammy though come to chicken.

577
00:24:48,680 --> 00:24:50,760
Speaker 2: But yeah, but shout out to how made this podcast?

578
00:24:50,840 --> 00:24:52,920
Speaker 2: They talked, they got, They really got into the topic

579
00:24:52,960 --> 00:24:56,080
Speaker 2: of life. But I'm saying I feel like life was

580
00:24:56,119 --> 00:24:59,359
Speaker 2: better when Nigga's not begging on my old life was

581
00:24:59,400 --> 00:25:00,480
Speaker 2: good when Nigga was begging.

582
00:25:00,560 --> 00:25:02,800
Speaker 1: Y'all literally have the power in your hands right now.

583
00:25:03,880 --> 00:25:04,320
Speaker 4: Beg.

584
00:25:05,240 --> 00:25:09,000
Speaker 6: Yeah, I feel like niggas. Girl, you gotta work much pride.

585
00:25:09,760 --> 00:25:11,840
Speaker 1: You gotta ask that you love beg for that girl

586
00:25:11,840 --> 00:25:13,159
Speaker 1: bag watch out, good Joe life.

587
00:25:14,200 --> 00:25:15,920
Speaker 5: But even if you still love or do you want

588
00:25:15,920 --> 00:25:19,080
Speaker 5: to beg he still loves?

589
00:25:19,240 --> 00:25:20,800
Speaker 4: I mean you still love, you still love a lot

590
00:25:20,840 --> 00:25:21,200
Speaker 4: of things.

591
00:25:21,280 --> 00:25:23,880
Speaker 6: Yeah, you can love somebody. What that mean? You want

592
00:25:23,880 --> 00:25:24,160
Speaker 6: to beg?

593
00:25:24,440 --> 00:25:25,080
Speaker 4: Yeah, I'm good.

594
00:25:25,760 --> 00:25:29,960
Speaker 1: Damn I tried. You ain't getting this man, big Sorry, Bookie,

595
00:25:32,760 --> 00:25:33,240
Speaker 1: I'm sorry.

596
00:25:34,200 --> 00:25:35,440
Speaker 6: Look, we never had a loan.

597
00:25:35,640 --> 00:25:39,119
Speaker 1: We have Okay. So you live in Atlanta, I live

598
00:25:39,160 --> 00:25:41,679
Speaker 1: in Louis. You still live in Saint Louis. Do you

599
00:25:41,720 --> 00:25:43,119
Speaker 1: want to make that move? Not?

600
00:25:43,560 --> 00:25:46,000
Speaker 4: Why? Because we ain't got nobody there. You know what

601
00:25:46,000 --> 00:25:48,480
Speaker 4: I'm saying. Saint Louis just starting to pop, like the

602
00:25:48,520 --> 00:25:50,680
Speaker 4: door kicking open. I just signed with paying Sexy Red

603
00:25:50,760 --> 00:25:52,199
Speaker 4: got one of the biggest songs in the country.

604
00:25:52,359 --> 00:25:55,800
Speaker 6: Oh yeah, facts is Pink.

605
00:25:58,320 --> 00:26:01,359
Speaker 4: Got big You don't yeah, big Boss.

606
00:26:01,440 --> 00:26:02,920
Speaker 6: Yeah, she said that when she came on the show.

607
00:26:03,640 --> 00:26:04,320
Speaker 4: You know what I'm saying.

608
00:26:04,440 --> 00:26:06,880
Speaker 1: Oh yeah, I love Big Boss, my girl.

609
00:26:07,240 --> 00:26:09,600
Speaker 2: You know what I like about Big Boss Bet is

610
00:26:09,760 --> 00:26:12,159
Speaker 2: she is consistent than the motherfucker.

611
00:26:14,560 --> 00:26:15,240
Speaker 1: Every time.

612
00:26:15,400 --> 00:26:18,520
Speaker 2: Like she literally pops up on my algorithm all the

613
00:26:18,600 --> 00:26:21,399
Speaker 2: time because she's always dropping something. And one thing I

614
00:26:21,400 --> 00:26:23,280
Speaker 2: can suk with is somebody that's gonna whistle and grind.

615
00:26:23,520 --> 00:26:26,119
Speaker 1: And she got she always, she got that.

616
00:26:27,040 --> 00:26:28,560
Speaker 4: She's gonna kill it, kill it.

617
00:26:28,960 --> 00:26:29,600
Speaker 1: That's our girl.

618
00:26:29,680 --> 00:26:30,000
Speaker 4: We love.

619
00:26:30,720 --> 00:26:33,119
Speaker 2: She performed at our last year when we went on

620
00:26:33,160 --> 00:26:36,280
Speaker 2: tour show, she performed.

621
00:26:35,920 --> 00:26:43,879
Speaker 4: And she that's what's up? Yeahst you show for sure.

622
00:26:46,240 --> 00:26:49,560
Speaker 1: She couldn't be like remember you said come to the show.

623
00:26:50,680 --> 00:26:54,280
Speaker 2: Gotta come to the show. To Saint Louis. I don't

624
00:26:54,280 --> 00:26:57,159
Speaker 2: think we have one. Don't know if we have like

625
00:26:57,440 --> 00:26:58,240
Speaker 2: listeners out.

626
00:26:58,080 --> 00:27:02,880
Speaker 4: There, do they would definitely we do have Lois. Yeah, yeah,

627
00:27:03,080 --> 00:27:03,800
Speaker 4: they going crazy.

628
00:27:04,960 --> 00:27:08,840
Speaker 2: Okay, So about the name Nando my real name, your

629
00:27:08,880 --> 00:27:11,280
Speaker 2: real name for real on your birth certificate.

630
00:27:11,720 --> 00:27:12,800
Speaker 4: Yeah, it's a Fernando.

631
00:27:13,880 --> 00:27:15,159
Speaker 1: Last Fernando.

632
00:27:16,200 --> 00:27:18,000
Speaker 4: He was looking for some Spanish middle name.

633
00:27:18,160 --> 00:27:22,080
Speaker 2: I know he was about to say one of your parents. Nah,

634
00:27:22,440 --> 00:27:24,040
Speaker 2: you look a little Dominican poppy.

635
00:27:24,359 --> 00:27:27,639
Speaker 4: I could be it's probably buried down in there, yeah, covered,

636
00:27:27,800 --> 00:27:28,119
Speaker 4: what's that?

637
00:27:28,200 --> 00:27:28,480
Speaker 1: What's that?

638
00:27:30,359 --> 00:27:30,520
Speaker 4: Who?

639
00:27:31,720 --> 00:27:33,760
Speaker 1: I don't know the names one of them.

640
00:27:33,800 --> 00:27:34,520
Speaker 4: That's what you look like.

641
00:27:34,680 --> 00:27:36,360
Speaker 2: So why would you like I saw you walking down

642
00:27:36,359 --> 00:27:37,919
Speaker 2: the street, I would think you were a baseball player.

643
00:27:38,040 --> 00:27:40,359
Speaker 1: Straight up, you're giving baseball player.

644
00:27:40,480 --> 00:27:47,000
Speaker 4: I have been like in the gym, I could tell

645
00:27:47,000 --> 00:27:49,280
Speaker 4: you look like you've a swinger back.

646
00:27:51,520 --> 00:27:51,720
Speaker 1: Girl.

647
00:27:52,560 --> 00:27:56,840
Speaker 2: All right, So now we're gonna get into the bee

648
00:27:57,040 --> 00:27:59,040
Speaker 2: out the bee out.

649
00:28:00,600 --> 00:28:04,119
Speaker 1: About is this a new drink tow do we need

650
00:28:04,160 --> 00:28:05,320
Speaker 1: to introduce this drink? And all?

651
00:28:05,520 --> 00:28:11,840
Speaker 2: Yes, don't play with you, don't play with what's any Okay?

652
00:28:11,920 --> 00:28:14,960
Speaker 3: So this one we're gonna call the STL Slugger, all right.

653
00:28:15,160 --> 00:28:17,600
Speaker 3: And now so Nando doesn't drink. So now we're gonna

654
00:28:17,640 --> 00:28:20,320
Speaker 3: have a mocktail version. Okay, So this one is gonna

655
00:28:20,320 --> 00:28:24,000
Speaker 3: have it has some peach syrup, we have some cherries muddled,

656
00:28:24,000 --> 00:28:26,200
Speaker 3: and we have some fresh cherry juice in there, lemon

657
00:28:26,400 --> 00:28:28,680
Speaker 3: lime juice, and then it's topped with some ginger beer.

658
00:28:29,040 --> 00:28:31,400
Speaker 3: So this is giving us like a little tropical breeze

659
00:28:31,720 --> 00:28:32,639
Speaker 3: easy for the summer.

660
00:28:32,960 --> 00:28:35,760
Speaker 1: So no Dyke's gonna whoop your ass on it.

661
00:28:36,280 --> 00:28:39,760
Speaker 4: Nah, Yeah, I'm good your right mind.

662
00:28:40,040 --> 00:28:42,040
Speaker 6: Yeah, what's up, y'all?

663
00:28:42,080 --> 00:28:45,040
Speaker 1: It's your girl lex Pee and Easter Girls right in the.

664
00:28:45,120 --> 00:28:48,400
Speaker 2: Call, and y'all know Orlando. We owe y'all, So we

665
00:28:48,560 --> 00:28:52,640
Speaker 2: coming back in a big way. August tenth, Poor Minds

666
00:28:52,720 --> 00:28:55,080
Speaker 2: is coming to Orlando for our live show.

667
00:28:55,640 --> 00:28:59,280
Speaker 5: Yes, we come into Orlando improv. I cannot wait to

668
00:28:59,320 --> 00:29:00,600
Speaker 5: see all of y'all faces.

669
00:29:00,640 --> 00:29:00,840
Speaker 1: You know.

670
00:29:01,040 --> 00:29:04,640
Speaker 5: Unfortunately we had to reschedule these days, so I'm super

671
00:29:04,680 --> 00:29:06,440
Speaker 5: excited to come out and see y'all.

672
00:29:06,720 --> 00:29:09,520
Speaker 1: Doors open at Seving, Yes, and the show starts at eight,

673
00:29:09,560 --> 00:29:10,920
Speaker 1: and we back a bigger than en.

674
00:29:11,000 --> 00:29:13,120
Speaker 2: But let me tell y'all, y'all should be happy because

675
00:29:13,160 --> 00:29:17,400
Speaker 2: this show, this round, it is super lit. So Orlando

676
00:29:17,920 --> 00:29:21,320
Speaker 2: August tenth, doors open at seven, show starts at eight

677
00:29:21,720 --> 00:29:24,760
Speaker 2: Orlando in prop We'll see y'all and we all side

678
00:29:24,760 --> 00:29:27,520
Speaker 2: bookiees period put it on because we're coming.

