WEBVTT - The Difference Between Working With Billionaires and Music Artists

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<v Speaker 1>An illegal alien from Guatemala charged with raping a child

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<v Speaker 1>in Massachusetts. An MS thirteen gang member from Al Salvador

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<v Speaker 1>accused of murdering a Texas man of Venezuelan charged with

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<v Speaker 1>filming and selling child pornography in Michigan. These are just

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<v Speaker 1>some of the heinous migrant criminals caught because of President

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<v Speaker 1>Donald J. Trump's leadership. I'm Christy nom the United States

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<v Speaker 1>Secretary of Homeland Security. Under President Trump, attempted illegal border

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<v Speaker 1>crossings are at the lowest levels ever recorded, and over

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<v Speaker 1>one hundred thousand illegal aliens have been arrested. If you

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<v Speaker 1>are here illegally, your next you will be fined nearly

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<v Speaker 1>one thousand dollars a day, imprisoned, and deported. You will

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<v Speaker 1>never return. But if you register using our CBP home

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<v Speaker 1>app and leave now, you could be allowed to return legally.

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<v Speaker 1>Do what's right. Leave now. Under President Trump, America's laws,

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<v Speaker 1>border and families will be protected.

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<v Speaker 2>Sponsored by the United States Department of Homeland Security.

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<v Speaker 3>Music is the hard part. We can talk about that

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<v Speaker 3>interested that's the hardest part. Is harder than getting Yeah,

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<v Speaker 3>musicians is the hardest part because they.

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<v Speaker 4>They come with the most baggage. It's real. It's real,

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<v Speaker 4>it's real. That's a fact. The most baggage nine times

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<v Speaker 4>out of ten.

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<v Speaker 3>You you can't go through them directly like a lot

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<v Speaker 3>of people we could just go through directly like I

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<v Speaker 3>need you here, all right.

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<v Speaker 4>Them you gotta talk.

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<v Speaker 3>To their manager, and then their manager's manager and then

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<v Speaker 3>they it's like the writers, and they don't know their schedule.

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<v Speaker 3>They might be on tour, they might not be on

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<v Speaker 3>like just give me an answer. They put you in

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<v Speaker 3>limbo for weeks at a time.

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<v Speaker 4>They don't get right now.

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<v Speaker 3>So the music, that's that's headaches, man. I mean some

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<v Speaker 3>musicians like shout out to Ross, He's that's easy.

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<v Speaker 4>You know what I'm saying. That good dude.

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<v Speaker 3>So it's not it's not every musician that is bad

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<v Speaker 3>like that, but a lot of them, a lot of them, man.

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<v Speaker 5>Unless so like Ross makes it easier because we've sat

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<v Speaker 5>down on him before, we interviewed him at him find

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<v Speaker 5>his event. We did it on as his liabilities, so

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<v Speaker 5>there's a relate. He knows who we are, right. Same

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<v Speaker 5>thing with Tip. We called Tip. It's gonna be an

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<v Speaker 5>easier call because wait, just wait on it.

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<v Speaker 6>Because I saw j Z's name, I was like, yeah,

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<v Speaker 6>I was thinking of all my favorite songs, and I

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<v Speaker 6>don't ever think I've seen him in concert, so this

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<v Speaker 6>is really giving me a chance to like see people

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<v Speaker 6>in That was my first time actually investments watching Rick

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<v Speaker 6>Wall perform and he's right in front of me, I said.

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<v Speaker 5>And was going to say, is the first time you

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<v Speaker 5>got to see me performed? But that was all performance

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<v Speaker 5>that was crazy above and beyond.

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<v Speaker 3>I mean like kiss Kiss. He did a great performance

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<v Speaker 3>for us at MSG Relationships. So it is beneficial to

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<v Speaker 3>book artists that are familiar with us. That makes it easier,

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<v Speaker 3>like we did Jim And at the Apollo. That's easy.

