1 00:00:00,040 --> 00:00:03,600 Speaker 1: An illegal alien from Guatemala charged with raping a child 2 00:00:03,680 --> 00:00:07,480 Speaker 1: in Massachusetts. An MS thirteen gang member from Al Salvador 3 00:00:07,720 --> 00:00:11,840 Speaker 1: accused of murdering a Texas man of Venezuelan charged with 4 00:00:11,920 --> 00:00:15,840 Speaker 1: filming and selling child pornography in Michigan. These are just 5 00:00:15,920 --> 00:00:19,680 Speaker 1: some of the heinous migrant criminals caught because of President 6 00:00:19,720 --> 00:00:23,320 Speaker 1: Donald J. Trump's leadership. I'm Christy nom the United States 7 00:00:23,320 --> 00:00:28,120 Speaker 1: Secretary of Homeland Security. Under President Trump, attempted illegal border 8 00:00:28,160 --> 00:00:31,680 Speaker 1: crossings are at the lowest levels ever recorded, and over 9 00:00:31,760 --> 00:00:34,960 Speaker 1: one hundred thousand illegal aliens have been arrested. If you 10 00:00:35,040 --> 00:00:38,920 Speaker 1: are here illegally, your next you will be fined nearly 11 00:00:39,000 --> 00:00:43,000 Speaker 1: one thousand dollars a day, imprisoned, and deported. You will 12 00:00:43,040 --> 00:00:46,680 Speaker 1: never return. But if you register using our CBP home 13 00:00:46,720 --> 00:00:50,120 Speaker 1: app and leave now, you could be allowed to return legally. 14 00:00:50,479 --> 00:00:55,240 Speaker 1: Do what's right. Leave now. Under President Trump, America's laws, 15 00:00:55,400 --> 00:00:57,840 Speaker 1: border and families will be protected. 16 00:00:57,920 --> 00:01:00,000 Speaker 2: Sponsored by the United States Department of Homeland Security. 17 00:01:00,200 --> 00:01:01,760 Speaker 3: Music is the hard part. We can talk about that 18 00:01:02,000 --> 00:01:05,120 Speaker 3: interested that's the hardest part. Is harder than getting Yeah, 19 00:01:05,440 --> 00:01:09,720 Speaker 3: musicians is the hardest part because they. 20 00:01:08,360 --> 00:01:21,080 Speaker 4: They come with the most baggage. It's real. It's real, 21 00:01:21,240 --> 00:01:25,480 Speaker 4: it's real. That's a fact. The most baggage nine times 22 00:01:25,520 --> 00:01:25,920 Speaker 4: out of ten. 23 00:01:25,959 --> 00:01:30,679 Speaker 3: You you can't go through them directly like a lot 24 00:01:30,680 --> 00:01:32,760 Speaker 3: of people we could just go through directly like I 25 00:01:32,760 --> 00:01:33,560 Speaker 3: need you here, all right. 26 00:01:34,200 --> 00:01:35,200 Speaker 4: Them you gotta talk. 27 00:01:35,040 --> 00:01:37,840 Speaker 3: To their manager, and then their manager's manager and then 28 00:01:37,880 --> 00:01:42,320 Speaker 3: they it's like the writers, and they don't know their schedule. 29 00:01:42,440 --> 00:01:44,200 Speaker 3: They might be on tour, they might not be on 30 00:01:44,400 --> 00:01:46,280 Speaker 3: like just give me an answer. They put you in 31 00:01:46,360 --> 00:01:47,720 Speaker 3: limbo for weeks at a time. 32 00:01:47,880 --> 00:01:49,040 Speaker 4: They don't get right now. 33 00:01:49,400 --> 00:01:56,480 Speaker 3: So the music, that's that's headaches, man. I mean some 34 00:01:56,560 --> 00:01:59,840 Speaker 3: musicians like shout out to Ross, He's that's easy. 35 00:02:00,040 --> 00:02:01,320 Speaker 4: You know what I'm saying. That good dude. 36 00:02:01,800 --> 00:02:05,000 Speaker 3: So it's not it's not every musician that is bad 37 00:02:05,120 --> 00:02:09,480 Speaker 3: like that, but a lot of them, a lot of them, man. 38 00:02:10,000 --> 00:02:12,959 Speaker 5: Unless so like Ross makes it easier because we've sat 39 00:02:13,000 --> 00:02:15,440 Speaker 5: down on him before, we interviewed him at him find 40 00:02:15,480 --> 00:02:18,440 Speaker 5: his event. We did it on as his liabilities, so 41 00:02:18,480 --> 00:02:20,840 Speaker 5: there's a relate. He knows who we are, right. Same 42 00:02:20,840 --> 00:02:23,480 Speaker 5: thing with Tip. We called Tip. It's gonna be an 43 00:02:23,480 --> 00:02:28,079 Speaker 5: easier call because wait, just wait on it. 44 00:02:29,960 --> 00:02:31,680 Speaker 6: Because I saw j Z's name, I was like, yeah, 45 00:02:31,680 --> 00:02:33,520 Speaker 6: I was thinking of all my favorite songs, and I 46 00:02:33,520 --> 00:02:37,080 Speaker 6: don't ever think I've seen him in concert, so this 47 00:02:37,160 --> 00:02:39,000 Speaker 6: is really giving me a chance to like see people 48 00:02:39,000 --> 00:02:42,600 Speaker 6: in That was my first time actually investments watching Rick 49 00:02:42,680 --> 00:02:45,840 Speaker 6: Wall perform and he's right in front of me, I said. 50 00:02:46,000 --> 00:02:48,000 Speaker 5: And was going to say, is the first time you 51 00:02:48,000 --> 00:02:52,680 Speaker 5: got to see me performed? But that was all performance 52 00:02:52,720 --> 00:02:55,280 Speaker 5: that was crazy above and beyond. 