WEBVTT - The Delightful Deviant Behind "The Human Centipede"

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<v Speaker 1>This is Alec Baldwin and you were listening to Here's

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<v Speaker 1>the Thing. The Human Centipede, the only movie Roger Ebert

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<v Speaker 1>ever refused to give a star rating too it is

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<v Speaker 1>what it is. He concluded. It was the talk of

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<v Speaker 1>the festival circuit in two thousand nine, the talk at dinner,

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<v Speaker 1>not panel discussions. It was too cruel, too cracked. High

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<v Speaker 1>school boys were emailing each other gross out clips. Many

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<v Speaker 1>reviewers wouldn't even recount the premise I will so feel

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<v Speaker 1>free to skip ahead about one minute. The movie, the

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<v Speaker 1>first of a trilogy, starts with the familiar horror trope

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<v Speaker 1>of two pretty young women getting a flat tire at

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<v Speaker 1>night in the rain in the woods. I think we're

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<v Speaker 1>supposed to turn. I thought you know exactly where we were?

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<v Speaker 1>What was that? They end up in the home of

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<v Speaker 1>a demented surgeon. Then the familiar tropes end because Dr Hyder,

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<v Speaker 1>once a get this respected separator of Siamese Twins, has

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<v Speaker 1>a late career goal. It's to kidnap three people, sever

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<v Speaker 1>their knees and so their bodies together mouth to anus,

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<v Speaker 1>creating one long digestive system. It's a bleak movie, terrifying

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<v Speaker 1>and bloody, Deeter Laser's suave doctor Hyder is mangel alike

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<v Speaker 1>in his dispassionate cruelty, and the victims play their roles

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<v Speaker 1>with no wink or nod to break the tension, but

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<v Speaker 1>shock wears off. The movie that Roger Ebert refused to

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<v Speaker 1>review is now firmly a part of the American popular culture.

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<v Speaker 1>We have a long treasured tradition here on our show,

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<v Speaker 1>which celebrates the Festival of Lights. It's time once again

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<v Speaker 1>for our annual lighting of the human centipede Menorah humans.

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<v Speaker 1>The originator of the human centipede is improbably a charming

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<v Speaker 1>panama hat wearing young Dutchman named Tom six. He had

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<v Speaker 1>just arrived from Amsterdam and brought with him his longtime

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<v Speaker 1>business partner who's also his sister. We think, how do

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<v Speaker 1>you pronounce your first time again? Ilona? Okay, So we've

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<v Speaker 1>all met before. Because I was in the unique club

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<v Speaker 1>of people who watched your magnum Opus and was just

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<v Speaker 1>knocked out. I thought, my god, I've got to meet

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<v Speaker 1>the guy that made this movie. And you were so cheery,

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<v Speaker 1>you were like it. We was so kind of animated

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<v Speaker 1>and boyish in a way I was prepared for. You

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<v Speaker 1>were like Ronnie Howard, Hello Alec, I am Tom and

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<v Speaker 1>this is my sister Elona, and she was like hello Alec.

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<v Speaker 1>There was no black clothes and like spider webs in

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<v Speaker 1>the corner. The dangerous thing right You said to me

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<v Speaker 1>and said we are going to redefine evil? He said exactly,

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<v Speaker 1>And I got a chill. I thought, Man, if anybody's

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<v Speaker 1>going to redefined evil, it's you. What is horror to

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<v Speaker 1>you in film? In filmmaking to me is when you're

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<v Speaker 1>in a situation, you're attached to a to an asshole,

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<v Speaker 1>You're in a situation where you can't leave, and it's

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<v Speaker 1>worse than death. You want to die but you can't. Absolutely,

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<v Speaker 1>where did you first get the idea? It's very simple,

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<v Speaker 1>wasn't your idea? Yeah? Definitely. I was watching television and

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<v Speaker 1>there was a child molester on and he did the

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<v Speaker 1>most terrible things to two children and he got a

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<v Speaker 1>very low sentence because of a mistake they made. And

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<v Speaker 1>I was angry, and I said, day suit, stitch his

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<v Speaker 1>mouth to the anus of a fat truck on me,

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<v Speaker 1>because that would be a great bunch something good. Out

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<v Speaker 1>of a desire for justice absolutely emerged, this twisted idea

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<v Speaker 1>of your film. Absolutely, you said this man should have

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<v Speaker 1>his mouth sown to the of the famous trunk driver,

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<v Speaker 1>on his hands and knees because death would be in

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<v Speaker 1>sever his knee, like absolute, we can't run away. Absolutely,

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<v Speaker 1>And then I immediately my then girlfriend I put it

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<v Speaker 1>on their hands and knees and I took a picture

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<v Speaker 1>and then I photoshopped her behind each other. And I

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<v Speaker 1>thought that a great idea for a movie. This looks amazing,

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<v Speaker 1>But at the same time, it's so incredibly horrifying the

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<v Speaker 1>idea that you have to without saying, well, I wouldn't

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<v Speaker 1>say swallow. You're part of a chance of a digestive

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<v Speaker 1>chain that happened. It's hideous. But in your movie, uh,

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<v Speaker 1>this is not an act of justice. We're not taking

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<v Speaker 1>the child molester. I did it show him right your

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<v Speaker 1>first film. There was no justice there, and I thought

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<v Speaker 1>I need one of those old villains as as the

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<v Speaker 1>finger stign doctor almost created like a Peter Yeah, definitely.

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<v Speaker 1>And can you imagine he did over seventy films and

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<v Speaker 1>the guy was never cast as a horror villain never

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<v Speaker 1>never what did he play? Oh? Good, guys, it's great.

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<v Speaker 1>I'm sorry. I'm really going to struggle to keep a

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<v Speaker 1>straight face with you. I can't believe a funny meeting

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<v Speaker 1>you to roll our conversations. But so before you made

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<v Speaker 1>this movie, before you saw this horrible child lester who

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<v Speaker 1>was not meeted out a proper sentence for as your concern,

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<v Speaker 1>what was your childhood look in terms of film going.

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<v Speaker 1>I already loved horror films. I went to the video

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<v Speaker 1>stores and I my parents let me rent all those

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<v Speaker 1>horrible were your favorite films? Could Joe from Stephen King,

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<v Speaker 1>all those zombie films? Everything? I swallowed it up, and

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<v Speaker 1>I have this really big imagination. So when I was

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<v Speaker 1>a little kid, I said, I want to be about

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<v Speaker 1>to make films when I grow up. You did, Yeah,

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<v Speaker 1>definitely make films. A little camera When you said my

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<v Speaker 1>grandfather he came was the first film you mad? It

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<v Speaker 1>was a horror film, an alien caming out of a

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<v Speaker 1>guy's stomach. Had you seen the movie? Yeah, you're just

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<v Speaker 1>kind of taking that. You're riffing on playing with her character. Definitely,

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<v Speaker 1>so you had did you what kind of described to

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<v Speaker 1>us if you can in the most simple terms, But

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<v Speaker 1>how the other those effects work? Did you have like

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<v Speaker 1>a a mannequin that you had I I built those

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<v Speaker 1>puppets and the guy with a hand in it coming out.

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<v Speaker 1>I built his body and all, of course in a

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<v Speaker 1>simple way, but it already works. So what did he

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<v Speaker 1>do for a living in? How did he die? What

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<v Speaker 1>was the setting? Was it a space station something or

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<v Speaker 1>something like that. I built my room into this giant student. Yeah,

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<v Speaker 1>very low but no, but very a little small guy

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<v Speaker 1>at twelve or twelve yeah, yeah, yeah, but no tour

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<v Speaker 1>that is already maybe. And then where do you go

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<v Speaker 1>to college? I went to, uh, the New York Film Academy.

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<v Speaker 1>Strangely enough, I did a course here and you came here? Yeah,

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<v Speaker 1>I came here? How old? Eighteen? And I just want

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<v Speaker 1>did your parents something like kids always want to make films?

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<v Speaker 1>Let's send him to New York because here I still

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<v Speaker 1>remember there were guys from the film industry talking about

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<v Speaker 1>film and making film and it got me so in enthusiastic.

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<v Speaker 1>And then it was only two months and then I

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<v Speaker 1>got back to Holland and I was hired as a

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<v Speaker 1>television director for the first Big Brother show in Holland,

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<v Speaker 1>and I turned out I was very good at it.

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<v Speaker 1>So that was the first Big Brother in the world.

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<v Speaker 1>So then John them all, the big owner of a

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<v Speaker 1>Big Brother. He thought, yeah, you're one of our best directors,

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<v Speaker 1>so he sent me here. You tell American directors taking

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<v Speaker 1>the Big Brother program obviously, which they do quite often.