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<v Speaker 3>But yeah, you know these artists, man, they got a lot.

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<v Speaker 3>They got a lot.

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<v Speaker 4>Man.

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<v Speaker 3>If you know what's so crazy, you know it's so crazy.

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<v Speaker 3>So we've booked several different billionaires, right and from Dan

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<v Speaker 3>Cathy to Don pee Wos to Tyler Perry to Robert

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<v Speaker 3>Smith to Ditty as well, like novagrats, you know what's

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<v Speaker 3>so crazy, especially from the Well Diddy hasn't sent the

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<v Speaker 3>rider yet either, but we've never received the rider from

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<v Speaker 3>a billionaire.

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<v Speaker 5>Mm hmmm.

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<v Speaker 2>Yeah.

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<v Speaker 3>One Tyler Perry's rider was it was he won haircut

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<v Speaker 3>and simple as a minimal.

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<v Speaker 4>We never received any demands or crazy request from billionaires.

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<v Speaker 7>Dan Cathy, I'm talking about owner Chick fil A. He's

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<v Speaker 7>walking around but by himself. Want you into what a

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<v Speaker 7>name tag on.

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<v Speaker 3>But the craziness, what the crazy thing about it is

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<v Speaker 3>this is I don't know where this rider thing came from.

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<v Speaker 3>That's a musician, Maybe that's a that's a musician. But

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<v Speaker 3>I'm just saying it's like some things we just don't question.

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<v Speaker 3>Because I just thought about that today. I'm like, we

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<v Speaker 3>booked a bunch of people in business, entrepreneurs, athletes, whatever.

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<v Speaker 3>Why does why do musicians only have riders?

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<v Speaker 5>I think it's I think the origin comes from it's

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<v Speaker 5>from music, but it's what they would like to feel

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<v Speaker 5>comfortable when they get to a venue, which is all

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<v Speaker 5>I get it. But some of the things is like, yo,

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<v Speaker 5>twenty dollars champion, I'm not sure if that's gonna make

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<v Speaker 5>you feel comfortable if you're gonna be there for fifteen minutes,

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<v Speaker 5>you know what I'm saying. So like some of the things,

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<v Speaker 5>it's just like but.

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<v Speaker 3>The problem is that they get caddled to and so

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<v Speaker 3>a lot of a lot of them don't they don't.

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<v Speaker 4>They're not handling their own business.

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<v Speaker 3>So it's like, because like, really, just let's have a

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<v Speaker 3>two minute conversation about this, because I just thought about

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<v Speaker 3>this today. Why why is a rider needed if nobody

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<v Speaker 3>else has a rider? Right, what do you ever think

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<v Speaker 3>about that nobody else has a rider?

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<v Speaker 4>Right?

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<v Speaker 3>Like if Don Peeble doesn't have a ride, you come

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<v Speaker 3>to a venue, you're gonna be in the green room.

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<v Speaker 3>You can expect that there's gonna be food there for you.

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<v Speaker 3>There's gonna be water, there's gonna be juice, there's gonna beverage.

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<v Speaker 3>If you have a special request that you might have,

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<v Speaker 3>you might want, you know, a allowed male, then we

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<v Speaker 3>can accommodate that.

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<v Speaker 4>Right.

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<v Speaker 3>But I'm just curious to know why musicians are the

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<v Speaker 3>only people that have riders. And the riders are alcohol

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<v Speaker 3>at a tremendous amount of alcohol that.

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<v Speaker 4>You can't consume. So it's like if you have ten

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<v Speaker 4>bottles of.

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<v Speaker 6>Champagne, it's ridiculous, Like, who normalize this?

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<v Speaker 4>And I realized that it's from the nightclub.

