WEBVTT - OG Parker

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<v Speaker 1>R and B Money.

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<v Speaker 2>We are.

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<v Speaker 1>Thanks take We are the authority on all things R

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<v Speaker 1>and B. Ladies and gentlemen. My name is Tank and

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<v Speaker 1>this is the Army Money Podcast.

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<v Speaker 3>Come on, the authority on all things R and B. Yeah,

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<v Speaker 3>you better produce you right?

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<v Speaker 4>Are you?

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<v Speaker 3>Can?

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<v Speaker 5>You can?

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<v Speaker 4>You?

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<v Speaker 3>You're walking like you talking?

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<v Speaker 2>That's here, No, a whole lot of them record.

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<v Speaker 1>Yeah, I've been blessed to to to work this young man.

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<v Speaker 3>Yeah.

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<v Speaker 1>Uh now I'm finally seeing his face right here, sit

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<v Speaker 1>ten ft away in the building.

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<v Speaker 4>Yes, now, I appreciate that. I appreciate that.

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<v Speaker 3>Come on ahead of.

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<v Speaker 5>The flesh deck.

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<v Speaker 1>Come on, he must to talk to ship at the time.

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<v Speaker 1>Up on tequila, Come on, it get different. Heymen, told

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<v Speaker 1>you where you're from?

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<v Speaker 6>Born and raised in Atlanta, Georgia, born and raised. Yes, sir,

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<v Speaker 6>how old are you man?

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<v Speaker 4>I'm thirty one.

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<v Speaker 3>You're thirty one.

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<v Speaker 4>I just turned thirty one last week.

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<v Speaker 3>You look sixteen? He was sixteen practically.

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<v Speaker 1>Yeah, you young fellas you boy?

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<v Speaker 3>You on my young talent the big.

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<v Speaker 1>And first of all, thank you, because I had big

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<v Speaker 1>dreams for that remix. Oh, I had the biggest dreams.

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<v Speaker 4>I needed that too.

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<v Speaker 1>Hey, I had the video laid out at the casino.

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<v Speaker 1>Roy yall, I had all that ran out of budget, man,

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<v Speaker 1>after I paid for the song man.

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<v Speaker 4>A budget, Yeah, I know how to ship go.

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<v Speaker 1>Budget was gone.

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<v Speaker 3>Man.

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<v Speaker 1>So so thank you, uh dirty remix, Thank you for

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<v Speaker 1>the for the Dirty Remix, and and and and next.

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<v Speaker 1>The next record you give me it will have to

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<v Speaker 1>fix it, will have a movement, have fixing fix.

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<v Speaker 4>We need the video. I needed to be in the video.

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<v Speaker 3>I got you, I got you.

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<v Speaker 1>Every time one of your songs has the fixings on it.

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<v Speaker 1>Ship go it's here.

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<v Speaker 3>I appreciate that.

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<v Speaker 1>So I have to I gotta, I gotta be part

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<v Speaker 1>of that. Thank you, brother.

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<v Speaker 4>I appreciate you.

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<v Speaker 3>Man.

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<v Speaker 1>You know, I know we all the way out here

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<v Speaker 1>in l A. And I know that trip for you

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<v Speaker 1>is not an easy one. And we appreciate you giving

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<v Speaker 1>us your time so that we can talk through, talk

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<v Speaker 1>through a lot of.

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<v Speaker 3>This work that you've done.

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<v Speaker 1>My brother, I appreciate it. Yeah, let's be here. Let's

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<v Speaker 1>start at the beginning. Man, growing up in atl where

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<v Speaker 1>does your journey, where does your musical journey begin?

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<v Speaker 6>So my grandfather, he taught piano in music at Morehouse College.

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<v Speaker 4>Wow. Yeah, and he played in the church.

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<v Speaker 6>So when I was like eight, he was like he

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<v Speaker 6>really made like all of us learn the basics of piano,

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<v Speaker 6>and then he made us all pick an instrument.

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<v Speaker 4>So I picked the saxophone.

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<v Speaker 6>So I was in the band, marching band all that,

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<v Speaker 6>and then I changed to the Uh. Then I always

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<v Speaker 6>tell Nick when drum line came out, I was like,

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<v Speaker 6>oh no, no more.

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<v Speaker 4>He was yeah. So then I joined. You know what

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<v Speaker 4>I'm saying, I played sna get the girls. I was like, yeah,

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<v Speaker 4>I'm going that way.

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<v Speaker 6>Yeah, So I did all throughout high school I did

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<v Speaker 6>snare and then one year I played drum set and

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<v Speaker 6>then you know, just was always in love with music

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<v Speaker 6>and it was just always making beats. I probably start

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<v Speaker 6>making beats about tenth grade, so about two thousand him.

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<v Speaker 3>What were you making? Your what were you making? What

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<v Speaker 3>made you want to make beats?

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<v Speaker 6>I just knew I wanted to be in music, and like,

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<v Speaker 6>you know, they make you go to them job fairs

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<v Speaker 6>and stuff, and like I was just looking around and

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<v Speaker 6>I was just like, I don't want to go to

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<v Speaker 6>the Army of the Navy, don't want to do this

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<v Speaker 6>that want to be a chef, Like I don't want

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<v Speaker 6>to do none of this.

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<v Speaker 4>And I was just like, I just want to make music.

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<v Speaker 6>So I was just like, it's really either be a

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<v Speaker 6>band director or a music teacher, or be a music producer.

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<v Speaker 6>I feel like those are really like the only avenues.

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<v Speaker 6>So I was like, I'm going to be a music producer.

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<v Speaker 6>So my homie gave me f L Studio on the

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<v Speaker 6>flash drive, and I don't think I ever stopped.

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<v Speaker 4>I probably made beats every day since.

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<v Speaker 3>Now.

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<v Speaker 1>See that's like I'm just comparing it to to you know,

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<v Speaker 1>an analog you know, new digital guys, would you go

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<v Speaker 1>to hand you a production interface on you know, with.

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<v Speaker 3>Everything you need you need right?

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<v Speaker 1>And I remember dreaming as a child, a kid, young kid,

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<v Speaker 1>like looking at the NPC sixty like, man, I want

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<v Speaker 1>one of those. My guys had an SP twelve. I

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<v Speaker 1>was like, are you doing that? How are you making

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<v Speaker 1>the I want one of those?

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<v Speaker 4>They were expensive making.

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<v Speaker 1>Yeah, expensively yeah for what you gotta.

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<v Speaker 2>Think one thousand absolutely, So imagine seeing that at fifteen,

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<v Speaker 2>sixteen years old, You're like, man, I don't what the

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<v Speaker 2>fuck am I get impossible?

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<v Speaker 1>Yeah, I'm making twenty five dollars a Sunday at church

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<v Speaker 1>playing for the choir I have. I don't see two

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<v Speaker 1>thousand dollars nowhere.

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<v Speaker 4>That's how much they pay. I thought they paid more

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<v Speaker 4>than that.

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<v Speaker 1>Now they do, But that back then, they was getting

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<v Speaker 1>me with the Jesus thing. You know what I'm saying.

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<v Speaker 1>You know, you're doing this for the Lord. You know,

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<v Speaker 1>the Lord ain't got no money? Like what Lord are

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<v Speaker 1>we serving? I heard they got streets of gold up there,

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<v Speaker 1>like give me a brick, magg Like.

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<v Speaker 3>This is crazy.

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<v Speaker 1>So looking at that equipment back then, and looking at

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<v Speaker 1>the keyboards that was thirteen fifteen hundred, I'll never get there.

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<v Speaker 1>And you know it worked out to where, you know,

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<v Speaker 1>I finally get a little deal. And the first thing

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<v Speaker 1>I went to do is buy my equipment. I'm talking

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<v Speaker 1>about a mac a thirty two channel Mackie board, NPC

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<v Speaker 1>three thousand, XP eighty and I had my TV on

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<v Speaker 1>top and I got it all plugged in and my

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<v Speaker 1>Mama's unfinished basement and I'm making beats down.

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<v Speaker 3>There, you know what I'm saying.

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<v Speaker 1>And you just told me a guy handed you fl

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<v Speaker 1>on a flash.

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<v Speaker 6>Drive, right, And then I begged my parents to buy

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<v Speaker 6>me some speakers, and then a little you know, a

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<v Speaker 6>little forty nine key.

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<v Speaker 1>Little forty nine y and you were in business.

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<v Speaker 6>That's all I need my laptop half a school and

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<v Speaker 6>I just used to be making beats as soon as

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<v Speaker 6>I got home, just making beats all night.

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<v Speaker 1>And when you first started making beats, who were you

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<v Speaker 1>trying to be as a producer?

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<v Speaker 3>For real?

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<v Speaker 2>Everybody have the everybody got their person, got their person.

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<v Speaker 3>Yeah, mom was timbling.

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<v Speaker 4>It was really both. I ain't gonna care it was both,

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<v Speaker 4>you know what I'm saying.

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<v Speaker 6>It's so different, it's different, but like those were definitely

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<v Speaker 6>like two of my favorite for reals.

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<v Speaker 2>He just had a you shooting for the star, right,

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<v Speaker 2>And so did you know anybody? No, not really, even

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<v Speaker 2>being from Atlanta, you had never come across nobody that

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<v Speaker 2>you know, like, Okay, the homie brother is such and such.

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<v Speaker 4>Producer, you know what I mean? Yeah, so, my it's crazy.

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<v Speaker 6>Like one of my producers that I signed, now, he

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<v Speaker 6>was my best friend in high school and his dad's

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<v Speaker 6>mister DJ.

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<v Speaker 4>You know he did like bombs over that back.

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<v Speaker 3>Yeah.

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<v Speaker 4>Yeah, so we used to go over to his house.

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<v Speaker 4>But you can ask him now.

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<v Speaker 6>He never took a serious like he used to let

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<v Speaker 6>us see the studio and like show us his Grammys

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<v Speaker 6>and ship.

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<v Speaker 4>Paying that ship in no mind, we used to be

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<v Speaker 4>in that motherfucker.

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<v Speaker 6>He used to be like, don't break my fucking computer. Right, yeah,

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<v Speaker 6>we just in there. We're making noise to him, like

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<v Speaker 6>he like, man, you know what I'm saying. Like now

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<v Speaker 6>he takes a serious now, but like you know, back then,

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<v Speaker 6>he was just like, look, y'all can work in here,

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<v Speaker 6>but like, don't fuck my ship up.

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<v Speaker 3>But he gave y'all a really cool space.

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<v Speaker 1>Because I can imagine if he him, he's got a

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<v Speaker 1>proper setup.

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<v Speaker 6>Man, he just has every record on Earth just in

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<v Speaker 6>bookshelves and just you know, he'd be sampling and doing

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<v Speaker 6>all you know what I'm saying. He did all them

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<v Speaker 6>crazy outcast songs, and he just used to tell us

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<v Speaker 6>a lot of stories. And then just seeing the Grammy,

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<v Speaker 6>like I was like, oh, yeah, this is what I'm doing.

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<v Speaker 2>So it felt real to you, It felt it felt attainable, Yeah,

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<v Speaker 2>for sure, Because you know that's why that's why I asked,

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<v Speaker 2>you know, I mean, because some people come from places

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<v Speaker 2>where they don't know anybody, or they come from a

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<v Speaker 2>city where nobody from their city ever cracked off like that, right,

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<v Speaker 2>But being from a place like Atlanta, obviously that's why

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<v Speaker 2>I'm like, was there somebody, you know what I mean?

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<v Speaker 2>So that now that it makes perfect sense because for

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<v Speaker 2>that it just it's something that frees the mind, you

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<v Speaker 2>know what I mean. You don't have that blockage that

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<v Speaker 2>some people have from certain different places in the world

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<v Speaker 2>where they're like, bro, nobody's ever made it from such

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<v Speaker 2>and such, such.

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<v Speaker 1>And such, so how.

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<v Speaker 6>Do I even And then just seeing my grandfather because

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<v Speaker 6>he played the organ in church, you know, he played

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<v Speaker 6>funerals and like, you know, just you know what I'm saying,

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<v Speaker 6>all types of stuff. So I used to always see

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<v Speaker 6>him and I just was like, I'm seeing all these

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<v Speaker 6>producers that.

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<v Speaker 4>Are millions, all this making all this money.

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<v Speaker 6>I'm just like, okay, so the gig stuff, it's a

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<v Speaker 6>little slower money, you know.

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<v Speaker 4>I know, you know, you probably did a lot of gigs.

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<v Speaker 4>You know, they call it gigging.

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<v Speaker 6>Yeah, So it's like I was like, you know, like

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<v Speaker 6>that's cool too, Like I would love to do that,

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<v Speaker 6>but I wanted I knew I wanted to.

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<v Speaker 1>And another part that's crazy is like even as a

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<v Speaker 1>as I'm a kid, and I got my keyboard, and

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<v Speaker 1>I'm making beats and all of these things. You know,

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<v Speaker 1>in the times that you come up in, you guys

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<v Speaker 1>are doing the math rather quickly like we weren't. I

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<v Speaker 1>wasn't doing them. I wasn't processing the math that fast.

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<v Speaker 1>I wasn't saying. I mean, of course, I'm in d C.

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<v Speaker 1>And it wasn't in Maryland. The market wasn't like robust

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<v Speaker 1>in terms of you know, the artist and entertainments and

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<v Speaker 1>people teaching it or giving the information. But I hadn't

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<v Speaker 1>done the math on Okay, the musician thing is cool,

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<v Speaker 1>but if I be a producer.

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<v Speaker 3>Then I can really get to the back. I didn't.

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<v Speaker 1>I didn't even I hadn't even processed that, you know

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<v Speaker 1>what I mean. And you calculating that at a very

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<v Speaker 1>young age was very wise of you, because, like you said,

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<v Speaker 1>as a musician, I've run myself into the ground.

