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Speaker 1: R and B Money.

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Speaker 2: We are.

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Speaker 1: Thanks take We are the authority on all things R

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Speaker 1: and B. Ladies and gentlemen. My name is Tank and

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Speaker 1: this is the Army Money Podcast.

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Speaker 3: Come on, the authority on all things R and B. Yeah,

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Speaker 3: you better produce you right?

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Speaker 4: Are you?

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Speaker 3: Can?

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Speaker 5: You can?

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Speaker 4: You?

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Speaker 3: You're walking like you talking?

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Speaker 2: That's here, No, a whole lot of them record.

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Speaker 1: Yeah, I've been blessed to to to work this young man.

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Speaker 3: Yeah.

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Speaker 1: Uh now I'm finally seeing his face right here, sit

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Speaker 1: ten ft away in the building.

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Speaker 4: Yes, now, I appreciate that. I appreciate that.

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Speaker 3: Come on ahead of.

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Speaker 5: The flesh deck.

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Speaker 1: Come on, he must to talk to ship at the time.

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Speaker 1: Up on tequila, Come on, it get different. Heymen, told

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Speaker 1: you where you're from?

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Speaker 6: Born and raised in Atlanta, Georgia, born and raised. Yes, sir,

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Speaker 6: how old are you man?

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Speaker 4: I'm thirty one.

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Speaker 3: You're thirty one.

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Speaker 4: I just turned thirty one last week.

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Speaker 3: You look sixteen? He was sixteen practically.

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Speaker 1: Yeah, you young fellas you boy?

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Speaker 3: You on my young talent the big.

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Speaker 1: And first of all, thank you, because I had big

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Speaker 1: dreams for that remix. Oh, I had the biggest dreams.

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Speaker 4: I needed that too.

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Speaker 1: Hey, I had the video laid out at the casino.

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Speaker 1: Roy yall, I had all that ran out of budget, man,

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Speaker 1: after I paid for the song man.

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Speaker 4: A budget, Yeah, I know how to ship go.

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Speaker 1: Budget was gone.

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Speaker 3: Man.

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Speaker 1: So so thank you, uh dirty remix, Thank you for

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Speaker 1: the for the Dirty Remix, and and and and next.

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Speaker 1: The next record you give me it will have to

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Speaker 1: fix it, will have a movement, have fixing fix.

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Speaker 4: We need the video. I needed to be in the video.

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Speaker 3: I got you, I got you.

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Speaker 1: Every time one of your songs has the fixings on it.

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Speaker 1: Ship go it's here.

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Speaker 3: I appreciate that.

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Speaker 1: So I have to I gotta, I gotta be part

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Speaker 1: of that. Thank you, brother.

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Speaker 4: I appreciate you.

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Speaker 3: Man.

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Speaker 1: You know, I know we all the way out here

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Speaker 1: in l A. And I know that trip for you

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Speaker 1: is not an easy one. And we appreciate you giving

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Speaker 1: us your time so that we can talk through, talk

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Speaker 1: through a lot of.

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Speaker 3: This work that you've done.

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Speaker 1: My brother, I appreciate it. Yeah, let's be here. Let's

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Speaker 1: start at the beginning. Man, growing up in atl where

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Speaker 1: does your journey, where does your musical journey begin?

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Speaker 6: So my grandfather, he taught piano in music at Morehouse College.

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Speaker 4: Wow. Yeah, and he played in the church.

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Speaker 6: So when I was like eight, he was like he

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Speaker 6: really made like all of us learn the basics of piano,

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Speaker 6: and then he made us all pick an instrument.

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Speaker 4: So I picked the saxophone.

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Speaker 6: So I was in the band, marching band all that,

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Speaker 6: and then I changed to the Uh. Then I always

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Speaker 6: tell Nick when drum line came out, I was like,

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Speaker 6: oh no, no more.

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Speaker 4: He was yeah. So then I joined. You know what

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Speaker 4: I'm saying, I played sna get the girls. I was like, yeah,

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Speaker 4: I'm going that way.

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Speaker 6: Yeah, So I did all throughout high school I did

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Speaker 6: snare and then one year I played drum set and

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Speaker 6: then you know, just was always in love with music

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Speaker 6: and it was just always making beats. I probably start

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Speaker 6: making beats about tenth grade, so about two thousand him.

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Speaker 3: What were you making? Your what were you making? What

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Speaker 3: made you want to make beats?

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Speaker 6: I just knew I wanted to be in music, and like,

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Speaker 6: you know, they make you go to them job fairs

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Speaker 6: and stuff, and like I was just looking around and

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Speaker 6: I was just like, I don't want to go to

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Speaker 6: the Army of the Navy, don't want to do this

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Speaker 6: that want to be a chef, Like I don't want

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Speaker 6: to do none of this.

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Speaker 4: And I was just like, I just want to make music.

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Speaker 6: So I was just like, it's really either be a

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Speaker 6: band director or a music teacher, or be a music producer.

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Speaker 6: I feel like those are really like the only avenues.

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Speaker 6: So I was like, I'm going to be a music producer.

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Speaker 6: So my homie gave me f L Studio on the

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Speaker 6: flash drive, and I don't think I ever stopped.

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Speaker 4: I probably made beats every day since.

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Speaker 3: Now.

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Speaker 1: See that's like I'm just comparing it to to you know,

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Speaker 1: an analog you know, new digital guys, would you go

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Speaker 1: to hand you a production interface on you know, with.

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Speaker 3: Everything you need you need right?

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Speaker 1: And I remember dreaming as a child, a kid, young kid,

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Speaker 1: like looking at the NPC sixty like, man, I want

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Speaker 1: one of those. My guys had an SP twelve. I

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Speaker 1: was like, are you doing that? How are you making

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Speaker 1: the I want one of those?

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Speaker 4: They were expensive making.

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Speaker 1: Yeah, expensively yeah for what you gotta.

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Speaker 2: Think one thousand absolutely, So imagine seeing that at fifteen,

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Speaker 2: sixteen years old, You're like, man, I don't what the

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Speaker 2: fuck am I get impossible?

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Speaker 1: Yeah, I'm making twenty five dollars a Sunday at church

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Speaker 1: playing for the choir I have. I don't see two

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Speaker 1: thousand dollars nowhere.

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Speaker 4: That's how much they pay. I thought they paid more

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Speaker 4: than that.

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Speaker 1: Now they do, But that back then, they was getting

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Speaker 1: me with the Jesus thing. You know what I'm saying.

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Speaker 1: You know, you're doing this for the Lord. You know,

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Speaker 1: the Lord ain't got no money? Like what Lord are

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Speaker 1: we serving? I heard they got streets of gold up there,

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Speaker 1: like give me a brick, magg Like.

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Speaker 3: This is crazy.

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Speaker 1: So looking at that equipment back then, and looking at

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Speaker 1: the keyboards that was thirteen fifteen hundred, I'll never get there.

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Speaker 1: And you know it worked out to where, you know,

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Speaker 1: I finally get a little deal. And the first thing

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Speaker 1: I went to do is buy my equipment. I'm talking

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Speaker 1: about a mac a thirty two channel Mackie board, NPC

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Speaker 1: three thousand, XP eighty and I had my TV on

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Speaker 1: top and I got it all plugged in and my

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Speaker 1: Mama's unfinished basement and I'm making beats down.

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Speaker 3: There, you know what I'm saying.

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Speaker 1: And you just told me a guy handed you fl

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Speaker 1: on a flash.

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Speaker 6: Drive, right, And then I begged my parents to buy

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Speaker 6: me some speakers, and then a little you know, a

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Speaker 6: little forty nine key.

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Speaker 1: Little forty nine y and you were in business.

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Speaker 6: That's all I need my laptop half a school and

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Speaker 6: I just used to be making beats as soon as

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Speaker 6: I got home, just making beats all night.

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Speaker 1: And when you first started making beats, who were you

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Speaker 1: trying to be as a producer?

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Speaker 3: For real?

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Speaker 2: Everybody have the everybody got their person, got their person.

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Speaker 3: Yeah, mom was timbling.

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Speaker 4: It was really both. I ain't gonna care it was both,

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Speaker 4: you know what I'm saying.

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Speaker 6: It's so different, it's different, but like those were definitely

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Speaker 6: like two of my favorite for reals.

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Speaker 2: He just had a you shooting for the star, right,

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Speaker 2: And so did you know anybody? No, not really, even

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Speaker 2: being from Atlanta, you had never come across nobody that

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Speaker 2: you know, like, Okay, the homie brother is such and such.

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Speaker 4: Producer, you know what I mean? Yeah, so, my it's crazy.

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Speaker 6: Like one of my producers that I signed, now, he

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Speaker 6: was my best friend in high school and his dad's

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Speaker 6: mister DJ.

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Speaker 4: You know he did like bombs over that back.

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Speaker 3: Yeah.

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Speaker 4: Yeah, so we used to go over to his house.

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Speaker 4: But you can ask him now.

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Speaker 6: He never took a serious like he used to let

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Speaker 6: us see the studio and like show us his Grammys

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Speaker 6: and ship.

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Speaker 4: Paying that ship in no mind, we used to be

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Speaker 4: in that motherfucker.

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Speaker 6: He used to be like, don't break my fucking computer. Right, yeah,

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Speaker 6: we just in there. We're making noise to him, like

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Speaker 6: he like, man, you know what I'm saying. Like now

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Speaker 6: he takes a serious now, but like you know, back then,

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Speaker 6: he was just like, look, y'all can work in here,

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Speaker 6: but like, don't fuck my ship up.

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Speaker 3: But he gave y'all a really cool space.

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Speaker 1: Because I can imagine if he him, he's got a

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Speaker 1: proper setup.

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Speaker 6: Man, he just has every record on Earth just in

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Speaker 6: bookshelves and just you know, he'd be sampling and doing

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Speaker 6: all you know what I'm saying. He did all them

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Speaker 6: crazy outcast songs, and he just used to tell us

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Speaker 6: a lot of stories. And then just seeing the Grammy,

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Speaker 6: like I was like, oh, yeah, this is what I'm doing.

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Speaker 2: So it felt real to you, It felt it felt attainable, Yeah,

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Speaker 2: for sure, Because you know that's why that's why I asked,

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Speaker 2: you know, I mean, because some people come from places

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Speaker 2: where they don't know anybody, or they come from a

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Speaker 2: city where nobody from their city ever cracked off like that, right,

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Speaker 2: But being from a place like Atlanta, obviously that's why

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Speaker 2: I'm like, was there somebody, you know what I mean?

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Speaker 2: So that now that it makes perfect sense because for

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Speaker 2: that it just it's something that frees the mind, you

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Speaker 2: know what I mean. You don't have that blockage that

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Speaker 2: some people have from certain different places in the world

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Speaker 2: where they're like, bro, nobody's ever made it from such

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Speaker 2: and such, such.

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Speaker 1: And such, so how.

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Speaker 6: Do I even And then just seeing my grandfather because

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Speaker 6: he played the organ in church, you know, he played

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Speaker 6: funerals and like, you know, just you know what I'm saying,

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Speaker 6: all types of stuff. So I used to always see

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Speaker 6: him and I just was like, I'm seeing all these

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Speaker 6: producers that.

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Speaker 4: Are millions, all this making all this money.

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Speaker 6: I'm just like, okay, so the gig stuff, it's a

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Speaker 6: little slower money, you know.

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Speaker 4: I know, you know, you probably did a lot of gigs.

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Speaker 4: You know, they call it gigging.

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Speaker 6: Yeah, So it's like I was like, you know, like

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Speaker 6: that's cool too, Like I would love to do that,

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Speaker 6: but I wanted I knew I wanted to.

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Speaker 1: And another part that's crazy is like even as a

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Speaker 1: as I'm a kid, and I got my keyboard, and

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Speaker 1: I'm making beats and all of these things. You know,

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Speaker 1: in the times that you come up in, you guys

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Speaker 1: are doing the math rather quickly like we weren't. I

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Speaker 1: wasn't doing them. I wasn't processing the math that fast.

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Speaker 1: I wasn't saying. I mean, of course, I'm in d C.

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Speaker 1: And it wasn't in Maryland. The market wasn't like robust

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Speaker 1: in terms of you know, the artist and entertainments and

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Speaker 1: people teaching it or giving the information. But I hadn't

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Speaker 1: done the math on Okay, the musician thing is cool,

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Speaker 1: but if I be a producer.

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Speaker 3: Then I can really get to the back. I didn't.

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Speaker 1: I didn't even I hadn't even processed that, you know

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Speaker 1: what I mean. And you calculating that at a very

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Speaker 1: young age was very wise of you, because, like you said,

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Speaker 1: as a musician, I've run myself into the ground.

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Speaker 6: You gotta practice everything. You got to learn, all the songs.

