WEBVTT - External Exam - Working as a Forensic Artist with FBI Forensic Sculptor, Lisa Bailey!

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<v Speaker 1>Mother Knows Death Presents External Exams with Nicole and Jimmy.

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<v Speaker 2>Hi everyone, welcome to this week's External Exam on Mother

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<v Speaker 2>nos Death. Since we started our podcast, we've had multiple

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<v Speaker 2>stories in the news relating to skulls being found. And

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<v Speaker 2>I'm always curious who works on these cases. How when

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<v Speaker 2>they're found, where does the skull go? Who determines who

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<v Speaker 2>this person is that has either been missing or is

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<v Speaker 2>a victim of a crime. And today we are going

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<v Speaker 2>to talk to a forensic artist. Her name is Lisa Baily,

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<v Speaker 2>and she's coming out with a new book actually today

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<v Speaker 2>called Clay and Bones. So welcome to the show. Lisa,

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<v Speaker 2>Thanks so much.

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<v Speaker 1>This is the true because I've been following you the

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<v Speaker 1>moment I got on Instagram. Yeah, Ie, So.

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<v Speaker 2>That that's awesome because I've been a huge fan of

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<v Speaker 2>your work as well. So I'm so glad we finally

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<v Speaker 2>get to meet in person. It's great. Let So, I

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<v Speaker 2>like to start off my interviews just trying to get

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<v Speaker 2>a basis of how people got into their field and

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<v Speaker 2>what their life has been like, their whole entire life,

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<v Speaker 2>not just their career. So for me, people always think

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<v Speaker 2>that I was this. They look at me and they

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<v Speaker 2>think I have tattoos and I was some goth kid

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<v Speaker 2>that just was obsessed with death and slept in a

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<v Speaker 2>coffin or something, and I obviously I wasn't. Do you

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<v Speaker 2>when people find out that that you work with human

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<v Speaker 2>skulls for a living, do they ever ask you if

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<v Speaker 2>you were obsessed with death when you were a kid

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<v Speaker 2>and grown up?

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<v Speaker 1>Yeah, it's like, well, oh my god, how did you

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<v Speaker 1>get that job? And yeah, you know were you were?

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<v Speaker 1>You wearing black all the time and you know all

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<v Speaker 1>that dothor. I was the absolute opposite. Yeah, I was

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<v Speaker 1>always drawing as a kid. I loved artwork, but I

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<v Speaker 1>was painfully shy, Like just everybody ignore me. I would not.

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<v Speaker 1>I was painfully shy. So and I didn't like anything

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<v Speaker 1>blood cuts and gore and anything gross. So it was

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<v Speaker 1>kind of surprising like some of the things that I've

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<v Speaker 1>seen in my life then, But yeah, I was complete

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<v Speaker 1>opposite this. Any anybody that knew me as a kid

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<v Speaker 1>would be like, what it's like, you up. I wouldn't

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<v Speaker 1>even dissect I couldn't dissect the throb and science class.

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<v Speaker 1>I have my partner that.

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<v Speaker 2>It's really interesting though, because I'm starting to ask this

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<v Speaker 2>question to funeral directors and other people that kind of

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<v Speaker 2>work in a similar feel to ours, and everyone says

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<v Speaker 2>the same thing. They they weren't. They weren't into it.

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<v Speaker 2>There was no there was no indication that this is

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<v Speaker 2>what they were going to do when they grew up.

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<v Speaker 2>So you're saying that you were artistic when you were

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<v Speaker 2>a kid, were you Were you also interested in science?

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<v Speaker 1>Now, well, I hated science. I did. I did everything

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<v Speaker 1>to get No.

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<v Speaker 2>This is great to hear because kids get frustrated in

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<v Speaker 2>school because they don't they don't understand science, or they're

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<v Speaker 2>not good at math. And then you look and see

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<v Speaker 2>these adults became scientists when they got older, So it's.

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<v Speaker 1>A good stalory. Yeah. I was absolutely anytime I could

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<v Speaker 1>make a science project into an art project, I would

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<v Speaker 1>do that. So I was a kid who was building

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<v Speaker 1>volcanoes with baking soda instead of writing on a report

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<v Speaker 1>about volcanoes. So yeah, I was completely not interested in science.

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<v Speaker 1>But well, one thing, if I can say this, I

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<v Speaker 1>remember when I was about thirteen fourteen, I used to

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<v Speaker 1>watch all the police shows with my dad and so on.

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<v Speaker 1>One of them, maybe it was Quincy, they had somebody

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<v Speaker 1>doing a facial approximation, and I thought that is so cool.

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<v Speaker 1>I would love to do that. But this was the

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<v Speaker 1>seventies and nobody knew how you would go about that,

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<v Speaker 1>and then or would be really cool to be a

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<v Speaker 1>composite artists. You know, I watched you know, I'm aging

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<v Speaker 1>myself the WI five things like that, so so that

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<v Speaker 1>would be the coolest job on earth. But nobody knew.

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<v Speaker 1>This was way before computers, and even if I had

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<v Speaker 1>been computers there at that time, there's very little information

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<v Speaker 1>about how to become a friends of artists. It's a

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<v Speaker 1>very odd ball, niche field. So it's really kind of

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<v Speaker 1>odd that all these years later, it's exactly what I

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<v Speaker 1>ended up doing. I wasn't aiming for it. It was

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<v Speaker 1>living my life doing you know, joining the Navy, all

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<v Speaker 1>those things that I guess we'll talk about. I ended

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<v Speaker 1>up unwittingly being perfectly prepared to be a friends of

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<v Speaker 1>artist at the FBI. When when I saw the job posting,

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<v Speaker 1>it was like they had my resume was crazy. Yeah,

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<v Speaker 1>it was crazy.

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<v Speaker 2>That's that's awesome. So let's let's first talk about the military,

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<v Speaker 2>because I want everyone to get an understanding of how

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<v Speaker 2>you ended up at the FBI as a forensic artist.

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<v Speaker 2>So you come from a family that is military, correct,

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<v Speaker 2>And so when you were growing up, was that just

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<v Speaker 2>like I'll be joining the military when I get older

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<v Speaker 2>or when did you decide you were going to join

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<v Speaker 2>the military.

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<v Speaker 1>I figured when I was about seventeen, that's probably where

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<v Speaker 1>it's going to go. There were five kids in our family,

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<v Speaker 1>and college was just never talked about, like there are

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<v Speaker 1>It was like that was something the officer's kids went

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<v Speaker 1>to college. Like, you know, my dad was a master

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<v Speaker 1>sergeant wonderful gem you know dad. So yeah, I have

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<v Speaker 1>the best father in the world. I have to have

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<v Speaker 1>the best father anyway. So college just wasn't an option.

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<v Speaker 1>So it was like there was nothing in Dove I

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<v Speaker 1>lived in. You know, that's for the Dover Air Force

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<v Speaker 1>Space in Delaware. That's if people have heard of that.

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<v Speaker 1>That's when they bring the remains from my proceeds of soldiers.

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<v Speaker 1>They had the more there out of Dover Air Force Space,

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<v Speaker 1>and there was just really there were no other There

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<v Speaker 1>was really nothing there. So the military was really the

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<v Speaker 1>best option to get out and get the job, be

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<v Speaker 1>trained in something, get college benefits, and it was the

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<v Speaker 1>best thing for me. I mean, I stopped being shy.

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<v Speaker 1>I learned how to stand up for myself because if

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<v Speaker 1>you don't, you'll get loaded down. And obviously the militarians male,

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<v Speaker 1>male dominated, you know, And but it was the best

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<v Speaker 1>thing for me. So best thing for me.

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<v Speaker 2>And you're so your dad in Air Force twenty six

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<v Speaker 2>years and and what made you decide that you were

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<v Speaker 2>going to go into the me.

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<v Speaker 1>So my dad was in the Air Force, my mother

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<v Speaker 1>was in the Women's Army Air Corps in the fifties.

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<v Speaker 1>My oldest brother and my sister were in the Air Force,

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<v Speaker 1>and another brother was in the Marines. And I thought, well,

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<v Speaker 1>I have to do the maybe so I can, you know,

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<v Speaker 1>round it out, And they honestly and please take my

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<v Speaker 1>agentto account. I was eighteen. They had the cutest uniforms,

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<v Speaker 1>So that was serious. Serious, that's what eighteen year olds

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<v Speaker 1>think about. It's like, oh my god, it's uniforms. But yeah,

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<v Speaker 1>it just appealed to me. It just appealed to me. Yeah.

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<v Speaker 2>So when I don't I'm not one hundred percent familiar.

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<v Speaker 2>I know, I sound like an idiot to people that

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<v Speaker 2>are in military families. I just don't. I'm not familiar

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<v Speaker 2>with how it works really. So you join the Navy

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<v Speaker 2>and while you're there, what what are you doing as

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<v Speaker 2>a job?

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<v Speaker 1>Do you do?

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<v Speaker 2>They try to find something that you're good at, or

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<v Speaker 2>they just give you any kind of task and you.

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<v Speaker 1>Have you, uh, you figure out what you want to

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<v Speaker 1>be before you join. So you take a test which

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<v Speaker 1>is a general Placement test kind of you know, sort

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<v Speaker 1>of an IQ. But so you get a general placement

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<v Speaker 1>test and then they take out this you know, big book.

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<v Speaker 1>They're they're the recruiters trying to get you to join

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<v Speaker 1>something that they need. Like they tried to talk me

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<v Speaker 1>into becoming going to nukes, and I was like, I don't.

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<v Speaker 1>I don't do nath, I can't into news. And I

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<v Speaker 1>guess I scored well enough for the intelligence field. And

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<v Speaker 1>so one of the recruiters said, wow, I ought to

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<v Speaker 1>be a linguist and I'd never taken a language before.

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<v Speaker 1>So eighteen years old, I joined as a Russian linguist

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<v Speaker 1>and they But so the thing is any military kid

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<v Speaker 1>noses you do not join the military unless you have

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<v Speaker 1>a guaranteed school, because otherwise you were at their mercy

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<v Speaker 1>and they can do whatever they want with you. So

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<v Speaker 1>when you join, you join you go through your boot

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<v Speaker 1>camp and then you go to your school. And I

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<v Speaker 1>was immersed in Russian for eight hours a day, forty

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<v Speaker 1>five days a week, forty seven weeks. And that was

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<v Speaker 1>just the one part of school. And there was another

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<v Speaker 1>section after four more months. But if I had, if

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<v Speaker 1>I had flunked out of that, then they could have that.

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<v Speaker 1>I'd be chipping paint. I'd be peeling potatoes. They can

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<v Speaker 1>do they can do anything they want with you, well,

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<v Speaker 1>whatever they need. It's true. I mean, it's it's true.

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<v Speaker 1>And so I joined as a Russian linguist and had

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<v Speaker 1>no idea, but and I was, you know, they would say,

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<v Speaker 1>oh my god, you're can have to study four or

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<v Speaker 1>five hours a night. There's a fifty percent nutrition rate,

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<v Speaker 1>and I don't know. I took to it like a

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<v Speaker 1>duck to water. It was no problem. It's I think

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<v Speaker 1>it's an artist and a visual To me, Russian was

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<v Speaker 1>a very organized language and it made sense to me.

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<v Speaker 1>And I could just see the words, so I couldn't

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<v Speaker 1>think of a word. I would remember seeing it in

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<v Speaker 1>my textbook and then I would go, oh, okay, I

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<v Speaker 1>could read it in my mind and answer, so that's it.

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<v Speaker 2>Yeah, My girlfriend, And how long did you do that?

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<v Speaker 2>How long did you do that?

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<v Speaker 1>Seven weeks. That was in Monterey, California, a beautiful place

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<v Speaker 1>to be stationed, by the way, it's gorgeous.

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<v Speaker 2>So you're in the Navy doing this as a career

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<v Speaker 2>for her.

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<v Speaker 1>I ended up doing six years. The typical endlessman is

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<v Speaker 1>four years, but because my school was basically a year

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<v Speaker 1>and a half, they wanted you to have It wasn't mandatory,

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<v Speaker 1>but they all for a bonus if you extended for

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<v Speaker 1>two years. So that's what I did. So I was

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<v Speaker 1>in for six years total. That was the perfect time,

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<v Speaker 1>a correct amount of time because I was ready to

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<v Speaker 1>get out.

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<v Speaker 2>And from there, you started working at Johns Hopkins, right,

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<v Speaker 2>And what did you do there?

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<v Speaker 1>I did administrative work. I was a contractor there at

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<v Speaker 1>the Applied Physics Laboratory. Because the one great thing is

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<v Speaker 1>I had a very high clearance, so I was very

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<v Speaker 1>marketable in the DC area. Data processing. Hated it to

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<v Speaker 1>the depth of my soul. I am, I hate it,

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<v Speaker 1>hate it. But they had a really good education program,

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<v Speaker 1>so that's when they started. I had gotten some college

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<v Speaker 1>credits while I was in the Navy, and then I

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<v Speaker 1>just started going to college part time while work in

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<v Speaker 1>full time. And I did that for a total of

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<v Speaker 1>seven years. It took forever. And then a positioned open

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<v Speaker 1>Nuxbroo graphic artist at Hopkins, and I lied and I

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<v Speaker 1>got it and it was just a trans So when

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<v Speaker 1>I was, you know, doing the data processing, yeah, you know,

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<v Speaker 1>so I heard about an opening and that's how I

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<v Speaker 1>that's how I transition. It's like all of a sudden,

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<v Speaker 1>I was, I was a graphic artist and I loved it.

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<v Speaker 1>I loved it.

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<v Speaker 2>So you're working as a graphic artist and you what

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<v Speaker 2>kind of graphic art were you doing for the for

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<v Speaker 2>the hospital or the.

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<v Speaker 1>School since this is for the Applying Physics laboratory, which

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<v Speaker 1>is ironic because I hated physics in high school. But

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<v Speaker 1>you know, they were they called them Beltway bandits. But

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<v Speaker 1>all the contractors that worked for the military, for Washington

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<v Speaker 1>d C. I mean, they're they're based Hopkins is based

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<v Speaker 1>in Maryland, but you would have, like I worked in

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<v Speaker 1>the Submarine Technology department, so some of them would be

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<v Speaker 1>you know, scenarios of you know, here are you know,

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<v Speaker 1>planes flying and they're shooting was radar and so or whatever.

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<v Speaker 1>It's very technical and all I had to do is illustrated.

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<v Speaker 1>So we're using these three D software and Soto Shop

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<v Speaker 1>to basically do like the artist depiction of technology that

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<v Speaker 1>they wanted to get funding for. That was part of it.

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<v Speaker 1>I mean, that was part of it. It might be

0:12:13.720 --> 0:12:17.559
<v Speaker 1>doing doing an illustration of something that somebody was inventing

0:12:17.880 --> 0:12:23.120
<v Speaker 1>and the and it wasn't even actually all military because

0:12:23.240 --> 0:12:27.719
<v Speaker 1>in the sudden wing technology, they were using that technology

0:12:27.920 --> 0:12:33.320
<v Speaker 1>for for medical for like, uh, heart problems. I won't

0:12:33.320 --> 0:12:36.160
<v Speaker 1>be able to speak intelligently about it because I'm.

0:12:38.080 --> 0:12:41.680
<v Speaker 2>No, but the brother laws. It's cool though, because I

0:12:42.120 --> 0:12:44.360
<v Speaker 2>a lot of people don't think about all those different

0:12:44.360 --> 0:12:47.680
<v Speaker 2>things that go into college programs and things that there's

0:12:47.840 --> 0:12:50.800
<v Speaker 2>artists that are helping out with that, and that's really cool.

0:12:50.880 --> 0:12:53.840
<v Speaker 2>So how did you hear about this job that came

0:12:53.960 --> 0:12:55.520
<v Speaker 2>up at the FBI? And what was it?

0:12:56.480 --> 0:12:59.600
<v Speaker 1>As an illustrator? So it was they had what they

0:12:59.679 --> 0:13:04.200
<v Speaker 1>called GS levels in the federal government. So this was

0:13:04.240 --> 0:13:06.840
<v Speaker 1>a GS ten, which is a good but you know,

0:13:06.920 --> 0:13:10.280
<v Speaker 1>a good kind of rank, and it was an illustrator.

0:13:10.600 --> 0:13:14.280
<v Speaker 1>I was, actually I was. I loved my job at Hopkins.

0:13:14.360 --> 0:13:16.840
<v Speaker 1>I loved everybody I worked with, but I just happened

0:13:16.880 --> 0:13:20.440
<v Speaker 1>to be at the dunkin Donuts looking through a Washington

0:13:20.480 --> 0:13:23.320
<v Speaker 1>Post that somebody had left on the table, and I

0:13:23.360 --> 0:13:26.679
<v Speaker 1>looked flipped up in the classifieds and I saw an

0:13:26.760 --> 0:13:29.120
<v Speaker 1>FBI seal and I was like, what's that? And then

0:13:29.120 --> 0:13:30.600
<v Speaker 1>I read it and I was just like, oh my god,

0:13:30.600 --> 0:13:34.040
<v Speaker 1>oh my god, oh my god. And this sounds so cool.

0:13:34.040 --> 0:13:35.800
<v Speaker 1>And there was nothing in that because it was a

0:13:35.880 --> 0:13:40.800
<v Speaker 1>junior position, nothing about skulls or anything then. But it

0:13:40.840 --> 0:13:44.760
<v Speaker 1>was doing demonstrative evidence for courtroom trials, you know, things

0:13:44.840 --> 0:13:48.200
<v Speaker 1>like that and composite sketches that you could work your

0:13:48.240 --> 0:13:53.240
<v Speaker 1>way into if you got promoted. So I didn't think

0:13:53.240 --> 0:13:55.040
<v Speaker 1>I would get it. I thought there's going to be

0:13:55.160 --> 0:13:57.960
<v Speaker 1>hundreds of people applying for this. I don't have a chance.

0:13:58.200 --> 0:13:59.680
<v Speaker 1>But maybe I'll get to see the inside of the

0:13:59.720 --> 0:14:04.880
<v Speaker 1>FBI because they'll have to interview me. Because literally they

0:14:04.920 --> 0:14:09.880
<v Speaker 1>wanted and this actually I want to remember this for

0:14:09.880 --> 0:14:13.160
<v Speaker 1>for later in the conversation, but they wanted be able

0:14:13.200 --> 0:14:16.600
<v Speaker 1>to like draw with kencil, no computers, no three D software,

0:14:16.880 --> 0:14:19.360
<v Speaker 1>no design software, and my degree was in design, so

0:14:19.760 --> 0:14:24.720
<v Speaker 1>they wanted they wanted everything. And at Hopkins, I did

0:14:24.720 --> 0:14:28.320
<v Speaker 1>all that. I did design I did three d illustrations

0:14:28.400 --> 0:14:34.880
<v Speaker 1>and stuff. So I applied and this was before this

0:14:35.000 --> 0:14:39.760
<v Speaker 1>was nineteen ninety seven, so it was I nailed in

0:14:39.840 --> 0:14:43.360
<v Speaker 1>my resume, you know paper I sent up FedEx because

0:14:43.360 --> 0:14:45.920
<v Speaker 1>that was terrified it would get lost. And I heard

0:14:46.000 --> 0:14:48.800
<v Speaker 1>nothing for like six months or something, and I thought,

0:14:48.880 --> 0:14:52.000
<v Speaker 1>well they I thought they felt like everybody asked, you know,

0:14:52.400 --> 0:14:54.640
<v Speaker 1>my sister would ask me was like, I guess somebody

0:14:54.640 --> 0:14:57.640
<v Speaker 1>else got it. And then one day I was working

0:14:57.680 --> 0:14:59.400
<v Speaker 1>on a rest job and I got a phone call

0:15:00.040 --> 0:15:03.080
<v Speaker 1>and somebody said I'm from the FBI, and my heart

0:15:03.080 --> 0:15:06.760
<v Speaker 1>stopped and he said, we've got trapplication. We'd like to

0:15:06.800 --> 0:15:12.080
<v Speaker 1>interview you. So, oh my god, I loved I slipped.

0:15:12.440 --> 0:15:15.560
<v Speaker 1>So we said it's down to you and three other people,

0:15:15.840 --> 0:15:18.200
<v Speaker 1>and I had a phone interview. A couple of days later.

0:15:18.720 --> 0:15:22.440
<v Speaker 1>I thought that was the preliminary interview. It wasn't. It

0:15:22.520 --> 0:15:26.640
<v Speaker 1>was the interview. So a couple of days after the

0:15:26.680 --> 0:15:29.160
<v Speaker 1>phone interview, he called me back at work and he

0:15:29.200 --> 0:15:33.680
<v Speaker 1>said the job is yours if you wanted, and lost

0:15:33.720 --> 0:15:38.080
<v Speaker 1>my mind. I nearly lost my mind. Yeah, that was so.

0:15:38.160 --> 0:15:41.160
<v Speaker 2>How So, from the time you sent in your resume

0:15:41.400 --> 0:15:44.440
<v Speaker 2>until the time you got the job. How long was

0:15:44.520 --> 0:15:44.800
<v Speaker 2>it was.

0:15:44.800 --> 0:15:51.800
<v Speaker 1>An unusual situation. It was three years, and so it

0:15:51.880 --> 0:15:55.520
<v Speaker 1>was during Okay, I applied to ninety seven, so they

0:15:55.560 --> 0:15:59.240
<v Speaker 1>were trying to get me in before a rumored hiring freeze.

0:15:59.240 --> 0:16:01.320
<v Speaker 1>And you know, September the end of the fiscal year,

0:16:02.120 --> 0:16:05.720
<v Speaker 1>so September thirtyth yes, hiring freeze. Congress couldn't decide on

0:16:05.760 --> 0:16:08.520
<v Speaker 1>the budget, so all hiring has stopped. So then for

0:16:08.600 --> 0:16:12.360
<v Speaker 1>two years sitting around going you know, somebody like approve

0:16:12.360 --> 0:16:14.280
<v Speaker 1>of the budget. And this was during the Bush and

0:16:14.320 --> 0:16:19.080
<v Speaker 1>War presidential thing, and nothing could get figured out. So

0:16:19.360 --> 0:16:24.400
<v Speaker 1>it was finally in. It was September two thousand and one.

0:16:24.640 --> 0:16:27.920
<v Speaker 1>I remember the day. It was a Friday, and the

0:16:28.000 --> 0:16:31.040
<v Speaker 1>agent came into the office and said, everything's done. Welcome

0:16:31.040 --> 0:16:34.080
<v Speaker 1>to the FBI. But I didn't get to. I didn't

0:16:34.120 --> 0:16:35.400
<v Speaker 1>start till two months later.

0:16:36.240 --> 0:16:39.680
<v Speaker 2>So you get So you get hired in September of

0:16:39.840 --> 0:16:43.560
<v Speaker 2>two thousand and one, and then what happens four days

0:16:43.600 --> 0:16:45.080
<v Speaker 2>after you get hired.