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<v Speaker 1>They do with Saturday Night Live. They do all those

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<v Speaker 1>types of programs and they bring them to other countries

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<v Speaker 1>and set them up in that country. So I was

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<v Speaker 1>going well in television, but I always wanted to make films.

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<v Speaker 1>So then I my sister, who was in law school,

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<v Speaker 1>she quit god and then we started the six Entertainment

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<v Speaker 1>Company and we made three films in Holland Dutch language films. Now.

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<v Speaker 1>One is the Two Women are Trapped in the Department Store. Yes, yes, absolutely,

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<v Speaker 1>films like Honey's. It's like Honey, Yeah, children's movie for

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<v Speaker 1>a little so it's Sweden innocent, okay. So so that's

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<v Speaker 1>the first film. The second film, the first one was

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<v Speaker 1>in the gay disco Amsterdam. In that time, I had

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<v Speaker 1>a very famous gay scene all over the world, and

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<v Speaker 1>I had a couple of friends who were gazed, and

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<v Speaker 1>they told me those horrendous stories about pill popping and

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<v Speaker 1>all the things you do in Amsterdam. But when you're paid,

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<v Speaker 1>popper's wild. So I made a film about that, and

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<v Speaker 1>then I moved on to Honey's and then I went

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<v Speaker 1>on to make I Love Drees and it's very cool.

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<v Speaker 1>It's about a famous Dutch singer. He plays himself and

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<v Speaker 1>he's abducted by two very fat people who live in

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<v Speaker 1>a trailer park. And the woman is his biggest fan.

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<v Speaker 1>She doors the singer, so they abducted him like misery. Absolutely,

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<v Speaker 1>but it gets worse. She wants to have his baby,

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<v Speaker 1>so he had natural Yeah, he has to stay in

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<v Speaker 1>the trailer until she becomes pregnant. So the husband just

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<v Speaker 1>isn't capable of of of reproducer. Absolutely, so you have

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<v Speaker 1>to bring in a stud sort of speed. Definitely, And

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<v Speaker 1>this famous he's a famous musician. Seeing in real life

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<v Speaker 1>is a real sense. He's a handsome guy. Yeah, there's

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<v Speaker 1>a good looking guy. Yes, what is his name? Roofings? Roofing. Yes.

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<v Speaker 1>At the time he made the movie, how old was seeing?

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<v Speaker 1>He was about forty I think, so he's still a

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<v Speaker 1>little bit of tread on the tire. He wasn't completely

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<v Speaker 1>out of the business. He was still young enough to

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<v Speaker 1>have delight his fans. How do you get him to

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<v Speaker 1>come and do the movie where he has to sire

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<v Speaker 1>the child with the more beast woman. He thought it

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<v Speaker 1>was for a candid camera show. This is not real,

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<v Speaker 1>and I said, no, it's real. And he had to

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<v Speaker 1>think about it for one day. What was it about him?

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<v Speaker 1>He thought he was game? He had exactly that guy's Yeah,

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<v Speaker 1>how do you call it? He thinks he's a stud.

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<v Speaker 1>He does all the training and he he spit absolutely. Yeah,

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<v Speaker 1>So I thought this was extra horrible if he has

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<v Speaker 1>to make love to this and and do you see

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<v Speaker 1>scenes where they're making love? Definitely? Oh my god, definitely.

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<v Speaker 1>How long didn't take to shoot that movie? Three weeks?

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<v Speaker 1>Three weeks? You're shooting that movie? And how do you

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<v Speaker 1>get the money for the film? Like when you're walking

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<v Speaker 1>into rooms and we're going to get to this, especially

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<v Speaker 1>with the Centipede series, Um, how do you get people

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<v Speaker 1>to give you money? And then when you get to

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<v Speaker 1>the distribution part, what do you say to them? Well,

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<v Speaker 1>Ilona as a genius aid bring in money. So she

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<v Speaker 1>rings the whole We have this famous magazine in Holland

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<v Speaker 1>which called the Quotes, and all the rich people are

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<v Speaker 1>in there. So she just goes through the cellphone. Nine

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<v Speaker 1>of the ten people, they say you're an idiot funk off.

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<v Speaker 1>But like one, there's one people that say no, but

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<v Speaker 1>there's one who just can't say no to Elona. Absolutely.

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<v Speaker 1>Then I tell the story and they are home and

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<v Speaker 1>they want to be in the film business. Was the

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<v Speaker 1>film successful, Yeah, on a on a Dutch scale, it's

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<v Speaker 1>a very small Does the film make money, yes, but

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<v Speaker 1>not like you're I don't. I don't. I don't expect

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<v Speaker 1>that because that's I mean, you and I both know

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<v Speaker 1>that's you know, mission impossible. It's money, but the unless

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<v Speaker 1>you are a mission impossible. But the um the investors

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<v Speaker 1>got their money back. So you did the first two?

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<v Speaker 1>So was the third the third one? Yes? Right, so

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<v Speaker 1>you did. The first one was called gay in Amsterdam,

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<v Speaker 1>Gay Amsterdam. You don't really wander too much from the theme.

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<v Speaker 1>It's Gay in Amsterdam, honeyes honeys, which is loaded with

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<v Speaker 1>double long tongue, and then uh, and then I love

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<v Speaker 1>which one performed the best at the box? Yeah? Pretty much?

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<v Speaker 1>Say they made money. Yeah, but I like the third one.

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<v Speaker 1>I love the absolutely the best. That's your favor. That's

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<v Speaker 1>the black humor. It's dark, it's it's getting my way.

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<v Speaker 1>What were some of the difficulties for you in handling

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<v Speaker 1>the cast and what you're getting people to do. These

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<v Speaker 1>very compromising very I mean, it's one thing to say

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<v Speaker 1>that someone's going to do a sex scene with a

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<v Speaker 1>morbidly obest woman and you're kind of sending up that

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<v Speaker 1>as horror. But the actress who was hired to play

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<v Speaker 1>that part, did you have to be like overly sensitive

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<v Speaker 1>to how she was treated and how she felt. You

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<v Speaker 1>have to be charming always to actors and new situations

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<v Speaker 1>like that, and you are charming. Let's thank you. And yeah,

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<v Speaker 1>the lady I told her how, yeah, how the scene

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<v Speaker 1>was going to be, and she she trusted me so much,

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<v Speaker 1>so she said, let's do it. I don't have any

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<v Speaker 1>fear or whatever. Let's do it. And and the guy

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<v Speaker 1>was a little bit hesitate, but I said, commandreies, you

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<v Speaker 1>have to do this. Your fans. They're not really having

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<v Speaker 1>not really but looks very, looks very. I'm gonna go

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<v Speaker 1>home and watch it tonight after my wife falls asleep.

0:12:24.360 --> 0:12:26.760
<v Speaker 1>That's musically what I call a midnight showing in my house. Okay,

0:12:27.160 --> 0:12:31.840
<v Speaker 1>but it's just it's just such a delight to finally

0:12:31.880 --> 0:12:34.400
<v Speaker 1>meet when you come back to New York again. We're

0:12:34.440 --> 0:12:37.719
<v Speaker 1>here for very briefly. Yeah, fly back tomorrow. But when

0:12:37.760 --> 0:12:39.560
<v Speaker 1>you come back again as soon as possible, we need

0:12:39.600 --> 0:12:40.920
<v Speaker 1>to talk about a movie. We need to do a

0:12:40.920 --> 0:12:43.439
<v Speaker 1>movie together. Let's do that. So the movies make money,

0:12:43.440 --> 0:12:46.400
<v Speaker 1>and you reward your investors. They get some kind of uh,

0:12:46.559 --> 0:12:48.320
<v Speaker 1>you pay them, they make some kind of a profit.

0:12:48.720 --> 0:12:56.040
<v Speaker 1>So after um gay in Amsterdam, honeys and I love Drees,

0:12:56.240 --> 0:12:58.800
<v Speaker 1>what's the next movie? The first human centipede? Right, the

0:12:58.800 --> 0:13:01.439
<v Speaker 1>first human cent and you get the idea from the

0:13:01.520 --> 0:13:03.960
<v Speaker 1>guy who gets the low And where did you do

0:13:04.040 --> 0:13:06.079
<v Speaker 1>your casting for the film here in New York? Because

0:13:06.080 --> 0:13:08.520
<v Speaker 1>I wanted to have the lead actresses, the two girls

0:13:08.559 --> 0:13:11.920
<v Speaker 1>who undergo the procedure. Elone and I went here to

0:13:12.000 --> 0:13:14.800
<v Speaker 1>New York and we had like like fifty or sixty

0:13:14.840 --> 0:13:18.720
<v Speaker 1>women coming in. Oh, young, young, attracted girls. And I

0:13:18.760 --> 0:13:21.360
<v Speaker 1>told them the premise and showed them the drawings I made,

0:13:21.800 --> 0:13:25.679
<v Speaker 1>and Night out of ten said your European crazy. They

0:13:25.679 --> 0:13:28.079
<v Speaker 1>were angry at me. They didn't know what it was

0:13:28.120 --> 0:13:30.199
<v Speaker 1>about when they came in. No, you kept it under round,

0:13:30.240 --> 0:13:33.160
<v Speaker 1>absolutely right, I said, the European horror film. You said,

0:13:33.160 --> 0:13:34.880
<v Speaker 1>come in, let me explain it to you for absolutely,

0:13:34.960 --> 0:13:38.720
<v Speaker 1>because anything managers if you do it on the email

0:13:38.720 --> 0:13:41.200
<v Speaker 1>and you explain it, they won't come. They won't come

0:13:41.240 --> 0:13:44.440
<v Speaker 1>to the auditions. So the smart sponts they stayed. They

0:13:44.480 --> 0:13:46.360
<v Speaker 1>wanted to hear more. And then you put them on

0:13:46.360 --> 0:13:49.160
<v Speaker 1>their hands and knees and a lot of them leave.

