1 00:00:03,200 --> 00:00:05,240 Speaker 1: Welcome back to More to It to show the text 2 00:00:05,280 --> 00:00:08,240 Speaker 1: a deep dive into the biggest stories in sports, entertainment, 3 00:00:08,240 --> 00:00:08,799 Speaker 1: and culture. 4 00:00:09,119 --> 00:00:10,200 Speaker 2: Start with headline news and. 5 00:00:10,200 --> 00:00:13,800 Speaker 1: Then journey to deeper conversations, always finding those life lessons 6 00:00:13,840 --> 00:00:16,640 Speaker 1: that are presented in every single story. I'm your host, 7 00:00:16,920 --> 00:00:20,280 Speaker 1: Marcel Swilely. That dude that started off like we always 8 00:00:20,320 --> 00:00:23,959 Speaker 1: started off with, what's up with that dude? I was 9 00:00:24,000 --> 00:00:28,640 Speaker 1: in the backyard yesterday had a visitor, an event planner 10 00:00:28,680 --> 00:00:31,960 Speaker 1: that I've known for over maybe thirty years at least 11 00:00:31,960 --> 00:00:35,960 Speaker 1: in the twenties for sure. My man Darren Matthews got 12 00:00:35,960 --> 00:00:39,280 Speaker 1: to give him the full name government name because he 13 00:00:39,360 --> 00:00:41,800 Speaker 1: used to throw those parties when I was younger that 14 00:00:41,920 --> 00:00:45,320 Speaker 1: I heard about and I couldn't get into, like you know, in. 15 00:00:45,240 --> 00:00:47,880 Speaker 2: College, and you hear about all those Laker parties. 16 00:00:47,479 --> 00:00:52,440 Speaker 1: And stuff, and then you look up and Darren Matthews 17 00:00:52,560 --> 00:00:56,240 Speaker 1: man did a lot with Shack all those kind of casts, 18 00:00:56,280 --> 00:00:57,960 Speaker 1: and then I could get into those parties. 19 00:00:58,200 --> 00:01:01,200 Speaker 2: And LA had like everything, and we always had rivalries. 20 00:01:01,200 --> 00:01:04,040 Speaker 1: We had west Side, east Side, we had crypt Blood, right, 21 00:01:04,240 --> 00:01:07,080 Speaker 1: we had Darren Matthews, and then we had Dave and Daryl, 22 00:01:07,920 --> 00:01:09,640 Speaker 1: you know what I mean, And I went with Dave 23 00:01:09,680 --> 00:01:13,240 Speaker 1: and Daryl because I was in the zone and they 24 00:01:13,240 --> 00:01:16,080 Speaker 1: were more accessible in the moment when I first met him. 25 00:01:16,160 --> 00:01:19,040 Speaker 2: And now they blew up too. I helped a little bit. 26 00:01:19,120 --> 00:01:19,920 Speaker 2: Kn't lie about that. 27 00:01:21,200 --> 00:01:23,440 Speaker 1: They boys with Jamie Fox, did all those big Jamie 28 00:01:23,440 --> 00:01:26,119 Speaker 1: Fox parties. They Brown and Jamie Fox super tight, if 29 00:01:26,120 --> 00:01:31,080 Speaker 1: not best friends. So anyway, Darren came through yesterday, man, 30 00:01:31,120 --> 00:01:33,880 Speaker 1: and we're doing some of the foundation stuff and we're 31 00:01:34,120 --> 00:01:37,760 Speaker 1: looking obviously at public parties, but also some private charity parties. 32 00:01:37,800 --> 00:01:42,720 Speaker 1: So how do you dress up your backyard to entertain 33 00:01:42,760 --> 00:01:46,080 Speaker 1: your folks, your people? You know, some watch parties. I 34 00:01:46,160 --> 00:01:49,040 Speaker 1: really on the Chargers road games. I like to stay 35 00:01:49,040 --> 00:01:51,240 Speaker 1: at the crib. I don't go to the Rams home games. 36 00:01:51,520 --> 00:01:54,080 Speaker 1: Gotta stay loyal. I'm gonna go to one. Now I 37 00:01:54,160 --> 00:01:54,480 Speaker 1: gonna lie. 38 00:01:54,480 --> 00:01:56,360 Speaker 2: I'm going to that Eagles game. All right, he got invited. 39 00:01:56,400 --> 00:01:59,720 Speaker 1: I'm like, yeah, boy, But you know, throw our foundation 40 00:01:59,800 --> 00:02:04,000 Speaker 1: parties and just have people walking around having fun fundation 41 00:02:04,160 --> 00:02:07,279 Speaker 1: as I call it, and just chilling, you know, kid friendly. 42 00:02:07,320 --> 00:02:10,320 Speaker 1: So the kids in the pool, kids up there playing basketball, 43 00:02:10,520 --> 00:02:12,679 Speaker 1: you know, and then we're gonna have some pickleball tournaments. 44 00:02:12,840 --> 00:02:17,520 Speaker 2: Yeah. Three point contests, tournaments. Yeah, we're gonna raise some money. Yeah. 45 00:02:17,560 --> 00:02:20,840 Speaker 1: So Darren came through, helped me envision that, help me 46 00:02:21,440 --> 00:02:23,840 Speaker 1: figure out what that looks like. So all love to 47 00:02:24,080 --> 00:02:26,799 Speaker 1: d Matthews used to run the Sentry Club too, or 48 00:02:26,800 --> 00:02:28,280 Speaker 1: at least being involved with that. 49 00:02:28,320 --> 00:02:30,440 Speaker 2: And if y'all know La, and y'all know the Sentry Club, 50 00:02:30,960 --> 00:02:33,960 Speaker 2: that was the Apex that was the biggest dog. 51 00:02:34,360 --> 00:02:37,760 Speaker 1: I think LA has ever had someone say Graystone or 52 00:02:37,800 --> 00:02:39,399 Speaker 1: what they call it now Nightingale. 53 00:02:39,440 --> 00:02:40,240 Speaker 2: I don't know about that. 54 00:02:41,000 --> 00:02:43,239 Speaker 1: I'm telling y'all, boy, I'm talking about when they have 55 00:02:43,360 --> 00:02:47,000 Speaker 1: drink tickets and VIP wristbands like it used to be 56 00:02:47,240 --> 00:02:48,400 Speaker 1: a parte. 57 00:02:48,680 --> 00:02:50,160 Speaker 2: And Gino at the door. 58 00:02:50,400 --> 00:02:53,720 Speaker 1: Asked anybody in LA around my age about Geno, They 59 00:02:53,800 --> 00:02:54,799 Speaker 1: all gonna shrink. 60 00:02:55,120 --> 00:02:57,600 Speaker 2: Damn. Gino was hard to get along with. 61 00:02:57,720 --> 00:03:00,239 Speaker 1: To the point where he did his job was the 62 00:03:00,280 --> 00:03:03,480 Speaker 1: point former policeman, so he wasn't scared of nothing. 63 00:03:04,360 --> 00:03:05,160 Speaker 2: Doorman too. 64 00:03:05,560 --> 00:03:07,959 Speaker 1: And Gino when he got on my good side, or 65 00:03:08,000 --> 00:03:09,560 Speaker 1: I should say I got on his good side. 66 00:03:09,880 --> 00:03:11,000 Speaker 2: Oh life change. 67 00:03:11,520 --> 00:03:13,600 Speaker 1: I rolled up there with all the ladies, all the 68 00:03:13,639 --> 00:03:16,639 Speaker 1: homies on Gino like got you, Wally, but you always 69 00:03:16,639 --> 00:03:18,800 Speaker 1: had to shake his hand with a Benjamin or at 70 00:03:18,880 --> 00:03:20,960 Speaker 1: least some president, maybe even bigger than that. 71 00:03:21,120 --> 00:03:23,920 Speaker 2: So love to all that man. It was a good time. 72 00:03:24,040 --> 00:03:27,520 Speaker 1: And after that we filmed for my wife what She's 73 00:03:27,560 --> 00:03:28,680 Speaker 1: got going on her show. 74 00:03:28,760 --> 00:03:29,320 Speaker 2: That was love. 75 00:03:31,040 --> 00:03:35,160 Speaker 1: You know, it's weird still because scandals always occurred, then 76 00:03:35,200 --> 00:03:37,800 Speaker 1: they got to talk about it, which makes me feel scandalous, 77 00:03:38,000 --> 00:03:41,560 Speaker 1: right because I'm the husband of somebody who knows people 78 00:03:41,560 --> 00:03:43,920 Speaker 1: that are in scandals, and then we're sitting there talking 79 00:03:43,920 --> 00:03:46,640 Speaker 1: about it. And the way I operate is I talk 80 00:03:46,720 --> 00:03:49,400 Speaker 1: to the person in the scandal. I don't talk around 81 00:03:49,440 --> 00:03:52,680 Speaker 1: it or talk about it to anybody else to get. 82 00:03:52,600 --> 00:03:55,680 Speaker 2: Information and intel, and oh why should I approach it? 83 00:03:55,720 --> 00:03:58,520 Speaker 1: Matter of fact, I get perturbed when people call me 84 00:03:58,600 --> 00:04:00,840 Speaker 1: about somebody else. I'm like, why you just call him? 85 00:04:01,040 --> 00:04:03,160 Speaker 1: Oh no, No, I'm just saying. I'm like, that's the 86 00:04:03,200 --> 00:04:08,480 Speaker 1: most empty phrase in our vocabulary. I'm just saying, start 87 00:04:08,520 --> 00:04:11,240 Speaker 1: catching people when they say, I'm just saying, everybody out there, 88 00:04:11,240 --> 00:04:13,120 Speaker 1: I'm just saying. I'm just saying when they say that, 89 00:04:14,120 --> 00:04:17,440 Speaker 1: shoot the idea down, may dog chill. So you know, 90 00:04:17,560 --> 00:04:20,240 Speaker 1: we sitting there discussing somebody else's problems. I'm like, one 91 00:04:20,279 --> 00:04:22,360 Speaker 1: it feels like it's my problem right now, and I'm 92 00:04:22,360 --> 00:04:24,560 Speaker 1: not a fan of that. But two, if there's a 93 00:04:24,560 --> 00:04:27,640 Speaker 1: direct approach, there's a direct flight to that destination instead 94 00:04:27,680 --> 00:04:31,120 Speaker 1: of this layover you're doing with me. I ain't so layover. 