WEBVTT - S4E5: Desi Lydic and the 1977 NYC Blackout

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<v Speaker 1>A teenage girl on the Upper West Side lamented that

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<v Speaker 1>some boys offered to help carry her looted clothing and radios,

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<v Speaker 1>but then ended up running off with them, so she

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<v Speaker 1>was quoted saying, that's just not right. They shouldn't have

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<v Speaker 1>done that. I love that.

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<v Speaker 2>Never trust a boy on the Upper West Side.

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<v Speaker 1>The looter got looted. There's some weird justice in that.

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<v Speaker 1>I guess. Hello. I'm Ed Helms and this is Snaffoo,

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<v Speaker 1>the podcast about history's greatest screw ups. My guest today

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<v Speaker 1>is the amazing Desi Lydick, who has been absolutely crushing

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<v Speaker 1>it on The Daily Show since twenty fifteen with her

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<v Speaker 1>razor sharp, next level satire and just let's just be honest,

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<v Speaker 1>brilliantly funny, insightful and fearless reporting across the board. You're

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<v Speaker 1>so good at what you do, Desi, and I'm so

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<v Speaker 1>psyched you're here. Welcome to Snafoo.

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<v Speaker 3>Thanks for having me on. That is a way too kind,

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<v Speaker 3>intro entirely too kind. No, I see your factual, but

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<v Speaker 3>I really appreciate it.

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<v Speaker 1>Thank you.

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<v Speaker 3>This is very cool to be on with you because

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<v Speaker 3>I was a regular, avid watcher of the Daily Show

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<v Speaker 3>for many, many years. While you were on, and you're

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<v Speaker 3>part of the reason why I wanted to be on

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<v Speaker 3>The Daily Show, admiring your work and John's and Steve

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<v Speaker 3>and Stephen and every Sam. It's just, yeah, this is

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<v Speaker 3>very cool.

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<v Speaker 2>So thank you.

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<v Speaker 1>That is so sweet. Go on.

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<v Speaker 3>Yes, well, another thing that I specifically like about your performance? Yes,

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<v Speaker 3>your everyman likability, your razor.

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<v Speaker 1>Okay, okay, okay, this is all get edited out, but

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<v Speaker 1>I'm loving it. Yeah, so we do have the Daily

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<v Speaker 1>Show in common. It's been I hate to say this,

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<v Speaker 1>I'm but it's been almost twenty years since I worked there.

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<v Speaker 1>Oh my god, it feels insane to me. But you

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<v Speaker 1>are there now, and you've been there a bunch of

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<v Speaker 1>years and ten.

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<v Speaker 3>Almost ten, which is just crazy too, so badass.

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<v Speaker 1>You guys are How is this transition? So when I

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<v Speaker 1>was there, obviously John Stewart was the full time host,

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<v Speaker 1>and I was sort of a part of a cadre

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<v Speaker 1>of correspondence and we did focus mostly on field segments

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<v Speaker 1>and then the studio pieces with John. But now, and

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<v Speaker 1>that's kind of how you started too, writ with Trevor

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<v Speaker 1>h Yes, definitely, at a certain point you transitioned into

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<v Speaker 1>also part of this rotating host formula, which I just

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<v Speaker 1>think is so cool and I think it's working so well.

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<v Speaker 1>What was that like? What was that transition?

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<v Speaker 2>Like crazy?

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<v Speaker 3>There was a period of time where we were kind

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<v Speaker 3>of testing out some different ideas and we didn't really

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<v Speaker 3>know what was going to happen and who the host

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<v Speaker 3>was going to be. And then it started to open

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<v Speaker 3>up a little bit and I kind of threw my

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<v Speaker 3>hat in the ring and put my hand up and said, hey,

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<v Speaker 3>put me in coach before I could think about it

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<v Speaker 3>too hard and just by some chance that they would

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<v Speaker 3>consider me, And then this format came about and John

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<v Speaker 3>came back to the show, and yeah, it was It

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<v Speaker 3>was a little terrifying because you know, being a being

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<v Speaker 3>a correspondent, it's not an easy job by any means,

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<v Speaker 3>but you're you are, you're in character, you're so I

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<v Speaker 3>was very accustomed to being on the show as the

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<v Speaker 3>character of the correspondent, and when you're hosting, you're basically yourself.

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<v Speaker 3>So it was a it was a whole other type

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<v Speaker 3>of type of work and like requires practice and giving

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<v Speaker 3>it a shot, and so I didn't really know if

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<v Speaker 3>I could do it. But the team here is so

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<v Speaker 3>incredible it's a well oiled machine. Everyone had our backs

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<v Speaker 3>and we all support one another. And we've got John

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<v Speaker 3>who could not be a more exceptional leader, and watching

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<v Speaker 3>him every Monday is like a master class. So to

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<v Speaker 3>get to try something new creatively and something so exciting

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<v Speaker 3>and to get to look to him is it's beyond

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<v Speaker 3>a dream come true.

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<v Speaker 1>I think comedians in general are how many people are

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<v Speaker 1>trained or it's almost like an instinct or a reflex

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<v Speaker 1>to look for snaffoos. Yeah, we're always kind of trying

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<v Speaker 1>to look under the surface at kind of what's going wrong,

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<v Speaker 1>and especially at a place like the Daily Show, like

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<v Speaker 1>you're looking for what's going wrong in order to generate satire.

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<v Speaker 1>I actually found that I loved it and it was

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<v Speaker 1>like very invigorating. I felt like I was part of

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<v Speaker 1>a meaningful satirical voice at the show. But it kind

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<v Speaker 1>of took a toll on me over a long period

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<v Speaker 1>of time, focusing entirely on a little bit of the

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<v Speaker 1>darker side of things. And I wonder if you've ever

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<v Speaker 1>felt that or felt a sense of exasperation. Yeah, it

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<v Speaker 1>can sort of like eat you a little bit. That's

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<v Speaker 1>what I found.

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<v Speaker 3>Yeah, Yeah, well, Ed, I'm dead inside. So I feel

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<v Speaker 3>nothing anymore. It is gone lost all sense of humanity. No,

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<v Speaker 3>it is. It is taxing, It really is, and I

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<v Speaker 3>think for me, I've kind of gone up and down

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<v Speaker 3>on it. It's a bit of an emotional roller coaster,

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<v Speaker 3>a mental roller coaster, because you're right, there's no escaping it.

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<v Speaker 3>You can't just bury your head in the sand and

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<v Speaker 3>be like, well, I'm just going to not pay attention

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<v Speaker 3>to the news today. But I will say I think

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<v Speaker 3>some kind of action, even for us, even if it's

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<v Speaker 3>just finding the comedy in it, even if it's just

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<v Speaker 3>creative action, it feels good to do something and just

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<v Speaker 3>talk about it, admit that it's happening in a room

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<v Speaker 3>full of people who can kind of provide catharsis and

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<v Speaker 3>support and we can talk it out with each other.

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<v Speaker 3>And then also being forced to find the humor in

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<v Speaker 3>it somewhere is my therapy. It is redeeming it really

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<v Speaker 3>and especially this year.

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<v Speaker 1>Yeah, so the Daily Show is your therapist, is what

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<v Speaker 1>you're saying?

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<v Speaker 2>It totally?

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<v Speaker 1>Is it? Totally? Is?

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<v Speaker 2>They should be billing me.

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<v Speaker 3>I'm sure I'll get an invoice in the mail I

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<v Speaker 3>pay them to do the show.

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<v Speaker 1>Before we dive into today's snapho. What is a major

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<v Speaker 1>snafo from your life?

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<v Speaker 3>Oh god, I have too many to choose from. I

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<v Speaker 3>feel like I'm a snafu a day kind of person.

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<v Speaker 1>Sure.