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Speaker 6: You got Wednesday Bible study, you got Sunday service.

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Speaker 4: Come on, I'm saying. You gotta know. You know what

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Speaker 4: I'm saying.

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Speaker 6: Like I mean, I guess you could transpose if you want,

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Speaker 6: but if you want to just be able to just

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Speaker 6: I wasn't transposed.

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Speaker 3: I was in every key.

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Speaker 1: And then I'm carrying a double tears stand, two keyboards,

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Speaker 1: and a pv amp in one trip. I'm carrying it

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Speaker 1: up the stairs or whatever church we're going to. Let's

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Speaker 1: get it. Yeah, if I'd have known earlier, I could

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Speaker 1: just produce.

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Speaker 3: Get this monkey off my back. I mean, we're where

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Speaker 3: we are for a reason.

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Speaker 6: But yeah, that's why you're so talented. You know what

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Speaker 6: I'm saying. You can play in every key. You know

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Speaker 6: what I'm saying. That's what that's something that you use

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Speaker 6: to your advantage. You probably don't even realize how hard

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Speaker 6: it is for some people to even learn how to

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Speaker 6: do that, because you were already just doing it without

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Speaker 6: even thinking.

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Speaker 1: I had we I played on the piano so in devotion.

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Speaker 1: When when you know a mother from the Mother's Boys

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Speaker 1: starts singing her song, you gotta meet her where she

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Speaker 1: at right?

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Speaker 3: One?

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Speaker 2: Three, Yeah, if that's an E or B or strange keys,

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Speaker 2: you gotta make it right.

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Speaker 1: You gotta meet her. Let's go, and you ain't want

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Speaker 1: to be embarrassed, because if you got embarrassed and there

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Speaker 1: was another more capable musician behind you, he will scoot,

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Speaker 1: you scoot, you off that bench.

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Speaker 4: You go to tambourine and.

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Speaker 3: You don't.

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Speaker 6: It's like the same in like band, in marching band,

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Speaker 6: like you mess up. Like they were like, oh yeah,

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Speaker 6: we're gonna let him play today. Like you go to

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Speaker 6: bass anybody, yeah, and he's gonna place there.

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Speaker 1: So I went from trumpet, Well, I could always play drums.

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Speaker 1: I start playing drums at five, but I was like,

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Speaker 1: I don't want to play drums in the band. It's

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Speaker 1: just one drum. Like, but I'm went from trumpet then too.

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Speaker 1: I was like, you know, let me just do what

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Speaker 1: I do. So I went from trumpet to snare then

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Speaker 1: the set in band.

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Speaker 3: Yeah, but I.

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Speaker 1: Feel like, you know, I feel like drummers and DJs

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Speaker 1: are the best beat.

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Speaker 4: Makers really yeah, because of tempo.

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Speaker 1: They just understand rhythm differently. Yeah right, Like like take

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Speaker 1: a guy like Timberland who was the DJ doctor dre

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Speaker 1: Doctor dre Y. Yeah. When when I saw Beacos going

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Speaker 1: over to work with Jermaine in the beginning, he was like,

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Speaker 1: you need to learn how to DJ.

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Speaker 3: Jamaine.

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Speaker 1: I used to go watch be Cox sit on the

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Speaker 1: turntables for like three hours just trying to I was like,

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Speaker 1: what are you doing? I gotta just learning rhythms and DJ.

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Speaker 4: Right, see what he is is an art of DJ.

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Speaker 1: People don't understand, but no understanding those bp ms, understanding

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Speaker 1: how to move the crowd, understand like all that plays

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Speaker 1: a part in the beat making process. Now you know,

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Speaker 1: I have guys that can be lush on top of it.

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Speaker 1: But that beat, Yeah, d DJs?

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Speaker 3: What's the mo? Other guy? Uh? Is it bongo? But bongo? Yeah?

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Speaker 2: Producer drummer is bango drummer? Drums who makes sense for

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Speaker 2: his navy?

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Speaker 3: You know what I'm saying.

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Speaker 1: But I feel like that perspective, like you coming from

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Speaker 1: from band and being a drummer has that gives you

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Speaker 1: an insight that that a lot of producers don't have.

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Speaker 1: And it's it's about space along with time signature, like

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Speaker 1: being able to live in this space where since you

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Speaker 1: started with the fruity loops, how you understand the digital

305
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Speaker 1: space of it. But if you feel like getting natural

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Speaker 1: on these niggas, then you know where that where that

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Speaker 1: dance is too.

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Speaker 4: Yeah, and I'll work with some outburg here too.

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Speaker 3: You know what I'm saying.

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Speaker 4: You got a Jupiter, I got a melotron.

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Speaker 6: I got all types of stuff, you know what I'm saying, Like,

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Speaker 6: I'll get I.

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Speaker 4: Get busy with it too, That's what I'm saying.

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Speaker 6: Like I like to really just like to delve in

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Speaker 6: like and just like be able to create freely, so

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Speaker 6: I don't ever want to feel like I'm held in

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Speaker 6: the box.

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Speaker 4: That's why I like to make all genres.

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Speaker 6: Like you know what I'm saying, I'll do some medium

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Speaker 6: pop stuff like I just like to just feel free

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Speaker 6: as a creative.

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Speaker 2: Yeah, what were your first beats? Where they were they

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Speaker 2: hip hop beats or what they like? Listen, listen to

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Speaker 2: the young to the young kids that's out there just

325
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Speaker 2: starting right now.

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Speaker 3: Let them know like this is it starts somewhere.

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Speaker 4: Yeah, yeah they're trash.

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Speaker 3: Yeah.

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Speaker 4: I was just making whatever.

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Speaker 6: Like to be honest, I just another motherfucker just playing

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Speaker 6: chords and just trying to throw drums on it. I

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Speaker 6: didn't know how to mix. I wasn't even throwing stuff

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Speaker 6: in the mixer. No panemeric EQ, no reverb, no nothing,

334
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Speaker 6: and just and then I you know, you gotta do

335
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Speaker 6: the car test, so I play it in the car.

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Speaker 4: I'd be like, this just sounds terrible.

337
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Speaker 1: And you didn't know why it wasn't translating.

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Speaker 4: But luckily, the advantage that we have, thank god, is YouTube.

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Speaker 3: I was just about to say that.

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Speaker 6: So I started taking advantage of YouTube and like how

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Speaker 6: to mix beats on fl studio. And then that's when

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Speaker 6: I really like started learning, like, oh, you gotta eq

343
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Speaker 6: this out, you gotta do this, you gotta do that,

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Speaker 6: And that's when my production started elevating.

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Speaker 3: Y'all have so many advantages.

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Speaker 1: Like I'm watching like our good friend Jason Joshua, I'm

347
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Speaker 1: watching him do YouTube tutorials, him and him and Pensada

348
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Speaker 1: of how to get that track from here to Heaven?

349
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Speaker 3: Yeah, and you guys.

350
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Speaker 1: Are got it.

351
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Speaker 4: What's that? What's it called? What's his BST called?

352
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Speaker 3: Charicle? Yeah?

353
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Speaker 1: Yeah, It's like, I get a beat now, and I'm like,

354
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Speaker 1: don't touch.

355
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Speaker 3: It, right, he's ready, Yeah, don't touch it.

356
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Speaker 1: Sounds mixing messive, So let me sing mixed my vocals.

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Speaker 3: We're done. Mhm.

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Speaker 4: I got a lot of two track mixes out.

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Speaker 1: Here, listen a lot of them. Did you said cardiac

360
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Speaker 1: earlier when we two track?

361
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Speaker 6: Yeah, but I'm not gonna lie. I don't know what

362
00:17:37,480 --> 00:17:43,240
Speaker 6: that nigga cardiac? Does that sound like it sounds like

363
00:17:43,280 --> 00:17:45,639
Speaker 6: that ship is a fucking movie theater and you're like,

364
00:17:46,800 --> 00:17:49,120
Speaker 6: you got the speaking right next to you or some ship.

365
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Speaker 4: I don't know what he do. He better keep that

366
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Speaker 4: ship to him.

367
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Speaker 3: On YouTube. Down with you, yeah, because looking.

368
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Speaker 6: For Yeah, that ship sounded made and every song he produced.

369
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Speaker 1: Like it's two tracks get on my nerves. Yeah, I

370
00:18:05,920 --> 00:18:07,960
Speaker 1: should come through. And I got to a point to

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Speaker 1: where I just said, I don't care. I'm not going

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Speaker 1: to try to make my beat sound like that. I

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Speaker 1: don't care. Jason Joshua was gonna mix it anyway. I

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Speaker 1: don't care, because I was. I was losing my mind

375
00:18:25,720 --> 00:18:30,840
Speaker 1: trying to get my beat there. There's too many You

376
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Speaker 1: guys are too well versed in the out out for gear,

377
00:18:34,320 --> 00:18:37,400
Speaker 1: you know, into the presets and all these things. I don't.

378
00:18:37,440 --> 00:18:39,960
Speaker 1: I don't have that, and honestly, I don't have time

379
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Speaker 1: for it.

380
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Speaker 4: I don't get too much money.

381
00:18:42,840 --> 00:18:44,160
Speaker 3: I gotta go to the gym.

382
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Speaker 1: Fact, I can't work on my pictorials.

383
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Speaker 3: Okay, that's where I need to go.

384
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Speaker 1: So when do you When do you go from as

385
00:19:00,480 --> 00:19:07,160
Speaker 1: man to beats that are like Nigga, that's hot?

386
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Speaker 3: What's that? Who that for?

387
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Speaker 7: Man?

388
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Speaker 6: So I was working for a minute. I was just uh,

389
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Speaker 6: making beats, making beats. And then my senior year, my

390
00:19:17,480 --> 00:19:20,080
Speaker 6: parents were like, either get a job or go to school.

391
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Speaker 6: So I'm like, damn sure, I ain't trying to get

392
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Speaker 6: no job. So I was like, I'll go to school.

393
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Speaker 6: So I went to Georgia State for a year. So

394
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Speaker 6: I started meeting a lot of people there and then

395
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Speaker 6: ironically I ran into one of Ogi Maco's homies and

396
00:19:35,320 --> 00:19:36,760
Speaker 6: he was like, Yo, come to the house.

397
00:19:36,840 --> 00:19:37,680
Speaker 4: We're about to work.

398
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Speaker 6: So we pull up to the house, I meet Ogi

399
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Speaker 6: Maco and Key and then Ogi Maco drops that song

400
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Speaker 6: y'all remember bitch you guessed.

401
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Speaker 1: It Nigga smash.

402
00:19:52,080 --> 00:19:55,600
Speaker 6: Yeah right classic, I'm telling you.

403
00:19:55,119 --> 00:19:56,919
Speaker 4: So he drops that ship.

404
00:19:57,440 --> 00:19:59,520
Speaker 6: So then he called me one day He's like, yo,

405
00:19:59,760 --> 00:20:01,359
Speaker 6: coach KG just hit me up like they're trying to

406
00:20:01,359 --> 00:20:03,720
Speaker 6: sign me the QC. This is when the migos going

407
00:20:03,800 --> 00:20:07,600
Speaker 6: crazy hen and wealthy and all that ship. So I'm like, Nigga,

408
00:20:07,640 --> 00:20:10,119
Speaker 6: you better pull up right now. So he go up

409
00:20:10,160 --> 00:20:12,960
Speaker 6: there that Nigga signed the deal right then.

410
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Speaker 3: On the spot.

411
00:20:15,119 --> 00:20:17,359
Speaker 4: Of course, he signed on the spot.

412
00:20:18,160 --> 00:20:23,360
Speaker 6: So he called me, he like I signed. I'm like, oh,

413
00:20:23,480 --> 00:20:26,520
Speaker 6: ship bet. So I'm in Georgia State, I'm walking into class.

414
00:20:26,520 --> 00:20:29,719
Speaker 6: I'm thinking, I'm I think I'm walking into like fucking

415
00:20:29,720 --> 00:20:33,679
Speaker 6: calculus or some ship that nigga's like, yeah, I signed.

416
00:20:35,320 --> 00:20:38,840
Speaker 6: I turned my eyes right back around. I said you

417
00:20:38,920 --> 00:20:41,080
Speaker 6: at the studio. I said, mat, I'm about to uber

418
00:20:42,080 --> 00:20:43,119
Speaker 6: uber right to the studio.

419
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Speaker 3: Left school.

420
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Speaker 4: Never went back. What I never went back.

421
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Speaker 3: Not not to say by anything.

422
00:20:53,920 --> 00:20:56,399
Speaker 6: I got a picture all my classes say in like

423
00:20:56,600 --> 00:20:58,440
Speaker 6: in incomplete inter ship.

424
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Speaker 4: I didn't even talk your freshman year.