53 00:02:55,120 --> 00:02:57,640 Speaker 3: I mean like kiss Kiss. He did a great performance 54 00:02:57,680 --> 00:03:02,000 Speaker 3: for us at MSG Relationships. So it is beneficial to 55 00:03:02,000 --> 00:03:05,560 Speaker 3: book artists that are familiar with us. That makes it easier, 56 00:03:05,600 --> 00:03:09,000 Speaker 3: like we did Jim And at the Apollo. That's easy. 57 00:03:09,280 --> 00:03:12,560 Speaker 3: But yeah, you know these artists, man, they got a lot. 58 00:03:12,720 --> 00:03:13,280 Speaker 3: They got a lot. 59 00:03:13,360 --> 00:03:13,480 Speaker 4: Man. 60 00:03:13,480 --> 00:03:15,840 Speaker 3: If you know what's so crazy, you know it's so crazy. 61 00:03:15,919 --> 00:03:21,239 Speaker 3: So we've booked several different billionaires, right and from Dan 62 00:03:21,360 --> 00:03:26,560 Speaker 3: Cathy to Don pee Wos to Tyler Perry to Robert 63 00:03:26,639 --> 00:03:32,120 Speaker 3: Smith to Ditty as well, like novagrats, you know what's 64 00:03:32,120 --> 00:03:35,360 Speaker 3: so crazy, especially from the Well Diddy hasn't sent the 65 00:03:35,400 --> 00:03:38,800 Speaker 3: rider yet either, but we've never received the rider from 66 00:03:38,840 --> 00:03:39,440 Speaker 3: a billionaire. 67 00:03:40,040 --> 00:03:40,520 Speaker 5: Mm hmmm. 68 00:03:40,760 --> 00:03:40,960 Speaker 2: Yeah. 69 00:03:41,200 --> 00:03:46,560 Speaker 3: One Tyler Perry's rider was it was he won haircut 70 00:03:46,720 --> 00:03:51,440 Speaker 3: and simple as a minimal. 71 00:03:51,720 --> 00:03:57,880 Speaker 4: We never received any demands or crazy request from billionaires. 72 00:03:58,640 --> 00:04:03,240 Speaker 7: Dan Cathy, I'm talking about owner Chick fil A. He's 73 00:04:03,360 --> 00:04:08,360 Speaker 7: walking around but by himself. Want you into what a 74 00:04:08,440 --> 00:04:09,080 Speaker 7: name tag on. 75 00:04:09,360 --> 00:04:11,760 Speaker 3: But the craziness, what the crazy thing about it is 76 00:04:11,800 --> 00:04:14,080 Speaker 3: this is I don't know where this rider thing came from. 77 00:04:14,160 --> 00:04:17,280 Speaker 3: That's a musician, Maybe that's a that's a musician. But 78 00:04:17,320 --> 00:04:19,679 Speaker 3: I'm just saying it's like some things we just don't question. 79 00:04:19,920 --> 00:04:22,200 Speaker 3: Because I just thought about that today. I'm like, we 80 00:04:22,279 --> 00:04:30,000 Speaker 3: booked a bunch of people in business, entrepreneurs, athletes, whatever. 81 00:04:31,040 --> 00:04:33,599 Speaker 3: Why does why do musicians only have riders? 82 00:04:33,680 --> 00:04:36,640 Speaker 5: I think it's I think the origin comes from it's 83 00:04:36,640 --> 00:04:39,240 Speaker 5: from music, but it's what they would like to feel 84 00:04:39,240 --> 00:04:41,479 Speaker 5: comfortable when they get to a venue, which is all 85 00:04:41,640 --> 00:04:43,200 Speaker 5: I get it. But some of the things is like, yo, 86 00:04:43,320 --> 00:04:45,240 Speaker 5: twenty dollars champion, I'm not sure if that's gonna make 87 00:04:45,240 --> 00:04:47,560 Speaker 5: you feel comfortable if you're gonna be there for fifteen minutes, 88 00:04:47,800 --> 00:04:50,040 Speaker 5: you know what I'm saying. So like some of the things, 89 00:04:50,240 --> 00:04:51,280 Speaker 5: it's just like but. 90 00:04:51,279 --> 00:04:53,680 Speaker 3: The problem is that they get caddled to and so 91 00:04:54,000 --> 00:04:55,839 Speaker 3: a lot of a lot of them don't they don't. 92 00:04:56,160 --> 00:04:57,880 Speaker 4: They're not handling their own business. 