WEBVTT - Listener Mail: Black Hole Dream

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<v Speaker 1>My welcome Stuff to Blow Your Mind, a production of

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<v Speaker 1>I Heart Radios How Stuff Works. Hey, are you welcome

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<v Speaker 1>to Stuff to blow your Mind? My name is Robert

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<v Speaker 1>Lamb and I'm Joe McCormick, and we're bringing you some

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<v Speaker 1>listener mail today. Now, we just did an episode of

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<v Speaker 1>Halloween related listener mail stuff for our October episodes on

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<v Speaker 1>All Things Monstrous. But there was a ton of great

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<v Speaker 1>listener mail that I would say fell in the crack

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<v Speaker 1>maybe between the coffin and the hard place, got wedged

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<v Speaker 1>in there, and it's it's too good to pass by.

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<v Speaker 1>So we're bringing you a second helping Uh. This is

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<v Speaker 1>gonna be listener mail. A lot of it I think

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<v Speaker 1>was from September, some from more recently. Uh, So we

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<v Speaker 1>hope you enjoy. That's right. There's a lot of great

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<v Speaker 1>stuff in here, and we we wanted to do right.

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<v Speaker 1>We wanted to pay off our debts here listener mail

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<v Speaker 1>related before we move on into some more exciting content

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<v Speaker 1>that will take us through the holidays and ultimately uh

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<v Speaker 1>into a new decade. And as always, Carnie, our mail

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<v Speaker 1>bodies here to help us. I was telling Carney about

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<v Speaker 1>my own uh philosophy regarding the holidays moving forward, and

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<v Speaker 1>then I'm going to lean into the holidays and then

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<v Speaker 1>embrace the holidays. Uh and and so Carney's doing the

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<v Speaker 1>same thing. He's cooking NonStop though. He is researching recipes

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<v Speaker 1>for Thanksgiving dishes, and he is attempting to replicate food

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<v Speaker 1>that humans can safely eat. He just presented me a

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<v Speaker 1>dish of delicious braized pop tarts that I can't wait

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<v Speaker 1>to tuck into. It is technically food. You cannot deny it,

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<v Speaker 1>all right? Should we look at this first piece of mail.

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<v Speaker 1>This comes from our listener, Jordan's regarding the interview you

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<v Speaker 1>did with Mark Mandica about, among many things, copper heads,

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<v Speaker 1>snapping turtles and all that. That's right, you were traveling,

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<v Speaker 1>so I had Mark come into the studio when we chatted,

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<v Speaker 1>and yeah, this is what Jordan had to say. Quote.

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<v Speaker 1>I was recently listening to your September interview with Mark

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<v Speaker 1>Mandinka on a more conservation and vilified reptiles, and thought

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<v Speaker 1>I would share my personal experience being bitten by a

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<v Speaker 1>copper head snake. This being said, I've always loved snakes

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<v Speaker 1>and the experience has not left me with any hatred

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<v Speaker 1>of the reptiles or species themselves. It's very big of

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<v Speaker 1>you Jordan's Five years ago, I was bitten on the

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<v Speaker 1>foot by a baby copper head snake in North Carolina.

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<v Speaker 1>As you may know, baby venom of snakes are often

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<v Speaker 1>considered more dangerous due to their lack of venom output control.

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<v Speaker 1>I wasn't aware of the snake's presence at the time,

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<v Speaker 1>and the bite marks were discovered by the e R,

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<v Speaker 1>but the pain felt similar to that of an insect sting.

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<v Speaker 1>Following the bite itself, my vision nearly immediately went yellow

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<v Speaker 1>as I temporarily lost the ability to see other colors.

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<v Speaker 1>About ten seconds after, my muscles collapsed to the forest

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<v Speaker 1>floor and UH and I had to drag myself out

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<v Speaker 1>of the woods to a nearby park bench as I

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<v Speaker 1>was too weak to stand. I didn't end up meeting

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<v Speaker 1>anti venom, but I was connected to three I V

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<v Speaker 1>machines and kept in the hospital overnight as my foot

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<v Speaker 1>was extremely swollen and blue and color. I was confined

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<v Speaker 1>to a wheelchair and crutches for multiple months after with

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<v Speaker 1>my swollen foot, so I definitely felt side effects of

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<v Speaker 1>the copper head venoms, mild or not in comparison to

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<v Speaker 1>other venoms. I would not wish to relieve the experience,

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<v Speaker 1>although it is a much better story than any encounter

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<v Speaker 1>I've had with a scud. I love stuff to blow

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<v Speaker 1>your mind and invention, and I hope you enjoyed hearing

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<v Speaker 1>what happened to someone that was actually bitten by a

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<v Speaker 1>copper head snake. That's a great story, Jordan. I don't

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<v Speaker 1>know if i'd ever heard about the vision going yellow before.

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<v Speaker 1>That's a very interesting effect. Right. Likewise, I either didn't

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<v Speaker 1>know or had forgotten about the young snakes and venom control.

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<v Speaker 1>I've been am output control. That's that's interesting as well.

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<v Speaker 1>And yeah, it's just nice to have a firsthand account

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<v Speaker 1>of the power of a snake's venom. I I have

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<v Speaker 1>never been bitten by a snake, so I can't I

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<v Speaker 1>can't relate. I've been stung by wasps. But that's that's

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<v Speaker 1>it all right. Next, we've got a couple of email is,

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<v Speaker 1>going way back to our episodes about fat bergs. Of course,

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<v Speaker 1>the the dragons, the soap dragons that grow in our

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<v Speaker 1>sewers when we flush wet wipes like we shouldn't don't

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<v Speaker 1>wash oil and grease down. The saying don't flush wet wipes, folks.

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<v Speaker 1>And this comes from an anonymous listener, one who wished

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<v Speaker 1>to remain anonymous. Uh. They say, Hi, Robert and Joe

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<v Speaker 1>and good stuff to blow your mind people. So I

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<v Speaker 1>guess that that concerns you too, Seth. First off, you

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<v Speaker 1>guys are truly of the finest podcasters, communicators, progressive thinkers,

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<v Speaker 1>bastions of curiosity that I've encountered in podcast land. Thank

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<v Speaker 1>you sincerely for your podcast and other endeavors. Well, you're

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<v Speaker 1>far too kind. Uh. Now I present to you a

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<v Speaker 1>real life Fatburg superhero. We were asking about this in

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<v Speaker 1>our Fatberg episodes. I think the idea we came up

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<v Speaker 1>with though, was Fatberg cop right, But the the listener

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<v Speaker 1>here says it is the now retired Grease Avenger from

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<v Speaker 1>the City of Los Angeles Bureau of Sanitation. The Grease

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<v Speaker 1>Avenger was created by someone named Adol hudgikal Deal to

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<v Speaker 1>promote awareness of the problems resulting in sewers from fo

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<v Speaker 1>g or fog Fat's Oil and Greece. This at the time,

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<v Speaker 1>division manager would dress up in his supersuit and appear

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<v Speaker 1>at functions to promote the messaging. Now that Mr Hadjikhalil

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<v Speaker 1>has progressed in his career to manage a different bureau.

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<v Speaker 1>The grease a Injur has been retired, and almost all

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<v Speaker 1>links to the story and images have been plucked from

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<v Speaker 1>the web. A little nugget of fatburg gold remains, however,

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<v Speaker 1>see the screenshot and link below. This is the only

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<v Speaker 1>remaining image I could find of Mr Hadjikhalil in his supersuit.

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<v Speaker 1>The story unfolds below in this obscure University of Houston publication.

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<v Speaker 1>You'll see why when you read the story. Although his

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<v Speaker 1>superhero days are likely entirely behind him, Atol remains a

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<v Speaker 1>much beloved and an effective visionary leader and is now

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<v Speaker 1>General manager of the City of Los Angeles Bureau of

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<v Speaker 1>Street Services. Althose, sewers and subterranean systems rarely hold the

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<v Speaker 1>attention of the public. Those of us who design and construct, maintain,

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<v Speaker 1>and operate this infrastructure know that we keep the Pooh

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<v Speaker 1>Beast at bay. All. All you need to remember, my friends,

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<v Speaker 1>is that the sun shall rise tomorrow, thanks in part

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<v Speaker 1>to people like adle hogical Eel. I'm so glad we've

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<v Speaker 1>come back to this this this particular email, because I

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<v Speaker 1>was delighted that there was a real life fat bird

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<v Speaker 1>cop but can you believe it? There's more. In my

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<v Speaker 1>early days as a newly minted civil engineer in British Columbia,

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<v Speaker 1>I needed to install flow gauges in the sewers of

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<v Speaker 1>a remote coastal community. Accurately gauging sewer flows is not trivial.

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<v Speaker 1>It's fraught with all the perils you can imagine, plus

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<v Speaker 1>complications that can arise from hydraulics and dynamic conditions. Anyway,

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<v Speaker 1>to install the most accurate type of flow gauge, which

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<v Speaker 1>is a metal band with a sensor at the bottom

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<v Speaker 1>of it, one must physically install the band inside the

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<v Speaker 1>sewer pipe. You must go down a man hole or

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<v Speaker 1>maintenance hole to use the more inclusive term, and reach

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<v Speaker 1>into the sewer pipe by hand, often while it's flowing,

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<v Speaker 1>and install all We popped a maintenance hole cover to

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<v Speaker 1>begin installation, only to find that the walls and everything

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<v Speaker 1>inside were coated in an inch or so thick layer

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<v Speaker 1>of white, softish greasy goo. The diet of this remote

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<v Speaker 1>community you see features a delicacy Ulican grease. UH for

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<v Speaker 1>the referenced website quote. Beginning around the end of February,

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<v Speaker 1>they started to fish vast quantities of ulican, a small

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<v Speaker 1>and very oily member of the smelt family. Ulican was

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<v Speaker 1>not usually eaten as a fish meat. The vast majority

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<v Speaker 1>of the catch was rendered for its edible grease, which

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<v Speaker 1>could be stored for many months. They boiled the ulican

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<v Speaker 1>uh and that's o O l I c h A

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<v Speaker 1>n if I'm pronouncing that wrong in large cedar bent

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<v Speaker 1>boxes until the grease separated in rows to the top.

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<v Speaker 1>They then skimmed the grease and poured it into other

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<v Speaker 1>boxes to store for trade with other tribes or eating

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<v Speaker 1>throughout the year. The grease is prominent in all aspects

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<v Speaker 1>of life in the local indigenous culture, so it was

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<v Speaker 1>not surprising to see it represented with such gusto in

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<v Speaker 1>the sewers, which quite literally linked the entire community. We

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<v Speaker 1>couldn't safely climb inside with all that grease, so we

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<v Speaker 1>got fire hoses and nozzles and other various implementia to

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<v Speaker 1>clean out the manholes and pipes sufficiently to let us

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<v Speaker 1>do our work. Not wanting to ruin our boots and clothing,

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<v Speaker 1>and generally stay as poo free as possible, we donned

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<v Speaker 1>rain gear, heavy gloves, and bags that we duck tape

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<v Speaker 1>liberally to you. Guessed it a supersuit. The only record

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<v Speaker 1>that remains is a coffee mug that my workmates at

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<v Speaker 1>the time had made for me from a project photo

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<v Speaker 1>that my colleague took see attached. I never thought this

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<v Speaker 1>photo might one day be relevant or sharable in any way.

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<v Speaker 1>I present my elevated persona sewerman. Remember flush not thine

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<v Speaker 1>wipes of wetness for nothing good. Therefrom shall come. Wow

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<v Speaker 1>that that was. That was a great listening email. It

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<v Speaker 1>just got better and better. Yeah, it had everything. It

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<v Speaker 1>had a real it had a Fatburg cop from the

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<v Speaker 1>real world. It had a battle with a unique type

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<v Speaker 1>of sewer grease. I mean this is great. Learned a

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<v Speaker 1>little bit about other cultures. Yeah, it's pretty great all

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<v Speaker 1>in all. And it's not the only bit of fat

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<v Speaker 1>Berg listener mail that we have to read for you.

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<v Speaker 1>This next one comes to us from Maurice, titled fat

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<v Speaker 1>Bergs from outer Space. They write, I'm a longtime fan

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<v Speaker 1>of stuff to blow your mind and listen to the

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<v Speaker 1>show not just to learn about weird and noteworthy things,

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<v Speaker 1>but also to gain inspiration for my own creative efforts.

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<v Speaker 1>I write horror, science fiction, and fantasy stories, but I

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<v Speaker 1>also write my own modules for the RPG games I run.

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<v Speaker 1>After listening to the recent Fatberg episode, I became disgustingly

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<v Speaker 1>fascinated and knew I had to design a gross stout

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<v Speaker 1>module for my star Finder game, a science fantasy game

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<v Speaker 1>by Pazzo. I believe it is so this is the

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<v Speaker 1>company that makes Pathfinder. It's my understanding that star Finders

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<v Speaker 1>like the sci Fi UM, the sc the sci Fi

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<v Speaker 1>B sub brand or or you know, parallel brand to

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<v Speaker 1>cat Finder. I don't know a thing about it. Pathfinder

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<v Speaker 1>more traditional like dn D style UM, and there's more

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<v Speaker 1>complicated history there as well. But anyway, that's what they're

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<v Speaker 1>talking about here anyway, talking about setting this up as

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<v Speaker 1>a side mission quote. The setup is on a space

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<v Speaker 1>station which uses magic to run much of its life

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<v Speaker 1>support in conjunction with more science based methods. A fat

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<v Speaker 1>Berg has been generated on board in the water system

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<v Speaker 1>bordering too close to the magical subsystems and has gained

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<v Speaker 1>a kind of sentience, and the players have to find

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<v Speaker 1>a way to defeat it and its minions before it

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<v Speaker 1>threatens the station. On the whole, our quest against the

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<v Speaker 1>fat burg starts tonight. I really can't thank you enough

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<v Speaker 1>for this thoroughly nauseating but immensely interesting topic. As a

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<v Speaker 1>thank you, I've included a few staff blocks for this module,

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<v Speaker 1>which I have custom created and included here, complete with

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<v Speaker 1>ecology and tactical notes. Sorry for the formatting. I use

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<v Speaker 1>several platforms to create content, and sometimes I have to

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<v Speaker 1>use lower quality JPEGs for output. Keep the great content coming, Maurice. Now,

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<v Speaker 1>I don't know anything about stat sheets or designing monsters

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<v Speaker 1>about Robert if if you have any thoughts, Oh, no,

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<v Speaker 1>it look pretty good, you know me. I can't resist

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<v Speaker 1>looking at a stats for monsters and yeah, this this

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<v Speaker 1>looks like a really fun, uh fun encounter. I also

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<v Speaker 1>like the idea of the magic and the science being

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<v Speaker 1>mingled together on the spaceship. I don't think I've encountered

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<v Speaker 1>that before, but it makes sense. Right, if you're gonna

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<v Speaker 1>power starship, you don't want to depend exclusively on magic.

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<v Speaker 1>You need to have at least a science back up

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<v Speaker 1>in place, right. I would guess that magic is more

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<v Speaker 1>fickle and fleeting and finnicky, and and you've got to

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<v Speaker 1>have something a reliable generator running in the background. Right,

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<v Speaker 1>and then you know, science can only do so much.