679
00:29:29,600 --> 00:29:31,160
Speaker 1: What's up, y'all is your girl.

680
00:29:31,200 --> 00:29:33,600
Speaker 6: XP and it's your girls righting the call.

681
00:29:33,880 --> 00:29:39,000
Speaker 1: And Miami were coming to turn up. I'm excited I'm

682
00:29:39,000 --> 00:29:39,800
Speaker 1: excited too.

683
00:29:40,000 --> 00:29:43,040
Speaker 5: We've been long overdue for a Miami show, and I

684
00:29:43,080 --> 00:29:45,960
Speaker 5: can't wait to see y'all. It's the perfect way to

685
00:29:46,040 --> 00:29:48,440
Speaker 5: kind of, I guess end the summer, because the summer'll

686
00:29:48,480 --> 00:29:52,600
Speaker 5: almost be over. And it's like August thirteenth, y'all, we're

687
00:29:52,640 --> 00:29:55,400
Speaker 5: gonna be in Miami, Miami and prop shows.

688
00:29:55,480 --> 00:29:58,000
Speaker 6: Doors open at Sibby. Show starts today.

689
00:29:58,200 --> 00:29:59,960
Speaker 2: Yes, and I'm telling y'all, look this right before my

690
00:30:00,040 --> 00:30:01,800
Speaker 2: birthday to so y'all know I'm finna.

691
00:30:01,560 --> 00:30:05,280
Speaker 1: Be living turn the net Way. I'm I'm finna put

692
00:30:05,320 --> 00:30:07,440
Speaker 1: it on for Miami. I'm telling y'all listen.

693
00:30:07,920 --> 00:30:12,440
Speaker 2: August thirteenth, Doors open at seven, show starts at eight,

694
00:30:12,760 --> 00:30:15,600
Speaker 2: Miami improv y'all, please do not miss this show.

695
00:30:15,880 --> 00:30:17,920
Speaker 1: Y'all know we're gonna have people popping up, rolling up

696
00:30:17,960 --> 00:30:21,120
Speaker 1: on this Miami. It's gonna be fun. Welcome to Miami.

697
00:30:21,320 --> 00:30:23,320
Speaker 2: Curious so I'm Miami.

698
00:30:23,920 --> 00:30:25,200
Speaker 1: Let's not let's see, y'all.

699
00:30:25,240 --> 00:30:26,920
Speaker 6: What's the all people to be there?

700
00:30:27,040 --> 00:30:27,640
Speaker 4: Or be clear?

701
00:30:28,520 --> 00:30:33,080
Speaker 2: What was all?

702
00:30:33,160 --> 00:30:33,360
Speaker 4: Right?

703
00:30:34,600 --> 00:30:38,320
Speaker 2: Okay, so y'all for the bad topic today. I saw

704
00:30:38,360 --> 00:30:40,560
Speaker 2: something the other day and it just made me a

705
00:30:40,560 --> 00:30:45,720
Speaker 2: little interested, you know, just just being curious. You don't

706
00:30:45,760 --> 00:30:47,479
Speaker 2: have to answer this question if you don't want to,

707
00:30:47,680 --> 00:30:51,520
Speaker 2: for sure, you know, but it was talking about you know,

708
00:30:51,560 --> 00:30:54,880
Speaker 2: when a woman is pleasuring a man, you know you're

709
00:30:54,880 --> 00:30:56,880
Speaker 2: giving him a little head, give them a little one too,

710
00:30:57,160 --> 00:30:58,680
Speaker 2: and maybe she go down Like I said, we go

711
00:30:58,760 --> 00:31:02,240
Speaker 2: down to the little gouc area? Is it, Drea? Do

712
00:31:02,360 --> 00:31:04,400
Speaker 2: you feel weird? Or has this ever happened to you?

713
00:31:04,480 --> 00:31:06,240
Speaker 2: Like if a man lifts his legs up? How do

714
00:31:06,280 --> 00:31:08,560
Speaker 2: y'all feel about a man lifting his legs up? I

715
00:31:08,600 --> 00:31:11,080
Speaker 2: feel like I say, he gotta bust the whole split

716
00:31:11,200 --> 00:31:12,440
Speaker 2: and bust it like that.

717
00:31:12,720 --> 00:31:14,400
Speaker 1: But you know, just to give a little easier access.

718
00:31:14,480 --> 00:31:15,880
Speaker 2: Let me give you all example, he gonna be like this,

719
00:31:17,840 --> 00:31:22,600
Speaker 2: like one leg, you know, two legs if you can balance.

720
00:31:23,440 --> 00:31:30,400
Speaker 2: How y'all feel about a man lifting his legs? Why

721
00:31:31,080 --> 00:31:33,360
Speaker 2: I'm asking you? How do you feel about a man lifting?

722
00:31:34,080 --> 00:31:37,440
Speaker 2: My only thing is like, what are you giving me

723
00:31:37,600 --> 00:31:38,360
Speaker 2: access to.

724
00:31:38,560 --> 00:31:42,120
Speaker 1: The the boot? I don't need you to lift.

725
00:31:41,960 --> 00:31:44,520
Speaker 5: Your leg for that. I can get there without you

726
00:31:44,680 --> 00:31:46,720
Speaker 5: lifting it. I think if you lift your leg, you

727
00:31:46,760 --> 00:31:49,760
Speaker 5: want me to go somewhere else, and I don't.

728
00:31:49,880 --> 00:31:52,640
Speaker 2: I don't trouble there. You don't try territory.

729
00:31:52,720 --> 00:31:56,240
Speaker 1: You don't go down south, you stop at Texas.

730
00:31:56,400 --> 00:31:57,960
Speaker 6: I do, but Mexico right there.

731
00:31:58,280 --> 00:32:01,920
Speaker 2: I don't like Mexico, all right, all right, So if

732
00:32:01,920 --> 00:32:04,280
Speaker 2: you were dealing with a man in that likens, because

733
00:32:04,320 --> 00:32:06,560
Speaker 2: I love Mexico, you know, if you were dealing with

734
00:32:06,600 --> 00:32:08,640
Speaker 2: a man and he lifted his legs, how would that.

735
00:32:08,600 --> 00:32:09,280
Speaker 1: Make you feel?

736
00:32:09,760 --> 00:32:12,640
Speaker 2: It happened to me before, and I was like, excuse me,

737
00:32:12,720 --> 00:32:13,720
Speaker 2: what the fuck is you doing?

738
00:32:13,720 --> 00:32:14,640
Speaker 6: Put the balls down?

739
00:32:15,120 --> 00:32:17,680
Speaker 1: Damn, it's strict, and this I actually pushed them down.

740
00:32:18,240 --> 00:32:19,160
Speaker 1: You pushed his knicks.

741
00:32:19,240 --> 00:32:27,560
Speaker 5: Not cute, okay, and now you should be by yourself

742
00:32:28,880 --> 00:32:29,480
Speaker 5: lifted up.

743
00:32:29,760 --> 00:32:31,400
Speaker 4: Okay, don't tell me what to do.

744
00:32:31,880 --> 00:32:36,720
Speaker 1: Okay. Now I feel like, find somebody else to do it. Okay.

745
00:32:36,960 --> 00:32:38,920
Speaker 4: I didn't even want it done until you said you

746
00:32:38,920 --> 00:32:39,720
Speaker 4: wouldn't do well.

747
00:32:39,720 --> 00:32:40,800
Speaker 1: Why did you lift.

748
00:32:40,560 --> 00:32:46,720
Speaker 2: Them because just to give you, you know, free range, easier access.

749
00:32:47,120 --> 00:32:47,840
Speaker 4: That's crazy.

750
00:32:48,160 --> 00:32:50,160
Speaker 1: I feel like, if you lift your legs, you're telling

751
00:32:50,240 --> 00:32:51,840
Speaker 1: me where you want me to go. And that ain't

752
00:32:51,840 --> 00:32:56,760
Speaker 1: no problem. That ain't no problem problem.

753
00:32:57,440 --> 00:32:59,800
Speaker 2: Look, if a man lift his last I'm like, let's go,

754
00:33:01,080 --> 00:33:03,320
Speaker 2: we're about to have I just feel like I'm not

755
00:33:03,400 --> 00:33:05,280
Speaker 2: mature enough yet I am no.

756
00:33:05,280 --> 00:33:07,640
Speaker 1: Now, don't get me wrong. It definitely is funny.

757
00:33:08,480 --> 00:33:14,480
Speaker 2: What if he lifts up in the girl please, like

758
00:33:14,960 --> 00:33:17,560
Speaker 2: he said that was just a bar, nigga.

759
00:33:17,640 --> 00:33:18,240
Speaker 4: It's poetic.

760
00:33:18,360 --> 00:33:20,320
Speaker 1: It's poetic, niggas. See, That's how.

761
00:33:22,640 --> 00:33:23,120
Speaker 4: I see it.

762
00:33:23,720 --> 00:33:25,480
Speaker 2: I said this, if a man listen, I don't have

763
00:33:25,520 --> 00:33:28,400
Speaker 2: a problem with it. I mean as long as he now,

764
00:33:28,480 --> 00:33:30,680
Speaker 2: I'm not going to know that as an audience.

765
00:33:30,920 --> 00:33:34,320
Speaker 1: If he but his legs open, was like stretching.

766
00:33:33,800 --> 00:33:38,320
Speaker 4: Them like a gymnast, like holding both yeah, like pushing his.

767
00:33:38,320 --> 00:33:40,480
Speaker 1: Ankles back, that's different.

768
00:33:41,160 --> 00:33:44,360
Speaker 2: Now, I don't want know why the line there, because

769
00:33:44,640 --> 00:33:46,000
Speaker 2: why is he more flexible than me?

770
00:33:46,080 --> 00:33:50,120
Speaker 1: Bookie? That's a little too much. I don't like that.

771
00:33:50,360 --> 00:33:50,960
Speaker 1: I don't like my.

772
00:33:50,960 --> 00:33:54,680
Speaker 2: Man too flexible because you's too flexible.

773
00:33:54,760 --> 00:33:57,080
Speaker 1: I'm not mad a flexible because I mean that mean

774
00:33:57,120 --> 00:33:58,080
Speaker 1: you streak.

