WEBVTT - I Was Ridiculed on Instagram. Here's What I Learned

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<v Speaker 1>Adam back in May, you find yourself in an interesting situation.

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<v Speaker 1>Oh God, I can't believe we're gonna do this. So

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<v Speaker 1>you were at a pub in London with your friend.

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<v Speaker 1>I was. I was at a pub in London with

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<v Speaker 1>a friend who was visiting from San Francisco, and we're

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<v Speaker 1>having a beer and then I get a text from

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<v Speaker 1>my sister. It said, you're on subway creatures. Oh m

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<v Speaker 1>g subway creatures. Yeah, it's this Instagram feed. She and

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<v Speaker 1>I follow this, just pictures and videos of people caught

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<v Speaker 1>unsuspectingly doing stupid stuff on the subway. We occasionally text

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<v Speaker 1>about it when we see something really ridiculous and that

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<v Speaker 1>ridiculous person becomes you. I know. I thought she was kidding,

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<v Speaker 1>but then she said look on Instagram, and I looked

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<v Speaker 1>in there I was this video of me grimacing down

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<v Speaker 1>at my phone, looking really weird, and the comments on

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<v Speaker 1>the post we're starting to pour in the one I

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<v Speaker 1>remember most said texting, bitch face. That's my sister, Aaron. Anyway,

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<v Speaker 1>you weren't doing anything. You did have a very strange

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<v Speaker 1>look on your face. People were starting to do memes

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<v Speaker 1>like what you look like when and we're putting stuff

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<v Speaker 1>in there? Do you what do you remember that I

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<v Speaker 1>was doing? Remember anything specific? I remember I was just

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<v Speaker 1>texting ferociously with this like really mean, weird look on

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<v Speaker 1>my face. And it was strange because it was a

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<v Speaker 1>video of you doing that, but then it zoomed in

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<v Speaker 1>on your face. The person was sitting across from you. Okay,

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<v Speaker 1>so Adam, you're still at the bar in London at

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<v Speaker 1>this point, texting frantically with your sister. I was. I

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<v Speaker 1>was freaking out, wouldn't you What did my coworkers see it?

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<v Speaker 1>My sister suggested I send Mr Subway creep, you're a note.

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<v Speaker 1>I even had her draft it for me because I

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<v Speaker 1>was so frazzled. Hi. I noticed I was taped without

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<v Speaker 1>my knowledge yesterday and posted to your site. Please remove it?

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<v Speaker 1>And then I hit send hi em though, I'm Adam Satriano.

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<v Speaker 1>And this week on Decrypted, we're going inside this strange,

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<v Speaker 1>voyeuristic corner of social media where people, including Adam, unwittingly

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<v Speaker 1>become a source of amusement. It's not an enjoyable place

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<v Speaker 1>to be, but beyond the embarrassment, the experience taught me

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<v Speaker 1>a good deal about the changing nature of privacy online.

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<v Speaker 1>We'll meet Rick Maguire, the thirty three year old who

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<v Speaker 1>runs Subway Creatures from a New York apartment. He'll tell

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<v Speaker 1>us about how he got into this strange Instagram world

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<v Speaker 1>and how he's trying to turn it into a business

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<v Speaker 1>and it's own little way. My experience demonstrates the tightrope

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<v Speaker 1>that social media companies are walking right now. Increasingly, companies

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<v Speaker 1>like Facebook, Instagram, Twitter, are being asked to regulate what's

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<v Speaker 1>appropriate content, what's fake news, what's bad, what's good, what's

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<v Speaker 1>in between? Do we want to further empower these already

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<v Speaker 1>very powerful companies to be the editors of our digital lives?

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<v Speaker 1>Stay with us? Okay, so Adam and take us back.

