WEBVTT - Kenyon Dixon

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<v Speaker 1>R and B Money.

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<v Speaker 2>We are.

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<v Speaker 1>Thanks take valoti.

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<v Speaker 3>We are the authority on R and B.

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<v Speaker 1>Ladies and gentlemen.

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<v Speaker 3>My name is Tank and this is the Army Money Podcast,

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<v Speaker 3>the authority.

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<v Speaker 1>Come on on all things, come on, come R and B.

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<v Speaker 1>Fix your beanie, man, your beanie not coming out. We

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<v Speaker 1>got my line of beanies is coming up.

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<v Speaker 4>Blax.

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<v Speaker 1>You know what I said. We've been working on this.

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<v Speaker 1>We got an R and B.

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<v Speaker 3>Singer Huh in the house, songwriter, songwriter, vocal production producer,

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<v Speaker 3>put it together. Performer RTIs artist huh cut himself.

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<v Speaker 1>I always got on some cool pants to always keep

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<v Speaker 1>a cool pant, lonely and a cool shade.

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<v Speaker 3>One of the most talented brothers I've I've ever come across.

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<v Speaker 1>Man, Please we got him here.

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<v Speaker 2>Ken Yeah, get out my goddamn comments.

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<v Speaker 4>I had.

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<v Speaker 1>I would be rich a dollar. But every time somebody like,

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<v Speaker 1>when are you doing it? But they was doing it

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<v Speaker 1>like we don't know you Like I'm like, you do

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<v Speaker 1>know that. I heard of a guy you got to

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<v Speaker 1>love him trying to hit us over the head with.

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<v Speaker 1>If y'all was a real pod, y'all would have Keny

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<v Speaker 1>Dixon wrote, you know what right? No, I love it though.

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<v Speaker 1>That's real support.

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<v Speaker 2>That's the ship that we need as an independent artist

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<v Speaker 2>as well as Tyree would say, you know, because I'm

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<v Speaker 2>I'm I'm independent. Indeed, Yeah, that's right there. You at

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<v Speaker 2>the right level to with the deepens is not.

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<v Speaker 1>Indeed, he got marble behind it. You got marble.

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<v Speaker 3>Transforming twenty seven, he furious talking about. Indeed, stop this ship, man, Kenya.

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<v Speaker 3>We've been doing this for a long time, man. We

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<v Speaker 3>we've we've been on the road together, We've been in

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<v Speaker 3>a studio together. He got T G T story as

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<v Speaker 3>as you were kicking ass on stage during and during

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<v Speaker 3>that tour. Let's just throw that out there. But you

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<v Speaker 3>know how we do you know what I'm saying, like

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<v Speaker 3>we we we love to go back, you know to

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<v Speaker 3>the beginning as we were talking our Church stories before

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<v Speaker 3>you know, before the camera came on. We're not going

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<v Speaker 3>to tell you all all the stuff we was talking about.

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<v Speaker 3>Just know Church was in trouble. Where does it all

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<v Speaker 3>start for Kenyon Dixon? Man, where does it all start?

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<v Speaker 3>Where you identified that you know.

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<v Speaker 4>It?

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<v Speaker 1>I got something in Church? Probably not where somebody said

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<v Speaker 1>you know that yd damn boy right there? Man? Uh yeah,

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<v Speaker 1>church man, I'm born and raised in church, Ko koch kid.

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<v Speaker 1>My mother is like still right now, like a district evangelist,

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<v Speaker 1>like district, Like yeah, serious.

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<v Speaker 2>So it's a government in the sense you say district.

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<v Speaker 2>It's like I'm thinking of jurisdictions. Yeah, no, it's like congress. Yes, essentially,

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<v Speaker 2>in local government. That's what's the president of the church.

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<v Speaker 1>There are just the president.

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<v Speaker 3>There's there's no one one president. But there are guys

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<v Speaker 3>who are powerful that sit on the board up top,

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<v Speaker 3>you know what I'm saying, Bishops and Patterson and Blake

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<v Speaker 3>and yeah, okay, yeah.

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<v Speaker 1>You're saying, you know, I ain't ain't ko no, but

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<v Speaker 1>that was my upbringing. But yeah, man, in church, my

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<v Speaker 1>super musical family. I'm the youngest of seven in total. Shit,

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<v Speaker 1>six of us grew up in the same household. Everybody's

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<v Speaker 1>musically inclined to some extent. My pops guitarist, quartet singer.

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<v Speaker 1>My mother she sing so like it started in church

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<v Speaker 1>for sure, man, singing in the youth choir and like,

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<v Speaker 1>you know, leading songs. When was your first solo? Well,

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<v Speaker 1>what was your first song? The song was? I just

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<v Speaker 1>I remember the lyrics. It's like you say that you

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<v Speaker 1>are my sheep, why aren't you following me? I can't

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<v Speaker 1>think of what the name of the whole song is.

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<v Speaker 1>That was my first solo. But you know, crazy enough,

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<v Speaker 1>even though it started in church and it was genetic, like,

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<v Speaker 1>I didn't love it singing in church. It wasn't like

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<v Speaker 1>because I had a family full of singers. So me

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<v Speaker 1>being the youngest, I'm like, I don't want to like

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<v Speaker 1>singing ain't really cool like that, like y'all all do it.

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<v Speaker 1>I gotta find something that you know, I can do

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<v Speaker 1>myself that y'all can't do, because that would make me

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<v Speaker 1>feel better. So I think I didn't really like develop

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<v Speaker 1>that love for singing until I was able to like

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<v Speaker 1>step back from church a little bit and started like

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<v Speaker 1>exploring on my own. That's when when I really like

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<v Speaker 1>fell in love with music.

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<v Speaker 3>I would say, do you think like I mean, as

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<v Speaker 3>most of us in church, you know, it starts off

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<v Speaker 3>as very much a requirement, like you know, a role

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<v Speaker 3>of the house. This is where you will be on Tuesday,

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<v Speaker 3>this is where Wednesday, this is where you will be

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<v Speaker 3>on Saturday.

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<v Speaker 1>Yeah, and this is where you will be on Sunday.

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<v Speaker 3>Yep, it was a and do you think that that

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<v Speaker 3>contributed to not feeling so great about it because it's

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<v Speaker 3>just like I gotta go to church, man.

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<v Speaker 1>Yeah, that I would say it did, man, because my

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<v Speaker 1>parents were like, you know, they were also preachers, so

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<v Speaker 1>they were heavily involved in the church. So my mother

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<v Speaker 1>was like teaching Bible studies. She was teaching YPWW and

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<v Speaker 1>YWCC all like the little program for you know, and

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<v Speaker 1>we were at quir rehearsal. Like, so I was at

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<v Speaker 1>church like Monday through Sunday pretty much like doing homework

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<v Speaker 1>on the pews, sleep in the back in the back

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<v Speaker 1>of the church, like you know what I mean. And

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<v Speaker 1>so I think it was also grew up in a

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<v Speaker 1>project so very different dynamic from the church setting number one,

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<v Speaker 1>So like what was happening outside and what I was

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<v Speaker 1>exposed to church just wasn't cool. That was just what

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<v Speaker 1>I knew because yeah, yeah, born and raised in Jordan

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<v Speaker 1>Dann's so like it wasn't it wasn't cool necessarily, and

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<v Speaker 1>not cool at school either, Like school culture was a

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<v Speaker 1>lot different. You know, like the amount of kids that

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<v Speaker 1>were okay with talking about that they went to church

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<v Speaker 1>like very small, but you're you kind of just listening, like, oh,

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<v Speaker 1>I identify, but I'm not going to tell y'all that

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<v Speaker 1>like this is this is my life. So I think

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<v Speaker 1>for a long time, yeah, it I would say it

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<v Speaker 1>contributed to it because I felt like this wasn't cool

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<v Speaker 1>like outside of here, like nobody, the majority of the

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<v Speaker 1>people around me and my daily life don't share this experience.

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<v Speaker 1>Like I'm seeing what they're doing. I'm seeing their parents

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<v Speaker 1>pull up playing uh all of the music I want

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<v Speaker 1>to listen to, you know what I mean, Your your

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<v Speaker 1>parents pull up, you get in the car and they

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<v Speaker 1>got John p Key on, Like it's like it was different.

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<v Speaker 1>It was different culture, you know what I mean. So

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<v Speaker 1>I think when I yeah, when I got the opportunity

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<v Speaker 1>to step away from it, I was I was like

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<v Speaker 1>happy because I felt like, all right, cool, now finally

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<v Speaker 1>get to like do what I want to do. Find

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<v Speaker 1>some of.

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<v Speaker 2>Your household like canes and minister society.

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<v Speaker 1>So I mean, it's George Down's.

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<v Speaker 2>They shot in the project and he had the grandfather

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<v Speaker 2>that was you know.

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<v Speaker 1>Have you ever given any.

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<v Speaker 2>Man?

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<v Speaker 1>It was again that that outside dynamic was definitely like comparable,

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<v Speaker 1>but inside of the house, like like my mother used

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<v Speaker 1>to make us like pray as a family before we

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<v Speaker 1>left for school in the morning, Like I had the

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<v Speaker 1>most coaching parents. Yeah, like you could ever have, you

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<v Speaker 1>know what I mean. And so like yeah, they they

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<v Speaker 1>cracked the whip in the house as soon as as

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<v Speaker 1>soon as you walked out that door. I'm a different

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<v Speaker 1>person because I've been to your projects before.

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<v Speaker 2>Yeah, I don't care how much church you go to.

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<v Speaker 1>Yeah, it's a whole world. And it had it had

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<v Speaker 1>to be too because they think about it. Like I mean,

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<v Speaker 1>you know, like from the hood, so gang culture is

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<v Speaker 1>you know what it is. Once you're especially in like

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<v Speaker 1>middle school, you kind of got to roll with your

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<v Speaker 1>people because also, like what's interesting you you was coaching

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<v Speaker 1>cuz from.

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<v Speaker 2>I'm changing, I'm changing all my handles.

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<v Speaker 1>I've been known to make up names that I'm rolling

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<v Speaker 1>one I'm rolling with coach cuz. But the the unique

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<v Speaker 1>thing about Watch is that you know, there are like

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<v Speaker 1>four different like main projects, yes, that share a lot

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<v Speaker 1>of the same spaces. Like one of the high schools

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<v Speaker 1>is Jordan High is connected to my projects. Like so

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<v Speaker 1>we had middle schools like I went to mark them

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<v Speaker 1>for a second, and that one you got people from

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<v Speaker 1>every hood like going to the schools. So the crazy

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<v Speaker 1>thing about like growing up in the hood is like

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<v Speaker 1>when you went there, they had to know like where

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<v Speaker 1>you were from because you had to kind of like

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<v Speaker 1>roll with your people the school. Did everybody at the school, Yeah,

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<v Speaker 1>like they kind of had to know, like, oh, you're

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<v Speaker 1>from this area because if not, you get back home,

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<v Speaker 1>you're gonna have trouble in your own neighborhood because everybody

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<v Speaker 1>is kind of prison. Yeah.

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<v Speaker 2>Yeah, that's actually is exactly if you think about it,

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<v Speaker 2>that's exact. So they were preparing some of these students, yeah,

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<v Speaker 2>for what they would have to do at reception. That's

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<v Speaker 2>the that's the school. The prison pipeline too, right, that's

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<v Speaker 2>where that's where it starts. And most of us don't

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<v Speaker 2>even think of it in those ways, but that's literally

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<v Speaker 2>already programming yep.

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<v Speaker 1>Literally on the yard and you're with you stay in

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<v Speaker 1>your corner with your people, you know what I mean.

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<v Speaker 1>And it was just like it was like an unspoken

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<v Speaker 1>territorial thing because it's like where you're from over here,

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<v Speaker 1>just naturally you don't talk to them lunches for you,

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<v Speaker 1>so tables, yep. But the whole time, I'm a church kid,

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<v Speaker 1>So like imagine that I'm here, like, yeah, I'm from

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<v Speaker 1>my area, but like it's like I can't even listen

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<v Speaker 1>to the music y'all listening to and I'm over here

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<v Speaker 1>like having to, you know, say like yeah, this.

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<v Speaker 2>Is my area, which is was there anyone else even

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<v Speaker 2>just not even at school, but even in the Jordan

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<v Speaker 2>Downs that went to church with y'all? Are we y'all

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<v Speaker 2>literally in the church house.

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<v Speaker 1>We were we were for sure the church house. Yeah,

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<v Speaker 1>we were for sure the church house. There was a

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<v Speaker 1>there's also our church wasn't in the neighborhood though, So

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<v Speaker 1>I went to church, grew up in the church called

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<v Speaker 1>Great Shop on eighty fourth and away and so whole

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<v Speaker 1>different hood. By the way, that also translates gang cultures.

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<v Speaker 1>Gang culture, it don't matter where you are. So also

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<v Speaker 1>going to church over there a lot of activity because

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<v Speaker 1>you're in a completely different hood. So you have people

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<v Speaker 1>from everywhere coming to church, but you got to still

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<v Speaker 1>watch your surrounding. So like crazy, it's crazy. So that's crazy.

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<v Speaker 1>There was a church called Holy Tabernacle that was like

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<v Speaker 1>the project church. That's the church all the game angers

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<v Speaker 1>will go to on Sunday. But like you just go

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<v Speaker 1>because you know on Sundays, you're supposed to go.

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<v Speaker 2>To church, you know what I mean. So everybody there

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<v Speaker 2>was a gang. There's a gang church every hood. That

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<v Speaker 2>one just yeah, because this one was right. This one

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<v Speaker 2>was right on the side of the projects, like in

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<v Speaker 2>the in the backstreets.

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<v Speaker 1>It was right there. So it was like and then

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<v Speaker 1>you know, like we talked about this off camera, but

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<v Speaker 1>ministry and outreach then was going into the neighborhoods. And

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<v Speaker 1>so that that's how everybody knew to come to these churches.

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<v Speaker 1>It's like, yo, if y'all ever want to come and

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<v Speaker 1>have a different experience, this is the church over here.

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<v Speaker 1>But see, like we didn't need that because I was

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<v Speaker 1>born and raised in the church. Yeah. So it's like

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<v Speaker 1>even for the people in my neighborhood that went to church,

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<v Speaker 1>their experience was still very different. They walk out of

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<v Speaker 1>the church in their back too, you know what I mean.

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<v Speaker 1>You in it the Monday through Sunday, like I couldn't.

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<v Speaker 1>Even when people say, like, growing up in church, you

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<v Speaker 1>can listen to R and B Like I mean, like

0:12:31.880 --> 0:12:34.439
<v Speaker 1>I would get like whoopings for listening to R and

0:12:34.559 --> 0:12:38.040
<v Speaker 1>B music, Like if my mom found CDs that we

0:12:38.200 --> 0:12:40.719
<v Speaker 1>got from anybody else. I remember she found like a

0:12:40.840 --> 0:12:43.400
<v Speaker 1>tape from like when the box was cracking, Like you

0:12:43.520 --> 0:12:47.000
<v Speaker 1>had the box and somebody made my sister a tape

0:12:47.040 --> 0:12:48.920
<v Speaker 1>of a whole bunch of videos. My mom found that

0:12:49.080 --> 0:12:52.920
<v Speaker 1>and like went crazy, Oh my god, it's VHS tape, man.

0:12:53.080 --> 0:12:57.360
<v Speaker 1>And so they were tough, but I think, you know,

0:12:57.480 --> 0:13:02.599
<v Speaker 1>the underlying is always when your parents see kind of

0:13:02.679 --> 0:13:05.360
<v Speaker 1>the possibility of what can be created in those type

0:13:05.360 --> 0:13:08.760
<v Speaker 1>of environments, they think that that's what offsets it. Let

0:13:08.800 --> 0:13:11.480
<v Speaker 1>me be extremely tough on you to make sure that

0:13:12.040 --> 0:13:13.640
<v Speaker 1>you stay away from this because I don't want you

0:13:13.720 --> 0:13:14.480
<v Speaker 1>to be anything like it.

0:13:14.520 --> 0:13:15.079
<v Speaker 4>But they don't know.

0:13:15.320 --> 0:13:17.840
<v Speaker 1>Like a lot of times that creates more interest because

0:13:17.840 --> 0:13:19.880
<v Speaker 1>you want to know, like what am I missing? Because

0:13:19.920 --> 0:13:22.800
<v Speaker 1>it looks more fun on the outside, Like church doesn't

0:13:22.880 --> 0:13:23.400
<v Speaker 1>look fun.

0:13:23.520 --> 0:13:24.760
<v Speaker 4>You're just in it.

0:13:24.920 --> 0:13:28.040
<v Speaker 2>So what's the first secular I'm sorry, bro, what's the

0:13:28.160 --> 0:13:29.760
<v Speaker 2>first secular record you heard?

0:13:30.600 --> 0:13:34.120
<v Speaker 1>Where you was like, what's that? I found it?

0:13:34.720 --> 0:13:34.880
<v Speaker 4>Man?

0:13:34.960 --> 0:13:42.000
<v Speaker 1>You know, it's like there's like parts to it. So

0:13:42.800 --> 0:13:46.920
<v Speaker 1>I remember listening to Anita Baker at a young age

0:13:47.040 --> 0:13:49.640
<v Speaker 1>because I had an older sister who by the time

0:13:49.720 --> 0:13:52.240
<v Speaker 1>she got out of the house, she was already into

0:13:52.400 --> 0:13:54.160
<v Speaker 1>like because you know, Anita Baker is like, if you

0:13:54.200 --> 0:13:58.160
<v Speaker 1>grew up in the church, you easy, that's easy. I'm

0:13:58.160 --> 0:14:00.600
<v Speaker 1>not just gonna tell me you heard pretty Ricky. I'm

0:14:00.640 --> 0:14:07.000
<v Speaker 1>not in the morning. It was like I need hey,

0:14:07.040 --> 0:14:11.040
<v Speaker 1>that's why I said. It's part too, you know.