0:16:45.480 --> 0:16:48.240
<v Speaker 1>I still wasn't in yet. Like I was hired. They

0:16:48.360 --> 0:16:50.720
<v Speaker 1>I had the offer letter, I had everything, but there

0:16:50.800 --> 0:16:53.520
<v Speaker 1>was still you know, the wheels of the government most slowly,

0:16:53.840 --> 0:16:56.040
<v Speaker 1>so of course when nine to eleven happened, I thought

0:16:56.240 --> 0:16:58.480
<v Speaker 1>I was desperate to get in there because the artists

0:16:58.520 --> 0:17:01.080
<v Speaker 1>there were working twelve hour shifts, were just working around

0:17:01.120 --> 0:17:04.439
<v Speaker 1>the clock, and it still took some time. So I

0:17:04.520 --> 0:17:08.280
<v Speaker 1>wasn't able to actually physically walk in the door until November,

0:17:08.359 --> 0:17:11.639
<v Speaker 1>until two months later. But still they were back to

0:17:11.680 --> 0:17:14.159
<v Speaker 1>a normal schedule, and I was still working on everything

0:17:14.240 --> 0:17:16.359
<v Speaker 1>for you know a lot of things for nine to eleven.

0:17:16.880 --> 0:17:21.320
<v Speaker 2>So there is this act, So what kind of things,

0:17:21.680 --> 0:17:23.760
<v Speaker 2>like what kind of things would a person in your

0:17:23.760 --> 0:17:26.040
<v Speaker 2>position do as it relates to nine to eleven?

0:17:27.200 --> 0:17:28.960
<v Speaker 1>Okay, what did we do? Oh? So we had to

0:17:29.160 --> 0:17:32.240
<v Speaker 1>We scanned, you know, all of the Dictum's photos. You

0:17:32.240 --> 0:17:35.080
<v Speaker 1>would think that they were the most beautiful digital copy somewhere,

0:17:35.119 --> 0:17:37.480
<v Speaker 1>but again it's two thousand and one. Not everybody had

0:17:37.520 --> 0:17:41.000
<v Speaker 1>all that stuff. So we were scanning, scanning, cleaning up

0:17:41.040 --> 0:17:43.800
<v Speaker 1>photos of all the victims. We were making presentations for

0:17:44.920 --> 0:17:48.520
<v Speaker 1>Director Molar and for the White House of We were

0:17:48.520 --> 0:17:51.840
<v Speaker 1>doing interactive presentations, like one of the ones I was

0:17:52.640 --> 0:17:54.760
<v Speaker 1>there was a lead artist because I was brand new,

0:17:55.160 --> 0:17:59.000
<v Speaker 1>but some of the senior artists would be doing you know,

0:18:00.119 --> 0:18:03.520
<v Speaker 1>layout diagrams of the planes and where every person was

0:18:03.560 --> 0:18:07.240
<v Speaker 1>sitting and there would be a link to the voice calls,

0:18:07.320 --> 0:18:09.959
<v Speaker 1>like some of the phone calls from people. It was

0:18:10.119 --> 0:18:14.240
<v Speaker 1>it was trust me, it was something to walk into.

0:18:15.119 --> 0:18:18.119
<v Speaker 1>And actually one of when on a co worker, but

0:18:19.840 --> 0:18:22.760
<v Speaker 1>a scientist that had worked at Hopkins was actually killed

0:18:22.920 --> 0:18:25.920
<v Speaker 1>during during that. I found that out the day later,

0:18:26.200 --> 0:18:30.280
<v Speaker 1>the day after, so when I went, when I was

0:18:30.280 --> 0:18:32.439
<v Speaker 1>at the bureau, it was just very surreal. It's like

0:18:32.600 --> 0:18:34.600
<v Speaker 1>un scanning pictures and then there's a picture of the

0:18:34.600 --> 0:18:38.320
<v Speaker 1>person that I knew, Like I know, many people after

0:18:38.400 --> 0:18:40.439
<v Speaker 1>nine eleven is like they wanted to do something like

0:18:40.440 --> 0:18:42.680
<v Speaker 1>what can I do? And at least I felt like, well,

0:18:42.720 --> 0:18:46.040
<v Speaker 1>I'm here, I'm doing something, you know, helping with the

0:18:46.040 --> 0:18:48.240
<v Speaker 1>presentations for it because they were gonna, you know, the

0:18:48.280 --> 0:18:51.800
<v Speaker 1>prosecuting Zacharias Masali. So I worked on some of those

0:18:52.200 --> 0:18:57.679
<v Speaker 1>presentations of courtroom things. Uh. So it was it was

0:18:58.560 --> 0:19:01.639
<v Speaker 1>anything related to eleven that took up the bulk of

0:19:01.680 --> 0:19:03.760
<v Speaker 1>my time the first year.

0:19:04.840 --> 0:19:08.000
<v Speaker 2>What are some things when you started working there that

0:19:08.480 --> 0:19:11.199
<v Speaker 2>a regular person would kind of be surprised by because

0:19:11.240 --> 0:19:13.680
<v Speaker 2>obviously you walked in there and you didn't really know much.

0:19:13.720 --> 0:19:17.439
<v Speaker 2>You just supplied for some job in the newspaper and

0:19:17.480 --> 0:19:19.760
<v Speaker 2>you're like, cool, I'll be doing some kind of art

0:19:19.800 --> 0:19:22.760
<v Speaker 2>for the FBI. And you walk in after one of

0:19:22.760 --> 0:19:27.560
<v Speaker 2>the biggest investigations in United States history, like what what happened?

0:19:27.840 --> 0:19:27.959
<v Speaker 1>Like?

0:19:28.000 --> 0:19:30.000
<v Speaker 2>What are some things that kind of blew your mind

0:19:30.040 --> 0:19:32.800
<v Speaker 2>that you didn't really realize happened Behind the scenes?

0:19:32.960 --> 0:19:38.040
<v Speaker 1>It was on some well, my my supervisor was walking

0:19:38.040 --> 0:19:40.320
<v Speaker 1>me through the office and he had a he said,

0:19:40.320 --> 0:19:42.040
<v Speaker 1>this is where we keep all the skulls. And I

0:19:42.080 --> 0:19:45.160
<v Speaker 1>was like, you have skulls in there. That was because

0:19:45.160 --> 0:19:47.240
<v Speaker 1>that was not in the job description, which was fine,

0:19:47.640 --> 0:19:50.719
<v Speaker 1>but that kind of blew me away. Just seeing the

0:19:50.760 --> 0:19:54.000
<v Speaker 1>real work. You've seen things on TV, you know, you're

0:19:54.040 --> 0:19:56.800
<v Speaker 1>you're you're watching police shows and everything, and then going

0:19:56.840 --> 0:19:59.040
<v Speaker 1>inside the FBI and going, oh my god, this is

0:19:59.040 --> 0:20:02.040
<v Speaker 1>really where it really hap happens. And seeing people working in,

0:20:03.720 --> 0:20:07.480
<v Speaker 1>you know, scraping clothing for for hairs and fibers and

0:20:07.520 --> 0:20:10.639
<v Speaker 1>and things like that. It was It was surreal, It

0:20:10.720 --> 0:20:12.520
<v Speaker 1>is all I can say. It was surreal to be

0:20:12.640 --> 0:20:15.760
<v Speaker 1>there because everybody's normal people. They're just walking around like,

0:20:15.920 --> 0:20:19.359
<v Speaker 1>you know, this is their job. But to be on

0:20:19.400 --> 0:20:24.160
<v Speaker 1>the in, to be on the inside, it was it was, Yeah,

0:20:24.240 --> 0:20:26.840
<v Speaker 1>it was surreal, Like I was. I kept pinching myself.

0:20:26.840 --> 0:20:28.920
<v Speaker 1>I was like, I can't believe them here. It was. Yeah,

0:20:29.040 --> 0:20:30.880
<v Speaker 1>it was thrilled. It was absolutely thrilled.

0:20:31.200 --> 0:20:35.640
<v Speaker 2>Do they have like one central office or are there

0:20:35.720 --> 0:20:38.440
<v Speaker 2>other branches throughout the country that do this work as

0:20:38.480 --> 0:20:39.760
<v Speaker 2>well or is it one place?

0:20:39.800 --> 0:20:42.159
<v Speaker 1>Okay, So the way the FBI is organized, there's the

0:20:42.200 --> 0:20:45.879
<v Speaker 1>FBI headquarters in Washington, DC, and then they have field offices.

0:20:46.400 --> 0:20:49.920
<v Speaker 1>So every state has a every state, most every state

0:20:49.960 --> 0:20:53.760
<v Speaker 1>has a field in field office. So you could say

0:20:53.760 --> 0:20:56.920
<v Speaker 1>that the most of the case work is done by

0:20:57.000 --> 0:21:00.520
<v Speaker 1>the agents and the field offices. So even though the

0:21:00.600 --> 0:21:04.399
<v Speaker 1>Washington even though the FBI headquarters is in Washington, d C,

0:21:04.880 --> 0:21:11.959
<v Speaker 1>there's also WFO, the Washington Field Office. So and then

0:21:12.000 --> 0:21:15.600
<v Speaker 1>they have legal attaches all over the world. So the

0:21:15.800 --> 0:21:19.000
<v Speaker 1>but the forensic art we were actually our division was

0:21:19.040 --> 0:21:23.600
<v Speaker 1>the FBI Laboratory. So you can imagine the organizational tree

0:21:23.600 --> 0:21:28.679
<v Speaker 1>of the FBI goes on forever. So so I was

0:21:28.720 --> 0:21:32.040
<v Speaker 1>part of the SBI Laboratory division and we eventually moved

0:21:32.040 --> 0:21:36.200
<v Speaker 1>down to Quantica. Yeah yeah, oh okay, cool.

0:21:36.920 --> 0:21:40.480
<v Speaker 2>So when you when you started, you they knew that

0:21:40.560 --> 0:21:42.600
<v Speaker 2>you had some kind of a background in art, but

0:21:42.680 --> 0:21:46.680
<v Speaker 2>you weren't specifically trained to do what you ended up doing.

0:21:46.760 --> 0:21:49.639
<v Speaker 2>So when you started working there, did they require you

0:21:49.680 --> 0:21:52.320
<v Speaker 2>to go to art school or did someone teach you

0:21:52.359 --> 0:21:55.280
<v Speaker 2>like on the job training or was it a combination.

0:21:55.520 --> 0:21:59.320
<v Speaker 1>It was a little combination. I mean they you know,

0:21:59.359 --> 0:22:01.280
<v Speaker 1>I said, non of a portfolio, so they saw my

0:22:01.359 --> 0:22:04.880
<v Speaker 1>drawing ability, the and all that. It was basically learning

0:22:04.960 --> 0:22:07.560
<v Speaker 1>how to apply those skills to forensics. So I had

0:22:07.560 --> 0:22:11.000
<v Speaker 1>done plenty of floor plans and diagrams and things at Hopkins,

0:22:11.359 --> 0:22:13.520
<v Speaker 1>but this you had to think of it as it

0:22:13.680 --> 0:22:16.040
<v Speaker 1>going to a courtroom, and so how to make sure

0:22:16.040 --> 0:22:18.119
<v Speaker 1>that this information is presented in a way that the

0:22:18.160 --> 0:22:24.399
<v Speaker 1>jury can understand so it's clear and unbiased. So I

0:22:24.400 --> 0:22:27.119
<v Speaker 1>would shadow sometimes, like shadow and other artists, just so

0:22:27.119 --> 0:22:28.520
<v Speaker 1>that they would be working on a case and I

0:22:28.560 --> 0:22:31.200
<v Speaker 1>would see, you know, see what they were doing. That

0:22:31.359 --> 0:22:35.440
<v Speaker 1>Also they had the big thing was the FBI Forensic

0:22:35.480 --> 0:22:38.800
<v Speaker 1>Facial Imaging class, and that was three weeks long, and

0:22:38.840 --> 0:22:41.879
<v Speaker 1>that was training in composite drawings and age progressions and

0:22:41.920 --> 0:22:46.560
<v Speaker 1>facial approximation. So that was my first time. That's when

0:22:46.560 --> 0:22:49.359
<v Speaker 1>I fell in love with skulls. And facial approximations. During

0:22:49.359 --> 0:22:53.600
<v Speaker 1>that class, I thought, this is this is the best

0:22:53.640 --> 0:22:57.359
<v Speaker 1>thing ever. And because I was, because I'm still a

0:22:57.400 --> 0:22:59.600
<v Speaker 1>new hire, you know, I wasn't able to do facian

0:22:59.640 --> 0:23:02.000
<v Speaker 1>props right away and then you have to kind of,

0:23:02.080 --> 0:23:05.560
<v Speaker 1>you know, work up to that. But that's when I

0:23:05.560 --> 0:23:08.720
<v Speaker 1>fell in love with it. And from then on I

0:23:08.920 --> 0:23:14.920
<v Speaker 1>was just I learned. I did everything I could learn anything,

0:23:15.040 --> 0:23:19.000
<v Speaker 1>everything about facial approximation because I want because I wanted

0:23:19.040 --> 0:23:20.280
<v Speaker 1>to do it later when I want to go.

0:23:23.160 --> 0:23:25.240
<v Speaker 2>Isn't it kind of cool when you look back at

0:23:25.240 --> 0:23:27.280
<v Speaker 2>your childhood and you said that you did see an

0:23:27.320 --> 0:23:29.600
<v Speaker 2>episode of Quincy and you saw them doing that that

0:23:30.760 --> 0:23:34.520
<v Speaker 2>if the Internet maybe existed, because because think about this,

0:23:34.680 --> 0:23:36.760
<v Speaker 2>if you were if you were a fourteen year old

0:23:36.840 --> 0:23:39.440
<v Speaker 2>kid and you saw a TV show that did that,

0:23:39.480 --> 0:23:41.800
<v Speaker 2>all you'd have to do on Google is you know,

0:23:41.880 --> 0:23:43.840
<v Speaker 2>what job can I get where I do this and

0:23:44.080 --> 0:23:47.320
<v Speaker 2>it'll pop up. But when I mean the same thing

0:23:47.359 --> 0:23:49.520
<v Speaker 2>happened with me. There was no Internet when I was

0:23:49.560 --> 0:23:51.119
<v Speaker 2>trying to figure out what I was doing with my

0:23:51.200 --> 0:23:54.320
<v Speaker 2>life either. So it's it's like kind of cool how

0:23:54.359 --> 0:23:58.800
<v Speaker 2>people got their story without having that at their fingertips

0:23:58.840 --> 0:24:01.480
<v Speaker 2>and got to where they were. Did you when you

0:24:01.520 --> 0:24:04.160
<v Speaker 2>started working at the FBI over twenty years ago, did

0:24:04.200 --> 0:24:07.080
<v Speaker 2>you were you one of the only women working there

0:24:07.119 --> 0:24:10.159
<v Speaker 2>or what or do you think that there was a

0:24:10.240 --> 0:24:12.400
<v Speaker 2>lot of women working there at the time or has

0:24:12.440 --> 0:24:13.720
<v Speaker 2>that changed over the course.

0:24:14.359 --> 0:24:17.920
<v Speaker 1>As far as well, there's as far as the FBI overall,

0:24:18.880 --> 0:24:21.680
<v Speaker 1>it depends between agents and support personnel. So I was

0:24:21.720 --> 0:24:26.360
<v Speaker 1>a support personnel. So in our the graphic unit where

0:24:26.400 --> 0:24:28.760
<v Speaker 1>I worked, and that it's not the official name. I

0:24:28.800 --> 0:24:31.080
<v Speaker 1>don't I'm not getting official names, so that that FBI unit,

0:24:31.080 --> 0:24:34.400
<v Speaker 1>it's just anybody's worried about it. So in the graphic unit,

0:24:34.400 --> 0:24:37.399
<v Speaker 1>they're about have you know, fifty fifty men and women,

0:24:37.840 --> 0:24:41.520
<v Speaker 1>and our official title was Visual Information Specialists. But not

0:24:41.640 --> 0:24:45.240
<v Speaker 1>everybody in there. Would you composits or age progressions or

0:24:46.040 --> 0:24:49.640
<v Speaker 1>facial approximations. Some did more crime scene like going out

0:24:49.680 --> 0:24:54.639
<v Speaker 1>diagramming crime scene is doing video, you know, more of

0:24:54.640 --> 0:24:58.280
<v Speaker 1>the more of the technical aspect than others. So every

0:24:58.400 --> 0:25:00.639
<v Speaker 1>every artist in there have kind of there's actually we

0:25:00.680 --> 0:25:04.159
<v Speaker 1>had to be able to do everything at least at

0:25:04.200 --> 0:25:08.040
<v Speaker 1>a base level, but then people kind of fall into

0:25:08.080 --> 0:25:12.480
<v Speaker 1>what they're best at. And thankfully the supervisors. Then they

0:25:12.560 --> 0:25:15.520
<v Speaker 1>saw that and they're like, Okay, well Lisa love Skalts

0:25:15.600 --> 0:25:18.959
<v Speaker 1>and she's putting in the work. So that's the direction

0:25:19.080 --> 0:25:23.600
<v Speaker 1>I went. Others just had very amazingly technical minds and

0:25:23.640 --> 0:25:28.119
<v Speaker 1>were able, like especially on for the Masai trial, some

0:25:28.200 --> 0:25:34.080
<v Speaker 1>of the presentations they did were just remarkable, remarkable things

0:25:34.080 --> 0:25:37.040
<v Speaker 1>that maybe with the software now might be a town easier,

0:25:37.119 --> 0:25:39.880
<v Speaker 1>but in two thousand and one, it's incredible that they did.

0:25:42.800 --> 0:25:45.679
<v Speaker 2>I think it's cool that you're talking about trials that

0:25:45.720 --> 0:25:47.960
<v Speaker 2>we're all familiar with hearing in the news and everything.

0:25:48.760 --> 0:25:53.920
<v Speaker 2>Working in the hospital, we have to comply with HIPPO regulations,

0:25:53.960 --> 0:25:59.720
<v Speaker 2>which is to protect patient privacy. Is there something similar

0:25:59.800 --> 0:26:03.800
<v Speaker 2>in the FBI where you're kind of you're allowed to

0:26:03.840 --> 0:26:07.040
<v Speaker 2>talk about stuff, but you really can't talk about too

0:26:07.080 --> 0:26:10.119
<v Speaker 2>much so you can't figure out exactly who you're talking about.

0:26:10.760 --> 0:26:14.080
<v Speaker 1>Yes, I mean we all have. We have the highest

0:26:14.119 --> 0:26:17.240
<v Speaker 1>of the clearance, so top secret. I had what's called

0:26:17.520 --> 0:26:20.560
<v Speaker 1>top secret with the sci special compartmented, so it was

0:26:20.840 --> 0:26:22.800
<v Speaker 1>kind of up there. But because I had been in

0:26:22.840 --> 0:26:26.320
<v Speaker 1>the military, it was The FBI is not like the military,

0:26:26.359 --> 0:26:29.200
<v Speaker 1>but it was the same thing. It's like you're working

0:26:29.200 --> 0:26:31.280
<v Speaker 1>in law enforcement, you have a clearance, you keep your

0:26:31.320 --> 0:26:34.080
<v Speaker 1>mouth shut. That was just security was drooling a dirt.

0:26:34.160 --> 0:26:36.399
<v Speaker 1>Hence all the time, it's like, keep your mouth shut.

0:26:36.600 --> 0:26:38.399
<v Speaker 1>So you don't go out and talk about work out

0:26:38.440 --> 0:26:40.439
<v Speaker 1>in the bar or something. You just you just do it.

0:26:40.880 --> 0:26:45.480
<v Speaker 1>And you know, they didn't have a rule against identifying

0:26:45.520 --> 0:26:50.520
<v Speaker 1>yourself as an FBI employee online, but I never did.

0:26:50.680 --> 0:26:52.320
<v Speaker 1>I mean some people would go, I'm an f be

0:26:52.359 --> 0:26:54.600
<v Speaker 1>a friends of artists and have it all over their

0:26:54.600 --> 0:26:57.639
<v Speaker 1>social media, and I never did that. I'm hardly on

0:26:57.680 --> 0:26:59.920
<v Speaker 1>social media now and I never put that I was

0:27:00.040 --> 0:27:03.280
<v Speaker 1>at the FBI. I just you know, like, why bring attention?

0:27:03.880 --> 0:27:06.680
<v Speaker 1>You know, I didn't see anything. Yeah, it was goodly

0:27:06.720 --> 0:27:09.480
<v Speaker 1>to of this, so yeah I did.

0:27:10.320 --> 0:27:12.679
<v Speaker 2>So you said that you they've picked up that you

0:27:12.800 --> 0:27:16.600
<v Speaker 2>specialized in skulls, So just can you I first I

0:27:16.640 --> 0:27:19.639
<v Speaker 2>want to know, like what what's your work schedule? Do

0:27:19.680 --> 0:27:22.159
<v Speaker 2>you go to work just nine to five Monday through Friday?

0:27:22.200 --> 0:27:25.280
<v Speaker 2>Is it part time? Are you on call? And then

0:27:25.400 --> 0:27:28.200
<v Speaker 2>secondly I want to know when you walk into work

0:27:28.720 --> 0:27:32.000
<v Speaker 2>every day and this might change from day to day,

0:27:32.040 --> 0:27:34.120
<v Speaker 2>but like what what do you sit down and do?

0:27:34.119 --> 0:27:36.679
<v Speaker 2>Do you sit at a desk, you stand in a lab, like,

0:27:36.960 --> 0:27:40.639
<v Speaker 2>give us some explanation of what a typical work.

0:27:40.520 --> 0:27:42.359
<v Speaker 1>Day would be. So I would say that, well, the

0:27:42.359 --> 0:27:45.040
<v Speaker 1>first half of my career it's basically nine to five.

0:27:45.119 --> 0:27:47.239
<v Speaker 1>You can you can slide the schedule a little bit,

0:27:47.280 --> 0:27:49.160
<v Speaker 1>like sixty three thirty. You can slide that a bit,

0:27:49.720 --> 0:27:52.879
<v Speaker 1>but it's very disappointing to anybody that sees all the

0:27:52.880 --> 0:27:55.280
<v Speaker 1>awesome sets. Like on cssig and Bones, we do not

0:27:55.359 --> 0:28:01.359
<v Speaker 1>work in cool offices. They're they're Cuba goles, cubicles, fornchs old.

