1 00:00:05,240 --> 00:00:06,920 Speaker 1: Hey, this is Annie and Samantha. 2 00:00:06,960 --> 00:00:08,680 Speaker 2: I welcome with Steffon. Never told you a protection of 3 00:00:08,760 --> 00:00:09,680 Speaker 2: iHeart radio. 4 00:00:18,600 --> 00:00:25,919 Speaker 1: And I I say, any are too scared to try it? Yeah, 5 00:00:25,960 --> 00:00:30,840 Speaker 1: So welcome to another edition of Feminist Movie Friday, where 6 00:00:30,960 --> 00:00:35,640 Speaker 1: we kind of abuse that term and just watch things 7 00:00:36,080 --> 00:00:40,960 Speaker 1: on the televisions and call it that. That's how I'm 8 00:00:40,960 --> 00:00:44,680 Speaker 1: gonna explain this. Yeah, And obviously, if you've been listening, 9 00:00:44,960 --> 00:00:48,960 Speaker 1: you may already know that I have dove head first 10 00:00:49,920 --> 00:00:53,960 Speaker 1: in the world of K dramas. I'm literally that's all 11 00:00:54,000 --> 00:00:57,400 Speaker 1: I've been watching. I think, outside of when we watch 12 00:00:57,520 --> 00:01:02,960 Speaker 1: movies for our own episodes for the Feminist Movie Fridays, 13 00:01:03,160 --> 00:01:05,600 Speaker 1: it's all been K drama. It's just been K dramas. 14 00:01:06,319 --> 00:01:09,640 Speaker 1: And what I'm talking about is Korean dramas and or sitcoms, 15 00:01:09,800 --> 00:01:13,400 Speaker 1: and our actions shows a lot of them. And because 16 00:01:13,400 --> 00:01:15,199 Speaker 1: I am who I am, I'm trying to ring Annie 17 00:01:15,200 --> 00:01:18,040 Speaker 1: into it kind of like a hostage. You're welcome. 18 00:01:19,920 --> 00:01:21,280 Speaker 2: It's been fun, you know. 19 00:01:22,280 --> 00:01:24,160 Speaker 3: I think it's I think it's fair After all the 20 00:01:24,200 --> 00:01:26,360 Speaker 3: Star Wars I've made you watch, I think it's fair game. 21 00:01:26,959 --> 00:01:29,680 Speaker 1: I don't know, I mean, because we've watched the same 22 00:01:29,720 --> 00:01:35,040 Speaker 1: things repeatedly for yours, but I'm giving you new episodes 23 00:01:35,040 --> 00:01:37,720 Speaker 1: that are all like an hour and fifteen minutes long 24 00:01:37,800 --> 00:01:40,480 Speaker 1: and usually sixteen to twenty episodes, so I feel like 25 00:01:40,480 --> 00:01:43,920 Speaker 1: it's probably uneven at this point. I don't know. I 26 00:01:43,920 --> 00:01:48,800 Speaker 1: don't know, but yes, So for this feminist movie, feminist 27 00:01:48,880 --> 00:01:52,800 Speaker 1: showing of the month, we are doing Strong Woman bon 28 00:01:53,000 --> 00:01:57,480 Speaker 1: soon or it's sometimes called strong Girl, so the Korean pronunciation. 29 00:01:57,960 --> 00:01:59,640 Speaker 1: And I'm trying, you know, I'm trying to really get 30 00:01:59,640 --> 00:02:04,120 Speaker 1: into my culture. Is him shun yo ja dobunksen him 31 00:02:04,120 --> 00:02:08,480 Speaker 1: shun yojab dobunksen. I did It, I Didn't which originally 32 00:02:08,520 --> 00:02:11,720 Speaker 1: aired in twenty seventeen and has been held as one 33 00:02:11,760 --> 00:02:16,720 Speaker 1: of the all time favorites by many around the world 34 00:02:16,840 --> 00:02:21,120 Speaker 1: and apparently Annie, there is a follow up coming soon 35 00:02:21,400 --> 00:02:25,080 Speaker 1: with the cameo of the original lead couple that we 36 00:02:25,400 --> 00:02:29,799 Speaker 1: now love since you watched it, so let me get 37 00:02:29,800 --> 00:02:31,800 Speaker 1: a review from you. How did you feel about this show? 38 00:02:31,919 --> 00:02:32,920 Speaker 2: It was fun. 39 00:02:34,600 --> 00:02:40,600 Speaker 3: So just like some background listeners, essentially because as we've discussed, 40 00:02:40,639 --> 00:02:43,040 Speaker 3: I had my refrigerator stuff and the Samantha had her 41 00:02:43,120 --> 00:02:49,680 Speaker 3: more job related religious trauma. I need to break stuff. 42 00:02:50,400 --> 00:02:54,360 Speaker 3: We were discussing about doing this about the K dramas, 43 00:02:54,360 --> 00:02:57,720 Speaker 3: and it kind of came up a little last minute. 44 00:02:57,760 --> 00:03:03,720 Speaker 3: So I did watch the tire sixteen episodes in two days, 45 00:03:04,160 --> 00:03:07,800 Speaker 3: I think, and it was very heavy loaded on the 46 00:03:07,840 --> 00:03:11,000 Speaker 3: second day. But no, I really enjoyed it. I thought 47 00:03:11,040 --> 00:03:15,040 Speaker 3: it was fun. I didn't expect because it has sort 48 00:03:15,080 --> 00:03:17,840 Speaker 3: of a like superhero element and then it's got like 49 00:03:17,919 --> 00:03:22,200 Speaker 3: a serial killer Elliott, so it had a lot of 50 00:03:22,200 --> 00:03:26,280 Speaker 3: things going on that I was like, oh, okay, yeah, okay, 51 00:03:27,639 --> 00:03:29,440 Speaker 3: and then it was of course, which I know we'll 52 00:03:29,480 --> 00:03:32,880 Speaker 3: talk about. It had a lot of a lot of 53 00:03:32,919 --> 00:03:36,720 Speaker 3: tropes that were very funny of like, you know, just 54 00:03:36,800 --> 00:03:43,120 Speaker 3: the over the top gas being and the love triangle 55 00:03:43,520 --> 00:03:46,480 Speaker 3: and just all of these characters that were very fun 56 00:03:47,040 --> 00:03:48,720 Speaker 3: to get to know and to watch. 57 00:03:49,560 --> 00:03:50,920 Speaker 2: So yeah, I had a good time. 58 00:03:50,960 --> 00:03:52,680 Speaker 3: I enjoyed it. It was not what I expected, but 59 00:03:52,720 --> 00:03:53,400 Speaker 3: I really liked it. 60 00:03:53,560 --> 00:03:55,960 Speaker 1: Okay, well, were you expecting out of curiosity? 61 00:03:56,400 --> 00:03:58,480 Speaker 3: Well, you have kind of just given me the title, 62 00:03:58,600 --> 00:04:01,320 Speaker 3: So I was of thinking that it was going to 63 00:04:01,400 --> 00:04:05,040 Speaker 3: be more about I don't know, about like a woman 64 00:04:05,640 --> 00:04:11,600 Speaker 3: trying to uh to make it in the office world 65 00:04:11,720 --> 00:04:14,240 Speaker 3: and has not taking any from any dudes. 66 00:04:15,080 --> 00:04:21,480 Speaker 2: I don't know you emotional characteristics. 67 00:04:22,520 --> 00:04:26,880 Speaker 3: Yeah, I was expecting the like actual like Superhero. 68 00:04:27,960 --> 00:04:31,920 Speaker 1: Yes, that's even better annoying that you're going to that 69 00:04:32,760 --> 00:04:34,600 Speaker 1: you watched the right one on this one. 70 00:04:34,760 --> 00:04:37,240 Speaker 2: That's true, Well I double check. I was like, look, 71 00:04:38,240 --> 00:04:40,400 Speaker 2: I do not need another misapp. 72 00:04:41,640 --> 00:04:45,360 Speaker 3: If I'm gonna watch sixteen episodes of something, you need 73 00:04:45,400 --> 00:04:48,240 Speaker 3: to make sure that it's the right Yes. 74 00:04:48,520 --> 00:04:50,360 Speaker 1: So there were several that we were talking about doing. 75 00:04:50,400 --> 00:04:52,800 Speaker 1: This is one because I thought it was an interesting 76 00:04:53,240 --> 00:04:56,279 Speaker 1: because it was interestingly new, and people have been hailing 77 00:04:56,320 --> 00:04:59,320 Speaker 1: it as a feminist look, which is kind of funny 78 00:04:59,360 --> 00:05:02,680 Speaker 1: because I'm like, oh, I don't know if it's truly filminous, 79 00:05:02,760 --> 00:05:04,960 Speaker 1: but I get what they're trying to do, as well 80 00:05:05,000 --> 00:05:08,440 Speaker 1: as the fact that the others were newer, And I 81 00:05:08,480 --> 00:05:10,320 Speaker 1: was like, I don't know if she like, we don't 82 00:05:10,320 --> 00:05:12,479 Speaker 1: want to spoil it for those who do love Kjramas, 83 00:05:12,480 --> 00:05:14,360 Speaker 1: and if you do, shout it out to me, it's 84 00:05:14,400 --> 00:05:16,240 Speaker 1: like one of the most alchemy of souls, which I 85 00:05:16,279 --> 00:05:18,719 Speaker 1: really really liked. And then I was like, wait, it 86 00:05:18,880 --> 00:05:21,360 Speaker 1: just came out this year last year, not too long ago, 87 00:05:21,480 --> 00:05:24,760 Speaker 1: so I don't want to ruin it for everyone. But 88 00:05:24,839 --> 00:05:27,080 Speaker 1: if you like it, tell me because I'm waking it. 89 00:05:27,880 --> 00:05:32,400 Speaker 1: So in this grab bag of sixteen episodes slash probably 90 00:05:32,400 --> 00:05:35,640 Speaker 1: what eighteen hours worth of content, I'm just going to 91 00:05:35,720 --> 00:05:38,839 Speaker 1: throw out the plot the best I can. Again, my 92 00:05:38,920 --> 00:05:42,360 Speaker 1: Korean's very sloppy, so sorry in advance. I'm trying. I'm 93 00:05:42,400 --> 00:05:46,080 Speaker 1: trying to get to my culture. It's hard. So we 94 00:05:46,160 --> 00:05:50,880 Speaker 1: have the main character Do Bonksen, who's played by Korean 95 00:05:50,960 --> 00:05:54,440 Speaker 1: star and she is a huge star Park Boyong, who 96 00:05:54,480 --> 00:05:57,640 Speaker 1: is a woman with superhuman strength which is given to 97 00:05:58,000 --> 00:06:01,360 Speaker 1: all the women of the Dough family. The gift does 98 00:06:01,480 --> 00:06:05,320 Speaker 1: have his limits. If a woman hurts someone or abuses 99 00:06:05,360 --> 00:06:08,480 Speaker 1: it like her mother did, then they lose that gift. 100 00:06:09,640 --> 00:06:13,320 Speaker 1: And for her, she's tried to control and hide her 101 00:06:13,400 --> 00:06:18,120 Speaker 1: powers because she's trying to look fragile and weak to 102 00:06:18,200 --> 00:06:21,159 Speaker 1: be loved. But that's a whole different that's coming later. 