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<v Speaker 3>We were just chatting right before we started here about

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<v Speaker 3>old VHS tapes and it brought up this like humiliation,

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<v Speaker 3>the snaffhoo that happened. When I was a kid. I

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<v Speaker 3>was obsessed with Madonna. Like many young girls, I wanted

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<v Speaker 3>to be Madonna. And I think I was maybe somewhere

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<v Speaker 3>around eight. I probably wasn't allowed to watch MTV, but

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<v Speaker 3>I was snaking it and Madonna had this performance. It

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<v Speaker 3>was her MTV Video Music Awards. I think I must

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<v Speaker 3>have been a rerun because I was like trying to

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<v Speaker 3>think of what the timeline was. But she performed like

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<v Speaker 3>a virgin Oh yeah on stage, you remember, yeah, And

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<v Speaker 3>she humped like humped the floor, crawled around, gyrated on

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<v Speaker 3>the floor, and I was just I didn't know what

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<v Speaker 3>any of it meant, but I was so mesmerized, and

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<v Speaker 3>I knew that she was about to come on, and

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<v Speaker 3>I grabbed a VHS tape and put it in the recorder.

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<v Speaker 3>By the way, your young listeners are going to be like,

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<v Speaker 3>what's the VHS?

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<v Speaker 2>What is she talking about?

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<v Speaker 3>So I throw a VHS in the machine and I

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<v Speaker 3>hit record just really quickly. Oh no. And months later,

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<v Speaker 3>my relatives come over and they go, oh, we should

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<v Speaker 3>watch Tracy's graduation video. Oh yeah, you never got to

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<v Speaker 3>see that, nanny, we should put that on. And it's

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<v Speaker 3>Christmas time, and the whole family gathers around. There's like

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<v Speaker 3>eighteen of us and we're down in the basement. We

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<v Speaker 3>huddle around the TV and we grabbed my cousin Tracy's

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<v Speaker 3>graduation video and put it in and it's Madonna humping

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<v Speaker 3>a floor and everyone looks to me like jazzy.

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<v Speaker 2>So I felt so terrible.

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<v Speaker 1>I'm imagining that like the It's like, right as the

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<v Speaker 1>president of the school is announcing your cousin's name and

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<v Speaker 1>they're about to walk up on stage, and then it's

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<v Speaker 1>just like cut to.

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<v Speaker 2>Just the worst for Donna, just all hip thrust.

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<v Speaker 1>And the whole family's gathered around.

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<v Speaker 2>It was so humiliating.

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<v Speaker 3>I'm sure I got grounded for not only taping over

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<v Speaker 3>my cousin's graduation but also watching something that was highly

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<v Speaker 3>inappropriate for me at that time.

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<v Speaker 1>Today's snaffo is also kind of tech related. I want

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<v Speaker 1>to take you into a truly insane historical snaffoo. It's

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<v Speaker 1>a story that gets very dark, very fast. And I

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<v Speaker 1>mean that in every sense literally, figuratively, socio, politically, and

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<v Speaker 1>possibly even spiritually. Are you ready? Yes, it's July nineteen

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<v Speaker 1>seventy seven in the big appital Baby. That's right, disco

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<v Speaker 1>punk and rent you could actually afford. But it wasn't

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<v Speaker 1>all Studio fifty four and Skyline dreams. The city was

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<v Speaker 1>a bit of a mess. Unemployment was at twelve percent.

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<v Speaker 1>Subway fares had just doubled from twenty five cents to

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<v Speaker 1>a whopping fifty cents. What is it now, it's like

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<v Speaker 1>three dollars? Yeah, and thanks to budget cuts, city services

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<v Speaker 1>were pretty much in the toilet. Libraries, schools, sanitation, even

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<v Speaker 1>the NYPD had all taken major hits. Oh and just

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<v Speaker 1>to spice things up, the Son of Sam was still

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<v Speaker 1>on the loose. You're aware of that, all guy? Yeah, guy,

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<v Speaker 1>that all creep. The serial killer who claimed a demon

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<v Speaker 1>was speaking to him through a barking dog. So yeah,

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<v Speaker 1>it was a hell of a time in New York City. DESI,

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<v Speaker 1>this was New York at one of its most sort

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<v Speaker 1>of chaotic and volatile moments. But let's be real, the

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<v Speaker 1>city's always pretty intense. Do you thrive on that intensity?

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<v Speaker 1>Do you kind of find your own calm and the chaos?

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<v Speaker 1>Like what kind of New Yorker are you?

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<v Speaker 3>Yeah, I've had to kind of thrive. I've had to

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<v Speaker 3>adapt to it, that's for sure. But you know, if

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<v Speaker 3>you watch Fox News, they will tell you that it

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<v Speaker 3>is this sort of nineteen seventy seven version all day

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<v Speaker 3>just a city of hell. It's just a walking nightmare.

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<v Speaker 1>I don't know.

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<v Speaker 3>Yes, it's intense and it's chaotic, but I love it. Yes,

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<v Speaker 3>you have to be out in the middle of it.

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<v Speaker 3>You have to interact with other people, good or bad.

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<v Speaker 3>I was walking down the street with my dog the

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<v Speaker 3>other day and I look over and there was just

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<v Speaker 3>a guy selling my little ponies with a light bulb

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<v Speaker 3>coming out the top, just thirty of them on the street.

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<v Speaker 3>I thought, God, only in New York do you have

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<v Speaker 3>this kind of quirkiness out out And he was making

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<v Speaker 3>a killing.

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<v Speaker 2>People were buying him.

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<v Speaker 1>That's so funny because my only in New York story

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<v Speaker 1>is like seeing people like defecating in the middle of

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<v Speaker 1>Fifth Avenue.

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<v Speaker 3>Yeah, well there's that too. I'm sorry about that, by

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<v Speaker 3>the way, I really had to go.

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<v Speaker 1>No, But I agree with you. I agree. I think

0:11:15.360 --> 0:11:19.240
<v Speaker 1>there's there's like something super special about the intensity of

0:11:19.280 --> 0:11:21.120
<v Speaker 1>New York and it kind of, I don't know, it

0:11:21.160 --> 0:11:28.200
<v Speaker 1>makes me feel creative, inspired, and also just knowing the

0:11:28.320 --> 0:11:32.400
<v Speaker 1>density of cultural history that has happened and transpired, like

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<v Speaker 1>all of the incredible people that have lived and thrived

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<v Speaker 1>in New York. It's just I just yeah, I love it.

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<v Speaker 3>I really miss it a magical place, even among all

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<v Speaker 3>the defication and masturbation on the subway, it's really it's

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<v Speaker 3>so special.

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<v Speaker 1>It is in spite of all that. Anyone who's ever

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<v Speaker 1>been to New York City during the dead of summer

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<v Speaker 1>knows that it is a particularly brutal time. But in

0:11:55.840 --> 0:11:59.480
<v Speaker 1>nineteen seventy seven, it was next level brutal. The city

0:11:59.559 --> 0:12:01.720
<v Speaker 1>was in the grip of a record heat wave, with

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<v Speaker 1>temperatures hitting ninety seven degrees for nine straight days. So yeah,

0:12:07.320 --> 0:12:10.320
<v Speaker 1>the concrete jungle is basically like a concrete oven. Now,

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<v Speaker 1>I'm from Georgia, you're from Kentucky. We know a thing

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<v Speaker 1>or two about heat. But there's something uniquely punishing about

0:12:18.120 --> 0:12:20.199
<v Speaker 1>New York City summer. Right, as much as we love

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<v Speaker 1>New York like, it gets hard.