0:14:11.160 --> 0:14:13.920
<v Speaker 2>But She's like, that's like church adjacent because its soul

0:14:14.120 --> 0:14:14.920
<v Speaker 2>still in his love.

0:14:15.000 --> 0:14:15.760
<v Speaker 4>So like.

0:14:17.320 --> 0:14:20.360
<v Speaker 1>Like all of those side a sister who you know,

0:14:20.440 --> 0:14:22.080
<v Speaker 1>that's what she was listening to. So when I would

0:14:22.120 --> 0:14:24.440
<v Speaker 1>go and hang with my sister, I was able to

0:14:24.480 --> 0:14:29.000
<v Speaker 1>hear like stuff like that. And then Tyrese Is ironically

0:14:29.600 --> 0:14:33.680
<v Speaker 1>being from Watch he came and did it's like maybe

0:14:33.760 --> 0:14:37.360
<v Speaker 1>like a giveaway at will Rogers Park, and I had

0:14:37.400 --> 0:14:41.080
<v Speaker 1>to you know, I was like probably like twelve or something,

0:14:41.840 --> 0:14:44.680
<v Speaker 1>maybe even younger, and he gave away his CDs and

0:14:44.840 --> 0:14:46.840
<v Speaker 1>like you know, he performed. It was right at the gym,

0:14:47.360 --> 0:14:52.040
<v Speaker 1>and that was something like Tyese's music, ironically was some

0:14:52.120 --> 0:14:54.960
<v Speaker 1>of the first music that I remember listening to, which

0:14:55.120 --> 0:14:58.960
<v Speaker 1>was also interesting. And then find out my taste in

0:14:59.120 --> 0:15:00.960
<v Speaker 1>R and B once I got into it because it

0:15:01.080 --> 0:15:03.960
<v Speaker 1>was the same people. It was y'all, it was the underdogs.

0:15:04.040 --> 0:15:05.400
<v Speaker 1>It was you know what I mean. And I was

0:15:05.480 --> 0:15:08.320
<v Speaker 1>listening to Dawkins and Dawkins as a kid, so I

0:15:08.360 --> 0:15:12.000
<v Speaker 1>didn't even realize that that's what formed my my taste

0:15:12.120 --> 0:15:14.240
<v Speaker 1>in R and B music. To come to find out

0:15:14.320 --> 0:15:16.200
<v Speaker 1>it was the same people that was doing you know,

0:15:16.320 --> 0:15:18.920
<v Speaker 1>those records. So yeah, I remember a lot of his music,

0:15:18.960 --> 0:15:21.920
<v Speaker 1>and I got a little My mom gave me a

0:15:22.000 --> 0:15:24.960
<v Speaker 1>little room for it because it was like he was

0:15:25.040 --> 0:15:27.480
<v Speaker 1>more visible. This is somebody from the neighborhood. It seemed

0:15:27.520 --> 0:15:30.800
<v Speaker 1>like more of it seemed more inspirational than it did.

0:15:31.600 --> 0:15:35.840
<v Speaker 1>You're listening to second music. Yeah, so yeah, man, I

0:15:35.880 --> 0:15:39.080
<v Speaker 1>guess I still started off kind of on the safe

0:15:39.120 --> 0:15:42.000
<v Speaker 1>side of R and B, but but I was dancing too.

0:15:42.360 --> 0:15:45.280
<v Speaker 1>That's a whole other side to the thing. Because we church.

0:15:45.640 --> 0:15:54.600
<v Speaker 1>They think that because we're from church. Yeah yeah, yeah, here,

0:15:55.160 --> 0:16:01.600
<v Speaker 1>you know what I'm saying. We'll get all of it, bro. Yeah,

0:16:01.640 --> 0:16:03.560
<v Speaker 1>that's you know, that's LA culture. And I grew up

0:16:03.960 --> 0:16:05.600
<v Speaker 1>that was prime time, bro. I grew up like in

0:16:05.640 --> 0:16:09.160
<v Speaker 1>the middle of the battle zone that travels is it

0:16:09.240 --> 0:16:13.440
<v Speaker 1>Tommy Clown? That's so that was that was like my

0:16:13.640 --> 0:16:16.480
<v Speaker 1>middle school experience. Bro. That's when everybody was into like

0:16:16.880 --> 0:16:20.360
<v Speaker 1>clown dancing, and so that's when I got exposed to

0:16:20.520 --> 0:16:27.040
<v Speaker 1>the music that that was ying and everything. So that

0:16:27.200 --> 0:16:29.800
<v Speaker 1>was different. But my mom still, like I think she

0:16:29.960 --> 0:16:33.680
<v Speaker 1>kind of started accepting my interest, but it was church.

0:16:33.840 --> 0:16:36.760
<v Speaker 1>Parents are like, if that's what you're gonna do, find

0:16:36.840 --> 0:16:40.960
<v Speaker 1>somebody that's basically gonna look after you, because I don't

0:16:41.000 --> 0:16:43.600
<v Speaker 1>want no parts of it. And that's what happened. Like

0:16:43.720 --> 0:16:47.360
<v Speaker 1>I had like basically a chaperone who was responsible for

0:16:47.480 --> 0:16:50.360
<v Speaker 1>me in any space that wasn't that wasn't church, and

0:16:50.480 --> 0:16:52.920
<v Speaker 1>she would have to like who was that? It was

0:16:53.000 --> 0:16:56.200
<v Speaker 1>my godmother, Jacqueline Sims, And she used to work at

0:16:56.240 --> 0:16:58.600
<v Speaker 1>the gym and the projects and the Jordan Downs. She

0:16:58.680 --> 0:17:01.360
<v Speaker 1>would see me dancing. She saw that I had, like

0:17:01.600 --> 0:17:03.680
<v Speaker 1>you know, she felt like I had more potential than

0:17:03.960 --> 0:17:07.000
<v Speaker 1>the what was what could be cultivated in the environment.

0:17:07.080 --> 0:17:08.960
<v Speaker 1>Basically it's like I want to take you over here.

0:17:09.240 --> 0:17:11.399
<v Speaker 1>She took me to a real dance studio. I still learning,

0:17:11.640 --> 0:17:15.080
<v Speaker 1>but my mom because it wasn't church, it wasn't gospel,

0:17:15.200 --> 0:17:17.680
<v Speaker 1>it was like she got to do it. Like my

0:17:17.760 --> 0:17:19.840
<v Speaker 1>mom didn't really she didn't come to no shows, no,

0:17:20.160 --> 0:17:25.400
<v Speaker 1>like she was very very strict church KOJK, like they're

0:17:25.480 --> 0:17:28.760
<v Speaker 1>not having it. So but she still allowed you to

0:17:28.840 --> 0:17:30.800
<v Speaker 1>do it, She allowed me to do it. Yeah, I

0:17:30.960 --> 0:17:34.560
<v Speaker 1>just basically had to make sure I don't want to

0:17:34.600 --> 0:17:37.239
<v Speaker 1>say it wasn't visible, but basically like non existent to her,

0:17:37.400 --> 0:17:37.960
<v Speaker 1>you know what I mean.

0:17:38.880 --> 0:17:41.800
<v Speaker 3>So or there was probably framed a certain way. Yeah,

0:17:42.119 --> 0:17:46.680
<v Speaker 3>just so that you know, even if she wasn't so much,

0:17:47.720 --> 0:17:50.239
<v Speaker 3>you know, rooting for it. Yeah, yeah, she could at

0:17:50.320 --> 0:17:52.240
<v Speaker 3>least respect it against it.

0:17:52.359 --> 0:17:55.359
<v Speaker 2>Yeah, And it's really it's all about like optics too,

0:17:55.440 --> 0:18:01.680
<v Speaker 2>and perspective, because you know, church people are like extremely judgmental.

0:18:02.600 --> 0:18:04.639
<v Speaker 2>I've never I've never talked to my mom about this,

0:18:04.840 --> 0:18:06.920
<v Speaker 2>but I would bet that a huge part of the

0:18:06.960 --> 0:18:10.840
<v Speaker 2>reason was because of what she thought other people would think, Like,

0:18:10.920 --> 0:18:12.560
<v Speaker 2>are you're letting your kids be out here?

0:18:12.560 --> 0:18:13.000
<v Speaker 1>You know what I mean?

0:18:13.359 --> 0:18:16.920
<v Speaker 2>That's church culture the best exactly. So to a certain degree,

0:18:16.960 --> 0:18:20.520
<v Speaker 2>you are heathen. Oh absolutely, just for to go dance.

0:18:20.320 --> 0:18:22.760
<v Speaker 1>And complete rebel. And I was cool with that. I

0:18:22.880 --> 0:18:26.680
<v Speaker 1>was cool with it. Yeah, I knew. I knew, Like

0:18:27.720 --> 0:18:30.760
<v Speaker 1>once I got my first real taste of R and

0:18:30.840 --> 0:18:34.960
<v Speaker 1>B music, I'm like, oh no, this is me screen different. Yeah. Yeah,

0:18:35.000 --> 0:18:37.199
<v Speaker 1>I'm like I'm not I'm not supposed to do gospel,

0:18:37.280 --> 0:18:40.200
<v Speaker 1>and that's such a tricky thing because you know, in

0:18:40.280 --> 0:18:43.439
<v Speaker 1>the church, they believe you're not even using your gifts

0:18:43.840 --> 0:18:47.720
<v Speaker 1>unless you are contributing to gospel. So that was also

0:18:47.920 --> 0:18:50.399
<v Speaker 1>like a weird space to have to work out of

0:18:50.480 --> 0:18:54.000
<v Speaker 1>because it's like, here's something that I feel I'm like

0:18:54.119 --> 0:18:58.120
<v Speaker 1>super purposeful in and there's a lot of connectivity here,

0:18:58.280 --> 0:19:02.000
<v Speaker 1>and I'm battling with having to convince myself that i

0:19:02.040 --> 0:19:04.919
<v Speaker 1>should be doing it because based on what y'all are

0:19:04.960 --> 0:19:07.560
<v Speaker 1>telling me, this is something that I shouldn't even have

0:19:07.720 --> 0:19:12.160
<v Speaker 1>interest in. So it was it was crazy dynamic.

0:19:12.280 --> 0:19:12.440
<v Speaker 2>Man.

0:19:12.600 --> 0:19:13.240
<v Speaker 1>It takes like.

0:19:14.840 --> 0:19:18.240
<v Speaker 3>It has taken some time, and it's still taking, I

0:19:18.320 --> 0:19:26.119
<v Speaker 3>think time for church people to understand that God is

0:19:26.280 --> 0:19:33.280
<v Speaker 3>not just in church and that the opportunities that that

0:19:33.480 --> 0:19:39.480
<v Speaker 3>God awards you, yeah, they're not just in church, you know.

0:19:39.480 --> 0:19:39.880
<v Speaker 4>What I mean.

0:19:40.080 --> 0:19:45.600
<v Speaker 3>Like the idea that this song about my life is

0:19:46.760 --> 0:19:50.680
<v Speaker 3>changing my life, my family's life, the life of people

0:19:50.760 --> 0:19:52.000
<v Speaker 3>who are listening to it.

0:19:52.560 --> 0:19:53.960
<v Speaker 1>I'm getting I'm able to.

0:19:54.040 --> 0:19:57.399
<v Speaker 3>See the world as a result of this song that

0:19:57.560 --> 0:19:59.959
<v Speaker 3>I've written and sang with the gifts that God has

0:20:00.200 --> 0:20:04.680
<v Speaker 3>given me. Yep, somehow especially back then with the days

0:20:04.720 --> 0:20:08.159
<v Speaker 3>we're talking about, that's not of God. Yeah, and it's

0:20:08.240 --> 0:20:14.800
<v Speaker 3>a total contradiction to everything that God represents in terms

0:20:14.840 --> 0:20:17.680
<v Speaker 3>of how I know, you know what I'm saying, like

0:20:17.880 --> 0:20:21.040
<v Speaker 3>the gift was given to me for a reason, right,

0:20:21.119 --> 0:20:25.399
<v Speaker 3>and so for me, like it's always, it was a

0:20:25.560 --> 0:20:27.600
<v Speaker 3>it was a it was a battle at first because

0:20:27.600 --> 0:20:30.680
<v Speaker 3>it was just like I was. I was so I

0:20:30.720 --> 0:20:32.560
<v Speaker 3>won't say beat over the head, but I was just

0:20:32.720 --> 0:20:38.159
<v Speaker 3>so it was it was preached into me that unless

0:20:38.200 --> 0:20:40.680
<v Speaker 3>you're doing it for God, yeah.

0:20:40.600 --> 0:20:57.760
<v Speaker 1>It means nothing. Nothing. Yeah, let's talk. When was the first.

0:20:58.960 --> 0:21:00.720
<v Speaker 3>I want to know, I want to know your first

0:21:01.040 --> 0:21:06.080
<v Speaker 3>like real R and B upper level professional experience.

0:21:08.960 --> 0:21:12.399
<v Speaker 1>Man, let's see, I take you back to the beginning. Man,

0:21:12.520 --> 0:21:17.399
<v Speaker 1>my first like professional gig, first ever, because you know,

0:21:17.440 --> 0:21:20.639
<v Speaker 1>I got into the game background. I was singing background

0:21:20.640 --> 0:21:24.040
<v Speaker 1>for DJ Quick and it was like me Teres Martin,

0:21:24.760 --> 0:21:28.240
<v Speaker 1>my sister was singing with me, h D. Halloway on drums.

0:21:28.280 --> 0:21:30.600
<v Speaker 1>It was like a big like La squad. And so

0:21:31.720 --> 0:21:37.440
<v Speaker 1>that was my first most talented people of man. Yeah, yeah, literally, man,

0:21:37.920 --> 0:21:42.240
<v Speaker 1>that was my first like yeah first and I was

0:21:42.280 --> 0:21:43.920
<v Speaker 1>like right out of high school. So it was also

0:21:44.040 --> 0:21:46.159
<v Speaker 1>crazy because I had just decided that like all right,

0:21:46.160 --> 0:21:48.360
<v Speaker 1>I'm gonna do music for real, like I want to sing.

0:21:49.560 --> 0:21:51.840
<v Speaker 1>So I started there and I felt like my next

0:21:52.400 --> 0:21:55.159
<v Speaker 1>gig that kind of then opened up the portal. I

0:21:55.280 --> 0:21:57.920
<v Speaker 1>started singing with Tyresse. That was my first So you

0:21:57.960 --> 0:22:01.159
<v Speaker 1>went from quick to Tyresse. Yeah, so like and I

0:22:01.240 --> 0:22:03.399
<v Speaker 1>still you know what I mean, I still and the

0:22:03.480 --> 0:22:07.399
<v Speaker 1>introm was still doing like kangeroom Man, like Cozies and

0:22:07.520 --> 0:22:09.360
<v Speaker 1>like you know what I mean, I still did all

0:22:09.440 --> 0:22:14.080
<v Speaker 1>of our spots and had the proper progression to prepare

0:22:14.200 --> 0:22:19.840
<v Speaker 1>me for you know, being in that space. But working

0:22:19.920 --> 0:22:24.359
<v Speaker 1>with Tyrese, I feel like that's where that kind of

0:22:24.680 --> 0:22:30.400
<v Speaker 1>started to form form my real career for like, okay, cool,

0:22:30.480 --> 0:22:32.360
<v Speaker 1>this is who I am, this is what I'm doing,

0:22:33.280 --> 0:22:37.240
<v Speaker 1>and like so many experiences started started there.

0:22:37.400 --> 0:22:42.400
<v Speaker 3>For sure, He's definitely like your number one fan, oh

0:22:42.520 --> 0:22:45.639
<v Speaker 3>for sure. Like all I used to hear is man.

0:22:45.520 --> 0:22:49.680
<v Speaker 1>Stigga Ken did it again. You know he's just you know,

0:22:49.840 --> 0:22:51.280
<v Speaker 1>he's just that voice.

0:22:52.520 --> 0:22:52.680
<v Speaker 4>Clear.

0:22:52.800 --> 0:22:56.800
<v Speaker 1>He's a prolific writer, the nigga singer's ass off. You

0:22:56.920 --> 0:23:01.080
<v Speaker 1>know everything that you hear me doing people him, you know,

0:23:02.680 --> 0:23:07.440
<v Speaker 1>one is here the other one is seized. My god,

0:23:09.200 --> 0:23:10.520
<v Speaker 1>ye loves loves.

0:23:12.119 --> 0:23:15.879
<v Speaker 2>Against y'all too, like if it was if it was

0:23:16.080 --> 0:23:19.680
<v Speaker 2>if this was a sport. Yeah, he's picking y'all as

0:23:19.800 --> 0:23:23.880
<v Speaker 2>y'all y'all in the in the Big three, ty y'all

0:23:23.960 --> 0:23:27.399
<v Speaker 2>to Tyrese has gotten me in siege, into arguments with

0:23:27.480 --> 0:23:29.040
<v Speaker 2>people that we didn't even have nothing to do with

0:23:29.200 --> 0:23:31.080
<v Speaker 2>what No he said he had he had seized in

0:23:31.119 --> 0:23:34.680
<v Speaker 2>a full beat war. I'm like with with with Swiss beats.

0:23:35.440 --> 0:23:37.920
<v Speaker 1>I'm like, I'm like, didn't even ask for that? Oh

0:23:38.000 --> 0:23:42.640
<v Speaker 1>my god, Yeah, he's just killing the goat. I don't

0:23:42.680 --> 0:23:45.320
<v Speaker 1>think he asked you to do that. That's him.

0:23:45.359 --> 0:23:45.520
<v Speaker 4>Man.