0:13:49.920 --> 0:13:54.199
<v Speaker 1>They think that's the next round round. Then then how

0:13:54.200 --> 0:13:57.040
<v Speaker 1>many remained on their knees and said, okay, let's go fro,

0:13:57.400 --> 0:14:01.120
<v Speaker 1>Like like five left and we chose two in the end.

0:14:02.160 --> 0:14:06.200
<v Speaker 1>Two were absolutely troops. You have to be right. So yeah,

0:14:06.240 --> 0:14:09.560
<v Speaker 1>so they're artists, they're committed to can you imagine, right?

0:14:09.600 --> 0:14:11.080
<v Speaker 1>So they just wanted to work with Deeter, you know,

0:14:11.120 --> 0:14:12.920
<v Speaker 1>once you show them deaters real they were like, I

0:14:12.960 --> 0:14:15.560
<v Speaker 1>want to be in a movie with. So now, both

0:14:15.600 --> 0:14:19.120
<v Speaker 1>these women are very pretty and very fit and very

0:14:19.160 --> 0:14:22.280
<v Speaker 1>kind of sexy young ladies in in the business. And

0:14:22.360 --> 0:14:25.880
<v Speaker 1>so when you're shooting the film, what's the first day

0:14:25.880 --> 0:14:27.840
<v Speaker 1>of shooting? Do you could do ease them into it

0:14:27.960 --> 0:14:30.120
<v Speaker 1>or do you throw them right into the icy cold water. No,

0:14:30.320 --> 0:14:33.960
<v Speaker 1>we slowly started with the car in the forest and

0:14:33.960 --> 0:14:36.680
<v Speaker 1>stuff and them getting the flat tire going through the house.

0:14:36.880 --> 0:14:39.960
<v Speaker 1>So we slowly build up for them. Yeah, yeah, because

0:14:40.040 --> 0:14:42.560
<v Speaker 1>it's it was too much. You can imagine. They had

0:14:42.720 --> 0:14:45.800
<v Speaker 1>really really definitely, and we gave them massages when they're

0:14:45.840 --> 0:14:48.480
<v Speaker 1>on their hands and knees, and we we really treated

0:14:48.480 --> 0:14:50.600
<v Speaker 1>them really well. What exactly did you have to do

0:14:50.720 --> 0:14:53.880
<v Speaker 1>hygiene wise to make everybody comfortable about sticking their face

0:14:53.920 --> 0:14:56.040
<v Speaker 1>and the butt of the person. Yeah, they're a little

0:14:56.040 --> 0:14:58.400
<v Speaker 1>afraid they didn't fart or something. You have to be

0:14:58.520 --> 0:15:02.040
<v Speaker 1>very careful with that you eat. Yeah, they have there's

0:15:02.200 --> 0:15:05.760
<v Speaker 1>very thin latex between their mouths and the butts, so

0:15:05.800 --> 0:15:08.480
<v Speaker 1>it's there's something in between, of course, but it's close.

0:15:08.600 --> 0:15:12.040
<v Speaker 1>It's yeah, it's minimals. Yeah, it's minimal, because otherwise it

0:15:12.040 --> 0:15:15.600
<v Speaker 1>would look fake. Yeah, So they showered very well, and

0:15:15.640 --> 0:15:17.840
<v Speaker 1>they and then they would do these things and they

0:15:17.880 --> 0:15:20.640
<v Speaker 1>were on their hands and knees in the formation of

0:15:20.680 --> 0:15:23.600
<v Speaker 1>the human centipede for how many hours a day? Would

0:15:23.640 --> 0:15:27.280
<v Speaker 1>you say? Not very long. It's like we shoot like

0:15:27.280 --> 0:15:29.480
<v Speaker 1>ten minutes and then they break, take a break, take

0:15:29.520 --> 0:15:31.840
<v Speaker 1>a break, and then we put them back again. How

0:15:31.840 --> 0:15:35.640
<v Speaker 1>many days were they in the centipede mode? Almost four

0:15:35.640 --> 0:15:38.720
<v Speaker 1>weeks on their hands and knees in the centipede. No,

0:15:39.040 --> 0:15:41.960
<v Speaker 1>that's three weeks. I think three weeks of that sounds

0:15:42.000 --> 0:15:44.360
<v Speaker 1>like hell yeah, it's three days would be more than

0:15:44.400 --> 0:15:46.520
<v Speaker 1>I could bear it. When we do are moving together,

0:15:46.600 --> 0:15:50.960
<v Speaker 1>no more than three days of centipede type of not

0:15:51.040 --> 0:15:55.320
<v Speaker 1>going to happen. So when the time comes to distribute

0:15:55.360 --> 0:15:59.080
<v Speaker 1>the film, yes, you get minimal distribution. Correct. I have

0:15:59.120 --> 0:16:02.320
<v Speaker 1>seen it's a by the Ye know who was the

0:16:02.360 --> 0:16:04.640
<v Speaker 1>executive dealt with it? I have? I have it? Is

0:16:04.720 --> 0:16:10.840
<v Speaker 1>Jonathan Sei. Yeah, Jonathan Yeah, wonderful filmmaker, film executive, brave

0:16:10.920 --> 0:16:14.880
<v Speaker 1>guys like you. He loved he got it. Absolutely. It

0:16:15.000 --> 0:16:18.440
<v Speaker 1>was rageous and entertaining. What happened. We showed the first

0:16:19.120 --> 0:16:21.880
<v Speaker 1>center Pete at the Fright Fest and in London, Yeah,

0:16:21.920 --> 0:16:25.680
<v Speaker 1>and it exploded there really all the people who started

0:16:25.720 --> 0:16:29.080
<v Speaker 1>talking about it. And then Fantastic Fest in America they

0:16:29.920 --> 0:16:32.800
<v Speaker 1>call There's in Austin, Texas and they played it there

0:16:32.880 --> 0:16:35.880
<v Speaker 1>and there it exploded again. And then Jonathan came to us,

0:16:36.360 --> 0:16:38.800
<v Speaker 1>I have to have that film. I have absolutely. Yeah.

0:16:38.840 --> 0:16:41.680
<v Speaker 1>And you made some money, Yeah it made money? Yeah, definitely.

0:16:41.720 --> 0:16:44.040
<v Speaker 1>You you you distribute the movie and the movie played

0:16:44.040 --> 0:16:46.640
<v Speaker 1>in theaters for how long and in what parts of

0:16:46.640 --> 0:16:48.720
<v Speaker 1>the world because it was banned in many places. In

0:16:48.760 --> 0:16:52.040
<v Speaker 1>Germany it is banned in in England it's It's got

0:16:52.080 --> 0:16:54.880
<v Speaker 1>and stuff. A lot lot of banned in Germany. Yeah yeah,

0:16:54.880 --> 0:16:57.240
<v Speaker 1>definitely Foreters Family that they didn't have to be put

0:16:57.240 --> 0:17:00.000
<v Speaker 1>through that, you know. And New Zealand Part two is banned.

0:17:00.000 --> 0:17:03.600
<v Speaker 1>So there's a lot of banning going around. But where

0:17:03.600 --> 0:17:06.920
<v Speaker 1>did the film do well? Where where's the audience? America

0:17:07.160 --> 0:17:10.320
<v Speaker 1>and a lot of Tom's six movies in England, America

0:17:10.600 --> 0:17:14.160
<v Speaker 1>and Japan Japan is really they crave a good, nasty,

0:17:14.320 --> 0:17:18.439
<v Speaker 1>definitely horror movie, and they react very differently when they

0:17:18.440 --> 0:17:22.600
<v Speaker 1>see the film. They cheer, They are so happy they cheering.