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<v Speaker 3>It's brutal because it's humid. It gets humid more so

0:12:26.920 --> 0:12:30.640
<v Speaker 3>than you think, and the buildings really trap it all in,

0:12:31.320 --> 0:12:33.600
<v Speaker 3>so you're just stuck in it and you can't escape

0:12:33.640 --> 0:12:36.079
<v Speaker 3>into your air conditioned car very easily because you don't

0:12:36.080 --> 0:12:37.240
<v Speaker 3>really drive in New York.

0:12:37.320 --> 0:12:39.760
<v Speaker 1>So can we talk about the smell? Can we talk

0:12:39.800 --> 0:12:42.800
<v Speaker 1>a little bit about the smell. It's like the trash

0:12:42.920 --> 0:12:46.480
<v Speaker 1>is just baking. It's like the trash cans are these

0:12:46.480 --> 0:12:50.000
<v Speaker 1>little ovens that bake everything. And then of course anything

0:12:50.400 --> 0:12:54.840
<v Speaker 1>any street runoff is like just cooking on the hot

0:12:54.880 --> 0:12:57.719
<v Speaker 1>asphalt and rising into the humidity.

0:12:57.400 --> 0:12:59.200
<v Speaker 2>Cooking up a stew. A city.

0:12:59.400 --> 0:13:03.480
<v Speaker 3>Yeah, it's you're in there's even here where we film

0:13:03.640 --> 0:13:07.440
<v Speaker 3>at The Daily Show in Lovely Hell's Kitchen. We're in

0:13:07.559 --> 0:13:11.160
<v Speaker 3>between a subway restaurant which has the lovely aroma of

0:13:11.240 --> 0:13:14.559
<v Speaker 3>baked bread, and on the other side are the horse stables,

0:13:14.600 --> 0:13:18.080
<v Speaker 3>so it's just horse shit and a little bit of

0:13:18.120 --> 0:13:21.480
<v Speaker 3>baked bread and then garbage, and you'reine smell from the

0:13:21.559 --> 0:13:25.120
<v Speaker 3>dom park across the street. Summer over here gets real, real,

0:13:25.160 --> 0:13:26.240
<v Speaker 3>interesting real quick.

0:13:26.400 --> 0:13:29.319
<v Speaker 1>It's funny how consistent that smell is, Like every summer,

0:13:29.679 --> 0:13:33.200
<v Speaker 1>it's just the like, you know, like that's hot city

0:13:33.280 --> 0:13:37.160
<v Speaker 1>smell and it's not good, but weirdly, I'm just gonna

0:13:37.160 --> 0:13:39.880
<v Speaker 1>say it, it's kind of nostalgic. Now, it's like it's comforting.

0:13:40.080 --> 0:13:43.240
<v Speaker 1>It's like fresh cut grass, like it brings back memories.

0:13:43.360 --> 0:13:46.520
<v Speaker 3>Maybe we should start in Aroma company, Like we should

0:13:46.520 --> 0:13:50.080
<v Speaker 3>make a candle that has that New York summer smell,

0:13:50.160 --> 0:13:51.960
<v Speaker 3>and we could. We could go out with it.

0:13:51.960 --> 0:13:54.880
<v Speaker 1>You would sell city summer funk.

0:13:55.240 --> 0:13:58.920
<v Speaker 3>The fun, City summer funk, the city.

0:13:58.720 --> 0:14:00.520
<v Speaker 2>Sun, City summer fun.

0:14:00.600 --> 0:14:03.800
<v Speaker 1>I think it would sell. I'm not gonna say like

0:14:03.960 --> 0:14:04.760
<v Speaker 1>hot cakes.

0:14:04.880 --> 0:14:06.199
<v Speaker 2>I'm just throwing it out there.

0:14:06.360 --> 0:14:09.160
<v Speaker 1>I'll take it. Picture yourself in the middle of this

0:14:09.200 --> 0:14:12.720
<v Speaker 1>heat wave throughout the Five Burrows. It's the summer seventy seven.

0:14:12.760 --> 0:14:16.359
<v Speaker 1>And remember in the seventies people wore a lot of polyester,

0:14:16.880 --> 0:14:21.480
<v Speaker 1>which is not exactly breathable or moisture wicking. So at

0:14:21.520 --> 0:14:24.320
<v Speaker 1>this point you might be saying, wow, this is like

0:14:24.440 --> 0:14:26.880
<v Speaker 1>pretty bleak already, and you'd be right. But we're just

0:14:26.920 --> 0:14:29.880
<v Speaker 1>sitting the stage here. We haven't even gotten to the snaffo.

0:14:29.960 --> 0:14:32.240
<v Speaker 3>Yet I'm sweating a little bit, can you tell? Can

0:14:32.280 --> 0:14:33.880
<v Speaker 3>you see I'm sweating?

0:14:34.160 --> 0:14:39.000
<v Speaker 1>Drink some water, stay hydrated, because here we go. Now

0:14:39.040 --> 0:14:42.800
<v Speaker 1>it's July thirteenth, nineteen seventy seven. To quote the Love

0:14:42.840 --> 0:14:46.040
<v Speaker 1>and Spoonful, it's hot time, summer in the city. And

0:14:46.080 --> 0:14:50.640
<v Speaker 1>as the sun goes down, the sky starts to churn, thick,

0:14:50.720 --> 0:14:55.800
<v Speaker 1>ominous clouds rolling in like they've got unfinished business. Storm's

0:14:55.800 --> 0:15:00.200
<v Speaker 1>a bruin, and not just any storm, a monster electrical storm.

0:15:00.280 --> 0:15:03.280
<v Speaker 1>At eight thirty seven PM, a massive bolt of lightning

0:15:03.360 --> 0:15:07.920
<v Speaker 1>strikes the Buchanan South substation in Westchester County, tripping two

0:15:08.040 --> 0:15:11.760
<v Speaker 1>critical circuit breakers. This lightning strike, combined with a loose

0:15:11.960 --> 0:15:15.320
<v Speaker 1>locking nut, and of course some delayed maintenance, prevented the

0:15:15.360 --> 0:15:20.280
<v Speaker 1>breakers from resetting, cutting off a major power source. Minutes later,

0:15:20.880 --> 0:15:25.400
<v Speaker 1>at eight fifty five pm, another lightning bolt strikes the

0:15:25.520 --> 0:15:30.480
<v Speaker 1>sprain Brook substation in Yonkers, knocking out two more vital

0:15:30.520 --> 0:15:34.520
<v Speaker 1>transmission lines. The system, already strained, begins to falter. Operators

0:15:34.520 --> 0:15:38.200
<v Speaker 1>at con Edison, the city's power provider, attempt to bring

0:15:38.280 --> 0:15:42.560
<v Speaker 1>additional generators online, but some were actually unmanned, like there

0:15:42.600 --> 0:15:45.800
<v Speaker 1>was nobody there and the others just failed to start remotely,

0:15:45.880 --> 0:15:49.920
<v Speaker 1>So by nine to twenty four pm, the situation had

0:15:49.960 --> 0:15:54.440
<v Speaker 1>deteriorated rapidly. The remaining power lines were overloaded, and the

0:15:54.440 --> 0:15:59.360
<v Speaker 1>city's largest generator, Ravenswood Unit number three, nicknamed Big Alice,

0:15:59.720 --> 0:16:04.400
<v Speaker 1>show down to protect itself from damage. Minutes later, nine

0:16:04.480 --> 0:16:09.680
<v Speaker 1>thirty six pm, the entire Coneedison system collapsed, plunging New

0:16:09.760 --> 0:16:14.400
<v Speaker 1>York City into darkness, and thus began what would become

0:16:14.480 --> 0:16:19.040
<v Speaker 1>known as the seventy seven Night of Terror.

0:16:22.120 --> 0:16:25.880
<v Speaker 3>What a perfect storm of a snaffoo, Just a series

0:16:25.920 --> 0:16:28.080
<v Speaker 3>of mishaps, one right after the next.