93 00:04:58,279 --> 00:05:01,159 Speaker 3: So it's like, because like, really, just let's have a 94 00:05:01,160 --> 00:05:03,160 Speaker 3: two minute conversation about this, because I just thought about 95 00:05:03,200 --> 00:05:07,040 Speaker 3: this today. Why why is a rider needed if nobody 96 00:05:07,080 --> 00:05:11,120 Speaker 3: else has a rider? Right, what do you ever think 97 00:05:11,120 --> 00:05:12,839 Speaker 3: about that nobody else has a rider? 98 00:05:13,520 --> 00:05:13,680 Speaker 4: Right? 99 00:05:13,920 --> 00:05:16,640 Speaker 3: Like if Don Peeble doesn't have a ride, you come 100 00:05:16,680 --> 00:05:19,000 Speaker 3: to a venue, you're gonna be in the green room. 101 00:05:19,080 --> 00:05:21,160 Speaker 3: You can expect that there's gonna be food there for you. 102 00:05:21,560 --> 00:05:24,160 Speaker 3: There's gonna be water, there's gonna be juice, there's gonna beverage. 103 00:05:24,360 --> 00:05:26,400 Speaker 3: If you have a special request that you might have, 104 00:05:26,520 --> 00:05:29,200 Speaker 3: you might want, you know, a allowed male, then we 105 00:05:29,200 --> 00:05:30,159 Speaker 3: can accommodate that. 106 00:05:30,240 --> 00:05:30,440 Speaker 4: Right. 107 00:05:31,120 --> 00:05:35,680 Speaker 3: But I'm just curious to know why musicians are the 108 00:05:35,720 --> 00:05:41,960 Speaker 3: only people that have riders. And the riders are alcohol 109 00:05:42,800 --> 00:05:44,440 Speaker 3: at a tremendous amount of alcohol that. 110 00:05:44,440 --> 00:05:47,040 Speaker 4: You can't consume. So it's like if you have ten 111 00:05:47,080 --> 00:05:47,640 Speaker 4: bottles of. 112 00:05:47,640 --> 00:05:55,159 Speaker 6: Champagne, it's ridiculous, Like, who normalize this? 113 00:05:55,680 --> 00:05:57,320 Speaker 4: And I realized that it's from the nightclub. 114 00:05:57,440 --> 00:05:59,960 Speaker 3: Most of them these comes from nightclubs, right when they 115 00:06:00,160 --> 00:06:02,640 Speaker 3: just go to nightclub And it's like, but it's we 116 00:06:02,760 --> 00:06:05,240 Speaker 3: got to really start to think about this, Why are 117 00:06:05,320 --> 00:06:09,360 Speaker 3: we providing If we're paying you for a service, then 118 00:06:09,400 --> 00:06:12,159 Speaker 3: you should just be paid for a service. You shouldn't 119 00:06:12,200 --> 00:06:15,200 Speaker 3: be paid for a service and have fifteen dollars of 120 00:06:15,279 --> 00:06:19,120 Speaker 3: tequila at five o'clock in the afternoon. If you want 121 00:06:19,160 --> 00:06:23,320 Speaker 3: to buy tequila, then you buy tequila's check. I'm giving 122 00:06:23,360 --> 00:06:27,119 Speaker 3: your organic flavored this, and then you want your money 123 00:06:27,120 --> 00:06:30,760 Speaker 3: in cash. There's a variety of different things that make 124 00:06:30,920 --> 00:06:34,800 Speaker 3: this a lot more difficult dealing with musicians, which I 125 00:06:34,880 --> 00:06:37,719 Speaker 3: understand why, Like concert promots, they got a hard job 126 00:06:37,760 --> 00:06:39,960 Speaker 3: because now you got to deal with one hundred Like 127 00:06:39,960 --> 00:06:41,440 Speaker 3: you say, rolling Loud, they got to deal with one 128 00:06:41,520 --> 00:06:42,800 Speaker 3: hundred artists. 129 00:06:42,760 --> 00:06:43,840 Speaker 5: One hundred riders. 130 00:06:44,160 --> 00:06:44,880 Speaker 4: Imagine that. 131 00:06:47,160 --> 00:06:48,800 Speaker 5: And if you've got a hundred of them, now you 132 00:06:48,839 --> 00:06:52,280 Speaker 5: got to worry about the punctuality of it. That's another thing, right, 133 00:06:52,320 --> 00:06:54,280 Speaker 5: because the thing is like, now, yeah, I booked you 134 00:06:54,320 --> 00:06:55,560 Speaker 5: and you're supposed to be but now I need you 135 00:06:55,560 --> 00:06:56,160 Speaker 5: to be here on time. 136 00:06:56,240 --> 00:06:57,200 Speaker 4: They never come on time. 137 00:06:57,279 --> 00:07:01,080 Speaker 5: And if you're not on time, and some twelve thousand 138 00:07:01,080 --> 00:07:02,640 Speaker 5: people got a way for you to be there for 139 00:07:02,760 --> 00:07:03,560 Speaker 5: twenty thousands, you know. 140 00:07:03,640 --> 00:07:04,000 Speaker 4: What I'm saying. 141 00:07:04,000 --> 00:07:07,120 Speaker 3: So it's like it's just it's it's I'm concerned because 142 00:07:07,120 --> 00:07:10,000 Speaker 3: it's like this has become normalized and it's just past 143 00:07:10,120 --> 00:07:10,680 Speaker 3: it's normal. 