1 00:00:01,080 --> 00:00:08,520 Speaker 1: Real people, real celebrity, real time morning. Everybody is DJ 2 00:00:08,840 --> 00:00:11,160 Speaker 1: m Vy, Angela Ye, Charlomagne the guy. We are the 3 00:00:11,200 --> 00:00:18,000 Speaker 1: breakfast club special guests in the building. My name, I'm 4 00:00:18,040 --> 00:00:20,520 Speaker 1: good Man. I didn't do this in a while, mad, tired, 5 00:00:20,560 --> 00:00:23,720 Speaker 1: but good I'm black. Yeah, you need to be here 6 00:00:23,800 --> 00:00:25,120 Speaker 1: because you know you had to end of that going 7 00:00:25,200 --> 00:00:31,920 Speaker 1: nuts last week. Bro, you sold records allegedly, that's what 8 00:00:31,960 --> 00:00:35,920 Speaker 1: they said, thirty physical copies right now. With those numbers accurate, 9 00:00:36,520 --> 00:00:38,640 Speaker 1: I don't know they wasn't accurate, you know what I'm saying. 10 00:00:39,040 --> 00:00:41,720 Speaker 1: I think Billboard wrote like an article after about what 11 00:00:41,880 --> 00:00:44,400 Speaker 1: exactly happened, because you know, that was really my first 12 00:00:44,400 --> 00:00:47,440 Speaker 1: time going selling stuff. Like the other time I had 13 00:00:47,479 --> 00:00:49,479 Speaker 1: New York City the album, I put it up for 14 00:00:49,560 --> 00:00:52,080 Speaker 1: self for twelve hours, and in after that I put 15 00:00:52,120 --> 00:00:54,160 Speaker 1: it out, you know, for free on a lot of mixing. 16 00:00:54,240 --> 00:00:56,280 Speaker 1: It was with that pivot whatever. But this was the 17 00:00:56,280 --> 00:00:58,720 Speaker 1: first time I went and did it full out. I'll 18 00:00:58,760 --> 00:01:01,760 Speaker 1: go cap it best bout whatever. What happened was, I 19 00:01:01,840 --> 00:01:05,560 Speaker 1: dropped the album on Friday. Usually albums drop on Tuesday, 20 00:01:05,920 --> 00:01:09,800 Speaker 1: and the physical copies wasn't supposed to come out till Tuesday. 21 00:01:10,040 --> 00:01:13,720 Speaker 1: You feel me. So what happened was between Friday to Monday. 22 00:01:13,720 --> 00:01:16,240 Speaker 1: I guess sound skin is reported from Friday to Monday. 23 00:01:16,560 --> 00:01:19,800 Speaker 1: So from Friday to Monday, I sold like forty three 24 00:01:19,880 --> 00:01:23,000 Speaker 1: hundred or whatever, under forty five hundred, you know what 25 00:01:23,000 --> 00:01:25,040 Speaker 1: I mean, in those two days or whatever. And then 26 00:01:25,080 --> 00:01:28,840 Speaker 1: on the or was it on Tuesday. The thirty copies 27 00:01:28,880 --> 00:01:31,399 Speaker 1: that were sold, they were so illegally, Like I don't 28 00:01:31,400 --> 00:01:33,399 Speaker 1: give a fuck there so illegally because I just want 29 00:01:33,440 --> 00:01:35,679 Speaker 1: my music out. But basically it was like the mom 30 00:01:35,680 --> 00:01:37,840 Speaker 1: and pop stores that had them and if people came 31 00:01:37,880 --> 00:01:39,640 Speaker 1: and asked for them early, they were just giving them. 32 00:01:39,760 --> 00:01:42,720 Speaker 1: And it was really this one one store in the Bronx, 33 00:01:42,720 --> 00:01:44,240 Speaker 1: you know what I mean, and sold the thirty copies, 34 00:01:44,480 --> 00:01:46,200 Speaker 1: but shout out to them, they got my music out. 35 00:01:46,240 --> 00:01:49,520 Speaker 1: I ain't chipping its forty five hundred records sold a 36 00:01:49,600 --> 00:01:53,880 Speaker 1: flop for the independent artists first week? Hell no, hell no. 37 00:01:54,360 --> 00:01:57,480 Speaker 1: You gotta think like I seen everything going in the 38 00:01:57,600 --> 00:01:59,960 Speaker 1: uproar and all that, and it said out, so forty 39 00:02:00,040 --> 00:02:02,600 Speaker 1: file any records, But if I'm getting ninety five percent 40 00:02:02,640 --> 00:02:05,320 Speaker 1: of my bread and that within that week, from that 41 00:02:05,480 --> 00:02:08,480 Speaker 1: Friday to the it wasn't from Friday five, any Friday 42 00:02:08,520 --> 00:02:11,040 Speaker 1: to Saturday or whatever. I made a honey twenty bands, 43 00:02:11,240 --> 00:02:14,680 Speaker 1: you feel me, between the record sales, between thirty thousand 44 00:02:14,760 --> 00:02:17,360 Speaker 1: singles between you know what I mean doing hosting. So 45 00:02:17,840 --> 00:02:20,200 Speaker 1: like when you're independent and you really self made it, 46 00:02:20,200 --> 00:02:23,400 Speaker 1: self paid independent, and it don't matter, it don't matter. 47 00:02:23,400 --> 00:02:26,320 Speaker 1: You gotta get the slow ground, like the reasonable doubt ground, 48 00:02:26,360 --> 00:02:28,000 Speaker 1: like you know what I'm saying, Like they're gonna catch 49 00:02:28,040 --> 00:02:29,920 Speaker 1: the later and they keep picking up and picking up 50 00:02:29,919 --> 00:02:31,840 Speaker 1: and picking up. And at the end of the day, 51 00:02:31,880 --> 00:02:34,000 Speaker 1: I'm here to make money. I'm here to get the paper. 52 00:02:34,240 --> 00:02:36,519 Speaker 1: And now I understand what jay Z meant by can 53 00:02:36,520 --> 00:02:38,760 Speaker 1: you really match a triple platinum artists buck by Buck 54 00:02:38,800 --> 00:02:41,160 Speaker 1: with only a single gon goal? I could really match 55 00:02:41,200 --> 00:02:43,720 Speaker 1: a platinum artist buck by buck with not even a 56 00:02:43,800 --> 00:02:47,120 Speaker 1: single going goal. You feel me? Because what usually happens 57 00:02:47,240 --> 00:02:50,000 Speaker 1: is an artists they get a deal, and they're regular deal. 58 00:02:50,040 --> 00:02:52,799 Speaker 1: They get fifteen percent of every dollar a little more 59 00:02:52,840 --> 00:02:54,920 Speaker 1: if they hot, you know what I'm saying, And now 60 00:02:55,280 --> 00:02:57,600 Speaker 1: with me, I'm getting ninety five percent on every dollars. 61 00:02:57,600 --> 00:03:01,040 Speaker 1: So if an artists get fifteen percent of dollars, they 62 00:03:01,080 --> 00:03:04,040 Speaker 1: sell a million singles or whatever. They supposed to be 63 00:03:04,080 --> 00:03:06,560 Speaker 1: old one hundred and fifty thousand, but the record label 64 00:03:06,600 --> 00:03:10,399 Speaker 1: then spent two fifty three hundred to make them hot. 65 00:03:10,720 --> 00:03:13,040 Speaker 1: So really, what happens if they spend two fifty the 66 00:03:13,320 --> 00:03:15,480 Speaker 1: artists old one hundred thousand back to the label? You 67 00:03:15,480 --> 00:03:18,360 Speaker 1: feel me with cho you have? It don't cost me 68 00:03:18,440 --> 00:03:20,520 Speaker 1: nothing to make no album. I got my own producers, 69 00:03:20,919 --> 00:03:24,920 Speaker 1: I got my own art graphic design. Na, I don't 70 00:03:24,919 --> 00:03:26,920 Speaker 1: got when you got the respect. When they see you 71 00:03:26,960 --> 00:03:29,000 Speaker 1: coming up and they see you like you're the boy, 72 00:03:29,040 --> 00:03:31,320 Speaker 1: they're gonna do that with the strength same way I 73 00:03:31,400 --> 00:03:32,639 Speaker 1: do it. You know what I'm saying. If I see 74 00:03:32,680 --> 00:03:35,800 Speaker 1: somebody moving, I'm gonna do that over the loving everybody 75 00:03:35,800 --> 00:03:37,480 Speaker 1: you see on there, like yo, we're rocking with you. 76 00:03:37,800 --> 00:03:40,720 Speaker 1: What you need or shoot me back a feature or whatever. 77 00:03:40,760 --> 00:03:42,520 Speaker 1: You know what I'm saying, Like y'all just have five 78 00:03:42,560 --> 00:03:48,960 Speaker 1: in yo, whatever you need. Know what I'm saying. Yeah, 79 00:03:49,000 --> 00:03:51,040 Speaker 1: So what I was saying is like if I if 80 00:03:51,040 --> 00:03:54,680 Speaker 1: I turn around and I sell a hundred thousand records 81 00:03:54,760 --> 00:03:57,600 Speaker 1: or whatever, like I'm getting more money than somebody who 82 00:03:57,600 --> 00:03:59,320 Speaker 1: went platinum. You know what I'm saying. And I'm just 83 00:03:59,360 --> 00:04:03,120 Speaker 1: talking about les and singles, be moving everything. Just BSB 84 00:04:03,240 --> 00:04:05,320 Speaker 1: get off that coming up. Of course it's gonna sell 85 00:04:05,360 --> 00:04:07,200 Speaker 1: more than forty five hundred over time. But how much 86 00:04:07,200 --> 00:04:11,360 Speaker 1: the BSB get over that? Get we get ninety five percent? 87 00:04:11,440 --> 00:04:14,240 Speaker 1: You know, five percent go no, ninety percent, five percent 88 00:04:14,320 --> 00:04:16,240 Speaker 1: go to my lawyer, and then five percent go to 89 00:04:16,279 --> 00:04:19,120 Speaker 1: the distributor. But I'm so ill that I negotiated it 90 00:04:19,160 --> 00:04:23,719 Speaker 1: where I need to distributed it pay two point five 91 00:04:23,839 --> 00:04:25,960 Speaker 1: or my lawyer percentage. I pay the other two point five. 92 00:04:26,400 --> 00:04:28,599 Speaker 1: It's all about getting having a leverage man and do 93 00:04:28,640 --> 00:04:32,040 Speaker 1: what you want to do. And he's an independent artist 94 00:04:32,080 --> 00:04:35,800 Speaker 1: at the truest for him, meaning he doesn't ray doing radio, 95 00:04:35,839 --> 00:04:37,480 Speaker 1: he doesn't have help doing everything comes out of his 96 00:04:37,560 --> 00:04:40,920 Speaker 1: own pockets. But he pays for radio promotion, he pays 97 00:04:41,000 --> 00:04:43,360 Speaker 1: for touring, he pays for everything. Usually when when the 98 00:04:43,440 --> 00:04:45,560 Speaker 1: artist is they independent, they get a little help from 99 00:04:45,560 --> 00:04:47,120 Speaker 1: a label and they only get up they got a 100 00:04:47,160 --> 00:04:49,760 Speaker 1: little secret development deal or something like that. You know, 101 00:04:50,160 --> 00:04:53,080 Speaker 1: it's it's so ill that. Look, look how I came here, y'all. 102 00:04:53,120 --> 00:04:54,760 Speaker 1: Remember when I first started, he was like, yo, go 103 00:04:55,120 --> 00:04:56,920 Speaker 1: signed to a label? Sign He was like yo, how 104 00:04:56,960 --> 00:04:59,320 Speaker 1: long or whatever? Whatever, and then I just still here, 105 00:04:59,320 --> 00:05:01,880 Speaker 1: and I I stood the test of time. I stayed 106 00:05:01,920 --> 00:05:03,880 Speaker 1: focused on what I was gonna do. I told you 107 00:05:03,880 --> 00:05:06,080 Speaker 1: I'm gonna buy me. I'm gonna buy me a crib. 108 00:05:06,279 --> 00:05:08,320 Speaker 1: I'm gonna give me a RRI I'm gonna do. I'm 109 00:05:08,320 --> 00:05:10,120 Speaker 1: gonna do this thing independing. You know what I'm saying. 110 00:05:10,160 --> 00:05:11,800 Speaker 1: I don't get me wrong, I still want to go 111 00:05:11,839 --> 00:05:14,080 Speaker 1: to a major, But as he joined Venture, I want 112 00:05:14,120 --> 00:05:17,440 Speaker 1: to do with with Rockefeller had I want with murdered Ink, 113 00:05:17,560 --> 00:05:19,840 Speaker 1: with bad Boy like you know that's you have two 114 00:05:19,880 --> 00:05:22,200 Speaker 1: and two fifteen. Do you really need that? I mean, 115 00:05:22,520 --> 00:05:24,919 Speaker 1: it puts you on with me. It's like hustling. Like 116 00:05:25,839 --> 00:05:29,240 Speaker 1: I was a heavy hustler, So I always result everything 117 00:05:29,279 --> 00:05:31,520 Speaker 1: back to that. That's that's my mom frame. So if 118 00:05:31,560 --> 00:05:34,880 Speaker 1: I'm hustling on a honey blocks and I'm making a 119 00:05:34,960 --> 00:05:36,960 Speaker 1: thousand dollars a day, whatever, say I'm making a thousand 120 00:05:36,960 --> 00:05:39,040 Speaker 1: dollars a day off for one block. Now record label 121 00:05:39,120 --> 00:05:41,320 Speaker 1: gonna put me on a thousand blocks, but they want 122 00:05:41,320 --> 00:05:44,560 Speaker 1: to take fifty percent. I ain't tripping. That's still more money. 123 00:05:44,600 --> 00:05:46,360 Speaker 1: I gotta give up half, but I'm getting more money 124 00:05:46,400 --> 00:05:48,760 Speaker 1: instead of me getting a thousand dollars. Now I'm getting 125 00:05:49,040 --> 00:05:51,480 Speaker 1: what's a thousand tons five with five hundred thousand and 126 00:05:51,480 --> 00:05:54,000 Speaker 1: fifty thousand, whatever it is, I'm still getting more money. 