0:16:28.280 --> 0:16:31.040
<v Speaker 1>There's always in these snaffoos, there's always a lot of

0:16:31.120 --> 0:16:35.480
<v Speaker 1>human error. I mean these these obviously, like the lightning

0:16:35.560 --> 0:16:38.600
<v Speaker 1>is insane. This was like a really exceptional electrical storm.

0:16:38.600 --> 0:16:41.480
<v Speaker 1>But yeah, like there's always like somebody messing up. Not

0:16:41.640 --> 0:16:45.080
<v Speaker 1>enough maintenance was done. There was a loose nut somewhere.

0:16:45.680 --> 0:16:48.360
<v Speaker 1>Did you as a kid, did you like in the

0:16:48.400 --> 0:16:52.360
<v Speaker 1>South were familiar with big lightning storms? Oh yeah, did

0:16:52.360 --> 0:16:54.880
<v Speaker 1>you like a lightning storm? Oh it was kind of fun.

0:16:55.000 --> 0:16:57.320
<v Speaker 3>I mean I never liked having to come in from

0:16:57.440 --> 0:17:01.720
<v Speaker 3>being outside playing because back in those days we played outside.

0:17:02.200 --> 0:17:03.360
<v Speaker 2>Kids played outside.

0:17:03.400 --> 0:17:05.160
<v Speaker 1>I don't even know what you're talking about.

0:17:05.400 --> 0:17:08.639
<v Speaker 3>Yes, the younger the younger generation doesn't get it.

0:17:08.800 --> 0:17:12.960
<v Speaker 1>We played outside the rainstorms, like even through like electrical storms.

0:17:13.000 --> 0:17:14.119
<v Speaker 1>We didn't even we didn't care.

0:17:14.560 --> 0:17:18.120
<v Speaker 3>Our parents also so because in the South, a thunderstorm

0:17:18.160 --> 0:17:20.600
<v Speaker 3>would last sometimes like three and a half minutes and

0:17:20.600 --> 0:17:21.560
<v Speaker 3>then it would clear up.

0:17:21.920 --> 0:17:22.159
<v Speaker 1>You know.

0:17:22.800 --> 0:17:24.920
<v Speaker 2>We also had tornadoes. Did you have tornadoes?

0:17:25.119 --> 0:17:28.639
<v Speaker 1>We had very rare tornadoes. Did you did you like

0:17:28.680 --> 0:17:29.640
<v Speaker 1>when the power went out?

0:17:29.760 --> 0:17:32.480
<v Speaker 3>I remember I was in I was actually in New

0:17:32.560 --> 0:17:38.320
<v Speaker 3>York during Sandy, which was that was probably the closest

0:17:38.359 --> 0:17:42.400
<v Speaker 3>to like the seventy seven blackout, but similar, I mean, yeah,

0:17:42.640 --> 0:17:44.840
<v Speaker 3>And that was kind of that was terrifying. That was

0:17:44.920 --> 0:17:48.040
<v Speaker 3>such an eerie feeling to look outside and for sure

0:17:48.160 --> 0:17:51.440
<v Speaker 3>see darkness all the way down Bowery.

0:17:51.600 --> 0:17:52.200
<v Speaker 2>It was crazy.

0:17:56.440 --> 0:18:00.280
<v Speaker 1>Things were getting real spooky. Traffic lights stopped working all

0:18:00.320 --> 0:18:04.280
<v Speaker 1>over the city, Subway trains stopped moving, streets and stores

0:18:04.320 --> 0:18:07.439
<v Speaker 1>were pitch black all over town. At Shay Stadium, the

0:18:07.480 --> 0:18:09.479
<v Speaker 1>Mets were losing two to one against the Cubs when

0:18:09.520 --> 0:18:12.040
<v Speaker 1>the lights went out in the bottom of the sixth inning.

0:18:12.400 --> 0:18:14.920
<v Speaker 1>Mets third basement Lenny Randall was up to bat and

0:18:15.000 --> 0:18:17.719
<v Speaker 1>later said, I thought to myself, this is my last

0:18:17.760 --> 0:18:21.280
<v Speaker 1>at bat. God is coming for me. Can you imagine,

0:18:21.320 --> 0:18:25.360
<v Speaker 1>like those lights are so bright right in those ballpark

0:18:25.400 --> 0:18:28.560
<v Speaker 1>stadiums and they just a yeah, like blackout, that would

0:18:28.640 --> 0:18:33.159
<v Speaker 1>be that must be jarring, terrifying. Yeah, there was a

0:18:33.280 --> 0:18:37.440
<v Speaker 1>pretty big problem right away responding to the power routage.

0:18:37.440 --> 0:18:40.800
<v Speaker 1>Many of the emergency personnel first responders, police officers, and

0:18:40.840 --> 0:18:44.560
<v Speaker 1>firefighters lived outside of the city in New Jersey, and

0:18:44.600 --> 0:18:47.399
<v Speaker 1>because of the blackout, they were unable to get into

0:18:47.440 --> 0:18:49.359
<v Speaker 1>the city. So things are about to go seriously off

0:18:49.400 --> 0:18:52.200
<v Speaker 1>the rails here. But for the record, I was in

0:18:52.280 --> 0:18:55.040
<v Speaker 1>NYC for the blackout of two thousand and three. No,

0:18:55.119 --> 0:18:56.720
<v Speaker 1>that's not true. I was not actually in the city.

0:18:56.720 --> 0:18:58.880
<v Speaker 1>I was on a daily show field Shute in two

0:18:58.920 --> 0:19:02.760
<v Speaker 1>thousand and three. I was in Birmingham, Alabama, on a

0:19:02.800 --> 0:19:06.440
<v Speaker 1>field shoot, and I was getting word that, like all

0:19:06.480 --> 0:19:08.960
<v Speaker 1>my friends were in this blackout in New York City.

0:19:09.160 --> 0:19:12.040
<v Speaker 1>Was funny because all I heard were these great stories

0:19:12.040 --> 0:19:14.639
<v Speaker 1>of like, oh, I met the love of my life,

0:19:14.720 --> 0:19:17.359
<v Speaker 1>or I had this incredible one night stand, like I

0:19:17.400 --> 0:19:19.919
<v Speaker 1>went I went out and had like, you know, some

0:19:20.040 --> 0:19:23.639
<v Speaker 1>potato chips on my stoop and met these traveling musicians

0:19:23.680 --> 0:19:27.320
<v Speaker 1>and we we traped around the city the serenading like

0:19:27.760 --> 0:19:31.879
<v Speaker 1>that sounded like such a wonderful blackout. This this is

0:19:31.880 --> 0:19:35.240
<v Speaker 1>about to go so so dark. Do you think New

0:19:35.320 --> 0:19:38.200
<v Speaker 1>York City is a good place or a bad place

0:19:38.280 --> 0:19:39.120
<v Speaker 1>for a disaster?

0:19:39.480 --> 0:19:42.040
<v Speaker 3>It's all the things, I think it really Yeah, I

0:19:42.040 --> 0:19:45.280
<v Speaker 3>think there's capacity for all of it, because there's just

0:19:45.800 --> 0:19:48.199
<v Speaker 3>so many different people in New York City and so

0:19:48.240 --> 0:19:51.960
<v Speaker 3>many but like the state of the world certainly plays

0:19:52.000 --> 0:19:52.399
<v Speaker 3>into that.