144 00:07:10,800 --> 00:07:12,040 Speaker 4: It's normal for a rappers. 145 00:07:12,080 --> 00:07:13,840 Speaker 3: You gotta tell a rapper to come two hours early 146 00:07:13,880 --> 00:07:15,400 Speaker 3: because you know he's gonna come at least an hour 147 00:07:15,400 --> 00:07:16,000 Speaker 3: and a half late. 148 00:07:17,040 --> 00:07:19,800 Speaker 4: But nobody ever questions that. Nobody else does that. 149 00:07:20,840 --> 00:07:22,680 Speaker 8: I like the fact that you guys are like even 150 00:07:22,760 --> 00:07:25,800 Speaker 8: right now, educating on it and really challenging the system, 151 00:07:25,840 --> 00:07:28,440 Speaker 8: because I think as you're talking about it, I'm like, Yo, 152 00:07:28,600 --> 00:07:29,840 Speaker 8: this is real. 153 00:07:30,080 --> 00:07:31,920 Speaker 4: Maybe you had to put extra time on your thing. 154 00:07:32,600 --> 00:07:34,160 Speaker 5: Nobody we kept running your time, but you had to 155 00:07:34,160 --> 00:07:36,400 Speaker 5: put me in time. You thought you was stripping out, 156 00:07:36,520 --> 00:07:38,360 Speaker 5: And I'm like, yo, Dave, we just I was like, y'all, 157 00:07:38,360 --> 00:07:40,280 Speaker 5: I know I saw that clock. It's aid five minutes. 158 00:07:40,320 --> 00:07:42,080 Speaker 5: Did it jump in fifteen? And then it got down 159 00:07:42,080 --> 00:07:44,080 Speaker 5: to seven and we put it back to twelve, And 160 00:07:44,120 --> 00:07:45,320 Speaker 5: you're like, that. 161 00:07:45,360 --> 00:07:46,080 Speaker 4: Was what we want. 162 00:07:46,080 --> 00:07:49,120 Speaker 3: Some times sho shout out the fab good dude. He's 163 00:07:49,160 --> 00:07:51,120 Speaker 3: actually a great dude, but it is what it is. 164 00:07:51,560 --> 00:07:54,120 Speaker 4: He's earnest. What's up. 165 00:07:54,200 --> 00:07:57,400 Speaker 5: You ever walk into a small business and everything just works, 166 00:07:57,640 --> 00:08:00,960 Speaker 5: like the checkout is fast, the receipts are digital, tipping 167 00:08:01,160 --> 00:08:03,640 Speaker 5: is a breeze, and you're out the door before the 168 00:08:03,640 --> 00:08:08,040 Speaker 5: line even builds. Odds are they're using Square. 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That's 181 00:08:49,080 --> 00:08:54,520 Speaker 5: Square dot com backslash, go backslash eyl. Don't wait, don't hesitate, 182 00:08:54,640 --> 00:08:57,040 Speaker 5: let's Square handle the back end so you can keep 183 00:08:57,040 --> 00:09:03,160 Speaker 5: pushing your vision forward. This episode is brought to you 184 00:09:03,200 --> 00:09:05,440 Speaker 5: by P and C Bank. A lot of people think 185 00:09:05,520 --> 00:09:09,400 Speaker 5: podcasts about work are boring, and sure they definitely can be, 186 00:09:09,880 --> 00:09:13,160 Speaker 5: but understanding a professionals routine shows us how they achieve 187 00:09:13,200 --> 00:09:17,440 Speaker 5: their success, little by little, day after day. It's like 188 00:09:17,520 --> 00:09:20,280 Speaker 5: banking with P and C Bank. It might seem boring 189 00:09:20,320 --> 00:09:23,120 Speaker 5: to save, plan and make calculated decisions with your bank, 190 00:09:23,600 --> 00:09:26,080 Speaker 5: but keeping your money boring is what helps you live 191 00:09:26,160 --> 00:09:30,199 Speaker 5: a more happily fulfilled life. P and C Bank Brilliantly 192 00:09:30,280 --> 00:09:34,840 Speaker 5: Boring since eighteen sixty five. Brilliantly Boring since eighteen sixty 193 00:09:34,880 --> 00:09:38,160 Speaker 5: five is a service mark of the PNC Financial Service Group, Inc. 194 00:09:38,600 --> 00:09:42,000 Speaker 5: P and C Bank National Association Member FDIC. 195 00:09:43,760 --> 00:09:47,439 Speaker 1: An illegal alien from Guatemala charged with raping a child 196 00:09:47,480 --> 00:09:51,280 Speaker 1: in Massachusetts. An MS thirteen gang member from El Salvador 197 00:09:51,520 --> 00:09:55,640 Speaker 1: accused of murdering a Texas. Man of Venezuelan charged with 198 00:09:55,720 --> 00:09:59,600 Speaker 1: filming and selling child pornography in Michigan. These are just 199 00:09:59,679 --> 00:10:03,480 Speaker 1: some of the heinous migrant criminals caught