425
00:21:01,600 --> 00:21:04,480
Speaker 2: This is my uh you already finished the freshman Yeah.

426
00:21:04,760 --> 00:21:07,320
Speaker 4: It's like fake halfway sophomore year and ship.

427
00:21:08,119 --> 00:21:08,359
Speaker 3: Yeah.

428
00:21:08,400 --> 00:21:10,960
Speaker 6: So then I just start going to QC every day,

429
00:21:10,960 --> 00:21:12,679
Speaker 6: and I was working with like Rich the Kid and

430
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Speaker 6: Johnny Cinco and you know.

431
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Speaker 3: Where you go or where they Yeah.

432
00:21:17,040 --> 00:21:17,880
Speaker 4: Yeah they were way better.

433
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Speaker 6: Now I was working with like my boy Dico, and

434
00:21:20,160 --> 00:21:22,960
Speaker 6: like I had learned way more about production and then

435
00:21:23,000 --> 00:21:25,040
Speaker 6: like I was starting to get placements with them and everything,

436
00:21:25,080 --> 00:21:26,560
Speaker 6: and then p and Coach K came to me and

437
00:21:26,560 --> 00:21:29,359
Speaker 6: they were like, shit, you here every day, we might

438
00:21:29,400 --> 00:21:32,880
Speaker 6: as well sign you. So I was like, I damn

439
00:21:33,000 --> 00:21:36,600
Speaker 6: did the same thing, sign and just signed. The ship

440
00:21:37,000 --> 00:21:37,960
Speaker 6: been history ever since.

441
00:21:40,200 --> 00:21:48,359
Speaker 1: And that's like, like you gotta fucking believe bro. Like

442
00:21:49,160 --> 00:21:54,080
Speaker 1: that moment was so defining where it's like you can

443
00:21:54,160 --> 00:21:58,000
Speaker 1: just keep with this program or you can do something

444
00:21:58,080 --> 00:22:04,240
Speaker 1: absolutely crazy and walk out a calculus. So now I'm

445
00:22:04,240 --> 00:22:08,000
Speaker 1: going to the studio and whatever it is is what

446
00:22:08,040 --> 00:22:08,679
Speaker 1: it's going to be.

447
00:22:09,800 --> 00:22:12,600
Speaker 6: But there was a time in between that too where

448
00:22:12,760 --> 00:22:15,359
Speaker 6: my parents made me have a job. So I worked

449
00:22:15,400 --> 00:22:17,840
Speaker 6: like random odd jobs like I worked at like Abricomy

450
00:22:17,880 --> 00:22:21,359
Speaker 6: and Fitch. I worked at Macy's, I worked at Forever

451
00:22:21,440 --> 00:22:21,960
Speaker 6: twenty one.

452
00:22:22,520 --> 00:22:25,560
Speaker 2: So what the clothes was though, and where the girls

453
00:22:25,560 --> 00:22:34,040
Speaker 2: were yeah, yeah for sure retail, yes, yes, yes, yes.

454
00:22:34,080 --> 00:22:36,240
Speaker 6: Yeah, Like I was the nigga at Africomy and Fitch

455
00:22:36,280 --> 00:22:38,520
Speaker 6: on Christmas ad to stand outside with the shutof.

456
00:22:39,600 --> 00:22:41,480
Speaker 3: Give him some of that, yeah, give him some. Yeah

457
00:22:41,640 --> 00:22:43,200
Speaker 3: he was on that. I love that.

458
00:22:43,520 --> 00:22:44,400
Speaker 4: Yeah, that was divided.

459
00:22:44,480 --> 00:22:47,639
Speaker 6: So, like you know, I was like, it's just like

460
00:22:47,760 --> 00:22:49,359
Speaker 6: dumb shit. But like then I was like, man, I

461
00:22:49,400 --> 00:22:50,840
Speaker 6: don't want to be in the workforce no more. Like

462
00:22:50,840 --> 00:22:52,840
Speaker 6: I was like, I want to just make music. So

463
00:22:52,920 --> 00:22:54,760
Speaker 6: I was just like I was, but I was going

464
00:22:54,800 --> 00:22:56,399
Speaker 6: home and I didn't have a car, so I was

465
00:22:56,480 --> 00:23:00,439
Speaker 6: riding the train. I was riding the train to the

466
00:23:00,440 --> 00:23:03,120
Speaker 6: bus to the train station near my house and then

467
00:23:03,280 --> 00:23:06,919
Speaker 6: taking the bus to my house every day, every day

468
00:23:07,000 --> 00:23:08,960
Speaker 6: with your Okay, that was my routine. And I go

469
00:23:09,000 --> 00:23:10,120
Speaker 6: home and I make bets all.

470
00:23:10,080 --> 00:23:12,160
Speaker 3: Night and then how far was the QC studio?

471
00:23:13,880 --> 00:23:15,399
Speaker 4: I used to have to borrow my mom's car to

472
00:23:15,440 --> 00:23:18,399
Speaker 4: go there. That was on North Side Drive. Okay, so

473
00:23:18,560 --> 00:23:19,440
Speaker 4: like midtown.

474
00:23:20,440 --> 00:23:22,240
Speaker 3: My mom was letting you, she was letting you rock.

475
00:23:23,560 --> 00:23:26,960
Speaker 4: Mm hm, you stole the car.

476
00:23:28,680 --> 00:23:33,080
Speaker 6: They I just think that, like I always tell people that, Like,

477
00:23:33,160 --> 00:23:35,560
Speaker 6: I think it's hard for like people to comprehend what

478
00:23:35,640 --> 00:23:36,359
Speaker 6: making the beat is.

479
00:23:36,960 --> 00:23:37,440
Speaker 3: Mm hmmm.

480
00:23:37,600 --> 00:23:39,000
Speaker 4: So like my parents weren't.

481
00:23:38,800 --> 00:23:42,000
Speaker 6: Really comprehending the noise they were hearing in my bedroom.

482
00:23:42,680 --> 00:23:43,720
Speaker 6: They just hurt me just.

483
00:23:46,800 --> 00:23:47,320
Speaker 3: It sounds like.

484
00:23:48,640 --> 00:23:53,560
Speaker 6: Yeah, one time my dad was like, he texted me,

485
00:23:53,600 --> 00:23:55,120
Speaker 6: he said, son, turned that down.

486
00:23:55,119 --> 00:23:56,280
Speaker 4: Some of us had real jobs.

487
00:24:08,880 --> 00:24:12,040
Speaker 6: I would sign back up, probably signed I probably I

488
00:24:12,119 --> 00:24:15,840
Speaker 6: dropped out maybe like a year or two for.

489
00:24:15,840 --> 00:24:17,600
Speaker 4: A year a year year.

490
00:24:17,960 --> 00:24:21,800
Speaker 3: You just on your own time, on your own time.

491
00:24:21,880 --> 00:24:25,120
Speaker 2: Ain't making no money with none of it yet, hell no,

492
00:24:25,240 --> 00:24:29,119
Speaker 2: just putting in your work, putting in your man hours.

493
00:24:28,000 --> 00:24:30,800
Speaker 4: Nothing, just pulling up just every night.

494
00:24:30,880 --> 00:24:32,640
Speaker 6: I was sleeping there two three days at a time,

495
00:24:33,080 --> 00:24:34,880
Speaker 6: not taking a shower and not brushing my teeth.

496
00:24:34,840 --> 00:24:36,919
Speaker 2: Because like you said, you're not signed to them anything.

497
00:24:36,920 --> 00:24:38,440
Speaker 2: They just allowing you to be there.

498
00:24:38,800 --> 00:24:38,960
Speaker 3: Yeah.

499
00:24:38,960 --> 00:24:40,160
Speaker 4: I was like, ma free studio.

500
00:24:40,320 --> 00:24:42,560
Speaker 6: Yeah, so it's like I should just stay there and

501
00:24:42,560 --> 00:24:44,760
Speaker 6: I just wake up and I just see Quavo on

502
00:24:44,800 --> 00:24:46,639
Speaker 6: their recording. I see Pee Wee long Way or I

503
00:24:46,680 --> 00:24:50,480
Speaker 6: see you know ran just random people just every day and.

504
00:24:50,480 --> 00:24:56,400
Speaker 2: Would casts fuck with you or wayd They be like, ah.

505
00:24:54,520 --> 00:24:58,360
Speaker 3: You know you know how that is. Yeah, that's that's

506
00:24:58,359 --> 00:25:00,280
Speaker 3: that's that's his long that's the home. Yeah.

507
00:25:00,640 --> 00:25:04,600
Speaker 6: I would say like maybe like maybe if like Xethoven

508
00:25:04,680 --> 00:25:06,760
Speaker 6: was there some ship, they probably be like, uh, ship,

509
00:25:06,880 --> 00:25:07,440
Speaker 6: we ain't here with.

510
00:25:07,400 --> 00:25:10,280
Speaker 4: Tig like you know what I'm saying, go in the

511
00:25:10,320 --> 00:25:11,480
Speaker 4: other room and cook up type shit.

512
00:25:11,680 --> 00:25:14,800
Speaker 6: But like if it was just me and my boy Ico, nah,

513
00:25:14,800 --> 00:25:16,120
Speaker 6: they wanted some beats.

514
00:25:15,840 --> 00:25:16,760
Speaker 4: Because they ain't have none.

515
00:25:16,880 --> 00:25:18,280
Speaker 3: They wasn't tripping shit.

516
00:25:18,359 --> 00:25:23,399
Speaker 6: It was really just me Dico, honorable Sino Zetoven. Metro

517
00:25:23,480 --> 00:25:25,080
Speaker 6: used to pull up some times like you know what

518
00:25:25,080 --> 00:25:28,080
Speaker 6: I'm saying, the young Atlantas, Yeah, yeah, just to you know,

519
00:25:28,119 --> 00:25:29,360
Speaker 6: what I'm saying the same niggas.

520
00:25:29,400 --> 00:25:33,160
Speaker 3: So they was welcoming the cook up. Yeah, shit free beats?

521
00:25:33,400 --> 00:25:37,160
Speaker 4: Who saying no the free beats? They fuck with it? Wow?

522
00:25:37,400 --> 00:25:40,199
Speaker 2: So did anything land before you signed, like as far

523
00:25:40,240 --> 00:25:43,000
Speaker 2: as you're on some mixtape shit anything or so within

524
00:25:43,040 --> 00:25:45,960
Speaker 2: that time, No, you had you landed some placements.

525
00:25:46,040 --> 00:25:46,639
Speaker 3: Yeah.

526
00:25:47,080 --> 00:25:50,680
Speaker 6: I was on Migo's first album, Wire in m H,

527
00:25:52,320 --> 00:25:54,040
Speaker 6: a lot of stuff with Johnny Sinko. I did like

528
00:25:54,080 --> 00:25:57,320
Speaker 6: three on Rich the Kid first album, just like everybody

529
00:25:57,320 --> 00:25:59,160
Speaker 6: in QC to be honest, like what you need for.

530
00:25:59,119 --> 00:26:01,879
Speaker 3: Your first beat? Would you charge? Did you even know

531
00:26:01,880 --> 00:26:02,560
Speaker 3: what to charge?

532
00:26:02,760 --> 00:26:04,639
Speaker 4: I ain't charge. No, I ain't never charged me. I

533
00:26:04,640 --> 00:26:05,080
Speaker 4: ain't charged.

534
00:26:06,280 --> 00:26:09,440
Speaker 3: It was like I'm here, y'all, let me use the studio,

535
00:26:10,080 --> 00:26:10,720
Speaker 3: y'all put me.

536
00:26:10,680 --> 00:26:13,359
Speaker 6: On Nah, but I will say pee a real nigga.

537
00:26:13,359 --> 00:26:15,920
Speaker 6: He used to just like give me five thousand. He

538
00:26:16,000 --> 00:26:18,359
Speaker 6: used to be like, just here, five thousand.

539
00:26:19,920 --> 00:26:21,879
Speaker 3: Just just on some random are just for when.

540
00:26:21,720 --> 00:26:23,600
Speaker 4: You like keep pulling up and keep doing your thing.

541
00:26:24,040 --> 00:26:27,720
Speaker 3: That's dope. Wow, that's dope. I love that. I love that.

542
00:26:28,440 --> 00:26:33,440
Speaker 2: And it's before signing, before anything, before signing, that's dope.

543
00:26:33,520 --> 00:26:37,920
Speaker 4: He gave me five thousand one day and I gave

544
00:26:37,960 --> 00:26:38,480
Speaker 4: like four of it.

545
00:26:38,440 --> 00:26:38,960
Speaker 1: To my mama.

546
00:26:39,800 --> 00:26:45,600
Speaker 6: You're older, bro, ship, you're older, so y'all stopped telling

547
00:26:45,600 --> 00:26:46,160
Speaker 6: me turn it down.