0:19:52.800 --> 0:19:56.119
<v Speaker 1>Definitely. That's huge, and that's gonna You're exactly right. The

0:19:56.200 --> 0:20:00.399
<v Speaker 1>state of the world is a major factor. So this

0:20:00.520 --> 0:20:04.080
<v Speaker 1>blackout happens, and at first the city holds its breath

0:20:04.119 --> 0:20:06.600
<v Speaker 1>in the darkness. But around ten PM, just a half

0:20:06.640 --> 0:20:09.480
<v Speaker 1>an hour after the lights went out, New Yorkers began

0:20:09.520 --> 0:20:12.159
<v Speaker 1>to emerge, and it didn't take long for things to

0:20:12.240 --> 0:20:17.159
<v Speaker 1>go from a sort of mild curiosity to completely spiraling

0:20:17.280 --> 0:20:21.199
<v Speaker 1>out of control. Looting erupted across the city in neighborhoods

0:20:21.280 --> 0:20:25.240
<v Speaker 1>already strained by unemployment and economic hardship. To your point,

0:20:25.600 --> 0:20:28.520
<v Speaker 1>the blackout was a catalyst for unrest. Over the next

0:20:28.520 --> 0:20:32.120
<v Speaker 1>twenty five hours, more than sixteen hundred stores were damaged

0:20:32.240 --> 0:20:37.119
<v Speaker 1>or destroyed. Arsonists set over one thousand fires, overwhelming the

0:20:37.119 --> 0:20:41.480
<v Speaker 1>city's fire departments. Mostly it was a very dark time,

0:20:41.640 --> 0:20:45.000
<v Speaker 1>no pun intended. But there are a few anecdotes that

0:20:45.800 --> 0:20:48.320
<v Speaker 1>I dug up that revealed some dark irony. Here's what

0:20:48.440 --> 0:20:51.480
<v Speaker 1>I found in Time magazine. A teenage girl on the

0:20:51.560 --> 0:20:54.720
<v Speaker 1>Upper West Side lamented that some boys offered to help

0:20:54.840 --> 0:20:58.639
<v Speaker 1>carry her looted clothing and radios, but then ended up

0:20:58.720 --> 0:21:02.000
<v Speaker 1>running off with them. So she was quoted saying, that's

0:21:02.080 --> 0:21:05.080
<v Speaker 1>just not right. They shouldn't have done that. I love that.

0:21:05.640 --> 0:21:07.639
<v Speaker 2>Never trust a boy on the Upper West.

0:21:07.359 --> 0:21:12.119
<v Speaker 1>Side with your looted belongings, No, they will like the

0:21:12.200 --> 0:21:15.040
<v Speaker 1>looter got looted. There's some weird justice in that, I guess.

0:21:16.600 --> 0:21:19.080
<v Speaker 1>Does it freak you out how quickly like we just

0:21:19.560 --> 0:21:22.439
<v Speaker 1>as a society we can just unravel in something like that.

0:21:22.440 --> 0:21:26.440
<v Speaker 3>Really, it is like it's just just the second some

0:21:26.480 --> 0:21:29.840
<v Speaker 3>people have that opening. It's like now's my time, now's

0:21:29.840 --> 0:21:30.440
<v Speaker 3>my time.

0:21:31.359 --> 0:21:31.879
<v Speaker 2>Yeah.

0:21:32.359 --> 0:21:35.880
<v Speaker 1>It goes from yeah, you're like lighting candles one minute

0:21:35.920 --> 0:21:39.480
<v Speaker 1>and then it's just like full on purge vibes. Yeah.

0:21:39.600 --> 0:21:41.800
<v Speaker 3>I think if you're on the verge enough, if your

0:21:41.880 --> 0:21:44.960
<v Speaker 3>needs aren't being met, for whatever reason, Like you know,

0:21:45.000 --> 0:21:48.120
<v Speaker 3>if I was in a particular headspace, I might see

0:21:48.160 --> 0:21:48.560
<v Speaker 3>an opening.

0:21:48.600 --> 0:21:51.639
<v Speaker 2>Go you know what I'm gonna Let's put these candles down,

0:21:51.680 --> 0:21:52.520
<v Speaker 2>Let's go rob a bank.

0:21:52.600 --> 0:21:55.160
<v Speaker 1>Yeah. It's like I have had trouble making ends meet

0:21:55.200 --> 0:21:58.240
<v Speaker 1>and getting enough groceries for my family for months. Now

0:21:58.760 --> 0:22:00.760
<v Speaker 1>I'm going to the grocery store to just get as

0:22:00.840 --> 0:22:01.800
<v Speaker 1>much as I can.

0:22:01.760 --> 0:22:04.439
<v Speaker 2>Like, now's my chance. Everyone else is doing it?

0:22:04.960 --> 0:22:09.399
<v Speaker 1>Sure well, So we were talking about other blackouts. Just

0:22:09.480 --> 0:22:13.120
<v Speaker 1>twelve years before this blackout in nineteen sixty five, there

0:22:13.200 --> 0:22:16.360
<v Speaker 1>was another one that was much bigger, affected twenty five

0:22:16.440 --> 0:22:19.639
<v Speaker 1>million people compared to the one in seventy seven that

0:22:19.680 --> 0:22:24.800
<v Speaker 1>only affected only affected nine million only. But during that

0:22:25.040 --> 0:22:30.800
<v Speaker 1>sixty five blackout, City was totally calm, and historians think

0:22:30.840 --> 0:22:34.720
<v Speaker 1>this is because NYC was simply more stable economically and socially.

0:22:34.720 --> 0:22:38.399
<v Speaker 1>In nineteen sixty five, people treated that blackout like like

0:22:38.440 --> 0:22:40.720
<v Speaker 1>it was just a weird snow day. But in nineteen

0:22:40.760 --> 0:22:44.520
<v Speaker 1>seventy seven the city was in full blown crisis, already

0:22:44.600 --> 0:22:47.199
<v Speaker 1>high unemployment, crime, budget cuts, all of that, and of

0:22:47.240 --> 0:22:50.320
<v Speaker 1>course the son of Sam just walking around. It's like,

0:22:50.600 --> 0:22:53.200
<v Speaker 1>you don't know, sir Sam could be like, in a blackout,

0:22:53.240 --> 0:22:54.280
<v Speaker 1>he could be right behind you.

0:22:55.119 --> 0:22:59.320
<v Speaker 3>Yeah, totally, totally, that guy was everywhere. Fear is a

0:22:59.720 --> 0:23:02.960
<v Speaker 3>how full motivator? It really is. It can cause you

0:23:03.040 --> 0:23:05.199
<v Speaker 3>to do some crazy things. Not that we would know

0:23:05.320 --> 0:23:07.480
<v Speaker 3>anything about that today.

0:23:07.320 --> 0:23:10.960
<v Speaker 1>In any content. Politically, Yeah, I feel I thought that

0:23:11.040 --> 0:23:13.760
<v Speaker 1>you were about to just sort of like unravel the

0:23:13.880 --> 0:23:16.440
<v Speaker 1>tapestry of modern politics.

0:23:17.080 --> 0:23:20.800
<v Speaker 3>I'm like, are we in a metaphorical blackout now? Can

0:23:20.840 --> 0:23:23.199
<v Speaker 3>we not see what's right in front of us? Or

0:23:23.280 --> 0:23:26.439
<v Speaker 3>is that what's happening to us right now at this moment?

0:23:26.520 --> 0:23:29.280
<v Speaker 1>Do we feel like a metaphorical son of Sam is

0:23:29.320 --> 0:23:33.080
<v Speaker 1>stalking all of us right now? How do you think

0:23:33.119 --> 0:23:37.440
<v Speaker 1>New Yorkers today would would handle a blackout?