103 00:06:21,360 --> 00:06:24,799 Speaker 1: So then we also have the male lead on Mignyuk, 104 00:06:25,040 --> 00:06:28,119 Speaker 1: which is played by k Pop idol Park Kyung Slick, 105 00:06:28,760 --> 00:06:31,520 Speaker 1: who was also in if you've ever watched it the 106 00:06:31,600 --> 00:06:35,520 Speaker 1: airs on Netflix is called The Inheritors with Lehmanhoe who 107 00:06:35,600 --> 00:06:39,560 Speaker 1: is a delight and that whole show is very problematic. 108 00:06:39,600 --> 00:06:41,000 Speaker 1: But I didn't make you watch it because I was like, 109 00:06:41,040 --> 00:06:44,840 Speaker 1: this is too much, it's soy anyway, But yes, he 110 00:06:44,960 --> 00:06:47,839 Speaker 1: is at the male lead here, who is a rich 111 00:06:47,880 --> 00:06:51,880 Speaker 1: boy who owns a gaming company and is being threatened 112 00:06:51,920 --> 00:06:56,120 Speaker 1: by an anonymous offender that we find out later. And 113 00:06:56,160 --> 00:06:59,200 Speaker 1: then we always have a second lead, and this one 114 00:06:59,520 --> 00:07:04,800 Speaker 1: is the character is in played by the now canceled 115 00:07:05,440 --> 00:07:09,560 Speaker 1: Chi Sue, who is an upstanding rookie cop. And if 116 00:07:09,600 --> 00:07:12,040 Speaker 1: you want to know why he's canceled, he was a bully. 117 00:07:12,040 --> 00:07:14,360 Speaker 1: Apparent he's been accused of being a bully in school, 118 00:07:14,480 --> 00:07:17,560 Speaker 1: as well as some sexual harassment allegations. The sexual harassment 119 00:07:17,560 --> 00:07:20,320 Speaker 1: allegations were dismissed, but apparently he did admit to being 120 00:07:20,360 --> 00:07:23,000 Speaker 1: a bully, so he's canceled. He literally got dropped by 121 00:07:23,040 --> 00:07:28,200 Speaker 1: his agency. That's how seriously take that. But of course 122 00:07:29,320 --> 00:07:32,920 Speaker 1: is the high school love of Bonsou's life, but he 123 00:07:33,040 --> 00:07:36,760 Speaker 1: always seems to be ignoring her and is currently dating 124 00:07:36,920 --> 00:07:42,360 Speaker 1: a musician who is played by Sharina, who is in 125 00:07:42,680 --> 00:07:45,280 Speaker 1: several of the kaijuon was that I've been watching and 126 00:07:45,320 --> 00:07:48,280 Speaker 1: the ones that suggested to you, so like, oh damn, 127 00:07:48,440 --> 00:07:50,640 Speaker 1: she's big and she's really young. I didn't know how 128 00:07:50,680 --> 00:07:54,320 Speaker 1: young she was. But she plays the character Hiji, who 129 00:07:54,480 --> 00:07:58,640 Speaker 1: is the love interest of goop Do but also the 130 00:07:58,680 --> 00:08:02,440 Speaker 1: love interest of Bankstuen twin brother. So many triangles. We 131 00:08:02,520 --> 00:08:06,800 Speaker 1: have so many triangles, and the brother is a doctor, 132 00:08:07,000 --> 00:08:10,200 Speaker 1: so he is kind of more respected, and Bong Shun 133 00:08:10,400 --> 00:08:13,240 Speaker 1: is played as if she is not very smart, kind 134 00:08:13,280 --> 00:08:17,520 Speaker 1: of lazy, falls asleep in class, can't speak the English 135 00:08:17,560 --> 00:08:21,240 Speaker 1: phrases like everybody knows apparently, and that's a big downfall. 136 00:08:21,400 --> 00:08:24,440 Speaker 1: I don't know, that was oddny whatever. Yes, so we 137 00:08:24,560 --> 00:08:28,080 Speaker 1: have several triangles, maybe a square when it comes to 138 00:08:28,120 --> 00:08:33,199 Speaker 1: the love interests all of that. But yes, we have 139 00:08:33,360 --> 00:08:37,240 Speaker 1: this whole delightful back and forth between the love triangle, 140 00:08:37,720 --> 00:08:41,160 Speaker 1: love squares, I don't know, circles. Is it a circle 141 00:08:41,200 --> 00:08:45,680 Speaker 1: at this point? Maybe by these delightful people. Monsoon gets 142 00:08:45,760 --> 00:08:50,400 Speaker 1: hired as a bodyguard after I mean Huk witnesses her 143 00:08:50,720 --> 00:08:55,320 Speaker 1: fighting off a whole gangster, which is another subplot, which 144 00:08:55,360 --> 00:08:58,440 Speaker 1: is the comic relief. When he was bullying a driver 145 00:08:58,679 --> 00:09:01,760 Speaker 1: and all these kids on the bus and they is she, 146 00:09:02,080 --> 00:09:04,280 Speaker 1: you know, after trying to just say please don't do this, 147 00:09:04,920 --> 00:09:07,839 Speaker 1: she has to beat him up. He witnesses this asks 148 00:09:07,880 --> 00:09:09,600 Speaker 1: her to be a bodyguard. After they go to the 149 00:09:09,640 --> 00:09:11,560 Speaker 1: police and they all lie about the fact that she 150 00:09:11,800 --> 00:09:17,360 Speaker 1: saved everybody, you know, the usual. She goes home all 151 00:09:17,480 --> 00:09:22,120 Speaker 1: sad about do not loving her as per usual, and 152 00:09:22,160 --> 00:09:24,240 Speaker 1: then we come back and she does go to work 153 00:09:24,280 --> 00:09:29,640 Speaker 1: for Mignuk and she is his bodyguard, and he, obviously 154 00:09:29,640 --> 00:09:33,079 Speaker 1: at the very beginning, is finding her very attractive, so adorable, 155 00:09:33,160 --> 00:09:36,080 Speaker 1: keeps calling her cute and sexy, very inappropriate if you 156 00:09:36,120 --> 00:09:39,200 Speaker 1: really think about how this boss thing is working. He 157 00:09:39,240 --> 00:09:42,400 Speaker 1: even has her act as his fiance so he could 158 00:09:42,440 --> 00:09:45,360 Speaker 1: fight off rumors that he is gay. That seems to 159 00:09:45,360 --> 00:09:48,520 Speaker 1: be a whole thing in itself. We have goop Doo 160 00:09:48,640 --> 00:09:52,040 Speaker 1: going in as a police officer and something has happened. 161 00:09:52,600 --> 00:09:54,679 Speaker 1: What is it? It's the subplot. It's the subplot that 162 00:09:54,800 --> 00:09:58,640 Speaker 1: no one ever actually expects and the kind of newer 163 00:09:58,920 --> 00:10:02,080 Speaker 1: to these type of genres in which women are being 164 00:10:02,200 --> 00:10:06,200 Speaker 1: kidnapped by a really, really really awful evil guy. Like 165 00:10:06,280 --> 00:10:08,920 Speaker 1: I actually had to tell you, hey, you might want 166 00:10:08,960 --> 00:10:12,319 Speaker 1: to skip this. It could be triggering because it's fairly 167 00:10:12,400 --> 00:10:15,600 Speaker 1: serious for such a lighthearted series. 168 00:10:15,760 --> 00:10:18,720 Speaker 3: Yeah, yeah, I mean it was. It was a different. 169 00:10:19,000 --> 00:10:23,240 Speaker 2: Tonal shift where you're like, oh. 170 00:10:23,200 --> 00:10:28,920 Speaker 3: It kind of like, you know, cartoony sounds, love Triangle 171 00:10:29,160 --> 00:10:34,400 Speaker 3: square happening, girl beating up gangsters. And then one of 172 00:10:34,520 --> 00:10:36,520 Speaker 3: one of my favorite subplots is just them being in 173 00:10:36,559 --> 00:10:40,319 Speaker 3: the hospital for like the entire thing and just like 174 00:10:40,559 --> 00:10:43,080 Speaker 3: living in fear that she'll show up again. And then 175 00:10:43,120 --> 00:10:44,040 Speaker 3: all of a sudden, it's like. 176 00:10:44,280 --> 00:10:47,040 Speaker 2: And then he's kidding women. 177 00:10:47,520 --> 00:10:50,840 Speaker 1: And he's i mean triggered warning y'all, he's beating them 178 00:10:50,880 --> 00:10:53,320 Speaker 1: and they do not hold back on the sounds. At 179 00:10:53,320 --> 00:10:56,240 Speaker 1: the very least, it's pretty intense. But yeah, So we 180 00:10:56,280 --> 00:10:59,120 Speaker 1: have this whole subplot that there's a serial kidnapper in 181 00:10:59,160 --> 00:11:02,679 Speaker 1: her neighborhood, and they kind of go on about and 182 00:11:02,800 --> 00:11:05,560 Speaker 1: God is very involved in trying to solve this case. 183 00:11:05,600 --> 00:11:09,000 Speaker 1: He's a little smarket who comes in not you know, 184 00:11:09,320 --> 00:11:11,720 Speaker 1: not taking any shit. Although I have to say they 185 00:11:11,960 --> 00:11:14,360 Speaker 1: took a long time to figure this out, even though 186 00:11:14,360 --> 00:11:17,079 Speaker 1: they were right there a long time. I guess this 187 00:11:17,160 --> 00:11:20,480 Speaker 1: is how you extend the series whatever. So we have 188 00:11:20,600 --> 00:11:24,760 Speaker 1: these both these plots happening. At one point. Longsoon does 189 00:11:24,760 --> 00:11:27,400 Speaker 1: get involved in the subplot because her friend, her best friend, 190 00:11:27,400 --> 00:11:29,040 Speaker 1: who comes to see her and hangs out with her, 191 00:11:29,120 --> 00:11:32,239 Speaker 1: gets attacked by this man and is targeted by this kidnapper. 