WEBVTT - Glee's Dancing Queen Brooke Lipton Pt. 2 0:00:01.760 --> 0:00:04.439 And That's what you Really missed with Jenna. 0:00:04.480 --> 0:00:07.119 And Kevin and iHeartRadio podcast. 0:00:09.080 --> 0:00:13.320 Welcome to When That's What You Really miss podcast Yest 0:00:13.440 --> 0:00:19.200 Part two, Brooke Lifton is back because we just we 0:00:19.239 --> 0:00:20.040 couldn't get enough. 0:00:20.520 --> 0:00:23.320 No, I mean, there's so many questions I wanted to 0:00:23.320 --> 0:00:26.520 talk about Bohemian Rhapsody. We need to talk about some 0:00:26.560 --> 0:00:29.360 of the most challenging numbers, some of the best numbers. 0:00:30.720 --> 0:00:31.160 That's right. 0:00:31.240 --> 0:00:35.080 So this is part two with our conversation with Brooke Lifton. 0:00:35.920 --> 0:00:38.040 Let's talk about that second tour, because that second tour 0:00:38.159 --> 0:00:42.040 was really big and there was no break, and we learned. 0:00:41.840 --> 0:00:43.200 That in two days. 0:00:43.720 --> 0:00:43.920 Yeah. 0:00:44.680 --> 0:00:46.919 Sure, you guys had had it set for us by 0:00:46.960 --> 0:00:50.320 the time we got there. We each had somebody who 0:00:50.400 --> 0:00:53.800 had learned our entire track written in a notebook for 0:00:53.880 --> 0:00:58.040 us with highlighters and markers, and then taught it to us. 0:00:58.240 --> 0:01:01.520 But you guys had to do that. You set up 0:01:01.560 --> 0:01:04.280 an entire like arena tour without any of us there. 0:01:04.520 --> 0:01:07.480 Zach was in Vegas before we finished. We were finished rapped, 0:01:07.680 --> 0:01:08.119 that's right. 0:01:08.520 --> 0:01:11.119 And I remember staring at you guys like you guys 0:01:11.120 --> 0:01:13.160 were like, Okay, now we're going to show you what 0:01:13.160 --> 0:01:14.760 the number is, and then you're going to do it. 0:01:15.040 --> 0:01:16.880 And all of us with our gurk jaws on the ground, 0:01:16.920 --> 0:01:21.560 were like half awake, like yeah, but it was the 0:01:21.600 --> 0:01:25.000 most brilliant plan you'd ever made. 0:01:24.520 --> 0:01:28.200 It, honestly, Like and again, I think that was always 0:01:28.240 --> 0:01:32.680 just I mean, I'm taking all credit for everything because 0:01:32.680 --> 0:01:35.840 I'm here, but you know, it was all zach No. 0:01:35.920 --> 0:01:38.479 But and again, like he taught me everything, he taught 0:01:38.480 --> 0:01:40.520 me how to. I didn't know what a one liner 0:01:40.720 --> 0:01:43.680 was when we started the show because I never I 0:01:43.720 --> 0:01:47.480 was like, what's this. That's still his favorite thing is 0:01:47.520 --> 0:01:48.960 that I didn't know? And I was like, but as 0:01:49.000 --> 0:01:51.000 a dancer, you're a treated like an actor, you know, 0:01:51.040 --> 0:01:53.680 you just get handed in, here's your day to show up. 0:01:54.440 --> 0:01:56.920 But he was always so ahead of everything. So yeah, 0:01:56.960 --> 0:01:59.600 we were finishing up. We were down in Long Beach 0:01:59.640 --> 0:02:04.080 shooting one of our you know whatever they're called regional 0:02:04.120 --> 0:02:06.680 section or something, you know, and then we had five 0:02:06.760 --> 0:02:09.360 groups there because we still had like you know, oral 0:02:09.440 --> 0:02:13.160 intensity and whatever else and everything else that was going on. Oh, 0:02:13.160 --> 0:02:16.520 we got the names. Those were always our favorite. How 0:02:16.520 --> 0:02:19.440 about that we had falcons in numbers, like we had 0:02:19.440 --> 0:02:24.239 a whole number with falcons, like what Ribbons and the 0:02:24.360 --> 0:02:28.440 dancers had falcons? Sorry, Okay, I just so off track. 