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<v Speaker 1>Something's got to make the artificial gravity work, so might

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<v Speaker 1>as well turned to pure magic for that. All Right,

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<v Speaker 1>we're gonna take a quick break, but we'll be right

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<v Speaker 1>back with more than thank Alright, we're back, alright. So

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<v Speaker 1>we did an episode a while back about school dreams,

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<v Speaker 1>the dreams where people are returned to high school or college. Uh.

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<v Speaker 1>And we we addressed why these dreams are so common,

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<v Speaker 1>why they so often invoke anxiety, why they're so common

0:12:04.120 --> 0:12:06.440
<v Speaker 1>in people who have been out of school for many years.

0:12:07.040 --> 0:12:09.760
<v Speaker 1>And quite a few listeners got in touch about these.

0:12:09.760 --> 0:12:11.280
<v Speaker 1>I would say this is this is one of the

0:12:11.320 --> 0:12:14.440
<v Speaker 1>most email generating episodes we've done in a while. Yeah,

0:12:14.520 --> 0:12:16.280
<v Speaker 1>and and certainly we're not going to read them all

0:12:16.280 --> 0:12:17.920
<v Speaker 1>on the show, but I will say that just the

0:12:18.000 --> 0:12:22.400
<v Speaker 1>sheer volume of emails did speak to the near universal

0:12:22.480 --> 0:12:25.520
<v Speaker 1>aspects of this sort of dream. Though. A couple of

0:12:25.559 --> 0:12:28.280
<v Speaker 1>people let us know that they didn't have school dreams, uh.

0:12:28.440 --> 0:12:32.000
<v Speaker 1>They usually had some kind of equivalent that was based

0:12:32.040 --> 0:12:34.280
<v Speaker 1>on some other part of their lives. A lot of

0:12:34.280 --> 0:12:37.960
<v Speaker 1>people got in touch answering Robert's question about whether people

0:12:38.000 --> 0:12:41.280
<v Speaker 1>who were in the military had military dreams uh, and

0:12:41.280 --> 0:12:43.200
<v Speaker 1>and quite a few people did you know they would

0:12:43.200 --> 0:12:46.760
<v Speaker 1>have dreams of uh, you know, uh not being able

0:12:46.840 --> 0:12:49.040
<v Speaker 1>to like get their uniform right, or not being able

0:12:49.080 --> 0:12:51.120
<v Speaker 1>to figure out where they're supposed to go, and things

0:12:51.160 --> 0:12:57.520
<v Speaker 1>like that. So to read a couple of the ones

0:12:57.559 --> 0:12:59.839
<v Speaker 1>we got in response to the school dreams episode. This

0:13:00.000 --> 0:13:03.959
<v Speaker 1>first one comes from Brendon. Brendan says, Hey, guys, I'm

0:13:03.960 --> 0:13:06.160
<v Speaker 1>an avid listener of the show and often feel compelled

0:13:06.200 --> 0:13:08.679
<v Speaker 1>to write in, but by the time I'm around my computer,

0:13:08.800 --> 0:13:10.720
<v Speaker 1>the desire has been absorbed by the day to day

0:13:10.800 --> 0:13:13.360
<v Speaker 1>duties of my life. However, this time I happened to

0:13:13.360 --> 0:13:15.120
<v Speaker 1>be in front of my computer as I finished one

0:13:15.120 --> 0:13:18.720
<v Speaker 1>of your recent episodes on school dreams. I cannot recall

0:13:18.800 --> 0:13:21.400
<v Speaker 1>ever having dreams of either high school or college, though

0:13:21.400 --> 0:13:24.840
<v Speaker 1>I attended both. However, I went to community college later

0:13:24.920 --> 0:13:28.079
<v Speaker 1>in my twenties and placed little personal value on my

0:13:28.160 --> 0:13:31.640
<v Speaker 1>high school experience. I went directly into the workforce from

0:13:31.720 --> 0:13:34.960
<v Speaker 1>high school, waiting tables and later tending bar I do

0:13:35.120 --> 0:13:38.560
<v Speaker 1>somewhat regularly have dreams of showing up late for shifts

0:13:38.559 --> 0:13:41.760
<v Speaker 1>and not wearing clothes in the restaurant, etcetera. In spite

0:13:41.760 --> 0:13:44.160
<v Speaker 1>of having transitioned out of this type of work some

0:13:44.280 --> 0:13:46.960
<v Speaker 1>years ago, I'm now an arborist. I have a hard

0:13:46.960 --> 0:13:50.320
<v Speaker 1>time imagining two more divergent careers. I think it was

0:13:50.400 --> 0:13:53.720
<v Speaker 1>Joe who questioned why school would be the metaphor brain

0:13:53.840 --> 0:13:57.400
<v Speaker 1>might select for dealing with present personal problems. Remember this

0:13:57.440 --> 0:14:00.280
<v Speaker 1>is following up from a number of people coming enting

0:14:00.280 --> 0:14:03.040
<v Speaker 1>on this phenomenon who said that they thought that school

0:14:03.160 --> 0:14:06.600
<v Speaker 1>dreams were really about whatever present challenges people were facing,

0:14:06.960 --> 0:14:09.920
<v Speaker 1>and that maybe the brain just selected school as a

0:14:10.000 --> 0:14:13.160
<v Speaker 1>kind of template or metaphor for working out those problems

0:14:13.160 --> 0:14:17.000
<v Speaker 1>in the dream. Brendan continues, I think that the reminiscence

0:14:17.040 --> 0:14:20.080
<v Speaker 1>bump provides a possible answer, couched in one of the

0:14:20.120 --> 0:14:22.800
<v Speaker 1>other statements you made that the period of life in

0:14:22.840 --> 0:14:26.760
<v Speaker 1>which your so called teenage brain is making vivid memories

0:14:26.840 --> 0:14:30.160
<v Speaker 1>that help one to identify with self, you're also creating

0:14:30.160 --> 0:14:34.720
<v Speaker 1>an extremely personalized metaphor that could be adaptable in motivating

0:14:34.720 --> 0:14:37.600
<v Speaker 1>action when one is faced with a problem that has

0:14:37.640 --> 0:14:41.280
<v Speaker 1>no clear solution by providing a feeling of reconnection to

0:14:41.320 --> 0:14:44.800
<v Speaker 1>the basic self loss to time, similar to how people

0:14:45.000 --> 0:14:49.840
<v Speaker 1>have used tarot astrology and other randomly accessed organized stimuli

0:14:49.920 --> 0:14:53.120
<v Speaker 1>to give their life direction. School just happens to be

0:14:53.160 --> 0:14:56.280
<v Speaker 1>a near universal experience for people of that age in

0:14:56.360 --> 0:15:00.480
<v Speaker 1>modern culture, and often referred to as where we quote

0:15:00.520 --> 0:15:02.960
<v Speaker 1>figure out who we are. I think I would be

0:15:03.120 --> 0:15:06.360
<v Speaker 1>most interested in hearing data and accounts of hunter gatherer,

0:15:06.440 --> 0:15:10.680
<v Speaker 1>early pastoral, or other non industrial cultures and their school

0:15:10.760 --> 0:15:14.520
<v Speaker 1>dream equivalence. Anyways, I hope this wasn't too long winded

0:15:14.560 --> 0:15:16.640
<v Speaker 1>and helps shed some light on the experience of those

0:15:16.680 --> 0:15:19.600
<v Speaker 1>who didn't attend college at that formative period of life.

0:15:20.040 --> 0:15:23.800
<v Speaker 1>Thank you also for indulging my armchair philosophical hypothesis. I

0:15:23.880 --> 0:15:25.680
<v Speaker 1>love the show and the sounds of your voices. Have

0:15:25.720 --> 0:15:27.720
<v Speaker 1>a great day, and I look forward to hearing your

0:15:27.720 --> 0:15:30.320
<v Speaker 1>next topic. Well thanks a lot, Brendan. Yeah, that was

0:15:30.400 --> 0:15:32.920
<v Speaker 1>There was some interesting inside into the topic, for sure,

0:15:33.240 --> 0:15:35.520
<v Speaker 1>I totally echo. I mean, if you're like a dream

0:15:35.560 --> 0:15:39.200
<v Speaker 1>researcher out there, I would like to see if people

0:15:39.240 --> 0:15:42.160
<v Speaker 1>who don't really have anything equivalent to like the standard,

0:15:42.200 --> 0:15:45.680
<v Speaker 1>you know, United States kind of school experience, if people

0:15:45.720 --> 0:15:50.920
<v Speaker 1>in in hunter gatherer societies or something report different patterns

0:15:50.960 --> 0:15:54.440
<v Speaker 1>of dreams that are in any way analogous to school dreams. Yeah,

0:15:54.520 --> 0:16:00.840
<v Speaker 1>that would that would be something interesting to cover. All right,

0:16:00.880 --> 0:16:04.480
<v Speaker 1>here's another dream email. This one comes to us from Sammy. Hey, guys,

0:16:04.560 --> 0:16:07.400
<v Speaker 1>just started listening to the episode called school Dreams, and wow,

0:16:07.440 --> 0:16:10.280
<v Speaker 1>did I relate to this. One of my only nightmares

0:16:10.360 --> 0:16:12.800
<v Speaker 1>is forgetting I had a class and realizing it at

0:16:12.840 --> 0:16:15.440
<v Speaker 1>the end of the semester. I know this isn't school related,

0:16:15.480 --> 0:16:18.000
<v Speaker 1>but my most common nightmare is actually being a waitress

0:16:18.000 --> 0:16:20.040
<v Speaker 1>and forgetting one of my tables. I was a waitress

0:16:20.040 --> 0:16:22.920
<v Speaker 1>about seven years ago for two years. Those have to

0:16:22.920 --> 0:16:25.320
<v Speaker 1>be related, right, I'd be curious to know if you

0:16:25.480 --> 0:16:29.040
<v Speaker 1>guys have these kinds of dreams about your jobs. All

0:16:29.080 --> 0:16:32.480
<v Speaker 1>the best, Sammy PS from follow up email. Sorry, I

0:16:32.560 --> 0:16:34.720
<v Speaker 1>kept listening and realized I should give you some, uh

0:16:34.920 --> 0:16:37.680
<v Speaker 1>some contexts on my education. I went straight from high

0:16:37.720 --> 0:16:41.280
<v Speaker 1>school to university for an engineering degree, where during my

0:16:41.360 --> 0:16:43.720
<v Speaker 1>second and third year I was a waitress. All of

0:16:43.760 --> 0:16:48.080
<v Speaker 1>my school nightmares were forgetting university classes, but not high school. Honestly,

0:16:48.120 --> 0:16:50.720
<v Speaker 1>I think this is probably because up until university I

0:16:50.760 --> 0:16:54.440
<v Speaker 1>had no difficulty in school, but engineering was quite hard. Thanks. Well,

0:16:54.520 --> 0:16:58.720
<v Speaker 1>let's see. Um. Well, that first question about dreams about

0:16:58.880 --> 0:17:03.840
<v Speaker 1>jobs and job stress. I I used to so I

0:17:04.040 --> 0:17:07.480
<v Speaker 1>worked in newspapers for a while before I ended up

0:17:07.640 --> 0:17:10.959
<v Speaker 1>working for How Stuff Works and getting into podcasting and

0:17:10.960 --> 0:17:14.359
<v Speaker 1>so forth, and I would do uh, I would increasingly

0:17:14.520 --> 0:17:17.760
<v Speaker 1>just do pagination, so like laying out pages of the

0:17:17.800 --> 0:17:22.560
<v Speaker 1>newspaper in a program like end Design, the Curning Master. Yeah, yeah,

0:17:22.840 --> 0:17:25.080
<v Speaker 1>all that fun stuff I mean, And it was it was,

0:17:25.240 --> 0:17:28.040
<v Speaker 1>it was fun. I enjoyed it, but it was also

0:17:28.800 --> 0:17:31.560
<v Speaker 1>it was also stressful because you had to get everything

0:17:31.960 --> 0:17:34.399
<v Speaker 1>to a to a fine point or as fine a

0:17:34.400 --> 0:17:38.119
<v Speaker 1>point as possible, having to edit the content, edit the headlines,

0:17:38.200 --> 0:17:40.600
<v Speaker 1>and then it goes to the press, and then that's it,

0:17:40.840 --> 0:17:43.880
<v Speaker 1>you know, and and you just hope that you got everything.

0:17:44.160 --> 0:17:48.240
<v Speaker 1>And so I would for years after I had left

0:17:48.280 --> 0:17:50.679
<v Speaker 1>that that job and that profession, I would still have

0:17:50.800 --> 0:17:54.800
<v Speaker 1>dreams in which I was concerned about the layout of

0:17:54.840 --> 0:17:57.879
<v Speaker 1>the front page of the newspaper. And then somehow the

0:17:58.320 --> 0:18:00.879
<v Speaker 1>bed that I was sleeping in was the front page

0:18:00.880 --> 0:18:04.800
<v Speaker 1>of the newspaper, and the pillows were different modules on

0:18:04.840 --> 0:18:07.800
<v Speaker 1>the front page, like you know, a headline or a

0:18:07.800 --> 0:18:11.359
<v Speaker 1>text box or an image box or a caption or

0:18:11.359 --> 0:18:14.680
<v Speaker 1>an illustration piece. And I had to be careful not

0:18:14.760 --> 0:18:17.360
<v Speaker 1>to move because I physically moved my body, I might

0:18:17.480 --> 0:18:20.359
<v Speaker 1>disrupt the various elements of the front page of the

0:18:20.400 --> 0:18:26.040
<v Speaker 1>newspaper that's really interesting, Uh finally went away, thankfully. I also,

0:18:26.119 --> 0:18:28.119
<v Speaker 1>I have school dreams a lot, but I also have

0:18:28.240 --> 0:18:31.600
<v Speaker 1>job dreams all the time. Uh, and they I've had

0:18:31.680 --> 0:18:35.000
<v Speaker 1>job dreams about like when I was where you know,

0:18:35.040 --> 0:18:38.280
<v Speaker 1>I've worked in restaurants and grocery stores and stuff. I

0:18:38.320 --> 0:18:41.880
<v Speaker 1>had server dreams, like lots of stuff about, like forgetting

0:18:41.880 --> 0:18:44.560
<v Speaker 1>about tables and stuff. It's actually somewhat equivalent to the

0:18:44.560 --> 0:18:47.399
<v Speaker 1>school dreams, like a big table that I forgot I

0:18:47.440 --> 0:18:49.359
<v Speaker 1>had and I had been neglecting them all night and

0:18:49.400 --> 0:18:51.840
<v Speaker 1>now they're mad, and that kind of thing. I'd have

0:18:51.920 --> 0:18:55.359
<v Speaker 1>dreams about, uh, you know, like losing track of of

0:18:55.800 --> 0:19:01.000
<v Speaker 1>dairy products. When I worked in a grocery store, I was, Uh,

0:19:01.520 --> 0:19:03.040
<v Speaker 1>one of the main things I had to do is

0:19:03.119 --> 0:19:05.439
<v Speaker 1>like keep stock of the dairy aisle and move stuff