775
00:33:57,920 --> 00:34:01,760
Speaker 2: Yeah whatever, But I don't want you like like like

776
00:34:01,800 --> 00:34:03,640
Speaker 2: you know how some yo with girls on Instagram that

777
00:34:03,800 --> 00:34:05,760
Speaker 2: be horny be and they be like, oh my god,

778
00:34:05,760 --> 00:34:07,600
Speaker 2: I'm stretching, but they like showing a cooochie.

779
00:34:08,320 --> 00:34:10,600
Speaker 1: I don't want him doing that. I don't want him

780
00:34:10,640 --> 00:34:12,800
Speaker 1: doing it. But like if he lifts up his legs.

781
00:34:12,840 --> 00:34:15,520
Speaker 1: That's all right. You make it easier for me because

782
00:34:15,520 --> 00:34:17,200
Speaker 1: I don't want to be licking the blanket. What if

783
00:34:17,239 --> 00:34:21,000
Speaker 1: held one to like? What if he holds trying to

784
00:34:21,000 --> 00:34:24,880
Speaker 1: get under that? What if he's shaky? Girl?

785
00:34:25,280 --> 00:34:29,160
Speaker 2: Now, why you gotta take ship so far? Nobody's gonna know, man,

786
00:34:29,520 --> 00:34:31,080
Speaker 2: I mean like, nobody's gonna do that.

787
00:34:31,600 --> 00:34:33,080
Speaker 1: Some men might. I've never been in that.

788
00:34:33,440 --> 00:34:34,000
Speaker 6: I don't know.

789
00:34:35,400 --> 00:34:38,200
Speaker 1: Shut the fuck it. I think a nigga might be shaky.

790
00:34:38,400 --> 00:34:39,680
Speaker 1: Ain't nothing wrong with it, though.

791
00:34:40,000 --> 00:34:42,719
Speaker 2: I feel like I feel like if you shake it

792
00:34:42,840 --> 00:34:44,120
Speaker 2: because it feel good.

793
00:34:43,920 --> 00:34:46,920
Speaker 4: I ain't gonna judge it was like.

794
00:34:50,160 --> 00:34:51,080
Speaker 1: Trying to be funny.

795
00:34:51,400 --> 00:34:54,319
Speaker 5: I'm not because I feel like, if you're gonna lift

796
00:34:54,360 --> 00:34:56,440
Speaker 5: it up, why you opposed to shaking me?

797
00:34:56,520 --> 00:34:57,440
Speaker 1: You already done.

798
00:34:57,360 --> 00:34:57,879
Speaker 6: Took it there?

799
00:34:58,760 --> 00:34:59,800
Speaker 1: That's so different.

800
00:35:00,200 --> 00:35:04,719
Speaker 2: Al No, it's nice if you if I lift my

801
00:35:04,840 --> 00:35:06,960
Speaker 2: leg up, why wouldn't I shake you? Do you lift

802
00:35:07,000 --> 00:35:08,399
Speaker 2: your leg up and shake him every time?

803
00:35:09,280 --> 00:35:09,680
Speaker 6: Yeah?

804
00:35:09,840 --> 00:35:12,000
Speaker 4: I feel like one is it to help you and

805
00:35:12,000 --> 00:35:14,680
Speaker 4: the others a talent. I think he's just showing you

806
00:35:14,680 --> 00:35:14,880
Speaker 4: know how.

807
00:35:16,080 --> 00:35:19,040
Speaker 2: That's a talent, like talent you're trying to show off.

808
00:35:19,080 --> 00:35:21,480
Speaker 2: At that point, if somebody lifts their legs up. They're

809
00:35:21,480 --> 00:35:23,840
Speaker 2: just trying to give you easier access and letting you

810
00:35:23,880 --> 00:35:26,279
Speaker 2: know what they like. So if you're dealing with a

811
00:35:26,360 --> 00:35:29,160
Speaker 2: man he's showing you what you what he likes, you're

812
00:35:29,200 --> 00:35:31,560
Speaker 2: gonna embarrass him instead of being open minded.

813
00:35:31,680 --> 00:35:33,200
Speaker 6: I didn't say I was gonna embarrass him.

814
00:35:33,200 --> 00:35:36,440
Speaker 5: I'm gonna clap because telling you're talented, you said you

815
00:35:36,520 --> 00:35:38,920
Speaker 5: was gonna go like this with his knees, just like

816
00:35:39,000 --> 00:35:45,240
Speaker 5: he clapping it. But I'm gonna clap, minds, I'm gonna

817
00:35:45,280 --> 00:35:46,000
Speaker 5: embarrass him.

818
00:35:46,040 --> 00:35:47,280
Speaker 6: This is a safe face.

819
00:35:47,800 --> 00:35:50,160
Speaker 1: Now, I ain't gonna fuck with you again, but I'm

820
00:35:50,160 --> 00:35:56,960
Speaker 1: gonna be entertained. Now. Have you ever lifted your legs? No?

821
00:35:57,080 --> 00:36:01,080
Speaker 2: Okay, would you left my legs?

822
00:36:01,280 --> 00:36:01,480
Speaker 1: Yeah?

823
00:36:01,920 --> 00:36:02,640
Speaker 4: I don't think so.

824
00:36:03,040 --> 00:36:04,600
Speaker 6: No, he said, I don't think so.

825
00:36:04,760 --> 00:36:07,000
Speaker 4: I don't think so. It's hard to say no. But

826
00:36:07,120 --> 00:36:11,839
Speaker 4: I'm not really fun I know right now.

827
00:36:12,040 --> 00:36:14,279
Speaker 1: No, No, okay, that's why I make a song.

828
00:36:14,360 --> 00:36:16,240
Speaker 2: It's called lift your legs, and I'm trying to convince

829
00:36:16,280 --> 00:36:17,120
Speaker 2: you to lift your legs.

830
00:36:17,120 --> 00:36:18,040
Speaker 1: Were going back and forth.

831
00:36:18,080 --> 00:36:20,080
Speaker 5: No, okay, that's why I be saying what I be

832
00:36:20,080 --> 00:36:22,520
Speaker 5: saying to It's like I never ate, but but I'm

833
00:36:22,520 --> 00:36:23,760
Speaker 5: not saying I would never.

834
00:36:23,640 --> 00:36:27,520
Speaker 1: Be in the space girl that, but maybe when I

835
00:36:27,560 --> 00:36:30,279
Speaker 1: get married, maybe you're gonna you're gonna eat it.

836
00:36:30,360 --> 00:36:31,720
Speaker 4: But would you look at them the same?

837
00:36:32,120 --> 00:36:32,200
Speaker 2: What?

838
00:36:33,960 --> 00:36:34,719
Speaker 6: I don't know.

839
00:36:36,000 --> 00:36:36,480
Speaker 1: I don't know.

840
00:36:36,600 --> 00:36:38,560
Speaker 5: That's and see that's why I think I haven't did it,

841
00:36:38,600 --> 00:36:40,640
Speaker 5: because I just don't know if I could, like look

842
00:36:40,680 --> 00:36:41,360
Speaker 5: at you the same.

843
00:36:42,360 --> 00:36:43,960
Speaker 1: And it's not that it's anything wrong.

844
00:36:44,560 --> 00:36:46,919
Speaker 5: I mean no, but my thing is it's not it's

845
00:36:47,000 --> 00:36:49,080
Speaker 5: not that it's anything wrong with it. I don't think

846
00:36:49,080 --> 00:36:52,080
Speaker 5: it's anything wrong with anything between a woman and the men.

847
00:36:52,760 --> 00:36:56,520
Speaker 5: Like people have this idea of like, oh if a

848
00:36:56,600 --> 00:36:58,799
Speaker 5: man like ain't no play or he like but play,

849
00:36:58,800 --> 00:36:59,560
Speaker 5: they make him gay.

850
00:36:59,800 --> 00:37:00,799
Speaker 1: I don't even think that.

851
00:37:01,000 --> 00:37:03,719
Speaker 2: I think just for me, it's just like something that

852
00:37:03,760 --> 00:37:06,840
Speaker 2: I'm not interested in doing. However, I think if I

853
00:37:06,920 --> 00:37:11,040
Speaker 2: got in a serious, committed relationship where like I was married,

854
00:37:11,080 --> 00:37:12,040
Speaker 2: it's something I would do.

855
00:37:12,320 --> 00:37:15,240
Speaker 1: Yeah, but floor yeah, But I just don't.

856
00:37:15,040 --> 00:37:17,000
Speaker 5: Think I'm serious enough to do it because I feel

857
00:37:17,000 --> 00:37:19,200
Speaker 5: like I will bust out laugh anybody.

858
00:37:19,480 --> 00:37:20,680
Speaker 1: Like if I'm like there, I'm.

859
00:37:20,520 --> 00:37:24,439
Speaker 4: Gonna be like, don't make that noise looking at it.

860
00:37:24,520 --> 00:37:28,920
Speaker 2: I'm gonna tell them, well, your booty whole brown.

861
00:37:28,120 --> 00:37:30,600
Speaker 6: It should be sometimes you never know.

862
00:37:30,920 --> 00:37:32,399
Speaker 4: Yeah, I just don't want know where to ask.

863
00:37:33,160 --> 00:37:35,080
Speaker 6: I mean, but it gets like that anyway.

864
00:37:37,160 --> 00:37:41,480
Speaker 4: Hand Now that's different though, that's different. Okay, that's different.

865
00:37:41,640 --> 00:37:42,560
Speaker 4: That's a side effect.

866
00:37:43,000 --> 00:37:45,239
Speaker 1: Okay, So what do y'all do when you're getting bad? Head?

867
00:37:45,560 --> 00:37:45,640
Speaker 4: Like?

868
00:37:45,719 --> 00:37:49,520
Speaker 1: Do you kind of just like you do not do that?

869
00:37:50,520 --> 00:37:51,680
Speaker 4: You mean bad? Painful?

870
00:37:51,960 --> 00:37:54,359
Speaker 2: No, like, it's just it's not good.

871
00:37:55,800 --> 00:37:56,680
Speaker 1: Like do you end it?

872
00:37:57,000 --> 00:37:57,839
Speaker 4: Nah? I see it through.

873
00:37:58,520 --> 00:38:00,200
Speaker 2: You know, I don't like you. You seem like you're

874
00:38:00,239 --> 00:38:03,240
Speaker 2: a very nice in bed. You don't hurt nobody feeling.

875
00:38:03,719 --> 00:38:06,040
Speaker 2: So somebody gonna leave your crib being like, oh put

876
00:38:06,080 --> 00:38:07,640
Speaker 2: them on to make the want to maver me?