95 00:04:31,279 --> 00:04:33,760 Speaker 1: So all love, man, we got it in. It was 96 00:04:33,839 --> 00:04:37,280 Speaker 1: good time. Itdy biddies are now just running around. It's 97 00:04:37,400 --> 00:04:39,800 Speaker 1: vacation mode. So I like them to vacate, you know. 98 00:04:39,920 --> 00:04:42,719 Speaker 1: I like their minds to just go off in the 99 00:04:42,800 --> 00:04:45,240 Speaker 1: sense of when they're in school, they got to go 100 00:04:45,279 --> 00:04:47,760 Speaker 1: through a lot. One kids got to be on their 101 00:04:47,800 --> 00:04:49,760 Speaker 1: best behavior at school. And if you ever talk to 102 00:04:49,800 --> 00:04:53,240 Speaker 1: your teachers, you realize your kids are much better in 103 00:04:53,320 --> 00:04:55,280 Speaker 1: terms of their behavior at school than they are at 104 00:04:55,279 --> 00:04:57,240 Speaker 1: home because at home they're testing their limits. At home, 105 00:04:57,279 --> 00:05:00,480 Speaker 1: they're learning. At home, they're just risking everything. They're risking 106 00:05:00,560 --> 00:05:03,159 Speaker 1: it all because you're gonna catch me right right, daddy. But 107 00:05:03,279 --> 00:05:06,760 Speaker 1: at school, oh man, they on some good behavior relative 108 00:05:06,880 --> 00:05:10,520 Speaker 1: to their normal behavior. So that's a lot for a 109 00:05:10,600 --> 00:05:13,479 Speaker 1: kid eight nine months is just being on and being 110 00:05:13,520 --> 00:05:16,200 Speaker 1: ready and being good. And they're three four seven years old. 111 00:05:16,200 --> 00:05:18,320 Speaker 1: Come on now, So when they get off, I let 112 00:05:18,400 --> 00:05:21,720 Speaker 1: them get off. Rest that body, Rest that brain, so 113 00:05:22,200 --> 00:05:23,599 Speaker 1: all love right here. 114 00:05:23,800 --> 00:05:24,000 Speaker 2: Now. 115 00:05:24,160 --> 00:05:27,000 Speaker 1: Something that needs the rest is the criticism that is 116 00:05:27,080 --> 00:05:29,359 Speaker 1: going on in this world right now. Well, let me 117 00:05:29,440 --> 00:05:33,840 Speaker 1: just say, let's converse sate about this criticism with Patrick 118 00:05:33,880 --> 00:05:38,520 Speaker 1: Mahomes's wife, who's under fire over a dolphin photo. Right, 119 00:05:38,800 --> 00:05:42,360 Speaker 1: y'all crazy, somebody said this is cruelty. I know where 120 00:05:42,400 --> 00:05:44,520 Speaker 1: we're going and I'm a right time, but let's get 121 00:05:44,560 --> 00:05:49,760 Speaker 1: into it, all right. So Patrick Mahons's wife, Brittany Matthews 122 00:05:49,800 --> 00:05:54,160 Speaker 1: Mahomes was called out over her quote unquote. 123 00:05:53,640 --> 00:05:56,920 Speaker 2: Ignorance of wild animals being kept in captivity. 124 00:05:57,400 --> 00:06:00,240 Speaker 1: Damn, I'm guilty too, I guess let's talk about seven 125 00:06:00,320 --> 00:06:01,800 Speaker 1: year old former I didn't know this. 126 00:06:01,880 --> 00:06:03,600 Speaker 2: She was a professional women's soccer star. 127 00:06:04,120 --> 00:06:09,320 Speaker 1: Ah DNA breathing, gotta do it right. And they shared 128 00:06:09,360 --> 00:06:13,600 Speaker 1: a photo of her swimming with dolphins while visiting a park, 129 00:06:13,760 --> 00:06:15,920 Speaker 1: and Brittany shared a series of photos with the dolphins 130 00:06:15,960 --> 00:06:17,880 Speaker 1: of the Marine theme Park, holding her daughter in her 131 00:06:18,000 --> 00:06:21,479 Speaker 1: arms while in the water, dolphins scenes swimming up to them. 132 00:06:23,000 --> 00:06:23,440 Speaker 2: Flipper. 133 00:06:23,520 --> 00:06:26,000 Speaker 1: Damn, who didn't love Flipper? Stop playing? You're trying to 134 00:06:26,000 --> 00:06:27,520 Speaker 1: tell me if I saw Flipper out there, I can't 135 00:06:27,600 --> 00:06:29,760 Speaker 1: kick it with Flipper. Call me what you want, call 136 00:06:29,800 --> 00:06:30,560 Speaker 1: me crue Flipper. 137 00:06:30,600 --> 00:06:31,680 Speaker 2: Don't think so. Shoot. 138 00:06:31,720 --> 00:06:34,480 Speaker 1: But Flipper was out in the ocean, out in the water. 139 00:06:34,560 --> 00:06:39,200 Speaker 1: I hear you, oh man. So she captured the snapshots, 140 00:06:39,320 --> 00:06:41,960 Speaker 1: and she said ever snuggled a four hundred pound dolphin. 141 00:06:42,320 --> 00:06:44,039 Speaker 1: She went on to share a number of photos in 142 00:06:44,040 --> 00:06:46,600 Speaker 1: which she was holding on to the dolphins dorsal fin 143 00:06:47,480 --> 00:06:51,000 Speaker 1: as she swam alongside to seeing, Mammo, that's dope. Like 144 00:06:51,040 --> 00:06:53,000 Speaker 1: I've seen people do that. I ain't doing that, not 145 00:06:53,120 --> 00:06:56,159 Speaker 1: because I'm scared of the dolphin or anything that he 146 00:06:56,160 --> 00:06:57,640 Speaker 1: could take me up in the air and all that. Now, 147 00:06:57,880 --> 00:06:59,880 Speaker 1: it's just when we ride. When we went third year, 148 00:07:00,160 --> 00:07:02,200 Speaker 1: sucker there, you know how much water coming in your 149 00:07:02,240 --> 00:07:04,000 Speaker 1: face and your nose. You ever get water in your 150 00:07:04,000 --> 00:07:08,039 Speaker 1: nose when you go dive under go backwards and that 151 00:07:08,120 --> 00:07:09,800 Speaker 1: water again in your nose and it hits your brain. 152 00:07:09,880 --> 00:07:11,840 Speaker 2: I don't think water and brain's supposed to mix. That 153 00:07:11,960 --> 00:07:12,600 Speaker 2: sucker hurt. 154 00:07:13,040 --> 00:07:17,280 Speaker 1: So the World Animal Protection has previously slammed the keeping 155 00:07:17,280 --> 00:07:22,080 Speaker 1: of dolphins in captivity. Dolphin entertainment is extreme animal cruelty 156 00:07:22,400 --> 00:07:26,560 Speaker 1: masquerading as innocent family fund. Well, they certainly suckered me 157 00:07:27,040 --> 00:07:30,080 Speaker 1: I love going to sea World. The Animal Rights Organization 158 00:07:30,160 --> 00:07:32,160 Speaker 1: released a report this year titled. 159 00:07:31,800 --> 00:07:32,600 Speaker 2: Behind the Smile. 160 00:07:32,760 --> 00:07:34,560 Speaker 1: Oh, I need to see this so I could be 161 00:07:34,680 --> 00:07:39,120 Speaker 1: educated after investigating the impact of dolphinariums all right, citing 162 00:07:39,160 --> 00:07:43,440 Speaker 1: poor water treatment methods and use of harsh, harmful chemicals 163 00:07:43,480 --> 00:07:46,280 Speaker 1: that can cause an array of health issues, as well 164 00:07:46,280 --> 00:07:49,040 Speaker 1: as a lack of living space in their tiny tanks 165 00:07:49,040 --> 00:07:52,640 Speaker 1: that gives the animals no room to retreat from public view. 166 00:07:53,640 --> 00:07:56,880 Speaker 1: All that sounds real, I can't. It ain't no arguments there. 167 00:07:57,120 --> 00:07:58,960 Speaker 1: I'm just like, damn, what am I to do? Is 168 00:07:59,000 --> 00:08:02,160 Speaker 1: anything perfect in this world? No, let's talk about that soon. 169 00:08:02,480 --> 00:08:05,440 Speaker 1: So she got slammed and the examples include here's some quotes. 170 00:08:05,640 --> 00:08:07,880 Speaker 1: This is so disappointing and appalling that you are so 171 00:08:08,000 --> 00:08:12,360 Speaker 1: clueless to the plight of kidnapped and captive animals forced 172 00:08:12,400 --> 00:08:17,000 Speaker 1: to do this shit. Please educate yourself on dolphins in captivity. 173 00:08:17,160 --> 00:08:19,760 Speaker 1: It is hell for these beautiful creatures. This is really 174 00:08:19,800 --> 00:08:22,480 Speaker 1: disappointing that you don't recognize the cruelty. I'm sorry that 175 00:08:22,520 --> 00:08:26,120 Speaker 1: you didn't have prior knowledge that this is cruelty to dolphins, 176 00:08:26,400 --> 00:08:30,680 Speaker 1: or or maybe she did have prior knowledge and She's like, okay, 177 00:08:31,200 --> 00:08:33,720 Speaker 1: well the dolphins show is smiling, or the dolphin is 178 00:08:33,760 --> 00:08:37,839 Speaker 1: being forced to smile, or I don't care to believe that. 179 00:08:37,800 --> 00:08:40,480 Speaker 2: They're actually being mistreated. Maybe they're not. 180 00:08:40,920 --> 00:08:43,720 Speaker 1: I don't know, but they don't always say somebody's ignorant. 