0:23:37.560 --> 0:23:43.760
<v Speaker 3>I was here during the pandemic the entire time. It

0:23:43.880 --> 0:23:46.359
<v Speaker 3>was such a scary time, in such an awful time,

0:23:46.640 --> 0:23:51.480
<v Speaker 3>and I vividly remember we open up our windows every

0:23:51.560 --> 0:23:55.199
<v Speaker 3>night at seven pm and people stuck their pots and

0:23:55.240 --> 0:23:58.680
<v Speaker 3>pans and banged on them to cheer on our healthcare

0:23:58.680 --> 0:24:03.960
<v Speaker 3>workers and to have that moment just once a day,

0:24:04.040 --> 0:24:07.320
<v Speaker 3>to hear New Yorkers come together and show some gratitude

0:24:07.359 --> 0:24:09.720
<v Speaker 3>and appreciation for the real.

0:24:09.560 --> 0:24:11.119
<v Speaker 2>Heroes doing the hard work.

0:24:12.040 --> 0:24:16.639
<v Speaker 3>I mean, I like to think that New Yorkers, you know,

0:24:16.920 --> 0:24:19.960
<v Speaker 3>would would do the right thing and come together. Yeah,

0:24:20.440 --> 0:24:22.840
<v Speaker 3>but then they're the masturbators on the subway.

0:24:22.920 --> 0:24:24.640
<v Speaker 2>So I don't know. It could go either way.

0:24:25.200 --> 0:24:28.040
<v Speaker 1>Yeah, there's but you're speaking to sort of the resilient

0:24:28.119 --> 0:24:32.760
<v Speaker 1>spirit of the city, which I also kind of appreciate

0:24:32.800 --> 0:24:37.040
<v Speaker 1>and I think is always under there somewhere, and it's

0:24:37.200 --> 0:24:40.920
<v Speaker 1>it's kind of worth rooting for that always. Anyway, twenty

0:24:40.960 --> 0:24:43.919
<v Speaker 1>five hours later, when the lights finally flickered back on,

0:24:44.040 --> 0:24:48.000
<v Speaker 1>the damage was staggering. Around forty five hundred arrests had

0:24:48.000 --> 0:24:51.240
<v Speaker 1>been made, and the estimated cost of the blackout was

0:24:51.359 --> 0:24:54.440
<v Speaker 1>three hundred and fifty million dollars, which is nearly two

0:24:54.880 --> 0:24:56.600
<v Speaker 1>billion dollars today.

0:24:56.800 --> 0:24:59.520
<v Speaker 3>Oh my god, think of all the sub subway rides

0:24:59.560 --> 0:25:00.359
<v Speaker 3>you could get with that.

0:25:00.520 --> 0:25:07.600
<v Speaker 1>I know, the lights may have only gone out for

0:25:07.640 --> 0:25:10.000
<v Speaker 1>twenty five hours, but the blackout had a big effect

0:25:10.160 --> 0:25:13.720
<v Speaker 1>on New York. That night brought national attention to some

0:25:13.800 --> 0:25:18.240
<v Speaker 1>of the systemic issues plaguing NYC, economic and otherwise. Many

0:25:18.240 --> 0:25:21.760
<v Speaker 1>citizens felt abandoned by their institutions with an absent and

0:25:21.840 --> 0:25:26.200
<v Speaker 1>rundown police force, but the blackout also reinforced the wider

0:25:26.280 --> 0:25:29.440
<v Speaker 1>narrative that New York was a declining city. It took

0:25:29.560 --> 0:25:34.320
<v Speaker 1>businesses a while to recover, and voters were ready for change.

0:25:34.720 --> 0:25:38.600
<v Speaker 1>So in November of nineteen seventy seven, New York voters

0:25:38.640 --> 0:25:43.359
<v Speaker 1>elected Ed Kotch as their new mayor. I think we

0:25:43.400 --> 0:25:45.480
<v Speaker 1>have a photo of old Ed Kotch.

0:25:47.160 --> 0:25:47.679
<v Speaker 2>There he is.

0:25:48.640 --> 0:25:50.679
<v Speaker 1>He looks. I don't know where that when that photo

0:25:50.760 --> 0:25:54.280
<v Speaker 1>was taken, like in his tenure as mayor or even

0:25:54.320 --> 0:25:57.399
<v Speaker 1>as a candidate, But man, he looks just he looks

0:25:57.440 --> 0:25:57.960
<v Speaker 1>worn out.

0:25:58.400 --> 0:26:01.080
<v Speaker 2>It's not going well, No, not going I mean that,

0:26:01.200 --> 0:26:01.600
<v Speaker 2>is there.

0:26:01.480 --> 0:26:03.919
<v Speaker 1>Any harder job than mayor of New York City.

0:26:04.080 --> 0:26:06.720
<v Speaker 3>It's got to be the hardest job and the most

0:26:06.800 --> 0:26:10.240
<v Speaker 3>I feel like the only job that is less appreciated

0:26:10.480 --> 0:26:14.040
<v Speaker 3>is the job of being a mother. It's just, oh,

0:26:14.200 --> 0:26:18.439
<v Speaker 3>no one, no one ever likes the mayor, no one

0:26:19.000 --> 0:26:20.560
<v Speaker 3>everyone complains about the mayor.

0:26:20.600 --> 0:26:23.399
<v Speaker 2>The mayor is never doing It's just a thankless job.

0:26:23.640 --> 0:26:27.359
<v Speaker 1>But I would even say that just to compare the

0:26:28.640 --> 0:26:35.159
<v Speaker 1>epic heroism of motherhood to any job is doing a

0:26:35.200 --> 0:26:38.480
<v Speaker 1>disservice to mothers everywhere, especially especially to compare it.

0:26:38.480 --> 0:26:43.560
<v Speaker 2>To Ed Cotch. Just thankless, thankless.

0:26:43.240 --> 0:26:46.360
<v Speaker 1>Kotch had already served in Congress for five terms, and

0:26:46.400 --> 0:26:49.040
<v Speaker 1>many people said he made them feel optimistic while the

0:26:49.040 --> 0:26:51.960
<v Speaker 1>city was still reeling, lifting New York out of that

0:26:52.119 --> 0:26:55.760
<v Speaker 1>seventies slump. Others say he balanced the city's budget, but

0:26:55.840 --> 0:26:59.400
<v Speaker 1>mostly at the expense of low income communities. He began

0:26:59.480 --> 0:27:03.280
<v Speaker 1>a moreprehensive public housing system, put over a billion dollars

0:27:03.320 --> 0:27:08.320
<v Speaker 1>towards parks projects, and took Times Square from sleezy Central

0:27:08.359 --> 0:27:12.840
<v Speaker 1>Plaza to a tourist mecca that is still bustling today.

0:27:12.760 --> 0:27:15.280
<v Speaker 2>To a sleezy tourist mecca exactly.

0:27:15.359 --> 0:27:17.679
<v Speaker 1>I don't think Kotch totally unsleezed it.

0:27:17.960 --> 0:27:20.440
<v Speaker 2>No, still some sleez on that old Times Square.

0:27:20.600 --> 0:27:22.959
<v Speaker 3>If I can never go to Times Square again, I

0:27:23.000 --> 0:27:25.439
<v Speaker 3>am I am a happy woman. I will go anywhere

0:27:25.480 --> 0:27:27.680
<v Speaker 3>else in New York. I have no interest in time.

0:27:28.000 --> 0:27:31.359
<v Speaker 3>Just the just the bodies, just all the especially in

0:27:31.359 --> 0:27:34.000
<v Speaker 3>the summertime, just the hot, hot bodies.

0:27:34.520 --> 0:27:38.280
<v Speaker 1>No. Also, the people walking around Times Square. They don't

0:27:38.320 --> 0:27:40.280
<v Speaker 1>know how to do New York. They don't know how

0:27:40.280 --> 0:27:42.359
<v Speaker 1>to walk fast and get out of the way. They

0:27:42.400 --> 0:27:46.400
<v Speaker 1>don't know how to j walk properly, you know, lab bag.