548
00:26:48,840 --> 00:26:51,000
Speaker 2: I wonder I wonder how that felt for her, man,

549
00:26:51,720 --> 00:26:53,960
Speaker 2: for you to handle some bread like that, you know

550
00:26:54,000 --> 00:26:54,280
Speaker 2: what I mean?

551
00:26:54,320 --> 00:26:57,960
Speaker 6: I think it made her realize, like, Okay, this could

552
00:26:58,040 --> 00:27:01,679
Speaker 6: be something. Okay, you know what I'm saying, Jack's opposed to, Like,

553
00:27:02,640 --> 00:27:06,560
Speaker 6: is my son just wasting his life? Yeah, because I know,

554
00:27:06,600 --> 00:27:09,240
Speaker 6: like I don't have kids, but I can see as

555
00:27:09,280 --> 00:27:12,439
Speaker 6: like as a parent, like how you can feel like

556
00:27:12,600 --> 00:27:15,720
Speaker 6: you want your son to be successful, and it's harder

557
00:27:15,760 --> 00:27:20,320
Speaker 6: when like the talent isn't like like, for instance, like

558
00:27:20,520 --> 00:27:23,399
Speaker 6: when your son is Lebron, it's easier to like see it.

559
00:27:23,880 --> 00:27:24,120
Speaker 3: Yeah.

560
00:27:24,760 --> 00:27:28,640
Speaker 6: Yeah, Jack's supposed to being a musician that's making beats

561
00:27:29,280 --> 00:27:30,440
Speaker 6: and you don't even know what it is.

562
00:27:30,760 --> 00:27:34,720
Speaker 2: Right, what I'm saying, No, listen on the AA you circuit.

563
00:27:34,720 --> 00:27:36,080
Speaker 2: Everybody think they sound is Lebron.

564
00:27:38,040 --> 00:27:43,040
Speaker 3: I thought I was Lebron. But it's so funny.

565
00:27:43,480 --> 00:27:46,040
Speaker 2: It's it's a really interesting thing that now we're about

566
00:27:46,040 --> 00:27:48,359
Speaker 2: to have a conversation on because I'm an au father.

567
00:27:48,480 --> 00:27:50,040
Speaker 3: You know what I'm saying, like, and I get to

568
00:27:50,080 --> 00:27:50,359
Speaker 3: see it.

569
00:27:50,400 --> 00:27:55,040
Speaker 2: But I'm also a music executive, so I've seen like

570
00:27:55,119 --> 00:27:57,920
Speaker 2: the kid artists, I've seen the kid basketball players.

571
00:27:58,359 --> 00:28:02,040
Speaker 3: And I'm the father that listen.

572
00:28:02,440 --> 00:28:04,240
Speaker 2: If you don't want to hear what I got to say,

573
00:28:04,240 --> 00:28:05,719
Speaker 2: don't even start the conversation with me.

574
00:28:05,800 --> 00:28:06,440
Speaker 4: Are you the coach?

575
00:28:06,840 --> 00:28:09,240
Speaker 3: No, I'm not, but I'm the you know what I mean.

576
00:28:09,280 --> 00:28:10,320
Speaker 3: I'm at every game.

577
00:28:10,359 --> 00:28:13,119
Speaker 2: And if we start talking and you start talking about

578
00:28:13,160 --> 00:28:14,840
Speaker 2: these dreams of grandeur.

579
00:28:15,320 --> 00:28:17,200
Speaker 3: I'm like, you know that nigga can't shoot?

580
00:28:17,280 --> 00:28:20,880
Speaker 4: Right, I'm that father you say that to your son?

581
00:28:21,359 --> 00:28:23,080
Speaker 2: No, no, my son should shut out the ball. But

582
00:28:23,840 --> 00:28:25,600
Speaker 2: are you talking about to the other kids? No, not

583
00:28:25,600 --> 00:28:28,439
Speaker 2: to the kid, but to the other fathers. Are the

584
00:28:28,480 --> 00:28:30,520
Speaker 2: mama that's like, oh, well, you know, I was like,

585
00:28:31,200 --> 00:28:32,760
Speaker 2: my son needs more shots. I'm like, you know, he

586
00:28:32,880 --> 00:28:35,480
Speaker 2: just missed five in a row. Right, I'm that father.

587
00:28:35,520 --> 00:28:37,800
Speaker 2: I'm not think, yeah, the coach be tripping. Hey man,

588
00:28:38,280 --> 00:28:41,280
Speaker 2: y'all probably find a shoot coach. You know what I'm

589
00:28:41,320 --> 00:28:45,120
Speaker 2: saying or whatever it is, it's it's constructive, but it's

590
00:28:45,240 --> 00:28:48,480
Speaker 2: very real. I'm not that nigga, but I'm like that

591
00:28:48,560 --> 00:28:50,640
Speaker 2: in music, and I see. But I feel like in

592
00:28:50,800 --> 00:28:55,520
Speaker 2: music we can identify a little different from younger, like

593
00:28:55,560 --> 00:28:57,440
Speaker 2: the younger artists to me, I mean, I don't know

594
00:28:57,480 --> 00:28:59,320
Speaker 2: if you agree with this, but like if I see

595
00:28:59,320 --> 00:29:02,520
Speaker 2: a certain artist, I know there's certain things that maybe

596
00:29:02,600 --> 00:29:05,160
Speaker 2: might might need some tweaking and can fix he or

597
00:29:05,160 --> 00:29:08,920
Speaker 2: fix or fix that. But like with sports, it's like,

598
00:29:09,040 --> 00:29:13,280
Speaker 2: man that na get hurt next week, maybe if he

599
00:29:13,360 --> 00:29:17,680
Speaker 2: was six five instead of five ten, maybe, if you

600
00:29:17,760 --> 00:29:20,560
Speaker 2: know what I'm saying, there's so many other little things

601
00:29:21,280 --> 00:29:22,880
Speaker 2: that make it unsure.

602
00:29:23,640 --> 00:29:25,920
Speaker 6: I think it might all be unsure because look, you

603
00:29:25,960 --> 00:29:30,480
Speaker 6: could have you could have the look, but you might

604
00:29:30,480 --> 00:29:32,320
Speaker 6: not be able to sing all the way, or you

605
00:29:32,400 --> 00:29:37,600
Speaker 6: might not take like constructive constructive criticism, and like you

606
00:29:37,600 --> 00:29:39,000
Speaker 6: know what I'm saying, people can't work with you in

607
00:29:39,000 --> 00:29:39,480
Speaker 6: the studio.

608
00:29:40,120 --> 00:29:40,760
Speaker 4: It's kind of the.

609
00:29:40,680 --> 00:29:43,160
Speaker 6: Same with a basketball player because like let's say you

610
00:29:43,280 --> 00:29:46,160
Speaker 6: six two, you can shoot. You know what I'm saying,

611
00:29:46,400 --> 00:29:50,480
Speaker 6: You got good defense, but you got an attitude, right,

612
00:29:50,560 --> 00:29:52,600
Speaker 6: I know you've seen that shit on Netflix. What's that

613
00:29:52,600 --> 00:29:56,360
Speaker 6: shit called last? You know what I'm saying, dude, is

614
00:29:56,400 --> 00:29:59,840
Speaker 6: talented attitude. Like there's a lot of things that I

615
00:29:59,840 --> 00:30:01,360
Speaker 6: think and goes into everything.

616
00:30:01,000 --> 00:30:02,480
Speaker 3: To everything for sure, for sure.

617
00:30:02,480 --> 00:30:06,400
Speaker 1: But we're also in a space where with basketball, as

618
00:30:06,440 --> 00:30:11,680
Speaker 1: we're talking about the sport, with basketball, you need the

619
00:30:11,720 --> 00:30:17,440
Speaker 1: infrastructure of basketball. With music, now, wild West, you don't

620
00:30:17,480 --> 00:30:22,560
Speaker 1: need the infrastructure of music. Yes, Random, it's a hundred percent.

621
00:30:23,280 --> 00:30:26,960
Speaker 2: Right you And you've seen it up close to where

622
00:30:27,040 --> 00:30:32,479
Speaker 2: someone literally gets something going and it's it's and it's cracking.

623
00:30:32,680 --> 00:30:38,560
Speaker 2: Like you said, Maco getting on changed your life. Yeah,

624
00:30:38,720 --> 00:30:39,480
Speaker 2: think about that.

625
00:30:39,560 --> 00:30:40,560
Speaker 4: The only reason I'm here.

626
00:30:40,920 --> 00:30:44,360
Speaker 2: Yeah, I didn't even put together the whole Ogi Maco

627
00:30:44,480 --> 00:30:47,280
Speaker 2: O G. I hadn't even connected that until you just

628
00:30:47,760 --> 00:30:51,320
Speaker 2: talked about it. But that instance just right there where

629
00:30:51,440 --> 00:30:54,360
Speaker 2: music like nigga, I know niggas that was the number

630
00:30:54,400 --> 00:30:58,000
Speaker 2: one tenth grader in basketball, the number one twelfth grader

631
00:30:58,880 --> 00:30:59,960
Speaker 2: still didn't make the league.

632
00:31:00,320 --> 00:31:02,160
Speaker 6: I literally is about to say this exactly, and this

633
00:31:02,240 --> 00:31:07,720
Speaker 6: the polar opposite. I know niggas, that colde on the keys, guitar, bass,

634
00:31:07,880 --> 00:31:10,520
Speaker 6: can sing, make samples, do drums.

635
00:31:10,920 --> 00:31:14,960
Speaker 4: They made a hit song. It's the same.

636
00:31:14,760 --> 00:31:18,360
Speaker 2: Shit, but they got action at it though. Because there

637
00:31:18,360 --> 00:31:22,560
Speaker 2: are hit songs available. You gotta be you gotta tell yourself,

638
00:31:23,040 --> 00:31:25,400
Speaker 2: I'll go get me one and this is the thing,

639
00:31:25,560 --> 00:31:28,120
Speaker 2: this is the thing that separates the music and the sports.

640
00:31:29,280 --> 00:31:32,760
Speaker 2: In music, if you hear that motherfucker, you bet if

641
00:31:32,800 --> 00:31:34,960
Speaker 2: you got a chance to get it, you better rap

642
00:31:34,960 --> 00:31:35,480
Speaker 2: it or sing it.

643
00:31:35,880 --> 00:31:39,760
Speaker 3: Yeah, I'm all fuck. If you hear it and you

644
00:31:39,800 --> 00:31:41,400
Speaker 3: see some ship moment, you say.

645
00:31:41,360 --> 00:31:45,920
Speaker 2: Oh, maybe if I did a verse, Maybe if I

646
00:31:45,960 --> 00:31:47,680
Speaker 2: asked him, can I feature on this motherfucker?

647
00:31:48,040 --> 00:31:49,840
Speaker 3: Listen? Because hit records are out here.

648
00:31:50,360 --> 00:31:53,120
Speaker 2: Hit records are out here, right, you get what I'm saying, Like,

649
00:31:53,600 --> 00:31:55,080
Speaker 2: you can go get that hit record.

650
00:31:56,320 --> 00:32:00,800
Speaker 3: You can't just enter the NBA draft. You can't enter

651
00:32:00,880 --> 00:32:03,680
Speaker 3: the NBA drap. You can bet it fresh out of

652
00:32:03,720 --> 00:32:04,360
Speaker 3: the penitentiary.

653
00:32:04,400 --> 00:32:06,640
Speaker 2: That was the Michael Jordan of such and such but

654
00:32:06,720 --> 00:32:08,720
Speaker 2: had to go through two years and now into the

655
00:32:08,800 --> 00:32:10,920
Speaker 2: NBA drap. No, my brother, it's not going to happen

656
00:32:10,960 --> 00:32:15,760
Speaker 2: as as good as you are. But in music, bro,

657
00:32:15,960 --> 00:32:19,160
Speaker 2: and listen, I just look at it like I don't

658
00:32:19,240 --> 00:32:22,120
Speaker 2: I'm not their manager, I'm not that executive. But I

659
00:32:22,160 --> 00:32:24,360
Speaker 2: see artists and I'm like, oh, if they just wouldn't

660
00:32:24,400 --> 00:32:27,760
Speaker 2: got that song, they straight.

661
00:32:28,200 --> 00:32:31,000
Speaker 3: And it's really because this ship is based around what

662
00:32:31,240 --> 00:32:36,840
Speaker 3: you do make music. This ship is not listen artists.

663
00:32:36,880 --> 00:32:39,360
Speaker 3: I love y'all. I am an artist, but it's not

664
00:32:39,480 --> 00:32:42,320
Speaker 3: based around artists. It's based around songs.

665
00:32:43,160 --> 00:32:44,000
Speaker 4: A hit song change.