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<v Speaker 1>You emailed the Subway Creatures guy and you asked him

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<v Speaker 1>to delete that video of you. It felt like an

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<v Speaker 1>absolute lost cause I thought, no way, this guy is

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<v Speaker 1>gonna do that. But he actually replied right away and

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<v Speaker 1>he took it down. I was very surprised, pleasantly so

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<v Speaker 1>so I struck up a correspondence with him. Ricks from

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<v Speaker 1>New Jersey. He played hockey in college. He's actually kind

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<v Speaker 1>of sort of very normal for her, a guy who

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<v Speaker 1>creates an Instagram account like this it sounds like you

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<v Speaker 1>kind of like him. Now. I was very curious, like,

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<v Speaker 1>how on earth do you come to operate a thing

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<v Speaker 1>like this. We're in the famous Promenade and Union Square,

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<v Speaker 1>tons of things to see out here. Our producer piaged

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<v Speaker 1>Kari went to meet Rick. I am a huge people person,

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<v Speaker 1>like I love people watching, and I obviously started seeing

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<v Speaker 1>what we all see every day in the New York

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<v Speaker 1>subway New York City subway, and you know, I realized

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<v Speaker 1>there's not really a platform for this. So I wound

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<v Speaker 1>up starting a website that featured a lot of the

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<v Speaker 1>stuff that I saw daily, and before I knew it,

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<v Speaker 1>it kind of gained traction. People started sending me stuff

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<v Speaker 1>and I didn't even have to look for it anymore.

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<v Speaker 1>It was coming to me. There are more than six

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<v Speaker 1>hundred thousand people following this Subway Creatures Instagram account. On

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<v Speaker 1>top of that, Rick has followers on Twitter and Facebook

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<v Speaker 1>and a website too. It's it's a little voyeuristic, uh,

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<v Speaker 1>this content. It's it's kind of in a category of

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<v Speaker 1>its own. Um but the closest it's just user generated

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<v Speaker 1>content that you know. It's the good part about it

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<v Speaker 1>is that the content is endless and there's never going

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<v Speaker 1>to be an end to it as long as there

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<v Speaker 1>are smartphones out there where you can record something and

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<v Speaker 1>have it put up in almost instantly. Let me give

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<v Speaker 1>you a sense. Crazy haircuts, weird outfits, unusual tattoos, pets.

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<v Speaker 1>There's owls and peacocks on there. There's also a lot

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<v Speaker 1>of pictures of people who fell asleep in a strange position,

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<v Speaker 1>and a lot of people who are drunk on the subway.

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<v Speaker 1>It could be subway performers. Uh, people singing. A lot

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<v Speaker 1>of the time, people have earphones in and they're singing

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<v Speaker 1>out loud and don't even realize how loud they're being,

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<v Speaker 1>and uh, you know, it could be that kind of stuff.

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<v Speaker 1>So that's how Rick stumbled into this, you know, front

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<v Speaker 1>row seat to internet culture. He's a freelance TV producer,

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<v Speaker 1>so his day job is also related to making stuff

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<v Speaker 1>people want to watch. I it's it's been awesome, it's

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<v Speaker 1>it's honestly, I never actually pictured it to get as

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<v Speaker 1>big as it is right now. But in the world

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<v Speaker 1>of social media, he can watch the embarrassing content he

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<v Speaker 1>collects bread sometimes with frightening velocity. I've had someone, uh

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<v Speaker 1>send me a video while they were on the train

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<v Speaker 1>of something. I posted it while that video was going viral.

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<v Speaker 1>This person was still sitting across from the person on

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<v Speaker 1>the train, So technically that person could have seen in

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<v Speaker 1>real time themselves going viral, which I when when you

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<v Speaker 1>look at the big picture, I think that that is

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<v Speaker 1>extremely interesting that that something like that can happen. Nowadays,

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<v Speaker 1>Ricks has one of the first things he does in

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<v Speaker 1>the morning is checked to see what people have sent

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<v Speaker 1>to post on subway creatures. The weirder the better. There's

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<v Speaker 1>some reason one of the most popular things that I

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<v Speaker 1>get sent are people bringing very exotic, strange animals onto

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<v Speaker 1>the subway. We had an instance where there was someone

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<v Speaker 1>who brought up peacock, another person who brought a lizard,

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<v Speaker 1>a lot of snakes. Rick started Subway Features as a website.

