1 00:00:00,120 --> 00:00:02,280 Speaker 1: Excuse me, do you mind if I'm mounting your bull? 2 00:00:02,520 --> 00:00:07,360 Speaker 1: It's one more thing? 3 00:00:07,680 --> 00:00:10,039 Speaker 2: You say, bowl or bowl? Are you mounting my bowl? 4 00:00:10,760 --> 00:00:11,080 Speaker 1: Bowl? 5 00:00:11,520 --> 00:00:12,720 Speaker 3: Bowl? B u l L. 6 00:00:14,880 --> 00:00:19,240 Speaker 2: As in a male Uh. 7 00:00:17,880 --> 00:00:20,840 Speaker 1: That's it. It's the very beast I was referring to 8 00:00:22,320 --> 00:00:23,280 Speaker 1: strong legabull. 9 00:00:24,360 --> 00:00:24,480 Speaker 4: Uh. 10 00:00:25,000 --> 00:00:28,120 Speaker 2: Here is what are we doing today? Are we doing? 11 00:00:28,760 --> 00:00:34,600 Speaker 1: Oh right, I'm sorry, Yeah, we're cleaning out the sound fridge. Sorry, 12 00:00:34,640 --> 00:00:37,480 Speaker 1: metal guy. Ironic that I would leave out metal guy, 13 00:00:37,600 --> 00:00:40,920 Speaker 1: which we'll get to in a moment or two. Katie, 14 00:00:40,960 --> 00:00:43,239 Speaker 1: how much setup does this need? Uh? 15 00:00:43,720 --> 00:00:47,360 Speaker 5: This is You're hearing a cop as he's pulling up 16 00:00:47,400 --> 00:00:49,760 Speaker 5: on the scene of a guy riding a bull. 17 00:00:50,520 --> 00:00:57,080 Speaker 2: Larry doesn't have a license for it. 18 00:00:57,480 --> 00:01:01,160 Speaker 5: He is literally on the back of all in a 19 00:01:01,400 --> 00:01:02,760 Speaker 5: tractor supply parking lot. 20 00:01:02,760 --> 00:01:05,960 Speaker 1: Didn't use his bull because at first hit you a 21 00:01:06,040 --> 00:01:10,399 Speaker 1: tug on the ear. It's I was picturing like one 22 00:01:10,400 --> 00:01:14,520 Speaker 1: of those phony mechanical bulls. Oh no, this guy is 23 00:01:14,560 --> 00:01:16,360 Speaker 1: mounted up on a head of cat. 24 00:01:16,280 --> 00:01:18,160 Speaker 2: And the tractor supply parking lot. 25 00:01:18,400 --> 00:01:20,440 Speaker 1: Yes, if you're going to be on a bowl in 26 00:01:20,480 --> 00:01:22,440 Speaker 1: a parking lot, that's where you want to be. Maybe 27 00:01:22,560 --> 00:01:24,800 Speaker 1: John dear store. But anyway, all right now, let's hear it. 28 00:01:25,440 --> 00:01:28,080 Speaker 2: Forty three headquarters. 29 00:01:29,000 --> 00:01:29,720 Speaker 4: I'm reading this right? 30 00:01:29,840 --> 00:01:32,680 Speaker 2: Is he riding like an actual real bull? 31 00:01:36,160 --> 00:01:36,440 Speaker 3: Dude? 32 00:01:36,480 --> 00:01:40,920 Speaker 4: What I'm out with the subject with his bull on 33 00:01:41,480 --> 00:01:45,880 Speaker 4: the tractor supply parking lot. 34 00:01:46,120 --> 00:01:47,480 Speaker 2: I have so many questions. 35 00:01:51,880 --> 00:01:56,440 Speaker 6: This is Gus, this is famous pets. 36 00:01:56,560 --> 00:01:59,760 Speaker 2: Absolutely, you get on if you want to give you. 37 00:02:00,160 --> 00:02:04,080 Speaker 1: Oh oh, dude, what in the world. 38 00:02:05,600 --> 00:02:06,480 Speaker 2: He rode Gus? 39 00:02:06,560 --> 00:02:08,519 Speaker 5: So then he gets up on Gus and they took 40 00:02:08,520 --> 00:02:09,800 Speaker 5: a picture of him with a thumbs up. 41 00:02:09,880 --> 00:02:14,440 Speaker 2: Awesome, Yeah, fantastic. I wonder why they were They had 42 00:02:14,560 --> 00:02:16,880 Speaker 2: Gus out of the trailer there at the tractor's supply 43 00:02:16,919 --> 00:02:17,400 Speaker 2: porking lot. 44 00:02:17,680 --> 00:02:21,480 Speaker 1: There must be a reason he stiff if he doesn't 45 00:02:21,520 --> 00:02:23,920 Speaker 1: get you know, a walk down again. 