0:02:28.840 --> 0:02:32.880 So we're finishing off and I remember it's like we're 0:02:33.240 --> 0:02:37.000 on set still talking about stuff because he's now working 0:02:37.240 --> 0:02:41.880 getting the playlist and getting all that sent up. I 0:02:42.440 --> 0:02:44.840 then show up in Vegas with him, We bring in 0:02:44.919 --> 0:02:48.680 the dancers and that's when we had the dance. That's 0:02:48.760 --> 0:02:52.040 really when a lot of the skeleton crews started to 0:02:52.160 --> 0:02:54.720 kind of happen that we did this whole skeleton So 0:02:54.760 --> 0:02:57.440 we had what four guys four girls on that tour, 0:02:59.680 --> 0:03:03.119 and so we kind of like faked doubled because did 0:03:03.120 --> 0:03:04.240 every everyone did? 0:03:04.560 --> 0:03:07.080 Did you guys all have people? Because there were twelve 0:03:07.080 --> 0:03:08.520 of us in the show. I think we each had 0:03:08.560 --> 0:03:10.360 a person we did? 0:03:11.560 --> 0:03:15.720 Oh mine was Courtney Oh then did yeah? 0:03:15.760 --> 0:03:18.560 Yeah, yeah we had that. We had more dancers on 0:03:18.600 --> 0:03:24.560 that one. Yeah, because yeah Hannah Brittany really yeah, there 0:03:24.560 --> 0:03:26.200 was a lot more. So yeah, we had enough that 0:03:26.240 --> 0:03:28.639 you guys all did that stuff. Oh and we were 0:03:29.160 --> 0:03:33.239 ruthless with them because we had to do the whole tour. 0:03:33.680 --> 0:03:36.720 We actually had I think a week with them in Vegas, 0:03:37.640 --> 0:03:40.080 so we had a week to put together, which is 0:03:40.080 --> 0:03:43.040 not very long either like a week to put on 0:03:43.080 --> 0:03:44.080 a world tour is not. 0:03:44.600 --> 0:03:47.640 I still don't know, Like like we showed up and 0:03:47.680 --> 0:03:51.720 there's a stage there, there was a set list, were 0:03:52.160 --> 0:03:56.400 obviously like when did these meetings happen? They're like Liz 0:03:56.480 --> 0:03:59.600 decided this set and the staging like what how did 0:03:59.600 --> 0:03:59.840 this hap? 0:04:00.680 --> 0:04:03.280 Can we talk about how? Okay, so let's go back 0:04:03.960 --> 0:04:06.720 and so as this is all happening, then they're doing 0:04:06.760 --> 0:04:11.040 this whole tour. I mean this sort of stuff again, 0:04:11.080 --> 0:04:13.800 these are like these meetings and emails that are happy beforehand. 0:04:14.360 --> 0:04:18.040 Zach is also doing the Glee Project. Oh yeah, so 0:04:19.160 --> 0:04:22.240 if you guys though they used to so when we 0:04:22.320 --> 0:04:24.279 did the pilot, I don't know if you guys also 0:04:24.400 --> 0:04:28.640 remember we shot like our days off. Weard Monday Tuesday 0:04:28.920 --> 0:04:31.520 because to get sort of in schools on the weekends 0:04:32.720 --> 0:04:36.200 more beneficial. So like you we would shoot like let's 0:04:36.240 --> 0:04:40.240 say Wednesday, Thursday, Friday, Saturday Sunday that you have off 0:04:40.440 --> 0:04:43.120 two days of the week instead of Saturday, you know, weekend. 0:04:43.800 --> 0:04:46.440 So similar with like Lee project is they need to 0:04:46.440 --> 0:04:49.440 get into schools, but they because it was reality, they 0:04:49.440 --> 0:04:53.840 worked six days out of the week and if they 0:04:53.920 --> 0:04:55.800 needed to get into a high school. They would go 0:04:55.839 --> 0:04:57.839 in at four in the morning or four in the 0:04:57.880 --> 0:05:01.120 afternoon and shoot to like four in the morning. So 0:05:01.160 --> 0:05:05.000 there were times where like I he would just leave 0:05:05.120 --> 0:05:07.880 me and he's like, Okay, you have the day. But 0:05:07.920 --> 0:05:09.760 then also I was like you need to you need 0:05:09.800 --> 0:05:11.400 to stop. He's like, no, I need to get back. 0:05:11.480 --> 0:05:15.360 And so like he would do like thirty six hour days, 0:05:16.080 --> 0:05:18.880 crazy amount of days. And it wasn't just like oh, 0:05:18.880 --> 0:05:20.880 I have to be there and do what you're behind 0:05:20.920 --> 0:05:25.719 the screen. It's reality and he was alam he was 0:05:25.800 --> 0:05:30.680 on camera, so you're now sitting there like watching commenting. 