0:28:02.400 --> 0:28:06.960
<v Speaker 1>That's that's just what it's like. So when my career

0:28:06.960 --> 0:28:10.560
<v Speaker 1>can basically be divided into nine year blocks, you know,

0:28:10.800 --> 0:28:13.239
<v Speaker 1>the two blocks. So the first half, yeah, you just

0:28:13.320 --> 0:28:15.560
<v Speaker 1>you walk in, you sign in, you get coffee, you

0:28:15.640 --> 0:28:18.639
<v Speaker 1>check your email, and you just That was before I

0:28:18.680 --> 0:28:22.480
<v Speaker 1>was working on skulls and the supervisor has a number

0:28:22.480 --> 0:28:25.080
<v Speaker 1>of cases assigned to you and you just sort of

0:28:25.119 --> 0:28:28.359
<v Speaker 1>juggle them based on court dates. And then the prosecutor

0:28:28.440 --> 0:28:30.240
<v Speaker 1>might call up and say, guess what, we're going to

0:28:30.320 --> 0:28:32.560
<v Speaker 1>court a month thoroughly, and then you have to swap

0:28:32.600 --> 0:28:35.919
<v Speaker 1>things around, so sometimes you're juggling. We were not on

0:28:36.160 --> 0:28:41.480
<v Speaker 1>call on call employees I don't know a lot about this,

0:28:41.800 --> 0:28:43.880
<v Speaker 1>but you know there would be a schedule, so you

0:28:43.960 --> 0:28:47.120
<v Speaker 1>knew when you were on call. And I guess there

0:28:47.200 --> 0:28:52.920
<v Speaker 1>was some a different pay, pay structure or something. I'm

0:28:52.960 --> 0:28:54.800
<v Speaker 1>not too familiar with it, but I know it exists.

0:28:56.520 --> 0:29:02.040
<v Speaker 1>But you were expected if there was, you weren't. You

0:29:02.080 --> 0:29:04.800
<v Speaker 1>didn't want to say no. Guy says, you know, we

0:29:04.880 --> 0:29:06.520
<v Speaker 1>really need you to get on a plane tonight and

0:29:06.560 --> 0:29:10.600
<v Speaker 1>go somewhere. You're like, okay, I will, So you're not

0:29:10.680 --> 0:29:13.040
<v Speaker 1>you're not technically on a call, but yes you. I mean,

0:29:13.120 --> 0:29:14.880
<v Speaker 1>it's just like the military. I was used to that.

0:29:15.040 --> 0:29:17.600
<v Speaker 1>I mean, the military only owns you twenty four to seven.

0:29:17.640 --> 0:29:19.560
<v Speaker 1>You might work a five day and we can get

0:29:19.600 --> 0:29:21.400
<v Speaker 1>a weekend. But if you get a phone call that

0:29:21.440 --> 0:29:25.200
<v Speaker 1>you need to go somewhere, then you go somewhere, Like

0:29:25.880 --> 0:29:27.320
<v Speaker 1>do you. I don't know if you remember it was

0:29:28.720 --> 0:29:32.360
<v Speaker 1>all the shootings on the East coast with not the

0:29:32.480 --> 0:29:37.600
<v Speaker 1>member's name, the sniper shootings, if you remove that vaguely.

0:29:37.920 --> 0:29:41.280
<v Speaker 2>Yeah, funny because I was just talking. I was just

0:29:41.360 --> 0:29:44.280
<v Speaker 2>talking about that today. Actually. It's it's so funny how

0:29:44.760 --> 0:29:47.880
<v Speaker 2>you don't talk about things for years and then today

0:29:47.920 --> 0:29:50.320
<v Speaker 2>I was just talking to my husband this morning about

0:29:50.360 --> 0:29:53.360
<v Speaker 2>the DC sniper and stuff, and now you're talking about it,

0:29:53.360 --> 0:29:58.920
<v Speaker 2>which is interesting. So what involvement did you have the kis.

0:30:00.200 --> 0:30:02.640
<v Speaker 1>The first night I was thalm and said, somebody, somebody

0:30:02.640 --> 0:30:05.000
<v Speaker 1>saw something. There's a presentation in the morning, you have

0:30:05.120 --> 0:30:07.040
<v Speaker 1>to go into work, and so it's ten o'clock that

0:30:07.120 --> 0:30:12.080
<v Speaker 1>night and not driving tech borders or I remember. It

0:30:12.120 --> 0:30:15.080
<v Speaker 1>was like something some information came in. You need to

0:30:15.080 --> 0:30:19.400
<v Speaker 1>do a presentation, you need to whatever. So that yeah,

0:30:19.520 --> 0:30:21.960
<v Speaker 1>that was. That was for anybody that worked in the

0:30:22.040 --> 0:30:25.480
<v Speaker 1>DC area. It was It was scary because at that time,

0:30:26.920 --> 0:30:29.840
<v Speaker 1>you know, I took the bus into DC, so you're

0:30:29.920 --> 0:30:31.760
<v Speaker 1>standing in a long bus line and all you can

0:30:31.800 --> 0:30:34.320
<v Speaker 1>think of is like, I'm a perfect target because this

0:30:34.400 --> 0:30:36.760
<v Speaker 1>guy's still on the loots. You know. Turns out it

0:30:36.880 --> 0:30:41.000
<v Speaker 1>was too but you were just it was. It was scary.

0:30:41.000 --> 0:30:42.600
<v Speaker 1>It was like, oh my god, I joined the FBI

0:30:42.720 --> 0:30:46.400
<v Speaker 1>and now now this now now there's you know, snipers

0:30:46.400 --> 0:30:46.840
<v Speaker 1>and everything.

0:30:46.920 --> 0:30:50.320
<v Speaker 2>So oh, I yeah, my husband what what? What my

0:30:50.440 --> 0:30:52.760
<v Speaker 2>husband and I were talking about this morning actually was

0:30:52.760 --> 0:30:55.280
<v Speaker 2>what a crazy time period that was, because it was

0:30:55.320 --> 0:30:58.920
<v Speaker 2>like nine to eleven happened and then didn't the sniper

0:30:58.960 --> 0:31:01.320
<v Speaker 2>thing happen at the same time time as Hurricane Katrina.

0:31:01.480 --> 0:31:04.240
<v Speaker 2>I feel like it was like all within a couple

0:31:04.280 --> 0:31:08.920
<v Speaker 2>of months, like just craziness and you're just like and

0:31:08.920 --> 0:31:13.680
<v Speaker 2>then an antracks, Yeah, oh, an Anthrax, so of course, yeah,

0:31:13.760 --> 0:31:16.320
<v Speaker 2>that was just like a crazy things like that.

0:31:16.280 --> 0:31:19.280
<v Speaker 1>Like you know, even with those Anthrex letters, you know,

0:31:19.360 --> 0:31:21.360
<v Speaker 1>we would might get those in and scam them and

0:31:21.400 --> 0:31:23.520
<v Speaker 1>they would be in part of a presentation. We would

0:31:23.880 --> 0:31:27.640
<v Speaker 1>give one fun thing I got to do. I shouldn't

0:31:27.640 --> 0:31:30.360
<v Speaker 1>call it fun, but it was kind of cool. So

0:31:30.440 --> 0:31:35.360
<v Speaker 1>during the trial for the sniper shooting, the model unit

0:31:35.720 --> 0:31:38.920
<v Speaker 1>they took you know, they they would hide in the

0:31:38.960 --> 0:31:41.320
<v Speaker 1>trunk and they drilled the hole and they were shooting people.

0:31:41.440 --> 0:31:43.000
<v Speaker 1>They were inside the trunk and then shooting with the

0:31:43.080 --> 0:31:46.560
<v Speaker 1>rifle out. So, uh, the model shop got a car,

0:31:46.680 --> 0:31:49.480
<v Speaker 1>cut it in half and they restructured that to use

0:31:49.520 --> 0:31:52.719
<v Speaker 1>in court so they could show exactly, you know, how

0:31:52.920 --> 0:31:56.080
<v Speaker 1>how they would like fimb into the climb into the trunk.

0:31:56.520 --> 0:32:00.920
<v Speaker 1>And there another coworker and I was the lead artist.

0:32:01.000 --> 0:32:06.360
<v Speaker 1>We went over to the driving training that they have

0:32:06.480 --> 0:32:09.720
<v Speaker 1>for agents where they get to drive fast and chase

0:32:09.760 --> 0:32:12.800
<v Speaker 1>bad guys, and so we were having to measure one

0:32:12.800 --> 0:32:15.719
<v Speaker 1>of the identical cars to use that for the present

0:32:15.800 --> 0:32:21.600
<v Speaker 1>for the courtroom h courtroom exhibits. So that was you know,

0:32:21.880 --> 0:32:24.120
<v Speaker 1>I've got to work on that a little bit. It

0:32:24.160 --> 0:32:25.200
<v Speaker 1>was interesting.

0:32:25.280 --> 0:32:27.840
<v Speaker 2>Yeah, that's that's us. I know, it doesn't it's it

0:32:27.960 --> 0:32:31.160
<v Speaker 2>sounds kind of weird to say it's cool, but scientifically

0:32:32.000 --> 0:32:33.800
<v Speaker 2>and just to be involved with a case like that,

0:32:33.880 --> 0:32:36.040
<v Speaker 2>I think it's okay to say that it's cool. I would.

0:32:36.160 --> 0:32:39.440
<v Speaker 1>I think I'll Actually I've completely forgotten about that. I

0:32:39.560 --> 0:32:44.640
<v Speaker 1>just completely dropped. It's like, oh yeah, it's sometimes I

0:32:44.680 --> 0:32:46.480
<v Speaker 1>forget some of the things I've done and I'm like,

0:32:46.560 --> 0:32:47.560
<v Speaker 1>oh yeah.

0:32:47.520 --> 0:32:49.800
<v Speaker 2>Yeah, and You're like I've done all this cool stuff

0:32:49.840 --> 0:32:51.880
<v Speaker 2>and it just it's every day of your life, right,

0:32:52.480 --> 0:32:57.360
<v Speaker 2>So what when you say composits, sketch and all these words,

0:32:57.440 --> 0:33:01.920
<v Speaker 2>that's like, did you explain what some of those things are?

0:33:02.040 --> 0:33:04.640
<v Speaker 2>What you would actually do sitting there as an artist

0:33:04.720 --> 0:33:06.920
<v Speaker 2>to come up with that stuff, Like how do you

0:33:06.960 --> 0:33:09.720
<v Speaker 2>do a composite sketch? Do you have to interview people

0:33:09.800 --> 0:33:13.560
<v Speaker 2>to get that information? So you personally would interview them?

0:33:14.320 --> 0:33:17.720
<v Speaker 1>Yeah, it was okay, And fifty years ago it was

0:33:17.760 --> 0:33:19.840
<v Speaker 1>it was different. The FBI agents would do the interview.

0:33:19.920 --> 0:33:22.600
<v Speaker 1>That's a whole other story, but yes, we would. We

0:33:22.640 --> 0:33:25.760
<v Speaker 1>would go in, we would have a book of facial references,

0:33:26.000 --> 0:33:28.880
<v Speaker 1>so we interview the person. But you're just basically trying

0:33:28.880 --> 0:33:31.400
<v Speaker 1>to talk to them and get to relax. We're not

0:33:31.520 --> 0:33:34.440
<v Speaker 1>in any uniform, so you're just you know, you're just

0:33:34.440 --> 0:33:37.160
<v Speaker 1>doing get a person, which you know, somebody's been through

0:33:37.200 --> 0:33:40.760
<v Speaker 1>something horrible. I mean, I didn't use sexual assault cases,

0:33:40.800 --> 0:33:43.520
<v Speaker 1>and it was just it was very hard for me

0:33:45.320 --> 0:33:47.080
<v Speaker 1>just I didn't want to say anything. I didn't want

0:33:47.080 --> 0:33:49.240
<v Speaker 1>to say anything wrong. And this person's just had the

0:33:49.240 --> 0:33:52.800
<v Speaker 1>worst moment of their life, you know. So so it's

0:33:52.880 --> 0:33:53.920
<v Speaker 1>not like a police interview.

0:33:54.160 --> 0:33:56.440
<v Speaker 2>Yeah, and you don't want them to be visualizing it

0:33:56.520 --> 0:33:58.720
<v Speaker 2>right like you feel bad, but they try trying to

0:33:58.760 --> 0:34:00.640
<v Speaker 2>help them. You have to look at it that way.

0:34:00.560 --> 0:34:03.880
<v Speaker 1>Then exactly exactly, it's like they're trying to forget that face.

0:34:04.040 --> 0:34:05.720
<v Speaker 1>On one hand, they want to forget it. On the

0:34:05.760 --> 0:34:08.800
<v Speaker 1>other hand, they want a representation that it's something you go, see,

0:34:08.800 --> 0:34:10.719
<v Speaker 1>this is what that I said. They looks like nat

0:34:10.760 --> 0:34:14.560
<v Speaker 1>boat get them. I mean that it was I don't

0:34:14.560 --> 0:34:16.760
<v Speaker 1>want to get ahead of myself. So yeah, so we would.

0:34:16.840 --> 0:34:19.560
<v Speaker 1>We would just free recollection, like tell me what you remember.

0:34:19.600 --> 0:34:22.319
<v Speaker 1>And it wasn't always just facial features. Sometimes it could

0:34:22.360 --> 0:34:26.640
<v Speaker 1>be you know, something they smelled or or anything, because

0:34:26.680 --> 0:34:29.680
<v Speaker 1>it can all it can all tie together, and then

0:34:29.719 --> 0:34:32.799
<v Speaker 1>we have sacial records. So they let's say they sit

0:34:33.000 --> 0:34:38.239
<v Speaker 1>that's I can't speak. Let's say the witness describes he

0:34:38.320 --> 0:34:41.400
<v Speaker 1>had a really long face and a big nose and

0:34:41.520 --> 0:34:43.680
<v Speaker 1>big bushy eyebrows. By the way, that would be a

0:34:43.680 --> 0:34:47.080
<v Speaker 1>wonderful compassage to do, because average looking people are the

0:34:47.200 --> 0:34:51.000
<v Speaker 1>worst to try to draw. If somebody says, well, it's

0:34:51.040 --> 0:34:53.080
<v Speaker 1>like then you feel like you're ending up drawing Charlie

0:34:53.080 --> 0:34:56.680
<v Speaker 1>Brown because everything is just so nothing. So they said

0:34:56.680 --> 0:35:01.000
<v Speaker 1>a really long face. We had a catalog goes there

0:35:01.000 --> 0:35:04.200
<v Speaker 1>were the rest photos that had been organized, so then

0:35:04.239 --> 0:35:06.960
<v Speaker 1>there's you know, headshape, and then what was most similar.

0:35:07.280 --> 0:35:11.719
<v Speaker 1>And it's a composite because you're piecing it together. Somebody

0:35:11.719 --> 0:35:17.000
<v Speaker 1>called it once like mister potato head, which is friends

0:35:17.040 --> 0:35:18.680
<v Speaker 1>of artists hate that, but there is a little bit

0:35:18.680 --> 0:35:21.160
<v Speaker 1>of truth into it that you're basically piecing things together.

0:35:22.920 --> 0:35:27.000
<v Speaker 1>So we develop we developed a general sketch, just keeping

0:35:27.040 --> 0:35:30.719
<v Speaker 1>it rest and then show it to and is this

0:35:30.920 --> 0:35:34.040
<v Speaker 1>on the right track? Do you would you recognize this person? Like,

0:35:34.080 --> 0:35:36.560
<v Speaker 1>what do we need to do? So then it's then

0:35:36.600 --> 0:35:40.520
<v Speaker 1>it's constant erasing and moving and the eyes need to

0:35:40.520 --> 0:35:45.640
<v Speaker 1>be closer together digit and it's uh yeah it ta.

0:35:45.640 --> 0:35:49.160
<v Speaker 1>It's like two to three hours too generally. And when

0:35:49.200 --> 0:35:51.319
<v Speaker 1>I started, we were doing a pencil and paper. I

0:35:51.320 --> 0:35:54.279
<v Speaker 1>don't know if they still are, but obviously now with

0:35:54.600 --> 0:35:58.480
<v Speaker 1>you know, digital pads and everything. Just my opinion, that

0:35:58.600 --> 0:36:00.919
<v Speaker 1>is a way to go. There's no reason I don't

0:36:00.920 --> 0:36:05.200
<v Speaker 1>think to be using pencil on paper in a situation

0:36:05.320 --> 0:36:07.680
<v Speaker 1>like that, And you could much more easily draw it

0:36:07.719 --> 0:36:10.120
<v Speaker 1>on a pad and then instead of having to erase

0:36:10.160 --> 0:36:12.720
<v Speaker 1>an eye and move, it happen and you just set

0:36:12.760 --> 0:36:14.520
<v Speaker 1>it up with the cursor, the you know, moss a

0:36:14.600 --> 0:36:18.240
<v Speaker 1>layer a little bit. That's my opinion unpopular in some corners.

0:36:18.440 --> 0:36:21.799
<v Speaker 2>Yeah, and plus you could probably, yeah, like easily show

0:36:21.840 --> 0:36:25.319
<v Speaker 2>it on a screen better and everything like that. How

0:36:25.400 --> 0:36:29.520
<v Speaker 2>often when you do these kind of drawings, do you

0:36:29.520 --> 0:36:31.920
<v Speaker 2>you ever get to see the person that gets arrested?

0:36:31.960 --> 0:36:34.000
<v Speaker 2>Are you ever, like Dann I did a good job,

0:36:34.160 --> 0:36:38.319
<v Speaker 2>like they they look exactly like the telling. Does that

0:36:38.440 --> 0:36:40.040
<v Speaker 2>happen often or not really.

0:36:40.360 --> 0:36:43.799
<v Speaker 1>It's it's kind of a crapshoot, and in those instances

0:36:44.920 --> 0:36:47.080
<v Speaker 1>you really have to say, and this is not this

0:36:47.200 --> 0:36:51.400
<v Speaker 1>is not like oh being humble. But the witness is

0:36:51.400 --> 0:36:54.480
<v Speaker 1>the most important person. There's like a train of side

0:36:54.520 --> 0:36:56.400
<v Speaker 1>in Friends of Guard that you could have a fabulous

0:36:56.480 --> 0:37:00.520
<v Speaker 1>artist and a bad witness, and a great witness and

0:37:00.560 --> 0:37:02.759
<v Speaker 1>a bad artist, and a bad artist will produce a

0:37:02.760 --> 0:37:05.000
<v Speaker 1>better drawing because if you have a great witness, the

0:37:05.080 --> 0:37:09.200
<v Speaker 1>quality of the drawing is is important as the features

0:37:09.200 --> 0:37:13.160
<v Speaker 1>that are being described. So sometimes, like you know, an artist,

0:37:13.239 --> 0:37:16.320
<v Speaker 1>you could do portrait level work. It's a terrible listener

0:37:16.520 --> 0:37:18.680
<v Speaker 1>and it's not paying attention to what the witness wants.

0:37:18.840 --> 0:37:20.960
<v Speaker 1>And they make a beautiful drawing, but it doesn't look

0:37:21.000 --> 0:37:22.719
<v Speaker 1>like what was in the witness's head, and that does

0:37:22.840 --> 0:37:27.480
<v Speaker 1>nobody any good. So having a good witness is gold.

0:37:27.600 --> 0:37:30.759
<v Speaker 1>And a witness says, I don't remember his nose. I

0:37:30.800 --> 0:37:34.040
<v Speaker 1>don't remember, I don't remember. It was average. That's like

0:37:34.120 --> 0:37:44.640
<v Speaker 1>pulling teeth and it's hard for everybody. It's hard for everybody.

0:37:47.239 --> 0:37:49.279
<v Speaker 2>Hey, guys, this episode is brought to you by The

0:37:49.280 --> 0:37:53.360
<v Speaker 2>Gross Room. Starting on February ninth to February twenty third,

0:37:53.640 --> 0:37:56.560
<v Speaker 2>the Gross Room will be on sale for only twenty dollars.

0:37:56.560 --> 0:38:00.200
<v Speaker 2>For the entire year of Gross You will have access

0:38:00.239 --> 0:38:07.600
<v Speaker 2>to celebrity death dissections, high profile death dissections, thousands of videos, photos, articles,

0:38:07.640 --> 0:38:11.120
<v Speaker 2>all the way dating back to twenty nineteen. You definitely

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<v Speaker 2>need to join this Valentine's Day. Please go to the

0:38:14.600 --> 0:38:20.640
<v Speaker 2>grossroom dot com for more info and sign up. So

0:38:20.760 --> 0:38:23.400
<v Speaker 2>when you're off work, like I know, for example, for me,

0:38:24.239 --> 0:38:27.200
<v Speaker 2>I'll just be it just happened to me a couple

0:38:27.440 --> 0:38:29.840
<v Speaker 2>weeks ago. I'm just sitting there with one of my friends,

0:38:29.840 --> 0:38:33.120
<v Speaker 2>and I notice pathology on people all the time, and

0:38:33.239 --> 0:38:36.120
<v Speaker 2>it's hard for me to like shut that off. I

0:38:36.120 --> 0:38:38.359
<v Speaker 2>feel bad about it because I just can't shut it off.

0:38:38.400 --> 0:38:40.400
<v Speaker 2>If I notice someone has like a weird bomb or

0:38:40.440 --> 0:38:42.880
<v Speaker 2>something's going on with them, I can't.

0:38:42.600 --> 0:38:43.160
<v Speaker 1>Shut it off.

0:38:43.480 --> 0:38:47.200
<v Speaker 2>So the fact that you look at skulls for a living, right,

0:38:47.360 --> 0:38:50.719
<v Speaker 2>do you just kind of dissect every single person you

0:38:50.760 --> 0:38:52.960
<v Speaker 2>look at and think about like what their skull looks like.

0:38:53.120 --> 0:38:56.960
<v Speaker 1>Yes, in a word, yes, that's a joke between me

0:38:56.960 --> 0:39:00.879
<v Speaker 1>and my husband that I'll hee. We'd be sitting there

0:39:00.920 --> 0:39:05.760
<v Speaker 1>talking and I he would notice that my gaze was off,

0:39:06.040 --> 0:39:08.080
<v Speaker 1>and he was you're looking at my skull, aren't you?

0:39:08.120 --> 0:39:10.560
<v Speaker 1>And I was like, I'm sorry, but just trying to

0:39:10.560 --> 0:39:13.040
<v Speaker 1>figure things out, you know, trying to figure out like, Okay,

0:39:13.440 --> 0:39:16.360
<v Speaker 1>there's a feature, how would it translate in flesh? And

0:39:16.640 --> 0:39:18.359
<v Speaker 1>the funniest thing is to get a group of friends

0:39:18.360 --> 0:39:20.640
<v Speaker 1>of artists together. What time there was a group of

0:39:20.719 --> 0:39:24.279
<v Speaker 1>us at a conference and our waiter just had the

0:39:24.320 --> 0:39:28.040
<v Speaker 1>most unusually shaped face and we were all just like,

0:39:28.080 --> 0:39:31.160
<v Speaker 1>it's like star starings not staring because we just we

0:39:31.160 --> 0:39:34.600
<v Speaker 1>were curious. We're curious that it's one of those things

0:39:34.640 --> 0:39:38.680
<v Speaker 1>because it's a fascination. How does the skull translate to

0:39:38.680 --> 0:39:42.040
<v Speaker 1>the face, what causes that? It's like a puzzle, and

0:39:42.080 --> 0:39:43.640
<v Speaker 1>so that just kind of appealed to me.