0:23:46.200 --> 0:23:48.760
<v Speaker 2>I for sure been thrown into some fire like king.

0:23:49.440 --> 0:23:54.360
<v Speaker 2>He'll wipe anybody in here. I'm like, bro, here's what's

0:23:54.400 --> 0:23:56.680
<v Speaker 2>crazy about you though. It's like you just be sitting

0:23:56.680 --> 0:24:02.600
<v Speaker 2>there like sneakers to stop talking. Bro, your face don't

0:24:02.640 --> 0:24:05.600
<v Speaker 2>looks like you don't want it. But because you're just

0:24:05.760 --> 0:24:07.640
<v Speaker 2>always cool, you're not reactive.

0:24:07.680 --> 0:24:10.120
<v Speaker 1>It's just like this, I'm nice, but I just don't

0:24:10.200 --> 0:24:14.400
<v Speaker 1>want to everywhere it's love.

0:24:15.160 --> 0:24:18.240
<v Speaker 3>Yeah, But I say that because yeah, his favorite that's

0:24:18.280 --> 0:24:20.600
<v Speaker 3>when I first heard about you, Yeah, is when he

0:24:20.800 --> 0:24:23.080
<v Speaker 3>was when he was throwing you out there like this

0:24:23.280 --> 0:24:26.359
<v Speaker 3>niggas college, I was like, okay, he he nice.

0:24:27.119 --> 0:24:29.760
<v Speaker 2>And then was tg T right after that. Gg T

0:24:29.920 --> 0:24:34.320
<v Speaker 2>was right after because I did I worked on Open Invitation,

0:24:35.000 --> 0:24:38.760
<v Speaker 2>and then it was when you worked on T G

0:24:38.920 --> 0:24:42.680
<v Speaker 2>T YEP that I was like, you wrote, you wrote

0:24:42.720 --> 0:24:43.960
<v Speaker 2>a few things on yeah.

0:24:44.040 --> 0:24:50.280
<v Speaker 1>Uh f y h and co wrote hurry and uh

0:24:50.640 --> 0:24:54.480
<v Speaker 1>sex never felt better the single yeah we we when

0:24:54.520 --> 0:24:56.880
<v Speaker 1>I F y Yeah.

0:24:57.359 --> 0:25:02.560
<v Speaker 2>Yeah, that's when I was like, okay, this niggas called

0:25:05.119 --> 0:25:07.600
<v Speaker 2>because he pushed, he pushed heavy for you to be

0:25:07.680 --> 0:25:08.960
<v Speaker 2>a part of that project Heavy.

0:25:09.359 --> 0:25:12.840
<v Speaker 1>Yeah. I remember the battles because it was a battle

0:25:12.840 --> 0:25:15.440
<v Speaker 1>of where we were going to create the music. You know,

0:25:15.680 --> 0:25:19.119
<v Speaker 1>you know Tyrese has his ideas of everything should be

0:25:19.240 --> 0:25:23.280
<v Speaker 1>done here in his camps. Yeah yeah, yeah, So it

0:25:23.480 --> 0:25:25.879
<v Speaker 1>was a you know, just a battle of how it

0:25:26.000 --> 0:25:28.280
<v Speaker 1>was going to work, which was even the story of

0:25:28.440 --> 0:25:30.720
<v Speaker 1>like touring. I mean, I'll go back to the songwriting,

0:25:30.800 --> 0:25:33.520
<v Speaker 1>but to that point of being thrown into the fire.

0:25:33.520 --> 0:25:34.920
<v Speaker 1>I don't know if you remember. We did a show

0:25:34.960 --> 0:25:37.119
<v Speaker 1>in Detroit and it was the I think it was

0:25:37.160 --> 0:25:38.879
<v Speaker 1>the last show of the tour, and we all got

0:25:39.000 --> 0:25:43.240
<v Speaker 1>solos and everybody did their solo and after my solo,

0:25:43.440 --> 0:25:46.480
<v Speaker 1>Tyree says we won and starts crip walking, and I'm like, bro,

0:25:47.640 --> 0:25:53.080
<v Speaker 1>because then yes, Rick, So then we get backstage and

0:25:53.160 --> 0:25:55.919
<v Speaker 1>now Linni, Linnie and Resa in a full blown argument

0:25:55.960 --> 0:25:59.240
<v Speaker 1>bro because all because Reese was like like.

0:25:59.320 --> 0:26:02.480
<v Speaker 2>Yo, Ken, I smoked y'all. I'm like, bro, like these

0:26:02.560 --> 0:26:04.520
<v Speaker 2>my homies. Bro, you can't just say stuff like that,

0:26:04.960 --> 0:26:07.160
<v Speaker 2>and like they were line. He was like his backstage

0:26:07.200 --> 0:26:11.480
<v Speaker 2>like I smoke you though, that's yo, that's you know,

0:26:11.600 --> 0:26:18.080
<v Speaker 2>Lonnie ready, broady.

0:26:16.160 --> 0:26:20.520
<v Speaker 1>All over all over a solo. Yeah, that is like

0:26:20.600 --> 0:26:22.720
<v Speaker 1>you don't want to see me though. Liken was ready

0:26:22.760 --> 0:26:27.000
<v Speaker 1>for the singing battle. The battle Tyre, the sun came up.

0:26:28.240 --> 0:26:36.000
<v Speaker 5>But in all fairness, you did, Cook, I appreciate you,

0:26:38.160 --> 0:26:39.080
<v Speaker 5>shout out to my brother.

0:26:42.600 --> 0:26:44.639
<v Speaker 1>It's just you know, he just got to be extra

0:26:44.720 --> 0:26:48.120
<v Speaker 1>like why would you start crip walking? He started crip walking.

0:26:48.200 --> 0:26:50.480
<v Speaker 1>I was like, we won real loud on the mic.

0:26:50.640 --> 0:26:52.400
<v Speaker 1>I didn't. I didn't. I didn't think it was weird

0:26:52.400 --> 0:26:54.600
<v Speaker 1>because I felt he was he was claiming you.

0:26:55.080 --> 0:26:57.199
<v Speaker 3>Yeah, when I was like, first of all, he's he's

0:26:57.800 --> 0:27:04.840
<v Speaker 3>all us okay, right, yes, for all of us.

0:27:05.920 --> 0:27:12.600
<v Speaker 1>That's how I felt, man. But those those uh, those sessions, yeah,

0:27:12.640 --> 0:27:16.000
<v Speaker 1>we were figuring out because we started. We started prematurely

0:27:16.280 --> 0:27:20.359
<v Speaker 1>again true to Tyrese. We we basically had an album

0:27:20.480 --> 0:27:22.800
<v Speaker 1>done before y'all even decided that y'all were working on

0:27:22.880 --> 0:27:25.520
<v Speaker 1>the album as as a group. So we had a

0:27:25.680 --> 0:27:29.000
<v Speaker 1>we had a whole other song out. He did I

0:27:29.160 --> 0:27:33.160
<v Speaker 1>had shot was in the streets heavy. He had other plans,

0:27:33.600 --> 0:27:35.800
<v Speaker 1>so we were in there. We were in there working

0:27:35.880 --> 0:27:37.960
<v Speaker 1>bro and and with the fy H record. It was

0:27:38.040 --> 0:27:42.320
<v Speaker 1>crazy because he had I think he had just played

0:27:42.359 --> 0:27:44.040
<v Speaker 1>it for you, y'all may have been at the Underdogs.

0:27:45.640 --> 0:27:48.080
<v Speaker 1>We were at his house working on something completely different.

0:27:48.119 --> 0:27:49.840
<v Speaker 1>I was working on another song for something else, and

0:27:49.920 --> 0:27:52.920
<v Speaker 1>he called like, because when I wrote the song first

0:27:52.960 --> 0:27:55.480
<v Speaker 1>did it at the crib first verse hook? You know,

0:27:55.760 --> 0:27:58.000
<v Speaker 1>because everybody writes, so it's like, you need to write

0:27:58.000 --> 0:28:00.760
<v Speaker 1>a whole song first verse hook. He called me like,

0:28:01.359 --> 0:28:04.200
<v Speaker 1>we need the second verse now. I was like, okay,

0:28:04.280 --> 0:28:06.399
<v Speaker 1>So we stopped. We were doing in the session. Mahomie

0:28:06.440 --> 0:28:09.520
<v Speaker 1>Javonte was with me in that session, so he helped

0:28:09.560 --> 0:28:11.440
<v Speaker 1>me with that second verse and we got we just

0:28:11.560 --> 0:28:13.520
<v Speaker 1>knocked it all out and sent it back. So I

0:28:13.600 --> 0:28:15.880
<v Speaker 1>think that was probably that first time that you heard

0:28:16.280 --> 0:28:18.760
<v Speaker 1>heard the record. You know, it only takes a little

0:28:18.800 --> 0:28:21.480
<v Speaker 1>bit of something for him to go all the way.

0:28:21.600 --> 0:28:23.520
<v Speaker 1>So even if everybody was like, this is a nice record,

0:28:23.560 --> 0:28:26.160
<v Speaker 1>that's probably what that call was, like, Yo, you gotta

0:28:26.200 --> 0:28:28.320
<v Speaker 1>we need this right now. Everybody's ready to record it.

0:28:28.400 --> 0:28:31.040
<v Speaker 1>Nobody probably said that they were ready to record.

0:28:32.280 --> 0:28:32.480
<v Speaker 4>You know.

0:28:35.440 --> 0:28:38.560
<v Speaker 1>Yeah, he looked out for me though. Absolutely.

0:28:42.360 --> 0:28:45.600
<v Speaker 3>We gotta think of a more powerful word. He's new here,

0:28:47.360 --> 0:28:52.000
<v Speaker 3>he's leading, leading, leading the witnesses. Bro.

0:28:52.640 --> 0:28:54.880
<v Speaker 1>When you sent when I heard that B section, I

0:28:55.000 --> 0:28:58.040
<v Speaker 1>was like, yeah, that's that's one of my favorites on

0:28:58.160 --> 0:29:01.080
<v Speaker 1>the project. Appreciate you man. I was like, you smashed

0:29:01.120 --> 0:29:01.480
<v Speaker 1>that joint.

0:29:01.560 --> 0:29:01.720
<v Speaker 3>Man.

0:29:01.800 --> 0:29:07.000
<v Speaker 1>I said this, niggas, I'll take the be sections I had.

0:29:07.160 --> 0:29:10.600
<v Speaker 1>We had a we wanted you to when we did Hurry,

0:29:12.120 --> 0:29:14.280
<v Speaker 1>you were supposed to take the verse that Reese was singing,

0:29:14.640 --> 0:29:17.840
<v Speaker 1>but he snatched it and was like, because that's why

0:29:17.840 --> 0:29:19.040
<v Speaker 1>I had the falsetto in there.

0:29:20.000 --> 0:29:22.800
<v Speaker 3>Okay, I didn't. I didn't. I didn't want to do Hurry.

0:29:23.760 --> 0:29:27.640
<v Speaker 3>I didn't like Hurry at first, and I think I

0:29:27.760 --> 0:29:29.880
<v Speaker 3>think that wasn't me. I don't think it was more

0:29:30.000 --> 0:29:32.760
<v Speaker 3>so much so of me not liking the record. It

0:29:32.920 --> 0:29:36.360
<v Speaker 3>was just at that time, Reese was just pushing every

0:29:36.440 --> 0:29:38.960
<v Speaker 3>record he had. You know what I'm saying, like fuck

0:29:39.040 --> 0:29:43.040
<v Speaker 3>hurry and fuck the other songs you brought, and you like,

0:29:43.120 --> 0:29:45.160
<v Speaker 3>these are the songs we're gonna gehan. I was just

0:29:45.280 --> 0:29:49.080
<v Speaker 3>in that space, and then as the project started progressing,

0:29:49.520 --> 0:29:51.600
<v Speaker 3>I went back and listened to it and I.

0:29:51.680 --> 0:30:00.960
<v Speaker 2>Was like, this is cold, all right, I'm recorded. That

0:30:01.120 --> 0:30:03.160
<v Speaker 2>was an Isa is like the genius behind that record?

0:30:03.240 --> 0:30:07.600
<v Speaker 1>Who sing the who sing the demo? So there's ia

0:30:07.800 --> 0:30:10.200
<v Speaker 1>she had. She has a demo version where it's just her.

0:30:10.560 --> 0:30:13.760
<v Speaker 1>Then there's a version that's me. Uh see Lacey and

0:30:13.960 --> 0:30:19.120
<v Speaker 1>Aaron Sledge who sing the first verse? First verse is

0:30:19.280 --> 0:30:21.680
<v Speaker 1>Aaron Sledge. I feel like yep, it feels like yep.

0:30:21.840 --> 0:30:24.600
<v Speaker 1>First verse Aaron Sledge. See Lacey's second verse. I was

0:30:24.640 --> 0:30:27.000
<v Speaker 1>the third verse which we were trying to have you

0:30:27.200 --> 0:30:30.840
<v Speaker 1>do and Reese is like nah, because he's used to

0:30:31.000 --> 0:30:33.160
<v Speaker 1>me do Tayloring.

0:30:32.840 --> 0:30:35.640
<v Speaker 2>Everything to yeah, yeah you have you had his formula.

0:30:35.760 --> 0:30:37.440
<v Speaker 2>I remember we were mad though. I was like, man,

0:30:37.480 --> 0:30:39.520
<v Speaker 2>I really wanted him to have that that verse.

0:30:39.640 --> 0:30:42.520
<v Speaker 1>Man, you know, Reese don't singing falsetto at all, so

0:30:43.000 --> 0:30:45.920
<v Speaker 1>we lost all the falsetto. He killed it still, but.

0:30:46.520 --> 0:30:51.840
<v Speaker 3>It's like, damn, man, you're writing credits, you know, if

0:30:51.880 --> 0:30:56.360
<v Speaker 3>we could ever get that album licensed, some money waiting

0:30:56.360 --> 0:30:56.880
<v Speaker 3>on both of us.

0:30:57.000 --> 0:30:59.000
<v Speaker 4>Yeah, yeah, hey man.

0:30:59.560 --> 0:31:02.440
<v Speaker 3>And then so is that soon after that you start

0:31:02.560 --> 0:31:06.360
<v Speaker 3>going into like solo mode and kind of creating your

0:31:06.440 --> 0:31:07.040
<v Speaker 3>own thing.

0:31:07.240 --> 0:31:10.520
<v Speaker 1>Or were you already doing that? I was already a

0:31:10.560 --> 0:31:13.120
<v Speaker 1>solo artist, man, like putting out music or just yeah.

0:31:13.560 --> 0:31:16.280
<v Speaker 1>I started on MySpace, bro, and then went into like SoundCloud.

0:31:16.520 --> 0:31:19.280
<v Speaker 1>A lot of my following came from from SoundCloud, Like

0:31:19.720 --> 0:31:21.400
<v Speaker 1>I used to do a bunch of covers and release

0:31:21.480 --> 0:31:27.040
<v Speaker 1>like originals, but my first so starting off like doing

0:31:27.080 --> 0:31:29.480
<v Speaker 1>live shows outside of like the open mic stuff. Me

0:31:29.560 --> 0:31:32.640
<v Speaker 1>and yg Bro. We used to do shows together at

0:31:32.640 --> 0:31:35.160
<v Speaker 1>the Knitting Factory all the time, Knitting Factor and even

0:31:35.200 --> 0:31:39.360
<v Speaker 1>everyore and so at the time you didn't know the

0:31:39.520 --> 0:31:42.920
<v Speaker 1>power in that, like those hard tickets. We were like

0:31:43.440 --> 0:31:45.680
<v Speaker 1>seniors in high school and like fresh out of high

0:31:45.680 --> 0:31:48.200
<v Speaker 1>school as well, we were doing them shine heey shows

0:31:48.240 --> 0:31:52.320
<v Speaker 1>where you got to sell a hundred tickets per ticket.

0:31:52.360 --> 0:31:55.400
<v Speaker 1>After that, like it was something crazy, but we didn't

0:31:55.520 --> 0:31:57.160
<v Speaker 1>you know, we didn't know, and we were like selling

0:31:57.200 --> 0:31:58.800
<v Speaker 1>these shows because it was our homies. We had a

0:31:59.160 --> 0:32:02.360
<v Speaker 1>big followings, la, you know what I mean. And I

0:32:02.440 --> 0:32:04.760
<v Speaker 1>have been doing my own music since then, and so

0:32:04.880 --> 0:32:08.880
<v Speaker 1>when I got into background singing, you know, at first,

0:32:08.960 --> 0:32:13.160
<v Speaker 1>it's the you're excited because it's like, dang, I'm working

0:32:13.200 --> 0:32:14.959
<v Speaker 1>with all these cool people, you know what I mean,

0:32:15.360 --> 0:32:17.080
<v Speaker 1>on the roll with this person and this person doing

0:32:17.120 --> 0:32:20.040
<v Speaker 1>all these shows. But I was still doing my own music.

0:32:20.160 --> 0:32:23.960
<v Speaker 1>So it got to a point to where like I

0:32:24.120 --> 0:32:26.120
<v Speaker 1>had to learn how to like position it. When I

0:32:26.200 --> 0:32:28.480
<v Speaker 1>started to realize, like, nah, I really am an artist,

0:32:28.640 --> 0:32:30.360
<v Speaker 1>Like this is what what I want to do. And

0:32:30.440 --> 0:32:33.760
<v Speaker 1>at one point when I toured, I mean fast forward,

0:32:33.880 --> 0:32:40.400
<v Speaker 1>but I was touring with Justin Timberlake in like twenty eighteen.