127 00:05:54,000 --> 00:05:55,760 Speaker 1: And at the end of the day, we ain't greedy. Now. 128 00:05:55,800 --> 00:05:57,880 Speaker 1: People had a lot of jokes after they put that 129 00:05:57,920 --> 00:05:59,800 Speaker 1: out there with the sales and everything. A lot of me, 130 00:06:00,360 --> 00:06:04,120 Speaker 1: a lot of things, right, A lot of people commented, No, 131 00:06:04,720 --> 00:06:07,760 Speaker 1: it don't affect like, yeah, I come from the dirty 132 00:06:07,800 --> 00:06:10,919 Speaker 1: I come I come from. I'm self made and self paid. 133 00:06:10,960 --> 00:06:13,680 Speaker 1: I can't say that enough. The real things that affect me, 134 00:06:13,960 --> 00:06:16,000 Speaker 1: like jokes and all that that don't affect me. That's 135 00:06:16,080 --> 00:06:19,640 Speaker 1: to me. That's like it's like I'm like Jackie Robinson 136 00:06:19,680 --> 00:06:21,560 Speaker 1: and a racist fan, you know what I mean? Hey, 137 00:06:21,960 --> 00:06:24,320 Speaker 1: or whatever, Michael Jordan when you see him putting his 138 00:06:24,360 --> 00:06:26,600 Speaker 1: hand up and it's somebody in the crowd, you whatever, 139 00:06:26,720 --> 00:06:28,560 Speaker 1: it don't matter at the end of the day, because 140 00:06:28,560 --> 00:06:30,680 Speaker 1: if you look up at the skull board, I'm still winning. 141 00:06:30,920 --> 00:06:33,120 Speaker 1: You feel if I was broke, or if I was 142 00:06:33,440 --> 00:06:36,120 Speaker 1: if I if the show started slowing up, or I 143 00:06:36,160 --> 00:06:38,120 Speaker 1: just came from my I'm dead tired, you know what 144 00:06:38,160 --> 00:06:40,479 Speaker 1: I mean. But I know I gotta work. It's a 145 00:06:40,520 --> 00:06:42,799 Speaker 1: big platform. I gotta be here. You know what I'm saying. 146 00:06:43,040 --> 00:06:46,200 Speaker 1: I just came from Miami. Ain't my life. He ain't crazy, 147 00:06:46,320 --> 00:06:51,080 Speaker 1: like crazy about with your confidence. But I also think 148 00:06:51,080 --> 00:06:52,920 Speaker 1: I'm gonna taking the crazy part not to catch you up. 149 00:06:53,120 --> 00:06:55,920 Speaker 1: I've seen somebody say, y'all, I don't like Joe EV 150 00:06:56,360 --> 00:06:59,800 Speaker 1: because he's too confident with type No. I seem too. 151 00:07:00,480 --> 00:07:01,839 Speaker 1: But I was like, all right, people had it on. 152 00:07:01,920 --> 00:07:04,680 Speaker 1: When somebody say too confident, that don't make no sense 153 00:07:04,720 --> 00:07:08,239 Speaker 1: to me. That's just other people's insecurities. That's me shying 154 00:07:08,240 --> 00:07:10,200 Speaker 1: a spotlight on it because of my confidence, you know 155 00:07:10,240 --> 00:07:12,680 Speaker 1: what I'm saying, And it's making them insecure, like it 156 00:07:12,840 --> 00:07:15,480 Speaker 1: don't What happens is they try to like you, try 157 00:07:15,520 --> 00:07:17,600 Speaker 1: to tear choy av Dan. It's like, you gotta look 158 00:07:17,600 --> 00:07:20,520 Speaker 1: at the people that's writing stuff. It's either people that 159 00:07:20,560 --> 00:07:23,320 Speaker 1: I came in contact with and for whatever reason, they 160 00:07:23,560 --> 00:07:26,280 Speaker 1: don't like me for a personal reason, so it's a bias, 161 00:07:26,440 --> 00:07:28,120 Speaker 1: you know what I mean, or whatever they call you, 162 00:07:28,160 --> 00:07:31,120 Speaker 1: they call you Troy Average. I had a song I 163 00:07:31,160 --> 00:07:33,560 Speaker 1: heard somebody called me CHOI average. Well, let me tell 164 00:07:33,600 --> 00:07:37,920 Speaker 1: you about this average to the Ford. What I say, 165 00:07:38,360 --> 00:07:40,880 Speaker 1: I'm talking to the four new holes on the average, 166 00:07:40,920 --> 00:07:42,840 Speaker 1: and it ain't a half to domb on an average. 167 00:07:43,000 --> 00:07:45,280 Speaker 1: Every show I get it down on an average, and 168 00:07:45,360 --> 00:07:48,720 Speaker 1: my downs about eighty one carriage. You know what I'm like, 169 00:07:48,760 --> 00:07:52,360 Speaker 1: It don't affect me. You gotta think when these people 170 00:07:52,440 --> 00:07:55,640 Speaker 1: tear down Choyav, it's like, who else do we got 171 00:07:55,640 --> 00:07:58,480 Speaker 1: from the city that's doing it this way? You tain't. 172 00:07:58,520 --> 00:08:00,600 Speaker 1: You ain't just trying to tear down me, trying to 173 00:08:00,600 --> 00:08:02,560 Speaker 1: tear down the generation of people. You want them to 174 00:08:02,640 --> 00:08:04,840 Speaker 1: lead and follow somebody else. You want them to be 175 00:08:04,960 --> 00:08:07,880 Speaker 1: drug addicts, or you want them to have I represent ambition. 176 00:08:08,280 --> 00:08:11,080 Speaker 1: I represent grinding, coming coming from the bottom, when people 177 00:08:11,120 --> 00:08:14,000 Speaker 1: tell you can't do nothing. You can't now, you ain't 178 00:08:14,000 --> 00:08:15,840 Speaker 1: gonna be this or you ain't gonna be that. Y'all 179 00:08:15,840 --> 00:08:17,880 Speaker 1: all went through the same struggle. Look at the platform 180 00:08:17,880 --> 00:08:19,640 Speaker 1: and each other. Had you feel what I'm saying, Like 181 00:08:19,880 --> 00:08:22,640 Speaker 1: everybody came from I'm pretty sure Amby had to carry 182 00:08:22,640 --> 00:08:24,760 Speaker 1: crates or whatever. You know what I'm saying. People got 183 00:08:24,800 --> 00:08:27,760 Speaker 1: more pride than money, and I'm willing to take risks. 184 00:08:27,760 --> 00:08:29,720 Speaker 1: I put my pride to the side. I put my 185 00:08:29,760 --> 00:08:32,160 Speaker 1: money with my mouth is I put my work ethic, 186 00:08:32,200 --> 00:08:35,199 Speaker 1: I sacrifice to be where I'm at. So for somebody 187 00:08:35,240 --> 00:08:37,000 Speaker 1: to try to tear me down and slam to me, 188 00:08:37,280 --> 00:08:40,480 Speaker 1: it's like damn me, like modern day slavery, like you 189 00:08:40,520 --> 00:08:43,040 Speaker 1: know what I'm saying, Like to the point where they say, um, 190 00:08:43,600 --> 00:08:46,160 Speaker 1: you know what Troy as doing too much? He's not 191 00:08:46,240 --> 00:08:49,400 Speaker 1: like a humble or a type of a yes of 192 00:08:49,480 --> 00:08:51,880 Speaker 1: bass typing, you know what I'm saying, So we need 193 00:08:51,920 --> 00:08:53,520 Speaker 1: to tear him down, you know what I mean? Not 194 00:08:53,600 --> 00:08:56,880 Speaker 1: comparing myself to Malcolm Mamatin, but they told that, they 195 00:08:56,880 --> 00:09:01,960 Speaker 1: told him down Michael Jordan, definitely, because they're great. Shit, 196 00:09:02,240 --> 00:09:04,080 Speaker 1: you better get pay yourself to the grace if you 197 00:09:04,120 --> 00:09:05,640 Speaker 1: want to be great. But do you think part of 198 00:09:05,679 --> 00:09:07,680 Speaker 1: its comments that you've made about other artists too in 199 00:09:07,720 --> 00:09:10,800 Speaker 1: the past, because people have been be dealing facts, I'll 200 00:09:10,840 --> 00:09:13,760 Speaker 1: be dealing. I never even like Colin, Kendrick Lamar or Weirdo. 201 00:09:14,000 --> 00:09:16,200 Speaker 1: And I know you ask me if I think Kendrick 202 00:09:16,280 --> 00:09:18,120 Speaker 1: Lamar is a widow one of my one of my 203 00:09:18,200 --> 00:09:20,760 Speaker 1: pos at the end of the day, at the beginning 204 00:09:20,800 --> 00:09:23,360 Speaker 1: and end of the day, when you independent and you 205 00:09:23,800 --> 00:09:26,240 Speaker 1: like I am, I don't. Nobody built me up, so 206 00:09:26,280 --> 00:09:28,640 Speaker 1: can't nobody tear me down? So I don't. I'm not 207 00:09:28,720 --> 00:09:31,080 Speaker 1: held to the same restraints as artists on a major 208 00:09:31,120 --> 00:09:32,960 Speaker 1: who might not be able to say something because they're 209 00:09:32,960 --> 00:09:35,640 Speaker 1: on that label with that person, or they might need 210 00:09:35,720 --> 00:09:38,280 Speaker 1: this person for a feature. So let me dance around 211 00:09:38,520 --> 00:09:41,560 Speaker 1: and be politically correct like I just dealing facts. Smike 212 00:09:41,640 --> 00:09:44,720 Speaker 1: say Choyavis Dawskin, that's a fact. I can't get mad. 213 00:09:44,960 --> 00:09:47,040 Speaker 1: You can't get mad as Smike for reporting the news. 214 00:09:47,320 --> 00:09:49,600 Speaker 1: You know. I never said Kendrick Lamar was whacked. He 215 00:09:49,679 --> 00:09:51,679 Speaker 1: made whack music. I just said, they said, you think 216 00:09:51,720 --> 00:09:54,120 Speaker 1: Kendrick Lamar's a widow. I said, yeah, he's a widow, 217 00:09:54,280 --> 00:09:56,440 Speaker 1: and that was it. I ain't saying in a malicious 218 00:09:56,440 --> 00:09:58,280 Speaker 1: way because I don't care. At the end of the day, 219 00:09:58,360 --> 00:10:00,680 Speaker 1: you could be a widow. I don't care what you 220 00:10:00,679 --> 00:10:02,480 Speaker 1: are as long as don't affect me and mind, I 221 00:10:02,520 --> 00:10:05,800 Speaker 1: don't care. That's the only reason people are slandering the 222 00:10:05,800 --> 00:10:09,800 Speaker 1: way that is. Nah, they try. They trying to tell 223 00:10:09,880 --> 00:10:13,640 Speaker 1: me down because I represent everything that they not and 224 00:10:13,640 --> 00:10:17,480 Speaker 1: and my and my my confidence that makes them become 225 00:10:17,520 --> 00:10:20,720 Speaker 1: insecure because if you got people like me who ain't 226 00:10:20,720 --> 00:10:24,360 Speaker 1: afraid to say, Yo, I'm that, which Lebron said, He's 227 00:10:24,360 --> 00:10:25,959 Speaker 1: he's gonna win because he's the best in the world, 228 00:10:26,000 --> 00:10:28,000 Speaker 1: and it was an uproar. Why you can't say that 229 00:10:28,040 --> 00:10:32,679 Speaker 1: when Michael Jordan don't think you should have said that? Everybody? 230 00:10:32,720 --> 00:10:34,679 Speaker 1: Why not? I think why not? I think you should 231 00:10:34,679 --> 00:10:37,960 Speaker 1: allow other people to speak for you. You can't. You 232 00:10:38,000 --> 00:10:40,040 Speaker 1: can't because what if they don't speak for you, then 233 00:10:40,040 --> 00:10:41,840 Speaker 1: what if they don't speak for you, then what does 234 00:10:41,880 --> 00:10:45,400 Speaker 1: that mean? Hell no, you got you gotta put you 235 00:10:45,400 --> 00:10:47,360 Speaker 1: gotta put that out there. When Little Wayne was saying 236 00:10:47,480 --> 00:10:49,200 Speaker 1: he the best rapper in the world or the best 237 00:10:49,280 --> 00:10:52,200 Speaker 1: rapper alive minus jay Z being alive, if he didn't 238 00:10:52,200 --> 00:10:54,000 Speaker 1: say that, I wouldn't have been thinking that. And then 239 00:10:54,000 --> 00:10:55,800 Speaker 1: what happened. Little Way end up be getting hot and 240 00:10:55,800 --> 00:10:58,040 Speaker 1: he became the best rapper to a lot of people. 241 00:10:58,080 --> 00:10:59,960 Speaker 1: You know what I'm saying. Sometimes you can't wait for 242 00:11:00,120 --> 00:11:02,320 Speaker 1: somebody to give you a Just dude, you gotta take 243 00:11:02,360 --> 00:11:04,040 Speaker 1: it it. Feel me. It works when you got the 244 00:11:04,040 --> 00:11:05,840 Speaker 1: actions behind it to prove it. You got it. You 245 00:11:05,840 --> 00:11:07,480 Speaker 1: gotta keep working. You can't just say it. You gotta 246 00:11:07,480 --> 00:11:09,360 Speaker 1: have to work. You got you gotta have a work ethic. 