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Speaker 1: I know what's happening. You got that confused with being cool.

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Speaker 1: You got being streaked confused with being cool. But you

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Speaker 1: don't know no better. You don't know the difference because

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Speaker 1: you don't know nothing. You see what I'm saying. So

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Speaker 1: you think if I be Street, if I ask Street

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Speaker 1: now what you're doing there? You know your campaigning for president.

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Speaker 1: You're running for office and you're gonna get elected. So

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Speaker 1: now when you Putryan Street nigga street shit, calm now

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Speaker 1: what you have no information on how to handle it.

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Speaker 1: You don't know where to get a gun if you

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Speaker 1: needed one. If a nigga tail you, I'm one hundred

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Speaker 1: percent killing you today. It ain't shit you can even do.

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Speaker 1: Yet you running around with the gangster ship. See what

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Speaker 1: they don't know is is that at that age like me,

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Speaker 1: unfortunate for me. Unfortunately for me, at fifteen years old,

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Speaker 1: I can run and go get my gun and shoot you,

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Speaker 1: or if you saw me out, I had my gun

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Speaker 1: on me. Right, that's unfortunate because I chose to be

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Speaker 1: doing that stupid shit. But I was attached to some

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Speaker 1: older people that gave you know. I was in the

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Speaker 1: street life for real. What's happened is they're allowing people

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Speaker 1: to act like they're in the street life when they

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Speaker 1: really not. So dudes are are are dancing right in

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Speaker 1: a room where a gun is required, and they don't

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Speaker 1: have access to a gun, And even if they had

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Speaker 1: a gun, they don't have access to information of what

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Speaker 1: to happen when the bullet start flying? Do you duck?

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Speaker 1: Do you run? Do you get behind this? Dude? You

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Speaker 1: don't know what to do. Bro, stay out of there.

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Speaker 1: Just stay away from that. There's nothing you're gonna get there. Bro,

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Speaker 1: Stay away from that. You really showing me how stupid

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Speaker 1: you is. Bro, That's why I get offended if my

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Speaker 1: children do it like anytime, and it just I'm gonna

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Speaker 1: tell you this, and my kids will tell you this,

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Speaker 1: and there look at this when they get older and

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Speaker 1: they'll see their dad. I always showed us that he

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Speaker 1: had a disdain for us, manifesting that like say I

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Speaker 1: walked past their room going into my studio or not

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Speaker 1: here them playing like Spotify, I'm gonna get I'm gonna

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Speaker 1: go in their room and it may be Y ANDW.

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Speaker 1: Miller or something, because you know Spotify it plays songs.

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Speaker 1: But they liked this, They liked them dudes, Polo G

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Speaker 1: you know stuff like that, And I'm not really concerned

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Speaker 1: with Polo G. Even though he talked that's kind of shit.

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Speaker 1: But his his image ain't deaf and gangster like. His

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Speaker 1: image is a man I went to school, you know

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Speaker 1: this and that, so like he'd be doing other things right,

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Speaker 1: But I still gotta watch it because manifest station. The

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Speaker 1: problem with manifest station is when you when you are

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Speaker 1: not doing it with information, the message getting lost in translation.

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Speaker 1: So now your your thoughts, your thoughts is based on

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Speaker 1: your training, right, so you only can consider about what

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Speaker 1: you know. So when I see that, when when I

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Speaker 1: see them dealing with Polo G, I got, I still

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Speaker 1: go in there, he yo cut that off, And I

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Speaker 1: know they'd be like, damn Dad, They'll rapper, like, why

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Speaker 1: you be tripping on them? Because I know you don't

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Speaker 1: know what's going on with that yet. And I know

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Speaker 1: I can't stop it from a holistic standpoint, right, I can't.

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Speaker 1: I can't make it where they never listen to music.

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Speaker 1: That's that's not a thing. I can't do that. But

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Speaker 1: what I can do. What I can do is every

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Speaker 1: time I hit them engaged with that, I set some expectations. Yo, hey, yo, man,

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Speaker 1: don't man. Them dudes there, them dudes, dumb, them dudes

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Speaker 1: gonna hear you crashing that man, that shit. Man, you

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Speaker 1: don't want to keep listening to that. Man a matter

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Speaker 1: of fact, cut that off. Go hey, look up? What

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Speaker 1: look up? Some streaming? Y'all don't want to stream y'all

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Speaker 1: don't want it. You know, I started to switch him over.

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Speaker 1: You see what I'm saying, Get off that though. I'm

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Speaker 1: not letting you sit around and young boy, them dudes

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Speaker 1: he looked at my stories and ship them dudes is

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Speaker 1: cool with me, but I don't. I'm not alive. I

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Speaker 1: got songs with gays, I've met young boy in studios

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Speaker 1: and things, but I'm not. I can't allow my children

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Speaker 1: to sit around and manifest that kind of music all day. Now.

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Speaker 1: I even would have liked more if they draw to

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Speaker 1: the money getting music like the little baby kind of shit,

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Speaker 1: because a little baby he not talking, just pure d

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Speaker 1: deaf and this and that, and man, they don't nobody love. Man,

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Speaker 1: I'm all alone. And then man, these niggas got a

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Speaker 1: little boys faking depressed. These niggas got little boys walking

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Speaker 1: around like they they faked going through some shit. This

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Speaker 1: shit is crazy, like bro, and we know some of

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Speaker 1: our children are really going through things. But you it's

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Speaker 1: it's a it's a it's a it's a very thin

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Speaker 1: line right between listening to music and manifesting with the

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Speaker 1: with the undeveloped mind of some of these children. You

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Speaker 1: see what I'm saying. It's just like, if that's the case,

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Speaker 1: if you don't care let them sit in there and

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Speaker 1: listen to devil worship music, then would you have a

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Speaker 1: problem with that? You know what I'm saying. Like you

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Speaker 1: get and not saying that rapids devil worshiping music at all,

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Speaker 1: but you have an interest in what your children is

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Speaker 1: consuming because what they're doing right now is they're getting

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Speaker 1: their fingerprint. They're making themselves who they are. And whatever

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Speaker 1: you're gonna be, you can't be a fake one of them.

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Speaker 1: You see what I'm saying. Because you straddling the fence

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Speaker 1: in the middle. You the nigga that become homeless because

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Speaker 1: you're too cool. They want to do this, but you too, yea.

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Speaker 1: They want to go to the street, so you the

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Speaker 1: nigga become homeless. It's a very unique thing. So you

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Speaker 1: must choose and I'm gonna set my children down when

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Speaker 1: when they come over here this week and I'm gonna

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Speaker 1: tell them, hey, yo, we're going in our trick bag.

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Speaker 1: We're going in our trick bag. We're going khaki, we're

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Speaker 1: going button up, We're going glasses if we need to,

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Speaker 1: We're going straight. Because this is your little resume, what

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Speaker 1: you're building right now. And if you start putting your

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Speaker 1: game down right now, oh, you're power for Bill, right

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Speaker 1: it's the motherfucker's that right now, you're getting arrested, you're

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Speaker 1: putting it. You're getting sucked over this that in the

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Speaker 1: third of it, you're setting yourself back. You still got

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Speaker 1: a chance, but you're setting yourself back. Listen, use this

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Speaker 1: time as a child to get ahead of the game.

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Speaker 1: So you have a head star. Right at eighteen boom,

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Speaker 1: I got a head star. I can run around saying

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Speaker 1: I had straight as I was Vale Victorian, I was

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Speaker 1: in honors, I was this, I was there. I can

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Speaker 1: be dumb as a box of rocks, but I'm gonna

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Speaker 1: skip the line. I may not know nothing, but I

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Speaker 1: can skip the line because it ain't about what you know,

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Speaker 1: It's about what you've done and who you know. Right

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Speaker 1: what have you done around here? Who you know? You

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Speaker 1: see what I'm saying. Sometimes who you know go out

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Speaker 1: to win and it be about what you've done. So

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Speaker 1: then that's when you get that at a very tender

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Speaker 1: young age. Say yo, I had straight ages in school.

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Speaker 1: I went to this prestigious school and also graduated with

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Speaker 1: honors in Vale Victor. That's instantly there, go to clapping

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Speaker 1: and you can be in your head, Oh, I'm in

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Speaker 1: my trick bag. I'm gonna run it up on the folk.

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Speaker 1: But the nigga that walk in like the street nigga,

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Speaker 1: they want to pat him down and make sure he

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Speaker 1: got his ID and make sure we know what kind

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Speaker 1: of like you're sitting yourself back home even if you

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Speaker 1: was a street nigga, that's how you really in two

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Speaker 1: twenty one, there's one or two things happening. I'm clear

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Speaker 1: with minds. You heard me said with Big Bank and

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Speaker 1: you heard me said with Parlay on an apartment. This

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Speaker 1: look for me as a sneak attack. This look here

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Speaker 1: for me is for you to think I'm dumb. But

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Speaker 1: the niggas that want to look like the street boys

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Speaker 1: them the ones that ain't street. Because if you're really

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Speaker 1: selling dope. You don't want nobody to know because you

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Speaker 1: go to jail if they know, if you really is

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Speaker 1: a street nigga. And you don't want no about to

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Speaker 1: know because you go to jail if they know. You

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Speaker 1: see what I'm saying. So the older you get to mow,

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Speaker 1: your mind goes this way with it. You feel what

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Speaker 1: I'm saying, and I just think that, um, you know

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Speaker 1: it's it's it's a unique it's it's a unique thing

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Speaker 1: that we found ourselves in the middle of that because

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Speaker 1: I don't play that ship. Everybody know my heart about

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Speaker 1: would have game you my love, trying to please, let's go.

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Speaker 1: First we were pinnings, then you traded. You are hope

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Speaker 1: of that here? Everybody know how I'm built. I would

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Speaker 1: have gave you the shirt up about my back here,

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Speaker 1: everybody know my heart about low. I would have gave

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Speaker 1: you my love, tried to put you on some cash,

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Speaker 1: but you would like it. Just sat on your ass,

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Speaker 1: talk to with my dogs who have ran over with

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Speaker 1: a couple of back trying to show you a little

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Speaker 1: too planning only fussing. All right, man, let's go, let's go.

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Speaker 1: That was a um. There was a segment I'm gonna

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Speaker 1: put on now and make sure that you guys know

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Speaker 1: how and where, how you know my stance on you

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Speaker 1: know those kind of things, and your ability to understand

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Speaker 1: what needs to be done is is an attribute that

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Speaker 1: I think, um that I think people don't mention a lot, right,

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Speaker 1: because some people get activity or movement confused with accomplishments. Right,

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Speaker 1: So like my weekend would revolt and and I'll speak

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Speaker 1: about this more later in the podcast, but my weekend

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Speaker 1: re revolt. I run around effective. Yeah, I'm playing confidence man,

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Speaker 1: you understand, So I run around effective, right, Everybody I

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Speaker 1: bump into it's game given. It's first of all, positive vintage.

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Speaker 1: Positive vintage is building being done, and I'm dealing with information.

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Speaker 1: So when you bump into me, you can feel it,

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Speaker 1: you can smell it. Only he knows something something about him.

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Speaker 1: It was spots I were leaving and the people asking

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Speaker 1: folks around now, who is that dude? You know? And

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Speaker 1: then they would come in tell me that that. Then

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Speaker 1: people over there were asking about you, and then I

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Speaker 1: bump on into them and just you know, speak to

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Speaker 1: speak to them, because if you wonder about who I am,

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Speaker 1: I need to I need to get the gospel to you.

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Speaker 1: You understand. I need to get the gospel to you

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Speaker 1: so um. But but you gotta be effective. You got

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Speaker 1: to know the difference between shit and sugar. You know,

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Speaker 1: when you're dealing with loan, you're dealing with high priority,

191
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Speaker 1: high class nigga. You're not dealing with that low level

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Speaker 1: of shit. And that's what be offending me. Right, you

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Speaker 1: can't handle me any kind of way. You can't handle me,

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Speaker 1: you know, like the low level niggas. I'm dealing with

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Speaker 1: too much information for anyone to handle me in certain ways.

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Speaker 1: You understand. And I think it's evident right when people

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Speaker 1: bump into me, like because I get amazed what God

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Speaker 1: is doing with me. Because when I was thinking about

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Speaker 1: this whole podcast thing and building it and coming up

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Speaker 1: with things and saying, Yo, you got it, you got it,

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Speaker 1: because sixty percent of it is confidence and the other

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Speaker 1: forty is consistency, and it's just it's tied up with

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Speaker 1: so much and I'm just telling myself, Yo, you got it.

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Speaker 1: But I'm planning for things that I have yet to

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Speaker 1: see and see. I didn't trust black people and that's

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Speaker 1: an insecurity of mind, right, But Atlanta has showing me

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Speaker 1: a different side of black people, you know, when I

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Speaker 1: think about where I'm from and and just by proximity

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Speaker 1: and how things happen and how people handle things, and

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Speaker 1: how and how we neglect each other, whether that be

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Speaker 1: the no look that you hear me talk about sometimes

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Speaker 1: what people like to look at look, you know, try

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Speaker 1: to look out like what you're doing ain't effective or

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Speaker 1: it ain't working, you know, those things like that, whatever

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Speaker 1: that may be. We tend to keep each other away

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Speaker 1: from each other in regards to help when help is involved.

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Speaker 1: You know. So, um Atlanta is showing me a different

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Speaker 1: side of black folk. It's like YoY, they just they

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Speaker 1: just embracing me from a different standpoint. Like you know

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Speaker 1: what I'm saying it Like I move around down there

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Speaker 1: and I feel the love and the people want to

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Speaker 1: build with me and they want to be around and

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Speaker 1: like yo, let's get this going, like brow the truth. Basically,

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Speaker 1: what I was gonna say was that I prepare for

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Speaker 1: a lot of things that I haven't saw happening right

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Speaker 1: in my preparation, right in my building and in my

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Speaker 1: when I was putting sweat ec within right and I'm

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Speaker 1: still doing that blood, sweat and tears go into this right.

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Speaker 1: But when I was building this, I was saying, all right,

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Speaker 1: so loon, when you get past this, they're gonna get

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Speaker 1: your hard time. You're gonna have to figure out how

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Speaker 1: to forenagle through them and get over that hump. They

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Speaker 1: ain't gonna just let you in. Info gonna try to

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Speaker 1: act like it. But I get here and I get

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Speaker 1: around multi millionaires, all these millionaire people, it's, oh, come on,

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Speaker 1: ind oh, come on in. I don't now know him,

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Speaker 1: let him in. He want us, and it's like, oh

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Speaker 1: we oh, game respect game. I'm I'm thinking, like game,

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Speaker 1: don't respect game, but game respect game. Game respect game.

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Speaker 1: And I'm telling you what I know. And that's why

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Speaker 1: I'm even more hard on my children, Like, yo, go

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Speaker 1: get some information, doll, because the money, the cool shit

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Speaker 1: go out the one. I'm naturally that nigga. I'm naturally

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Speaker 1: that nigga. Yeah, I don't got to you know, you know,

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Speaker 1: get my hair cut or get my ship down. I wait,

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Speaker 1: I'm the last nigga to get dreads, I'm the last

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Speaker 1: nigga to go blonde, and certain things like, I'm that

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Speaker 1: nigga naturally, so nothing nobody can say can affect that

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Speaker 1: that's unfortunate for them because they're working hard over time

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Speaker 1: in the corner. I mean, they're doing shit. I come

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Speaker 1: back home and it's shit happening into my show. I'm like, Yo,

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Speaker 1: why is this happening to me? When none of this

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Speaker 1: shit can affect me? There's nothing nobody can do that

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Speaker 1: can affect me and who I think I am and

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Speaker 1: what I am and what I bring to the game,

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Speaker 1: what I bring to the world. You know what I'm saying.

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Speaker 1: Because there's a list of things in life then I

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Speaker 1: might have to deal with, and there's a list of

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Speaker 1: things in life that you're gonna have to deal with

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Speaker 1: the difference between me and you is I'm on, yo, listen,

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Speaker 1: you ain't no man. You gotta deal with me. Unfortunate

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Speaker 1: for y'all. God has ordained this. Like I don't know why.

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Speaker 1: I don't know what's going on, but I thank God

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Speaker 1: for whatever opportunities placed me in. But He is, for

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Speaker 1: some reason, ordained my situation to hijack the process. I

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Speaker 1: was telling my old lady the other day, like, when

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Speaker 1: we really comb this down and board this down, I've

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Speaker 1: only done forty some episodes of this thing, and this

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Speaker 1: is where we sit right now, so Jesse Magic and

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Speaker 1: I ain't even doing this with no man, listen, it's

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Speaker 1: a problem. This is a different thing, right. But we

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Speaker 1: got to talk about some of the things from the culture.

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Speaker 1: I also gonna give a little bit more about my

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Speaker 1: interactions would Revote. We got videos and things that I

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Speaker 1: revote will be on Revote TV. Um uh interview and

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Speaker 1: we did an interview with Rick Ross. Um. We did

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Speaker 1: an interview with Marzi Um. But we're gonna get Mars

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Speaker 1: actually on the podcast. UM. I haven't even tried rossing them.

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Speaker 1: They invited me to the club after that, but I

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Speaker 1: had to go do to earn your leisure um and

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Speaker 1: the and the an Apartment's interview. So you know, again,

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Speaker 1: whenever I'm around they, you know, everybody, we're tapping in

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Speaker 1: with each other and that and that they vibe is

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Speaker 1: so deep. That's so yeah. Man. We desperate for that

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Speaker 1: in Hill hoping, in Trap and then rap, we desperate

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Speaker 1: for that, especially in this podcasting. We gotta do that. Um.

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Speaker 1: But we'll get into a little bit more that stuff.

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Speaker 1: Welcome to It's up their podcast your number one place

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Speaker 1: for business and podcast didn't rank number through these six

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Speaker 1: Your Little Mother in the world, shit back, drown up

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Speaker 1: a volume on your phone and enjoy the show with

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Speaker 1: your homie anamalsts Big Louse Up There podcast. Welcome to

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Speaker 1: another episode of It's Up That Podcast. I am your

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Speaker 1: active and attractive host for another episode of de fashion

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Speaker 1: growing podcasts on the market right now. We want to

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Speaker 1: thank everybody that's been tuned then tapped in. We appreciate

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Speaker 1: the vibrations we just come from. Revote may not be

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Speaker 1: a long part today because we're running behind on schedule.

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Speaker 1: We usually record two days prior to today, so we

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Speaker 1: want to make sure to get something out for you

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Speaker 1: for y'all, you know, the people that's tapped in and

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Speaker 1: the lawyer people that's always waiting on the drop. So

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Speaker 1: with that being said, we're here today. If you're listening

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Speaker 1: to the audio version of the podcasts and you want

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Speaker 1: to figure out where to find the video, we have

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Speaker 1: a new YouTube channel again, it's Fogfo TV on YouTube.

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Speaker 1: Those videos dropped Thursday at six eight m And also

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Speaker 1: we have spun off and got another channel for the

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Speaker 1: clips of the podcast, so it's up Podcast Clips. It's

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Speaker 1: the name of that channel. Um Lincoln bio of my Instagram.

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Speaker 1: Uh we've did some revamping of what we've done with

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Speaker 1: our Lincoln Bio landing page. You have an opportunity to

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Speaker 1: book me for UM consultation, UM about podcasting, or if

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Speaker 1: you just want to have a conversation, a promo for

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Speaker 1: your brand, whatever the case. Maybe hit that link in

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Speaker 1: that bio tappy and get you sub merged things like that. UM.

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Speaker 1: What else we got. We want to send a shout

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Speaker 1: out to Diddy, UM, we want to send a shout

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Speaker 1: out to Revote. We want to shoot and shout out

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Speaker 1: the Big Bank baby Jay. UM. Definitely enjoyed ourselves with Revolte.

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Speaker 1: They treated us really really well, like family, UM. And

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Speaker 1: it was a it was a thing that you know,

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Speaker 1: I noticed, like with my brand, with my podcast, Like

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Speaker 1: for those of you this it's always tapped in with me,

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Speaker 1: you know, like I always talk about my space or

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Speaker 1: or my place in the market. I always speak about

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Speaker 1: how I'm unique in my approach, right, and it kind

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Speaker 1: of stands out like a sore thing. And that showed

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Speaker 1: itself to be true amongst the people that's cutting a

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Speaker 1: lot of checks in the game and people just recognizing

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Speaker 1: what I bring to the game. And so you will

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Speaker 1: see a lot. We got a chance to chop it

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Speaker 1: up or earn your leisure again. We're about to do

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Speaker 1: our podcast with them. We got a chance to chop

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Speaker 1: it with Walker Flocker. He's about to come home. Minse's

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Speaker 1: about to come on our knick. Six or seven interviews

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Speaker 1: are gonna be blockbuster. So just stay tuned for that

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Speaker 1: man and just stay engaged. You know, it's a lot

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Speaker 1: to talk about speaking of just being in some in

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Speaker 1: a place like that and just having me kind of

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Speaker 1: revisit the Astro World situation with Travis Scott. So prior

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Speaker 1: to me leaving and going down to revote, the news

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Speaker 1: had just broke on the Travis got situation right in

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Speaker 1: how um that was there was I think elevin dead.

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Speaker 1: Let me google that to make sure I don't misquote that.

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Speaker 1: I do gotta lie, make sure I stand beside the

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Speaker 1: information at this point. Give me just a second and

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Speaker 1: I'll show y'all when I'm looking at too. So let's

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Speaker 1: do that. So we'll go to CNN and see what

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Speaker 1: they're saying. Deadly Astro World festival spirt out of control,

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Speaker 1: it says according to Seeing then, the signs of trouble

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Speaker 1: were evident hours before the deadly crowd surged at the

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Speaker 1: Astro World Music Festival festival one week ago. According to

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Speaker 1: Houston Fire Department, long shortly after nine am start of

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Speaker 1: the November five festivals, speculators had already breached the main gate.

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Speaker 1: So they're speaking about just um, it was kind of

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Speaker 1: out of control from the start. So again, this was

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Speaker 1: just breaking when I when I was when I when

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Speaker 1: I reported last week. So I didn't really dive in

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Speaker 1: or really doesn't. I don't really have much information about it.

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Speaker 1: That thing is unfolding and that's a very slippery situation, right,

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Speaker 1: So um again I'm also spoke from a standpoint of Mann.