0:17:22.680 --> 0:17:25.679
<v Speaker 1>Yeah yeah, and they immediately went on their hands and

0:17:25.720 --> 0:17:27.679
<v Speaker 1>knees and they wanted me to be play Deeter and

0:17:28.640 --> 0:17:31.800
<v Speaker 1>Crazy and I love it. They do these like tributes

0:17:32.520 --> 0:17:34.879
<v Speaker 1>Rocky Horror. Oh yeah, they do. They get to they

0:17:34.920 --> 0:17:37.479
<v Speaker 1>form humans sent to be chains outside the theater and

0:17:37.520 --> 0:17:42.639
<v Speaker 1>here here as well. In Americans, how David's pate he

0:17:42.680 --> 0:17:45.960
<v Speaker 1>made his Halloween costume with Sarah Silverman in the back.

0:17:46.000 --> 0:17:48.760
<v Speaker 1>I believe I saw pictures of that coming along in America.

0:17:48.800 --> 0:17:51.960
<v Speaker 1>It's pretty It's on the Conan O'Brien show. I saw

0:17:51.960 --> 0:17:55.720
<v Speaker 1>it now, Um, the movie is distributed. What year The

0:17:55.800 --> 0:17:58.360
<v Speaker 1>Humans Sent come out? In two thousand ten? It came out,

0:17:58.800 --> 0:18:01.320
<v Speaker 1>not that long ago, two centen It comes out and

0:18:01.400 --> 0:18:04.879
<v Speaker 1>you get these scathing reviews and people say you're insane,

0:18:06.240 --> 0:18:08.560
<v Speaker 1>lots of that. Did you really oh yeah, yeah, lots

0:18:08.560 --> 0:18:10.560
<v Speaker 1>of that. Did you need to like beefed up security

0:18:10.600 --> 0:18:13.159
<v Speaker 1>in your life? With part two? When we had the

0:18:13.200 --> 0:18:16.760
<v Speaker 1>premiere in America, we had a guy that's because we

0:18:16.840 --> 0:18:20.560
<v Speaker 1>got pictures of guys with guns and they say, you're

0:18:20.560 --> 0:18:24.680
<v Speaker 1>worse than Satan. We're gonna share Humans in Part two

0:18:24.680 --> 0:18:27.359
<v Speaker 1>in America? Where was that? Austin, Texas? Austin, Yes, that

0:18:27.520 --> 0:18:30.520
<v Speaker 1>was a big event. Pretty cool. What was the theatrical

0:18:30.600 --> 0:18:32.480
<v Speaker 1>run to run for a few weeks? A few weeks?

0:18:32.480 --> 0:18:35.320
<v Speaker 1>Definitely go on your streaming online. Where did you make

0:18:35.359 --> 0:18:37.679
<v Speaker 1>most of you? Just so people understand how when a

0:18:37.720 --> 0:18:40.480
<v Speaker 1>movie like this, which is very potent and very ugly,

0:18:40.880 --> 0:18:43.199
<v Speaker 1>when torture porn, as you know, is that it's been

0:18:43.280 --> 0:18:45.320
<v Speaker 1>used to describe a lot of your work. And I

0:18:45.359 --> 0:18:47.159
<v Speaker 1>want to get to that in a second. When the

0:18:47.200 --> 0:18:50.159
<v Speaker 1>movie is is get such a strong reaction, I'm assuming

0:18:50.200 --> 0:18:52.560
<v Speaker 1>it's in and out of the theater relatively quickly. Yeah, definitely,

0:18:52.560 --> 0:18:55.200
<v Speaker 1>And you're online and yeah, po d that works the best.

0:18:56.119 --> 0:18:58.639
<v Speaker 1>And is that where you made your money? Yes, and

0:18:58.680 --> 0:19:02.199
<v Speaker 1>the movie was a success. I nancial definitely decided to

0:19:02.200 --> 0:19:06.120
<v Speaker 1>do the second one. Yes, the second one. Let's just say,

0:19:06.600 --> 0:19:08.359
<v Speaker 1>I think it's a masterpiece. It's a work of art

0:19:08.400 --> 0:19:10.960
<v Speaker 1>because it's just this idea that I've never in my life.

0:19:10.960 --> 0:19:12.840
<v Speaker 1>I mean, I'm sitting there going, oh God, no, I

0:19:12.840 --> 0:19:15.480
<v Speaker 1>mean we're watching the opening scenes. A man who works

0:19:15.480 --> 0:19:20.000
<v Speaker 1>in a parking garage, who is a lonely, miserable, misshapen,

0:19:20.080 --> 0:19:25.359
<v Speaker 1>kind of cloven hooved man is there watching your original

0:19:25.400 --> 0:19:27.600
<v Speaker 1>film on his computer and getting the idea that he's

0:19:27.600 --> 0:19:32.080
<v Speaker 1>going to recreate the movie. So in the movie part two,

0:19:32.640 --> 0:19:36.200
<v Speaker 1>you summon back the actresses. Which of the two actresses

0:19:36.240 --> 0:19:38.840
<v Speaker 1>was the one that came back? Jenny? She came back

0:19:39.160 --> 0:19:42.080
<v Speaker 1>because he calls her and says, we're gonna go another round.

0:19:42.080 --> 0:19:44.280
<v Speaker 1>We're gonna do the sequel. What was the phone call

0:19:44.359 --> 0:19:46.680
<v Speaker 1>like for you to call Ashland to come back for round?

0:19:46.720 --> 0:19:48.840
<v Speaker 1>It was it easy at those very easy. I skype

0:19:48.880 --> 0:19:51.320
<v Speaker 1>with her and she was so overwhelmed with the success

0:19:51.320 --> 0:19:54.639
<v Speaker 1>of part one. She yeah, she got. Yeah, she was

0:19:54.960 --> 0:19:59.000
<v Speaker 1>a star in her in the horror Yeah, definitely. So

0:19:59.080 --> 0:20:01.600
<v Speaker 1>I said, actually we have to part two. And then

0:20:01.640 --> 0:20:03.600
<v Speaker 1>I told her what it was about, and she had

0:20:03.600 --> 0:20:06.479
<v Speaker 1>to swallow a few times because it's way worse than

0:20:06.560 --> 0:20:09.600
<v Speaker 1>in part one. There's really a picnic in the park

0:20:09.680 --> 0:20:12.840
<v Speaker 1>part one. But she's such a trooper she said let's

0:20:12.880 --> 0:20:15.120
<v Speaker 1>do it, and she never complained. And if you see

0:20:15.160 --> 0:20:19.480
<v Speaker 1>what happens to her in the film, yeah stuff. Who's

0:20:19.520 --> 0:20:22.440
<v Speaker 1>the actress the kind of crow like woman that plays

0:20:22.480 --> 0:20:26.240
<v Speaker 1>Martin's mother, Vivian Britton, that's in a Vivian Britain is

0:20:26.240 --> 0:20:30.479
<v Speaker 1>the actress Brita Britton, a British actress, And I love her,

0:20:30.600 --> 0:20:33.760
<v Speaker 1>very old lady but wonderful because when he gets out

0:20:33.800 --> 0:20:36.240
<v Speaker 1>of the bed and his belly sticking out like a

0:20:36.320 --> 0:20:41.200
<v Speaker 1>globe and he's in his bed as moldy bed, yeah,

0:20:41.400 --> 0:20:44.240
<v Speaker 1>and the mother's like, you know, uh, you wonder what's

0:20:44.320 --> 0:20:46.480
<v Speaker 1>kept the mother from like just poisoning him or just

0:20:46.560 --> 0:20:48.360
<v Speaker 1>shooting him in his sleep and getting rid of him.

0:20:48.760 --> 0:20:51.439
<v Speaker 1>It's all so sad, you know what I mean? Who's

0:20:51.440 --> 0:20:56.280
<v Speaker 1>your production designer? Who who creates the tableau that is

0:20:56.400 --> 0:21:03.520
<v Speaker 1>Martin's bedroom? I do that myself. Yeah, yeah, yeah, yeah,

0:21:05.080 --> 0:21:08.359
<v Speaker 1>Martin would live. Yeah, definitely. We go out for a

0:21:08.520 --> 0:21:10.720
<v Speaker 1>location hunting and I think this is the place and

0:21:11.119 --> 0:21:15.720
<v Speaker 1>it's a basement apart. Definitely. Yeah, I'm shitty dread and yeah,

0:21:15.960 --> 0:21:19.720
<v Speaker 1>yeah I love that. Yeah, he's popping pimples and it's

0:21:19.720 --> 0:21:22.719
<v Speaker 1>all over the bed too, every kind of body fluid

0:21:22.880 --> 0:21:25.520
<v Speaker 1>is oozed into the sheets. Yeah. I like your mind. Yeah,

0:21:25.760 --> 0:21:27.280
<v Speaker 1>you know, it's just you can si see. It's all there.