192 00:11:32,559 --> 00:11:36,520 Speaker 1: She goes and saves her, but she doesn't hurt him 193 00:11:36,600 --> 00:11:38,520 Speaker 1: or tie him up. She just lets him go. I 194 00:11:38,520 --> 00:11:40,480 Speaker 1: have so many thoughts of like, why would you do this? 195 00:11:41,000 --> 00:11:44,040 Speaker 1: Why would you do this? So he runs away in fear. 196 00:11:44,360 --> 00:11:48,840 Speaker 1: But then she begins to be a target for him 197 00:11:49,160 --> 00:11:51,360 Speaker 1: as well as goop Do because he goop Do keeps 198 00:11:51,360 --> 00:11:53,640 Speaker 1: coming around his little workplace and threatening him. So we 199 00:11:53,679 --> 00:11:57,200 Speaker 1: have all these things, so she becomes a target. We 200 00:11:57,280 --> 00:12:03,400 Speaker 1: still see her her love interest on Mignyuk coming in 201 00:12:03,520 --> 00:12:06,679 Speaker 1: trying to figure out who's blackmailing him. He's figuring it out. 202 00:12:06,679 --> 00:12:08,880 Speaker 1: He's also trying to train her so she could be 203 00:12:08,920 --> 00:12:12,680 Speaker 1: a superhero, and it's all this, you know, touching, such 204 00:12:12,760 --> 00:12:15,640 Speaker 1: cute k drama touching, which is barely touching. So it's 205 00:12:15,679 --> 00:12:19,880 Speaker 1: like they shoulders. Yeah, all that happening. At the same time, 206 00:12:19,920 --> 00:12:24,040 Speaker 1: they are very much infantilizing her, pretending like she's a child. 207 00:12:24,120 --> 00:12:27,000 Speaker 1: He sets up a desk with this ridiculous laptop and 208 00:12:27,080 --> 00:12:29,920 Speaker 1: a screen in his office because he doesn't want her 209 00:12:29,920 --> 00:12:33,040 Speaker 1: to leave that office. So many other things, but yes, 210 00:12:33,120 --> 00:12:35,839 Speaker 1: eventually he solves that mystery turns out to be the 211 00:12:35,880 --> 00:12:39,120 Speaker 1: brother that he liked that has always protected him. He's heartbroken, 212 00:12:39,440 --> 00:12:43,000 Speaker 1: but they move past it. Now they're onto this kidnapper. 213 00:12:43,800 --> 00:12:45,800 Speaker 1: At the same time, the bunch of gangsters that we 214 00:12:45,840 --> 00:12:47,920 Speaker 1: talked about, who is the comic relief, keeps trying to 215 00:12:47,920 --> 00:12:50,920 Speaker 1: come after Longsoon because they are so hurt that they 216 00:12:51,280 --> 00:12:54,800 Speaker 1: are their reputation has been tarnished, and sues a big 217 00:12:54,840 --> 00:13:00,200 Speaker 1: giant fight seen in the warehouse, hilariously done. And then 218 00:13:00,360 --> 00:13:02,839 Speaker 1: we find out Hutu, who has never known about her strength, 219 00:13:02,960 --> 00:13:05,280 Speaker 1: finds out how strong she is because she's always faked it, 220 00:13:05,559 --> 00:13:09,480 Speaker 1: even faking like she couldn't open the jar of jelly Yeah, 221 00:13:09,600 --> 00:13:14,480 Speaker 1: which was hilarious in itself. Again, we have several drunk scenes. 222 00:13:14,520 --> 00:13:16,800 Speaker 1: If you know anything about Korean drama, you gotta have 223 00:13:16,880 --> 00:13:20,720 Speaker 1: those drunk scenes. You gotta have them. I also appreciate 224 00:13:20,760 --> 00:13:23,600 Speaker 1: that they always put makeup on to show that Asian flush, 225 00:13:23,720 --> 00:13:25,800 Speaker 1: even though it's cuter on them than it is me, 226 00:13:26,040 --> 00:13:29,840 Speaker 1: in which I are right red and it looks very bloated. 227 00:13:30,880 --> 00:13:34,480 Speaker 1: And so we go on too. Back to the kidnapping plot. 228 00:13:34,720 --> 00:13:38,920 Speaker 1: He is targeting her friend again. He finally captures her 229 00:13:39,280 --> 00:13:41,520 Speaker 1: he's trying to hide it, and then Soon tells Bomsoon 230 00:13:41,600 --> 00:13:44,160 Speaker 1: come get her, essentially lays a trap for her, finds 231 00:13:44,160 --> 00:13:47,600 Speaker 1: out that she can lose her strength. Yeah if she 232 00:13:47,640 --> 00:13:49,800 Speaker 1: does something bad and accidentally hurts a person, which I 233 00:13:49,800 --> 00:13:53,079 Speaker 1: feel like it doesn't look like if she doesn't know 234 00:13:53,400 --> 00:13:55,840 Speaker 1: and she's not purposely trying to hurt someone, why would 235 00:13:55,920 --> 00:13:56,600 Speaker 1: that be a thing. 236 00:13:57,080 --> 00:14:00,400 Speaker 2: Right, it's not deliberate, right, Like, I don't get that. 237 00:14:00,559 --> 00:14:03,360 Speaker 1: But okay, because she's accidentally hurt a lot of people. 238 00:14:03,880 --> 00:14:08,880 Speaker 1: M h So anyway, again I digress. But so she 239 00:14:08,960 --> 00:14:11,800 Speaker 1: goes to rescue the friend, accidentally hurts an innocent person. 240 00:14:11,920 --> 00:14:15,640 Speaker 1: Her strength is taken away, but find her two men 241 00:14:15,760 --> 00:14:20,000 Speaker 1: in the triangle come and rescue her in which you know, 242 00:14:20,160 --> 00:14:24,720 Speaker 1: the hugging scene where min Yuk comes through is like, 243 00:14:24,800 --> 00:14:27,320 Speaker 1: you know, no come back and you think she's dead, 244 00:14:27,320 --> 00:14:31,800 Speaker 1: but she's not dead. She's just yeah, classed out classic, 245 00:14:32,520 --> 00:14:35,520 Speaker 1: all the classics. In between all of this, Yes, and 246 00:14:35,520 --> 00:14:37,800 Speaker 1: we find out that du finally figures out he's in 247 00:14:37,840 --> 00:14:40,320 Speaker 1: love with her and is trying to compete with men 248 00:14:40,400 --> 00:14:43,920 Speaker 1: Huck Longsoon Soon finds out that she's in love with 249 00:14:44,240 --> 00:14:47,240 Speaker 1: the rich boy Minhuck and she's like, oh yeah, he's 250 00:14:47,240 --> 00:14:49,080 Speaker 1: gonna give me a job, and he does because what 251 00:14:49,160 --> 00:14:52,120 Speaker 1: her dream was is to develop her own game based 252 00:14:52,160 --> 00:14:56,120 Speaker 1: on herself. Yeah, and so she's finally made it. He's 253 00:14:56,440 --> 00:15:01,920 Speaker 1: kind of cats keeps dangling it cruel, but supposedly that's 254 00:15:01,920 --> 00:15:05,080 Speaker 1: what she's doing. We come back, we have an event 255 00:15:05,200 --> 00:15:07,800 Speaker 1: which kidnapper runs away. He's being chased and you think 256 00:15:07,800 --> 00:15:09,600 Speaker 1: he's dead, but no, he's not dead. He comes out 257 00:15:09,720 --> 00:15:14,040 Speaker 1: from the lake and he's alive. Yay not yay boo boo, 258 00:15:14,400 --> 00:15:18,880 Speaker 1: I'm met boo, I'm sorry hello. And then he now 259 00:15:18,960 --> 00:15:21,720 Speaker 1: targets both all of them because he's like, it's all 260 00:15:21,760 --> 00:15:24,240 Speaker 1: they're faults that I am here and I can't get away, 261 00:15:24,280 --> 00:15:26,240 Speaker 1: So he targets all of them, goes to the main 262 00:15:26,600 --> 00:15:32,080 Speaker 1: game main company that Bonksoon and minhok Own I guess 263 00:15:32,160 --> 00:15:34,720 Speaker 1: doesn't own it, but she works there, goes and then 264 00:15:34,760 --> 00:15:37,680 Speaker 1: sets up this whole trap, uh, and then puts the 265 00:15:37,760 --> 00:15:41,520 Speaker 1: straps of bomb on Bonksoon. Of course why not? And 266 00:15:41,600 --> 00:15:45,760 Speaker 1: you know, we have that lovely scene between Minnehokan and 267 00:15:45,800 --> 00:15:48,120 Speaker 1: hers all crying about don't ve. 268 00:15:48,560 --> 00:15:49,440 Speaker 2: Bleeve go away. 269 00:15:49,480 --> 00:15:51,800 Speaker 1: He's like, I'll never leave you I'm gonna stay here 270 00:15:51,800 --> 00:15:55,280 Speaker 1: with you, YadA, YadA, YadA, because she wants to save him. 271 00:15:55,600 --> 00:15:59,160 Speaker 1: She gets her strength back, throws the dynamite in the air. 272 00:15:59,600 --> 00:16:03,880 Speaker 1: Push fireworks. Oh yeah, no, it comes to firewars somehow. 273 00:16:03,880 --> 00:16:09,240 Speaker 1: That day becomes fireworks Korean dramas. We love it. They embrace, 274 00:16:09,360 --> 00:16:11,520 Speaker 1: they come together, they spend the night. He's like, I 275 00:16:11,560 --> 00:16:13,160 Speaker 1: want you to love me. She's like, I love you, 276 00:16:13,320 --> 00:16:15,680 Speaker 1: I see you. All these cute little things, I will say, 277 00:16:16,320 --> 00:16:19,920 Speaker 1: parking sick. He does the best cute sea smile when 278 00:16:19,920 --> 00:16:22,400 Speaker 1: he's like in love with her. He really is very 279 00:16:22,440 --> 00:16:25,280 Speaker 1: convincing about how how much he adores her. It is 280 00:16:25,440 --> 00:16:28,840 Speaker 1: very cute. They're very young, but they are very cute. 281 00:16:29,440 --> 00:16:31,280 Speaker 1: They're not They're not young to you, they're young to me. 282 00:16:31,760 --> 00:16:35,960 Speaker 1: So we go on and again. The dude villain runs 283 00:16:35,960 --> 00:16:38,520 Speaker 1: away somehow and escapes and is trying to leave the country, 284 00:16:38,520 --> 00:16:41,280 Speaker 1: and everybody comes together to find this dude. They set 285 00:16:41,320 --> 00:16:44,040 Speaker 1: up this whole trap. He's bought a sniper gun to 286 00:16:44,160 --> 00:16:47,160 Speaker 1: kill Monsoon, all these things. They set up a whole 287 00:16:47,240 --> 00:16:50,800 Speaker 1: trap and then they catch him and they entrap him 288 00:16:51,120 --> 00:16:55,080 Speaker 1: in a wooden prison type of thing, Like I feel 289 00:16:55,080 --> 00:16:57,800 Speaker 1: like that would be easily movable. It's just I would 290 00:16:58,280 --> 00:17:02,400 Speaker 1: I'm very confused. This dude like okay, but whatever. So 291 00:17:02,440 --> 00:17:04,800 Speaker 1: he gets got and when they ask him why he 292 00:17:04,800 --> 00:17:06,919 Speaker 1: did it, he's like, it's fun. Have you ever had 293 00:17:06,960 --> 00:17:10,320 Speaker 1: a woman beg all these things? Really gross? Really really gross. 