0:32:40.560 --> 0:32:44.840
<v Speaker 1>Maybe we can we can we say how you got there? Though? Yeah? Yeah, yeah, yeah,

0:32:44.880 --> 0:32:49.480
<v Speaker 1>that's not a I got Yeah. You go from I know,

0:32:49.720 --> 0:32:52.320
<v Speaker 1>Jordan down yeah to Justin Timberlin.

0:32:53.480 --> 0:32:56.840
<v Speaker 2>Let's there's a process in there and people should understand

0:32:56.920 --> 0:32:59.200
<v Speaker 2>that other than just thinking, oh, well I'm gonna do

0:32:59.240 --> 0:33:00.200
<v Speaker 2>what Kenyon Dickson.

0:33:01.680 --> 0:33:04.000
<v Speaker 1>Do you know what I mean? Yeah, those points like

0:33:04.120 --> 0:33:09.560
<v Speaker 1>this is and how many years. But let's see man

0:33:09.720 --> 0:33:13.840
<v Speaker 1>so so again. Starting with quick went to Tyrese start

0:33:13.920 --> 0:33:16.120
<v Speaker 1>working with tg T you was you was singing Pitcheon

0:33:16.160 --> 0:33:16.600
<v Speaker 1>on the party.

0:33:17.360 --> 0:33:17.720
<v Speaker 2>I was.

0:33:21.080 --> 0:33:29.600
<v Speaker 1>Everything, yeah, yeah matter you know? So Tyree was Scooter,

0:33:29.680 --> 0:33:33.200
<v Speaker 1>Scooter slash BJ's brother. Scooter was the m D. I

0:33:33.360 --> 0:33:37.160
<v Speaker 1>got a call about about like, uh, I mean, you know,

0:33:37.280 --> 0:33:39.080
<v Speaker 1>like when you sing around the city, everybody knows. That's

0:33:39.160 --> 0:33:41.320
<v Speaker 1>kind of how it worked out here, like being at

0:33:41.360 --> 0:33:45.280
<v Speaker 1>Cozy's and like our different spots Foxhole. It was like

0:33:46.360 --> 0:33:48.360
<v Speaker 1>all the m d s and the musicians that m

0:33:48.440 --> 0:33:50.800
<v Speaker 1>D the artists are always there, so when it's time

0:33:50.880 --> 0:33:52.640
<v Speaker 1>for singers, it's like, well we know who to you

0:33:52.720 --> 0:33:55.440
<v Speaker 1>know to call. So I got a call from Scooter

0:33:55.640 --> 0:33:57.720
<v Speaker 1>like it was an audition for a Tyree show, but

0:33:58.000 --> 0:34:01.440
<v Speaker 1>like also not really an audition. It was like we're rehearsing.

0:34:02.040 --> 0:34:04.280
<v Speaker 1>It was for like a it's called like the norm

0:34:04.360 --> 0:34:07.680
<v Speaker 1>Convention or something. We're rehearsing for this convention. Tyree needs

0:34:07.720 --> 0:34:10.759
<v Speaker 1>some singers like we're they're at sir, It's like you

0:34:10.800 --> 0:34:13.480
<v Speaker 1>can get down here, like it's yours.

0:34:13.840 --> 0:34:15.600
<v Speaker 2>I'm like all right, So I called some singers too,

0:34:15.719 --> 0:34:18.000
<v Speaker 2>like yo, y'all. Yeah, you know, pull up because we

0:34:18.360 --> 0:34:18.839
<v Speaker 2>know the unit.

0:34:18.920 --> 0:34:22.600
<v Speaker 1>We've worked together, so I go in there after Like

0:34:22.719 --> 0:34:25.239
<v Speaker 1>my first show with Tyres, most of us that were

0:34:25.280 --> 0:34:29.160
<v Speaker 1>singing with him like didn't stay on the gig, but

0:34:29.480 --> 0:34:32.520
<v Speaker 1>they were like kept me there, Like y'all want you

0:34:32.600 --> 0:34:34.280
<v Speaker 1>to be the one like in charge of the vocal

0:34:34.360 --> 0:34:37.120
<v Speaker 1>So I became like Tyree's like vocal director. Like at

0:34:37.160 --> 0:34:39.480
<v Speaker 1>one point I was the only singer on the road

0:34:39.560 --> 0:34:41.320
<v Speaker 1>traveling with him, you know what I mean, And like

0:34:41.440 --> 0:34:44.880
<v Speaker 1>sometimes they have me working out overtime, but sometimes I

0:34:44.920 --> 0:34:48.640
<v Speaker 1>would like be sending out charts and break down some

0:34:48.760 --> 0:34:50.520
<v Speaker 1>song parts to like other singers that were about to

0:34:50.600 --> 0:34:52.480
<v Speaker 1>meet in the city at a show, Like we got

0:34:52.520 --> 0:34:55.359
<v Speaker 1>a show in Atlanta. I need two singers, but I'm

0:34:55.440 --> 0:34:58.680
<v Speaker 1>the constant. So I'm ana see y'all at sound check.

0:34:58.760 --> 0:35:00.480
<v Speaker 1>Here go the notes in whichy'all need to know, Like

0:35:00.520 --> 0:35:02.200
<v Speaker 1>you know what I mean. So I was doing that

0:35:03.480 --> 0:35:09.440
<v Speaker 1>after tyresee, I got a call randomly from Onetzsche to

0:35:10.040 --> 0:35:15.040
<v Speaker 1>sing background with Mike Posner. Adam Blackstone was at the time,

0:35:15.560 --> 0:35:19.759
<v Speaker 1>and so we did Ellen first with Mike Posner, then

0:35:20.719 --> 0:35:23.400
<v Speaker 1>started singing Kelly Rowland. Everything just kind of start you

0:35:23.400 --> 0:35:25.080
<v Speaker 1>remember play in the league with us.

0:35:25.160 --> 0:35:34.600
<v Speaker 2>Of course, Mike hysterical, we have to touch No, Mike

0:35:34.760 --> 0:35:37.960
<v Speaker 2>Posner was one of the funniest teammates I ever had

0:35:38.000 --> 0:35:41.480
<v Speaker 2>in my life. Yeah, because he did not give a fuck, right,

0:35:42.200 --> 0:35:44.200
<v Speaker 2>Because yeah, I think this that it was an NBA

0:35:44.360 --> 0:35:50.680
<v Speaker 2>entertainment league. So you got the biggest egos possible playing basketball,

0:35:52.080 --> 0:35:55.719
<v Speaker 2>but guys that can't play basketball with that same ego, right,

0:35:55.800 --> 0:35:58.319
<v Speaker 2>So you just used to that You're like the little

0:35:58.400 --> 0:36:00.479
<v Speaker 2>nigga from mackham in the middle thing he on score,

0:36:00.760 --> 0:36:04.960
<v Speaker 2>its terrible whatever whoever it is, right, Yeah, And I

0:36:05.080 --> 0:36:09.400
<v Speaker 2>remember meeting Mike and I hadn't put two and two

0:36:09.480 --> 0:36:11.719
<v Speaker 2>together that he was the guy with the song that

0:36:11.800 --> 0:36:15.080
<v Speaker 2>I like, Right, But I'm like, he's actually really a

0:36:15.200 --> 0:36:16.600
<v Speaker 2>cool ass, little white nigga.

0:36:17.160 --> 0:36:23.680
<v Speaker 1>Ain't tripping like Mike you want to go sorry, I'm like, bro,

0:36:25.239 --> 0:36:29.719
<v Speaker 1>she's going for a minute. Mike was cool. It's hell.

0:36:30.280 --> 0:36:33.560
<v Speaker 2>He was just like the nicest dude who had no

0:36:33.719 --> 0:36:37.120
<v Speaker 2>complaints about nothing. Nobody really paid him no attention. And

0:36:37.120 --> 0:36:39.160
<v Speaker 2>then heone was gonna do Arenas.

0:36:39.320 --> 0:36:41.920
<v Speaker 1>And it was like just like wait, what wait, you

0:36:41.960 --> 0:36:43.239
<v Speaker 1>know what I'm say? You notice the.

0:36:43.280 --> 0:36:46.760
<v Speaker 2>Same guy who now I guess you see that shitn't

0:36:46.760 --> 0:36:50.160
<v Speaker 2>be doing now he's like walking the country. Yes, absolutely,

0:36:51.400 --> 0:36:52.560
<v Speaker 2>the niggas walking the country.

0:36:53.160 --> 0:36:56.520
<v Speaker 1>Polar opposite from like he's walking, he's walking.

0:36:57.080 --> 0:37:00.719
<v Speaker 2>He's just living life, bro that he's walked pretty much

0:37:00.719 --> 0:37:01.360
<v Speaker 2>from New York to.

0:37:01.480 --> 0:37:09.880
<v Speaker 1>L A already. Yeah yeah, yeah, yeah, why why not?

0:37:10.080 --> 0:37:12.759
<v Speaker 1>He wants to experience the country. It is kind of that,

0:37:14.200 --> 0:37:19.920
<v Speaker 1>but it's more it's more how far far?

0:37:20.320 --> 0:37:20.360
<v Speaker 3>So?

0:37:20.520 --> 0:37:22.680
<v Speaker 1>What are you gonna walk the whole country?

0:37:24.400 --> 0:37:26.960
<v Speaker 2>It's just one of those if you've accomplished all your

0:37:27.000 --> 0:37:28.640
<v Speaker 2>goals and now you're like, what else can I do?

0:37:28.800 --> 0:37:39.200
<v Speaker 1>That's what it feels like. No, no cocaine, hey man,

0:37:42.800 --> 0:37:45.880
<v Speaker 1>and every city I got you, but no man. I

0:37:46.000 --> 0:37:51.000
<v Speaker 1>started so the Mike Posner, Mike Posner. Then you know, uh,

0:37:51.840 --> 0:37:53.880
<v Speaker 1>I started working Kelly, rolling that tour with Kelly, and

0:37:53.960 --> 0:37:55.360
<v Speaker 1>then there's you know, there's like a bunch of like

0:37:55.600 --> 0:37:58.440
<v Speaker 1>random one offs. You became, you became the go to,

0:37:59.440 --> 0:38:01.440
<v Speaker 1>you came to go to sing with Carl Thomas, and

0:38:01.600 --> 0:38:05.400
<v Speaker 1>like just a bunch of you know, a bunch of people.

0:38:06.640 --> 0:38:10.600
<v Speaker 1>So in like twenty sixteen, I get a call from

0:38:10.640 --> 0:38:12.840
<v Speaker 1>Kirk Franklin. Funniest call by the way, I get a

0:38:12.840 --> 0:38:15.640
<v Speaker 1>call from Kirk Franklin. He's doing his twenty years. Actually

0:38:15.760 --> 0:38:18.919
<v Speaker 1>before that, I was with Nick Jonas right before Kelly.

0:38:19.840 --> 0:38:22.600
<v Speaker 1>I got a call from You're going, this is the

0:38:22.880 --> 0:38:27.840
<v Speaker 1>range in this. It prepared me than me. You know

0:38:27.840 --> 0:38:32.200
<v Speaker 1>what I mean? You see motivation what? Yeah? But it

0:38:32.320 --> 0:38:36.240
<v Speaker 1>was great, bro, and it was me putting every growing

0:38:36.320 --> 0:38:39.719
<v Speaker 1>up having all these talents didn't make sense. It was

0:38:39.880 --> 0:38:43.200
<v Speaker 1>I was starting to see why that helped. Because you

0:38:43.320 --> 0:38:48.279
<v Speaker 1>sing with somebody like Kelly. They decided it would it

0:38:48.360 --> 0:38:52.360
<v Speaker 1>would look a lot better if we could minimize the

0:38:52.440 --> 0:38:55.120
<v Speaker 1>singers in the stag get singers who can dance. Well,

0:38:55.160 --> 0:38:57.320
<v Speaker 1>guess who's the singer that can dance. I go with

0:38:57.440 --> 0:39:02.640
<v Speaker 1>Nick Jonas and it's like, man, we need don't validating

0:39:02.760 --> 0:39:06.320
<v Speaker 1>his bullshit. Man, you brought you brought me into that.

0:39:06.480 --> 0:39:07.760
<v Speaker 2>There's no videos.

0:39:07.880 --> 0:39:12.200
<v Speaker 1>Oh my damn, with genuine dancing. Later he's singing, we

0:39:12.280 --> 0:39:15.120
<v Speaker 1>need the videos because that would have been your time.

0:39:15.880 --> 0:39:18.520
<v Speaker 1>That would have been your time. Keep it, keep it

0:39:18.560 --> 0:39:19.880
<v Speaker 1>a buck. He didn't want me to do all that.

0:39:20.239 --> 0:39:21.560
<v Speaker 1>Keep it a buck. Did you have one of them?

0:39:21.600 --> 0:39:23.439
<v Speaker 1>About the videos.

0:39:25.640 --> 0:39:30.080
<v Speaker 3>Part they made up the ambulance ambulancer, They made the avalance.

0:39:30.320 --> 0:39:33.640
<v Speaker 1>That's d left supposed to be coming up something something.

0:39:33.800 --> 0:39:35.840
<v Speaker 1>I think they say, something happened to him. That is

0:39:36.600 --> 0:39:42.440
<v Speaker 1>that's one of the most man, you got the worst script.

0:39:42.719 --> 0:39:44.759
<v Speaker 1>They said, I think something that had happened to him.

0:39:45.880 --> 0:39:48.920
<v Speaker 1>Oh my god, bro, I'll never forget that man watching

0:39:49.000 --> 0:39:51.560
<v Speaker 1>that in real time after school, it's crazy.

0:39:51.719 --> 0:39:56.560
<v Speaker 2>Yes, that bro, that's crazy. Alright, you're doing this and

0:39:56.640 --> 0:39:59.759
<v Speaker 2>now you're dancing and yeah, literally getting on all these

0:40:00.239 --> 0:40:00.960
<v Speaker 2>that require both.

0:40:01.000 --> 0:40:03.480
<v Speaker 1>And I'm like, okay, this makes sense now, you know,

0:40:03.560 --> 0:40:05.600
<v Speaker 1>because I had transition out of the dance world, like

0:40:05.719 --> 0:40:09.560
<v Speaker 1>I was dancing for real and it got to the point.

0:40:10.000 --> 0:40:12.080
<v Speaker 1>This is like when dance like took a turn and

0:40:13.280 --> 0:40:15.200
<v Speaker 1>you got auditions and stuff like that, and it was

0:40:15.560 --> 0:40:18.040
<v Speaker 1>it was now about like the who you know in

0:40:18.120 --> 0:40:19.759
<v Speaker 1>the room. So you'd be wasting your time if you

0:40:19.840 --> 0:40:22.800
<v Speaker 1>walk in there and you don't know nobody, Like just

0:40:22.920 --> 0:40:25.560
<v Speaker 1>being good, ain't it? Didn't you know, didn't do anything.

0:40:25.680 --> 0:40:26.920
<v Speaker 1>So that's why he stopped.

0:40:28.400 --> 0:40:29.920
<v Speaker 4>Just being good wasn't enoughing.

0:40:31.440 --> 0:40:41.840
<v Speaker 1>Man, So I uh get a T shirt shirt. I

0:40:41.960 --> 0:40:45.000
<v Speaker 1>need the video. It's personally I got you. You know

0:40:45.040 --> 0:40:48.720
<v Speaker 1>what I'm saying. Where full choreography? Baby? I got you choreography.

0:40:48.840 --> 0:40:51.719
<v Speaker 1>Ro shout out to Roro. He you know, say less.

0:40:51.960 --> 0:40:54.040
<v Speaker 2>He always shouts rot because you know, everybody know Roro.

0:40:54.600 --> 0:40:56.839
<v Speaker 2>They don't know about his dancing, but they know everybody.

0:40:58.560 --> 0:40:58.960
<v Speaker 4>Who does.

0:40:59.280 --> 0:41:03.840
<v Speaker 3>Sure, come coach me for the dream Girls audition, the

0:41:04.000 --> 0:41:07.400
<v Speaker 3>dance part of it, which I killed. If that's all

0:41:07.520 --> 0:41:12.760
<v Speaker 3>tape to audition, lose that tape. Oh God, burn that file.

0:41:13.120 --> 0:41:15.360
<v Speaker 1>Hey, hey, hey people, we need to find tank.

0:41:15.239 --> 0:41:21.359
<v Speaker 2>Stumps for the love of that's out there somewhere. If

0:41:21.440 --> 0:41:24.719
<v Speaker 2>that is a career killer, it's a career killer, it's

0:41:24.760 --> 0:41:27.680
<v Speaker 2>a career killer. Okay, So you dancing and singing.

0:41:27.800 --> 0:41:30.759
<v Speaker 1>I was dancing and singing auditioned for dream Girls, by

0:41:30.800 --> 0:41:33.040
<v Speaker 1>the way, for like a part it was like a

0:41:33.120 --> 0:41:34.880
<v Speaker 1>random this is when I was still dancing. It was

0:41:35.040 --> 0:41:37.279
<v Speaker 1>like a random group that's shown when they do this

0:41:37.440 --> 0:41:40.760
<v Speaker 1>like commercial in there and they're singing this like Jackson

0:41:40.880 --> 0:41:45.000
<v Speaker 1>five type song. That was like. That was also like

0:41:45.080 --> 0:41:48.080
<v Speaker 1>one of my like last dance auditions. I knew, like cool,

0:41:48.120 --> 0:41:51.040
<v Speaker 1>I just want to sing. But I get a call,

0:41:51.520 --> 0:41:52.759
<v Speaker 1>you know, so I after work on all these people,

0:41:52.800 --> 0:41:54.600
<v Speaker 1>I get a call like I want you to come,

0:41:54.680 --> 0:41:58.840
<v Speaker 1>And it was Kirk Franklin like he calls me literally

0:41:58.960 --> 0:42:02.239
<v Speaker 1>calls me like I know who you are. It was

0:42:02.280 --> 0:42:05.200
<v Speaker 1>so like anonymous. It felt like like this Kirk Franklin

0:42:05.320 --> 0:42:06.800
<v Speaker 1>like you know, I know you are, calls you like

0:42:07.360 --> 0:42:10.840
<v Speaker 1>like prince basically I know. Yeah. He's like, He's like,

0:42:11.160 --> 0:42:14.680
<v Speaker 1>I got a tour coming up in February, and I

0:42:14.840 --> 0:42:16.839
<v Speaker 1>want you to come and work with me. And at

0:42:16.880 --> 0:42:20.040
<v Speaker 1>the time it was tricky because I had got a

0:42:20.200 --> 0:42:23.239
<v Speaker 1>call that I would have possibly been going on this

0:42:23.400 --> 0:42:26.719
<v Speaker 1>Rihanna tour. Of course I would have loved to do that.