0:39:43.920 --> 0:39:46.680
<v Speaker 2>It's really cool though, because I don't know if you've

0:39:46.719 --> 0:39:49.080
<v Speaker 2>ever been to the Modor Museum in Philly, but they

0:39:49.120 --> 0:39:51.279
<v Speaker 2>have a whole wall of skulls and you just look

0:39:51.320 --> 0:39:53.520
<v Speaker 2>at them and you're like, oh my god, this this

0:39:54.000 --> 0:39:57.759
<v Speaker 2>really could show that how people look so different. But

0:39:57.960 --> 0:40:00.000
<v Speaker 2>I think when you're a regular person and you just

0:40:00.080 --> 0:40:02.919
<v Speaker 2>see a skull, like on TV or whatever, you don't

0:40:02.960 --> 0:40:06.640
<v Speaker 2>really realize how many differences there are just with the

0:40:06.680 --> 0:40:10.080
<v Speaker 2>size and with the orbits and everything, and how it

0:40:10.200 --> 0:40:14.640
<v Speaker 2>changes between cultures. Is that something that you had to

0:40:14.719 --> 0:40:18.600
<v Speaker 2>learned too about Is this person from European descent or

0:40:18.640 --> 0:40:20.439
<v Speaker 2>Asian descent like things like that.

0:40:20.680 --> 0:40:26.239
<v Speaker 1>Well, the antipologists would do that because they have an

0:40:26.320 --> 0:40:29.040
<v Speaker 1>artist has no way near the training that would take

0:40:29.080 --> 0:40:31.000
<v Speaker 1>to be able to determine things like that. So the

0:40:31.040 --> 0:40:33.960
<v Speaker 1>antipologist sees it one way. They see it, of course,

0:40:34.000 --> 0:40:35.920
<v Speaker 1>in the scientific way, and they will say, you know,

0:40:35.960 --> 0:40:42.920
<v Speaker 1>the high Sex age stature ancestry. As an artist, when

0:40:42.960 --> 0:40:47.439
<v Speaker 1>I first started, I thoughts looked alike. And of course

0:40:47.480 --> 0:40:49.520
<v Speaker 1>as soon as you see two skulls together, you're like,

0:40:49.560 --> 0:40:52.239
<v Speaker 1>oh my god, I couldn't have been more raw. And

0:40:52.280 --> 0:40:53.759
<v Speaker 1>the first time I went to the body of farm

0:40:53.960 --> 0:40:56.560
<v Speaker 1>saw twenty doll in a row, and I also was

0:40:56.600 --> 0:40:59.040
<v Speaker 1>like a kidney candy store it was. And I've been

0:40:59.080 --> 0:41:03.000
<v Speaker 1>to the mutter and it was just fascinating. And yes,

0:41:03.040 --> 0:41:05.680
<v Speaker 1>you're standing there going, okay, I'm putting a face on

0:41:06.040 --> 0:41:09.719
<v Speaker 1>in my head, but yeah, it's that's the key to

0:41:09.760 --> 0:41:12.000
<v Speaker 1>why we look the way we do is it's all

0:41:12.040 --> 0:41:16.319
<v Speaker 1>starts with a skull, and you know people people think, oh,

0:41:16.320 --> 0:41:18.560
<v Speaker 1>how can they do that? Like you're just making things up,

0:41:18.560 --> 0:41:20.759
<v Speaker 1>and it's like, no, there's a lot of information from

0:41:20.840 --> 0:41:24.360
<v Speaker 1>gesture skull. You know, there's there's some things that you

0:41:24.400 --> 0:41:28.880
<v Speaker 1>know are more leveled up to artistic interpretation. But I

0:41:28.880 --> 0:41:30.880
<v Speaker 1>would say that you have to make you have to

0:41:30.920 --> 0:41:33.160
<v Speaker 1>downplay what you don't know and play it when you

0:41:33.239 --> 0:41:37.120
<v Speaker 1>do know. So, as the anthropologist says, this person broke

0:41:37.160 --> 0:41:40.080
<v Speaker 1>their nose and it didn't heal right, and it was

0:41:40.200 --> 0:41:44.400
<v Speaker 1>really crooked. So really emphasized that Orere, I could just

0:41:44.440 --> 0:41:46.600
<v Speaker 1>look at the skull and no, it's like, well they

0:41:46.600 --> 0:41:50.799
<v Speaker 1>have close set eyes far apartized. So it's it's the

0:41:52.080 --> 0:41:55.000
<v Speaker 1>it's the overall look of the face. It's the head shape,

0:41:55.040 --> 0:41:57.759
<v Speaker 1>where the features are. See, we don't know everything. We

0:41:57.800 --> 0:41:59.839
<v Speaker 1>don't know a lot of things with a facial approximation,

0:42:00.360 --> 0:42:02.960
<v Speaker 1>but we know where the features are. We can determine

0:42:02.960 --> 0:42:05.200
<v Speaker 1>some things like the shape of the nose, the length,

0:42:05.280 --> 0:42:09.960
<v Speaker 1>things like that, and you can never get I've had

0:42:09.960 --> 0:42:13.800
<v Speaker 1>some that were like scary clothes that were really like wow,

0:42:13.840 --> 0:42:16.239
<v Speaker 1>you know, the anthropologist and I were very happy with.

0:42:17.760 --> 0:42:21.359
<v Speaker 1>But you can't get perfection, and that's actually not necessary

0:42:21.520 --> 0:42:26.000
<v Speaker 1>because in a facial approximation, you're looking for recognition from somebody,

0:42:26.040 --> 0:42:29.440
<v Speaker 1>a family member that is looking for that person. You

0:42:29.440 --> 0:42:32.000
<v Speaker 1>could do a facial approximation, it's gonna look like fifty people.

0:42:32.640 --> 0:42:35.320
<v Speaker 1>It could be fifty different people. But if a family

0:42:35.360 --> 0:42:38.600
<v Speaker 1>member is looking for their missing brother and they see

0:42:38.640 --> 0:42:42.680
<v Speaker 1>that sculpture, you just they could key on it and go, Okay,

0:42:42.680 --> 0:42:45.880
<v Speaker 1>that looks like my brother or that's familiar. That's what

0:42:45.920 --> 0:42:46.640
<v Speaker 1>we're going for.

0:42:49.840 --> 0:42:52.359
<v Speaker 2>It's just so interesting to me. I'm reading a book

0:42:52.360 --> 0:42:55.960
<v Speaker 2>with my daughter right now, a National Geographic book about

0:42:56.120 --> 0:42:59.440
<v Speaker 2>Mommy's Oh Okay, and they're talking about how they found

0:42:59.840 --> 0:43:02.480
<v Speaker 2>this one on Mount Everest. I think he was labeled

0:43:02.480 --> 0:43:05.319
<v Speaker 2>the Iceman or something. But they were showing how they

0:43:05.400 --> 0:43:08.680
<v Speaker 2>took his skull and they recreated it to what he

0:43:08.719 --> 0:43:11.080
<v Speaker 2>would look like. And you know, my daughter's ten, so

0:43:11.160 --> 0:43:12.080
<v Speaker 2>she was just like, well.

0:43:11.920 --> 0:43:13.480
<v Speaker 1>How did it?

0:43:13.520 --> 0:43:16.040
<v Speaker 2>Was cool? They were I think in the book they

0:43:16.080 --> 0:43:19.920
<v Speaker 2>said that you couldn't really tell from the nose and

0:43:19.960 --> 0:43:22.759
<v Speaker 2>the ears maybe as much what they would look like,

0:43:22.880 --> 0:43:26.279
<v Speaker 2>but the they the guy was from European descent, and

0:43:26.320 --> 0:43:29.000
<v Speaker 2>they were able to do the what is it called

0:43:29.000 --> 0:43:32.239
<v Speaker 2>the facial approximations or whatever based on that, like how

0:43:32.280 --> 0:43:34.759
<v Speaker 2>thick this soft tissue would be in certain areas of

0:43:34.800 --> 0:43:35.720
<v Speaker 2>the face and stuff.

0:43:35.920 --> 0:43:39.040
<v Speaker 1>Yeah, yeah, so we we generally saw a we have

0:43:39.280 --> 0:43:44.520
<v Speaker 1>tissued up tables just as as a guideline. Uh. Ears

0:43:44.680 --> 0:43:46.879
<v Speaker 1>ears are just we know where they are, but they

0:43:46.880 --> 0:43:51.560
<v Speaker 1>don't really They're not important for identification because if somebody

0:43:51.640 --> 0:43:53.279
<v Speaker 1>had big ears, you're not going to know that from

0:43:53.280 --> 0:43:56.640
<v Speaker 1>the skull. Things like the nose as long as the skull,

0:43:56.719 --> 0:43:59.359
<v Speaker 1>as long as the nose is fairly intact, we can

0:43:59.360 --> 0:44:01.240
<v Speaker 1>tell a lot of it. We could tell if somebody

0:44:01.239 --> 0:44:04.839
<v Speaker 1>has a long, crooked nose that points up and goes

0:44:04.880 --> 0:44:07.640
<v Speaker 1>to the left. The problem is in the forensic world

0:44:08.080 --> 0:44:11.960
<v Speaker 1>is that a lot of them are homesides. So if

0:44:11.960 --> 0:44:14.160
<v Speaker 1>they were shot in the face or or beat up,

0:44:14.680 --> 0:44:16.279
<v Speaker 1>or you know, the skull has been out in the

0:44:16.320 --> 0:44:20.879
<v Speaker 1>elements for how many years, little tiny bones get eaten up.

0:44:21.040 --> 0:44:24.960
<v Speaker 1>So the nasal spine, which you know, is one of

0:44:25.239 --> 0:44:28.160
<v Speaker 1>one of the features that we look at to determine

0:44:28.160 --> 0:44:30.360
<v Speaker 1>the position of the nose, that the direction up or

0:44:30.440 --> 0:44:34.959
<v Speaker 1>down or average that is I would say nine times

0:44:35.000 --> 0:44:37.040
<v Speaker 1>out of ten that was gone by the time it

0:44:37.160 --> 0:44:39.239
<v Speaker 1>got to me. Because you know, skull had been out

0:44:39.239 --> 0:44:43.240
<v Speaker 1>there five to ten years and you know, a squirrel

0:44:43.320 --> 0:44:46.040
<v Speaker 1>shoot it off or something, or it had been you know,

0:44:47.200 --> 0:44:50.680
<v Speaker 1>the person had been you know, do trauma or something.

0:44:51.280 --> 0:44:56.120
<v Speaker 1>So the skulls that forensic artists get are they've been

0:44:56.160 --> 0:44:58.640
<v Speaker 1>through a lot. They've they've been through a lot by

0:44:58.640 --> 0:44:58.960
<v Speaker 1>that name.

0:44:59.160 --> 0:44:59.880
<v Speaker 2>They're not like texts.

0:45:00.560 --> 0:45:05.080
<v Speaker 1>Yeah. So yeah, so that was that was part of

0:45:05.120 --> 0:45:07.000
<v Speaker 1>the reason why I went to the body flarm. Not

0:45:07.000 --> 0:45:09.000
<v Speaker 1>to jump ahead, but that was part of the reasons

0:45:09.040 --> 0:45:13.040
<v Speaker 1>to try to learn more about what this nose looks like,

0:45:13.360 --> 0:45:15.799
<v Speaker 1>you know, the nasal aperture, and then how might that

0:45:15.920 --> 0:45:21.040
<v Speaker 1>look in lives and yeah, so the so that's the

0:45:21.080 --> 0:45:24.760
<v Speaker 1>difference between you know, the forensic ones and the historical ones.

0:45:24.800 --> 0:45:27.080
<v Speaker 1>You know, sometimes historical ones are in great shape either,

0:45:27.160 --> 0:45:32.359
<v Speaker 1>but you're not. You're not looking for an ID. So

0:45:32.680 --> 0:45:34.920
<v Speaker 1>it's not like there's anything on the line. It's not

0:45:35.400 --> 0:45:38.239
<v Speaker 1>because they yeah there's yeah, there's there's no it's not

0:45:38.280 --> 0:45:40.400
<v Speaker 1>a high stakes thing, and.

0:45:40.600 --> 0:45:42.600
<v Speaker 2>It's just it also see what the guy might have

0:45:42.640 --> 0:45:43.040
<v Speaker 2>looked like.

0:45:43.120 --> 0:45:44.319
<v Speaker 1>But it's it's fascinating.

0:45:44.360 --> 0:45:47.799
<v Speaker 2>It's let's get on to talking about so you your

0:45:47.840 --> 0:45:51.000
<v Speaker 2>book it comes out today, which is it's awesome. I

0:45:51.080 --> 0:45:53.239
<v Speaker 2>read it and so did my daughter, but loved it.

0:45:53.320 --> 0:45:55.879
<v Speaker 2>What made you decide that you were going to write

0:45:55.880 --> 0:45:58.360
<v Speaker 2>a book or write a book about this topic? Like,

0:45:58.400 --> 0:46:00.680
<v Speaker 2>what is your book about? Is it about your life?

0:46:00.760 --> 0:46:01.920
<v Speaker 2>Is it about a combination?

0:46:02.640 --> 0:46:05.719
<v Speaker 1>It's it's about my time in the FBI. And I

0:46:05.719 --> 0:46:08.520
<v Speaker 1>can honestly say that I was never going to write

0:46:08.520 --> 0:46:10.960
<v Speaker 1>a book just I was an artist and was like,

0:46:11.040 --> 0:46:12.640
<v Speaker 1>I'm not an author. I am not going to write

0:46:12.640 --> 0:46:18.879
<v Speaker 1>a book. However, after what happened to me, there's it's

0:46:18.880 --> 0:46:21.000
<v Speaker 1>sort of somebody asked me to describe the book, and

0:46:21.040 --> 0:46:23.240
<v Speaker 1>I said, well, it's kind of a cross between Bones

0:46:23.280 --> 0:46:28.520
<v Speaker 1>and Aaron Brockovich because it's it's my career. But then it's,

0:46:28.960 --> 0:46:31.160
<v Speaker 1>oh my god, the battles that you have to fight

0:46:32.040 --> 0:46:36.520
<v Speaker 1>when there's discrimination and harassment, and the crazy links that

0:46:36.640 --> 0:46:36.960
<v Speaker 1>can go.

0:46:37.080 --> 0:46:40.840
<v Speaker 2>Let's get into talking. Yeah, yeah, let's talk about that.

0:46:41.080 --> 0:46:44.560
<v Speaker 2>So you had your career, you obviously have a strong

0:46:44.600 --> 0:46:47.680
<v Speaker 2>passion for it, and you decided to create a website.

0:46:48.200 --> 0:46:51.480
<v Speaker 2>What exactly did you do on this website? Was it

0:46:51.520 --> 0:46:53.680
<v Speaker 2>to kind of teach others about forensic art?

0:46:53.800 --> 0:46:56.560
<v Speaker 1>Yeah, it was purely that I'm going to make this

0:46:56.640 --> 0:46:59.239
<v Speaker 1>point because I'm probably a forensic artist that I know.

0:46:59.239 --> 0:47:01.440
<v Speaker 1>I was listening to this and make it clear. So

0:47:01.520 --> 0:47:03.920
<v Speaker 1>in the FBI you need permission for pretty much everything.

0:47:04.280 --> 0:47:07.160
<v Speaker 1>So I had permission to you know, you get permission

0:47:07.200 --> 0:47:10.080
<v Speaker 1>to run a website. I chose to keep it anonymous

0:47:10.160 --> 0:47:12.560
<v Speaker 1>because I didn't want to have FBI blare it everywhere

0:47:13.200 --> 0:47:15.880
<v Speaker 1>and that I don't have that website up anymore. But

0:47:15.920 --> 0:47:18.120
<v Speaker 1>it was called asked the Friends of Artists because I

0:47:18.160 --> 0:47:20.400
<v Speaker 1>was getting like phone calls and emails from people, you know,

0:47:20.480 --> 0:47:21.800
<v Speaker 1>I want to be a friends of artists how to

0:47:22.000 --> 0:47:24.560
<v Speaker 1>do it? And there was no source out there, just

0:47:24.600 --> 0:47:28.279
<v Speaker 1>like when I was twelve or thirteen and saw there

0:47:28.320 --> 0:47:31.680
<v Speaker 1>was no resource. So I wanted to create a resource

0:47:31.719 --> 0:47:33.720
<v Speaker 1>for people who wanted to be a friends of artists

0:47:33.719 --> 0:47:36.919
<v Speaker 1>to help them get in the field, which is which

0:47:37.000 --> 0:47:39.200
<v Speaker 1>is yeah, that was That was my whole thing. So

0:47:40.000 --> 0:47:42.479
<v Speaker 1>I still actually have I could push a button and

0:47:42.520 --> 0:47:45.400
<v Speaker 1>make the website lie it again, which I might do.

0:47:47.000 --> 0:47:51.279
<v Speaker 1>You know, you should, but it was everything was like,

0:47:51.360 --> 0:47:53.080
<v Speaker 1>you know, what what training do I need? Do I

0:47:53.120 --> 0:47:56.640
<v Speaker 1>need a degree? You know, where are the jobs handing

0:47:56.640 --> 0:48:00.759
<v Speaker 1>get into it? It was it was purely educated and

0:48:02.000 --> 0:48:04.040
<v Speaker 1>I don't know. I just I'm the kind of person

0:48:04.120 --> 0:48:06.520
<v Speaker 1>if I find out something cool, I want to like

0:48:06.560 --> 0:48:08.839
<v Speaker 1>grab the first person out go this cry I found out,

0:48:08.920 --> 0:48:10.960
<v Speaker 1>like you know, I look, you know, did you know

0:48:11.000 --> 0:48:13.759
<v Speaker 1>what happens when the skull does this? It's just I

0:48:13.760 --> 0:48:15.279
<v Speaker 1>don't know, It's just kind of my nature. I just

0:48:15.320 --> 0:48:17.960
<v Speaker 1>I loved it so much that I just kind of

0:48:18.000 --> 0:48:21.279
<v Speaker 1>wanted to share it. And like I said, literally I

0:48:21.280 --> 0:48:25.840
<v Speaker 1>would get phone calls and emails people not true me,

0:48:26.160 --> 0:48:30.680
<v Speaker 1>but my name got my name got associate with the

0:48:30.719 --> 0:48:33.960
<v Speaker 1>FBI because sometimes they would happens to interviews and everything.

0:48:34.239 --> 0:48:36.360
<v Speaker 1>And then I was getting phone calls and emails like

0:48:36.360 --> 0:48:38.480
<v Speaker 1>how can I be a friends of artist at work?

0:48:38.880 --> 0:48:41.040
<v Speaker 1>And I was like, I'm sorry, I can't. I can't

0:48:41.120 --> 0:48:42.640
<v Speaker 1>sit here and tell you how to be a friends

0:48:42.640 --> 0:48:45.319
<v Speaker 1>of artists. So that was part of it too, to

0:48:46.280 --> 0:48:47.719
<v Speaker 1>put the information out there.

0:48:47.960 --> 0:48:51.640
<v Speaker 2>And what happened. So you have this website and it's

0:48:51.680 --> 0:48:54.120
<v Speaker 2>it's awesome for people that want to learn about your

0:48:54.120 --> 0:48:55.440
<v Speaker 2>profession and what happened.

0:48:56.440 --> 0:48:57.520
<v Speaker 1>Oh, you mean the co plane.

0:48:58.320 --> 0:49:02.520
<v Speaker 2>So someone that was an if former FBI employee complained

0:49:02.560 --> 0:49:02.800
<v Speaker 2>about it.

0:49:02.960 --> 0:49:06.640
<v Speaker 1>No, she had taught we would have guest instructors at

0:49:06.680 --> 0:49:10.799
<v Speaker 1>the FBI Academy. So for the facial levaging course, they

0:49:10.800 --> 0:49:12.919
<v Speaker 1>would have you know, FBI people teaching, but then also

0:49:12.920 --> 0:49:15.359
<v Speaker 1>there would be guest instructors. So she had taught at

0:49:15.360 --> 0:49:19.800
<v Speaker 1>the academy. And I got called into my boss's office

0:49:19.840 --> 0:49:22.240
<v Speaker 1>one day and she saw my website and she didn't

0:49:22.320 --> 0:49:24.759
<v Speaker 1>like it, and she decided to write a complaint letter

0:49:24.840 --> 0:49:26.799
<v Speaker 1>to somebody way up in the FBI. And I got

0:49:26.800 --> 0:49:30.799
<v Speaker 1>called on the carpet and I actually didn't get in

0:49:30.840 --> 0:49:34.000
<v Speaker 1>trouble for that. I mean, I had to explain myself.

0:49:34.000 --> 0:49:35.840
<v Speaker 1>I didn't feel like I was in trouble at the moment.

0:49:36.239 --> 0:49:39.759
<v Speaker 1>It turns out I didn't. I didn't know it was coming.

0:49:40.120 --> 0:49:45.960
<v Speaker 2>But you had permission to do it, right, Yeah, So

0:49:46.080 --> 0:49:47.880
<v Speaker 2>now all of a sudden it was a problem.

0:49:48.320 --> 0:49:51.800
<v Speaker 1>It was for me. It was why is this person

0:49:51.880 --> 0:49:55.200
<v Speaker 1>doing this? Because what did I induced for her? And

0:49:55.640 --> 0:49:58.160
<v Speaker 1>I am not doing anything wrong. And you know, I

0:49:58.200 --> 0:50:00.359
<v Speaker 1>just spoken to my super like they knew I had

0:50:00.360 --> 0:50:06.040
<v Speaker 1>a website. I believe I still have the email in

0:50:06.120 --> 0:50:09.440
<v Speaker 1>case it's like this is not bad memory. So my

0:50:09.480 --> 0:50:12.080
<v Speaker 1>SuperM sent me the email, so it was it was

0:50:12.120 --> 0:50:16.400
<v Speaker 1>a complaint letter. I think this is unprofessional. And then

0:50:16.440 --> 0:50:20.000
<v Speaker 1>there was a ps the bloggers and FBI employed and

0:50:20.000 --> 0:50:23.759
<v Speaker 1>it's like, well, I didn't have that on my website

0:50:23.800 --> 0:50:26.840
<v Speaker 1>on purpose, and I guess that was supposed to be

0:50:26.880 --> 0:50:29.920
<v Speaker 1>a zinger. And I don't know. I all I can

0:50:29.960 --> 0:50:35.080
<v Speaker 1>say is I mean, I was devastated. I was devastated

0:50:35.080 --> 0:50:37.400
<v Speaker 1>because it was like, I'm not. All I'm trying to

0:50:37.400 --> 0:50:41.000
<v Speaker 1>do is you know, educate bat friends of art. I

0:50:41.040 --> 0:50:43.799
<v Speaker 1>guess I only can say is there are you know,

0:50:43.920 --> 0:50:47.680
<v Speaker 1>some people women who support other women and others should don't.

0:50:47.800 --> 0:50:51.239
<v Speaker 2>And I've had the same exact things happened to me,

0:50:51.320 --> 0:50:53.640
<v Speaker 2>trust me, so I one hundred percent understand.

