WEBVTT - OMG: Rotten to the Core

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<v Speaker 1>It's nine O one with Jenny Garth and Tory spelling.

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<v Speaker 1>Oh ka o nng family. We are back.

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<v Speaker 2>Back to two of the three.

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<v Speaker 1>Yesterday it's Amy, it's Sugarman and me sick. Hopefully she'll

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<v Speaker 1>feel better soon.

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<v Speaker 2>Did you get my Greg Brady text I sent you.

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<v Speaker 1>Yes, that is definitely something we need to discuss because.

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<v Speaker 2>Oh my god. First of all, I can't wait till

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<v Speaker 2>we do can't wait till we do our Brady bunch

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<v Speaker 2>of rewatch. But whatever that was was, Amy sent me

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<v Speaker 2>this like retrospect.

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<v Speaker 1>I don't even know. It was like a video of

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<v Speaker 1>Greg Brady and the.

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<v Speaker 2>Moms missus Carol, Carol, Carol.

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<v Speaker 1>Doing a variety hour show and it was.

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<v Speaker 2>Yeah, really bad. Well I's more like Greg Brady can

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<v Speaker 2>sing because Johnny Bravo was freaking awesome and like keep on,

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<v Speaker 2>keep on, keep on moving, all awesome. But this was

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<v Speaker 2>so bad.

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<v Speaker 1>It was really bad. But I think they liked it,

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<v Speaker 1>so I hate to say it was bad, but.

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<v Speaker 2>They turned all by myself, you know, all by my

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<v Speaker 2>into a duet.

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<v Speaker 1>I try to sing it like Carol.

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<v Speaker 2>Oh my god, it's worth people looking at.

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<v Speaker 1>Oh my gosh, Well this is another podcast, so we.

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<v Speaker 2>Yeah, worry that's coming soon. Yeah, this is we are

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<v Speaker 2>hopefully coming in twenty twenty six. Yeah, coming in twenty

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<v Speaker 2>twenty six.

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<v Speaker 1>You are nuts. We are going to talk about episode

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<v Speaker 1>season eight, episode six, The Right Thing, which aired October fifteenth,

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<v Speaker 1>nineteen ninety seven. What do you think about reading the synopsis?

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<v Speaker 2>Have me? I have realized thing? What about season seven?

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<v Speaker 2>Are we in? Season seven? Eight? Eight? Eight? Time? Fly?

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<v Speaker 2>Let me read the synopsis and then I'll tell you

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<v Speaker 2>all about season eight. Donna and Brandon want to publish the

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<v Speaker 2>truth about the sweatshop, but Steve rushes to help his

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<v Speaker 2>dad and urges them to stop. Noah is ready to

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<v Speaker 2>sail away, but Valerie begs him to stay. David's singer

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<v Speaker 2>makes another racial slur, and Kelly shows up to her lineup.

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<v Speaker 2>But Everything's a blur.

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<v Speaker 1>Directed by Chip Chalmers, written by Ken Stringer.

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<v Speaker 2>So I enjoy it when I'm watching it, and then

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<v Speaker 2>when I go to think about it, it's kind of

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<v Speaker 2>gives me like, what.

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<v Speaker 1>Wait, So when you're watching it, you're not thinking.

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<v Speaker 2>When I'm watching it, I'm just really enjoying. Yeah, But

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<v Speaker 2>then when I go in the shower to think about

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<v Speaker 2>what I want to talk to you about WHOA. It's

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<v Speaker 2>kind of messy is the word I would say.

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<v Speaker 1>It feel messy, Bessie. It feels like it's all over

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<v Speaker 1>the place, a little bit, kind of like throwing spaghetti

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<v Speaker 1>against the wall. Yes, I'm trying.

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<v Speaker 2>To figure it out, desperately trying to make Noah happen.

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<v Speaker 2>Can we talk about Noah first, because it's like.

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<v Speaker 1>I really want to if you want to.

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<v Speaker 2>Still get it. First of all, you're best friends with him,

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<v Speaker 2>your best friends this happened.

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<v Speaker 1>Kelly is best friends with Noah and also Jenny me

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<v Speaker 1>that'd be me has zero recollection of ever working with him.

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<v Speaker 2>You're best friends with him. First of all, how is

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<v Speaker 2>that possible? Because he stays for two years.

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<v Speaker 1>I remember like working with him around, you know, but

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<v Speaker 1>I never really remember us having scenes together.

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<v Speaker 2>First of all, you're doing his laundry, folding his underwear,

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<v Speaker 2>so weav it is weird and you two are so chummy.

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<v Speaker 2>It's just like strange. And it's like, is Brandon cool

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<v Speaker 2>with it?

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<v Speaker 3>Now?

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<v Speaker 2>No, say thing with him.

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<v Speaker 1>I don't think he's cool with it. I can't tell.

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<v Speaker 1>Also faking it, Brandon looked pretty hot in this episode.