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<v Speaker 6>You gotta practice everything. You got to learn, all the songs.

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<v Speaker 6>You got Wednesday Bible study, you got Sunday service.

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<v Speaker 4>Come on, I'm saying. You gotta know. You know what

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<v Speaker 4>I'm saying.

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<v Speaker 6>Like I mean, I guess you could transpose if you want,

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<v Speaker 6>but if you want to just be able to just

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<v Speaker 6>I wasn't transposed.

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<v Speaker 3>I was in every key.

0:11:13.040 --> 0:11:15.800
<v Speaker 1>And then I'm carrying a double tears stand, two keyboards,

0:11:15.840 --> 0:11:20.760
<v Speaker 1>and a pv amp in one trip. I'm carrying it

0:11:20.880 --> 0:11:23.240
<v Speaker 1>up the stairs or whatever church we're going to. Let's

0:11:23.240 --> 0:11:34.160
<v Speaker 1>get it. Yeah, if I'd have known earlier, I could

0:11:34.320 --> 0:11:35.000
<v Speaker 1>just produce.

0:11:35.800 --> 0:11:40.400
<v Speaker 3>Get this monkey off my back. I mean, we're where

0:11:40.440 --> 0:11:41.080
<v Speaker 3>we are for a reason.

0:11:41.120 --> 0:11:43.599
<v Speaker 6>But yeah, that's why you're so talented. You know what

0:11:43.640 --> 0:11:45.559
<v Speaker 6>I'm saying. You can play in every key. You know

0:11:45.600 --> 0:11:47.560
<v Speaker 6>what I'm saying. That's what that's something that you use

0:11:47.600 --> 0:11:49.920
<v Speaker 6>to your advantage. You probably don't even realize how hard

0:11:49.960 --> 0:11:51.440
<v Speaker 6>it is for some people to even learn how to

0:11:51.440 --> 0:11:53.800
<v Speaker 6>do that, because you were already just doing it without

0:11:53.840 --> 0:11:54.679
<v Speaker 6>even thinking.

0:11:54.840 --> 0:11:58.520
<v Speaker 1>I had we I played on the piano so in devotion.

0:11:59.600 --> 0:12:02.680
<v Speaker 1>When when you know a mother from the Mother's Boys

0:12:02.720 --> 0:12:05.719
<v Speaker 1>starts singing her song, you gotta meet her where she

0:12:05.880 --> 0:12:06.320
<v Speaker 1>at right?

0:12:06.559 --> 0:12:06.760
<v Speaker 3>One?

0:12:06.920 --> 0:12:13.120
<v Speaker 2>Three, Yeah, if that's an E or B or strange keys,

0:12:13.880 --> 0:12:14.679
<v Speaker 2>you gotta make it right.

0:12:14.720 --> 0:12:19.360
<v Speaker 1>You gotta meet her. Let's go, and you ain't want

0:12:19.360 --> 0:12:21.280
<v Speaker 1>to be embarrassed, because if you got embarrassed and there

0:12:21.360 --> 0:12:25.040
<v Speaker 1>was another more capable musician behind you, he will scoot,

0:12:25.120 --> 0:12:29.640
<v Speaker 1>you scoot, you off that bench.

0:12:29.920 --> 0:12:30.840
<v Speaker 4>You go to tambourine and.

0:12:34.440 --> 0:12:34.679
<v Speaker 3>You don't.

0:12:41.920 --> 0:12:44.120
<v Speaker 6>It's like the same in like band, in marching band,

0:12:44.160 --> 0:12:45.760
<v Speaker 6>like you mess up. Like they were like, oh yeah,

0:12:45.800 --> 0:12:48.920
<v Speaker 6>we're gonna let him play today. Like you go to

0:12:48.960 --> 0:12:52.319
<v Speaker 6>bass anybody, yeah, and he's gonna place there.

0:12:52.400 --> 0:12:55.320
<v Speaker 1>So I went from trumpet, Well, I could always play drums.

0:12:55.320 --> 0:12:57.160
<v Speaker 1>I start playing drums at five, but I was like,

0:12:57.160 --> 0:12:58.640
<v Speaker 1>I don't want to play drums in the band. It's

0:12:58.640 --> 0:13:02.360
<v Speaker 1>just one drum. Like, but I'm went from trumpet then too.

0:13:02.480 --> 0:13:03.680
<v Speaker 1>I was like, you know, let me just do what

0:13:03.720 --> 0:13:05.640
<v Speaker 1>I do. So I went from trumpet to snare then

0:13:05.679 --> 0:13:07.560
<v Speaker 1>the set in band.

0:13:07.720 --> 0:13:08.480
<v Speaker 3>Yeah, but I.

0:13:08.400 --> 0:13:12.120
<v Speaker 1>Feel like, you know, I feel like drummers and DJs

0:13:12.640 --> 0:13:13.559
<v Speaker 1>are the best beat.

0:13:13.400 --> 0:13:17.360
<v Speaker 4>Makers really yeah, because of tempo.

0:13:18.960 --> 0:13:23.160
<v Speaker 1>They just understand rhythm differently. Yeah right, Like like take

0:13:23.160 --> 0:13:26.480
<v Speaker 1>a guy like Timberland who was the DJ doctor dre

0:13:27.040 --> 0:13:33.800
<v Speaker 1>Doctor dre Y. Yeah. When when I saw Beacos going

0:13:33.840 --> 0:13:37.480
<v Speaker 1>over to work with Jermaine in the beginning, he was like,

0:13:37.880 --> 0:13:38.720
<v Speaker 1>you need to learn how to DJ.

0:13:40.080 --> 0:13:40.520
<v Speaker 3>Jamaine.

0:13:40.720 --> 0:13:42.880
<v Speaker 1>I used to go watch be Cox sit on the

0:13:42.880 --> 0:13:48.600
<v Speaker 1>turntables for like three hours just trying to I was like,

0:13:48.640 --> 0:13:52.160
<v Speaker 1>what are you doing? I gotta just learning rhythms and DJ.

0:13:54.679 --> 0:13:57.480
<v Speaker 4>Right, see what he is is an art of DJ.

0:13:58.559 --> 0:14:04.079
<v Speaker 1>People don't understand, but no understanding those bp ms, understanding

0:14:04.200 --> 0:14:07.720
<v Speaker 1>how to move the crowd, understand like all that plays

0:14:07.720 --> 0:14:10.400
<v Speaker 1>a part in the beat making process. Now you know,

0:14:10.400 --> 0:14:12.679
<v Speaker 1>I have guys that can be lush on top of it.

0:14:13.160 --> 0:14:18.160
<v Speaker 1>But that beat, Yeah, d DJs?

0:14:18.320 --> 0:14:24.880
<v Speaker 3>What's the mo? Other guy? Uh? Is it bongo? But bongo? Yeah?

0:14:24.880 --> 0:14:36.480
<v Speaker 2>Producer drummer is bango drummer? Drums who makes sense for

0:14:36.520 --> 0:14:36.920
<v Speaker 2>his navy?

0:14:38.880 --> 0:14:39.520
<v Speaker 3>You know what I'm saying.

0:14:39.840 --> 0:14:42.560
<v Speaker 1>But I feel like that perspective, like you coming from

0:14:42.880 --> 0:14:47.320
<v Speaker 1>from band and being a drummer has that gives you

0:14:47.680 --> 0:14:51.200
<v Speaker 1>an insight that that a lot of producers don't have.

0:14:51.400 --> 0:14:56.360
<v Speaker 1>And it's it's about space along with time signature, like

0:14:57.000 --> 0:14:58.840
<v Speaker 1>being able to live in this space where since you

0:14:58.920 --> 0:15:01.320
<v Speaker 1>started with the fruity loops, how you understand the digital

0:15:01.360 --> 0:15:03.600
<v Speaker 1>space of it. But if you feel like getting natural

0:15:03.600 --> 0:15:06.440
<v Speaker 1>on these niggas, then you know where that where that

0:15:06.560 --> 0:15:07.160
<v Speaker 1>dance is too.

0:15:07.680 --> 0:15:10.240
<v Speaker 4>Yeah, and I'll work with some outburg here too.

0:15:10.280 --> 0:15:10.920
<v Speaker 3>You know what I'm saying.

0:15:10.960 --> 0:15:12.600
<v Speaker 4>You got a Jupiter, I got a melotron.

0:15:12.640 --> 0:15:15.880
<v Speaker 6>I got all types of stuff, you know what I'm saying, Like,

0:15:15.480 --> 0:15:17.240
<v Speaker 6>I'll get I.

0:15:17.200 --> 0:15:19.720
<v Speaker 4>Get busy with it too, That's what I'm saying.

0:15:19.760 --> 0:15:21.560
<v Speaker 6>Like I like to really just like to delve in

0:15:21.720 --> 0:15:24.600
<v Speaker 6>like and just like be able to create freely, so

0:15:24.680 --> 0:15:26.200
<v Speaker 6>I don't ever want to feel like I'm held in

0:15:26.200 --> 0:15:26.520
<v Speaker 6>the box.

0:15:26.520 --> 0:15:28.120
<v Speaker 4>That's why I like to make all genres.

0:15:28.160 --> 0:15:29.600
<v Speaker 6>Like you know what I'm saying, I'll do some medium

0:15:29.760 --> 0:15:32.680
<v Speaker 6>pop stuff like I just like to just feel free

0:15:32.840 --> 0:15:33.520
<v Speaker 6>as a creative.

0:15:33.800 --> 0:15:36.200
<v Speaker 2>Yeah, what were your first beats? Where they were they

0:15:36.240 --> 0:15:42.800
<v Speaker 2>hip hop beats or what they like? Listen, listen to

0:15:42.840 --> 0:15:45.040
<v Speaker 2>the young to the young kids that's out there just

0:15:45.080 --> 0:15:45.960
<v Speaker 2>starting right now.

0:15:46.040 --> 0:15:48.520
<v Speaker 3>Let them know like this is it starts somewhere.

0:15:48.760 --> 0:15:50.320
<v Speaker 4>Yeah, yeah they're trash.

0:15:50.480 --> 0:15:50.680
<v Speaker 3>Yeah.

0:15:50.720 --> 0:15:51.800
<v Speaker 4>I was just making whatever.

0:15:52.000 --> 0:15:55.600
<v Speaker 6>Like to be honest, I just another motherfucker just playing

0:15:55.720 --> 0:15:57.960
<v Speaker 6>chords and just trying to throw drums on it. I

0:15:57.960 --> 0:15:59.880
<v Speaker 6>didn't know how to mix. I wasn't even throwing stuff

0:15:59.880 --> 0:16:03.720
<v Speaker 6>in the mixer. No panemeric EQ, no reverb, no nothing,

0:16:03.760 --> 0:16:05.640
<v Speaker 6>and just and then I you know, you gotta do

0:16:05.680 --> 0:16:08.360
<v Speaker 6>the car test, so I play it in the car.

0:16:09.200 --> 0:16:10.800
<v Speaker 4>I'd be like, this just sounds terrible.

0:16:11.560 --> 0:16:14.520
<v Speaker 1>And you didn't know why it wasn't translating.

0:16:14.640 --> 0:16:19.440
<v Speaker 4>But luckily, the advantage that we have, thank god, is YouTube.

0:16:19.720 --> 0:16:20.840
<v Speaker 3>I was just about to say that.

0:16:20.800 --> 0:16:24.560
<v Speaker 6>So I started taking advantage of YouTube and like how

0:16:24.600 --> 0:16:28.400
<v Speaker 6>to mix beats on fl studio. And then that's when

0:16:28.440 --> 0:16:32.520
<v Speaker 6>I really like started learning, like, oh, you gotta eq

0:16:32.720 --> 0:16:34.480
<v Speaker 6>this out, you gotta do this, you gotta do that,

0:16:34.600 --> 0:16:38.080
<v Speaker 6>And that's when my production started elevating.

0:16:38.280 --> 0:16:40.440
<v Speaker 3>Y'all have so many advantages.

0:16:40.520 --> 0:16:44.840
<v Speaker 1>Like I'm watching like our good friend Jason Joshua, I'm

0:16:44.920 --> 0:16:51.680
<v Speaker 1>watching him do YouTube tutorials, him and him and Pensada

0:16:51.960 --> 0:16:56.760
<v Speaker 1>of how to get that track from here to Heaven?

0:16:57.120 --> 0:16:59.000
<v Speaker 3>Yeah, and you guys.

0:16:58.760 --> 0:17:00.200
<v Speaker 1>Are got it.

0:17:00.920 --> 0:17:03.000
<v Speaker 4>What's that? What's it called? What's his BST called?

0:17:04.440 --> 0:17:05.160
<v Speaker 3>Charicle? Yeah?

0:17:05.280 --> 0:17:13.000
<v Speaker 1>Yeah, It's like, I get a beat now, and I'm like,

0:17:14.000 --> 0:17:14.680
<v Speaker 1>don't touch.

0:17:14.520 --> 0:17:18.119
<v Speaker 3>It, right, he's ready, Yeah, don't touch it.

0:17:18.119 --> 0:17:22.480
<v Speaker 1>Sounds mixing messive, So let me sing mixed my vocals.

0:17:23.480 --> 0:17:25.920
<v Speaker 3>We're done. Mhm.

0:17:25.960 --> 0:17:27.480
<v Speaker 4>I got a lot of two track mixes out.

0:17:27.400 --> 0:17:30.840
<v Speaker 1>Here, listen a lot of them. Did you said cardiac

0:17:30.920 --> 0:17:34.359
<v Speaker 1>earlier when we two track?

0:17:34.960 --> 0:17:37.440
<v Speaker 6>Yeah, but I'm not gonna lie. I don't know what

0:17:37.480 --> 0:17:43.240
<v Speaker 6>that nigga cardiac? Does that sound like it sounds like

0:17:43.280 --> 0:17:45.639
<v Speaker 6>that ship is a fucking movie theater and you're like,

0:17:46.800 --> 0:17:49.120
<v Speaker 6>you got the speaking right next to you or some ship.