0:21:27.359 --> 0:21:28.920
<v Speaker 1>You know. That's the thing with your movies, is it's

0:21:28.920 --> 0:21:32.040
<v Speaker 1>all there. You know. Theater's apartment is very neat and gleaming.

0:21:32.480 --> 0:21:35.320
<v Speaker 1>It's not the castle but like wet stones, and it's

0:21:35.359 --> 0:21:39.240
<v Speaker 1>like this very gleaming modern edifice, I mean and hum

0:21:39.280 --> 0:21:41.080
<v Speaker 1>And when you go down to the laboratory, it's very

0:21:41.160 --> 0:21:44.520
<v Speaker 1>gleaming and neat and clean. That was your idea, absolutely. Yeah.

0:21:44.720 --> 0:21:47.280
<v Speaker 1>What was the doctor's name in the first film, Doctor Hyder,

0:21:48.520 --> 0:21:51.240
<v Speaker 1>And it's in a combination of two real Nazi doctors

0:21:51.320 --> 0:21:54.639
<v Speaker 1>from the Second World. Yeah, that's it's it's based on

0:21:54.760 --> 0:21:57.159
<v Speaker 1>the with the twins idea, but it's Dr Him and

0:21:57.320 --> 0:22:01.080
<v Speaker 1>Dr Richter, and I made it into Hyder and Richter

0:22:01.600 --> 0:22:05.120
<v Speaker 1>become hight what did Hyman Richter dore their camp doctors

0:22:05.160 --> 0:22:07.360
<v Speaker 1>as well. But there's a stop with that. We don't

0:22:07.359 --> 0:22:11.359
<v Speaker 1>want We don't want to go too far. Key to

0:22:11.520 --> 0:22:16.640
<v Speaker 1>the darkness in any horror film is the editing, the claustrophobia,

0:22:17.119 --> 0:22:21.000
<v Speaker 1>the sense that something someone is lurking just off camera.

0:22:21.880 --> 0:22:25.000
<v Speaker 1>Editing can make a mediocre film good and a good

0:22:25.080 --> 0:22:29.000
<v Speaker 1>film great. One of the best film editors in the business,

0:22:29.440 --> 0:22:33.800
<v Speaker 1>as Martin Scor says, he's longtime collaborator Thelma Schoonmaker. The

0:22:33.960 --> 0:22:36.399
<v Speaker 1>thing is, you see that we create that violence in

0:22:36.680 --> 0:22:40.000
<v Speaker 1>the editing room. There's no way that DeNiro could take

0:22:40.040 --> 0:22:42.720
<v Speaker 1>an actual punch all the times you see it in

0:22:43.400 --> 0:22:46.440
<v Speaker 1>in the film, blood and saliva would spray off it.

0:22:46.960 --> 0:22:49.879
<v Speaker 1>But it's not actually violent. When I get it, I

0:22:50.040 --> 0:22:54.040
<v Speaker 1>make it violent. Here the rest of our conversation in

0:22:54.160 --> 0:22:58.320
<v Speaker 1>our archive at Here's the Thing dot org. When we

0:22:58.440 --> 0:23:03.240
<v Speaker 1>come back. Humans Centipede creator Tom six explains what he's

0:23:03.280 --> 0:23:07.600
<v Speaker 1>doing next. Where the Human Centipede trilogy is body Horror.

0:23:08.119 --> 0:23:12.879
<v Speaker 1>Six says his upcoming film deals in pure psychological horror.

0:23:23.600 --> 0:23:26.440
<v Speaker 1>This is Alec Baldwin and you were listening to Here's

0:23:26.480 --> 0:23:30.280
<v Speaker 1>the Thing. If you watch the first two installments of

0:23:30.320 --> 0:23:34.119
<v Speaker 1>the Human Centipede series. The first thing you notice is

0:23:34.200 --> 0:23:38.800
<v Speaker 1>the stark contrast between the two villains, Deeter Laser, the

0:23:38.960 --> 0:23:44.040
<v Speaker 1>domineering aristocrat, versus the Misshape and miscreant Lawrence are Harvey.

0:23:44.680 --> 0:23:48.840
<v Speaker 1>Director Tom six explains the difference is that Deeter he

0:23:48.960 --> 0:23:51.800
<v Speaker 1>had like a huge career. He did seventy films and

0:23:51.880 --> 0:23:54.760
<v Speaker 1>he's a big serious actor, stage actor as well. What

0:23:54.840 --> 0:23:56.760
<v Speaker 1>about the actor that played Martin again, what's his name,

0:23:57.160 --> 0:24:00.520
<v Speaker 1>Lawrence are Harvey. He did like very little things. Yeah,

0:24:00.840 --> 0:24:04.600
<v Speaker 1>he did donut commercials, exactly very small things. You mentioned

0:24:04.640 --> 0:24:06.359
<v Speaker 1>in an interview that I watched, when you said you

0:24:06.400 --> 0:24:09.880
<v Speaker 1>wanted to cast someone who was the opposite of Deeter.

0:24:10.160 --> 0:24:13.480
<v Speaker 1>The doctor in the original film is this gleaming kind

0:24:13.520 --> 0:24:17.480
<v Speaker 1>of an intense genius, and he's this very eccentric and

0:24:17.560 --> 0:24:20.879
<v Speaker 1>even aristocratic figure. And Martin is just like, you know,

0:24:21.040 --> 0:24:24.119
<v Speaker 1>like somebody expectorated on the ground. He's just a blob

0:24:24.240 --> 0:24:28.160
<v Speaker 1>of the disease written blob. But that guy, I when

0:24:28.160 --> 0:24:30.960
<v Speaker 1>I saw his appearance, I said, he doesn't have to

0:24:31.040 --> 0:24:33.359
<v Speaker 1>speak in the film, it's just his his presence is

0:24:33.480 --> 0:24:37.960
<v Speaker 1>so strong. Well, Deeter is very trained in performing with words,

0:24:38.080 --> 0:24:42.600
<v Speaker 1>and theater, very commanding, very powerful. He should play fun

0:24:42.720 --> 0:24:44.600
<v Speaker 1>carry on in the film. He looks like he reminded

0:24:44.600 --> 0:24:47.000
<v Speaker 1>me of fun carry on. So, um, what did you

0:24:47.080 --> 0:24:48.520
<v Speaker 1>cut out of the film that you didn't put in

0:24:48.600 --> 0:24:50.639
<v Speaker 1>that was even? Is there a point where even you

0:24:50.680 --> 0:24:52.359
<v Speaker 1>sit there and go, we have to lose that it's

0:24:52.400 --> 0:24:54.800
<v Speaker 1>just too much. I put everything in, everything that comes

0:24:54.880 --> 0:24:56.600
<v Speaker 1>to my mind, and I put in the script is

0:24:56.640 --> 0:24:58.720
<v Speaker 1>in it, and you shoot it, and then you cut it,

0:24:58.800 --> 0:25:01.960
<v Speaker 1>and that's in the film. Yeah. Yeah, I shoot very economic,

0:25:02.119 --> 0:25:05.119
<v Speaker 1>so I should exactly what I want because there's no

0:25:05.200 --> 0:25:07.960
<v Speaker 1>scene you shoot when you say, oh my god, Elona,

0:25:08.200 --> 0:25:10.320
<v Speaker 1>even I have gone too far. I like in Part two,

0:25:10.520 --> 0:25:13.440
<v Speaker 1>the famous rape scene and the guy puts the barber

0:25:13.560 --> 0:25:16.920
<v Speaker 1>around his penis and then rapes his centipede. That's the

0:25:17.000 --> 0:25:19.600
<v Speaker 1>most groups of part in the film. And we were

0:25:19.640 --> 0:25:22.000
<v Speaker 1>shooting that and half of the crew they went crying

0:25:22.040 --> 0:25:25.240
<v Speaker 1>and they walked away, and I was like cheering from

0:25:25.640 --> 0:25:28.960
<v Speaker 1>this looked brilliant. It's like a symphony. It's almost yeah.