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Speaker 1: We just was talking about the rolling Loud thing and

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Speaker 1: you know it seemed like one of ours go through

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Speaker 1: something this horrific, you know, unfortunate for that. Um what

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Speaker 1: point was I making of that? Oh with the Astro World, right,

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Speaker 1: you know, off of the deadly tragedy is happening, because

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Speaker 1: you know, we'll let those things play out and shout

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Speaker 1: out the live nation, right, But it made me think

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Speaker 1: about see, because I like to look at things from

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Speaker 1: a holistic standpoint. I you know, people always try to

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Speaker 1: just view what happens now and some people think that

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Speaker 1: that's a weakness of man. Not I tend to think

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Speaker 1: it's a strength. Right. So I know if you're steal

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Speaker 1: a piece of ice cream from me, that you are

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Speaker 1: steal my money. And I know if you're still my money,

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Speaker 1: you're sneaking still, you know what I'm saying. So I

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Speaker 1: kind of play tag team with scenarios, right, And I

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Speaker 1: think that one door leads to another. And so when

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Speaker 1: I look at the world and I say we're coming

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Speaker 1: off COVID, you gotta remember these venues and these festivals,

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Speaker 1: they made money in about two years. That's very unusual.

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Speaker 1: Something like this hasn't happened in a hundred years. So

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Speaker 1: nine times out of ten they had no plan in

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Speaker 1: place in their business model or in their approach to

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Speaker 1: that business. They had no plan in place for if

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Speaker 1: something like this was to take place, because it only

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Speaker 1: happens every hundred years. You pulled it from nowhere. So

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Speaker 1: most businesses was affected by it. Speaking of festivals, that

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Speaker 1: makes its money on the back of people standing next

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Speaker 1: to each other, people perform and things like that. It

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Speaker 1: makes its money that way. So if it's rough to

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Speaker 1: get people to stand in one place because of a virus,

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Speaker 1: a deadly virus, then that's gonna hurt their pockets, which

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Speaker 1: lends itself to why we may see them not stop

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Speaker 1: booking someone like a Cardi when his fans are messing

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Speaker 1: up venues and they got to come out and say, Yo,

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Speaker 1: if y'all do that, you're gonna end the show. It's like, yo,

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Speaker 1: you beg and let us make this money please. Like

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Speaker 1: it's like it's almost like, you know, they was really

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Speaker 1: affected by that COVID. It's almost like the it's almost

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Speaker 1: equivalent to the restaurant letting you take your liquor to go,

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Speaker 1: you know what I'm saying. It's almost the same as that. Like,

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Speaker 1: it's very unusual for them to continue to book people.

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Speaker 1: That's that's tearing their venues and things like that. But again,

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Speaker 1: after this long hiatus of being not being able to

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Speaker 1: make money, you may start to find yourself doing some

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Speaker 1: strange things to try to stay stay profitable at this point,

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Speaker 1: because it's been a long time since your money's been

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Speaker 1: going out and you still got to maintain business that

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Speaker 1: whole time, you know, so you still have some overhead.

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Speaker 1: You might have cut it down to as small as

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Speaker 1: it can be, but something still going out, you know,

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Speaker 1: in regards to some of these these venues and places

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Speaker 1: like that. Right, So again all businesses was affected. When

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Speaker 1: talking about coronavirus and COVID. This thing didn't just affect

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Speaker 1: what you see as far as you know, not only

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Speaker 1: the toilet tissue and this and that, like it went deep.

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Speaker 1: This thing changed the world as we know it. So

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Speaker 1: those effects are still things that we gotta adapt to

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Speaker 1: and analyze in the in the years ahead of us,

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Speaker 1: you know what I mean. Also, I want to say

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Speaker 1: this right because this is some game that I gotta

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00:26:19,000 --> 00:26:23,679
Speaker 1: give people because I know that they really don't you know,

425
00:26:23,760 --> 00:26:25,719
Speaker 1: maybe they don't know this, maybe they do, maybe they

426
00:26:25,720 --> 00:26:32,480
Speaker 1: don't want to believe it because me and Bank got

427
00:26:32,480 --> 00:26:35,359
Speaker 1: into a situation with a dude trying to run up

428
00:26:35,359 --> 00:26:38,919
Speaker 1: and speak. And now their dudes be kind of overaggressive,

429
00:26:39,119 --> 00:26:41,840
Speaker 1: right when they try to come talk to people who

430
00:26:41,920 --> 00:26:44,560
Speaker 1: they think got an opportunity or maybe can help them

431
00:26:44,560 --> 00:26:49,040
Speaker 1: do some things. But I noticed something when you at

432
00:26:49,080 --> 00:26:52,800
Speaker 1: these functions, right, or these summits or things like that,

433
00:26:52,880 --> 00:26:55,640
Speaker 1: or where you can have a chance to rub shoulders

434
00:26:55,640 --> 00:26:58,639
Speaker 1: and network with people, I noticed something. A lot of

435
00:26:58,680 --> 00:27:03,320
Speaker 1: people don't operate with any information right number one, your

436
00:27:03,400 --> 00:27:06,359
Speaker 1: line of question and tells me a lot about your

437
00:27:06,400 --> 00:27:09,800
Speaker 1: status or where you may currently sit right or where

438
00:27:09,840 --> 00:27:12,399
Speaker 1: what you may know right. Your line of question is

439
00:27:12,520 --> 00:27:15,720
Speaker 1: very important just when you bump into somebody, what you

440
00:27:15,760 --> 00:27:18,399
Speaker 1: know to say and what you know about you know,

441
00:27:18,480 --> 00:27:21,160
Speaker 1: that's a very important thing. But one thing I noticed

442
00:27:21,160 --> 00:27:26,560
Speaker 1: people do, and I'll be honest, it's tricked me before

443
00:27:26,560 --> 00:27:30,080
Speaker 1: I got into the industry. You know, I see people

444
00:27:30,119 --> 00:27:34,920
Speaker 1: get a picture with somebody and I don't pay attention

445
00:27:35,240 --> 00:27:38,720
Speaker 1: to nothing but the picture. So it's it's almost like,

446
00:27:39,920 --> 00:27:44,800
Speaker 1: you know, you probably one of them people to run

447
00:27:44,880 --> 00:27:48,200
Speaker 1: up on people and ask them for a picture, right,

448
00:27:48,280 --> 00:27:50,760
Speaker 1: And that's cool. You know that's some value in that.

449
00:27:50,960 --> 00:27:53,040
Speaker 1: You might can work your one too, right, If you

450
00:27:53,600 --> 00:27:56,440
Speaker 1: work your Instagram right, and you do have some kind

451
00:27:56,480 --> 00:27:58,840
Speaker 1: of status, maybe that's some value at that. So I

452
00:27:58,840 --> 00:28:02,680
Speaker 1: don't knock you for that. That's your business. The problem is, right,

453
00:28:03,440 --> 00:28:06,560
Speaker 1: is that people, when, like Banks said, when you start

454
00:28:06,640 --> 00:28:10,480
Speaker 1: to believe that something is there, that's when the problem

455
00:28:10,560 --> 00:28:13,800
Speaker 1: becomes there. Because you dude to take a picture with

456
00:28:13,880 --> 00:28:16,280
Speaker 1: a TI or Summer or one of these people, and

457
00:28:16,320 --> 00:28:20,040
Speaker 1: then you know act like you know this guy this

458
00:28:20,080 --> 00:28:23,200
Speaker 1: guy don't know you, man, you know what I'm saying.

459
00:28:23,200 --> 00:28:25,480
Speaker 1: A matter of fact, that was just a fake encounter.

460
00:28:25,880 --> 00:28:28,800
Speaker 1: Even if they're shaking their heads saying yeah yea now

461
00:28:28,880 --> 00:28:31,680
Speaker 1: for real, shout of your now for man, I'm telling

462
00:28:31,680 --> 00:28:36,840
Speaker 1: you yeah, yeah, yeah, they being polite. It's a polite thing.

463
00:28:37,080 --> 00:28:39,240
Speaker 1: This is just me being polite. I don't want to

464
00:28:39,280 --> 00:28:41,560
Speaker 1: be viewed as yo. I try to at least how

465
00:28:41,720 --> 00:28:44,400
Speaker 1: let you have a conversation if your line if then

466
00:28:44,400 --> 00:28:47,120
Speaker 1: if you come with a line of question as he yo,

467
00:28:47,240 --> 00:28:49,920
Speaker 1: man I was looking at and it's hitting right on

468
00:28:49,960 --> 00:28:53,080
Speaker 1: the head or what he's in, that's might stick out

469
00:28:53,200 --> 00:28:56,280
Speaker 1: enough for you to build a real relationship. But the

470
00:28:56,800 --> 00:28:59,440
Speaker 1: relationship when you run up to somebody that say, yo,

471
00:28:59,520 --> 00:29:03,520
Speaker 1: can I get a picture them's fake. That's an artificial thing.

472
00:29:03,680 --> 00:29:07,960
Speaker 1: That's a fake thing happening right there. And people hang

473
00:29:08,080 --> 00:29:10,840
Speaker 1: their hand on that a lot of time. And another

474
00:29:10,880 --> 00:29:15,600
Speaker 1: thing I noticed is that people don't even know how

475
00:29:15,640 --> 00:29:20,200
Speaker 1: this business work, how this game work. So they'll be

476
00:29:20,280 --> 00:29:26,600
Speaker 1: chasing down talent and running right past the CEO. The

477
00:29:26,680 --> 00:29:32,160
Speaker 1: CEO of the company is right here. They've running past

478
00:29:32,240 --> 00:29:35,960
Speaker 1: the ceo, chasing the talent, trying to push up on

479
00:29:36,040 --> 00:29:38,480
Speaker 1: the talent. Man, just give me an opportunity. You don't

480
00:29:38,480 --> 00:29:41,680
Speaker 1: even know how to business work. He beat Yo, it's

481
00:29:41,840 --> 00:29:45,040
Speaker 1: I'm listening, but I guess that's how this game works.

482
00:29:45,120 --> 00:29:48,160
Speaker 1: I'm not sure you see what I'm saying, but you

483
00:29:48,280 --> 00:29:51,800
Speaker 1: gotta understand position. You gotta know. And it's a thing

484
00:29:51,880 --> 00:29:55,880
Speaker 1: that I called it. It's the work around. You gotta know. Man, Listen,

485
00:29:55,920 --> 00:29:58,120
Speaker 1: when you see a Bentley coming down the street, you

486
00:29:58,240 --> 00:30:01,400
Speaker 1: like the outside of the car, but it's detailing the inside.

487
00:30:01,440 --> 00:30:05,080
Speaker 1: It's detailing the motor and the transmission to get them

488
00:30:05,080 --> 00:30:08,840
Speaker 1: brakes fixed and setting the fire hunter. You see, it's

489
00:30:08,880 --> 00:30:11,960
Speaker 1: a lot to make that cot do what he's doing.

490
00:30:12,640 --> 00:30:16,120
Speaker 1: So when you see somebody that's a multimillion dollar entertainer,

491
00:30:16,960 --> 00:30:21,160
Speaker 1: it's a lot surrounding them that's allowing them to be that.

492
00:30:21,160 --> 00:30:25,840
Speaker 1: That ain't just some small feet. And I think, um, like,

493
00:30:25,920 --> 00:30:28,400
Speaker 1: because it was a dude with me and you know Walker,

494
00:30:28,680 --> 00:30:31,680
Speaker 1: you know, was talking to me and he spoke the

495
00:30:31,720 --> 00:30:33,440
Speaker 1: walker because he was next to me. I let him,

496
00:30:33,480 --> 00:30:37,160
Speaker 1: how let Walker and you know his line of questioning.

497
00:30:38,000 --> 00:30:41,280
Speaker 1: See Walker instantly asked him something, So what you got

498
00:30:41,320 --> 00:30:43,320
Speaker 1: going home? To what you're doing? I see you with, bro,

499
00:30:43,440 --> 00:30:46,640
Speaker 1: what you got going? Man? Um, Well, I'm a manager.

500
00:30:46,720 --> 00:30:48,560
Speaker 1: He wasn't really with me, but it was a cool

501
00:30:48,640 --> 00:30:51,080
Speaker 1: dude I met. But he's a man. I'm a manager.

502
00:30:52,400 --> 00:30:57,959
Speaker 1: But once he explained the Walker his situation, Walker tolling

503
00:30:58,080 --> 00:31:01,040
Speaker 1: where he stays at right, I ain't nothing I can

504
00:31:01,080 --> 00:31:05,160
Speaker 1: do with that right now. Now. His response was about

505
00:31:05,240 --> 00:31:08,520
Speaker 1: to be to double down to try to convince Walker,

506
00:31:09,200 --> 00:31:11,360
Speaker 1: but I was standing right there. I tapped him. I said,

507
00:31:11,400 --> 00:31:14,040
Speaker 1: just soaked the game up, whatever game he giving you,

508
00:31:14,640 --> 00:31:17,200
Speaker 1: because ain't nothing you can say now to make him

509
00:31:17,280 --> 00:31:22,560
Speaker 1: change his mind. You know. But what dudes respect MOA

510
00:31:22,680 --> 00:31:24,600
Speaker 1: is Hey, if you come up to me and saying

511
00:31:24,680 --> 00:31:26,880
Speaker 1: I say, yo, so what you're doing? You're like, man,

512
00:31:26,920 --> 00:31:30,600
Speaker 1: I'm Anna Sudd and sudden I say, okay, what how

513
00:31:30,680 --> 00:31:34,000
Speaker 1: much money? What's your overhead? Well, right now, I ain't

514
00:31:34,000 --> 00:31:36,480
Speaker 1: really even got no building. Now I get a build,

515
00:31:36,480 --> 00:31:39,760
Speaker 1: and once you get a building, sensing we'll bump into

516
00:31:39,800 --> 00:31:42,200
Speaker 1: each other again because you need a building to do this.

517
00:31:43,080 --> 00:31:46,160
Speaker 1: But what you see, because I'm dealing with specifics, I'm

518
00:31:46,160 --> 00:31:48,520
Speaker 1: telling you what what position you need to be in

519
00:31:48,560 --> 00:31:52,840
Speaker 1: the ask for the pass right? If you're seven foot one,

520
00:31:52,880 --> 00:31:54,520
Speaker 1: I don't want to see you by the three point

521
00:31:54,600 --> 00:31:57,920
Speaker 1: line asking for the ball. I need to see you

522
00:31:58,000 --> 00:32:00,600
Speaker 1: somewhere close to the rim. Then I gonna see your

523
00:32:00,600 --> 00:32:05,760
Speaker 1: hand go up. But just me telling you that as

524
00:32:05,800 --> 00:32:08,440
Speaker 1: the stop point guard to get over eight big boy

525
00:32:08,680 --> 00:32:12,400
Speaker 1: now down by the goal. That information right there is

526
00:32:12,520 --> 00:32:15,440
Speaker 1: enough information for you to you post to understand what

527
00:32:15,560 --> 00:32:17,960
Speaker 1: I'm telling you, and just try to get closer to

528
00:32:18,040 --> 00:32:20,640
Speaker 1: the goal and then and then ask for the past.

529
00:32:20,720 --> 00:32:23,160
Speaker 1: A lot of times people ask for the past too quick,

530
00:32:23,760 --> 00:32:28,440
Speaker 1: and oftentimes we gotta we gotta ignore. We got to

531
00:32:28,480 --> 00:32:33,120
Speaker 1: ignore that. And sometimes it hurts your feelings right because

532
00:32:33,160 --> 00:32:37,440
Speaker 1: somebody's ignoring what you think is ready unfortunate for you.

533
00:32:37,520 --> 00:32:39,680
Speaker 1: We know, if you take the cake out too early,

534
00:32:39,760 --> 00:32:43,360
Speaker 1: the inside is mushing. We know if you don't put

535
00:32:43,520 --> 00:32:46,240
Speaker 1: enough egg and then you don't beat the batter enough,

536
00:32:46,560 --> 00:32:49,080
Speaker 1: certain things happen when this ain't done the right way.

537
00:32:49,160 --> 00:32:52,760
Speaker 1: The foundation gotta be stronger than the than the than

538
00:32:52,800 --> 00:32:57,320
Speaker 1: the building. You know what I'm saying. So sometimes dude,

539
00:32:57,360 --> 00:32:59,960
Speaker 1: that's all dudes telling you get closer to the goal.

540
00:33:01,120 --> 00:33:06,120
Speaker 1: You sell them too you sell them too soon, you

541
00:33:06,200 --> 00:33:08,600
Speaker 1: cross court asking for the ball. Ain't nothing you can

542
00:33:08,640 --> 00:33:10,680
Speaker 1: do with the ball. From there, big boy, get by

543
00:33:10,720 --> 00:33:13,960
Speaker 1: the goal. We're gonna feed you. That's what our job is,

544
00:33:14,000 --> 00:33:16,560
Speaker 1: to feed fold the ball. But you you got your

545
00:33:16,600 --> 00:33:20,360
Speaker 1: position confused. You see what I'm saying far as where

546
00:33:20,720 --> 00:33:23,160
Speaker 1: what I structure is. Then if you build your own

547
00:33:23,360 --> 00:33:25,600
Speaker 1: you can say. Now I'm sell them two on point guard.

548
00:33:25,880 --> 00:33:29,400
Speaker 1: Do your thing, my nigga, we salute you. But if

549
00:33:29,680 --> 00:33:33,280
Speaker 1: it work inside this structure and you seven two, we

550
00:33:33,400 --> 00:33:35,440
Speaker 1: need you by the goal to ask for the path.

551
00:33:36,120 --> 00:33:38,840
Speaker 1: You know what I'm saying. And it's just good game.

552
00:33:39,000 --> 00:33:43,360
Speaker 1: But how you meet and how you build with somebody

553
00:33:43,720 --> 00:33:46,120
Speaker 1: is a real thing. I even told her Due It

554
00:33:46,280 --> 00:33:49,400
Speaker 1: was like, Loom, how can I get in contact with

555
00:33:49,520 --> 00:33:52,000
Speaker 1: like a Rick Ross or one of these people that's here.

556
00:33:52,560 --> 00:33:55,160
Speaker 1: I said, if one of these dudes got a merch table,

557
00:33:55,240 --> 00:34:01,120
Speaker 1: go by some merch, like go support these folds. You know,

558
00:34:01,200 --> 00:34:03,440
Speaker 1: I don't leave folks running up on people. You're just

559
00:34:03,520 --> 00:34:06,880
Speaker 1: asking for numbers and opportunities. Dude, do you even support

560
00:34:06,920 --> 00:34:11,720
Speaker 1: what this is we're doing? You know what I'm saying.

561
00:34:11,760 --> 00:34:14,640
Speaker 1: So it's that kind of thing. Man. Just just be

562
00:34:14,640 --> 00:34:20,360
Speaker 1: be persistent, be consistent, but be mindful, you know, be

563
00:34:20,560 --> 00:34:25,399
Speaker 1: mindful everybody's just humans, and um, you know, you can't

564
00:34:25,480 --> 00:34:27,600
Speaker 1: always want something for nothing, you know what I mean.

565
00:34:27,800 --> 00:34:33,719
Speaker 1: You gotta understand podcasting, right, you gotta understand too, this

566
00:34:33,719 --> 00:34:37,040
Speaker 1: this space. You know, in the South, we not guarantee

567
00:34:37,080 --> 00:34:41,600
Speaker 1: the spotting podcasting. That's why you hit me scratching and

568
00:34:41,719 --> 00:34:45,560
Speaker 1: Clawe and you're starting to see Master Pete creep back

569
00:34:45,600 --> 00:34:48,560
Speaker 1: into conversations up up there from the folks up top

570
00:34:48,680 --> 00:34:53,239
Speaker 1: bird Man Jay Print. I gotta do the same with

571
00:34:53,320 --> 00:34:57,480
Speaker 1: combat Jack. You know. It's so many things that they

572
00:34:57,600 --> 00:35:01,320
Speaker 1: forget around here, you know, but when you're a student

573
00:35:01,360 --> 00:35:03,799
Speaker 1: of the game, you know what this thing evolved from.

574
00:35:03,800 --> 00:35:06,000
Speaker 1: And that's why when you hit me called people out,

575
00:35:06,320 --> 00:35:09,480
Speaker 1: I ain't calling folks out because or not even calling

576
00:35:09,520 --> 00:35:12,279
Speaker 1: them out, but just making an observation. Dog, I'm dealing

577
00:35:12,360 --> 00:35:15,279
Speaker 1: with the information. I know what I'm looking at. I

578
00:35:15,360 --> 00:35:18,839
Speaker 1: know exactly what's going on. I'm a student of it.

579
00:35:19,320 --> 00:35:21,839
Speaker 1: I ain't just talking. I know what they're doing, where

580
00:35:21,840 --> 00:35:24,319
Speaker 1: they went to, what they're lying about. I know what's

581
00:35:24,360 --> 00:35:28,480
Speaker 1: going on. I've watched it, I've studied it, I know

582
00:35:28,560 --> 00:35:31,759
Speaker 1: the workarounds. I know it all because I've gave my

583
00:35:31,800 --> 00:35:33,640
Speaker 1: life to it and That's why when I speak, I

584
00:35:33,719 --> 00:35:39,040
Speaker 1: speak from position of power and anyone listening can feel it. Right.

585
00:35:40,000 --> 00:35:45,280
Speaker 1: But when we look at podcasting, right, hip hop help

586
00:35:45,400 --> 00:35:52,920
Speaker 1: build build podcasting like Combat Jack, like Cipher Sounds like

587
00:35:53,000 --> 00:35:58,759
Speaker 1: Chris Munroe, Charlemagne Andrew Shows, Pistol Pete, that whole loud

588
00:35:58,840 --> 00:36:05,440
Speaker 1: Speaker network, Hell Up the read You know, UM a

589
00:36:05,480 --> 00:36:11,000
Speaker 1: lot of podcasting in the beginning, even um what's his

590
00:36:11,160 --> 00:36:15,960
Speaker 1: name at Hot ninety seven, Rosenberg was early um none

591
00:36:15,960 --> 00:36:19,480
Speaker 1: before Combat Jack, if if if if I remember correctly,

592
00:36:19,600 --> 00:36:24,040
Speaker 1: nonetheless outside of hip hop helping in that very subsection

593
00:36:24,200 --> 00:36:29,799
Speaker 1: of U creators in that category, comedy really built this

594
00:36:29,960 --> 00:36:33,520
Speaker 1: podcast in space. If you really a student of the

595
00:36:33,640 --> 00:36:37,880
Speaker 1: game and you trace it back, it goes back to comics.