0:19:05.480 --> 0:19:07.760
<v Speaker 1>up from the cooler in the back out to the

0:19:07.760 --> 0:19:10.520
<v Speaker 1>shelves and stuff like that, and so it involved a

0:19:10.560 --> 0:19:14.080
<v Speaker 1>lot of management of inventory by date. And so I'd

0:19:14.080 --> 0:19:16.359
<v Speaker 1>have dreams where like I couldn't read the dates and

0:19:16.359 --> 0:19:20.800
<v Speaker 1>couldn't understand Uh, you know what needed to be out there,

0:19:20.840 --> 0:19:23.920
<v Speaker 1>and then I'd lose things, and you know, everything always

0:19:23.960 --> 0:19:27.280
<v Speaker 1>had to be kept cold. So anyway, that's probably very boring. Sorry,

0:19:27.359 --> 0:19:29.800
<v Speaker 1>but this is interesting too because this touches on something

0:19:29.840 --> 0:19:33.199
<v Speaker 1>that we i think discussed recently on the show, and

0:19:33.240 --> 0:19:36.919
<v Speaker 1>that's the reading in dreams. Yeah. So, and you were

0:19:36.960 --> 0:19:38.760
<v Speaker 1>having the experience where you're just having a lot of

0:19:38.800 --> 0:19:41.560
<v Speaker 1>trouble reading these numbers, but not to the point where

0:19:41.600 --> 0:19:43.400
<v Speaker 1>you're like, oh, I must be in a dream because

0:19:43.400 --> 0:19:45.119
<v Speaker 1>I can't read. I don't think the problem was that

0:19:45.160 --> 0:19:47.680
<v Speaker 1>I couldn't read. It's more like there's a lot of

0:19:47.720 --> 0:19:51.200
<v Speaker 1>the dream had to remember not being able to keep

0:19:51.200 --> 0:19:54.600
<v Speaker 1>track of information. Okay, well, that that also lines up

0:19:54.640 --> 0:19:57.440
<v Speaker 1>with it right there, Like the analytical brain is not

0:19:58.119 --> 0:20:01.000
<v Speaker 1>fully engaged enough to to to really keep track of

0:20:01.000 --> 0:20:03.320
<v Speaker 1>things or to question the authenticity. Yeah, I think a

0:20:03.400 --> 0:20:06.480
<v Speaker 1>working memory and critical reasoning or somewhat limited in the

0:20:06.560 --> 0:20:09.560
<v Speaker 1>dream world. But also I have tons of of anxiety

0:20:09.600 --> 0:20:12.399
<v Speaker 1>dreams about like the kind of job I have now. Again,

0:20:12.440 --> 0:20:14.360
<v Speaker 1>not very hard to figure out what they might be.

0:20:14.440 --> 0:20:19.439
<v Speaker 1>It's like I dream that I released a podcast on

0:20:19.480 --> 0:20:22.240
<v Speaker 1>a subject, only to find out after we already published

0:20:22.280 --> 0:20:26.040
<v Speaker 1>it that everything I said was grossly inaccurate and uh,

0:20:26.040 --> 0:20:27.679
<v Speaker 1>and people are like, how could you get all this

0:20:27.720 --> 0:20:31.040
<v Speaker 1>stuff wrong? And I'm like, oh no, And yeah, it's

0:20:31.040 --> 0:20:33.440
<v Speaker 1>weird because I have those same as some of those

0:20:33.440 --> 0:20:35.840
<v Speaker 1>same waking anxieties, you know, and I have some of

0:20:35.880 --> 0:20:38.560
<v Speaker 1>the same job stresses that you do, because we pretty

0:20:38.760 --> 0:20:41.159
<v Speaker 1>pretty much have the same job. Yet I never have

0:20:41.280 --> 0:20:43.840
<v Speaker 1>dreams about them. I never do. I instead, I have

0:20:43.920 --> 0:20:47.120
<v Speaker 1>the school dream. That's funny. Well, I I will say

0:20:47.200 --> 0:20:49.639
<v Speaker 1>I have the school dream way more than I have

0:20:50.080 --> 0:20:53.040
<v Speaker 1>job dreams, like, way more than I have dreams about

0:20:53.040 --> 0:20:54.960
<v Speaker 1>the current job I have. I think. The way I

0:20:55.080 --> 0:20:57.560
<v Speaker 1>put it is, I have had job dreams like that.

0:20:57.680 --> 0:21:00.480
<v Speaker 1>I still have the school dream on a regular basis.

0:21:00.520 --> 0:21:02.840
<v Speaker 1>I see, yeah, yeah, that that that lines up with

0:21:02.840 --> 0:21:05.560
<v Speaker 1>with me. Like I had the job dreams for a while. Uh.

0:21:05.600 --> 0:21:08.239
<v Speaker 1>They they outlasted the job and then they went away. Right.

0:21:08.280 --> 0:21:10.920
<v Speaker 1>So I want to read one, maybe two of the

0:21:11.040 --> 0:21:15.560
<v Speaker 1>emails concerning you know, the school dreams about the military

0:21:15.640 --> 0:21:21.760
<v Speaker 1>or from people who served in the military. Uh. This

0:21:21.800 --> 0:21:25.040
<v Speaker 1>one comes to us from Dan Dan Rights. I joined

0:21:25.040 --> 0:21:27.480
<v Speaker 1>the army one week after graduating high school. I didn't

0:21:27.480 --> 0:21:30.200
<v Speaker 1>take school seriously and did not recall any school related

0:21:30.280 --> 0:21:33.359
<v Speaker 1>dreams today. However, after serving in the Persian Gulf War,

0:21:33.680 --> 0:21:37.200
<v Speaker 1>my dreams were consumed with a persistent vision. In this

0:21:37.320 --> 0:21:41.000
<v Speaker 1>dream I repeatedly had, I was disposing of an anonymous

0:21:41.040 --> 0:21:44.920
<v Speaker 1>human being wrapped in a rug tossed into a dumpster. Horrible.

0:21:45.000 --> 0:21:48.200
<v Speaker 1>The dream was so real I began to question its authenticity.

0:21:48.359 --> 0:21:51.120
<v Speaker 1>Was it part of my reality? I reeled for months

0:21:51.160 --> 0:21:54.199
<v Speaker 1>about it. As time passed, so did the dream. I

0:21:54.280 --> 0:21:56.439
<v Speaker 1>used my g I bill to attend college in Upstate

0:21:56.520 --> 0:21:59.240
<v Speaker 1>New York. Along the way, my dreams began to stress

0:21:59.280 --> 0:22:02.120
<v Speaker 1>and fret about cool and classes I'd forgotten to attend.

0:22:02.560 --> 0:22:05.639
<v Speaker 1>This dream also became so visceral that I began to

0:22:05.720 --> 0:22:08.720
<v Speaker 1>check my schedule to ensure my reality was not what

0:22:08.760 --> 0:22:11.400
<v Speaker 1>my dreams would have me believe. I love the episode.

0:22:11.440 --> 0:22:14.200
<v Speaker 1>Love what you guys do. Keep up the great work, Dan. Okay,

0:22:14.240 --> 0:22:17.840
<v Speaker 1>so this is multiple interesting permutations are saying no dreams

0:22:17.880 --> 0:22:20.320
<v Speaker 1>about school when he was in school, and then was

0:22:20.359 --> 0:22:23.760
<v Speaker 1>in the military and and served in combat and had

0:22:23.960 --> 0:22:27.879
<v Speaker 1>persistent dreams, but maybe not necessarily directly about the military,

0:22:27.920 --> 0:22:29.959
<v Speaker 1>but so much like a I don't know, some kind

0:22:29.960 --> 0:22:34.000
<v Speaker 1>of related persistent nightmare yeah, yeah, I mean definitely, you know,

0:22:34.080 --> 0:22:36.560
<v Speaker 1>not to serve his dream interpreter here, but it definitely

0:22:36.560 --> 0:22:39.840
<v Speaker 1>seems tied to the like the stress of dealing, uh,

0:22:39.880 --> 0:22:43.720
<v Speaker 1>you know, with life in a in a combat zone. Um. Now,

0:22:43.800 --> 0:22:45.440
<v Speaker 1>of course, the thing about not having dreams about high

0:22:45.440 --> 0:22:46.879
<v Speaker 1>school that lines up with a lot of I think

0:22:46.920 --> 0:22:48.400
<v Speaker 1>a lot of what people have said, you know, where

0:22:48.640 --> 0:22:52.960
<v Speaker 1>it's definitely that post high school period of life, that

0:22:52.960 --> 0:22:55.639
<v Speaker 1>that that dictates the dream content. Well, yeah, that that

0:22:55.680 --> 0:22:58.280
<v Speaker 1>seems like one of the main variants, like either it's

0:22:58.640 --> 0:23:02.359
<v Speaker 1>mostly college or mostly high school or whatever else you

0:23:02.400 --> 0:23:06.120
<v Speaker 1>were doing at that time, or some other some other

0:23:06.240 --> 0:23:09.000
<v Speaker 1>thing the other part of the life that people view. Especially,

0:23:09.000 --> 0:23:10.639
<v Speaker 1>we did hear from a lot of people saying it

0:23:10.720 --> 0:23:13.919
<v Speaker 1>was like these self defining years that really seemed to

0:23:14.200 --> 0:23:18.080
<v Speaker 1>uh to form their persistent like frustration and anxiety or

0:23:18.119 --> 0:23:21.880
<v Speaker 1>problem solving dreams. We asked specifically at one point about homeschooling.

0:23:21.880 --> 0:23:23.879
<v Speaker 1>I think, yeah, we heard from several people who were

0:23:23.920 --> 0:23:27.120
<v Speaker 1>homeschooled who did have related dreams. Right, But here's one

0:23:27.160 --> 0:23:29.919
<v Speaker 1>from Heather who also served in the military, So we

0:23:29.920 --> 0:23:36.199
<v Speaker 1>getted like a double in this one. Heather rights, I

0:23:36.240 --> 0:23:38.600
<v Speaker 1>have had dreams about elementary school mostly, and I am

0:23:38.680 --> 0:23:41.840
<v Speaker 1>usually late or still in pj's and everyone is mocking me.

0:23:42.280 --> 0:23:44.640
<v Speaker 1>I was homeschooled in middle school, and I never dream

0:23:44.680 --> 0:23:47.520
<v Speaker 1>about that. I never dream of public high school or

0:23:47.640 --> 0:23:50.840
<v Speaker 1>college either. I was also in the military, and while

0:23:50.880 --> 0:23:53.000
<v Speaker 1>I was in I did have dreams about bad things

0:23:53.000 --> 0:23:55.240
<v Speaker 1>happening to me in the military, like showing up for

0:23:55.280 --> 0:23:58.800
<v Speaker 1>a formation naked and somehow not noticing until I got there,

0:23:58.960 --> 0:24:01.480
<v Speaker 1>and getting in trouble from make mistakes. While I was

0:24:01.520 --> 0:24:04.040
<v Speaker 1>in I RACK, I dreamed so convincingly that I was

0:24:04.080 --> 0:24:06.680
<v Speaker 1>in Germany that I still thought I was in Germany

0:24:06.680 --> 0:24:09.320
<v Speaker 1>when I woke up. It took me and my best

0:24:09.320 --> 0:24:11.520
<v Speaker 1>friend a couple of minutes to get back to reality

0:24:11.600 --> 0:24:13.960
<v Speaker 1>and realized that we were in fact in a crappy

0:24:13.960 --> 0:24:17.080
<v Speaker 1>metal box trailer in the desert for another twelve months

0:24:17.080 --> 0:24:19.840
<v Speaker 1>talk about a freight train of disappointment. I don't really

0:24:19.920 --> 0:24:22.520
<v Speaker 1>dream about any of that stuff in my thirties, though, Heather,

0:24:23.119 --> 0:24:26.919
<v Speaker 1>So extinction of the dream obsession now and elementary school

0:24:27.240 --> 0:24:30.440
<v Speaker 1>stress streams instead. Weird. Sorry, I didn't mean to call

0:24:30.480 --> 0:24:34.359
<v Speaker 1>you weird, Heather, I just mean the variety is interesting now.

0:24:34.400 --> 0:24:36.800
<v Speaker 1>On the pajamas an elementary school. I do. I have

0:24:36.880 --> 0:24:40.960
<v Speaker 1>an elementary like age memory. This wasn't going to school,

0:24:41.600 --> 0:24:45.399
<v Speaker 1>but I instead of putting my taking my pajama pants

0:24:45.440 --> 0:24:47.960
<v Speaker 1>off and putting pants on over them, I just put

0:24:48.359 --> 0:24:51.639
<v Speaker 1>my blue jeans over my pajama pants and went on

0:24:51.680 --> 0:24:53.560
<v Speaker 1>with my day. And then later discovered when I went

0:24:53.600 --> 0:24:55.679
<v Speaker 1>to the restroom that I still had my pajamas one

0:24:55.720 --> 0:24:58.360
<v Speaker 1>under my clothes. And that was That was a real

0:24:58.440 --> 0:25:01.199
<v Speaker 1>life occurrence. That kind of nice slee mimics like the

0:25:01.240 --> 0:25:04.520
<v Speaker 1>fears we have regarding um, you know, the kind of

0:25:04.520 --> 0:25:06.399
<v Speaker 1>stress dreams that we have where we're like, you know,

0:25:06.440 --> 0:25:09.520
<v Speaker 1>wearing our pajamas to school, wearing them out in the day.

0:25:09.960 --> 0:25:12.800
<v Speaker 1>Uh wait, were there any bad consequences to that? Well?

0:25:12.840 --> 0:25:15.159
<v Speaker 1>And then luckily not. But it's kind of, you know,

0:25:15.560 --> 0:25:17.639
<v Speaker 1>it's like the adult version of realizing that you just

0:25:18.040 --> 0:25:21.080
<v Speaker 1>drove for four hours uh there in back home and

0:25:21.080 --> 0:25:23.440
<v Speaker 1>didn't have your driver's license. You're like, oh my goodness,

0:25:23.760 --> 0:25:25.560
<v Speaker 1>like that nothing went wrong, But what if it did?

0:25:25.840 --> 0:25:27.600
<v Speaker 1>What if someone had noticed that I was wearing my

0:25:27.680 --> 0:25:30.399
<v Speaker 1>pajamas all day underneath my pants, as if this was

0:25:30.480 --> 0:25:33.159
<v Speaker 1>just what I did. That's a good comparison, all right,

0:25:33.200 --> 0:25:35.399
<v Speaker 1>I think we're gonna call the school dreams. They're sorry

0:25:35.400 --> 0:25:37.879
<v Speaker 1>to the many many of you who also got in

0:25:37.920 --> 0:25:40.480
<v Speaker 1>touch with us with your great emails, we really appreciate them.

0:25:41.080 --> 0:25:43.280
<v Speaker 1>But we gotta go on to to get some feedback

0:25:43.320 --> 0:25:46.080
<v Speaker 1>about other episodes. That's right. We can't just talk about dreams.

0:25:46.080 --> 0:25:48.640
<v Speaker 1>We also have to talk about black holes, that's right.