0:05:30.960 --> 0:05:34.600 So there would so now think of the music videos 0:05:34.720 --> 0:05:36.599 or just think of the A number we would shoot 0:05:36.640 --> 0:05:41.200 in a hallway. Great, well it was a contest, so 0:05:41.360 --> 0:05:44.440 let's say it was you know, Kevin, it was your turn. Well, 0:05:44.440 --> 0:05:46.760 then they would give Jenna the same role to do 0:05:47.000 --> 0:05:49.440 and we would shoot Kevin doing it like Kevin. Then 0:05:49.480 --> 0:05:52.320 it would be Jenna. Then everyone would shoot like same 0:05:52.360 --> 0:05:55.880 portion of the video because it was like think of 0:05:55.920 --> 0:05:58.000 it as like I don't know what an other show. 0:05:58.080 --> 0:06:00.200 It's like a top model, you know, like everyone have 0:06:00.240 --> 0:06:02.599 the same photo shoot, but everyone would have the same 0:06:02.680 --> 0:06:06.000 music video part and then they would compare them how 0:06:06.000 --> 0:06:08.400 they did it, so it's not like, oh, they just 0:06:08.480 --> 0:06:13.080 let everyone do that. Then Zach and Robert are standing 0:06:13.120 --> 0:06:17.479 there on set going, oh, yeah, I think you know, 0:06:17.560 --> 0:06:20.080 Kevin did a great job. I don't know, He's really not, 0:06:20.240 --> 0:06:24.479 like no, So he was literally doing our normal job 0:06:25.279 --> 0:06:28.080 and commenting I am being on video and doing that 0:06:28.160 --> 0:06:30.559 at four am in the morning and then coming back 0:06:30.920 --> 0:06:35.440 and then prepping for like tours. Yeah, like the band 0:06:35.560 --> 0:06:40.719 deserves like like I don't know, his house painted and gold, 0:06:40.800 --> 0:06:45.520 like I mean truly what the amount that and things 0:06:45.520 --> 0:06:48.480 that he did and took on all that responsibility and 0:06:49.080 --> 0:06:52.960 because Ryan and them wanted it had to come from him. 0:06:53.120 --> 0:06:55.680 You know. It's like they they wanted him, wanted the 0:06:55.720 --> 0:06:58.640 costumes from Lou, they wanted you know, the dance from Zach. 0:06:58.720 --> 0:07:03.240 They wanted the music right away. So it was the 0:07:03.480 --> 0:07:08.000 amount of shuffling and prepping and all those things. But yeah, 0:07:08.120 --> 0:07:10.200 to get that, and then that's why we made the 0:07:10.480 --> 0:07:14.240 I mean we call them the dancer Bibles, is that 0:07:14.680 --> 0:07:18.800 they needed to know every single track because it was 0:07:18.920 --> 0:07:20.960 it's like you have to have everything written down. So 0:07:21.120 --> 0:07:24.440 their playbooks were like what I used to do for 0:07:24.560 --> 0:07:26.680 all the numbers. So that's why it would be like, here, 0:07:26.800 --> 0:07:29.520 you show this stuff, but you guys were hilarious because 0:07:29.560 --> 0:07:32.560 you didn't really even look at your your dancer Bible 0:07:32.560 --> 0:07:35.600 because you would walk in and basically just like you 0:07:35.720 --> 0:07:38.160 just need to be shown it. So they had these 0:07:38.240 --> 0:07:40.920 massive things, but then they also had the entire show 0:07:40.960 --> 0:07:44.360 their own show, right they needed to know. So that's 0:07:44.360 --> 0:07:46.160 why it was like, you guys have to have them 0:07:46.240 --> 0:07:49.680 down pat so because when once they're in, now we 0:07:49.720 --> 0:07:52.200 can get you guys doing what you're doing. 0:07:53.000 --> 0:07:58.320 I mean, for the record, I did look at my Bible. 