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<v Speaker 1>In today, Instagram is where he has his biggest audience,

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<v Speaker 1>but he continues to update his website too. Rick has

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<v Speaker 1>his own rules for what he posts. He rarely features kids,

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<v Speaker 1>and he doesn't post images or videos of people he

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<v Speaker 1>thinks might be mentally ill or homeless for his website.

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<v Speaker 1>Anything else is fair game. That would be like people

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<v Speaker 1>flashing on the subway. Uh, anything that would get pulled down, uh,

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<v Speaker 1>because of discretion. Would normally go on the website because

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<v Speaker 1>there are no guidelines on the website and it's kind

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<v Speaker 1>of the wild West on there. But when he posts

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<v Speaker 1>on Instagram, Rick has to be more selective because Instagram

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<v Speaker 1>has its own community guidelines that it enforces. Instagram will

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<v Speaker 1>send a notification. First, they'll pull it down, and then

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<v Speaker 1>they send a notification saying, due to guidelines on Instagram,

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<v Speaker 1>we've now pulled the content down. And basically you get

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<v Speaker 1>a warning or a strike against you. Um, just because

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<v Speaker 1>if people are repeatedly posting, you know, stuff that's not

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<v Speaker 1>supposed to be up there, Uh, the account, the account

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<v Speaker 1>gets suspended. That hasn't happened to me. That's why I

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<v Speaker 1>try to be very careful with what I post, because

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<v Speaker 1>I don't want to get my account suspended for any reasons.

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<v Speaker 1>And even for power users like Rick, it's tricky navigating

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<v Speaker 1>those guidelines. He says he doesn't quite understand the rules.

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<v Speaker 1>For example, Instagram's guidelines say that pretty much any kind

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<v Speaker 1>of nudity is banned, but Instagram doesn't catch everything. That's

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<v Speaker 1>the subjective aspect of it is that I don't know

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<v Speaker 1>what actually constitute something as being too explicit? Obviously, if

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<v Speaker 1>there are people having sex on the train, Uh, you'd

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<v Speaker 1>think that that would that would cross a line. However,

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<v Speaker 1>I posted a video a couple of months ago of

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<v Speaker 1>two Yankee fans coming home from a Yankee game, and

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<v Speaker 1>they would appeared to be having sex on the train

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<v Speaker 1>that never got pulled down. How Then, and then to

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<v Speaker 1>go to the other extreme, Uh, there were there would

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<v Speaker 1>be stuff as far as, uh, maybe a guy wearing

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<v Speaker 1>shorts that are a little too short and something's hanging

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<v Speaker 1>out that gets pulled down. Or take this example. There

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<v Speaker 1>was a video that went viral a couple of weeks ago.

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<v Speaker 1>It was from Toronto in the subway and this woman

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<v Speaker 1>got into a physical altercation with a man and she

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<v Speaker 1>was splashing mop bucket water at him. So the guy

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<v Speaker 1>turned around and picked up the bucket of water and

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<v Speaker 1>dumped it over her head. So I I mean it

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<v Speaker 1>was a it was a mutual confrontation. She wasn't getting

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<v Speaker 1>you know, other than the water going on her. She

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<v Speaker 1>wasn't physically being abused. She did have water dumped on her. Uh.

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<v Speaker 1>That was posted went super viral. Um not only my account,

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<v Speaker 1>but a number of popular accounts posted it. However, it

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<v Speaker 1>was only my page that it got reported and taken down.

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<v Speaker 1>Rick says he's still confused about why Instagram didn't just

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<v Speaker 1>block the clip on every account that had shared it.