0:25:48.720 --> 0:25:53.040
<v Speaker 1>So regarding our episodes about Sagittarius a Star, the supermassive

0:25:53.080 --> 0:25:55.080
<v Speaker 1>black hole at the center of the Milky Way galaxy,

0:25:55.880 --> 0:25:58.680
<v Speaker 1>first of all, several listeners got in touch to ask

0:25:58.800 --> 0:26:01.800
<v Speaker 1>us about the source the opening monologue in that episode.

0:26:01.840 --> 0:26:03.359
<v Speaker 1>I guess we didn't make it clear. They were asking

0:26:03.359 --> 0:26:05.560
<v Speaker 1>if it was coming from a book or something. Uh, No,

0:26:05.720 --> 0:26:09.000
<v Speaker 1>that was just us. It was just original to the show. Yeah.

0:26:09.000 --> 0:26:11.480
<v Speaker 1>If if we were not sourcing it or citing it,

0:26:11.760 --> 0:26:15.280
<v Speaker 1>then it's probably just something we made at well, yes,

0:26:15.359 --> 0:26:18.400
<v Speaker 1>that is generally the rule. We may have forgotten, forgotten,

0:26:18.600 --> 0:26:22.720
<v Speaker 1>unintentional if Yeah, but yeah, since you asked, Uh yeah,

0:26:22.840 --> 0:26:29.800
<v Speaker 1>that's just us. Oh so uh. This first email comes

0:26:29.840 --> 0:26:33.440
<v Speaker 1>from Chase Chase Rights. Hey, guys, I love your show.

0:26:33.800 --> 0:26:36.840
<v Speaker 1>After listening to your series about Sagittarius a Star, I

0:26:36.880 --> 0:26:39.720
<v Speaker 1>thought of a way for me to conceptualize the astronomically

0:26:39.800 --> 0:26:42.520
<v Speaker 1>large masses stated for black holes, and I wanted to

0:26:42.520 --> 0:26:44.800
<v Speaker 1>share it with you. I thought this was pretty interesting.

0:26:45.280 --> 0:26:47.680
<v Speaker 1>Chase says, the black hole at the center of our

0:26:47.720 --> 0:26:50.639
<v Speaker 1>Milky Way galaxy, Sagittarius A star weighs in at two

0:26:50.720 --> 0:26:54.359
<v Speaker 1>point six million solar masses. That's big, too big really

0:26:54.400 --> 0:26:57.399
<v Speaker 1>for us humans to fully comprehend. I agree, So I

0:26:57.400 --> 0:27:00.359
<v Speaker 1>did some math. If you think of the Sun's mass

0:27:00.440 --> 0:27:04.520
<v Speaker 1>as one second, Earth's mass is three micro seconds, and

0:27:04.560 --> 0:27:08.879
<v Speaker 1>Sagittarius A stars would be thirty days and two hours,

0:27:08.920 --> 0:27:12.560
<v Speaker 1>that that that does really hammered. But as we talked

0:27:12.560 --> 0:27:16.040
<v Speaker 1>about in the episode, as huge as Sagittarius A stories

0:27:16.080 --> 0:27:19.440
<v Speaker 1>from our perspective, the supermassive black holes at the center

0:27:19.440 --> 0:27:23.480
<v Speaker 1>of other galaxies get much much bigger. The quays are

0:27:23.680 --> 0:27:27.000
<v Speaker 1>Ton six eighteen is one of the brightest objects in

0:27:27.040 --> 0:27:29.960
<v Speaker 1>the known universe, so bright that the galaxy spinning around

0:27:29.960 --> 0:27:33.000
<v Speaker 1>it is not visible from Earth because the quasar itself

0:27:33.080 --> 0:27:36.399
<v Speaker 1>outshines it. The ultramassive black hole at the center of

0:27:36.840 --> 0:27:40.119
<v Speaker 1>Ton six eighteen is the largest currently known. It is

0:27:40.240 --> 0:27:43.959
<v Speaker 1>estimated awagh sixty six billion solar masses, and then by

0:27:44.000 --> 0:27:47.000
<v Speaker 1>the same reckoning as earlier. Where the Sun's mass was

0:27:47.119 --> 0:27:51.159
<v Speaker 1>one second, Earth's masses three micro seconds. This would be

0:27:51.280 --> 0:27:54.600
<v Speaker 1>two thousand, ninety seven years one hundred and seventy five

0:27:54.720 --> 0:27:58.480
<v Speaker 1>days if our sun is one second. That's really good.

0:27:58.520 --> 0:28:01.399
<v Speaker 1>I was hesitant when started reading this email because I'm like,

0:28:01.520 --> 0:28:03.399
<v Speaker 1>I'm not sure they're gonna pull this off. They're actually

0:28:03.400 --> 0:28:05.159
<v Speaker 1>gonna take these big numbers and put them in a

0:28:05.400 --> 0:28:08.720
<v Speaker 1>you know, use some sort of metaphor or or transference

0:28:08.720 --> 0:28:11.200
<v Speaker 1>that would that would really work. And this did. This

0:28:11.320 --> 0:28:15.119
<v Speaker 1>totally did time within historical records. I think is a

0:28:15.119 --> 0:28:18.120
<v Speaker 1>pretty good way for people to try to conceptualize big

0:28:18.200 --> 0:28:26.000
<v Speaker 1>number analogies. All right, here's another one concerning black holes.

0:28:26.160 --> 0:28:29.479
<v Speaker 1>This one comes to us from Mike. Mike says, hi, guys,

0:28:29.520 --> 0:28:33.200
<v Speaker 1>just finished episode two on the supermassive black Holes. Good stuff.

0:28:33.480 --> 0:28:37.199
<v Speaker 1>In episode one, you briefly mentioned musical references to black holes,

0:28:37.240 --> 0:28:40.240
<v Speaker 1>but you missed one. I believe I've heard you mentioned

0:28:40.360 --> 0:28:43.720
<v Speaker 1>the Canadian band Rush on past episodes, so I was

0:28:43.720 --> 0:28:46.880
<v Speaker 1>surprised you missed mentioning their song dedicated to the first

0:28:46.880 --> 0:28:51.640
<v Speaker 1>black hole to be experimentally discovered, Sickness x one. Smiley face.

0:28:51.840 --> 0:28:54.800
<v Speaker 1>Smiley face is not part of the black Hole's name,

0:28:55.120 --> 0:28:57.000
<v Speaker 1>though that would be amusing if it were. No, it's

0:28:57.040 --> 0:29:00.000
<v Speaker 1>just sickness x one. Looking forward to hearing more about

0:29:00.080 --> 0:29:03.400
<v Speaker 1>black holes on a future episode. Now, Mike, I can't

0:29:03.440 --> 0:29:06.560
<v Speaker 1>wait to find about the first astronomical bodies that have

0:29:06.640 --> 0:29:11.280
<v Speaker 1>emoji incorporated into their official names. Yeah, that would be interesting.

0:29:11.320 --> 0:29:16.120
<v Speaker 1>It's like we discover um like orpheus B three eggplant.

0:29:19.120 --> 0:29:20.560
<v Speaker 1>I mean, I guess it's only a matter of time.

0:29:21.520 --> 0:29:23.720
<v Speaker 1>Earthl means it's demise with the impact of the Great

0:29:23.760 --> 0:29:28.480
<v Speaker 1>Comet poop emoji. But Mike, thank you for bringing up Rush. Yes,

0:29:29.160 --> 0:29:30.760
<v Speaker 1>I don't. I don't know about you, Robert. I'm a

0:29:30.760 --> 0:29:34.120
<v Speaker 1>pretty big fan of Rush, especially I'm I'm not like

0:29:34.160 --> 0:29:36.920
<v Speaker 1>one of those deep Rush maniacs who like knows all

0:29:36.960 --> 0:29:39.160
<v Speaker 1>their catalog and all that, but Rush is one of

0:29:39.200 --> 0:29:41.640
<v Speaker 1>my favorite things to come on classic rock radio. I

0:29:41.640 --> 0:29:43.720
<v Speaker 1>always turn it up. Wait, what what? What is the

0:29:43.760 --> 0:29:47.120
<v Speaker 1>Rush song? I should know? Tom Sawyer, what's the other one?

0:29:47.120 --> 0:29:52.040
<v Speaker 1>I should know? Let's not get night cheese. But what's

0:29:52.040 --> 0:29:55.480
<v Speaker 1>the other one? Though? There's uh, there's limelight, there's closer

0:29:55.520 --> 0:29:59.480
<v Speaker 1>to the heart, there's uh, oh man, what am I forgetting.

0:30:00.200 --> 0:30:02.120
<v Speaker 1>I just don't know Rush that well. I mean, I

0:30:02.760 --> 0:30:04.960
<v Speaker 1>know I've heard them before, I've heard Tom Sawyer before,

0:30:05.000 --> 0:30:07.680
<v Speaker 1>but I feel like there there must be the one

0:30:07.760 --> 0:30:10.800
<v Speaker 1>Rush song that resonates with me. I'm not sure I'm

0:30:10.800 --> 0:30:13.920
<v Speaker 1>recognizing it offhand. His mind is not for rent to

0:30:14.040 --> 0:30:17.080
<v Speaker 1>any god or government. You don't know this? Oh that one?

0:30:17.120 --> 0:30:19.360
<v Speaker 1>I know that one. Oh that's Tom Sawyer. Yeah, yeah,

0:30:19.360 --> 0:30:21.959
<v Speaker 1>it's that's that's fine. Oh wait, there's also a Spirit

0:30:21.960 --> 0:30:24.800
<v Speaker 1>of the Radio. That's the one that one. I think

0:30:25.120 --> 0:30:28.120
<v Speaker 1>they reference that sometimes on Mystery Science Theater three thousands.

0:30:30.280 --> 0:30:32.080
<v Speaker 1>I think, yeah, I don't think that's a that's a

0:30:32.160 --> 0:30:34.560
<v Speaker 1>riff I ever got. But I laughed at it, you know. Alright,

0:30:34.560 --> 0:30:36.520
<v Speaker 1>So any Rush fans out there, I guess I need

0:30:36.640 --> 0:30:40.600
<v Speaker 1>some Rush education. So right in and educate. Tell me

0:30:40.600 --> 0:30:42.360
<v Speaker 1>what I need to listen to. Send me a playlist.

0:30:42.480 --> 0:30:44.200
<v Speaker 1>I will, I will give it a listen. Bring him

0:30:44.240 --> 0:30:48.360
<v Speaker 1>Closer to the Heart. Speaking of coming Closer to the

0:30:48.440 --> 0:30:51.160
<v Speaker 1>Heart and following up Black Holes, we have some listener

0:30:51.240 --> 0:30:57.800
<v Speaker 1>mail concerning our episode on the One Ring, right, So

0:30:57.880 --> 0:31:00.480
<v Speaker 1>this first one is a sort of correction that I

0:31:00.520 --> 0:31:03.040
<v Speaker 1>take from our listener Emmett. Now This is because we

0:31:03.040 --> 0:31:06.840
<v Speaker 1>were discussing the melting point of several different materials that

0:31:06.880 --> 0:31:09.800
<v Speaker 1>were potential candidates to make a ring of power. You

0:31:09.840 --> 0:31:11.440
<v Speaker 1>want to make a ring of power? What should you

0:31:11.480 --> 0:31:14.480
<v Speaker 1>make it out of? Uh? And of course mentioning the

0:31:14.520 --> 0:31:17.800
<v Speaker 1>melting points is important because the one ring in the

0:31:17.840 --> 0:31:20.640
<v Speaker 1>Lord of the Rings can't be melted by normal heat.

0:31:20.800 --> 0:31:23.040
<v Speaker 1>It has to be I think could maybe be melted

0:31:23.080 --> 0:31:25.040
<v Speaker 1>by dragon breath I don't remember, but had to be

0:31:25.080 --> 0:31:28.880
<v Speaker 1>thrown into the fires of Mountain doom. Anyway, I mentioned graphine,

0:31:29.160 --> 0:31:33.200
<v Speaker 1>the material along with its melting point, as a possible candidate,

0:31:33.480 --> 0:31:35.560
<v Speaker 1>and Emmett got in touch to say, hey, guys and

0:31:35.600 --> 0:31:38.960
<v Speaker 1>your Wondering episode, you discuss graphing as a potential material.

0:31:39.360 --> 0:31:42.120
<v Speaker 1>If I'm not wrong, I'm pretty sure graphing will burn

0:31:42.320 --> 0:31:45.520
<v Speaker 1>long before it melts, kind of like wood. I look

0:31:45.640 --> 0:31:48.280
<v Speaker 1>this up, yes, and it is exactly correct. I think

0:31:48.360 --> 0:31:51.000
<v Speaker 1>it was rather silly of me to try to consider

0:31:51.040 --> 0:31:53.720
<v Speaker 1>the melting point of graphing. I think that'd be sort

0:31:53.760 --> 0:31:57.920
<v Speaker 1>of like considering the melting point of plywood. Um. From

0:31:57.920 --> 0:32:00.120
<v Speaker 1>what I can tell you know, it even burns a

0:32:00.200 --> 0:32:03.680
<v Speaker 1>relatively low temperature in the presence of oxygen. So yeah,

0:32:03.680 --> 0:32:07.360
<v Speaker 1>there is like there's fire, there's combustion there. So very

0:32:07.360 --> 0:32:09.880
<v Speaker 1>good point, Emmett, thank you for clarifying that. All Right,

0:32:09.880 --> 0:32:13.440
<v Speaker 1>we're scratching graphing off the list of the official one

0:32:13.560 --> 0:32:17.719
<v Speaker 1>ring list, I guess, so alright, here's another one ring email,

0:32:17.720 --> 0:32:19.680
<v Speaker 1>and this one comes to us from Sandy Sandy Rights,

0:32:19.720 --> 0:32:22.640
<v Speaker 1>and it says, Dear Robert and Joe. First, I might

0:32:22.680 --> 0:32:25.120
<v Speaker 1>have squealed a tiny bed when I saw the title

0:32:25.120 --> 0:32:28.080
<v Speaker 1>of the episode. I love Tolkien and was so happy

0:32:28.120 --> 0:32:30.160
<v Speaker 1>for this episode. And while I have a few corrections

0:32:30.160 --> 0:32:32.040
<v Speaker 1>and notes, I mean, you hit nerd um, you know

0:32:32.120 --> 0:32:34.200
<v Speaker 1>it's it's going to happen. I want to say I

0:32:34.240 --> 0:32:36.760
<v Speaker 1>love the episode, even when people looked at me funny

0:32:36.800 --> 0:32:39.000
<v Speaker 1>on the tram when I spoke out loud in response

0:32:39.080 --> 0:32:43.960
<v Speaker 1>several times. Sorry not sorry. First, regarding whether smog could

0:32:43.960 --> 0:32:46.719
<v Speaker 1>have destroyed the one Ring, you actually answered it earlier

0:32:46.720 --> 0:32:49.320
<v Speaker 1>in the show. To quote Gandolf, it has been said

0:32:49.360 --> 0:32:52.360
<v Speaker 1>that dragon fire could melt and consume the rings of power.