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<v Speaker 3>Most of them these comes from nightclubs, right when they

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<v Speaker 3>just go to nightclub And it's like, but it's we

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<v Speaker 3>got to really start to think about this, Why are

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<v Speaker 3>we providing If we're paying you for a service, then

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<v Speaker 3>you should just be paid for a service. You shouldn't

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<v Speaker 3>be paid for a service and have fifteen dollars of

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<v Speaker 3>tequila at five o'clock in the afternoon. If you want

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<v Speaker 3>to buy tequila, then you buy tequila's check. I'm giving

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<v Speaker 3>your organic flavored this, and then you want your money

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<v Speaker 3>in cash. There's a variety of different things that make

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<v Speaker 3>this a lot more difficult dealing with musicians, which I

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<v Speaker 3>understand why, Like concert promots, they got a hard job

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<v Speaker 3>because now you got to deal with one hundred Like

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<v Speaker 3>you say, rolling Loud, they got to deal with one

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<v Speaker 3>hundred artists.

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<v Speaker 5>One hundred riders.

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<v Speaker 4>Imagine that.

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<v Speaker 5>And if you've got a hundred of them, now you

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<v Speaker 5>got to worry about the punctuality of it. That's another thing, right,

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<v Speaker 5>because the thing is like, now, yeah, I booked you

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<v Speaker 5>and you're supposed to be but now I need you

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<v Speaker 5>to be here on time.

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<v Speaker 4>They never come on time.

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<v Speaker 5>And if you're not on time, and some twelve thousand

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<v Speaker 5>people got a way for you to be there for

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<v Speaker 5>twenty thousands, you know.

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<v Speaker 4>What I'm saying.

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<v Speaker 3>So it's like it's just it's it's I'm concerned because

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<v Speaker 3>it's like this has become normalized and it's just past

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<v Speaker 3>it's normal.

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<v Speaker 4>It's normal for a rappers.

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<v Speaker 3>You gotta tell a rapper to come two hours early

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<v Speaker 3>because you know he's gonna come at least an hour

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<v Speaker 3>and a half late.

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<v Speaker 4>But nobody ever questions that. Nobody else does that.

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<v Speaker 8>I like the fact that you guys are like even

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<v Speaker 8>right now, educating on it and really challenging the system,

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<v Speaker 8>because I think as you're talking about it, I'm like, Yo,

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<v Speaker 8>this is real.

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<v Speaker 4>Maybe you had to put extra time on your thing.

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<v Speaker 5>Nobody we kept running your time, but you had to

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<v Speaker 5>put me in time. You thought you was stripping out,

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<v Speaker 5>And I'm like, yo, Dave, we just I was like, y'all,

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<v Speaker 5>I know I saw that clock. It's aid five minutes.

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<v Speaker 5>Did it jump in fifteen? And then it got down

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<v Speaker 5>to seven and we put it back to twelve, And

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<v Speaker 5>you're like, that.

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<v Speaker 4>Was what we want.

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<v Speaker 3>Some times sho shout out the fab good dude. He's

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<v Speaker 3>actually a great dude, but it is what it is.

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<v Speaker 4>He's earnest. What's up.

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<v Speaker 5>You ever walk into a small business and everything just works,

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<v Speaker 5>like the checkout is fast, the receipts are digital, tipping

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<v Speaker 5>is a breeze, and you're out the door before the

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<v Speaker 5>pushing your vision forward. This episode is brought to you

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<v Speaker 5>by P and C Bank. A lot of people think

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<v Speaker 5>podcasts about work are boring, and sure they definitely can be,

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<v Speaker 5>but understanding a professionals routine shows us how they achieve

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<v Speaker 1>An illegal alien from Guatemala charged with raping a child

0:09:47.480 --> 0:09:51.280
<v Speaker 1>in Massachusetts. An MS thirteen gang member from El Salvador

0:09:51.520 --> 0:09:55.640
<v Speaker 1>accused of murdering a Texas. Man of Venezuelan charged with

0:09:55.720 --> 0:09:59.600
<v Speaker 1>filming and selling child pornography in Michigan. These are just