0:17:49.160 --> 0:17:50.600
<v Speaker 4>I don't know what he do. He better keep that

0:17:50.600 --> 0:17:51.200
<v Speaker 4>ship to him.

0:17:53.400 --> 0:17:57.320
<v Speaker 3>On YouTube. Down with you, yeah, because looking.

0:17:57.080 --> 0:18:01.960
<v Speaker 6>For Yeah, that ship sounded made and every song he produced.

0:18:01.520 --> 0:18:05.840
<v Speaker 1>Like it's two tracks get on my nerves. Yeah, I

0:18:05.920 --> 0:18:07.960
<v Speaker 1>should come through. And I got to a point to

0:18:08.000 --> 0:18:12.720
<v Speaker 1>where I just said, I don't care. I'm not going

0:18:12.840 --> 0:18:16.080
<v Speaker 1>to try to make my beat sound like that. I

0:18:16.119 --> 0:18:20.520
<v Speaker 1>don't care. Jason Joshua was gonna mix it anyway. I

0:18:20.640 --> 0:18:24.040
<v Speaker 1>don't care, because I was. I was losing my mind

0:18:25.720 --> 0:18:30.840
<v Speaker 1>trying to get my beat there. There's too many You

0:18:30.880 --> 0:18:33.680
<v Speaker 1>guys are too well versed in the out out for gear,

0:18:34.320 --> 0:18:37.400
<v Speaker 1>you know, into the presets and all these things. I don't.

0:18:37.440 --> 0:18:39.960
<v Speaker 1>I don't have that, and honestly, I don't have time

0:18:39.960 --> 0:18:40.280
<v Speaker 1>for it.

0:18:41.520 --> 0:18:42.800
<v Speaker 4>I don't get too much money.

0:18:42.840 --> 0:18:44.160
<v Speaker 3>I gotta go to the gym.

0:18:44.640 --> 0:18:46.439
<v Speaker 1>Fact, I can't work on my pictorials.

0:18:46.480 --> 0:18:49.800
<v Speaker 3>Okay, that's where I need to go.

0:18:54.119 --> 0:19:00.240
<v Speaker 1>So when do you When do you go from as

0:19:00.480 --> 0:19:07.160
<v Speaker 1>man to beats that are like Nigga, that's hot?

0:19:07.880 --> 0:19:08.800
<v Speaker 3>What's that? Who that for?

0:19:10.600 --> 0:19:10.800
<v Speaker 7>Man?

0:19:11.200 --> 0:19:14.200
<v Speaker 6>So I was working for a minute. I was just uh,

0:19:14.440 --> 0:19:17.399
<v Speaker 6>making beats, making beats. And then my senior year, my

0:19:17.480 --> 0:19:20.080
<v Speaker 6>parents were like, either get a job or go to school.

0:19:20.800 --> 0:19:23.159
<v Speaker 6>So I'm like, damn sure, I ain't trying to get

0:19:23.200 --> 0:19:25.480
<v Speaker 6>no job. So I was like, I'll go to school.

0:19:25.520 --> 0:19:28.399
<v Speaker 6>So I went to Georgia State for a year. So

0:19:28.480 --> 0:19:31.120
<v Speaker 6>I started meeting a lot of people there and then

0:19:31.320 --> 0:19:35.280
<v Speaker 6>ironically I ran into one of Ogi Maco's homies and

0:19:35.320 --> 0:19:36.760
<v Speaker 6>he was like, Yo, come to the house.

0:19:36.840 --> 0:19:37.680
<v Speaker 4>We're about to work.

0:19:38.520 --> 0:19:40.640
<v Speaker 6>So we pull up to the house, I meet Ogi

0:19:40.760 --> 0:19:44.000
<v Speaker 6>Maco and Key and then Ogi Maco drops that song

0:19:44.200 --> 0:19:45.560
<v Speaker 6>y'all remember bitch you guessed.

0:19:45.240 --> 0:19:47.040
<v Speaker 1>It Nigga smash.

0:19:52.080 --> 0:19:55.600
<v Speaker 6>Yeah right classic, I'm telling you.

0:19:55.119 --> 0:19:56.919
<v Speaker 4>So he drops that ship.

0:19:57.440 --> 0:19:59.520
<v Speaker 6>So then he called me one day He's like, yo,

0:19:59.760 --> 0:20:01.359
<v Speaker 6>coach KG just hit me up like they're trying to

0:20:01.359 --> 0:20:03.720
<v Speaker 6>sign me the QC. This is when the migos going

0:20:03.800 --> 0:20:07.600
<v Speaker 6>crazy hen and wealthy and all that ship. So I'm like, Nigga,

0:20:07.640 --> 0:20:10.119
<v Speaker 6>you better pull up right now. So he go up

0:20:10.160 --> 0:20:12.960
<v Speaker 6>there that Nigga signed the deal right then.

0:20:13.520 --> 0:20:14.119
<v Speaker 3>On the spot.

0:20:15.119 --> 0:20:17.359
<v Speaker 4>Of course, he signed on the spot.

0:20:18.160 --> 0:20:23.360
<v Speaker 6>So he called me, he like I signed. I'm like, oh,

0:20:23.480 --> 0:20:26.520
<v Speaker 6>ship bet. So I'm in Georgia State, I'm walking into class.

0:20:26.520 --> 0:20:29.719
<v Speaker 6>I'm thinking, I'm I think I'm walking into like fucking

0:20:29.720 --> 0:20:33.679
<v Speaker 6>calculus or some ship that nigga's like, yeah, I signed.

0:20:35.320 --> 0:20:38.840
<v Speaker 6>I turned my eyes right back around. I said you

0:20:38.920 --> 0:20:41.080
<v Speaker 6>at the studio. I said, mat, I'm about to uber

0:20:42.080 --> 0:20:43.119
<v Speaker 6>uber right to the studio.

0:20:43.640 --> 0:20:44.520
<v Speaker 3>Left school.

0:20:44.840 --> 0:20:48.040
<v Speaker 4>Never went back. What I never went back.

0:20:49.359 --> 0:20:51.400
<v Speaker 3>Not not to say by anything.

0:20:53.920 --> 0:20:56.399
<v Speaker 6>I got a picture all my classes say in like

0:20:56.600 --> 0:20:58.440
<v Speaker 6>in incomplete inter ship.

0:20:59.119 --> 0:21:00.840
<v Speaker 4>I didn't even talk your freshman year.

0:21:01.600 --> 0:21:04.480
<v Speaker 2>This is my uh you already finished the freshman Yeah.

0:21:04.760 --> 0:21:07.320
<v Speaker 4>It's like fake halfway sophomore year and ship.

0:21:08.119 --> 0:21:08.359
<v Speaker 3>Yeah.

0:21:08.400 --> 0:21:10.960
<v Speaker 6>So then I just start going to QC every day,

0:21:10.960 --> 0:21:12.679
<v Speaker 6>and I was working with like Rich the Kid and

0:21:12.760 --> 0:21:14.840
<v Speaker 6>Johnny Cinco and you know.

0:21:14.760 --> 0:21:17.159
<v Speaker 3>Where you go or where they Yeah.

0:21:17.040 --> 0:21:17.880
<v Speaker 4>Yeah they were way better.

0:21:17.920 --> 0:21:20.120
<v Speaker 6>Now I was working with like my boy Dico, and

0:21:20.160 --> 0:21:22.960
<v Speaker 6>like I had learned way more about production and then

0:21:23.000 --> 0:21:25.040
<v Speaker 6>like I was starting to get placements with them and everything,

0:21:25.080 --> 0:21:26.560
<v Speaker 6>and then p and Coach K came to me and

0:21:26.560 --> 0:21:29.359
<v Speaker 6>they were like, shit, you here every day, we might

0:21:29.400 --> 0:21:32.880
<v Speaker 6>as well sign you. So I was like, I damn

0:21:33.000 --> 0:21:36.600
<v Speaker 6>did the same thing, sign and just signed. The ship

0:21:37.000 --> 0:21:37.960
<v Speaker 6>been history ever since.

0:21:40.200 --> 0:21:48.359
<v Speaker 1>And that's like, like you gotta fucking believe bro. Like

0:21:49.160 --> 0:21:54.080
<v Speaker 1>that moment was so defining where it's like you can

0:21:54.160 --> 0:21:58.000
<v Speaker 1>just keep with this program or you can do something

0:21:58.080 --> 0:22:04.240
<v Speaker 1>absolutely crazy and walk out a calculus. So now I'm

0:22:04.240 --> 0:22:08.000
<v Speaker 1>going to the studio and whatever it is is what

0:22:08.040 --> 0:22:08.679
<v Speaker 1>it's going to be.

0:22:09.800 --> 0:22:12.600
<v Speaker 6>But there was a time in between that too where

0:22:12.760 --> 0:22:15.359
<v Speaker 6>my parents made me have a job. So I worked

0:22:15.400 --> 0:22:17.840
<v Speaker 6>like random odd jobs like I worked at like Abricomy

0:22:17.880 --> 0:22:21.359
<v Speaker 6>and Fitch. I worked at Macy's, I worked at Forever

0:22:21.440 --> 0:22:21.960
<v Speaker 6>twenty one.

0:22:22.520 --> 0:22:25.560
<v Speaker 2>So what the clothes was though, and where the girls

0:22:25.560 --> 0:22:34.040
<v Speaker 2>were yeah, yeah for sure retail, yes, yes, yes, yes.

0:22:34.080 --> 0:22:36.240
<v Speaker 6>Yeah, Like I was the nigga at Africomy and Fitch

0:22:36.280 --> 0:22:38.520
<v Speaker 6>on Christmas ad to stand outside with the shutof.

0:22:39.600 --> 0:22:41.480
<v Speaker 3>Give him some of that, yeah, give him some. Yeah

0:22:41.640 --> 0:22:43.200
<v Speaker 3>he was on that. I love that.

0:22:43.520 --> 0:22:44.400
<v Speaker 4>Yeah, that was divided.

0:22:44.480 --> 0:22:47.639
<v Speaker 6>So, like you know, I was like, it's just like

0:22:47.760 --> 0:22:49.359
<v Speaker 6>dumb shit. But like then I was like, man, I

0:22:49.400 --> 0:22:50.840
<v Speaker 6>don't want to be in the workforce no more. Like

0:22:50.840 --> 0:22:52.840
<v Speaker 6>I was like, I want to just make music. So

0:22:52.920 --> 0:22:54.760
<v Speaker 6>I was just like I was, but I was going

0:22:54.800 --> 0:22:56.399
<v Speaker 6>home and I didn't have a car, so I was

0:22:56.480 --> 0:23:00.439
<v Speaker 6>riding the train. I was riding the train to the

0:23:00.440 --> 0:23:03.120
<v Speaker 6>bus to the train station near my house and then

0:23:03.280 --> 0:23:06.919
<v Speaker 6>taking the bus to my house every day, every day

0:23:07.000 --> 0:23:08.960
<v Speaker 6>with your Okay, that was my routine. And I go

0:23:09.000 --> 0:23:10.120
<v Speaker 6>home and I make bets all.

0:23:10.080 --> 0:23:12.160
<v Speaker 3>Night and then how far was the QC studio?

0:23:13.880 --> 0:23:15.399
<v Speaker 4>I used to have to borrow my mom's car to

0:23:15.440 --> 0:23:18.399
<v Speaker 4>go there. That was on North Side Drive. Okay, so

0:23:18.560 --> 0:23:19.440
<v Speaker 4>like midtown.

0:23:20.440 --> 0:23:22.240
<v Speaker 3>My mom was letting you, she was letting you rock.

0:23:23.560 --> 0:23:26.960
<v Speaker 4>Mm hm, you stole the car.

0:23:28.680 --> 0:23:33.080
<v Speaker 6>They I just think that, like I always tell people that, Like,

0:23:33.160 --> 0:23:35.560
<v Speaker 6>I think it's hard for like people to comprehend what

0:23:35.640 --> 0:23:36.359
<v Speaker 6>making the beat is.

0:23:36.960 --> 0:23:37.440
<v Speaker 3>Mm hmmm.

0:23:37.600 --> 0:23:39.000
<v Speaker 4>So like my parents weren't.

0:23:38.800 --> 0:23:42.000
<v Speaker 6>Really comprehending the noise they were hearing in my bedroom.

0:23:42.680 --> 0:23:43.720
<v Speaker 6>They just hurt me just.

0:23:46.800 --> 0:23:47.320
<v Speaker 3>It sounds like.

0:23:48.640 --> 0:23:53.560
<v Speaker 6>Yeah, one time my dad was like, he texted me,

0:23:53.600 --> 0:23:55.120
<v Speaker 6>he said, son, turned that down.

0:23:55.119 --> 0:23:56.280
<v Speaker 4>Some of us had real jobs.

0:24:08.880 --> 0:24:12.040
<v Speaker 6>I would sign back up, probably signed I probably I

0:24:12.119 --> 0:24:15.840
<v Speaker 6>dropped out maybe like a year or two for.

0:24:15.840 --> 0:24:17.600
<v Speaker 4>A year a year year.

0:24:17.960 --> 0:24:21.800
<v Speaker 3>You just on your own time, on your own time.

0:24:21.880 --> 0:24:25.120
<v Speaker 2>Ain't making no money with none of it yet, hell no,

0:24:25.240 --> 0:24:29.119
<v Speaker 2>just putting in your work, putting in your man hours.

0:24:28.000 --> 0:24:30.800
<v Speaker 4>Nothing, just pulling up just every night.

0:24:30.880 --> 0:24:32.640
<v Speaker 6>I was sleeping there two three days at a time,

0:24:33.080 --> 0:24:34.880
<v Speaker 6>not taking a shower and not brushing my teeth.