0:07:58.640 --> 0:08:01.280 It was so like, out of respect, at a minimum, 0:08:01.280 --> 0:08:03.320 I need to read through this entire thing. But we 0:08:03.400 --> 0:08:07.240 knew it. It was so smart because then we basically 0:08:07.280 --> 0:08:10.280 had the show up in two days, yeah, which is cool. 0:08:11.080 --> 0:08:14.880 And then that's where so talking about going into production later, 0:08:15.040 --> 0:08:19.640 now you're talking about season six shooting Glee. You guys 0:08:19.760 --> 0:08:24.720 are now again all over the place the way shooting 0:08:24.800 --> 0:08:27.720 and the scenes started getting with so many different storylines 0:08:27.720 --> 0:08:31.840 and so many different cities, and we never got everybody together. 0:08:32.520 --> 0:08:37.800 So we really started using the skeleton crew and that 0:08:37.800 --> 0:08:44.040 that became part of almost like a budget necessity. So 0:08:44.080 --> 0:08:46.600 we would talk to Kieren and kind of like at 0:08:46.600 --> 0:08:50.079 the beginning of you know, after we do the episode 0:08:50.080 --> 0:08:52.360 and be like, Okay, well, how many skeleton do we 0:08:52.480 --> 0:08:55.040 need or like how many skeleton can we figure out 0:08:55.120 --> 0:08:58.840 for this number and do certain things like that, because 0:08:58.960 --> 0:09:01.920 it was just it was almost impossible, and they knew 0:09:01.920 --> 0:09:04.640 how it worked and knew how well that we could 0:09:04.720 --> 0:09:07.679 do that, you know, yeah, which was crazy. 0:09:09.040 --> 0:09:13.480 Now at some point it was the season four you 0:09:13.559 --> 0:09:16.040 became head choreographer. 0:09:16.600 --> 0:09:21.600 The season five five five, maybe maybe the hardest thing 0:09:21.679 --> 0:09:27.240 ever because that was well, unfortunately it was. It was 0:09:27.280 --> 0:09:30.440 a really hard summer anyway, because that was you know, 0:09:30.880 --> 0:09:33.240 we came in and we lost Corey, and we were 0:09:33.240 --> 0:09:38.200 all devastated. And I would say a week before he passed, 0:09:38.360 --> 0:09:42.880 I was already in conversations about moving forward and coming. 0:09:42.640 --> 0:09:47.120 In and and then basically those conversations almost like had 0:09:47.120 --> 0:09:49.680 to come to a halt because it's like, wait, we're 0:09:49.880 --> 0:09:52.800 worried about We're worried about if I'm coming back and 0:09:52.840 --> 0:09:57.280 have a contract, you know, like like we just lost 0:09:57.280 --> 0:10:01.800 our we just lost our heart, you know, and so 0:10:02.280 --> 0:10:05.720 you know, for me, it was really no choice, Like 0:10:05.800 --> 0:10:08.520 I wanted to be there. I wanted to keep that 0:10:08.720 --> 0:10:11.400 going on, Like it's always my feeling. It's like I 0:10:11.440 --> 0:10:15.880 never want to Zach to go away. You know. Obviously 0:10:15.920 --> 0:10:19.080 he got a movie and and did you know, just 0:10:19.240 --> 0:10:22.920 had to go off. But yeah, I felt like that 0:10:22.920 --> 0:10:27.480 that year was And at the same time, obviously lou 0:10:27.559 --> 0:10:31.319 was doing so many other works with Ryan, like she 0:10:31.400 --> 0:10:33.520 would kind of come in and maybe do a little 0:10:33.559 --> 0:10:36.360 bit of supervision with things. But it was really not 0:10:36.640 --> 0:10:40.080 like we had different costume designers come in and we 0:10:40.120 --> 0:10:45.160 had different we had Robert was there, and then we 0:10:45.200 --> 0:10:50.440 had new set, we had new production like, we just 0:10:50.480 --> 0:10:53.600 had lots of new and I felt like we got 0:10:53.600 --> 0:10:58.200 into that first meeting and it was like we were yes. 0:10:58.320 --> 0:11:00.720 Like I was like, we're going to fail, like and 0:11:00.760 --> 0:11:03.240 they're looking to us. They're looking to us to fail 0:11:03.480 --> 0:11:05.280 and not in not in the worst way, but it 0:11:05.320 --> 0:11:07.840 was the first time. Now I'm in the meeting and 0:11:08.160 --> 0:11:11.160 