596
00:36:39,120 --> 00:36:41,839
Speaker 1: They built this podcast in space. Then when you think

597
00:36:41,880 --> 00:36:45,680
Speaker 1: about it, it makes natural sense. They get up with

598
00:36:45,719 --> 00:36:48,200
Speaker 1: a microphone, they talked for a living, they should be

599
00:36:48,239 --> 00:36:50,600
Speaker 1: able to, and they entertained with it for a living.

600
00:36:50,680 --> 00:36:53,919
Speaker 1: So this is a thing that they kind of do, right,

601
00:36:54,360 --> 00:36:58,040
Speaker 1: But they started this and that's why, um, you know,

602
00:36:58,239 --> 00:37:00,719
Speaker 1: on in departments, I was telling party like yo, I

603
00:37:00,840 --> 00:37:06,520
Speaker 1: pull up listening the white boys, and it ain't about

604
00:37:06,640 --> 00:37:08,840
Speaker 1: them being better than us. Because I don't believe that

605
00:37:08,920 --> 00:37:11,720
Speaker 1: to be the case. The problem is or not the problem.

606
00:37:11,800 --> 00:37:18,799
Speaker 1: The the scenario is they helped build this space, I mean,

607
00:37:19,160 --> 00:37:21,640
Speaker 1: and they're dealing with it all the just taking man,

608
00:37:21,680 --> 00:37:23,600
Speaker 1: when I'm telling you and listening to me when I

609
00:37:23,719 --> 00:37:27,200
Speaker 1: told I'm not wasting many more words. I'm telling you

610
00:37:27,239 --> 00:37:30,080
Speaker 1: this because they're about to start paying me a lot

611
00:37:30,120 --> 00:37:36,440
Speaker 1: of money for this. Everybody that is making twenty million

612
00:37:36,480 --> 00:37:40,760
Speaker 1: dollars and up a year in podcasting, ten million dollars

613
00:37:41,120 --> 00:37:45,480
Speaker 1: up a year in podcasting, ninety five percent of them

614
00:37:45,520 --> 00:37:49,200
Speaker 1: people or comics. A matter of fact, the biggest deals

615
00:37:49,280 --> 00:37:56,920
Speaker 1: in the podcasting industry came to comedians turned podcasters. You

616
00:37:57,000 --> 00:37:59,719
Speaker 1: can go check the numbers in this space. Outside of

617
00:37:59,760 --> 00:38:04,440
Speaker 1: the crime mystery stuff, comics are the biggest podcasters in

618
00:38:04,480 --> 00:38:12,160
Speaker 1: the space right collectively. You see Now, I was just

619
00:38:12,320 --> 00:38:16,000
Speaker 1: listening to um, Tom Segur and Bert Christner. Shout out

620
00:38:16,000 --> 00:38:19,000
Speaker 1: to them. They have a podcast talk called Two Birds,

621
00:38:19,239 --> 00:38:22,000
Speaker 1: Two Bears, One Cave. I know, the hood don't know

622
00:38:22,040 --> 00:38:24,440
Speaker 1: what I'm saying when I'm speaking about this, but this

623
00:38:24,719 --> 00:38:30,319
Speaker 1: game attached to this, right, this real game attested it.

624
00:38:31,800 --> 00:38:36,400
Speaker 1: I look at what's happening with Tom Segur, Bert Kristner

625
00:38:36,840 --> 00:38:42,640
Speaker 1: and even All Things Comedy. They effectively are running a network.

626
00:38:44,400 --> 00:38:46,920
Speaker 1: They're running a master class on how to do your

627
00:38:47,000 --> 00:38:50,719
Speaker 1: podcast thing. These two, this Tim Segur thing It's your

628
00:38:50,760 --> 00:38:53,920
Speaker 1: Mom's House thing, and this All Things Comedy, they're running

629
00:38:53,920 --> 00:38:56,399
Speaker 1: a master class on how to do this, from live

630
00:38:56,480 --> 00:39:04,880
Speaker 1: shows to creating original content, to shooting, having different characters

631
00:39:04,920 --> 00:39:08,560
Speaker 1: and show like it's They even mixed promotion like it's yo.

632
00:39:08,680 --> 00:39:11,920
Speaker 1: It's a master class on how to navigate around this space. Bro,

633
00:39:12,920 --> 00:39:16,879
Speaker 1: It's a master class. And again, I don't look at

634
00:39:16,920 --> 00:39:20,920
Speaker 1: them from from I don't look at them because I

635
00:39:21,920 --> 00:39:24,200
Speaker 1: want to talk like them when they can talk like me.

636
00:39:24,760 --> 00:39:27,560
Speaker 1: I look at them because I look at Timson girls approach,

637
00:39:28,400 --> 00:39:30,319
Speaker 1: you know, even on the other side with the All

638
00:39:30,400 --> 00:39:32,799
Speaker 1: Things Comedy to Bill Bird and all of them, they

639
00:39:32,840 --> 00:39:36,520
Speaker 1: approach to this thing. It's like, oh, they're doing pay

640
00:39:36,520 --> 00:39:41,480
Speaker 1: per view. Oh they oh they sold older Bird, older ass. Oh,

641
00:39:41,600 --> 00:39:45,799
Speaker 1: I see old. They're making a killing and they consistently

642
00:39:45,960 --> 00:39:48,600
Speaker 1: million like two Bears. I they do a million a

643
00:39:48,600 --> 00:39:53,600
Speaker 1: week easy. And that's just on YouTube. Right, So when

644
00:39:53,640 --> 00:39:57,360
Speaker 1: I'm speaking to is a business model that they're putting down,

645
00:40:00,800 --> 00:40:03,280
Speaker 1: you know, a business model that they're putt them down.

646
00:40:03,800 --> 00:40:07,759
Speaker 1: They do these live shows, spin offs where it's pay

647
00:40:07,800 --> 00:40:10,400
Speaker 1: per view, not even live shows like we do seeing

648
00:40:10,480 --> 00:40:13,680
Speaker 1: hip hop. We're gonna tour, we seeing hippop. See what

649
00:40:13,800 --> 00:40:16,520
Speaker 1: I'm telling you, This won't make me colder than everybody else.

650
00:40:17,680 --> 00:40:21,200
Speaker 1: It's because they too ingratiated with the hip hop thing.

651
00:40:21,680 --> 00:40:25,720
Speaker 1: My range is too large. My range is large. See

652
00:40:25,760 --> 00:40:29,640
Speaker 1: what the podcasters are doing now, is they copying the rappers?

653
00:40:30,680 --> 00:40:33,240
Speaker 1: They literally are going to the same venues the rappers

654
00:40:33,239 --> 00:40:36,200
Speaker 1: are going to and doing the same thing. Grabbed the mic,

655
00:40:36,280 --> 00:40:41,120
Speaker 1: sale ticket. You don't got to do to him. I'm

656
00:40:41,120 --> 00:40:43,239
Speaker 1: gonna show them what to do in this space, right,

657
00:40:43,280 --> 00:40:45,480
Speaker 1: I'm gonna show them what to do because again I'm

658
00:40:45,520 --> 00:40:48,319
Speaker 1: a student of it. I'm running the master class on it,

659
00:40:48,800 --> 00:40:52,160
Speaker 1: not charge I'm seeing in real time. I'm running a

660
00:40:52,200 --> 00:40:54,680
Speaker 1: master class on how to build a brand, build a

661
00:40:54,840 --> 00:40:57,880
Speaker 1: podcast and send it through the through the inner workings

662
00:40:57,920 --> 00:41:02,400
Speaker 1: of the industry and come out with the paper. And

663
00:41:02,520 --> 00:41:06,600
Speaker 1: that's in real time. But um, but these dudes help

664
00:41:06,680 --> 00:41:12,160
Speaker 1: build this space. These dudes like um, like them help

665
00:41:12,239 --> 00:41:16,359
Speaker 1: build this space. And also um again, when I when

666
00:41:16,360 --> 00:41:19,560
Speaker 1: I thought about that, I said, see it ain't always

667
00:41:19,600 --> 00:41:23,680
Speaker 1: about what you do when you come. Sometimes it's about

668
00:41:23,719 --> 00:41:28,919
Speaker 1: when you come by yourself. Like you're timing. Because when

669
00:41:28,920 --> 00:41:32,440
Speaker 1: I look at with the death of outpoll, right, when

670
00:41:32,480 --> 00:41:34,319
Speaker 1: I look at the death of out point, I see

671
00:41:34,400 --> 00:41:38,719
Speaker 1: Dame Dash say, yo, we can do a paid in

672
00:41:38,840 --> 00:41:43,040
Speaker 1: four two. Now I look at that, and I say, man,

673
00:41:46,440 --> 00:41:49,520
Speaker 1: could Dame Dash had done with fifty cent doing right now?

674
00:41:50,520 --> 00:41:54,920
Speaker 1: Because really, Dame Dash paid in four It's kind of

675
00:41:54,960 --> 00:41:58,359
Speaker 1: like fifty cent power or one of these. It's not

676
00:41:58,680 --> 00:42:04,640
Speaker 1: you know, power's better, right, But I'm saying explaining our culture, right,

677
00:42:04,960 --> 00:42:08,000
Speaker 1: Dame them was early on that. Now what I said

678
00:42:08,120 --> 00:42:11,120
Speaker 1: was Dame couldn't do it. But without Dame fifty couldn't

679
00:42:11,160 --> 00:42:14,360
Speaker 1: do it. Because what Dame done and a lot of

680
00:42:14,360 --> 00:42:17,960
Speaker 1: these other people right, your ice cubes, your boys in

681
00:42:18,000 --> 00:42:21,320
Speaker 1: the hood, your minutes to societies, all of these things,

682
00:42:21,360 --> 00:42:25,680
Speaker 1: what they've done was they've got the audience ready. See

683
00:42:25,719 --> 00:42:30,279
Speaker 1: some people getting the audience ready, some people getting the

684
00:42:30,360 --> 00:42:33,520
Speaker 1: audience ready. They may not capitalize all the way, but

685
00:42:33,719 --> 00:42:36,440
Speaker 1: because of them, they stretched it out just enough for

686
00:42:36,520 --> 00:42:39,320
Speaker 1: you to sneak in that hole. You see what I'm saying.

687
00:42:39,560 --> 00:42:43,799
Speaker 1: And that's what when I look at Dame. I look

688
00:42:43,840 --> 00:42:50,320
Speaker 1: at fifty, and I say, Dame couldn't do what fifty

689
00:42:50,440 --> 00:42:55,160
Speaker 1: is doing. But fifty couldn't do it without the wire

690
00:42:56,280 --> 00:43:00,520
Speaker 1: already had been you know, had that audience called out

691
00:43:00,880 --> 00:43:05,480
Speaker 1: the wire, carved that audience out for them, stuff like

692
00:43:05,560 --> 00:43:10,880
Speaker 1: the wire, stuff like, um, what else was one of

693
00:43:10,960 --> 00:43:16,040
Speaker 1: ours show that was just like all the black people

694
00:43:16,080 --> 00:43:21,600
Speaker 1: watched it? Empire in his early days. But I wouldn't

695
00:43:21,600 --> 00:43:24,960
Speaker 1: even say Empire because that was right there with fifty,

696
00:43:25,080 --> 00:43:28,640
Speaker 1: so he couldn't. I wouldn't give them that credit. Right,

697
00:43:28,719 --> 00:43:31,560
Speaker 1: But those older shows, maybe some of them that failed

698
00:43:31,600 --> 00:43:34,600
Speaker 1: and didn't even do well, you know, some of them,

699
00:43:34,600 --> 00:43:38,120
Speaker 1: that's just it just prepped NBC to take a little risk,

700
00:43:38,280 --> 00:43:41,239
Speaker 1: or it prepped or you know, it's that audience. See

701
00:43:41,239 --> 00:43:44,640
Speaker 1: what fifty is doing is he's carving out his audience

702
00:43:45,400 --> 00:43:49,319
Speaker 1: in this entertainment space and he's hoping to take that

703
00:43:49,400 --> 00:43:54,080
Speaker 1: audience with him wherever he goes. And I think he's

704
00:43:54,120 --> 00:43:57,160
Speaker 1: gonna be able to do it because he's he's not stupid.

705
00:43:57,360 --> 00:44:00,359
Speaker 1: What he's doing this on purpose. He's branding himself next

706
00:44:00,400 --> 00:44:02,880
Speaker 1: to all of these shows. So when you see me,

707
00:44:03,200 --> 00:44:07,480
Speaker 1: you think about those shows. Oftentimes, these writers are only

708
00:44:07,520 --> 00:44:10,600
Speaker 1: a name to come up in the credits, So they

709
00:44:10,680 --> 00:44:13,120
Speaker 1: got to kind of remind you, like, oh no, this

710
00:44:13,239 --> 00:44:16,080
Speaker 1: is such and such he made the wire or this

711
00:44:16,160 --> 00:44:18,839
Speaker 1: is such as you know, it's not just when you

712
00:44:18,880 --> 00:44:21,440
Speaker 1: see him you think of power where, you think of this,

713
00:44:21,600 --> 00:44:23,440
Speaker 1: you think of these things in this space. So he's

714
00:44:23,480 --> 00:44:28,200
Speaker 1: doing a great job marketing his face next to this

715
00:44:28,200 --> 00:44:31,000
Speaker 1: this world that he's creating, you know what I'm saying.

716
00:44:31,000 --> 00:44:33,439
Speaker 1: And I'll be I'll get with him soon and get

717
00:44:33,440 --> 00:44:35,880
Speaker 1: in one of these, you know, one of these movies

718
00:44:36,000 --> 00:44:37,680
Speaker 1: or one of these something. I'm gonna be in one

719
00:44:37,719 --> 00:44:40,239
Speaker 1: of these. I got the yeah, yeah, yeah, we got

720
00:44:40,239 --> 00:44:43,600
Speaker 1: to get on the big screen. So um, we definitely

721
00:44:43,600 --> 00:44:47,000
Speaker 1: got to make that happen. But Dame Dash, Dame Dash's

722
00:44:47,040 --> 00:44:51,600
Speaker 1: still hustling hard. He's still doing this thing. Um. When

723
00:44:51,640 --> 00:44:53,600
Speaker 1: I look at movies, like you know, some of the

724
00:44:53,640 --> 00:44:57,640
Speaker 1: movies State Property had paying in full minute Society Next Friday,

725
00:44:57,800 --> 00:45:02,439
Speaker 1: ice Q really helped. Ice Cube helped them because ice

726
00:45:02,520 --> 00:45:08,440
Speaker 1: Cube carved out, he carved out of the audience for

727
00:45:08,560 --> 00:45:12,640
Speaker 1: them white people, you know what I'm saying. They didn't

728
00:45:12,640 --> 00:45:15,480
Speaker 1: know who he was reaching with. He carved out of

729
00:45:15,560 --> 00:45:19,000
Speaker 1: audience and they went through that audience with a thousand

730
00:45:19,040 --> 00:45:24,560
Speaker 1: different little movies, a thousand different little movies. And that's

731
00:45:24,560 --> 00:45:27,240
Speaker 1: how to be in this work, you know what I'm saying.

732
00:45:27,280 --> 00:45:30,879
Speaker 1: But we're done building brands for these companies. We got

733
00:45:30,880 --> 00:45:34,360
Speaker 1: to get either equity in the company or whatever, because

734
00:45:34,400 --> 00:45:38,200
Speaker 1: again the money, the money don't mean them when somebody

735
00:45:38,320 --> 00:45:42,200
Speaker 1: already rich. So getfol equality, let defolt, take the equity

736
00:45:42,239 --> 00:45:44,359
Speaker 1: in the brand and let them run off and get

737
00:45:44,360 --> 00:45:47,719
Speaker 1: them some paper. When you said it or when you

738
00:45:47,800 --> 00:45:51,320
Speaker 1: blow it up. I saw Snoop dog on Joe Rogan

739
00:45:52,320 --> 00:45:55,080
Speaker 1: shout out, Snoop, shout out to Joe Rogan. You know,

740
00:45:56,040 --> 00:46:00,560
Speaker 1: he's the real gold in this space. Again, you know,

741
00:46:00,640 --> 00:46:03,440
Speaker 1: the biggest podcast in the world. Snoop one of ours,

742
00:46:05,480 --> 00:46:07,920
Speaker 1: and I like to see Snoop interact with people like

743
00:46:08,080 --> 00:46:10,879
Speaker 1: Roging roguing them are fans of him. You know, It's

744
00:46:10,920 --> 00:46:13,440
Speaker 1: it's hard to find somebody that's not a fan of Snoop.

745
00:46:13,480 --> 00:46:16,759
Speaker 1: He's one of our legends. He's one of our best representations.

746
00:46:17,640 --> 00:46:21,640
Speaker 1: And that's why I'm glad he wears rapper. And again

747
00:46:21,719 --> 00:46:24,360
Speaker 1: that was my point on Kanye West, Like Yo, I

748
00:46:24,440 --> 00:46:27,239
Speaker 1: know personally, rapper don't feel good to you. And you

749
00:46:27,280 --> 00:46:29,919
Speaker 1: may want to say, now, but this ain't about you.

750
00:46:29,920 --> 00:46:32,640
Speaker 1: You nine billion dollars up. Fuck what they call you?

751
00:46:32,719 --> 00:46:36,120
Speaker 1: This about us. They're gonna box us in the rapper.

752
00:46:36,239 --> 00:46:38,200
Speaker 1: You can get out of that. They're gonna box us in.

753
00:46:38,360 --> 00:46:41,160
Speaker 1: It's about us. Let let them do call you a rapper.

754
00:46:41,160 --> 00:46:46,560
Speaker 1: Their representation weight up that ladder said something, yeah, yeah, yeah.

755
00:46:46,680 --> 00:46:49,160
Speaker 1: Now we don't just got rappers. That's in prison. They

756
00:46:49,200 --> 00:46:51,399
Speaker 1: got the rico, they got all the murders, they got

757
00:46:51,440 --> 00:46:53,560
Speaker 1: the gun charges and this and that. Now we got

758
00:46:53,640 --> 00:46:57,800
Speaker 1: rappers too, like jay Z. We got rabbers too, like Kanye.

759
00:46:57,840 --> 00:47:00,279
Speaker 1: We got robbers like Snoop dog. We got rappers like

760
00:47:00,480 --> 00:47:03,200
Speaker 1: l We got rappers like Ice Q. Like Now, I

761
00:47:03,280 --> 00:47:06,359
Speaker 1: don't run from that. That's us. See, that's what they do.

762
00:47:06,440 --> 00:47:08,239
Speaker 1: They try to get you to a place where you

763
00:47:08,320 --> 00:47:11,960
Speaker 1: separate from us, right because we need you. If it's

764
00:47:12,000 --> 00:47:16,680
Speaker 1: only merely for representation. I made the point last time, Dog,

765
00:47:16,760 --> 00:47:20,279
Speaker 1: it was important. When you see the first black baseball

766
00:47:20,360 --> 00:47:22,319
Speaker 1: player to hit a home run, for him to hit

767
00:47:22,360 --> 00:47:25,120
Speaker 1: that fist s up, that black fist. That was just

768
00:47:25,680 --> 00:47:28,000
Speaker 1: that was because again the people that I fit with

769
00:47:28,080 --> 00:47:31,000
Speaker 1: that I never speak to. It's less about me, it's

770
00:47:31,080 --> 00:47:34,520
Speaker 1: more about us, right, So stand next to that rapper

771
00:47:34,560 --> 00:47:36,800
Speaker 1: and embrace it a little bit. But I saw Snoop

772
00:47:37,400 --> 00:47:43,719
Speaker 1: go to Joe Rogan, and first thing I said was,

773
00:47:45,800 --> 00:47:48,600
Speaker 1: this is always interesting to me when I see Rogan

774
00:47:48,719 --> 00:47:53,280
Speaker 1: in us, Right, I think when I go sit with Rogan,

775
00:47:53,440 --> 00:47:56,720
Speaker 1: I think that'll be the maybe one of the best

776
00:47:56,760 --> 00:48:01,320
Speaker 1: transitions from hip hop world to him because he's he

777
00:48:01,320 --> 00:48:05,640
Speaker 1: he's not running from us, right, but it's still things

778
00:48:05,680 --> 00:48:09,160
Speaker 1: that he maybe can't get, he maybe don't know yet, right,

779
00:48:09,200 --> 00:48:12,879
Speaker 1: because it ain't his culture, and someone like Snoop has

780
00:48:12,960 --> 00:48:18,440
Speaker 1: so much coachure on him that it ain't no in between.

781
00:48:18,640 --> 00:48:21,319
Speaker 1: It's either you're gonna understand what I'm saying or you not.

782
00:48:21,600 --> 00:48:25,160
Speaker 1: He don't even talk regular you know. It's all because

783
00:48:25,280 --> 00:48:27,279
Speaker 1: and you know, you know, he got all kinds of

784
00:48:27,320 --> 00:48:29,959
Speaker 1: sins and he just is m it's just pouring out

785
00:48:29,960 --> 00:48:33,080
Speaker 1: of him. So sometimes that isnam. It don't translate to

786
00:48:33,120 --> 00:48:36,040
Speaker 1: the white folks and white boys. They don't really It

787
00:48:36,239 --> 00:48:38,719
Speaker 1: sound cool and they love it, but they can't keep

788
00:48:38,840 --> 00:48:42,239
Speaker 1: up with it. Like even if you know Joe Rogan rain,

789
00:48:42,400 --> 00:48:45,120
Speaker 1: you know it's cadence when he when he interviews again,

790
00:48:45,160 --> 00:48:47,720
Speaker 1: I'm a student of the game. I know these dudes,

791
00:48:47,920 --> 00:48:51,920
Speaker 1: I know when they uncomfortable. I know I haven't studied

792
00:48:51,920 --> 00:48:54,839
Speaker 1: this game, bro, because I listen. I know I got

793
00:48:54,880 --> 00:48:59,120
Speaker 1: to be the most powerful one to hijack the process.