0:25:29.000 --> 0:25:30.520
<v Speaker 1>And then I looked behind me and all those people

0:25:30.560 --> 0:25:32.840
<v Speaker 1>were gone. They left, they left. He couldn't they couldn't

0:25:32.840 --> 0:25:35.080
<v Speaker 1>take it. Wow, And I what was it like with

0:25:35.160 --> 0:25:38.200
<v Speaker 1>the crew, Like, did you feel the crew respected you

0:25:38.520 --> 0:25:41.760
<v Speaker 1>and the way? Remember, not all directors are respected. The

0:25:41.840 --> 0:25:44.520
<v Speaker 1>movie could be you know, a love story or a

0:25:44.600 --> 0:25:47.359
<v Speaker 1>musical comedy or whatever. It doesn't matter. Not all directors

0:25:47.400 --> 0:25:50.080
<v Speaker 1>are respected by the crew. Trust me, But did you

0:25:50.119 --> 0:25:52.399
<v Speaker 1>find that your crew did respect you? Sit there and

0:25:52.480 --> 0:25:56.480
<v Speaker 1>go behind your back? They go. They probably have said it,

0:25:56.560 --> 0:25:59.200
<v Speaker 1>but maybe because of the of the charm. Maybe, and

0:25:59.280 --> 0:26:02.879
<v Speaker 1>because I'm entusiastic, I bring them into the story and

0:26:03.000 --> 0:26:05.920
<v Speaker 1>the adventure and I tell them they know exactly what's

0:26:06.000 --> 0:26:10.200
<v Speaker 1>well contagious. Yeah, maybe, and they they stand there and

0:26:10.240 --> 0:26:12.760
<v Speaker 1>they see it and they laugh. For example, part one,

0:26:12.800 --> 0:26:15.200
<v Speaker 1>we had a scene where the centerpieces shipping for the

0:26:15.280 --> 0:26:18.920
<v Speaker 1>first time and he had feet or feeder, and he

0:26:19.000 --> 0:26:22.320
<v Speaker 1>filmed that house in a suburban area where other houses

0:26:22.359 --> 0:26:24.960
<v Speaker 1>were around it and people were hanging out of their

0:26:25.040 --> 0:26:28.639
<v Speaker 1>windows looking at this those scenes and were horrified. But

0:26:28.720 --> 0:26:32.159
<v Speaker 1>the crew was laughing. Everybody was laughing. Yeah, you can

0:26:32.240 --> 0:26:36.480
<v Speaker 1>imagine a situation like that, Yeah, well kind of. I

0:26:37.720 --> 0:26:42.520
<v Speaker 1>completely Now. So number three I have not seen, and

0:26:42.680 --> 0:26:44.840
<v Speaker 1>I do think I should see it, definitely, because I

0:26:44.920 --> 0:26:46.800
<v Speaker 1>was told everybody that was the weakest of the three

0:26:46.880 --> 0:26:50.280
<v Speaker 1>I don't. I don't think obviously, because this is where

0:26:50.280 --> 0:26:53.080
<v Speaker 1>the couple of analogy goes even further, because obviously this

0:26:53.200 --> 0:26:56.280
<v Speaker 1>Godfather one, then Godfather too goes to another level that

0:26:56.400 --> 0:26:58.560
<v Speaker 1>a lot of people thought Godfather three was a let down.

0:26:58.880 --> 0:27:01.400
<v Speaker 1>It's the best one of all three. It's a satire.

0:27:01.640 --> 0:27:04.920
<v Speaker 1>I go back to my original punishment idea, and it's

0:27:05.000 --> 0:27:08.200
<v Speaker 1>for the prisons. So I I translated to a real

0:27:08.320 --> 0:27:11.760
<v Speaker 1>situation where if you do something horrible, you go to

0:27:12.359 --> 0:27:16.000
<v Speaker 1>a prison, you're sewn into a human centipede, and according

0:27:16.040 --> 0:27:18.640
<v Speaker 1>to your sentence, you put in it for a week

0:27:18.840 --> 0:27:22.080
<v Speaker 1>or maybe twenty years. So the centipede thing is the

0:27:22.160 --> 0:27:24.000
<v Speaker 1>sentence you've been talking about. This is getting back to

0:27:24.240 --> 0:27:29.320
<v Speaker 1>definitely the original idea. I think crime rates will drop

0:27:29.440 --> 0:27:32.280
<v Speaker 1>like pants in a whorehouse because nobody wants to be

0:27:32.760 --> 0:27:35.320
<v Speaker 1>in a human centipede. Yeah, I think so. I don't

0:27:35.320 --> 0:27:36.960
<v Speaker 1>think they live, actually, I think I think. I think

0:27:37.280 --> 0:27:39.960
<v Speaker 1>medically you die and be oh no. I I consulted

0:27:40.040 --> 0:27:43.520
<v Speaker 1>a real doctor in Holland, and he made He said

0:27:43.520 --> 0:27:46.080
<v Speaker 1>that people were to pass their waste product into your

0:27:46.160 --> 0:27:49.200
<v Speaker 1>mouth and into your bloodstream and your into your digester truck.

0:27:49.280 --> 0:27:52.760
<v Speaker 1>You would live. Yeah, if they get vitamin injections and fluids,

0:27:53.040 --> 0:27:55.359
<v Speaker 1>they could live like that for a long time because

0:27:55.440 --> 0:27:58.320
<v Speaker 1>it's not how long, it's not for a long long time.

0:27:58.640 --> 0:28:02.040
<v Speaker 1>If you get the right long enough to survive their sentence. Definitely,

0:28:02.200 --> 0:28:06.960
<v Speaker 1>because the thesis is not attacked by outside bacteria, right,

0:28:07.000 --> 0:28:11.200
<v Speaker 1>because it's contained. Yeah, it's stays in one constantly. Absolutely, Yeah,

0:28:11.560 --> 0:28:13.359
<v Speaker 1>you're given this a lot of thought. Oh yeah, the

0:28:13.480 --> 0:28:16.000
<v Speaker 1>doctor helped me for a very easet. You had gastro

0:28:16.200 --> 0:28:21.000
<v Speaker 1>entrologists consulting you, a real surgeon in Holland who wanted

0:28:21.040 --> 0:28:24.160
<v Speaker 1>to stay anonymous, but he made this very detailed operation

0:28:24.280 --> 0:28:26.840
<v Speaker 1>report and he was on the set as well helping.

0:28:27.200 --> 0:28:29.919
<v Speaker 1>Oh my god, it's pretty cool. That's that's why. Well,

0:28:30.040 --> 0:28:32.639
<v Speaker 1>cool is not the word. I wank nobody movie you.

0:28:32.760 --> 0:28:35.080
<v Speaker 1>I mean, I want you to you you're you're You're

0:28:35.160 --> 0:28:37.320
<v Speaker 1>free to say whatever you want to say. How long

0:28:37.359 --> 0:28:39.640
<v Speaker 1>did that take to shoot? That was about six weeks.

0:28:40.080 --> 0:28:42.640
<v Speaker 1>That was our longer shoot because we had like hundreds

0:28:42.680 --> 0:28:45.840
<v Speaker 1>of extract prison. Yeah, big prison. And of course you

0:28:45.920 --> 0:28:49.320
<v Speaker 1>had a star in the lead role. Definitely, Eric Eric Roberts.

0:28:49.320 --> 0:28:51.479
<v Speaker 1>So Eric Roberts is one of the great movie actors.

0:28:51.520 --> 0:28:53.239
<v Speaker 1>In the past several years, and I worked with him

0:28:53.240 --> 0:28:55.640
<v Speaker 1>once on a film. How do you get Eric Roberts

0:28:55.720 --> 0:28:58.440
<v Speaker 1>to come and do the third installment? We had a

0:28:58.520 --> 0:29:01.120
<v Speaker 1>skype conversation with him. He loved the first like you

0:29:01.160 --> 0:29:03.560
<v Speaker 1>would love the first. Yeah, he got he got it.

0:29:04.080 --> 0:29:06.360
<v Speaker 1>I said, yeah, you want to be in part three?

0:29:06.400 --> 0:29:08.320
<v Speaker 1>And I said, if I don't have to be on

0:29:08.440 --> 0:29:11.800
<v Speaker 1>my hands and knees centipede me, No, exactly, Yeah, And

0:29:11.880 --> 0:29:13.800
<v Speaker 1>he did it. And he was governor of the state,

0:29:14.560 --> 0:29:16.520
<v Speaker 1>so he's his prison is in the Is he the

0:29:16.560 --> 0:29:18.920
<v Speaker 1>one that comes up to the idea of centipeding everybody? No,

0:29:19.200 --> 0:29:22.280
<v Speaker 1>that's the accountant of the warden comes and who plays that?