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<v Speaker 2>Just kinda say my God, thank you so much for mentioning.

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<v Speaker 2>I literally thought I was watching the wrong episode. I

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<v Speaker 2>was like, am I watching season two?

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<v Speaker 3>Like?

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<v Speaker 2>He looked so young?

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<v Speaker 1>Yeah, but also manly at the same time, like he's matured.

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<v Speaker 2>I completely agree with you that. I was like, what's happening?

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<v Speaker 2>Why is he so hot in this episode?

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<v Speaker 1>I I don't know. I mean, his shirt was really

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<v Speaker 1>not cute at the end, but somehow he pulled it off.

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<v Speaker 2>The one when he came into the bedroom.

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<v Speaker 1>Yes, it was like a green and plaidy stripey. I

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<v Speaker 1>just know he looked completely thought he looked so hot. Yeah,

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<v Speaker 1>me too, same page, same page. Where do you want

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<v Speaker 1>to begin?

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<v Speaker 2>I don't know. Noah like he's gonna leave, and yet Valerie,

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<v Speaker 2>who he appears to sort of not like but sort

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<v Speaker 2>of like, is enough to make him stay.

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<v Speaker 1>It's like, what, I don't get it. Do they have

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<v Speaker 1>a relationship? Did I miss that episode? Are they into

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<v Speaker 1>each other? Because last time I don't even remember and

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<v Speaker 1>she's just.

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<v Speaker 2>Sort of dating the guy, the who is that guy?

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<v Speaker 2>Back guy, the rich guy. Little does she know because

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<v Speaker 2>she keeps talking about how if only Noah was rich.

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<v Speaker 2>It's like, girl, Noah is rich, but you just don't

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<v Speaker 2>know it, and you're brutal.

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<v Speaker 1>That's why she They keep making a point of that

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<v Speaker 1>totally interest I don't know. Oh my gosh, I thought

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<v Speaker 1>I completely have no idea that he's rich. Thank you

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<v Speaker 1>for reminding me.

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<v Speaker 2>How about the guy that wants to have breakfast in

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<v Speaker 2>San Francisco or whatever.

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<v Speaker 1>He's got a jet fueled and ready to go. Also,

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<v Speaker 1>it's weird because I don't fully get the connection, Like

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<v Speaker 1>I don't see any kind of connection between Valerie and Noah,

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<v Speaker 1>like anything that would make me think, oh, she would

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<v Speaker 1>definitely go for him over this other super wealthy guy,

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<v Speaker 1>because we all know she likes the money totally, you know,

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<v Speaker 1>but then she likes the I don't know. He must

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<v Speaker 1>be good, he must be really good.

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<v Speaker 2>All about Valerie just liing to Donna's tory, Donna's client.

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<v Speaker 1>That's gnarly, okay, But I'm I'm happy to see some

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<v Speaker 1>consistency though. I'm happy to see like, oh she oh,

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<v Speaker 1>we're kind of feeling for her in the relationship areas, but.

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<v Speaker 2>She's still rotten, rotten to the core, just completely lies,

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<v Speaker 2>throw us the one person who's sort of nice to

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<v Speaker 2>her under the bus, like.

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<v Speaker 1>Something's wrong with her, Yeah, mentally something is what is

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<v Speaker 1>that person? Is that a mental disorder? Pathological pathway? She's soopath.

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<v Speaker 2>I don't want to give a diagnosis because I'm not

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<v Speaker 2>a doctor.

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<v Speaker 1>It's so crazy because I never even really looked at

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<v Speaker 1>it from that like an outside perspective when we were

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<v Speaker 1>filming it. But now looking at her character and like

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<v Speaker 1>kind of focusing on it, I'm seeing just like all

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<v Speaker 1>this stuff that I never knew was there.

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<v Speaker 2>And my thing is like why, why, like why do

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<v Speaker 2>they have to make her so terrible?

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<v Speaker 1>Just why? I guess they've got to spice things up.

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<v Speaker 1>I mean, come on, everybody's so nice and has all

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<v Speaker 1>these little melodramatic problems. We need somebody to just be

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<v Speaker 1>rotten and nasty and make it enjoyable.

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<v Speaker 2>Because she is not even nice to Donna.

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<v Speaker 1>I couldn't believe that either.

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<v Speaker 2>I was like, what were you doing? Donna brought you

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<v Speaker 2>on as her business partners, but you're broke.

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<v Speaker 1>Hi, Donna did this, so she's gonna have to pay

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<v Speaker 1>for it because totally, why would she go into business

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<v Speaker 1>with Val?

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<v Speaker 2>That's ridiculous, crazy, crazy, crazy crazy.

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<v Speaker 1>What do you think about the sweatshop?

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<v Speaker 2>First of all guy from I love that guy from Dynasty,

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<v Speaker 2>Adam Carrington, and it's Adam Carrington. Yes, the sweatshop is

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<v Speaker 2>far fetched, maybe accurate, I don't know. And suddenly Rush

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<v Speaker 2>owns the building, and like, are we to believe that

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<v Speaker 2>Rush is kind of looped in on all this?