247 00:11:09,400 --> 00:11:11,200 Speaker 1: But when you know, when you know what you're gonna be, 248 00:11:11,520 --> 00:11:13,120 Speaker 1: you do that. You put it out there. I remember 249 00:11:13,120 --> 00:11:15,600 Speaker 1: I was talking the meat shout shout the Meek. I'm 250 00:11:15,640 --> 00:11:18,840 Speaker 1: talking to meet and I'm like, we're talking about just 251 00:11:18,920 --> 00:11:21,599 Speaker 1: rappers in the same bunch of chucks or whatever, and 252 00:11:22,000 --> 00:11:23,680 Speaker 1: they don't got. I don't talk about nothing. I don't 253 00:11:23,720 --> 00:11:26,360 Speaker 1: got And then I was like, yeah, I don't even 254 00:11:26,400 --> 00:11:29,400 Speaker 1: be talking about having Ferrari's lamb. I'm getting the Arrari 255 00:11:29,520 --> 00:11:34,600 Speaker 1: me and you was talking Yeah. I was like, I 256 00:11:34,679 --> 00:11:37,000 Speaker 1: was like, yeah, I don't be like that, and Meek 257 00:11:37,160 --> 00:11:39,199 Speaker 1: was like, man, I ain't gonna friend. I did, but 258 00:11:39,320 --> 00:11:40,880 Speaker 1: that's because I knew I was gonna get it. I 259 00:11:40,920 --> 00:11:42,559 Speaker 1: knew I was gonna be that. I knew I was 260 00:11:42,559 --> 00:11:44,160 Speaker 1: gonna have that. I was talking about, you know what 261 00:11:44,160 --> 00:11:46,760 Speaker 1: I mean, And you put it out in a universe, 262 00:11:46,760 --> 00:11:48,280 Speaker 1: and if you go hard and get after it, it's 263 00:11:48,320 --> 00:11:51,280 Speaker 1: gonna happen. So a lot of other artists do show 264 00:11:51,280 --> 00:11:53,640 Speaker 1: your respect and have been working with you, wanted to 265 00:11:53,640 --> 00:11:57,000 Speaker 1: collaborate with you, time with you. Yeah, But for some reason, 266 00:11:57,000 --> 00:11:58,880 Speaker 1: I don't know why your haters are so vocal, Like 267 00:11:58,920 --> 00:12:05,679 Speaker 1: I go online just because of the attitude, which is 268 00:12:07,080 --> 00:12:09,679 Speaker 1: I'm not coying. I'm confident. Man. I know. I'm not 269 00:12:09,760 --> 00:12:11,520 Speaker 1: saying that I could do nothing that I can't do 270 00:12:11,640 --> 00:12:13,880 Speaker 1: or that I haven't been doing. I told everybody I 271 00:12:13,960 --> 00:12:16,280 Speaker 1: was gonna restore the feeling in my city. I did 272 00:12:16,320 --> 00:12:18,760 Speaker 1: that on the last album. I like the New York 273 00:12:18,760 --> 00:12:20,440 Speaker 1: to but a lot of people from New York feel 274 00:12:20,480 --> 00:12:22,320 Speaker 1: like you didn't. They're like, what have you done to restort? 275 00:12:22,440 --> 00:12:24,840 Speaker 1: What have I done that? I just I saved the 276 00:12:24,840 --> 00:12:27,600 Speaker 1: whole generation of people from being drug addicts and turning 277 00:12:27,679 --> 00:12:30,600 Speaker 1: up and winning tight pants and feeling like they gotta 278 00:12:30,800 --> 00:12:34,080 Speaker 1: they can't be, they can't have hometime town pride. That's 279 00:12:34,080 --> 00:12:36,280 Speaker 1: what I did. I look and I sound like New York, 280 00:12:36,400 --> 00:12:38,280 Speaker 1: and I kept it one hunting all the way through, 281 00:12:38,760 --> 00:12:41,000 Speaker 1: and you feel me in and all that out and 282 00:12:41,000 --> 00:12:43,719 Speaker 1: and majority I get a majority of support. So that's 283 00:12:43,760 --> 00:12:45,440 Speaker 1: why I ain't another chipping. You know what I'm saying. 284 00:12:45,960 --> 00:12:48,080 Speaker 1: People from wearing tight pants. You got, I mean you 285 00:12:48,160 --> 00:12:52,400 Speaker 1: got to, because look, look if you start dressing feminine, 286 00:12:52,480 --> 00:12:59,079 Speaker 1: what's next. Listen, man, that's crazy. Anything that happened I 287 00:12:59,400 --> 00:13:01,840 Speaker 1: gotta stack all about Troy av scared that his son 288 00:13:02,120 --> 00:13:05,480 Speaker 1: might be gay. No, I didn't even have a son 289 00:13:05,559 --> 00:13:07,080 Speaker 1: when they wrote that. Yeah, I know what they were. 290 00:13:07,160 --> 00:13:09,480 Speaker 1: You were doing a lot of tweets about like okay yo, 291 00:13:09,600 --> 00:13:11,920 Speaker 1: that's another thing. They'd be digging up my tweets from 292 00:13:12,480 --> 00:13:16,080 Speaker 1: two thousand and eleven tho type of stuff. Like it's 293 00:13:16,160 --> 00:13:18,559 Speaker 1: case said, I said, Kanye rust ain't fly. Somebody just 294 00:13:18,720 --> 00:13:21,280 Speaker 1: dug it up and put it out there, like all right, 295 00:13:21,480 --> 00:13:23,640 Speaker 1: Like what do they hope they trying to? I'm telling you, 296 00:13:23,760 --> 00:13:26,000 Speaker 1: they just trying to tear troy As down. You're committing 297 00:13:26,040 --> 00:13:27,800 Speaker 1: a very dangerous crime right now. You gotta do this 298 00:13:27,840 --> 00:13:29,880 Speaker 1: with the nikes on. First of all, I'm gonna tell 299 00:13:29,880 --> 00:13:32,080 Speaker 1: you about that because I'm gonna tell you it's so ill. 300 00:13:32,520 --> 00:13:34,319 Speaker 1: It's so ill that you don't even know where that 301 00:13:34,360 --> 00:13:36,319 Speaker 1: came from. As me, I'm the one who put that 302 00:13:36,360 --> 00:13:38,719 Speaker 1: out there. You can't mix and match brands. I put 303 00:13:38,800 --> 00:13:40,959 Speaker 1: that out there. You could check the video. It's from 304 00:13:41,000 --> 00:13:44,080 Speaker 1: like three four years ago. But now it's certain sneakers 305 00:13:44,120 --> 00:13:46,160 Speaker 1: that you could wear. You can put the camera on. These. 306 00:13:46,400 --> 00:13:49,560 Speaker 1: These ain't regular sneakers. It's certain classic joints. These are 307 00:13:49,559 --> 00:13:51,440 Speaker 1: the hot Top Air Force ones. They're a little more 308 00:13:51,480 --> 00:13:53,679 Speaker 1: money than the low top. I wouldn't do the low top, 309 00:13:53,760 --> 00:13:55,920 Speaker 1: you feel me, or certain Jordan brands. You could do 310 00:13:56,000 --> 00:13:58,160 Speaker 1: this like I'm one of the flies ones moving. You 311 00:13:58,200 --> 00:14:00,400 Speaker 1: know what I'm saying, And I ain't saying that way. 312 00:14:00,400 --> 00:14:02,840 Speaker 1: I'm just dealing in facts. I got people wearing check 313 00:14:03,040 --> 00:14:06,000 Speaker 1: pains from Adidas and this is from Wexu was saying 314 00:14:06,040 --> 00:14:09,040 Speaker 1: that this is Wexa Thedidas saying sales have spiked in 315 00:14:09,120 --> 00:14:11,600 Speaker 1: the Dida's track pains since we did a deal with Troya. 316 00:14:12,000 --> 00:14:14,240 Speaker 1: I just dealing facts. I like to keep it black 317 00:14:14,240 --> 00:14:17,400 Speaker 1: and white. No, no, they checked the soccer pains. Paul 318 00:14:18,520 --> 00:14:20,920 Speaker 1: Chack sus, I ain't got people wearing those. I ain't 319 00:14:20,920 --> 00:14:22,840 Speaker 1: gonna chuck you like I've been doing that. But the 320 00:14:23,400 --> 00:14:26,840 Speaker 1: soccer uniform wasn't nobody win. That wasn't nobody wining soccer jerseys, 321 00:14:26,880 --> 00:14:29,200 Speaker 1: you feel me? And then I came through burning it up. 322 00:14:29,240 --> 00:14:33,160 Speaker 1: But yeah, you can wear Adidas with UH with hot top, 323 00:14:33,240 --> 00:14:36,760 Speaker 1: air Force ones with the strap or like Jordan's and 324 00:14:36,800 --> 00:14:38,360 Speaker 1: stuff like that. But you can't just be wearing on 325 00:14:38,480 --> 00:14:41,360 Speaker 1: Nikes with a regular Nike check. You can't wear amats. 326 00:14:42,960 --> 00:14:44,960 Speaker 1: Now you can't. That's just a note. That's no bueno. 327 00:14:45,120 --> 00:14:48,640 Speaker 1: You gotta get some shell toes and just keep it cool. Man. Now, 328 00:14:48,640 --> 00:14:51,040 Speaker 1: how did you in fifty end up making amends? Because 329 00:14:51,080 --> 00:14:53,480 Speaker 1: I know at first he felt a little bit weary, like, Okay, 330 00:14:53,560 --> 00:15:00,240 Speaker 1: this guy's try nails that whole thing up. Man. Now Nah, 331 00:15:01,000 --> 00:15:06,920 Speaker 1: look who's up? Man? Look Look at that Bill cubing 332 00:15:06,960 --> 00:15:09,320 Speaker 1: on his drinks were getting money? Man? But how did 333 00:15:09,360 --> 00:15:10,960 Speaker 1: that come about? Like? How did you and fifty end 334 00:15:11,040 --> 00:15:13,080 Speaker 1: up having a conversation and I know now you're supposed 335 00:15:13,080 --> 00:15:15,440 Speaker 1: to do some dates with him, possibly from the road, 336 00:15:15,480 --> 00:15:18,600 Speaker 1: did a song together. How did y'all finally make some amends? 337 00:15:18,760 --> 00:15:20,800 Speaker 1: It was just it was it was actually at like 338 00:15:20,880 --> 00:15:24,720 Speaker 1: your own like a Chris Brown concert at the Barkleys, 339 00:15:25,240 --> 00:15:28,040 Speaker 1: And um, I was supposed to come out. I end 340 00:15:28,120 --> 00:15:29,760 Speaker 1: up getting it a little late or whatever because I 341 00:15:29,840 --> 00:15:32,440 Speaker 1: found our last minute. So Paul, I mean when I 342 00:15:32,520 --> 00:15:35,680 Speaker 1: get to the spot, yeah, Barkleys. When I get to 343 00:15:35,760 --> 00:15:40,040 Speaker 1: the spot, I see fifty in a joint in um 344 00:15:40,120 --> 00:15:42,920 Speaker 1: whatever that underground job whatever it is. Job were joint 345 00:15:43,360 --> 00:15:45,960 Speaker 1: and on parking the parking lot, indoor, the arena. And 346 00:15:46,040 --> 00:15:48,000 Speaker 1: then like I'm the type of person you ain't gonna 347 00:15:48,040 --> 00:15:51,200 Speaker 1: hear like I don't. If somebody had a problem with me, 348 00:15:51,240 --> 00:15:53,240 Speaker 1: it ain't gonna be like I'm not gonna be in 349 00:15:53,280 --> 00:15:55,800 Speaker 1: the same room as them and and know nothing happened, 350 00:15:55,880 --> 00:15:57,440 Speaker 1: or you know what I'm saying, Like I don't. Just 351 00:15:57,680 --> 00:15:59,640 Speaker 1: I ain't a passive person, you feel me. And that's 352 00:15:59,640 --> 00:16:03,240 Speaker 1: probably another reason why I get I began some slacks sometimes, 353 00:16:03,280 --> 00:16:07,520 Speaker 1: but I mean, I'm confident whatever. So anyway, after the 354 00:16:07,600 --> 00:16:09,360 Speaker 1: whole thing, you know, with the with the gun in 355 00:16:09,520 --> 00:16:11,640 Speaker 1: a in a Lloyd Banks and then whatever, and then 356 00:16:11,720 --> 00:16:14,160 Speaker 1: y'all asked me how it felt or whatever, and then 357 00:16:14,360 --> 00:16:16,400 Speaker 1: M fifty says something I got on who it was. 358 00:16:16,680 --> 00:16:18,480 Speaker 1: I said, Man, when I see his I'm gonna pull 359 00:16:18,520 --> 00:16:20,440 Speaker 1: them to the side. I gotta chop it up, like 360 00:16:20,680 --> 00:16:22,400 Speaker 1: real talk, like you know what I'm saying, which is 361 00:16:22,440 --> 00:16:25,400 Speaker 1: a very dangerous thing to situations. I mean, it's it's 362 00:16:25,480 --> 00:16:27,840 Speaker 1: dangerous for some people like but I ain't. I ain't 363 00:16:27,880 --> 00:16:29,720 Speaker 1: a coward, you know what I'm saying, And I know 364 00:16:29,840 --> 00:16:32,920 Speaker 1: who I am. So when when I seen him, like 365 00:16:33,640 --> 00:16:35,600 Speaker 1: I just had real talk, I pulled him to the 366 00:16:35,680 --> 00:16:38,120 Speaker 1: side and then we kicked it. Because that's more than 367 00:16:38,160 --> 00:16:41,400 Speaker 1: anything fifty was that that was my favorite rapper growing up. 368 00:16:41,480 --> 00:16:44,200 Speaker 1: You feel me? So like for that type of that happened, 369 00:16:44,240 --> 00:16:46,600 Speaker 1: I felt like, Yo, you're supposed to embrace me, you 370 00:16:46,680 --> 00:16:49,360 Speaker 1: feel me, you know what I'm saying. And he was like, Yo, 371 00:16:49,480 --> 00:16:51,240 Speaker 1: you know what you You're right. It was other ship 372 00:16:51,360 --> 00:16:53,240 Speaker 1: moving around that happened with that, you know what I mean. 373 00:16:53,320 --> 00:16:56,000 Speaker 1: And it wasn't the energy wasn't directly towards me. And 374 00:16:56,080 --> 00:16:58,440 Speaker 1: he said, matter fact, you know what, take my number, 375 00:16:58,520 --> 00:17:00,840 Speaker 1: hit me tomorrow, whatever whatever. So I'm going through the airport. 376 00:17:01,480 --> 00:17:03,280 Speaker 1: I hit him. We end up talking for like forty 377 00:17:03,360 --> 00:17:05,840 Speaker 1: five minutes, a forty five minute conversation, and end up 378 00:17:05,880 --> 00:17:13,320 Speaker 1: till a fifteen thousand dollars check. I ain't really yeah no, 379 00:17:13,400 --> 00:17:15,960 Speaker 1: I ain't really asking no questions. I was you sometimes 380 00:17:16,280 --> 00:17:18,880 Speaker 1: sometimes you just gotta close your mouth and open your ears, 381 00:17:18,920 --> 00:17:21,080 Speaker 1: you know what I'm saying, especially with somebody that been 382 00:17:21,080 --> 00:17:24,119 Speaker 1: in the game, that you respecting and have been doing anything, 383 00:17:24,200 --> 00:17:25,719 Speaker 1: you know what I mean. So it wasn't a lot 384 00:17:25,760 --> 00:17:28,440 Speaker 1: of questions. I was just kicking it with him, just regular. Really, 385 00:17:29,000 --> 00:17:30,840 Speaker 1: I'm gonna put your soul on power, you know what 386 00:17:30,840 --> 00:17:33,320 Speaker 1: I'm saying, Like what you're doing, et cetera, et cetera. 