0:50:54.280 --> 0:50:54.520
<v Speaker 1>Yeah.

0:50:54.600 --> 0:50:57.239
<v Speaker 2>Actually, when my daughter read your book, she was like,

0:50:57.440 --> 0:51:01.560
<v Speaker 2>this lady has your exact life, Like yeah, she she

0:51:01.760 --> 0:51:05.239
<v Speaker 2>just said it was it was crazy and because she

0:51:05.320 --> 0:51:07.319
<v Speaker 2>had read it first and she's just like, you just

0:51:07.360 --> 0:51:09.520
<v Speaker 2>won't believe it. She just went through the same exact

0:51:09.520 --> 0:51:13.440
<v Speaker 2>stuff that you go through, you know. Yeah, And it's

0:51:13.560 --> 0:51:17.600
<v Speaker 2>and it's always just I think that people are jealous

0:51:17.640 --> 0:51:20.160
<v Speaker 2>because they didn't have the idea first or something. I

0:51:20.160 --> 0:51:23.080
<v Speaker 2>don't know, just haters, people that are bored. I don't

0:51:23.080 --> 0:51:26.160
<v Speaker 2>know what it is, but there's there's people that will

0:51:26.560 --> 0:51:29.360
<v Speaker 2>use all of their energy to try to destroy you.

0:51:29.480 --> 0:51:32.960
<v Speaker 2>It's it's it's really it's really crazy what.

0:51:33.000 --> 0:51:35.880
<v Speaker 1>You can't do. It is it's it's I don't understand.

0:51:35.920 --> 0:51:37.720
<v Speaker 1>It's like you know, the what is it, the crabs

0:51:37.760 --> 0:51:40.520
<v Speaker 1>in the barrel, you know that, you know, trying to

0:51:40.600 --> 0:51:42.880
<v Speaker 1>drag you in the person down. It's like, I don't

0:51:42.920 --> 0:51:46.759
<v Speaker 1>get it. I don't understand. And you know it's like

0:51:47.080 --> 0:51:49.600
<v Speaker 1>I'm no competition. It's like but then people are like,

0:51:49.600 --> 0:51:51.200
<v Speaker 1>well you were at the FBI. I was like, well,

0:51:51.520 --> 0:51:54.480
<v Speaker 1>she has an awesome career, Like I don't get it.

0:51:54.520 --> 0:51:58.279
<v Speaker 2>But you know, how did so did she somehow know

0:51:58.440 --> 0:52:00.440
<v Speaker 2>that you were running the site? Because if you were

0:52:00.480 --> 0:52:05.319
<v Speaker 2>anonymous on your site, like, how did right? How did she?

0:52:05.520 --> 0:52:08.160
<v Speaker 2>How would she know to say, oh, this person's an

0:52:08.160 --> 0:52:10.680
<v Speaker 2>employee the FBI. If you never said that you were.

0:52:10.600 --> 0:52:13.440
<v Speaker 1>Oh my god. The fact that you asked this, Like

0:52:13.520 --> 0:52:16.319
<v Speaker 1>I said, we were friends slash acquaintances, like I met

0:52:16.320 --> 0:52:19.520
<v Speaker 1>her in person many times. She wrote to me and

0:52:19.600 --> 0:52:24.239
<v Speaker 1>she said, oh is this your is this your website?

0:52:24.880 --> 0:52:27.200
<v Speaker 1>I see this new news? Asked a friend saith artist,

0:52:27.280 --> 0:52:30.799
<v Speaker 1>is that you? And I went I remember writing back

0:52:30.840 --> 0:52:33.120
<v Speaker 1>you Sly Fox you figured it out like thinking it

0:52:33.160 --> 0:52:35.440
<v Speaker 1>was fun and guinn It's like, oh, I'm figured out

0:52:35.440 --> 0:52:38.640
<v Speaker 1>it was mek God. And then literally like two days

0:52:38.719 --> 0:52:41.040
<v Speaker 1>later they called into the office and that is the

0:52:41.080 --> 0:52:43.560
<v Speaker 1>hand to got what happened. And that's why I was like,

0:52:43.760 --> 0:52:46.960
<v Speaker 1>I was like, damn it, she fooled. Like it's like

0:52:47.000 --> 0:52:48.360
<v Speaker 1>I didn't know it was you, but now you just

0:52:48.400 --> 0:52:52.520
<v Speaker 1>confirmed it. So yeah, that was yeah, and I just

0:52:52.600 --> 0:52:54.640
<v Speaker 1>I've happened anonymous a weirdo.

0:52:55.320 --> 0:52:59.480
<v Speaker 2>Yeah, it was just you know, so after that your

0:52:59.520 --> 0:53:02.920
<v Speaker 2>work found doubt about it, things started getting bad for you.

0:53:03.640 --> 0:53:06.239
<v Speaker 1>Things things were turning because there was a lot of

0:53:06.239 --> 0:53:09.600
<v Speaker 1>transition during that time. So it was like in the

0:53:09.640 --> 0:53:13.480
<v Speaker 1>summer of twenty two thousand and nine, like everything there

0:53:13.520 --> 0:53:19.200
<v Speaker 1>was reorganization and new supervisors and so it was kind

0:53:19.239 --> 0:53:24.800
<v Speaker 1>of like the perfect storm of things. And my new supervisors,

0:53:25.040 --> 0:53:29.280
<v Speaker 1>one in particular just did not like friends of artists,

0:53:29.320 --> 0:53:33.120
<v Speaker 1>and you know, he had he was a photographer, he

0:53:33.160 --> 0:53:36.080
<v Speaker 1>about hey ran the Puto group, and he had friends

0:53:36.120 --> 0:53:38.960
<v Speaker 1>of artists stuffed in his lap and he didn't like it.

0:53:39.040 --> 0:53:40.839
<v Speaker 1>And he was very open about the fact that he

0:53:40.880 --> 0:53:44.960
<v Speaker 1>did not like having friends of artists in unit. So

0:53:45.000 --> 0:53:49.759
<v Speaker 1>he had an asta grind, you know, and especially against me.

0:53:49.880 --> 0:53:53.240
<v Speaker 1>I don't know. People asked me, why was he picking

0:53:53.280 --> 0:53:55.719
<v Speaker 1>on you? And I said, maybe sun Redhead in his

0:53:55.840 --> 0:53:59.440
<v Speaker 1>childhood like made him. Man. I don't know, there was

0:53:59.840 --> 0:54:02.560
<v Speaker 1>there was just some people that twins tail of Taylor Smiths.

0:54:02.640 --> 0:54:04.880
<v Speaker 1>Some people are just mean. But yeah, I was like

0:54:04.920 --> 0:54:06.960
<v Speaker 1>I had a I have a target on my back

0:54:07.200 --> 0:54:09.680
<v Speaker 1>and that kind of guy. I think that gave him

0:54:09.719 --> 0:54:12.920
<v Speaker 1>a foothold because from the moment we were put in

0:54:12.960 --> 0:54:15.839
<v Speaker 1>the unit, he was trying to get us out. I mean,

0:54:15.920 --> 0:54:17.880
<v Speaker 1>that was common up. He told us, he said, I

0:54:17.960 --> 0:54:20.719
<v Speaker 1>don't want you in this. You know, there's myself and

0:54:20.760 --> 0:54:24.799
<v Speaker 1>several other friends of artists, and because he had lost

0:54:24.840 --> 0:54:28.480
<v Speaker 1>several photographers, there was like a swap of personnel, so

0:54:28.520 --> 0:54:31.800
<v Speaker 1>he wanted his photographers back. He didn't want us, and

0:54:32.280 --> 0:54:34.680
<v Speaker 1>that was just the first thing he could latch onto,

0:54:34.760 --> 0:54:37.080
<v Speaker 1>like that letter to upper management, because I didn't go

0:54:37.080 --> 0:54:39.800
<v Speaker 1>to him, and it went like several levels above him,

0:54:40.000 --> 0:54:42.440
<v Speaker 1>and so he got called into somebody's helf as like,

0:54:42.920 --> 0:54:45.239
<v Speaker 1>you know, I guess what this friends of artists did

0:54:45.400 --> 0:54:46.680
<v Speaker 1>even though I was doing nothing wrong.

0:54:46.760 --> 0:54:50.440
<v Speaker 2>But do you think there's a possibility that someone at

0:54:50.480 --> 0:54:54.680
<v Speaker 2>the top was like, we need to get rid of her, like,

0:54:54.880 --> 0:54:57.479
<v Speaker 2>no matter what, this is not good that because she's

0:54:57.560 --> 0:55:00.640
<v Speaker 2>like willing to talk publicly about No.

0:55:00.880 --> 0:55:03.080
<v Speaker 1>No, I mean the person I knew, the person that

0:55:03.120 --> 0:55:05.840
<v Speaker 1>she sent it to, and actually she wouldn't be surprised

0:55:05.840 --> 0:55:07.640
<v Speaker 1>to know that I was on good terms with him,

0:55:08.640 --> 0:55:11.080
<v Speaker 1>So he didn't have a problem with me. So it

0:55:13.719 --> 0:55:16.320
<v Speaker 1>People complain about the FBI all the time, Like if

0:55:16.440 --> 0:55:20.680
<v Speaker 1>my in my book that I felt my former supervisor Gary,

0:55:20.800 --> 0:55:24.040
<v Speaker 1>if that had happened with Gary, he would have laughed

0:55:24.080 --> 0:55:26.640
<v Speaker 1>his butt off and said, oh my god, you know,

0:55:26.840 --> 0:55:28.400
<v Speaker 1>and he would he would have laughed at all. He

0:55:29.040 --> 0:55:33.040
<v Speaker 1>would have taken it like not seriously at all, because

0:55:33.080 --> 0:55:35.040
<v Speaker 1>he had the same thing happened to him, you know,

0:55:35.080 --> 0:55:37.760
<v Speaker 1>when he was coming up and everything. Like people, people,

0:55:38.440 --> 0:55:42.520
<v Speaker 1>they try to bring you down. So but this so Gary,

0:55:42.760 --> 0:55:46.040
<v Speaker 1>the previous supervisor, never would have been an issue. It

0:55:46.080 --> 0:55:47.879
<v Speaker 1>would have been like because he knew her, he knew

0:55:47.880 --> 0:55:51.080
<v Speaker 1>how she was the new supervisor. Because he wanted friends

0:55:51.080 --> 0:55:53.120
<v Speaker 1>of guardists out of the unit. That was kind of

0:55:53.160 --> 0:55:55.520
<v Speaker 1>like the first little chip that he could try to

0:55:55.560 --> 0:55:58.680
<v Speaker 1>get a toe hold on. So it didn't do the

0:55:58.680 --> 0:56:03.160
<v Speaker 1>trick as far as up upper management, you know, giving

0:56:03.160 --> 0:56:05.279
<v Speaker 1>me the sting guy, but it didn't have my supervisor

0:56:05.880 --> 0:56:07.600
<v Speaker 1>because he thought he had something on me.

0:56:09.040 --> 0:56:12.600
<v Speaker 2>It was also, yeah, there's always like some man troll

0:56:12.680 --> 0:56:15.360
<v Speaker 2>that's trying to get I had this. I had the

0:56:15.400 --> 0:56:19.760
<v Speaker 2>same thing, just like some what the one female doctor

0:56:19.800 --> 0:56:22.000
<v Speaker 2>at my work used to call them man child like

0:56:22.920 --> 0:56:25.000
<v Speaker 2>just trying to get rid of me and felt so

0:56:25.120 --> 0:56:27.240
<v Speaker 2>threatened by me, even though they were in a higher

0:56:27.280 --> 0:56:27.960
<v Speaker 2>position than me.

0:56:28.000 --> 0:56:29.000
<v Speaker 1>It was so weird.

0:56:29.440 --> 0:56:32.880
<v Speaker 2>Yeah, So when you were working there at the FBI,

0:56:33.640 --> 0:56:35.840
<v Speaker 2>so I a couple of months ago. I don't know

0:56:35.840 --> 0:56:38.400
<v Speaker 2>if you heard my interview with doctor Daniel Wescov, but

0:56:38.560 --> 0:56:41.520
<v Speaker 2>he is a forensic anthropologist. Yeah, I love him. He

0:56:41.640 --> 0:56:45.440
<v Speaker 2>was awesome. He's a forensic anthropologist that and professor at

0:56:45.440 --> 0:56:48.560
<v Speaker 2>the body Farm at Texas State University. And he talked

0:56:48.560 --> 0:56:52.319
<v Speaker 2>about the body farm. So I was interested to learn

0:56:52.440 --> 0:56:54.839
<v Speaker 2>that you went there as part of your job as

0:56:54.880 --> 0:56:57.319
<v Speaker 2>the FBI. So could you explain to us what you

0:56:57.400 --> 0:57:00.240
<v Speaker 2>were doing there, because this was all around the same time.

0:57:00.800 --> 0:57:03.000
<v Speaker 1>Actually went I went to two different body farms. So

0:57:03.040 --> 0:57:05.120
<v Speaker 1>I went to the first body farm that you know,

0:57:05.160 --> 0:57:09.120
<v Speaker 1>the original at University of Tennessee. I went there six times.

0:57:10.200 --> 0:57:12.520
<v Speaker 1>And so that was a research project that I started because,

0:57:12.520 --> 0:57:14.360
<v Speaker 1>like I said, you know, we were trying to I

0:57:14.400 --> 0:57:16.920
<v Speaker 1>wanted to know, like, what does this not look like

0:57:16.920 --> 0:57:19.840
<v Speaker 1>give real life and forensic artists. We did not have.

0:57:21.080 --> 0:57:23.760
<v Speaker 1>We didn't have any you know, proof, We didn't have

0:57:23.800 --> 0:57:26.160
<v Speaker 1>a skull. In the perfect world, you would have a

0:57:26.160 --> 0:57:27.840
<v Speaker 1>photo of a skull on a photo of the person

0:57:27.920 --> 0:57:30.840
<v Speaker 1>in life and you go, oh, okay, like start drawing

0:57:30.880 --> 0:57:35.680
<v Speaker 1>some correlations. And we didn't have that. So when I

0:57:36.240 --> 0:57:40.320
<v Speaker 1>read Death's Sake gre throwing a second time, and when

0:57:40.320 --> 0:57:43.120
<v Speaker 1>I found out that they had, I was going to

0:57:43.160 --> 0:57:45.520
<v Speaker 1>donate my body. So this is how it started is

0:57:45.880 --> 0:57:48.120
<v Speaker 1>I saw that they were selecting, and this is how

0:57:48.160 --> 0:57:51.920
<v Speaker 1>it all began. I saw that on the application they

0:57:51.920 --> 0:57:55.040
<v Speaker 1>were asking for a driver's license photos and then it

0:57:55.080 --> 0:57:57.000
<v Speaker 1>was like the cartoon light bulb over my head. I

0:57:57.040 --> 0:57:58.640
<v Speaker 1>was like, oh my god, they have photos and these

0:57:58.640 --> 0:58:02.560
<v Speaker 1>are donors. So the FBI laboratory being a laboratory, they

0:58:02.560 --> 0:58:05.360
<v Speaker 1>do research, and so we were, you know, and this

0:58:05.400 --> 0:58:08.320
<v Speaker 1>is my previous bossons I run up a research project.

0:58:08.400 --> 0:58:10.840
<v Speaker 1>Let's go to the body farm and get all the

0:58:10.880 --> 0:58:13.240
<v Speaker 1>donors they have that have life photos and all three

0:58:13.280 --> 0:58:16.120
<v Speaker 1>d scan them and then put together a reference collection

0:58:16.160 --> 0:58:19.360
<v Speaker 1>Sir forensic artists, and so we went there six times.

0:58:19.400 --> 0:58:20.400
<v Speaker 2>So that's so cool.

0:58:20.880 --> 0:58:23.080
<v Speaker 1>It was I just gave myself goose bumps. It was

0:58:24.080 --> 0:58:26.160
<v Speaker 1>was rewarding. It was just like, oh my god. It

0:58:26.240 --> 0:58:29.160
<v Speaker 1>was like I'm starting to sound like a goofball right now.

0:58:29.160 --> 0:58:31.080
<v Speaker 1>But it was so exciting. It was like we had

0:58:31.600 --> 0:58:34.120
<v Speaker 1>we collected over one hundred skulls. We had their skulls,

0:58:34.160 --> 0:58:36.840
<v Speaker 1>we had their life photos, we had like the basic

0:58:37.000 --> 0:58:40.360
<v Speaker 1>an you know, we had their anthroological information. So you know,

0:58:40.440 --> 0:58:43.280
<v Speaker 1>I started putting together you know, I wanted to put

0:58:43.360 --> 0:58:47.360
<v Speaker 1>together together a reference guide and you know that of course,

0:58:47.680 --> 0:58:50.200
<v Speaker 1>you know obviously need to protect the privacy and the individuals,

0:58:50.240 --> 0:58:54.120
<v Speaker 1>but because they had been donated and they donated themselves,

0:58:54.560 --> 0:58:57.040
<v Speaker 1>it was allowed to be used for law enforcement for research.

0:58:57.280 --> 0:59:00.320
<v Speaker 1>So my goal with that was to put to gather

0:59:00.840 --> 0:59:04.479
<v Speaker 1>just like the composite catalog has facial references, my goal

0:59:04.560 --> 0:59:08.000
<v Speaker 1>was to put together a catalog of Stouttal references to

0:59:08.040 --> 0:59:11.160
<v Speaker 1>have the skull and the face. That was my goal,

0:59:11.560 --> 0:59:15.840
<v Speaker 1>which didn't pan out for you know, reasons that became

0:59:15.920 --> 0:59:18.120
<v Speaker 1>clear later in the book, but that was my goal.

0:59:18.360 --> 0:59:21.720
<v Speaker 1>So then friends of artists could say on this knows

0:59:21.800 --> 0:59:23.800
<v Speaker 1>that I'm working on as similar, you know, they could

0:59:24.000 --> 0:59:27.400
<v Speaker 1>have some sort of guideline to look for. Everything else

0:59:27.480 --> 0:59:32.200
<v Speaker 1>is pretty much anecdotal. And then after that project ended,

0:59:33.040 --> 0:59:37.240
<v Speaker 1>another there was another research project going on, and so

0:59:37.720 --> 0:59:39.960
<v Speaker 1>it kind of intertwined with ours. So we went to

0:59:40.000 --> 0:59:43.000
<v Speaker 1>the Texas Bodies r and then we scanned a number

0:59:43.000 --> 0:59:45.400
<v Speaker 1>of skulls there too, And I'm pretty sure I met

0:59:45.560 --> 0:59:48.320
<v Speaker 1>doctor Westcott. He has a really big deer. Now. I

0:59:48.400 --> 0:59:52.000
<v Speaker 1>was there turnament when I was there easily ten years ago,

0:59:52.600 --> 0:59:56.120
<v Speaker 1>so I'm pretty much I'm pretty sure that's.

0:59:56.400 --> 1:00:00.320
<v Speaker 2>Because I think he's been there for a while. So yeah, yeah, there,

1:00:00.400 --> 1:00:04.520
<v Speaker 2>it seems like he's been there. That's so cool. It

1:00:05.360 --> 1:00:07.520
<v Speaker 2>sounds like you were on the brink of you know,

1:00:07.600 --> 1:00:10.240
<v Speaker 2>because a lot of people don't realize that when you're

1:00:10.240 --> 1:00:13.280
<v Speaker 2>working with skulls, it's it's a face, and a face

1:00:13.360 --> 1:00:17.200
<v Speaker 2>is considered an identifiable feature, so you would have to

1:00:17.240 --> 1:00:21.360
<v Speaker 2>get permission. And the problem is is that the person's dead,

1:00:22.240 --> 1:00:25.000
<v Speaker 2>so you can't really get permission from them anymore. But

1:00:25.160 --> 1:00:28.120
<v Speaker 2>when they did give permission to donate their body towards

1:00:28.160 --> 1:00:31.120
<v Speaker 2>these types of things, it sucks that you weren't able

1:00:31.160 --> 1:00:35.720
<v Speaker 2>to follow through with that. You were talking earlier about

1:00:36.080 --> 1:00:39.480
<v Speaker 2>you guys used like a sketch pen, and you weren't

1:00:39.800 --> 1:00:42.480
<v Speaker 2>a patent paper to sketch, and you were talking about

1:00:43.120 --> 1:00:48.800
<v Speaker 2>technology that exists on with computers and things like that.

1:00:49.040 --> 1:00:51.000
<v Speaker 2>I guess you could use like a program even on

1:00:51.040 --> 1:00:54.440
<v Speaker 2>an iPad or something to do drawings at this point,

1:00:54.960 --> 1:01:00.120
<v Speaker 2>but while you were there, because now, for example, well

1:01:00.200 --> 1:01:02.480
<v Speaker 2>even in this Mommy book that I'm reading with my daughter,

1:01:02.520 --> 1:01:05.160
<v Speaker 2>which is already probably dated at this point a couple

1:01:05.160 --> 1:01:08.160
<v Speaker 2>of years old, they show that they use AI and

1:01:08.200 --> 1:01:11.520
<v Speaker 2>they're using scanning of skulls a lot and stuff as

1:01:11.520 --> 1:01:15.840
<v Speaker 2>opposed to using the typical clay to do a sculpture

1:01:16.040 --> 1:01:19.640
<v Speaker 2>or to use drawings. Did you see any of that

1:01:19.720 --> 1:01:22.120
<v Speaker 2>before you had left the FBI, that they were moving

1:01:22.200 --> 1:01:26.560
<v Speaker 2>over to more advanced technology as far as using those

1:01:26.800 --> 1:01:31.800
<v Speaker 2>identifying features rather than using the traditional art materials.

1:01:31.800 --> 1:01:38.800
<v Speaker 1>That. Yeah, Actually, I probably six months before I retire,

1:01:39.360 --> 1:01:43.440
<v Speaker 1>I was going to transition to digital sculpting because it

1:01:43.600 --> 1:01:46.520
<v Speaker 1>was the way things progress. That we always used to

1:01:46.520 --> 1:01:50.920
<v Speaker 1>do two D approximations in the FBI, and the treaty

1:01:51.040 --> 1:01:54.040
<v Speaker 1>came along when the group got a scanner, so we

1:01:54.080 --> 1:01:57.240
<v Speaker 1>had never done treaty. This is about a point I

1:01:57.280 --> 1:01:59.520
<v Speaker 1>need to make as far as working with clay and skulls,

1:01:59.520 --> 1:02:01.240
<v Speaker 1>as you never put clay on the skull because the

1:02:01.280 --> 1:02:04.560
<v Speaker 1>skull is evidence. Never never, never, So that's why we'd

1:02:04.600 --> 1:02:07.240
<v Speaker 1>scan the skull, make a copy, and put you know,

1:02:07.400 --> 1:02:14.160
<v Speaker 1>sculpt with clay on the replica. And then when we

1:02:14.160 --> 1:02:16.320
<v Speaker 1>were doing that before they were like off the shelf

1:02:16.480 --> 1:02:18.920
<v Speaker 1>three D sculpting programs. You know, there were three D

1:02:18.920 --> 1:02:21.600
<v Speaker 1>sculpting programs out there, but they cost fifty thousand dollars.