46 00:02:23,760 --> 00:02:25,680 Speaker 2: They had a saddle for him. Oh yeah, he's all 47 00:02:25,680 --> 00:02:28,080 Speaker 2: saddled up. Maybe guy just wrote it there. I don't know. 48 00:02:30,480 --> 00:02:34,360 Speaker 1: Uh, yeah, that's great. You know it's funny. Well, let's 49 00:02:34,480 --> 00:02:37,400 Speaker 1: let's play it again. Why not, Michael give us clip 50 00:02:37,480 --> 00:02:39,560 Speaker 1: number eleven? They give a. 51 00:02:39,520 --> 00:02:43,639 Speaker 7: Shooter evidently raised his chickens, and the conversation was about 52 00:02:43,760 --> 00:02:47,240 Speaker 7: how many eggs a chicken can lay. One victim ran 53 00:02:47,280 --> 00:02:49,519 Speaker 7: out into the roadway trying to get away from the shooter, 54 00:02:49,720 --> 00:02:52,640 Speaker 7: the other two victims head. We had several phone calls. 55 00:02:52,800 --> 00:02:55,520 Speaker 7: The shooter himself called nine to one one. Arming yourself 56 00:02:55,520 --> 00:02:58,440 Speaker 7: with a handgun when you're under the influence is not 57 00:02:59,040 --> 00:03:00,640 Speaker 7: a good idea. There's never going to be a good 58 00:03:00,680 --> 00:03:01,120 Speaker 7: outcome with. 59 00:03:01,120 --> 00:03:02,440 Speaker 3: That, you know. 60 00:03:02,480 --> 00:03:05,800 Speaker 1: A very armstrong and getty story there. We all enjoyed it, 61 00:03:05,840 --> 00:03:09,359 Speaker 1: but again we were frustrated that at the lack of details. 62 00:03:09,919 --> 00:03:13,280 Speaker 1: I mean, they got into a gunfight arguing about how 63 00:03:13,280 --> 00:03:15,960 Speaker 1: many chickens or how many eggs a chicken could lay, 64 00:03:16,280 --> 00:03:19,720 Speaker 1: but there's absolutely no information about who was claiming what, 65 00:03:19,720 --> 00:03:20,880 Speaker 1: what was in dispute. 66 00:03:21,120 --> 00:03:26,520 Speaker 2: I feel like, like many marital spats, there are underlying 67 00:03:28,320 --> 00:03:34,040 Speaker 2: causes for the animosity that just revealed themselves in this 68 00:03:34,200 --> 00:03:35,240 Speaker 2: minor disagreement. 69 00:03:35,880 --> 00:03:41,520 Speaker 1: Oh that's very very wise. Yes, So this guy they'd 70 00:03:41,520 --> 00:03:45,640 Speaker 1: had simmering tensions for years, perhaps, well except that he 71 00:03:45,720 --> 00:03:51,040 Speaker 1: had just met them that night. Well for minutes. There 72 00:03:51,040 --> 00:03:54,600 Speaker 1: were three guys who knew him, and then the fourth 73 00:03:54,680 --> 00:03:59,640 Speaker 1: guy who became enraged by the egg laying chicken disagreement 74 00:04:00,080 --> 00:04:02,960 Speaker 1: and retrieved his gun and started squeezing off shots. Thank 75 00:04:02,960 --> 00:04:06,960 Speaker 1: god nobody was hurt. But so he's not only a 76 00:04:07,040 --> 00:04:09,520 Speaker 1: drunk a hole. But he's a bad shot, thank god. 77 00:04:11,120 --> 00:04:13,280 Speaker 1: But I just again, very unsatisfying. 78 00:04:13,320 --> 00:04:16,120 Speaker 2: I've been around way too many drunken fights in my life. 79 00:04:16,360 --> 00:04:19,640 Speaker 2: They it's just it's amazing how they can explode out 80 00:04:19,640 --> 00:04:22,159 Speaker 2: of nowhere. I mean, I've been at house parties where 81 00:04:22,200 --> 00:04:25,360 Speaker 2: two dudes are just talking and then like five seconds 82 00:04:25,440 --> 00:04:27,960 Speaker 2: later they're fighting. I mean, it takes especially when people 83 00:04:27,960 --> 00:04:30,720 Speaker 2: are drunk. It takes so little for some people to fight. 