387 00:17:33,520 --> 00:17:35,400 Speaker 1: And then you know, we just took it from then 388 00:17:35,400 --> 00:17:38,320 Speaker 1: and forging relationship and then and then once like I've 389 00:17:38,320 --> 00:17:40,840 Speaker 1: been consistent no matter if fifth says something that I 390 00:17:40,920 --> 00:17:43,320 Speaker 1: think it was funny or whatever, I'm gonna hunt it, man, 391 00:17:43,320 --> 00:17:44,840 Speaker 1: I'll keep it all the way rail. So I'm like, 392 00:17:44,920 --> 00:17:47,720 Speaker 1: all right, whatever he said that, but regardless of anything, 393 00:17:47,800 --> 00:17:50,399 Speaker 1: that's still my favorite rapper, and that's who influenced me 394 00:17:50,680 --> 00:17:52,520 Speaker 1: to be doing what I'm doing now getting all this 395 00:17:52,600 --> 00:17:54,560 Speaker 1: money where I'm at. And then what happened to me 396 00:17:54,640 --> 00:17:56,600 Speaker 1: and went to dinner, I mean with the dinner, we 397 00:17:56,680 --> 00:17:58,080 Speaker 1: went at the spot that you be at. You be 398 00:17:58,160 --> 00:18:01,840 Speaker 1: in my spot? Yeah, yeah, I just shout in my spot. 399 00:18:04,800 --> 00:18:06,520 Speaker 1: So I said, I can't go there and to the 400 00:18:06,600 --> 00:18:13,720 Speaker 1: spot now. So I'm like, what come ahead, yo, I go. 401 00:18:13,920 --> 00:18:15,960 Speaker 1: I go to the spot. And then we just said 402 00:18:16,000 --> 00:18:18,080 Speaker 1: he like, man, it's some flies or whatever. I'm like, yeah, 403 00:18:18,119 --> 00:18:21,560 Speaker 1: I said, I I just just how I showed gratitude. 404 00:18:21,640 --> 00:18:24,080 Speaker 1: You know what I'm saying, Like you influenced me, whether 405 00:18:24,160 --> 00:18:27,159 Speaker 1: you realize it or not, indirectly or whatever, and that 406 00:18:27,280 --> 00:18:29,080 Speaker 1: got me on it where I am now to be 407 00:18:29,160 --> 00:18:31,080 Speaker 1: doing what I'm doing. So at least I could do 408 00:18:31,240 --> 00:18:33,119 Speaker 1: is take you to dinner and were just shopping it 409 00:18:33,240 --> 00:18:35,200 Speaker 1: up and we blt from there. You know that's funny, 410 00:18:35,200 --> 00:18:36,520 Speaker 1: you said, because you know you can always tell when 411 00:18:36,560 --> 00:18:37,879 Speaker 1: hip hop people come to this pocket. The first thing 412 00:18:38,040 --> 00:18:39,399 Speaker 1: when I go there, the first thing they said was, 413 00:18:39,680 --> 00:18:43,280 Speaker 1: oh yeah, Troy, I was here. I'm like, you just here, 414 00:18:43,359 --> 00:18:46,520 Speaker 1: you can spot in Cologne. Man stayed up. I see 415 00:18:46,520 --> 00:18:48,160 Speaker 1: a lot of people also give you flat man, because 416 00:18:48,160 --> 00:18:50,560 Speaker 1: they said you haven't lived what you rap about. They 417 00:18:50,560 --> 00:18:53,080 Speaker 1: say the whole dope boy Troy thing, it's a farce. 418 00:18:53,840 --> 00:18:56,600 Speaker 1: If it's a farce, where did the money come from? 419 00:18:57,160 --> 00:18:59,600 Speaker 1: When I first came on Breakfast Club, I had a Rolex? 420 00:19:00,000 --> 00:19:02,720 Speaker 1: Where you get it from? I had a Jesus Peace 421 00:19:02,760 --> 00:19:04,639 Speaker 1: where you get it from? I was driving at me, 422 00:19:04,680 --> 00:19:12,639 Speaker 1: say now whatever, you know what I'm saying, But like, 423 00:19:12,960 --> 00:19:15,760 Speaker 1: where do the money? You can't fake the money. That's 424 00:19:15,800 --> 00:19:18,320 Speaker 1: one thing you can't fake. Dug No, I'm good man, 425 00:19:18,359 --> 00:19:20,680 Speaker 1: I live. I live a good lifestyle. We're selling the streets. 426 00:19:20,720 --> 00:19:22,919 Speaker 1: Don't get me wrong, but we don't. At the end 427 00:19:22,960 --> 00:19:25,720 Speaker 1: of the day, I'm blessed. I pray to God and 428 00:19:25,880 --> 00:19:28,320 Speaker 1: once you once you on God's side. I don't never 429 00:19:28,400 --> 00:19:31,119 Speaker 1: start no conflict. I always I'm always gonna win because 430 00:19:31,119 --> 00:19:33,280 Speaker 1: I don't never start them. But I finished everything. That's 431 00:19:33,280 --> 00:19:36,800 Speaker 1: a fact though, So when I know I'm blessed or whatever, 432 00:19:36,960 --> 00:19:39,680 Speaker 1: whatever I say, whatever I do, I'm I'm always right. 433 00:19:39,800 --> 00:19:41,480 Speaker 1: You know what I'm saying and not saying I'm right 434 00:19:41,480 --> 00:19:44,440 Speaker 1: because I'm kacky. But I got God on my side, 435 00:19:44,640 --> 00:19:47,240 Speaker 1: I ain't. I don't start nothing. I never started nothing 436 00:19:47,359 --> 00:19:49,720 Speaker 1: since I was a name, probably like high school. I 437 00:19:49,760 --> 00:19:51,680 Speaker 1: used to be in at the bullsh start and robbing, 438 00:19:51,720 --> 00:19:54,440 Speaker 1: the type of dump. But after that, man, right is 439 00:19:54,480 --> 00:19:56,160 Speaker 1: right and wrong is wrong. Now, do you have any 440 00:19:56,160 --> 00:19:57,879 Speaker 1: idea what these numbers are gonna be like when they 441 00:19:57,960 --> 00:20:02,840 Speaker 1: come out? No, I don't, maybe like maybe like seven 442 00:20:03,080 --> 00:20:05,560 Speaker 1: eight thousand, maybe seven. I don't know what the hard 443 00:20:05,600 --> 00:20:08,160 Speaker 1: copies is because you know, I'm independent, so we don't 444 00:20:08,200 --> 00:20:11,840 Speaker 1: shipped like how I think usually labels might ship fifty 445 00:20:11,880 --> 00:20:15,360 Speaker 1: thousand hard copies with anything transformed digital. So we only 446 00:20:15,440 --> 00:20:17,680 Speaker 1: did a few mom and pop stores and a few 447 00:20:17,760 --> 00:20:20,159 Speaker 1: best bards, so they might have shipped. They might have 448 00:20:20,200 --> 00:20:23,560 Speaker 1: shipped six hundred copies altogether. Of the of the hard 449 00:20:23,600 --> 00:20:26,600 Speaker 1: copies because the majority of people streaming it on Spotify, 450 00:20:27,000 --> 00:20:30,240 Speaker 1: like I didn't I made. I probably made at first 451 00:20:30,280 --> 00:20:33,320 Speaker 1: it was fifteen bands or for Spotify streaming or for 452 00:20:33,400 --> 00:20:35,560 Speaker 1: the reggord Doudo, you know what I'm saying. So like 453 00:20:35,920 --> 00:20:39,120 Speaker 1: like the streaming, this is real, this new age streaming 454 00:20:39,160 --> 00:20:41,679 Speaker 1: and downloading, it is real, you feel me? And at 455 00:20:41,720 --> 00:20:44,120 Speaker 1: the end of the day, to be honest, New York 456 00:20:44,200 --> 00:20:46,639 Speaker 1: City not even made you without a deal. That was 457 00:20:46,680 --> 00:20:49,760 Speaker 1: supposed to be a mixape I supposed to get. I 458 00:20:49,800 --> 00:20:51,639 Speaker 1: was supposed to get hit did that pifth? I was 459 00:20:51,680 --> 00:20:54,800 Speaker 1: supposed to get a little bag with all those appearances 460 00:20:54,840 --> 00:20:57,879 Speaker 1: on it. Yeah, it filled out later on. That's supposed 461 00:20:57,880 --> 00:20:59,879 Speaker 1: to be white Christmas three and the end up feeling 462 00:20:59,920 --> 00:21:01,960 Speaker 1: you know what I mean, and people I was chucking. 463 00:21:02,000 --> 00:21:03,520 Speaker 1: I was like, let me get it right. The only 464 00:21:03,560 --> 00:21:06,480 Speaker 1: reason I ain't drop it around Christmas tithe was because 465 00:21:06,520 --> 00:21:08,320 Speaker 1: what I didn't know, Like you know, we're going as 466 00:21:08,359 --> 00:21:11,960 Speaker 1: we learn, iTunes shut down at a certain date and 467 00:21:12,119 --> 00:21:14,000 Speaker 1: you can't get it on iTunes or whatever. So what 468 00:21:14,080 --> 00:21:15,920 Speaker 1: I like to do is I usually would put it 469 00:21:16,280 --> 00:21:19,040 Speaker 1: on iTunes for twelve hours from twelve am and then 470 00:21:19,160 --> 00:21:22,119 Speaker 1: twelve pm. You get it downloaded for free. So they 471 00:21:22,200 --> 00:21:24,080 Speaker 1: shut down on me and everybody left the office for 472 00:21:24,119 --> 00:21:26,560 Speaker 1: the holiday season, and I couldn't put it out. So 473 00:21:26,680 --> 00:21:28,320 Speaker 1: I was a guy. Let me just waiting, you know, 474 00:21:28,480 --> 00:21:30,920 Speaker 1: Neils and hope like, man, it don't matter. It's gonna 475 00:21:30,920 --> 00:21:32,240 Speaker 1: wait for it, and it's gonna be They're gonna be 476 00:21:32,240 --> 00:21:33,760 Speaker 1: happy when they when they get it. It's like you're 477 00:21:33,760 --> 00:21:36,960 Speaker 1: waiting for a rod and you mattered person probably finally 478 00:21:37,000 --> 00:21:38,879 Speaker 1: showed me like, man, I took your solong and are 479 00:21:38,960 --> 00:21:41,440 Speaker 1: you happy? You ready to go? So I knew what 480 00:21:41,520 --> 00:21:44,080 Speaker 1: I had with that in White Christmas made you without 481 00:21:44,119 --> 00:21:45,879 Speaker 1: a deal was supposed to be White Christmas. I was 482 00:21:45,920 --> 00:21:48,840 Speaker 1: only supposed to get fifteen to twenty back bands for that, 483 00:21:49,000 --> 00:21:50,760 Speaker 1: you know how that go on a little debt pith 484 00:21:50,920 --> 00:21:53,879 Speaker 1: or live mix sape, and I just held out and 485 00:21:54,000 --> 00:21:57,960 Speaker 1: I end up made almost ten times that you feel me? 486 00:21:58,160 --> 00:22:01,320 Speaker 1: So this chest not checkers, and this is a marathon, 487 00:22:01,440 --> 00:22:04,440 Speaker 1: not a race. There's a period of time when it 488 00:22:04,480 --> 00:22:06,520 Speaker 1: seemed like TI was gonna sign you, and he had 489 00:22:06,600 --> 00:22:08,280 Speaker 1: even said that y'all were in talks and had a 490 00:22:08,320 --> 00:22:12,000 Speaker 1: rebel agree dog and that didn't work out. So, um, 491 00:22:12,240 --> 00:22:14,200 Speaker 1: what is your situation now with Ti. Is it something 492 00:22:14,280 --> 00:22:16,440 Speaker 1: that you're still talking about or is it a big 493 00:22:16,880 --> 00:22:20,080 Speaker 1: Tia my dog. Like any type of I'm a loyal person, 494 00:22:20,160 --> 00:22:22,359 Speaker 1: So any type of business move, I'll make you know 495 00:22:22,400 --> 00:22:26,120 Speaker 1: what I mean, even if because TI extended his hand 496 00:22:26,440 --> 00:22:28,800 Speaker 1: and and like, I don't never take none for granting. 497 00:22:28,880 --> 00:22:30,560 Speaker 1: I don't. Kids might give me a piece of bread 498 00:22:30,600 --> 00:22:32,520 Speaker 1: when I ain't have nothing. I don't never, I ain't 499 00:22:32,520 --> 00:22:37,399 Speaker 1: gonna never burn bread. He probably got burgers shout to 500 00:22:37,480 --> 00:22:39,920 Speaker 1: his new restaurant scale nine to five. I think I 501 00:22:40,040 --> 00:22:41,959 Speaker 1: hope I said it right, but yeah, it might give 502 00:22:42,000 --> 00:22:43,719 Speaker 1: me a piece of bread when I ain't gonna turn 503 00:22:43,760 --> 00:22:46,200 Speaker 1: around and say that was only a piece of bread. 504 00:22:46,240 --> 00:22:48,640 Speaker 1: I never forget that. And they got my loyal tie forever. 