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<v Speaker 1>How come he was singled out. He also said he's

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<v Speaker 1>tried contacting Instagram a few times, but they've basically never

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<v Speaker 1>responded to his questions. Now more than ever, Instagram has

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<v Speaker 1>been a little too sensitive on policing what goes up

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<v Speaker 1>and what and what gets taken down. And I think

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<v Speaker 1>there's a very fine line of uh, policing the content

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<v Speaker 1>and censoring, So I don't know where that falls, but

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<v Speaker 1>I think that there needs to be a little more

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<v Speaker 1>conversation about it. Rick says he acts quickly when people

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<v Speaker 1>ask for stuff to be taken down. When he was

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<v Speaker 1>talking to our producer Pia, he mentioned the time that

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<v Speaker 1>I contacted him, I took it down immediately. There's he

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<v Speaker 1>was very uncomfortable with the fact that someone was recording

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<v Speaker 1>him on the subway, which I don't blame him, and

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<v Speaker 1>he knows there are a lot of people out there

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<v Speaker 1>like me, people who love subway creatures. Until one day

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<v Speaker 1>they became the ones that were ridiculed on the account.

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<v Speaker 1>So it's it's one of those catch twenty two situations

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<v Speaker 1>where I feel like people love the web. They love

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<v Speaker 1>the website, they love the page, they love every day

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<v Speaker 1>looking at all the crazy stuff that happens in the subway. However,

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<v Speaker 1>I think it's a completely different scenario once they are

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<v Speaker 1>actually the subject of the video. So you know, it's

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<v Speaker 1>it's almost like a love hate relationship with the page.

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<v Speaker 1>Of course, that does not stop Brick from doing what

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<v Speaker 1>he does. He clearly loves this. When Po was riding

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<v Speaker 1>the train with him, he spotted a potential quote unquote

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<v Speaker 1>creature and got so excited. Yeah. So here we are

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<v Speaker 1>at Union Square on the l and there is a

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<v Speaker 1>man doing repeted circles dancing to this music. And it's

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<v Speaker 1>pretty amazing, to be honest with you, and I wish

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<v Speaker 1>I we could film this right now, because this is great.

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<v Speaker 1>I'm actually I might have to record this. You might

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<v Speaker 1>also think there are rules against people filming each other

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<v Speaker 1>without getting permission first, but you'd be wrong. I spoke

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<v Speaker 1>to Albert Gaderry, who's the director of Privacy at Stanford

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<v Speaker 1>Center for Internet and Society. Al says there's more than

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<v Speaker 1>a century of case law on Rick's side, because the

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<v Speaker 1>people being filmed are in a public space. In when

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<v Speaker 1>Justice Brandeis in the US wrote his seminal piece on privacy,

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<v Speaker 1>he said, what happens in public is public. And that

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<v Speaker 1>video of you, Adam that made it onto subway creatures,

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<v Speaker 1>that was taken when you were in a public space. Yeah,

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<v Speaker 1>I was just on the subway in London looking like

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<v Speaker 1>an idiot. So Rick was never legally obligated to delete

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<v Speaker 1>that video of you, even though he agreed to do it. Anyway,

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<v Speaker 1>you implicitly consent to be seen, and if someone takes

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<v Speaker 1>your photograph, you've assumed the risk that that will happen.

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<v Speaker 1>Now in a world where everybody is a videographer, everybody

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<v Speaker 1>is a photographer, everybody is a publisher. Um, those notions

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<v Speaker 1>of of of being obscure in the crowd, the notion

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<v Speaker 1>of a right to have a nanimity to have a

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<v Speaker 1>different uh circle around you, of privacy in your residential

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<v Speaker 1>neighborhood versus in a shopping mall, in a stadium where

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<v Speaker 1>a football game is going are all under rethinking today.