0:27:46.880 --> 0:27:49.320
<v Speaker 3>They're stopping and going and then you have all the

0:27:49.359 --> 0:27:52.879
<v Speaker 3>bright lights. Now it's all the screens, so people get distracted.

0:27:52.960 --> 0:27:56.240
<v Speaker 3>It's very blatant, runner stimulating. It's too much.

0:27:56.640 --> 0:27:59.760
<v Speaker 1>The vultures descended on kan Ed and the aftermath of

0:27:59.800 --> 0:28:03.160
<v Speaker 1>this blackout, looking for someone to blame for the night's chaos.

0:28:03.200 --> 0:28:07.040
<v Speaker 1>In nineteen seventy eight, the lawsuit Cotch versus con Edison

0:28:07.200 --> 0:28:09.960
<v Speaker 1>was filed. Though the case would drag out until nineteen

0:28:10.000 --> 0:28:13.680
<v Speaker 1>eighty two, a court eventually ruled that con Ed's gross

0:28:13.840 --> 0:28:17.320
<v Speaker 1>negligence was responsible for the big blackout. The Federal Power

0:28:17.359 --> 0:28:20.800
<v Speaker 1>Commission also accused the company of not employing emergency measures

0:28:20.800 --> 0:28:24.720
<v Speaker 1>efficiently after the lightning strike. Con Ed's president bit back,

0:28:24.840 --> 0:28:28.320
<v Speaker 1>saying that the events were quote so extraordinary that they

0:28:28.359 --> 0:28:32.080
<v Speaker 1>went beyond the design and capability of the system, and

0:28:32.119 --> 0:28:36.160
<v Speaker 1>that really nothing could have been done, But I'll leave

0:28:36.200 --> 0:28:39.280
<v Speaker 1>that up to you to decide. Uh fun fact Ed

0:28:39.360 --> 0:28:42.560
<v Speaker 1>Koch also made a cameo in Muppets Take Manhattan.

0:28:44.160 --> 0:28:46.280
<v Speaker 2>I loved that movie, right, That.

0:28:46.160 --> 0:28:48.320
<v Speaker 1>Was one of the gore. That's the one where Kermit

0:28:48.400 --> 0:28:51.640
<v Speaker 1>the Frog was riding a bicycle in Central Park and

0:28:51.680 --> 0:28:54.720
<v Speaker 1>you could see his frog legs peddling the bicycle and

0:28:54.800 --> 0:28:57.360
<v Speaker 1>I'm still like had like how they do in this

0:28:57.560 --> 0:29:03.040
<v Speaker 1>age of like crazy cinematic, you know, like crazy animation, Like,

0:29:03.240 --> 0:29:04.880
<v Speaker 1>how the hell did they do that?

0:29:05.720 --> 0:29:09.000
<v Speaker 2>Oh my god? Oh that was such a good movie.

0:29:09.040 --> 0:29:11.080
<v Speaker 2>I think that was my intro to New York City.

0:29:11.200 --> 0:29:14.760
<v Speaker 2>Joan Rivers was in that movie. Oh what a great movie.

0:29:14.800 --> 0:29:19.360
<v Speaker 1>Amen. If you became mayor of New York City, does

0:29:19.360 --> 0:29:21.400
<v Speaker 1>he like itch, what would you do? What's the first

0:29:21.400 --> 0:29:22.240
<v Speaker 1>thing you would change?

0:29:22.320 --> 0:29:25.280
<v Speaker 3>I think I would make everyone who comes into New

0:29:25.320 --> 0:29:27.240
<v Speaker 3>York City learn how to walk on the street. That's

0:29:27.280 --> 0:29:29.760
<v Speaker 3>what I would do, a masterclass in walking.

0:29:30.040 --> 0:29:32.840
<v Speaker 1>It's sort of like to like there's a citizenship test,

0:29:33.040 --> 0:29:35.720
<v Speaker 1>but for New York City, there's like a tourist test,

0:29:35.760 --> 0:29:39.560
<v Speaker 1>Like you have to pass all these rules of etiquette

0:29:39.680 --> 0:29:41.840
<v Speaker 1>of New York City etiquette, which is so different from

0:29:41.840 --> 0:29:42.880
<v Speaker 1>like the rest of the world.

0:29:43.120 --> 0:29:44.680
<v Speaker 2>That's right. You got to keep your pace.

0:29:44.920 --> 0:29:47.360
<v Speaker 3>You have to have a healthy, healthy sense of boundaries

0:29:47.400 --> 0:29:50.200
<v Speaker 3>between you and other people. If you're going to stop

0:29:50.200 --> 0:29:52.320
<v Speaker 3>and look at your phone, you peel off, peel off

0:29:52.320 --> 0:29:54.800
<v Speaker 3>to the side, off to the shoulder of the sidewalk.

0:29:55.080 --> 0:29:59.840
<v Speaker 1>If you breach New York City like pedestrian etiquette, you

0:30:00.040 --> 0:30:03.480
<v Speaker 1>will get screamed at, and you better, you better just

0:30:03.640 --> 0:30:04.760
<v Speaker 1>roll with it, because.

0:30:04.480 --> 0:30:06.880
<v Speaker 3>That's how ridicule, that's how it works. You take it,

0:30:07.040 --> 0:30:09.680
<v Speaker 3>that's you take it. You get roasted to your face,

0:30:09.960 --> 0:30:12.719
<v Speaker 3>and if you can't handle it, go to Jersey, Go

0:30:12.760 --> 0:30:15.080
<v Speaker 3>to the Jersey. Go to Jersey.

0:30:15.480 --> 0:30:18.520
<v Speaker 1>You get yelled at New York City, you are you

0:30:18.560 --> 0:30:26.320
<v Speaker 1>are legally required to forget about it. Forget about it, right. Sorry.

0:30:27.280 --> 0:30:29.320
<v Speaker 2>I think we could see we could fix New York.

0:30:29.440 --> 0:30:32.640
<v Speaker 3>I think we get we got we could have handled

0:30:32.640 --> 0:30:33.920
<v Speaker 3>this black We'd be a.

0:30:33.920 --> 0:30:36.480
<v Speaker 1>Good team in that in that Mayor's office for sure.

0:30:36.600 --> 0:30:38.520
<v Speaker 2>Totally, totally Daisy light.

0:30:38.840 --> 0:30:43.520
<v Speaker 1>That is that is the blackout of seventy seven, the

0:30:43.600 --> 0:30:51.640
<v Speaker 1>Night of terror. Any like macro takeaways here, reflections, ideas thoughts.

0:30:51.920 --> 0:30:56.320
<v Speaker 3>I think it's possible that we are having our own

0:30:57.120 --> 0:31:02.520
<v Speaker 3>blackout moment right now metaph forally, not literally. But we're

0:31:02.560 --> 0:31:05.320
<v Speaker 3>just not seeing anything right in front of us. That's

0:31:05.360 --> 0:31:08.400
<v Speaker 3>what That's that's been my big AHA moment, like, oh,

0:31:08.400 --> 0:31:09.880
<v Speaker 3>this is happening right now?

0:31:10.280 --> 0:31:11.880
<v Speaker 2>Where we what are facts?

0:31:11.920 --> 0:31:15.280
<v Speaker 3>What's even we're blind to what what's actually happening out

0:31:15.320 --> 0:31:17.040
<v Speaker 3>in the world? What is what is reality?

0:31:17.120 --> 0:31:18.880
<v Speaker 2>Right now? It's I took an.

0:31:18.960 --> 0:31:22.840
<v Speaker 3>Edible before I started hearing it, So I'm no, no.