505 00:22:48,960 --> 00:22:51,560 Speaker 1: So whenever I'm making a business move, I'm I'm gonna 506 00:22:51,600 --> 00:22:53,680 Speaker 1: hit tip, yo, tip, what's up? We think I should 507 00:22:53,680 --> 00:22:56,040 Speaker 1: do this or whatever? And right now he said, Yo, 508 00:22:56,119 --> 00:22:57,760 Speaker 1: it's trying to get a joint venture or whatever. You 509 00:22:57,800 --> 00:23:00,320 Speaker 1: know what I'm saying. So we're just gonna figure it out. 510 00:23:00,359 --> 00:23:02,200 Speaker 1: No matter what type of business I do. I'm about 511 00:23:02,240 --> 00:23:04,200 Speaker 1: to um, well, I ain't gonna say what I'm gonna 512 00:23:04,200 --> 00:23:06,399 Speaker 1: do because the contract getting away in yet. But it's 513 00:23:06,440 --> 00:23:08,639 Speaker 1: a type of ways to get money. Like I'm learning 514 00:23:08,680 --> 00:23:10,720 Speaker 1: that when I when I first started doing his music, 515 00:23:11,080 --> 00:23:14,719 Speaker 1: I was focused on Yo, I'm gonna I'm gonna get 516 00:23:14,800 --> 00:23:17,440 Speaker 1: on stage. I'm gonna do some shows. I'm gonna get 517 00:23:17,480 --> 00:23:20,880 Speaker 1: some bitches, IM get a nice car, I'm gonna get 518 00:23:20,880 --> 00:23:23,440 Speaker 1: a little fame, and I'm gonna just have money. But 519 00:23:23,520 --> 00:23:25,960 Speaker 1: I ain't know. Look, I had a billboard and in 520 00:23:26,440 --> 00:23:30,399 Speaker 1: all throughout New York, I got commercials on on on 521 00:23:30,840 --> 00:23:35,000 Speaker 1: TV for Sean john My video permitting Tom Square. I'm 522 00:23:35,080 --> 00:23:38,840 Speaker 1: doing endorsement deals with with liquors and clothing companies. That's 523 00:23:38,840 --> 00:23:41,440 Speaker 1: because I'm hot, you know what I'm saying. The hottest 524 00:23:41,560 --> 00:23:44,360 Speaker 1: artists don't always sell the most amount of records. That's 525 00:23:44,400 --> 00:23:46,200 Speaker 1: a fact. Though. You think your sales have been high 526 00:23:46,240 --> 00:23:49,680 Speaker 1: on a major label, Yeah, hell yeah, definitely, because they would. 527 00:23:49,960 --> 00:23:52,720 Speaker 1: They would have spent They probably would have spent. Envy 528 00:23:52,800 --> 00:23:54,920 Speaker 1: noticed because he had a and oh I heard, I 529 00:23:55,080 --> 00:23:57,399 Speaker 1: heard they spent like seven hundred and some thousand the 530 00:23:57,520 --> 00:24:00,440 Speaker 1: market artists and make you hot? Is that? Or you 531 00:24:00,480 --> 00:24:04,240 Speaker 1: can tell me right now exactly So a new artist 532 00:24:04,280 --> 00:24:06,800 Speaker 1: coming in, how much did they spend about um on 533 00:24:07,520 --> 00:24:11,199 Speaker 1: that marketing could be a hundred and fifty, so totally 534 00:24:11,280 --> 00:24:13,239 Speaker 1: everything that they would spend on nowadays. I mean, well 535 00:24:13,320 --> 00:24:14,840 Speaker 1: usually when you signed a deal, it could be like 536 00:24:14,920 --> 00:24:16,440 Speaker 1: a five hundred thousand dollars deal. Let give you a 537 00:24:16,520 --> 00:24:18,560 Speaker 1: hundred thousand up front, maybe one hundred and fifty recording 538 00:24:18,600 --> 00:24:24,800 Speaker 1: in the marketing promotion. Well what I spent on that? 539 00:24:25,400 --> 00:24:27,280 Speaker 1: Like to do? He liked to pocket the money. Now 540 00:24:27,680 --> 00:24:31,639 Speaker 1: they counted Nelson pocketing. The good thing is enough to 541 00:24:31,680 --> 00:24:35,680 Speaker 1: go around fifty on marketing the promo. All right, cool, 542 00:24:36,080 --> 00:24:38,600 Speaker 1: Well I'm spending less than the fraction of that. You 543 00:24:38,640 --> 00:24:40,639 Speaker 1: know what I'm saying in my return is bigger. So 544 00:24:41,680 --> 00:24:44,040 Speaker 1: you gotta think that's why at that makes you out 545 00:24:44,080 --> 00:24:46,359 Speaker 1: of deal? Job? We had three we had we had 546 00:24:46,440 --> 00:24:51,240 Speaker 1: four cools, all major labels. What's up? What we doing? 547 00:24:51,400 --> 00:24:53,119 Speaker 1: You know what I'm saying? And we're like, all right, 548 00:24:53,200 --> 00:24:55,920 Speaker 1: we're gonna, we're gonna see let's let's wait, because now 549 00:24:56,080 --> 00:24:59,000 Speaker 1: it's different when like me, I ain't I ain't coming 550 00:24:59,040 --> 00:25:00,840 Speaker 1: to them acts for nothing coming to me. So now 551 00:25:00,880 --> 00:25:04,360 Speaker 1: I got the leverage. Now I've been now uh they 552 00:25:04,480 --> 00:25:06,679 Speaker 1: see that it caused joy I have nothing to make 553 00:25:06,680 --> 00:25:09,000 Speaker 1: an album and he could sell it these amount of records, 554 00:25:09,080 --> 00:25:12,159 Speaker 1: you know what I'm saying. So now imagine if we 555 00:25:12,359 --> 00:25:15,159 Speaker 1: put this big spotlight on him or whatever, you know 556 00:25:15,200 --> 00:25:17,720 Speaker 1: what I'm saying, Imagine what he could sell. And the 557 00:25:17,840 --> 00:25:20,879 Speaker 1: good thing about it with me is I'm hot in 558 00:25:21,000 --> 00:25:25,359 Speaker 1: New York City. I'm not hot in in Arizona, you 559 00:25:25,440 --> 00:25:28,639 Speaker 1: know what I mean? Or not. I'm not hot in Omaha, Nebraska, 560 00:25:29,000 --> 00:25:31,480 Speaker 1: or I'm not an artist that's hot right there. I'm 561 00:25:31,560 --> 00:25:34,880 Speaker 1: hot in the biggest city. I'm so when you hot here, 562 00:25:35,040 --> 00:25:37,040 Speaker 1: you really feel it. You feel what I'm saying. So, 563 00:25:37,200 --> 00:25:39,520 Speaker 1: like I could be independent forever. I only want to 564 00:25:39,600 --> 00:25:43,080 Speaker 1: make five million dollars. That's that's my focus. Five million. 565 00:25:43,080 --> 00:25:44,760 Speaker 1: I'm gonna be rich forever. I ain't. I ain't never 566 00:25:44,840 --> 00:25:47,879 Speaker 1: gonna go broke, my family, good everything. So when you 567 00:25:48,000 --> 00:25:51,119 Speaker 1: got I take I make small ghost for myself and 568 00:25:51,160 --> 00:25:58,720 Speaker 1: I've been accomplishing them. I know, I know it's all obtainable. Yeah. Yeah, 569 00:25:58,760 --> 00:26:02,000 Speaker 1: it'shout to my little man too. Nay, yeah, yeah. What's 570 00:26:02,000 --> 00:26:04,560 Speaker 1: your relationship like with a Manolo Roles? Because it was 571 00:26:04,600 --> 00:26:07,120 Speaker 1: all kind of issues. They said the Dope Man record, 572 00:26:07,160 --> 00:26:09,280 Speaker 1: They said, you stole the hook and a verse from 573 00:26:09,320 --> 00:26:11,680 Speaker 1: that song. You know what it is, We don't really 574 00:26:11,720 --> 00:26:13,720 Speaker 1: got no relationship. You know what I'm saying. When I 575 00:26:13,760 --> 00:26:15,800 Speaker 1: see him, I probably get him a weggie slap them 576 00:26:15,840 --> 00:26:19,040 Speaker 1: so something regular. But it ain't na na you know 577 00:26:19,040 --> 00:26:22,680 Speaker 1: what I'm saying. Like, you know what it is, Yeah, 578 00:26:26,000 --> 00:26:27,600 Speaker 1: you know it is. They like I'm gonna tell you 579 00:26:27,680 --> 00:26:30,000 Speaker 1: the whole dynamic with that. They like they like some 580 00:26:30,119 --> 00:26:33,080 Speaker 1: older name from the hood who it was like Moso 581 00:26:33,200 --> 00:26:34,760 Speaker 1: on the widow type of vibe. You know what I mean, 582 00:26:34,960 --> 00:26:37,240 Speaker 1: nothing wrong with that. You could be cool with the 583 00:26:37,320 --> 00:26:40,560 Speaker 1: widow type of vibe. But like I'm underst I'm explaining 584 00:26:40,560 --> 00:26:43,760 Speaker 1: you the dynamic of our relationship. I know them and 585 00:26:43,880 --> 00:26:47,560 Speaker 1: they and they team from selling them cocaine to sniff. 586 00:26:48,160 --> 00:26:51,160 Speaker 1: I'm I'm the dial. It's not allegedly, it's a fact though. 587 00:26:51,720 --> 00:26:54,440 Speaker 1: I'm the dealer day the user. You know what I'm saying. 588 00:26:54,480 --> 00:26:56,719 Speaker 1: But you can still to each his own. Everybody got 589 00:26:56,760 --> 00:26:59,520 Speaker 1: the vices, no problem, you could do your thing whatever whatever. 590 00:27:00,200 --> 00:27:02,680 Speaker 1: But now it's like a fiend from the hood. Feme 591 00:27:02,800 --> 00:27:05,119 Speaker 1: might be cool, yeah, yeah, yeah, chilling, Yeah, wipe with 592 00:27:05,280 --> 00:27:07,520 Speaker 1: my tires. I give you some money. For whatever. But 593 00:27:07,600 --> 00:27:09,760 Speaker 1: if Feen ain't never gonna be happy with the tend files, 594 00:27:09,760 --> 00:27:11,000 Speaker 1: you can come on. Give me a little bit more. 595 00:27:11,119 --> 00:27:12,840 Speaker 1: Come on, give me a little bit more. But I 596 00:27:12,920 --> 00:27:15,520 Speaker 1: mean he said he gave me a hit record, no problem, 597 00:27:15,880 --> 00:27:18,119 Speaker 1: make another one. I wish you the best. Wait, so 598 00:27:18,240 --> 00:27:20,240 Speaker 1: you did take the song, though I did not take this. 599 00:27:20,280 --> 00:27:23,520 Speaker 1: So I bought the beat. The song was it, The 600 00:27:23,600 --> 00:27:26,280 Speaker 1: song was a whole other. The song was the same record. 601 00:27:26,400 --> 00:27:29,840 Speaker 1: The producer who I bought the beat from, he just actually, 602 00:27:30,359 --> 00:27:33,960 Speaker 1: uh manolo wrapped a song straight through. The producer chopped 603 00:27:34,000 --> 00:27:36,000 Speaker 1: it up, made the hook or whatever. They've been trying 604 00:27:36,040 --> 00:27:38,680 Speaker 1: to get a feature with me. The DJ, which is 605 00:27:38,680 --> 00:27:41,119 Speaker 1: a homeboy in ma he played at a barbecue. I'm like, yo, 606 00:27:41,200 --> 00:27:43,359 Speaker 1: that's hot. I jumped on a remix. That's where they get. 607 00:27:43,440 --> 00:27:45,280 Speaker 1: I took the verse from what I was going to 608 00:27:45,359 --> 00:27:48,000 Speaker 1: do is use his joint and leave and leave him 609 00:27:48,040 --> 00:27:49,959 Speaker 1: on it or whatever. So I was just playing off 610 00:27:49,960 --> 00:27:51,840 Speaker 1: for his verse, you know what I'm saying. And then 611 00:27:51,920 --> 00:27:54,760 Speaker 1: what happened was I put I put it out and 612 00:27:54,840 --> 00:27:57,680 Speaker 1: then started playing it. So I say, Yo, what I 613 00:27:57,880 --> 00:28:00,360 Speaker 1: do is I could catch you out if you don't 614 00:28:00,440 --> 00:28:02,959 Speaker 1: leave you on the hook or whatever, and and put 615 00:28:03,040 --> 00:28:05,400 Speaker 1: you in a video everything. He was like, I bet yeah, 616 00:28:05,440 --> 00:28:08,080 Speaker 1: I'm all with it. I'm are with it. But before that, 617 00:28:08,240 --> 00:28:10,840 Speaker 1: they was initially but hurt because I didn't reply to 618 00:28:10,920 --> 00:28:13,080 Speaker 1: a text message or something. And I ain't ever do 619 00:28:13,160 --> 00:28:15,960 Speaker 1: it maliciously, like I ain't the type in eggs might 620 00:28:16,040 --> 00:28:18,600 Speaker 1: text or whatever. I was just busy and didn't see 621 00:28:18,600 --> 00:28:21,199 Speaker 1: it till mad long later on, you know what I mean. 622 00:28:21,280 --> 00:28:23,800 Speaker 1: But like I said, when people say they did something 623 00:28:23,880 --> 00:28:26,639 Speaker 1: for you, that's that's four to five songs ago. You 624 00:28:26,720 --> 00:28:29,600 Speaker 1: feel me. So if you made a hit record, make 625 00:28:29,640 --> 00:28:32,240 Speaker 1: another one and just do your thing. I gave you 626 00:28:32,320 --> 00:28:35,800 Speaker 1: the platform I put you did. He that was a 627 00:28:35,840 --> 00:28:38,600 Speaker 1: hard It ain't about it being a hard record. Is 628 00:28:38,640 --> 00:28:40,920 Speaker 1: it a hit record? Is he getting baggs? Is he 629 00:28:41,080 --> 00:28:43,680 Speaker 1: moving around? If that's if that's a good record, then 630 00:28:43,720 --> 00:28:46,240 Speaker 1: I guess sold more. Man. I'm blessed, so I don't be. 631 00:28:46,600 --> 00:28:49,680 Speaker 1: I wish the best for people and whatever. Now I 632 00:28:49,760 --> 00:28:51,600 Speaker 1: ain't even gonna I wish the best phone. I just 633 00:28:51,720 --> 00:28:54,560 Speaker 1: don't care. I'm doing my things so much. Yeah, I mean, 634 00:28:54,680 --> 00:28:58,120 Speaker 1: you know you know how that go. You want you 635 00:28:58,160 --> 00:28:59,920 Speaker 1: you stupid or whatever? You know what I mean, that's it, 636 00:29:00,440 --> 00:29:02,720 Speaker 1: But I'll just be wishing the best for people. I 637 00:29:02,840 --> 00:29:04,959 Speaker 1: just don't care because I'm doing I'm so much focused 638 00:29:04,960 --> 00:29:07,160 Speaker 1: on doing my thing, man, and I gotta deal with 639 00:29:07,320 --> 00:29:11,040 Speaker 1: real life issues. I gotta deal with with writers trying 640 00:29:11,080 --> 00:29:13,520 Speaker 1: to trying to tear me down. You know what I'm saying, Like, 641 00:29:13,640 --> 00:29:16,120 Speaker 1: what is this about? Like where does this come from? 642 00:29:16,440 --> 00:29:18,280 Speaker 1: They want to dig up my old pass? Like we'll 643 00:29:18,320 --> 00:29:21,640 Speaker 1: get the whole thing with vice, right? How does Complex 644 00:29:22,560 --> 00:29:25,840 Speaker 1: have such a bad review about my album? And that's 645 00:29:26,400 --> 00:29:29,440 Speaker 1: what is it called? When ain't writer's supposed to be unbiased? 