0:42:27.239 --> 0:42:30.000
<v Speaker 1>So I'm like, but Kurk needed an answer like right away,

0:42:30.080 --> 0:42:32.600
<v Speaker 1>and I'm like, oh my god, cause if I tell

0:42:32.640 --> 0:42:35.239
<v Speaker 1>you no and then this don't come through now, don't

0:42:35.280 --> 0:42:37.360
<v Speaker 1>got nothing, you know what I mean. So he was like,

0:42:37.880 --> 0:42:39.920
<v Speaker 1>I just need to know, and like he ended up

0:42:39.960 --> 0:42:42.319
<v Speaker 1>being like can you let me know boy this date.

0:42:42.719 --> 0:42:44.120
<v Speaker 1>I was like, all right, cool. But the funny thing

0:42:44.160 --> 0:42:46.600
<v Speaker 1>about Kirk Kirk is Kirk, you know what I mean.

0:42:46.640 --> 0:42:49.400
<v Speaker 1>I grew up in church like Kirk is Michael Jackson

0:42:49.440 --> 0:42:50.239
<v Speaker 1>to me, you know what I mean.

0:42:50.960 --> 0:42:53.160
<v Speaker 2>Kirk is like yeah, man, So like I promise you

0:42:53.200 --> 0:42:55.320
<v Speaker 2>I'm a good person, like I know, you know, like

0:42:56.120 --> 0:42:57.520
<v Speaker 2>he mentioned some people that he knew.

0:42:57.600 --> 0:42:59.400
<v Speaker 1>I knew. It was like, and you can ask him

0:42:59.400 --> 0:43:01.719
<v Speaker 1>about me. And I'm like on the phone cracking up

0:43:01.760 --> 0:43:08.040
<v Speaker 1>cause I'm like, nigga, you Kirk Franklin yourself yet like, yeah,

0:43:08.080 --> 0:43:11.719
<v Speaker 1>I'm going regardless, man. So I go with Kirk. I

0:43:11.800 --> 0:43:13.440
<v Speaker 1>do the twenty years in one night tour. First, we

0:43:13.520 --> 0:43:14.600
<v Speaker 1>do some one offs.

0:43:16.760 --> 0:43:20.319
<v Speaker 2>Gospel different first of all, and let me also put

0:43:20.360 --> 0:43:20.759
<v Speaker 2>it out there.

0:43:21.120 --> 0:43:24.000
<v Speaker 1>Touring with Kirk. That's probably some of the best money

0:43:24.000 --> 0:43:25.960
<v Speaker 1>I ever made in my life. Kirk is a person.

0:43:26.880 --> 0:43:31.480
<v Speaker 2>He makes like he's competitive when it comes to being

0:43:31.520 --> 0:43:33.520
<v Speaker 2>in that space, and I really appreciated that because the

0:43:33.680 --> 0:43:36.520
<v Speaker 2>you know, the thought is if I go to god

0:43:36.800 --> 0:43:39.600
<v Speaker 2>like gospel, I'm about to take some l's because y'all

0:43:39.640 --> 0:43:40.279
<v Speaker 2>ain't gonna pay.

0:43:40.360 --> 0:43:43.680
<v Speaker 1>Like Kirk was like, what you need, We're good.

0:43:44.200 --> 0:43:49.560
<v Speaker 2>So the other thing though, because it's gospel, everybody's just

0:43:49.640 --> 0:43:50.320
<v Speaker 2>good already.

0:43:51.120 --> 0:43:54.800
<v Speaker 1>So I'm used to like preparation, like send me a

0:43:54.880 --> 0:43:56.959
<v Speaker 1>set list, send me. And we had a show coming

0:43:57.040 --> 0:43:59.719
<v Speaker 1>up before we even started rehearsing for tour, and I

0:43:59.840 --> 0:44:01.279
<v Speaker 1>was book for that show and I felt like that

0:44:01.400 --> 0:44:04.880
<v Speaker 1>show was like the kind of like the audition like,

0:44:05.120 --> 0:44:08.680
<v Speaker 1>let's see, nobody had a set list, and I kept

0:44:08.719 --> 0:44:11.000
<v Speaker 1>being like, you know, like what songs do I need

0:44:11.080 --> 0:44:12.560
<v Speaker 1>to know? When I got in the car and asked

0:44:12.600 --> 0:44:15.239
<v Speaker 1>about like sound check, everybody was like laughing. It was

0:44:15.320 --> 0:44:16.759
<v Speaker 1>kind of like, oh, we don't do that, like we

0:44:17.000 --> 0:44:18.959
<v Speaker 1>just get on stage and kill.

0:44:19.360 --> 0:44:24.040
<v Speaker 2>So gospel is equivalent to the All Star Game depending

0:44:24.080 --> 0:44:25.520
<v Speaker 2>on who you're working with right now.

0:44:25.800 --> 0:44:27.600
<v Speaker 1>I mean, like I'm talking about at the highest level.

0:44:27.960 --> 0:44:31.480
<v Speaker 2>Yeah, like so because like you said, everybody, yeah, everybody's

0:44:31.840 --> 0:44:35.879
<v Speaker 2>they're they're already good that these people are already been

0:44:36.600 --> 0:44:39.640
<v Speaker 2>so they've been going to church for Monday through Sunday.

0:44:40.360 --> 0:44:43.480
<v Speaker 1>So it's perfecting their craft yep. And you know, like

0:44:44.320 --> 0:44:46.920
<v Speaker 1>for me on the inside, I'm like, oh my god,

0:44:47.160 --> 0:44:49.520
<v Speaker 1>Like I'm in the in the van, like I'm just

0:44:49.560 --> 0:44:52.960
<v Speaker 1>about to walk on stage. I don't know any of

0:44:53.120 --> 0:44:55.600
<v Speaker 1>I know how to find a part from church, you

0:44:55.680 --> 0:44:57.920
<v Speaker 1>know what I mean. Everybody's yeah, so I'm.

0:44:57.840 --> 0:45:00.320
<v Speaker 2>Like cool, I could sing, I know how to not

0:45:00.480 --> 0:45:03.440
<v Speaker 2>go down and flames. Most importantly, so like we.

0:45:03.520 --> 0:45:06.600
<v Speaker 1>Did that show, it was like no pressure, Like either

0:45:06.680 --> 0:45:08.920
<v Speaker 1>Kirk really knew because he told me. When Kirk called me,

0:45:09.719 --> 0:45:12.200
<v Speaker 1>I was honest with him. I was like, I said, look, man,

0:45:13.080 --> 0:45:14.799
<v Speaker 1>I'm an R and B singer. Like at that point,

0:45:14.840 --> 0:45:17.280
<v Speaker 1>I was already you know what I mean, like putting

0:45:17.320 --> 0:45:18.920
<v Speaker 1>on my own music. I was like, I don't like,

0:45:19.400 --> 0:45:22.480
<v Speaker 1>I'm not gospel, So like, if you that you're looking for,

0:45:22.600 --> 0:45:24.279
<v Speaker 1>I don't think I'm gonna be a good fit. And

0:45:24.360 --> 0:45:26.719
<v Speaker 1>Kirk was like, I'm not looking for a gospel singer.

0:45:26.760 --> 0:45:26.840
<v Speaker 3>Bro.

0:45:26.960 --> 0:45:29.520
<v Speaker 1>He's like, I'm like, if your heart, I could tell

0:45:29.520 --> 0:45:31.520
<v Speaker 1>if your heart is in the right place. Like He's like,

0:45:32.640 --> 0:45:36.160
<v Speaker 1>I want to show. I want to show and a

0:45:36.280 --> 0:45:45.960
<v Speaker 1>good person, a person, a good person. You got all

0:45:46.000 --> 0:45:50.279
<v Speaker 1>of that, and then you start really growing in your

0:45:50.360 --> 0:45:51.399
<v Speaker 1>solo space. Yeah.

0:45:51.600 --> 0:45:55.560
<v Speaker 3>Do you feel like those moments and being, you know,

0:45:55.840 --> 0:45:58.680
<v Speaker 3>having those connective tissues with those artists and the support

0:45:58.719 --> 0:46:02.440
<v Speaker 3>I would imagine, Yeah, those artists really helped you start

0:46:02.920 --> 0:46:05.319
<v Speaker 3>to really grow in the space of your solo space

0:46:05.360 --> 0:46:07.480
<v Speaker 3>where it really started pushing detraction for you.

0:46:08.440 --> 0:46:10.280
<v Speaker 1>I think it. I think it gave me a different

0:46:10.400 --> 0:46:15.600
<v Speaker 1>level of confidence and enhanced my vision because much like

0:46:16.840 --> 0:46:19.960
<v Speaker 1>anybody else who's like interning, are you know in that space,

0:46:20.000 --> 0:46:22.520
<v Speaker 1>I'm literally seeing what it is I desire, So like

0:46:23.120 --> 0:46:26.680
<v Speaker 1>talking about manifestation, it couldn't be more real. I'm literally

0:46:26.800 --> 0:46:30.400
<v Speaker 1>standing feet from where I would like to be, you

0:46:30.440 --> 0:46:32.960
<v Speaker 1>know what I mean. So, and then you know, there

0:46:33.000 --> 0:46:36.680
<v Speaker 1>are like certain things I learned from every artist that

0:46:36.719 --> 0:46:38.960
<v Speaker 1>I work with. With JT. It is that it was

0:46:39.040 --> 0:46:41.799
<v Speaker 1>that the show business aspect of it, how to get

0:46:41.840 --> 0:46:43.720
<v Speaker 1>out there and really, you know what I mean. Working

0:46:43.880 --> 0:46:47.320
<v Speaker 1>working with with y'all, with the fellas is like Tyrese

0:46:47.440 --> 0:46:50.239
<v Speaker 1>is the it's the persona with you, I'm it's like

0:46:50.400 --> 0:46:52.719
<v Speaker 1>seeing like go for it, you know what I mean?

0:46:52.920 --> 0:46:55.640
<v Speaker 1>Like g is that that performance aspect, how to be

0:46:55.760 --> 0:46:57.960
<v Speaker 1>how to be the ladies man, y'all all are though

0:46:58.040 --> 0:47:01.160
<v Speaker 1>that's literally R and B, you know what I mean.

0:47:01.239 --> 0:47:04.920
<v Speaker 1>So I've learned like something from every single person I've

0:47:04.960 --> 0:47:09.600
<v Speaker 1>been on stage with. And I think that that even indirectly,

0:47:09.760 --> 0:47:13.319
<v Speaker 1>like being around everybody has somehow everybody's played the part

0:47:13.480 --> 0:47:14.960
<v Speaker 1>in who I've become.

0:47:15.560 --> 0:47:19.880
<v Speaker 2>To be sure, Yeah, should as you should. It's preparing

0:47:19.920 --> 0:47:24.120
<v Speaker 2>you for for your moment. Yeah yeah, And you got

0:47:24.200 --> 0:47:26.160
<v Speaker 2>how many projects out? Because you know we're talking about

0:47:26.200 --> 0:47:29.719
<v Speaker 2>this area. What you got nine?

0:47:30.680 --> 0:47:33.680
<v Speaker 1>It might be like nine only considered three of them albums,

0:47:33.800 --> 0:47:35.439
<v Speaker 1>but the other ones were like I had.

0:47:35.360 --> 0:47:37.600
<v Speaker 3>To buy, yeah, because to thank you for buying it.

0:47:37.680 --> 0:47:42.000
<v Speaker 3>There's there's a purchase. They're not just you know, they

0:47:42.000 --> 0:47:45.920
<v Speaker 3>wouldn't give away. I only consider three when they I

0:47:46.040 --> 0:47:49.359
<v Speaker 3>bought nine, so it's all of them at least.

0:47:50.920 --> 0:47:54.160
<v Speaker 1>No, that's what's the name of say that again? What's

0:47:54.200 --> 0:47:58.080
<v Speaker 1>the name of your label? The R and B Love? Yeah,

0:47:58.239 --> 0:48:00.080
<v Speaker 1>R and B Love, the R and BU Love of

0:48:00.320 --> 0:48:03.840
<v Speaker 1>the R and BU label. I've officially locked it in

0:48:04.280 --> 0:48:07.279
<v Speaker 1>the R and B You Love because I was album Yeah,

0:48:07.320 --> 0:48:11.279
<v Speaker 1>but you love. That's that's kind of my That's that's

0:48:11.360 --> 0:48:14.640
<v Speaker 1>my It kind of embodies everything that I do, man,

0:48:14.680 --> 0:48:19.480
<v Speaker 1>because I think I'm like a walking poster of.

0:48:22.000 --> 0:48:26.040
<v Speaker 2>Modern R and B influenced by the R and B

0:48:26.160 --> 0:48:27.520
<v Speaker 2>we Love. When we talk about the R and B

0:48:27.600 --> 0:48:28.840
<v Speaker 2>we Love, it's really it's really.

0:48:28.760 --> 0:48:32.040
<v Speaker 1>The feeling and how to experience those feelings that we

0:48:32.120 --> 0:48:34.359
<v Speaker 1>got when we listen to certain stuff, when we watch

0:48:34.440 --> 0:48:37.160
<v Speaker 1>certain stuff like so I'm really like a student of

0:48:37.239 --> 0:48:39.560
<v Speaker 1>the game at all times. And when I make my music,

0:48:40.560 --> 0:48:42.759
<v Speaker 1>like my last album, and I did it with the

0:48:42.800 --> 0:48:45.799
<v Speaker 1>album before that, I would put on like even videos

0:48:46.040 --> 0:48:51.040
<v Speaker 1>of of Anita, of Luther, of like Joe and like

0:48:51.160 --> 0:48:54.200
<v Speaker 1>I mean you name it, mut it and try and

0:48:54.320 --> 0:48:57.279
<v Speaker 1>recreate that feeling in the music of what I'm looking at,

0:48:57.320 --> 0:48:58.839
<v Speaker 1>you know what I mean, And that's how I knew.

0:48:59.120 --> 0:49:00.920
<v Speaker 1>That's how I know when my albums are done, and

0:49:01.040 --> 0:49:03.320
<v Speaker 1>when I can listen to a song and it feels

0:49:03.480 --> 0:49:06.840
<v Speaker 1>like what I felt. That's why I call it the

0:49:06.960 --> 0:49:09.160
<v Speaker 1>R and B you love because it's it's literally I

0:49:09.200 --> 0:49:11.600
<v Speaker 1>think there's a formula there, and if you could tap

0:49:11.680 --> 0:49:13.960
<v Speaker 1>into the formula and not be scared. It takes a

0:49:13.960 --> 0:49:18.920
<v Speaker 1>little more time because everybody's exposed. There's massive exposure to

0:49:19.080 --> 0:49:20.960
<v Speaker 1>something that's the opposite of what it is you're trying

0:49:20.960 --> 0:49:24.080
<v Speaker 1>to create. But if you're down for the long game,

0:49:24.160 --> 0:49:26.640
<v Speaker 1>which aren't, that's really what R and B is, then

0:49:26.920 --> 0:49:28.160
<v Speaker 1>you know what I mean, You're cool with making it.

0:49:28.280 --> 0:49:32.239
<v Speaker 1>So R and B you love, you love with you?

0:49:32.360 --> 0:49:36.440
<v Speaker 1>Do you know all of your albums off hand? I should? Okay,

0:49:40.640 --> 0:49:41.800
<v Speaker 1>I want you to name.

0:49:41.680 --> 0:49:44.400
<v Speaker 3>The albums, and as you name the albums, he's gonna

0:49:44.480 --> 0:49:45.520
<v Speaker 3>flash the album.

0:49:46.200 --> 0:49:48.040
<v Speaker 2>Because what we got to get into is we got

0:49:48.160 --> 0:49:52.480
<v Speaker 2>to get into selling this product. Okay, okay, okay, let's go.

0:49:53.000 --> 0:49:54.520
<v Speaker 1>So are we are we naming just the ones on

0:49:54.560 --> 0:49:58.520
<v Speaker 1>streaming platforms all of all of them, Okay. So I

0:49:58.680 --> 0:50:03.439
<v Speaker 1>started with an EP called it Ain't Easy, It Ain't

0:50:04.560 --> 0:50:08.520
<v Speaker 1>it Ain't Easy. Then I put out a project called

0:50:09.400 --> 0:50:12.439
<v Speaker 1>Hollywood and Highland that was like my first like LP

0:50:12.760 --> 0:50:19.160
<v Speaker 1>technically street. Yeah, that was my first LP. From there,

0:50:19.920 --> 0:50:28.040
<v Speaker 1>I went to Higher Ground, Higher Ground. From there, From

0:50:28.160 --> 0:50:32.719
<v Speaker 1>Higher Ground, I think I went to project called twenty

0:50:32.800 --> 0:50:39.800
<v Speaker 1>four from twenty four we Should Talk. I think.