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<v Speaker 1>Of course, we saw this play out just a couple

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<v Speaker 1>of months ago when some of the white nationalists who

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<v Speaker 1>are marching in Charlottesville were identified with their full names

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<v Speaker 1>and even their employers. Some people said it wasn't right

0:14:34.560 --> 0:14:38.000
<v Speaker 1>to be naming these individuals who were exercising their right

0:14:38.040 --> 0:14:41.200
<v Speaker 1>to free speech, and other people were like, well, they

0:14:41.240 --> 0:14:43.800
<v Speaker 1>were in public, they should have known that there'd be

0:14:43.880 --> 0:14:59.080
<v Speaker 1>a good chance they get out. In the broader context

0:14:59.160 --> 0:15:02.400
<v Speaker 1>here is that social media companies are facing increasing pressure

0:15:02.440 --> 0:15:07.000
<v Speaker 1>to act against objectionable material. We've entered a world where

0:15:07.040 --> 0:15:09.680
<v Speaker 1>everything that can be collected will be collected in the

0:15:09.680 --> 0:15:12.200
<v Speaker 1>public domain, and the question is what do we do

0:15:12.280 --> 0:15:15.400
<v Speaker 1>with that, and how do we accept the consequences of

0:15:15.400 --> 0:15:19.600
<v Speaker 1>that if we do, or do we regulate it. Until now,

0:15:19.680 --> 0:15:22.800
<v Speaker 1>social networks like Facebook and Twitter have insisted that it's

0:15:22.840 --> 0:15:25.920
<v Speaker 1>not their job to be policing what people say. They're

0:15:25.960 --> 0:15:32.960
<v Speaker 1>just the platforms with intermediary liability or lack thereof. The

0:15:33.040 --> 0:15:38.640
<v Speaker 1>platforms are not responsible for user generated content. It's impossible

0:15:38.720 --> 0:15:42.480
<v Speaker 1>for them to review every image and decide is this

0:15:42.840 --> 0:15:46.760
<v Speaker 1>a news report or is it an offensive or or

0:15:46.800 --> 0:15:53.280
<v Speaker 1>embarrassing newsreel about somebody's personal life. But governments around the

0:15:53.320 --> 0:15:55.920
<v Speaker 1>world are making it harder for these companies to just

0:15:56.000 --> 0:15:59.360
<v Speaker 1>stay out of it. In Europe, Germany has called on

0:15:59.400 --> 0:16:02.880
<v Speaker 1>Facebook to help stamp out hate speech on its platform,

0:16:02.920 --> 0:16:06.280
<v Speaker 1>and Twitter has said it's the leaded hundreds of thousands

0:16:06.280 --> 0:16:11.680
<v Speaker 1>of accounts to combat extremism. And as we covered in

0:16:11.760 --> 0:16:15.920
<v Speaker 1>last week's episode of the show, Shameless Plug, Facebook, Google,

0:16:16.000 --> 0:16:19.000
<v Speaker 1>and Twitter are now facing a lot of scrutiny over

0:16:19.040 --> 0:16:21.520
<v Speaker 1>why they didn't do more to stop Russia from spreading

0:16:21.560 --> 0:16:24.880
<v Speaker 1>misinformation on their platforms. Great episode, by the way, but

0:16:24.960 --> 0:16:28.080
<v Speaker 1>Albert also talked about the dangers of having our internet

0:16:28.080 --> 0:16:31.680
<v Speaker 1>companies more actively police their platforms. Do we want to

0:16:31.680 --> 0:16:35.000
<v Speaker 1>give them that power? This is such a hard question

0:16:35.200 --> 0:16:40.160
<v Speaker 1>because one person's fake news is another person's stolen belief,

0:16:40.640 --> 0:16:45.040
<v Speaker 1>and it's really hard to ask an intermediary to become

0:16:45.760 --> 0:16:48.800
<v Speaker 1>whether it be the government, or become a platform, to

0:16:48.960 --> 0:16:56.040
<v Speaker 1>become the arbiter of what's true and not true. There

0:16:56.080 --> 0:16:58.680
<v Speaker 1>was another person I talked to about this, someone with

0:16:58.720 --> 0:17:01.480
<v Speaker 1>a lot of experience to ending people whose privacy was

0:17:01.520 --> 0:17:06.000
<v Speaker 1>invaded on the Internet. My name is Erica Johnstone and

0:17:06.080 --> 0:17:10.560
<v Speaker 1>I'm a lawyer in San Francisco. I specialize in privacy law.