666
00:32:44,280 --> 00:32:48,480
Speaker 2: Hit songs change everything. You don't have to be the

667
00:32:48,520 --> 00:32:50,320
Speaker 2: best singer. You don't have to be the best dancer,

668
00:32:50,560 --> 00:32:53,440
Speaker 2: you don't have to be the best rapper. You might

669
00:32:53,480 --> 00:32:56,320
Speaker 2: not even have to be able to keep the beat.

670
00:32:56,600 --> 00:33:01,280
Speaker 2: But if that song is jamming you and the people

671
00:33:01,480 --> 00:33:04,600
Speaker 2: around you, lives change immediately.

672
00:33:05,160 --> 00:33:06,880
Speaker 4: I sing with my own eyes.

673
00:33:07,440 --> 00:33:11,080
Speaker 6: City girls make act up, blow up, yachty mate co

674
00:33:11,280 --> 00:33:15,520
Speaker 6: like Minnesota, blow up, little Baby, make my dog blow

675
00:33:15,600 --> 00:33:17,880
Speaker 6: up like I'm talking about. I've seen them in the studio,

676
00:33:18,520 --> 00:33:21,440
Speaker 6: just chilling every day, just making songs, making songs. Make

677
00:33:21,520 --> 00:33:24,440
Speaker 6: one song. I come back to the studio. Nigga and

678
00:33:24,480 --> 00:33:25,640
Speaker 6: the Lamborghini.

679
00:33:26,280 --> 00:33:29,280
Speaker 4: They got eight chains on. I'm like, Nigga, what the fuck.

680
00:33:29,360 --> 00:33:33,560
Speaker 2: It's not possible for anything else. We see it all

681
00:33:33,600 --> 00:33:35,880
Speaker 2: the time. This is the closest thing to the lottery,

682
00:33:35,920 --> 00:33:39,280
Speaker 2: the lottery. This is the closest thing we'll ever get

683
00:33:39,320 --> 00:33:41,520
Speaker 2: to the lottery.

684
00:33:41,920 --> 00:33:43,640
Speaker 4: Me meeting og Maco on.

685
00:33:43,720 --> 00:33:46,240
Speaker 6: The side of the road changed my whole life, and

686
00:33:46,280 --> 00:33:48,200
Speaker 6: my whole I pay my families for it.

687
00:33:48,600 --> 00:33:50,400
Speaker 3: Said, y'all to even go to Georgia State together.

688
00:33:50,600 --> 00:33:52,120
Speaker 4: Though I met his homie.

689
00:33:52,120 --> 00:33:55,400
Speaker 6: His homie was like, come to the crib Ogi Maco

690
00:33:55,480 --> 00:33:57,240
Speaker 6: there because he knew like niggas at Gegia State, no

691
00:33:57,320 --> 00:33:59,120
Speaker 6: I make beats. He's like, oh shit, I'm going to

692
00:33:59,120 --> 00:34:01,000
Speaker 6: the studio. Oji Maco and Key they were doing that.

693
00:34:01,000 --> 00:34:05,040
Speaker 6: Give him help the EP his name THEO and he

694
00:34:05,160 --> 00:34:07,360
Speaker 6: was like, shit, come to the studio tonight. And I

695
00:34:07,400 --> 00:34:09,680
Speaker 6: went to the studio and I met Oji Maco and

696
00:34:09,719 --> 00:34:14,840
Speaker 6: we locked in and that changed my whole family's life.

697
00:34:15,080 --> 00:34:18,480
Speaker 3: Well that's part of it.

698
00:34:19,120 --> 00:34:21,719
Speaker 6: Yeah, I will say hard work too, and also you

699
00:34:21,800 --> 00:34:24,439
Speaker 6: always got to say even if that didn't happen, maybe

700
00:34:24,480 --> 00:34:25,120
Speaker 6: it could have happened too.

701
00:34:25,320 --> 00:34:27,560
Speaker 1: It's a couple of things, you number one being ready

702
00:34:28,480 --> 00:34:33,799
Speaker 1: hm and you saying yeah.

703
00:34:35,600 --> 00:34:37,279
Speaker 3: Every day, let's do it.

704
00:34:38,800 --> 00:34:43,000
Speaker 1: That's it again. That's a different level of belief and commitment.

705
00:34:43,960 --> 00:34:47,719
Speaker 1: That a different level of sacrifice that you have to

706
00:34:47,960 --> 00:34:50,440
Speaker 1: have in order to do this ship.

707
00:34:50,880 --> 00:34:52,239
Speaker 4: I would have put up to anything. I would have

708
00:34:52,280 --> 00:34:54,120
Speaker 4: pulled up if a if Taco Bell called.

709
00:34:53,920 --> 00:34:56,640
Speaker 3: Me, come on.

710
00:34:58,800 --> 00:35:01,520
Speaker 2: Your camera's right there, cameras right in front of you,

711
00:35:01,600 --> 00:35:09,920
Speaker 2: right because I am sometimes I am considered the hard ass,

712
00:35:10,640 --> 00:35:13,200
Speaker 2: the guy who, oh, you don't give no grace to this,

713
00:35:13,239 --> 00:35:15,520
Speaker 2: that and the other, because there is no grace in

714
00:35:15,560 --> 00:35:16,960
Speaker 2: this if.

715
00:35:16,800 --> 00:35:17,960
Speaker 3: You really want it.

716
00:35:18,480 --> 00:35:21,640
Speaker 2: In anything you want to be successful at, you have

717
00:35:21,760 --> 00:35:28,560
Speaker 2: to be willing to show up, do your job until

718
00:35:29,840 --> 00:35:30,600
Speaker 2: you reach your.

719
00:35:30,480 --> 00:35:32,880
Speaker 1: Goals, until you are valuable.

720
00:35:32,480 --> 00:35:36,160
Speaker 2: Until it And as my brother Jasper said on here,

721
00:35:36,719 --> 00:35:41,200
Speaker 2: be of service service, like you said, when other producers

722
00:35:41,239 --> 00:35:44,960
Speaker 2: wasn't there, the bigger producers, they was like, what you got,

723
00:35:45,239 --> 00:35:48,279
Speaker 2: and be prepared to give them that beat, to give

724
00:35:48,320 --> 00:35:50,400
Speaker 2: them that beat because you're just like listen, I just

725
00:35:50,400 --> 00:35:53,440
Speaker 2: got to get on or a lot of people and

726
00:35:53,520 --> 00:35:55,600
Speaker 2: let's you know, because we really highlighted.

727
00:35:55,640 --> 00:36:00,920
Speaker 3: Bro, I'll say it. You doing that deal, just just

728
00:36:01,000 --> 00:36:01,640
Speaker 3: doing the deal.

729
00:36:01,840 --> 00:36:06,920
Speaker 2: It's probably not the smartest thing, right, but it was

730
00:36:06,960 --> 00:36:08,320
Speaker 2: probably the best thing.

731
00:36:10,040 --> 00:36:10,520
Speaker 4: Happen.

732
00:36:10,880 --> 00:36:15,479
Speaker 2: It had to happen because sometimes you gotta go clean

733
00:36:15,560 --> 00:36:20,520
Speaker 2: up the house later. Yeah, Niggas be thinking like oh

734
00:36:20,680 --> 00:36:23,960
Speaker 2: nig yeah, bro. By the time you by time the

735
00:36:24,040 --> 00:36:24,920
Speaker 2: lawyers start.

736
00:36:24,800 --> 00:36:27,359
Speaker 4: Lawyering, they're just gonna cut you off.

737
00:36:27,520 --> 00:36:31,360
Speaker 3: Niggas like, hey man, who up next? Who up next?

738
00:36:31,440 --> 00:36:36,239
Speaker 2: All you say to yourself, you know what my gift

739
00:36:36,280 --> 00:36:39,600
Speaker 2: gonna get me through it. My hard work gonna get

740
00:36:39,600 --> 00:36:42,879
Speaker 2: me through it. Okay, listen, you know what the deal

741
00:36:42,960 --> 00:36:44,920
Speaker 2: is gonna probably be lopsided in the beginning because I

742
00:36:44,960 --> 00:36:46,160
Speaker 2: don't really have nothing to offer.

743
00:36:47,280 --> 00:36:49,440
Speaker 6: There's no value, not like I have a huge hit

744
00:36:49,520 --> 00:36:52,120
Speaker 6: song or nothing. It's not like it's a crazy deal.

745
00:36:52,520 --> 00:36:54,239
Speaker 6: And if I say no, the niggas gonna be like,

746
00:36:54,280 --> 00:36:55,120
Speaker 6: forget that gate code.

747
00:36:55,200 --> 00:37:00,279
Speaker 2: Let you know, if I hear I got a pet pee, Bro,

748
00:37:01,920 --> 00:37:04,200
Speaker 2: if I hear one more nigga mentioned a three sixty

749
00:37:04,239 --> 00:37:05,320
Speaker 2: that they know nothing about.

750
00:37:05,320 --> 00:37:06,239
Speaker 4: They don't even know that means.

751
00:37:07,080 --> 00:37:08,799
Speaker 3: You don't even know what it means. You just heard

752
00:37:08,800 --> 00:37:10,080
Speaker 3: about it.

753
00:37:10,360 --> 00:37:13,040
Speaker 1: You you don't come take a shot on that.

754
00:37:13,400 --> 00:37:16,240
Speaker 3: You don't hate that ship, Bro, They don't even.

755
00:37:16,080 --> 00:37:22,120
Speaker 1: Know what it means. Listen, three sixty the master's do you.

756
00:37:22,080 --> 00:37:28,200
Speaker 3: Even know how to license your masters? Masters? They don't know.

757
00:37:30,080 --> 00:37:33,000
Speaker 2: Talking to talk because they heard somebody said in an

758
00:37:33,040 --> 00:37:38,080
Speaker 2: interview or rap about it in a song. And the

759
00:37:38,160 --> 00:37:40,200
Speaker 2: nigga that you probably heard rap about it in the

760
00:37:40,200 --> 00:37:43,520
Speaker 2: song probably doesn't own his masters because he doesn't know

761
00:37:43,520 --> 00:37:46,560
Speaker 2: how to license them at all. If we gonna really

762
00:37:46,560 --> 00:37:50,440
Speaker 2: have a real conversation, Oh.

763
00:37:49,680 --> 00:37:52,839
Speaker 3: Like, Bro, there's a means to an end.

764
00:37:53,880 --> 00:37:56,520
Speaker 2: When you're trying to get somewhere and you're trying to

765
00:37:56,840 --> 00:37:59,759
Speaker 2: change your life, and there are people in front of

766
00:37:59,760 --> 00:38:03,200
Speaker 2: you that are life changers, you just have to make

767
00:38:03,239 --> 00:38:05,440
Speaker 2: the decision for yourself.

768
00:38:06,760 --> 00:38:07,719
Speaker 3: If it's worth it or not.

769
00:38:08,840 --> 00:38:13,680
Speaker 2: I've never judged the next person's deal, because we all here, we.

770
00:38:13,640 --> 00:38:14,239
Speaker 3: All be into music.

771
00:38:14,280 --> 00:38:17,680
Speaker 2: But oh, you know they got five million? Okay, well,

772
00:38:18,160 --> 00:38:20,520
Speaker 2: what are the terms? Do you know the terms? Do

773
00:38:20,560 --> 00:38:23,520
Speaker 2: you know what they signed four to get the five million?

774
00:38:24,040 --> 00:38:26,200
Speaker 2: Do you know if that deal was in perpetuity? Do

775
00:38:26,239 --> 00:38:28,920
Speaker 2: you know if they're ever getting anything back? Or did

776
00:38:28,960 --> 00:38:31,680
Speaker 2: they sign their life away for five minutes? Did I

777
00:38:31,719 --> 00:38:33,640
Speaker 2: just jump in a deal that maybe I didn't get

778
00:38:33,640 --> 00:38:36,080
Speaker 2: a whole bunch of money, but I got the opportunity

779
00:38:36,360 --> 00:38:37,960
Speaker 2: and I can work my way out of it.

780
00:38:39,320 --> 00:38:41,640
Speaker 4: I'm gonna sign for thirty five albums.

781
00:38:41,560 --> 00:38:45,360
Speaker 6: Nigga like, then he'll know what the buddies are for.

782
00:38:46,000 --> 00:38:48,160
Speaker 1: Hey, my first deal could have been that. I was

783
00:38:48,200 --> 00:38:51,959
Speaker 1: just like you white guys. Showed me that paperwork. I said, this,

784
00:38:51,960 --> 00:38:53,400
Speaker 1: this is good. He said, yeah, that's good.

785
00:38:53,440 --> 00:38:54,280
Speaker 3: That's cool.

786
00:38:57,960 --> 00:39:02,920
Speaker 6: With y'll. I'm telling you that just wasn't even optional.