0:50:41.480 --> 0:50:43.880
<v Speaker 2>From We Should Talk, a few of these might be

0:50:43.880 --> 0:50:45.360
<v Speaker 2>out of order, but these should be all albums.

0:50:45.800 --> 0:50:49.560
<v Speaker 1>From We Should Talk, I did a project called R

0:50:49.640 --> 0:50:52.160
<v Speaker 1>and B Kenny, which is where the moniker came from.

0:50:52.560 --> 0:50:56.960
<v Speaker 1>Just you know, after we Should Talk, I mean, after

0:50:57.120 --> 0:50:58.600
<v Speaker 1>R and B Kenny, I put out a project called

0:50:58.680 --> 0:51:02.799
<v Speaker 1>Niggas Getting Motional Too. I felt that title, Yeah, yeah, yeah,

0:51:03.360 --> 0:51:05.000
<v Speaker 1>I felt that that was one of the ones, man,

0:51:05.040 --> 0:51:09.640
<v Speaker 1>it was. It was a very honest project feelings. So

0:51:09.880 --> 0:51:17.400
<v Speaker 1>after after that, I put out Expectations, and that's that

0:51:17.560 --> 0:51:21.680
<v Speaker 1>was during the pandemic. That's when, like, that's the project

0:51:21.719 --> 0:51:25.439
<v Speaker 1>that kind of started my ascension as an artist. After

0:51:26.080 --> 0:51:29.120
<v Speaker 1>that project, actually before Expectations, it was an EP called

0:51:29.200 --> 0:51:35.240
<v Speaker 1>Switch that turned into Expectations. After Expectations, I dropped Closer,

0:51:35.920 --> 0:51:38.640
<v Speaker 1>which is my album before the last one and my

0:51:39.160 --> 0:51:42.920
<v Speaker 1>my latest album, The R and B Love. So I

0:51:43.000 --> 0:51:46.880
<v Speaker 1>feel like, yeah, I feel like that's all over you.

0:51:47.440 --> 0:51:52.560
<v Speaker 1>It'll be somebody in the comments. Won't sound class my

0:51:52.719 --> 0:51:58.239
<v Speaker 1>favorite one. Yeah, countless covers, countless covers like those count

0:51:58.360 --> 0:52:11.680
<v Speaker 1>But we want to move your product. Yeah, yeah, yeah, absolutely,

0:52:12.280 --> 0:52:14.520
<v Speaker 1>that's why here. That's why we're here, man.

0:52:14.560 --> 0:52:17.680
<v Speaker 2>We're here to promote the culture, yes, sir, all forms

0:52:17.680 --> 0:52:18.719
<v Speaker 2>of especially when.

0:52:18.640 --> 0:52:21.279
<v Speaker 1>It's independent, the real independent.

0:52:22.160 --> 0:52:24.440
<v Speaker 2>See he said he don't got Marvel behind his own

0:52:24.680 --> 0:52:27.680
<v Speaker 2>real the real You don't got Marvel, don't.

0:52:28.640 --> 0:52:28.839
<v Speaker 1>Yeah?

0:52:29.560 --> 0:52:31.319
<v Speaker 2>And then I need god, I need you to say,

0:52:32.120 --> 0:52:33.640
<v Speaker 2>needs you to say, this is the greatest album you

0:52:33.719 --> 0:52:34.120
<v Speaker 2>ever heard.

0:52:34.239 --> 0:52:36.120
<v Speaker 1>Then I feel a jingle coming.

0:52:37.160 --> 0:52:40.799
<v Speaker 2>Listen, you got his piano and ship man? You did

0:52:40.840 --> 0:52:41.800
<v Speaker 2>you bring the drums with you?

0:52:42.440 --> 0:52:46.120
<v Speaker 1>I got I got twenty dollars. You got it in one?

0:52:47.320 --> 0:52:48.319
<v Speaker 1>Do you got it in one?

0:52:49.239 --> 0:52:49.440
<v Speaker 3>You know?

0:52:49.560 --> 0:52:49.960
<v Speaker 5>You know me?

0:52:50.239 --> 0:52:52.600
<v Speaker 1>N you know I have it in one? Of course,

0:52:52.719 --> 0:52:54.600
<v Speaker 1>of course I got a stack in the house.

0:52:55.120 --> 0:52:55.319
<v Speaker 6>Man.

0:52:55.920 --> 0:52:58.520
<v Speaker 1>My wife being like, why do you have all these ones?

0:52:59.400 --> 0:53:01.400
<v Speaker 1>Just don't care. I don't make it.

0:53:02.520 --> 0:53:05.360
<v Speaker 3>We gotta where is the supreme shooter? We need that

0:53:06.360 --> 0:53:09.680
<v Speaker 3>you remember you would have the Supreme No, you had it.

0:53:09.840 --> 0:53:12.400
<v Speaker 1>I did not see. I think I did take it.

0:53:12.440 --> 0:53:12.839
<v Speaker 4>On the road.

0:53:13.400 --> 0:53:15.640
<v Speaker 1>We had had a supreme shooter. They used to shoot

0:53:15.680 --> 0:53:23.000
<v Speaker 1>the ones we're going. We were going, Yeah, yeah, I'm

0:53:23.040 --> 0:53:23.800
<v Speaker 1>not way.

0:53:24.880 --> 0:53:36.120
<v Speaker 4>Wait out nowhere you're going? Man, Kenyon Dixon, is.

0:53:36.160 --> 0:53:46.880
<v Speaker 3>This the kochk virsion, all your all your adventures songs

0:53:46.920 --> 0:53:51.400
<v Speaker 3>you weren't supposed to hear, Yeah, songs you are finally

0:53:51.520 --> 0:53:52.360
<v Speaker 3>now a part of you.

0:53:54.560 --> 0:53:58.520
<v Speaker 1>You've seen, you've heard, You've sang a lot of rhyme

0:53:58.719 --> 0:54:07.120
<v Speaker 1>with me. If we want to know how of all

0:54:07.440 --> 0:54:11.720
<v Speaker 1>these tunes, what's your.

0:54:14.680 --> 0:54:16.160
<v Speaker 4>Top five?

0:54:17.640 --> 0:54:20.600
<v Speaker 1>Top five in the morning? Your top five?

0:54:23.160 --> 0:54:24.520
<v Speaker 3>Top five?

0:54:27.680 --> 0:54:31.880
<v Speaker 1>Your top five? A beasinger.

0:54:32.360 --> 0:54:38.520
<v Speaker 6>Throwing all me so, yes, yes, sir, we wanna know.

0:54:39.400 --> 0:54:43.600
<v Speaker 6>You all want to know the twenty dollars I wanna drove?

0:54:44.120 --> 0:54:45.720
<v Speaker 4>Let me know your.

0:54:49.000 --> 0:55:20.360
<v Speaker 1>Yeah, Yes, ladies and gentlemen, ladies and gentlemen walking down Doc.

0:55:25.520 --> 0:55:30.880
<v Speaker 3>Dixon, Yes, sir, your top five? Man, that was the

0:55:30.920 --> 0:55:39.640
<v Speaker 3>hell of an intro bro every show every Tuesday, Yeah Man,

0:55:40.760 --> 0:55:44.040
<v Speaker 3>Top five R and B singers, Top five bro.

0:55:44.320 --> 0:55:53.399
<v Speaker 1>Anita Baker's first introduction in Yeah, she got like it's

0:55:53.400 --> 0:55:57.640
<v Speaker 1>a little cry that she has that justdents so emotionally spiritual.

0:55:57.920 --> 0:56:02.480
<v Speaker 1>Just yes, Jesus, I'm going to need a Joe Thomas.

0:56:02.800 --> 0:56:06.600
<v Speaker 3>Why Joe Thomas is a hero man. He's one of

0:56:06.640 --> 0:56:10.040
<v Speaker 3>the greatest crispy to this day. Incredible.

0:56:12.360 --> 0:56:17.680
<v Speaker 1>I'm gonna go Mario Brom Come on, Mario Mario mm hmm,

0:56:17.880 --> 0:56:20.480
<v Speaker 1>it's co hero Listen. I just he really sings.

0:56:20.560 --> 0:56:23.720
<v Speaker 2>I just said this on my Live there that Mario

0:56:25.080 --> 0:56:29.400
<v Speaker 2>was the next Generations. Joe one hundred percent agree with that,

0:56:30.360 --> 0:56:35.279
<v Speaker 2>and he has an accuracy. Ye, Joe is Joe every

0:56:35.360 --> 0:56:35.839
<v Speaker 2>single time.

0:56:35.880 --> 0:56:40.040
<v Speaker 1>Everything. It's crazy. I'm going tank, Yeah, I have to,

0:56:40.160 --> 0:56:41.359
<v Speaker 1>brocause let me tell you why.

0:56:41.480 --> 0:56:41.600
<v Speaker 2>Bro.

0:56:42.640 --> 0:56:46.000
<v Speaker 1>How what I was saying earlier about the representation that

0:56:46.160 --> 0:56:51.239
<v Speaker 1>the church kids phil for us, hearing you that for

0:56:51.400 --> 0:56:54.200
<v Speaker 1>a church kid, it was like, wait, I know this,

0:56:54.440 --> 0:56:56.640
<v Speaker 1>It's in different context where I know this. I know

0:56:56.920 --> 0:56:59.799
<v Speaker 1>you know what I mean? Like that was that wasn't

0:57:00.160 --> 0:57:03.120
<v Speaker 1>an important you were an important bridge for my generation

0:57:03.360 --> 0:57:06.200
<v Speaker 1>of church kids who got into R and B. Like

0:57:06.280 --> 0:57:09.560
<v Speaker 1>hearing slowly that's a church song, bro, Like, of course

0:57:09.880 --> 0:57:12.439
<v Speaker 1>we knew you know what I mean? Yeah, we knew

0:57:12.480 --> 0:57:18.080
<v Speaker 1>that already. That's also dance. Although I got into her

0:57:18.320 --> 0:57:21.400
<v Speaker 1>later because I couldn't listen to it when it first

0:57:21.480 --> 0:57:24.720
<v Speaker 1>came out. I'm going, Brandy, your top five R and

0:57:24.840 --> 0:57:31.640
<v Speaker 1>B songs, that's good. Yeah, let's get interested top five

0:57:31.800 --> 0:57:35.240
<v Speaker 1>R and B songs. Everybody's expecting me to say Return

0:57:35.280 --> 0:57:38.160
<v Speaker 1>of the Mac because that's my favorite song in the world.

0:57:38.840 --> 0:57:41.240
<v Speaker 1>It's just it's just get me off the couch. Son,

0:57:41.360 --> 0:57:45.000
<v Speaker 1>It's just it's just one of them. You hate it,

0:57:46.320 --> 0:57:55.280
<v Speaker 1>so off, Okay up here, I found my people. I

0:57:55.600 --> 0:58:00.360
<v Speaker 1>found my people. I get so much hate, he can

0:58:00.480 --> 0:58:03.480
<v Speaker 1>tell you. That's my number one song ever. It's one

0:58:03.520 --> 0:58:06.280
<v Speaker 1>of the most incredibly stylistic.

0:58:07.120 --> 0:58:10.280
<v Speaker 2>The lyric in itself, you lie to me, you lie

0:58:10.640 --> 0:58:13.280
<v Speaker 2>to me, and the mood is exactly the same.

0:58:13.520 --> 0:58:16.600
<v Speaker 1>Every time. He wanted to be right, Bro. He wanted

0:58:16.640 --> 0:58:18.600
<v Speaker 1>to be right to her. Bro, he wanted to do

0:58:18.760 --> 0:58:21.400
<v Speaker 1>the right thing. He wanted to turn in his player,

0:58:21.480 --> 0:58:22.160
<v Speaker 1>talk to talk.

0:58:24.080 --> 0:58:24.400
<v Speaker 4>About it.

0:58:24.480 --> 0:58:31.080
<v Speaker 1>And you lied, lied to him, So now turn Yeah.

0:58:31.280 --> 0:58:32.920
<v Speaker 1>I didn't even want to have to do you like that?

0:58:33.960 --> 0:58:34.480
<v Speaker 4>You know what I mean?

0:58:34.640 --> 0:58:36.120
<v Speaker 1>Yeah? I do do.

0:58:40.160 --> 0:58:40.360
<v Speaker 2>Man.

0:58:40.800 --> 0:58:43.960
<v Speaker 1>Hey, the coldest stylistic song.

0:58:46.560 --> 0:58:47.200
<v Speaker 4>I love to.

0:58:48.880 --> 0:58:51.680
<v Speaker 1>Articulation. I gotta meet bro at some point.

0:58:52.440 --> 0:58:56.920
<v Speaker 2>Hey, Lovers and Friends y'all find everybody find lovers and friends,

0:58:57.640 --> 0:59:00.960
<v Speaker 2>festival finds. Everyone got to five Mark Morrison, then I

0:59:01.080 --> 0:59:03.720
<v Speaker 2>believe I would believe it with your your brand.

0:59:04.000 --> 0:59:07.200
<v Speaker 1>If y'all find you know what you know, bring them

0:59:07.200 --> 0:59:08.040
<v Speaker 1>out on my set.

0:59:08.160 --> 0:59:10.320
<v Speaker 2>Yes, when we do the R and B money music

0:59:10.440 --> 0:59:14.400
<v Speaker 2>fast we find it what you seen background for, I'll

0:59:14.400 --> 0:59:14.640
<v Speaker 2>do it.

0:59:16.680 --> 0:59:17.040
<v Speaker 4>Please.

0:59:18.080 --> 0:59:20.760
<v Speaker 1>I wish you on that one. All right, let's see,

0:59:21.360 --> 0:59:24.440
<v Speaker 1>I'm going back. I'm going to return the mac this

0:59:24.720 --> 0:59:27.200
<v Speaker 1>R and B soul but uh, no one in the

0:59:27.240 --> 0:59:30.680
<v Speaker 1>world and need a bigger It's that perfect display of

0:59:31.480 --> 0:59:34.439
<v Speaker 1>of how to emote properly. I listened to that song

0:59:34.560 --> 0:59:38.680
<v Speaker 1>to learn how to properly convey emotion. I've literally like

0:59:38.840 --> 0:59:42.200
<v Speaker 1>listened to it and it's the second verse specifically, like

0:59:42.320 --> 0:59:45.960
<v Speaker 1>she those lyrics. I've never I can't name you many

0:59:46.040 --> 0:59:49.480
<v Speaker 1>songs that have a better connection between the lyrics, emotion

0:59:49.640 --> 0:59:52.120
<v Speaker 1>and like how it's delivered like that's that's one of

0:59:52.160 --> 0:59:55.320
<v Speaker 1>the records to me, It's so into you. It's also

0:59:55.400 --> 0:59:59.120
<v Speaker 1>one of my It's I'm a I'm a field person

0:59:59.720 --> 1:00:01.720
<v Speaker 1>the way that record feels. If I had to you

1:00:01.800 --> 1:00:04.400
<v Speaker 1>be crying, don't you a little bit? A little bit

1:00:05.200 --> 1:00:09.640
<v Speaker 1>not a whole much like only like when I buy myself. Yeah,

1:00:10.720 --> 1:00:12.280
<v Speaker 1>I turned, I just turned it real loud, you know

1:00:12.320 --> 1:00:16.160
<v Speaker 1>what I mean. But that song that feels like girl

1:00:16.200 --> 1:00:19.600
<v Speaker 1>asked you on your you had your heart, you know

1:00:19.640 --> 1:00:20.000
<v Speaker 1>what I mean.

1:00:20.320 --> 1:00:22.720
<v Speaker 3>And that's what I was listening to I was on

1:00:22.840 --> 1:00:25.720
<v Speaker 3>tour with to me, Oh my god, bro all them

1:00:25.800 --> 1:00:29.600
<v Speaker 3>dates we did every night out there like that song.

1:00:29.520 --> 1:00:31.560
<v Speaker 1>Fit that feels like love to me. If I had

1:00:31.600 --> 1:00:36.000
<v Speaker 1>to describe, like like love and a song that, it's

1:00:36.080 --> 1:00:38.760
<v Speaker 1>something so pure about it, pure about her delivery and

1:00:38.840 --> 1:00:43.160
<v Speaker 1>simple and simple but real crazy what you do super simple.

1:00:43.360 --> 1:00:46.320
<v Speaker 1>What's crazy about it, though, is then she collaborated with

1:00:46.680 --> 1:00:48.800
<v Speaker 1>fab and it did not lose the emotion of this

1:00:49.280 --> 1:00:56.960
<v Speaker 1>not lose the emotion the best R and B laugh,

1:00:58.160 --> 1:01:00.240
<v Speaker 1>I can't get the motherfucker word out little.

1:01:00.800 --> 1:01:05.680
<v Speaker 2>That's collaboration of all time, all times. I'm a collaborator.

1:01:06.320 --> 1:01:11.600
<v Speaker 2>Nobody wraps on R and B better than fabulous. I'm

1:01:11.600 --> 1:01:12.520
<v Speaker 2>willing to agree with that.

1:01:13.840 --> 1:01:14.280
<v Speaker 1>Nobody.

1:01:14.480 --> 1:01:17.480
<v Speaker 3>I'm willing to agree with that man. He understands the

1:01:17.640 --> 1:01:22.280
<v Speaker 3>net of it. Drake, My one is fade, listen, and

1:01:22.600 --> 1:01:23.520
<v Speaker 3>that would be a good fade.

1:01:24.160 --> 1:01:30.600
<v Speaker 1>My one is fade. But fabulous, but fabulous, but we're

1:01:30.680 --> 1:01:31.400
<v Speaker 1>fab wins.