794
00:49:00,040 --> 00:49:02,280
Speaker 1: So I had to study this thing from a different

795
00:49:02,560 --> 00:49:05,120
Speaker 1: I had to really really study it. But when you

796
00:49:05,280 --> 00:49:07,759
Speaker 1: when you look at Rogan Rain, you understand. You know

797
00:49:07,840 --> 00:49:12,040
Speaker 1: his canens. You see him in Snoop. You see sometimes

798
00:49:12,080 --> 00:49:16,160
Speaker 1: because Rogan or sometimes his thing is right, and certain

799
00:49:16,200 --> 00:49:19,839
Speaker 1: people may don't notice or may don't look this deep

800
00:49:19,880 --> 00:49:23,360
Speaker 1: into things. Great, but we're going moulta, so we gotta

801
00:49:23,480 --> 00:49:27,040
Speaker 1: get the particulars out the way, right. But when Rogan

802
00:49:27,160 --> 00:49:30,239
Speaker 1: looks up, sometimes he'll look up and he's doing that

803
00:49:30,320 --> 00:49:32,680
Speaker 1: to gather his thoughts and he's about to say something.

804
00:49:33,040 --> 00:49:36,280
Speaker 1: But Snoop, with his media training on the hip hop side,

805
00:49:36,560 --> 00:49:40,439
Speaker 1: he takes that and jumps in because that's the dead

806
00:49:40,520 --> 00:49:44,480
Speaker 1: air place. See, it's just the different the difference of

807
00:49:44,640 --> 00:49:50,080
Speaker 1: cultures right there. You see. But But but because Snoop is,

808
00:49:50,160 --> 00:49:53,200
Speaker 1: you gotta think he's still got commentary experience, all these

809
00:49:53,239 --> 00:49:57,120
Speaker 1: different talking experience. Or when Rogan is doing his podcast thing,

810
00:49:57,200 --> 00:49:59,600
Speaker 1: he's looking up to gather these thoughts and he's about

811
00:49:59,640 --> 00:50:03,600
Speaker 1: to say some Snoop jump on end. So sometimes Rogan

812
00:50:03,640 --> 00:50:07,400
Speaker 1: couldn't couldn't really get in his in his bag. But

813
00:50:07,520 --> 00:50:11,239
Speaker 1: when I've seen Snoop, I said, I really wish then

814
00:50:11,280 --> 00:50:15,040
Speaker 1: shout out death Jam and what he's doing for death Jam,

815
00:50:15,160 --> 00:50:20,120
Speaker 1: like he's putting a master class on how to stand

816
00:50:20,160 --> 00:50:23,440
Speaker 1: next to the label and hustle. I pray that deal

817
00:50:24,040 --> 00:50:29,240
Speaker 1: is a great deal because me, me looking at Snoop

818
00:50:29,320 --> 00:50:35,160
Speaker 1: go as hard as he's going. I just hope that

819
00:50:35,280 --> 00:50:38,160
Speaker 1: deal is good. Let's just say that. I also would

820
00:50:38,160 --> 00:50:41,160
Speaker 1: like to see that being done with Death Row with Snoop,

821
00:50:42,600 --> 00:50:47,759
Speaker 1: like Snoop deserves to do death Row the way he's

822
00:50:47,800 --> 00:50:55,080
Speaker 1: doing Death Jam. Um just from a legacy standpoint, like

823
00:50:55,360 --> 00:51:01,680
Speaker 1: from a standpoint of him building that brand up. Maybe

824
00:51:01,680 --> 00:51:03,920
Speaker 1: they can help shug get a few dollars out of it,

825
00:51:04,239 --> 00:51:06,640
Speaker 1: or you know what I'm saying. Some families are the

826
00:51:06,719 --> 00:51:11,920
Speaker 1: people that was involved. Rejuvenate some things, signed some media.

827
00:51:12,200 --> 00:51:14,800
Speaker 1: I'll take a check to help promote it, you know

828
00:51:14,840 --> 00:51:18,600
Speaker 1: what I'm saying. Signed some new acts, you understand me,

829
00:51:19,080 --> 00:51:21,960
Speaker 1: host some events in these different states, looking for talent.

830
00:51:22,040 --> 00:51:25,600
Speaker 1: Things like that, like allowed that brain because it meants

831
00:51:25,640 --> 00:51:29,200
Speaker 1: it means so much to the culture, right and death

832
00:51:29,320 --> 00:51:31,319
Speaker 1: Jam does too. Y'all can send me one of them

833
00:51:31,320 --> 00:51:33,719
Speaker 1: deaf Jam jackets. I'll taking one. But he's doing it.

834
00:51:34,160 --> 00:51:37,880
Speaker 1: He's putting on a master class thirty four, thirty years in.

835
00:51:38,360 --> 00:51:42,680
Speaker 1: He's putting on a masterclass on not only promoting an album,

836
00:51:42,719 --> 00:51:48,399
Speaker 1: but promoting a label. You understand me. When I've seen

837
00:51:48,440 --> 00:51:51,080
Speaker 1: him go on Joe Rogan and he stopped it twice

838
00:51:51,120 --> 00:51:55,000
Speaker 1: to put some music on. I said, okay, Snoop, pushing

839
00:51:55,000 --> 00:51:59,720
Speaker 1: the line, pushing the hard line, you know, and Rogan

840
00:51:59,760 --> 00:52:07,279
Speaker 1: Gon Rogan is conscious of his position in the game, right,

841
00:52:07,400 --> 00:52:10,120
Speaker 1: Snoop handing him a jacket and said, man, I gotta

842
00:52:10,120 --> 00:52:12,759
Speaker 1: see you at the UFC fighting. And Rogan made sure

843
00:52:12,800 --> 00:52:15,640
Speaker 1: to get on mike and camera and be like, yo,

844
00:52:15,680 --> 00:52:18,800
Speaker 1: I'm wearing this at the next one. Like those little

845
00:52:18,840 --> 00:52:23,120
Speaker 1: things right there are so important to the coach side

846
00:52:23,200 --> 00:52:25,880
Speaker 1: of my people. Right. See, when I'm saying something to

847
00:52:25,920 --> 00:52:28,640
Speaker 1: my people, they know when I said like this, that's

848
00:52:28,640 --> 00:52:32,399
Speaker 1: so y'all know, I'm okay with the folk. See, my

849
00:52:32,480 --> 00:52:36,759
Speaker 1: brand is so strong. And I learned this as I'm

850
00:52:36,840 --> 00:52:41,400
Speaker 1: navigating through these different states and with these people that

851
00:52:41,400 --> 00:52:44,080
Speaker 1: that's worth a lot of money in this business. My

852
00:52:44,160 --> 00:52:48,120
Speaker 1: brand is so strong that the people that know me,

853
00:52:48,200 --> 00:52:52,040
Speaker 1: they know me for the game. They know dude got

854
00:52:52,080 --> 00:52:54,920
Speaker 1: some game. He got the game in his palm. Right.

855
00:52:55,360 --> 00:52:57,640
Speaker 1: So if you see me standing next to a T

856
00:52:57,760 --> 00:53:02,080
Speaker 1: and T, you know that they standing next to the game.

857
00:53:03,719 --> 00:53:06,120
Speaker 1: But you know that they standing next to the game. Right.

858
00:53:06,360 --> 00:53:11,239
Speaker 1: So that's what can help build companies up. Not the

859
00:53:11,239 --> 00:53:14,640
Speaker 1: brand that blends in, but the brand that stands for

860
00:53:14,719 --> 00:53:20,800
Speaker 1: something that can draw that unique audience, right, that stands

861
00:53:20,920 --> 00:53:25,279
Speaker 1: beside them. Right, Because I got people, man that I

862
00:53:25,320 --> 00:53:28,439
Speaker 1: don't even have to push my brand. Like I said,

863
00:53:28,480 --> 00:53:30,879
Speaker 1: I was thinking that, like, y'ama have to tell these

864
00:53:30,960 --> 00:53:33,880
Speaker 1: dudes all about how you know my podcast is this

865
00:53:34,040 --> 00:53:35,800
Speaker 1: and that and that and band when I get that

866
00:53:36,000 --> 00:53:39,879
Speaker 1: somebody han't done that for me. Somebody that's saying, nah

867
00:53:39,880 --> 00:53:42,040
Speaker 1: he the truth, dude coming like he that were like

868
00:53:42,160 --> 00:53:45,040
Speaker 1: nah he he the man, like this dude is spot

869
00:53:45,120 --> 00:53:47,799
Speaker 1: Like I get what I'm doing out of him like

870
00:53:47,880 --> 00:53:50,560
Speaker 1: he So he'd be like, oh, this what they mean

871
00:53:50,680 --> 00:53:54,640
Speaker 1: from word of mouth? I never knew, you know, I

872
00:53:54,760 --> 00:53:58,960
Speaker 1: never seen word of mouth happening in real time. You

873
00:53:59,040 --> 00:54:01,200
Speaker 1: know what I'm saying, and it's and it's a it's

874
00:54:01,239 --> 00:54:03,520
Speaker 1: a unique thing. But but I'm telling you, you gotta

875
00:54:03,640 --> 00:54:08,560
Speaker 1: understand all these different ship to even to even living

876
00:54:08,600 --> 00:54:12,080
Speaker 1: in space, you know. But Snoop man, you know, hopefully

877
00:54:12,320 --> 00:54:14,279
Speaker 1: you know, I'll sit out and touch base with him

878
00:54:14,320 --> 00:54:17,040
Speaker 1: and see where he sits in regards to the death

879
00:54:17,200 --> 00:54:20,720
Speaker 1: Row side of this, because I would love to see

880
00:54:21,280 --> 00:54:24,600
Speaker 1: Snoop running around with death Row. Um, and death Jam

881
00:54:24,640 --> 00:54:26,799
Speaker 1: can give me a chick, and well we can help

882
00:54:26,840 --> 00:54:31,640
Speaker 1: push death Jam as well. But um, we gotta just

883
00:54:31,680 --> 00:54:35,560
Speaker 1: be in a position to see exactly like the benefits

884
00:54:35,600 --> 00:54:38,000
Speaker 1: for this for the OG, you know what I'm saying,

885
00:54:38,560 --> 00:54:41,920
Speaker 1: the benefits for the OG because he's working hard. He

886
00:54:42,040 --> 00:54:48,760
Speaker 1: really is working hard for show. Alright, alright, alright, alright, alright, alright, alright, alright, alright,

887
00:54:49,120 --> 00:54:55,800
Speaker 1: Bobo chicken chicken, your chicken head, chicken chicken, your chicken head?

888
00:54:56,480 --> 00:55:02,760
Speaker 1: What hell? All right? So U we're back from break.

889
00:55:02,880 --> 00:55:07,120
Speaker 1: We're about to look at Kanye West Part two interview

890
00:55:07,160 --> 00:55:09,840
Speaker 1: with Drink Champs. For those that don't know, Kanye West

891
00:55:10,840 --> 00:55:14,560
Speaker 1: sat down with Drink Champs and had about a three

892
00:55:14,680 --> 00:55:19,399
Speaker 1: or four hour interview. I would say almost five No, Yeah,

893
00:55:19,440 --> 00:55:22,880
Speaker 1: probably about almost four hour interview. In my opinion, I

894
00:55:22,880 --> 00:55:25,399
Speaker 1: can do a whole podcast on the business of that

895
00:55:25,480 --> 00:55:28,040
Speaker 1: and maybe why they should have kept all of that

896
00:55:28,120 --> 00:55:31,879
Speaker 1: in one podcast, But that's a whole other thing. We're

897
00:55:31,880 --> 00:55:34,680
Speaker 1: gonna celebrate the interviews and try to die sact some

898
00:55:34,760 --> 00:55:38,359
Speaker 1: game out of it. The first interview I think did

899
00:55:38,400 --> 00:55:41,880
Speaker 1: tim million in a week. Definitely a big impact. Definitely

900
00:55:42,000 --> 00:55:46,120
Speaker 1: was a lot said. The second interview is more so

901
00:55:46,200 --> 00:55:51,440
Speaker 1: focused on the Larry who the project, but Kanye being Kanye,

902
00:55:51,560 --> 00:55:54,600
Speaker 1: you still get tip bits of him going in and

903
00:55:54,680 --> 00:55:59,880
Speaker 1: out of his thoughts, you know, in communicating some of

904
00:55:59,880 --> 00:56:03,440
Speaker 1: the things that he feels his competition is set bags

905
00:56:03,440 --> 00:56:05,600
Speaker 1: to people that's trying to hold him back, you know,

906
00:56:05,680 --> 00:56:08,319
Speaker 1: things like that doing the things that Kanye West does.

907
00:56:08,360 --> 00:56:10,200
Speaker 1: So we're gonna we're gonna look at a little bit

908
00:56:10,239 --> 00:56:13,160
Speaker 1: of it and interject where we see fit. As powerful

909
00:56:13,440 --> 00:56:16,440
Speaker 1: as we are and as influential as we are, this

910
00:56:16,719 --> 00:56:21,480
Speaker 1: there's still are pieces of our twenty twenty one constitution

911
00:56:21,800 --> 00:56:26,959
Speaker 1: that our only aim towards the lost Hebrew race, knowing

912
00:56:27,040 --> 00:56:31,600
Speaker 1: the lost people people army known as black and that

913
00:56:31,840 --> 00:56:36,759
Speaker 1: is still modern day um, modern day slavery. So I'm

914
00:56:37,200 --> 00:56:40,920
Speaker 1: you gotta give collectively. That's that's the whole point. That's

915
00:56:40,920 --> 00:56:43,839
Speaker 1: the reason why it talks to me and Drake doing

916
00:56:43,880 --> 00:56:51,360
Speaker 1: a concert uh to uh to bring life to Hoover together.

917
00:56:51,960 --> 00:56:55,320
Speaker 1: I see you with Jay Prince and Jay Prince obviously

918
00:56:55,480 --> 00:56:57,440
Speaker 1: is affiliated. I see here to rap a lot change

919
00:56:57,520 --> 00:56:59,319
Speaker 1: Jay Prince folk about it here, I believe if I'm

920
00:56:59,360 --> 00:57:01,760
Speaker 1: not wrong, Yeah, yeah, you know, so for a bigger

921
00:57:01,800 --> 00:57:04,480
Speaker 1: call from here. I love Drake anybody you know, and

922
00:57:04,560 --> 00:57:06,759
Speaker 1: so let me let me speak on that a little bit.

923
00:57:07,200 --> 00:57:11,040
Speaker 1: This is coming off the hills of Kanye West UM

924
00:57:11,040 --> 00:57:13,880
Speaker 1: releasing a video standing next to Jay Prince where he

925
00:57:13,920 --> 00:57:17,960
Speaker 1: read a statement UM to reach out to Drake to

926
00:57:18,040 --> 00:57:21,120
Speaker 1: try to squash the beef and do a concert for

927
00:57:21,240 --> 00:57:24,560
Speaker 1: Larry Hoover, you know, to bring awareness to free Larry Hoover.

928
00:57:25,120 --> 00:57:29,640
Speaker 1: Drake didn't respond. Drake didn't respond, Um if he didn't

929
00:57:29,680 --> 00:57:33,880
Speaker 1: want to respond, it was just good timing because um,

930
00:57:34,000 --> 00:57:36,280
Speaker 1: you know, he just came off that Travis did. It

931
00:57:36,400 --> 00:57:39,120
Speaker 1: happened at the Astro World. So you know, for him

932
00:57:39,120 --> 00:57:41,280
Speaker 1: to come out and speak on that, it's like, are

933
00:57:41,280 --> 00:57:44,360
Speaker 1: you disregarding these families? Like so it's a lot going

934
00:57:44,400 --> 00:57:46,640
Speaker 1: on with Drake right now for him to entertain that.

935
00:57:46,800 --> 00:57:51,080
Speaker 1: So he never responded, but Kanye West sat next to

936
00:57:52,360 --> 00:57:56,440
Speaker 1: um Jay Prince and I'll play the video that he read.

937
00:57:56,600 --> 00:58:02,880
Speaker 1: Hold on all right, So here's the video, Prince. I'm

938
00:58:02,880 --> 00:58:05,280
Speaker 1: making this video to address the arm going back and

939
00:58:05,320 --> 00:58:09,200
Speaker 1: forth between myself and Drake. Both me and Drake, I'm

940
00:58:09,280 --> 00:58:11,560
Speaker 1: taking shots to each other and it's kind of for

941
00:58:11,680 --> 00:58:14,760
Speaker 1: it to rest. I'm asking Drake all the seven Sevens

942
00:58:14,760 --> 00:58:16,640
Speaker 1: to join me on stage. Is a special guest to

943
00:58:16,680 --> 00:58:19,480
Speaker 1: share the two biggest holums of the year live in

944
00:58:19,600 --> 00:58:23,959
Speaker 1: Los Angeles, with the ultimate purpose being to free Larry Hoover.

945
00:58:24,640 --> 00:58:27,520
Speaker 1: I believe this event will not only bring awareness to

946
00:58:27,600 --> 00:58:32,200
Speaker 1: our calls, but prove to people everywhere how much more

947
00:58:32,240 --> 00:58:34,440
Speaker 1: we can accomplished when we lay our pride to the

948
00:58:34,520 --> 00:58:39,919
Speaker 1: side and come together Ja and j Prince. I'm making

949
00:58:39,960 --> 00:58:42,360
Speaker 1: this video to address the arm going back and forth.

950
00:58:42,960 --> 00:58:46,280
Speaker 1: So that's the video that people were speaking about a

951
00:58:46,320 --> 00:58:48,720
Speaker 1: lot of times, you know, when you're not involved in

952
00:58:48,800 --> 00:58:53,040
Speaker 1: the street, you know, or things like that, then you

953
00:58:53,080 --> 00:58:57,200
Speaker 1: really don't understand what standing next to Jay Princes, or

954
00:58:57,240 --> 00:58:59,840
Speaker 1: standing next to certain people lives or tapping in with

955
00:59:00,120 --> 00:59:02,960
Speaker 1: is dude, and they wrapping their arm around you. You

956
00:59:03,000 --> 00:59:05,800
Speaker 1: know what they're doing these other cities states. Some people

957
00:59:05,840 --> 00:59:09,240
Speaker 1: got staying in these states and in certain pool and

958
00:59:09,320 --> 00:59:12,520
Speaker 1: love and certain spots that love can only get it

959
00:59:12,600 --> 00:59:15,640
Speaker 1: done that, you know what I'm saying. Sometimes, man, when

960
00:59:15,680 --> 00:59:19,160
Speaker 1: you're really dealing with millionaires, sometimes your little money ain't

961
00:59:19,200 --> 00:59:22,440
Speaker 1: no good back through there. You know what I'm saying, Oh,

962
00:59:22,560 --> 00:59:24,400
Speaker 1: you got a hunty k to do this or that.

963
00:59:24,640 --> 00:59:28,400
Speaker 1: You know in some spots that money ain't no good somebody,

964
00:59:28,760 --> 00:59:31,840
Speaker 1: depending on who it comes through. You know, you can't

965
00:59:31,840 --> 00:59:34,200
Speaker 1: shoot a hunty k to meet through anybody. And I'm

966
00:59:34,280 --> 00:59:37,400
Speaker 1: accept that. Me. I'm not some people with but I'm

967
00:59:37,440 --> 00:59:40,440
Speaker 1: dealing with enough information not to make them kind of mistakes.

968
00:59:41,360 --> 00:59:43,920
Speaker 1: You know what I'm saying. I even pay attention to

969
00:59:43,960 --> 00:59:47,439
Speaker 1: who the money come through. You ever heard somebody say

970
00:59:47,480 --> 00:59:50,439
Speaker 1: all money ain't good money? You know what I'm saying.

971
00:59:50,480 --> 00:59:53,840
Speaker 1: These things run parallel for me. I gotta make sure

972
00:59:54,080 --> 00:59:56,400
Speaker 1: you know the things that that's land on my desk

973
00:59:56,520 --> 00:59:59,800
Speaker 1: come from people that's post the landing their mind surroundings.

974
01:00:00,000 --> 01:00:01,800
Speaker 1: You know what I mean? Because I don't have anybody

975
01:00:01,880 --> 01:00:05,080
Speaker 1: or everybody that's got the ability just to pull up

976
01:00:05,120 --> 01:00:09,479
Speaker 1: and bring something to me. However, the people that do

977
01:00:10,040 --> 01:00:13,960
Speaker 1: I do have around me, I gotta always vet them

978
01:00:13,960 --> 01:00:17,440
Speaker 1: and make sure that they understand the gravity attached to

979
01:00:17,480 --> 01:00:20,360
Speaker 1: the situation, right because you know, whether or not you

980
01:00:20,560 --> 01:00:26,160
Speaker 1: view me in a way that's reality. Because a lot

981
01:00:26,200 --> 01:00:29,959
Speaker 1: of people, a lot of people of view you from

982
01:00:29,960 --> 01:00:33,919
Speaker 1: a standpoint of what you've done for them or how

983
01:00:34,000 --> 01:00:36,960
Speaker 1: you've allowed them to navigate around your life. They don't

984
01:00:37,040 --> 01:00:40,960
Speaker 1: understand your impact and the way that you're viewed and

985
01:00:41,040 --> 01:00:44,080
Speaker 1: the way that you know, like you hear dudes like

986
01:00:44,160 --> 01:00:47,240
Speaker 1: Joe Budden say, yo, I was demand everywhere except at

987
01:00:47,280 --> 01:00:50,360
Speaker 1: home and things like that. Those things are real things.

988
01:00:50,360 --> 01:00:53,520
Speaker 1: You hear Kanye West say, yo, I'm up six billion

989
01:00:53,560 --> 01:00:56,439
Speaker 1: dollars in ti ty jay Z. Home Boy still look

990
01:00:56,480 --> 01:01:00,240
Speaker 1: at me like I'm I'm and it's like it's a

991
01:01:00,280 --> 01:01:04,000
Speaker 1: crazy thing. So some people, I don't know, Man, it's

992
01:01:04,320 --> 01:01:08,880
Speaker 1: just a thing. But you gotta always vet the people

993
01:01:08,920 --> 01:01:12,680
Speaker 1: that's around you and make sure that that they respect

994
01:01:12,720 --> 01:01:19,000
Speaker 1: the situation, especially if it's special. Right now, everybody ain't dumb,

995
01:01:19,720 --> 01:01:22,680
Speaker 1: right If things are happening to you that ain't happening

996
01:01:22,720 --> 01:01:26,520
Speaker 1: to nobody, these things are special thing. Something's happening in

997
01:01:26,560 --> 01:01:29,680
Speaker 1: your life. You see what I'm saying. And people gotta

998
01:01:29,800 --> 01:01:32,480
Speaker 1: really really be receptive to that if they claim they

999
01:01:32,560 --> 01:01:34,760
Speaker 1: love you, and they claim that they on your team.