0:24:34.840 --> 0:24:36.919
<v Speaker 2>Because like you said, you're not signed to them anything.

0:24:36.920 --> 0:24:38.440
<v Speaker 2>They just allowing you to be there.

0:24:38.800 --> 0:24:38.960
<v Speaker 3>Yeah.

0:24:38.960 --> 0:24:40.160
<v Speaker 4>I was like, ma free studio.

0:24:40.320 --> 0:24:42.560
<v Speaker 6>Yeah, so it's like I should just stay there and

0:24:42.560 --> 0:24:44.760
<v Speaker 6>I just wake up and I just see Quavo on

0:24:44.800 --> 0:24:46.639
<v Speaker 6>their recording. I see Pee Wee long Way or I

0:24:46.680 --> 0:24:50.480
<v Speaker 6>see you know ran just random people just every day and.

0:24:50.480 --> 0:24:56.400
<v Speaker 2>Would casts fuck with you or wayd They be like, ah.

0:24:54.520 --> 0:24:58.360
<v Speaker 3>You know you know how that is. Yeah, that's that's

0:24:58.359 --> 0:25:00.280
<v Speaker 3>that's that's his long that's the home. Yeah.

0:25:00.640 --> 0:25:04.600
<v Speaker 6>I would say like maybe like maybe if like Xethoven

0:25:04.680 --> 0:25:06.760
<v Speaker 6>was there some ship, they probably be like, uh, ship,

0:25:06.880 --> 0:25:07.440
<v Speaker 6>we ain't here with.

0:25:07.400 --> 0:25:10.280
<v Speaker 4>Tig like you know what I'm saying, go in the

0:25:10.320 --> 0:25:11.480
<v Speaker 4>other room and cook up type shit.

0:25:11.680 --> 0:25:14.800
<v Speaker 6>But like if it was just me and my boy Ico, nah,

0:25:14.800 --> 0:25:16.120
<v Speaker 6>they wanted some beats.

0:25:15.840 --> 0:25:16.760
<v Speaker 4>Because they ain't have none.

0:25:16.880 --> 0:25:18.280
<v Speaker 3>They wasn't tripping shit.

0:25:18.359 --> 0:25:23.399
<v Speaker 6>It was really just me Dico, honorable Sino Zetoven. Metro

0:25:23.480 --> 0:25:25.080
<v Speaker 6>used to pull up some times like you know what

0:25:25.080 --> 0:25:28.080
<v Speaker 6>I'm saying, the young Atlantas, Yeah, yeah, just to you know,

0:25:28.119 --> 0:25:29.360
<v Speaker 6>what I'm saying the same niggas.

0:25:29.400 --> 0:25:33.160
<v Speaker 3>So they was welcoming the cook up. Yeah, shit free beats?

0:25:33.400 --> 0:25:37.160
<v Speaker 4>Who saying no the free beats? They fuck with it? Wow?

0:25:37.400 --> 0:25:40.199
<v Speaker 2>So did anything land before you signed, like as far

0:25:40.240 --> 0:25:43.000
<v Speaker 2>as you're on some mixtape shit anything or so within

0:25:43.040 --> 0:25:45.960
<v Speaker 2>that time, No, you had you landed some placements.

0:25:46.040 --> 0:25:46.639
<v Speaker 3>Yeah.

0:25:47.080 --> 0:25:50.680
<v Speaker 6>I was on Migo's first album, Wire in m H,

0:25:52.320 --> 0:25:54.040
<v Speaker 6>a lot of stuff with Johnny Sinko. I did like

0:25:54.080 --> 0:25:57.320
<v Speaker 6>three on Rich the Kid first album, just like everybody

0:25:57.320 --> 0:25:59.160
<v Speaker 6>in QC to be honest, like what you need for.

0:25:59.119 --> 0:26:01.879
<v Speaker 3>Your first beat? Would you charge? Did you even know

0:26:01.880 --> 0:26:02.560
<v Speaker 3>what to charge?

0:26:02.760 --> 0:26:04.639
<v Speaker 4>I ain't charge. No, I ain't never charged me. I

0:26:04.640 --> 0:26:05.080
<v Speaker 4>ain't charged.

0:26:06.280 --> 0:26:09.440
<v Speaker 3>It was like I'm here, y'all, let me use the studio,

0:26:10.080 --> 0:26:10.720
<v Speaker 3>y'all put me.

0:26:10.680 --> 0:26:13.359
<v Speaker 6>On Nah, but I will say pee a real nigga.

0:26:13.359 --> 0:26:15.920
<v Speaker 6>He used to just like give me five thousand. He

0:26:16.000 --> 0:26:18.359
<v Speaker 6>used to be like, just here, five thousand.

0:26:19.920 --> 0:26:21.879
<v Speaker 3>Just just on some random are just for when.

0:26:21.720 --> 0:26:23.600
<v Speaker 4>You like keep pulling up and keep doing your thing.

0:26:24.040 --> 0:26:27.720
<v Speaker 3>That's dope. Wow, that's dope. I love that. I love that.

0:26:28.440 --> 0:26:33.440
<v Speaker 2>And it's before signing, before anything, before signing, that's dope.

0:26:33.520 --> 0:26:37.920
<v Speaker 4>He gave me five thousand one day and I gave

0:26:37.960 --> 0:26:38.480
<v Speaker 4>like four of it.

0:26:38.440 --> 0:26:38.960
<v Speaker 1>To my mama.

0:26:39.800 --> 0:26:45.600
<v Speaker 6>You're older, bro, ship, you're older, so y'all stopped telling

0:26:45.600 --> 0:26:46.160
<v Speaker 6>me turn it down.

0:26:48.840 --> 0:26:51.000
<v Speaker 2>I wonder I wonder how that felt for her, man,

0:26:51.720 --> 0:26:53.960
<v Speaker 2>for you to handle some bread like that, you know

0:26:54.000 --> 0:26:54.280
<v Speaker 2>what I mean?

0:26:54.320 --> 0:26:57.960
<v Speaker 6>I think it made her realize, like, Okay, this could

0:26:58.040 --> 0:27:01.679
<v Speaker 6>be something. Okay, you know what I'm saying, Jack's opposed to, Like,

0:27:02.640 --> 0:27:06.560
<v Speaker 6>is my son just wasting his life? Yeah, because I know,

0:27:06.600 --> 0:27:09.240
<v Speaker 6>like I don't have kids, but I can see as

0:27:09.280 --> 0:27:12.439
<v Speaker 6>like as a parent, like how you can feel like

0:27:12.600 --> 0:27:15.720
<v Speaker 6>you want your son to be successful, and it's harder

0:27:15.760 --> 0:27:20.320
<v Speaker 6>when like the talent isn't like like, for instance, like

0:27:20.520 --> 0:27:23.399
<v Speaker 6>when your son is Lebron, it's easier to like see it.

0:27:23.880 --> 0:27:24.120
<v Speaker 3>Yeah.

0:27:24.760 --> 0:27:28.640
<v Speaker 6>Yeah, Jack's supposed to being a musician that's making beats

0:27:29.280 --> 0:27:30.440
<v Speaker 6>and you don't even know what it is.

0:27:30.760 --> 0:27:34.720
<v Speaker 2>Right, what I'm saying, No, listen on the AA you circuit.

0:27:34.720 --> 0:27:36.080
<v Speaker 2>Everybody think they sound is Lebron.

0:27:38.040 --> 0:27:43.040
<v Speaker 3>I thought I was Lebron. But it's so funny.

0:27:43.480 --> 0:27:46.040
<v Speaker 2>It's it's a really interesting thing that now we're about

0:27:46.040 --> 0:27:48.359
<v Speaker 2>to have a conversation on because I'm an au father.

0:27:48.480 --> 0:27:50.040
<v Speaker 3>You know what I'm saying, like, and I get to

0:27:50.080 --> 0:27:50.359
<v Speaker 3>see it.

0:27:50.400 --> 0:27:55.040
<v Speaker 2>But I'm also a music executive, so I've seen like

0:27:55.119 --> 0:27:57.920
<v Speaker 2>the kid artists, I've seen the kid basketball players.

0:27:58.359 --> 0:28:02.040
<v Speaker 3>And I'm the father that listen.

0:28:02.440 --> 0:28:04.240
<v Speaker 2>If you don't want to hear what I got to say,

0:28:04.240 --> 0:28:05.719
<v Speaker 2>don't even start the conversation with me.

0:28:05.800 --> 0:28:06.440
<v Speaker 4>Are you the coach?

0:28:06.840 --> 0:28:09.240
<v Speaker 3>No, I'm not, but I'm the you know what I mean.

0:28:09.280 --> 0:28:10.320
<v Speaker 3>I'm at every game.

0:28:10.359 --> 0:28:13.119
<v Speaker 2>And if we start talking and you start talking about

0:28:13.160 --> 0:28:14.840
<v Speaker 2>these dreams of grandeur.

0:28:15.320 --> 0:28:17.200
<v Speaker 3>I'm like, you know that nigga can't shoot?

0:28:17.280 --> 0:28:20.880
<v Speaker 4>Right, I'm that father you say that to your son?

0:28:21.359 --> 0:28:23.080
<v Speaker 2>No, no, my son should shut out the ball. But

0:28:23.840 --> 0:28:25.600
<v Speaker 2>are you talking about to the other kids? No, not

0:28:25.600 --> 0:28:28.439
<v Speaker 2>to the kid, but to the other fathers. Are the

0:28:28.480 --> 0:28:30.520
<v Speaker 2>mama that's like, oh, well, you know, I was like,

0:28:31.200 --> 0:28:32.760
<v Speaker 2>my son needs more shots. I'm like, you know, he

0:28:32.880 --> 0:28:35.480
<v Speaker 2>just missed five in a row. Right, I'm that father.

0:28:35.520 --> 0:28:37.800
<v Speaker 2>I'm not think, yeah, the coach be tripping. Hey man,

0:28:38.280 --> 0:28:41.280
<v Speaker 2>y'all probably find a shoot coach. You know what I'm

0:28:41.320 --> 0:28:45.120
<v Speaker 2>saying or whatever it is, it's it's constructive, but it's

0:28:45.240 --> 0:28:48.480
<v Speaker 2>very real. I'm not that nigga, but I'm like that

0:28:48.560 --> 0:28:50.640
<v Speaker 2>in music, and I see. But I feel like in

0:28:50.800 --> 0:28:55.520
<v Speaker 2>music we can identify a little different from younger, like

0:28:55.560 --> 0:28:57.440
<v Speaker 2>the younger artists to me, I mean, I don't know

0:28:57.480 --> 0:28:59.320
<v Speaker 2>if you agree with this, but like if I see

0:28:59.320 --> 0:29:02.520
<v Speaker 2>a certain artist, I know there's certain things that maybe

0:29:02.600 --> 0:29:05.160
<v Speaker 2>might might need some tweaking and can fix he or

0:29:05.160 --> 0:29:08.920
<v Speaker 2>fix or fix that. But like with sports, it's like,

0:29:09.040 --> 0:29:13.280
<v Speaker 2>man that na get hurt next week, maybe if he

0:29:13.360 --> 0:29:17.680
<v Speaker 2>was six five instead of five ten, maybe, if you

0:29:17.760 --> 0:29:20.560
<v Speaker 2>know what I'm saying, there's so many other little things

0:29:21.280 --> 0:29:22.880
<v Speaker 2>that make it unsure.

0:29:23.640 --> 0:29:25.920
<v Speaker 6>I think it might all be unsure because look, you

0:29:25.960 --> 0:29:30.480
<v Speaker 6>could have you could have the look, but you might

0:29:30.480 --> 0:29:32.320
<v Speaker 6>not be able to sing all the way, or you

0:29:32.400 --> 0:29:37.600
<v Speaker 6>might not take like constructive constructive criticism, and like you

0:29:37.600 --> 0:29:39.000
<v Speaker 6>know what I'm saying, people can't work with you in

0:29:39.000 --> 0:29:39.480
<v Speaker 6>the studio.

0:29:40.120 --> 0:29:40.760
<v Speaker 4>It's kind of the.

0:29:40.680 --> 0:29:43.160
<v Speaker 6>Same with a basketball player because like let's say you

0:29:43.280 --> 0:29:46.160
<v Speaker 6>six two, you can shoot. You know what I'm saying,

0:29:46.400 --> 0:29:50.480
<v Speaker 6>You got good defense, but you got an attitude, right,

0:29:50.560 --> 0:29:52.600
<v Speaker 6>I know you've seen that shit on Netflix. What's that

0:29:52.600 --> 0:29:56.360
<v Speaker 6>shit called last? You know what I'm saying, dude, is

0:29:56.400 --> 0:29:59.840
<v Speaker 6>talented attitude. Like there's a lot of things that I

0:29:59.840 --> 0:30:01.360
<v Speaker 6>think and goes into everything.

0:30:01.000 --> 0:30:02.480
<v Speaker 3>To everything for sure, for sure.

0:30:02.480 --> 0:30:06.400
<v Speaker 1>But we're also in a space where with basketball, as

0:30:06.440 --> 0:30:11.680
<v Speaker 1>we're talking about the sport, with basketball, you need the

0:30:11.720 --> 0:30:17.440
<v Speaker 1>infrastructure of basketball. With music, now, wild West, you don't

0:30:17.480 --> 0:30:22.560
<v Speaker 1>need the infrastructure of music. Yes, Random, it's a hundred percent.

0:30:23.280 --> 0:30:26.960
<v Speaker 2>Right you And you've seen it up close to where

0:30:27.040 --> 0:30:32.479
<v Speaker 2>someone literally gets something going and it's it's and it's cracking.