877
00:38:07,800 --> 00:38:09,520
Speaker 4: Yeah, yeah, don't coach. Nobody can't say.

878
00:38:10,320 --> 00:38:12,840
Speaker 2: If I like you, I'll tell you the things that

879
00:38:12,920 --> 00:38:15,319
Speaker 2: I like to make the experience better. But if I'm

880
00:38:15,360 --> 00:38:19,440
Speaker 2: like kind of just like, I'll be like at this age,

881
00:38:20,080 --> 00:38:22,239
Speaker 2: I don't think I've came across a guy in a

882
00:38:22,520 --> 00:38:25,080
Speaker 2: very long time that just like had no idea what

883
00:38:25,120 --> 00:38:25,680
Speaker 2: he was doing.

884
00:38:25,800 --> 00:38:28,799
Speaker 6: Do you like it? Yeah, like some women don't like

885
00:38:28,840 --> 00:38:29,960
Speaker 6: it and some men don't like it.

886
00:38:30,080 --> 00:38:32,600
Speaker 4: Do you like it? Okay? I don't think that's real.

887
00:38:33,400 --> 00:38:33,799
Speaker 6: You don't.

888
00:38:34,040 --> 00:38:35,480
Speaker 1: I think niggas can be just saying that so.

889
00:38:35,400 --> 00:38:39,600
Speaker 4: They can the girl, I ain't never don't like it?

890
00:38:39,760 --> 00:38:44,080
Speaker 1: Why you put your lips, I don't never come from here.

891
00:38:45,000 --> 00:38:45,680
Speaker 4: Yeah, that's a good.

892
00:38:45,960 --> 00:38:49,600
Speaker 1: Yeah, niggas know what they be doing. You know what

893
00:38:49,640 --> 00:38:52,839
Speaker 1: you be doing. That's true. I don't know. I think

894
00:38:52,880 --> 00:38:56,239
Speaker 1: some people really don't like it though. I think, like

895
00:38:56,360 --> 00:38:57,120
Speaker 1: she don't like.

896
00:38:57,120 --> 00:38:58,600
Speaker 6: Its some women.

897
00:38:59,080 --> 00:39:00,600
Speaker 1: Half for women to say don't like it.

898
00:39:00,719 --> 00:39:03,759
Speaker 5: She said, he's just too like she said, niggas don't

899
00:39:03,800 --> 00:39:05,640
Speaker 5: know how to do it right. Like they be nibbling,

900
00:39:05,719 --> 00:39:07,400
Speaker 5: and they be doing all of this stuff. They just

901
00:39:07,400 --> 00:39:09,440
Speaker 5: don't get her to the point she would rather be pinstry.

902
00:39:09,520 --> 00:39:14,759
Speaker 1: Nibble is wild nibble. Niggas do be nibbling, That is

903
00:39:14,840 --> 00:39:15,560
Speaker 1: what she's talking about.

904
00:39:15,600 --> 00:39:15,920
Speaker 4: They do.

905
00:39:17,719 --> 00:39:19,320
Speaker 6: What baby nibbling.

906
00:39:19,360 --> 00:39:20,240
Speaker 1: They think it's cheap.

907
00:39:21,560 --> 00:39:26,239
Speaker 2: You're going to jail, not Mickey Mount. It's getting too loud, Okay.

908
00:39:26,000 --> 00:39:30,680
Speaker 1: So now we're gonna get into the bop. Heyt ow.

909
00:39:32,960 --> 00:39:36,920
Speaker 2: About you know what's crazy. I never do a throwback bop.

910
00:39:37,080 --> 00:39:39,040
Speaker 2: I never do a throwback bob. I always put y'all

911
00:39:39,040 --> 00:39:41,040
Speaker 2: on something new. I'm gonna give y'all an old throwbag

912
00:39:41,080 --> 00:39:43,160
Speaker 2: bop that I was listening to today and I was like, bro,

913
00:39:43,280 --> 00:39:46,880
Speaker 2: this shit goes so hard. So my bop of the

914
00:39:46,880 --> 00:39:52,759
Speaker 2: week this week is Shine Bad Boys. That was a

915
00:39:52,840 --> 00:39:56,560
Speaker 2: fucking bot. When Shine came on the scene, it was like, oh,

916
00:39:56,640 --> 00:39:57,760
Speaker 2: we in a new era.

917
00:40:01,600 --> 00:40:04,000
Speaker 1: I was like, oh, I was like six, like a

918
00:40:04,560 --> 00:40:06,640
Speaker 1: bad boy. Yeah.

919
00:40:06,680 --> 00:40:08,920
Speaker 2: I just knew me and Sean was gonna be together.

920
00:40:09,440 --> 00:40:13,480
Speaker 2: I said, ooh, I love me a bad boy he is.

921
00:40:15,719 --> 00:40:19,800
Speaker 1: He's amish. And then he had Bonnie and Clyde. Bonnie

922
00:40:19,840 --> 00:40:20,879
Speaker 1: and Clyde was abop too.

923
00:40:22,000 --> 00:40:24,080
Speaker 2: What's the guy's name that was on the song, Barrington

924
00:40:24,400 --> 00:40:28,000
Speaker 2: LeVar or something, that's his name a legend. It was

925
00:40:28,080 --> 00:40:30,520
Speaker 2: just the perfect match, match made of heaven. So yeah,

926
00:40:30,520 --> 00:40:32,439
Speaker 2: I was listening to that this morning. I said, oh, yeah,

927
00:40:32,600 --> 00:40:35,160
Speaker 2: hits that stick like grits. You know, I feel like

928
00:40:35,239 --> 00:40:39,040
Speaker 2: one thing about people. If you're in the entertainment industry,

929
00:40:39,080 --> 00:40:41,960
Speaker 2: you gotta leave something. I'm not saying you gotta be

930
00:40:42,040 --> 00:40:45,759
Speaker 2: the next Beyonce, but you gotta leave us something. And

931
00:40:45,840 --> 00:40:50,279
Speaker 2: Sean left us something though, that's real he did. Was

932
00:40:50,280 --> 00:40:51,399
Speaker 2: I not jamming at this morning?

933
00:40:51,520 --> 00:40:54,399
Speaker 1: It was? And then that ship, that ship was bump

934
00:41:00,080 --> 00:41:05,120
Speaker 1: they dropped you about to back when this she had

935
00:41:05,200 --> 00:41:06,920
Speaker 1: dropped in ninety six because they was like.

936
00:41:08,480 --> 00:41:14,920
Speaker 5: You noticed, all right, okay, So I actually been listening

937
00:41:14,960 --> 00:41:19,040
Speaker 5: to some throwback songs myself, okay, And I was listening to.

938
00:41:19,440 --> 00:41:27,400
Speaker 2: Bedroom Boom, Remember Bedroom Boom by the Man and An

939
00:41:28,239 --> 00:41:30,440
Speaker 2: That was a higg that was But then it took me.

940
00:41:30,440 --> 00:41:33,400
Speaker 5: Down a whole rabbit hole, and I had forgot about

941
00:41:33,440 --> 00:41:35,719
Speaker 5: all of these songs. So like one nice thing about

942
00:41:35,760 --> 00:41:38,680
Speaker 5: Little John and Ubi, oh yeah.

943
00:41:38,520 --> 00:41:38,840
Speaker 1: Like.

944
00:41:41,200 --> 00:41:45,120
Speaker 2: Remember about Ubi? Yeah, there was another song about Ubi. Yeah,

945
00:41:45,440 --> 00:41:47,240
Speaker 2: put it down was on their t paane.

946
00:41:47,840 --> 00:41:50,359
Speaker 6: Oh yeah, yeah.

947
00:41:50,440 --> 00:41:53,400
Speaker 2: It's like I went down the whole rabbit hole. Nothing's free,

948
00:41:53,560 --> 00:41:56,600
Speaker 2: Little John. It's crazy because even nasty music don't be

949
00:41:56,600 --> 00:41:59,160
Speaker 2: even really nasty. I mean I feel like the like

950
00:41:59,160 --> 00:42:01,960
Speaker 2: I said, what's her name, Sexy Red took it there,

951
00:42:02,400 --> 00:42:04,319
Speaker 2: you know, Suki Hana gonna take it there, but people

952
00:42:04,360 --> 00:42:06,759
Speaker 2: don't want to take the y Yang Twins used to

953
00:42:06,800 --> 00:42:07,359
Speaker 2: take it there.

954
00:42:07,440 --> 00:42:09,600
Speaker 1: Where do you see my dick? Hey bitch?

955
00:42:09,880 --> 00:42:12,360
Speaker 6: But when do you think music gets too nasty?

956
00:42:12,480 --> 00:42:15,480
Speaker 2: I don't give it, Ubi saying no, no, no no,

957
00:42:15,600 --> 00:42:17,880
Speaker 2: I'm so horny and I want you to fuck me.

958
00:42:19,040 --> 00:42:21,879
Speaker 4: Mood that's what the dirty version say.

959
00:42:21,920 --> 00:42:24,479
Speaker 5: That's that's what a dirty version said. But they didn't

960
00:42:24,480 --> 00:42:25,320
Speaker 5: say that on the radio.

961
00:42:25,719 --> 00:42:27,680
Speaker 4: No, but I used to listen to the dirty that's

962
00:42:27,719 --> 00:42:31,759
Speaker 4: the dirty version of that song. That's no, no, no,

963
00:42:34,160 --> 00:42:37,600
Speaker 4: I'm so I don't know what the I'm talking about.

964
00:42:37,600 --> 00:42:39,239
Speaker 4: I heard you.

965
00:42:39,239 --> 00:42:46,280
Speaker 1: Know this got my body shaped? Fake heard that about.

966
00:42:49,200 --> 00:42:50,400
Speaker 6: I got to send.

967
00:42:50,120 --> 00:42:50,959
Speaker 4: You the.

968
00:42:53,200 --> 00:42:59,240
Speaker 1: Sorry and we Country nine. That's just because, Okay.

969
00:42:59,000 --> 00:43:01,720
Speaker 4: What you've been what you've been like old stuff?

970
00:43:01,960 --> 00:43:05,239
Speaker 2: No like okay, So somebody wants to get introduced to

971
00:43:05,280 --> 00:43:08,440
Speaker 2: your music. What's like the first song they should listen to? Oh,

972
00:43:08,640 --> 00:43:10,520
Speaker 2: like something that's gonna be like, oh yeah, but with

973
00:43:10,560 --> 00:43:10,959
Speaker 2: this boy.