787
00:39:03,560 --> 00:39:05,120
Speaker 6: My parents were like, you don't want to get a lawyer.

788
00:39:05,160 --> 00:39:08,880
Speaker 6: I was like, yep, I'm the lawyer.

789
00:39:08,960 --> 00:39:16,240
Speaker 3: Had nothing resembling a lawyer, were.

790
00:39:17,920 --> 00:39:23,480
Speaker 1: You know, good lord, the good lord lawyer.

791
00:39:23,520 --> 00:39:24,360
Speaker 3: Don't get a lawyer.

792
00:39:25,239 --> 00:39:25,880
Speaker 4: Get a lawyer.

793
00:39:26,040 --> 00:39:31,359
Speaker 1: We have good lawyers, don't. Yeah, but I'm just sharing that.

794
00:39:31,719 --> 00:39:35,239
Speaker 1: I'm just sharing that. We share that. Like, I just

795
00:39:35,280 --> 00:39:38,520
Speaker 1: felt like I gotta get to it.

796
00:39:39,000 --> 00:39:43,000
Speaker 3: Yeah, yeah, forward progress. I gotta get to it.

797
00:39:43,160 --> 00:39:46,799
Speaker 1: And and if if this contract is going to help

798
00:39:46,880 --> 00:39:51,120
Speaker 1: me get to it, whatever is in it, I'll whatever

799
00:39:51,239 --> 00:39:53,839
Speaker 1: is in it that needs to be cleaned up, I'll

800
00:39:53,880 --> 00:39:54,319
Speaker 1: get to that.

801
00:39:54,640 --> 00:39:55,560
Speaker 4: Yeah, we'll figure out.

802
00:39:55,800 --> 00:39:57,600
Speaker 1: But right now I need to get cracked and I

803
00:39:57,640 --> 00:39:58,880
Speaker 1: need to get off this bench.

804
00:39:58,920 --> 00:40:00,960
Speaker 3: And in the game I make enough money to get

805
00:40:01,000 --> 00:40:01,920
Speaker 3: somebody else to clean it.

806
00:40:02,000 --> 00:40:08,040
Speaker 1: Come on, come on now, somebody thought me out of

807
00:40:08,080 --> 00:40:08,359
Speaker 1: this thing.

808
00:40:09,920 --> 00:40:14,440
Speaker 6: Somebody give me out the facts and it worked out.

809
00:40:14,680 --> 00:40:14,919
Speaker 3: Bro.

810
00:40:15,520 --> 00:40:19,680
Speaker 1: I'm looking at this list here, brow, it's it's too many.

811
00:40:20,480 --> 00:40:25,200
Speaker 3: You've been going crazy. You have been going crazy. Bro, Okay,

812
00:40:26,239 --> 00:40:26,560
Speaker 3: you have.

813
00:40:26,600 --> 00:40:29,000
Speaker 1: You have a few songs listed here, but I kind

814
00:40:29,000 --> 00:40:31,600
Speaker 1: of want to go in order. What's your first hit record?

815
00:40:33,680 --> 00:40:35,600
Speaker 6: The first song I ever heard in the car on

816
00:40:35,640 --> 00:40:38,360
Speaker 6: the radio was uh one hundred by K Camp and

817
00:40:38,400 --> 00:40:41,560
Speaker 6: Fetty Walk. That's the first one I cracked for you.

818
00:40:43,080 --> 00:40:45,000
Speaker 6: That's like the first year I signed the QC.

819
00:40:45,560 --> 00:40:48,440
Speaker 3: And that and they're not even through QC, neither K

820
00:40:48,560 --> 00:40:52,040
Speaker 3: Camp or wasn't. So how did you I think?

821
00:40:52,040 --> 00:40:53,800
Speaker 6: He pulled up to work with Cebo and I was

822
00:40:53,840 --> 00:40:55,600
Speaker 6: just like, let me see some beats. He got his

823
00:40:55,680 --> 00:40:56,520
Speaker 6: number and sent him to his.

824
00:40:56,440 --> 00:41:00,640
Speaker 3: Phone, still hustling. M hmm, just hustle. I love that.

825
00:41:01,200 --> 00:41:02,520
Speaker 4: I just to be chilling, you know what I'm saying.

826
00:41:03,040 --> 00:41:05,720
Speaker 1: I know a lot of you look like you be chilling,

827
00:41:05,920 --> 00:41:07,000
Speaker 1: but you be plotting.

828
00:41:08,560 --> 00:41:11,000
Speaker 3: Okay, so you okay back to the night talk though.

829
00:41:11,080 --> 00:41:12,719
Speaker 2: So now this is your first, you know, one of

830
00:41:12,760 --> 00:41:15,719
Speaker 2: your first runs that crack off. At this point, what

831
00:41:15,880 --> 00:41:18,200
Speaker 2: are you charging anybody outside of QC because you're signing

832
00:41:18,280 --> 00:41:20,200
Speaker 2: QC and you got your deal with them, but like,

833
00:41:20,200 --> 00:41:23,600
Speaker 2: what is your like was you doing the three hundred

834
00:41:23,719 --> 00:41:25,719
Speaker 2: for the beat? Was you doing the five hundred? Did

835
00:41:25,719 --> 00:41:27,720
Speaker 2: you jump fifteen off the off the porch?

836
00:41:27,880 --> 00:41:27,960
Speaker 4: Like?

837
00:41:28,320 --> 00:41:28,560
Speaker 1: Hell?

838
00:41:28,719 --> 00:41:31,280
Speaker 6: No, I was doing one hundred and fifty dollars leases

839
00:41:31,320 --> 00:41:33,560
Speaker 6: and then three hundred dollars exclusive leases.

840
00:41:34,800 --> 00:41:36,680
Speaker 3: Nigga do you remember the first time you heard about that.

841
00:41:36,680 --> 00:41:39,759
Speaker 3: That shit blew my mind. Yes, it blew my mind.

842
00:41:40,000 --> 00:41:41,280
Speaker 3: I was like, wait, wait, wait, wait wait.

843
00:41:41,600 --> 00:41:43,080
Speaker 2: So they could sell it a couple of times to

844
00:41:43,080 --> 00:41:44,400
Speaker 2: a couple of different artis, but if they want the

845
00:41:44,440 --> 00:41:46,040
Speaker 2: exclusive one, yes, a little more.

846
00:41:46,280 --> 00:41:47,480
Speaker 4: Yes, that's how I got to.

847
00:41:50,120 --> 00:41:50,920
Speaker 3: Nigga. Listen.

848
00:41:50,920 --> 00:41:57,520
Speaker 1: Shit, they dove deeper into music business than we've ever.

849
00:41:57,440 --> 00:41:58,040
Speaker 4: Thought to go.

850
00:41:58,160 --> 00:42:00,000
Speaker 3: Early, early, early.

851
00:42:00,200 --> 00:42:05,040
Speaker 1: You're leasing a beat and you're gonna possibly use it

852
00:42:05,160 --> 00:42:07,200
Speaker 1: multiple times on multiple artists.

853
00:42:07,239 --> 00:42:10,880
Speaker 3: It's contracted, but if you want the exclusive.

854
00:42:10,520 --> 00:42:13,200
Speaker 2: It's Did any of those ever catch heat like the

855
00:42:13,200 --> 00:42:13,960
Speaker 2: ones you were leasing?

856
00:42:14,760 --> 00:42:16,960
Speaker 3: Hell no, No.

857
00:42:16,560 --> 00:42:18,000
Speaker 4: It was just random hood niggas.

858
00:42:18,000 --> 00:42:20,080
Speaker 6: I would come across or like somebody would be like,

859
00:42:20,120 --> 00:42:22,400
Speaker 6: my boy make beats and like or like niggas at

860
00:42:22,400 --> 00:42:23,920
Speaker 6: Georgia State. I used to still like pull up to

861
00:42:23,960 --> 00:42:27,720
Speaker 6: Georgia State and hoop and shit like and like niggas

862
00:42:27,719 --> 00:42:29,400
Speaker 6: in gym, you know, saying direct. They're still trying to

863
00:42:29,480 --> 00:42:31,160
Speaker 6: rap and ship. I'll be like, shit, I got some

864
00:42:31,200 --> 00:42:34,720
Speaker 6: beats for you and fifty.

865
00:42:34,040 --> 00:42:37,279
Speaker 1: But they were smart too with the economics. If I

866
00:42:37,280 --> 00:42:41,120
Speaker 1: can move one hundred these one fifties, yeah, fifteen thousands.

867
00:42:42,520 --> 00:42:44,160
Speaker 4: I never made nothing like that though, But.

868
00:42:46,719 --> 00:42:54,440
Speaker 2: Fifteen thousand, hell no, I have like six sh.

869
00:42:53,760 --> 00:42:56,800
Speaker 1: See that sings had to be cracking nigga crystals for everybody.

870
00:42:56,960 --> 00:42:58,319
Speaker 4: Nigga. I thought I was rich.

871
00:42:58,440 --> 00:43:03,000
Speaker 1: We ure what hey in Atlanta? Six hundred used to

872
00:43:03,040 --> 00:43:04,920
Speaker 1: go a long way. I'll tell you what I was.

873
00:43:05,280 --> 00:43:06,080
Speaker 3: You still stand at.

874
00:43:05,960 --> 00:43:08,120
Speaker 4: The crib right, Oh? Yeah, was in my mom's crib.

875
00:43:08,239 --> 00:43:12,200
Speaker 6: So then after kkm one hundred, I had like some

876
00:43:12,280 --> 00:43:15,239
Speaker 6: Johnny Sinco ships, some richer kids ship and then I

877
00:43:15,239 --> 00:43:18,480
Speaker 6: remember I got my first ASKAP check for seven thousand.

878
00:43:19,120 --> 00:43:24,680
Speaker 4: That ship came to the house. I fucking saw that check. Nigga.

879
00:43:24,680 --> 00:43:27,719
Speaker 4: I went directly to the bank and I told my mom.

880
00:43:27,719 --> 00:43:28,600
Speaker 4: I was like, let me use your car.

881
00:43:28,600 --> 00:43:31,800
Speaker 6: Requick went to the bank, I drove to the first

882
00:43:31,840 --> 00:43:34,320
Speaker 6: apartment complex I saw and got an apartment.

883
00:43:34,520 --> 00:43:38,040
Speaker 3: He's like, I'm gone, first one you saw? What? Not

884
00:43:38,080 --> 00:43:39,560
Speaker 3: even something you knew about it at all?

885
00:43:39,880 --> 00:43:42,120
Speaker 6: No, it's the first nice like the first like not

886
00:43:42,160 --> 00:43:44,520
Speaker 6: like just no hooshier, but like the first like nice

887
00:43:44,520 --> 00:43:45,000
Speaker 6: one I saw.

888
00:43:45,040 --> 00:43:47,600
Speaker 4: It is like winning that motherfucker. I called my homie.

889
00:43:47,600 --> 00:43:50,319
Speaker 4: I was like, bro, you're trying to be roommates. The dude.

890
00:43:50,320 --> 00:43:51,600
Speaker 6: I was making like a lot of my beats with

891
00:43:51,640 --> 00:43:53,880
Speaker 6: my boy and he was like, hell yeah, cause he

892
00:43:53,880 --> 00:43:55,800
Speaker 6: got the same check because we made one hunded together,

893
00:43:56,200 --> 00:43:58,640
Speaker 6: so he had got like the same day type shit too.

894
00:43:59,040 --> 00:44:01,080
Speaker 4: And we was like, he was like, hell yeah, we

895
00:44:01,200 --> 00:44:02,960
Speaker 4: met up there, grab that ship.

896
00:44:06,320 --> 00:44:06,719
Speaker 5: What you did?

897
00:44:08,440 --> 00:44:08,680
Speaker 3: Yeah?

898
00:44:09,680 --> 00:44:12,480
Speaker 4: My mom was like you moving up? I was like, yep, and.

899
00:44:12,480 --> 00:44:17,760
Speaker 2: How at this point like twenty twenty one, say twenty one?

900
00:44:18,360 --> 00:44:21,600
Speaker 3: Yeah, yeah, I know, I know y'all went up.

901
00:44:23,560 --> 00:44:25,840
Speaker 6: That's when I started getting introduced to the I was

902
00:44:25,920 --> 00:44:27,319
Speaker 6: drinking Jack Dames back then.

903
00:44:27,440 --> 00:44:28,080
Speaker 3: Hallelujah.

904
00:44:30,080 --> 00:44:33,880
Speaker 6: I got a bottle and I was like, oh yeah, lit,

905
00:44:34,200 --> 00:44:35,880
Speaker 6: I love those people too.

906
00:44:38,719 --> 00:44:40,680
Speaker 4: Making beats happy as hell.

907
00:44:41,120 --> 00:44:43,000
Speaker 3: Okay, so you got your first one on the radio.