0:32:52.760 --> 0:32:55.120
<v Speaker 1>But there is not in now any dragon left on

0:32:55.200 --> 0:32:58.160
<v Speaker 1>Earth in which the old fire is hot enough, nor

0:32:58.320 --> 0:33:01.280
<v Speaker 1>was there ever any dragon, not even uh and Callaghan,

0:33:01.400 --> 0:33:03.760
<v Speaker 1>the Black who could have harmed the One Ring, the

0:33:03.880 --> 0:33:08.360
<v Speaker 1>ruling ring, for that was made by Sarin himself. She continues,

0:33:08.720 --> 0:33:13.080
<v Speaker 1>Smag could have potentially destroyed the rings of Power, the Three,

0:33:13.240 --> 0:33:15.200
<v Speaker 1>the seven, or the Nine, but he could not have

0:33:15.280 --> 0:33:18.920
<v Speaker 1>destroyed the One Ring even and Callaghan the Black could

0:33:19.000 --> 0:33:23.840
<v Speaker 1>not have destroyed the one. Oh and also, uh, Sandy

0:33:23.880 --> 0:33:27.160
<v Speaker 1>throws in that it's very possible that Christopher Tolkien could

0:33:27.160 --> 0:33:33.320
<v Speaker 1>have covered this particular item as well in his various publications. Anyway, uh,

0:33:33.480 --> 0:33:36.840
<v Speaker 1>they continue. Second, you almost failed to mention, but did

0:33:36.880 --> 0:33:39.040
<v Speaker 1>circle back to it the issue of the ring size,

0:33:39.360 --> 0:33:42.840
<v Speaker 1>But then you aired no shame. Part of the will

0:33:42.960 --> 0:33:45.400
<v Speaker 1>of the ring, or rather part of it mirroring the

0:33:45.440 --> 0:33:48.160
<v Speaker 1>will of its master, is its ability to change shape.

0:33:48.320 --> 0:33:51.040
<v Speaker 1>This allows it to change bearers when it chooses. This

0:33:51.080 --> 0:33:53.160
<v Speaker 1>is also why one of the names that the ring

0:33:53.240 --> 0:33:57.520
<v Speaker 1>is known by is is Sildor's Bane. Uh seek for

0:33:57.600 --> 0:34:01.200
<v Speaker 1>the sore that was broken in in lad risks it dwells.

0:34:01.960 --> 0:34:06.560
<v Speaker 1>There shall be Council's taken stronger than mortal spells. There

0:34:06.560 --> 0:34:09.760
<v Speaker 1>shall be shown a token that doom is near at hand.

0:34:10.120 --> 0:34:14.560
<v Speaker 1>For is Celdor's Bain shall awaken, and the Halfling fourth

0:34:14.600 --> 0:34:19.239
<v Speaker 1>shall stand the poem from Paramir's recurring dream that bore

0:34:19.280 --> 0:34:21.960
<v Speaker 1>Amir then has once and which leads him to the

0:34:21.960 --> 0:34:25.160
<v Speaker 1>Council of l Run in Rivendale. This all makes sense

0:34:25.200 --> 0:34:27.040
<v Speaker 1>to me, because I don't know if you mentioned after

0:34:27.160 --> 0:34:29.279
<v Speaker 1>we did the episode, I was like, Okay, I gotta

0:34:29.320 --> 0:34:31.640
<v Speaker 1>go back and just wait. Yeah, I've been reading it.

0:34:31.760 --> 0:34:34.720
<v Speaker 1>I'm in the middle of two towers right now, Sandy continues.

0:34:35.080 --> 0:34:37.480
<v Speaker 1>It's called that because the ring had come into Sildor's

0:34:37.480 --> 0:34:41.120
<v Speaker 1>possession after he cut it off Sorin's finger in the

0:34:41.120 --> 0:34:44.440
<v Speaker 1>War of the Last Alliance. He ignored Counsel to destroy it,

0:34:44.480 --> 0:34:48.080
<v Speaker 1>which suggests perhaps he could have in the immediate defeat

0:34:48.120 --> 0:34:51.279
<v Speaker 1>and weakening of Soron. Maybe probably not, especially if it's

0:34:51.320 --> 0:34:53.880
<v Speaker 1>the ring that led to the Orc ambush that resulted

0:34:53.880 --> 0:34:56.400
<v Speaker 1>in his death. When he and the company he was

0:34:56.440 --> 0:34:59.719
<v Speaker 1>with were ambushed by Orcs after a fierce battle, with

0:34:59.800 --> 0:35:02.880
<v Speaker 1>the works winning, he put it on his finger to

0:35:03.160 --> 0:35:07.400
<v Speaker 1>escape to keep the ring from falling in the wrong hands,

0:35:07.880 --> 0:35:10.360
<v Speaker 1>and did so until the ring slipped off his finger.

0:35:10.480 --> 0:35:13.520
<v Speaker 1>Most think that it did so intentionally, enlarging itself enough

0:35:13.560 --> 0:35:16.759
<v Speaker 1>to slip off his finger, and he escaped, and and

0:35:16.880 --> 0:35:19.200
<v Speaker 1>he escaped and was then killed by the orcs. This

0:35:19.280 --> 0:35:21.799
<v Speaker 1>intentional slipping off of the finger may also be how

0:35:21.840 --> 0:35:24.399
<v Speaker 1>it moved from Gallum to Bilbo. If Gallum had worn

0:35:24.480 --> 0:35:26.760
<v Speaker 1>the ring, it had slipped off, and he had forgotten

0:35:26.960 --> 0:35:29.160
<v Speaker 1>that he had worn it, he would expect it to

0:35:29.200 --> 0:35:31.880
<v Speaker 1>be in its hiding place. Thus, when he returned to

0:35:31.920 --> 0:35:34.160
<v Speaker 1>get it to ambush Bilbo after being bested in the

0:35:34.200 --> 0:35:36.520
<v Speaker 1>contest of Riddles, it was not there, as Bilbo had

0:35:36.560 --> 0:35:39.080
<v Speaker 1>found it and slipped it into his pocket. Right, So

0:35:39.120 --> 0:35:43.880
<v Speaker 1>they're saying that the ring maybe sort of like getting

0:35:43.960 --> 0:35:46.920
<v Speaker 1>bigger and smaller when it wants to stick on somebody's

0:35:46.920 --> 0:35:49.600
<v Speaker 1>finger or fall off somebody's finger in order to make

0:35:49.640 --> 0:35:53.239
<v Speaker 1>it to a new host. It's almost like a parasite

0:35:53.280 --> 0:35:57.000
<v Speaker 1>of some kind that that has like attaching and detaching

0:35:57.080 --> 0:36:00.759
<v Speaker 1>kind of properties, or like the way some paradise parasites

0:36:00.800 --> 0:36:04.960
<v Speaker 1>that are intestinal parasites will intentionally get themselves pooped out

0:36:05.000 --> 0:36:07.160
<v Speaker 1>at some point in order to pass on to the

0:36:07.160 --> 0:36:09.080
<v Speaker 1>next point in their life cycle. The ring kind of

0:36:09.080 --> 0:36:11.360
<v Speaker 1>works that way. But you know, Sandy is also touching

0:36:11.400 --> 0:36:13.560
<v Speaker 1>on something which I could think could be a potential

0:36:13.680 --> 0:36:15.799
<v Speaker 1>benefit of the ring, that we are a power of

0:36:15.840 --> 0:36:18.080
<v Speaker 1>the ring. So if you're like me and you have

0:36:18.200 --> 0:36:21.640
<v Speaker 1>a ring that is kind of loose fitting, you'll find

0:36:21.680 --> 0:36:23.799
<v Speaker 1>that on cold days it is more likely just to

0:36:23.920 --> 0:36:27.200
<v Speaker 1>slide off, and on hot days it is more it

0:36:27.239 --> 0:36:30.160
<v Speaker 1>can be more difficult to remove. Though. It also has

0:36:30.200 --> 0:36:32.800
<v Speaker 1>to do with things like have you been walking around

0:36:32.880 --> 0:36:36.680
<v Speaker 1>with your hands at your sides? Have you been drinking beer? Yeah,

0:36:36.680 --> 0:36:38.800
<v Speaker 1>there's all these factors that can affect the fit of

0:36:38.840 --> 0:36:41.520
<v Speaker 1>a ring. But if you have the one ring, I'm

0:36:41.520 --> 0:36:44.000
<v Speaker 1>guessing as long as it wants you, you're gonna have

0:36:44.040 --> 0:36:47.000
<v Speaker 1>a perfect fit at all times. And I think that's

0:36:47.040 --> 0:36:52.080
<v Speaker 1>amazing excellent craftsmanships are on one of a kind. All right,

0:36:52.160 --> 0:36:54.920
<v Speaker 1>Sandy continues Almost done here. An interesting part of the

0:36:54.960 --> 0:36:57.480
<v Speaker 1>ring that you did not mention was those that seem

0:36:57.520 --> 0:36:59.880
<v Speaker 1>immune to its poll or able to resist it. We

0:37:00.040 --> 0:37:03.360
<v Speaker 1>see both Galadriol and Gandalf refuse it, but they both

0:37:03.400 --> 0:37:06.239
<v Speaker 1>also bear one of the three, and that is not

0:37:06.320 --> 0:37:09.040
<v Speaker 1>to say that they were not tempted. However, we have

0:37:09.160 --> 0:37:13.400
<v Speaker 1>two mortals, neither Elf nor Maya, and not protected by

0:37:13.440 --> 0:37:15.760
<v Speaker 1>the three. The Nine, of course, bearing no such protection

0:37:15.800 --> 0:37:17.719
<v Speaker 1>for their wares as the bears of the Nine or

0:37:17.760 --> 0:37:21.120
<v Speaker 1>the Ring raths Farremir and Sam. Sam even bears the

0:37:21.239 --> 0:37:23.560
<v Speaker 1>Ring with seemingly no temptation to do more than to

0:37:23.600 --> 0:37:27.279
<v Speaker 1>carry the burden for Frodo, And one must wonder how

0:37:27.320 --> 0:37:30.600
<v Speaker 1>would things have been different if if the brother, not

0:37:30.760 --> 0:37:33.760
<v Speaker 1>tempted by the Ring had gone to Rivendale. Of course,

0:37:33.920 --> 0:37:36.880
<v Speaker 1>Bomba Dill could literally play with the ring and see

0:37:36.880 --> 0:37:40.240
<v Speaker 1>through its invisibility. But Bomba Dill is probably not exactly mortal.

0:37:40.560 --> 0:37:43.760
<v Speaker 1>And yeah, I think Bomba Dill, by by most interpretations,

0:37:43.840 --> 0:37:47.920
<v Speaker 1>is far from mortal. Kind of primal beings, a primal

0:37:48.320 --> 0:37:52.160
<v Speaker 1>deity that is no no longer really connected to the

0:37:52.160 --> 0:37:55.240
<v Speaker 1>the affairs of I mean, he's connected in nature, I suppose,

0:37:55.239 --> 0:37:57.200
<v Speaker 1>but not to the affairs of all these mortals and

0:37:57.239 --> 0:38:01.360
<v Speaker 1>immortals battling for control of things. Dude, we're really tunneled

0:38:01.360 --> 0:38:05.040
<v Speaker 1>deep into Nerd Mountain here. But did we tunnel too deep?

0:38:05.040 --> 0:38:07.840
<v Speaker 1>I don't know. We'll find out anyway. Sandy finishes up anyway,

0:38:08.360 --> 0:38:10.640
<v Speaker 1>I doubt this is the only way. Too long email

0:38:10.680 --> 0:38:13.840
<v Speaker 1>about the wonder Wonderful despite its errors episode, Thank you

0:38:14.080 --> 0:38:17.600
<v Speaker 1>very much for doing it, peace, Sandy. Wait, I'm still

0:38:17.600 --> 0:38:19.719
<v Speaker 1>not sure what exactly were the errors. I a lot

0:38:19.800 --> 0:38:22.200
<v Speaker 1>lost track in there. I think maybe we did not.

0:38:22.640 --> 0:38:26.279
<v Speaker 1>We didn't get the thing about the dragon's breath. No, well,

0:38:26.480 --> 0:38:29.040
<v Speaker 1>I mean, I don't know. I don't think these were

0:38:29.040 --> 0:38:35.480
<v Speaker 1>necessarily errors. Uh, but they might be literally of them. Here.

0:38:35.640 --> 0:38:38.680
<v Speaker 1>I think that more Sandy was bringing up aspects of

0:38:38.719 --> 0:38:43.280
<v Speaker 1>the mythology and extended mythology that we didn't really dwell

0:38:43.400 --> 0:38:46.440
<v Speaker 1>on in the episode. Sandy, I I accept your wisdom.

0:38:46.800 --> 0:38:49.080
<v Speaker 1>You are the master. You are clearly the lower master.

0:38:49.400 --> 0:38:52.320
<v Speaker 1>You're the one who should have gone to Rivendell. We're

0:38:52.400 --> 0:38:55.360
<v Speaker 1>we're the fool hardy bore A mirrors who barged ahead

0:38:55.400 --> 0:38:58.400
<v Speaker 1>without having the wisdom and restraint. No, but, but no.

0:38:58.560 --> 0:39:00.120
<v Speaker 1>This is what I love about this topic is that

0:39:00.120 --> 0:39:02.680
<v Speaker 1>there's so much room for ultimately for interpretation when you

0:39:02.719 --> 0:39:06.160
<v Speaker 1>start trying to apply science to the scenario or really

0:39:06.800 --> 0:39:11.400
<v Speaker 1>you know, reach for the definitive answer on questions regarding

0:39:11.800 --> 0:39:13.960
<v Speaker 1>you know, the nature of the One Ring. But okay,

0:39:14.000 --> 0:39:15.919
<v Speaker 1>we've made it over the bridge of Kasa Doom. We're

0:39:15.920 --> 0:39:19.080
<v Speaker 1>now out of the nerd minds of Maria and into

0:39:19.120 --> 0:39:25.480
<v Speaker 1>the daylight on the other side. And yet we have

0:39:25.600 --> 0:39:28.480
<v Speaker 1>more listener mail related to the One Ring. And this

0:39:28.480 --> 0:39:31.200
<v Speaker 1>one comes to us from Tim. Oh wait, okay, yeah,

0:39:31.239 --> 0:39:35.799
<v Speaker 1>so this one refers to another similar thing. So Tim Rights, Uh, hey,

0:39:35.800 --> 0:39:37.560
<v Speaker 1>stuff to blow your mind. I listen to your One

0:39:37.640 --> 0:39:40.080
<v Speaker 1>Ring episode first, I want to say, bold move. I

0:39:40.120 --> 0:39:42.279
<v Speaker 1>bet you've got an insane amount of listener mail for

0:39:42.320 --> 0:39:44.560
<v Speaker 1>that one. Not as much male as we got about

0:39:44.640 --> 0:39:47.160
<v Speaker 1>School Dreams, but we got some, right though. I should

0:39:47.200 --> 0:39:50.120
<v Speaker 1>also say we have an older email address that I

0:39:50.120 --> 0:39:53.360
<v Speaker 1>don't think works anymore. So if you're still using the

0:39:53.400 --> 0:39:55.879
<v Speaker 1>house Stuff works addressed to reach out for us, that's

0:39:55.880 --> 0:39:58.839
<v Speaker 1>probably not going anywhere. I don't know. We might still

0:39:58.880 --> 0:40:00.719
<v Speaker 1>be getting man or might not. I don't. I don't

0:40:00.719 --> 0:40:03.719
<v Speaker 1>know what's arriving, just as we're not entirely sure about

0:40:03.760 --> 0:40:06.439
<v Speaker 1>how the One Ring functions were. Also not entirely sure

0:40:06.480 --> 0:40:09.440
<v Speaker 1>how company email works. Uh, Tim Rights. At one point

0:40:09.520 --> 0:40:12.520
<v Speaker 1>you'all mentioned a sci fi version of Lord of the Rings.