646 00:29:29,920 --> 00:29:31,880 Speaker 1: You feel what I'm saying. So to have such a 647 00:29:32,000 --> 00:29:34,800 Speaker 1: bad review then everybody else and what the complex? So 648 00:29:35,000 --> 00:29:38,360 Speaker 1: them out? This is crazy with old A legends in 649 00:29:38,400 --> 00:29:41,080 Speaker 1: the game. Anybody who heard my album, Yo, this is crazy. 650 00:29:41,360 --> 00:29:44,160 Speaker 1: That shows you that it's biased with it. But you know, 651 00:29:44,440 --> 00:29:47,080 Speaker 1: I got I gotta deal with that because I represent 652 00:29:47,200 --> 00:29:49,920 Speaker 1: everything that they don't. I stand for everything that they 653 00:29:50,040 --> 00:29:52,760 Speaker 1: don't like. They want you to be yes the boss 654 00:29:52,840 --> 00:29:56,520 Speaker 1: and just be all fragile and dossile. I'm gonna submit 655 00:29:56,920 --> 00:30:01,240 Speaker 1: that we move a militant if if MUF don't because 656 00:30:01,240 --> 00:30:03,840 Speaker 1: ain't want to pay me I'm paying myself. Yeah, I 657 00:30:03,960 --> 00:30:06,320 Speaker 1: just sold the CD on the way out here. That's 658 00:30:06,400 --> 00:30:08,760 Speaker 1: a fact. Though I hopped out and sold in your 659 00:30:08,840 --> 00:30:11,200 Speaker 1: CD for five hours. I got eleven thousand dollars in 660 00:30:11,280 --> 00:30:14,080 Speaker 1: my pocket. But I don't care because I'm focused. I 661 00:30:14,240 --> 00:30:16,920 Speaker 1: never lose sight of what got me here and my 662 00:30:17,040 --> 00:30:19,240 Speaker 1: ambition and what I want to be. I came here 663 00:30:19,280 --> 00:30:21,160 Speaker 1: to be great. I ain't come here to be a 664 00:30:21,320 --> 00:30:23,320 Speaker 1: flash in the pain. You feel me. You have the 665 00:30:23,920 --> 00:30:26,760 Speaker 1: support of established artists. What about up and coming artists 666 00:30:27,240 --> 00:30:29,120 Speaker 1: um that might look at you as competition or you 667 00:30:29,200 --> 00:30:30,920 Speaker 1: might look at them as competition. Do you feel like 668 00:30:31,120 --> 00:30:33,680 Speaker 1: I don't care. I don't care about competition, and jon't 669 00:30:34,280 --> 00:30:36,280 Speaker 1: to me. I feel like, do you have people that 670 00:30:36,400 --> 00:30:38,440 Speaker 1: you are up and coming with you that you feel like, Okay, 671 00:30:38,960 --> 00:30:41,000 Speaker 1: you know I'm cool with them. I'm cool with them. Yeah, 672 00:30:41,040 --> 00:30:44,160 Speaker 1: I'm cool. I'm cool with young Leto. That's my dog 673 00:30:45,840 --> 00:30:49,120 Speaker 1: Leo dope. But I mean, like, shout my dog Bleasie 674 00:30:49,160 --> 00:30:51,720 Speaker 1: from brown he from Brownsville too. I just vibe with 675 00:30:51,760 --> 00:30:53,920 Speaker 1: people when it's a honey, when you really rock with them. 676 00:30:54,720 --> 00:30:56,520 Speaker 1: People I don't be. I don't be with that whole 677 00:30:56,640 --> 00:30:59,320 Speaker 1: music industry Hey, you wrap, I wrap. Let's look around. 678 00:30:59,560 --> 00:31:02,160 Speaker 1: Hell know, when I'm from we don't trust people trust. 679 00:31:02,520 --> 00:31:04,800 Speaker 1: I seem to get old for trusting people like you 680 00:31:04,920 --> 00:31:06,800 Speaker 1: be out of here and trust could turn your dust. 681 00:31:07,000 --> 00:31:09,200 Speaker 1: So just because we rap, we're not in the rapper union, 682 00:31:09,200 --> 00:31:11,800 Speaker 1: you know. Yeah, I gotta with you. We brothers. Hell No, 683 00:31:12,040 --> 00:31:15,080 Speaker 1: I'm with my savings that I came up with. I'm 684 00:31:15,120 --> 00:31:17,080 Speaker 1: not kicking it with a bunch of rat news because 685 00:31:17,120 --> 00:31:19,840 Speaker 1: we all in the music business together. It don't work 686 00:31:19,880 --> 00:31:22,400 Speaker 1: like that. Now, if somebody come across genuine, then I'm 687 00:31:22,400 --> 00:31:24,640 Speaker 1: gonna with them and we're gonna vibe like, oh yeah, 688 00:31:24,880 --> 00:31:26,400 Speaker 1: you will hunt it. Yeah, I don't got to hear 689 00:31:26,440 --> 00:31:28,720 Speaker 1: about you try to kick in my back from a 690 00:31:29,160 --> 00:31:31,960 Speaker 1: uh from some bitch that we whatever behind. You know 691 00:31:32,000 --> 00:31:34,320 Speaker 1: what I'm saying, like Corney shit like that, because I ain't. 692 00:31:34,320 --> 00:31:36,440 Speaker 1: I ain't for the Corney sho. So I don't be 693 00:31:36,480 --> 00:31:39,360 Speaker 1: really kicking it with much much people. I'm like, I 694 00:31:39,520 --> 00:31:41,920 Speaker 1: come from the same street aspect of everything, Like That's 695 00:31:41,960 --> 00:31:45,040 Speaker 1: how I look at everything. When in New York, you 696 00:31:45,080 --> 00:31:47,120 Speaker 1: don't say what's up to people and just start over something, 697 00:31:47,160 --> 00:31:49,920 Speaker 1: forge your friendship. You don't do that, just because you 698 00:31:50,000 --> 00:31:51,800 Speaker 1: work or whatever, you don't do that type of sh 699 00:31:53,680 --> 00:31:56,440 Speaker 1: and Hovain me telling me all the time. He'd be like, Yo, man, 700 00:31:56,920 --> 00:31:58,760 Speaker 1: this you gotta look at this like work and these 701 00:31:59,120 --> 00:32:01,840 Speaker 1: your co workers man. And I'm like, man, I'm a 702 00:32:01,960 --> 00:32:05,080 Speaker 1: passionate person, so I can't get over it. So I'm 703 00:32:05,240 --> 00:32:08,320 Speaker 1: hopefully I learned to work. And I just the people out, 704 00:32:08,760 --> 00:32:11,960 Speaker 1: the people off with everybody that you see on my album, 705 00:32:12,120 --> 00:32:14,440 Speaker 1: Like I like, push your t hit me at eight 706 00:32:14,520 --> 00:32:17,360 Speaker 1: in the morning, your album crazy, you know what I'm 707 00:32:17,400 --> 00:32:20,640 Speaker 1: saying like that, just just reaching out shooting gene love. 708 00:32:20,720 --> 00:32:22,120 Speaker 1: When I when I asked people, I'd be like why, 709 00:32:22,120 --> 00:32:24,960 Speaker 1: I'd be like, why don't you like can't you like 710 00:32:25,480 --> 00:32:27,480 Speaker 1: they said? They said, they don't like that you bully 711 00:32:27,840 --> 00:32:32,320 Speaker 1: like industry people like the right, but they don't run 712 00:32:32,400 --> 00:32:34,440 Speaker 1: up on nobody. That's the real street dude, Like who 713 00:32:34,960 --> 00:32:37,360 Speaker 1: what real street dudes ever? Have a pallem with me? 714 00:32:37,760 --> 00:32:40,600 Speaker 1: What real street dude ever? Because I'm gonna tell you 715 00:32:40,680 --> 00:32:45,560 Speaker 1: the thing about real street. They respect other street because 716 00:32:45,640 --> 00:32:48,600 Speaker 1: they know nobody wanted to be into no violence for 717 00:32:48,680 --> 00:32:51,560 Speaker 1: no reason because there's only one. It's a couple of 718 00:32:51,560 --> 00:32:54,720 Speaker 1: ways going in. Smike gonna die, Smiga gonna go to jail, 719 00:32:55,120 --> 00:32:58,000 Speaker 1: Smike gonna get hurt, and then and then you I 720 00:32:58,080 --> 00:33:00,800 Speaker 1: don't know if you hurt somebody before, but that feeling 721 00:33:00,840 --> 00:33:04,000 Speaker 1: that having to be low key, damn cops gonna come 722 00:33:04,080 --> 00:33:07,000 Speaker 1: get me whatever, that's your whole vibe. If you're from 723 00:33:07,040 --> 00:33:09,240 Speaker 1: getting money for a short period of time, but you 724 00:33:09,320 --> 00:33:14,000 Speaker 1: don't want to do that, so real streets have respect. No, 725 00:33:14,200 --> 00:33:18,920 Speaker 1: that's what I'm saying. It's like, what would you? That's 726 00:33:18,920 --> 00:33:20,840 Speaker 1: what I'm trying to say, Like it be a bunch 727 00:33:20,880 --> 00:33:24,080 Speaker 1: of nobody that don't have some negative to say about me. 728 00:33:24,720 --> 00:33:28,560 Speaker 1: They have not listened to my music from an unbiased standpoint, 729 00:33:28,600 --> 00:33:30,960 Speaker 1: you felt. I'm saying, like, if you you can search 730 00:33:31,080 --> 00:33:35,040 Speaker 1: my name, you'll see you'll see probably eighty five percent 731 00:33:35,120 --> 00:33:37,880 Speaker 1: of people like your choy have albums crazy you talking about. 732 00:33:38,040 --> 00:33:40,320 Speaker 1: And then the other fifteen percent would be like, yeah, 733 00:33:40,400 --> 00:33:42,760 Speaker 1: oh you only sew x amount of records or whatever. Whatever. 734 00:33:43,080 --> 00:33:46,560 Speaker 1: But I'm independent dog, Like what you're not saying, you're 735 00:33:46,600 --> 00:33:49,160 Speaker 1: not dealing in facts. Somebody dealing in facts, I could 736 00:33:49,160 --> 00:33:51,360 Speaker 1: always respect it. I don't care what you're talking about. 737 00:33:51,520 --> 00:33:53,920 Speaker 1: You're dealing in facts. I'm always respect If you say 738 00:33:54,280 --> 00:33:57,200 Speaker 1: then that y have his Cuban links. Ain't even a keylo, 739 00:33:57,360 --> 00:33:59,480 Speaker 1: there's only seven hundred grahams and then you want to 740 00:33:59,520 --> 00:34:02,000 Speaker 1: try to do me for that. All right, I'm gonna 741 00:34:02,000 --> 00:34:03,600 Speaker 1: get the other three hundred grams when I get my 742 00:34:03,640 --> 00:34:07,240 Speaker 1: bread up whatever, But don't say no jumps. You got 743 00:34:07,360 --> 00:34:09,320 Speaker 1: a deal in facts. That's all it's about. Did you 744 00:34:09,320 --> 00:34:11,200 Speaker 1: see mccona's tweet where he said he didn't like made 745 00:34:11,200 --> 00:34:16,239 Speaker 1: you without the deal? I didn't mean I like. I 746 00:34:16,360 --> 00:34:19,959 Speaker 1: like mccony going up on Tuesday. You know what I'm saying, 747 00:34:20,640 --> 00:34:23,320 Speaker 1: So shout at the obi over Johnny Ros. You know 748 00:34:23,360 --> 00:34:25,560 Speaker 1: what I'm saying. So I ain't then I don't chip 749 00:34:25,640 --> 00:34:28,479 Speaker 1: over that that all that music industry that sh ain't 750 00:34:28,520 --> 00:34:32,239 Speaker 1: really mean man, for really, this is fake because it's 751 00:34:32,280 --> 00:34:35,400 Speaker 1: a fact. Though when I see people who allegedly have 752 00:34:35,520 --> 00:34:38,880 Speaker 1: a problem, they either apologize, Oh it's gonna be an 753 00:34:38,960 --> 00:34:41,279 Speaker 1: issue and I'm gonna always win it, come out on top. 754 00:34:41,520 --> 00:34:43,520 Speaker 1: That's word. That's all my word. That's word to my son. 755 00:34:43,880 --> 00:34:46,279 Speaker 1: I don't take no else. That's a fact though, you 756 00:34:46,320 --> 00:34:48,000 Speaker 1: know what I'm saying. That's because I don't start nothing. 757 00:34:48,320 --> 00:34:56,759 Speaker 1: And you're serious about your FaceTime too. On FaceTime, Yo, Nah, 758 00:34:57,840 --> 00:34:59,239 Speaker 1: I'll be in the work. I was in the work 759 00:34:59,320 --> 00:35:02,439 Speaker 1: moode man, I was my laptop. I really be working hard. 760 00:35:02,640 --> 00:35:05,080 Speaker 1: It's me hoving and money nails, and I'll be by 761 00:35:05,160 --> 00:35:08,359 Speaker 1: my laptop sending out emails. I gotta send out tellor. 762 00:35:08,400 --> 00:35:11,680 Speaker 1: I hit this envy every other morning. You play much shit, 763 00:35:11,760 --> 00:35:15,600 Speaker 1: hold me down the mother ain't ain't only like that. 764 00:35:15,719 --> 00:35:18,640 Speaker 1: You get to get comfortable. But yeah, I'm chilling. I don't. 765 00:35:18,680 --> 00:35:21,239 Speaker 1: I can't get comfortable. I ain't at I got. I 766 00:35:21,360 --> 00:35:23,920 Speaker 1: had a lot of achievements and I'm blessed to be here. 767 00:35:24,040 --> 00:35:26,000 Speaker 1: You know what I'm saying. I don't take noney for granted, 768 00:35:26,040 --> 00:35:30,680 Speaker 1: even being here on the breakfast club. You know my 769 00:35:31,080 --> 00:35:33,920 Speaker 1: life being crazy. I just left from a hotel. I 770 00:35:34,040 --> 00:35:38,359 Speaker 1: came from Miami. Two parties, no four parties. I'm lying. 