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<v Speaker 1>some of the heinous migrant criminals caught because of President

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<v Speaker 1>Donald J. Trump's leadership. I'm Christy Noman, the United States

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<v Speaker 1>Secretary of Homeland Security. Under President Trump, attempted illegal border

0:10:11.920 --> 0:10:15.480
<v Speaker 1>crossings are at the lowest levels ever recorded, and over

0:10:15.559 --> 0:10:18.760
<v Speaker 1>one hundred thousand illegal aliens have been arrested. If you

0:10:18.840 --> 0:10:22.680
<v Speaker 1>are here illegally, your next you will be fine nearly

0:10:22.760 --> 0:10:26.800
<v Speaker 1>one thousand dollars a day. Imprisoned and deported, you will

0:10:26.840 --> 0:10:30.480
<v Speaker 1>never return. But if you register using our CBP home

0:10:30.520 --> 0:10:33.880
<v Speaker 1>app and leave now, you could be allowed to return legally.

0:10:34.240 --> 0:10:39.000
<v Speaker 1>Do what's right. Leave now. Under President Trump America's laws,

0:10:39.160 --> 0:10:41.600
<v Speaker 1>border and families will be protected.

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<v Speaker 2>Sponsored by the United States Department of Homeland Security.

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<v Speaker 4>Three hours late on five o'clock on a Sunday, So

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<v Speaker 4>we're stalling.

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<v Speaker 3>Literally, when he got there, we put the microphone, gave

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<v Speaker 3>him the money, they counted it.

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<v Speaker 2>He cats.

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<v Speaker 3>He walked on stage and performed like cash Kid Cash,

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<v Speaker 3>so we cash. We literally like we're going back and

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<v Speaker 3>forth with like where you're at, where you're at, da

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<v Speaker 3>da dada, Like they like five minutes away, pulling half

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<v Speaker 3>an hour later, five minutes away, half an hour of

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<v Speaker 3>five minutes away, yours on stage.

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<v Speaker 5>They spent thirty minutes they said, we were on the grounds.

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<v Speaker 5>I'll say, they said, building B. We're trying to find it,

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<v Speaker 5>twenty five minutes.

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<v Speaker 3>I'm like, you know, it's like put more time on.

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<v Speaker 3>Put fifteen minutes on, keep it on, put another fifteen

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<v Speaker 3>minutes on. We got to keep adding time.

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<v Speaker 5>We gave you the ord after that Hey man, I

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<v Speaker 5>got it.

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<v Speaker 4>Hey listen.

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<v Speaker 8>If it was paying all right before any artists, okay,

0:11:34.600 --> 0:11:36.040
<v Speaker 8>I'll hand it working.

0:11:35.840 --> 0:11:38.840
<v Speaker 4>For that, we would have been I don't know what

0:11:38.840 --> 0:11:40.920
<v Speaker 4>we would have done that the DJ would have been playing,

0:11:41.000 --> 0:11:41.360
<v Speaker 4>but there was.

0:11:41.360 --> 0:11:43.280
<v Speaker 3>No other program that was the last thing of the day,

0:11:43.640 --> 0:11:46.400
<v Speaker 3>so we would have just had to just fit thirty

0:11:46.400 --> 0:11:48.120
<v Speaker 3>minutes of just nothing, a hour of nothing.

0:11:48.559 --> 0:11:50.360
<v Speaker 5>We were then swag serving for thirty.

0:11:55.520 --> 0:11:57.880
<v Speaker 4>You guys are really like, this is this death? Why

0:11:57.880 --> 0:11:59.240
<v Speaker 4>you got to give artists that.

0:11:59.520 --> 0:12:03.320
<v Speaker 3>Joe Fat Shoe really really impressed me when we interviewed

0:12:03.400 --> 0:12:07.079
<v Speaker 3>him in Miami. He impressed me for a few different reasons.