0:40:12.800 --> 0:40:16.759
<v Speaker 1>I thought you'd be interested in C. S. Lewis's space trilogy.

0:40:16.800 --> 0:40:20.000
<v Speaker 1>Is it particularly good sci fi? No? Is it a

0:40:20.000 --> 0:40:23.080
<v Speaker 1>page turner on par with Lord of the Rings? No surrey,

0:40:23.120 --> 0:40:26.600
<v Speaker 1>But does it specifically mention locations from Lord of the Rings?

0:40:26.760 --> 0:40:29.120
<v Speaker 1>And was it made partially on a bet with Tolkien?

0:40:29.360 --> 0:40:33.320
<v Speaker 1>About trying to write sci fi. Yes, allegedly, both Tolkien

0:40:33.320 --> 0:40:36.920
<v Speaker 1>and Lewis wanted to write science fiction because their contemporaries

0:40:36.960 --> 0:40:42.000
<v Speaker 1>were writing atheistic science fiction. Both authors produced something. Lewis

0:40:42.000 --> 0:40:46.080
<v Speaker 1>wrote the Space Space Trilogy and included themes from Tolkien.

0:40:46.280 --> 0:40:49.839
<v Speaker 1>Tolkien wrote a strange unfinished story that is marginally about

0:40:50.080 --> 0:40:53.560
<v Speaker 1>l Ron time traveler. You can read this oddity in

0:40:53.680 --> 0:40:56.800
<v Speaker 1>one of the History of Middle Earth books I forget which.

0:40:57.160 --> 0:40:59.800
<v Speaker 1>I don't suggest any of these works as good reads,

0:40:59.800 --> 0:41:02.080
<v Speaker 1>but they're really neat when viewed in the context of

0:41:02.120 --> 0:41:06.160
<v Speaker 1>both Tolkien and Lewis, and especially the theoretical combined Tolkien

0:41:06.239 --> 0:41:10.239
<v Speaker 1>slush Lewis Legendarium. Anyways, great content. I couldn't ask for

0:41:10.239 --> 0:41:12.640
<v Speaker 1>a better podcast to play in the background while I work.

0:41:12.760 --> 0:41:16.440
<v Speaker 1>Thank you, sincerely, Tim. Yeah, I I read the Space

0:41:16.480 --> 0:41:20.399
<v Speaker 1>Trilogy years and years back, like maybe it was even

0:41:20.560 --> 0:41:22.359
<v Speaker 1>high school when I read, Yeah, I was. I think

0:41:22.360 --> 0:41:24.640
<v Speaker 1>it was maybe high school when I read it initially,

0:41:25.320 --> 0:41:28.719
<v Speaker 1>and then I reread I think Paralandra the second one

0:41:28.840 --> 0:41:32.600
<v Speaker 1>in college. Paralandro was my favorite of the three by

0:41:32.680 --> 0:41:34.960
<v Speaker 1>by far, and I think if I were to reread

0:41:35.000 --> 0:41:38.160
<v Speaker 1>one today, it would definitely be Paralandra. Which if you're

0:41:38.160 --> 0:41:41.080
<v Speaker 1>not familiar with it, it it recreates. I believe it's

0:41:41.080 --> 0:41:43.719
<v Speaker 1>on it's on Venus um. Yes, because the first one

0:41:43.800 --> 0:41:46.440
<v Speaker 1>is out of the Silent planet, which is Mars, and

0:41:46.840 --> 0:41:51.040
<v Speaker 1>Paralandra is Venus. And what's created is kind of an

0:41:51.280 --> 0:41:54.799
<v Speaker 1>Eden world. It's a it's a water planet. It's an Eden.

0:41:55.200 --> 0:41:58.440
<v Speaker 1>And we have our character Ransom human show up and

0:41:58.480 --> 0:42:01.560
<v Speaker 1>he's uh and he's also arriving on the planet. Is

0:42:01.640 --> 0:42:04.239
<v Speaker 1>this other character that is a human, but a human

0:42:04.320 --> 0:42:07.440
<v Speaker 1>that is possessed by by a demon? I believe the

0:42:07.840 --> 0:42:10.600
<v Speaker 1>it is, you know, it's basically Satan. So you have

0:42:10.719 --> 0:42:13.920
<v Speaker 1>this whole like uh, you know, sort of treatment of

0:42:14.120 --> 0:42:16.759
<v Speaker 1>sin and evil in the world and uh you know,

0:42:16.840 --> 0:42:19.799
<v Speaker 1>retelling of you know, the fall of Eden On in

0:42:19.840 --> 0:42:24.120
<v Speaker 1>this this strange, you know, mythic kind of uh sci

0:42:24.200 --> 0:42:26.440
<v Speaker 1>fi setting. But it is, like you said, only marginally

0:42:26.480 --> 0:42:29.520
<v Speaker 1>sci fi. It's it's it's it ain't hard sci fi

0:42:29.560 --> 0:42:32.000
<v Speaker 1>at all, it's you know, maybe soft sci fi. If

0:42:32.000 --> 0:42:33.600
<v Speaker 1>we're going to get into the you know, the exact

0:42:33.680 --> 0:42:36.799
<v Speaker 1>new Gutty um you know, aspect of it here. But

0:42:37.360 --> 0:42:39.319
<v Speaker 1>I remember digging it back in the day. I don't

0:42:39.320 --> 0:42:40.840
<v Speaker 1>I don't know how I feel about it today. But

0:42:41.320 --> 0:42:44.040
<v Speaker 1>that's one reason to reread it. Uh. Yeah, I guess

0:42:44.040 --> 0:42:46.440
<v Speaker 1>that goes to the question we dealt with. I think

0:42:46.480 --> 0:42:49.480
<v Speaker 1>maybe in the last listener Maile episode about what is

0:42:49.600 --> 0:42:54.839
<v Speaker 1>science fiction? Is it about human humanity's challenges presented by

0:42:54.840 --> 0:42:58.120
<v Speaker 1>new technology? Or is it just like any stories that

0:42:58.160 --> 0:43:00.480
<v Speaker 1>take place in the future or stories that take place

0:43:00.520 --> 0:43:04.120
<v Speaker 1>with space travel. Yeah, and I don't I don't think

0:43:04.160 --> 0:43:06.879
<v Speaker 1>that episode. I mean that I don't think that installment

0:43:07.000 --> 0:43:09.840
<v Speaker 1>was at all concerned with technology. I think it was

0:43:09.880 --> 0:43:12.880
<v Speaker 1>inspired by sort of planet sci fi, of the you know,

0:43:13.120 --> 0:43:15.800
<v Speaker 1>of of the olden days. And then was about you know,

0:43:15.880 --> 0:43:19.400
<v Speaker 1>Lewis exploring topics that Lewis was interested in, sword and

0:43:19.440 --> 0:43:22.399
<v Speaker 1>planet stuff. Yeah, sword and planet exactly. Now. The third

0:43:22.440 --> 0:43:27.000
<v Speaker 1>one was is is weird what that hideous strength? I haven't.

0:43:27.000 --> 0:43:28.960
<v Speaker 1>I haven't read any of it. I remembered having some

0:43:29.280 --> 0:43:30.920
<v Speaker 1>There was some like gender stuff in there that I

0:43:30.960 --> 0:43:34.280
<v Speaker 1>probably would not really appreciate today, But I also remember

0:43:34.320 --> 0:43:37.080
<v Speaker 1>there being some like real horror based stuff like that.

0:43:37.480 --> 0:43:39.680
<v Speaker 1>As far as like horror and A C. S. Lewis

0:43:39.880 --> 0:43:43.760
<v Speaker 1>book goes, there are some moments and that hideous strength

0:43:43.800 --> 0:43:48.200
<v Speaker 1>that that that feel kind of creepy things with you know,

0:43:48.880 --> 0:43:53.200
<v Speaker 1>disembodied heads being made to speak and so forth. It's

0:43:53.239 --> 0:43:54.879
<v Speaker 1>been a long time, but I remember when I read

0:43:54.920 --> 0:43:57.440
<v Speaker 1>the Narnia books. I remember there was a passage and

0:43:57.520 --> 0:43:59.920
<v Speaker 1>voyage of the Dawn Treader that I found really horrifying

0:44:00.000 --> 0:44:01.719
<v Speaker 1>as a kid. At least it was like when they

0:44:01.719 --> 0:44:05.520
<v Speaker 1>go through this fog of fear or something. I don't know.

0:44:05.800 --> 0:44:07.960
<v Speaker 1>Maybe i'll go back revisit it, and it seems rather

0:44:08.080 --> 0:44:10.319
<v Speaker 1>tamed today. All right, we need to take a break,

0:44:10.320 --> 0:44:15.359
<v Speaker 1>but we'll be right back with more than all right,

0:44:15.440 --> 0:44:19.120
<v Speaker 1>we're back, and this time we truly leave the worlds

0:44:19.160 --> 0:44:22.600
<v Speaker 1>of Tolkien and Lewis behind and we move on into

0:44:22.760 --> 0:44:29.960
<v Speaker 1>more firmly scientific territory. Oh okay, this is just a

0:44:30.000 --> 0:44:36.360
<v Speaker 1>short message, uh from Rasmus about our Electric micro Bland episode. Hello,

0:44:36.400 --> 0:44:38.440
<v Speaker 1>stuff to pull your mind. Just listen to the episode

0:44:38.440 --> 0:44:40.960
<v Speaker 1>Electric MicroB Bland, and I wanted to let you know

0:44:41.000 --> 0:44:42.560
<v Speaker 1>how great it was. It was one of my favorite

0:44:42.560 --> 0:44:45.120
<v Speaker 1>episodes ever. I think it brought up some very interesting

0:44:45.160 --> 0:44:48.839
<v Speaker 1>concepts about electron transportation and respiration that I had never

0:44:48.880 --> 0:44:50.919
<v Speaker 1>heard of before, and I hope you will do more

0:44:51.000 --> 0:44:55.680
<v Speaker 1>episodes on this topic. Best regards Rasmus. Uh, yeah, I'm

0:44:55.719 --> 0:44:58.320
<v Speaker 1>not sure what the next thing on this subject area

0:44:58.360 --> 0:45:00.320
<v Speaker 1>would be, but I'm I'm game from or if you

0:45:00.360 --> 0:45:02.239
<v Speaker 1>are Robert, I guess. Yeah. We just have to see

0:45:02.239 --> 0:45:04.520
<v Speaker 1>what kind of studies and papers come out in the

0:45:04.760 --> 0:45:11.200
<v Speaker 1>months ahead. Yeah, all right, we have another listener mail.

0:45:11.239 --> 0:45:14.279
<v Speaker 1>This one concerns euphemisms, and this one this was a

0:45:14.360 --> 0:45:17.480
<v Speaker 1>vault episode. I believe, yes, it was so, Thomas writes.

0:45:17.760 --> 0:45:21.160
<v Speaker 1>The euphemism episode brought to mind a homework assignment I

0:45:21.239 --> 0:45:23.520
<v Speaker 1>once had in primary school. We had to write a

0:45:23.600 --> 0:45:27.400
<v Speaker 1>number of euphemisms. So, being the smart alec that I was,

0:45:27.560 --> 0:45:31.160
<v Speaker 1>I thought i'd be hilarious to put making love is

0:45:31.200 --> 0:45:34.439
<v Speaker 1>a euphemism for sexual intercourse. I think I was nine.

0:45:34.480 --> 0:45:36.680
<v Speaker 1>I don't remember the reaction I got from my teeth.

0:45:37.680 --> 0:45:41.680
<v Speaker 1>Joe mentioned that he loves idioms from around the world,

0:45:41.960 --> 0:45:44.399
<v Speaker 1>so down here in New Zealand and maybe Australia too,

0:45:44.480 --> 0:45:49.040
<v Speaker 1>we say we're not here to spiders, which basically translates

0:45:49.080 --> 0:45:53.040
<v Speaker 1>as we're not here to waste time. I love this expression.

0:45:53.120 --> 0:45:56.080
<v Speaker 1>That is so good. I live in Canada now and

0:45:56.120 --> 0:45:59.319
<v Speaker 1>once said this and got a resounding look of confusion.

0:46:00.000 --> 0:46:02.319
<v Speaker 1>I love both your shows and think it would could

0:46:02.320 --> 0:46:06.239
<v Speaker 1>be interesting to hear invention shows on plastic and knives.

0:46:06.600 --> 0:46:10.440
<v Speaker 1>Recently been watching Bob Kramer knife making videos. Keep up

0:46:10.440 --> 0:46:13.680
<v Speaker 1>the good work. Knife making videos can be very hypnotic. Now,

0:46:13.680 --> 0:46:14.840
<v Speaker 1>I don't want to I don't want to speak too

0:46:14.920 --> 0:46:17.320
<v Speaker 1>much about invention on a listener mail for stuff to

0:46:17.320 --> 0:46:20.080
<v Speaker 1>blow your mind, because we do our own invention listener

0:46:20.120 --> 0:46:23.719
<v Speaker 1>mails as well. But knives could be interesting. Not so

0:46:23.840 --> 0:46:26.960
<v Speaker 1>much in terms of of pinpointing like where knives were

0:46:27.000 --> 0:46:29.359
<v Speaker 1>invented and that sort of thing, but maybe looking at

0:46:29.360 --> 0:46:32.520
<v Speaker 1>the sort of innovations that have taken place over time,

0:46:32.600 --> 0:46:37.440
<v Speaker 1>like how knives have changed and what different purposes we

0:46:37.520 --> 0:46:39.759
<v Speaker 1>use knives for. Yeah, it would be a huge, very

0:46:39.760 --> 0:46:43.239
<v Speaker 1>complex story, probably a multi parter, right, because what would

0:46:43.239 --> 0:46:45.000
<v Speaker 1>you have to start with the hand axe? Going back

0:46:45.040 --> 0:46:47.440
<v Speaker 1>to our dietrich Stout interview, Yeah, I mean you probably

0:46:47.440 --> 0:46:52.719
<v Speaker 1>have to start with pre knife stone tools, but then

0:46:52.760 --> 0:46:54.600
<v Speaker 1>you can get into some really fun stuff like the

0:46:54.640 --> 0:46:57.440
<v Speaker 1>switch blade. Off the top of my head, I had

0:46:57.440 --> 0:47:00.640
<v Speaker 1>no idea exactly how the switch plade comes into being,

0:47:00.640 --> 0:47:03.560
<v Speaker 1>but it is such an iconic knife. It's the bad

0:47:03.560 --> 0:47:10.600
<v Speaker 1>guy knife, you know, Robert, we're not here to Spider Uh,

0:47:10.760 --> 0:47:13.480
<v Speaker 1>to say nothing of the Swiss Army knife. Now I'm

0:47:13.480 --> 0:47:16.239
<v Speaker 1>even more convinced. I'm I'm very interested in chasing these

0:47:16.320 --> 0:47:24.560
<v Speaker 1>various weird knives through history. Alright. This next email about

0:47:24.600 --> 0:47:27.239
<v Speaker 1>euphemisms was very short, but I wanted to read it

0:47:27.239 --> 0:47:29.520
<v Speaker 1>because I thought it was funny. Uh. This is just

0:47:29.560 --> 0:47:31.840
<v Speaker 1>part of an email we got from our listener Anna.