181 00:08:43,760 --> 00:08:46,679 Speaker 1: Sometimes people just you ever run a stop side you 182 00:08:46,720 --> 00:08:49,320 Speaker 1: ain't ignorant enough to stop at the sign. She's like, 183 00:08:49,559 --> 00:08:53,240 Speaker 1: I gotta get somewhere. Ain't nobody here who doesn't do that. 184 00:08:53,440 --> 00:08:57,480 Speaker 1: Stop signs in shopping malls that are empty never get 185 00:08:57,559 --> 00:09:02,079 Speaker 1: stopped at. I see it all the time, Like, come on, man, jaywalkin. 186 00:09:02,720 --> 00:09:05,160 Speaker 1: I'm sorry you're ignorant to the jay. Like some things, 187 00:09:05,200 --> 00:09:07,400 Speaker 1: I don't know. I'm gonna get into it, y'all. I 188 00:09:07,440 --> 00:09:09,559 Speaker 1: haven't even given you my opinion yet. So very few 189 00:09:09,600 --> 00:09:12,080 Speaker 1: comments of support, but she has some. Jesus Christ, everyone, 190 00:09:12,200 --> 00:09:14,640 Speaker 1: she's on vacation. The dolphin is not in her backyard, 191 00:09:16,040 --> 00:09:16,800 Speaker 1: even though they got. 192 00:09:16,679 --> 00:09:17,600 Speaker 2: Enough money to have one. 193 00:09:17,679 --> 00:09:20,120 Speaker 1: God dang got to have a billion on one deal, 194 00:09:20,240 --> 00:09:21,040 Speaker 1: one contract. 195 00:09:21,360 --> 00:09:24,280 Speaker 2: This calm down, Oh, I so love this. 196 00:09:24,640 --> 00:09:28,120 Speaker 1: Teaching her children to love the ocean and its inhabitants. 197 00:09:28,559 --> 00:09:32,400 Speaker 1: Loving that dolphin is precious. Okay, so let's just start 198 00:09:32,440 --> 00:09:33,240 Speaker 1: off in general. 199 00:09:33,360 --> 00:09:34,319 Speaker 2: You know how we do on this show. 200 00:09:34,360 --> 00:09:36,600 Speaker 1: We're here to learn or unlearn, but we gonna tell 201 00:09:36,760 --> 00:09:39,600 Speaker 1: the truth, which is the truth we live and then 202 00:09:39,640 --> 00:09:43,240 Speaker 1: the truth that is real. All right, So you're with Brittany, 203 00:09:43,720 --> 00:09:45,720 Speaker 1: are you with the animal rights activists? 204 00:09:45,760 --> 00:09:46,160 Speaker 2: All right? 205 00:09:47,080 --> 00:09:49,880 Speaker 1: Key word with activists a lot of times is act. 206 00:09:50,800 --> 00:09:53,160 Speaker 1: It ain't the root of it, but it's act. 207 00:09:53,480 --> 00:09:58,360 Speaker 2: Like what are you acting on? Right? Because man animal activists? Okay, 208 00:09:58,480 --> 00:09:58,880 Speaker 2: So you. 209 00:09:58,800 --> 00:10:01,600 Speaker 1: Don't eat meat right, right? Because that kills animals? 210 00:10:01,640 --> 00:10:02,880 Speaker 2: Right? You don't want to eat me? 211 00:10:02,960 --> 00:10:06,360 Speaker 1: So you're a vegetarian, right, but the pesticides kill animals 212 00:10:06,640 --> 00:10:09,240 Speaker 1: and it's bad for the environment. Oh, you don't eat 213 00:10:09,600 --> 00:10:12,040 Speaker 1: vegetables and fruits either or meat? 214 00:10:12,200 --> 00:10:14,840 Speaker 2: What do you do? You know what I mean? That's 215 00:10:14,840 --> 00:10:16,199 Speaker 2: the problem with being a crusader. 216 00:10:16,280 --> 00:10:17,720 Speaker 1: Like as soon as you point where they say you 217 00:10:17,720 --> 00:10:19,760 Speaker 1: point one finger, you got three back at you, and 218 00:10:19,800 --> 00:10:20,520 Speaker 1: the thumb is up. 219 00:10:21,240 --> 00:10:24,240 Speaker 2: Thumb is like, what's up? Right? One at you? Three 220 00:10:24,280 --> 00:10:25,320 Speaker 2: at me? What's suck? 221 00:10:25,960 --> 00:10:28,400 Speaker 1: And that's what this just feels like, Like God, dang, 222 00:10:28,520 --> 00:10:30,040 Speaker 1: I gotta go through a picket line. 223 00:10:30,440 --> 00:10:33,840 Speaker 2: I gotta go through a damn issue of going to 224 00:10:34,400 --> 00:10:35,000 Speaker 2: sea World. 225 00:10:35,559 --> 00:10:37,079 Speaker 1: But it is out there, and I'm not trying to 226 00:10:37,120 --> 00:10:40,880 Speaker 1: minimize those who feel really adamant either way. 227 00:10:40,720 --> 00:10:45,720 Speaker 2: But I don't. I am in the middle of this conversation. 228 00:10:45,880 --> 00:10:48,920 Speaker 1: So when I get SeaWorld passes, I am going with 229 00:10:49,000 --> 00:10:51,360 Speaker 1: my family and we're going to smile. And if you 230 00:10:51,480 --> 00:10:54,640 Speaker 1: getting away of that smile, you won't be smiling lung. Okay, 231 00:10:54,800 --> 00:10:57,600 Speaker 1: simple as that, But have your crusade. It's all good. 232 00:10:57,760 --> 00:11:00,439 Speaker 1: I don't know if the animals are being treated treated 233 00:11:00,520 --> 00:11:02,880 Speaker 1: or not. Humans are being mistreated. I can't hit with them. 234 00:11:03,080 --> 00:11:07,080 Speaker 1: I hang with humans. Humans are being mistreated. Shoot, man, 235 00:11:07,160 --> 00:11:09,640 Speaker 1: y'all don't even want to talk about going to some 236 00:11:09,640 --> 00:11:12,800 Speaker 1: spots in America and hang it with some cats, you know, 237 00:11:12,880 --> 00:11:14,520 Speaker 1: make it right, Make it right, make another left, and 238 00:11:14,559 --> 00:11:17,120 Speaker 1: then go through that street right there, and then stop 239 00:11:17,360 --> 00:11:19,680 Speaker 1: and then wait, let the train go by. Then go 240 00:11:19,720 --> 00:11:22,360 Speaker 1: through that alley, like go there and then see people. Man, 241 00:11:22,400 --> 00:11:25,720 Speaker 1: it's some bad I almost wish a photographer or maybe 242 00:11:25,720 --> 00:11:28,160 Speaker 1: I should get a hip to the photographer that has 243 00:11:28,240 --> 00:11:34,720 Speaker 1: taken the worst photos of America, Like not just after disaster. 244 00:11:34,760 --> 00:11:37,680 Speaker 1: I'm talking about when we're in like normal state and 245 00:11:37,720 --> 00:11:41,880 Speaker 1: then you could just look people living in disastrous situations. 246 00:11:42,200 --> 00:11:44,040 Speaker 1: I can't raise my hand to that. Even though I 247 00:11:44,120 --> 00:11:46,920 Speaker 1: was in povers right, I was poor, I was on welfare. 248 00:11:46,920 --> 00:11:49,080 Speaker 1: But I mean I had an apartment. It was itty 249 00:11:49,120 --> 00:11:52,920 Speaker 1: bitty small. My studio feel bigger than that. But still, man, 250 00:11:53,160 --> 00:11:56,600 Speaker 1: people just whoa. People just be having a lot of 251 00:11:56,720 --> 00:11:59,440 Speaker 1: time or a lot of issues with each other. Man, 252 00:11:59,559 --> 00:12:02,120 Speaker 1: how y'all view Britney's actions right there taking a damn 253 00:12:02,120 --> 00:12:03,400 Speaker 1: family to some innocent fun. 254 00:12:03,679 --> 00:12:05,240 Speaker 2: What are children to ride of? Dolphin? 255 00:12:05,320 --> 00:12:07,320 Speaker 1: And y'all talking about the dolphin talking about this apartment 256 00:12:07,360 --> 00:12:10,440 Speaker 1: too small? Y'all ain't say that when I was growing 257 00:12:10,480 --> 00:12:11,640 Speaker 1: up in that little ass apartment. 258 00:12:12,040 --> 00:12:13,559 Speaker 2: Maybe you did. That was welfare. Huh. 259 00:12:13,640 --> 00:12:15,640 Speaker 1: So the dolphins are getting well fair. I don't know 260 00:12:16,040 --> 00:12:18,960 Speaker 1: till a dolphin tells me he mad at it and 261 00:12:19,000 --> 00:12:21,720 Speaker 1: he jumping out like they feed the hell out them dolphins. 262 00:12:22,040 --> 00:12:24,439 Speaker 1: I think, if I let's just do this proposal, I'm 263 00:12:24,440 --> 00:12:27,439 Speaker 1: off this. If you in the wild, you gotta fight 264 00:12:27,520 --> 00:12:29,760 Speaker 1: for your food, right, you gotta go get it. 265 00:12:30,840 --> 00:12:34,360 Speaker 2: Versus if you're in captivity sea world. 266 00:12:35,040 --> 00:12:37,280 Speaker 1: You gotta work. But your work is like, all right, 267 00:12:37,360 --> 00:12:39,600 Speaker 1: just make them people smile, which is just jumping the air, 268 00:12:39,640 --> 00:12:41,680 Speaker 1: don't you like jumping in the air anyway out the water. 