974
00:43:11,200 --> 00:43:16,239
Speaker 4: Yeah, like my songs, Yeah ship. I got a song

975
00:43:16,280 --> 00:43:17,960
Speaker 4: with Nelly called on Everything.

976
00:43:17,719 --> 00:43:20,200
Speaker 1: Oh I can't I'm about to put let me add

977
00:43:20,239 --> 00:43:21,239
Speaker 1: it to my play leads.

978
00:43:21,400 --> 00:43:24,400
Speaker 4: Okay, the mother Fire, I got a song called loud

979
00:43:24,560 --> 00:43:29,399
Speaker 4: Me and Page got a song called Yoda. It ain't

980
00:43:29,440 --> 00:43:32,799
Speaker 4: came out yet. They come out Friday Drive Friday.

981
00:43:32,760 --> 00:43:34,520
Speaker 1: So by the time it's airs, they gonna be able to.

982
00:43:34,560 --> 00:43:36,440
Speaker 4: What's a song called the One I Just told you?

983
00:43:36,600 --> 00:43:38,200
Speaker 4: On Everything Record Everything with.

984
00:43:38,200 --> 00:43:39,920
Speaker 2: Nelly, I was about to say, I'm about to look

985
00:43:39,920 --> 00:43:44,279
Speaker 2: that ship up right now. So doing Nelly because it

986
00:43:44,400 --> 00:43:45,960
Speaker 2: was like a full circle moment for you.

987
00:43:46,239 --> 00:43:49,600
Speaker 1: Yeah, yeah, that's crazy. Yeah how did that feel?

988
00:43:49,719 --> 00:43:51,880
Speaker 4: That? She feel crazy? You know what I mean? Even

989
00:43:51,960 --> 00:43:54,160
Speaker 4: like having all them people, knowing all those people who

990
00:43:54,160 --> 00:43:56,000
Speaker 4: like came from Saint Louis like I know changing now,

991
00:43:56,040 --> 00:43:57,880
Speaker 4: I know Nelly, I know those people, you know what

992
00:43:57,920 --> 00:44:00,560
Speaker 4: I mean, And I don't know. It made me feel

993
00:44:00,560 --> 00:44:01,480
Speaker 4: like this I'm supposed to be it.

994
00:44:01,719 --> 00:44:03,839
Speaker 1: Yeah, it's like, okay, I'm doing the damn thing.

995
00:44:04,160 --> 00:44:06,560
Speaker 4: Yeah. I used to watch them on BT.

996
00:44:06,640 --> 00:44:07,759
Speaker 1: Man, I'm telling I'm not gonna lie.

997
00:44:07,800 --> 00:44:10,440
Speaker 2: We had our live show in Houston and everybody like

998
00:44:10,440 --> 00:44:12,719
Speaker 2: Little key Key came through, Slim Thug came through.

999
00:44:12,760 --> 00:44:13,920
Speaker 1: I said, yeah, I'm that bit.

1000
00:44:14,600 --> 00:44:20,959
Speaker 4: Hey. That makes you feel like Rushmore your.

1001
00:44:20,840 --> 00:44:24,040
Speaker 2: Hometown because it's like people that you literally grew up

1002
00:44:24,120 --> 00:44:24,880
Speaker 2: looking at, like me.

1003
00:44:25,800 --> 00:44:27,880
Speaker 1: Even when we went on T Paint show, I was like, bro,

1004
00:44:28,120 --> 00:44:31,279
Speaker 1: I'm really recording with fucking Tea Paint. It was like

1005
00:44:31,400 --> 00:44:32,200
Speaker 1: what the fuck?

1006
00:44:32,840 --> 00:44:35,600
Speaker 2: Cause you know I had my te We all had

1007
00:44:35,600 --> 00:44:38,200
Speaker 2: our T Paint era like where that like you couldn't

1008
00:44:38,200 --> 00:44:40,600
Speaker 2: turn on the radio without hearing him. Yeah, so I

1009
00:44:40,680 --> 00:44:43,000
Speaker 2: know that was just like a moment for you growing

1010
00:44:43,080 --> 00:44:45,640
Speaker 2: up in Saint Louis and doing that Nelly t.

1011
00:44:46,000 --> 00:44:47,880
Speaker 4: Yeah, yeah, that was crazy.

1012
00:44:47,920 --> 00:44:48,400
Speaker 1: I love that.

1013
00:44:48,640 --> 00:44:48,839
Speaker 2: Yeah.

1014
00:44:48,880 --> 00:44:51,120
Speaker 5: I just went to what was it the Lovers and

1015
00:44:51,160 --> 00:44:54,040
Speaker 5: Prience Fasibo last week and Lex was laughing at me

1016
00:44:54,160 --> 00:44:58,400
Speaker 5: because I do know, like it was Nelly and Murphy Lee.

1017
00:44:58,560 --> 00:45:01,319
Speaker 5: But then I sometimes I don't be remembering the rest

1018
00:45:01,320 --> 00:45:02,160
Speaker 5: of the Saint Lunacy.

1019
00:45:02,760 --> 00:45:03,359
Speaker 1: So then she.

1020
00:45:03,320 --> 00:45:05,400
Speaker 2: Got mad at me because she was like, who performed

1021
00:45:05,440 --> 00:45:05,799
Speaker 2: with Nelly?

1022
00:45:05,880 --> 00:45:07,120
Speaker 1: And I was like, a Saint lunacy?

1023
00:45:07,719 --> 00:45:08,800
Speaker 4: That was City.

1024
00:45:09,239 --> 00:45:10,840
Speaker 6: His name was City.

1025
00:45:13,320 --> 00:45:16,040
Speaker 2: That was one of the Saint Lunatic. I'm like, why

1026
00:45:16,080 --> 00:45:18,960
Speaker 2: is because why would you call him a Saint lunatic?

1027
00:45:19,400 --> 00:45:21,520
Speaker 4: That cut City.

1028
00:45:23,760 --> 00:45:24,160
Speaker 1: I was.

1029
00:45:25,760 --> 00:45:28,320
Speaker 2: Like, if somebody called you a poor mind, nobody's gonna

1030
00:45:28,320 --> 00:45:32,000
Speaker 2: call me a poor mind like Brown was on stage

1031
00:45:32,000 --> 00:45:35,239
Speaker 2: with that other poor mind. They might they might not

1032
00:45:35,360 --> 00:45:37,880
Speaker 2: remember your name, they call you a poor mine.

1033
00:45:38,000 --> 00:45:40,040
Speaker 1: Oh my god, I've seen that girl. She's a poor mind.

1034
00:45:40,800 --> 00:45:43,279
Speaker 5: I don't think personally if somebody said X he was

1035
00:45:43,320 --> 00:45:45,800
Speaker 5: on stage with the other poor mind, I wouldn't feel

1036
00:45:45,840 --> 00:45:46,440
Speaker 5: like this.

1037
00:45:46,480 --> 00:45:47,200
Speaker 1: I wouldn't feel like.

1038
00:45:47,440 --> 00:45:50,319
Speaker 2: But nobody says that that's what you should Shaw when

1039
00:45:50,320 --> 00:45:52,920
Speaker 2: he was in the Saint Lunatics. He was like, oh,

1040
00:45:52,920 --> 00:45:54,080
Speaker 2: it's another Saint Lunatic.

1041
00:45:55,920 --> 00:45:58,600
Speaker 5: But he was a Saint Lunacy. You should have said

1042
00:45:58,600 --> 00:46:04,080
Speaker 5: that is fell for life. Wakanda for.

1043
00:46:05,080 --> 00:46:07,360
Speaker 4: That ain't funny.

1044
00:46:07,480 --> 00:46:10,279
Speaker 1: I'm crossing my arms because we used to. We know,

1045
00:46:10,400 --> 00:46:12,400
Speaker 1: we love Murphy Lee too.

1046
00:46:14,200 --> 00:46:17,520
Speaker 2: A legend because what that hook gonna be? Hits that

1047
00:46:17,560 --> 00:46:19,480
Speaker 2: stick like, That's why I say, you gotta leave something

1048
00:46:19,480 --> 00:46:20,200
Speaker 2: for the people.

1049
00:46:20,920 --> 00:46:23,200
Speaker 1: You know that you gotta have just a little.

1050
00:46:23,000 --> 00:46:26,319
Speaker 2: Something to leave for the people. So I'm gonna make

1051
00:46:26,320 --> 00:46:27,920
Speaker 2: sure you leave something for the people now.

1052
00:46:27,840 --> 00:46:31,160
Speaker 4: For sure, Murphy. The other ones is Ali and Kewan

1053
00:46:31,239 --> 00:46:31,960
Speaker 4: and slow down though.

1054
00:46:32,520 --> 00:46:36,319
Speaker 2: Okay, I think I remember Ali. I can't say I

1055
00:46:36,320 --> 00:46:38,239
Speaker 2: remember the others who Lord forgive me.

1056
00:46:38,360 --> 00:46:41,960
Speaker 4: I just you know, want and Murphy Lee brothers. So

1057
00:46:42,000 --> 00:46:43,120
Speaker 4: theyre the ones that kind of look.

1058
00:46:43,080 --> 00:46:47,720
Speaker 2: Like, oh, okay, all right, who were the mask?

1059
00:46:48,400 --> 00:46:48,959
Speaker 4: Slow down?

1060
00:46:49,200 --> 00:46:51,840
Speaker 1: Okay, now I remember him. It was a little white mask.

1061
00:46:52,160 --> 00:46:53,680
Speaker 4: Yeah, he was a dancer.

1062
00:46:54,600 --> 00:46:56,920
Speaker 1: I remember that. You ain't gonna get one over on me.

1063
00:46:57,200 --> 00:47:02,080
Speaker 1: I know he wasn't just a Saint lunatic. Nah, what's

1064
00:47:02,160 --> 00:47:02,560
Speaker 1: up y'all?

1065
00:47:02,560 --> 00:47:05,399
Speaker 2: Show girl next to you and it's Shuwgirlsrey and the Call,

1066
00:47:05,719 --> 00:47:10,400
Speaker 2: and I got some really good news for y'all period.

1067
00:47:10,600 --> 00:47:11,040
Speaker 6: Y'all.

1068
00:47:11,440 --> 00:47:14,040
Speaker 1: We are about to revamp our whole Patreon.