0:12:07.360 --> 0:12:09.440
<v Speaker 3>So we had him and we had master P right after.

0:12:09.480 --> 0:12:11.120
<v Speaker 3>I think he was at the master People, So we

0:12:11.160 --> 0:12:13.280
<v Speaker 3>did Fat Joe before we did master P. The interview,

0:12:13.360 --> 0:12:16.080
<v Speaker 3>let's say, was at like two o'clock, right, so we

0:12:16.080 --> 0:12:18.719
<v Speaker 3>we spaced it where it was like master P. We'll

0:12:18.760 --> 0:12:22.200
<v Speaker 3>do master P at six because we know the interviews

0:12:22.200 --> 0:12:24.160
<v Speaker 3>at two. He's not going to come till three, because

0:12:24.160 --> 0:12:27.760
<v Speaker 3>we just think he's just a rapper. A he comes

0:12:27.880 --> 0:12:34.200
<v Speaker 3>at one fifty five, and B he came by himself.

0:12:34.880 --> 0:12:35.680
<v Speaker 3>That's another thing.

0:12:36.880 --> 0:12:39.560
<v Speaker 4>These dudes be coming with thirty people, twenty five people,

0:12:40.320 --> 0:12:42.679
<v Speaker 4>and you got it's crazy.

0:12:43.840 --> 0:12:48.120
<v Speaker 3>Everybody's smoking and it's it's not even the place to

0:12:48.280 --> 0:12:50.800
<v Speaker 3>smoke necessarily, Like you know what I'm saying, there's a

0:12:50.880 --> 0:12:51.920
<v Speaker 3>time and place for everything.

0:12:52.360 --> 0:12:55.520
<v Speaker 5>It was crazy, like the joke stoways crazy because they're calling.

0:12:55.720 --> 0:12:57.400
<v Speaker 5>I'm calling on the phone like you always. Yeah, I'm

0:12:57.400 --> 0:12:59.600
<v Speaker 5>looking for an entourage. They said, no, he's in that

0:12:59.640 --> 0:13:01.959
<v Speaker 5>car right, he's about to get out. I look, it's

0:13:02.000 --> 0:13:05.239
<v Speaker 5>just him. I'm like, we have to and that's impressive.

0:13:05.360 --> 0:13:07.520
<v Speaker 4>Just him, and he had like three hundred thousand works

0:13:07.520 --> 0:13:08.000
<v Speaker 4>for Jelly on.

0:13:08.080 --> 0:13:11.400
<v Speaker 5>Well, I was gonna leave that part out, but he said, yeah,

0:13:11.440 --> 0:13:13.360
<v Speaker 5>I mean that's the movie. It was just like it

0:13:13.400 --> 0:13:15.080
<v Speaker 5>was just him. He came through the interview, he showed

0:13:15.120 --> 0:13:18.120
<v Speaker 5>love and that was it. And again relationship. So if

0:13:18.120 --> 0:13:19.679
<v Speaker 5>we ever had to call on Joe, it's like, all right,

0:13:19.720 --> 0:13:20.880
<v Speaker 5>well he knows who we are.

0:13:20.960 --> 0:13:22.679
<v Speaker 3>I've never seen that before whatever, I've never He's the

0:13:22.720 --> 0:13:25.240
<v Speaker 3>only person I've ever seen a rapper that that came.

0:13:25.320 --> 0:13:27.079
<v Speaker 3>He really came by himself. Kiss came on time to

0:13:27.080 --> 0:13:29.679
<v Speaker 3>shout to kiss. Kiss came by himself. He came on time,

0:13:29.720 --> 0:13:32.359
<v Speaker 3>but he didn't come by himself. He came by himself.

0:13:33.600 --> 0:13:34.480
<v Speaker 3>That was impressive.

0:13:35.120 --> 0:13:37.760
<v Speaker 8>I like that we're having this conversation because it's educational too,

0:13:37.800 --> 0:13:42.480
<v Speaker 8>and our culture needs like shaping right these conversations.