294 00:17:10,480 --> 00:17:13,359 Speaker 1: We see that Demonsouon has actually rescued all of the 295 00:17:13,400 --> 00:17:16,840 Speaker 1: women who have been imprisoned and have been kidnapped, including 296 00:17:16,880 --> 00:17:22,159 Speaker 1: her best friend as we said, and they all I 297 00:17:22,200 --> 00:17:25,000 Speaker 1: guess she still keeps her secret because no one believes 298 00:17:25,240 --> 00:17:28,119 Speaker 1: the women who were like this woman rescued us whatever whatnot. 299 00:17:28,480 --> 00:17:31,959 Speaker 1: And many of them are all traumatized. So that's realistic. 300 00:17:32,680 --> 00:17:36,119 Speaker 1: I'll give him that. They get they that's realistic. And 301 00:17:36,160 --> 00:17:40,240 Speaker 1: as we continue, we see the everything going happily ever after, 302 00:17:40,320 --> 00:17:44,040 Speaker 1: except the izdu does not get love. He gets very sad. 303 00:17:44,080 --> 00:17:47,000 Speaker 1: He does cry because he can't give the a necklace 304 00:17:47,040 --> 00:17:53,000 Speaker 1: he wanted. We also see Minhok like put trackers on her, 305 00:17:53,400 --> 00:17:55,520 Speaker 1: which I thought was odd as well, but you know what, 306 00:17:55,520 --> 00:18:00,280 Speaker 1: whatever he proposes, they get married. The whole wedding seeing 307 00:18:00,320 --> 00:18:03,800 Speaker 1: is quite funny. There's comic relief throughout. There's the whole staff, 308 00:18:04,320 --> 00:18:06,760 Speaker 1: there's the twins of course the mother and the father, 309 00:18:06,800 --> 00:18:07,960 Speaker 1: and I didn't even talk about the five of the 310 00:18:08,000 --> 00:18:11,280 Speaker 1: mother and father are a complete train wreck, but they're 311 00:18:11,320 --> 00:18:13,800 Speaker 1: a complete train wreck. And then she goes on to 312 00:18:13,880 --> 00:18:16,080 Speaker 1: work at a company, realizing that's not what she wants 313 00:18:16,119 --> 00:18:19,000 Speaker 1: to do after she develops her own game and that 314 00:18:19,160 --> 00:18:21,720 Speaker 1: her duty is to save people. So she goes back 315 00:18:21,760 --> 00:18:24,880 Speaker 1: to being an intern. I guess just to hang out 316 00:18:25,119 --> 00:18:28,760 Speaker 1: with her now husband, I don't know, So that's what happens. 317 00:18:28,800 --> 00:18:31,280 Speaker 1: And then they ended up having two kids, twins who 318 00:18:31,320 --> 00:18:33,639 Speaker 1: are all girls, and they end up accidentally beating up 319 00:18:33,680 --> 00:18:37,240 Speaker 1: everyone because they are super strong the end. 320 00:18:38,920 --> 00:18:41,639 Speaker 3: Yes, which I don't know that you've specified, but she 321 00:18:41,720 --> 00:18:42,679 Speaker 3: is a twin her brother. 322 00:18:43,240 --> 00:18:44,000 Speaker 1: Yes, that's right. 323 00:18:57,160 --> 00:18:59,440 Speaker 3: Also, I just want to add in another subplot because 324 00:18:59,480 --> 00:19:00,840 Speaker 3: there are lot of some plants. 325 00:19:00,920 --> 00:19:01,120 Speaker 1: Yeah. 326 00:19:02,040 --> 00:19:06,120 Speaker 3: Is that like she threatened the kids? 327 00:19:06,560 --> 00:19:07,679 Speaker 1: Oh yeah, the kids. 328 00:19:08,160 --> 00:19:11,520 Speaker 3: She threatened these kids who were like, I don't know, 329 00:19:11,760 --> 00:19:15,520 Speaker 3: be a Jersey Yeah, and then she uh is like, 330 00:19:15,560 --> 00:19:17,440 Speaker 3: go pick up trash and so they kind of become 331 00:19:17,520 --> 00:19:22,320 Speaker 3: like a trash brigrade and like her biggest fans. 332 00:19:22,119 --> 00:19:24,800 Speaker 1: Yes, they are fans. They had a whole sight dedicated 333 00:19:24,840 --> 00:19:26,960 Speaker 1: to her, Yes, which is quite funny. And she calls 334 00:19:27,160 --> 00:19:31,879 Speaker 1: my kids. Yes, but she looks younger than all of them, yes, h. 335 00:19:32,400 --> 00:19:34,320 Speaker 2: Especially like the leader guy. I don't know. 336 00:19:34,440 --> 00:19:36,480 Speaker 3: Some of them look pretty im but that guy, and 337 00:19:36,520 --> 00:19:38,280 Speaker 3: maybe he is younger, but to me, he looked a 338 00:19:38,280 --> 00:19:39,280 Speaker 3: bit older. 339 00:19:39,960 --> 00:19:42,080 Speaker 1: She is in her thirties now, I think so, like 340 00:19:42,720 --> 00:19:46,639 Speaker 1: then she was approaching the late twenties early thirties. I 341 00:19:46,640 --> 00:19:49,440 Speaker 1: I'm telling you what, when it comes to Korean stars, 342 00:19:49,760 --> 00:19:54,280 Speaker 1: you can never tell. I am always thoroughly confused by 343 00:19:54,520 --> 00:19:58,040 Speaker 1: what ages they are and truly believe they are like 344 00:19:58,119 --> 00:20:01,800 Speaker 1: twenty when they're actually thirty. The US is like that too, 345 00:20:01,840 --> 00:20:03,960 Speaker 1: but not as many actors are like that. There's a few. 346 00:20:04,680 --> 00:20:10,480 Speaker 1: But here in Korean dramas, I'm like, wow, Wow, you're yoh, 347 00:20:11,520 --> 00:20:15,960 Speaker 1: you're playing like you're twenty five, but you're actually thirty two, 348 00:20:16,000 --> 00:20:19,840 Speaker 1: but you look eighteen. I'm so confused by this, right, 349 00:20:19,880 --> 00:20:22,439 Speaker 1: But that's all of it. They even called the teenage 350 00:20:22,520 --> 00:20:26,240 Speaker 1: kids call her old like what, Yeah. 351 00:20:25,560 --> 00:20:26,360 Speaker 3: I would never. 352 00:20:27,760 --> 00:20:32,920 Speaker 2: Know, but that was a pretty big That was a thing. 353 00:20:33,040 --> 00:20:35,520 Speaker 3: And then there was like that construction company that was 354 00:20:35,560 --> 00:20:37,040 Speaker 3: like mostly in the hospital, a lot of it. 355 00:20:37,080 --> 00:20:40,080 Speaker 2: They had like a r yeah. 356 00:20:40,240 --> 00:20:44,639 Speaker 1: All gangsters with this one dude who is a pretty 357 00:20:44,640 --> 00:20:48,320 Speaker 1: big from him and the hnchman who always like losing 358 00:20:48,320 --> 00:20:50,600 Speaker 1: his teeth and ended up being one of the workers 359 00:20:50,640 --> 00:20:54,800 Speaker 1: at the software company or a gaming company. They're two 360 00:20:54,840 --> 00:20:58,879 Speaker 1: big comedians apparently in the South Korean acting world, and 361 00:20:59,119 --> 00:21:02,040 Speaker 1: like this is there forte and I was like, oh, 362 00:21:02,080 --> 00:21:04,440 Speaker 1: that makes sense, but that was the entirety of their 363 00:21:04,480 --> 00:21:09,640 Speaker 1: makeup is to be the clowns I guess of the show. 364 00:21:11,119 --> 00:21:12,679 Speaker 1: But yeah, you know, we have to go through the 365 00:21:12,840 --> 00:21:15,840 Speaker 1: K drama list so that you know every I think 366 00:21:15,840 --> 00:21:19,480 Speaker 1: almost every K drama I have watched has included the 367 00:21:19,560 --> 00:21:22,560 Speaker 1: cute tiny woman, and they don't most of the leaves 368 00:21:22,640 --> 00:21:26,800 Speaker 1: that I've seen for like comedies and romantic comedies like 369 00:21:26,840 --> 00:21:29,960 Speaker 1: these are cute. They are not gorgeously beautiful. They're the 370 00:21:30,040 --> 00:21:35,200 Speaker 1: cute ones which I found interesting. Lots of food, including takpoki, 371 00:21:35,560 --> 00:21:37,240 Speaker 1: which is very delicious and I was craving at the 372 00:21:37,359 --> 00:21:41,920 Speaker 1: entire time. A handsome trouble or the rich dude and 373 00:21:41,960 --> 00:21:45,120 Speaker 1: the poor girl every time, every day, every damn time. 374 00:21:45,840 --> 00:21:50,080 Speaker 1: The over eager, annoying mother that's always a trope. It 375 00:21:50,080 --> 00:21:52,560 Speaker 1: makes me really kind of sad. They have a scene 376 00:21:52,600 --> 00:21:55,320 Speaker 1: with bumper cars I've seen that in so many of them. 377 00:21:55,440 --> 00:21:59,240 Speaker 1: I'm like, wow, what is this? This is fascinating. 