84 00:04:31,040 --> 00:04:35,880 Speaker 1: Yeah, yeah, yeah, it's funny. I was kind of like 85 00:04:35,960 --> 00:04:39,920 Speaker 1: that as a younger guy. Uh, but at some point 86 00:04:39,960 --> 00:04:42,880 Speaker 1: I aged out of it and just never got into fights. 87 00:04:43,520 --> 00:04:45,520 Speaker 1: And guys would be like, come at me like that, 88 00:04:45,560 --> 00:04:46,760 Speaker 1: and I'd be like, dude, I have no. 89 00:04:46,760 --> 00:04:47,560 Speaker 3: Desire to fight you. 90 00:04:47,680 --> 00:04:51,039 Speaker 1: This is this is stupid, And for whatever reason it worked. 91 00:04:51,680 --> 00:04:53,600 Speaker 2: Yeah, I saw them them. 92 00:04:53,720 --> 00:04:56,200 Speaker 1: Oh and sorry, go ahead, no, no, no, that's enough. 93 00:04:56,360 --> 00:04:59,000 Speaker 5: Oh well, I just I saw them bartending all the time, 94 00:04:59,120 --> 00:05:01,920 Speaker 5: and it's amazing how well they pop off so quickly 95 00:05:01,960 --> 00:05:05,440 Speaker 5: and usually over nothing. But they're damn near impossible to. 96 00:05:05,400 --> 00:05:08,560 Speaker 2: Stop, right, Yes they are. Well, that's because I've had 97 00:05:08,560 --> 00:05:11,320 Speaker 2: friends like this. They show up kind of hoping that 98 00:05:11,320 --> 00:05:14,039 Speaker 2: that's gonna happen. I'm the opposite. I hope the rest 99 00:05:14,040 --> 00:05:16,719 Speaker 2: of my life I'm never in any physical altercation. But 100 00:05:16,760 --> 00:05:18,919 Speaker 2: I've had friends who show up at the bar, sure hoping, 101 00:05:19,000 --> 00:05:20,880 Speaker 2: I mean, now make their night. They got into a fight. 102 00:05:22,160 --> 00:05:27,479 Speaker 1: Wow, interesting, I know, let's see. And then this This 103 00:05:27,760 --> 00:05:33,920 Speaker 1: is Miss World Chile at the talent portion of the 104 00:05:34,240 --> 00:05:39,839 Speaker 1: hotly contested who will represent Chile in the Miss World pageant. 105 00:05:40,560 --> 00:05:41,040 Speaker 2: This is. 106 00:05:43,080 --> 00:05:47,480 Speaker 1: Miss Mundo. What's her first name, doesn't matter, Mademoiselle Mundo 107 00:05:47,640 --> 00:05:49,560 Speaker 1: or senior etail Elundo. 108 00:05:56,600 --> 00:06:08,920 Speaker 3: Craise yourselves. 109 00:06:15,760 --> 00:06:19,880 Speaker 1: That is Miss World Chile doing the cookie monster metal 110 00:06:19,960 --> 00:06:23,160 Speaker 1: singing thing. And here's the shocking punchline. 111 00:06:23,360 --> 00:06:31,960 Speaker 2: That's her orgasm noise. So her talent portion was singing 112 00:06:32,080 --> 00:06:34,839 Speaker 2: like this. Hey, I'm glad it was good for me too. 113 00:06:34,920 --> 00:06:36,680 Speaker 1: Baby. 114 00:06:39,200 --> 00:06:41,720 Speaker 4: Yeah, you're clearly posed by the devil. So I think 115 00:06:41,760 --> 00:06:43,760 Speaker 4: I'll just put on my pants and head on home. 116 00:06:46,960 --> 00:06:49,800 Speaker 4: Good luck with that whole demon possession sing It's uh, 117 00:06:50,800 --> 00:06:55,400 Speaker 4: I feel for you seriously. All right, that's enough of that. 118 00:06:55,720 --> 00:06:55,920 Speaker 1: God. 119 00:06:57,120 --> 00:06:58,560 Speaker 2: We talked about this a little bit the other day. 120 00:06:58,560 --> 00:07:00,320 Speaker 2: With metal, that's the only genre of music I don't 121 00:07:00,360 --> 00:07:04,000 Speaker 2: quite get. But how does that not just wreck your throat? 