0:13:42.520 --> 0:13:44.800
<v Speaker 4>It's correction what I'm saying. It's not it's not meant

0:13:44.840 --> 0:13:45.560
<v Speaker 4>to to.

0:13:46.440 --> 0:13:49.720
<v Speaker 3>Bash anybody, but if we if we don't correct these

0:13:49.840 --> 0:13:54.280
<v Speaker 3>these things, then we start to normalize dysfunction. And it's

0:13:54.320 --> 0:13:56.040
<v Speaker 3>like I feel like we have a voice, we have

0:13:56.080 --> 0:13:58.440
<v Speaker 3>a platform, and we have credibility and straight like we

0:13:58.480 --> 0:14:00.600
<v Speaker 3>are hip hop. So it's like this, this is a

0:14:00.640 --> 0:14:04.280
<v Speaker 3>family conversation. So it's like we have to correct these

0:14:04.280 --> 0:14:09.120
<v Speaker 3>things because it leads to be it leads to getting

0:14:09.120 --> 0:14:12.840
<v Speaker 3>taken advantage of, It leads to not knowing doing bad business.

0:14:12.840 --> 0:14:14.600
<v Speaker 4>Because how you do one thing, it's how you do everything.

0:14:14.960 --> 0:14:16.720
<v Speaker 3>So if you don't, if you're not on top of it,

0:14:16.760 --> 0:14:18.520
<v Speaker 3>if you lay, if you always hi, if you got

0:14:18.720 --> 0:14:21.040
<v Speaker 3>a million people around you, these are.

0:14:20.960 --> 0:14:23.240
<v Speaker 4>Formulas for disaster.

0:14:23.600 --> 0:14:26.120
<v Speaker 3>So it's like this is a bigger conversation, but the

0:14:26.240 --> 0:14:28.000
<v Speaker 3>artists need to understand it.

0:14:28.080 --> 0:14:30.520
<v Speaker 4>And it's not this artist like Larussell like this.

0:14:30.640 --> 0:14:35.000
<v Speaker 3>There's a new generation of artists that are changing that mold.

0:14:35.400 --> 0:14:37.960
<v Speaker 4>But it needs to be done more on a wider scale.

0:14:38.000 --> 0:14:40.680
<v Speaker 3>So it's like, this is a this is a formula

0:14:40.800 --> 0:14:44.400
<v Speaker 3>that record labels have put in place for artists. And

0:14:44.400 --> 0:14:47.760
<v Speaker 3>they give you a manager, and they give you a

0:14:47.800 --> 0:14:50.600
<v Speaker 3>styllus and they and they give you a rider. You

0:14:50.600 --> 0:14:54.000
<v Speaker 3>don't even know you you don't know why you're doing

0:14:54.040 --> 0:14:55.840
<v Speaker 3>these things. It's just been told to you. Like you

0:14:55.880 --> 0:14:57.200
<v Speaker 3>know what I'm saying, like, this is what you're supposed

0:14:57.240 --> 0:14:58.560
<v Speaker 3>to do. This is what this is what we're going

0:14:58.600 --> 0:15:00.560
<v Speaker 3>to negotiate for you. This is what you get. You

0:15:00.600 --> 0:15:02.440
<v Speaker 3>come to the club late. They tell him, like, you

0:15:02.560 --> 0:15:05.960
<v Speaker 3>come to the club late, fashionably late. You know I'm

0:15:05.960 --> 0:15:09.280
<v Speaker 3>at two o'clock. That's coming two o'clock. These are things.