908
00:44:43,200 --> 00:44:47,200
Speaker 3: You make it? You gotta check mm hmm. When does

909
00:44:47,280 --> 00:44:50,200
Speaker 3: the smash slippery?

910
00:44:50,200 --> 00:44:57,920
Speaker 4: My migos, that's when.

911
00:44:59,440 --> 00:45:02,200
Speaker 2: So what was the feeling when you walked into the

912
00:45:02,200 --> 00:45:04,840
Speaker 2: club and hurt slippery that?

913
00:45:05,000 --> 00:45:05,720
Speaker 4: It was crazy.

914
00:45:07,120 --> 00:45:10,160
Speaker 2: I had to be like, because at this point you've

915
00:45:10,160 --> 00:45:13,360
Speaker 2: been making bets, what five six years at this point

916
00:45:14,480 --> 00:45:15,000
Speaker 2: and now.

917
00:45:15,120 --> 00:45:17,279
Speaker 4: Twenty fourteen, twenty fifteen, but.

918
00:45:17,280 --> 00:45:19,240
Speaker 3: What is what is? What is? Uh?

919
00:45:19,320 --> 00:45:21,879
Speaker 1: What is p and Coach saying that, like, like, what

920
00:45:22,080 --> 00:45:23,279
Speaker 1: energy you're getting from them?

921
00:45:23,440 --> 00:45:25,680
Speaker 3: Now you got one, you got one on one on

922
00:45:25,719 --> 00:45:29,120
Speaker 3: the staple ark. Yeah, exactly. Yeah.

923
00:45:29,320 --> 00:45:31,080
Speaker 4: We went to the bt A Wars together and all that.

924
00:45:31,719 --> 00:45:32,879
Speaker 3: Oh you oh you rode the car.

925
00:45:33,200 --> 00:45:35,719
Speaker 4: Yeah, took it. Took you on the trip about the

926
00:45:35,719 --> 00:45:36,479
Speaker 4: hotel and the flight.

927
00:45:38,040 --> 00:45:39,239
Speaker 3: They were like, okay, yeah, we.

928
00:45:39,200 --> 00:45:39,800
Speaker 4: Did it, we did it.

929
00:45:40,560 --> 00:45:44,560
Speaker 3: You were up. Come on, yeah guys.

930
00:45:44,640 --> 00:45:50,719
Speaker 4: Yeah, we were like, we're outside.

931
00:45:56,120 --> 00:45:58,399
Speaker 2: I've been in the music business longer than thirty about

932
00:45:58,400 --> 00:46:00,120
Speaker 2: to say this is crazy.

933
00:46:02,239 --> 00:46:02,520
Speaker 3: Ship.

934
00:46:04,239 --> 00:46:06,719
Speaker 1: Hey, listen sometimes listen, you gotta pop that back bottle

935
00:46:06,760 --> 00:46:07,000
Speaker 1: of sham.

936
00:46:07,200 --> 00:46:10,560
Speaker 2: Yeah, man, it's not for real, bro, Celebrate, celebrate what

937
00:46:10,640 --> 00:46:11,080
Speaker 2: you've done.

938
00:46:11,120 --> 00:46:12,960
Speaker 3: Man, don't let nobody tell you that.

939
00:46:13,600 --> 00:46:13,680
Speaker 6: Na.

940
00:46:13,840 --> 00:46:15,640
Speaker 2: Man, you don't. You don't rest on your lords, you

941
00:46:15,640 --> 00:46:18,799
Speaker 2: don't wrest listen. It ain't about that. But I don't

942
00:46:18,800 --> 00:46:21,160
Speaker 2: want to look up at seventy or eighty and be like, yeah, nigga,

943
00:46:21,160 --> 00:46:21,760
Speaker 2: I did something.

944
00:46:22,560 --> 00:46:22,840
Speaker 8: Nigga.

945
00:46:22,960 --> 00:46:26,120
Speaker 3: You look up every day like I'm doing Ship, I'm cracking.

946
00:46:26,400 --> 00:46:26,839
Speaker 3: You're young.

947
00:46:26,880 --> 00:46:28,920
Speaker 1: You're hanging that plaque on the wall that six times

948
00:46:28,920 --> 00:46:31,480
Speaker 1: plack yes sir, and get.

949
00:46:31,320 --> 00:46:35,200
Speaker 3: The five, get the foe, get the three. Because everyone.

950
00:46:35,400 --> 00:46:38,120
Speaker 2: Everyone counts, everyone counts, and it's all accomplishments.

951
00:46:38,160 --> 00:46:40,120
Speaker 3: Bro, I wish you nigga will walk in my house

952
00:46:40,120 --> 00:46:41,600
Speaker 3: and be like, you know you got too of the

953
00:46:41,600 --> 00:46:44,399
Speaker 3: same two plaques for the same record, right, so well

954
00:46:44,880 --> 00:46:46,960
Speaker 3: where your where yours?

955
00:46:47,000 --> 00:46:47,400
Speaker 4: Shut up?

956
00:46:47,480 --> 00:46:50,680
Speaker 3: Big Yeah, I got the gold and in the double.

957
00:46:50,719 --> 00:46:53,920
Speaker 3: That's what they say online. Shut up, nigga.

958
00:46:54,520 --> 00:46:56,920
Speaker 1: It don't matter what you're saying. It's always somebody that's

959
00:46:56,920 --> 00:46:58,520
Speaker 1: gonna be in the comedy. Shut up, nigga.

960
00:46:59,040 --> 00:47:02,239
Speaker 2: Hey, nigga, get all motherfuckers, brom get all over them.

961
00:47:02,280 --> 00:47:02,400
Speaker 3: Now.

962
00:47:02,440 --> 00:47:03,560
Speaker 4: I'm going to for Shure.

963
00:47:04,600 --> 00:47:06,440
Speaker 3: And get more and get more houses and studios to

964
00:47:06,440 --> 00:47:06,880
Speaker 3: put him in.

965
00:47:07,760 --> 00:47:09,200
Speaker 4: Yeah, I need to get some real estate.

966
00:47:09,320 --> 00:47:16,879
Speaker 3: Man, what you got for chief? Oh cheap Parker.

967
00:47:18,960 --> 00:47:22,800
Speaker 2: Beat you guess man, that's where your career started.

968
00:47:22,800 --> 00:47:30,520
Speaker 3: Bro, got what the odds of that? Ship Man's brother

969
00:47:30,600 --> 00:47:33,160
Speaker 3: O G Brother G.

970
00:47:35,760 --> 00:47:39,239
Speaker 1: A lot of songs have come in the history of

971
00:47:39,360 --> 00:47:46,360
Speaker 1: song making, as you've seen in the crates.

972
00:47:49,360 --> 00:47:52,320
Speaker 3: Down in Atlanta. We like Atlanta.

973
00:47:52,840 --> 00:47:56,600
Speaker 2: We like Atlanta, especially on Monday night, especially on my day.

974
00:47:58,760 --> 00:48:01,120
Speaker 3: Yeah, shout out, imagine.

975
00:48:00,760 --> 00:48:06,680
Speaker 1: The culture is rich and we know that your musical wealth.

976
00:48:09,360 --> 00:48:11,520
Speaker 1: It's an all time high. The people want to know,

977
00:48:11,760 --> 00:48:19,520
Speaker 1: but they want to know yet, brother o jeez, m.

978
00:48:19,640 --> 00:48:22,440
Speaker 3: H top fun.

979
00:48:24,000 --> 00:48:31,080
Speaker 1: Yeah, your top five, top five.

980
00:48:34,000 --> 00:48:35,239
Speaker 3: Your top five.

981
00:48:36,480 --> 00:48:40,759
Speaker 5: Easing are the so.

982
00:48:43,400 --> 00:48:44,520
Speaker 4: We got to know.

983
00:48:45,400 --> 00:48:48,160
Speaker 3: They know you go you're on the.

984
00:48:49,520 --> 00:49:06,360
Speaker 1: Don't know you gotta come on. Yeah, your.

985
00:49:07,840 --> 00:49:24,560
Speaker 8: Top five, Yeah.

986
00:49:23,120 --> 00:49:27,640
Speaker 1: It's beautiful play so fine on shoot Grid Brollo, g

987
00:49:29,600 --> 00:49:36,400
Speaker 1: your top five R and B singers.

988
00:49:37,800 --> 00:49:47,319
Speaker 4: C B Party Bryson Yea's all right, I'm just doing

989
00:49:47,400 --> 00:49:47,960
Speaker 4: young niggers.

990
00:49:48,360 --> 00:49:50,959
Speaker 3: He's doing.

991
00:49:51,440 --> 00:49:57,040
Speaker 1: C B Party Okay, okay, cooking uh.

992
00:50:00,520 --> 00:50:03,080
Speaker 3: Eric Bellinger Mmmm.

993
00:50:04,239 --> 00:50:06,600
Speaker 1: Like that exquisite votes like that?

994
00:50:06,760 --> 00:50:10,319
Speaker 3: Yeah, yeah, singing like that you said.

995
00:50:10,360 --> 00:50:13,840
Speaker 1: Jeremiah, Yeah, I'm going like yeah, like.

996
00:50:15,680 --> 00:50:17,799
Speaker 4: Thirty five under you.

997
00:50:18,719 --> 00:50:21,880
Speaker 1: I just had a uh, I had a little way moment.

998
00:50:23,040 --> 00:50:32,480
Speaker 1: He's a they Gucci number five. Shout out to my nigga,

999
00:50:34,360 --> 00:50:38,239
Speaker 1: Shout out to my nigga, Jerema. Hey, you're talking about

1000
00:50:38,239 --> 00:50:44,239
Speaker 1: a song writing motherfucking fool. I wanted to fight that nigga.

1001
00:50:44,520 --> 00:50:47,880
Speaker 1: Fight that nigga, Jeremiah, that nigga cold.

1002
00:50:48,440 --> 00:50:50,799
Speaker 4: He's a cold one.

1003
00:50:51,400 --> 00:50:53,000
Speaker 1: You don't write me a song too. I'm not gonna

1004
00:50:53,040 --> 00:50:55,440
Speaker 1: let him off the hook until he writes me one. Okay.

1005
00:50:56,160 --> 00:50:59,960
Speaker 1: Top five R and B songs.

1006
00:51:00,120 --> 00:51:01,920
Speaker 3: That's hard. Yeah, I know, I know.

1007
00:51:03,239 --> 00:51:07,960
Speaker 1: Going to your phone, He's like me, see what songs

1008
00:51:07,960 --> 00:51:09,080
Speaker 1: I produced.

1009
00:51:12,480 --> 00:51:14,920
Speaker 4: Because like favorite is so relative, because like.

1010
00:51:15,280 --> 00:51:18,440
Speaker 1: Just say that for today it's yours.

1011
00:51:18,560 --> 00:51:21,439
Speaker 4: Well, I'm listening to my favorite songs right now. Yeah, today,

1012
00:51:21,800 --> 00:51:22,520
Speaker 4: missing you queen.

1013
00:51:23,760 --> 00:51:24,680
Speaker 3: Come on. I love that.

1014
00:51:26,960 --> 00:51:33,400
Speaker 4: Uh? I like uh.

1015
00:51:36,200 --> 00:51:39,080
Speaker 3: Mm hmmmmm.

1016
00:51:41,280 --> 00:51:42,440
Speaker 4: Made for me money long.

1017
00:51:42,800 --> 00:51:45,839
Speaker 1: M Yes, you can do that, yes sir, Yes, sir,

1018
00:51:45,920 --> 00:51:47,200
Speaker 1: I'm with that.

1019
00:51:48,680 --> 00:51:50,120
Speaker 4: Uh huh, I ain't gonna lie.

1020
00:51:50,640 --> 00:51:58,200
Speaker 6: Tims gets to Bernie Joint Love Love Burning and Me

1021
00:51:58,239 --> 00:51:58,600
Speaker 6: and you.

1022
00:51:58,920 --> 00:51:59,200
Speaker 3: Yeah.

1023
00:51:59,719 --> 00:52:10,319
Speaker 7: Yeah, the fifth one going chill by Party mm hmm.

1024
00:52:11,440 --> 00:52:14,279
Speaker 4: Yeah, that's my favorite right now.

1025
00:52:14,440 --> 00:52:16,279
Speaker 3: We had a real young nigga here for real.

1026
00:52:16,360 --> 00:52:22,359
Speaker 4: For that's an ideal, my young niggah.

1027
00:52:22,400 --> 00:52:26,320
Speaker 1: Yeah, I mean you're on You're like a shouted down hoodio.

1028
00:52:26,440 --> 00:52:27,800
Speaker 1: You're on your young.

1029
00:52:28,400 --> 00:52:29,920
Speaker 4: Am about to go to the tower right now and

1030
00:52:29,920 --> 00:52:30,399
Speaker 4: get drunk.