1000
01:01:35,200 --> 01:01:37,600
Speaker 1: That's why I told you know all of them, you

1001
01:01:37,640 --> 01:01:40,320
Speaker 1: see me, I'll be so low, I'll be dog low.

1002
01:01:41,680 --> 01:01:45,480
Speaker 1: It's strengthened that though, you know. And I always tell

1003
01:01:45,520 --> 01:01:48,560
Speaker 1: the youngsters, man, that pack of dudes, them them due

1004
01:01:48,640 --> 01:01:54,240
Speaker 1: solf man, them pack of dudes. That's why I would

1005
01:01:54,280 --> 01:01:56,840
Speaker 1: always trip when people would say you are only child

1006
01:01:56,920 --> 01:02:01,200
Speaker 1: like that's a weakness. I would always say, oh, yeah,

1007
01:02:01,240 --> 01:02:05,680
Speaker 1: that's a strength. That means I gotta figure it out.

1008
01:02:06,040 --> 01:02:08,880
Speaker 1: That mean we can't gain nobody. I gotta know how

1009
01:02:08,880 --> 01:02:12,800
Speaker 1: to fight. That means I can't go and get my brother.

1010
01:02:12,920 --> 01:02:16,600
Speaker 1: I gotta figure this out right here. So for me

1011
01:02:16,640 --> 01:02:18,680
Speaker 1: it was a strength. To others, they would view it

1012
01:02:18,720 --> 01:02:21,840
Speaker 1: as I was always on the other side of that, like, now,

1013
01:02:21,960 --> 01:02:26,960
Speaker 1: what you mean, I don't understand, Like that's yo, my

1014
01:02:27,080 --> 01:02:29,720
Speaker 1: people loved me like and then people want to view

1015
01:02:29,760 --> 01:02:32,360
Speaker 1: that as something Yo, my mamma loved me. I was

1016
01:02:32,440 --> 01:02:38,960
Speaker 1: telling bank, No, Yo, my mama loved me. Man, you understand,

1017
01:02:40,320 --> 01:02:43,400
Speaker 1: And that ain't a weakness for me home. That will

1018
01:02:43,480 --> 01:02:47,080
Speaker 1: never be a weakness for me that later had me.

1019
01:02:47,160 --> 01:02:50,560
Speaker 1: And look what I come today, Look what I am today.

1020
01:02:51,280 --> 01:02:54,320
Speaker 1: We're talking about somebody that's doing what I'm doing. Bro,

1021
01:02:54,560 --> 01:02:57,000
Speaker 1: Come on, man, and then shea loved me if I

1022
01:02:57,120 --> 01:03:02,240
Speaker 1: wasn't doing that. But I'm just saying, like, yo, for me, bro,

1023
01:03:02,440 --> 01:03:05,440
Speaker 1: it's important that the people that's around me, they proud

1024
01:03:05,480 --> 01:03:09,240
Speaker 1: of me, that they respect the game, that they respect

1025
01:03:09,280 --> 01:03:12,880
Speaker 1: what I'm offering to the world, what they respect that

1026
01:03:13,000 --> 01:03:16,080
Speaker 1: something's happening with this thing that I'm not in control. Love,

1027
01:03:16,160 --> 01:03:19,160
Speaker 1: and God has placed his hands on it for some reason.

1028
01:03:19,320 --> 01:03:23,040
Speaker 1: Right these things be happening. I don't control none of this.

1029
01:03:23,200 --> 01:03:27,040
Speaker 1: Hill ain't no where in the world. I could have

1030
01:03:27,160 --> 01:03:30,000
Speaker 1: done some of that. I just the CEO, me and

1031
01:03:30,040 --> 01:03:35,280
Speaker 1: the CEO revote and the day we had the meeting,

1032
01:03:36,120 --> 01:03:38,200
Speaker 1: I got the seventh on my head, he got the

1033
01:03:38,240 --> 01:03:42,360
Speaker 1: seven on his hood. Just shit is ordained. It's just shit,

1034
01:03:42,600 --> 01:03:45,160
Speaker 1: is like, yo, what is going on? The number seven

1035
01:03:45,320 --> 01:03:47,200
Speaker 1: is like? What is going on with all of this?

1036
01:03:48,240 --> 01:03:51,640
Speaker 1: You know what I'm saying? So again, got to have

1037
01:03:51,800 --> 01:03:55,680
Speaker 1: people around you. You gotta have people around you to

1038
01:03:55,800 --> 01:03:58,640
Speaker 1: get it. Or my advice is to do it by yourself,

1039
01:04:00,520 --> 01:04:03,720
Speaker 1: because what it happened is your energy can come down

1040
01:04:05,160 --> 01:04:09,320
Speaker 1: and eight about I'll give it just off the top

1041
01:04:09,360 --> 01:04:12,280
Speaker 1: of my head for they. Percent of this is your energy.

1042
01:04:12,600 --> 01:04:14,840
Speaker 1: For they. Percent of this is how you feel about

1043
01:04:15,280 --> 01:04:17,400
Speaker 1: you know, going to do it, how you feel about

1044
01:04:17,440 --> 01:04:21,000
Speaker 1: this shit. You gotta feel good about this ship. You

1045
01:04:21,120 --> 01:04:26,080
Speaker 1: gotta be comfortable to care. You understand those of us

1046
01:04:26,120 --> 01:04:28,360
Speaker 1: that able to do it without that, you're a very

1047
01:04:28,440 --> 01:04:31,840
Speaker 1: special person. And any creator that listens to me and

1048
01:04:32,000 --> 01:04:35,320
Speaker 1: watches me and you one of them. You're a special individual.

1049
01:04:36,680 --> 01:04:41,720
Speaker 1: You know that. Don't start us stop with me, you understand.

1050
01:04:42,040 --> 01:04:45,520
Speaker 1: But let's look at a little bit of this. I

1051
01:04:45,600 --> 01:04:48,320
Speaker 1: was just basically, I was just telling you, like a

1052
01:04:48,400 --> 01:04:51,840
Speaker 1: little back for basketball type of professional rap stuff. Here

1053
01:04:51,880 --> 01:04:54,320
Speaker 1: is dealing with it, but on a bigger and also,

1054
01:04:54,400 --> 01:04:57,600
Speaker 1: I say, you know, those of us that know how

1055
01:04:57,600 --> 01:05:02,240
Speaker 1: to organize are frought to their demise because they do

1056
01:05:02,360 --> 01:05:04,280
Speaker 1: not want us to be organized. They want us to

1057
01:05:04,280 --> 01:05:12,800
Speaker 1: be modern day slaves. Deep shit, deep shit, deep shit?

1058
01:05:13,360 --> 01:05:17,680
Speaker 1: So where is he that hiding? A new lawyer? All right,

1059
01:05:17,760 --> 01:05:20,440
Speaker 1: let me speak on one thing with the lawyer thing,

1060
01:05:20,480 --> 01:05:26,720
Speaker 1: because we expanded the lawyer team. Ok, he didn't see

1061
01:05:27,320 --> 01:05:29,640
Speaker 1: with the attorney. But he took us to a point.

1062
01:05:29,680 --> 01:05:32,280
Speaker 1: But we we add known to making the team stronger.

1063
01:05:32,960 --> 01:05:36,160
Speaker 1: And you ask me what we had, right, Yeah, and

1064
01:05:36,880 --> 01:05:41,280
Speaker 1: so he was the nad without prejudice. So what what

1065
01:05:41,640 --> 01:05:44,800
Speaker 1: did they say that again? He was denied without prejudice

1066
01:05:44,800 --> 01:05:47,160
Speaker 1: slot out denial like no, no, no. So there's a

1067
01:05:47,160 --> 01:05:48,720
Speaker 1: lot of other people that's on this case that was

1068
01:05:48,760 --> 01:05:51,400
Speaker 1: released from the first step back. It was nine, say

1069
01:05:51,480 --> 01:05:53,560
Speaker 1: nine people on this case and maybe six of my

1070
01:05:53,640 --> 01:05:56,919
Speaker 1: release now right then that and it's the same thing,

1071
01:05:57,120 --> 01:06:00,400
Speaker 1: pretty much the same paperwork, and and and Kama created

1072
01:06:00,440 --> 01:06:04,200
Speaker 1: the first step back, right, Kamala created. You don't like

1073
01:06:04,280 --> 01:06:09,040
Speaker 1: Kamala at all. You've been going no, no, no, who

1074
01:06:09,120 --> 01:06:12,600
Speaker 1: created the first I think I was? I think um

1075
01:06:13,000 --> 01:06:18,320
Speaker 1: or Clinton? No no, no no, Trump came up. I'm just

1076
01:06:18,840 --> 01:06:22,320
Speaker 1: with y'all the first to get people out, right, Yeah,

1077
01:06:22,320 --> 01:06:24,560
Speaker 1: I think the first step is the first step of Trump.

1078
01:06:24,600 --> 01:06:26,880
Speaker 1: But he came out. Trump pushed it through and came

1079
01:06:26,960 --> 01:06:31,280
Speaker 1: mushed through the first step Act niggas, what does that mean?

1080
01:06:31,560 --> 01:06:35,440
Speaker 1: What it means it's stip stop dick riding. Uh fucking

1081
01:06:35,480 --> 01:06:38,600
Speaker 1: democrats so much no do shit for us and be

1082
01:06:38,680 --> 01:06:42,280
Speaker 1: dissing Trump and like they helping us a taxi like eating,

1083
01:06:42,320 --> 01:06:44,440
Speaker 1: we're getting out of jail. We're doing all this. This

1084
01:06:44,480 --> 01:06:47,120
Speaker 1: man Trump was like the most favorite white person and

1085
01:06:47,200 --> 01:06:49,560
Speaker 1: y'all at media making, we used to use him and

1086
01:06:49,600 --> 01:06:51,120
Speaker 1: we ain't mentioned none of We didn't know who none

1087
01:06:51,120 --> 01:06:53,440
Speaker 1: of these people are. We don't know who these people are.

1088
01:06:53,480 --> 01:06:55,520
Speaker 1: We don't know who to Mary Chicago. You know what

1089
01:06:55,520 --> 01:06:57,800
Speaker 1: I'm saying, We don't know the purchase came out the

1090
01:06:57,800 --> 01:07:00,800
Speaker 1: blue and we're still killing each other like crazy. You

1091
01:07:00,800 --> 01:07:02,640
Speaker 1: know what I'm saying. All these industry plants and these

1092
01:07:02,720 --> 01:07:05,240
Speaker 1: rappers and this is that that y'all understand that y'all

1093
01:07:05,280 --> 01:07:09,480
Speaker 1: mentally controlled and use and you not loved. Y'all just

1094
01:07:09,560 --> 01:07:13,400
Speaker 1: simply like just a ticking, like they just counting on

1095
01:07:13,760 --> 01:07:17,040
Speaker 1: the killers, the deaths, the murders, the vote, the vote.

1096
01:07:17,240 --> 01:07:19,160
Speaker 1: You know what I'm saying. At the boardroom when they

1097
01:07:19,200 --> 01:07:21,120
Speaker 1: want to like hire celebrities, they're like, how do we

1098
01:07:21,160 --> 01:07:25,240
Speaker 1: get this celebrity that relates directly to this financial group

1099
01:07:25,440 --> 01:07:28,760
Speaker 1: in the community. That's why they don't have They might

1100
01:07:28,800 --> 01:07:30,840
Speaker 1: have black people, and the ain't got dark, dark, dark

1101
01:07:30,840 --> 01:07:34,840
Speaker 1: skinned black people on these boards and these corporations. We

1102
01:07:34,920 --> 01:07:38,880
Speaker 1: are in modern day slavery. And at this point it's

1103
01:07:38,960 --> 01:07:41,920
Speaker 1: like I'll put my life on a this ship that

1104
01:07:42,040 --> 01:07:44,160
Speaker 1: I'm saying right here, bro, And let me tell you,

1105
01:07:44,360 --> 01:07:46,520
Speaker 1: I don't want to know white Christians come up to

1106
01:07:46,560 --> 01:07:48,520
Speaker 1: me telling them about how I shouldn't be cursing and

1107
01:07:48,640 --> 01:07:50,560
Speaker 1: or I should be doing that. Still, other forms of

1108
01:07:50,800 --> 01:07:53,320
Speaker 1: it was Christians in the KKK too, you know what

1109
01:07:53,320 --> 01:07:57,480
Speaker 1: I'm saying. Also, Christianity this black this Egyptian monks from

1110
01:07:57,480 --> 01:08:00,720
Speaker 1: back in thirteen hundreds. So when atheists us all, what

1111
01:08:00,880 --> 01:08:03,640
Speaker 1: Christianity was thrown at you by the slave No it

1112
01:08:03,800 --> 01:08:07,280
Speaker 1: wasn't Jesus, then we're the blood of Christ. That's all.

1113
01:08:07,400 --> 01:08:12,560
Speaker 1: That's our people, just a stronger case we will bringing

1114
01:08:14,720 --> 01:08:16,880
Speaker 1: it already started a positive change. What I like is

1115
01:08:16,920 --> 01:08:20,400
Speaker 1: I leaned into this idea of us get a let's

1116
01:08:20,400 --> 01:08:22,080
Speaker 1: get a better lawyer, because they got me on something.

1117
01:08:22,080 --> 01:08:23,800
Speaker 1: You can't wear a hat, you can't say this, you

1118
01:08:23,800 --> 01:08:26,360
Speaker 1: can't say that. And also may be like, oh maybe

1119
01:08:26,360 --> 01:08:28,840
Speaker 1: I shouldn't, you know, work on Hoover case as much,

1120
01:08:29,200 --> 01:08:31,519
Speaker 1: and I'm like, man, no, I have to do this.

1121
01:08:31,600 --> 01:08:34,600
Speaker 1: God has called me do this. And Monop's beautiful was

1122
01:08:34,640 --> 01:08:39,800
Speaker 1: like they had just got called Jennifer Boom. She was

1123
01:08:39,840 --> 01:08:43,639
Speaker 1: into it. She from Chicago, originally right from Chicago Prison

1124
01:08:43,720 --> 01:08:48,519
Speaker 1: Reform watched this. She talked to my wife and gave

1125
01:08:48,560 --> 01:08:53,000
Speaker 1: her another code book while she was training to be

1126
01:08:53,040 --> 01:08:56,120
Speaker 1: a lawyer. You know what I mean, because I was.

1127
01:08:56,200 --> 01:08:58,320
Speaker 1: I was giving ideas for skits for S and L

1128
01:08:58,720 --> 01:09:00,559
Speaker 1: and my wife is in a session with the lawyer

1129
01:09:00,600 --> 01:09:02,960
Speaker 1: that's trainer, and the lawyer got on the phone and

1130
01:09:03,000 --> 01:09:05,800
Speaker 1: started making bad suggestions, and I was like, man, this

1131
01:09:05,880 --> 01:09:09,320
Speaker 1: dude is an idiot. They got an idiot training my wife.

1132
01:09:09,320 --> 01:09:12,120
Speaker 1: She gonna fail the ball the third time. Because I

1133
01:09:12,160 --> 01:09:15,320
Speaker 1: feel like there's people who might not want They don't

1134
01:09:15,320 --> 01:09:17,880
Speaker 1: want you. There's people who might not want Kim Kardashian

1135
01:09:17,920 --> 01:09:20,040
Speaker 1: to become a lawyer, because you know what happened. When

1136
01:09:20,120 --> 01:09:22,960
Speaker 1: Kim Kardashian becomes a lawyer, that shirt gets a little

1137
01:09:22,960 --> 01:09:26,280
Speaker 1: bit higher, the cleavelane gets a little bit more covered up.

1138
01:09:26,680 --> 01:09:29,280
Speaker 1: It's fourteen year old girl, seventeen year old girls that's

1139
01:09:29,360 --> 01:09:32,360
Speaker 1: posing a little bit. They want to become a lawyer.

1140
01:09:32,520 --> 01:09:34,920
Speaker 1: She affects people in that way, and it's people that

1141
01:09:35,080 --> 01:09:38,360
Speaker 1: don't want her to affect these women in that way.

1142
01:09:38,680 --> 01:09:40,880
Speaker 1: They want her to affect him in that other way.

1143
01:09:41,040 --> 01:09:43,679
Speaker 1: And they could put a lawyer that give you all

1144
01:09:43,720 --> 01:09:46,040
Speaker 1: the right things and just enough wrong things that you

1145
01:09:46,200 --> 01:09:48,599
Speaker 1: just missed your test by this much. You get them

1146
01:09:48,640 --> 01:09:51,360
Speaker 1: next time. And it just so happened that God had

1147
01:09:51,360 --> 01:09:54,720
Speaker 1: me here because I see the smallest thing. But when

1148
01:09:54,720 --> 01:09:57,639
Speaker 1: I see somebody moved a hat like this over there

1149
01:09:57,640 --> 01:10:01,920
Speaker 1: and be like, you know what I'm saying. So I

1150
01:10:02,040 --> 01:10:04,439
Speaker 1: heard him say this dumb ass suggestion, I was like,

1151
01:10:04,520 --> 01:10:07,479
Speaker 1: and this is the person that you got next to

1152
01:10:07,520 --> 01:10:10,960
Speaker 1: you at all times. And it's hard because you know,

1153
01:10:12,040 --> 01:10:14,479
Speaker 1: being a celebrity, it is hard to feel loved. So

1154
01:10:14,560 --> 01:10:17,680
Speaker 1: those that are like psychology majors, they know how to

1155
01:10:17,720 --> 01:10:20,120
Speaker 1: make us feel like we loved. First of all, we're

1156
01:10:20,200 --> 01:10:22,960
Speaker 1: very narcissistic. So who the helld us a real person

1157
01:10:23,040 --> 01:10:28,280
Speaker 1: gonna sit us listen to us? Yeah? Who if someone

1158
01:10:28,320 --> 01:10:31,960
Speaker 1: can sit around and hear you talk about you all

1159
01:10:32,000 --> 01:10:35,160
Speaker 1: the time, they're not there for you. They're working for

1160
01:10:35,240 --> 01:10:38,240
Speaker 1: somebody else and it's their job to listen to you.

1161
01:10:38,439 --> 01:10:41,000
Speaker 1: They don't grown ass person self respective person got time

1162
01:10:41,000 --> 01:10:43,160
Speaker 1: to listen all your damn problems all the time. But

1163
01:10:43,200 --> 01:10:45,559
Speaker 1: I would never bringing up some of their problems. You know,

1164
01:10:45,680 --> 01:10:50,559
Speaker 1: this is what they call plants in industry. Plants. You

1165
01:10:50,600 --> 01:10:53,479
Speaker 1: don't think the most popular, most famous women in the

1166
01:10:53,520 --> 01:10:58,400
Speaker 1: world got plants. I don't think they got Nanny's Hey Kim,

1167
01:10:58,520 --> 01:11:03,440
Speaker 1: Hey Kim. And again he's so crazy, what big facts

1168
01:11:03,960 --> 01:11:06,120
Speaker 1: you're talking about. But at the end of the day,

1169
01:11:06,400 --> 01:11:09,240
Speaker 1: I ain't got the paperwork yet. So I'm gonna come

1170
01:11:09,280 --> 01:11:11,680
Speaker 1: on this joint and try to save my family and

1171
01:11:11,800 --> 01:11:15,439
Speaker 1: keep my family together, and try to save his family,

1172
01:11:15,520 --> 01:11:22,360
Speaker 1: my extended family, and put our family. Hey, I just

1173
01:11:22,400 --> 01:11:26,679
Speaker 1: wanted to set in a little but drives well listening

1174
01:11:26,760 --> 01:11:30,519
Speaker 1: to classical music on the AKG sound system. No play

1175
01:11:30,520 --> 01:11:35,200
Speaker 1: some New Orleans brass. If you want to be bold,

1176
01:11:35,439 --> 01:11:38,240
Speaker 1: you have to go off script experience the y'all electric

1177
01:11:38,280 --> 01:11:42,479
Speaker 1: Cadillac lyric. This's your showing. You come to get the

1178
01:11:42,520 --> 01:11:45,880
Speaker 1: flowers to ya. But I want to get all y'all, y'all, all,

1179
01:11:46,000 --> 01:11:48,160
Speaker 1: y'all y'all flowers for you know what I mean, allowing

1180
01:11:48,200 --> 01:11:50,920
Speaker 1: me the platform to put this message out here. You know,

1181
01:11:51,000 --> 01:11:52,960
Speaker 1: it's been a long time. I've been fighting for a

1182
01:11:53,000 --> 01:11:55,880
Speaker 1: long time and it just needs to go as far

1183
01:11:55,920 --> 01:11:57,960
Speaker 1: as it possibly can. So is there anything else that

1184
01:11:58,000 --> 01:12:00,639
Speaker 1: people could do to help get well, it's going point

1185
01:12:00,680 --> 01:12:02,880
Speaker 1: right now. You can just keep checking the Larry who

1186
01:12:02,880 --> 01:12:06,000
Speaker 1: of a project on Instagram. Okay, and that's what the

1187
01:12:06,080 --> 01:12:08,880
Speaker 1: information will stop. He'll be passed out at on what

1188
01:12:08,920 --> 01:12:12,680
Speaker 1: we're doing. We need maybe a petition or whatever it

1189
01:12:12,720 --> 01:12:14,240
Speaker 1: is what they need to do, you know what I mean,

1190
01:12:14,280 --> 01:12:16,360
Speaker 1: because you got to think of Sorry, sorry, sorry, but

1191
01:12:16,560 --> 01:12:18,840
Speaker 1: forty seven years. It's kind of like a life set.

1192
01:12:19,000 --> 01:12:24,880
Speaker 1: Is a life set, children got grandkids, that real talk.

1193
01:12:25,000 --> 01:12:29,439
Speaker 1: I mean, the people on his case, the same exact case, well,

1194
01:12:29,640 --> 01:12:33,760
Speaker 1: the same paperwork home. We don't know about you, if

1195
01:12:33,800 --> 01:12:36,360
Speaker 1: you see you a little different you as a leader.

1196
01:12:36,400 --> 01:12:38,720
Speaker 1: We don't know if you can come home and not

1197
01:12:38,880 --> 01:12:43,080
Speaker 1: lead people. And at seventy one you go lead people negative.

1198
01:12:43,600 --> 01:12:46,800
Speaker 1: You're right, seventy one chee. And that's what they don't want.