378 00:21:59,560 --> 00:22:05,480 Speaker 4: Okay, I don't know the aggressive pool is in every 379 00:22:06,080 --> 00:22:08,040 Speaker 4: I think it's gotten less and less and less, but 380 00:22:08,080 --> 00:22:10,240 Speaker 4: the whole like yanking the woman by the. 381 00:22:10,400 --> 00:22:16,320 Speaker 1: Arms is constant. Okay, it's constant. Like I'm like, wow, 382 00:22:17,520 --> 00:22:19,520 Speaker 1: the idols, as we talked about the main character here, 383 00:22:19,640 --> 00:22:22,639 Speaker 1: a main leading man was a K pop idol, we 384 00:22:22,760 --> 00:22:26,200 Speaker 1: always at least have one that I have found out 385 00:22:27,080 --> 00:22:29,800 Speaker 1: the usage of English as a way to establish a 386 00:22:30,000 --> 00:22:34,120 Speaker 1: higher class of education, which is interesting because that's kind 387 00:22:34,160 --> 00:22:38,080 Speaker 1: of that, like the verbiage, the phrases. They really look 388 00:22:38,160 --> 00:22:41,520 Speaker 1: down on people who can't mm hmm speak this. And 389 00:22:41,960 --> 00:22:43,960 Speaker 1: I've seen this in CA pop world too. It's like, wow, 390 00:22:44,080 --> 00:22:47,639 Speaker 1: that's really interesting. Lots of bullies. We have all the 391 00:22:47,640 --> 00:22:51,400 Speaker 1: bullies again, the abusive and then like specifically abusive bosses. 392 00:22:51,520 --> 00:22:54,399 Speaker 1: And if anybody is actually from South Korea, can you 393 00:22:54,480 --> 00:22:58,639 Speaker 1: tell me can supervisors kick their employees because I have 394 00:22:58,760 --> 00:23:01,879 Speaker 1: seen this a lot Yeah in the K dramas. I 395 00:23:01,920 --> 00:23:04,680 Speaker 1: am confused. I'm like, if that happened in that workplace, 396 00:23:04,760 --> 00:23:06,480 Speaker 1: that person would be fired and sued. 397 00:23:08,680 --> 00:23:11,440 Speaker 2: They definitely brought that up. A lot of like the 398 00:23:12,000 --> 00:23:13,399 Speaker 2: I will slap you, I will kick you. 399 00:23:13,560 --> 00:23:17,800 Speaker 1: I was like, whoacuseconstant, it's not just I'm like, wow, 400 00:23:17,840 --> 00:23:20,639 Speaker 1: what And the mothers. Mothers really like to smack people, 401 00:23:20,720 --> 00:23:23,879 Speaker 1: that's the whole thing. I think they've done well, and 402 00:23:24,000 --> 00:23:26,760 Speaker 1: like making sure that the men never slap women like 403 00:23:26,800 --> 00:23:28,760 Speaker 1: that's not a thing. But the aggressive poll is bad 404 00:23:28,880 --> 00:23:31,840 Speaker 1: enough to me that I'm like, what is what's happening again? 405 00:23:32,160 --> 00:23:35,680 Speaker 1: A lot of soji drinking drug scenes. That's the constant 406 00:23:37,359 --> 00:23:40,240 Speaker 1: and the fighting and you know, all the words. The 407 00:23:40,359 --> 00:23:44,119 Speaker 1: backwards hug. That's a whole thing in dramas that's supposed 408 00:23:44,119 --> 00:23:46,359 Speaker 1: to be really romantic apparently, and every time you see 409 00:23:46,359 --> 00:23:50,359 Speaker 1: them doing it, the women always look shocked and dismayed. 410 00:23:50,640 --> 00:23:56,439 Speaker 1: I'm like, oh, apparently it's really intimate, really intimate, just 411 00:23:56,480 --> 00:23:59,760 Speaker 1: so you know. And then of course product placement, product 412 00:23:59,800 --> 00:24:02,800 Speaker 1: place everywhere. We talked about how John Oliver talked about 413 00:24:02,800 --> 00:24:05,800 Speaker 1: Subway and that was all in Goblin or The Guardian 414 00:24:06,119 --> 00:24:07,760 Speaker 1: that you and I watched because I loved, but it 415 00:24:07,840 --> 00:24:10,679 Speaker 1: was the entire thing for this one. They are like 416 00:24:11,040 --> 00:24:14,640 Speaker 1: high end things like the chocolate place, yeah, was one 417 00:24:14,680 --> 00:24:18,199 Speaker 1: of them. The types of purses that were bought. Was 418 00:24:18,240 --> 00:24:21,600 Speaker 1: one of them. It was interesting, okay, And then the 419 00:24:21,640 --> 00:24:26,640 Speaker 1: cars were Volvos, right, yes, higher ends. The Goblin had 420 00:24:26,680 --> 00:24:29,119 Speaker 1: Maseratis as their vehicles. 421 00:24:29,240 --> 00:24:29,520 Speaker 4: Yeah. 422 00:24:29,640 --> 00:24:31,320 Speaker 1: I was like, what does that so? I didn't even know. 423 00:24:31,400 --> 00:24:36,159 Speaker 1: I can't recognize it. How little I know about cars 424 00:24:36,240 --> 00:24:39,760 Speaker 1: and how I guess high end cars fancy cars are that. 425 00:24:39,840 --> 00:24:43,680 Speaker 1: I'm like, huh, I don't know what that is. But yeah, 426 00:24:43,680 --> 00:24:46,360 Speaker 1: and this is the Volvos. All of them are Volvos, 427 00:24:47,800 --> 00:24:50,320 Speaker 1: so yeah, those are those are the concept. I'm sure 428 00:24:50,320 --> 00:24:54,120 Speaker 1: there's more that I have missed. The awkward kisses where 429 00:24:54,119 --> 00:24:56,800 Speaker 1: they just like the women always look shocked and turned around. 430 00:24:56,840 --> 00:25:02,960 Speaker 1: I'm like, oh my goodness. Yes, but yeah, So we 431 00:25:03,000 --> 00:25:04,560 Speaker 1: wanted to talk about some of the things because they 432 00:25:04,600 --> 00:25:07,639 Speaker 1: did flop the lot in this series. They wanted to 433 00:25:07,680 --> 00:25:09,840 Speaker 1: flip it on purpose, maybe talk about the fact that 434 00:25:09,880 --> 00:25:11,560 Speaker 1: they felt like this was more feminist and they were 435 00:25:11,880 --> 00:25:15,600 Speaker 1: pushing it forward, talking about issues like the Me Too movement. 436 00:25:15,880 --> 00:25:18,040 Speaker 1: There was a point in which a man was groping 437 00:25:18,040 --> 00:25:20,200 Speaker 1: a woman at the subway, which has been a complaint 438 00:25:20,200 --> 00:25:23,800 Speaker 1: that has happened within South Korean culture, and her breaking 439 00:25:23,840 --> 00:25:28,119 Speaker 1: his fingers essentially and walking away. That is a conversation, 440 00:25:28,280 --> 00:25:30,679 Speaker 1: like they made sure that they addressed it, and they 441 00:25:30,800 --> 00:25:33,600 Speaker 1: talked about the fact that the take back the Night 442 00:25:34,560 --> 00:25:36,920 Speaker 1: was brought up as well, and how that was a 443 00:25:36,960 --> 00:25:39,560 Speaker 1: big feminist movement, which was the point of the subplot 444 00:25:40,240 --> 00:25:43,119 Speaker 1: to talk about kind of the me too sexual harassment 445 00:25:43,960 --> 00:25:47,960 Speaker 1: abuse towards women in that culture. And I thought that 446 00:25:48,000 --> 00:25:50,879 Speaker 1: was interesting because with that they made sure that a 447 00:25:50,920 --> 00:25:53,200 Speaker 1: woman could protect her own which. 448 00:25:53,000 --> 00:25:56,520 Speaker 3: Was kind of that conversation, right, And they have that 449 00:25:56,560 --> 00:26:01,240 Speaker 3: whole scene to where this guy essentially bullying a woman, 450 00:26:01,280 --> 00:26:05,800 Speaker 3: but they had like a minor car accident and one 451 00:26:05,840 --> 00:26:08,160 Speaker 3: soon gets out of the car and it's like ah. 452 00:26:08,040 --> 00:26:10,560 Speaker 2: Da da and he kind of ignores her. And then 453 00:26:10,640 --> 00:26:12,320 Speaker 2: the rich guy gets out and he's like. 454 00:26:12,600 --> 00:26:16,880 Speaker 3: Ry and the car's like okay, listens to him and 455 00:26:16,960 --> 00:26:19,320 Speaker 3: she brings that up, like she chases him tas she 456 00:26:19,400 --> 00:26:21,600 Speaker 3: gets in the back of the car, makes him get 457 00:26:21,600 --> 00:26:23,240 Speaker 3: off the road, and was like, so you'll listen when 458 00:26:23,240 --> 00:26:26,080 Speaker 3: a guy says something and tells you and then you're 459 00:26:26,119 --> 00:26:29,040 Speaker 3: all polite, but when women are telling you something, then 460 00:26:29,080 --> 00:26:32,960 Speaker 3: you feel very comfortable like being very rude and being 461 00:26:33,080 --> 00:26:36,719 Speaker 3: cruel and all of these things, So they definitely addressed 462 00:26:37,640 --> 00:26:38,360 Speaker 3: stuff like that. 463 00:26:38,840 --> 00:26:41,480 Speaker 1: Yeah, and they did. I think they also like the 464 00:26:41,600 --> 00:26:45,000 Speaker 1: back and forth with this is that whole fragile girl 465 00:26:45,400 --> 00:26:50,040 Speaker 1: bit infantilizing her a lot, as as the boss would 466 00:26:50,080 --> 00:26:53,199 Speaker 1: do when it came to her job, her work. He 467 00:26:53,359 --> 00:26:57,200 Speaker 1: was definitely patronizing because he kept saying she was cute, 468 00:26:57,560 --> 00:27:01,840 Speaker 1: the protecting from her friend, same thing, and then pretending 469 00:27:01,960 --> 00:27:04,240 Speaker 1: like she was fragile because she didn't feel like she 470 00:27:04,280 --> 00:27:07,359 Speaker 1: could attract him because he made that statement and he 471 00:27:07,400 --> 00:27:09,280 Speaker 1: said I always saw you. He's like, I would have 472 00:27:09,320 --> 00:27:12,080 Speaker 1: been fine out of you know, knowing who you are, 473 00:27:12,359 --> 00:27:15,800 Speaker 1: like noy, real you, but to me, you were fragile. 474 00:27:15,840 --> 00:27:18,040 Speaker 1: I was saying that to describe you because I wanted 475 00:27:18,080 --> 00:27:20,760 Speaker 1: you type of thing. And I'm like, right, it's so sad, 476 00:27:20,960 --> 00:27:22,959 Speaker 1: like there's so many things wrong with that moment. 