I'm sitting there at the production table and they were 0:11:11.200 --> 0:11:15.800 shooting off notes and I remember so Dante Dealer, I 0:11:15.880 --> 0:11:18.959 know afterwards, came up to me. It was so impressed 0:11:19.360 --> 0:11:23.520 because I don't need to look when I write, like 0:11:23.600 --> 0:11:25.880 I mean, I do. I love to but like I 0:11:25.880 --> 0:11:28.520 can put on I can put on makeup without looking 0:11:28.520 --> 0:11:30.280 in the mirror. It's like I know where my eyes are, 0:11:30.720 --> 0:11:34.000 Like I know what I'm doing. So as Ryan's like 0:11:34.120 --> 0:11:36.920 giving me these notes, I'm staring at him and I 0:11:36.960 --> 0:11:40.400 don't look away, and I'm just I'm just writing and 0:11:40.400 --> 0:11:44.000 I'm just writing and I'm just going on huh and 0:11:44.000 --> 0:11:46.240 I'm like staring and I was like, I'm not I'm 0:11:46.280 --> 0:11:48.400 not going to I'm not to look away. And I 0:11:48.440 --> 0:11:50.840 was like and now I'm like still shooting my pants, 0:11:51.360 --> 0:11:55.640 like still like going okay, okay. And it was just 0:11:56.920 --> 0:11:59.280 it was a tough one. I mean we were we 0:11:59.280 --> 0:12:03.760 were singing and go karts right, and we're dealing with 0:12:03.840 --> 0:12:06.960 Dalton still, which is you know, where the Warblers were, 0:12:07.200 --> 0:12:10.280 and like there was just so many mechanics of it 0:12:10.880 --> 0:12:14.440 and I just kind of like knew we were going 0:12:14.520 --> 0:12:17.320 to fail. But like at the same time, you know, 0:12:17.440 --> 0:12:19.640 then you have Robert and who now I'm working with 0:12:19.679 --> 0:12:21.960 someone new with costs, you would be like, okay, and 0:12:22.160 --> 0:12:23.880 we need this and we need this and we need 0:12:23.920 --> 0:12:26.640 like you know, we both again they're trying to support 0:12:26.760 --> 0:12:30.920 each other to be like hey, we're look at all 0:12:30.920 --> 0:12:32.960 these new little Fish at the top. Even though we 0:12:33.160 --> 0:12:35.920 know what we're doing, we're just still now we just 0:12:35.920 --> 0:12:39.080 have a new title, and it was like, Okay, we 0:12:39.160 --> 0:12:42.400 got this, Like I know, we got this. So it 0:12:42.440 --> 0:12:44.559 was it was fun. It was different though that year 0:12:44.679 --> 0:12:47.240 was really different. Anyway, it was a whole lot. It 0:12:47.280 --> 0:12:51.920 was a whole lot less of those big numbers. I 0:12:52.000 --> 0:12:55.760 think one of my favorite numbers was Janet Jackson when 0:12:55.800 --> 0:12:58.880 we got to do in the Warehouse, like we just 0:12:59.520 --> 0:13:05.440 back law. I know you guys hated the puppets, but 0:13:06.200 --> 0:13:11.079 I mean honestly to watch the product, but well yeah, 0:13:11.120 --> 0:13:14.920 because we did the Fox and and that was also 0:13:15.040 --> 0:13:17.720 that was like nine songs later, Like it wasn't just 0:13:17.800 --> 0:13:20.520 oh we settled on it. It was like finally like 0:13:20.960 --> 0:13:27.240 it was like we're just doing it. It's like okay, 0:13:29.400 --> 0:13:33.640 poor Paul, like the Paul mccrane one of the like amazing. 0:13:33.960 --> 0:13:38.080 So that episode alone we had these puppets, we had 0:13:38.120 --> 0:13:40.200 then the Fox, we had Nat and Jane do a 0:13:40.240 --> 0:13:42.400 black and white number. We did the Jet like that 0:13:42.480 --> 0:13:45.960 was all once. That was one episode, so it was 0:13:46.000 --> 0:13:49.360 like my one of my favorite but to have to 0:13:49.520 --> 0:13:55.920 choreograph twelve puppets in a room, but can't but can't 0:13:55.920 --> 0:14:00.880 be seen because they're just twelve hands. And so we 0:14:00.960 --> 0:14:04.360 had to move, we had to build the furniture and 0:14:05.040 --> 0:14:08.400 do all these