1199
01:12:46,880 --> 01:12:50,880
Speaker 1: They don't want us to have a positive leader. They

1200
01:12:50,920 --> 01:12:54,800
Speaker 1: want us to not have the redemption. That's why I

1201
01:12:54,920 --> 01:12:59,120
Speaker 1: say Mom's died around, Daddy is noted around. But I

1202
01:12:59,120 --> 01:13:01,719
Speaker 1: want to know when Daddy is back in town. Yeah,

1203
01:13:02,600 --> 01:13:04,759
Speaker 1: that is back in town. You know what I'm saying.

1204
01:13:05,120 --> 01:13:08,280
Speaker 1: It's no redemption for him. Yeah, you know that's when

1205
01:13:08,360 --> 01:13:10,719
Speaker 1: Dad when you when mover home Daddy is back in town.

1206
01:13:10,880 --> 01:13:14,400
Speaker 1: Like it's so yeah, I'm sorry that you finished because

1207
01:13:14,800 --> 01:13:17,160
Speaker 1: I'm sitting back and I'm sitting sitting here and you

1208
01:13:17,280 --> 01:13:20,400
Speaker 1: saying ownership was one thing you said to me on

1209
01:13:20,400 --> 01:13:22,479
Speaker 1: the phone was I want to buy America. I don't

1210
01:13:22,479 --> 01:13:24,960
Speaker 1: know you remember telling me that we were supposed to

1211
01:13:24,960 --> 01:13:29,599
Speaker 1: bring that part up. Now, it wasn't what I'm saying.

1212
01:13:29,640 --> 01:13:34,599
Speaker 1: I'm going I'm going to That's like some real talk

1213
01:13:34,640 --> 01:13:36,679
Speaker 1: to me, Like he's like, Yo, listen, we're gonna buy America.

1214
01:13:36,680 --> 01:13:38,680
Speaker 1: I'm like, wait a minute, all right, Kanye, I got

1215
01:13:38,680 --> 01:13:42,519
Speaker 1: get a little bit more up when I'm with you.

1216
01:13:43,040 --> 01:13:47,320
Speaker 1: But that's ship that people don't think about, like like

1217
01:13:47,479 --> 01:13:50,320
Speaker 1: even with the Yomi move, Like, um, I said it

1218
01:13:50,400 --> 01:13:53,320
Speaker 1: right right on me, Like, so you brought the whole

1219
01:13:53,439 --> 01:13:58,639
Speaker 1: land out there. I got twelve thousand acres, I got

1220
01:13:58,640 --> 01:14:02,040
Speaker 1: two ranches and wyoming. But we're gonna pull up because

1221
01:14:02,439 --> 01:14:05,320
Speaker 1: shameless name dropped. Elon's been telling me like, Yo, you

1222
01:14:05,360 --> 01:14:07,800
Speaker 1: gotta come out to Austin. You got to see what

1223
01:14:07,840 --> 01:14:10,080
Speaker 1: we're doing when we building out here. Jay Prince just

1224
01:14:10,160 --> 01:14:12,439
Speaker 1: said you gotta come out to Houston. You gotta see

1225
01:14:12,479 --> 01:14:14,080
Speaker 1: what I said, can I build on my land? Un

1226
01:14:14,080 --> 01:14:18,840
Speaker 1: because they keep stopping what I'm doing. You know, it's

1227
01:14:18,840 --> 01:14:21,080
Speaker 1: about community built. I hit thug up. I was like,

1228
01:14:21,880 --> 01:14:25,360
Speaker 1: I got the bars on it. One of it is

1229
01:14:25,920 --> 01:14:31,600
Speaker 1: the plumbing and irrigation. Make one system for the entire community.

1230
01:14:31,760 --> 01:14:34,920
Speaker 1: Put one farm in the middle of the community. Make

1231
01:14:34,960 --> 01:14:37,920
Speaker 1: it so there's no cars in the middle of community.

1232
01:14:38,080 --> 01:14:42,639
Speaker 1: Based the diet that we plant around the doctor Sebi diet.

1233
01:14:43,040 --> 01:14:46,080
Speaker 1: Use generators that you have to be on the grid

1234
01:14:46,120 --> 01:14:48,559
Speaker 1: a little bit when you're in America, but use the

1235
01:14:48,680 --> 01:14:53,280
Speaker 1: least amount of you thought, I wasn't gonna get myself

1236
01:14:53,360 --> 01:14:56,600
Speaker 1: killed in this indegu the least amount of on the

1237
01:14:56,680 --> 01:15:01,000
Speaker 1: grid energy as possible. Tesla said, Earth is a giant

1238
01:15:01,520 --> 01:15:05,880
Speaker 1: generator and it is now all of this information is this.

1239
01:15:06,080 --> 01:15:09,680
Speaker 1: This engines that run off trash, This refrigerators that are

1240
01:15:09,720 --> 01:15:12,880
Speaker 1: silent that run off fire. This is but we've all

1241
01:15:12,920 --> 01:15:16,960
Speaker 1: been put into the program, into the grid, into the system.

1242
01:15:17,000 --> 01:15:19,000
Speaker 1: One of the things is this lady named Temple Grand

1243
01:15:19,000 --> 01:15:22,160
Speaker 1: and that changed the meat industry because she was on

1244
01:15:22,160 --> 01:15:25,360
Speaker 1: the spectrum and she could feel the cow's pains. So

1245
01:15:25,400 --> 01:15:28,280
Speaker 1: she put up any circular vats and the cows as

1246
01:15:28,320 --> 01:15:31,559
Speaker 1: they went to the slaughterhouse. They was happy, sort of

1247
01:15:31,680 --> 01:15:38,080
Speaker 1: like the music industry because we the cows happy on

1248
01:15:38,080 --> 01:15:43,280
Speaker 1: our way to the slaughter house now. But for us

1249
01:15:43,360 --> 01:15:47,720
Speaker 1: our existence, for instance, the amount like if I go

1250
01:15:47,760 --> 01:15:50,519
Speaker 1: into designs or any of the space, there's too many.

1251
01:15:52,479 --> 01:15:55,640
Speaker 1: There's too many lights in every restaurant, especially in the

1252
01:15:55,640 --> 01:15:59,919
Speaker 1: middle of the day. Jess used the skylight in every restaurant,

1253
01:16:00,000 --> 01:16:02,719
Speaker 1: in every home. It helps you with your mental health

1254
01:16:03,240 --> 01:16:06,400
Speaker 1: a lot. We all are on the spectrum somewhere. Just

1255
01:16:06,600 --> 01:16:09,160
Speaker 1: only a couple went to the hospital or have been

1256
01:16:09,200 --> 01:16:12,719
Speaker 1: diagnosed in medication. When I slammed that paparazzi that day,

1257
01:16:12,920 --> 01:16:16,280
Speaker 1: they made me go to anger management. I'm sitting there

1258
01:16:16,320 --> 01:16:21,920
Speaker 1: with Amber Rose at the anger management situation, and the

1259
01:16:22,560 --> 01:16:26,439
Speaker 1: anger management coach just keeps on hitting on Amber and

1260
01:16:26,479 --> 01:16:29,559
Speaker 1: then giving me some medication. That was the beginning of

1261
01:16:29,600 --> 01:16:34,599
Speaker 1: my medication. That was the snowball until eventually ended up

1262
01:16:34,600 --> 01:16:38,280
Speaker 1: being diagnosis bipolar. Which there's a lot of people who

1263
01:16:38,439 --> 01:16:41,280
Speaker 1: will say, I don't believe that you are actually bipolar.

1264
01:16:41,560 --> 01:16:46,080
Speaker 1: And anytime somebody wants to, you know, say that I'm

1265
01:16:46,120 --> 01:16:49,840
Speaker 1: wrong about something, hide the truth. Lotty say yeah, it's crazy.

1266
01:16:50,120 --> 01:16:53,439
Speaker 1: It's just the ultimate final cutoff to not have to listen.

1267
01:16:53,439 --> 01:16:55,599
Speaker 1: Like I said, we were born into we were raised

1268
01:16:55,640 --> 01:17:02,280
Speaker 1: into this life. Racist, said sist, homophobic, but now also

1269
01:17:02,840 --> 01:17:05,400
Speaker 1: a phobia of things with mental health. Do we feel

1270
01:17:05,400 --> 01:17:08,519
Speaker 1: like that could be the end of any conversations? Stop talking,

1271
01:17:08,640 --> 01:17:13,000
Speaker 1: stop thinking, stop feeling you crazy, Stop being like I

1272
01:17:13,040 --> 01:17:18,200
Speaker 1: don't like that one Drake line. You're crazy. Stop being like, damn,

1273
01:17:18,320 --> 01:17:20,519
Speaker 1: I was the Louis Vatan don Now they got Virgil

1274
01:17:20,520 --> 01:17:23,560
Speaker 1: and he got the Nikes at the same time. You're crazy.

1275
01:17:23,920 --> 01:17:26,639
Speaker 1: Oh you ain't voting for Comma, you ain't voting for Biting.

1276
01:17:27,040 --> 01:17:30,080
Speaker 1: You're crazy. Oh you're running for president? You're crazy. Are

1277
01:17:30,120 --> 01:17:32,360
Speaker 1: you sleeping instead of You're crazy? Oh you cut your

1278
01:17:32,360 --> 01:17:35,360
Speaker 1: hair different, You're crazy. Are you wearing skinny jeans back

1279
01:17:35,400 --> 01:17:37,679
Speaker 1: in the days? You're crazy? All you just walking around

1280
01:17:37,720 --> 01:17:40,280
Speaker 1: with the Erman's bags? You're crazy? And I could do

1281
01:17:40,560 --> 01:17:42,559
Speaker 1: all these things and people, and I'm gonna tell you

1282
01:17:42,560 --> 01:17:47,960
Speaker 1: like this, for Britney Spears and for anybody. Okay, I'm crazy,

1283
01:17:48,320 --> 01:17:51,200
Speaker 1: but what y'all gonna do about it? All this shit

1284
01:17:51,320 --> 01:17:54,080
Speaker 1: over with? Now? I'm not in Billy crazy about here,

1285
01:17:54,439 --> 01:17:56,559
Speaker 1: so y'all can say that crazy talk for somebody else. Y'all.

1286
01:17:57,320 --> 01:18:00,800
Speaker 1: Y're not gonna not y'all not gonna deminue what I'm

1287
01:18:00,840 --> 01:18:02,960
Speaker 1: doing and what God is doing with me in the

1288
01:18:03,040 --> 01:18:06,000
Speaker 1: future by trying to cut my legs off or cut

1289
01:18:06,000 --> 01:18:09,280
Speaker 1: my influence off by calling me crazy. That don't work.

1290
01:18:09,560 --> 01:18:11,080
Speaker 1: You know what I'm saying. They'd be like, you need

1291
01:18:11,120 --> 01:18:13,960
Speaker 1: your man's You're not in your best mental state right now. No,

1292
01:18:14,080 --> 01:18:16,599
Speaker 1: I know what's going on and I'm not having it.

1293
01:18:16,760 --> 01:18:19,280
Speaker 1: I'm Buffalo Bill. You know, I'm one of them characters

1294
01:18:19,320 --> 01:18:21,439
Speaker 1: from the movie you know, back in the days think

1295
01:18:21,479 --> 01:18:23,800
Speaker 1: about there will be blood, man, they wouldn't having it.

1296
01:18:24,200 --> 01:18:28,360
Speaker 1: I'm not having none of it from nobody ever, period.

1297
01:18:28,680 --> 01:18:31,840
Speaker 1: On my life, bro on my mama, on God peer,

1298
01:18:31,920 --> 01:18:34,360
Speaker 1: I'm not having nothing, period. This is the truth. We're

1299
01:18:34,360 --> 01:18:35,800
Speaker 1: gonna have to deal with the truth because we can't

1300
01:18:35,800 --> 01:18:39,280
Speaker 1: build communities off of lies. We gotta build communities off

1301
01:18:39,280 --> 01:18:42,439
Speaker 1: of a foundation. We build our foundation on a truth.

1302
01:18:43,200 --> 01:18:51,799
Speaker 1: Only the truth has set us free. Drives well. Listening

1303
01:18:51,840 --> 01:18:54,520
Speaker 1: to class school, he said, I'm a AKG sound system,

1304
01:18:54,680 --> 01:18:59,760
Speaker 1: Nah place in New Orleans, brass. If you want to

1305
01:18:59,760 --> 01:19:02,600
Speaker 1: be oh, you have to go off script experience the

1306
01:19:02,640 --> 01:19:11,880
Speaker 1: y'all electric Cadillac lyric. This is beautiful shit right here.

1307
01:19:12,680 --> 01:19:14,800
Speaker 1: I feel like you. I feel like DJ question. I

1308
01:19:14,800 --> 01:19:16,200
Speaker 1: feel like we want to have a part two of this,

1309
01:19:16,479 --> 01:19:18,880
Speaker 1: of this interviews part one and part two, because we

1310
01:19:18,920 --> 01:19:20,960
Speaker 1: could talk about I mean, life is a big keyboard,

1311
01:19:21,000 --> 01:19:23,840
Speaker 1: but we could talk about actual rap, how we chopped

1312
01:19:23,880 --> 01:19:27,400
Speaker 1: this up, how many consoling may just I mean and

1313
01:19:27,439 --> 01:19:29,160
Speaker 1: I do we do need to talk about that. But

1314
01:19:29,200 --> 01:19:32,599
Speaker 1: you do know you are our Walt Disney. Yes, I

1315
01:19:32,640 --> 01:19:36,679
Speaker 1: want you to know that, Like, um, I remember watching

1316
01:19:36,920 --> 01:19:40,120
Speaker 1: interviews with you. With you you're saying like you wanted

1317
01:19:40,160 --> 01:19:44,200
Speaker 1: to be that, but um, you actually accomplished that, like

1318
01:19:44,680 --> 01:19:49,920
Speaker 1: when a eazy drops, when a sneaker drops, like our

1319
01:19:49,920 --> 01:19:52,479
Speaker 1: community goes crazy for it, like you like when you

1320
01:19:52,479 --> 01:19:54,599
Speaker 1: said it, it said Ez jumped over the jump man.

1321
01:19:54,920 --> 01:19:56,519
Speaker 1: I don't know if you knew what you were saying.

1322
01:19:57,640 --> 01:20:02,760
Speaker 1: But Jordan, Sale want me with me. I'm trying to

1323
01:20:02,800 --> 01:20:04,920
Speaker 1: meet with Michael Jordan. I'm like, man, it was it's

1324
01:20:04,960 --> 01:20:10,920
Speaker 1: a song man, But Michael Jordan said the thing. It's like,

1325
01:20:10,920 --> 01:20:13,439
Speaker 1: why y'all acting like Virgil made me hot? These shoes

1326
01:20:13,560 --> 01:20:15,559
Speaker 1: is hot? Like this is somebody met with. Michael Jordan

1327
01:20:16,040 --> 01:20:20,160
Speaker 1: used to work with me the um the But Nike

1328
01:20:20,280 --> 01:20:23,160
Speaker 1: really ain't had ships since the Yeasy's. They can't yo,

1329
01:20:23,840 --> 01:20:25,519
Speaker 1: but they could get it back, you know what I'm saying.

1330
01:20:25,560 --> 01:20:27,760
Speaker 1: There was a period with Drake just I couldn't get

1331
01:20:27,840 --> 01:20:33,280
Speaker 1: not no track. But it was like I was Nike

1332
01:20:33,400 --> 01:20:35,920
Speaker 1: and Drake is like easy a wrap, Like I'm easy

1333
01:20:36,000 --> 01:20:38,639
Speaker 1: to what Nike is. And now with Donda, you starting

1334
01:20:38,680 --> 01:20:41,560
Speaker 1: to get some traction back. He put miracles on me

1335
01:20:41,760 --> 01:20:45,639
Speaker 1: by leaning into that. And then I'm still wearing Nikes. Nike, man,

1336
01:20:45,760 --> 01:20:47,680
Speaker 1: but I'm wearing because I'm not no slave to that.

1337
01:20:47,720 --> 01:20:50,240
Speaker 1: This is my partner. Like tell me this, but Dedis

1338
01:20:50,240 --> 01:20:53,920
Speaker 1: could sign for real or signed Drake signed Pusher, right,

1339
01:20:54,439 --> 01:20:57,200
Speaker 1: but I can't wear a Nike. That's pretty one sided,

1340
01:20:57,880 --> 01:21:00,360
Speaker 1: you know what I'm saying. That's pretty once stid it.

1341
01:21:00,479 --> 01:21:04,280
Speaker 1: Especially sorry it was they was losing. They was losing

1342
01:21:04,320 --> 01:21:07,799
Speaker 1: two billion dollars when there's a fifteen billion dollars company

1343
01:21:08,000 --> 01:21:11,080
Speaker 1: losing two billion dollars when I got there. Now, yeez,

1344
01:21:11,120 --> 01:21:13,200
Speaker 1: he's a three billion dollar company and they are sixty

1345
01:21:13,200 --> 01:21:16,000
Speaker 1: billion dollar company. So who got the short end of

1346
01:21:16,000 --> 01:21:18,880
Speaker 1: the stick. How was that engineer? You know, it's not

1347
01:21:18,960 --> 01:21:21,960
Speaker 1: to either we get respect directly from these companies or

1348
01:21:22,240 --> 01:21:24,160
Speaker 1: we do our own thing. But I don't lay them

1349
01:21:24,160 --> 01:21:26,439
Speaker 1: on a back I'm gonna lay them on a back

1350
01:21:26,640 --> 01:21:30,360
Speaker 1: gap Adidas. I run it, I'm Putin, I run it.

1351
01:21:30,400 --> 01:21:34,719
Speaker 1: I'm laying the morning back today. No, because I realized,

1352
01:21:34,760 --> 01:21:36,200
Speaker 1: like I was like, I was like, man, I'm like,

1353
01:21:36,560 --> 01:21:39,720
Speaker 1: I'm like young Putin until I realized that culture is

1354
01:21:39,720 --> 01:21:46,880
Speaker 1: a formal but is amazing. No, exactly, the Russian president. Yes,

1355
01:21:47,720 --> 01:21:51,240
Speaker 1: because I was like, yo, I'm young Putin, until until

1356
01:21:51,280 --> 01:21:58,200
Speaker 1: I realized, yeah, you talk about Yeah, I used to

1357
01:21:58,280 --> 01:22:01,519
Speaker 1: say I was young glidermir until I realized I was

1358
01:22:01,600 --> 01:22:03,400
Speaker 1: flader Man. You know, at the moment when I realized that,

1359
01:22:03,439 --> 01:22:06,639
Speaker 1: it was when I realized that culture is an oil.

1360
01:22:07,479 --> 01:22:10,599
Speaker 1: Culture is an energy, and I'm the king of culture

1361
01:22:10,840 --> 01:22:13,519
Speaker 1: for the past twenty and the next two thousand years.

1362
01:22:15,680 --> 01:22:18,479
Speaker 1: And see that's the thing. But we gotta know that

1363
01:22:19,720 --> 01:22:22,360
Speaker 1: I was just telling the CEO. I was telling them,

1364
01:22:22,520 --> 01:22:27,640
Speaker 1: we gotta know that culture is an oil. It is

1365
01:22:27,680 --> 01:22:33,000
Speaker 1: something that's um, It's something that's gonna be at the

1366
01:22:33,040 --> 01:22:39,000
Speaker 1: top of the financial place space for the nixt at

1367
01:22:39,080 --> 01:22:46,160
Speaker 1: least fifty years. You know, this thing of vows fortunate

1368
01:22:46,240 --> 01:22:51,080
Speaker 1: for us, the warehouses in the hood, the production houses

1369
01:22:51,120 --> 01:22:54,160
Speaker 1: are in the hood. Right. It's most of these guys

1370
01:22:54,200 --> 01:22:59,840
Speaker 1: that contribute to this thing of vows. They come out

1371
01:22:59,840 --> 01:23:05,840
Speaker 1: the hood. And the problem with the labels and the

1372
01:23:05,880 --> 01:23:08,759
Speaker 1: people that want to take our coach and our style

1373
01:23:09,000 --> 01:23:12,360
Speaker 1: and attach it to brands and make that the thing

1374
01:23:12,600 --> 01:23:17,640
Speaker 1: is the problem they don't understand is you can't you

1375
01:23:17,760 --> 01:23:24,840
Speaker 1: can't take this in Hollywood, this thing out because then

1376
01:23:24,920 --> 01:23:27,960
Speaker 1: you take the ingredient out of it. There's a sweet spot.

1377
01:23:28,760 --> 01:23:31,440
Speaker 1: And when I say hood, I don't mean criminal activity

1378
01:23:31,520 --> 01:23:33,920
Speaker 1: because you got Kanye West that come from the hood

1379
01:23:33,960 --> 01:23:40,120
Speaker 1: that's never done anything criminal. Right, The hood and the

1380
01:23:40,120 --> 01:23:43,439
Speaker 1: streets are different. Somebody said they come from the streets.

1381
01:23:43,479 --> 01:23:45,800
Speaker 1: That's different than somebody that said they come from the hood.

1382
01:23:46,560 --> 01:23:50,760
Speaker 1: You know what I'm saying. But the hood it produces.

1383
01:23:52,040 --> 01:23:54,240
Speaker 1: You could be from the streets and from the hood,

1384
01:23:54,240 --> 01:23:58,280
Speaker 1: but you you can't be from the hood and from

1385
01:23:58,360 --> 01:24:03,720
Speaker 1: the streets. Just to clarify that, because that's a that's

1386
01:24:03,720 --> 01:24:07,800
Speaker 1: a different conversation. But we produced things that contribute to

1387
01:24:07,840 --> 01:24:12,559
Speaker 1: this thing that's making these companies billion dollar companies. You

1388
01:24:12,640 --> 01:24:15,880
Speaker 1: see the effects of Travis Scott when you see they

1389
01:24:15,920 --> 01:24:19,080
Speaker 1: say that he made fifteen million out for Nike shoe,

1390
01:24:19,240 --> 01:24:22,120
Speaker 1: so it could imagine what it made Nike. Sure his

1391
01:24:22,200 --> 01:24:27,040
Speaker 1: splits are not over twenty percent, so if he made

1392
01:24:27,040 --> 01:24:29,719
Speaker 1: ten we can imagine what they made taking the eighty

1393
01:24:29,760 --> 01:24:33,000
Speaker 1: percent of the pie. Right, you see that they say

1394
01:24:33,040 --> 01:24:36,559
Speaker 1: that he made twenty million for fortnighte. He made twenty million,

1395
01:24:36,800 --> 01:24:39,720
Speaker 1: or it made twenty million, whatever he took from that.