0:29:22.800 --> 0:29:25.840
<v Speaker 1>That's Lawrence R. Harvey. I brought back Lawrence Harvey came back. Yeah,

0:29:26.040 --> 0:29:29.200
<v Speaker 1>then I got to see this Harvey and Deeter is

0:29:29.240 --> 0:29:32.640
<v Speaker 1>in it. Deeter is the warden and Lawrence R. Harvey

0:29:32.760 --> 0:29:36.680
<v Speaker 1>is his assistant. That's like getting Marlon Brando and denro

0:29:36.880 --> 0:29:38.920
<v Speaker 1>to be in Part three together. That's true in totally

0:29:39.000 --> 0:29:42.800
<v Speaker 1>different roles, in totally different roles, completely on and and

0:29:43.160 --> 0:29:46.320
<v Speaker 1>Eric plays the governor of the state. And what is

0:29:46.400 --> 0:29:49.200
<v Speaker 1>his what's his arc, what's his story? That this person

0:29:49.400 --> 0:29:54.160
<v Speaker 1>is is really cost inefficient. So there he's looking for solutions. Yeah,

0:29:54.160 --> 0:29:56.680
<v Speaker 1>he threads to shut the place down. And then you

0:29:56.760 --> 0:29:58.680
<v Speaker 1>guys figure it out absolutely, and they come up with

0:29:58.680 --> 0:30:02.880
<v Speaker 1>an idea under pressure and built the centipede system, which

0:30:02.960 --> 0:30:06.560
<v Speaker 1>is very cost anybody. And then the governor comes in

0:30:06.720 --> 0:30:09.920
<v Speaker 1>and he's of course, he says this, this will be

0:30:10.080 --> 0:30:12.040
<v Speaker 1>the death penalty for you, but in the end he

0:30:12.120 --> 0:30:14.920
<v Speaker 1>understands your situation and then he says, this is exactly

0:30:15.000 --> 0:30:20.480
<v Speaker 1>what America needs. Yeah, like that's yeah, you should check

0:30:20.520 --> 0:30:22.680
<v Speaker 1>it out if you want. It's I think it's the

0:30:22.760 --> 0:30:24.560
<v Speaker 1>best one. Did you have to pay Roberts some real

0:30:24.640 --> 0:30:26.680
<v Speaker 1>money to do the movie? I may can't imagine he's cheap.

0:30:26.800 --> 0:30:29.880
<v Speaker 1>It's not like Hollywood money because there's some millions of

0:30:29.960 --> 0:30:35.440
<v Speaker 1>docause those guys don't come cheap. Definitely. Now, Um, so

0:30:35.560 --> 0:30:38.720
<v Speaker 1>you and I connect on Skype with your sister. Yes, no,

0:30:38.880 --> 0:30:41.040
<v Speaker 1>is she really your sister? Or you say she's your sister,

0:30:41.120 --> 0:30:42.880
<v Speaker 1>it's really she's really like your co producer. And you

0:30:42.960 --> 0:30:45.400
<v Speaker 1>say she's your sister just to further ingrace you yourself

0:30:45.440 --> 0:30:47.400
<v Speaker 1>with that she's my sister. So that kind of takes

0:30:48.000 --> 0:30:50.160
<v Speaker 1>it makes it a little family business. Yeah, it is

0:30:50.240 --> 0:30:54.000
<v Speaker 1>a family business. Yes, she's literally your sister. Yes, okay,

0:30:54.280 --> 0:30:55.880
<v Speaker 1>I take your word for yes. Were you and I

0:30:55.920 --> 0:30:58.800
<v Speaker 1>hook up on Skype? I reach out to you? Yeah, yeah,

0:30:58.840 --> 0:31:00.680
<v Speaker 1>I say, Mike, I just kind of talk to this guy.

0:31:01.080 --> 0:31:02.880
<v Speaker 1>You say to me, Alec, We're going to have a

0:31:02.920 --> 0:31:06.479
<v Speaker 1>group of people who are like a league of extraordinary villains,

0:31:06.560 --> 0:31:09.680
<v Speaker 1>and they're all people who are dedicated. They love human suffering.

0:31:10.440 --> 0:31:13.479
<v Speaker 1>The original concept for Onnania Club. They were all wealthy

0:31:13.560 --> 0:31:16.000
<v Speaker 1>because because so they could fly to like to Mexico

0:31:16.120 --> 0:31:18.560
<v Speaker 1>as an earthquake and see death and destruction and people

0:31:18.640 --> 0:31:20.680
<v Speaker 1>dying and suffering. And then you say to me, I

0:31:20.760 --> 0:31:24.640
<v Speaker 1>want you. I like to play a oncologists, but rather

0:31:24.760 --> 0:31:28.760
<v Speaker 1>than killing the cancer, you are giving people more cancer.

0:31:29.160 --> 0:31:31.160
<v Speaker 1>And to tear a page out of your own life.

0:31:31.920 --> 0:31:33.720
<v Speaker 1>We're going to have your wife be much younger than you,

0:31:34.000 --> 0:31:36.400
<v Speaker 1>very beautiful, very fit, and you are giving your wife's

0:31:36.400 --> 0:31:39.040
<v Speaker 1>the cancer. You're killing your wife. So I'm sitting there

0:31:39.040 --> 0:31:40.480
<v Speaker 1>and I tell my wife this, and my wife like

0:31:40.600 --> 0:31:42.120
<v Speaker 1>literally looks at me. If you saw the look at

0:31:42.120 --> 0:31:44.440
<v Speaker 1>my wife's face, she was like, the whole dream of

0:31:44.520 --> 0:31:47.440
<v Speaker 1>me working with you just died in that one. My

0:31:47.480 --> 0:31:49.240
<v Speaker 1>wife looked at me like, that's never gonna happen. You

0:31:49.280 --> 0:31:51.480
<v Speaker 1>are never to be in within fifty miles of this guy.

0:31:51.800 --> 0:31:54.320
<v Speaker 1>He sounds a complete total nutbag. And I don't even

0:31:54.360 --> 0:31:56.520
<v Speaker 1>want that energy on you when you come home from work.

0:31:56.880 --> 0:31:58.800
<v Speaker 1>So I know you should see him. He's very charming,

0:31:58.960 --> 0:32:03.120
<v Speaker 1>I'm very a brilliant And she says, no, you can't

0:32:03.120 --> 0:32:05.240
<v Speaker 1>do the movie. So then we're talking to say, okay, Alex.

0:32:05.280 --> 0:32:07.000
<v Speaker 1>So here's another idea. One of the people in the

0:32:07.160 --> 0:32:11.560
<v Speaker 1>in the film is going to steal the corpses of celebrities.

0:32:11.920 --> 0:32:13.600
<v Speaker 1>So I want you to come and shoot for one day,

0:32:13.720 --> 0:32:16.280
<v Speaker 1>and you're going to play yourself dead in the casket.

0:32:16.600 --> 0:32:18.600
<v Speaker 1>And the woman started chasing out the joint to figure

0:32:18.600 --> 0:32:20.520
<v Speaker 1>out the width of the door, framed how she's gonna

0:32:20.520 --> 0:32:22.920
<v Speaker 1>get the body out of there, and you play yourself dead,

0:32:22.920 --> 0:32:25.120
<v Speaker 1>And I thought, fantastic, And then I couldn't even make

0:32:25.160 --> 0:32:27.280
<v Speaker 1>that day work. Is all that's still in the movie.

0:32:27.360 --> 0:32:29.200
<v Speaker 1>It's all in the movie. So so it's so the

0:32:29.320 --> 0:32:32.080
<v Speaker 1>League of Extraordinary Villains, you know, Nanny equip as men

0:32:32.160 --> 0:32:34.440
<v Speaker 1>and women. It's you know, I change it to all women,

0:32:34.480 --> 0:32:38.280
<v Speaker 1>that all women, Yes, And that's even scarier because when

0:32:38.360 --> 0:32:42.280
<v Speaker 1>women women who masturbate on the misery of other people

0:32:42.360 --> 0:32:46.000
<v Speaker 1>and then masturbate to suffer. Yeah, exactly, So it's yeah,

0:32:46.040 --> 0:32:49.600
<v Speaker 1>it's the worst human emotion. It's shatter and freud, yes,

0:32:50.120 --> 0:32:56.280
<v Speaker 1>which happens in real life. Well but in the film, yeah, definitely.

0:32:56.480 --> 0:33:00.280
<v Speaker 1>But it's dark and powerful. And have you redefined evil? Yeah?

0:33:00.480 --> 0:33:02.480
<v Speaker 1>I think so, I think so. Yeah. How many of

0:33:02.560 --> 0:33:04.720
<v Speaker 1>the women are in the league? How many actresses did

0:33:04.760 --> 0:33:07.320
<v Speaker 1>you have to give? Five? Five women? And where are

0:33:07.360 --> 0:33:10.080
<v Speaker 1>they from? American American actresses or anybody we would know?

0:33:10.600 --> 0:33:13.479
<v Speaker 1>No big names? No, who's the most well known? Jessica

0:33:13.560 --> 0:33:16.120
<v Speaker 1>Morris is maybe the Jessica Morris is your name? She

0:33:16.240 --> 0:33:19.520
<v Speaker 1>does a series on television and stuff. And was it

0:33:19.560 --> 0:33:21.800
<v Speaker 1>difficult for you to entice people to come do this movie?