0:30:32.680 --> 0:30:38.560
<v Speaker 2>Like you said, Maco getting on changed your life. Yeah,

0:30:38.720 --> 0:30:39.480
<v Speaker 2>think about that.

0:30:39.560 --> 0:30:40.560
<v Speaker 4>The only reason I'm here.

0:30:40.920 --> 0:30:44.360
<v Speaker 2>Yeah, I didn't even put together the whole Ogi Maco

0:30:44.480 --> 0:30:47.280
<v Speaker 2>O G. I hadn't even connected that until you just

0:30:47.760 --> 0:30:51.320
<v Speaker 2>talked about it. But that instance just right there where

0:30:51.440 --> 0:30:54.360
<v Speaker 2>music like nigga, I know niggas that was the number

0:30:54.400 --> 0:30:58.000
<v Speaker 2>one tenth grader in basketball, the number one twelfth grader

0:30:58.880 --> 0:30:59.960
<v Speaker 2>still didn't make the league.

0:31:00.320 --> 0:31:02.160
<v Speaker 6>I literally is about to say this exactly, and this

0:31:02.240 --> 0:31:07.720
<v Speaker 6>the polar opposite. I know niggas, that colde on the keys, guitar, bass,

0:31:07.880 --> 0:31:10.520
<v Speaker 6>can sing, make samples, do drums.

0:31:10.920 --> 0:31:14.960
<v Speaker 4>They made a hit song. It's the same.

0:31:14.760 --> 0:31:18.360
<v Speaker 2>Shit, but they got action at it though. Because there

0:31:18.360 --> 0:31:22.560
<v Speaker 2>are hit songs available. You gotta be you gotta tell yourself,

0:31:23.040 --> 0:31:25.400
<v Speaker 2>I'll go get me one and this is the thing,

0:31:25.560 --> 0:31:28.120
<v Speaker 2>this is the thing that separates the music and the sports.

0:31:29.280 --> 0:31:32.760
<v Speaker 2>In music, if you hear that motherfucker, you bet if

0:31:32.800 --> 0:31:34.960
<v Speaker 2>you got a chance to get it, you better rap

0:31:34.960 --> 0:31:35.480
<v Speaker 2>it or sing it.

0:31:35.880 --> 0:31:39.760
<v Speaker 3>Yeah, I'm all fuck. If you hear it and you

0:31:39.800 --> 0:31:41.400
<v Speaker 3>see some ship moment, you say.

0:31:41.360 --> 0:31:45.920
<v Speaker 2>Oh, maybe if I did a verse, Maybe if I

0:31:45.960 --> 0:31:47.680
<v Speaker 2>asked him, can I feature on this motherfucker?

0:31:48.040 --> 0:31:49.840
<v Speaker 3>Listen? Because hit records are out here.

0:31:50.360 --> 0:31:53.120
<v Speaker 2>Hit records are out here, right, you get what I'm saying, Like,

0:31:53.600 --> 0:31:55.080
<v Speaker 2>you can go get that hit record.

0:31:56.320 --> 0:32:00.800
<v Speaker 3>You can't just enter the NBA draft. You can't enter

0:32:00.880 --> 0:32:03.680
<v Speaker 3>the NBA drap. You can bet it fresh out of

0:32:03.720 --> 0:32:04.360
<v Speaker 3>the penitentiary.

0:32:04.400 --> 0:32:06.640
<v Speaker 2>That was the Michael Jordan of such and such but

0:32:06.720 --> 0:32:08.720
<v Speaker 2>had to go through two years and now into the

0:32:08.800 --> 0:32:10.920
<v Speaker 2>NBA drap. No, my brother, it's not going to happen

0:32:10.960 --> 0:32:15.760
<v Speaker 2>as as good as you are. But in music, bro,

0:32:15.960 --> 0:32:19.160
<v Speaker 2>and listen, I just look at it like I don't

0:32:19.240 --> 0:32:22.120
<v Speaker 2>I'm not their manager, I'm not that executive. But I

0:32:22.160 --> 0:32:24.360
<v Speaker 2>see artists and I'm like, oh, if they just wouldn't

0:32:24.400 --> 0:32:27.760
<v Speaker 2>got that song, they straight.

0:32:28.200 --> 0:32:31.000
<v Speaker 3>And it's really because this ship is based around what

0:32:31.240 --> 0:32:36.840
<v Speaker 3>you do make music. This ship is not listen artists.

0:32:36.880 --> 0:32:39.360
<v Speaker 3>I love y'all. I am an artist, but it's not

0:32:39.480 --> 0:32:42.320
<v Speaker 3>based around artists. It's based around songs.

0:32:43.160 --> 0:32:44.000
<v Speaker 4>A hit song change.

0:32:44.280 --> 0:32:48.480
<v Speaker 2>Hit songs change everything. You don't have to be the

0:32:48.520 --> 0:32:50.320
<v Speaker 2>best singer. You don't have to be the best dancer,

0:32:50.560 --> 0:32:53.440
<v Speaker 2>you don't have to be the best rapper. You might

0:32:53.480 --> 0:32:56.320
<v Speaker 2>not even have to be able to keep the beat.

0:32:56.600 --> 0:33:01.280
<v Speaker 2>But if that song is jamming you and the people

0:33:01.480 --> 0:33:04.600
<v Speaker 2>around you, lives change immediately.

0:33:05.160 --> 0:33:06.880
<v Speaker 4>I sing with my own eyes.

0:33:07.440 --> 0:33:11.080
<v Speaker 6>City girls make act up, blow up, yachty mate co

0:33:11.280 --> 0:33:15.520
<v Speaker 6>like Minnesota, blow up, little Baby, make my dog blow

0:33:15.600 --> 0:33:17.880
<v Speaker 6>up like I'm talking about. I've seen them in the studio,

0:33:18.520 --> 0:33:21.440
<v Speaker 6>just chilling every day, just making songs, making songs. Make

0:33:21.520 --> 0:33:24.440
<v Speaker 6>one song. I come back to the studio. Nigga and

0:33:24.480 --> 0:33:25.640
<v Speaker 6>the Lamborghini.

0:33:26.280 --> 0:33:29.280
<v Speaker 4>They got eight chains on. I'm like, Nigga, what the fuck.

0:33:29.360 --> 0:33:33.560
<v Speaker 2>It's not possible for anything else. We see it all

0:33:33.600 --> 0:33:35.880
<v Speaker 2>the time. This is the closest thing to the lottery,

0:33:35.920 --> 0:33:39.280
<v Speaker 2>the lottery. This is the closest thing we'll ever get

0:33:39.320 --> 0:33:41.520
<v Speaker 2>to the lottery.

0:33:41.920 --> 0:33:43.640
<v Speaker 4>Me meeting og Maco on.

0:33:43.720 --> 0:33:46.240
<v Speaker 6>The side of the road changed my whole life, and

0:33:46.280 --> 0:33:48.200
<v Speaker 6>my whole I pay my families for it.

0:33:48.600 --> 0:33:50.400
<v Speaker 3>Said, y'all to even go to Georgia State together.

0:33:50.600 --> 0:33:52.120
<v Speaker 4>Though I met his homie.

0:33:52.120 --> 0:33:55.400
<v Speaker 6>His homie was like, come to the crib Ogi Maco

0:33:55.480 --> 0:33:57.240
<v Speaker 6>there because he knew like niggas at Gegia State, no

0:33:57.320 --> 0:33:59.120
<v Speaker 6>I make beats. He's like, oh shit, I'm going to

0:33:59.120 --> 0:34:01.000
<v Speaker 6>the studio. Oji Maco and Key they were doing that.

0:34:01.000 --> 0:34:05.040
<v Speaker 6>Give him help the EP his name THEO and he

0:34:05.160 --> 0:34:07.360
<v Speaker 6>was like, shit, come to the studio tonight. And I

0:34:07.400 --> 0:34:09.680
<v Speaker 6>went to the studio and I met Oji Maco and

0:34:09.719 --> 0:34:14.840
<v Speaker 6>we locked in and that changed my whole family's life.

0:34:15.080 --> 0:34:18.480
<v Speaker 3>Well that's part of it.

0:34:19.120 --> 0:34:21.719
<v Speaker 6>Yeah, I will say hard work too, and also you

0:34:21.800 --> 0:34:24.439
<v Speaker 6>always got to say even if that didn't happen, maybe

0:34:24.480 --> 0:34:25.120
<v Speaker 6>it could have happened too.

0:34:25.320 --> 0:34:27.560
<v Speaker 1>It's a couple of things, you number one being ready

0:34:28.480 --> 0:34:33.799
<v Speaker 1>hm and you saying yeah.

0:34:35.600 --> 0:34:37.279
<v Speaker 3>Every day, let's do it.

0:34:38.800 --> 0:34:43.000
<v Speaker 1>That's it again. That's a different level of belief and commitment.

0:34:43.960 --> 0:34:47.719
<v Speaker 1>That a different level of sacrifice that you have to

0:34:47.960 --> 0:34:50.440
<v Speaker 1>have in order to do this ship.

0:34:50.880 --> 0:34:52.239
<v Speaker 4>I would have put up to anything. I would have

0:34:52.280 --> 0:34:54.120
<v Speaker 4>pulled up if a if Taco Bell called.

0:34:53.920 --> 0:34:56.640
<v Speaker 3>Me, come on.

0:34:58.800 --> 0:35:01.520
<v Speaker 2>Your camera's right there, cameras right in front of you,

0:35:01.600 --> 0:35:09.920
<v Speaker 2>right because I am sometimes I am considered the hard ass,

0:35:10.640 --> 0:35:13.200
<v Speaker 2>the guy who, oh, you don't give no grace to this,

0:35:13.239 --> 0:35:15.520
<v Speaker 2>that and the other, because there is no grace in

0:35:15.560 --> 0:35:16.960
<v Speaker 2>this if.

0:35:16.800 --> 0:35:17.960
<v Speaker 3>You really want it.

0:35:18.480 --> 0:35:21.640
<v Speaker 2>In anything you want to be successful at, you have

0:35:21.760 --> 0:35:28.560
<v Speaker 2>to be willing to show up, do your job until

0:35:29.840 --> 0:35:30.600
<v Speaker 2>you reach your.

0:35:30.480 --> 0:35:32.880
<v Speaker 1>Goals, until you are valuable.

0:35:32.480 --> 0:35:36.160
<v Speaker 2>Until it And as my brother Jasper said on here,

0:35:36.719 --> 0:35:41.200
<v Speaker 2>be of service service, like you said, when other producers

0:35:41.239 --> 0:35:44.960
<v Speaker 2>wasn't there, the bigger producers, they was like, what you got,

0:35:45.239 --> 0:35:48.279
<v Speaker 2>and be prepared to give them that beat, to give

0:35:48.320 --> 0:35:50.400
<v Speaker 2>them that beat because you're just like listen, I just

0:35:50.400 --> 0:35:53.440
<v Speaker 2>got to get on or a lot of people and

0:35:53.520 --> 0:35:55.600
<v Speaker 2>let's you know, because we really highlighted.

0:35:55.640 --> 0:36:00.920
<v Speaker 3>Bro, I'll say it. You doing that deal, just just

0:36:01.000 --> 0:36:01.640
<v Speaker 3>doing the deal.

0:36:01.840 --> 0:36:06.920
<v Speaker 2>It's probably not the smartest thing, right, but it was

0:36:06.960 --> 0:36:08.320
<v Speaker 2>probably the best thing.

0:36:10.040 --> 0:36:10.520
<v Speaker 4>Happen.

0:36:10.880 --> 0:36:15.479
<v Speaker 2>It had to happen because sometimes you gotta go clean

0:36:15.560 --> 0:36:20.520
<v Speaker 2>up the house later. Yeah, Niggas be thinking like oh

0:36:20.680 --> 0:36:23.960
<v Speaker 2>nig yeah, bro. By the time you by time the

0:36:24.040 --> 0:36:24.920
<v Speaker 2>lawyers start.

0:36:24.800 --> 0:36:27.359
<v Speaker 4>Lawyering, they're just gonna cut you off.

0:36:27.520 --> 0:36:31.360
<v Speaker 3>Niggas like, hey man, who up next? Who up next?

0:36:31.440 --> 0:36:36.239
<v Speaker 2>All you say to yourself, you know what my gift

0:36:36.280 --> 0:36:39.600
<v Speaker 2>gonna get me through it. My hard work gonna get

0:36:39.600 --> 0:36:42.879
<v Speaker 2>me through it. Okay, listen, you know what the deal

0:36:42.960 --> 0:36:44.920
<v Speaker 2>is gonna probably be lopsided in the beginning because I

0:36:44.960 --> 0:36:46.160
<v Speaker 2>don't really have nothing to offer.

0:36:47.280 --> 0:36:49.440
<v Speaker 6>There's no value, not like I have a huge hit

0:36:49.520 --> 0:36:52.120
<v Speaker 6>song or nothing. It's not like it's a crazy deal.

0:36:52.520 --> 0:36:54.239
<v Speaker 6>And if I say no, the niggas gonna be like,

0:36:54.280 --> 0:36:55.120
<v Speaker 6>forget that gate code.

0:36:55.200 --> 0:37:00.279
<v Speaker 2>Let you know, if I hear I got a pet pee, Bro,

0:37:01.920 --> 0:37:04.200
<v Speaker 2>if I hear one more nigga mentioned a three sixty

0:37:04.239 --> 0:37:05.320
<v Speaker 2>that they know nothing about.

0:37:05.320 --> 0:37:06.239
<v Speaker 4>They don't even know that means.

0:37:07.080 --> 0:37:08.799
<v Speaker 3>You don't even know what it means. You just heard

0:37:08.800 --> 0:37:10.080
<v Speaker 3>about it.

0:37:10.360 --> 0:37:13.040
<v Speaker 1>You you don't come take a shot on that.

0:37:13.400 --> 0:37:16.240
<v Speaker 3>You don't hate that ship, Bro, They don't even.