1069
00:47:14,640 --> 00:47:17,359
Speaker 5: We got so much news shit coming soon for y'all,

1070
00:47:17,360 --> 00:47:19,320
Speaker 5: Like we're about to be doing challenges we about to

1071
00:47:19,320 --> 00:47:22,040
Speaker 5: be doing in blog. Were really about to be dropping

1072
00:47:22,120 --> 00:47:24,759
Speaker 5: a lot of exclusive content for y'all. So if one

1073
00:47:24,800 --> 00:47:27,000
Speaker 5: episode of a week is not enough, y'all about to

1074
00:47:27,000 --> 00:47:28,440
Speaker 5: get some more content on Patreon.

1075
00:47:28,719 --> 00:47:31,759
Speaker 2: Yes, y'all be saying, oh say episodes longer, I mean

1076
00:47:31,880 --> 00:47:34,080
Speaker 2: twice a week. Well, this is your opportunity to see

1077
00:47:34,120 --> 00:47:36,440
Speaker 2: us twice a week. And also you kinda get you're

1078
00:47:36,440 --> 00:47:38,640
Speaker 2: gonna get a look into our lives. No one's on

1079
00:47:38,680 --> 00:47:41,879
Speaker 2: all personal levels. So make sure y'all sign up at

1080
00:47:41,880 --> 00:47:45,600
Speaker 2: Patreon dot com backslash, poor mind sign up today. There's

1081
00:47:45,640 --> 00:47:48,399
Speaker 2: different tiers, so if you want audio only, you can

1082
00:47:48,480 --> 00:47:48,920
Speaker 2: just listen.

1083
00:47:48,960 --> 00:47:51,640
Speaker 1: If you want video and audio, we have that too.

1084
00:47:51,680 --> 00:47:53,799
Speaker 2: And also we have a top top tier where you

1085
00:47:53,880 --> 00:47:55,640
Speaker 2: get exclusive access to.

1086
00:47:55,680 --> 00:47:58,240
Speaker 1: Merch show all that good stuff.

1087
00:47:58,400 --> 00:48:01,400
Speaker 2: So go to Patreon dot com on backslash more minds

1088
00:48:01,400 --> 00:48:02,680
Speaker 2: and sign up today.

1089
00:48:04,480 --> 00:48:06,399
Speaker 1: Dad, do we have some questions today?

1090
00:48:07,120 --> 00:48:10,040
Speaker 2: Okay, So we are getting to our favorite part of

1091
00:48:10,120 --> 00:48:13,279
Speaker 2: the show, our advice segment, Pour your heart out. If

1092
00:48:13,280 --> 00:48:15,319
Speaker 2: you want your question to answer on the show, make

1093
00:48:15,360 --> 00:48:18,120
Speaker 2: sure you email us at ask poor Minds at gmail

1094
00:48:18,160 --> 00:48:20,400
Speaker 2: dot com. If you're a Patreon member, make sure you

1095
00:48:20,440 --> 00:48:22,239
Speaker 2: put that in the subject. You get to skip the

1096
00:48:22,280 --> 00:48:25,640
Speaker 2: line period, Drea, do you give good advice?

1097
00:48:26,600 --> 00:48:27,080
Speaker 4: I think so?

1098
00:48:27,360 --> 00:48:33,279
Speaker 2: Okay, Well you may work sometimes, Nando. Hey, ladies, I

1099
00:48:33,320 --> 00:48:36,000
Speaker 2: love you both. I'm a newly single mother and I

1100
00:48:36,040 --> 00:48:38,359
Speaker 2: want to make sure I'm attracting the right men at

1101
00:48:38,400 --> 00:48:38,879
Speaker 2: first sight.

1102
00:48:39,080 --> 00:48:44,200
Speaker 4: Don't do it. I've heard enough. It's not like this

1103
00:48:44,280 --> 00:48:48,680
Speaker 4: is gonna end real bad. Don't do it. I'm sorry.

1104
00:48:48,880 --> 00:48:52,080
Speaker 5: I'm a natural girl, so I don't wear makeup, perfumes

1105
00:48:52,200 --> 00:48:53,440
Speaker 5: or here perfect Now.

1106
00:48:53,440 --> 00:48:57,160
Speaker 1: You pushed it, bitch, I agree, don't do it. You

1107
00:48:57,200 --> 00:48:59,440
Speaker 1: can't even put on a little loves fell Bitch.

1108
00:49:01,320 --> 00:49:02,040
Speaker 2: I don't like it.

1109
00:49:03,480 --> 00:49:06,080
Speaker 5: I'm redoing my wardrobe and would like to know what

1110
00:49:06,160 --> 00:49:08,960
Speaker 5: items will show men that I expect a certain level

1111
00:49:08,960 --> 00:49:13,200
Speaker 5: of care as in types of clothing, jewelry, shoes, bags,

1112
00:49:13,239 --> 00:49:16,160
Speaker 5: et cetera. Please keep in mind that my version of

1113
00:49:16,160 --> 00:49:19,200
Speaker 5: a BDB is a country boy making eighty thousand to

1114
00:49:19,280 --> 00:49:21,360
Speaker 5: one hundred and ten thousand dollars yearly.

1115
00:49:21,800 --> 00:49:25,279
Speaker 1: Thanks in event that's fair. Why you slapped your knee?

1116
00:49:26,040 --> 00:49:26,560
Speaker 6: I heard it.

1117
00:49:26,760 --> 00:49:29,360
Speaker 2: She said she want a one that got an F

1118
00:49:29,480 --> 00:49:32,000
Speaker 2: one fifty track that in the back.

1119
00:49:32,520 --> 00:49:38,160
Speaker 1: I feel a little horses lot cow, little milk, milk, milk.

1120
00:49:38,440 --> 00:49:39,000
Speaker 1: You know what I'm saying.

1121
00:49:39,040 --> 00:49:42,239
Speaker 2: I feel you, yeah, But I will say this girl

1122
00:49:42,280 --> 00:49:44,719
Speaker 2: put on some goddamn perfume, because why are you just

1123
00:49:44,719 --> 00:49:47,520
Speaker 2: walking around smell? You ain't gonna catch them if you musty. Well,

1124
00:49:47,560 --> 00:49:49,520
Speaker 2: I didn't even say she was musty. But I hate

1125
00:49:49,560 --> 00:49:52,480
Speaker 2: when people don't have a sense. I want to smell something.

1126
00:49:52,840 --> 00:49:54,359
Speaker 2: You gotta leave something for them to.

1127
00:49:54,360 --> 00:49:56,600
Speaker 1: Remember you by. If you hug a man, he's gonna

1128
00:49:56,640 --> 00:49:58,719
Speaker 1: be like, ooh, I remember she smelled so good. Girl.

1129
00:49:58,800 --> 00:50:00,920
Speaker 1: Spray your hair house, pray it down now.

1130
00:50:01,000 --> 00:50:04,839
Speaker 2: Don't spray it over a funk now, but make sure

1131
00:50:05,080 --> 00:50:07,440
Speaker 2: you gotta smell like a little something. I get being natural,

1132
00:50:07,480 --> 00:50:12,200
Speaker 2: but spray yourself down. And I feel like you attract

1133
00:50:12,480 --> 00:50:15,120
Speaker 2: what you really want to attract. If you feel like

1134
00:50:15,160 --> 00:50:17,360
Speaker 2: that's the type of man you deserve, make sure you

1135
00:50:17,440 --> 00:50:19,200
Speaker 2: keep your standards high. I feel like a lot of

1136
00:50:19,200 --> 00:50:22,239
Speaker 2: times with men and women, we say, we want this

1137
00:50:22,360 --> 00:50:25,239
Speaker 2: type of person, but you aren't doing those type of

1138
00:50:25,320 --> 00:50:28,400
Speaker 2: things to attract that type of person. One and two

1139
00:50:29,000 --> 00:50:31,880
Speaker 2: when you feel like, oh, well this person he doesn't

1140
00:50:31,880 --> 00:50:34,160
Speaker 2: meet this criteria, but he meets this one, so I'll

1141
00:50:34,160 --> 00:50:37,000
Speaker 2: just deal with him. You be lowering your standards just

1142
00:50:37,040 --> 00:50:41,840
Speaker 2: because because you're lonely. Cause lonliness they say money, but longliness,

1143
00:50:41,960 --> 00:50:42,839
Speaker 2: it's make you do.

1144
00:50:42,840 --> 00:50:44,040
Speaker 1: Some evil shit too.

1145
00:50:44,400 --> 00:50:46,480
Speaker 2: You be fucking with people you ain't got no business.

1146
00:50:46,560 --> 00:50:49,040
Speaker 2: You be texting people you ain't got no business. So yeah,

1147
00:50:49,080 --> 00:50:51,640
Speaker 2: I feel like, make this your standard and keep it

1148
00:50:51,680 --> 00:50:53,319
Speaker 2: there no matter what.

1149
00:50:54,480 --> 00:50:57,040
Speaker 1: That's how I feel. What about how you think she

1150
00:50:57,080 --> 00:50:58,320
Speaker 1: can attract her.

1151
00:50:58,280 --> 00:51:03,960
Speaker 2: Little eighty thousand, one hundred thousand country boy.

1152
00:51:04,760 --> 00:51:07,520
Speaker 4: What else she says she don't wear? She says she natural.

1153
00:51:08,239 --> 00:51:10,560
Speaker 1: She said, yeah, nothing wrong with being natural. I like

1154
00:51:10,680 --> 00:51:11,040
Speaker 1: the mask.

1155
00:51:11,080 --> 00:51:13,840
Speaker 5: She says she don't wear clothing. She don't wear certain

1156
00:51:13,880 --> 00:51:16,439
Speaker 5: types of clothing, makeup, perfumes are.

1157
00:51:16,440 --> 00:51:19,120
Speaker 4: Huge and doesn't left to work. But a kofee.

1158
00:51:24,600 --> 00:51:25,200
Speaker 1: Showing up.

1159
00:51:26,960 --> 00:51:34,440
Speaker 2: Chuck and a kofe with no perfume girl.

1160
00:51:36,160 --> 00:51:36,440
Speaker 1: Good?

1161
00:51:36,600 --> 00:51:39,759
Speaker 2: Look now with that, big said, I feel like it

1162
00:51:39,760 --> 00:51:41,440
Speaker 2: don't matter what you have on to me, it's all

1163
00:51:41,440 --> 00:51:43,840
Speaker 2: about how you present yourself personally.

1164
00:51:44,080 --> 00:51:45,600
Speaker 1: But I don't know.

1165
00:51:45,760 --> 00:51:49,439
Speaker 2: I feel like men are visual creatures, though I don't

1166
00:51:49,440 --> 00:51:51,760
Speaker 2: know you're you're a visual creature.

1167
00:51:52,360 --> 00:51:54,520
Speaker 4: I think, yeah, I think everybody is.