because of President 200 00:10:03,520 --> 00:10:07,040 Speaker 1: Donald J. Trump's leadership. I'm Christy Noman, the United States 201 00:10:07,120 --> 00:10:11,880 Speaker 1: Secretary of Homeland Security. Under President Trump, attempted illegal border 202 00:10:11,920 --> 00:10:15,480 Speaker 1: crossings are at the lowest levels ever recorded, and over 203 00:10:15,559 --> 00:10:18,760 Speaker 1: one hundred thousand illegal aliens have been arrested. If you 204 00:10:18,840 --> 00:10:22,680 Speaker 1: are here illegally, your next you will be fine nearly 205 00:10:22,760 --> 00:10:26,800 Speaker 1: one thousand dollars a day. Imprisoned and deported, you will 206 00:10:26,840 --> 00:10:30,480 Speaker 1: never return. But if you register using our CBP home 207 00:10:30,520 --> 00:10:33,880 Speaker 1: app and leave now, you could be allowed to return legally. 208 00:10:34,240 --> 00:10:39,000 Speaker 1: Do what's right. Leave now. Under President Trump America's laws, 209 00:10:39,160 --> 00:10:41,600 Speaker 1: border and families will be protected. 210 00:10:41,720 --> 00:10:43,840 Speaker 2: Sponsored by the United States Department of Homeland Security. 211 00:10:43,880 --> 00:10:48,120 Speaker 4: Three hours late on five o'clock on a Sunday, So 212 00:10:48,960 --> 00:10:50,240 Speaker 4: we're stalling. 213 00:10:50,720 --> 00:10:54,400 Speaker 3: Literally, when he got there, we put the microphone, gave 214 00:10:54,480 --> 00:10:56,360 Speaker 3: him the money, they counted it. 215 00:10:56,480 --> 00:10:57,640 Speaker 2: He cats. 216 00:10:57,640 --> 00:11:01,600 Speaker 3: He walked on stage and performed like cash Kid Cash, 217 00:11:02,040 --> 00:11:05,640 Speaker 3: so we cash. We literally like we're going back and 218 00:11:05,679 --> 00:11:07,560 Speaker 3: forth with like where you're at, where you're at, da 219 00:11:07,640 --> 00:11:09,880 Speaker 3: da dada, Like they like five minutes away, pulling half 220 00:11:09,880 --> 00:11:11,760 Speaker 3: an hour later, five minutes away, half an hour of 221 00:11:11,760 --> 00:11:13,840 Speaker 3: five minutes away, yours on stage. 222 00:11:13,960 --> 00:11:16,840 Speaker 5: They spent thirty minutes they said, we were on the grounds. 223 00:11:17,040 --> 00:11:19,600 Speaker 5: I'll say, they said, building B. We're trying to find it, 224 00:11:20,040 --> 00:11:20,960 Speaker 5: twenty five minutes. 225 00:11:21,120 --> 00:11:23,800 Speaker 3: I'm like, you know, it's like put more time on. 226 00:11:23,880 --> 00:11:26,400 Speaker 3: Put fifteen minutes on, keep it on, put another fifteen 227 00:11:26,440 --> 00:11:27,960 Speaker 3: minutes on. We got to keep adding time. 228 00:11:28,000 --> 00:11:30,240 Speaker 5: We gave you the ord after that Hey man, I 229 00:11:31,000 --> 00:11:31,400 Speaker 5: got it. 230 00:11:31,520 --> 00:11:32,080 Speaker 4: Hey listen. 231 00:11:32,160 --> 00:11:34,480 Speaker 8: If it was paying all right before any artists, okay, 232 00:11:34,600 --> 00:11:36,040 Speaker 8: I'll hand it working. 233 00:11:35,840 --> 00:11:38,840 Speaker 4: For that, we would have been I don't know what 234 00:11:38,840 --> 00:11:40,920 Speaker 4: we would have done that the DJ would have been playing, 235 00:11:41,000 --> 00:11:41,360 Speaker 4: but there was. 236 00:11:41,360 --> 00:11:43,280 Speaker 3: No other program that was the last thing of the day, 237 00:11:43,640 --> 00:11:46,400 Speaker 3: so we would have just had to just fit thirty 238 00:11:46,400 --> 00:11:48,120 Speaker 3: minutes of just nothing, a hour of nothing. 239 00:11:48,559 --> 00:11:50,360 Speaker 5: We were then swag serving for thirty. 240 00:11:55,520 --> 00:11:57,880 Speaker 4: You guys are really like, this is this death? Why 241 00:11:57,880 --> 00:11:59,240 Speaker 4: you got to give artists that. 242 00:11:59,520 --> 00:12:03,320 Speaker 3: Joe Fat Shoe really really impressed me when we interviewed 243 00:12:03,400 --> 00:12:07,079 Speaker 3: him in Miami. He impressed me for a few different reasons. 244 00:12:07,360 --> 00:12:09,440 Speaker 3: So we had him and we had master P right after. 