things. And these puppeteers who are now 0:14:08.520 --> 0:14:11.400 craws like the most talented things because they're making their 0:14:11.440 --> 0:14:14.520 eyes and fingers and wiggle a movement and dancing and 0:14:14.520 --> 0:14:16.120 then they have to get up on the piano and 0:14:16.160 --> 0:14:19.560 this one's laughing at that one, and then having to 0:14:19.600 --> 0:14:21.440 figure out how to shoot it. I mean, there's some 0:14:21.600 --> 0:14:25.240 brilliant pictures. There's like this picture like me and Paul 0:14:25.480 --> 0:14:29.160 and we're staring and we're looking just at like two pupius. 0:14:30.680 --> 0:14:35.800 Like so seriously, so serious and like and again, you 0:14:35.800 --> 0:14:38.120 guys weren't in that one with Darren in the classroom, 0:14:38.280 --> 0:14:41.400 but but you feel like you were because it was 0:14:41.440 --> 0:14:44.720 like your voices and your faces, but it. 0:14:44.840 --> 0:14:49.760 Like that was Actually it feels so successful when you 0:14:49.880 --> 0:14:51.880 do it, you know. I think that's also part of 0:14:51.880 --> 0:14:53.760 the stuff, is like you do this stuff and you're like, 0:14:55.080 --> 0:14:55.680 we did that. 0:14:55.840 --> 0:14:58.360 I mean literally, it's like how to do this and 0:14:58.400 --> 0:14:59.760 we figured it out right? 0:15:00.040 --> 0:15:02.480 Yeah, because we did all that. We had we had 0:15:02.520 --> 0:15:07.480 the vocal adrenaline, we had them on silks and different things. 0:15:07.600 --> 0:15:12.240 We did stilt, we did fire, we did motorcycles. We said, 0:15:12.280 --> 0:15:16.680 we did water the rain like we did. 0:15:16.680 --> 0:15:18.400 Like tarzan ropes we did. 0:15:18.840 --> 0:15:23.720 Oh my gosh, oh roar, yes, and tarzan ropes in 0:15:23.760 --> 0:15:25.520 all of them we put it. We put that same 0:15:25.720 --> 0:15:29.000 We put that same rope in New York. So like 0:15:29.080 --> 0:15:31.880 when they were in the apartment loft, we roared in 0:15:31.920 --> 0:15:37.560 there too, Oh my gosh. Like there was just the 0:15:37.560 --> 0:15:39.840 the fun and the silly, like that's the whole thing. 0:15:39.880 --> 0:15:41.840 It was like fun and silly, and it's like what 0:15:41.880 --> 0:15:44.200 else can we do? Like can we do this? Yes? 0:15:44.240 --> 0:15:47.880 We can? I mean we can and we will and 0:15:47.920 --> 0:15:51.320 we want them on go karts, singing in a in 0:15:51.360 --> 0:15:54.800 a circle, sure, and on I mean, do you remember 0:15:54.840 --> 0:15:57.720 when we shot at the fair and you guys were 0:15:57.720 --> 0:15:59.640 in the like roundabout saying. 0:16:00.080 --> 0:16:03.080 Have anything, okay, so much fun. 0:16:03.760 --> 0:16:05.320 But you also people were. 0:16:08.080 --> 0:16:10.160 Well so but you so you have to remember though, 0:16:10.760 --> 0:16:13.120 well or not remember, but no, but like we have 0:16:13.200 --> 0:16:16.480 to go and scout that stuff. So like we went 0:16:16.520 --> 0:16:18.920 to a fair two weeks before. 0:16:18.640 --> 0:16:21.400 That and I was five time. 0:16:22.960 --> 0:16:25.800 That's the same when you're doing when you're doing all 0:16:25.840 --> 0:16:29.400 this stuff, Oh emotion emotion, emotion, emotion, like that's when 0:16:29.400 --> 0:16:31.280 we that's when we leave, like we do, or we 0:16:31.400 --> 0:16:33.440 do those scouts at eight o'clock in the morning and 0:16:33.560 --> 0:16:37.440 you go and you said, and so like I was 0:16:37.520 --> 0:16:39.920 up in those things like fifty times, because I I'd 0:16:39.960 --> 0:16:41.880 be up there and like, look, you guys, we're going 0:16:41.920 --> 0:16:43.840 to do things like this, and we're going to do 0:16:43.920 --> 0:16:46.000 things like this, and so you would have to like 0:16:46.440 --> 0:16:48.840 show and demonstrate or then talk or then when you 0:16:48.840 --> 0:16:50.720 guys were up there, I mean I remember being like 0:16:51.440 --> 0:16:53.000 fill me, like come on, like I. 0:16:52.960 --> 0:16:53.960 Did some cheerleader. 