0:47:31.960 --> 0:47:34.799
<v Speaker 1>Anna says she just listened to our Vault episode about

0:47:34.800 --> 0:47:38.719
<v Speaker 1>euphemisms uh, and writes A bad example of a euphemism

0:47:38.800 --> 0:47:41.440
<v Speaker 1>is when I worked full time for a software company.

0:47:41.680 --> 0:47:43.839
<v Speaker 1>The company was not doing very well, so they had

0:47:43.880 --> 0:47:46.840
<v Speaker 1>to decrease everyone to four days a week. They described

0:47:46.880 --> 0:47:50.719
<v Speaker 1>this as quote increasing your work life balt God. That

0:47:50.920 --> 0:47:53.880
<v Speaker 1>is some. That is some some of the worst corporate

0:47:53.960 --> 0:48:08.440
<v Speaker 1>BS speech speak that I encountered. Really good, alright, this

0:48:08.480 --> 0:48:11.280
<v Speaker 1>one next one comes to us from Roger, and Roger says, hey, guys,

0:48:11.280 --> 0:48:12.839
<v Speaker 1>I've been a fan of stuffabull in your Mind for

0:48:12.880 --> 0:48:15.440
<v Speaker 1>a long time and really enjoy your new show invention.

0:48:15.480 --> 0:48:17.719
<v Speaker 1>As well. Having to drive one hour to get to

0:48:17.719 --> 0:48:19.560
<v Speaker 1>work each day gives me plenty of time to listen

0:48:19.560 --> 0:48:22.160
<v Speaker 1>to your podcasts to make the drive more enjoyable and

0:48:22.200 --> 0:48:25.520
<v Speaker 1>I try to catch every episode. Being a Norwegian myself,

0:48:25.600 --> 0:48:29.200
<v Speaker 1>it was interesting to hear that the Norwegian phrase uh

0:48:29.440 --> 0:48:32.920
<v Speaker 1>ugler i mosen owls in the moss had reached you.

0:48:33.560 --> 0:48:36.040
<v Speaker 1>As you found the phrase somewhat amusing, I thought i'd

0:48:36.040 --> 0:48:38.440
<v Speaker 1>shed some more light on it, especially since the phrase

0:48:38.480 --> 0:48:41.160
<v Speaker 1>falls in line with how languages change, as you mentioned

0:48:41.239 --> 0:48:46.200
<v Speaker 1>regarding the euphemism treadmill example in your euphemism's episode, the phrase,

0:48:46.239 --> 0:48:49.239
<v Speaker 1>as you mentioned, means something is afoot or something is

0:48:49.280 --> 0:48:51.920
<v Speaker 1>not how it should be. Another way of putting it

0:48:51.960 --> 0:48:55.080
<v Speaker 1>is to be wary or be careful. The term actually

0:48:55.080 --> 0:48:59.600
<v Speaker 1>originates from Denmark. However, in Danish the term was a

0:48:59.760 --> 0:49:03.840
<v Speaker 1>day air air ruler mussin. Now this term has a

0:49:03.880 --> 0:49:07.160
<v Speaker 1>different meaning in Danish and actually means there are wolves

0:49:07.760 --> 0:49:10.279
<v Speaker 1>in the swamp or marsh. That makes a lot more

0:49:10.280 --> 0:49:13.800
<v Speaker 1>sense for something being afoot. The difference here, of course,

0:49:13.920 --> 0:49:18.640
<v Speaker 1>is that the Danes used uhler wolves rather than ugler owls,

0:49:18.960 --> 0:49:23.240
<v Speaker 1>and in Danish the word mossen means swamps or marshes wetlands,

0:49:23.280 --> 0:49:27.239
<v Speaker 1>while the same word mosen in Norwegian means moss. The

0:49:27.320 --> 0:49:30.520
<v Speaker 1>Danish term was primarily used with regards to the cattle

0:49:30.560 --> 0:49:33.239
<v Speaker 1>trade to imply a shady trade up until the end

0:49:33.280 --> 0:49:35.799
<v Speaker 1>of the eighteen hundreds, and after the wolves were eradicated

0:49:35.800 --> 0:49:39.520
<v Speaker 1>from Denmark, the term gradually changed from uhler wolves to

0:49:39.960 --> 0:49:43.839
<v Speaker 1>ugler owls and has since kept that meaning. Another fun

0:49:43.840 --> 0:49:46.439
<v Speaker 1>thing to remark about this is also that the term

0:49:46.480 --> 0:49:49.880
<v Speaker 1>has yet again changed a little. When something is shady

0:49:50.040 --> 0:49:52.280
<v Speaker 1>or there is something afoot, and we have a single

0:49:52.320 --> 0:49:55.879
<v Speaker 1>word in Norwegian which encapsulates the whole meaning, and that

0:49:56.080 --> 0:49:59.839
<v Speaker 1>is muffins smuffins. So it's like instead of saying something

0:50:00.000 --> 0:50:02.799
<v Speaker 1>shad is going on, you can just say muffins. Yeah,

0:50:02.840 --> 0:50:06.239
<v Speaker 1>you would say uh um he or that no muffins.

0:50:06.719 --> 0:50:10.080
<v Speaker 1>That would mean they say there was something shady going

0:50:10.120 --> 0:50:13.720
<v Speaker 1>on here. These days, you will sometimes hear people say

0:50:14.080 --> 0:50:17.560
<v Speaker 1>here that muffins imsen, meaning there is something shady in

0:50:17.600 --> 0:50:21.600
<v Speaker 1>the moss. And this has yet again, sometimes deliberately to

0:50:21.640 --> 0:50:24.520
<v Speaker 1>be funny and other times simply as a misquote, been

0:50:24.640 --> 0:50:28.200
<v Speaker 1>changed to hair heard muffins imosin, which means that there

0:50:28.239 --> 0:50:32.080
<v Speaker 1>are muffins in the moss. You could argue that muffins

0:50:32.080 --> 0:50:34.520
<v Speaker 1>in the moss also implies that something is not right

0:50:35.520 --> 0:50:38.400
<v Speaker 1>or that there is something afoot. So while the phrase

0:50:38.440 --> 0:50:41.560
<v Speaker 1>has been changed around. It still retains its original meaning,

0:50:41.719 --> 0:50:44.439
<v Speaker 1>at least to some extent, though it has moved quite

0:50:44.440 --> 0:50:47.359
<v Speaker 1>a bit from its original and foreboding message there are

0:50:47.400 --> 0:50:49.960
<v Speaker 1>wolves in the marshes to the more benign there are

0:50:50.040 --> 0:50:52.960
<v Speaker 1>muffins in the moss. I thought this might be a

0:50:52.960 --> 0:50:56.520
<v Speaker 1>fun little exploration into how the language, how language changes

0:50:56.560 --> 0:50:59.080
<v Speaker 1>over time, using a foreign phrase you brought up in

0:50:59.120 --> 0:51:01.800
<v Speaker 1>your podcast. Also, big thanks to both of your podcasts,

0:51:01.800 --> 0:51:05.000
<v Speaker 1>which keep me entertained always allows me to pick up

0:51:05.040 --> 0:51:07.920
<v Speaker 1>and learn new things, as well as how you frequently

0:51:07.960 --> 0:51:11.319
<v Speaker 1>come at various topics from unexpected angles and often uh

0:51:11.760 --> 0:51:13.600
<v Speaker 1>makes me go hm. I never thought of it that

0:51:13.640 --> 0:51:16.440
<v Speaker 1>way while on my way to or from work. Keep

0:51:16.480 --> 0:51:18.319
<v Speaker 1>up the great work and looking forward to the next

0:51:18.320 --> 0:51:21.000
<v Speaker 1>episodes of both Invention and Stuff to bowl your mind. Well.

0:51:21.000 --> 0:51:24.480
<v Speaker 1>Thank you so much, Roger. That was fantastically interesting and funny.

0:51:25.080 --> 0:51:28.160
<v Speaker 1>We we had heard from several other listeners about the

0:51:28.160 --> 0:51:30.719
<v Speaker 1>owls in the moss expression. You're not the only one

0:51:30.760 --> 0:51:32.759
<v Speaker 1>to get in touch about that, but this is the

0:51:32.760 --> 0:51:35.920
<v Speaker 1>only place I think I heard about muffins. Yeah, I

0:51:36.000 --> 0:51:38.480
<v Speaker 1>really like this muffins in the moss talk. I want

0:51:38.480 --> 0:51:42.439
<v Speaker 1>to start incorporating that into my uh, you know, into

0:51:42.480 --> 0:51:45.960
<v Speaker 1>my daily discourse. But Robert, we're not here to muffins

0:51:45.960 --> 0:51:48.640
<v Speaker 1>in the moss. You're really getting a lot out of

0:51:48.960 --> 0:51:53.400
<v Speaker 1>out of Carney's new um profanity bleeping software. Joe, you're

0:51:53.400 --> 0:51:55.279
<v Speaker 1>really putting it to the test here. We keep it

0:51:55.280 --> 0:52:02.000
<v Speaker 1>clean around here. O. Alright, finally, I think we're gonna

0:52:02.000 --> 0:52:05.560
<v Speaker 1>read something about the Voyage Manuscript episodes we did so.

0:52:05.640 --> 0:52:09.240
<v Speaker 1>This comes from Matt. Matt says, Hey, guys, longtime listener,

0:52:09.320 --> 0:52:13.000
<v Speaker 1>first time correspondent, absolutely love the show, along with invention,

0:52:13.040 --> 0:52:14.719
<v Speaker 1>stuff you should know and stuff they don't want you

0:52:14.840 --> 0:52:17.160
<v Speaker 1>to know. I've had a high res PDF of the

0:52:17.239 --> 0:52:19.719
<v Speaker 1>Voyage Manuscript for a while and I've used it in

0:52:19.760 --> 0:52:22.040
<v Speaker 1>my own artwork as well as in D and D

0:52:22.200 --> 0:52:25.480
<v Speaker 1>campaigns as inspiration. Man, we are just hearing from so

0:52:25.560 --> 0:52:28.200
<v Speaker 1>many D and D people. Yeah, and I love it.

0:52:28.280 --> 0:52:30.719
<v Speaker 1>And the more dungeon masters and game masters we have

0:52:30.760 --> 0:52:33.560
<v Speaker 1>listening to the show, the better. Matt goes on. The

0:52:33.640 --> 0:52:37.080
<v Speaker 1>drawings are somewhat sloppy, but very endearing. The text is

0:52:37.120 --> 0:52:41.440
<v Speaker 1>immaculate and fascinating, at least esthetically. My theory is simple,

0:52:41.760 --> 0:52:45.320
<v Speaker 1>It's an art book, not intended to deceive or prank anyone,

0:52:45.719 --> 0:52:48.480
<v Speaker 1>just a cool project of someone similar to me, to

0:52:48.560 --> 0:52:51.080
<v Speaker 1>be honest. A few things I noticed is that it

0:52:51.120 --> 0:52:54.160
<v Speaker 1>looks like the drawings were done first and the text

0:52:54.200 --> 0:52:58.000
<v Speaker 1>added after. Pretty obvious. I also think it was written

0:52:58.040 --> 0:53:01.160
<v Speaker 1>from right to left and not left right. Could be

0:53:01.239 --> 0:53:05.120
<v Speaker 1>the creator or creators was left handed. I am left handed,

0:53:05.120 --> 0:53:07.880
<v Speaker 1>and I find writing that way is quite easy, especially

0:53:07.880 --> 0:53:10.040
<v Speaker 1>if I'm a hundred percent making it up as I go.

0:53:10.640 --> 0:53:14.839
<v Speaker 1>It also drastically reduces smudging. I took bookmaking and book

0:53:14.880 --> 0:53:17.600
<v Speaker 1>restoring classes in art school, and I made a few

0:53:17.640 --> 0:53:22.160
<v Speaker 1>occult tons for fun or as class projects. Never sold them,

0:53:22.200 --> 0:53:25.600
<v Speaker 1>still have them some twenty plus years later. One is

0:53:25.640 --> 0:53:28.440
<v Speaker 1>even on antique paper I found, which brings me to

0:53:28.440 --> 0:53:30.640
<v Speaker 1>another theory I read. Not sure if you covered it.

0:53:31.120 --> 0:53:34.160
<v Speaker 1>Maybe the text, art, and paper itself are all of

0:53:34.239 --> 0:53:38.160
<v Speaker 1>different ages or even by different people. Anyway, keep up

0:53:38.160 --> 0:53:41.719
<v Speaker 1>the fascinating work, and I have a long back catalog

0:53:41.719 --> 0:53:43.879
<v Speaker 1>of you guys to eventually listen to, which I love.

0:53:43.920 --> 0:53:45.840
<v Speaker 1>It would be sad if there were only fifty or

0:53:45.880 --> 0:53:48.920
<v Speaker 1>so podcasts so far. Thank you for reading, Matt, and

0:53:48.960 --> 0:53:51.839
<v Speaker 1>then Matt attached a page for us to look at

0:53:51.920 --> 0:53:55.560
<v Speaker 1>from one of his voyage esque art books. It looks

0:53:55.600 --> 0:53:59.799
<v Speaker 1>like a combination of some strange architectural plans with some

0:54:00.040 --> 0:54:03.319
<v Speaker 1>kind of like tool album cover body art kind of

0:54:03.480 --> 0:54:07.919
<v Speaker 1>a Leonaro da Vinci UH aspect to it as well. Yeah,

0:54:07.960 --> 0:54:10.319
<v Speaker 1>I like this, you know, speaking of I would love

0:54:10.400 --> 0:54:12.680
<v Speaker 1>to come back and do something on Leonardo da Vinci

0:54:12.719 --> 0:54:19.200
<v Speaker 1>proper because I was listening to Ideas on CBC Radio Kennedy. Well,

0:54:19.360 --> 0:54:22.600
<v Speaker 1>Paul has has moved on now he's retired, uh, and

0:54:22.600 --> 0:54:24.239
<v Speaker 1>there's a new host, but it's still a great show.

0:54:24.520 --> 0:54:28.120
<v Speaker 1>And they did one recently on Leonardo da Vinci's use

0:54:28.160 --> 0:54:32.200
<v Speaker 1>of monsters and UH and his his his like lifelong

0:54:32.360 --> 0:54:35.320
<v Speaker 1>obsession with monsters, and it was It was quite fascinating,

0:54:35.320 --> 0:54:38.080
<v Speaker 1>obviously because it touches on several different things that that

0:54:38.160 --> 0:54:41.200
<v Speaker 1>I really enjoy. So if I would recommend anyone out there,

0:54:41.239 --> 0:54:43.319
<v Speaker 1>if you want to check out Ideas, you've heard me

0:54:43.360 --> 0:54:46.120
<v Speaker 1>talk about it for for years, if you're interested in

0:54:46.160 --> 0:54:49.960
<v Speaker 1>monsters and or Leonardo da Vinci, go find that episode.