122 00:07:04,080 --> 00:07:05,520 Speaker 2: I can do that for a little while, but then 123 00:07:05,520 --> 00:07:06,200 Speaker 2: it's painful. 124 00:07:06,920 --> 00:07:07,120 Speaker 3: You know. 125 00:07:07,279 --> 00:07:11,400 Speaker 1: I've I've only seen one band that live that really 126 00:07:11,440 --> 00:07:14,400 Speaker 1: did that, and that was just once in a while. 127 00:07:14,440 --> 00:07:17,160 Speaker 1: The guy would go into that and for one thing, 128 00:07:17,200 --> 00:07:21,520 Speaker 1: you get right up on the mic and so you know, 129 00:07:21,600 --> 00:07:24,960 Speaker 1: it's not nearly as loud as it sounds. But I 130 00:07:24,960 --> 00:07:28,840 Speaker 1: don't know. I ask my son about that. My son Declan, 131 00:07:28,880 --> 00:07:34,960 Speaker 1: who has incredibly Catholic tastes and music it likes the metal. 132 00:07:35,240 --> 00:07:37,120 Speaker 1: He says, it gets all the angst out of them, 133 00:07:37,200 --> 00:07:39,560 Speaker 1: and he's into the He goes to see Cookie Monster 134 00:07:39,800 --> 00:07:41,080 Speaker 1: Growley bands all the time. 135 00:07:42,600 --> 00:07:45,480 Speaker 6: Cool and get it, Jack, even if she was hot, 136 00:07:45,520 --> 00:07:46,400 Speaker 6: you wouldn't like metal. 137 00:07:47,960 --> 00:07:53,920 Speaker 1: She is hot, she's miss freaking Chile. Please, she's a 138 00:07:54,000 --> 00:07:58,440 Speaker 1: spicy little chili. What's the question here, Like, I'm not 139 00:07:58,480 --> 00:08:02,600 Speaker 1: going to start liking that kind of music just out 140 00:08:02,640 --> 00:08:06,120 Speaker 1: of desire or something. No, no, Michael, it's not how 141 00:08:06,160 --> 00:08:09,960 Speaker 1: it works. Although I did feign enjoyment of music, then 142 00:08:10,040 --> 00:08:11,680 Speaker 1: oh sure, it's just but. 143 00:08:11,720 --> 00:08:13,960 Speaker 2: Yeah, I would do that. I wouldn't say this is stupid, 144 00:08:14,000 --> 00:08:15,800 Speaker 2: and I think there's something wrong with you. That's not 145 00:08:15,840 --> 00:08:17,000 Speaker 2: my maybe. 146 00:08:17,480 --> 00:08:20,520 Speaker 1: Right right, Hey, your chick rock is weird me out. 147 00:08:20,560 --> 00:08:22,000 Speaker 1: Can we listen to some real music? 148 00:08:22,080 --> 00:08:24,200 Speaker 2: Yeah, it's not real music, not good? 149 00:08:24,600 --> 00:08:24,760 Speaker 7: Oh? 150 00:08:24,840 --> 00:08:25,880 Speaker 1: What was I think? 151 00:08:26,160 --> 00:08:27,080 Speaker 3: What was? It's funny? 152 00:08:27,080 --> 00:08:30,840 Speaker 1: I had this thought click in my head. I can't remember. 