1031
00:52:30,560 --> 00:52:36,640
Speaker 1: Hey, celebrating these head someone celebrating their life.

1032
00:52:36,960 --> 00:52:38,879
Speaker 3: Yeah, as you should.

1033
00:52:38,960 --> 00:52:41,719
Speaker 5: Know, we eighty times platting around his motherfucker.

1034
00:52:41,800 --> 00:52:44,240
Speaker 4: Man. Everybody, take a shop. Let's kill a bottle.

1035
00:52:47,960 --> 00:52:50,760
Speaker 1: I ain't saying no names, hey, I ain't saying no names.

1036
00:52:50,800 --> 00:52:54,600
Speaker 1: I ain't saying no names. Ain't saying no names. He was.

1037
00:52:56,880 --> 00:52:59,400
Speaker 3: What you did. Don't see ship.

1038
00:53:02,440 --> 00:53:12,560
Speaker 5: You know, a't say yeah yeah.

1039
00:53:12,600 --> 00:53:14,439
Speaker 2: We had a very very special part of the show.

1040
00:53:14,520 --> 00:53:18,120
Speaker 2: Right now, Will you tell us a story funny or

1041
00:53:18,160 --> 00:53:22,200
Speaker 2: fucked up? Are funny and fucked up? The only rulee

1042
00:53:22,239 --> 00:53:24,920
Speaker 2: to the game. You can't say no names.

1043
00:53:25,400 --> 00:53:25,879
Speaker 1: Only room?

1044
00:53:26,600 --> 00:53:35,040
Speaker 4: Uh huh, it's only room. Uh sure. One time I

1045
00:53:35,080 --> 00:53:36,160
Speaker 4: went to the studio.

1046
00:53:35,960 --> 00:53:37,800
Speaker 1: And I was, we'll get the mic, make sure the

1047
00:53:37,840 --> 00:53:38,319
Speaker 1: mike give me.

1048
00:53:40,239 --> 00:53:43,160
Speaker 6: One time I was in the studio and uh it

1049
00:53:43,239 --> 00:53:47,480
Speaker 6: was that QC and I was playing some beats for

1050
00:53:47,600 --> 00:53:52,000
Speaker 6: some people and I just did wilding Out, So I

1051
00:53:52,040 --> 00:53:54,080
Speaker 6: had on the wilding Out shirt.

1052
00:53:55,000 --> 00:53:55,680
Speaker 3: I got your name.

1053
00:53:57,360 --> 00:54:00,000
Speaker 4: I just came from there, came straight.

1054
00:54:00,239 --> 00:54:02,120
Speaker 6: I had left my book back there on purpose that

1055
00:54:02,120 --> 00:54:04,000
Speaker 6: I had beat because I knew niggas was gonna be

1056
00:54:04,000 --> 00:54:10,320
Speaker 6: there night that night, and it was like hell of

1057
00:54:10,400 --> 00:54:13,520
Speaker 6: people in there. And when I tell you, I played

1058
00:54:13,640 --> 00:54:17,000
Speaker 6: every beat on my fucking computer. I'm talking about I'm going.

1059
00:54:16,840 --> 00:54:19,760
Speaker 4: From folder to folder that goddamn I'm going to my email.

1060
00:54:19,800 --> 00:54:21,719
Speaker 6: I'm like, wait, I sent this to this person, Wait

1061
00:54:21,719 --> 00:54:24,759
Speaker 6: wait they might fuck with this, this and this. I

1062
00:54:24,800 --> 00:54:30,160
Speaker 6: got to like that thirtieth beat. They were like, hey, bro,

1063
00:54:31,239 --> 00:54:38,680
Speaker 6: just let that shit go. Then my homie came shout

1064
00:54:38,680 --> 00:54:41,759
Speaker 6: out my boy quake global, he came, Oh damn my.

1065
00:54:41,719 --> 00:54:43,400
Speaker 4: Path he came.

1066
00:54:43,640 --> 00:54:48,960
Speaker 6: He came through this. Nigga played one beat hits on.

1067
00:54:50,360 --> 00:54:52,480
Speaker 6: I won't say this all just lean on name.

1068
00:54:53,080 --> 00:54:58,760
Speaker 4: You played one beat after you played thirty thirty clip sweating.

1069
00:54:58,800 --> 00:55:00,799
Speaker 3: You didn't hit nobody. Sweat you didn't hit nobody, but

1070
00:55:00,880 --> 00:55:08,279
Speaker 3: none of the thirty. Oh, Nigga, that's Gashit hilarious, a

1071
00:55:08,400 --> 00:55:10,920
Speaker 3: third piece. That's how the ship goes sometimes.

1072
00:55:12,440 --> 00:55:15,319
Speaker 2: And you said the beat that that he played ended

1073
00:55:15,360 --> 00:55:16,200
Speaker 2: up being a hit too.

1074
00:55:16,920 --> 00:55:19,120
Speaker 4: HiT's on Top twenty five Urban radio.

1075
00:55:19,120 --> 00:55:19,600
Speaker 3: Off the shows.

1076
00:55:23,920 --> 00:55:25,880
Speaker 6: I'm talking, I'm playing my best ship. I was excited

1077
00:55:25,880 --> 00:55:27,160
Speaker 6: to apply just say wilding out.

1078
00:55:27,200 --> 00:55:28,239
Speaker 4: I'm like, oh yeah, I'm lit.

1079
00:55:29,840 --> 00:55:31,440
Speaker 3: No, they told you to let that ship go.

1080
00:55:33,400 --> 00:55:36,279
Speaker 6: One of the artists said, oh no, you wading out

1081
00:55:36,320 --> 00:55:41,680
Speaker 6: for real. Oh I'm gonna tell you off camera.

1082
00:55:41,840 --> 00:55:44,200
Speaker 2: People don't know that. People don't know that this is

1083
00:55:44,280 --> 00:55:46,480
Speaker 2: how the ship goes though. I mean, like, Nigga, no

1084
00:55:46,520 --> 00:55:46,880
Speaker 2: matter what.

1085
00:55:46,960 --> 00:55:51,000
Speaker 1: The first time, it's time, right, it's a tough audition.

1086
00:55:50,920 --> 00:55:52,919
Speaker 2: Right, and you just came off of a TV show.

1087
00:55:52,960 --> 00:55:55,520
Speaker 2: That means you're already cracking. You already got hit record.

1088
00:55:56,040 --> 00:55:57,319
Speaker 2: And the nigga still like this.

1089
00:55:57,360 --> 00:55:59,280
Speaker 4: Is like way letter recently.

1090
00:55:59,320 --> 00:56:01,760
Speaker 2: Yeah, niggah, nigga, Wi.

1091
00:56:02,200 --> 00:56:05,160
Speaker 1: Nigga used your shirt against you.

1092
00:56:06,800 --> 00:56:08,960
Speaker 4: I thought you my brother, you have to do that.

1093
00:56:09,040 --> 00:56:10,160
Speaker 3: Nigga got damn.

1094
00:56:11,239 --> 00:56:14,160
Speaker 1: That's crazy. I get it crazy, but I get.

1095
00:56:14,000 --> 00:56:19,360
Speaker 3: It's a real, real studio story. This is how this

1096
00:56:19,440 --> 00:56:22,799
Speaker 3: ship goes. I want this ship, man. Yeah, And it

1097
00:56:22,840 --> 00:56:23,319
Speaker 3: was just thirty.

1098
00:56:23,400 --> 00:56:25,239
Speaker 2: They needed to hear thirty one and you you just

1099
00:56:25,280 --> 00:56:26,799
Speaker 2: play thirty and he played the one and you know.

1100
00:56:26,800 --> 00:56:29,160
Speaker 3: I mean at it like that. You broke them down.

1101
00:56:29,239 --> 00:56:32,360
Speaker 3: You broke him down. Yeah, broke them down. It's like

1102
00:56:32,480 --> 00:56:35,879
Speaker 3: it's like the number machine. This machine was hot.

1103
00:56:36,239 --> 00:56:36,839
Speaker 1: She was hot.

1104
00:56:37,440 --> 00:56:40,439
Speaker 4: You better when you get curved, my girl.

1105
00:56:40,920 --> 00:56:45,320
Speaker 3: Hey, that's what is it? Anyway? Like I saw that

1106
00:56:45,560 --> 00:56:49,240
Speaker 3: cute man. It's gonna make you spend so much money, man, niggas.

1107
00:56:49,280 --> 00:56:54,040
Speaker 1: She ain't a real one dog last week with two niggas,

1108
00:56:54,320 --> 00:56:55,400
Speaker 1: ain't that nigga?

1109
00:56:55,440 --> 00:56:57,440
Speaker 3: And then you fucking around and have a here record.

1110
00:57:00,960 --> 00:57:04,799
Speaker 1: That's the word. God does everything for a reason. That's

1111
00:57:04,960 --> 00:57:07,440
Speaker 1: that's what you get that let the God does everything for.

1112
00:57:09,800 --> 00:57:09,920
Speaker 4: Bro.

1113
00:57:10,080 --> 00:57:14,160
Speaker 3: You're killing man. Yeah, man, congratulations man.

1114
00:57:15,320 --> 00:57:21,000
Speaker 1: And and and keep that same hunger, bro, keep that

1115
00:57:21,080 --> 00:57:23,800
Speaker 1: same hunger, keep that same you.

1116
00:57:23,760 --> 00:57:26,880
Speaker 3: Know, as they would say, keep that same energy, Keep

1117
00:57:26,880 --> 00:57:31,800
Speaker 3: that same energy. Bro. Yeah, have that thirty, Have that thirty.

1118
00:57:31,520 --> 00:57:36,920
Speaker 4: Ready every time. He always sometimes.

1119
00:57:36,680 --> 00:57:38,360
Speaker 3: Work because it only takes one.

1120
00:57:39,400 --> 00:57:42,600
Speaker 2: I mean you saw that with the hommy. You take one.

1121
00:57:44,640 --> 00:57:53,880
Speaker 2: It's crazy so soon. It only takes one. Cardis cardiac

1122
00:57:53,920 --> 00:57:57,200
Speaker 2: and send me you know Cardiac's in the pack.

1123
00:57:58,560 --> 00:58:04,240
Speaker 1: No, but this that one, you know, news we brother,

1124
00:58:05,160 --> 00:58:08,800
Speaker 1: that one. I appreciate. That's what we pray for. Continued

1125
00:58:10,000 --> 00:58:10,800
Speaker 1: even more.

1126
00:58:13,240 --> 00:58:16,680
Speaker 4: More. Why not trying to keep it going?

1127
00:58:16,800 --> 00:58:21,080
Speaker 1: Why not ships? Keep us partying, brother, keep us partying,

1128
00:58:21,200 --> 00:58:25,520
Speaker 1: you know, and keep and keep keep the women. Keep

1129
00:58:25,520 --> 00:58:31,640
Speaker 1: the ladies slippy, keep the ladies on it. Yeah, on

1130
00:58:31,800 --> 00:58:35,240
Speaker 1: a slip, Yeah, the ladies.

1131
00:58:35,880 --> 00:58:40,880
Speaker 3: We do all this, Thanks gentle. My name is Take

1132
00:58:41,080 --> 00:58:41,920
Speaker 3: I'll shave balance.

1133
00:58:42,160 --> 00:58:45,160
Speaker 1: And this is the Harvey Money Podcast, the authority on

1134
00:58:45,320 --> 00:58:47,240
Speaker 1: all things all.

1135
00:58:47,480 --> 00:58:50,040
Speaker 3: Be It's our young nigga right here.

1136
00:58:50,160 --> 00:59:00,720
Speaker 1: Yeah, him, the beast, the banker. Ah oh Shay Park Yeah.

1137
00:59:01,800 --> 00:59:03,840
Speaker 5: R and B Money.

1138
00:59:04,040 --> 00:59:05,840
Speaker 2: R and B Money is a production of the Black

1139
00:59:05,840 --> 00:59:10,720
Speaker 2: Effect podcast Network. For more podcasts from iHeartRadio, visit the

1140
00:59:10,760 --> 00:59:14,600
Speaker 2: iHeartRadio app, Apple Podcasts, or wherever you listen to your

1141
00:59:14,600 --> 00:59:18,479
Speaker 2: favorite shows. Don't forget to subscribe to and rate our show,

1142
00:59:18,800 --> 00:59:21,400
Speaker 2: and you can connect with us on social media at

1143
00:59:21,520 --> 00:59:25,760
Speaker 2: Jyvalentine and at the Real Tank. For the extended episode,

1144
00:59:25,880 --> 00:59:30,040
Speaker 2: subscribe to YouTube dot com, Forward, slash r, and b

1145
00:59:30,160 --> 00:59:30,480
Speaker 2: Money