1:02:21.800 --> 1:02:24.520
<v Speaker 1>So that's why we did clay on replicas. And then

1:02:24.800 --> 1:02:27.400
<v Speaker 1>as I'm not gonna be able to think of the name,

1:02:27.440 --> 1:02:29.280
<v Speaker 1>I think I'm not gonna be able to think of

1:02:29.280 --> 1:02:32.080
<v Speaker 1>the name of the software. But now there are even

1:02:32.320 --> 1:02:37.160
<v Speaker 1>five years ago, off the shelf three D sculpting software.

1:02:37.280 --> 1:02:41.160
<v Speaker 1>So I was I had ordered a new computer, so

1:02:41.200 --> 1:02:44.080
<v Speaker 1>I had a great, big news souped up computer. I

1:02:44.120 --> 1:02:46.920
<v Speaker 1>had ordered this, I got the software in and I

1:02:47.040 --> 1:02:53.000
<v Speaker 1>was transitioning to sculpting digitally, which to me, it's it's

1:02:53.240 --> 1:02:55.560
<v Speaker 1>better on it's it's better all around. I mean, it

1:02:55.560 --> 1:02:57.440
<v Speaker 1>would be faster. There's no need to print a skull.

1:02:57.640 --> 1:03:02.280
<v Speaker 1>You can see through the into the skull. So that's

1:03:02.280 --> 1:03:05.600
<v Speaker 1>where I was going. And just as all that was

1:03:05.640 --> 1:03:11.120
<v Speaker 1>coming together, I forced the naybe decide to retire or

1:03:11.120 --> 1:03:14.080
<v Speaker 1>I retired. Yeah, that that's kind of explained in the book.

1:03:14.120 --> 1:03:17.960
<v Speaker 1>It was just I guess to be like long, long

1:03:17.960 --> 1:03:20.560
<v Speaker 1>story short. It was by then I was in a

1:03:20.600 --> 1:03:25.120
<v Speaker 1>new unit with a fabulous supervisor, and things are really

1:03:25.120 --> 1:03:28.680
<v Speaker 1>pretty great, and it was just sometimes I never thought

1:03:28.680 --> 1:03:32.280
<v Speaker 1>I would leave friends of art, but just after a

1:03:32.360 --> 1:03:36.560
<v Speaker 1>while it was like, I, yeah, some things you just can't.

1:03:37.800 --> 1:03:40.080
<v Speaker 1>There's only so much stress to put up with. Because

1:03:40.600 --> 1:03:43.560
<v Speaker 1>there was it was never I understand that it was

1:03:43.640 --> 1:03:47.280
<v Speaker 1>never gone. The threat was always back there, like the

1:03:47.920 --> 1:03:52.040
<v Speaker 1>threat that the not so's ailed threat was taking my clearance.

1:03:52.920 --> 1:03:55.880
<v Speaker 1>And without a clearance you're dead meat. You can't work anywhere,

1:03:56.440 --> 1:04:02.880
<v Speaker 1>and you're your debt. So so when I when I

1:04:02.920 --> 1:04:05.960
<v Speaker 1>when those storm clouds started, I was like, you know what.

1:04:06.440 --> 1:04:10.080
<v Speaker 1>And then also you know I had lost the just

1:04:10.920 --> 1:04:12.800
<v Speaker 1>less than the year before. You know, my mom and

1:04:12.840 --> 1:04:15.320
<v Speaker 1>my brother died within two months of each other, and

1:04:15.360 --> 1:04:18.600
<v Speaker 1>that was like, yeah, no, that's that's that's fine. I mean,

1:04:18.760 --> 1:04:22.080
<v Speaker 1>but you know, things like that, you know, you start

1:04:22.200 --> 1:04:24.120
<v Speaker 1>sessing your life and you look around and you go,

1:04:24.280 --> 1:04:26.400
<v Speaker 1>why am I, Why am I doing this? Why am

1:04:26.440 --> 1:04:28.640
<v Speaker 1>I putting up with this? And what else can I do?

1:04:29.200 --> 1:04:32.240
<v Speaker 1>And you know, after something like that, you know, you

1:04:32.320 --> 1:04:35.360
<v Speaker 1>start thinking. And that's when that's when I was like,

1:04:35.400 --> 1:04:37.600
<v Speaker 1>you know what I was. I was planning on retiring

1:04:37.600 --> 1:04:40.480
<v Speaker 1>at sixty two, and when I was fifty eight, it's like,

1:04:40.560 --> 1:04:43.280
<v Speaker 1>I'm eligible. Let's and my husband and I were like,

1:04:43.400 --> 1:04:46.400
<v Speaker 1>let's just do something completely and utterly different, and that's

1:04:46.400 --> 1:04:48.280
<v Speaker 1>what we did. We moved to Vegas.

1:04:49.240 --> 1:04:52.000
<v Speaker 2>He was probably, yeah, I was going to say, like

1:04:52.080 --> 1:04:54.680
<v Speaker 2>he was probably because when when I was working at

1:04:54.680 --> 1:04:56.600
<v Speaker 2>the hospital and they were giving me a hard time,

1:04:56.640 --> 1:04:58.160
<v Speaker 2>there were a few times that I would just come

1:04:58.200 --> 1:05:03.400
<v Speaker 2>home and cry every day, like over over some bullshit, right,

1:05:03.480 --> 1:05:07.360
<v Speaker 2>And my husband finally was just like, I can't have

1:05:07.520 --> 1:05:11.479
<v Speaker 2>you like this anymore, you know, And it sucks because

1:05:11.480 --> 1:05:14.640
<v Speaker 2>when you love your job so much, and it's not

1:05:14.760 --> 1:05:16.560
<v Speaker 2>that you don't love your job. You love your job,

1:05:16.600 --> 1:05:19.360
<v Speaker 2>it's just the people are making it absolutely brutal to

1:05:19.440 --> 1:05:22.720
<v Speaker 2>work there. Well, so I have kind of like a

1:05:22.840 --> 1:05:27.640
<v Speaker 2>juicy question. Okay, when I interned at the when I

1:05:27.720 --> 1:05:30.720
<v Speaker 2>interned at the Philly M's office. I remember one day

1:05:30.760 --> 1:05:33.200
<v Speaker 2>I was up in the offices and I saw these

1:05:33.280 --> 1:05:35.920
<v Speaker 2>giant posters that were black and white and it had

1:05:35.960 --> 1:05:39.560
<v Speaker 2>this really disturbing looking child on it that was dead,

1:05:40.200 --> 1:05:43.000
<v Speaker 2>like looked like he was around five years old. And

1:05:43.080 --> 1:05:45.400
<v Speaker 2>I was like, what is this. I said to the

1:05:45.520 --> 1:05:48.120
<v Speaker 2>medical examiner that I was interning with, what the hell

1:05:48.240 --> 1:05:50.880
<v Speaker 2>is this thing doing in the closet? And he was like, Oh,

1:05:50.920 --> 1:05:54.040
<v Speaker 2>that's the boy in the box case, and I was

1:05:54.240 --> 1:05:56.320
<v Speaker 2>I didn't know anything about it, and when I learned

1:05:56.360 --> 1:05:58.680
<v Speaker 2>about it, it was crazy. It was a very high

1:05:58.760 --> 1:06:02.840
<v Speaker 2>profile case that happened in Philadelphia where a young boy

1:06:03.040 --> 1:06:06.400
<v Speaker 2>was found dead in a box and they recently have

1:06:06.640 --> 1:06:09.920
<v Speaker 2>just figured out who the kid is, which is crazy.

1:06:10.400 --> 1:06:13.640
<v Speaker 2>But I thought it was so cool that there was

1:06:13.680 --> 1:06:17.080
<v Speaker 2>this old It wasn't the actual boy in the box

1:06:17.120 --> 1:06:19.520
<v Speaker 2>in the closet, It was just these posters that they

1:06:19.560 --> 1:06:22.360
<v Speaker 2>had made up at the time that said, you know

1:06:22.760 --> 1:06:25.400
<v Speaker 2>who this is because nobody knew who this kid was

1:06:26.080 --> 1:06:29.480
<v Speaker 2>and nobody had reported that a kid was missing, so like,

1:06:30.080 --> 1:06:33.360
<v Speaker 2>five year olds don't just appear dead that nobody knows

1:06:33.440 --> 1:06:34.640
<v Speaker 2>that they were missing.

1:06:34.360 --> 1:06:35.200
<v Speaker 1>Right right?

1:06:35.440 --> 1:06:38.480
<v Speaker 2>And I thought that cool piece of Philadelphia forensic history.

1:06:38.560 --> 1:06:40.480
<v Speaker 2>Was so cool that it was just in the closet

1:06:40.520 --> 1:06:43.680
<v Speaker 2>there because the office was old. As you were saying

1:06:44.240 --> 1:06:48.640
<v Speaker 2>with says I and everything. There was a Philadelphia forensic

1:06:48.680 --> 1:06:51.200
<v Speaker 2>show that was on at some point that would show

1:06:51.280 --> 1:06:54.120
<v Speaker 2>with the Medical Examiner's office in Philadelphia, and it was

1:06:54.160 --> 1:06:57.600
<v Speaker 2>all shiny and stainless steel, and I thought, like the

1:06:57.640 --> 1:07:00.840
<v Speaker 2>Medical Examiner's Office. Well, I think that they move since then,

1:07:00.880 --> 1:07:04.920
<v Speaker 2>but at the time it was very seventies wood paneling,

1:07:05.600 --> 1:07:10.440
<v Speaker 2>just old building cubicles, all that fake wood stuff. But anyway,

1:07:10.440 --> 1:07:12.280
<v Speaker 2>I thought it was really cool that that there was

1:07:12.320 --> 1:07:15.880
<v Speaker 2>this this old Philadelphia forensic history there at the office

1:07:16.200 --> 1:07:18.360
<v Speaker 2>when you and you said, when you started working at

1:07:18.360 --> 1:07:21.600
<v Speaker 2>the FBI, they said, oh, here's our room of skulls

1:07:21.720 --> 1:07:25.480
<v Speaker 2>or whatever. Were there some cases that were there that

1:07:25.680 --> 1:07:28.960
<v Speaker 2>you were familiar with that that you couldn't believe you

1:07:29.000 --> 1:07:31.200
<v Speaker 2>were seeing the actual real evidence in front of your

1:07:31.240 --> 1:07:32.640
<v Speaker 2>eyes that they still had there.

1:07:33.520 --> 1:07:40.320
<v Speaker 1>Yes, it was older cases. What was the book? Was it?

1:07:40.400 --> 1:07:45.440
<v Speaker 1>Jeffrey Jeffrey McDonald's. He was a doctor and he was

1:07:45.480 --> 1:07:47.960
<v Speaker 1>convicted of killing This was like during the sixties and

1:07:48.200 --> 1:07:52.720
<v Speaker 1>seventies killing his wife. His wife and his kids and

1:07:52.840 --> 1:07:57.800
<v Speaker 1>he was a military doctor. Fatal Fatal Vision. That was

1:07:57.840 --> 1:08:00.600
<v Speaker 1>the book I remember reading Sadal Vision before I ever

1:08:00.600 --> 1:08:03.960
<v Speaker 1>thought of being in the FBI. And then in the

1:08:04.080 --> 1:08:07.480
<v Speaker 1>archives there were just like these big, you know, gray drawert,

1:08:07.720 --> 1:08:11.440
<v Speaker 1>gray cabinets that had lots of case work, lots of

1:08:11.600 --> 1:08:16.559
<v Speaker 1>exhibitits from years before. So I saw, you know, the

1:08:16.600 --> 1:08:19.680
<v Speaker 1>crime scene photos from that Jeffred McDonald case, and it

1:08:19.800 --> 1:08:22.439
<v Speaker 1>was like it was just it was I'm glad they

1:08:22.439 --> 1:08:25.120
<v Speaker 1>were black and white at that, you know. Now, you know,

1:08:25.439 --> 1:08:28.320
<v Speaker 1>within a few months, I was looking at a lot

1:08:28.360 --> 1:08:33.400
<v Speaker 1>of gory things. But yeah, I remember seeing the trial

1:08:33.400 --> 1:08:35.800
<v Speaker 1>work for the Jeffer McDonald case. That was the first

1:08:35.800 --> 1:08:37.519
<v Speaker 1>thing that stuck in my mind. Was like I know

1:08:37.640 --> 1:08:41.800
<v Speaker 1>this one. So that was and I kind of feel

1:08:41.880 --> 1:08:45.439
<v Speaker 1>like an insider, like ooh, I saw this, but you know,

1:08:45.479 --> 1:08:47.840
<v Speaker 1>it's just kind of like everyday work at the FBI.

1:08:47.920 --> 1:08:49.880
<v Speaker 1>It's like, yeah, you know, yeah, I worked on this.

1:08:50.120 --> 1:08:54.560
<v Speaker 1>That's not like blase or anything. But me, I was

1:08:54.600 --> 1:08:57.240
<v Speaker 1>completely new and peeked out, like I'm going through this

1:08:57.360 --> 1:09:00.959
<v Speaker 1>like it's a treasure trove, like just look throwing the files.

1:09:01.000 --> 1:09:02.479
<v Speaker 1>And some of the other artists were like why do

1:09:02.560 --> 1:09:05.520
<v Speaker 1>help it that for It's like because it's very interesting.

1:09:06.520 --> 1:09:10.880
<v Speaker 2>It's yeah, is it hard when you're sitting around, like

1:09:11.000 --> 1:09:12.840
<v Speaker 2>especially during the nine to eleven time?

1:09:13.320 --> 1:09:14.080
<v Speaker 1>It was horrible.

1:09:14.160 --> 1:09:16.280
<v Speaker 2>I mean I was I was in my early twenties,

1:09:16.280 --> 1:09:18.680
<v Speaker 2>but I vividly remember everything that was going on at

1:09:18.720 --> 1:09:21.559
<v Speaker 2>the time. Like you're sitting around at a dinner party

1:09:21.640 --> 1:09:25.519
<v Speaker 2>or something, and everybody knows you work there, and they're

1:09:25.880 --> 1:09:28.920
<v Speaker 2>you know, they're people are trying to talk about how

1:09:28.920 --> 1:09:31.320
<v Speaker 2>are they how they figure out who the hijackers are?

1:09:31.360 --> 1:09:33.720
<v Speaker 2>How do they figure out this? How where are all

1:09:33.760 --> 1:09:36.400
<v Speaker 2>these people that are missing? And stuff? People have questions?

1:09:36.439 --> 1:09:39.439
<v Speaker 2>Did did? How? Is it hard for you to just

1:09:40.720 --> 1:09:44.439
<v Speaker 2>keep like keep that in, you know, just because you're

1:09:44.479 --> 1:09:47.559
<v Speaker 2>saying it was very emotional, so you know, sometimes it

1:09:47.560 --> 1:09:49.680
<v Speaker 2>feels better when you could talk about stuff when it

1:09:49.840 --> 1:09:52.400
<v Speaker 2>upsets you, but you didn't really have anyone to talk It.

1:09:52.320 --> 1:09:56.760
<v Speaker 1>Was Yeah, I wouldn't ever and I didn't want to

1:09:56.800 --> 1:09:59.280
<v Speaker 1>talk about it. Like later, my husband and I weren't

1:09:59.280 --> 1:10:03.360
<v Speaker 1>married that point, you know, so I would call him

1:10:03.360 --> 1:10:06.120
<v Speaker 1>and you know, he you know, he noticed that I

1:10:06.200 --> 1:10:08.960
<v Speaker 1>was down. It was just like at that point that

1:10:09.080 --> 1:10:11.959
<v Speaker 1>was during you know, scanning all these photos and everything,

1:10:12.280 --> 1:10:15.320
<v Speaker 1>and but the photos we were scanning, they were all

1:10:15.320 --> 1:10:18.479
<v Speaker 1>like birthday parties and graduations and all these happy events.

1:10:18.800 --> 1:10:21.920
<v Speaker 1>And then but you're knowing that this person is gone.

1:10:22.000 --> 1:10:24.120
<v Speaker 1>So that was you know, you start, you know, you

1:10:24.160 --> 1:10:26.559
<v Speaker 1>look at pictures of people smiling and happy and you go, oh,

1:10:26.600 --> 1:10:28.839
<v Speaker 1>that's really nice, and then you go then you remember

1:10:29.240 --> 1:10:32.000
<v Speaker 1>why you're scanning the picture and this person is gone.

1:10:32.520 --> 1:10:36.040
<v Speaker 1>So it was yeah, so I didn't want to talk

1:10:36.080 --> 1:10:38.439
<v Speaker 1>about it. I didn't want to talk about it later.

1:10:38.479 --> 1:10:41.559
<v Speaker 1>It was like I just tried to, you know, try

1:10:41.600 --> 1:10:45.680
<v Speaker 1>to try it. Yeah, and you know some of the yeah,

1:10:45.720 --> 1:10:50.160
<v Speaker 1>I had to had to do some child a ducta

1:10:52.520 --> 1:10:55.400
<v Speaker 1>Oh my god, some PEDOPHI don't take those. Yeah, those

1:10:56.280 --> 1:11:00.519
<v Speaker 1>those you have to yeah before yeah, before that. I

1:11:00.800 --> 1:11:04.320
<v Speaker 1>normally we wouldn't do that. There's like tesks Force, your

1:11:04.400 --> 1:11:07.640
<v Speaker 1>special team at the FBI and at other agencies like

1:11:07.680 --> 1:11:11.280
<v Speaker 1>at the National Center Missing Exploited Children that will look

1:11:11.320 --> 1:11:14.160
<v Speaker 1>at these photos and then they try to sanitize them

1:11:14.240 --> 1:11:17.599
<v Speaker 1>so they can you know, figure out, can they figure

1:11:17.600 --> 1:11:20.240
<v Speaker 1>out what motel this is based on the bedspread and

1:11:20.280 --> 1:11:23.800
<v Speaker 1>the curtains and things like that. So you know, I did.

1:11:23.960 --> 1:11:26.519
<v Speaker 1>I did a few of those, not many that was enough.

1:11:27.120 --> 1:11:32.559
<v Speaker 1>So yeah, you just I've actually talked to one of

1:11:32.560 --> 1:11:36.639
<v Speaker 1>the FBI psychologists. She was a psychologist at the Academy,

1:11:36.680 --> 1:11:40.080
<v Speaker 1>and just in a discussion, not anything formal, said, Okay,

1:11:40.120 --> 1:11:42.040
<v Speaker 1>I'm going to have to look at these photos. I

1:11:42.080 --> 1:11:43.559
<v Speaker 1>know they're coming in and I don't want to look

1:11:43.600 --> 1:11:46.320
<v Speaker 1>at them, and how do I handle it? And you know,

1:11:46.400 --> 1:11:53.240
<v Speaker 1>she's like just trying to compartmentalize it, and I just

1:11:53.360 --> 1:11:56.240
<v Speaker 1>had to kind of disassociate and go, it's pixels out

1:11:56.280 --> 1:11:58.280
<v Speaker 1>of screen, like zooming way in they would you know

1:11:58.280 --> 1:12:00.320
<v Speaker 1>that it's just all these little pixels and stuff. Just

1:12:00.360 --> 1:12:05.200
<v Speaker 1>trying to put it aside, and yeah, I'm I'm very blad.

1:12:05.240 --> 1:12:06.920
<v Speaker 1>I only had to do a few of those. And

1:12:07.040 --> 1:12:10.360
<v Speaker 1>actually I found out just by chance it one of

1:12:10.800 --> 1:12:13.960
<v Speaker 1>one little girl was recover just one of the photos

1:12:14.000 --> 1:12:15.960
<v Speaker 1>I worked on. And it's a huge team of people

1:12:16.000 --> 1:12:19.640
<v Speaker 1>doing these things. It's not it's not like, oh, you know,

1:12:19.720 --> 1:12:21.600
<v Speaker 1>I did this photo and she was found, but it

1:12:21.720 --> 1:12:23.879
<v Speaker 1>was just I was on a tour of the National

1:12:23.960 --> 1:12:27.160
<v Speaker 1>Center and this image comes up and they said she

1:12:27.240 --> 1:12:29.360
<v Speaker 1>was recovered. I was like, oh, I know her, that's

1:12:29.640 --> 1:12:31.599
<v Speaker 1>you know, one of the you know, how you had

1:12:31.600 --> 1:12:34.160
<v Speaker 1>the boy in the box and this was like, you know,

1:12:34.920 --> 1:12:38.320
<v Speaker 1>boots are you know she wore cowboy boots or something,

1:12:38.400 --> 1:12:41.280
<v Speaker 1>So it was just that was nice. It's like, okay,

1:12:41.880 --> 1:12:43.679
<v Speaker 1>you know I had to see this. But then later

1:12:43.800 --> 1:12:45.600
<v Speaker 1>yes there was a happy ending. She was found and

1:12:45.640 --> 1:12:46.719
<v Speaker 1>she's safe and recovered.

1:12:47.960 --> 1:12:52.920
<v Speaker 2>Yeah, so does that happen that when I guess that's

1:12:52.960 --> 1:12:55.200
<v Speaker 2>the question, like the follow through do you Cause a

1:12:55.200 --> 1:12:59.240
<v Speaker 2>lot of times I'll do an autopsy or something. Well,

1:12:59.560 --> 1:13:01.880
<v Speaker 2>it's it's better now when I was working at the

1:13:01.920 --> 1:13:04.439
<v Speaker 2>hospital and I was so in depth, But sometimes I

1:13:04.560 --> 1:13:07.479
<v Speaker 2>do like per dam autopsies, and I'll do it and

1:13:07.520 --> 1:13:09.519
<v Speaker 2>then I submit the slides and everything, and then I

1:13:09.560 --> 1:13:11.880
<v Speaker 2>really don't know, Like I kind of think, what I

1:13:11.920 --> 1:13:14.040
<v Speaker 2>know how the person died, But then I don't really

1:13:14.080 --> 1:13:16.160
<v Speaker 2>ever hear the follow through of the case, which I

1:13:17.000 --> 1:13:20.400
<v Speaker 2>love like a full circle thing. So do your bosses

1:13:20.479 --> 1:13:23.920
<v Speaker 2>sit down with you and say, like, hey, this case

1:13:23.960 --> 1:13:26.240
<v Speaker 2>we've been working on was solved or is that something

1:13:26.280 --> 1:13:27.240
<v Speaker 2>like you heard on the news.

1:13:27.439 --> 1:13:29.760
<v Speaker 1>No, I mean some of the things that wouldn't make

1:13:29.840 --> 1:13:33.120
<v Speaker 1>the news like we did. Usually the way I found

1:13:33.120 --> 1:13:35.360
<v Speaker 1>out and you would never you didn't always find out

1:13:35.439 --> 1:13:37.760
<v Speaker 1>It would basically be if the agent, like if I

1:13:37.800 --> 1:13:40.720
<v Speaker 1>went out and I remember it did some you know,

1:13:40.840 --> 1:13:43.800
<v Speaker 1>some cleposit sketches and then you know, the agent emailed me.