0:16:56.160 --> 0:16:58.480 But that's what the That was the fun part too. 0:16:58.520 --> 0:17:00.280 It's like it is fun to be the cheer later. 0:17:00.560 --> 0:17:04.560 It's so fun to like, I don't know again, loving 0:17:04.600 --> 0:17:07.680 what I do, loving to make people dance, and then 0:17:08.080 --> 0:17:10.600 loving making you guys look good and have fun and 0:17:11.680 --> 0:17:14.760 you know, the magic and the magic working with camera 0:17:14.880 --> 0:17:17.840 and working with Andrew and working with Corey. I mean, 0:17:17.840 --> 0:17:20.680 I don't know if you guys remember, but when April 0:17:20.800 --> 0:17:25.640 roads and she did when they did home that last number, 0:17:26.480 --> 0:17:30.520 and so you had to do oh gosh, and so 0:17:31.320 --> 0:17:35.040 doing nothing. But we had duty and we had Correy 0:17:35.840 --> 0:17:39.480 on the crane and the so it's so it's worth 0:17:39.560 --> 0:17:43.600 you know, it's it's like the crew danced with us. 0:17:44.000 --> 0:17:49.600 So the crew learning how to like take the crane 0:17:49.600 --> 0:17:52.440 shot and twist it in and roll back and then 0:17:52.560 --> 0:17:56.919 like moving. And I remember like they filmed and the 0:17:57.000 --> 0:18:00.600 whole crew stopped and like standing ovation and through clapped 0:18:00.600 --> 0:18:03.639 for like two minutes because of like what the crew, 0:18:03.720 --> 0:18:08.639 how the crew was dancing to make that so beautiful 0:18:08.720 --> 0:18:11.639 on set, like and that that was just so fun. 0:18:11.680 --> 0:18:16.399 It was so fun playing with everybody and watching everyone 0:18:16.480 --> 0:18:18.080 dance behind us. 0:18:18.080 --> 0:18:21.679 And Penny and Andrew and like it just felt like 0:18:21.760 --> 0:18:23.320 everybody was like a part of it. 0:18:32.520 --> 0:18:36.879 Okay, tell us favorite numbers. So some of the amazing 0:18:37.200 --> 0:18:43.000 favorite We did the rotating room with Matt and Jama. 0:18:43.600 --> 0:18:47.359 So part of also this stuff is that we never 0:18:47.680 --> 0:18:50.080 we never had any help to do that. So it 0:18:50.160 --> 0:18:53.520 wasn't till after we did that rotating I mean our 0:18:53.560 --> 0:18:57.959 reference videos were like dancing on the ceiling like Lionel Ritchie. 0:18:58.000 --> 0:18:59.960 You know, that was like the same same sort of 0:19:00.080 --> 0:19:03.879 a box. I think I think Derek wanted Emmy for 0:19:04.480 --> 0:19:08.320 his rotating room. Like the year after we did our rotating. 0:19:07.960 --> 0:19:10.359 Room, you guys for the Emmys I don't think that 0:19:10.680 --> 0:19:13.960 they knew like what they were looking at. 0:19:14.080 --> 0:19:18.560 No excuses, no excuses. But they've now finally divided up 0:19:18.600 --> 0:19:23.640 scripted and reality. So that's that's one big thing. Because 0:19:24.240 --> 0:19:25.960 when it was Glee, it was just so you think 0:19:26.000 --> 0:19:28.840 can dance, So everybody was doing duets, which they were 0:19:28.840 --> 0:19:34.280 beautiful and they're fantastically. You have two professional dancers. It's 0:19:34.280 --> 0:19:36.639 like if you had dancing with the stories convenient against 0:19:36.680 --> 0:19:40.240 so you think you dance. It's like if you put 0:19:40.240 --> 0:19:44.240 the two pros next to the two like it's just different. 