269 00:12:42,040 --> 00:12:43,800 Speaker 2: Well, here's a gang of fish, and you ain't gotta 270 00:12:43,840 --> 00:12:44,520 Speaker 2: work that hard. 271 00:12:44,679 --> 00:12:48,920 Speaker 1: Now, I think the problem is being ignorant to watching 272 00:12:49,040 --> 00:12:52,440 Speaker 1: any of these documentaries, which I never will is the 273 00:12:52,520 --> 00:12:57,160 Speaker 1: fact that, yo, how do you train them? And this 274 00:12:57,200 --> 00:12:59,360 Speaker 1: is true because I see this with dog owners, and 275 00:12:59,400 --> 00:13:02,319 Speaker 1: I gotta general stigma dog owners because they say they 276 00:13:02,320 --> 00:13:04,720 Speaker 1: love their dogs. But boy, I watch how they walk them, 277 00:13:04,920 --> 00:13:08,280 Speaker 1: and they walk them harshly. Dog stops because he want 278 00:13:08,280 --> 00:13:10,640 Speaker 1: to pee mark my territory. This is my homy hood. 279 00:13:11,080 --> 00:13:12,920 Speaker 1: You know what I'm saying, This is my hood homy. 280 00:13:12,960 --> 00:13:15,680 Speaker 1: When I say homihood, Damn, I'm drunk. Uh He's like 281 00:13:15,800 --> 00:13:21,320 Speaker 1: west side, you know, the dog is letting go. He 282 00:13:21,400 --> 00:13:23,240 Speaker 1: walks somewhere else and he smelled east side. He's like 283 00:13:23,280 --> 00:13:24,280 Speaker 1: what west side? 284 00:13:25,600 --> 00:13:30,600 Speaker 2: Right? And then whoever's walking that dog is mad? 285 00:13:30,640 --> 00:13:33,320 Speaker 1: That dog keeps stopping and to a point where they're like, yo, 286 00:13:33,400 --> 00:13:36,120 Speaker 1: this walk taking too long. Com And sometimes they used 287 00:13:36,160 --> 00:13:37,679 Speaker 1: to have choke chains. I don't think I see choke 288 00:13:37,720 --> 00:13:41,440 Speaker 1: chains anymore, right, aren't they illegal? But you're still getting choked? Ever, 289 00:13:41,480 --> 00:13:43,600 Speaker 1: put something around your neck. Ain't gotta be a choke chain. 290 00:13:43,679 --> 00:13:46,520 Speaker 1: This chain I got on right now, anything pull it out. 291 00:13:47,559 --> 00:13:51,720 Speaker 1: That dog looking like you eversen. No dog dog owners 292 00:13:51,720 --> 00:13:53,680 Speaker 1: be at the red light they turn green. Dog don't 293 00:13:53,679 --> 00:13:56,520 Speaker 1: want to walk. He'll know, he'll know what's colors. And 294 00:13:56,559 --> 00:13:58,040 Speaker 1: I see how they train them. They used to train 295 00:13:58,080 --> 00:13:59,160 Speaker 1: them with newspaper smack. 296 00:14:00,040 --> 00:14:00,199 Speaker 2: Oh. 297 00:14:00,240 --> 00:14:01,920 Speaker 1: I thought you loved dogs. What you smack them on 298 00:14:01,920 --> 00:14:03,800 Speaker 1: the booty for? So you can't smack a dolphin on 299 00:14:03,840 --> 00:14:06,320 Speaker 1: the booty too, to give them some fish. The training 300 00:14:06,360 --> 00:14:08,360 Speaker 1: part of all animals. I don't give a damn what 301 00:14:08,400 --> 00:14:08,880 Speaker 1: you're talking about. 302 00:14:08,880 --> 00:14:09,320 Speaker 2: Sept cats. 303 00:14:09,320 --> 00:14:10,840 Speaker 1: That's why I'm a cat lover. You ain't got to 304 00:14:10,840 --> 00:14:13,760 Speaker 1: train a cat. Cat come ready credit, he come ready made, 305 00:14:13,840 --> 00:14:16,400 Speaker 1: he come ready trained. Cats just come out like, well, 306 00:14:17,080 --> 00:14:19,120 Speaker 1: let's go. They don't want to deal with you. They 307 00:14:20,360 --> 00:14:23,760 Speaker 1: own the independence. So y'all on the side of Britney, 308 00:14:23,840 --> 00:14:26,040 Speaker 1: just innocent fun with the fambam damn. 309 00:14:26,760 --> 00:14:29,360 Speaker 2: Are y'all with these activists who are out there. 310 00:14:29,720 --> 00:14:32,800 Speaker 1: Saying, hey, I don't eat animals, I don't eat fruit, 311 00:14:32,840 --> 00:14:35,120 Speaker 1: I don't eat vegetables, and I don't train my dog. 312 00:14:35,760 --> 00:14:38,920 Speaker 1: I don't choke them all that stuff, man, tell me. 313 00:14:38,960 --> 00:14:42,000 Speaker 1: Besides y'all own in them comments. All right, let's get 314 00:14:42,000 --> 00:14:44,520 Speaker 1: to Megan Marco, who had the quote unquote listening to 315 00:14:44,560 --> 00:14:47,880 Speaker 1: this learn to be Black when she joined the Royals, 316 00:14:48,200 --> 00:14:55,920 Speaker 1: a broadcaster said, what MM already issue? Y'all need to 317 00:14:55,960 --> 00:14:59,520 Speaker 1: open up the borders to all ethnicities and races in 318 00:14:59,560 --> 00:15:04,040 Speaker 1: terms of actions, in terms of personalities, in terms of 319 00:15:04,040 --> 00:15:06,320 Speaker 1: the way that they demonstrate who they are. There is 320 00:15:06,360 --> 00:15:10,000 Speaker 1: no such thing. For real, it's acting black. Now, there 321 00:15:10,080 --> 00:15:13,240 Speaker 1: is a culture that will try to have borders that 322 00:15:13,360 --> 00:15:17,280 Speaker 1: people will subscribe to in thoughts, words and actions, and 323 00:15:17,400 --> 00:15:19,800 Speaker 1: that makes you a slave to that culture, even though 324 00:15:19,800 --> 00:15:24,000 Speaker 1: there's some positives I assume in that if you're trying 325 00:15:24,000 --> 00:15:26,520 Speaker 1: to tell me how I act is wrong or it's 326 00:15:26,560 --> 00:15:30,640 Speaker 1: acting anti culture, if it's acting anti black, if it's 327 00:15:30,680 --> 00:15:32,880 Speaker 1: acting actually white, you're. 328 00:15:32,720 --> 00:15:33,800 Speaker 2: Gonna have a problem with me. 329 00:15:34,120 --> 00:15:36,040 Speaker 1: So let's just see what they're talking about, because I 330 00:15:36,080 --> 00:15:37,840 Speaker 1: don't know how you learn to be black? 331 00:15:38,040 --> 00:15:40,240 Speaker 2: What does that mean with you? Fast? You get faster, 332 00:15:40,480 --> 00:15:44,080 Speaker 2: get more athletic? What is it you play ball? Back? Like? 333 00:15:44,640 --> 00:15:46,880 Speaker 2: What is black? In the first define it? There? 334 00:15:46,920 --> 00:15:49,280 Speaker 1: You dare you define it in front of somebody black? Now, 335 00:15:49,280 --> 00:15:52,000 Speaker 1: we got stereotypes and that's for everybody. But is the 336 00:15:52,040 --> 00:15:55,960 Speaker 1: stereotype what you're supposed to learn to be? Come on, broadcaster, 337 00:15:56,080 --> 00:15:58,880 Speaker 1: whoever you are. Trevor Phillips is your name, Let's talk 338 00:15:58,920 --> 00:16:00,920 Speaker 1: through this, all right. So he could that the former 339 00:16:00,960 --> 00:16:04,680 Speaker 1: Megan Marco former, well was she the queen. 340 00:16:04,440 --> 00:16:08,160 Speaker 2: Princess was duchess. She was big time over there. I 341 00:16:08,160 --> 00:16:08,520 Speaker 2: don't know. 342 00:16:08,760 --> 00:16:10,600 Speaker 1: I don't subscribe to that stuff over there. My wife 343 00:16:10,640 --> 00:16:11,640 Speaker 1: be getting mad, people getting mad. 344 00:16:11,760 --> 00:16:13,640 Speaker 2: I'm like, man, shut up, I ain't got to call 345 00:16:13,720 --> 00:16:14,240 Speaker 2: nobody something. 346 00:16:14,280 --> 00:16:16,520 Speaker 1: Since you said I gotta call him that unlet's you're 347 00:16:16,520 --> 00:16:17,360 Speaker 1: a doctor, all right? 348 00:16:17,400 --> 00:16:17,880 Speaker 2: So I was. 349 00:16:18,120 --> 00:16:19,840 Speaker 1: They said that she wasn't really in touch with her 350 00:16:19,880 --> 00:16:22,880 Speaker 1: black roots when she joined the royal family, accusing her 351 00:16:22,880 --> 00:16:25,920 Speaker 1: of squandering the opportunity to show the diversity of Britain 352 00:16:26,160 --> 00:16:30,080 Speaker 1: after she failed to accept the vice. Interesting, So he 353 00:16:30,120 --> 00:16:32,480 Speaker 1: was on Pierce Morgan uncensored. I want to see the 354 00:16:32,520 --> 00:16:34,880 Speaker 1: ratings of that, because every story that comes from over 355 00:16:34,920 --> 00:16:36,520 Speaker 1: there is from Pierce Morgan. 356 00:16:36,720 --> 00:16:40,240 Speaker 2: He must be killing it. Tucker, call some plus, all right. 357 00:16:40,320 --> 00:16:42,800 Speaker 1: So he said that she had to quote unquote learn 358 00:16:42,880 --> 00:16:45,720 Speaker 1: to be black when she joined Britain's royal family, adding 359 00:16:45,760 --> 00:16:49,600 Speaker 1: that it was understandable considering her privilege upbringing. 360 00:16:49,760 --> 00:16:51,120 Speaker 2: Okay, we're stopping down again. 