0:31:22.760 --> 0:31:26.320
<v Speaker 1>But I actually think that's really keen and savvy. This

0:31:26.400 --> 0:31:33.000
<v Speaker 1>particular blackout happened at a time of unusual desperation among

0:31:33.360 --> 0:31:37.840
<v Speaker 1>New Yorkers, and that led to some pretty terrible outcomes

0:31:38.480 --> 0:31:41.880
<v Speaker 1>during the blackout. And I and I think it's a

0:31:41.920 --> 0:31:45.600
<v Speaker 1>it's a really clean metaphor for this moment of like

0:31:46.480 --> 0:31:51.240
<v Speaker 1>information overload and conspiracy theories, which are effectively a kind

0:31:51.240 --> 0:31:56.240
<v Speaker 1>of blackout because they're blurring what's maybe like a real

0:31:56.320 --> 0:31:59.920
<v Speaker 1>take a take on reality, like what's what's really happening?

0:32:00.440 --> 0:32:03.640
<v Speaker 3>You have fear as a huge motivator exactly, kind of

0:32:03.680 --> 0:32:08.920
<v Speaker 3>clouding your vision. Yeah, and when people's needs aren't being met,

0:32:09.040 --> 0:32:12.520
<v Speaker 3>that's when that's when people act out of desperation and

0:32:13.760 --> 0:32:16.080
<v Speaker 3>bad things happen. And when you don't feel like you

0:32:16.120 --> 0:32:18.680
<v Speaker 3>can trust your leaders to take care of you, or

0:32:18.720 --> 0:32:21.560
<v Speaker 3>your government, or the economy is failing, you can't put

0:32:21.560 --> 0:32:22.400
<v Speaker 3>food food.

0:32:22.240 --> 0:32:22.760
<v Speaker 2>On the table.

0:32:23.360 --> 0:32:26.720
<v Speaker 3>Yeah, it's it's it can be a scary time. Well,

0:32:27.160 --> 0:32:30.600
<v Speaker 3>hopefully we aren't on the brink of that right now,

0:32:30.720 --> 0:32:35.800
<v Speaker 3>but I don't know, we'll see maybe something like.

0:32:35.760 --> 0:32:39.680
<v Speaker 1>Any it's literally like any minute now. Yeah, any that's

0:32:39.760 --> 0:32:41.480
<v Speaker 1>just like full Lord of the Flies.

0:32:41.640 --> 0:32:43.000
<v Speaker 2>I don't disagree.

0:32:43.160 --> 0:32:46.040
<v Speaker 1>I do think that there's just to kind of spin

0:32:46.120 --> 0:32:49.920
<v Speaker 1>it back around. On the positive note, the you know,

0:32:50.000 --> 0:32:55.080
<v Speaker 1>the city did emerge from this blackout, and as difficult

0:32:55.120 --> 0:32:57.360
<v Speaker 1>of a chapter as it was, it is also a

0:32:57.400 --> 0:33:00.800
<v Speaker 1>testament to the resilience of the city. And I kind

0:33:00.800 --> 0:33:04.400
<v Speaker 1>of feel like to your point about the broader metaphor

0:33:04.920 --> 0:33:12.400
<v Speaker 1>this moment that we're in nationally, I hope is something

0:33:12.440 --> 0:33:17.040
<v Speaker 1>that can as we sort of like push through the

0:33:17.120 --> 0:33:21.240
<v Speaker 1>darkness and the sort of siloed information bubbles that we're

0:33:21.280 --> 0:33:26.440
<v Speaker 1>all in, that that there is a kind of new

0:33:26.880 --> 0:33:31.400
<v Speaker 1>cohesion that rises out of it, a new sense of community,

0:33:32.200 --> 0:33:36.160
<v Speaker 1>like national community and national sort of how much we're

0:33:36.240 --> 0:33:39.760
<v Speaker 1>just interwoven and interdependent on one another. That that becomes

0:33:40.320 --> 0:33:43.480
<v Speaker 1>that that becomes like a point of pride instead of

0:33:43.520 --> 0:33:46.120
<v Speaker 1>like something to sort of shame and ridicule. I believe

0:33:46.120 --> 0:33:48.920
<v Speaker 1>in New York City. I'm just I'm such a believer

0:33:48.960 --> 0:33:50.880
<v Speaker 1>in the spirit of that city, and I'm a believer

0:33:50.960 --> 0:33:53.239
<v Speaker 1>in our country. I'm still like this weird I'm just

0:33:53.320 --> 0:33:56.360
<v Speaker 1>like this dorky patriot. I just love love our country,

0:33:56.360 --> 0:33:58.400
<v Speaker 1>and I think we can. I think we can bring

0:33:58.440 --> 0:33:58.920
<v Speaker 1>it around.

0:33:59.240 --> 0:34:00.880
<v Speaker 2>I do too. I do too.

0:34:01.200 --> 0:34:04.080
<v Speaker 3>I'm hopeful. I'm right there with you, amen. And I

0:34:04.080 --> 0:34:08.279
<v Speaker 3>think it starts with our campaign for mayor of for

0:34:08.360 --> 0:34:08.839
<v Speaker 3>co mayor.

0:34:10.920 --> 0:34:14.280
<v Speaker 1>You and me, baby and me, Hey, we go forget

0:34:14.280 --> 0:34:18.680
<v Speaker 1>about it. That's our campaign's logan. Forget about it. You

0:34:18.760 --> 0:34:21.799
<v Speaker 1>got troubles, forget about it, get about Bezie and Eddie

0:34:21.800 --> 0:34:25.279
<v Speaker 1>are here all right, Besie Man, Thank you so so much.

0:34:25.360 --> 0:34:29.120
<v Speaker 1>This was an absolute blast. Keep crushing it. You're doing great.

0:34:30.520 --> 0:34:34.680
<v Speaker 1>Snafu is a production of iHeart Podcasts and Snaffo Media,

0:34:34.840 --> 0:34:39.000
<v Speaker 1>a partnership between Film Nation Entertainment and Pacific Electric Picture Company.

0:34:39.120 --> 0:34:43.120
<v Speaker 1>Our post production studio is Gilded Audio. Our executive producers

0:34:43.160 --> 0:34:48.120
<v Speaker 1>are me Ed Helms, Mike Falbo, Glenn Basner, Andy Kim Whitney, Donaldson,

0:34:48.320 --> 0:34:52.320
<v Speaker 1>and Dylan Fagan. This episode was produced by Alyssa Martino

0:34:52.480 --> 0:34:56.560
<v Speaker 1>and Tory Smith. Our video editor is Jared Smith. Technical

0:34:56.560 --> 0:35:00.120
<v Speaker 1>direction and engineering from Nick Dooley. Our creative executive it

0:35:00.200 --> 0:35:03.560
<v Speaker 1>is Brett Harris. Logo and branding by the Collected Works.

0:35:03.920 --> 0:35:08.400
<v Speaker 1>Legal review from Dan Welsh, Meghan Halson and Caroline Johnson.

0:35:08.560 --> 0:35:11.600
<v Speaker 1>Special thanks to Isaac Dunham, Adam Horn, Lane Klein, and

0:35:11.760 --> 0:35:16.280
<v Speaker 1>everyone at iHeart Podcasts, but especially Will Pearson, Kerry Lieberman,

0:35:16.560 --> 0:35:21.799
<v Speaker 1>Nikki Etoor, Nathan O'towski, and Alex Corral. While I have you,

0:35:21.880 --> 0:35:25.279
<v Speaker 1>don't forget to pick up a copy of my book, Snaffoo,

0:35:25.360 --> 0:35:29.320
<v Speaker 1>The Definitive Guide to History's Greatest screw Ups. It's available

0:35:29.360 --> 0:35:33.600
<v Speaker 1>now from any book retailer. Just go to Snaffoo dashbook

0:35:33.840 --> 0:35:37.600
<v Speaker 1>dot com. Thanks for listening, and see you next week.