245 00:12:09,480 --> 00:12:11,120 Speaker 3: I think he was at the master People, So we 246 00:12:11,160 --> 00:12:13,280 Speaker 3: did Fat Joe before we did master P. The interview, 247 00:12:13,360 --> 00:12:16,080 Speaker 3: let's say, was at like two o'clock, right, so we 248 00:12:16,080 --> 00:12:18,719 Speaker 3: we spaced it where it was like master P. We'll 249 00:12:18,760 --> 00:12:22,200 Speaker 3: do master P at six because we know the interviews 250 00:12:22,200 --> 00:12:24,160 Speaker 3: at two. He's not going to come till three, because 251 00:12:24,160 --> 00:12:27,760 Speaker 3: we just think he's just a rapper. A he comes 252 00:12:27,880 --> 00:12:34,200 Speaker 3: at one fifty five, and B he came by himself. 253 00:12:34,880 --> 00:12:35,680 Speaker 3: That's another thing. 254 00:12:36,880 --> 00:12:39,560 Speaker 4: These dudes be coming with thirty people, twenty five people, 255 00:12:40,320 --> 00:12:42,679 Speaker 4: and you got it's crazy. 256 00:12:43,840 --> 00:12:48,120 Speaker 3: Everybody's smoking and it's it's not even the place to 257 00:12:48,280 --> 00:12:50,800 Speaker 3: smoke necessarily, Like you know what I'm saying, there's a 258 00:12:50,880 --> 00:12:51,920 Speaker 3: time and place for everything. 259 00:12:52,360 --> 00:12:55,520 Speaker 5: It was crazy, like the joke stoways crazy because they're calling. 260 00:12:55,720 --> 00:12:57,400 Speaker 5: I'm calling on the phone like you always. Yeah, I'm 261 00:12:57,400 --> 00:12:59,600 Speaker 5: looking for an entourage. They said, no, he's in that 262 00:12:59,640 --> 00:13:01,959 Speaker 5: car right, he's about to get out. I look, it's 263 00:13:02,000 --> 00:13:05,239 Speaker 5: just him. I'm like, we have to and that's impressive. 264 00:13:05,360 --> 00:13:07,520 Speaker 4: Just him, and he had like three hundred thousand works 265 00:13:07,520 --> 00:13:08,000 Speaker 4: for Jelly on. 266 00:13:08,080 --> 00:13:11,400 Speaker 5: Well, I was gonna leave that part out, but he said, yeah, 267 00:13:11,440 --> 00:13:13,360 Speaker 5: I mean that's the movie. It was just like it 268 00:13:13,400 --> 00:13:15,080 Speaker 5: was just him. He came through the interview, he showed 269 00:13:15,120 --> 00:13:18,120 Speaker 5: love and that was it. And again relationship. So if 270 00:13:18,120 --> 00:13:19,679 Speaker 5: we ever had to call on Joe, it's like, all right, 271 00:13:19,720 --> 00:13:20,880 Speaker 5: well he knows who we are. 272 00:13:20,960 --> 00:13:22,679 Speaker 3: I've never seen that before whatever, I've never He's the 273 00:13:22,720 --> 00:13:25,240 Speaker 3: only person I've ever seen a rapper that that came. 274 00:13:25,320 --> 00:13:27,079 Speaker 3: He really came by himself. Kiss came on time to 275 00:13:27,080 --> 00:13:29,679 Speaker 3: shout to kiss. Kiss came by himself. He came on time, 276 00:13:29,720 --> 00:13:32,359 Speaker 3: but he didn't come by himself. He came by himself. 277 00:13:33,600 --> 00:13:34,480 Speaker 3: That was impressive. 278 00:13:35,120 --> 00:13:37,760 Speaker 8: I like that we're having this conversation because it's educational too, 279 00:13:37,800 --> 00:13:42,480 Speaker 8: and our culture needs like shaping right these conversations. 280 00:13:42,520 --> 00:13:44,800 Speaker 4: It's correction what I'm saying. It's not it's not meant 281 00:13:44,840 --> 00:13:45,560 Speaker 4: to to. 282 00:13:46,440 --> 00:13:49,720 Speaker 3: Bash anybody, but if we if we don't correct these 283 00:13:49,840 --> 00:13:54,280 Speaker 3: these things, then we start to normalize dysfunction. And it's 284 00:13:54,320 --> 00:13:56,040 Speaker 3: like I feel like we have a voice, we have 285 00:13:56,080 --> 00:13:58,440 Speaker 3: a platform, and we have credibility and straight like we 286 00:13:58,480 --> 00:14:00,600 Speaker 3: are hip hop. So it's like this, this is a 287 00:14:00,640 --> 00:14:04,280 Speaker 3: family conversation. So it's like we have to correct these 288 00:14:04,280 --> 00:14:09,120 Speaker 3: things because it leads to be it leads to getting 289 00:14:09,120 --> 00:14:12,840 Speaker 3: taken advantage of, It leads to not knowing doing bad business. 290 00:14:12,840 --> 00:14:14,600 Speaker 4: Because how you do one thing, it's how you do everything. 291 00:14:14,960 --> 00:14:16,720 Speaker 3: So if you don't, if you're not on top of it, 292 00:14:16,760 --> 00:14:18,520 Speaker 3: if you lay, if you always hi, if you got 293 00:14:18,720 --> 00:14:21,040 Speaker 3: a million people around you, these are. 294 00:14:20,960 --> 00:14:23,240 Speaker 4: Formulas for disaster. 