771 00:35:38,440 --> 00:35:41,400 Speaker 1: The first party was regular, then I had two on Saturday. 772 00:35:41,640 --> 00:35:44,800 Speaker 1: I flew straight here, had a party last night. I 773 00:35:45,000 --> 00:35:48,160 Speaker 1: was in the in the hotel last night, and then 774 00:35:48,200 --> 00:35:50,480 Speaker 1: I came straight here to the breakfast club because I 775 00:35:50,560 --> 00:35:52,480 Speaker 1: knew I'm trying to be professional. I ain't trying to 776 00:35:52,520 --> 00:35:59,520 Speaker 1: be lating though. Yeah, using motherfucking live as a fact, 777 00:35:59,520 --> 00:36:02,759 Speaker 1: though I ain't gonna, I'm to man, I got a 778 00:36:02,800 --> 00:36:06,520 Speaker 1: new boy. I ain't putting myself out there. But he 779 00:36:06,680 --> 00:36:10,440 Speaker 1: was a mother live. Yo, I'm hot enough as a fact. 780 00:36:13,000 --> 00:36:17,839 Speaker 1: Hit me five times. I say, hell no with her, 781 00:36:17,920 --> 00:36:22,040 Speaker 1: we're good. We all the way good together stuff. We're straight, 782 00:36:22,320 --> 00:36:24,680 Speaker 1: We're straight. You know what I'm saying that we're good. 783 00:36:24,800 --> 00:36:26,680 Speaker 1: Like I'm about to get it. I'm about like one 784 00:36:26,719 --> 00:36:29,240 Speaker 1: of my dreams that I'm about to do. I'm about 785 00:36:29,239 --> 00:36:30,960 Speaker 1: to get a big ass house. I was talking to 786 00:36:31,080 --> 00:36:33,279 Speaker 1: Envy about cribs. You know what I'm saying, I get 787 00:36:33,320 --> 00:36:36,719 Speaker 1: a big ass house. Uh one point one million is 788 00:36:36,719 --> 00:36:38,719 Speaker 1: what I've seen. But after me and was talking, I'm like, 789 00:36:39,040 --> 00:36:41,160 Speaker 1: maybe I get something for seven hundred and fifty thousand 790 00:36:41,200 --> 00:36:44,400 Speaker 1: that I could uh you know, restore fixed up and 791 00:36:44,440 --> 00:36:46,319 Speaker 1: then it to be worked out or whatever. And I'm 792 00:36:46,360 --> 00:36:49,040 Speaker 1: gonna and I'm gonna move her and move and have 793 00:36:49,239 --> 00:36:51,759 Speaker 1: my mom's and everybody in a big ass house. And 794 00:36:51,800 --> 00:36:55,879 Speaker 1: don't get it wrong, my mom's ain't living dirt poor. Yeah, 795 00:36:55,920 --> 00:36:58,200 Speaker 1: my mom's got a Brownstone, she got money and all that. 796 00:36:58,320 --> 00:37:00,680 Speaker 1: But you know what I'm saying, It's like i'mna had 797 00:37:00,680 --> 00:37:03,600 Speaker 1: a whole family structure. Then I got my Flask condo 798 00:37:03,719 --> 00:37:06,799 Speaker 1: that I just bought. Marble flows, heated marble, all type 799 00:37:06,800 --> 00:37:08,320 Speaker 1: of You know what I'm saying, I'm just trying to 800 00:37:08,360 --> 00:37:10,359 Speaker 1: bost my life up, That's what I'm saying. How could 801 00:37:10,360 --> 00:37:13,279 Speaker 1: you hate Choya? The real is gonna get motivated. The 802 00:37:13,360 --> 00:37:15,360 Speaker 1: fake is just gonna hate it, and no I do. 803 00:37:15,760 --> 00:37:19,200 Speaker 1: I'm about ambition. I'm about coming from the bottom, about 804 00:37:19,239 --> 00:37:22,239 Speaker 1: working hard, hard work, and dedication. I'm living proof that 805 00:37:22,320 --> 00:37:25,200 Speaker 1: if you work hard, dedicate yourself and believe in God, 806 00:37:25,239 --> 00:37:28,960 Speaker 1: you could do anything wrong. You know what I meant 807 00:37:29,520 --> 00:37:31,000 Speaker 1: for us week first week sales. Don't always tell the 808 00:37:31,000 --> 00:37:34,680 Speaker 1: tees it's gonna be more than Yeah, it was only 809 00:37:34,719 --> 00:37:37,920 Speaker 1: two days. I sold records in two days. That's amazing. 810 00:37:37,920 --> 00:37:40,239 Speaker 1: I don't tell the hotel at all. That's what I'm saying. 811 00:37:40,239 --> 00:37:42,320 Speaker 1: Like the jay Z ground, its just the slow ground. 812 00:37:42,400 --> 00:37:45,320 Speaker 1: It's slow ground. And I can sell this amount of records, 813 00:37:45,320 --> 00:37:48,200 Speaker 1: but bet you're gonna see me hosting them parties. Come 814 00:37:48,400 --> 00:37:50,320 Speaker 1: pay to see me. Like even when I was just 815 00:37:50,440 --> 00:37:54,040 Speaker 1: doing clubs, just now Miami, I'm doing clubs when if 816 00:37:54,120 --> 00:37:55,839 Speaker 1: I'm in the street, I'm gonna sell you a CD. 817 00:37:56,120 --> 00:37:57,640 Speaker 1: If you come to the club to see me, I'm 818 00:37:57,680 --> 00:37:59,840 Speaker 1: gonna give you the album. I don't care because you 819 00:38:00,040 --> 00:38:02,319 Speaker 1: came to see me, so it cost me. It cost 820 00:38:02,360 --> 00:38:04,319 Speaker 1: me less than a dollar to print up a quick 821 00:38:04,400 --> 00:38:09,120 Speaker 1: little replica CD. Whatever duplicate motherfuck paying thirty dollars fifty 822 00:38:09,160 --> 00:38:11,080 Speaker 1: dollars fifteen hundred for a table to come see me. 823 00:38:11,320 --> 00:38:12,880 Speaker 1: I don't just take front of people. I like to 824 00:38:12,960 --> 00:38:14,960 Speaker 1: give back, you know what I'm saying. I like to 825 00:38:15,040 --> 00:38:17,200 Speaker 1: be like, I stop, I take hold of pictures with 826 00:38:17,320 --> 00:38:20,000 Speaker 1: these people. You know what I mean because BSP is 827 00:38:20,040 --> 00:38:22,960 Speaker 1: the people's brand and I represent the people. You look 828 00:38:22,960 --> 00:38:25,160 Speaker 1: anybody ever met me, Dame Chore, you have a cool 829 00:38:25,200 --> 00:38:28,080 Speaker 1: ass man here, a real dude, Like I'm gonna stop 830 00:38:28,120 --> 00:38:29,880 Speaker 1: on it yoga if even if I'm running, come on, let' 831 00:38:29,880 --> 00:38:32,359 Speaker 1: take let's take it on the walk. Let's do it. Oh, 832 00:38:32,400 --> 00:38:34,879 Speaker 1: come on, Shody, I got you. Whatever, it's nothing because 833 00:38:34,920 --> 00:38:37,359 Speaker 1: I don't take any for granted. This. I'm really living 834 00:38:37,440 --> 00:38:39,840 Speaker 1: my dreams. I'm living proof that you can live your 835 00:38:40,000 --> 00:38:43,840 Speaker 1: dreams and feel blessed like I'll be. Sometimes I'll be 836 00:38:43,920 --> 00:38:46,440 Speaker 1: waking up like damn, I feel like I feel like 837 00:38:47,080 --> 00:38:49,799 Speaker 1: I was telling hold. The other day, I feel like, um, 838 00:38:50,280 --> 00:38:52,920 Speaker 1: how how Kobe Bryant managed want to play bass? I'm 839 00:38:52,960 --> 00:38:54,680 Speaker 1: pretty sure we all wanted to be. I think it's 840 00:38:54,719 --> 00:38:57,839 Speaker 1: going to NBA. Who was younger Coole and Kobe came 841 00:38:57,880 --> 00:38:59,520 Speaker 1: in the league. He had his tongue out like Michael 842 00:38:59,600 --> 00:39:03,440 Speaker 1: Jordan's like that, But like, imagine how a Fieler want 843 00:39:03,520 --> 00:39:05,520 Speaker 1: to be like Mike and then really being the league 844 00:39:05,560 --> 00:39:08,600 Speaker 1: on some ship Like now when I get dressed like shot, 845 00:39:08,800 --> 00:39:13,160 Speaker 1: my fab fab come through flies all the time going 846 00:39:13,239 --> 00:39:16,160 Speaker 1: to the club. I'm I'm in being in the hood 847 00:39:16,200 --> 00:39:18,920 Speaker 1: getting my money, hustling and shop. And it was like, yeah, 848 00:39:18,920 --> 00:39:20,680 Speaker 1: we gotta go to party. Fab gonna be there. It's 849 00:39:20,719 --> 00:39:22,560 Speaker 1: gonna be mad. Bitches. This even before me at home, 850 00:39:22,600 --> 00:39:25,000 Speaker 1: he was kicking it and all were getting dressed. We 851 00:39:25,120 --> 00:39:27,320 Speaker 1: go on the club. We got our little table. We 852 00:39:27,440 --> 00:39:31,040 Speaker 1: probably didn't pay fifteen hundreds, sometimes four thousand. We got 853 00:39:31,160 --> 00:39:34,360 Speaker 1: a table. But meanwhile, this is woking. All the bitches 854 00:39:34,400 --> 00:39:36,320 Speaker 1: go from here to looking this way, you know what 855 00:39:36,320 --> 00:39:39,719 Speaker 1: I'm saying. So now I'm getting dressed up fly where 856 00:39:39,960 --> 00:39:42,759 Speaker 1: I'm coming through on some flies and everybody looking at me. 857 00:39:42,840 --> 00:39:45,359 Speaker 1: I'm on that platform and that feel good. I can't 858 00:39:45,360 --> 00:39:48,560 Speaker 1: even front and tell you it don't club. I ain't 859 00:39:48,600 --> 00:39:51,319 Speaker 1: never win the tight pants. I can't win skinny jeans 860 00:39:51,360 --> 00:39:55,040 Speaker 1: because my notch don't fit. To put the album out 861 00:39:55,280 --> 00:40:01,400 Speaker 1: early knowing nah nah, hurly, Hell no, I ain't. I 862 00:40:01,440 --> 00:40:05,200 Speaker 1: ain't released. You said, wait, say you're released early on 863 00:40:05,280 --> 00:40:08,400 Speaker 1: a Friday. No, no, no, no, I meant to do 864 00:40:08,480 --> 00:40:11,280 Speaker 1: it like that. Yeah, everything we were not. I'm independent, 865 00:40:11,360 --> 00:40:15,400 Speaker 1: so I ain't held it the same restraints released statement 866 00:40:15,440 --> 00:40:17,160 Speaker 1: thing you released through because you wanted to come out 867 00:40:17,200 --> 00:40:20,360 Speaker 1: before summer jam. Yeah, I'm probably have said that that's crazy, 868 00:40:20,640 --> 00:40:22,920 Speaker 1: but yeah, yeah, I wanted. I want to drop there 869 00:40:22,960 --> 00:40:25,160 Speaker 1: and then the physical copies where they came out on Tuesday, 870 00:40:25,320 --> 00:40:26,919 Speaker 1: like I could do whatever I want. I could drop 871 00:40:26,960 --> 00:40:29,480 Speaker 1: on Sunday night. It don't matter. I'm gonna still I'm 872 00:40:29,480 --> 00:40:31,759 Speaker 1: gonna still sell what I sell and I'm gonna still 873 00:40:31,800 --> 00:40:34,040 Speaker 1: get to the money and then it at the end 874 00:40:34,080 --> 00:40:35,799 Speaker 1: of the day, the sound scan is gonna be more 875 00:40:35,840 --> 00:40:39,200 Speaker 1: than forty five hundreds. But even if all right, I 876 00:40:39,320 --> 00:40:42,400 Speaker 1: was gonna get fifteen thousand dollars for this this album, right, 877 00:40:43,440 --> 00:40:48,000 Speaker 1: Let's say I sew two thousand copies, that's twenty bands 878 00:40:48,600 --> 00:40:51,600 Speaker 1: give it take because it's five percent off. That's twenty bands. 879 00:40:51,760 --> 00:40:54,440 Speaker 1: I still I still came out on top. You feel me. 880 00:40:54,719 --> 00:40:56,560 Speaker 1: And at the end of the day, it's about winning 881 00:40:56,960 --> 00:40:58,640 Speaker 1: that you got to look up at the scoreboard. It's 882 00:40:58,640 --> 00:41:01,560 Speaker 1: about winning. They didn't how much you won by. If 883 00:41:01,640 --> 00:41:03,480 Speaker 1: it was a blowout, it don't even matter who got 884 00:41:03,520 --> 00:41:06,799 Speaker 1: the MVP. It's about winning. And I came here to win. Dog. 885 00:41:07,160 --> 00:41:09,319 Speaker 1: You can't. There's no way you could tear down choy. 886 00:41:09,400 --> 00:41:11,880 Speaker 1: Have you ten down choy? Have you ten down the culture? 