361 00:16:51,280 --> 00:16:54,040 Speaker 1: Okay, I have this conversation with a lot of people, 362 00:16:54,080 --> 00:16:56,920 Speaker 1: including black people. Will y'all stop using the privileged word 363 00:16:57,080 --> 00:17:00,960 Speaker 1: the wrong way. My kids are privileg and my kids 364 00:17:01,000 --> 00:17:03,720 Speaker 1: are black, so you can be black in privilege. My 365 00:17:03,840 --> 00:17:08,240 Speaker 1: kids go to one of the most prestigious elementary schools in. 366 00:17:08,160 --> 00:17:11,360 Speaker 2: The world, let alone the best they say in LA. 367 00:17:11,520 --> 00:17:16,240 Speaker 1: Okay, my kids growing up in a multi motim t 368 00:17:16,480 --> 00:17:19,200 Speaker 1: mot tea. I ain't done with the motives, million dollar 369 00:17:19,280 --> 00:17:23,439 Speaker 1: home man, and I ain't shamed. And that's what I 370 00:17:23,520 --> 00:17:26,879 Speaker 1: was supposed to do. And if they weren't in this situation, 371 00:17:27,359 --> 00:17:29,720 Speaker 1: they could still earn privilege. Want to know why, because 372 00:17:29,760 --> 00:17:32,120 Speaker 1: my welfare ass had privilege growing up too. 373 00:17:32,240 --> 00:17:32,719 Speaker 2: Damn right. 374 00:17:33,240 --> 00:17:35,680 Speaker 1: Everybody was speaking to me, even if they had jokes. 375 00:17:35,720 --> 00:17:38,120 Speaker 1: They were talking to me. Why because I was smart? 376 00:17:38,200 --> 00:17:40,679 Speaker 1: Why because I was the MVP. Why because I was 377 00:17:40,760 --> 00:17:44,280 Speaker 1: fast as hell running track? Why people used to people 378 00:17:44,359 --> 00:17:47,040 Speaker 1: just to walking to me? Oh hey, marcellus, Like what 379 00:17:47,200 --> 00:17:49,560 Speaker 1: you saying. That's a privilege. I ain't got a break, 380 00:17:49,600 --> 00:17:51,640 Speaker 1: no ice. They breaking the ice for me? Now, half 381 00:17:51,640 --> 00:17:54,639 Speaker 1: five dollars for it because there was no nil. But 382 00:17:54,720 --> 00:17:57,760 Speaker 1: if there was nil, I would have had privilege. You man, 383 00:17:57,840 --> 00:18:01,520 Speaker 1: y'all better stop with this. Do not make antonyms out 384 00:18:01,560 --> 00:18:05,560 Speaker 1: of privilege and black like this guy just did. Ah, 385 00:18:05,600 --> 00:18:08,000 Speaker 1: here we go, So he says, I think people mistake 386 00:18:08,040 --> 00:18:12,119 Speaker 1: who Megan Markle is, noting that she herself said that 387 00:18:12,280 --> 00:18:16,320 Speaker 1: until she became this princess, she never regarded herself, particularly 388 00:18:16,400 --> 00:18:16,919 Speaker 1: as black. 389 00:18:17,200 --> 00:18:20,000 Speaker 2: And that's understandable. All right, let me I stopped down. 390 00:18:20,040 --> 00:18:22,439 Speaker 1: He said, most wealthy she grew up in LA in 391 00:18:22,440 --> 00:18:26,520 Speaker 1: the most wealthy black enclave anywhere in the United States. Well, 392 00:18:26,600 --> 00:18:28,480 Speaker 1: if she grew up in LA in the most wealthy 393 00:18:28,480 --> 00:18:30,680 Speaker 1: black endclave, she either grew up in Baldwin Hills or 394 00:18:30,720 --> 00:18:34,520 Speaker 1: Darrel Heights. That's about it out here, right, black enclaves. 395 00:18:34,560 --> 00:18:38,040 Speaker 1: And according to what I've heard about her, she didn't 396 00:18:38,040 --> 00:18:43,440 Speaker 1: grow up there. She grew up between Woolen Hills, mid 397 00:18:43,480 --> 00:18:47,680 Speaker 1: Wiltshire Apartment there in Hollywood's trip whatever. I ain't trying 398 00:18:47,680 --> 00:18:49,879 Speaker 1: to get into that part of it. But still, even so, 399 00:18:50,000 --> 00:18:52,119 Speaker 1: wherever she grew up doesn't matter. You can still be 400 00:18:52,119 --> 00:18:56,159 Speaker 1: black and privileged. Let's get back to this, right, he added, 401 00:18:56,240 --> 00:18:58,920 Speaker 1: and noted that anyone from a black background, knew the 402 00:18:58,960 --> 00:19:02,880 Speaker 1: subject wasn't Madeagan's territory interesting. The point I really want 403 00:19:02,920 --> 00:19:04,480 Speaker 1: to make about Megan Marco is that she had to 404 00:19:04,520 --> 00:19:06,520 Speaker 1: learn how to be black on the job as it worked, 405 00:19:07,320 --> 00:19:08,880 Speaker 1: and I think she made a bit of a mess 406 00:19:08,920 --> 00:19:13,240 Speaker 1: of it. She didn't take advice. Hey, man, come here, Hey, 407 00:19:13,400 --> 00:19:15,000 Speaker 1: I'll check this out. Well, let me do it in Meghan, 408 00:19:15,040 --> 00:19:20,359 Speaker 1: boy Hi, excuse me. Yeah, I'm I'm like supposed to 409 00:19:20,400 --> 00:19:22,960 Speaker 1: be black, and like I'm really mixed race, but that's 410 00:19:23,040 --> 00:19:26,000 Speaker 1: black and I got this new job, right, and you 411 00:19:26,040 --> 00:19:29,240 Speaker 1: know everybody there is not black, So I'm going to 412 00:19:29,320 --> 00:19:32,480 Speaker 1: be black now, and so tell me please, hello, anybody, 413 00:19:33,080 --> 00:19:33,920 Speaker 1: how do you be black? 414 00:19:34,480 --> 00:19:39,560 Speaker 2: What the what the funk? Is this? All right? Oh? Man? So? 415 00:19:39,760 --> 00:19:43,560 Speaker 1: And in that sense, it's why I think she squandered 416 00:19:43,600 --> 00:19:46,760 Speaker 1: the opportunity to demonstrate something important about this country. You 417 00:19:46,800 --> 00:19:50,120 Speaker 1: knowed that Britain has the largest, most distinctively mixed race 418 00:19:50,200 --> 00:19:54,680 Speaker 1: population of any major country created drew love rather than coercion, 419 00:19:55,080 --> 00:19:58,240 Speaker 1: stating that Megan and Harry might have served as role models. 420 00:19:57,920 --> 00:19:59,200 Speaker 2: But instead missed the mark. 421 00:19:59,560 --> 00:20:01,560 Speaker 1: Damn, a bunch of mixed race people out there, like 422 00:20:01,560 --> 00:20:04,919 Speaker 1: they got the most whoa. I know Cat's gonna be 423 00:20:04,920 --> 00:20:09,280 Speaker 1: traveling there be like, damn, we're that. Megan previously spoke 424 00:20:09,280 --> 00:20:11,880 Speaker 1: about her mixed race identity during an episode of her 425 00:20:12,000 --> 00:20:15,600 Speaker 1: Archetypes podcast on Spotify that Bill Simmons don't like, doesn't 426 00:20:15,640 --> 00:20:18,080 Speaker 1: like I think he likes hers. He didn't like Harry where, 427 00:20:18,160 --> 00:20:20,840 Speaker 1: She told her guest singer Mariah Carey. If there's any 428 00:20:20,840 --> 00:20:23,840 Speaker 1: time in my life that it's been more focused on 429 00:20:23,960 --> 00:20:27,000 Speaker 1: my race, it's only once I started dating my husband. 430 00:20:27,359 --> 00:20:29,199 Speaker 1: Then I started to understand what it was like to 431 00:20:29,200 --> 00:20:32,480 Speaker 1: be treated like a black woman, she added, because up 432 00:20:32,560 --> 00:20:34,280 Speaker 1: until then I had been treated like a mixed woman, 433 00:20:34,480 --> 00:20:37,280 Speaker 1: and things really shifted. I don't want to call her 434 00:20:37,320 --> 00:20:40,280 Speaker 1: a liar, but isn't this her second marriage. I'm ninety 435 00:20:40,359 --> 00:20:42,320 Speaker 1: nine point nine percent sure of that. Matter of fact, 436 00:20:42,359 --> 00:20:43,280 Speaker 1: I think it's one hundred. 437 00:20:43,040 --> 00:20:45,040 Speaker 2: Percent because I know the dude she was married to 438 00:20:45,119 --> 00:20:48,600 Speaker 2: before or was with before, and he ain't black. He's white. 439 00:20:48,840 --> 00:20:50,919 Speaker 1: So this is the first time you ever had to 440 00:20:50,920 --> 00:20:52,960 Speaker 1: deal with this because you dated your white husband or 441 00:20:53,000 --> 00:20:55,920 Speaker 1: because he's the prince, because boy, you dated old white 442 00:20:55,920 --> 00:20:58,960 Speaker 1: guy before. I know one for sure, oh man, and 443 00:20:59,040 --> 00:21:01,439 Speaker 1: you went there. He's the he's one of the producers 444 00:21:01,640 --> 00:21:07,240 Speaker 1: on Snowfall. Man, that's any a great dude, cool dude 445 00:21:07,320 --> 00:21:09,879 Speaker 1: does tons in the community, kills it on what he 446 00:21:09,920 --> 00:21:14,040 Speaker 1: does as a producer. But suck, I made Snowfall and 447 00:21:14,080 --> 00:21:15,400 Speaker 1: you're trying to act like this is the first time 448 00:21:15,440 --> 00:21:16,480 Speaker 1: you learned about being black. 