1:01:32.040 --> 1:01:40.560
<v Speaker 2>Fab Drake can sing on the record strictly rap, strictly raps. Yeah,

1:01:40.760 --> 1:01:44.320
<v Speaker 2>that is crazy to think about, man, Now, Drake ain't

1:01:44.360 --> 1:01:46.720
<v Speaker 2>no slaps now. I think Cole should do more because

1:01:46.760 --> 1:01:51.360
<v Speaker 2>them that them cold them Cole, Miguel Collab.

1:01:52.840 --> 1:01:57.760
<v Speaker 1>I cannot. That is Collab moving right now and not

1:01:58.040 --> 1:02:01.880
<v Speaker 1>argue with you, my friend. I can. But the only

1:02:01.920 --> 1:02:04.000
<v Speaker 1>reason I give it the fast years is because the

1:02:04.040 --> 1:02:07.760
<v Speaker 1>span of time years true, it's proven, the span of time.

1:02:07.880 --> 1:02:11.360
<v Speaker 1>He never misses and so into you. In twenty twenty four,

1:02:11.440 --> 1:02:13.680
<v Speaker 1>it is still as important as it was in ninety eight. Yeah,

1:02:20.840 --> 1:02:24.800
<v Speaker 1>I'm trying to choose. I'm out a tie for this song.

1:02:25.560 --> 1:02:30.520
<v Speaker 1>The artist s Faith Devans. I'm between come Over as

1:02:30.560 --> 1:02:33.520
<v Speaker 1>soon as I get home. But that bridge on Comeover

1:02:33.720 --> 1:02:35.440
<v Speaker 1>is one of the best bridges I've ever heard in

1:02:35.560 --> 1:02:37.760
<v Speaker 1>R and B. I'm gonna go with so as soon

1:02:37.800 --> 1:02:41.720
<v Speaker 1>as I get home, any either of them, that Faith

1:02:41.800 --> 1:02:44.240
<v Speaker 1>has to be. That's my personal out of those two.

1:02:45.440 --> 1:02:50.680
<v Speaker 2>At home, it's just Mark Morrison Anita to me, Faith,

1:02:51.640 --> 1:02:53.560
<v Speaker 2>you got a five my fifth?

1:02:55.400 --> 1:02:56.320
<v Speaker 1>How could you? Mario?

1:02:57.080 --> 1:03:00.920
<v Speaker 2>That's a record and he's singing and the bridge, all

1:03:01.000 --> 1:03:02.440
<v Speaker 2>the elements of the R and B.

1:03:15.800 --> 1:03:20.960
<v Speaker 1>I didn't even know. Oh my god, bro, you sing

1:03:21.040 --> 1:03:23.400
<v Speaker 1>somebody thinking about a ghetto common him.

1:03:24.160 --> 1:03:28.120
<v Speaker 2>The only that that song when people when we talk

1:03:28.160 --> 1:03:29.880
<v Speaker 2>about the elements of R and B, and then if

1:03:29.920 --> 1:03:32.760
<v Speaker 2>you try to use a modern artist, it makes sense

1:03:33.560 --> 1:03:36.560
<v Speaker 2>that song has all of the elements that it has,

1:03:36.640 --> 1:03:38.760
<v Speaker 2>the feel, it has, the it has the production that

1:03:39.160 --> 1:03:41.200
<v Speaker 2>the correct chord changes the bridge.

1:03:41.680 --> 1:03:44.800
<v Speaker 3>He's really singing like Lawless record. It's like, man, thank

1:03:44.840 --> 1:03:48.200
<v Speaker 3>you Lawless. Yeah, shout out to my guysds.

1:03:48.440 --> 1:03:50.520
<v Speaker 1>We did that record. I'm an underdog, stand.

1:03:51.400 --> 1:03:53.360
<v Speaker 2>I feel like my sole purpose in R and B

1:03:53.680 --> 1:04:02.000
<v Speaker 2>is to convince everybody that the underdogs created, like all

1:04:02.280 --> 1:04:05.920
<v Speaker 2>all of my favorite records again goes back to me

1:04:06.240 --> 1:04:09.880
<v Speaker 2>first kind of getting hip to Dawkins and Dawkins, so

1:04:10.120 --> 1:04:13.680
<v Speaker 2>like that's it's like a lineage there and like a

1:04:13.760 --> 1:04:17.800
<v Speaker 2>bunch of consistency all of like a huge majority of

1:04:17.880 --> 1:04:19.840
<v Speaker 2>my favorite records are all underdog records.

1:04:20.720 --> 1:04:21.400
<v Speaker 4>Her jeans and.

1:04:23.320 --> 1:04:26.480
<v Speaker 1>I like your style. I like what's going.

1:04:28.320 --> 1:04:28.680
<v Speaker 4>What we got.

1:04:29.000 --> 1:04:30.680
<v Speaker 1>I feel like we got a cold chick a moment.

1:04:35.000 --> 1:04:37.240
<v Speaker 1>Come on. Taking back to Jordan Down, I ain't saying

1:04:37.320 --> 1:04:40.080
<v Speaker 1>no Nicks. I ain't saying no name. Hey, I ain't

1:04:40.120 --> 1:04:51.120
<v Speaker 1>saying no names, saying what you don't say. She, I

1:04:51.160 --> 1:04:52.680
<v Speaker 1>ain't saying no name.

1:04:58.680 --> 1:04:58.720
<v Speaker 2>Y.

1:05:00.920 --> 1:05:04.840
<v Speaker 1>Oh my god, man, that was I'm sick of Oh

1:05:05.040 --> 1:05:07.880
<v Speaker 1>my god. That's good. We know that he's not coming

1:05:07.920 --> 1:05:11.280
<v Speaker 1>back to play for us next week. He just hit

1:05:11.360 --> 1:05:15.840
<v Speaker 1>the last This might need a raise, you might need alo.

1:05:19.680 --> 1:05:24.680
<v Speaker 1>That's good. That's good in church, man.

1:05:25.280 --> 1:05:27.080
<v Speaker 2>All right, So you know this segment, man, it's a

1:05:27.160 --> 1:05:29.760
<v Speaker 2>very important segment of the show. It's called I Ain't

1:05:29.760 --> 1:05:31.920
<v Speaker 2>saying no names? Will you tell us a story funny

1:05:31.960 --> 1:05:35.120
<v Speaker 2>or fucked up? Funny and fucked up? And the travels

1:05:35.120 --> 1:05:36.240
<v Speaker 2>of Kenya and Dixon.

1:05:36.680 --> 1:05:39.600
<v Speaker 1>Mm hmm, the Coach of Crypt, the Coach of Crip,

1:05:40.440 --> 1:05:45.120
<v Speaker 1>my god, the Lucky Man himself. You know what I mean?

1:05:45.200 --> 1:05:47.200
<v Speaker 2>Because you know, we need to make sure that we

1:05:47.680 --> 1:05:49.720
<v Speaker 2>put that in it. We put that in the atmosphere. Man,

1:05:49.760 --> 1:05:52.600
<v Speaker 2>if you win this Grammy that's coming.

1:05:52.440 --> 1:05:55.080
<v Speaker 1>Up, get that. Let's get that for you.

1:05:55.200 --> 1:05:57.960
<v Speaker 2>I'm sorry because I don't. I got to actually relook

1:05:58.000 --> 1:05:59.280
<v Speaker 2>and see the rest of the people.

1:05:59.120 --> 1:06:02.080
<v Speaker 1>That's in it. But I'm yeah, I'm voting for you

1:06:02.360 --> 1:06:04.760
<v Speaker 1>because I am a voter. I appreciate you man, you

1:06:04.800 --> 1:06:08.160
<v Speaker 1>know I want you to win. I appreciate it. But yeah, man,

1:06:08.200 --> 1:06:10.160
<v Speaker 1>we need we need a story. Man, I ain't saying

1:06:10.160 --> 1:06:13.280
<v Speaker 1>no name stories. I got it some good. I know

1:06:13.400 --> 1:06:16.160
<v Speaker 1>you do. I know you do because you know you've

1:06:16.200 --> 1:06:18.080
<v Speaker 1>been there. I'll tell you one. This is more so

1:06:18.360 --> 1:06:22.720
<v Speaker 1>like I like this story because there's a lesson in it.

1:06:22.920 --> 1:06:27.560
<v Speaker 1>There's a lesson in artists and songwriters needing to know

1:06:27.680 --> 1:06:33.680
<v Speaker 1>their business and what they're into. So my first you know,

1:06:33.720 --> 1:06:35.840
<v Speaker 1>I had signed my first pub deal. I was young,

1:06:36.080 --> 1:06:41.000
<v Speaker 1>you know what I mean. Now, I would know, don't

1:06:41.120 --> 1:06:45.520
<v Speaker 1>sign this until you have already had records that would

1:06:45.880 --> 1:06:49.280
<v Speaker 1>you know, increase your leverage and negotiating. But you're young.

1:06:50.600 --> 1:06:52.720
<v Speaker 1>The money looks like it's more than I ever had,

1:06:52.920 --> 1:06:55.400
<v Speaker 1>so you know what I mean, So sign a pub deal.

1:06:57.040 --> 1:06:58.800
<v Speaker 1>I had an M D R C deal because they

1:06:58.840 --> 1:07:02.360
<v Speaker 1>don't exist anymore. My deal with percentages, So it's been

1:07:02.640 --> 1:07:05.600
<v Speaker 1>everybody watching. Yeah, it's been mentioned on this show, so

1:07:05.920 --> 1:07:09.920
<v Speaker 1>you know, like it was based on percentages. It was

1:07:09.960 --> 1:07:13.840
<v Speaker 1>like two point five but a half songs, well two

1:07:13.960 --> 1:07:17.440
<v Speaker 1>hundred and fifty percent as a co writer. If I'm

1:07:17.480 --> 1:07:21.440
<v Speaker 1>walking in sessions though, and I'm only getting something out

1:07:21.440 --> 1:07:23.200
<v Speaker 1>of fifty percent of the composition.

1:07:23.480 --> 1:07:26.800
<v Speaker 2>That's ten songs, that's twenty songs, that's that's it would

1:07:26.800 --> 1:07:27.880
<v Speaker 2>have songs whatever.

1:07:28.000 --> 1:07:30.400
<v Speaker 1>Yeah, yeah, and you know how you do it a

1:07:30.560 --> 1:07:33.440
<v Speaker 1>long time, our com a very long time. So I

1:07:33.640 --> 1:07:37.920
<v Speaker 1>was like, I was in a deal, and I was

1:07:38.000 --> 1:07:42.000
<v Speaker 1>actually like turned off by collaborating early on because my

1:07:42.080 --> 1:07:45.160
<v Speaker 1>mind was thinking, you're never about to get two hundred

1:07:45.160 --> 1:07:48.800
<v Speaker 1>and fifty percent, especially like exactly you know, when you

1:07:48.880 --> 1:07:51.200
<v Speaker 1>do sessions, like when you're just starting with like you know,

1:07:51.760 --> 1:07:54.439
<v Speaker 1>publishers they put you in sessions. It's like five five

1:07:54.480 --> 1:07:56.760
<v Speaker 1>other people. So some sitting in the session like, man,

1:07:56.800 --> 1:07:59.240
<v Speaker 1>I'm gonna walk out of here with three percent, and

1:07:59.360 --> 1:08:01.680
<v Speaker 1>I got to get to two hundred and fifty. That

1:08:02.040 --> 1:08:05.760
<v Speaker 1>is a lot of songs. And even like as a

1:08:05.960 --> 1:08:08.400
<v Speaker 1>as a writer like young coming up in the game

1:08:08.480 --> 1:08:10.720
<v Speaker 1>at the time, even if you land a big record,

1:08:11.000 --> 1:08:13.000
<v Speaker 1>you're not about to get the whole fifty percent of

1:08:13.480 --> 1:08:16.519
<v Speaker 1>what you know, what you what you wrote. So I'm like, okay,

1:08:16.960 --> 1:08:20.080
<v Speaker 1>So all of my money, I mean, all of my

1:08:20.600 --> 1:08:26.080
<v Speaker 1>fulfillment of the contract was based on a project I

1:08:26.200 --> 1:08:28.640
<v Speaker 1>had written on and I had written a bunch of

1:08:28.800 --> 1:08:31.680
<v Speaker 1>songs and I'm like, I'm counting. I'm like, yeah, we're

1:08:31.680 --> 1:08:33.160
<v Speaker 1>finna get out of here, going to get to this

1:08:33.280 --> 1:08:35.559
<v Speaker 1>next it's actually gonna roll me over into the next option.

1:08:36.080 --> 1:08:38.400
<v Speaker 1>And then because only had one option in this contract,

1:08:38.439 --> 1:08:39.800
<v Speaker 1>and I'm like, all right, I'm gonna be good.

1:08:40.000 --> 1:08:43.360
<v Speaker 2>Niggas be doing publishing numbers like niggas be doing prison center.

1:08:47.120 --> 1:08:49.479
<v Speaker 1>On this one charge. So they're gonna let me out,

1:08:49.840 --> 1:08:51.760
<v Speaker 1>you know what I mean for good behavior? Yo, that's

1:08:52.479 --> 1:08:53.160
<v Speaker 1>I got times.

1:08:54.360 --> 1:08:56.800
<v Speaker 2>That's essentially what happened. It's just what, Oh my god,

1:08:56.920 --> 1:08:59.880
<v Speaker 2>this is jail talk, bro, if a show felt like jail.

1:09:00.439 --> 1:09:03.799
<v Speaker 1>So I'm like, I'm like, okay, cool, I'm counting. I'm

1:09:03.880 --> 1:09:08.439
<v Speaker 1>literally like looking in my at my splits every other

1:09:08.560 --> 1:09:10.759
<v Speaker 1>day to make sure that the numbers that I'm calculating

1:09:10.800 --> 1:09:13.439
<v Speaker 1>are real. I'm like, okay, so this's thirteen, it's twenty five.

1:09:13.439 --> 1:09:16.280
<v Speaker 1>I'm like that add up, we got we crossed two

1:09:16.320 --> 1:09:17.639
<v Speaker 1>hundred and fifty percent. I'm sure.

1:09:19.360 --> 1:09:25.080
<v Speaker 2>Finally time turning the records. The artist went independent in

1:09:25.240 --> 1:09:30.040
<v Speaker 2>the middle of that process. Oh no, So little did

1:09:30.080 --> 1:09:33.559
<v Speaker 2>I know in my contract independent doesn't count.

1:09:33.400 --> 1:09:36.000
<v Speaker 1>Be a major release. I had to be a major release.

1:09:36.360 --> 1:09:39.080
<v Speaker 1>The independent didn't count. So here I am with like

1:09:39.920 --> 1:09:42.680
<v Speaker 1>with like seven eight raand all of it, all of it,

1:09:42.880 --> 1:09:46.160
<v Speaker 1>and they're like, yeah, no, none of this counts. Go

1:09:46.280 --> 1:09:49.479
<v Speaker 1>back to yourself. Literally That's what I felt like, Bro.

1:09:50.160 --> 1:09:54.920
<v Speaker 2>So that I just remember, like, bro, that had like

1:09:55.040 --> 1:09:58.120
<v Speaker 2>turned me off from music because I'm just like, I'm

1:09:58.240 --> 1:10:00.120
<v Speaker 2>never getting out of this publishing deal because you you know,

1:10:00.280 --> 1:10:02.400
<v Speaker 2>like when you're in and especially like when you're young

1:10:02.520 --> 1:10:04.879
<v Speaker 2>like that, you think the only way out.

1:10:05.080 --> 1:10:09.080
<v Speaker 1>Is if they let you out based on you fulfilling everything.

1:10:09.160 --> 1:10:11.680
<v Speaker 1>I'm not thinking there's no loopholes or like. So I

1:10:11.880 --> 1:10:15.080
<v Speaker 1>just remember like feeling defeated. I'm like, I'm never writing

1:10:15.160 --> 1:10:17.840
<v Speaker 1>another song, doing another session, like you know what I mean.

1:10:18.200 --> 1:10:22.560
<v Speaker 1>And it just so happened that the publishing situation just

1:10:22.640 --> 1:10:26.640
<v Speaker 1>kind of like resolved itself, and luckily I was just

1:10:26.720 --> 1:10:30.200
<v Speaker 1>able to get out of the deal with no real

1:10:30.560 --> 1:10:33.880
<v Speaker 1>like no real consequences. I was able to just kind

1:10:33.920 --> 1:10:36.519
<v Speaker 1>of get out. I had to let go in order

1:10:36.560 --> 1:10:39.160
<v Speaker 1>to get out, I gave up a lot of publishing

1:10:39.479 --> 1:10:43.040
<v Speaker 1>on songs that I had already written. That's how bad

1:10:43.080 --> 1:10:45.200
<v Speaker 1>I wanted to get out of the deal. However, I

1:10:45.600 --> 1:10:49.200
<v Speaker 1>was smart. I read my statements. I knew, you've made

1:10:49.240 --> 1:10:51.680
<v Speaker 1>all the money you gonna make already. You've made all

1:10:51.720 --> 1:10:54.760
<v Speaker 1>the money you're gonna make already. I knew what songs. Yeah,

1:10:54.840 --> 1:10:58.040
<v Speaker 1>that made sense to give up. But that for me, man,

1:10:58.120 --> 1:10:59.840
<v Speaker 1>that felt like the end of the world. And then

1:11:00.200 --> 1:11:03.720
<v Speaker 1>the money had been going like yeah, that advance I'm

1:11:03.760 --> 1:11:05.280
<v Speaker 1>talking about. As soon as I got it, I went.