0:37:16.080 --> 0:37:22.120
<v Speaker 1>Know what it means. Listen, three sixty the master's do you.

0:37:22.080 --> 0:37:28.200
<v Speaker 3>Even know how to license your masters? Masters? They don't know.

0:37:30.080 --> 0:37:33.000
<v Speaker 2>Talking to talk because they heard somebody said in an

0:37:33.040 --> 0:37:38.080
<v Speaker 2>interview or rap about it in a song. And the

0:37:38.160 --> 0:37:40.200
<v Speaker 2>nigga that you probably heard rap about it in the

0:37:40.200 --> 0:37:43.520
<v Speaker 2>song probably doesn't own his masters because he doesn't know

0:37:43.520 --> 0:37:46.560
<v Speaker 2>how to license them at all. If we gonna really

0:37:46.560 --> 0:37:50.440
<v Speaker 2>have a real conversation, Oh.

0:37:49.680 --> 0:37:52.839
<v Speaker 3>Like, Bro, there's a means to an end.

0:37:53.880 --> 0:37:56.520
<v Speaker 2>When you're trying to get somewhere and you're trying to

0:37:56.840 --> 0:37:59.759
<v Speaker 2>change your life, and there are people in front of

0:37:59.760 --> 0:38:03.200
<v Speaker 2>you that are life changers, you just have to make

0:38:03.239 --> 0:38:05.440
<v Speaker 2>the decision for yourself.

0:38:06.760 --> 0:38:07.719
<v Speaker 3>If it's worth it or not.

0:38:08.840 --> 0:38:13.680
<v Speaker 2>I've never judged the next person's deal, because we all here, we.

0:38:13.640 --> 0:38:14.239
<v Speaker 3>All be into music.

0:38:14.280 --> 0:38:17.680
<v Speaker 2>But oh, you know they got five million? Okay, well,

0:38:18.160 --> 0:38:20.520
<v Speaker 2>what are the terms? Do you know the terms? Do

0:38:20.560 --> 0:38:23.520
<v Speaker 2>you know what they signed four to get the five million?

0:38:24.040 --> 0:38:26.200
<v Speaker 2>Do you know if that deal was in perpetuity? Do

0:38:26.239 --> 0:38:28.920
<v Speaker 2>you know if they're ever getting anything back? Or did

0:38:28.960 --> 0:38:31.680
<v Speaker 2>they sign their life away for five minutes? Did I

0:38:31.719 --> 0:38:33.640
<v Speaker 2>just jump in a deal that maybe I didn't get

0:38:33.640 --> 0:38:36.080
<v Speaker 2>a whole bunch of money, but I got the opportunity

0:38:36.360 --> 0:38:37.960
<v Speaker 2>and I can work my way out of it.

0:38:39.320 --> 0:38:41.640
<v Speaker 4>I'm gonna sign for thirty five albums.

0:38:41.560 --> 0:38:45.360
<v Speaker 6>Nigga like, then he'll know what the buddies are for.

0:38:46.000 --> 0:38:48.160
<v Speaker 1>Hey, my first deal could have been that. I was

0:38:48.200 --> 0:38:51.959
<v Speaker 1>just like you white guys. Showed me that paperwork. I said, this,

0:38:51.960 --> 0:38:53.400
<v Speaker 1>this is good. He said, yeah, that's good.

0:38:53.440 --> 0:38:54.280
<v Speaker 3>That's cool.

0:38:57.960 --> 0:39:02.920
<v Speaker 6>With y'll. I'm telling you that just wasn't even optional.

0:39:03.560 --> 0:39:05.120
<v Speaker 6>My parents were like, you don't want to get a lawyer.

0:39:05.160 --> 0:39:08.880
<v Speaker 6>I was like, yep, I'm the lawyer.

0:39:08.960 --> 0:39:16.240
<v Speaker 3>Had nothing resembling a lawyer, were.

0:39:17.920 --> 0:39:23.480
<v Speaker 1>You know, good lord, the good lord lawyer.

0:39:23.520 --> 0:39:24.360
<v Speaker 3>Don't get a lawyer.

0:39:25.239 --> 0:39:25.880
<v Speaker 4>Get a lawyer.

0:39:26.040 --> 0:39:31.359
<v Speaker 1>We have good lawyers, don't. Yeah, but I'm just sharing that.

0:39:31.719 --> 0:39:35.239
<v Speaker 1>I'm just sharing that. We share that. Like, I just

0:39:35.280 --> 0:39:38.520
<v Speaker 1>felt like I gotta get to it.

0:39:39.000 --> 0:39:43.000
<v Speaker 3>Yeah, yeah, forward progress. I gotta get to it.

0:39:43.160 --> 0:39:46.799
<v Speaker 1>And and if if this contract is going to help

0:39:46.880 --> 0:39:51.120
<v Speaker 1>me get to it, whatever is in it, I'll whatever

0:39:51.239 --> 0:39:53.839
<v Speaker 1>is in it that needs to be cleaned up, I'll

0:39:53.880 --> 0:39:54.319
<v Speaker 1>get to that.

0:39:54.640 --> 0:39:55.560
<v Speaker 4>Yeah, we'll figure out.

0:39:55.800 --> 0:39:57.600
<v Speaker 1>But right now I need to get cracked and I

0:39:57.640 --> 0:39:58.880
<v Speaker 1>need to get off this bench.

0:39:58.920 --> 0:40:00.960
<v Speaker 3>And in the game I make enough money to get

0:40:01.000 --> 0:40:01.920
<v Speaker 3>somebody else to clean it.

0:40:02.000 --> 0:40:08.040
<v Speaker 1>Come on, come on now, somebody thought me out of

0:40:08.080 --> 0:40:08.359
<v Speaker 1>this thing.

0:40:09.920 --> 0:40:14.440
<v Speaker 6>Somebody give me out the facts and it worked out.

0:40:14.680 --> 0:40:14.919
<v Speaker 3>Bro.

0:40:15.520 --> 0:40:19.680
<v Speaker 1>I'm looking at this list here, brow, it's it's too many.

0:40:20.480 --> 0:40:25.200
<v Speaker 3>You've been going crazy. You have been going crazy. Bro, Okay,

0:40:26.239 --> 0:40:26.560
<v Speaker 3>you have.

0:40:26.600 --> 0:40:29.000
<v Speaker 1>You have a few songs listed here, but I kind

0:40:29.000 --> 0:40:31.600
<v Speaker 1>of want to go in order. What's your first hit record?

0:40:33.680 --> 0:40:35.600
<v Speaker 6>The first song I ever heard in the car on

0:40:35.640 --> 0:40:38.360
<v Speaker 6>the radio was uh one hundred by K Camp and

0:40:38.400 --> 0:40:41.560
<v Speaker 6>Fetty Walk. That's the first one I cracked for you.

0:40:43.080 --> 0:40:45.000
<v Speaker 6>That's like the first year I signed the QC.

0:40:45.560 --> 0:40:48.440
<v Speaker 3>And that and they're not even through QC, neither K

0:40:48.560 --> 0:40:52.040
<v Speaker 3>Camp or wasn't. So how did you I think?

0:40:52.040 --> 0:40:53.800
<v Speaker 6>He pulled up to work with Cebo and I was

0:40:53.840 --> 0:40:55.600
<v Speaker 6>just like, let me see some beats. He got his

0:40:55.680 --> 0:40:56.520
<v Speaker 6>number and sent him to his.

0:40:56.440 --> 0:41:00.640
<v Speaker 3>Phone, still hustling. M hmm, just hustle. I love that.

0:41:01.200 --> 0:41:02.520
<v Speaker 4>I just to be chilling, you know what I'm saying.

0:41:03.040 --> 0:41:05.720
<v Speaker 1>I know a lot of you look like you be chilling,

0:41:05.920 --> 0:41:07.000
<v Speaker 1>but you be plotting.

0:41:08.560 --> 0:41:11.000
<v Speaker 3>Okay, so you okay back to the night talk though.

0:41:11.080 --> 0:41:12.719
<v Speaker 2>So now this is your first, you know, one of

0:41:12.760 --> 0:41:15.719
<v Speaker 2>your first runs that crack off. At this point, what

0:41:15.880 --> 0:41:18.200
<v Speaker 2>are you charging anybody outside of QC because you're signing

0:41:18.280 --> 0:41:20.200
<v Speaker 2>QC and you got your deal with them, but like,

0:41:20.200 --> 0:41:23.600
<v Speaker 2>what is your like was you doing the three hundred

0:41:23.719 --> 0:41:25.719
<v Speaker 2>for the beat? Was you doing the five hundred? Did

0:41:25.719 --> 0:41:27.720
<v Speaker 2>you jump fifteen off the off the porch?

0:41:27.880 --> 0:41:27.960
<v Speaker 4>Like?

0:41:28.320 --> 0:41:28.560
<v Speaker 1>Hell?

0:41:28.719 --> 0:41:31.280
<v Speaker 6>No, I was doing one hundred and fifty dollars leases

0:41:31.320 --> 0:41:33.560
<v Speaker 6>and then three hundred dollars exclusive leases.

0:41:34.800 --> 0:41:36.680
<v Speaker 3>Nigga do you remember the first time you heard about that.

0:41:36.680 --> 0:41:39.759
<v Speaker 3>That shit blew my mind. Yes, it blew my mind.

0:41:40.000 --> 0:41:41.280
<v Speaker 3>I was like, wait, wait, wait, wait wait.

0:41:41.600 --> 0:41:43.080
<v Speaker 2>So they could sell it a couple of times to

0:41:43.080 --> 0:41:44.400
<v Speaker 2>a couple of different artis, but if they want the

0:41:44.440 --> 0:41:46.040
<v Speaker 2>exclusive one, yes, a little more.

0:41:46.280 --> 0:41:47.480
<v Speaker 4>Yes, that's how I got to.

0:41:50.120 --> 0:41:50.920
<v Speaker 3>Nigga. Listen.

0:41:50.920 --> 0:41:57.520
<v Speaker 1>Shit, they dove deeper into music business than we've ever.

0:41:57.440 --> 0:41:58.040
<v Speaker 4>Thought to go.

0:41:58.160 --> 0:42:00.000
<v Speaker 3>Early, early, early.

0:42:00.200 --> 0:42:05.040
<v Speaker 1>You're leasing a beat and you're gonna possibly use it

0:42:05.160 --> 0:42:07.200
<v Speaker 1>multiple times on multiple artists.

0:42:07.239 --> 0:42:10.880
<v Speaker 3>It's contracted, but if you want the exclusive.

0:42:10.520 --> 0:42:13.200
<v Speaker 2>It's Did any of those ever catch heat like the

0:42:13.200 --> 0:42:13.960
<v Speaker 2>ones you were leasing?

0:42:14.760 --> 0:42:16.960
<v Speaker 3>Hell no, No.

0:42:16.560 --> 0:42:18.000
<v Speaker 4>It was just random hood niggas.

0:42:18.000 --> 0:42:20.080
<v Speaker 6>I would come across or like somebody would be like,

0:42:20.120 --> 0:42:22.400
<v Speaker 6>my boy make beats and like or like niggas at

0:42:22.400 --> 0:42:23.920
<v Speaker 6>Georgia State. I used to still like pull up to

0:42:23.960 --> 0:42:27.720
<v Speaker 6>Georgia State and hoop and shit like and like niggas

0:42:27.719 --> 0:42:29.400
<v Speaker 6>in gym, you know, saying direct. They're still trying to

0:42:29.480 --> 0:42:31.160
<v Speaker 6>rap and ship. I'll be like, shit, I got some

0:42:31.200 --> 0:42:34.720
<v Speaker 6>beats for you and fifty.

0:42:34.040 --> 0:42:37.279
<v Speaker 1>But they were smart too with the economics. If I

0:42:37.280 --> 0:42:41.120
<v Speaker 1>can move one hundred these one fifties, yeah, fifteen thousands.

0:42:42.520 --> 0:42:44.160
<v Speaker 4>I never made nothing like that though, But.

0:42:46.719 --> 0:42:54.440
<v Speaker 2>Fifteen thousand, hell no, I have like six sh.

0:42:53.760 --> 0:42:56.800
<v Speaker 1>See that sings had to be cracking nigga crystals for everybody.

0:42:56.960 --> 0:42:58.319
<v Speaker 4>Nigga. I thought I was rich.

0:42:58.440 --> 0:43:03.000
<v Speaker 1>We ure what hey in Atlanta? Six hundred used to

0:43:03.040 --> 0:43:04.920
<v Speaker 1>go a long way. I'll tell you what I was.

0:43:05.280 --> 0:43:06.080
<v Speaker 3>You still stand at.

0:43:05.960 --> 0:43:08.120
<v Speaker 4>The crib right, Oh? Yeah, was in my mom's crib.

0:43:08.239 --> 0:43:12.200
<v Speaker 6>So then after kkm one hundred, I had like some

0:43:12.280 --> 0:43:15.239
<v Speaker 6>Johnny Sinco ships, some richer kids ship and then I

0:43:15.239 --> 0:43:18.480
<v Speaker 6>remember I got my first ASKAP check for seven thousand.

0:43:19.120 --> 0:43:24.680
<v Speaker 4>That ship came to the house. I fucking saw that check. Nigga.

0:43:24.680 --> 0:43:27.719
<v Speaker 4>I went directly to the bank and I told my mom.

0:43:27.719 --> 0:43:28.600
<v Speaker 4>I was like, let me use your car.

0:43:28.600 --> 0:43:31.800
<v Speaker 6>Requick went to the bank, I drove to the first

0:43:31.840 --> 0:43:34.320
<v Speaker 6>apartment complex I saw and got an apartment.

0:43:34.520 --> 0:43:38.040
<v Speaker 3>He's like, I'm gone, first one you saw? What? Not

0:43:38.080 --> 0:43:39.560
<v Speaker 3>even something you knew about it at all?