153 00:08:31,320 --> 00:08:33,439 Speaker 2: Why do you ever pretend to like a guy's music 154 00:08:33,559 --> 00:08:37,400 Speaker 2: just because you're dating him? Katie? No, no, no. 155 00:08:37,440 --> 00:08:40,040 Speaker 5: And I've actually gotten pretty lucky that I've dated men 156 00:08:40,120 --> 00:08:40,560 Speaker 5: that like. 157 00:08:41,280 --> 00:08:45,240 Speaker 2: There you go my music. God. I had a girlfriend once, 158 00:08:45,280 --> 00:08:48,000 Speaker 2: many years ago, who liked Gladys. Do you still work here? 159 00:08:48,840 --> 00:08:50,199 Speaker 2: Who liked? Uh? 160 00:08:50,920 --> 00:08:53,400 Speaker 1: You gotta know you gotta reminisce just a little more. 161 00:08:53,520 --> 00:08:54,400 Speaker 1: She's old. 162 00:08:54,480 --> 00:08:55,280 Speaker 2: I didn't give her time. 163 00:08:55,320 --> 00:08:57,000 Speaker 1: It takes her a minute to move to the harp. 164 00:08:57,160 --> 00:09:01,360 Speaker 2: She's got to take off her gloves. She gets cold, 165 00:09:01,559 --> 00:09:05,640 Speaker 2: So glad Us. I had a girlfriend once many years ago. 166 00:09:05,280 --> 00:09:11,280 Speaker 2: You really liked that Icelandic singer Byork, like really liked her. 167 00:09:11,280 --> 00:09:13,240 Speaker 2: And have you ever listened to much of her deep cuts? 168 00:09:14,080 --> 00:09:16,800 Speaker 2: It is hard to listen to it's just cat noises. 169 00:09:18,440 --> 00:09:22,960 Speaker 1: It's art that we were talking about art and commerce 170 00:09:23,120 --> 00:09:27,600 Speaker 1: in popular music. She's not doing that because she's pandering 171 00:09:27,679 --> 00:09:28,440 Speaker 1: to the masses. 172 00:09:28,600 --> 00:09:31,720 Speaker 2: No, no, but she you know, she became pretty famous 173 00:09:31,760 --> 00:09:34,360 Speaker 2: and made a lot of money, so there's enough people 174 00:09:34,360 --> 00:09:37,120 Speaker 2: who like it, and I can accept that. It's like 175 00:09:37,160 --> 00:09:38,840 Speaker 2: I went to a concert one time with a different 176 00:09:38,880 --> 00:09:43,400 Speaker 2: girlfriend who liked it was like this Viking music and 177 00:09:43,440 --> 00:09:45,160 Speaker 2: they just had people up there and they're dressed in 178 00:09:45,240 --> 00:09:47,760 Speaker 2: Viking costumes and they had big drums, and I just 179 00:09:49,040 --> 00:09:52,000 Speaker 2: I got a boom boom, boom boom. And the place 180 00:09:52,080 --> 00:09:53,959 Speaker 2: it was in San Francisco. Place was packed full of 181 00:09:53,960 --> 00:09:56,360 Speaker 2: people who liked those Viking music and I just did 182 00:09:56,400 --> 00:09:58,440 Speaker 2: not get it. I thought, what is it? I mean, 183 00:09:58,480 --> 00:10:00,600 Speaker 2: people were on their feet withinenthusiasm. 184 00:10:00,840 --> 00:10:03,360 Speaker 5: Yeah, Drew turns that on from time to time, and 185 00:10:03,440 --> 00:10:08,440 Speaker 5: the side I give him a sharp why to play 186 00:10:08,440 --> 00:10:09,280 Speaker 5: this on your own time? 187 00:10:11,559 --> 00:10:17,480 Speaker 1: We talked during the show about how young women like 188 00:10:17,520 --> 00:10:21,400 Speaker 1: eighteen to twenty nine are voting almost entirely democrat. Now 189 00:10:21,480 --> 00:10:27,160 Speaker 1: there's an enormous gap, and I can't remember the contest exactly, 190 00:10:27,200 --> 00:10:29,920 Speaker 1: but I was gonna blame it on what I used 191 00:10:29,960 --> 00:10:34,680 Speaker 1: to call affirmation rock. Listening to these songs that both 192 00:10:34,679 --> 00:10:38,439 Speaker 1: of my daughters liked, it clicked in my head that 193 00:10:38,480 --> 00:10:42,440 Speaker 1: and this was you know, granted, this is ten to 194 00:10:43,400 --> 00:10:46,520 Speaker 1: twenty years ago, but like all of their favorite songs 195 00:10:46,520 --> 00:10:51,320 Speaker 1: were like vaguely look at me, I'm strong, I can 196 