0:54:50.200 --> 0:54:53.600
<v Speaker 1>I am tremendously intrigued. Their spikes shooting out of my

0:54:53.640 --> 0:55:01.000
<v Speaker 1>brain about this, all right, I have another voltage manuscript

0:55:01.200 --> 0:55:03.080
<v Speaker 1>bit of listener mail to lead here. This one comes

0:55:03.120 --> 0:55:05.560
<v Speaker 1>to us from David. David right, So, I was just

0:55:05.600 --> 0:55:08.560
<v Speaker 1>finishing your episodes on the Vantage manuscript, and I wanted

0:55:08.560 --> 0:55:10.960
<v Speaker 1>to see if what I started to suspect had already

0:55:10.960 --> 0:55:13.279
<v Speaker 1>been offered as a theory. One of you mentioned that

0:55:13.360 --> 0:55:17.320
<v Speaker 1>signals and proto cryptograms, uh, you would create as a child.

0:55:17.600 --> 0:55:20.040
<v Speaker 1>I had already begun to suspect almost as quickly as

0:55:20.080 --> 0:55:23.319
<v Speaker 1>I started listening to the episodes, the possibility that it

0:55:23.560 --> 0:55:26.640
<v Speaker 1>is the work of a child. Uh. This could explain

0:55:26.680 --> 0:55:29.799
<v Speaker 1>a few things. The nonsensical language but close enoughness of

0:55:29.800 --> 0:55:33.440
<v Speaker 1>the language, the unrecognizable drawings, even the drawings of naked

0:55:33.440 --> 0:55:37.040
<v Speaker 1>women of prime curiosity for male children. If you think

0:55:37.040 --> 0:55:39.840
<v Speaker 1>about the nature of manuscripts of the time, access to

0:55:39.880 --> 0:55:42.360
<v Speaker 1>the material was reserved for either the clergy or the

0:55:42.440 --> 0:55:45.120
<v Speaker 1>very wealthy. The idea of a child more or less

0:55:45.239 --> 0:55:47.640
<v Speaker 1>rules out the clergy. But it wouldn't be an extreme

0:55:47.680 --> 0:55:50.240
<v Speaker 1>stretch of the imagination that a wealthy lord or baron

0:55:50.320 --> 0:55:54.399
<v Speaker 1>could allocate resources for the pet project of their preferred son.

0:55:54.719 --> 0:55:57.520
<v Speaker 1>I say son because it's the most logical choice for

0:55:57.560 --> 0:56:00.239
<v Speaker 1>the time and place, and privileged people believing that their

0:56:00.320 --> 0:56:03.799
<v Speaker 1>children are somehow. Uh. But you know, preternaturally intelligent is

0:56:03.800 --> 0:56:06.560
<v Speaker 1>nothing new and also never going to go out of style.

0:56:06.880 --> 0:56:09.680
<v Speaker 1>The product of the kinds of pressure the children like

0:56:09.760 --> 0:56:13.240
<v Speaker 1>these experience do often exhibit a sophistication beyond their years,

0:56:13.440 --> 0:56:16.040
<v Speaker 1>which could explain the nature of the drawing and the writing.

0:56:16.480 --> 0:56:18.520
<v Speaker 1>This is just an idea, and it wouldn't surprise me

0:56:18.600 --> 0:56:20.719
<v Speaker 1>if somebody else had already come up with it. I'm

0:56:20.719 --> 0:56:23.160
<v Speaker 1>not claiming to have cracked it. I've never even looked

0:56:23.160 --> 0:56:25.440
<v Speaker 1>at it, because if it is the work of a

0:56:25.520 --> 0:56:27.840
<v Speaker 1>child's mind and there's there's nothing to crack, it's just

0:56:27.880 --> 0:56:31.160
<v Speaker 1>adults trying to decipher meanings from the musings of a child,

0:56:31.440 --> 0:56:34.360
<v Speaker 1>which would be equally frustrating and hilarious to think about,

0:56:34.360 --> 0:56:36.759
<v Speaker 1>all the wasted time and conspiracy. And at the end

0:56:36.800 --> 0:56:39.160
<v Speaker 1>of the day, the answers to many riddles are hiding

0:56:39.160 --> 0:56:42.080
<v Speaker 1>in plain sight. It's only when we try to read

0:56:42.120 --> 0:56:46.600
<v Speaker 1>into them and over and analyze them that they become misconstrued.

0:56:46.760 --> 0:56:49.160
<v Speaker 1>Thanks for your time, both for reading and the work

0:56:49.200 --> 0:56:52.719
<v Speaker 1>you put into your shows. Cheers, David. Now, this is

0:56:52.760 --> 0:56:55.280
<v Speaker 1>really interesting. I like I really like this. This idea

0:56:55.320 --> 0:56:57.520
<v Speaker 1>of looking at it potentially is the work of a child,

0:56:57.880 --> 0:57:00.360
<v Speaker 1>you know, in part because that could potentially it seems

0:57:00.360 --> 0:57:04.080
<v Speaker 1>like it could maybe be one of the impossibilities. But

0:57:04.440 --> 0:57:08.600
<v Speaker 1>more importantly, I like the idea of them learned adults

0:57:08.920 --> 0:57:11.640
<v Speaker 1>coming to it and over analyzing it and finding it

0:57:11.719 --> 0:57:15.000
<v Speaker 1>so intriguing, adults who you know no longer have the

0:57:15.440 --> 0:57:19.440
<v Speaker 1>that pure childhood curiosity, that that that pure plasticity of

0:57:19.480 --> 0:57:22.240
<v Speaker 1>a young child. Uh And but in in doing so,

0:57:22.320 --> 0:57:23.800
<v Speaker 1>it's it's kind of like, you know, the whole idea

0:57:23.800 --> 0:57:25.840
<v Speaker 1>of children say the darndest things or whatever. You know,

0:57:26.000 --> 0:57:30.640
<v Speaker 1>like children will say weirdly crazy and often the logical

0:57:30.720 --> 0:57:34.600
<v Speaker 1>things that just fill us with laughter and and sometimes awe.

0:57:34.680 --> 0:57:36.760
<v Speaker 1>You know, sometimes they cut to like a truth of

0:57:36.840 --> 0:57:40.280
<v Speaker 1>the universe that that we would never you know, we

0:57:40.280 --> 0:57:42.640
<v Speaker 1>would never quite say it that way, but a child has.

0:57:42.680 --> 0:57:45.720
<v Speaker 1>We would never draw it that way, but a child did. So,

0:57:46.800 --> 0:57:48.840
<v Speaker 1>you know, I like this idea As the father of

0:57:49.120 --> 0:57:53.560
<v Speaker 1>a child who loves to illustrate strange books about dinosaurs.

0:57:54.000 --> 0:57:55.680
<v Speaker 1>You know, I'll look at them and I'll be like,

0:57:55.720 --> 0:57:58.400
<v Speaker 1>that is that is crazy? I love it? And uh, yeah,

0:57:58.440 --> 0:58:00.400
<v Speaker 1>I can imagine something like that take in place with

0:58:00.440 --> 0:58:03.000
<v Speaker 1>the Vonage manuscript, whether or not it's actually a valid

0:58:03.080 --> 0:58:06.440
<v Speaker 1>theory or not totally. One last thing I will say

0:58:06.480 --> 0:58:09.800
<v Speaker 1>about the Voyage manuscript is that several listeners got in

0:58:09.840 --> 0:58:14.400
<v Speaker 1>touch to ask us about a particular theory explaining it

0:58:14.480 --> 0:58:17.360
<v Speaker 1>that has has been in a couple of videos online.

0:58:17.400 --> 0:58:20.320
<v Speaker 1>I believe it's with some scholars saying they believe it's

0:58:20.320 --> 0:58:23.920
<v Speaker 1>in some archaic form of Turkish or has something to

0:58:23.920 --> 0:58:27.720
<v Speaker 1>do with like, uh, a Turkish culture that that created

0:58:27.720 --> 0:58:31.000
<v Speaker 1>the manuscript. I basically like I've looked at it, I

0:58:31.280 --> 0:58:33.959
<v Speaker 1>looked at the videos. I have no way of evaluating

0:58:33.960 --> 0:58:36.920
<v Speaker 1>it because I don't have you know, expertise in cryptography

0:58:37.040 --> 0:58:40.040
<v Speaker 1>or Turkish or medieval manuscripts or and I guess not medival,

0:58:40.080 --> 0:58:43.800
<v Speaker 1>medieval or Renaissance manuscripts. So I don't know. But I

0:58:43.840 --> 0:58:47.760
<v Speaker 1>also haven't found anything by experts evaluating this theory, so

0:58:48.040 --> 0:58:52.360
<v Speaker 1>that that already makes me a little uh cautious about saying, yes,

0:58:52.400 --> 0:58:54.800
<v Speaker 1>they cracked it, as you know, we tended to be

0:58:54.880 --> 0:58:57.080
<v Speaker 1>with all kinds of things, but as possible, Yeah, I'd

0:58:57.120 --> 0:59:00.880
<v Speaker 1>be curious to hear what the scholars and relevant expert say. Well,

0:59:00.920 --> 0:59:03.000
<v Speaker 1>the folks at Yale would be the ones to ask.

0:59:03.400 --> 0:59:05.080
<v Speaker 1>They would be at the how do you the by

0:59:05.160 --> 0:59:10.120
<v Speaker 1>Nicky Library or Harvard said what? I think we said

0:59:10.120 --> 0:59:11.560
<v Speaker 1>it wrong and one of the ones and one of

0:59:11.640 --> 0:59:15.040
<v Speaker 1>us is right or we're both wrong. But I feel

0:59:15.040 --> 0:59:17.080
<v Speaker 1>like we have pretty good adds there. Uh. Well, I

0:59:17.120 --> 0:59:18.680
<v Speaker 1>don't know about you, Joe, but I feel like I'm

0:59:18.800 --> 0:59:22.520
<v Speaker 1>I'm out of steam for this week's listener mail. Yes,

0:59:22.560 --> 0:59:24.560
<v Speaker 1>I would say there are owls in the moss because

0:59:24.640 --> 0:59:28.080
<v Speaker 1>they've lost the will to fly and fully collapsed into

0:59:28.080 --> 0:59:30.680
<v Speaker 1>the underbrush. All right, So yeah, we're gonna go ahead

0:59:30.680 --> 0:59:35.600
<v Speaker 1>and close the mailbox for now. Again. We we read everything,

0:59:36.040 --> 0:59:38.600
<v Speaker 1>we don't get to read everything on the show, and

0:59:38.640 --> 0:59:40.840
<v Speaker 1>we don't get right back, but we do continue to

0:59:40.840 --> 0:59:43.600
<v Speaker 1>continue to enjoy hearing from everyone. Uh. You know, you

0:59:43.680 --> 0:59:46.440
<v Speaker 1>end up adding so much additional insight into the topics

0:59:46.440 --> 0:59:48.640
<v Speaker 1>we discuss, and we just love to know as well,

0:59:49.000 --> 0:59:51.800
<v Speaker 1>you know what what is really resonating with you, what

0:59:52.000 --> 0:59:53.840
<v Speaker 1>kind of topics that you dig, and what kind of

0:59:53.840 --> 0:59:55.920
<v Speaker 1>topics you want us to do in the future. In

0:59:55.960 --> 0:59:57.760
<v Speaker 1>the meantime, if you want to listen to more episodes

0:59:57.760 --> 0:59:59.560
<v Speaker 1>of Stuff to Blow your Mind, you'll find a bit

0:59:59.560 --> 1:00:01.320
<v Speaker 1>Stuff to bo your Mind dot Com and you'll find

1:00:01.360 --> 1:00:04.640
<v Speaker 1>the podcast wherever you get your podcast. The best thing,

1:00:04.640 --> 1:00:06.040
<v Speaker 1>the best thing you can do to support the show

1:00:06.080 --> 1:00:08.120
<v Speaker 1>is to tell other people about it and to rate

1:00:08.160 --> 1:00:10.080
<v Speaker 1>and review wherever you have the power to do so.

1:00:10.440 --> 1:00:12.840
<v Speaker 1>Now the same goes for Invention, our show that goes

1:00:12.920 --> 1:00:16.560
<v Speaker 1>through human techno history, one invention at a time. Invention

1:00:16.600 --> 1:00:18.400
<v Speaker 1>pot dot com is the website, but you'll find it

1:00:18.640 --> 1:00:20.840
<v Speaker 1>all over the place. And if you want a little

1:00:20.880 --> 1:00:24.760
<v Speaker 1>slice of sci fi fiction Harror this holiday season as

1:00:24.800 --> 1:00:28.360
<v Speaker 1>you're you're driving around or flying around, or just stay

1:00:28.360 --> 1:00:31.600
<v Speaker 1>and put check out the second oil Age. That's the

1:00:31.640 --> 1:00:35.080
<v Speaker 1>show that I worked on. And as of this publication,

1:00:35.240 --> 1:00:37.360
<v Speaker 1>I think most of the episodes are up, maybe have

1:00:37.440 --> 1:00:39.320
<v Speaker 1>like two more. It's gonna all the episodes will be

1:00:39.400 --> 1:00:41.120
<v Speaker 1>up by the end of November, and then you can

1:00:41.200 --> 1:00:43.360
<v Speaker 1>ditch it. If you haven't listened to the second oil

1:00:43.400 --> 1:00:45.480
<v Speaker 1>Age yet, really do check it out. I think you

1:00:45.520 --> 1:00:47.200
<v Speaker 1>will love it. If you're a fan of this show,

1:00:47.280 --> 1:00:49.440
<v Speaker 1>it should be right up your alley all right. Well,

1:00:49.440 --> 1:00:52.920
<v Speaker 1>thanks to Carney for helping us out once more. Of course,

1:00:52.960 --> 1:00:56.520
<v Speaker 1>thanks as always to our excellent audio producer Seth Nicholas Johnson.

1:00:56.920 --> 1:00:58.440
<v Speaker 1>If you'd like to get in touch with us, with

1:00:58.560 --> 1:01:01.200
<v Speaker 1>feedback on this episode or any other, to just send

1:01:01.240 --> 1:01:03.840
<v Speaker 1>some general listener mail that could be featured on a

1:01:03.880 --> 1:01:06.760
<v Speaker 1>future episode like this one. You can as always email

1:01:06.840 --> 1:01:18.120
<v Speaker 1>us at contact at stuff to Blow your Mind dot com.

1:01:18.200 --> 1:01:20.040
<v Speaker 1>Stuff to Blow Your Mind is a production of iHeart

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<v Speaker 1>Radio's How Stuff Works. For more podcasts from my heart Radio,

1:01:22.880 --> 1:01:25.560
<v Speaker 1>visit the iHeart Radio app, Apple Podcasts, or wherever you

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<v Speaker 1>listen to your favorite shows.