1:11:05.360 --> 1:11:07.240
<v Speaker 1>First thing I did I get I went to the

1:11:07.240 --> 1:11:09.280
<v Speaker 1>Beverly Center. Bro brought some Gucci shoes. You gotta go,

1:11:09.400 --> 1:11:11.120
<v Speaker 1>And I was young, you know what I mean. It

1:11:11.240 --> 1:11:16.720
<v Speaker 1>was I first yo, I was about center. I was like,

1:11:17.760 --> 1:11:20.960
<v Speaker 1>you got to go about it. Five thousand cash, I

1:11:21.040 --> 1:11:23.800
<v Speaker 1>mean with with the with the bank envelope, like you

1:11:23.880 --> 1:11:24.479
<v Speaker 1>want to envelope?

1:11:24.600 --> 1:11:25.120
<v Speaker 4>Yeah, I want to.

1:11:25.439 --> 1:11:26.559
<v Speaker 1>I want to envelope take with me.

1:11:26.600 --> 1:11:27.479
<v Speaker 2>Too, Bro.

1:11:27.880 --> 1:11:32.320
<v Speaker 1>I spent forty dollars on something. I was like, I

1:11:32.479 --> 1:11:34.960
<v Speaker 1>was like twenty one. I was like twenty one, twenty two.

1:11:35.040 --> 1:11:35.840
<v Speaker 1>I was super young.

1:11:36.400 --> 1:11:38.560
<v Speaker 2>So that that money, that money was called you know

1:11:38.600 --> 1:11:40.320
<v Speaker 2>what I mean, like it was It wasn't a lot

1:11:40.720 --> 1:11:47.160
<v Speaker 2>like so I uh, just thinking like about the reality

1:11:47.200 --> 1:11:48.760
<v Speaker 2>of being stuck in this deal and if I go

1:11:48.920 --> 1:11:49.479
<v Speaker 2>make some money.

1:11:49.520 --> 1:11:52.040
<v Speaker 1>Basically y'all still get to take it. I gotta live

1:11:52.320 --> 1:11:55.240
<v Speaker 1>off of you know what I mean, what y'all gave

1:11:55.320 --> 1:11:58.479
<v Speaker 1>me that's been gone, like it ain't there no more.

1:11:58.800 --> 1:12:01.000
<v Speaker 1>Thank God for touring, because then that's the money I

1:12:01.040 --> 1:12:05.360
<v Speaker 1>can make that y'all don't touch. So it's like, I just, yeah,

1:12:05.600 --> 1:12:06.960
<v Speaker 1>it put me in a weird position, man, and it

1:12:07.000 --> 1:12:09.160
<v Speaker 1>turned me off for a long time, and it took

1:12:09.200 --> 1:12:13.639
<v Speaker 1>me a minute to start collaborating, especially because thinking about

1:12:14.120 --> 1:12:16.240
<v Speaker 1>having to get to that two hundred and fifty percent

1:12:16.800 --> 1:12:19.320
<v Speaker 1>made me be like, man, I'm just gonna write everything

1:12:19.439 --> 1:12:21.920
<v Speaker 1>by myself because I don't want to have to, you know,

1:12:22.040 --> 1:12:25.760
<v Speaker 1>go through that. So yeah, that was a testament to

1:12:26.080 --> 1:12:30.160
<v Speaker 1>like it was. It was weird because when I talked

1:12:30.160 --> 1:12:33.200
<v Speaker 1>about it after, had a whole bunch of people around

1:12:33.240 --> 1:12:35.760
<v Speaker 1>me like, oh, everybody knows not why y'all niggas don't

1:12:35.760 --> 1:12:38.120
<v Speaker 1>tell me this, Why y'all let me just sign you

1:12:38.160 --> 1:12:41.080
<v Speaker 1>know what I mean? So I talk about it because

1:12:41.360 --> 1:12:46.240
<v Speaker 1>I want to inform other writers and the artists coming up, like, YO,

1:12:46.439 --> 1:12:48.800
<v Speaker 1>know what you're getting into before you should start signing.

1:12:48.920 --> 1:12:51.000
<v Speaker 2>But I think the other thing that the artists and

1:12:51.040 --> 1:12:56.560
<v Speaker 2>writers should be mindful of too, is that there's this

1:12:56.640 --> 1:13:00.000
<v Speaker 2>thing car renegotiation, you know what I mean? Ye yea yeah,

1:13:00.040 --> 1:13:02.800
<v Speaker 2>And and I wish someone would would have would have

1:13:02.840 --> 1:13:04.880
<v Speaker 2>been able to have that conversation with you before you

1:13:04.960 --> 1:13:08.240
<v Speaker 2>got into the mindset of I'm so turned off by

1:13:08.320 --> 1:13:09.200
<v Speaker 2>this and I don't because the.

1:13:09.160 --> 1:13:11.120
<v Speaker 1>Truth of the matter is that the work will get

1:13:11.160 --> 1:13:12.720
<v Speaker 1>you out. Yep, you know what I mean.

1:13:12.760 --> 1:13:15.840
<v Speaker 2>It may not be that the work for doing those songs,

1:13:15.920 --> 1:13:21.160
<v Speaker 2>that that many and that, but if you get the record, yeah,

1:13:21.479 --> 1:13:23.840
<v Speaker 2>that shifts everything, you know what I mean. And you

1:13:23.880 --> 1:13:27.920
<v Speaker 2>know we spoke about justin Timberlake earlier. Justin Timberlake was

1:13:27.960 --> 1:13:34.440
<v Speaker 2>the shift for me. Me writing Celebrity for InSync completely

1:13:34.600 --> 1:13:38.400
<v Speaker 2>obliterated my whole deal. Like it was, it was a rap, like, oh,

1:13:39.000 --> 1:13:41.840
<v Speaker 2>y'all think I'm gonna show up for what y'all gave

1:13:41.960 --> 1:13:46.920
<v Speaker 2>me for before I had celebrity, y'all shure rabbit ass mine.

1:13:48.479 --> 1:13:49.760
<v Speaker 1>I need it. I need it.

1:13:50.360 --> 1:13:53.000
<v Speaker 2>So either y'all gonna give me this crazy amount I won't,

1:13:53.080 --> 1:13:54.960
<v Speaker 2>or y'all gonna let me walk, or we're.

1:13:54.800 --> 1:13:55.800
<v Speaker 1>Gonna figure something out.

1:13:56.400 --> 1:13:59.760
<v Speaker 2>But it's you know, it's the success and it is

1:14:00.000 --> 1:14:03.759
<v Speaker 2>but changes these deals, like people try to people try

1:14:03.880 --> 1:14:13.920
<v Speaker 2>to fix their situations without having success. Right, most people

1:14:14.040 --> 1:14:17.080
<v Speaker 2>complain about the you know, the bad deal or the

1:14:17.520 --> 1:14:24.439
<v Speaker 2>bad person when they don't have more success. I don't

1:14:24.439 --> 1:14:27.479
<v Speaker 2>give a fuck about who or what I dealt with

1:14:27.640 --> 1:14:30.439
<v Speaker 2>early on in my career. Mm hm, that shit was

1:14:30.520 --> 1:14:32.679
<v Speaker 2>par for the course for me. That's just me personally,

1:14:33.240 --> 1:14:34.559
<v Speaker 2>you know what I mean. And some people are like, oh,

1:14:35.439 --> 1:14:38.280
<v Speaker 2>every deal ain't gonna be It's not going to be fair,

1:14:39.479 --> 1:14:40.080
<v Speaker 2>especially to.

1:14:41.680 --> 1:14:46.479
<v Speaker 1>The party that has no success yet. It's going to

1:14:46.560 --> 1:14:47.320
<v Speaker 1>be lopsided.

1:14:48.920 --> 1:14:50.720
<v Speaker 2>Your first deal is going to be like, why would

1:14:50.760 --> 1:14:56.639
<v Speaker 2>I give you more when I have to invest? You're

1:14:56.680 --> 1:14:58.240
<v Speaker 2>not going to run to the bank and say, yeah,

1:14:58.320 --> 1:15:03.400
<v Speaker 2>so I won't buy this house, right, I think you

1:15:03.439 --> 1:15:05.759
<v Speaker 2>should give me this long.

1:15:08.280 --> 1:15:09.840
<v Speaker 1>And I shouldn't have to pay none of it back.

1:15:11.160 --> 1:15:15.040
<v Speaker 1>Why do you sound crazy? It's not our business works.

1:15:16.400 --> 1:15:17.080
<v Speaker 1>We gotta start.

1:15:17.160 --> 1:15:20.559
<v Speaker 2>We gotta really start understanding and preaching business to people.

1:15:20.640 --> 1:15:23.720
<v Speaker 2>I guess, okay, you should know what you're signing one

1:15:25.840 --> 1:15:30.120
<v Speaker 2>so that you can be at one with what that

1:15:30.280 --> 1:15:33.680
<v Speaker 2>deal says, because you maybe you need that opportunity, and

1:15:33.680 --> 1:15:35.160
<v Speaker 2>if you don't need that opportunity, you don't have to

1:15:35.200 --> 1:15:39.840
<v Speaker 2>sign it. But stop saying what somebody made you sign

1:15:40.040 --> 1:15:45.280
<v Speaker 2>unless they actually physically you know what I mean, if

1:15:45.360 --> 1:15:48.120
<v Speaker 2>you signed it up on your own free will and

1:15:48.240 --> 1:15:50.840
<v Speaker 2>you were grown up, I want to hear that shit man,

1:15:51.360 --> 1:15:53.800
<v Speaker 2>not me, And it ain't Nobody can say I signed

1:15:53.840 --> 1:15:55.120
<v Speaker 2>them to a bad deal because I haven't done no

1:15:55.200 --> 1:15:57.160
<v Speaker 2>bad deals with no people, you know what I mean.

1:15:57.280 --> 1:15:59.519
<v Speaker 2>But I'm saying for people who have done deals they

1:15:59.560 --> 1:16:04.080
<v Speaker 2>consider to be bad. Hey, man, if you signed under

1:16:04.120 --> 1:16:05.920
<v Speaker 2>your free will, you got to deal with the consequences

1:16:05.920 --> 1:16:08.479
<v Speaker 2>of that deal. There's some ship that I was signed

1:16:08.479 --> 1:16:09.880
<v Speaker 2>to that I was signed to for years.

1:16:11.040 --> 1:16:12.240
<v Speaker 1>I had to work my way out of it.

1:16:12.320 --> 1:16:12.400
<v Speaker 5>Bro.

1:16:13.360 --> 1:16:15.439
<v Speaker 1>I took a lot of money, you know what I'm saying.

1:16:16.080 --> 1:16:20.560
<v Speaker 1>I needed that money. Was a signist. I mean, I

1:16:20.680 --> 1:16:22.680
<v Speaker 1>was signis some good ship. But it was just.

1:16:24.400 --> 1:16:29.400
<v Speaker 3>None of the ship was honored. That's a whole other conversation.

1:16:30.000 --> 1:16:32.000
<v Speaker 3>It just wasn't honest by But.

1:16:33.720 --> 1:16:38.120
<v Speaker 1>I'm supposed to get you facts.

1:16:38.200 --> 1:16:38.360
<v Speaker 4>Man.

1:16:38.760 --> 1:16:41.360
<v Speaker 1>It took, and it only took. See for me, that

1:16:41.479 --> 1:16:46.200
<v Speaker 1>was my that was my first like just introduced to

1:16:46.280 --> 1:16:51.040
<v Speaker 1>the game and introduced to a contract. So it was like,

1:16:51.800 --> 1:16:55.360
<v Speaker 1>and what's crazy is the lawyer, you know, you gotta

1:16:55.400 --> 1:16:57.759
<v Speaker 1>be careful who you have do these deals because sometimes

1:16:57.840 --> 1:17:00.320
<v Speaker 1>they know who they're negotiating for it. And like this

1:17:00.640 --> 1:17:04.920
<v Speaker 1>went back. Yeah, friends say yeah, So like for me,

1:17:05.120 --> 1:17:08.960
<v Speaker 1>it was like to the lawyer, you know, it probably

1:17:08.960 --> 1:17:12.840
<v Speaker 1>wouldn't that wasn't a big deal. He probably does like

1:17:13.040 --> 1:17:15.599
<v Speaker 1>fifteen of these every day where he's just like, yep,

1:17:15.720 --> 1:17:19.320
<v Speaker 1>let's go another one. So like, I'm grateful for the

1:17:19.439 --> 1:17:23.599
<v Speaker 1>lessons I learned from it, because now I won't sign

1:17:23.680 --> 1:17:28.280
<v Speaker 1>anything without understanding what I'm signing. So that's what that's

1:17:28.360 --> 1:17:30.439
<v Speaker 1>the that's the positive in it. If it made me

1:17:30.640 --> 1:17:33.639
<v Speaker 1>learn everything I could every term. If I don't understand,

1:17:33.680 --> 1:17:35.800
<v Speaker 1>I'm looking it up, I'm asking questions. I want to

1:17:35.880 --> 1:17:37.599
<v Speaker 1>know what this is. What does this mean?

1:17:38.360 --> 1:17:42.360
<v Speaker 2>Like information is available to you, Yep, that's the that's

1:17:42.439 --> 1:17:44.760
<v Speaker 2>the key right there. The information is available to you,

1:17:46.000 --> 1:17:52.000
<v Speaker 2>right And but what sometimes isn't available to you. It's

1:17:52.040 --> 1:17:56.200
<v Speaker 2>how you're gonna pay your rent. Sometimes you have to.

1:17:56.640 --> 1:17:59.360
<v Speaker 2>That is a trade off. I did not want to

1:17:59.439 --> 1:18:03.160
<v Speaker 2>have to move back home. Yeah, I don't want to

1:18:03.160 --> 1:18:06.639
<v Speaker 2>have to move back home. Actually I wanted an actual

1:18:06.720 --> 1:18:07.360
<v Speaker 2>bed at the time.

1:18:07.479 --> 1:18:07.800
<v Speaker 4>Have no bed.

1:18:07.840 --> 1:18:09.720
<v Speaker 2>I'll sleep on the floor, you know what I'm saying.

1:18:09.760 --> 1:18:12.240
<v Speaker 2>So I'm like, ship, I gotta do this deal, man. Yeah,

1:18:13.479 --> 1:18:14.360
<v Speaker 2>we'll see how it works.

1:18:16.520 --> 1:18:17.840
<v Speaker 1>That's a very real part of it.

1:18:17.880 --> 1:18:20.960
<v Speaker 3>It's a very real part of this business, bro. So

1:18:22.080 --> 1:18:25.840
<v Speaker 3>it takes the stories man like that, Like nobody doesn't.

1:18:25.960 --> 1:18:29.760
<v Speaker 3>Nobody's really in this ship. Don't have a story like that.

1:18:30.360 --> 1:18:32.880
<v Speaker 3>You have to because this ship takes all this part

1:18:32.920 --> 1:18:36.360
<v Speaker 3>of it. Yeah, it takes all you got.

1:18:36.800 --> 1:18:37.760
<v Speaker 1>I'm glad you didn't stop.

1:18:37.840 --> 1:18:37.920
<v Speaker 3>Bro.

1:18:38.479 --> 1:18:40.680
<v Speaker 1>We need you in this ship absolutely. You know what

1:18:40.680 --> 1:18:41.080
<v Speaker 1>I'm saying.

1:18:41.160 --> 1:18:43.559
<v Speaker 4>Like you you are a.

1:18:43.840 --> 1:18:47.599
<v Speaker 1>Needed needed voice pin the R and B. We love

1:18:47.760 --> 1:18:50.880
<v Speaker 1>the R and B. We love man, appreciate your career.

1:18:51.520 --> 1:18:52.240
<v Speaker 1>That's good ship.

1:18:52.880 --> 1:18:55.120
<v Speaker 4>I love that you love.

1:18:55.240 --> 1:18:58.960
<v Speaker 1>I need a T shirt. I got the merch crack

1:18:59.600 --> 1:18:59.760
<v Speaker 1>for you.

1:19:00.280 --> 1:19:05.000
<v Speaker 3>Come on, give me easy, ladies, ladies and gentlemen. My

1:19:05.120 --> 1:19:08.240
<v Speaker 3>name is Tank Valentine. This is the R and B

1:19:08.400 --> 1:19:13.960
<v Speaker 3>Money Podcast, the authority Yes on all things R and B,

1:19:14.640 --> 1:19:16.600
<v Speaker 3>especially the R and B.

1:19:17.680 --> 1:19:22.280
<v Speaker 1>You love talk about it. You're gonna be doing this

1:19:22.360 --> 1:19:23.479
<v Speaker 1>for a long time, my brother.

1:19:23.720 --> 1:19:27.920
<v Speaker 3>You have in no way people. You are going special places, man. Yeah,

1:19:28.080 --> 1:19:29.680
<v Speaker 3>and I pray and believe that for I.

1:19:29.680 --> 1:19:32.160
<v Speaker 1>Appreciate you got a home here, man, good Way. We're

1:19:32.160 --> 1:19:44.880
<v Speaker 1>waiting on God, They're gonna be wait you. R and

1:19:45.000 --> 1:19:45.799
<v Speaker 1>B Money.

1:19:46.920 --> 1:19:48.679
<v Speaker 2>R and B Money is a production of the Black

1:19:48.760 --> 1:19:53.360
<v Speaker 2>Effect podcast Network. For more podcasts from iHeart Radio, visit

1:19:53.439 --> 1:19:57.240
<v Speaker 2>the iHeartRadio app, Apple Podcasts, or wherever you listen to

1:19:57.320 --> 1:20:00.880
<v Speaker 2>your favorite shows. Don't forget to subscribe to and rate

1:20:00.920 --> 1:20:03.360
<v Speaker 2>our show, and you can connect with us on social

1:20:03.439 --> 1:20:07.040
<v Speaker 2>media at Jay Valentine and at the Real Tank. For

1:20:07.200 --> 1:20:12.320
<v Speaker 2>the extended episode, subscribe to YouTube dot com, forward Slash,

1:20:12.640 --> 1:20:13.120
<v Speaker 2>R and B mon