0:15:10.480 --> 0:15:13.200
<v Speaker 3>This is not honest real So this is how they're

0:15:13.240 --> 0:15:15.160
<v Speaker 3>being educated. So, like I said, how you do everything,

0:15:15.320 --> 0:15:16.960
<v Speaker 3>how you do one thing, how you do everything. So

0:15:17.000 --> 0:15:19.440
<v Speaker 3>if you if you're told don't come to the club

0:15:19.520 --> 0:15:23.440
<v Speaker 3>until one thirty, then you're thinking, I'm supposed to be late.

0:15:23.960 --> 0:15:26.280
<v Speaker 3>So it's a business event. I'm supposed to be late.

0:15:26.400 --> 0:15:27.160
<v Speaker 4>You just you.

0:15:27.200 --> 0:15:30.040
<v Speaker 3>Automatically think that late is on time because I'm an

0:15:30.160 --> 0:15:33.400
<v Speaker 3>artist and I can't come on time. But the crazy

0:15:33.440 --> 0:15:36.120
<v Speaker 3>thing is when we interview Robert Smith, who's the richest

0:15:36.120 --> 0:15:38.920
<v Speaker 3>black person in American history. It was on a Friday

0:15:39.960 --> 0:15:44.040
<v Speaker 3>at seven o'clock in the morning at and he came

0:15:44.400 --> 0:15:45.760
<v Speaker 3>at six point fifty.

0:15:46.760 --> 0:15:47.400
<v Speaker 4>You know what I'm saying.

0:15:47.760 --> 0:15:50.440
<v Speaker 3>So am So it's like, this is a person that's

0:15:50.520 --> 0:15:53.520
<v Speaker 3>up eight billion dollars and he's up with a three

0:15:53.560 --> 0:15:57.320
<v Speaker 3>piece suit on early, you know what I'm saying. So

0:15:57.360 --> 0:15:59.400
<v Speaker 3>it's like, these are the kind of things. Never asks

0:15:59.440 --> 0:16:02.040
<v Speaker 3>for a shot at tequila. You're drinking cough.

0:16:02.160 --> 0:16:03.280
<v Speaker 5>Now, that's it.

0:16:03.280 --> 0:16:05.040
<v Speaker 4>That's the request. That's the rider. Give me some coffee.

0:16:05.960 --> 0:16:08.280
<v Speaker 5>Like that happens. Like you see like a lot of

0:16:08.320 --> 0:16:11.200
<v Speaker 5>these artists who have longevity, Like we just saw Lula.

0:16:11.240 --> 0:16:13.320
<v Speaker 5>He's on tour of Agenda. Right. There's like this thing

0:16:13.360 --> 0:16:16.040
<v Speaker 5>going around like, yo, don't show up late to the show.

0:16:16.360 --> 0:16:20.000
<v Speaker 5>They're going on on time. It's like, yeah, they are

0:16:20.360 --> 0:16:22.600
<v Speaker 5>if you show up at seven forty five. He's on

0:16:22.640 --> 0:16:25.120
<v Speaker 5>the stage at seven forty five in one second because

0:16:25.160 --> 0:16:27.280
<v Speaker 5>he understands the value of his time, but he understands

0:16:27.280 --> 0:16:29.360
<v Speaker 5>the value of everybody else's time too. You paid for

0:16:29.400 --> 0:16:31.200
<v Speaker 5>a service. I'm here to entertain. I don't want to

0:16:31.520 --> 0:16:33.640
<v Speaker 5>have you sitting here for two hours waiting for me

0:16:33.680 --> 0:16:36.160
<v Speaker 5>to come out, and ja, it's gonna be on clockwork too,

0:16:36.240 --> 0:16:39.080
<v Speaker 5>And so they understand it, but they longe they have

0:16:39.160 --> 0:16:41.640
<v Speaker 5>longevity in the space, right and so like, if he's

0:16:41.640 --> 0:16:44.640
<v Speaker 5>set in that trend and nobody's following it and nobody's

0:16:44.640 --> 0:16:47.680
<v Speaker 5>bringing awareness to it, does it ever change? You know

0:16:47.680 --> 0:16:48.040
<v Speaker 5>what I mean?