1168
00:51:54,560 --> 00:51:58,600
Speaker 5: Though, yeah, I mean, well sometimes everybody like the city.

1169
00:51:58,920 --> 00:52:00,880
Speaker 1: Yeah, it's exactly.

1170
00:52:01,160 --> 00:52:04,560
Speaker 2: It's not necessarily how you look, it's how you're put together.

1171
00:52:05,120 --> 00:52:08,279
Speaker 2: Because I've seen some men who aren't necessarily the most

1172
00:52:08,280 --> 00:52:10,360
Speaker 2: attractive guys, but they put it together and they know

1173
00:52:10,400 --> 00:52:10,959
Speaker 2: how to talk.

1174
00:52:11,400 --> 00:52:12,400
Speaker 1: Same thing for the women.

1175
00:52:12,719 --> 00:52:15,680
Speaker 2: I've seen some women who necessarily aren't the most beautiful women,

1176
00:52:15,719 --> 00:52:17,120
Speaker 2: but they know how to put it together and they

1177
00:52:17,160 --> 00:52:17,840
Speaker 2: know how to talk.

1178
00:52:18,160 --> 00:52:19,360
Speaker 1: So if you can put.

1179
00:52:19,160 --> 00:52:23,480
Speaker 2: That shit together, your coofie and your converse, yeah you

1180
00:52:23,520 --> 00:52:24,560
Speaker 2: can get whatever you want.

1181
00:52:24,840 --> 00:52:26,520
Speaker 4: I agree. Shout out to her.

1182
00:52:26,800 --> 00:52:27,880
Speaker 1: Shout out to that queen.

1183
00:52:28,800 --> 00:52:31,440
Speaker 4: She's not asking for too much, though, everything that she

1184
00:52:31,520 --> 00:52:33,520
Speaker 4: listed and that she wanted a dude didn't seem like

1185
00:52:33,560 --> 00:52:34,520
Speaker 4: she's asking for too much.

1186
00:52:34,719 --> 00:52:35,800
Speaker 1: She wasn't at all.

1187
00:52:36,840 --> 00:52:37,759
Speaker 4: Think so what you think?

1188
00:52:38,840 --> 00:52:39,200
Speaker 1: You know?

1189
00:52:40,760 --> 00:52:44,560
Speaker 5: I think she should put on some perfumes, makeup, eat

1190
00:52:44,600 --> 00:52:47,359
Speaker 5: them heels occasionally I feel like.

1191
00:52:47,320 --> 00:52:51,320
Speaker 2: A heel occasionally a hell okay, but make up sometimes

1192
00:52:51,320 --> 00:52:53,240
Speaker 2: people actually look better without making.

1193
00:52:53,120 --> 00:52:54,919
Speaker 5: I mean, I think a lot of people look better

1194
00:52:54,960 --> 00:52:57,919
Speaker 5: without makeup. I think a lot of people look better

1195
00:52:57,960 --> 00:53:01,120
Speaker 5: without makeup. However, you need it times. You can't go

1196
00:53:01,239 --> 00:53:04,560
Speaker 5: everywhere with no makeup. And I'm sorry, I am Alicia

1197
00:53:04,640 --> 00:53:07,960
Speaker 5: Keys with like a word. She do that now, but

1198
00:53:08,040 --> 00:53:13,439
Speaker 5: she and she makes make it worse. Right, she looks,

1199
00:53:13,520 --> 00:53:16,800
Speaker 5: but she's been Alicia Keys when she decided to stop

1200
00:53:16,840 --> 00:53:22,839
Speaker 5: wearing makeup. She wasn't wearing Commerce and Coofee can't do that.

1201
00:53:22,960 --> 00:53:24,200
Speaker 1: What Alicia Keys.

1202
00:53:24,000 --> 00:53:26,360
Speaker 4: Doing Converse and Coofie is crazy?

1203
00:53:26,560 --> 00:53:27,359
Speaker 1: You said it.

1204
00:53:29,680 --> 00:53:30,680
Speaker 6: Yeah, that's what I'm saying.

1205
00:53:31,360 --> 00:53:32,920
Speaker 1: She can put a little muse beauty on.

1206
00:53:34,040 --> 00:53:37,319
Speaker 5: She can start somewhere. I'm not even saying she gotta

1207
00:53:37,360 --> 00:53:40,520
Speaker 5: start with mus you know, but she needs to start somewhere.

1208
00:53:40,719 --> 00:53:44,480
Speaker 5: Like you don't wear makeup, perfume or heels, Like what

1209
00:53:44,560 --> 00:53:45,120
Speaker 5: is you doing?

1210
00:53:45,480 --> 00:53:45,680
Speaker 1: Yeah?

1211
00:53:45,680 --> 00:53:47,800
Speaker 2: I feel like you need at something. You're just outside

1212
00:53:47,840 --> 00:53:48,360
Speaker 2: with nothing.

1213
00:53:48,400 --> 00:53:52,840
Speaker 5: You raw, you naked, raw, you rawney street, You just

1214
00:53:52,880 --> 00:53:53,880
Speaker 5: outside raw.

1215
00:53:53,719 --> 00:53:55,520
Speaker 1: Dog in it. That's wild.

1216
00:53:56,000 --> 00:53:59,200
Speaker 2: Yeah, nobody gonna remember you about and you want to

1217
00:53:59,520 --> 00:54:04,200
Speaker 2: you think of Okay, they don't remember her. Kofee right,

1218
00:54:04,440 --> 00:54:06,000
Speaker 2: if you got a bitch and the cookie you'll be like,

1219
00:54:06,000 --> 00:54:06,640
Speaker 2: oh damn.

1220
00:54:06,520 --> 00:54:10,000
Speaker 5: That is her, and you think he gonna see hugging,

1221
00:54:10,000 --> 00:54:11,160
Speaker 5: and remember that he might.

1222
00:54:11,360 --> 00:54:12,360
Speaker 4: I'm never gonna forget.

1223
00:54:12,400 --> 00:54:16,120
Speaker 6: Okay, what would you go with her?

1224
00:54:16,160 --> 00:54:16,359
Speaker 4: Though?

1225
00:54:16,520 --> 00:54:17,680
Speaker 6: Would they be your girls?

1226
00:54:18,239 --> 00:54:18,800
Speaker 4: Is she bad?

1227
00:54:19,040 --> 00:54:19,560
Speaker 6: No maker?

1228
00:54:20,320 --> 00:54:30,240
Speaker 2: No huels that exactly, She's still bad, little musky.

1229
00:54:31,719 --> 00:54:33,640
Speaker 1: It says nothing about being musky because she.

1230
00:54:33,560 --> 00:54:35,960
Speaker 4: Could wear scented lotion like Japanese chair block or something

1231
00:54:35,960 --> 00:54:39,040
Speaker 4: like that. It ain't chair basic, you know what I mean?

1232
00:54:39,520 --> 00:54:40,560
Speaker 4: It like a little.

1233
00:54:40,400 --> 00:54:43,960
Speaker 1: Japanese terrible, a little cucumber meling.

1234
00:54:44,320 --> 00:54:44,560
Speaker 4: Yeah.

1235
00:54:44,840 --> 00:54:46,759
Speaker 5: I just feel like if you don't wear perfume, you're

1236
00:54:46,760 --> 00:54:49,319
Speaker 5: a little misty, all.

1237
00:54:49,320 --> 00:54:52,640
Speaker 2: Right, man, Because you probably don't wear sny deodorant either.

1238
00:54:52,680 --> 00:54:55,080
Speaker 2: You probably just trying to keep it all natural around.

1239
00:54:55,239 --> 00:54:57,160
Speaker 2: And I'm not gonna lie to y'all. It's summertime, it's

1240
00:54:57,160 --> 00:55:00,120
Speaker 2: hot outside. Please get y'all the odorant with aluminum. You

1241
00:55:00,360 --> 00:55:04,799
Speaker 2: stop extra aluminum because it was getting too loud the

1242
00:55:04,840 --> 00:55:08,320
Speaker 2: other day where I was at. I'm gonna tell you pooky,

1243
00:55:09,880 --> 00:55:15,560
Speaker 2: but yeah, please get y'all deodorant with extra aluminum, all right, Nando, Yeah,

1244
00:55:15,800 --> 00:55:18,359
Speaker 2: let the people know where they can find you all

1245
00:55:18,400 --> 00:55:21,160
Speaker 2: your music, for sure, Instagram, the website.

1246
00:55:21,200 --> 00:55:22,120
Speaker 1: What you got coming up?

1247
00:55:22,160 --> 00:55:22,839
Speaker 6: All that? Good ship?

1248
00:55:23,080 --> 00:55:26,040
Speaker 4: For sure? My name Nando str. You can find my

1249
00:55:26,160 --> 00:55:29,759
Speaker 4: music everywhere. Just search Nando str n A, N D

1250
00:55:29,840 --> 00:55:31,279
Speaker 4: O S t A. You can follow me on all

1251
00:55:31,360 --> 00:55:34,759
Speaker 4: platforms in Nando stru. I'm going on tour pain in

1252
00:55:34,800 --> 00:55:36,839
Speaker 4: a few weeks. We're doing Escape from West Can.

1253
00:55:37,120 --> 00:55:37,640
Speaker 1: I can't wait.

1254
00:55:37,960 --> 00:55:39,640
Speaker 4: Yeah, that's gonna be crazy. So you can see us

1255
00:55:39,640 --> 00:55:40,480
Speaker 4: at any of them shows.

1256
00:55:40,520 --> 00:55:43,279
Speaker 1: Give me a little ticket.

1257
00:55:43,400 --> 00:55:46,719
Speaker 4: I don't see you just for show for sure, for sure, I.

1258
00:55:46,680 --> 00:55:47,279
Speaker 1: Gotta stick it.

1259
00:55:47,440 --> 00:55:52,280
Speaker 4: We're gonna be a v I p on't e. Sorry,

1260
00:55:52,719 --> 00:55:55,520
Speaker 4: No you good? The up?

1261
00:55:55,600 --> 00:55:57,400
Speaker 1: What about the album? You got a project?

1262
00:55:57,560 --> 00:56:00,640
Speaker 4: Yeah, You're the eight. It dropped of May nineteen this Friday.

1263
00:56:01,040 --> 00:56:01,680
Speaker 6: Why did you name?

1264
00:56:02,719 --> 00:56:04,840
Speaker 4: I got a nickname at home. Everybody called me the

1265
00:56:04,880 --> 00:56:07,880
Speaker 4: Gorilla because of like my statue and seriousness, you know

1266
00:56:07,880 --> 00:56:09,160
Speaker 4: what I mean, Joe.