477 00:27:23,760 --> 00:27:28,880 Speaker 3: Yeah, yeah, And I mean I don't think at all 478 00:27:28,960 --> 00:27:32,359 Speaker 3: this is unique to this show, Like we see that 479 00:27:32,480 --> 00:27:34,960 Speaker 3: all over the place, but it is very like the 480 00:27:35,160 --> 00:27:39,639 Speaker 3: idea that the man is the protector and that's what 481 00:27:39,720 --> 00:27:43,520 Speaker 3: makes him romantic, and also like if he's not the protector, 482 00:27:43,640 --> 00:27:48,760 Speaker 3: then he feels feminine, right emasculine, like immasculine. 483 00:27:48,800 --> 00:27:51,920 Speaker 2: So I think that that has seeped into a. 484 00:27:51,800 --> 00:27:53,600 Speaker 3: Lot of our pop culture, and like a lot of 485 00:27:53,680 --> 00:27:56,040 Speaker 3: us have internalized those things, like I have found myself 486 00:27:56,080 --> 00:27:59,480 Speaker 3: writing things like that, even though I don't believe in 487 00:27:59,560 --> 00:28:01,960 Speaker 3: though because I think it should be that way, but 488 00:28:02,200 --> 00:28:05,400 Speaker 3: it is something we just see everywhere, right. 489 00:28:05,400 --> 00:28:07,600 Speaker 1: And yeah, I mean it had the good. It was 490 00:28:07,720 --> 00:28:10,639 Speaker 1: two extremes, which was interesting and I could get that 491 00:28:10,680 --> 00:28:12,879 Speaker 1: as an actual thing. So for women who feel like 492 00:28:12,880 --> 00:28:16,000 Speaker 1: they're being told they're overbearing, they're they're too loud, they're 493 00:28:16,000 --> 00:28:18,920 Speaker 1: all too aggressive, you try to hide and shrink yourself 494 00:28:18,920 --> 00:28:20,640 Speaker 1: because you think that's the way it is, and that's 495 00:28:20,640 --> 00:28:22,639 Speaker 1: what she has done. And then she finally came to 496 00:28:22,680 --> 00:28:24,680 Speaker 1: the point of being like, Nope, that's not who I am. 497 00:28:24,760 --> 00:28:27,520 Speaker 1: This is who I am. Of course, we have the 498 00:28:27,680 --> 00:28:31,600 Speaker 1: love symmetries. There are so many things like happening here, 499 00:28:31,720 --> 00:28:34,439 Speaker 1: like the brother and the ex girlfriend and then they 500 00:28:34,800 --> 00:28:37,520 Speaker 1: break up, which was smart, like y'all can't have this relationship, 501 00:28:37,520 --> 00:28:39,760 Speaker 1: but it did make me sad my brother was finally happy, 502 00:28:40,280 --> 00:28:44,320 Speaker 1: but whatever, and then we have the wedding and then 503 00:28:44,400 --> 00:28:47,080 Speaker 1: the fact that still loves her and shows up for 504 00:28:47,120 --> 00:28:49,720 Speaker 1: the wedding and they still hate each other. That's kind 505 00:28:49,760 --> 00:28:52,200 Speaker 1: of funny in itself. And we kind of had a 506 00:28:52,240 --> 00:28:53,840 Speaker 1: love triangle with the parents too. 507 00:28:54,600 --> 00:28:55,800 Speaker 2: Oh he did. 508 00:28:56,040 --> 00:29:04,280 Speaker 5: Yeah, it was good, yes, because she wrote a really 509 00:29:04,400 --> 00:29:07,280 Speaker 5: cheesy book and he loved it, and the mother was 510 00:29:07,400 --> 00:29:08,480 Speaker 5: very jealous. 511 00:29:08,280 --> 00:29:11,440 Speaker 1: But she also really insulted him about like, look what 512 00:29:11,520 --> 00:29:13,160 Speaker 1: happened to me when I lost mind? I had to 513 00:29:13,200 --> 00:29:15,400 Speaker 1: marry him? Do you want this? And I'm like, oh God, 514 00:29:16,120 --> 00:29:21,120 Speaker 1: And he loves loves loves his daughter. That's the whole thing. Yes, 515 00:29:21,160 --> 00:29:23,480 Speaker 1: And then the conversation of superheroes, which is what she 516 00:29:23,920 --> 00:29:26,000 Speaker 1: wanted to be but couldn't figure out how to be. 517 00:29:26,080 --> 00:29:28,880 Speaker 1: And then finally by the end she accepted herself and 518 00:29:28,920 --> 00:29:34,280 Speaker 1: became that superhero, which Miniuk the Boss had always seen 519 00:29:34,320 --> 00:29:36,560 Speaker 1: her that way because of the opening credit scene which 520 00:29:36,560 --> 00:29:39,120 Speaker 1: I did not talk about, in which he is going 521 00:29:39,320 --> 00:29:44,200 Speaker 1: to see his mother's grave. The bus blows a tire, 522 00:29:44,520 --> 00:29:47,280 Speaker 1: goes out of all kinds of ways, and then comes 523 00:29:47,320 --> 00:29:48,640 Speaker 1: to a point where it looks like it's gonna go 524 00:29:48,640 --> 00:29:50,720 Speaker 1: over the edge after hitting a mother and daughter, and 525 00:29:50,760 --> 00:29:53,240 Speaker 1: she's able to stop it. He doesn't ever get to 526 00:29:53,240 --> 00:29:55,840 Speaker 1: see her face, but he knows he saw her and 527 00:29:55,880 --> 00:29:58,080 Speaker 1: then painted a portrait of her and then it turned 528 00:29:58,120 --> 00:29:58,840 Speaker 1: out to be her. 529 00:29:59,400 --> 00:30:03,640 Speaker 3: Right, So yeah, yeah, and it is quite a wild 530 00:30:03,720 --> 00:30:06,200 Speaker 3: opening scene, I must say, because that bus is just 531 00:30:06,360 --> 00:30:07,480 Speaker 3: swerve it all over. 532 00:30:07,400 --> 00:30:10,640 Speaker 1: Everybody everywhere, all the kids, all the pain pud balls, 533 00:30:10,840 --> 00:30:28,840 Speaker 1: the pain so many paint pud balls. Yeah. And then 534 00:30:28,840 --> 00:30:31,560 Speaker 1: of course again we've already been talking about the problematic 535 00:30:31,600 --> 00:30:34,920 Speaker 1: things that's happening in this because I can't ignore when 536 00:30:34,920 --> 00:30:38,440 Speaker 1: it comes to Korean culture how problematic things can be. 537 00:30:38,760 --> 00:30:40,520 Speaker 1: They're trying to fix it, they're trying to address it, 538 00:30:40,560 --> 00:30:43,440 Speaker 1: but it's really hard to bypass, uh, the fat phobic 539 00:30:43,480 --> 00:30:45,760 Speaker 1: thing the whole like she has to be skinny and 540 00:30:45,800 --> 00:30:48,160 Speaker 1: then no one wants you if you're not skinny and 541 00:30:48,280 --> 00:30:51,760 Speaker 1: tiny and all these things that was That's a running 542 00:30:51,800 --> 00:30:53,880 Speaker 1: thing throughout all of Korean culture. I think there's a 543 00:30:53,880 --> 00:30:57,760 Speaker 1: couple of shows that try to address that and it 544 00:30:57,920 --> 00:31:00,720 Speaker 1: kind of like embrace it, but they do it in 545 00:31:00,760 --> 00:31:03,320 Speaker 1: a really bad way. I just saw a preview of one, 546 00:31:03,640 --> 00:31:05,920 Speaker 1: and it looks like she is an average woman, so 547 00:31:05,920 --> 00:31:08,760 Speaker 1: she's not super super skinny, but I've obviously thought of 548 00:31:08,880 --> 00:31:13,600 Speaker 1: as chunky or fat, and the way he's wooing her, 549 00:31:13,680 --> 00:31:16,000 Speaker 1: is feeding her more food, and I'm like, that's just 550 00:31:16,040 --> 00:31:19,560 Speaker 1: as bad, right, trying to make our diet like this 551 00:31:19,640 --> 00:31:22,120 Speaker 1: is this is weird, but like that seems to be 552 00:31:22,200 --> 00:31:25,040 Speaker 1: a whole obviously conversation. It was very slight, but the 553 00:31:25,080 --> 00:31:27,760 Speaker 1: mother always talking to other women about how fat they 554 00:31:27,800 --> 00:31:32,520 Speaker 1: are or no one wants you really problematic. There's a 555 00:31:32,560 --> 00:31:37,560 Speaker 1: lot I think they are trying not to be homophobic, 556 00:31:37,920 --> 00:31:40,640 Speaker 1: but a lot of the ways that they approach this, 557 00:31:41,040 --> 00:31:46,040 Speaker 1: like in the Queer central of things, in this show, 558 00:31:46,640 --> 00:31:49,600 Speaker 1: it came off as homophobic. Am I am I reading 559 00:31:49,640 --> 00:31:49,920 Speaker 1: into that? 560 00:31:50,720 --> 00:31:52,560 Speaker 2: I No, No, I don't think so. 561 00:31:52,720 --> 00:31:56,040 Speaker 3: But I will say it was funny for me because 562 00:31:56,080 --> 00:31:57,800 Speaker 3: I've had to kind of come to terms with this 563 00:31:58,960 --> 00:32:03,040 Speaker 3: and you know, like as I've gone through my my 564 00:32:03,800 --> 00:32:06,560 Speaker 3: finding out how identify and stuff and the like really 565 00:32:06,920 --> 00:32:09,920 Speaker 3: being like, Okay, I'm queer. Is that I didn't get 566 00:32:10,240 --> 00:32:13,200 Speaker 3: like the whole joke joke. I don't think it was 567 00:32:13,240 --> 00:32:14,640 Speaker 3: a joke, but I was kind of like, wait, are 568 00:32:14,680 --> 00:32:17,680 Speaker 3: they serious or not? Because they kept saying the rich 569 00:32:17,760 --> 00:32:22,280 Speaker 3: guy was gay, like he's into men, yeah, And I 570 00:32:22,320 --> 00:32:25,959 Speaker 3: was like, but is he? And then I was like, 571 00:32:26,120 --> 00:32:30,280 Speaker 3: is this like a because there's a sea where it 572 00:32:30,280 --> 00:32:33,800 Speaker 3: implies that like he even googed do almost kid. 573 00:32:34,040 --> 00:32:35,200 Speaker 2: Yeah, And I. 574 00:32:35,120 --> 00:32:37,400 Speaker 1: Was like, I did kiss I don't know if they 575 00:32:37,560 --> 00:32:40,640 Speaker 1: almost she stopped them from kissing as they were super drunk. 