0:43:39.880 --> 0:43:42.120
<v Speaker 6>No, it's the first nice like the first like not

0:43:42.160 --> 0:43:44.520
<v Speaker 6>like just no hooshier, but like the first like nice

0:43:44.520 --> 0:43:45.000
<v Speaker 6>one I saw.

0:43:45.040 --> 0:43:47.600
<v Speaker 4>It is like winning that motherfucker. I called my homie.

0:43:47.600 --> 0:43:50.319
<v Speaker 4>I was like, bro, you're trying to be roommates. The dude.

0:43:50.320 --> 0:43:51.600
<v Speaker 6>I was making like a lot of my beats with

0:43:51.640 --> 0:43:53.880
<v Speaker 6>my boy and he was like, hell yeah, cause he

0:43:53.880 --> 0:43:55.800
<v Speaker 6>got the same check because we made one hunded together,

0:43:56.200 --> 0:43:58.640
<v Speaker 6>so he had got like the same day type shit too.

0:43:59.040 --> 0:44:01.080
<v Speaker 4>And we was like, he was like, hell yeah, we

0:44:01.200 --> 0:44:02.960
<v Speaker 4>met up there, grab that ship.

0:44:06.320 --> 0:44:06.719
<v Speaker 5>What you did?

0:44:08.440 --> 0:44:08.680
<v Speaker 3>Yeah?

0:44:09.680 --> 0:44:12.480
<v Speaker 4>My mom was like you moving up? I was like, yep, and.

0:44:12.480 --> 0:44:17.760
<v Speaker 2>How at this point like twenty twenty one, say twenty one?

0:44:18.360 --> 0:44:21.600
<v Speaker 3>Yeah, yeah, I know, I know y'all went up.

0:44:23.560 --> 0:44:25.840
<v Speaker 6>That's when I started getting introduced to the I was

0:44:25.920 --> 0:44:27.319
<v Speaker 6>drinking Jack Dames back then.

0:44:27.440 --> 0:44:28.080
<v Speaker 3>Hallelujah.

0:44:30.080 --> 0:44:33.880
<v Speaker 6>I got a bottle and I was like, oh yeah, lit,

0:44:34.200 --> 0:44:35.880
<v Speaker 6>I love those people too.

0:44:38.719 --> 0:44:40.680
<v Speaker 4>Making beats happy as hell.

0:44:41.120 --> 0:44:43.000
<v Speaker 3>Okay, so you got your first one on the radio.

0:44:43.200 --> 0:44:47.200
<v Speaker 3>You make it? You gotta check mm hmm. When does

0:44:47.280 --> 0:44:50.200
<v Speaker 3>the smash slippery?

0:44:50.200 --> 0:44:57.920
<v Speaker 4>My migos, that's when.

0:44:59.440 --> 0:45:02.200
<v Speaker 2>So what was the feeling when you walked into the

0:45:02.200 --> 0:45:04.840
<v Speaker 2>club and hurt slippery that?

0:45:05.000 --> 0:45:05.720
<v Speaker 4>It was crazy.

0:45:07.120 --> 0:45:10.160
<v Speaker 2>I had to be like, because at this point you've

0:45:10.160 --> 0:45:13.360
<v Speaker 2>been making bets, what five six years at this point

0:45:14.480 --> 0:45:15.000
<v Speaker 2>and now.

0:45:15.120 --> 0:45:17.279
<v Speaker 4>Twenty fourteen, twenty fifteen, but.

0:45:17.280 --> 0:45:19.240
<v Speaker 3>What is what is? What is? Uh?

0:45:19.320 --> 0:45:21.879
<v Speaker 1>What is p and Coach saying that, like, like, what

0:45:22.080 --> 0:45:23.279
<v Speaker 1>energy you're getting from them?

0:45:23.440 --> 0:45:25.680
<v Speaker 3>Now you got one, you got one on one on

0:45:25.719 --> 0:45:29.120
<v Speaker 3>the staple ark. Yeah, exactly. Yeah.

0:45:29.320 --> 0:45:31.080
<v Speaker 4>We went to the bt A Wars together and all that.

0:45:31.719 --> 0:45:32.879
<v Speaker 3>Oh you oh you rode the car.

0:45:33.200 --> 0:45:35.719
<v Speaker 4>Yeah, took it. Took you on the trip about the

0:45:35.719 --> 0:45:36.479
<v Speaker 4>hotel and the flight.

0:45:38.040 --> 0:45:39.239
<v Speaker 3>They were like, okay, yeah, we.

0:45:39.200 --> 0:45:39.800
<v Speaker 4>Did it, we did it.

0:45:40.560 --> 0:45:44.560
<v Speaker 3>You were up. Come on, yeah guys.

0:45:44.640 --> 0:45:50.719
<v Speaker 4>Yeah, we were like, we're outside.

0:45:56.120 --> 0:45:58.399
<v Speaker 2>I've been in the music business longer than thirty about

0:45:58.400 --> 0:46:00.120
<v Speaker 2>to say this is crazy.

0:46:02.239 --> 0:46:02.520
<v Speaker 3>Ship.

0:46:04.239 --> 0:46:06.719
<v Speaker 1>Hey, listen sometimes listen, you gotta pop that back bottle

0:46:06.760 --> 0:46:07.000
<v Speaker 1>of sham.

0:46:07.200 --> 0:46:10.560
<v Speaker 2>Yeah, man, it's not for real, bro, Celebrate, celebrate what

0:46:10.640 --> 0:46:11.080
<v Speaker 2>you've done.

0:46:11.120 --> 0:46:12.960
<v Speaker 3>Man, don't let nobody tell you that.

0:46:13.600 --> 0:46:13.680
<v Speaker 6>Na.

0:46:13.840 --> 0:46:15.640
<v Speaker 2>Man, you don't. You don't rest on your lords, you

0:46:15.640 --> 0:46:18.799
<v Speaker 2>don't wrest listen. It ain't about that. But I don't

0:46:18.800 --> 0:46:21.160
<v Speaker 2>want to look up at seventy or eighty and be like, yeah, nigga,

0:46:21.160 --> 0:46:21.760
<v Speaker 2>I did something.

0:46:22.560 --> 0:46:22.840
<v Speaker 8>Nigga.

0:46:22.960 --> 0:46:26.120
<v Speaker 3>You look up every day like I'm doing Ship, I'm cracking.

0:46:26.400 --> 0:46:26.839
<v Speaker 3>You're young.

0:46:26.880 --> 0:46:28.920
<v Speaker 1>You're hanging that plaque on the wall that six times

0:46:28.920 --> 0:46:31.480
<v Speaker 1>plack yes sir, and get.

0:46:31.320 --> 0:46:35.200
<v Speaker 3>The five, get the foe, get the three. Because everyone.

0:46:35.400 --> 0:46:38.120
<v Speaker 2>Everyone counts, everyone counts, and it's all accomplishments.

0:46:38.160 --> 0:46:40.120
<v Speaker 3>Bro, I wish you nigga will walk in my house

0:46:40.120 --> 0:46:41.600
<v Speaker 3>and be like, you know you got too of the

0:46:41.600 --> 0:46:44.399
<v Speaker 3>same two plaques for the same record, right, so well

0:46:44.880 --> 0:46:46.960
<v Speaker 3>where your where yours?

0:46:47.000 --> 0:46:47.400
<v Speaker 4>Shut up?

0:46:47.480 --> 0:46:50.680
<v Speaker 3>Big Yeah, I got the gold and in the double.

0:46:50.719 --> 0:46:53.920
<v Speaker 3>That's what they say online. Shut up, nigga.

0:46:54.520 --> 0:46:56.920
<v Speaker 1>It don't matter what you're saying. It's always somebody that's

0:46:56.920 --> 0:46:58.520
<v Speaker 1>gonna be in the comedy. Shut up, nigga.

0:46:59.040 --> 0:47:02.239
<v Speaker 2>Hey, nigga, get all motherfuckers, brom get all over them.

0:47:02.280 --> 0:47:02.400
<v Speaker 3>Now.

0:47:02.440 --> 0:47:03.560
<v Speaker 4>I'm going to for Shure.

0:47:04.600 --> 0:47:06.440
<v Speaker 3>And get more and get more houses and studios to

0:47:06.440 --> 0:47:06.880
<v Speaker 3>put him in.

0:47:07.760 --> 0:47:09.200
<v Speaker 4>Yeah, I need to get some real estate.

0:47:09.320 --> 0:47:16.879
<v Speaker 3>Man, what you got for chief? Oh cheap Parker.

0:47:18.960 --> 0:47:22.800
<v Speaker 2>Beat you guess man, that's where your career started.

0:47:22.800 --> 0:47:30.520
<v Speaker 3>Bro, got what the odds of that? Ship Man's brother

0:47:30.600 --> 0:47:33.160
<v Speaker 3>O G Brother G.

0:47:35.760 --> 0:47:39.239
<v Speaker 1>A lot of songs have come in the history of

0:47:39.360 --> 0:47:46.360
<v Speaker 1>song making, as you've seen in the crates.

0:47:49.360 --> 0:47:52.320
<v Speaker 3>Down in Atlanta. We like Atlanta.

0:47:52.840 --> 0:47:56.600
<v Speaker 2>We like Atlanta, especially on Monday night, especially on my day.

0:47:58.760 --> 0:48:01.120
<v Speaker 3>Yeah, shout out, imagine.

0:48:00.760 --> 0:48:06.680
<v Speaker 1>The culture is rich and we know that your musical wealth.

0:48:09.360 --> 0:48:11.520
<v Speaker 1>It's an all time high. The people want to know,

0:48:11.760 --> 0:48:19.520
<v Speaker 1>but they want to know yet, brother o jeez, m.

0:48:19.640 --> 0:48:22.440
<v Speaker 3>H top fun.

0:48:24.000 --> 0:48:31.080
<v Speaker 1>Yeah, your top five, top five.

0:48:34.000 --> 0:48:35.239
<v Speaker 3>Your top five.

0:48:36.480 --> 0:48:40.759
<v Speaker 5>Easing are the so.

0:48:43.400 --> 0:48:44.520
<v Speaker 4>We got to know.

0:48:45.400 --> 0:48:48.160
<v Speaker 3>They know you go you're on the.

0:48:49.520 --> 0:49:06.360
<v Speaker 1>Don't know you gotta come on. Yeah, your.

0:49:07.840 --> 0:49:24.560
<v Speaker 8>Top five, Yeah.

0:49:23.120 --> 0:49:27.640
<v Speaker 1>It's beautiful play so fine on shoot Grid Brollo, g

0:49:29.600 --> 0:49:36.400
<v Speaker 1>your top five R and B singers.

0:49:37.800 --> 0:49:47.319
<v Speaker 4>C B Party Bryson Yea's all right, I'm just doing

0:49:47.400 --> 0:49:47.960
<v Speaker 4>young niggers.

0:49:48.360 --> 0:49:50.959
<v Speaker 3>He's doing.

0:49:51.440 --> 0:49:57.040
<v Speaker 1>C B Party Okay, okay, cooking uh.

0:50:00.520 --> 0:50:03.080
<v Speaker 3>Eric Bellinger Mmmm.

0:50:04.239 --> 0:50:06.600
<v Speaker 1>Like that exquisite votes like that?

0:50:06.760 --> 0:50:10.319
<v Speaker 3>Yeah, yeah, singing like that you said.

0:50:10.360 --> 0:50:13.840
<v Speaker 1>Jeremiah, Yeah, I'm going like yeah, like.

0:50:15.680 --> 0:50:17.799
<v Speaker 4>Thirty five under you.

0:50:18.719 --> 0:50:21.880
<v Speaker 1>I just had a uh, I had a little way moment.

0:50:23.040 --> 0:50:32.480
<v Speaker 1>He's a they Gucci number five. Shout out to my nigga,

0:50:34.360 --> 0:50:38.239
<v Speaker 1>Shout out to my nigga, Jerema. Hey, you're talking about

0:50:38.239 --> 0:50:44.239
<v Speaker 1>a song writing motherfucking fool. I wanted to fight that nigga.

0:50:44.520 --> 0:50:47.880
<v Speaker 1>Fight that nigga, Jeremiah, that nigga cold.

0:50:48.440 --> 0:50:50.799
<v Speaker 4>He's a cold one.

0:50:51.400 --> 0:50:53.000
<v Speaker 1>You don't write me a song too. I'm not gonna

0:50:53.040 --> 0:50:55.440
<v Speaker 1>let him off the hook until he writes me one. Okay.

0:50:56.160 --> 0:50:59.960
<v Speaker 1>Top five R and B songs.

0:51:00.120 --> 0:51:01.920
<v Speaker 3>That's hard. Yeah, I know, I know.

0:51:03.239 --> 0:51:07.960
<v Speaker 1>Going to your phone, He's like me, see what songs

0:51:07.960 --> 0:51:09.080
<v Speaker 1>I produced.

0:51:12.480 --> 0:51:14.920
<v Speaker 4>Because like favorite is so relative, because like.

0:51:15.280 --> 0:51:18.440
<v Speaker 1>Just say that for today it's yours.

0:51:18.560 --> 0:51:21.439
<v Speaker 4>Well, I'm listening to my favorite songs right now. Yeah, today,

0:51:21.800 --> 0:51:22.520
<v Speaker 4>missing you queen.

0:51:23.760 --> 0:51:24.680
<v Speaker 3>Come on. I love that.

0:51:26.960 --> 0:51:33.400
<v Speaker 4>Uh? I like uh.

0:51:36.200 --> 0:51:39.080
<v Speaker 3>Mm hmmmmm.

0:51:41.280 --> 0:51:42.440
<v Speaker 4>Made for me money long.