887 00:41:12,120 --> 00:41:14,080 Speaker 1: And I don't just mean black people, I mean black 888 00:41:14,440 --> 00:41:17,239 Speaker 1: white Spanish. You tenn down a coulture, You tenn down 889 00:41:17,280 --> 00:41:20,640 Speaker 1: a kid that came from from the streets and he's 890 00:41:20,760 --> 00:41:23,480 Speaker 1: trying to transition and changed his life around and come 891 00:41:23,560 --> 00:41:27,360 Speaker 1: to be something successful and do legit, legit business. You 892 00:41:27,400 --> 00:41:29,440 Speaker 1: know what I'm saying. So how could you hate on that? 893 00:41:30,239 --> 00:41:33,600 Speaker 1: They don't make no type of sense it. Troy have 894 00:41:34,040 --> 00:41:38,040 Speaker 1: his albums out right now, huh Major without a Deal 895 00:41:38,280 --> 00:41:40,360 Speaker 1: is wrapped album of the Year. I told people I 896 00:41:40,440 --> 00:41:42,480 Speaker 1: was gonna have rap album of the Year and it's 897 00:41:42,520 --> 00:41:44,440 Speaker 1: wrapped out. If you listen to my album straight through, 898 00:41:44,680 --> 00:41:46,319 Speaker 1: when I say wrapped album in the year. I mean 899 00:41:46,480 --> 00:41:51,400 Speaker 1: rap music like the classic rap, Biggie jay Z, h 900 00:41:51,560 --> 00:41:54,960 Speaker 1: a young Jez Chapper, died, tr Chap music, even U 901 00:41:56,800 --> 00:41:59,880 Speaker 1: master p ice creaming like that Street. That's what it 902 00:42:00,239 --> 00:42:02,719 Speaker 1: bringing to you right now. With rap rappers the only 903 00:42:02,800 --> 00:42:05,360 Speaker 1: genre of music where it's so bunched up and you 904 00:42:05,440 --> 00:42:08,839 Speaker 1: don't get to get the subgenres of music. With rock, 905 00:42:08,960 --> 00:42:11,879 Speaker 1: you get classic rock, you get metal rock, you get 906 00:42:11,920 --> 00:42:14,239 Speaker 1: acid rock, you get grunge, rocked, you know what I'm saying, 907 00:42:14,320 --> 00:42:16,839 Speaker 1: You get all type of different rock. But with rap music, 908 00:42:16,920 --> 00:42:18,839 Speaker 1: they just bunch use up all in one. They don't 909 00:42:19,040 --> 00:42:22,919 Speaker 1: separate the conscious rap or the R and B rap, 910 00:42:23,320 --> 00:42:26,520 Speaker 1: or the trap rap or the turn up or you 911 00:42:26,600 --> 00:42:28,160 Speaker 1: know what I mean, the stone a rap and shit 912 00:42:28,239 --> 00:42:30,440 Speaker 1: like that. They just bunches all up in one. And 913 00:42:30,560 --> 00:42:33,040 Speaker 1: I'm giving you that rap music, that Biggie, that jay z, 914 00:42:33,200 --> 00:42:35,880 Speaker 1: that street that you grew up on, or even if 915 00:42:35,880 --> 00:42:38,000 Speaker 1: you grow up on that, I'm giving you the foundation, 916 00:42:38,280 --> 00:42:41,279 Speaker 1: the solid foundation. And with Major without a deal with 917 00:42:41,560 --> 00:42:44,120 Speaker 1: New York City dolbum, My whole campaign was I'm just 918 00:42:44,160 --> 00:42:45,920 Speaker 1: stoning a feeling. I'm bringing back New York. New York 919 00:42:46,080 --> 00:42:49,280 Speaker 1: is back. I did that already. Now it major. Without 920 00:42:49,280 --> 00:42:51,520 Speaker 1: a deal, I get to spread my wings. So you hear, 921 00:42:51,920 --> 00:42:54,160 Speaker 1: you hear I'm outside the box now you know what 922 00:42:54,200 --> 00:42:56,239 Speaker 1: I mean. So now you hear songs like you got 923 00:42:56,320 --> 00:42:59,000 Speaker 1: from Biggie, like boning Biggie Biggie, you know what I mean. 924 00:42:59,120 --> 00:43:02,040 Speaker 1: Or Jay's big pimping. You know what I'm saying. So 925 00:43:02,239 --> 00:43:04,360 Speaker 1: now I'm just outside the box. And this is wrapped 926 00:43:04,360 --> 00:43:06,320 Speaker 1: album of a year, and it's gonna flourish. And I 927 00:43:06,440 --> 00:43:09,600 Speaker 1: guarantee me even doing this, it's gonna spike up the sales. 928 00:43:09,840 --> 00:43:12,480 Speaker 1: So then let's talk about the number six months from now, 929 00:43:12,800 --> 00:43:14,919 Speaker 1: let's talk about that. If I'm still getting his bags, 930 00:43:15,160 --> 00:43:18,759 Speaker 1: I don't ain't nothing slowing up. I'm blessed. People be 931 00:43:18,840 --> 00:43:21,520 Speaker 1: scared to promote and scared to pray. Gotta do this 932 00:43:21,880 --> 00:43:24,279 Speaker 1: all the time, and I'm on my grind and I 933 00:43:24,440 --> 00:43:27,440 Speaker 1: represent the people. You gotta vote, You gotta root for Choyav. 934 00:43:27,600 --> 00:43:30,440 Speaker 1: You don't root for Choyav, and you ain't rooting. You 935 00:43:30,480 --> 00:43:33,000 Speaker 1: ain't rooting for the dream. You ain't got no dreams. 936 00:43:33,320 --> 00:43:35,480 Speaker 1: You ain't got no dreams, no hopes, no ambition. You're 937 00:43:35,560 --> 00:43:37,880 Speaker 1: killing all the hopes. You're killing the hopes of anybody 938 00:43:37,920 --> 00:43:39,719 Speaker 1: to say, y'all want to grow up and go to NFL. 939 00:43:39,719 --> 00:43:40,960 Speaker 1: I want to grow up, go to NBA. I want 940 00:43:40,960 --> 00:43:42,440 Speaker 1: to grow up be a doctor. I want to grow 941 00:43:42,520 --> 00:43:44,120 Speaker 1: up be a rapper. I want to grow up be 942 00:43:44,560 --> 00:43:47,719 Speaker 1: in president. They're turning it down. No, you can't do that. No, 943 00:43:47,840 --> 00:43:49,800 Speaker 1: you gotta be humble. You gotta be dots out, you 944 00:43:49,880 --> 00:43:52,479 Speaker 1: gotta be the hell. No, I just gotta be great. 945 00:43:52,840 --> 00:43:56,799 Speaker 1: You gotta be focused good. But he's no Kobe Bryant's 946 00:43:57,360 --> 00:44:07,000 Speaker 1: robson getting my money. It's gonna be acolmars itself to 947 00:44:07,200 --> 00:44:11,040 Speaker 1: Malcolm X and that, like Nick, I'm a revolution never. Yeah, 948 00:44:11,080 --> 00:44:12,759 Speaker 1: I wanted to be like Malcolm X. He was a 949 00:44:12,840 --> 00:44:15,520 Speaker 1: great person. He was a great man. He's still for something. 950 00:44:16,320 --> 00:44:18,560 Speaker 1: And he didn't take no fancwer. If I would have 951 00:44:18,600 --> 00:44:21,640 Speaker 1: taken no fancwer, I wouldn't be here. I wouldn't be nothing. 952 00:44:21,880 --> 00:44:24,400 Speaker 1: I went, I wouldn't be flourishing because it believe me, 953 00:44:24,719 --> 00:44:26,680 Speaker 1: on the road to success. And many does canna get 954 00:44:26,680 --> 00:44:29,479 Speaker 1: slammed in your face, People gonna cut you off, gonna 955 00:44:29,520 --> 00:44:32,320 Speaker 1: throw all type of tires in the race, shack banana 956 00:44:32,400 --> 00:44:34,560 Speaker 1: pills in the race, track, you're gonna try all type 957 00:44:34,600 --> 00:44:38,200 Speaker 1: of and you're gonna get haters. But don't anybody listening 958 00:44:38,440 --> 00:44:41,480 Speaker 1: trying to do their thing. Hater is nothing but an 959 00:44:41,560 --> 00:44:45,120 Speaker 1: insignificant character in the story of your life. At the 960 00:44:45,239 --> 00:44:50,120 Speaker 1: end of the day, it's gonna say mother teacher, substitute one, 961 00:44:51,160 --> 00:44:55,160 Speaker 1: student three. It's nothing. You don't remember that. I was 962 00:44:55,239 --> 00:44:58,520 Speaker 1: watching the Mother James Brown movie. James Brown had haters. 963 00:44:58,920 --> 00:45:01,200 Speaker 1: We all know James Brown. Did we know they haters? 964 00:45:01,960 --> 00:45:03,799 Speaker 1: We don't know. I can't name a James Brown hater. 965 00:45:04,200 --> 00:45:05,960 Speaker 1: I just know because they was in the movie. But 966 00:45:06,120 --> 00:45:08,880 Speaker 1: it don't matter. You gott hats, you gott haters, you 967 00:45:08,960 --> 00:45:12,359 Speaker 1: got haters. You're still flourishing. That's what it's about. I'm 968 00:45:12,360 --> 00:45:15,359 Speaker 1: sure I can google a girl's name that James Brown beat. Listen, man, 969 00:45:17,320 --> 00:45:19,880 Speaker 1: we just we just flourishing it. Man. We are living out. 970 00:45:19,920 --> 00:45:21,640 Speaker 1: We are living our jeans and we and we all 971 00:45:21,719 --> 00:45:25,560 Speaker 1: successful and we all keep being successful and just keep grinding. 972 00:45:25,640 --> 00:45:27,239 Speaker 1: And I just want anybody know you could do the 973 00:45:27,360 --> 00:45:29,480 Speaker 1: same major without a deal. They got a bunch of 974 00:45:29,600 --> 00:45:32,200 Speaker 1: jewels in it and gems is come with the money 975 00:45:32,239 --> 00:45:34,520 Speaker 1: back guarantee. I'm doing it again. It come with the 976 00:45:34,560 --> 00:45:36,400 Speaker 1: money back guarantee. You don't like the album, you can 977 00:45:36,520 --> 00:45:38,520 Speaker 1: hit me I hate. I'll send you the money and 978 00:45:38,600 --> 00:45:41,719 Speaker 1: PayPal whatever, ten dollars. But just know that you listen 979 00:45:41,760 --> 00:45:43,719 Speaker 1: to Major without a deal, it's gonna it's gonna give 980 00:45:43,719 --> 00:45:45,960 Speaker 1: you that motivation and that grind to go out and 981 00:45:46,040 --> 00:45:47,920 Speaker 1: get it. And don't look for no handouts. You can't 982 00:45:47,960 --> 00:45:49,680 Speaker 1: have you handing your chest out and looking like I 983 00:45:49,840 --> 00:45:51,640 Speaker 1: really what she would stop saying he'd give people their money. 984 00:45:53,320 --> 00:45:58,200 Speaker 1: We got the money, shouting man, hold on, don't can't 985 00:45:58,239 --> 00:46:00,439 Speaker 1: give you a hundred dollars but I don't know mind. 986 00:46:01,960 --> 00:46:04,960 Speaker 1: Then they're gonna look im gonna tell you that give 987 00:46:05,040 --> 00:46:07,480 Speaker 1: shot at me one hundred dollars right as they gonna say, Nick, 988 00:46:07,520 --> 00:46:14,080 Speaker 1: he didn't really have it right, I'm geting money for you. 989 00:46:14,200 --> 00:46:17,920 Speaker 1: I might be doing something like let me tell you 990 00:46:18,000 --> 00:46:20,960 Speaker 1: what this hundred dollars. Yeah, this is a fact though, 991 00:46:21,000 --> 00:46:23,239 Speaker 1: And I'm not a chuck. Let me tell you different 992 00:46:23,239 --> 00:46:25,759 Speaker 1: between the chuck chuck. I gonna have some money and 993 00:46:25,880 --> 00:46:27,600 Speaker 1: then ain't I still got I still at the bank 994 00:46:27,640 --> 00:46:29,879 Speaker 1: caused you ain't you know what I'm saying, ain't walk 995 00:46:29,880 --> 00:46:39,960 Speaker 1: around my reup three hundred dollars. Check. I had the 996 00:46:40,040 --> 00:46:42,320 Speaker 1: big bills on the top and it's small in the middle. No, 997 00:46:42,440 --> 00:46:44,759 Speaker 1: I put them small bills on top, and I had 998 00:46:44,800 --> 00:46:46,600 Speaker 1: a big in the middle. Because I'm never trying front 999 00:46:46,640 --> 00:46:49,239 Speaker 1: for nobody. This hundred dollars is not for Schott Meine. 1000 00:46:49,400 --> 00:46:51,839 Speaker 1: This is for the breakfast club that had breakfast, because 1001 00:46:51,840 --> 00:47:08,320 Speaker 1: they never had breakfast. When I'm here, you didn't stop. 1002 00:47:08,600 --> 00:47:14,360 Speaker 1: Don't this my wave? We cut a breakfad cup. You 1003 00:47:14,360 --> 00:47:16,160 Speaker 1: got to buy the breakfast club breakfast, and you start 1004 00:47:16,200 --> 00:47:21,360 Speaker 1: by giving charge. Never gave us. Is henna leave you 1005 00:47:21,440 --> 00:47:25,839 Speaker 1: in North Carolina. That's not true? Dirty true? He hurt 1006 00:47:25,880 --> 00:47:28,920 Speaker 1: it dirty. I was too near early. The morning man 1007 00:47:29,000 --> 00:47:36,040 Speaker 1: picks that money off the floor, Troy, you probably gonna 1008 00:47:36,040 --> 00:47:39,120 Speaker 1: put it on and made you without it there after 1009 00:47:39,200 --> 00:47:46,800 Speaker 1: least you're gonna buy them breakfast. Absolutely, Brother Sky Charlomne 1010 00:47:46,880 --> 00:47:50,520 Speaker 1: was an early He was an early supporter. He stood 1011 00:47:50,600 --> 00:47:52,759 Speaker 1: up for me at the time when you're saying some 1012 00:47:52,920 --> 00:47:55,920 Speaker 1: other dumps, and it's about it's about the people who 1013 00:47:56,160 --> 00:47:58,600 Speaker 1: who with you when you're not doing you're not and 1014 00:47:58,680 --> 00:48:00,279 Speaker 1: they face or whatever. You know what I'm saying. You 1015 00:48:00,280 --> 00:48:02,360 Speaker 1: shouldn't have to get nobody a hundred dollars. No, no, no, no, 1016 00:48:03,880 --> 00:48:07,680 Speaker 1: I'm fortunate. I need He's a line with he go 1017 00:48:07,760 --> 00:48:09,480 Speaker 1: to New Zealand, you come to the breakfast club, you 1018 00:48:09,520 --> 00:48:12,000 Speaker 1: gotta buy breakfast because he don't never have no breakfast. 1019 00:48:12,120 --> 00:48:14,880 Speaker 1: That's real. What's up with these that ain't no breakfast 1020 00:48:14,920 --> 00:48:19,680 Speaker 1: on the breakfast club? We major without breakfast. Troy