1:13:43.920 --> 1:13:45.360
<v Speaker 1>Was like when we got and we got them, and

1:13:45.360 --> 1:13:47.960
<v Speaker 1>this was something that didn't go and didn't make the news.

1:13:48.040 --> 1:13:53.679
<v Speaker 1>It was a different thing. And I would I would

1:13:53.760 --> 1:13:56.360
<v Speaker 1>have the capability because the FBI has, you know, the

1:13:56.400 --> 1:13:59.720
<v Speaker 1>whole database that you know, I could probably have gone in,

1:14:00.040 --> 1:14:02.000
<v Speaker 1>looked up and found out. I mean I could have

1:14:02.080 --> 1:14:04.519
<v Speaker 1>called the agent after, you know, because I worked with

1:14:04.560 --> 1:14:07.320
<v Speaker 1>a lot of agents, I could have called the detective

1:14:07.360 --> 1:14:10.320
<v Speaker 1>to go, hey, what happened, But I guess I didn't

1:14:10.320 --> 1:14:12.120
<v Speaker 1>want to annoy them. I thought, you know, I did

1:14:12.120 --> 1:14:14.519
<v Speaker 1>my job. That was a tool for them to do

1:14:14.560 --> 1:14:17.519
<v Speaker 1>their job, and then now they do their work. And

1:14:18.560 --> 1:14:21.679
<v Speaker 1>I just was never comfortable calling them back and going like, hey,

1:14:21.680 --> 1:14:25.000
<v Speaker 1>what happened? Did it work? And you know, lots of

1:14:25.040 --> 1:14:28.000
<v Speaker 1>times things did, and they might you know, sometimes they

1:14:28.000 --> 1:14:31.040
<v Speaker 1>would call like really or email like really ecstatic, like

1:14:31.080 --> 1:14:33.559
<v Speaker 1>you know, oh my god, this is great. And sometimes

1:14:33.560 --> 1:14:35.920
<v Speaker 1>you'd never hear and then you'd find out later that

1:14:36.880 --> 1:14:40.640
<v Speaker 1>you know, you'd find out like I saw things. I

1:14:40.640 --> 1:14:42.599
<v Speaker 1>would see things in the newspaper, like you know, if

1:14:42.600 --> 1:14:44.200
<v Speaker 1>Pedophile it was a restaurant. I was not. Oh I

1:14:44.240 --> 1:14:47.000
<v Speaker 1>worked on that, and oh this is funny. Went up

1:14:47.040 --> 1:14:50.519
<v Speaker 1>my girlfriend Liz Heilinds. She called me one time and

1:14:50.600 --> 1:14:53.800
<v Speaker 1>she said, oh, I just saw this one approximation and

1:14:53.840 --> 1:14:56.679
<v Speaker 1>this person was ID and you know, did you work

1:14:56.720 --> 1:14:58.160
<v Speaker 1>on that? And I was like who what? And she

1:14:58.200 --> 1:15:00.360
<v Speaker 1>sent me the link and I was like, oh, I, yeah,

1:15:00.360 --> 1:15:02.559
<v Speaker 1>that is mine. I had no My girlfriend found out

1:15:02.600 --> 1:15:05.120
<v Speaker 1>she was ID before I did, and I worked at

1:15:05.120 --> 1:15:07.680
<v Speaker 1>the end of the I Liz thought that was hysterical

1:15:09.080 --> 1:15:13.559
<v Speaker 1>before I did. Yeah, I just I soon have probably

1:15:13.640 --> 1:15:17.479
<v Speaker 1>kept track of like everything I did, and I kept

1:15:17.479 --> 1:15:19.680
<v Speaker 1>good notes and I kept good records and everything. But

1:15:22.160 --> 1:15:23.760
<v Speaker 1>I don't know. I kind of it's like, Okay, I

1:15:23.800 --> 1:15:25.840
<v Speaker 1>did the work that and I would put it sign

1:15:25.840 --> 1:15:26.800
<v Speaker 1>and go on to the next thing.

1:15:28.720 --> 1:15:30.680
<v Speaker 2>I know I should. I always think about that too.

1:15:30.720 --> 1:15:33.000
<v Speaker 2>I get so many because people say, like, how many

1:15:33.000 --> 1:15:35.280
<v Speaker 2>autopsies have you did? Did you do this? And I

1:15:35.320 --> 1:15:37.639
<v Speaker 2>have a pretty good recollection of like what I've seen,

1:15:38.240 --> 1:15:41.559
<v Speaker 2>But I really wish that because sometimes it just want

1:15:41.600 --> 1:15:43.200
<v Speaker 2>to pop in my head and I'll be like, oh

1:15:43.280 --> 1:15:45.519
<v Speaker 2>I yeah, I did that, like I wish I wrote

1:15:45.560 --> 1:15:48.599
<v Speaker 2>down more. You know. Yeah, it's just like I feel

1:15:48.600 --> 1:15:50.320
<v Speaker 2>like you would do that now, But it's just like

1:15:50.400 --> 1:15:52.479
<v Speaker 2>back then, you just go to work and do your

1:15:52.520 --> 1:15:54.600
<v Speaker 2>thing and you just you know, I try to just

1:15:54.640 --> 1:15:56.599
<v Speaker 2>take in as much as I can in my memory,

1:15:56.640 --> 1:16:00.240
<v Speaker 2>and that's it. But so let's I don't I don't

1:16:00.240 --> 1:16:02.599
<v Speaker 2>want to get into why exactly you left and everything,

1:16:02.600 --> 1:16:05.040
<v Speaker 2>because we need to leave some stuff for your book.

1:16:06.600 --> 1:16:09.720
<v Speaker 2>But since you you did leave now and you're not

1:16:09.800 --> 1:16:14.400
<v Speaker 2>doing that anymore, so are you still interested in the

1:16:14.920 --> 1:16:16.719
<v Speaker 2>whole like true crime world?

1:16:16.760 --> 1:16:17.040
<v Speaker 1>Are you?

1:16:17.120 --> 1:16:21.000
<v Speaker 2>Do you listen to podcasts and TV shows or things

1:16:21.040 --> 1:16:24.840
<v Speaker 2>like that, or are you kind of like I'm over

1:16:24.880 --> 1:16:27.599
<v Speaker 2>that part of my life and I'm just doing something

1:16:27.600 --> 1:16:28.920
<v Speaker 2>else completely.

1:16:28.479 --> 1:16:30.160
<v Speaker 1>Now For the most point, I'm over it, But I

1:16:30.160 --> 1:16:34.479
<v Speaker 1>mean I'm still interested in it and the truth crime

1:16:34.520 --> 1:16:37.120
<v Speaker 1>things that I'm interested in. I just watched this one.

1:16:37.160 --> 1:16:39.440
<v Speaker 1>You might have heard of it. They called it mostly Harmless.

1:16:39.479 --> 1:16:42.880
<v Speaker 1>It's about a hiker. It's on Netflix. It's a great documentary.

1:16:43.320 --> 1:16:47.519
<v Speaker 1>But that was you know, that was a body that

1:16:47.560 --> 1:16:49.040
<v Speaker 1>had been out of the woods, and you know, the

1:16:49.080 --> 1:16:54.920
<v Speaker 1>internet was trying to trying to identify him. So I'm

1:16:54.920 --> 1:16:58.800
<v Speaker 1>interested in things that are like the investigation part. I

1:16:58.840 --> 1:17:02.519
<v Speaker 1>don't want to read about or see horrible murders like

1:17:02.560 --> 1:17:06.559
<v Speaker 1>the This is a joke between me and my husband

1:17:06.920 --> 1:17:10.599
<v Speaker 1>that the true crime stories out watched are more like

1:17:10.680 --> 1:17:13.880
<v Speaker 1>the husband wives killing each other short of thing rather

1:17:13.960 --> 1:17:16.240
<v Speaker 1>than home invasions, because it's like, I know my husband

1:17:16.280 --> 1:17:19.680
<v Speaker 1>slept and kill me, so I'm safe there. So I

1:17:19.720 --> 1:17:22.320
<v Speaker 1>know that sounds terrible, but I just you.

1:17:22.280 --> 1:17:26.639
<v Speaker 2>Know, it's you're just you're like justin. Yeah, it does

1:17:26.680 --> 1:17:29.599
<v Speaker 2>to me too, because I would be like watching forensic

1:17:29.640 --> 1:17:32.360
<v Speaker 2>files all the time. My husband's a firefighter and he

1:17:32.360 --> 1:17:34.640
<v Speaker 2>doesn't sleep at home sometimes, and then I would be

1:17:34.760 --> 1:17:38.160
<v Speaker 2>so freaking scared at night because I would be like, oh,

1:17:38.160 --> 1:17:40.720
<v Speaker 2>my god, like I saw this case last week and

1:17:40.760 --> 1:17:43.400
<v Speaker 2>the guy broke in the house and he didn't even

1:17:43.439 --> 1:17:45.840
<v Speaker 2>know who she was, like something that I could say, Oh,

1:17:45.880 --> 1:17:49.360
<v Speaker 2>that could happen to me exactly. And then I wouldn't sleep.

1:17:49.400 --> 1:17:52.080
<v Speaker 2>I'd be up all night, like scared to death. I

1:17:52.120 --> 1:17:55.040
<v Speaker 2>had even when they when the girls, my girls were younger,

1:17:55.120 --> 1:17:56.960
<v Speaker 2>I would have them sleep in bed with me because

1:17:56.960 --> 1:17:59.559
<v Speaker 2>I was so scared. And then I and then I

1:17:59.600 --> 1:18:02.080
<v Speaker 2>was like I can't watch this stuff anymore. I just can't.

1:18:02.560 --> 1:18:05.240
<v Speaker 2>I can't do it until he's retired. Maybe I'll start

1:18:05.240 --> 1:18:05.960
<v Speaker 2>watching it again.

1:18:06.040 --> 1:18:08.439
<v Speaker 1>Yeah, I can't either. I'm with you there. It's like,

1:18:08.439 --> 1:18:10.000
<v Speaker 1>like I said, I know it sounds Terrible's like's if

1:18:10.000 --> 1:18:12.280
<v Speaker 1>it's a husband wife thing. You know that's you know

1:18:12.520 --> 1:18:15.519
<v Speaker 1>that I can watch, but you know that I'll be

1:18:15.560 --> 1:18:19.479
<v Speaker 1>gone in the dark. Do you like? That just terrified me.

1:18:19.600 --> 1:18:23.080
<v Speaker 1>The the Golden State said, the Golden State Killer, the

1:18:23.080 --> 1:18:24.760
<v Speaker 1>one that they identified through the genetic geno.

1:18:24.920 --> 1:18:28.439
<v Speaker 2>Yeah, Michelle, Yeah, that one's really Yeah.

1:18:28.520 --> 1:18:30.240
<v Speaker 1>That was Yeah, that was brutal.

1:18:30.320 --> 1:18:33.559
<v Speaker 2>I wonder if it's like because for me and you,

1:18:33.640 --> 1:18:36.639
<v Speaker 2>like I've been at the Medical Examiner's office and I've

1:18:36.640 --> 1:18:39.719
<v Speaker 2>seen people, like with my own two eyes, multiple people

1:18:39.720 --> 1:18:41.880
<v Speaker 2>that have been murdered. It's real for me and the

1:18:41.920 --> 1:18:44.920
<v Speaker 2>same with you. You've seen all these skulls with people

1:18:44.960 --> 1:18:46.800
<v Speaker 2>that have been killed. I wonder if it makes it

1:18:46.840 --> 1:18:50.800
<v Speaker 2>even more scarier for us, because it's not just we're

1:18:50.840 --> 1:18:55.280
<v Speaker 2>not some girl that works in the office and is

1:18:55.360 --> 1:18:58.240
<v Speaker 2>watching this on TV and doesn't really know how horrible

1:18:58.280 --> 1:19:00.880
<v Speaker 2>and gruesome it could be and how scared it is. Right,

1:19:01.520 --> 1:19:03.440
<v Speaker 2>there's that element of the realness.

1:19:03.479 --> 1:19:06.680
<v Speaker 1>Maybe I don't know what's really comical. This is this

1:19:06.720 --> 1:19:08.720
<v Speaker 1>is this is funny? Is that you know I've been

1:19:08.920 --> 1:19:10.679
<v Speaker 1>I've been to the Body of Barn and I've seen

1:19:10.960 --> 1:19:13.880
<v Speaker 1>you know, horrible d comp and been right next to it,

1:19:14.000 --> 1:19:18.240
<v Speaker 1>and you know that I can do it because it's

1:19:18.240 --> 1:19:21.800
<v Speaker 1>fascinating and it was like it was interesting. But if

1:19:21.840 --> 1:19:24.720
<v Speaker 1>there's this really bloody movie on TV, I can't watch it,

1:19:25.439 --> 1:19:28.160
<v Speaker 1>like torture, Like I never watched Dempster and I knew

1:19:28.160 --> 1:19:30.800
<v Speaker 1>they were bad guys. He's only torturing mad dies. But

1:19:31.560 --> 1:19:34.679
<v Speaker 1>some stuff just it stays in my brain and I can't,

1:19:35.560 --> 1:19:38.120
<v Speaker 1>you know, I can't get it out of my brain.

1:19:38.360 --> 1:19:40.360
<v Speaker 1>I don't want that in my brain. Like at the

1:19:40.439 --> 1:19:41.880
<v Speaker 1>if I can tell you this real quick, at the

1:19:41.920 --> 1:19:46.360
<v Speaker 1>FBI Academy, they had in the behavioral Science unit, the

1:19:46.439 --> 1:19:49.200
<v Speaker 1>one basically for the Silence of the Lands, that was

1:19:49.240 --> 1:19:54.120
<v Speaker 1>that unit. So yeah, so yeah, so that's they're literally

1:19:54.200 --> 1:19:58.040
<v Speaker 1>like three or four floors like the third or fourth basement.

1:19:58.080 --> 1:20:03.040
<v Speaker 1>They're really down there. So they had the psychologists I

1:20:03.080 --> 1:20:06.080
<v Speaker 1>was telling me about. She had all the drawings and

1:20:06.160 --> 1:20:08.839
<v Speaker 1>notebooks of like set of sam like all the drawings

1:20:08.880 --> 1:20:11.880
<v Speaker 1>they did so all these serial killers and all of

1:20:11.920 --> 1:20:15.640
<v Speaker 1>their artwork, and she, you know, it was like a

1:20:15.720 --> 1:20:17.760
<v Speaker 1>once in a lifetime thing because these things are not

1:20:17.800 --> 1:20:20.080
<v Speaker 1>open to the public, and so she had them all

1:20:20.080 --> 1:20:22.839
<v Speaker 1>out and she's explaining things, and it's like, I can't

1:20:24.040 --> 1:20:27.040
<v Speaker 1>I can't have these drawings in my head because these

1:20:27.080 --> 1:20:31.120
<v Speaker 1>men were drawing these things in prison, basically, you know,

1:20:31.280 --> 1:20:34.519
<v Speaker 1>reliving the murders they had committed. And I don't want

1:20:34.560 --> 1:20:37.320
<v Speaker 1>what was in their head in my head. I walked

1:20:37.360 --> 1:20:40.800
<v Speaker 1>down the hallway we had a class. It was one

1:20:40.800 --> 1:20:44.560
<v Speaker 1>of a facial facial imaging classes, and they were fascinated

1:20:44.640 --> 1:20:48.160
<v Speaker 1>and I was like, I'm done. I don't don't want

1:20:48.160 --> 1:20:48.639
<v Speaker 1>it in my head.

1:20:50.680 --> 1:20:54.000
<v Speaker 2>Yeah, I understand that, because I feel the same way

1:20:54.080 --> 1:20:56.960
<v Speaker 2>about a lot of that. It's scared. Like when when

1:20:56.960 --> 1:21:00.679
<v Speaker 2>that guy, the guy killed the college student in Idaho.

1:21:00.800 --> 1:21:02.760
<v Speaker 1>Yes, I don't know if you've heard of it. Oh, yeah,

1:21:02.760 --> 1:21:03.519
<v Speaker 1>I'm sure you've heard.

1:21:03.400 --> 1:21:06.400
<v Speaker 2>About that case. It's just like I don't know when,

1:21:06.720 --> 1:21:09.680
<v Speaker 2>especially it freaked me out when it happened. But then

1:21:09.720 --> 1:21:13.679
<v Speaker 2>when they released his photo and video of him being arrested,

1:21:13.760 --> 1:21:16.120
<v Speaker 2>his face like scared the shit out of me, Like

1:21:16.160 --> 1:21:20.479
<v Speaker 2>his eyes are so creepy, and I just I just

1:21:20.640 --> 1:21:23.799
<v Speaker 2>it like shook me. You know, I don't know these people,

1:21:23.840 --> 1:21:25.960
<v Speaker 2>I don't know, I don't know anything about it, but

1:21:26.080 --> 1:21:30.720
<v Speaker 2>something about it I just was like, especially because, like

1:21:30.760 --> 1:21:32.720
<v Speaker 2>you said, when it's a husband and wife, you could

1:21:32.760 --> 1:21:34.639
<v Speaker 2>see they get in fights all the time and they

1:21:34.800 --> 1:21:36.880
<v Speaker 2>and they kill each other in the passion. And but

1:21:36.960 --> 1:21:40.960
<v Speaker 2>when it's strangers and people don't know that they're being

1:21:41.000 --> 1:21:43.360
<v Speaker 2>stalked and all this stuff, it's just so scary to me.

1:21:44.240 --> 1:21:49.599
<v Speaker 2>All Right, sing a little bit more cheery. Let's talk

1:21:49.640 --> 1:21:51.960
<v Speaker 2>about your personal life. So you talked about your husband

1:21:52.040 --> 1:21:55.360
<v Speaker 2>a couple of times. When so at what point of

1:21:55.640 --> 1:21:59.840
<v Speaker 2>your whole career and transition from Navy and to FBI

1:22:00.120 --> 1:22:02.960
<v Speaker 2>every end? John Hopkins too, when did you meet him?

1:22:02.960 --> 1:22:05.519
<v Speaker 2>How'd you meet him? And when did you guys get married?

1:22:06.560 --> 1:22:10.120
<v Speaker 1>Uh So, we met when I was waiting to go

1:22:10.160 --> 1:22:12.720
<v Speaker 1>into the FBI. So it was a sure thing that

1:22:12.760 --> 1:22:15.599
<v Speaker 1>I was, well, you know, I was going, I'm sorry,

1:22:15.680 --> 1:22:19.200
<v Speaker 1>me start that over. We met when I was waiting

1:22:19.200 --> 1:22:24.719
<v Speaker 1>to go on the FBI. I'm sorry, my brain, and

1:22:24.920 --> 1:22:26.680
<v Speaker 1>we met and we actually met in person at the

1:22:26.760 --> 1:22:30.400
<v Speaker 1>lunch and I I was recently divorced and so I

1:22:30.520 --> 1:22:32.519
<v Speaker 1>was he and it was just like just friends, like

1:22:32.600 --> 1:22:34.679
<v Speaker 1>I don't I don't want anything to do with men.

1:22:34.720 --> 1:22:37.439
<v Speaker 1>I'm done, I'm done, i'm done, got my cat and

1:22:37.479 --> 1:22:41.360
<v Speaker 1>I'm done, and you know, but we just started talking.

1:22:41.520 --> 1:22:45.840
<v Speaker 1>It was like this guy's really just wonderful and we

1:22:45.840 --> 1:22:48.560
<v Speaker 1>were we were friends, and then I just fell in

1:22:48.600 --> 1:22:50.719
<v Speaker 1>love with a guy because he's amazing and he's wonderful

1:22:50.760 --> 1:22:52.200
<v Speaker 1>and he's going to be embarrassed at this, but I

1:22:52.240 --> 1:22:55.120
<v Speaker 1>don't care. So yeah, so.

1:22:55.040 --> 1:22:59.360
<v Speaker 2>He how does he feel about what does he do

1:22:59.479 --> 1:23:00.240
<v Speaker 2>for a living?

1:23:01.000 --> 1:23:05.840
<v Speaker 1>Well, he uh, he's a he was ah and he's

1:23:05.880 --> 1:23:10.639
<v Speaker 1>still doing it. A videographer and producer. So he worked.

1:23:10.640 --> 1:23:13.040
<v Speaker 1>He also worked for the federal government, so he was

1:23:13.120 --> 1:23:16.840
<v Speaker 1>he was making kind of like news stories, you know,

1:23:16.920 --> 1:23:20.120
<v Speaker 1>things they would have a news channel sort of about

1:23:20.120 --> 1:23:23.599
<v Speaker 1>in some of the the work and events that these

1:23:23.640 --> 1:23:27.679
<v Speaker 1>military agencies would do. And he would go out. One time,

1:23:27.680 --> 1:23:29.599
<v Speaker 1>Oh my god, he was on the back of an airplane.

1:23:29.640 --> 1:23:32.519
<v Speaker 1>It was they had the back open and he was

1:23:32.960 --> 1:23:35.439
<v Speaker 1>showing me video and he's like, why are the hardest on?

1:23:35.520 --> 1:23:37.960
<v Speaker 1>I was like, I'm so, I'm so glad you didn't.

1:23:38.200 --> 1:23:39.519
<v Speaker 1>He was like it was so cool. I missed lying

1:23:39.520 --> 1:23:40.760
<v Speaker 1>on the back of this and it was open and

1:23:40.800 --> 1:23:42.360
<v Speaker 1>all I have is a artist. I'm like, thank you

1:23:42.479 --> 1:23:47.200
<v Speaker 1>very much. But yeah no, so yeah, I was like, oh,

1:23:47.200 --> 1:23:51.400
<v Speaker 1>I'm so glad you only showed me up after Yeah. Yeah,

1:23:51.640 --> 1:23:52.719
<v Speaker 1>So he's very creative.

1:23:52.760 --> 1:23:57.080
<v Speaker 2>What's he think? Yeah, so that's cool to be because

1:23:57.120 --> 1:23:59.880
<v Speaker 2>my husband's also very creative. It's good to like live

1:24:00.120 --> 1:24:04.160
<v Speaker 2>a house that because sometimes I have like outrageous ideas,

1:24:04.200 --> 1:24:06.519
<v Speaker 2>and you know, when you have an artist that's a

1:24:06.600 --> 1:24:10.200
<v Speaker 2>husband too, then you can express those in your house

1:24:10.320 --> 1:24:13.439
<v Speaker 2>or any they understand that you say, oh I completely

1:24:13.439 --> 1:24:16.560
<v Speaker 2>hate this, I need to change it or whatever. He's

1:24:16.600 --> 1:24:20.479
<v Speaker 2>how's he feel about you? Like knowing that you're you're

1:24:20.680 --> 1:24:23.160
<v Speaker 2>handling human skulls all day at work and stuff. I

1:24:23.200 --> 1:24:25.720
<v Speaker 2>mean he was just pretty cool with it obviously.