449 00:21:16,520 --> 00:21:17,080 Speaker 2: War stopped. 450 00:21:17,480 --> 00:21:20,359 Speaker 1: This is why people don't really like them fully, cause 451 00:21:20,400 --> 00:21:22,639 Speaker 1: you can kind of like just do I'm lazy with 452 00:21:22,720 --> 00:21:25,439 Speaker 1: my research on them because I'm not interested in that. 453 00:21:25,520 --> 00:21:28,200 Speaker 1: I'm interested in the life conversations that come from them. 454 00:21:28,600 --> 00:21:30,000 Speaker 2: But damn you just. 455 00:21:29,960 --> 00:21:31,840 Speaker 1: First time you ever had to experience this because you 456 00:21:31,920 --> 00:21:34,560 Speaker 1: date a white guy now a husband. You're married to 457 00:21:34,800 --> 00:21:37,520 Speaker 1: the prince and he's white, and you would married to 458 00:21:37,560 --> 00:21:38,320 Speaker 1: a white guy before. 459 00:21:41,280 --> 00:21:44,920 Speaker 2: All right, So a lot of life lessons in this one. 460 00:21:45,000 --> 00:21:46,920 Speaker 2: Blacks can't be privileged. I just learned. 461 00:21:46,920 --> 00:21:50,520 Speaker 1: Psych that's a damn lazy sending them to poor. Stop 462 00:21:50,560 --> 00:21:54,359 Speaker 1: making black poor, Stop making black impoverish. Stop making black hood. 463 00:21:54,680 --> 00:21:57,320 Speaker 1: My block used to be all black, Now it's all Mexican. 464 00:21:58,480 --> 00:22:01,280 Speaker 1: The hood, the same hood is now not all black. 465 00:22:01,440 --> 00:22:04,840 Speaker 1: Stop making poor all black. It's some riches hell black people, 466 00:22:05,280 --> 00:22:09,280 Speaker 1: way rich rich, way rich rich. Don't even look at me, 467 00:22:09,359 --> 00:22:12,680 Speaker 1: y'allm a duck them. Y'all need to stop. I don't 468 00:22:12,720 --> 00:22:14,760 Speaker 1: know why it's the narrative. Why do people want to 469 00:22:14,800 --> 00:22:15,359 Speaker 1: hang on to that? 470 00:22:15,680 --> 00:22:17,080 Speaker 2: Because we all ain't got it. 471 00:22:17,600 --> 00:22:20,080 Speaker 1: Nobody got it in no race, in any race what 472 00:22:20,160 --> 00:22:22,199 Speaker 1: you're talking about, Nobody ever gonna get it. Let me 473 00:22:22,320 --> 00:22:24,920 Speaker 1: let me tell you if you're holding your breath for all, yeah, 474 00:22:25,080 --> 00:22:26,040 Speaker 1: never gonna breathe? 475 00:22:27,200 --> 00:22:29,120 Speaker 2: Why he isn't. I just made that one up, all right? 476 00:22:29,200 --> 00:22:33,320 Speaker 1: So I do like that she highlights the difference between 477 00:22:33,359 --> 00:22:36,680 Speaker 1: being mixed and black, because I think that's something that 478 00:22:36,800 --> 00:22:40,400 Speaker 1: needs to be untangled, because it's unfair to those who 479 00:22:40,440 --> 00:22:43,480 Speaker 1: have a black and white heritage, like they gotta pick 480 00:22:44,000 --> 00:22:45,920 Speaker 1: or we pick for them. You're black, and it's like, 481 00:22:45,920 --> 00:22:48,480 Speaker 1: wait a minute, from slavery, from what post slavery? And 482 00:22:48,520 --> 00:22:51,000 Speaker 1: what one drop rule? I'm black? Like what about white? 483 00:22:51,040 --> 00:22:52,080 Speaker 1: I'm white too, right, right? 484 00:22:52,160 --> 00:22:52,320 Speaker 2: Right? 485 00:22:52,440 --> 00:22:55,600 Speaker 1: No, you're only black. That's how they gonna look at you. 486 00:22:55,880 --> 00:22:58,160 Speaker 1: Well how I look at myself, fool, That doesn't matter. 487 00:22:58,480 --> 00:23:02,960 Speaker 1: My God lead people out here tripping, right, So let's 488 00:23:03,000 --> 00:23:06,480 Speaker 1: get into this. Man, do you agree with anything? Trevor 489 00:23:06,520 --> 00:23:08,359 Speaker 1: Phillips said, I hope not, because y'all listen to me 490 00:23:09,160 --> 00:23:10,600 Speaker 1: that she had to learn to be black on the 491 00:23:10,680 --> 00:23:12,040 Speaker 1: job and then she made a mess of it. Now, 492 00:23:12,119 --> 00:23:13,720 Speaker 1: she made a mess of stuff, but I don't know 493 00:23:13,720 --> 00:23:16,280 Speaker 1: it's because she was black. Maybe because she's just messy, 494 00:23:16,640 --> 00:23:20,520 Speaker 1: uh leone l messy? Does this stands come off as 495 00:23:20,520 --> 00:23:21,280 Speaker 1: offensive to you? 496 00:23:21,359 --> 00:23:22,320 Speaker 2: Hell? Yeah it does? 497 00:23:22,920 --> 00:23:25,920 Speaker 1: Oh man, do you agree that Megan and Harry mister 498 00:23:26,040 --> 00:23:28,280 Speaker 1: mark as mixed race role models? 499 00:23:29,400 --> 00:23:30,639 Speaker 2: What like? 500 00:23:31,160 --> 00:23:33,000 Speaker 1: Then Charles Barkley Benn tell you all about this role 501 00:23:33,000 --> 00:23:34,760 Speaker 1: model stuff. So I don't know about that, but I 502 00:23:34,800 --> 00:23:36,560 Speaker 1: want to see what you guys think in the comments. 503 00:23:36,640 --> 00:23:38,480 Speaker 2: All right, let's get the bust of rhymes. Bust the 504 00:23:38,600 --> 00:23:42,760 Speaker 2: rhymes on our rock. Oh hmm, damn. 505 00:23:42,800 --> 00:23:45,320 Speaker 1: He raps so fresh and fast. Sometimes I don't catch it, 506 00:23:45,560 --> 00:23:46,959 Speaker 1: and I'm bad with lyrics anyway. 507 00:23:47,000 --> 00:23:51,520 Speaker 2: But it's just another case of that old pt hey. 508 00:23:52,200 --> 00:23:55,639 Speaker 1: And when I first heard that song, I remember I 509 00:23:55,720 --> 00:23:57,760 Speaker 1: was watching MTV raps and that song came on. 510 00:23:58,280 --> 00:24:02,760 Speaker 2: I swear I said too things. One this group is 511 00:24:02,880 --> 00:24:05,000 Speaker 2: good and the album was good. 512 00:24:05,400 --> 00:24:09,919 Speaker 1: And two the guy that buster rhymes whatever, because I 513 00:24:09,960 --> 00:24:10,800 Speaker 1: was like, dinko. 514 00:24:10,600 --> 00:24:12,880 Speaker 2: Did I forgot the other one? Take it? I think 515 00:24:12,920 --> 00:24:16,359 Speaker 2: it was ding d. I was like star and I 516 00:24:16,440 --> 00:24:16,760 Speaker 2: was right. 517 00:24:17,119 --> 00:24:19,920 Speaker 1: I felt good about that, all right, So he walked 518 00:24:19,960 --> 00:24:22,640 Speaker 1: out of the interview after being questioned about gay rappers. 519 00:24:23,280 --> 00:24:26,200 Speaker 1: His comments about gay rappers were not only forever memorialized, 520 00:24:26,200 --> 00:24:29,480 Speaker 1: but Buster's reaction to even being asked a question touching 521 00:24:29,520 --> 00:24:33,200 Speaker 1: on LGB t Q I A plus ding ding ding ding. 522 00:24:33,200 --> 00:24:35,680 Speaker 1: You're right, Marcell's I get every letter right. I live 523 00:24:35,720 --> 00:24:40,880 Speaker 1: in La y'all, Oh, excuse me? And then the hip 524 00:24:40,920 --> 00:24:43,399 Speaker 1: hop world we're gonna have this conversation, right, So he 525 00:24:43,480 --> 00:24:45,480 Speaker 1: was included. Excuse me, did y'all hear that I was 526 00:24:45,560 --> 00:24:47,480 Speaker 1: a nasty burd? Sorry that came from deep though. It 527 00:24:47,520 --> 00:24:48,119 Speaker 1: ain't my fault. 528 00:24:48,800 --> 00:24:50,879 Speaker 2: Did I do that? It ain't my fault. 529 00:24:50,920 --> 00:24:54,000 Speaker 1: So Buster was included in the PBS documentary hip Hop 530 00:24:54,400 --> 00:24:57,159 Speaker 1: Beyond Beats and Rhymes, which touched on several topics that 531 00:24:57,280 --> 00:24:59,199 Speaker 1: proved to be difficult for those in the series to 532 00:24:59,200 --> 00:25:01,879 Speaker 1: be interviewed about. Oh, I like that they doing never 533 00:25:01,960 --> 00:25:06,439 Speaker 1: shut up? Hip hop stop thief, stop thief. More to it, 534 00:25:06,560 --> 00:25:07,760 Speaker 1: hip hop stop thief. 535 00:25:08,160 --> 00:25:08,800 Speaker 2: Oh man. 536 00:25:09,480 --> 00:25:12,200 Speaker 1: So so for Buster that meant talking about homophobia in 537 00:25:12,240 --> 00:25:13,160 Speaker 1: the hip hop culture. 538 00:25:13,400 --> 00:25:15,000 Speaker 2: I can't even talk to you about that. 539 00:25:15,000 --> 00:25:18,000 Speaker 1: That's what Buster Rhymes stated, with all due respect, I 540 00:25:18,000 --> 00:25:21,280 Speaker 1: ain't trying to offend nobody. What I represent culturally doesn't 541 00:25:21,280 --> 00:25:22,440 Speaker 1: condone it whatsoever. 