1396
01:24:39,800 --> 01:24:43,360
Speaker 1: But I'm saying that's just one of us looking easy.

1397
01:24:43,680 --> 01:24:45,960
Speaker 1: He's telling you that, Yo, when I got what A

1398
01:24:46,080 --> 01:24:49,639
Speaker 1: did is they was worth two billion, losing a billion

1399
01:24:49,720 --> 01:24:53,000
Speaker 1: a year. They now worth sixty six billion, and I'm

1400
01:24:53,040 --> 01:24:58,240
Speaker 1: worth four billion sums off with that, we've contributed to things,

1401
01:24:58,320 --> 01:25:00,880
Speaker 1: right that we don't have any real equity end, And

1402
01:25:01,000 --> 01:25:04,080
Speaker 1: that's where the problem comes. But when the information age

1403
01:25:04,120 --> 01:25:08,080
Speaker 1: and things are changing. So when you hear him start

1404
01:25:08,120 --> 01:25:12,599
Speaker 1: to explain things like that, you must understand the position

1405
01:25:12,680 --> 01:25:15,479
Speaker 1: that he's coming from. He has a he has a

1406
01:25:16,479 --> 01:25:22,360
Speaker 1: his negotiating power's substantial. But he runs in the problems.

1407
01:25:22,360 --> 01:25:24,280
Speaker 1: And I think this is when he tries to shake

1408
01:25:24,360 --> 01:25:26,800
Speaker 1: the rapper tag. It's when he starts to run into

1409
01:25:26,840 --> 01:25:30,360
Speaker 1: problems when he tries to explain the Valenciaga that he

1410
01:25:30,400 --> 01:25:34,280
Speaker 1: wants his pool and his own store, and they still

1411
01:25:34,680 --> 01:25:37,240
Speaker 1: view him as you know, he's a rapper. You come

1412
01:25:37,320 --> 01:25:40,040
Speaker 1: from our culture, and he's trying to shake that off

1413
01:25:40,120 --> 01:25:43,599
Speaker 1: in hopes of I appeal better to some of these people.

1414
01:25:44,080 --> 01:25:47,960
Speaker 1: But I give I give him some pushback and say, yo, yo,

1415
01:25:48,840 --> 01:25:51,760
Speaker 1: not for you, but for us. Let's let's stand next

1416
01:25:51,760 --> 01:25:55,639
Speaker 1: to the rapper the same thing we did with gangster.

1417
01:25:55,760 --> 01:25:59,120
Speaker 1: Let's try to because they're gonna wear the gangster tag,

1418
01:25:59,200 --> 01:26:01,719
Speaker 1: but let's say, yo, gangster is taking care of the hood,

1419
01:26:02,240 --> 01:26:04,880
Speaker 1: making sure that people don't affect the old people, make

1420
01:26:04,920 --> 01:26:09,280
Speaker 1: sure folks ain't around here stealing like that's what gangster is,

1421
01:26:09,320 --> 01:26:12,400
Speaker 1: not teying the neighborhood up right. So what we gotta

1422
01:26:12,479 --> 01:26:16,479
Speaker 1: do is control the narrative, and you don't you don't

1423
01:26:16,560 --> 01:26:19,400
Speaker 1: morph from us and become one of our strongest wants

1424
01:26:19,439 --> 01:26:22,800
Speaker 1: to then say now, stop calling me them yo. It's

1425
01:26:22,840 --> 01:26:26,280
Speaker 1: people like now, don't do what's like that home. I

1426
01:26:26,400 --> 01:26:29,240
Speaker 1: can figure it out. I'm good, But I'm saying for us,

1427
01:26:29,439 --> 01:26:32,760
Speaker 1: let's figure that. Let's conversate a little bit more about that,

1428
01:26:32,840 --> 01:26:35,559
Speaker 1: and let's embrace that and kind of pull that closer. Tours,

1429
01:26:36,120 --> 01:26:38,719
Speaker 1: you know, as we see some of our other people,

1430
01:26:38,760 --> 01:26:41,599
Speaker 1: because no matter what you do, you're not gonna shake it.

1431
01:26:43,280 --> 01:26:45,479
Speaker 1: You can scream and hollow about it all you want.

1432
01:26:45,600 --> 01:26:48,240
Speaker 1: Then folks say that they're gonna say that. That's how

1433
01:26:48,280 --> 01:26:51,599
Speaker 1: they go, you know what I'm saying. But for us

1434
01:26:51,640 --> 01:26:54,120
Speaker 1: and for the youngsters is looking like yo, he started

1435
01:26:54,160 --> 01:26:57,000
Speaker 1: as a rapper in X, Y and Z, Like let

1436
01:26:57,040 --> 01:27:04,760
Speaker 1: they be, Let they be part of that. But but yeah, man,

1437
01:27:04,800 --> 01:27:06,920
Speaker 1: we just contribute to some of these brands and we

1438
01:27:06,960 --> 01:27:11,280
Speaker 1: don't make the money. But now again that's changing, and

1439
01:27:11,320 --> 01:27:14,160
Speaker 1: we're gonna put ourselves in a position to start capitalizing

1440
01:27:14,200 --> 01:27:17,360
Speaker 1: and owning the brands and being more influential in in

1441
01:27:17,880 --> 01:27:21,200
Speaker 1: in those boardrooms and things like that, because our representation

1442
01:27:21,400 --> 01:27:24,680
Speaker 1: isn't there. But in the marketing room, they're looking for

1443
01:27:24,800 --> 01:27:31,280
Speaker 1: all of us. And don't be confused. The boardroom is

1444
01:27:31,280 --> 01:27:33,880
Speaker 1: where they make out the money, but the marketing room

1445
01:27:34,560 --> 01:27:39,599
Speaker 1: is where they make out the moves. And then they

1446
01:27:39,640 --> 01:27:42,760
Speaker 1: try to go hire focused groups. And so people from

1447
01:27:42,760 --> 01:27:45,400
Speaker 1: eighteen to twenty four is black. What are they listening to?

1448
01:27:45,479 --> 01:27:48,519
Speaker 1: What are they doing? Like yo, bro? Some things is

1449
01:27:48,560 --> 01:27:54,080
Speaker 1: about impacting organically doing these things. Grass rooting these things.

1450
01:27:54,080 --> 01:27:57,320
Speaker 1: So your brands stand next to something that means something

1451
01:27:57,360 --> 01:27:59,920
Speaker 1: to the people, right, they say, oh, he want us

1452
01:28:00,120 --> 01:28:03,519
Speaker 1: state they funded his thing. Like a lot of times

1453
01:28:03,520 --> 01:28:05,960
Speaker 1: they go get these name brand dudes and they think

1454
01:28:05,960 --> 01:28:11,719
Speaker 1: it translates and it doesn't fortunate for them. They gotta

1455
01:28:12,000 --> 01:28:13,760
Speaker 1: they gotta whole bunch of money and they know how

1456
01:28:13,800 --> 01:28:15,920
Speaker 1: to write things out on their texts. But let's look

1457
01:28:15,920 --> 01:28:21,320
Speaker 1: at a little more what he said. It's like, I

1458
01:28:21,479 --> 01:28:25,000
Speaker 1: love everyone. You know what I'm saying. Everything is equal.

1459
01:28:25,400 --> 01:28:30,639
Speaker 1: I'm not a person. A black person in America can't

1460
01:28:30,640 --> 01:28:37,000
Speaker 1: be labeled with something against another minority. I think that's unfair.

1461
01:28:37,600 --> 01:28:39,840
Speaker 1: And it's not even really about antisemity. It's not a

1462
01:28:39,880 --> 01:28:44,000
Speaker 1: matter of you hate Jews, though it's a matter of control.

1463
01:28:44,960 --> 01:28:46,640
Speaker 1: It's a matter of the fact that blacks worked for

1464
01:28:46,760 --> 01:28:51,240
Speaker 1: Jews Jewish people, and blacks are Jews, Blacks our blood

1465
01:28:51,240 --> 01:28:54,160
Speaker 1: of Christ. Blacks are Hebrews of twelve lost tribes that

1466
01:28:54,720 --> 01:29:00,680
Speaker 1: you know and that we don't know this And it's like, bro,

1467
01:29:00,840 --> 01:29:04,720
Speaker 1: these is like these is facts, bro, But it's up. Man,

1468
01:29:04,720 --> 01:29:08,160
Speaker 1: everything happened for a reason. Because I'll be thinking, I'm like, man, h,

1469
01:29:09,080 --> 01:29:12,519
Speaker 1: this is the whole thing. I'm working for the Gap.

1470
01:29:12,560 --> 01:29:14,360
Speaker 1: Ain't nobody care about the gap till we went to

1471
01:29:14,400 --> 01:29:16,559
Speaker 1: the gap, bro, you know what I'm saying. And it's

1472
01:29:16,600 --> 01:29:18,800
Speaker 1: like I moved that stock and they'd be doing all

1473
01:29:18,920 --> 01:29:21,120
Speaker 1: kind of behind the back. You know. Even when they

1474
01:29:21,200 --> 01:29:23,840
Speaker 1: dropped the hoodies, they made it look like the Drake

1475
01:29:23,880 --> 01:29:26,120
Speaker 1: cover on purpose and didn't show me. You know, I

1476
01:29:26,120 --> 01:29:28,000
Speaker 1: had the multiple colors. I don't know if you remember,

1477
01:29:28,040 --> 01:29:30,040
Speaker 1: and you could do this overlap boom, show that on

1478
01:29:30,080 --> 01:29:32,880
Speaker 1: the screen. And I'm just saying, I tell him, you

1479
01:29:32,920 --> 01:29:34,439
Speaker 1: know what I mean. The banks, the fact that I'm

1480
01:29:34,479 --> 01:29:37,240
Speaker 1: not on the boardrooms is a form of supremacy and

1481
01:29:37,280 --> 01:29:40,519
Speaker 1: it's a matter of just like yo, Steve Jobs had

1482
01:29:40,560 --> 01:29:42,240
Speaker 1: to go down for five years. So it might be

1483
01:29:42,240 --> 01:29:44,920
Speaker 1: a moment post, this interview, post whatever, where it says

1484
01:29:45,240 --> 01:29:50,559
Speaker 1: Kanye or the artists, the human being formerly known as

1485
01:29:50,960 --> 01:29:54,839
Speaker 1: Kanye West is no longer the richest black man in America.

1486
01:29:54,880 --> 01:29:59,519
Speaker 1: He's homeless. But just wait wait two three, four years

1487
01:30:00,680 --> 01:30:04,800
Speaker 1: and pot terminator, pooting, whatever you want to call it. Yeah,

1488
01:30:05,240 --> 01:30:09,599
Speaker 1: we'll be back, and we're gonna be back bigger, yeah, bigger, better,

1489
01:30:09,960 --> 01:30:13,559
Speaker 1: more community than ever because all the people that would

1490
01:30:13,560 --> 01:30:17,679
Speaker 1: be afraid of this. Don't need to be around because

1491
01:30:17,720 --> 01:30:21,280
Speaker 1: it's get free time. And ain't it ain't right because

1492
01:30:21,280 --> 01:30:23,599
Speaker 1: you just you just spoke about being on the board room.

1493
01:30:23,720 --> 01:30:26,640
Speaker 1: Right for us that don't know, we also heard you

1494
01:30:26,640 --> 01:30:28,679
Speaker 1: say like you almost made like two billion or something

1495
01:30:28,720 --> 01:30:31,280
Speaker 1: like that with them. What why is it so important

1496
01:30:31,320 --> 01:30:33,360
Speaker 1: to be in the boardroom? Tell us, like break it

1497
01:30:33,360 --> 01:30:37,519
Speaker 1: down for people who don't know, decision make it like

1498
01:30:38,000 --> 01:30:40,559
Speaker 1: I heard this, Well, I just broke it down to you.

1499
01:30:40,600 --> 01:30:42,760
Speaker 1: The boardroom is where the money is made, where the

1500
01:30:42,840 --> 01:30:46,160
Speaker 1: decision is ultimately made. But the marketing room is where

1501
01:30:46,200 --> 01:30:50,639
Speaker 1: the moves have made in the marketing room. Seeing that's

1502
01:30:50,640 --> 01:30:53,560
Speaker 1: why my new brand they think they still And I

1503
01:30:53,680 --> 01:30:58,280
Speaker 1: explain this on on on in the apartments with Pilay

1504
01:30:58,360 --> 01:31:01,479
Speaker 1: and after they come out, would dropped the shirts and

1505
01:31:01,520 --> 01:31:04,320
Speaker 1: then I'll start to build on it on my platform.

1506
01:31:04,439 --> 01:31:10,880
Speaker 1: But you know, it's um, it's just important, man, It's

1507
01:31:10,960 --> 01:31:14,280
Speaker 1: important that you understand the thing. You know, when you

1508
01:31:14,320 --> 01:31:17,160
Speaker 1: don't understand what the boardroom is, I know you can't

1509
01:31:17,200 --> 01:31:22,599
Speaker 1: respectfully handle a billion dollars, you know what I'm saying. See,

1510
01:31:22,800 --> 01:31:30,280
Speaker 1: and that's what I mean about some people are hustling

1511
01:31:30,360 --> 01:31:32,799
Speaker 1: good and they get a great place. But some people

1512
01:31:33,320 --> 01:31:36,760
Speaker 1: deserve to be what they had from a standpoint, they

1513
01:31:36,960 --> 01:31:40,799
Speaker 1: really combed through this ship and figured this shit out,

1514
01:31:41,800 --> 01:31:45,040
Speaker 1: and then them people there they different. And that's what

1515
01:31:45,200 --> 01:31:49,599
Speaker 1: I'm as. I'm one of them ones that you know,

1516
01:31:49,920 --> 01:31:52,200
Speaker 1: I can dance this kind of talk. When you want

1517
01:31:52,200 --> 01:31:54,719
Speaker 1: to talk this kind of talk, I know exactly where

1518
01:31:54,720 --> 01:31:57,240
Speaker 1: you headed with it, you know, And I know what

1519
01:31:57,320 --> 01:31:59,640
Speaker 1: he was wave length Fione when he's saying, Yo, they

1520
01:31:59,760 --> 01:32:04,519
Speaker 1: basically just took my brand and dropped something that kind

1521
01:32:04,560 --> 01:32:07,479
Speaker 1: of looked like the Drake thing on purpose, and I

1522
01:32:07,479 --> 01:32:09,639
Speaker 1: ain't even had control to stop it because I ain't

1523
01:32:09,680 --> 01:32:13,040
Speaker 1: in the boardroom. They did give me stock equalities billion

1524
01:32:13,080 --> 01:32:16,240
Speaker 1: dollars or whatever. They gave me a couple billions and

1525
01:32:16,400 --> 01:32:19,360
Speaker 1: some stock this worth product, because that's why I'm worth

1526
01:32:19,479 --> 01:32:22,759
Speaker 1: these billions is because of all this little last moves

1527
01:32:22,800 --> 01:32:28,080
Speaker 1: I made. But I still didn't get control over the

1528
01:32:28,160 --> 01:32:30,840
Speaker 1: brand or con in that room to really see what

1529
01:32:30,920 --> 01:32:33,720
Speaker 1: they're doing with the information and all of that. You

1530
01:32:33,800 --> 01:32:35,799
Speaker 1: know what I'm saying. That's a that's a totally different

1531
01:32:35,840 --> 01:32:38,680
Speaker 1: fight to just say. One time, he said, you know

1532
01:32:38,720 --> 01:32:41,160
Speaker 1: what I hate about artists. They take eighty percent of

1533
01:32:41,200 --> 01:32:47,120
Speaker 1: my money. Jesus, that's how much the manager controls. Last time,

1534
01:32:47,120 --> 01:32:50,080
Speaker 1: when I was watching a fight, this boxer's out that

1535
01:32:50,160 --> 01:32:54,280
Speaker 1: bob and the dude from the side he was overweighting.

1536
01:32:54,280 --> 01:32:57,639
Speaker 1: You're screaming out throw look go look, go, look at

1537
01:32:57,800 --> 01:33:00,679
Speaker 1: he's telling them what to do. Right when the dude

1538
01:33:00,720 --> 01:33:04,640
Speaker 1: started bleeding, that dude got up stop the fight. He

1539
01:33:04,720 --> 01:33:07,920
Speaker 1: wasn't even out the boxing. He was just control of

1540
01:33:08,040 --> 01:33:13,400
Speaker 1: everything from the from the back. That's why they say, uh,

1541
01:33:15,479 --> 01:33:17,280
Speaker 1: I just think it is what it is. You know.

1542
01:33:17,439 --> 01:33:20,000
Speaker 1: For me, it's like a Steve Jobs kind of personality.

1543
01:33:20,560 --> 01:33:24,920
Speaker 1: I can't be you know, can you go? You're sucking

1544
01:33:24,960 --> 01:33:28,400
Speaker 1: them up? Come on, It's just he's like, you ain't

1545
01:33:28,439 --> 01:33:33,720
Speaker 1: gonna ask this. Can you go for this? I just

1546
01:33:33,720 --> 01:33:40,840
Speaker 1: said it one time politely. So so you see this

1547
01:33:40,880 --> 01:33:43,080
Speaker 1: guy he's fighting. Yeah, you don't see this is a

1548
01:33:43,080 --> 01:33:44,880
Speaker 1: good thing on back thing. It is what it is. Well,

1549
01:33:44,960 --> 01:33:47,680
Speaker 1: nothing is good or bad, is it? It all just

1550
01:33:47,880 --> 01:33:50,479
Speaker 1: is what it is. At this point, it's just all.

1551
01:33:50,520 --> 01:33:53,600
Speaker 1: It just is what it is. And you know, we

1552
01:33:53,720 --> 01:33:57,280
Speaker 1: got the two types of archetypes, cloudthirsty horse and power

1553
01:33:57,360 --> 01:34:01,560
Speaker 1: hungry maniacs in this game called this is this is

1554
01:34:01,640 --> 01:34:12,240
Speaker 1: cowboys in it. Did you say that again? Nope? Power, No,

1555
01:34:12,280 --> 01:34:17,080
Speaker 1: I meant to say sluts. Okay, now we all, we

1556
01:34:17,200 --> 01:34:20,120
Speaker 1: all are a combination of all that. So let's say

1557
01:34:20,160 --> 01:34:22,639
Speaker 1: it's only one type of archetype in his game, power

1558
01:34:22,720 --> 01:34:25,519
Speaker 1: hungry maniacs. That would be the name of our video

1559
01:34:25,600 --> 01:34:30,800
Speaker 1: game of life, Power hungry maniacs. Power hungry maniacs. What counterpower?

1560
01:34:30,840 --> 01:34:34,600
Speaker 1: Because you could have passive aggressive power? You know, you

1561
01:34:34,600 --> 01:34:37,400
Speaker 1: could have people you know how you feel nothing somebody

1562
01:34:37,400 --> 01:34:38,840
Speaker 1: you know you need to piss them off and they

1563
01:34:38,880 --> 01:34:41,519
Speaker 1: don't talk back to you. They make you feel something.

1564
01:34:41,720 --> 01:34:43,880
Speaker 1: You know what I'm saying, Man, how many wives is

1565
01:34:43,880 --> 01:34:46,439
Speaker 1: really in control of the house? You know what I'm saying.

1566
01:34:46,479 --> 01:34:48,680
Speaker 1: They got the full technique. It's like the man, Yeah,

1567
01:34:48,720 --> 01:34:50,200
Speaker 1: you're the man at the house. That means you ain't

1568
01:34:50,240 --> 01:34:54,880
Speaker 1: controlling ship. Because the wife got the kids, they got

1569
01:34:55,160 --> 01:34:58,400
Speaker 1: the sex, they got the clothes, they run the nanny,

1570
01:34:58,439 --> 01:35:01,759
Speaker 1: the bah. You don't really It's like women can basically

1571
01:35:01,800 --> 01:35:05,240
Speaker 1: run the run the glo. Let me tell you only

1572
01:35:05,280 --> 01:35:09,839
Speaker 1: fans women when they were doing it. It wasn't particularly

1573
01:35:09,840 --> 01:35:13,240
Speaker 1: for powers more attention because in general, woman wants their

1574
01:35:13,280 --> 01:35:17,639
Speaker 1: flowers they want their attention with the man only fans,

1575
01:35:17,960 --> 01:35:24,160
Speaker 1: where men we just we lower our power for just desire. Desire. Men,

1576
01:35:24,320 --> 01:35:26,320
Speaker 1: we just be horning, you know what I'm saying. And

1577
01:35:26,360 --> 01:35:28,920
Speaker 1: then we're gonna text these girls ADM But what whatever

1578
01:35:28,920 --> 01:35:31,639
Speaker 1: they do? Only fans Because I get my only fans

1579
01:35:31,640 --> 01:35:48,799
Speaker 1: off of Reddy, I bootleg the only fans. So all

1580
01:35:49,200 --> 01:35:51,439
Speaker 1: these only fans gonna be so mad at me, you

1581
01:35:51,600 --> 01:35:54,919
Speaker 1: as the artist, what do you want people to bootlegg?