1267
00:56:09,080 --> 00:56:13,160
Speaker 1: Little yeah, swinging that baseball back.

1268
00:56:14,440 --> 00:56:16,719
Speaker 4: So yeah, basically, I just was having a rough year

1269
00:56:17,080 --> 00:56:19,240
Speaker 4: before I start writing. Now, I wrote it before I signed,

1270
00:56:19,760 --> 00:56:22,399
Speaker 4: and then I just was tired of being like sad

1271
00:56:22,440 --> 00:56:24,799
Speaker 4: all the goddamn time. So every day I would say

1272
00:56:24,800 --> 00:56:26,600
Speaker 4: this my day or this is my week, and then

1273
00:56:26,600 --> 00:56:28,279
Speaker 4: when good Year started to happen and I signed my

1274
00:56:28,320 --> 00:56:29,560
Speaker 4: deal and everything, I'm like this my.

1275
00:56:29,640 --> 00:56:33,879
Speaker 2: Year, and I named it that all right, I'm gonna

1276
00:56:33,880 --> 00:56:36,800
Speaker 2: be looking for it now. So by the time this drop,

1277
00:56:37,280 --> 00:56:38,959
Speaker 2: the girl's gonna be and the girls and the boys

1278
00:56:39,040 --> 00:56:40,680
Speaker 2: gonna be able to check it out. So year the

1279
00:56:40,760 --> 00:56:45,239
Speaker 2: eight Nanzo st L came and kicked it with the

1280
00:56:45,320 --> 00:56:48,080
Speaker 2: poor crew today. Thank you so much for coming through.

1281
00:56:48,120 --> 00:56:50,919
Speaker 2: I didn't harass you too much.

1282
00:56:52,560 --> 00:56:53,560
Speaker 4: Yeah, you gotta come back.

1283
00:56:55,160 --> 00:56:58,160
Speaker 1: And I see you on and in the stew so.

1284
00:56:58,120 --> 00:56:58,920
Speaker 4: We gotta follow up.

1285
00:56:59,360 --> 00:57:00,720
Speaker 1: Yeah, we're going at the studio.

1286
00:57:01,040 --> 00:57:04,840
Speaker 4: Let's do it. You gotta record dress.

1287
00:57:04,880 --> 00:57:07,240
Speaker 1: Shut your ass up. Girl.

1288
00:57:07,719 --> 00:57:10,880
Speaker 5: I ain't said nothing else. I just I'm gonna be

1289
00:57:10,920 --> 00:57:13,000
Speaker 5: there whenever y'all go to the studio. I'm gonna come

1290
00:57:13,120 --> 00:57:15,399
Speaker 5: just so I could weakness see, because I don't think

1291
00:57:15,400 --> 00:57:16,160
Speaker 5: it's gonna happy.

1292
00:57:16,480 --> 00:57:17,040
Speaker 4: I'm with it.

1293
00:57:17,160 --> 00:57:21,400
Speaker 1: You're the eight two dropping sooner. We'll see y'all next week,

1294
00:57:21,600 --> 00:57:27,960
Speaker 1: by y'all. Bye, y'all. What's up y'all at your girl expe?

1295
00:57:28,440 --> 00:57:30,600
Speaker 2: Is your girls draining the call and we are here

1296
00:57:30,640 --> 00:57:33,760
Speaker 2: to talk to y'all about good day since dot com.

1297
00:57:33,880 --> 00:57:37,040
Speaker 5: Yes, I love me a good candle and Good Day

1298
00:57:37,120 --> 00:57:41,320
Speaker 5: Sense candlesmells so good and their sweeves candles my face.

1299
00:57:41,440 --> 00:57:45,120
Speaker 2: So there's nothing better than getting your house super clean,

1300
00:57:45,920 --> 00:57:49,040
Speaker 2: my fans sweeping all that good stuff and lighting and candle.

1301
00:57:49,080 --> 00:57:52,000
Speaker 1: And let me tell you, my favorite scent is black love.

1302
00:57:52,360 --> 00:57:54,560
Speaker 1: I like to manifest that in the air because that's

1303
00:57:54,600 --> 00:57:55,280
Speaker 1: what I want.

1304
00:57:56,000 --> 00:57:57,600
Speaker 6: And so what is vanilla?

1305
00:57:57,680 --> 00:57:59,320
Speaker 1: You? I feel like you can never go wrong with

1306
00:57:59,360 --> 00:58:02,080
Speaker 1: the vanilla. I mean it's fall time. That's the kind

1307
00:58:02,080 --> 00:58:02,920
Speaker 1: of sense we need.

1308
00:58:02,960 --> 00:58:06,680
Speaker 2: So also, you can use code po you are that

1309
00:58:07,320 --> 00:58:08,680
Speaker 2: core and get.

1310
00:58:08,520 --> 00:58:11,680
Speaker 1: Twenty five percent off of your orders. So go to

1311
00:58:11,760 --> 00:58:12,320
Speaker 1: good Day.

1312
00:58:12,280 --> 00:58:15,440
Speaker 2: Since dot com and get your candle and use our

1313
00:58:15,520 --> 00:58:18,160
Speaker 2: discount code and have your house smelling good.

1314
00:58:19,880 --> 00:58:21,240
Speaker 4: Hey, what's up Jackson?

1315
00:58:21,400 --> 00:58:22,880
Speaker 1: Mississippian name?

1316
00:58:23,880 --> 00:58:26,760
Speaker 4: I'm gonna be there at the Thallion Marie. Is it

1317
00:58:26,840 --> 00:58:30,280
Speaker 4: the Thallion Marie or the Thallion Mark, It don't matter. Well,

1318
00:58:30,320 --> 00:58:31,920
Speaker 4: you know what I'm talking about, the name, but one

1319
00:58:31,960 --> 00:58:33,680
Speaker 4: of them is Jackson. May stop playing with me.

1320
00:58:34,360 --> 00:58:36,360
Speaker 7: I don't know that the exact name of the places,

1321
00:58:36,440 --> 00:58:38,680
Speaker 7: but you know because you live in Jackson, So pull

1322
00:58:38,800 --> 00:58:41,920
Speaker 7: up on me. It's August fourth. I'll be at the Thallion.

1323
00:58:42,560 --> 00:58:45,480
Speaker 7: I call it the Thallion, Marie. I just feel like

1324
00:58:45,520 --> 00:58:48,280
Speaker 7: that's a nice Southern name for the place. Pull up

1325
00:58:48,320 --> 00:58:51,200
Speaker 7: on me, bring me some gas stations, chicken on the stick,

1326
00:58:51,280 --> 00:58:55,640
Speaker 7: and some potato loss real Mississippi shit, I'll be there.

1327
00:58:56,120 --> 00:58:57,160
Speaker 4: I don't worry about nothing.

1328
00:59:00,320 --> 00:59:04,280
Speaker 2: Oh no, no, no no, I'm so horny and I

1329
00:59:04,320 --> 00:59:05,720
Speaker 2: want you to FuG me.

1330
00:59:06,720 --> 00:59:09,600
Speaker 1: Oh wait, I messed up by this shit?

1331
00:59:09,880 --> 00:59:10,080
Speaker 4: Wait?

1332
00:59:10,120 --> 00:59:12,120
Speaker 1: Can we start over? My bad? My bad, I'm sorry,

1333
00:59:12,160 --> 00:59:16,480
Speaker 1: start over. Don't kind of see the story. So horny

1334
00:59:16,560 --> 00:59:18,720
Speaker 1: and I want you to FuG me.

1335
00:59:19,800 --> 00:59:23,280
Speaker 2: I'm trying to master beg and got my body shake

1336
00:59:23,480 --> 00:59:28,400
Speaker 2: and no a gasm fake and win me ooh no, no,

1337
00:59:28,720 --> 00:59:32,120
Speaker 2: no no, I'm so horny and now I want you

1338
00:59:32,400 --> 00:59:33,120
Speaker 2: to FuG me.

1339
00:59:34,200 --> 00:59:39,600
Speaker 1: I hope you're ready for love and beautiful nut. I

1340
00:59:39,760 --> 00:59:41,520
Speaker 1: lone me now.

1341
00:59:41,560 --> 00:59:44,400
Speaker 2: I'm just sitting in my lusure race if been on

1342
00:59:44,480 --> 00:59:47,800
Speaker 2: some alizade trying to form your laid all the ways

1343
00:59:47,880 --> 00:59:52,160
Speaker 2: I can make you say, ooh baby, right then, don't

1344
00:59:52,240 --> 00:59:55,200
Speaker 2: start putting it in your mouth. Hoill it Brownson, you

1345
00:59:55,320 --> 00:59:59,200
Speaker 2: make it pop. I'm gonna make you sweat. Will you

1346
00:59:59,320 --> 01:00:04,720
Speaker 2: go down in between mylence? You gonna be fantasizing bout

1347
01:00:04,760 --> 01:00:06,000
Speaker 2: these lovely thighs.

1348
01:00:06,040 --> 01:00:09,560
Speaker 1: It's gonna be hypnotizes and want you come on and see.

1349
01:00:10,080 --> 01:00:14,000
Speaker 1: Oh no, no, no no, I'm so horny and I

1350
01:00:14,040 --> 01:00:18,160
Speaker 1: want you to FuG me. I'm trying to master bag

1351
01:00:18,360 --> 01:00:21,960
Speaker 1: and got my body shake and a gasm back and

1352
01:00:22,120 --> 01:00:23,200
Speaker 1: win meat.

1353
01:00:24,240 --> 01:00:28,200
Speaker 2: Oh no, no no, now, I'm so horny and I

1354
01:00:28,240 --> 01:00:29,600
Speaker 2: want you to FuG me.

1355
01:00:30,720 --> 01:00:33,959
Speaker 1: I hope you're ready for up because I got mother enough.

1356
01:00:34,120 --> 01:00:38,040
Speaker 1: Come bust a beautiful nut I loane me, Come bust

1357
01:00:38,120 --> 01:00:42,200
Speaker 1: that nud all on my baby. Come bust that nut

1358
01:00:43,280 --> 01:00:49,720
Speaker 1: all loan my baby bear. What is then? Come? She

1359
01:00:49,800 --> 01:00:53,360
Speaker 1: said that, Come bust up beauty, Come bust a.

1360
01:00:53,480 --> 01:00:59,080
Speaker 2: Beautiful nut allrome me beautiful, hold homeie.

1361
01:01:00,120 --> 01:01:06,560
Speaker 1: He yeah