542 00:25:22,640 --> 00:25:23,240 Speaker 2: Uh oh. 543 00:25:23,440 --> 00:25:25,560 Speaker 1: When he was asked about why there are not more 544 00:25:25,600 --> 00:25:27,520 Speaker 1: openly gay people in the world of hip hop and 545 00:25:27,560 --> 00:25:31,399 Speaker 1: why homophobia was so rampant, I don't like this, Buster, 546 00:25:33,000 --> 00:25:37,760 Speaker 1: What I represent culturally doesn't condone it whatsoever. That sounds 547 00:25:37,840 --> 00:25:43,560 Speaker 1: like a man detached from his persona, which is the 548 00:25:43,600 --> 00:25:47,080 Speaker 1: way it's supposed to be. But they asking you about you, 549 00:25:47,600 --> 00:25:52,000 Speaker 1: not the persona, not the brand, right, We'd ask him, 550 00:25:52,040 --> 00:25:55,040 Speaker 1: Buster Rhymes, and he kind of it sounds like in 551 00:25:55,080 --> 00:25:58,520 Speaker 1: this response he hid behind the brand. Not a fan 552 00:25:58,560 --> 00:26:00,680 Speaker 1: of that, all right, So, and a lot of questions 553 00:26:00,720 --> 00:26:02,639 Speaker 1: he continued on this path. Busta did not try to 554 00:26:02,680 --> 00:26:07,000 Speaker 1: explain anymore clearly than he had with the previous questions. Instead, 555 00:26:07,040 --> 00:26:09,000 Speaker 1: he chose to stand up and walk away from the interview, 556 00:26:09,119 --> 00:26:11,439 Speaker 1: which is his right. You know, if you had if 557 00:26:11,480 --> 00:26:14,440 Speaker 1: I sit down Marcello's, we want to ask you about 558 00:26:15,920 --> 00:26:18,280 Speaker 1: your best friend that died. Now I talk about it, 559 00:26:18,320 --> 00:26:21,520 Speaker 1: but if I didn't, I'm like, nah, I'm good. Well, 560 00:26:21,840 --> 00:26:24,080 Speaker 1: you know, talk about death then, especially when you were 561 00:26:24,080 --> 00:26:25,960 Speaker 1: young and you know you had a tragic death in 562 00:26:26,000 --> 00:26:28,320 Speaker 1: your life, not talking about it, I said, And then 563 00:26:28,359 --> 00:26:30,639 Speaker 1: if they don't get the hint, guess what, No more hints. 564 00:26:30,720 --> 00:26:32,840 Speaker 1: I'm just out, you know what I mean. That's where 565 00:26:32,880 --> 00:26:35,000 Speaker 1: ghosting came from. Ghosting came from. You ain't catch a 566 00:26:35,080 --> 00:26:37,040 Speaker 1: hint now, I ain't. Just ain't gonna say nothing, right, 567 00:26:37,320 --> 00:26:40,080 Speaker 1: So here we go, So past I winn This accounts 568 00:26:40,119 --> 00:26:43,640 Speaker 1: of bust arohnd two thousand and six and seven years later, 569 00:26:43,840 --> 00:26:49,480 Speaker 1: was him in restaurants saying the F word and cursing 570 00:26:49,520 --> 00:26:51,360 Speaker 1: people out that were transgender and gay? 571 00:26:51,400 --> 00:26:52,080 Speaker 2: Blah blah blah. 572 00:26:52,119 --> 00:26:54,840 Speaker 1: I'm not going there because if that's behind him and 573 00:26:54,920 --> 00:26:57,600 Speaker 1: nobody else is bringing that up, I wasn't there, and 574 00:26:57,640 --> 00:26:59,879 Speaker 1: this doesn't seem like that's what I should do. 575 00:27:00,280 --> 00:27:02,639 Speaker 2: But what I should do is talk about. 576 00:27:02,680 --> 00:27:06,200 Speaker 1: Why I leave the interview, and I should talk about 577 00:27:07,160 --> 00:27:10,119 Speaker 1: Buster rhymes talking and out the truth of this situation 578 00:27:10,560 --> 00:27:13,760 Speaker 1: and why isn't this something that's open and hip hop? 579 00:27:13,760 --> 00:27:16,560 Speaker 1: So I'm a mirrorad to the NFL when I played 580 00:27:16,680 --> 00:27:20,560 Speaker 1: and didn't know with and what a gay player that 581 00:27:20,640 --> 00:27:24,679 Speaker 1: became openly gay after he retired wasn't open when he 582 00:27:24,800 --> 00:27:27,000 Speaker 1: was with us with the Buffalo Bills, his name was 583 00:27:27,040 --> 00:27:27,800 Speaker 1: Ezra Twala. 584 00:27:28,080 --> 00:27:31,160 Speaker 2: Right, here's the thing. 585 00:27:32,400 --> 00:27:35,080 Speaker 1: Obviously, him coming out the closet was on his time 586 00:27:35,080 --> 00:27:36,680 Speaker 1: and we didn't know that clock schedule. 587 00:27:36,760 --> 00:27:36,960 Speaker 2: Right. 588 00:27:38,240 --> 00:27:40,360 Speaker 1: Obviously it's difficult for those who have to come out 589 00:27:40,400 --> 00:27:43,399 Speaker 1: the closet. But what we're talking about here Buster Rhymes 590 00:27:43,440 --> 00:27:46,320 Speaker 1: and what we are discussing is what a group like 591 00:27:46,359 --> 00:27:49,240 Speaker 1: the NFL, what a group like hip hop as an 592 00:27:49,400 --> 00:27:53,639 Speaker 1: art form culture and all his representatives, why aren't people 593 00:27:53,720 --> 00:27:54,200 Speaker 1: saying that? 594 00:27:55,200 --> 00:27:56,200 Speaker 2: Not more? Now? 595 00:27:56,400 --> 00:28:01,159 Speaker 1: Obviously it's not like absolute, But at the same time, 596 00:28:01,960 --> 00:28:05,719 Speaker 1: why isn't more guys coming out gay? More gals coming 597 00:28:05,880 --> 00:28:06,560 Speaker 1: out gay? 598 00:28:06,600 --> 00:28:07,679 Speaker 2: There's a couple right. 599 00:28:09,440 --> 00:28:13,400 Speaker 1: Say this, and it's not because of the homophobia anything. 600 00:28:13,800 --> 00:28:16,600 Speaker 1: It's because it's so deeply private. Like, but when you 601 00:28:16,720 --> 00:28:20,120 Speaker 1: become a professional, people got to understand you had to 602 00:28:20,160 --> 00:28:24,280 Speaker 1: dig and go through so much privately that you're so elated, 603 00:28:24,480 --> 00:28:26,160 Speaker 1: so sometimes exhausted. 604 00:28:26,440 --> 00:28:27,320 Speaker 2: When you get to. 605 00:28:27,240 --> 00:28:31,960 Speaker 1: Your goal, your dream, you don't want anything to disturb 606 00:28:32,040 --> 00:28:32,560 Speaker 1: that groove. 607 00:28:32,720 --> 00:28:35,200 Speaker 2: You don't want anything to disturb. 608 00:28:34,880 --> 00:28:42,080 Speaker 1: That reality, including maybe coming out the closet, including maybe 609 00:28:42,080 --> 00:28:44,120 Speaker 1: some of your family gotta get left behind, or just 610 00:28:44,160 --> 00:28:46,640 Speaker 1: put on palls or put in the corner because they 611 00:28:46,640 --> 00:28:49,600 Speaker 1: ain't gonna represent you the right way, right, So I 612 00:28:49,600 --> 00:28:51,640 Speaker 1: don't always look at it like, oh, you're scared because 613 00:28:51,640 --> 00:28:52,840 Speaker 1: you gay, I'm saying. 614 00:28:52,880 --> 00:28:54,880 Speaker 2: Sometimes they just don't want to mess up what they 615 00:28:54,960 --> 00:28:56,800 Speaker 2: got because they just got it. 616 00:28:56,800 --> 00:29:01,160 Speaker 1: It's so fragile, like a dream realized is fragile, y'all. 617 00:29:01,760 --> 00:29:06,240 Speaker 1: And regardless of reception, good or bad, right, you still 618 00:29:06,240 --> 00:29:09,600 Speaker 1: don't want to be the guy that sits there and 619 00:29:09,640 --> 00:29:13,320 Speaker 1: puts that in jeopardy. Now me, I'm coming out one hundred. 620 00:29:13,680 --> 00:29:16,600 Speaker 1: But at the same time, whatever, I don't know. There's 621 00:29:16,640 --> 00:29:21,280 Speaker 1: a list of gay rappers Lil nas X, I love Macain, 622 00:29:22,560 --> 00:29:27,560 Speaker 1: Frank Ocean, Mickey Blanco, three of them, I know. Let 623 00:29:27,560 --> 00:29:30,160 Speaker 1: me see big freedom all right now the list getting 624 00:29:30,160 --> 00:29:33,600 Speaker 1: out of my zone, but them first three. I love 625 00:29:33,680 --> 00:29:37,240 Speaker 1: macanin is that he said he got that banger love 626 00:29:37,440 --> 00:29:38,680 Speaker 1: on a Tuesday, right. 627 00:29:38,600 --> 00:29:39,440 Speaker 2: Lil nas X. 628 00:29:39,920 --> 00:29:41,680 Speaker 1: I'm not a real fan of his music like that, 629 00:29:41,840 --> 00:29:46,040 Speaker 1: but that one song was like whatever, Yeah, I don't 630 00:29:46,040 --> 00:29:48,320 Speaker 1: get into Little nas X music, but he's. 631 00:29:48,120 --> 00:29:50,480 Speaker 2: Gay and he's gigantic. Time got dang. 632 00:29:50,640 --> 00:29:53,560 Speaker 1: Sucker, They're superstar and Frank Ocean I know I like 633 00:29:53,600 --> 00:29:54,480 Speaker 1: some Frank Ocean songs. 