0:17:11.040 --> 0:17:17.680
<v Speaker 1>I specialized in representing victims of revenge porn. Revenge porn,

0:17:17.800 --> 0:17:21.240
<v Speaker 1>by the way, is the sharing of sexually explicit material

0:17:21.320 --> 0:17:25.359
<v Speaker 1>online without that person's consent. For example, think of a

0:17:25.400 --> 0:17:29.040
<v Speaker 1>guy who decides to publicly post nude photos of his

0:17:29.119 --> 0:17:31.360
<v Speaker 1>ex girlfriend as a way to get back at her

0:17:31.400 --> 0:17:34.200
<v Speaker 1>for breaking up with him. So Erica spends a lot

0:17:34.240 --> 0:17:37.000
<v Speaker 1>of time thinking about what's probably some of the worst

0:17:37.040 --> 0:17:40.359
<v Speaker 1>possible invasions of privacy that could ever happen to a person.

0:17:41.200 --> 0:17:44.640
<v Speaker 1>If digital privacy invasion is on a scale my experiences

0:17:44.720 --> 0:17:47.760
<v Speaker 1>on one end and the kind of victims she represents,

0:17:47.840 --> 0:17:50.439
<v Speaker 1>or on the other. I told her about what happened

0:17:50.440 --> 0:17:53.639
<v Speaker 1>to me on Subway Creatures. What was interesting to me

0:17:53.680 --> 0:17:56.200
<v Speaker 1>about your story was that you did follow the feed,

0:17:56.720 --> 0:18:00.919
<v Speaker 1>and I wonder if you could explain why you followed

0:18:00.920 --> 0:18:03.840
<v Speaker 1>the fee to start and if that changed at all

0:18:04.000 --> 0:18:06.920
<v Speaker 1>once you yourself were featured on it. I had been

0:18:06.960 --> 0:18:11.040
<v Speaker 1>turned onto the feed just by a friend and as

0:18:11.119 --> 0:18:16.000
<v Speaker 1>something to kind of follow as a laugh, and I

0:18:16.080 --> 0:18:19.320
<v Speaker 1>had turned my sister onto it, and then after this

0:18:19.440 --> 0:18:24.800
<v Speaker 1>happened to me, I immediately stopped following it. And you know,

0:18:24.840 --> 0:18:27.439
<v Speaker 1>if my sister was saying to me afterwards, she was

0:18:27.480 --> 0:18:29.919
<v Speaker 1>giving me a hard time. She's saying the watcher doesn't

0:18:29.960 --> 0:18:33.600
<v Speaker 1>like to be watched. She put you on the spot.

0:18:34.200 --> 0:18:36.560
<v Speaker 1>She did, but she was right, And I wish that

0:18:36.680 --> 0:18:43.240
<v Speaker 1>everyone could have that experience without necessarily being the person watched, right,

0:18:43.280 --> 0:18:47.280
<v Speaker 1>because we all change our behavior when we think that

0:18:47.320 --> 0:18:50.399
<v Speaker 1>could be me. Then we suddenly shut it down and

0:18:50.440 --> 0:18:54.359
<v Speaker 1>we feel differently about the idea of following this feed.

0:18:55.160 --> 0:18:58.880
<v Speaker 1>So maybe if more people got caught doing mildly embarrassing

0:18:58.920 --> 0:19:02.879
<v Speaker 1>things on so weakre jers, they think twice before consuming

0:19:02.880 --> 0:19:06.920
<v Speaker 1>this kind of content. So Monica Lewinsky has this really

0:19:06.960 --> 0:19:11.119
<v Speaker 1>great TED talk on the price of shame, and my

0:19:11.200 --> 0:19:14.760
<v Speaker 1>favorite line from this is that the invasions of others

0:19:14.800 --> 0:19:20.280
<v Speaker 1>as a raw material, raw material efficiently and ruthlessly mind

0:19:20.480 --> 0:19:25.840
<v Speaker 1>packaged and sold at a profit. A marketplace has emerged

0:19:26.359 --> 0:19:31.600
<v Speaker 1>where public humiliation is a commodity and shame is an industry.