1:24:26.080 --> 1:24:29.080
<v Speaker 1>Yeah. He was like, well, sometimes I would come home

1:24:29.080 --> 1:24:30.559
<v Speaker 1>and say, oh my god, we got this one skull

1:24:30.600 --> 1:24:33.639
<v Speaker 1>in our own you know, this is this one thing

1:24:33.640 --> 1:24:36.240
<v Speaker 1>in this decomp by son. He's like, I want to know,

1:24:36.320 --> 1:24:37.439
<v Speaker 1>Like I don't want to know, and I was like, no,

1:24:37.479 --> 1:24:39.320
<v Speaker 1>it's really not fun, it's really not that cross and

1:24:39.320 --> 1:24:41.840
<v Speaker 1>he's like no, no, like, don't tell me, don't topping.

1:24:42.439 --> 1:24:44.800
<v Speaker 1>So it was funny. I can tell you this was

1:24:44.880 --> 1:24:47.760
<v Speaker 1>this was funny one time somebody frown. We had one

1:24:47.800 --> 1:24:51.320
<v Speaker 1>of the anthropologists fround a bodyth arm count and teaching

1:24:51.400 --> 1:24:54.240
<v Speaker 1>our class and she had to transport some skulls in

1:24:54.760 --> 1:24:56.759
<v Speaker 1>and she didn't want to leave them an air hotel overnight,

1:24:56.960 --> 1:24:59.519
<v Speaker 1>so we had a because we had an alarm, So

1:25:00.120 --> 1:25:01.760
<v Speaker 1>she said, can I store them at your house? I said, well,

1:25:01.840 --> 1:25:03.920
<v Speaker 1>let me ask my husband. So I was like, how

1:25:04.000 --> 1:25:06.760
<v Speaker 1>do you feel about having some human skulls in the den?

1:25:07.320 --> 1:25:10.760
<v Speaker 1>And he was like, let me think about it. And

1:25:10.800 --> 1:25:12.080
<v Speaker 1>then I was like that okay, and I said it

1:25:12.160 --> 1:25:13.840
<v Speaker 1>won freeky out and he goes as long as you

1:25:13.920 --> 1:25:16.640
<v Speaker 1>jump though, like you know, and like scare me with

1:25:16.720 --> 1:25:19.519
<v Speaker 1>a skull. And after he said it and it's just

1:25:19.720 --> 1:25:25.160
<v Speaker 1>really like my opening, he said, it's just that's just

1:25:25.280 --> 1:25:27.439
<v Speaker 1>what you end up as you know. It wasn't spooky,

1:25:27.479 --> 1:25:30.960
<v Speaker 1>it wasn't scary, it wasn't gross. It was just you're

1:25:31.160 --> 1:25:34.760
<v Speaker 1>just you're just skulls in a box, you know. That's

1:25:34.800 --> 1:25:38.240
<v Speaker 1>what we all end up, as you know. So yeah,

1:25:38.360 --> 1:25:40.120
<v Speaker 1>he's he's had skulls in.

1:25:40.160 --> 1:25:43.040
<v Speaker 2>His dead so it's like he's he probably has a

1:25:43.120 --> 1:25:47.160
<v Speaker 2>bunch of like one liners of what husband hears this

1:25:47.360 --> 1:25:51.360
<v Speaker 2>question from their wife? Can just store these ten skulls

1:25:51.400 --> 1:25:53.720
<v Speaker 2>in our house overnight? Just cauld we put the alarm on.

1:25:54.080 --> 1:25:57.400
<v Speaker 2>You don't care that there's like ten dead people downstairs

1:25:57.439 --> 1:26:01.200
<v Speaker 2>while we're sleeping, right, Yeah, you can't be like that

1:26:01.360 --> 1:26:04.559
<v Speaker 2>in this field, thinking there's ghosts and stuff. Yeah, exactly,

1:26:04.720 --> 1:26:08.280
<v Speaker 2>Like what if you had like a reason, like I

1:26:08.320 --> 1:26:09.960
<v Speaker 2>don't know, if fire or something in the middle of

1:26:09.960 --> 1:26:12.120
<v Speaker 2>the night and they show up, they'd be like, what's

1:26:12.200 --> 1:26:12.840
<v Speaker 2>happening here?

1:26:13.240 --> 1:26:15.719
<v Speaker 1>Said? I promised they were aside from.

1:26:17.320 --> 1:26:20.200
<v Speaker 2>I know, right, Yeah, so we know that you're not

1:26:20.320 --> 1:26:24.240
<v Speaker 2>doing the forensic art anymore. But I mean you're an artist,

1:26:24.320 --> 1:26:27.000
<v Speaker 2>So what are you doing? What are your other interests

1:26:27.080 --> 1:26:30.439
<v Speaker 2>besides being interested in forensics? Like do you garden?

1:26:30.600 --> 1:26:31.240
<v Speaker 1>Do you draw?

1:26:31.400 --> 1:26:32.719
<v Speaker 2>Do you still do art and stuff?

1:26:33.640 --> 1:26:37.480
<v Speaker 1>I am doing anything that's not a skull so right now, evantually,

1:26:39.080 --> 1:26:41.040
<v Speaker 1>So don't tell my husband. No, I'm working on a

1:26:41.080 --> 1:26:43.200
<v Speaker 1>painting right now, which is just new territory for me.

1:26:43.320 --> 1:26:46.639
<v Speaker 1>I've tried to I just jumped into a big project

1:26:46.840 --> 1:26:48.400
<v Speaker 1>and I'm not going to say exactly what it is

1:26:48.439 --> 1:26:51.240
<v Speaker 1>because my husband's going to hear this and like, I

1:26:51.320 --> 1:26:53.519
<v Speaker 1>want to be able to finish it. But I'm actually

1:26:53.600 --> 1:26:59.080
<v Speaker 1>working on like a big thing, So I've anything that's

1:26:59.240 --> 1:27:01.680
<v Speaker 1>I don't see. I don't like creepy stuff. I mean,

1:27:01.720 --> 1:27:05.599
<v Speaker 1>I like some things in my cop you know there

1:27:05.760 --> 1:27:08.840
<v Speaker 1>there's there's a there's a level of creepiness that I

1:27:08.960 --> 1:27:13.120
<v Speaker 1>really like, but it depends. It's like I have to

1:27:13.160 --> 1:27:16.600
<v Speaker 1>see it. So I like, I like humor and just

1:27:16.720 --> 1:27:20.880
<v Speaker 1>like a little bit of creepiness. So that's hard to explain,

1:27:21.360 --> 1:27:24.160
<v Speaker 1>but I like humor and art and I like something

1:27:24.920 --> 1:27:27.439
<v Speaker 1>things that are surprising. So like you might look at

1:27:27.640 --> 1:27:29.519
<v Speaker 1>look at a painting and go, oh, that's a really

1:27:29.600 --> 1:27:31.800
<v Speaker 1>nice painting and you look really close and there's like

1:27:32.280 --> 1:27:35.800
<v Speaker 1>a cows lying in the background, like obscurely. Just things

1:27:35.840 --> 1:27:40.000
<v Speaker 1>that are silly or maybe a bit surreal that surrealism.

1:27:40.360 --> 1:27:43.880
<v Speaker 1>I don't know. I'm just I'm trying to figure out

1:27:43.920 --> 1:27:46.680
<v Speaker 1>when I'm I'm trying to I'm figuring it out. It's

1:27:46.800 --> 1:27:49.400
<v Speaker 1>this is a time where I get to I get

1:27:49.479 --> 1:27:51.519
<v Speaker 1>frustrated because I'm like, I can't do this, I can't

1:27:51.560 --> 1:27:54.400
<v Speaker 1>do that. My husband's like, this is the time where

1:27:54.400 --> 1:27:56.720
<v Speaker 1>you get to play and do whatever. You want so

1:27:57.120 --> 1:27:59.840
<v Speaker 1>just play and have fun. And so I'm like, okay,

1:28:01.680 --> 1:28:03.840
<v Speaker 1>So after being so work boring and for so long

1:28:03.920 --> 1:28:05.680
<v Speaker 1>where you have a deadline, it has to be done

1:28:05.680 --> 1:28:08.160
<v Speaker 1>and it has to be right. It's like, this is artwork.

1:28:08.200 --> 1:28:11.040
<v Speaker 1>You're allowed to god to big mistakes. You're allowed to

1:28:11.360 --> 1:28:14.680
<v Speaker 1>a couple up faper through away. So that's what I'm

1:28:14.760 --> 1:28:15.200
<v Speaker 1>learning now.

1:28:17.160 --> 1:28:20.000
<v Speaker 2>Yeah, that it does seem like a weird transition to

1:28:20.160 --> 1:28:22.360
<v Speaker 2>just turn it from what you were doing.

1:28:23.200 --> 1:28:23.400
<v Speaker 1>It is.

1:28:23.479 --> 1:28:25.599
<v Speaker 2>Well, thanks so much for being here with us today.

1:28:26.080 --> 1:28:28.960
<v Speaker 2>Everyone needs to get your book. It's called Clay and

1:28:29.040 --> 1:28:32.360
<v Speaker 2>Bones and it's available now. Do you have while you

1:28:32.520 --> 1:28:35.800
<v Speaker 2>are going to reactivate your website? I hope, because I

1:28:35.880 --> 1:28:37.960
<v Speaker 2>bet you a lot of people listening to this today

1:28:38.880 --> 1:28:39.519
<v Speaker 2>are interested.

1:28:40.479 --> 1:28:44.320
<v Speaker 1>You know I do. I do have a website. It's

1:28:44.560 --> 1:28:47.960
<v Speaker 1>for the author website. I actually did rehost Things of Friends.

1:28:48.000 --> 1:28:50.479
<v Speaker 1>It's a forensic one on one about how to how

1:28:50.560 --> 1:28:52.519
<v Speaker 1>to become a friends of artist. So I actually did

1:28:52.600 --> 1:28:56.519
<v Speaker 1>put that on my current site, my author's site. So

1:28:57.000 --> 1:28:58.640
<v Speaker 1>I will put some things back up. That is the

1:28:58.680 --> 1:29:00.400
<v Speaker 1>one thing I did put out because some wretch to

1:29:00.400 --> 1:29:02.000
<v Speaker 1>me on Instagram says they want to be a friends

1:29:02.040 --> 1:29:05.760
<v Speaker 1>of artists, and you know, she said, oh that in

1:29:05.880 --> 1:29:07.519
<v Speaker 1>high school, I asked some friends of artists and they

1:29:07.520 --> 1:29:09.240
<v Speaker 1>wouldn't give me the time of the day. I was like, well,

1:29:09.360 --> 1:29:13.160
<v Speaker 1>I'm gonna put that on my website, so I did so. Yeah.

1:29:13.920 --> 1:29:16.360
<v Speaker 2>Yeah, that that kind of stuff makes me mad when

1:29:16.400 --> 1:29:19.200
<v Speaker 2>people aren't willing to help the next generation of people.

1:29:19.520 --> 1:29:23.320
<v Speaker 1>My girlfriend here, do they have car? Oh well no,

1:29:23.439 --> 1:29:25.680
<v Speaker 1>my girlfriend here she puts it. She's like, you know,

1:29:25.840 --> 1:29:28.040
<v Speaker 1>women need to support women. And she's like, send the

1:29:28.120 --> 1:29:30.519
<v Speaker 1>elevator back down when you make it to the top,

1:29:31.120 --> 1:29:33.200
<v Speaker 1>hit the bottom of like help somebody else on their

1:29:33.240 --> 1:29:36.560
<v Speaker 1>way up, you know. And it's like, yeah, like I

1:29:37.600 --> 1:29:38.839
<v Speaker 1>don't understand exactly.

1:29:39.040 --> 1:29:44.920
<v Speaker 2>I don't. Yeah, I don't either. That's it's it's really

1:29:45.000 --> 1:29:47.519
<v Speaker 2>upsetting when I hear stuff like that. Do you think

1:29:47.840 --> 1:29:50.280
<v Speaker 2>that there's college I mean, I don't even know anything

1:29:50.320 --> 1:29:53.040
<v Speaker 2>about this, but I feel like there must be some

1:29:53.200 --> 1:29:56.240
<v Speaker 2>kind of college programs at this point that are geared

1:29:56.280 --> 1:29:57.600
<v Speaker 2>towards people that want to do.

1:29:57.680 --> 1:29:59.880
<v Speaker 1>Stuff like for forensic ard. There really isn't. And let

1:30:00.120 --> 1:30:02.439
<v Speaker 1>you create your own creat slam And I only know

1:30:02.520 --> 1:30:04.240
<v Speaker 1>of one artist as far as you did that, and

1:30:04.360 --> 1:30:08.360
<v Speaker 1>she her name is escaping me because she's wonderful. But

1:30:08.640 --> 1:30:11.360
<v Speaker 1>she went to the University of Tennessee and so she

1:30:11.600 --> 1:30:14.439
<v Speaker 1>created because it's the body of our she was able

1:30:14.520 --> 1:30:19.360
<v Speaker 1>to create a forensic art program. And there's actually Friends

1:30:19.400 --> 1:30:22.799
<v Speaker 1>of Art master's program, and I think Dundee Scotland or something,

1:30:23.640 --> 1:30:27.040
<v Speaker 1>which I'm sure was a wonderful program, But there's because

1:30:27.080 --> 1:30:31.320
<v Speaker 1>of the nature of friends of art, there's no it's

1:30:31.360 --> 1:30:34.880
<v Speaker 1>not like being a doctor or something where you need

1:30:34.960 --> 1:30:37.160
<v Speaker 1>to have certain credentials and a piece of paper that

1:30:37.880 --> 1:30:40.040
<v Speaker 1>you are now you know you are now in friends

1:30:40.080 --> 1:30:43.080
<v Speaker 1>of artists, that doesn't that doesn't exist in friends of art.

1:30:44.040 --> 1:30:47.679
<v Speaker 1>It's just one of those jobs that for in most

1:30:47.960 --> 1:30:50.479
<v Speaker 1>for most friends of artists, most friends of artists work

1:30:50.479 --> 1:30:54.840
<v Speaker 1>in law enforcement agencies like state sheriff's office, you know,

1:30:55.000 --> 1:30:57.800
<v Speaker 1>count of city police, things like that, and they're mostly

1:30:57.880 --> 1:31:02.400
<v Speaker 1>doing composites and it's an adjunct it's a collateral duty.

1:31:02.920 --> 1:31:06.639
<v Speaker 1>So it would be friends of artist's shonage. It would

1:31:06.680 --> 1:31:13.080
<v Speaker 1>be just too narrow a pool to have a college program,

1:31:13.360 --> 1:31:15.559
<v Speaker 1>I believe, And there's just not the jobs.

1:31:16.240 --> 1:31:19.479
<v Speaker 2>And that's something that's something important to say too, because

1:31:19.479 --> 1:31:21.479
<v Speaker 2>you were saying you only worked with a few people

1:31:21.640 --> 1:31:22.559
<v Speaker 2>right that did your job.

1:31:22.720 --> 1:31:25.960
<v Speaker 1>Yeah, I mean the full time positions. And I believe

1:31:26.040 --> 1:31:29.040
<v Speaker 1>this is on this is in my post on my website,

1:31:29.560 --> 1:31:32.360
<v Speaker 1>is that the full time friends of artists there are

1:31:32.479 --> 1:31:35.559
<v Speaker 1>various few, maybe under fifty. Nobody really knows. Not many.

1:31:36.640 --> 1:31:40.559
<v Speaker 1>We work at the state, et cetera level. So those

1:31:40.600 --> 1:31:42.719
<v Speaker 1>are like where the full time friends of art positions

1:31:42.760 --> 1:31:46.080
<v Speaker 1>are the other friends of art positions, Like you said,

1:31:46.120 --> 1:31:50.160
<v Speaker 1>they're collateral duties. They're done by people in law enforcement, detectives,

1:31:50.240 --> 1:31:53.680
<v Speaker 1>crime scene texts, whatever. A person in law enforcement who

1:31:53.720 --> 1:31:56.840
<v Speaker 1>had artistic talent and their boss said, hey, you can draw,

1:31:57.760 --> 1:31:59.720
<v Speaker 1>You're going to be our friends of artists down or

1:32:00.000 --> 1:32:02.280
<v Speaker 1>they had the gumption to say, and I want to

1:32:02.320 --> 1:32:06.719
<v Speaker 1>do composite sketches, and they create the job. It's there's

1:32:06.760 --> 1:32:08.880
<v Speaker 1>no money in law enforcement. There's no money to hire

1:32:08.960 --> 1:32:11.400
<v Speaker 1>friends of artists. So it's one of these collateral duties

1:32:11.439 --> 1:32:14.400
<v Speaker 1>where somebody who is very motivated, and this is usually

1:32:14.400 --> 1:32:16.920
<v Speaker 1>where it happens. You have a motivated person in law

1:32:16.960 --> 1:32:19.000
<v Speaker 1>enforcement who can drow that says this is what I

1:32:19.080 --> 1:32:21.760
<v Speaker 1>want to do, and they volunteer their services as need

1:32:21.840 --> 1:32:26.280
<v Speaker 1>that they're not get extra. They do it because they have.

1:32:26.520 --> 1:32:32.000
<v Speaker 2>It's really important to note because it's like, because I

1:32:32.360 --> 1:32:35.680
<v Speaker 2>feel like I'm an artist too, and it's a scientist too.

1:32:36.200 --> 1:32:38.920
<v Speaker 2>I feel like I would be actually interested in that

1:32:39.240 --> 1:32:42.519
<v Speaker 2>to that kind of job and just but people need

1:32:42.600 --> 1:32:46.680
<v Speaker 2>to understand that you really have to kind of make

1:32:46.760 --> 1:32:49.200
<v Speaker 2>it happen for yourself in a way. It's not as

1:32:49.320 --> 1:32:51.519
<v Speaker 2>easy as just going to school to be a nurse,

1:32:51.760 --> 1:32:54.840
<v Speaker 2>go to school, get a job, get high exactly, although

1:32:54.920 --> 1:32:56.880
<v Speaker 2>they have to be good too, it's just in a

1:32:56.960 --> 1:32:59.720
<v Speaker 2>different it's in a different kind of way. And it's

1:33:00.320 --> 1:33:03.320
<v Speaker 2>it's the same could be said like every every painter

1:33:03.680 --> 1:33:08.160
<v Speaker 2>isn't going to be Pocrasso, right, Like, yeah, it's just

1:33:08.400 --> 1:33:09.360
<v Speaker 2>it's just the way it is.

1:33:09.520 --> 1:33:11.599
<v Speaker 1>Yeah, I mean, it just it just pains me when

1:33:11.640 --> 1:33:12.720
<v Speaker 1>you know, I hear people they want to be a

1:33:12.800 --> 1:33:15.120
<v Speaker 1>friends of artists and you know they're they're taking classes,

1:33:15.200 --> 1:33:17.760
<v Speaker 1>like you know, there's lots of commercial classes out there.

1:33:17.840 --> 1:33:20.080
<v Speaker 1>It's like, well, that's great if you want to you know,

1:33:20.120 --> 1:33:21.760
<v Speaker 1>if you want to learn about it and everything. But

1:33:23.320 --> 1:33:26.639
<v Speaker 1>it's just there's no jobs. There's very very few jobs,

1:33:27.000 --> 1:33:30.280
<v Speaker 1>and the vast majority of them are in law enforcement.

1:33:30.400 --> 1:33:34.000
<v Speaker 1>I've got grief for this, but it's the truth because

1:33:34.880 --> 1:33:37.519
<v Speaker 1>skulls are evidence of composite drawing is evidence. You're dealing

1:33:37.560 --> 1:33:42.920
<v Speaker 1>with evidence. So it's only that that's out. It is

1:33:43.000 --> 1:33:47.160
<v Speaker 1>what it is, you know. It's sorry. Yeah. So, but

1:33:47.920 --> 1:33:50.600
<v Speaker 1>someone that's motivated, some with artistic skill, they can be

1:33:50.800 --> 1:33:54.360
<v Speaker 1>in in academia. Is anything that might cross pass this

1:33:54.479 --> 1:33:57.400
<v Speaker 1>law enforcement, you would have the potential to be able

1:33:57.439 --> 1:34:00.320
<v Speaker 1>to do like a facial approximation. It's if you work

1:34:00.360 --> 1:34:03.639
<v Speaker 1>at a university and you're in anatomy or anthropology. Guess

1:34:03.680 --> 1:34:06.400
<v Speaker 1>what if you put forth the athlete, you could probably

1:34:06.439 --> 1:34:13.760
<v Speaker 1>do some facial approximations for the medical examiner. It's completely possible. Absolutely. Yeah,

1:34:13.840 --> 1:34:14.679
<v Speaker 1>that's great advice.

1:34:15.200 --> 1:34:17.600
<v Speaker 2>Thank you so much. Again, it was awesome talking to you.

1:34:18.240 --> 1:34:20.080
<v Speaker 1>This is a thrill. This is great.

1:34:25.880 --> 1:34:29.679
<v Speaker 2>Thank you for listening to mother nos death. As a reminder,

1:34:29.920 --> 1:34:33.640
<v Speaker 2>my training is as a pathologist's assistant. I have a

1:34:33.760 --> 1:34:38.080
<v Speaker 2>master's level education and specialize in anatomy and pathology education.

1:34:39.240 --> 1:34:41.400
<v Speaker 2>I am not a doctor, and I have not diagnosed

1:34:41.479 --> 1:34:45.080
<v Speaker 2>or treated anyone dead or alive without the assistance of

1:34:45.160 --> 1:34:50.320
<v Speaker 2>a licensed medical doctor. This show, my website, and social

1:34:50.400 --> 1:34:53.920
<v Speaker 2>media accounts are designed to educate and inform people based

1:34:53.960 --> 1:34:57.840
<v Speaker 2>on my experience working in pathology, so they can make

1:34:58.080 --> 1:35:02.719
<v Speaker 2>healthier decisions regarding their life and well Beeing. Always remember

1:35:02.800 --> 1:35:05.879
<v Speaker 2>that science is changing every day, and the opinions expressed

1:35:05.920 --> 1:35:08.519
<v Speaker 2>in this episode are based on my knowledge of those

1:35:08.600 --> 1:35:12.360
<v Speaker 2>subjects at the time of publication. If you are having

1:35:12.439 --> 1:35:16.360
<v Speaker 2>a medical problem, have a medical question, or having a

1:35:16.439 --> 1:35:20.760
<v Speaker 2>medical emergency, please contact your physician or visit an urgent

1:35:20.840 --> 1:35:25.519
<v Speaker 2>care center, emergency room, or hospital. Please rate, review, and

1:35:25.640 --> 1:35:30.120
<v Speaker 2>subscribe to Mother Knows Death on Apple, Spotify, YouTube, or

1:35:30.240 --> 1:35:32.559
<v Speaker 2>anywhere you get podcasts. Thanks