634 00:29:54,480 --> 00:29:55,200 Speaker 2: I just can't name him. 635 00:29:55,320 --> 00:29:57,760 Speaker 1: Point being, it ain't gonna kill your career, so I'm 636 00:29:57,760 --> 00:29:58,960 Speaker 1: gonna say it could boush your career. 637 00:29:59,000 --> 00:29:59,840 Speaker 2: Who gives the damn? 638 00:29:59,840 --> 00:30:03,080 Speaker 1: It ain't that it's so private that it ain't about that. 639 00:30:03,440 --> 00:30:07,160 Speaker 1: It's about not putting something else on a delicate scale 640 00:30:07,400 --> 00:30:10,600 Speaker 1: that is trying to balance itself out between me realizing 641 00:30:10,680 --> 00:30:14,480 Speaker 1: my dreams and me being from this world or living 642 00:30:14,520 --> 00:30:17,440 Speaker 1: in this reality. So let people be on their own time. 643 00:30:17,520 --> 00:30:20,080 Speaker 1: If I'm open with everything that's me, I had to 644 00:30:20,160 --> 00:30:23,880 Speaker 1: learn that, don't press and don't pressure everyone to be open. 645 00:30:24,080 --> 00:30:27,040 Speaker 1: I wish Buster Rhymes see this is about sophistication, and 646 00:30:27,120 --> 00:30:30,360 Speaker 1: Buster Rhymes is sophisticated enough to not now have to 647 00:30:30,360 --> 00:30:32,560 Speaker 1: deal with the heat of why you can't even talk 648 00:30:32,600 --> 00:30:34,440 Speaker 1: about it, talk about homophobic? 649 00:30:34,520 --> 00:30:36,800 Speaker 2: So homophobic you can't even talk about it. 650 00:30:37,000 --> 00:30:39,040 Speaker 1: When he could have just simply said, look, these are 651 00:30:39,040 --> 00:30:41,440 Speaker 1: the things that I think people are dealing with. But 652 00:30:41,520 --> 00:30:44,200 Speaker 1: some would say he feels triggered. Why are you triggered? 653 00:30:44,600 --> 00:30:47,560 Speaker 1: Why is that dog hollering? Only hit dogs holler, right, 654 00:30:47,760 --> 00:30:49,600 Speaker 1: So people are trying to guess, oh, it's bust a 655 00:30:49,640 --> 00:30:53,040 Speaker 1: rhymes hiding something. He got a problem with openly gay artists, 656 00:30:53,040 --> 00:30:57,200 Speaker 1: he got a problem with the LGBTQ A plus community, 657 00:30:57,560 --> 00:31:00,480 Speaker 1: all that and more. I don't know, but I would 658 00:31:00,560 --> 00:31:03,320 Speaker 1: let you know because I wouldn't leave the interview. Y'all 659 00:31:03,320 --> 00:31:04,960 Speaker 1: know how we end every show. We end it with 660 00:31:05,040 --> 00:31:10,320 Speaker 1: a wily is year all right, learn this one the 661 00:31:10,360 --> 00:31:16,440 Speaker 1: hard way, Like everybody, being cheap is expensive. Yeah, being 662 00:31:16,560 --> 00:31:18,720 Speaker 1: cheap is expensive, man, At least it costs more to 663 00:31:18,800 --> 00:31:20,480 Speaker 1: being just flat out cheap. 664 00:31:21,400 --> 00:31:22,800 Speaker 2: You get what you paid for out. 665 00:31:22,720 --> 00:31:25,240 Speaker 1: Here in these streets in the world, at the store, 666 00:31:25,600 --> 00:31:29,400 Speaker 1: get what you pay for, right man, stept at Target, 667 00:31:29,840 --> 00:31:33,959 Speaker 1: Target to be cheap, and it's good. But seriously, like 668 00:31:34,760 --> 00:31:38,480 Speaker 1: being cheap, like you're just like, I know a quality 669 00:31:38,560 --> 00:31:41,400 Speaker 1: that I desire. Now maybe you don't have it, right, 670 00:31:42,280 --> 00:31:45,560 Speaker 1: or maybe you have it and you choose the lesser, 671 00:31:45,960 --> 00:31:50,000 Speaker 1: lower quality because you're being cheap, right, not broke. I'm 672 00:31:50,040 --> 00:31:52,360 Speaker 1: just saying cheap. You got it, and you're trying to 673 00:31:52,400 --> 00:31:54,400 Speaker 1: get the less of it. Well, guess what you're gonna 674 00:31:54,400 --> 00:31:57,440 Speaker 1: get in return less from it? And that's the situation. 675 00:31:57,560 --> 00:32:01,520 Speaker 1: It's for people, it's for things, it's everything in this world. Right, 676 00:32:02,080 --> 00:32:05,000 Speaker 1: So imagine you got the energy to do something, but 677 00:32:05,040 --> 00:32:09,480 Speaker 1: you're gonna cheapen out your effort. Right, it's gonna cast 678 00:32:09,560 --> 00:32:13,640 Speaker 1: you being cheap as expensive when you have it, you 679 00:32:13,680 --> 00:32:16,320 Speaker 1: don't give it, you don't go get it to that 680 00:32:16,440 --> 00:32:19,080 Speaker 1: level or even more value. 681 00:32:19,840 --> 00:32:22,200 Speaker 2: Ah, it's gonna cast show. And that's how it goes. 682 00:32:22,240 --> 00:32:24,040 Speaker 1: So I used to go in the stores and be 683 00:32:24,160 --> 00:32:26,400 Speaker 1: like man buying that, buying that, go get a knockoff. 684 00:32:26,400 --> 00:32:29,280 Speaker 1: I remember I went to Spain years ago and I 685 00:32:29,320 --> 00:32:30,480 Speaker 1: saw that knockoff section. 686 00:32:30,760 --> 00:32:32,160 Speaker 2: Look, I went to school in New York, so I 687 00:32:32,160 --> 00:32:32,760 Speaker 2: saw that too. 688 00:32:32,800 --> 00:32:36,400 Speaker 1: I guess who is that Canal Street or something, or 689 00:32:36,520 --> 00:32:39,600 Speaker 1: Chelsea Piers one of them twos, and cheap stuff everywhere, 690 00:32:40,160 --> 00:32:44,320 Speaker 1: you know, knock off everything, fluy fluy baton fluy Bhutan 691 00:32:44,560 --> 00:32:48,400 Speaker 1: right and Poucci like all that. And I would buy 692 00:32:48,440 --> 00:32:51,200 Speaker 1: it and it wouldn't last as long as when I 693 00:32:51,400 --> 00:32:53,640 Speaker 1: half five dollars and bought the real stuff. Now I'm 694 00:32:53,680 --> 00:32:55,400 Speaker 1: not a fan of buying the real stuff now because 695 00:32:55,400 --> 00:32:56,320 Speaker 1: it just cost too much. 696 00:32:56,760 --> 00:32:57,960 Speaker 2: It's stupid to me. 697 00:32:58,040 --> 00:32:59,800 Speaker 1: But I had got out that phase, so I don't 698 00:32:59,800 --> 00:33:02,880 Speaker 1: can them anyone still in that phase. But dog, if 699 00:33:02,880 --> 00:33:06,040 Speaker 1: you got money, you could wear anything. Nobody care you 700 00:33:06,040 --> 00:33:08,520 Speaker 1: got on Gucci and not they ain't tripping. You got money, 701 00:33:09,000 --> 00:33:11,480 Speaker 1: And when you don't have money, you can wear a 702 00:33:11,520 --> 00:33:15,480 Speaker 1: Gucci and somebody still squinting and kind of double eye 703 00:33:15,560 --> 00:33:18,400 Speaker 1: rolling side eye of you, like Eah, the whole Louis 704 00:33:18,400 --> 00:33:19,920 Speaker 1: suit don't really screen money. 705 00:33:20,520 --> 00:33:23,520 Speaker 2: And even if it does, whatever do you? Man? 706 00:33:23,680 --> 00:33:25,640 Speaker 1: I'm out of that critical phase of what you're wearing. 707 00:33:25,640 --> 00:33:27,200 Speaker 1: But I just think people spend way too much money 708 00:33:27,240 --> 00:33:29,800 Speaker 1: on looking fresh, and then if you look so fresh, 709 00:33:29,800 --> 00:33:30,640 Speaker 1: you can't wear it again. 710 00:33:30,920 --> 00:33:34,160 Speaker 2: It's a dumb fashion just missed me. I don't get 711 00:33:34,200 --> 00:33:34,840 Speaker 2: it anyway. 712 00:33:35,320 --> 00:33:38,040 Speaker 1: Don't be cheap, y'all, with your efforts, with the things 713 00:33:38,040 --> 00:33:40,680 Speaker 1: you do, the people you hang with, everything. If you 714 00:33:40,800 --> 00:33:43,280 Speaker 1: got it, get it right. Because if not being cheap 715 00:33:43,560 --> 00:33:47,800 Speaker 1: is expensive, all right, y'all, that'll do it for more 716 00:33:47,920 --> 00:33:49,760 Speaker 1: to it. Chake the show notes for all the information 717 00:33:49,800 --> 00:33:52,760 Speaker 1: on our topics today today. Want to keep the conversation going, 718 00:33:52,840 --> 00:33:55,360 Speaker 1: Let's talk Find me on all socials at Marsus Wiley 719 00:33:56,000 --> 00:33:58,120 Speaker 1: More Too is a production of Damn Patrick production That 720 00:33:58,200 --> 00:34:01,440 Speaker 1: Dude Entertainment and Workhouse Media was executive produced by Dan 721 00:34:01,480 --> 00:34:04,800 Speaker 1: Patrick Marcello's Wally Paul Anderson and Nick Ponella. Thanks for 722 00:34:04,880 --> 00:34:09,400 Speaker 1: all the love, ratings, and subscriptions and reviews, membership to 723 00:34:09,480 --> 00:34:12,160 Speaker 1: Wiley's World on YouTube. Keep it coming because there's more 724 00:34:12,200 --> 00:34:21,040 Speaker 1: coming from more to it. Talk to y'all, Hella SM