295 00:14:23,600 --> 00:14:26,120 Speaker 3: So it's like this is a bigger conversation, but the 296 00:14:26,240 --> 00:14:28,000 Speaker 3: artists need to understand it. 297 00:14:28,080 --> 00:14:30,520 Speaker 4: And it's not this artist like Larussell like this. 298 00:14:30,640 --> 00:14:35,000 Speaker 3: There's a new generation of artists that are changing that mold. 299 00:14:35,400 --> 00:14:37,960 Speaker 4: But it needs to be done more on a wider scale. 300 00:14:38,000 --> 00:14:40,680 Speaker 3: So it's like, this is a this is a formula 301 00:14:40,800 --> 00:14:44,400 Speaker 3: that record labels have put in place for artists. And 302 00:14:44,400 --> 00:14:47,760 Speaker 3: they give you a manager, and they give you a 303 00:14:47,800 --> 00:14:50,600 Speaker 3: styllus and they and they give you a rider. You 304 00:14:50,600 --> 00:14:54,000 Speaker 3: don't even know you you don't know why you're doing 305 00:14:54,040 --> 00:14:55,840 Speaker 3: these things. It's just been told to you. Like you 306 00:14:55,880 --> 00:14:57,200 Speaker 3: know what I'm saying, like, this is what you're supposed 307 00:14:57,240 --> 00:14:58,560 Speaker 3: to do. This is what this is what we're going 308 00:14:58,600 --> 00:15:00,560 Speaker 3: to negotiate for you. This is what you get. You 309 00:15:00,600 --> 00:15:02,440 Speaker 3: come to the club late. They tell him, like, you 310 00:15:02,560 --> 00:15:05,960 Speaker 3: come to the club late, fashionably late. You know I'm 311 00:15:05,960 --> 00:15:09,280 Speaker 3: at two o'clock. That's coming two o'clock. These are things. 312 00:15:10,480 --> 00:15:13,200 Speaker 3: This is not honest real So this is how they're 313 00:15:13,240 --> 00:15:15,160 Speaker 3: being educated. So, like I said, how you do everything, 314 00:15:15,320 --> 00:15:16,960 Speaker 3: how you do one thing, how you do everything. So 315 00:15:17,000 --> 00:15:19,440 Speaker 3: if you if you're told don't come to the club 316 00:15:19,520 --> 00:15:23,440 Speaker 3: until one thirty, then you're thinking, I'm supposed to be late. 317 00:15:23,960 --> 00:15:26,280 Speaker 3: So it's a business event. I'm supposed to be late. 318 00:15:26,400 --> 00:15:27,160 Speaker 4: You just you. 319 00:15:27,200 --> 00:15:30,040 Speaker 3: Automatically think that late is on time because I'm an 320 00:15:30,160 --> 00:15:33,400 Speaker 3: artist and I can't come on time. But the crazy 321 00:15:33,440 --> 00:15:36,120 Speaker 3: thing is when we interview Robert Smith, who's the richest 322 00:15:36,120 --> 00:15:38,920 Speaker 3: black person in American history. It was on a Friday 323 00:15:39,960 --> 00:15:44,040 Speaker 3: at seven o'clock in the morning at and he came 324 00:15:44,400 --> 00:15:45,760 Speaker 3: at six point fifty. 325 00:15:46,760 --> 00:15:47,400 Speaker 4: You know what I'm saying. 326 00:15:47,760 --> 00:15:50,440 Speaker 3: So am So it's like, this is a person that's 327 00:15:50,520 --> 00:15:53,520 Speaker 3: up eight billion dollars and he's up with a three 328 00:15:53,560 --> 00:15:57,320 Speaker 3: piece suit on early, you know what I'm saying. So 329 00:15:57,360 --> 00:15:59,400 Speaker 3: it's like, these are the kind of things. Never asks 330 00:15:59,440 --> 00:16:02,040 Speaker 3: for a shot at tequila. You're drinking cough. 331 00:16:02,160 --> 00:16:03,280 Speaker 5: Now, that's it. 332 00:16:03,280 --> 00:16:05,040 Speaker 4: That's the request. That's the rider. Give me some coffee. 333 00:16:05,960 --> 00:16:08,280 Speaker 5: Like that happens. Like you see like a lot of 334 00:16:08,320 --> 00:16:11,200 Speaker 5: these artists who have longevity, Like we just saw Lula. 335 00:16:11,240 --> 00:16:13,320 Speaker 5: He's on tour of Agenda. Right. There's like this thing 336 00:16:13,360 --> 00:16:16,040 Speaker 5: going around like, yo, don't show up late to the show. 337 00:16:16,360 --> 00:16:20,000 Speaker 5: They're going on on time. It's like, yeah, they are 338 00:16:20,360 --> 00:16:22,600 Speaker 5: if you show up at seven forty five. He's on 339 00:16:22,640 --> 00:16:25,120 Speaker 5: the stage at seven forty five in one second because 340 