0:19:45.280 --> 0:19:48.760 Like you and a billion Emmys, Well that would be fun, 0:19:49.040 --> 0:19:52.800 but you know, they're just we had a billion more 0:19:52.880 --> 0:19:56.200 laughs with you guys, which is so much worth it. 0:19:57.359 --> 0:20:00.440 So that one was incredible because and I don't know 0:20:00.480 --> 0:20:03.320 if you guys remember Sarah who was our second ad, 0:20:03.520 --> 0:20:09.160 who basically was second ad at thet Lee meant dance department, 0:20:09.640 --> 0:20:14.040 vast apartment, and scheduling like hers scheduling was was to 0:20:14.119 --> 0:20:18.520 schedule her schedules. So we had an empty box and 0:20:18.560 --> 0:20:22.800 we had to design where the furniture was going, and 0:20:22.840 --> 0:20:25.959 we had to design when it was going to rotate 0:20:26.000 --> 0:20:30.040 and how it but it was an empty box and 0:20:30.119 --> 0:20:33.040 so the first thing then it was like, okay, well 0:20:33.200 --> 0:20:36.680 she's standing there like videotaping, and then it was like 0:20:36.840 --> 0:20:40.879 do I So she figured out that if she turned 0:20:41.119 --> 0:20:45.560 with the box and like she would like hold it, 0:20:46.040 --> 0:20:49.639 we could then see what it would look like being. 0:20:49.600 --> 0:20:51.400 Flat like the way we see it. 0:20:51.640 --> 0:20:56.520 So just that mechanic. We sat on a Saturday, I 0:20:56.560 --> 0:21:01.840 think for like hours, just sliding, just sliding in a 0:21:01.880 --> 0:21:05.040 box to the point where then we got home and 0:21:05.119 --> 0:21:07.239 like you know our phone calls that happened as soon 0:21:07.280 --> 0:21:10.160 as we got home and Zach's like, I can't stand up, 0:21:10.280 --> 0:21:13.320 and I'm like and then like my kitchen's falling, my 0:21:13.400 --> 0:21:16.520 kitchen's falling. All you did was just that you had 0:21:16.560 --> 0:21:20.000 like the worst vertigo that it was. I literally like 0:21:20.040 --> 0:21:22.119 you're holding onto the wall and you're like, I'm standing 0:21:22.160 --> 0:21:26.040 perfectly fine. And we did that for they had that 0:21:26.080 --> 0:21:28.560 thing in there for a few uh. That was one 0:21:28.600 --> 0:21:30.840 of the longest numbers we did, like a week or two, 0:21:31.680 --> 0:21:33.959 because then that they would build furniture and then they 0:21:33.960 --> 0:21:37.640 would have to like concrete it in and then hang 0:21:37.680 --> 0:21:39.720 from it. Yeah, and then we'd have to just figure 0:21:39.760 --> 0:21:42.560 out how to slide and move and like those were 0:21:42.800 --> 0:21:44.600 some of those numbers where you're like, can we just 0:21:44.600 --> 0:21:47.200 film it? Like not that it wasn't, but we had 0:21:47.320 --> 0:21:51.400 so much fun playing and doing it, and like we 0:21:51.640 --> 0:21:54.280 and really had to dance and create it. And we 0:21:54.359 --> 0:21:56.600 did that. Like there was a few numbers that Zach 0:21:56.640 --> 0:21:58.879 and I just would dance all day long, just the 0:21:58.920 --> 0:22:00.639 two of us, and it was so fun. It just 0:22:00.640 --> 0:22:03.960 reminded us of like dancing and like we would slow 0:22:04.040 --> 0:22:06.520 dance and move and I was like, can this can 0:22:06.600 --> 0:22:08.840 this be our number for some like do you need 0:22:08.960 --> 0:22:12.399 some random people? Or like even when we did Saturday 0:22:12.480 --> 0:22:15.920 Night Fever, which was such a like we just had 0:22:16.040 --> 0:22:18.679 We were such in this like seventies group of like 0:22:18.800 --> 0:22:22.280 discoing and like all day we would just be dancing 0:22:22.320 --> 0:22:24.520 and like, oh, we have to now teach it to people, 0:22:27.280 --> 0:22:32.400 But like that was pretty that was pretty like phenomenal 0:22:32.480 --> 0:22:36.600 and fun and crazy to like to and play and 0:22:36.640 --> 0:22:40.399 like I feel like those like creating those and that's 0:22:40.520 --> 0:22:42.280 and that's part of the whole thing, is like what 0:22:42.520 --> 0:22:49.119 can't we do? We've done We've done everything. Yeah, I 0:22:49.119 --> 0:22:56.879