0:51:42.800 --> 0:51:45.839
<v Speaker 1>M Yes, you can do that, yes sir, Yes, sir,

0:51:45.920 --> 0:51:47.200
<v Speaker 1>I'm with that.

0:51:48.680 --> 0:51:50.120
<v Speaker 4>Uh huh, I ain't gonna lie.

0:51:50.640 --> 0:51:58.200
<v Speaker 6>Tims gets to Bernie Joint Love Love Burning and Me

0:51:58.239 --> 0:51:58.600
<v Speaker 6>and you.

0:51:58.920 --> 0:51:59.200
<v Speaker 3>Yeah.

0:51:59.719 --> 0:52:10.319
<v Speaker 7>Yeah, the fifth one going chill by Party mm hmm.

0:52:11.440 --> 0:52:14.279
<v Speaker 4>Yeah, that's my favorite right now.

0:52:14.440 --> 0:52:16.279
<v Speaker 3>We had a real young nigga here for real.

0:52:16.360 --> 0:52:22.359
<v Speaker 4>For that's an ideal, my young niggah.

0:52:22.400 --> 0:52:26.320
<v Speaker 1>Yeah, I mean you're on You're like a shouted down hoodio.

0:52:26.440 --> 0:52:27.800
<v Speaker 1>You're on your young.

0:52:28.400 --> 0:52:29.920
<v Speaker 4>Am about to go to the tower right now and

0:52:29.920 --> 0:52:30.399
<v Speaker 4>get drunk.

0:52:30.560 --> 0:52:36.640
<v Speaker 1>Hey, celebrating these head someone celebrating their life.

0:52:36.960 --> 0:52:38.879
<v Speaker 3>Yeah, as you should.

0:52:38.960 --> 0:52:41.719
<v Speaker 5>Know, we eighty times platting around his motherfucker.

0:52:41.800 --> 0:52:44.240
<v Speaker 4>Man. Everybody, take a shop. Let's kill a bottle.

0:52:47.960 --> 0:52:50.760
<v Speaker 1>I ain't saying no names, hey, I ain't saying no names.

0:52:50.800 --> 0:52:54.600
<v Speaker 1>I ain't saying no names. Ain't saying no names. He was.

0:52:56.880 --> 0:52:59.400
<v Speaker 3>What you did. Don't see ship.

0:53:02.440 --> 0:53:12.560
<v Speaker 5>You know, a't say yeah yeah.

0:53:12.600 --> 0:53:14.439
<v Speaker 2>We had a very very special part of the show.

0:53:14.520 --> 0:53:18.120
<v Speaker 2>Right now, Will you tell us a story funny or

0:53:18.160 --> 0:53:22.200
<v Speaker 2>fucked up? Are funny and fucked up? The only rulee

0:53:22.239 --> 0:53:24.920
<v Speaker 2>to the game. You can't say no names.

0:53:25.400 --> 0:53:25.879
<v Speaker 1>Only room?

0:53:26.600 --> 0:53:35.040
<v Speaker 4>Uh huh, it's only room. Uh sure. One time I

0:53:35.080 --> 0:53:36.160
<v Speaker 4>went to the studio.

0:53:35.960 --> 0:53:37.800
<v Speaker 1>And I was, we'll get the mic, make sure the

0:53:37.840 --> 0:53:38.319
<v Speaker 1>mike give me.

0:53:40.239 --> 0:53:43.160
<v Speaker 6>One time I was in the studio and uh it

0:53:43.239 --> 0:53:47.480
<v Speaker 6>was that QC and I was playing some beats for

0:53:47.600 --> 0:53:52.000
<v Speaker 6>some people and I just did wilding Out, So I

0:53:52.040 --> 0:53:54.080
<v Speaker 6>had on the wilding Out shirt.

0:53:55.000 --> 0:53:55.680
<v Speaker 3>I got your name.

0:53:57.360 --> 0:54:00.000
<v Speaker 4>I just came from there, came straight.

0:54:00.239 --> 0:54:02.120
<v Speaker 6>I had left my book back there on purpose that

0:54:02.120 --> 0:54:04.000
<v Speaker 6>I had beat because I knew niggas was gonna be

0:54:04.000 --> 0:54:10.320
<v Speaker 6>there night that night, and it was like hell of

0:54:10.400 --> 0:54:13.520
<v Speaker 6>people in there. And when I tell you, I played

0:54:13.640 --> 0:54:17.000
<v Speaker 6>every beat on my fucking computer. I'm talking about I'm going.

0:54:16.840 --> 0:54:19.760
<v Speaker 4>From folder to folder that goddamn I'm going to my email.

0:54:19.800 --> 0:54:21.719
<v Speaker 6>I'm like, wait, I sent this to this person, Wait

0:54:21.719 --> 0:54:24.759
<v Speaker 6>wait they might fuck with this, this and this. I

0:54:24.800 --> 0:54:30.160
<v Speaker 6>got to like that thirtieth beat. They were like, hey, bro,

0:54:31.239 --> 0:54:38.680
<v Speaker 6>just let that shit go. Then my homie came shout

0:54:38.680 --> 0:54:41.759
<v Speaker 6>out my boy quake global, he came, Oh damn my.

0:54:41.719 --> 0:54:43.400
<v Speaker 4>Path he came.

0:54:43.640 --> 0:54:48.960
<v Speaker 6>He came through this. Nigga played one beat hits on.

0:54:50.360 --> 0:54:52.480
<v Speaker 6>I won't say this all just lean on name.

0:54:53.080 --> 0:54:58.760
<v Speaker 4>You played one beat after you played thirty thirty clip sweating.

0:54:58.800 --> 0:55:00.799
<v Speaker 3>You didn't hit nobody. Sweat you didn't hit nobody, but

0:55:00.880 --> 0:55:08.279
<v Speaker 3>none of the thirty. Oh, Nigga, that's Gashit hilarious, a

0:55:08.400 --> 0:55:10.920
<v Speaker 3>third piece. That's how the ship goes sometimes.

0:55:12.440 --> 0:55:15.319
<v Speaker 2>And you said the beat that that he played ended

0:55:15.360 --> 0:55:16.200
<v Speaker 2>up being a hit too.

0:55:16.920 --> 0:55:19.120
<v Speaker 4>HiT's on Top twenty five Urban radio.

0:55:19.120 --> 0:55:19.600
<v Speaker 3>Off the shows.

0:55:23.920 --> 0:55:25.880
<v Speaker 6>I'm talking, I'm playing my best ship. I was excited

0:55:25.880 --> 0:55:27.160
<v Speaker 6>to apply just say wilding out.

0:55:27.200 --> 0:55:28.239
<v Speaker 4>I'm like, oh yeah, I'm lit.

0:55:29.840 --> 0:55:31.440
<v Speaker 3>No, they told you to let that ship go.

0:55:33.400 --> 0:55:36.279
<v Speaker 6>One of the artists said, oh no, you wading out

0:55:36.320 --> 0:55:41.680
<v Speaker 6>for real. Oh I'm gonna tell you off camera.

0:55:41.840 --> 0:55:44.200
<v Speaker 2>People don't know that. People don't know that this is

0:55:44.280 --> 0:55:46.480
<v Speaker 2>how the ship goes though. I mean, like, Nigga, no

0:55:46.520 --> 0:55:46.880
<v Speaker 2>matter what.

0:55:46.960 --> 0:55:51.000
<v Speaker 1>The first time, it's time, right, it's a tough audition.

0:55:50.920 --> 0:55:52.919
<v Speaker 2>Right, and you just came off of a TV show.

0:55:52.960 --> 0:55:55.520
<v Speaker 2>That means you're already cracking. You already got hit record.

0:55:56.040 --> 0:55:57.319
<v Speaker 2>And the nigga still like this.

0:55:57.360 --> 0:55:59.280
<v Speaker 4>Is like way letter recently.

0:55:59.320 --> 0:56:01.760
<v Speaker 2>Yeah, niggah, nigga, Wi.

0:56:02.200 --> 0:56:05.160
<v Speaker 1>Nigga used your shirt against you.

0:56:06.800 --> 0:56:08.960
<v Speaker 4>I thought you my brother, you have to do that.

0:56:09.040 --> 0:56:10.160
<v Speaker 3>Nigga got damn.

0:56:11.239 --> 0:56:14.160
<v Speaker 1>That's crazy. I get it crazy, but I get.

0:56:14.000 --> 0:56:19.360
<v Speaker 3>It's a real, real studio story. This is how this

0:56:19.440 --> 0:56:22.799
<v Speaker 3>ship goes. I want this ship, man. Yeah, And it

0:56:22.840 --> 0:56:23.319
<v Speaker 3>was just thirty.

0:56:23.400 --> 0:56:25.239
<v Speaker 2>They needed to hear thirty one and you you just

0:56:25.280 --> 0:56:26.799
<v Speaker 2>play thirty and he played the one and you know.

0:56:26.800 --> 0:56:29.160
<v Speaker 3>I mean at it like that. You broke them down.

0:56:29.239 --> 0:56:32.360
<v Speaker 3>You broke him down. Yeah, broke them down. It's like

0:56:32.480 --> 0:56:35.879
<v Speaker 3>it's like the number machine. This machine was hot.

0:56:36.239 --> 0:56:36.839
<v Speaker 1>She was hot.

0:56:37.440 --> 0:56:40.439
<v Speaker 4>You better when you get curved, my girl.

0:56:40.920 --> 0:56:45.320
<v Speaker 3>Hey, that's what is it? Anyway? Like I saw that

0:56:45.560 --> 0:56:49.240
<v Speaker 3>cute man. It's gonna make you spend so much money, man, niggas.

0:56:49.280 --> 0:56:54.040
<v Speaker 1>She ain't a real one dog last week with two niggas,

0:56:54.320 --> 0:56:55.400
<v Speaker 1>ain't that nigga?

0:56:55.440 --> 0:56:57.440
<v Speaker 3>And then you fucking around and have a here record.

0:57:00.960 --> 0:57:04.799
<v Speaker 1>That's the word. God does everything for a reason. That's

0:57:04.960 --> 0:57:07.440
<v Speaker 1>that's what you get that let the God does everything for.

0:57:09.800 --> 0:57:09.920
<v Speaker 4>Bro.

0:57:10.080 --> 0:57:14.160
<v Speaker 3>You're killing man. Yeah, man, congratulations man.

0:57:15.320 --> 0:57:21.000
<v Speaker 1>And and and keep that same hunger, bro, keep that

0:57:21.080 --> 0:57:23.800
<v Speaker 1>same hunger, keep that same you.

0:57:23.760 --> 0:57:26.880
<v Speaker 3>Know, as they would say, keep that same energy, Keep

0:57:26.880 --> 0:57:31.800
<v Speaker 3>that same energy. Bro. Yeah, have that thirty, Have that thirty.

0:57:31.520 --> 0:57:36.920
<v Speaker 4>Ready every time. He always sometimes.

0:57:36.680 --> 0:57:38.360
<v Speaker 3>Work because it only takes one.

0:57:39.400 --> 0:57:42.600
<v Speaker 2>I mean you saw that with the hommy. You take one.

0:57:44.640 --> 0:57:53.880
<v Speaker 2>It's crazy so soon. It only takes one. Cardis cardiac

0:57:53.920 --> 0:57:57.200
<v Speaker 2>and send me you know Cardiac's in the pack.

0:57:58.560 --> 0:58:04.240
<v Speaker 1>No, but this that one, you know, news we brother,

0:58:05.160 --> 0:58:08.800
<v Speaker 1>that one. I appreciate. That's what we pray for. Continued

0:58:10.000 --> 0:58:10.800
<v Speaker 1>even more.

0:58:13.240 --> 0:58:16.680
<v Speaker 4>More. Why not trying to keep it going?

0:58:16.800 --> 0:58:21.080
<v Speaker 1>Why not ships? Keep us partying, brother, keep us partying,

0:58:21.200 --> 0:58:25.520
<v Speaker 1>you know, and keep and keep keep the women. Keep

0:58:25.520 --> 0:58:31.640
<v Speaker 1>the ladies slippy, keep the ladies on it. Yeah, on

0:58:31.800 --> 0:58:35.240
<v Speaker 1>a slip, Yeah, the ladies.

0:58:35.880 --> 0:58:40.880
<v Speaker 3>We do all this, Thanks gentle. My name is Take

0:58:41.080 --> 0:58:41.920
<v Speaker 3>I'll shave balance.

0:58:42.160 --> 0:58:45.160
<v Speaker 1>And this is the Harvey Money Podcast, the authority on

0:58:45.320 --> 0:58:47.240
<v Speaker 1>all things all.

0:58:47.480 --> 0:58:50.040
<v Speaker 3>Be It's our young nigga right here.

0:58:50.160 --> 0:59:00.720
<v Speaker 1>Yeah, him, the beast, the banker. Ah oh Shay Park Yeah.

0:59:01.800 --> 0:59:03.840
<v Speaker 5>R and B Money.

0:59:04.040 --> 0:59:05.840
<v Speaker 2>R and B Money is a production of the Black

0:59:05.840 --> 0:59:10.720
<v Speaker 2>Effect podcast Network. For more podcasts from iHeartRadio, visit the

0:59:10.760 --> 0:59:14.600
<v Speaker 2>iHeartRadio app, Apple Podcasts, or wherever you listen to your

0:59:14.600 --> 0:59:18.479
<v Speaker 2>favorite shows. Don't forget to subscribe to and rate our show,

0:59:18.800 --> 0:59:21.400
<v Speaker 2>and you can connect with us on social media at

0:59:21.520 --> 0:59:25.760
<v Speaker 2>Jyvalentine and at the Real Tank. For the extended episode,

0:59:25.880 --> 0:59:30.040
<v Speaker 2>subscribe to YouTube dot com, Forward, slash r, and b

0:59:30.160 --> 0:59:30.480
<v Speaker 2>Money