1582
01:35:57,640 --> 01:36:03,439
Speaker 1: But whatever, whatever type of reaction that because I know

1583
01:36:03,640 --> 01:36:05,800
Speaker 1: from being single for a bit, it'd be a bunch

1584
01:36:05,840 --> 01:36:08,800
Speaker 1: of only fans they now host at all. They just

1585
01:36:08,840 --> 01:36:11,240
Speaker 1: getting money. But it don't even be about the money,

1586
01:36:11,360 --> 01:36:13,880
Speaker 1: or it'd be about the showing off. It really is

1587
01:36:13,920 --> 01:36:17,280
Speaker 1: more about the attention because they look up and it's

1588
01:36:17,320 --> 01:36:19,080
Speaker 1: like you look, you know, like from my phone. It's

1589
01:36:19,120 --> 01:36:21,639
Speaker 1: like when I wake up, like if I don't have

1590
01:36:21,720 --> 01:36:25,680
Speaker 1: like ten texts or something, you know, my what is

1591
01:36:25,720 --> 01:36:30,280
Speaker 1: that your serotonins and dopamines and stuff that you're is

1592
01:36:30,280 --> 01:36:33,120
Speaker 1: a little bit lower. When I see those twelve texts,

1593
01:36:33,200 --> 01:36:35,120
Speaker 1: it kind of goes up Acount Brady and you want

1594
01:36:35,120 --> 01:36:37,240
Speaker 1: to read man, even if it might be some bullshit

1595
01:36:37,280 --> 01:36:39,320
Speaker 1: but you're just like, read, the best thing we got

1596
01:36:39,520 --> 01:36:41,840
Speaker 1: is people in this game of life is people. Then

1597
01:36:41,920 --> 01:36:45,000
Speaker 1: you talked about your father talking through the toilet. You know,

1598
01:36:45,040 --> 01:36:48,439
Speaker 1: the ability to just have a conversation, you know, is

1599
01:36:48,479 --> 01:36:50,639
Speaker 1: the best thing. Like this, right, we're gonna have it

1600
01:36:50,720 --> 01:36:52,519
Speaker 1: might be a little bit uproar here, it's gonna be

1601
01:36:52,520 --> 01:36:55,080
Speaker 1: a conversation. It goes away. We come back a year

1602
01:36:55,200 --> 01:36:58,960
Speaker 1: later when it's gonna be more conversation. Yo. So that

1603
01:36:59,120 --> 01:37:01,400
Speaker 1: was like I said, good an interview man and Um

1604
01:37:01,760 --> 01:37:05,639
Speaker 1: shout out, Yeah, you shout out Noriega, drink Champ, shout out, Revote,

1605
01:37:05,640 --> 01:37:09,080
Speaker 1: shout out black effect. Um, you know exactly what the

1606
01:37:09,160 --> 01:37:11,439
Speaker 1: vibes is. We hustling a lot of hustling going on

1607
01:37:11,520 --> 01:37:17,200
Speaker 1: in the podcast space. We've we've arrived Black entertainment, especially

1608
01:37:17,320 --> 01:37:20,920
Speaker 1: music and our culture. We we got a stronghold on

1609
01:37:20,960 --> 01:37:23,560
Speaker 1: the podcast space. You know, earlier I was saying that

1610
01:37:23,880 --> 01:37:28,439
Speaker 1: comics built it um outside of you know, combat Jack

1611
01:37:28,479 --> 01:37:31,559
Speaker 1: and Um Loud Speaking, net Worth, Charlemagne, Chris mount Roe,

1612
01:37:31,560 --> 01:37:37,599
Speaker 1: pistol Pe even Um cipher sounds, Um Rosenberg. A lot

1613
01:37:37,680 --> 01:37:40,800
Speaker 1: of those early ones to read a lot of those

1614
01:37:40,840 --> 01:37:44,360
Speaker 1: early ones, you know, tax Stone, even was early, but

1615
01:37:44,479 --> 01:37:48,480
Speaker 1: a lot of people built this industry. Um, but comics

1616
01:37:48,680 --> 01:37:53,480
Speaker 1: was really, really, really really instrumental m in it. And

1617
01:37:53,520 --> 01:37:57,200
Speaker 1: as I said, it's a lot more money to be made. Um,

1618
01:37:57,720 --> 01:37:59,479
Speaker 1: I want to speak on this and then we'll get

1619
01:37:59,479 --> 01:38:02,759
Speaker 1: out of here for this week because I got another

1620
01:38:02,800 --> 01:38:06,479
Speaker 1: we gotta do another podcast. Yeah, but it was just

1621
01:38:06,520 --> 01:38:10,560
Speaker 1: a great interview. Man, So shout out Kanye, shout out Noriega,

1622
01:38:10,880 --> 01:38:15,840
Speaker 1: shout out Drink Chimps, Black Effect again, revote the whole team.

1623
01:38:15,880 --> 01:38:17,960
Speaker 1: It's a lot of business being done. It's a lot

1624
01:38:17,960 --> 01:38:20,479
Speaker 1: of money to be made, you know. I salute all

1625
01:38:20,560 --> 01:38:23,840
Speaker 1: the creators this out there doing their thing. Speaking of creators,

1626
01:38:24,040 --> 01:38:28,520
Speaker 1: Ashanti was on Angie Martinez. Shout out to her. Definitely

1627
01:38:28,560 --> 01:38:31,200
Speaker 1: a legend in the space. Again, the same way I

1628
01:38:31,240 --> 01:38:34,080
Speaker 1: feel about the South right, A feel as though when

1629
01:38:34,080 --> 01:38:37,400
Speaker 1: they talk about media, when they talk about certain things

1630
01:38:37,439 --> 01:38:41,800
Speaker 1: that's happened in rapping and entertainment, they tend to lead

1631
01:38:41,840 --> 01:38:45,240
Speaker 1: the South out. I think they do the same with

1632
01:38:45,320 --> 01:38:50,960
Speaker 1: the women with the Angela Yease. Even Envy has been instrumental.

1633
01:38:51,000 --> 01:38:53,839
Speaker 1: He's been podcasting a long time. Don't get it confused

1634
01:38:53,920 --> 01:38:58,320
Speaker 1: him and his wife, but they don't talk about the

1635
01:38:58,360 --> 01:39:02,560
Speaker 1: Angela yease, the Angie Martin tinaz Is, um, the Laurel styles.

1636
01:39:02,640 --> 01:39:05,160
Speaker 1: You know, they don't they don't really be talking about

1637
01:39:05,200 --> 01:39:08,840
Speaker 1: the women. Um, I forgot excusing me. So I'm so

1638
01:39:08,880 --> 01:39:12,040
Speaker 1: sorry on the one that's over there with sway legend

1639
01:39:13,320 --> 01:39:15,240
Speaker 1: in this space because I'm just on the fly. I

1640
01:39:15,320 --> 01:39:18,679
Speaker 1: don't do anything with notes, but um, they don't really

1641
01:39:18,680 --> 01:39:21,559
Speaker 1: speak about them me. That Angie Martinez a staple not

1642
01:39:21,600 --> 01:39:24,280
Speaker 1: only in New York but in this space again, stretching

1643
01:39:24,320 --> 01:39:28,479
Speaker 1: the fabric, stretching the fabric of the media space and

1644
01:39:28,560 --> 01:39:31,559
Speaker 1: allowing space for other people to get in there. If

1645
01:39:31,600 --> 01:39:35,120
Speaker 1: not on my watch, on my on my um, you

1646
01:39:35,200 --> 01:39:37,200
Speaker 1: see what I'm saying. If not on my watch, on

1647
01:39:37,320 --> 01:39:40,000
Speaker 1: my behalf, you know what I'm saying. I had a

1648
01:39:40,160 --> 01:39:46,680
Speaker 1: direct Um, I had a direct influence on the audience,

1649
01:39:47,200 --> 01:39:49,760
Speaker 1: you know, even sitting the tone for this kind of

1650
01:39:49,800 --> 01:39:52,840
Speaker 1: thing that's going on. Right. So as from that standpoint,

1651
01:39:52,880 --> 01:39:57,840
Speaker 1: that's legendary status. But a Shanty um and Shanta irv

1652
01:39:57,920 --> 01:40:03,240
Speaker 1: Gotta is going through something right, um. In regards to

1653
01:40:03,560 --> 01:40:05,439
Speaker 1: you know, when I first heard about a Shanty re

1654
01:40:05,600 --> 01:40:08,960
Speaker 1: recording her albums, I knew it was a business play.

1655
01:40:09,080 --> 01:40:10,920
Speaker 1: I knew it was a business that that she was

1656
01:40:10,960 --> 01:40:14,240
Speaker 1: trying to get from up under right, So Angie, as

1657
01:40:14,280 --> 01:40:16,960
Speaker 1: she goes to speak with her, and that's a good

1658
01:40:16,960 --> 01:40:18,960
Speaker 1: space for the women to go. I didn't I need.

1659
01:40:19,439 --> 01:40:22,439
Speaker 1: I got a zoom back in on him. I've zoomed

1660
01:40:22,479 --> 01:40:26,320
Speaker 1: in on that as well, because I know that whole space. Um,

1661
01:40:26,640 --> 01:40:29,400
Speaker 1: But I zoomed out and went more so birds I

1662
01:40:29,560 --> 01:40:32,840
Speaker 1: view on them because I had so many other things

1663
01:40:32,880 --> 01:40:35,759
Speaker 1: that I was worried about. You know what I'm saying.

1664
01:40:35,840 --> 01:40:42,040
Speaker 1: But um um, Angie Martinez had an interview with a

1665
01:40:42,160 --> 01:40:46,559
Speaker 1: Shanty and said some things about the situation and why

1666
01:40:46,640 --> 01:40:49,600
Speaker 1: she wants to record her album over. Let's see what

1667
01:40:49,680 --> 01:40:53,200
Speaker 1: she said, oh before before I take it there. Um.

1668
01:40:53,920 --> 01:40:56,120
Speaker 1: You know, last time we've seen a Shanty was when

1669
01:40:56,160 --> 01:40:58,760
Speaker 1: she was on versus she ran up and nearly ran

1670
01:40:58,880 --> 01:41:00,640
Speaker 1: up on it all of that, and she spoke to

1671
01:41:00,720 --> 01:41:03,240
Speaker 1: that as well. But we're gonna focus because we see

1672
01:41:03,320 --> 01:41:06,599
Speaker 1: that Earth got It has responded. So let's hear what

1673
01:41:06,600 --> 01:41:08,720
Speaker 1: she said and then we'll we'll reor Earth got to

1674
01:41:08,800 --> 01:41:12,720
Speaker 1: say it. You saw, Angie, you were one of my

1675
01:41:12,760 --> 01:41:14,400
Speaker 1: first interviews, you know what I mean. I came up

1676
01:41:14,400 --> 01:41:20,960
Speaker 1: here with the coach bucket hat on. Yes, so I

1677
01:41:21,040 --> 01:41:24,040
Speaker 1: was so new and just I really didn't understand everything

1678
01:41:24,080 --> 01:41:26,960
Speaker 1: that was happening, you know. But now looking at that

1679
01:41:27,040 --> 01:41:29,439
Speaker 1: twenty years later and seeing everything that has happened to

1680
01:41:29,520 --> 01:41:31,640
Speaker 1: upsta downs, you know, some of the people I'm not

1681
01:41:31,680 --> 01:41:34,720
Speaker 1: with anymore, it's just like wow, you know, and I'm

1682
01:41:34,760 --> 01:41:37,160
Speaker 1: in such a good space. So I'm just grateful. I'm

1683
01:41:37,200 --> 01:41:39,679
Speaker 1: so happy for you. You deserve all of this moment

1684
01:41:39,760 --> 01:41:42,160
Speaker 1: happening for you. But why, so what what is the

1685
01:41:42,240 --> 01:41:45,840
Speaker 1: thinking behind doing redoing the album as opposed to like

1686
01:41:46,439 --> 01:41:49,200
Speaker 1: just doing a new album. The thinking behind that is

1687
01:41:49,360 --> 01:41:54,120
Speaker 1: showing the business side of ownership and how important it

1688
01:41:54,160 --> 01:41:56,720
Speaker 1: is to own. So well, yeah, break it down for

1689
01:41:56,760 --> 01:41:58,479
Speaker 1: me because I don't know all the business about it, right,

1690
01:41:58,520 --> 01:42:02,599
Speaker 1: So with the first album, after this time period, I'm

1691
01:42:02,640 --> 01:42:05,679
Speaker 1: allowed to go in and re record, and then once

1692
01:42:05,680 --> 01:42:09,639
Speaker 1: I re record the first album exactly, so everything purchased,

1693
01:42:09,760 --> 01:42:12,800
Speaker 1: like when that goes, everything purchased from that moment, I own,

1694
01:42:13,040 --> 01:42:14,599
Speaker 1: you know what I mean. And I feel like it

1695
01:42:14,640 --> 01:42:17,679
Speaker 1: makes sense because sonically, obviously music has changed a little bit,

1696
01:42:17,720 --> 01:42:20,200
Speaker 1: so we obviously we keep the body and everything the same,

1697
01:42:20,240 --> 01:42:24,720
Speaker 1: but it's just gonna sound better clear more twenty twenty two,

1698
01:42:24,720 --> 01:42:26,679
Speaker 1: as opposed to two thousand and two. Will you change

1699
01:42:26,720 --> 01:42:28,800
Speaker 1: any of it? Like, will you add? Will you add

1700
01:42:28,800 --> 01:42:34,640
Speaker 1: features or verses or things like that? Yeah, Yeah, I

1701
01:42:34,760 --> 01:42:36,800
Speaker 1: have some ideas. I was talking to my sister too

1702
01:42:36,960 --> 01:42:40,200
Speaker 1: about some ideas where you can't, like, would you take

1703
01:42:40,240 --> 01:42:46,080
Speaker 1: like Job off a record and put it We can't. Okay,

1704
01:42:46,080 --> 01:42:49,120
Speaker 1: we're not going to replace Job, but you can add.

1705
01:42:49,280 --> 01:42:52,160
Speaker 1: We may add a little sauce in there. Got it?

1706
01:42:52,240 --> 01:42:55,400
Speaker 1: Got it? How does Job feel about this? Um? We

1707
01:42:55,439 --> 01:43:00,080
Speaker 1: didn't really have a full conversation about it. Um, but

1708
01:43:00,320 --> 01:43:02,640
Speaker 1: you know, Joll usually supports me and whatever, you know

1709
01:43:02,680 --> 01:43:05,160
Speaker 1: what I mean. So the other guy that's probably not

1710
01:43:05,200 --> 01:43:14,519
Speaker 1: so happy. Okay, all right, we'll leave that alone. We'll

1711
01:43:14,600 --> 01:43:17,120
Speaker 1: leave that there. We'll leave that there. We talked about

1712
01:43:17,200 --> 01:43:19,439
Speaker 1: that in so many interviews, so many interviews. We'll let

1713
01:43:19,439 --> 01:43:22,679
Speaker 1: that go. But but maybe not even it's not that person.

1714
01:43:22,880 --> 01:43:28,400
Speaker 1: Is anybody else, old business partner, any you know, anybody

1715
01:43:28,400 --> 01:43:31,400
Speaker 1: else on Everyone on murder inc. Is super happy for

1716
01:43:31,479 --> 01:43:34,840
Speaker 1: me and supportive, you know everyone else, you know what

1717
01:43:34,920 --> 01:43:37,680
Speaker 1: I mean, And it's just it's a good feeling to know.

1718
01:43:38,120 --> 01:43:41,799
Speaker 1: So who she was talking about right, there was IRV Gotti.

1719
01:43:42,640 --> 01:43:47,960
Speaker 1: So IRV Gotti responded on Angie Martinez Instagram where they

1720
01:43:48,040 --> 01:43:52,400
Speaker 1: ran a podcast promo reel of this interview, and he said,

1721
01:43:53,320 --> 01:43:56,680
Speaker 1: at Angie Martinez, just for super clarity, I own all

1722
01:43:56,720 --> 01:44:00,280
Speaker 1: those greatest Shanty albums, Angie, I own the master and

1723
01:44:00,280 --> 01:44:03,800
Speaker 1: I produced all those Ashanti albums, so I own a

1724
01:44:03,840 --> 01:44:06,920
Speaker 1: good portion of the publishing. What she is trying to

1725
01:44:07,000 --> 01:44:10,679
Speaker 1: do is rerecord all those great records and put them

1726
01:44:10,720 --> 01:44:13,880
Speaker 1: out on her label. She can do this under the

1727
01:44:13,960 --> 01:44:16,880
Speaker 1: cover laws, but she is basically trying to eff me

1728
01:44:16,960 --> 01:44:19,880
Speaker 1: out of my masters and make people decide which album

1729
01:44:19,880 --> 01:44:23,120
Speaker 1: to listen to a stream. Hopefully her lord fans would

1730
01:44:23,200 --> 01:44:28,360
Speaker 1: choose her version. But hey, I stand on the magic

1731
01:44:28,439 --> 01:44:30,880
Speaker 1: that was created, and I want to see her duplicate

1732
01:44:30,960 --> 01:44:34,400
Speaker 1: that magic. It's effed up, really, But such a life.

1733
01:44:34,520 --> 01:44:37,400
Speaker 1: Tales coming top of the year, Supreme Team movie in

1734
01:44:37,479 --> 01:44:41,720
Speaker 1: production twenty twenty two and I'm directing, writing, producing, and

1735
01:44:41,800 --> 01:44:45,920
Speaker 1: funding my first movie with Paramount Distribution Tales Presents. We

1736
01:44:46,080 --> 01:44:51,360
Speaker 1: made it in America. So that's him responding to her

1737
01:44:51,520 --> 01:44:57,880
Speaker 1: trying to wiggle out of being signed to Murder inc

1738
01:44:58,000 --> 01:45:01,360
Speaker 1: Steal and him still owning a good portion of the publishing.

1739
01:45:01,479 --> 01:45:05,400
Speaker 1: Because he did the beat, Andy may have been instrumental

1740
01:45:05,720 --> 01:45:08,519
Speaker 1: and Um not only did the beat, but was the

1741
01:45:08,520 --> 01:45:11,240
Speaker 1: CEO of the actual label. So that means he's eating

1742
01:45:11,280 --> 01:45:15,599
Speaker 1: hand over fists on it and they're trying to cut

1743
01:45:15,680 --> 01:45:18,320
Speaker 1: him out. See, this is the thing that the record

1744
01:45:18,400 --> 01:45:22,639
Speaker 1: labels never knew that streaming was coming and they had

1745
01:45:22,760 --> 01:45:25,200
Speaker 1: no way. I think now they do that. I think

1746
01:45:25,240 --> 01:45:28,120
Speaker 1: now they speak to what may happen in the contracts,

1747
01:45:28,120 --> 01:45:31,280
Speaker 1: because I had one. I think they said something about

1748
01:45:31,800 --> 01:45:36,360
Speaker 1: if something ever evolves into you know, it was something

1749
01:45:36,400 --> 01:45:39,400
Speaker 1: that spoke to men's if some they think of something,

1750
01:45:39,439 --> 01:45:42,519
Speaker 1: we still got debs in on it, So I think

1751
01:45:42,520 --> 01:45:44,720
Speaker 1: they speaking to a number back then. I don't think

1752
01:45:44,800 --> 01:45:48,240
Speaker 1: they did. And even if even still it's been twenty years,

1753
01:45:48,240 --> 01:45:51,800
Speaker 1: I think after either twenty or twenty five years, you

1754
01:45:51,840 --> 01:45:56,719
Speaker 1: get your rights back in some way, shape or form um.

1755
01:45:56,880 --> 01:45:59,240
Speaker 1: And so, man, that's that's a that's a that's a

1756
01:45:59,320 --> 01:46:02,800
Speaker 1: deep fight. That's it's a crazy thing because she's able

1757
01:46:02,840 --> 01:46:05,080
Speaker 1: to do that, and we'll see what happens, We'll see

1758
01:46:05,120 --> 01:46:07,760
Speaker 1: how that works itself out. And so yeah, man, there

1759
01:46:07,880 --> 01:46:12,599
Speaker 1: was another good episode. Again, we think everybody they rock

1760
01:46:12,720 --> 01:46:16,439
Speaker 1: with us. Um, we're coming for everything. Twenty twenty two, Man,

1761
01:46:16,560 --> 01:46:19,720
Speaker 1: will be a great year for It's up that podcast

1762
01:46:19,760 --> 01:46:23,120
Speaker 1: for Big loom Man and and and everybody attested me.

1763
01:46:23,840 --> 01:46:27,240
Speaker 1: Um and so man, we prayed that y'all stay on board.

1764
01:46:27,320 --> 01:46:32,360
Speaker 1: We prayed that y'all um engage with us and and

1765
01:46:32,439 --> 01:46:35,719
Speaker 1: just be instrumental in spreading the word about the gospel.

1766
01:46:35,800 --> 01:46:39,400
Speaker 1: You know, it ain't so it ain't so friendly when

1767
01:46:39,439 --> 01:46:41,880
Speaker 1: you speak the truth. You know, when you when you

1768
01:46:41,960 --> 01:46:47,599
Speaker 1: were able to break things down, Um, things don't move

1769
01:46:47,680 --> 01:46:51,000
Speaker 1: as fast for you because you gotta understand what you

1770
01:46:51,360 --> 01:46:58,000
Speaker 1: what you threaten. When you're understanding this certain level. You

1771
01:46:58,040 --> 01:47:01,679
Speaker 1: know what I'm saying, You threatened certain structs, and without

1772
01:47:01,760 --> 01:47:06,080
Speaker 1: structured things tend to have to stand to rebuild it,

1773
01:47:06,400 --> 01:47:08,160
Speaker 1: you know what I'm saying. And one thing they don't

1774
01:47:08,200 --> 01:47:11,360
Speaker 1: want to do is if it ain't broke, don't break it.

1775
01:47:12,520 --> 01:47:15,240
Speaker 1: You understand. So it's a lot of people making a

1776
01:47:15,240 --> 01:47:17,439
Speaker 1: lot of money, but they're making it off the backs

1777
01:47:17,439 --> 01:47:21,320
Speaker 1: of things that they wouldn't influential in the creators and

1778
01:47:21,400 --> 01:47:27,559
Speaker 1: the creative you see, those things are important that I

1779
01:47:27,680 --> 01:47:30,839
Speaker 1: point out. But man, thank thank the people that listen

1780
01:47:30,960 --> 01:47:34,640
Speaker 1: that watch this tune. Then we'll appreciate y'all. Begets up

1781
01:47:34,720 --> 01:47:40,720
Speaker 1: that podcast energy. We'll be back giving long episodes or

1782
01:47:41,120 --> 01:47:46,760
Speaker 1: more next week because we'll be back home and back

1783
01:47:46,880 --> 01:47:50,040
Speaker 1: able to really, really really handle a lot of business

1784
01:47:50,080 --> 01:47:52,759
Speaker 1: and be who we need to be. So Man again,

1785
01:47:52,800 --> 01:47:57,120
Speaker 1: shout out to all of my fans. Man Support Center.

1786
01:47:57,200 --> 01:48:01,320
Speaker 1: Donation by some merch or book you a slot for

1787
01:48:01,400 --> 01:48:04,160
Speaker 1: your brand. You're dealing with the biggest one. Let's get it.

1788
01:48:04,160 --> 01:48:05,400
Speaker 1: It's something. Podcast