0:16:49.560 --> 0:16:53.480
<v Speaker 8>This is important and all the people that are like coming,

0:16:53.520 --> 0:16:56.160
<v Speaker 8>they're gonna come enjoy the show, but have no idea

0:16:56.240 --> 0:17:01.760
<v Speaker 8>that you guys, from this conversation, you're teaching from the stage,

0:17:01.840 --> 0:17:05.400
<v Speaker 8>but you're also teaching behind the scenes, like you're teaching,

0:17:06.000 --> 0:17:08.440
<v Speaker 8>like you're teaching the artists how to operate. And nobody

0:17:08.480 --> 0:17:10.560
<v Speaker 8>would ever think that before this moment, you know what

0:17:10.560 --> 0:17:13.000
<v Speaker 8>I mean that I'm sure there's certain conversations that you

0:17:13.040 --> 0:17:16.080
<v Speaker 8>have to have, like Yo, I'm gonna need you on time.

0:17:16.760 --> 0:17:18.600
<v Speaker 4>Or you just jump you tell them two hours early.

0:17:19.040 --> 0:17:21.199
<v Speaker 3>You do different than you do different tactics to kind of,

0:17:21.240 --> 0:17:25.680
<v Speaker 3>you know, ensure that you don't get rude, because ultimately

0:17:26.000 --> 0:17:28.120
<v Speaker 3>it's not in your best interest for somebody to be late.

0:17:28.520 --> 0:17:30.840
<v Speaker 3>So you got to have certain incentives of certain different

0:17:30.840 --> 0:17:32.320
<v Speaker 3>things in the nature. So you kind of learned that early,

0:17:32.359 --> 0:17:33.760
<v Speaker 3>like when you learn called artists. This is how I

0:17:33.760 --> 0:17:35.760
<v Speaker 3>got told them this I they handled this person.

0:17:35.840 --> 0:17:39.440
<v Speaker 1>An illegal alien from Guatemala charged with raping a child

0:17:39.520 --> 0:17:43.320
<v Speaker 1>in Massachusetts. An MS thirteen gang member from El Salvador

0:17:43.560 --> 0:17:47.720
<v Speaker 1>accused of murdering a Texas man of Venezuelan charged with

0:17:47.760 --> 0:17:51.679
<v Speaker 1>filming and selling child pornography in Michigan. These are just

0:17:51.760 --> 0:17:55.479
<v Speaker 1>some of the heinous migrant criminals caught because of President

0:17:55.560 --> 0:17:59.159
<v Speaker 1>Donald J. Trump's leadership. I'm Christine Noman, the United States

0:17:59.160 --> 0:18:03.960
<v Speaker 1>Secretary of Homeland Security. Under President Trump, attempted illegal border

0:18:04.000 --> 0:18:07.520
<v Speaker 1>crossings are at the lowest levels ever recorded, and over

0:18:07.600 --> 0:18:10.800
<v Speaker 1>one hundred thousand illegal aliens have been arrested. If you

0:18:10.880 --> 0:18:14.760
<v Speaker 1>are here illegally, your next you will be fine nearly

0:18:14.840 --> 0:18:18.840
<v Speaker 1>one thousand dollars a day, imprisoned and deported, you will

0:18:18.880 --> 0:18:22.520
<v Speaker 1>never return. But if you register using our CBP home

0:18:22.560 --> 0:18:25.960
<v Speaker 1>app and leave now, you could be allowed to return legally.

0:18:26.320 --> 0:18:31.040
<v Speaker 1>Do what's right. Leave now. Under President Trump, America's laws,

0:18:31.240 --> 0:18:33.199
<v Speaker 1>border and families.

0:18:32.840 --> 0:18:35.280
<v Speaker 2>Will be protected. Sponsored by the United States Department of

0:18:35.280 --> 0:18:35.920
<v Speaker 2>Homeland Security,