576 00:32:40,800 --> 00:32:43,680 Speaker 3: Yeah, and then I was like, whoa is this this? 577 00:32:44,000 --> 00:32:45,760 Speaker 3: And then it wasn't that, which was fine, but I 578 00:32:45,840 --> 00:32:47,880 Speaker 3: was kind of like, wait, what's going on? And then 579 00:32:47,920 --> 00:32:51,600 Speaker 3: it definitely had at the end the a very abusive 580 00:32:51,760 --> 00:32:55,760 Speaker 3: like development leader at the place that was like leaning hard. 581 00:32:56,480 --> 00:32:59,719 Speaker 1: Yeah, there was a moment in which like the friend 582 00:33:00,120 --> 00:33:03,760 Speaker 1: secretary he like is trying to tell everyone I'm not gay, 583 00:33:03,800 --> 00:33:07,760 Speaker 1: I'm not gay, and then the development dude is like, 584 00:33:08,280 --> 00:33:12,600 Speaker 1: why are you so ashamed? Calm down, calm down, don't 585 00:33:12,640 --> 00:33:15,720 Speaker 1: react this way. So it's like kind of clean it out, 586 00:33:15,880 --> 00:33:19,000 Speaker 1: but in an awful manner with the stereotypical way of 587 00:33:19,080 --> 00:33:22,200 Speaker 1: doing things again. Yeah, and I will say, like the 588 00:33:22,320 --> 00:33:25,600 Speaker 1: way when the character, the main character, I mean, when 589 00:33:25,640 --> 00:33:27,960 Speaker 1: he talks about being accused of being gay, he never 590 00:33:27,960 --> 00:33:30,360 Speaker 1: gets offended. He's never had a moment where he's upset 591 00:33:30,360 --> 00:33:32,600 Speaker 1: by that, Like it's not something that he thinks is 592 00:33:32,600 --> 00:33:33,280 Speaker 1: a big deal. 593 00:33:34,120 --> 00:33:38,640 Speaker 6: Yeah, he's kind of like maybe like it's essentially like 594 00:33:38,720 --> 00:33:44,720 Speaker 6: I don't care, and like there's a scene where, because uh, 595 00:33:45,720 --> 00:33:46,640 Speaker 6: the mom is. 596 00:33:46,680 --> 00:33:47,280 Speaker 3: Really like. 597 00:33:48,960 --> 00:33:52,360 Speaker 2: Wanting her daughter to get with this CEO. 598 00:33:52,360 --> 00:33:54,800 Speaker 1: Essentially trying to give her to the city. 599 00:33:54,600 --> 00:34:01,680 Speaker 3: Yes, like consummation, blanket and everything, And there's a scene 600 00:34:01,880 --> 00:34:05,040 Speaker 3: where they have a conversation. 601 00:34:04,600 --> 00:34:07,120 Speaker 2: About like, no, he's gay, and the mom is kind 602 00:34:07,160 --> 00:34:07,600 Speaker 2: of like. 603 00:34:09,160 --> 00:34:12,759 Speaker 1: Everyone has flaws. She says, every man has flaws looking 604 00:34:12,760 --> 00:34:13,120 Speaker 1: at that. 605 00:34:13,960 --> 00:34:16,240 Speaker 3: But she doesn't like, which is not the best response. 606 00:34:16,640 --> 00:34:18,480 Speaker 3: Please understand. I know that's not the best response. But 607 00:34:18,520 --> 00:34:22,960 Speaker 3: it wasn't like super like well didn't kill him. It 608 00:34:23,000 --> 00:34:24,200 Speaker 3: was at least kind of like. 609 00:34:24,360 --> 00:34:28,360 Speaker 1: Well like everybody, but it was also funny, and I 610 00:34:28,400 --> 00:34:30,680 Speaker 1: don't this could be the translation. So this is the part, 611 00:34:30,760 --> 00:34:33,560 Speaker 1: Like this is I really do hope that I can 612 00:34:33,680 --> 00:34:37,360 Speaker 1: lean into being able to understand Korean, truly understand Korean, 613 00:34:38,440 --> 00:34:40,959 Speaker 1: which I got a sad I read a sad, sad 614 00:34:41,320 --> 00:34:47,040 Speaker 1: research paper saying that people adopted people truly forget so 615 00:34:47,080 --> 00:34:49,440 Speaker 1: it's just like they never knew it. And I'm like, oh, 616 00:34:50,239 --> 00:34:53,319 Speaker 1: I spoken till I was eight. I'm very sad about this. 617 00:34:54,200 --> 00:34:58,319 Speaker 1: But anyway, back too, like, because the translation may be 618 00:34:58,400 --> 00:35:01,680 Speaker 1: part of this problem. I will say for the specific 619 00:35:02,640 --> 00:35:05,319 Speaker 1: show and Vicki Rakaton. I don't know if they have 620 00:35:05,480 --> 00:35:09,200 Speaker 1: individual translators like Netflix I think has theirs and all this. 621 00:35:09,680 --> 00:35:11,799 Speaker 1: They do a lot better than most by at least 622 00:35:11,840 --> 00:35:15,319 Speaker 1: explaining the jokes when you don't understand, like they will 623 00:35:15,320 --> 00:35:17,480 Speaker 1: tell you what it is, and I've never seen that 624 00:35:17,520 --> 00:35:19,840 Speaker 1: on Netflix. Netflix will just change it all together and 625 00:35:19,840 --> 00:35:21,920 Speaker 1: make it a whole different thing, like I know the 626 00:35:22,000 --> 00:35:24,200 Speaker 1: vast difference. I'm like, that is definitely not what they said, 627 00:35:24,239 --> 00:35:28,560 Speaker 1: Like I know that much. But yeah, so but with 628 00:35:28,640 --> 00:35:31,640 Speaker 1: that said, I know at one point they are talking 629 00:35:31,800 --> 00:35:37,200 Speaker 1: about the brother tells Bonsoun that he's not gay from 630 00:35:37,200 --> 00:35:39,080 Speaker 1: a clinical point of view, he's not gay, and I'm like. 631 00:35:39,080 --> 00:35:40,520 Speaker 2: Wait, what mm hmm. 632 00:35:41,200 --> 00:35:44,400 Speaker 1: That doesn't right, that doesn't make sense. Like it's kind 633 00:35:44,440 --> 00:35:48,000 Speaker 1: of one of those moments I'm like, I don't I'm 634 00:35:48,040 --> 00:35:50,600 Speaker 1: not sure what they're talking, how they're how they're leading 635 00:35:50,640 --> 00:35:53,920 Speaker 1: into this other than you know, just my opinion. But 636 00:35:54,160 --> 00:35:56,480 Speaker 1: I don't think this. I don't know. There's so many 637 00:35:56,560 --> 00:36:00,120 Speaker 1: things that are like, Okay, it's not as bad as 638 00:36:00,160 --> 00:36:04,239 Speaker 1: I've seen, but it's not great. You're right, right, you know, 639 00:36:04,320 --> 00:36:06,200 Speaker 1: and it's still a problem. There's still a long way 640 00:36:06,200 --> 00:36:09,440 Speaker 1: to go. And then another one that I finally like, huge, 641 00:36:09,680 --> 00:36:13,560 Speaker 1: huge issues the abuse turned comedy. Now, of course we 642 00:36:13,640 --> 00:36:16,560 Speaker 1: find out because she's just beating on the dad and 643 00:36:16,600 --> 00:36:18,600 Speaker 1: at one point it looks like she has beat him, 644 00:36:18,640 --> 00:36:21,920 Speaker 1: like he has black eyes, all of these things, and 645 00:36:22,000 --> 00:36:25,160 Speaker 1: it turned out that he literally did fall, and then 646 00:36:25,200 --> 00:36:26,919 Speaker 1: she was like, I would never do that. How could 647 00:36:26,960 --> 00:36:27,839 Speaker 1: you think of me that way? 648 00:36:27,840 --> 00:36:28,680 Speaker 2: And then everybody's like. 649 00:36:28,640 --> 00:36:32,200 Speaker 1: Because you constantly brate him, and it's not surprising, but 650 00:36:32,200 --> 00:36:35,480 Speaker 1: the fact that people had let it go the entire 651 00:36:35,680 --> 00:36:38,520 Speaker 1: time until the very end when he left and finally 652 00:36:38,560 --> 00:36:42,720 Speaker 1: had enough, and I'm like, why is this a comic relief? 653 00:36:42,760 --> 00:36:45,759 Speaker 1: This is not comedy. I am so confused, even to 654 00:36:45,800 --> 00:36:49,360 Speaker 1: the point that she would constantly slap long sooons, constantly 655 00:36:49,440 --> 00:36:51,080 Speaker 1: hit her, and when she's lost her power, she's like, 656 00:36:51,120 --> 00:36:53,840 Speaker 1: this really hurts. And even when it didn't, it hurt me, 657 00:36:54,200 --> 00:36:56,360 Speaker 1: like having to explain. I'm glad that she did finally 658 00:36:56,440 --> 00:37:00,440 Speaker 1: address it. But that's a common theme around all all 659 00:37:00,480 --> 00:37:04,080 Speaker 1: the comedies, and I'm very like, wow, this seems to 660 00:37:04,120 --> 00:37:07,240 Speaker 1: be an okay thing that they constantly beat their kids. 661 00:37:07,280 --> 00:37:10,439 Speaker 1: They constantly beat their children. Again, that one we're talking 662 00:37:10,480 --> 00:37:13,920 Speaker 1: about the airs, which was older, like twenty fourteen. I 663 00:37:13,960 --> 00:37:18,560 Speaker 1: think they are like they're constantly slapping their kids, making 664 00:37:18,600 --> 00:37:21,400 Speaker 1: them bleed and just leaving it as is, and no 665 00:37:21,440 --> 00:37:26,400 Speaker 1: one seems to blink an eye that I'm like, is 666 00:37:26,440 --> 00:37:29,920 Speaker 1: this culturally a thing that I know different cultures. We 667 00:37:29,920 --> 00:37:35,080 Speaker 1: talked about this even in our recent episode on motherhood 668 00:37:35,239 --> 00:37:40,960 Speaker 1: and children and types of parenting culturally, but it's shocking 669 00:37:41,000 --> 00:37:44,560 Speaker 1: that it is still supervised like this at this day 670 00:37:44,560 --> 00:37:47,640 Speaker 1: and age, because again, this was twenty seventeen. The recent 671 00:37:47,640 --> 00:37:49,439 Speaker 1: ones in twenty twenty two to twenty twenty three still 672 00:37:49,440 --> 00:37:50,879 Speaker 1: have that same thing too. 673 00:37:51,560 --> 00:37:56,640 Speaker 3: Yeah, Yeah, And I think that's you know that has 674 00:37:56,640 --> 00:38:01,200 Speaker 3: played for laughs, is pretty concerned, and there were certainly 675 00:38:01,239 --> 00:38:04,360 Speaker 3: a lot of things where I'm like, again, not unique 676 00:38:04,400 --> 00:38:06,279 Speaker 3: to this at all, but like the kind of like 677 00:38:06,320 --> 00:38:11,680 Speaker 3: playing for laughs of of that, and abuses of power 678 00:38:12,000 --> 00:38:14,799 Speaker 3: like power dynamics throughout. 