0:19:33.840 --> 0:19:39.280
<v Speaker 1>How is the money made? Clicks? The more shame, the

0:19:39.320 --> 0:19:46.160
<v Speaker 1>more clicks, the more clicks, the more advertising dollars. All

0:19:46.200 --> 0:19:50.359
<v Speaker 1>of these platforms and websites. What they're fighting over is

0:19:50.400 --> 0:19:56.520
<v Speaker 1>our attention. And if we collectively stopped going to those websites,

0:19:56.600 --> 0:19:59.080
<v Speaker 1>then it would dry up the supply for them, and

0:19:59.119 --> 0:20:02.240
<v Speaker 1>they wouldn't be able to use our attention as their

0:20:02.320 --> 0:20:05.520
<v Speaker 1>commodity that they make money off of. And so I

0:20:05.560 --> 0:20:09.680
<v Speaker 1>think that, like when we talk about resistance, like how

0:20:09.680 --> 0:20:13.520
<v Speaker 1>do we resist this definition of the moment we step

0:20:13.560 --> 0:20:16.359
<v Speaker 1>out of the house, everything is fair game. We start

0:20:16.400 --> 0:20:19.240
<v Speaker 1>by averting our eyes, We start by being the ones

0:20:19.280 --> 0:20:23.800
<v Speaker 1>to not go to those websites. It's worth noting that

0:20:24.200 --> 0:20:27.760
<v Speaker 1>Rick isn't currently making any money from subway creatures. He's

0:20:27.760 --> 0:20:31.280
<v Speaker 1>thought about it before and even had some brands approach him,

0:20:31.280 --> 0:20:34.480
<v Speaker 1>like Adam and Eve, who sells sex toys. But Rick

0:20:34.560 --> 0:20:38.439
<v Speaker 1>says he's really anti advertising, and so he's still thinking

0:20:38.440 --> 0:20:41.200
<v Speaker 1>of ways he could present a message to his followers

0:20:41.440 --> 0:20:54.159
<v Speaker 1>they wouldn't feel like he's pushing ads at them. So

0:20:54.200 --> 0:20:57.760
<v Speaker 1>adding some powerful words from the lawyer Erica there and

0:20:57.800 --> 0:21:01.440
<v Speaker 1>some personal lessons for you, Yes, lesson number one, don't

0:21:01.480 --> 0:21:05.840
<v Speaker 1>look weird on the subway noted and number two I

0:21:05.960 --> 0:21:09.479
<v Speaker 1>just it gave me some new empathy for people who

0:21:09.600 --> 0:21:12.880
<v Speaker 1>you see stuff posted about on the Internet. There's other

0:21:12.920 --> 0:21:16.879
<v Speaker 1>accounts in addition to Rick where you see stuff posted

0:21:16.920 --> 0:21:20.600
<v Speaker 1>from people unsuspectingly, and it gave me a new appreciation

0:21:20.800 --> 0:21:24.480
<v Speaker 1>of just how creepy that is, you know, did your

0:21:24.520 --> 0:21:28.240
<v Speaker 1>sister stop following subway creatures on Instagram? She did not.

0:21:28.440 --> 0:21:31.440
<v Speaker 1>She still follows it. But she'd tell me something interesting,

0:21:31.560 --> 0:21:34.480
<v Speaker 1>which is that people are now posting more pictures on

0:21:34.560 --> 0:21:39.160
<v Speaker 1>there with emojis over people's faces. So adding a touch

0:21:39.440 --> 0:21:43.240
<v Speaker 1>of privacy to those people who are also being a

0:21:43.320 --> 0:21:47.560
<v Speaker 1>bit ridiculed and just saying so like a proactive measure there, Yes,

0:21:47.680 --> 0:21:50.040
<v Speaker 1>just a little pat on the back as he send

0:21:50.119 --> 0:21:54.680
<v Speaker 1>you into the humiliation world, you know, thinking about this. Clearly,