0:33:22.280 --> 0:33:25.240
<v Speaker 1>Was very you can imagine because like you, I told

0:33:25.400 --> 0:33:29.840
<v Speaker 1>them the story and so many were offended leave the room. Yeah,

0:33:30.080 --> 0:33:32.720
<v Speaker 1>almost the same. And the smart ones they stay and

0:33:32.800 --> 0:33:36.720
<v Speaker 1>they want to listen more. I love you, I love you.

0:33:37.240 --> 0:33:39.600
<v Speaker 1>The people who understand who are the smart ones? They stay?

0:33:40.160 --> 0:33:43.200
<v Speaker 1>That's the name of your biography out It's an analogy

0:33:43.280 --> 0:33:47.120
<v Speaker 1>for the film going audience and everyone who works with

0:33:47.240 --> 0:33:51.000
<v Speaker 1>you the smart ones they stay so of them aren't

0:33:51.040 --> 0:33:53.840
<v Speaker 1>so smart? And you shoot for how many weeks? We shot?

0:33:53.920 --> 0:33:56.680
<v Speaker 1>Almost a month? Again? A little bit the same where

0:33:57.080 --> 0:33:59.440
<v Speaker 1>in the Hollywood Hills we had this beautiful was the

0:33:59.480 --> 0:34:02.640
<v Speaker 1>budget of the film? But was it? I am not

0:34:02.720 --> 0:34:05.320
<v Speaker 1>allowed to talk about money, but she she's the money girl.

0:34:08.120 --> 0:34:10.399
<v Speaker 1>It's a secret. Well we won't say anything, but we'll

0:34:10.440 --> 0:34:12.280
<v Speaker 1>hold up some fingers, so so I can have an idea.

0:34:13.000 --> 0:34:22.480
<v Speaker 1>This much you can't, okay, how how international Woman of Mystery? Yes,

0:34:22.920 --> 0:34:26.239
<v Speaker 1>but you shoot in l A. No union issues. It's

0:34:26.280 --> 0:34:29.200
<v Speaker 1>all non union, of course. But have you never had

0:34:29.239 --> 0:34:31.200
<v Speaker 1>any of the unions come and bother you because they

0:34:31.239 --> 0:34:33.160
<v Speaker 1>know your name, they know who you were if they

0:34:33.280 --> 0:34:35.880
<v Speaker 1>see and they monitor these things. But there's a casting

0:34:35.960 --> 0:34:38.680
<v Speaker 1>call and you've got American actress, actress going to do

0:34:38.760 --> 0:34:41.080
<v Speaker 1>a film. Sag doesn't show up and and and hassle,

0:34:41.160 --> 0:34:43.880
<v Speaker 1>you know, because the actors has also worked non union,

0:34:44.040 --> 0:34:46.160
<v Speaker 1>so they they specially if they were not in the union.

0:34:46.320 --> 0:34:48.360
<v Speaker 1>Off they are some are how do you call the

0:34:48.440 --> 0:34:51.640
<v Speaker 1>five corps? They can they can do no outside, they

0:34:51.640 --> 0:34:55.000
<v Speaker 1>can do some some non us some percentage of exactly. Now,

0:34:55.160 --> 0:34:57.080
<v Speaker 1>are you glad to get away from the centerpet thing

0:34:57.120 --> 0:35:01.160
<v Speaker 1>that that's done. Yeah, that's done. Four never ever will

0:35:01.200 --> 0:35:07.400
<v Speaker 1>I makes well fast? No? No, but I have so

0:35:07.600 --> 0:35:11.320
<v Speaker 1>many more ideas. My head is exploding. So the on

0:35:11.440 --> 0:35:14.880
<v Speaker 1>Anya Club is so very new, fresh, original. That's what

0:35:15.040 --> 0:35:17.840
<v Speaker 1>I like, and that's where I go for. When she

0:35:17.960 --> 0:35:20.640
<v Speaker 1>saw The Lost Cat I did, she was overwhelmed with

0:35:20.800 --> 0:35:24.359
<v Speaker 1>how powerful it was. It's evil, it's really evil when

0:35:24.400 --> 0:35:27.720
<v Speaker 1>you're watching a movie like Frankenstein. Yes, there's some moments

0:35:27.800 --> 0:35:31.960
<v Speaker 1>of humanity if you will, or decency in the world itself, definitely,

0:35:32.000 --> 0:35:35.360
<v Speaker 1>and in your movies there's none now. And like Martin

0:35:35.560 --> 0:35:38.320
<v Speaker 1>has some humanity, don't you think because he was abused

0:35:38.360 --> 0:35:41.799
<v Speaker 1>as a kid, he has some you you pity him? Said,

0:35:41.800 --> 0:35:44.719
<v Speaker 1>The audience feels for him, not everybody. And there's a

0:35:44.800 --> 0:35:46.800
<v Speaker 1>lot of black humor in my films. A lot of

0:35:46.840 --> 0:35:51.120
<v Speaker 1>people see that, not all of them, Uh, moments of

0:35:51.239 --> 0:35:54.839
<v Speaker 1>decency And yeah, definitely it's humanity, otherwise it won't work.

0:35:54.880 --> 0:35:59.160
<v Speaker 1>I think it's it's it's balancences between humanity, real evil

0:35:59.239 --> 0:36:03.279
<v Speaker 1>and also dark humor. Not everybody sees her, but it's yeah,

0:36:03.400 --> 0:36:07.200
<v Speaker 1>it's it's a difficult road to walk on for an audience.

0:36:07.239 --> 0:36:10.080
<v Speaker 1>I think it's like sex in the City, but then

0:36:10.160 --> 0:36:14.439
<v Speaker 1>on evil steroids, it's it's evil. It's sex in the city. Yeah,

0:36:15.200 --> 0:36:18.439
<v Speaker 1>did the five women, but now there was four and sex. Yeah, okay,

0:36:19.520 --> 0:36:22.719
<v Speaker 1>it's a bonus, a bonus sexless city plus one. She

0:36:23.040 --> 0:36:25.400
<v Speaker 1>enters the group the fifth one, you bringing? You bring

0:36:25.480 --> 0:36:28.160
<v Speaker 1>it in the film? Yeah, definitely. Well that's a wonderful

0:36:28.200 --> 0:36:30.879
<v Speaker 1>setup for maybe a political thriller you can do where

0:36:30.960 --> 0:36:33.680
<v Speaker 1>the doctor is someone who you go to to cure

0:36:33.800 --> 0:36:36.240
<v Speaker 1>cancer and they're only giving you more cancer. That reminds

0:36:36.280 --> 0:36:38.520
<v Speaker 1>me of certain political figures in this country today, wouldn't

0:36:38.520 --> 0:36:41.400
<v Speaker 1>you say? Absolutely? And when they don't have cancer, she

0:36:41.600 --> 0:36:46.759
<v Speaker 1>just tells them Dave cancer just to witness there as well.

0:36:47.320 --> 0:36:50.880
<v Speaker 1>And her she's she's lesbian. Now in the film, she

0:36:50.960 --> 0:36:54.359
<v Speaker 1>has his beautiful girlfriend who is this smoothie drinking, very

0:36:54.880 --> 0:36:57.400
<v Speaker 1>healthy girl, and she hates that she she looks at it.

0:36:58.320 --> 0:37:00.879
<v Speaker 1>She wants to destroy every healthy and in the moment

0:37:01.280 --> 0:37:04.600
<v Speaker 1>she she gets sick, their sex life goes to the roof.

0:37:04.680 --> 0:37:08.839
<v Speaker 1>You can imagine what's your next movie? I have two

0:37:08.920 --> 0:37:12.480
<v Speaker 1>line top and I can't tell about Yeah, but the

0:37:12.560 --> 0:37:16.879
<v Speaker 1>evil films as well, Yeah, the evil Yeah, yeah, yeah,

0:37:16.880 --> 0:37:18.719
<v Speaker 1>did you did? It might not be your genre, though

0:37:18.719 --> 0:37:21.080
<v Speaker 1>it might, it might not be evil enough. I mean

0:37:21.120 --> 0:37:22.480
<v Speaker 1>I have a great idea. I think it's a great

0:37:22.480 --> 0:37:24.520
<v Speaker 1>idea of my idea. Everybody loves it, but nobody wants

0:37:24.560 --> 0:37:29.640
<v Speaker 1>to make it. Where's my Alona? I would love to

0:37:29.719 --> 0:37:36.600
<v Speaker 1>work with you. Stay tuned. I might eventually re redefine

0:37:36.800 --> 0:37:40.840
<v Speaker 1>evil alongside my guest human center being creator Tom six.

0:37:41.360 --> 0:37:45.480
<v Speaker 1>His upcoming film is called The Onnania Club, out early

0:37:45.640 --> 0:37:50.280
<v Speaker 1>two thousand nineteen. This is Alec Baldwin and you're listening

0:37:50.320 --> 0:38:13.000
<v Speaker 1>to Here's the Thing to be co