00:16:25,160 --> 00:16:27,280 Speaker 5: he understands the value of his time, but he understands 341 00:16:27,280 --> 00:16:29,360 Speaker 5: the value of everybody else's time too. You paid for 342 00:16:29,400 --> 00:16:31,200 Speaker 5: a service. I'm here to entertain. I don't want to 343 00:16:31,520 --> 00:16:33,640 Speaker 5: have you sitting here for two hours waiting for me 344 00:16:33,680 --> 00:16:36,160 Speaker 5: to come out, and ja, it's gonna be on clockwork too, 345 00:16:36,240 --> 00:16:39,080 Speaker 5: And so they understand it, but they longe they have 346 00:16:39,160 --> 00:16:41,640 Speaker 5: longevity in the space, right and so like, if he's 347 00:16:41,640 --> 00:16:44,640 Speaker 5: set in that trend and nobody's following it and nobody's 348 00:16:44,640 --> 00:16:47,680 Speaker 5: bringing awareness to it, does it ever change? You know 349 00:16:47,680 --> 00:16:48,040 Speaker 5: what I mean? 350 00:16:49,560 --> 00:16:53,480 Speaker 8: This is important and all the people that are like coming, 351 00:16:53,520 --> 00:16:56,160 Speaker 8: they're gonna come enjoy the show, but have no idea 352 00:16:56,240 --> 00:17:01,760 Speaker 8: that you guys, from this conversation, you're teaching from the stage, 353 00:17:01,840 --> 00:17:05,400 Speaker 8: but you're also teaching behind the scenes, like you're teaching, 354 00:17:06,000 --> 00:17:08,440 Speaker 8: like you're teaching the artists how to operate. And nobody 355 00:17:08,480 --> 00:17:10,560 Speaker 8: would ever think that before this moment, you know what 356 00:17:10,560 --> 00:17:13,000 Speaker 8: I mean that I'm sure there's certain conversations that you 357 00:17:13,040 --> 00:17:16,080 Speaker 8: have to have, like Yo, I'm gonna need you on time. 358 00:17:16,760 --> 00:17:18,600 Speaker 4: Or you just jump you tell them two hours early. 359 00:17:19,040 --> 00:17:21,199 Speaker 3: You do different than you do different tactics to kind of, 360 00:17:21,240 --> 00:17:25,680 Speaker 3: you know, ensure that you don't get rude, because ultimately 361 00:17:26,000 --> 00:17:28,120 Speaker 3: it's not in your best interest for somebody to be late. 362 00:17:28,520 --> 00:17:30,840 Speaker 3: So you got to have certain incentives of certain different 363 00:17:30,840 --> 00:17:32,320 Speaker 3: things in the nature. So you kind of learned that early, 364 00:17:32,359 --> 00:17:33,760 Speaker 3: like when you learn called artists. This is how I 365 00:17:33,760 --> 00:17:35,760 Speaker 3: got told them this I they handled this person. 366 00:17:35,840 --> 00:17:39,440 Speaker 1: An illegal alien from Guatemala charged with raping a child 367 00:17:39,520 --> 00:17:43,320 Speaker 1: in Massachusetts. An MS thirteen gang member from El Salvador 368 00:17:43,560 --> 00:17:47,720 Speaker 1: accused of murdering a Texas man of Venezuelan charged with 369 00:17:47,760 --> 00:17:51,679 Speaker 1: filming and selling child pornography in Michigan. These are just 370 00:17:51,760 --> 00:17:55,479 Speaker 1: some of the heinous migrant criminals caught because of President 371 00:17:55,560 --> 00:17:59,159 Speaker 1: Donald J. Trump's leadership. I'm Christine Noman, the United States 372 00:17:59,160 --> 00:18:03,960 Speaker 1: Secretary of Homeland Security. Under President Trump, attempted illegal border 373 00:18:04,000 --> 00:18:07,520 Speaker 1: crossings are at the lowest levels ever recorded, and over 374 00:18:07,600 --> 00:18:10,800 Speaker 1: one hundred thousand illegal aliens have been arrested. If you 375 00:18:10,880 --> 00:18:14,760 Speaker 1: are here illegally, your next you will be fine nearly 376 00:18:14,840 --> 00:18:18,840 Speaker 1: one thousand dollars a day, imprisoned and deported, you will 377 00:18:18,880 --> 00:18:22,520 Speaker 1: never return. But if you register using our CBP home 378 00:18:22,560 --> 00:18:25,960 Speaker 1: app and leave now, you could be allowed to return legally. 379 00:18:26,320 --> 00:18:31,040 Speaker 1: Do what's right. Leave now. Under President Trump, America's laws, 380 00:18:31,240 --> 00:18:33,199 Speaker 1: border and families. 381 00:18:32,840 --> 00:18:35,280 Speaker 2: Will be protected. Sponsored by the United States Department of 382 00:18:35,280 --> 00:18:35,920 Speaker 2: Homeland Security,