0:21:54.800 --> 0:21:58.960
<v Speaker 1>Kevin's systrum didn't create Instagram so that strangers would laugh

0:21:59.000 --> 0:22:02.439
<v Speaker 1>at you, add I'm furiously texting on your phone. No,

0:22:02.640 --> 0:22:04.880
<v Speaker 1>but that's the sort of bigger point here, is that

0:22:05.000 --> 0:22:08.679
<v Speaker 1>these platforms have gotten so big that they take on

0:22:08.720 --> 0:22:11.680
<v Speaker 1>a life of their own. And what can the companies

0:22:11.800 --> 0:22:15.160
<v Speaker 1>do to rein that in or if they should even try. Yeah,

0:22:15.240 --> 0:22:18.280
<v Speaker 1>it becomes a free for all. Right, it must mean

0:22:18.359 --> 0:22:21.000
<v Speaker 1>you have to create at least some rules. Yeah, But

0:22:21.080 --> 0:22:24.520
<v Speaker 1>like the digital privacy expert al from Stanford said, we

0:22:24.600 --> 0:22:27.320
<v Speaker 1>have two questions. Answer is that the job of the

0:22:27.359 --> 0:22:30.440
<v Speaker 1>social network to be policing what we post and see online.

0:22:31.280 --> 0:22:34.520
<v Speaker 1>And also if it really did happen and other people

0:22:34.560 --> 0:22:37.760
<v Speaker 1>really did see it. In today's digital world, do we

0:22:37.840 --> 0:22:40.240
<v Speaker 1>really have the right to expect that that material will

0:22:40.240 --> 0:22:43.000
<v Speaker 1>stay private? In my case, I got kind of lucky

0:22:43.040 --> 0:22:46.119
<v Speaker 1>because Rick deleted it really fast and now it's gone

0:22:46.160 --> 0:22:49.400
<v Speaker 1>from the Internet. But for a lot of people it's not.

0:22:50.320 --> 0:22:54.320
<v Speaker 1>So we can't look to the platforms to police uh

0:22:54.520 --> 0:22:58.880
<v Speaker 1>these sorts of things. Well, the question is whether anybody

0:22:58.920 --> 0:23:05.320
<v Speaker 1>should right. I think the the image that's taken in

0:23:05.400 --> 0:23:10.439
<v Speaker 1>a public place maybe embarrassing, but as it false, it

0:23:10.640 --> 0:23:15.240
<v Speaker 1>is a footnote in history, if you will, so it's

0:23:15.240 --> 0:23:37.600
<v Speaker 1>not like it is a fabrication. And that's it for

0:23:37.680 --> 0:23:41.159
<v Speaker 1>this week's episode of Decrypted. Thanks for listening. Do you

0:23:41.240 --> 0:23:44.480
<v Speaker 1>have a story like this where you were affected, Send

0:23:44.560 --> 0:23:48.159
<v Speaker 1>us an email at Decrypted at Bloomberg dot net, or

0:23:48.240 --> 0:23:51.040
<v Speaker 1>you can reach out to us on Twitter. I'm at

0:23:51.119 --> 0:23:55.120
<v Speaker 1>Satriano and I'm at aki Eto seven. If you haven't already,

0:23:55.240 --> 0:23:58.800
<v Speaker 1>please subscribe to our show wherever you get your podcasts,

0:23:59.200 --> 0:24:01.280
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0:24:01.320 --> 0:24:03.640
<v Speaker 1>a minute to leave us a rating and a review.

0:24:04.040 --> 0:24:06.000
<v Speaker 1>This does so much to get us in front of

0:24:06.000 --> 0:24:10.320
<v Speaker 1>more listeners. And check out our email newsletter fully Charged,

0:24:10.800 --> 0:24:14.720
<v Speaker 1>where we recreated the video of me on the subway.

0:24:15.440 --> 0:24:19.520
<v Speaker 1>This episode was produced by Pia Getkari, Liz Smith, and

0:24:19.560 --> 0:24:22.080
<v Speaker 1>Magnus Hendrickson. We'll see you next week.