679 00:38:16,440 --> 00:38:19,960 Speaker 1: Again, like he's really leaning into like, if you like me, 680 00:38:20,239 --> 00:38:21,279 Speaker 1: then I'll give you this job. 681 00:38:21,360 --> 00:38:24,520 Speaker 3: It feels like yes, And and I don't think we 682 00:38:24,600 --> 00:38:28,200 Speaker 3: ever specified, but he had her essentially move into his apartment. 683 00:38:29,360 --> 00:38:33,359 Speaker 3: She was sleeping in his place with the lights always on, 684 00:38:33,400 --> 00:38:33,799 Speaker 3: which I. 685 00:38:33,719 --> 00:38:37,200 Speaker 1: Found interesting that's a constant thing. Again. They always the 686 00:38:37,280 --> 00:38:37,880 Speaker 1: lights on. 687 00:38:38,160 --> 00:38:40,920 Speaker 2: Well all of them. 688 00:38:41,080 --> 00:38:42,560 Speaker 1: It drives me crazy. It's the same thing as the 689 00:38:42,560 --> 00:38:46,000 Speaker 1: window cars are always driving with their lights on. Has 690 00:38:46,080 --> 00:38:48,200 Speaker 1: everything to do with filming, but it always does. 691 00:38:48,320 --> 00:38:49,680 Speaker 2: I mean that's what I assumed. 692 00:38:49,760 --> 00:38:51,520 Speaker 3: But it was just kind of for me, who's like 693 00:38:51,600 --> 00:38:55,680 Speaker 3: I literally are like put blankets over like my internet. 694 00:38:55,320 --> 00:39:00,719 Speaker 1: Router, the lights off so I can see the stars. 695 00:39:01,160 --> 00:39:04,919 Speaker 2: Yeah, there's a couple of but a lot of them there. 696 00:39:06,440 --> 00:39:09,080 Speaker 3: But yeah, just kind of that like played for laughs, 697 00:39:09,080 --> 00:39:12,640 Speaker 3: of like, oh, he's kind of making her do all 698 00:39:12,800 --> 00:39:15,120 Speaker 3: this stuff, and she was great, like she was a 699 00:39:15,160 --> 00:39:16,799 Speaker 3: great actor, and it was funny to see her get 700 00:39:16,840 --> 00:39:18,040 Speaker 3: so roued up and yell at him. 701 00:39:18,080 --> 00:39:19,399 Speaker 2: But essentially it's still like. 702 00:39:20,280 --> 00:39:23,960 Speaker 1: Yeah, constantly her cook and constantly even when he eats, 703 00:39:24,360 --> 00:39:27,239 Speaker 1: making sure she carries all of this stuff. There's a 704 00:39:27,239 --> 00:39:30,200 Speaker 1: lot to it, of course, like again this is for 705 00:39:30,600 --> 00:39:33,440 Speaker 1: this is a show, this is for laughs, all these things, 706 00:39:33,680 --> 00:39:35,400 Speaker 1: but yeah, you kind of look at like, is this 707 00:39:36,160 --> 00:39:37,960 Speaker 1: is this for real? Though? Someone telling me? Because I 708 00:39:37,960 --> 00:39:39,279 Speaker 1: don't feel like this is for real for real? Is 709 00:39:40,040 --> 00:39:43,440 Speaker 1: it common for supervisors to physically hit hit their employees? 710 00:39:43,480 --> 00:39:45,480 Speaker 1: Because I don't feel like that should be a thing. 711 00:39:46,000 --> 00:39:48,439 Speaker 2: I don't think so either. I don't think so either. 712 00:39:49,400 --> 00:39:52,080 Speaker 1: But yes, overall this is this was one of the 713 00:39:52,080 --> 00:39:55,360 Speaker 1: ones that I really do like. Again, I talked about 714 00:39:55,360 --> 00:39:58,120 Speaker 1: how sometimes when you find allegations against the one actor, 715 00:39:58,120 --> 00:40:01,120 Speaker 1: it ruins it. Kore culture. Don't get me wrong, the 716 00:40:01,160 --> 00:40:04,600 Speaker 1: sexual harassments of it's not cool, No, we never bullying 717 00:40:04,680 --> 00:40:07,680 Speaker 1: is bad enough, all these things, but the Korean culture 718 00:40:07,840 --> 00:40:11,840 Speaker 1: are again, they are a lot stricter about who is what. 719 00:40:11,960 --> 00:40:14,239 Speaker 1: And he got dropped by his agency pretty quickly, which 720 00:40:14,280 --> 00:40:17,200 Speaker 1: is kind of like a death stamp for many actors. 721 00:40:17,800 --> 00:40:22,640 Speaker 2: Yeah. Yeah, it's pretty unheard of here. 722 00:40:24,280 --> 00:40:27,120 Speaker 1: And again, so the couple is coming back for the 723 00:40:27,360 --> 00:40:31,520 Speaker 1: new series, apparently, the one who is like the cousin 724 00:40:31,640 --> 00:40:35,239 Speaker 1: of long Lust, cousin of Bungsoon gets her strength and 725 00:40:35,280 --> 00:40:38,040 Speaker 1: is trying to find her family. That's that plot. And 726 00:40:38,080 --> 00:40:40,320 Speaker 1: then we see a cameo of them. 727 00:40:40,760 --> 00:40:42,440 Speaker 3: Is that because I saw that there was going to 728 00:40:42,480 --> 00:40:44,880 Speaker 3: be one on the CW Is that what they're talking about? 729 00:40:45,400 --> 00:40:52,680 Speaker 1: Oh no, they are doing a remake with Rohnda Rowse. Yeah, 730 00:40:52,719 --> 00:40:55,400 Speaker 1: that's a remake of it, okay, and it sounds like 731 00:40:55,480 --> 00:40:57,680 Speaker 1: it's a lot more serious than I just don't know 732 00:40:57,719 --> 00:41:01,160 Speaker 1: if they could pull off with the Korean hmmm show 733 00:41:01,360 --> 00:41:03,040 Speaker 1: I was able to pull off, I don't think and 734 00:41:03,040 --> 00:41:04,279 Speaker 1: they are going to be able to. 735 00:41:05,239 --> 00:41:09,560 Speaker 3: It was certainly like a like I said, it was 736 00:41:09,600 --> 00:41:12,120 Speaker 3: a lot of like, oh, here's kind of our like 737 00:41:12,200 --> 00:41:16,680 Speaker 3: comedy part, here's our serial killer part, here's our action part, 738 00:41:16,840 --> 00:41:18,680 Speaker 3: which you can't pull off, and is you know, like 739 00:41:19,800 --> 00:41:21,920 Speaker 3: it's not like other things don't do that. But I 740 00:41:21,920 --> 00:41:25,040 Speaker 3: think it was sort of more shocking than a lot 741 00:41:25,080 --> 00:41:29,279 Speaker 3: of shows that uh, mainstream America. 742 00:41:29,320 --> 00:41:31,480 Speaker 1: I don't know if they can translate that into so 743 00:41:31,560 --> 00:41:34,240 Speaker 1: there's so many shows of course, I got both ways 744 00:41:34,239 --> 00:41:38,080 Speaker 1: where American shows will go into a Korean cultural interpretation 745 00:41:38,200 --> 00:41:41,120 Speaker 1: and then vice versa. I'm surprised that it would be 746 00:41:41,200 --> 00:41:43,680 Speaker 1: Randa Ralsey. I don't think she's very relevant at this point. 747 00:41:43,760 --> 00:41:45,560 Speaker 1: I don't know if this was outdated. I don't know 748 00:41:45,600 --> 00:41:49,400 Speaker 1: if they're going to actually do it. Well interesting, I 749 00:41:49,400 --> 00:41:55,440 Speaker 1: guess we'll see. I guess we'll see. 750 00:41:56,320 --> 00:41:58,720 Speaker 2: Yes, well, I had a great time. 751 00:41:59,440 --> 00:42:01,440 Speaker 1: Thank you for indulging me. 752 00:42:01,800 --> 00:42:03,560 Speaker 2: Oh it's fun. I thank you. 753 00:42:04,080 --> 00:42:09,040 Speaker 3: Keep up your suggestions and listeners. Yes, we love getting 754 00:42:09,040 --> 00:42:14,160 Speaker 3: suggestions like this. Thoughts about it so so much appreciated, Yes, 755 00:42:14,400 --> 00:42:18,480 Speaker 3: so please send those to us. You can email us 756 00:42:18,480 --> 00:42:21,040 Speaker 3: at Stepanida mom Steff at iHeartMedia dot com. You can 757 00:42:21,080 --> 00:42:23,080 Speaker 3: find us on Twitter at mom stuff podcast or on 758 00:42:23,080 --> 00:42:25,680 Speaker 3: Instagram and TikTok at stuff when Never told You. You 759 00:42:25,719 --> 00:42:28,640 Speaker 3: can also find us on YouTube. And we have a. 760 00:42:28,640 --> 00:42:29,200 Speaker 2: Book coming out. 761 00:42:29,200 --> 00:42:31,520 Speaker 3: You can pre order it at stuffie should read books 762 00:42:31,520 --> 00:42:35,120 Speaker 3: dot com. Thanks as always too, our super producer Christina, 763 00:42:35,200 --> 00:42:37,840 Speaker 3: our executive producer Maya, and our contributor Joey. 764 00:42:38,080 --> 00:42:39,440 Speaker 1: Thank you all, and. 765 00:42:39,320 --> 00:42:41,279 Speaker 3: Thanks to you for listening. Step one ever told you 766 00:42:41,280 --> 00:42:43,640 Speaker 3: the protection of iHeartRadio. For more podcasts from my Heart Radio, 767 00:42:43,680 --> 00:42:45,400 Speaker 3: you can check out the Heart Radio ap Apple podcast 768 00:42:45,440 --> 00:42:47,040 Speaker 3: wherever you listen to your favorite shows