00:10:51,480 --> 00:10:53,679 Speaker 1: do it, I can make it on my own. They 197 00:10:53,679 --> 00:10:58,880 Speaker 1: were all like the same lyrical themes affirmation rock, like 198 00:10:59,120 --> 00:11:02,400 Speaker 1: hear me roar that's the Katy Perry track. That's a 199 00:11:02,440 --> 00:11:08,560 Speaker 1: great exactly astronaut. Yeah, astronaut, Katy Perry. And I think 200 00:11:08,720 --> 00:11:11,079 Speaker 1: does that have something to do with the moment we're in? 201 00:11:11,200 --> 00:11:15,200 Speaker 2: I don't know, I'm going places and nobody can stop me. Yeah, 202 00:11:15,280 --> 00:11:21,120 Speaker 2: that's like all of it. Are we ready for? I think? 203 00:11:21,520 --> 00:11:23,559 Speaker 2: Was that clean? Are we done clean out to Soundbridge 204 00:11:24,080 --> 00:11:24,240 Speaker 2: or not? 205 00:11:24,360 --> 00:11:24,600 Speaker 1: Yeah? 206 00:11:24,840 --> 00:11:27,240 Speaker 2: Okay, just to clean out sound Fridge just fits in 207 00:11:27,400 --> 00:11:32,439 Speaker 2: perfectly with different people have different views of art, because 208 00:11:32,480 --> 00:11:34,600 Speaker 2: some people then it's like classic art. They don't like 209 00:11:34,640 --> 00:11:38,120 Speaker 2: this is from family guy. The setting doesn't matter. It's 210 00:11:38,200 --> 00:11:42,240 Speaker 2: all of the family in Peter Griffin's family together getting 211 00:11:42,240 --> 00:11:44,560 Speaker 2: into a discussion about a particular motion picture. 212 00:11:45,480 --> 00:11:47,600 Speaker 8: There's one more secret I feel I have to share 213 00:11:47,640 --> 00:11:50,880 Speaker 8: with you. I did not care for the Godfather? What 214 00:11:51,440 --> 00:11:54,080 Speaker 8: did not care for the Godfather? How can you even 215 00:11:54,120 --> 00:11:55,520 Speaker 8: say that I didn't like didn't like it? 216 00:11:55,640 --> 00:11:55,920 Speaker 5: Hada. 217 00:11:56,040 --> 00:11:58,080 Speaker 2: It's such a perfect proof And this is what everyone 218 00:11:58,120 --> 00:12:02,520 Speaker 2: always says when al Pacino, I mean, you never see 219 00:12:02,720 --> 00:12:06,600 Speaker 2: Robert Duvall, fine, fine, act did not like the movie? 220 00:12:06,720 --> 00:12:07,400 Speaker 1: What didn't you like? 221 00:12:07,720 --> 00:12:07,760 Speaker 3: It? 222 00:12:07,840 --> 00:12:11,000 Speaker 2: Inshists chepan itself flowers? What it in shists? Chepany? 223 00:12:11,080 --> 00:12:11,920 Speaker 6: What does that even mean? 224 00:12:11,960 --> 00:12:13,920 Speaker 8: It takes forever getting in and he spent he spent 225 00:12:14,000 --> 00:12:15,520 Speaker 8: like six and a half hours, and then you know, 226 00:12:15,520 --> 00:12:17,120 Speaker 8: I can't even get I can't even finish a movie. 227 00:12:17,120 --> 00:12:19,840 Speaker 2: I've never even seen it. I've never seen the How 228 00:12:19,840 --> 00:12:21,160 Speaker 2: can you say you don't like it if you haven't 229 00:12:21,160 --> 00:12:21,600 Speaker 2: even given it? 230 00:12:21,640 --> 00:12:24,720 Speaker 8: The chums, it's not really I get to the scene 231 00:12:24,720 --> 00:12:26,440 Speaker 8: where all the guys are sitting around on the easy chest. 232 00:12:26,600 --> 00:12:31,440 Speaker 2: Yeah, every an. I have no idea what they're talking about. 233 00:12:31,440 --> 00:12:32,959 Speaker 2: It's like they're speaking a different light. That's where I 234 00:12:33,000 --> 00:12:36,360 Speaker 2: lose in for stile Italian. The language speaking is a 235 00:12:36,400 --> 00:12:39,040 Speaker 2: language of subtlety, something you don't understand. I love the 236 00:12:39,040 --> 00:12:42,600 Speaker 2: money Pit. That is my answer to that statement. Whatever. 237 00:12:42,800 --> 00:12:43,880 Speaker 8: I like that movie too. 238 00:12:44,240 --> 00:12:46,120 Speaker 2: So the reason I wanted to play that is it's 239 00:12:46,160 --> 00:12:48,200 Speaker 2: been in my head ever since I saw that, like 240 00:12:48,240 --> 00:12:54,480 Speaker 2: a month ago. It insists upon itself, and I feel 241 00:12:54,559 --> 00:12:58,400 Speaker 2: like I've read that in a critics column before about 242 00:12:58,400 --> 00:13:02,920 Speaker 2: something what a bullsh line that is. It insists upon itself. 243 00:13:03,440 --> 00:13:04,000 Speaker 2: That's great. 244 00:13:04,120 --> 00:13:08,080 Speaker 1: Oh my god, the pretension in art reviews, music reviews, 245 00:13:08,120 --> 00:13:11,920 Speaker 1: movie reviews, but reviews just spectacular. That is hilarious. Seth 246 00:13:11,960 --> 00:13:18,760 Speaker 1: MacFarland god as Seth, Seth Dylan of the Babylon b 247 00:13:19,080 --> 00:13:21,640 Speaker 1: Is there a Seth in No, that's Trey Parker and 248 00:13:21,640 --> 00:13:24,360 Speaker 1: Matt Stone. There's no Seth in South Park. But I 249 00:13:24,400 --> 00:13:27,720 Speaker 1: wish I'd been named Seth because it obviously helps make you, 250 00:13:28,040 --> 00:13:31,560 Speaker 1: I like, comedically, you know, beyond capable. 251 00:13:31,600 --> 00:13:33,440 Speaker 2: I like that line so much of William. If I'm 252 00:13:33,480 --> 00:13:35,679 Speaker 2: ever in the same room with Seth MacFarlane, somehow, I'm 253 00:13:35,679 --> 00:13:39,679 Speaker 2: gonna say, did you write the line? It insists upon itself? 254 00:13:39,720 --> 00:13:42,640 Speaker 2: Because that is my favorite thing of all the family 255 00:13:42,720 --> 00:13:51,400 Speaker 2: guy stuff. It what it insists upon itself. 256 00:13:48,240 --> 00:13:51,079 Speaker 1: If you're in a room with him, No, see, he 257 00:13:51,160 --> 00:13:54,440 Speaker 1: gotta you, gotta show you're his equal. But just wait 258 00:13:54,520 --> 00:13:57,480 Speaker 1: till some show comes up and you say, you know, Seth, 259 00:13:57,480 --> 00:14:00,880 Speaker 1: I don't really dig that show. Really why it insists 260 00:14:00,960 --> 00:14:01,720 Speaker 1: upon itself? 261 00:14:02,600 --> 00:14:06,000 Speaker 2: The level of confidence like it makes sense? Oh, I 262 00:14:06,040 --> 00:14:06,480 Speaker 2: love that. 263 00:14:10,920 --> 00:14:13,360 Speaker 1: Oh I said it a million times. When I am king. 264 00:14:13,600 --> 00:14:16,040 Speaker 1: Critics will be the first up against the wall. 265 00:14:18,920 --> 00:14:22,680 Speaker 6: Well, anybody, if you google family Guy put family Guy 266 00:14:22,800 --> 00:14:23,680 Speaker 6: vomit scene. 267 00:14:24,080 --> 00:14:24,160 Speaker 3: No. 268 00:14:24,280 --> 00:14:25,640 Speaker 2: Yeah, it's a classic. 269 00:14:26,840 --> 00:14:32,040 Speaker 6: I know it's it's very funny though. Well I guess 270 00:14:32,080 --> 00:14:32,480 Speaker 6: that's it. 271 00:14:33,000 --> 00:14:35,000 Speaker 2: How can you not like it? It's a classic, everybody. 272 00:14:35,040 --> 00:14:36,560 Speaker 2: It insists upon itself.