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<v Speaker 1>I think he is because he seems shady. I mean

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<v Speaker 1>just the general, but like especially when he's talking to

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<v Speaker 1>Steve and he's like, don't worry about it. It's all

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<v Speaker 1>taken care of. Might look like it's not great, but

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<v Speaker 1>we're on top of it.

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<v Speaker 2>That's sketchy.

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<v Speaker 1>The girl she puts her shit on the line to

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<v Speaker 1>go into the newspaper to talk about it with brand.

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<v Speaker 2>Does she even find the newspaper the tiniest little newspaper

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<v Speaker 2>in town.

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<v Speaker 1>She gave her the copy of the paper, so I

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<v Speaker 1>didn't have internet.

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<v Speaker 2>I don't know. First of all, there's so much jumbled up,

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<v Speaker 2>because all I want to know is why did Steve

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<v Speaker 2>forget to go to Magic Mountain? Like that was so heartbreaking?

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<v Speaker 1>Why would he do that?

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<v Speaker 2>I don't know, like send a note like, hey, drama

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<v Speaker 2>at the paper, let's go tomorrow.

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<v Speaker 1>Wait, how did you? Or I guess he would have

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<v Speaker 1>a phone call them. Yeah, he has a cell phone.

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<v Speaker 1>It's nineteen ninety seven. You can't. He can't. Could he

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<v Speaker 1>fax them.

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<v Speaker 2>And say Nat tell Hillary Swang? God, what drama. First

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<v Speaker 2>of all, suddenly Hilary Swank now she likes him? Like,

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<v Speaker 2>was she going to Magic Mountain too?

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<v Speaker 1>I think no, I think that just Steve was taking

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<v Speaker 1>her son. Oh my god, it's getting so weird. But

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<v Speaker 1>do you sense that she's been like do you think

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<v Speaker 1>that she's been alerted that she needs to come across

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<v Speaker 1>a little nicer.

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<v Speaker 2>Oh? I do not even know, like by the right,

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<v Speaker 2>but you know, I still think it was the writers

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<v Speaker 2>that did her dirty. So she is coming across nicer.

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<v Speaker 2>I I quite like her.

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<v Speaker 1>Now, Yeah, a lot of smiles, Yeah, a lot of smiles.

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<v Speaker 2>Warmer, she's warmer. She's cute. Yeah, she's cute.

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<v Speaker 1>I just I don't again, don't see the relationship forming whatsoever.

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<v Speaker 2>And also m thinking about that what you're saying, is

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<v Speaker 2>there any chemistry between them?

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<v Speaker 1>Yeah?

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<v Speaker 2>I a cute kid.

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<v Speaker 1>Yeah, but between Steve and Hilary Swank, Yeah, not a lot.

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<v Speaker 2>It doesn't.

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<v Speaker 1>Yeah, it's like it's like a you know, when Cinderella's

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<v Speaker 1>foot won't fit into the glass slipper.

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<v Speaker 2>It's more to me, like he's the manny.

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<v Speaker 1>He'd be a great many Yeah, like, yeah, yeah, I

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<v Speaker 1>always wanted a manny.

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<v Speaker 2>Really did you go? Did you ever have a boy

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<v Speaker 2>babysitter for the girls?

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<v Speaker 1>Never?

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<v Speaker 2>They're uncommon. We had boy babysitters growing up because I

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<v Speaker 2>had two brothers and they really wanted boy babysitters, So

0:11:09.679 --> 0:11:11.920
<v Speaker 2>we had like a lot of boy babysitters.

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<v Speaker 1>I don't know, I just I never did that. I

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<v Speaker 1>always had girls for me.

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<v Speaker 2>It's a more common career choice for the young high schoolers.

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<v Speaker 2>But yeah, we had a couple. We had a couple

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<v Speaker 2>of boys, which was at the time.

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<v Speaker 1>In the babies, I always wanted a ganny Gainey ganny.

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<v Speaker 2>Oh it's not like a grandma nanny. Nope, A girl nanny.

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<v Speaker 1>Nope, Gainy gainy. A gay nanny.

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<v Speaker 2>What gay nanny?

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<v Speaker 1>A gay mail nanny, that'd be great, Oh the best.

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<v Speaker 2>So, yeah, the kid's heart broke and then he doesn't

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<v Speaker 2>want to even turn his He's got his back to

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<v Speaker 2>Steve and then he turns around. Are you gonna forgive

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<v Speaker 2>your person? What? Kids like whise beyond his years. It's

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<v Speaker 2>a whole it's kind of messy. The whole thing is

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<v Speaker 2>just like what show am I watching?

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<v Speaker 1>It's just another trope.

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<v Speaker 2>First of all, you know me in the word trope.

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<v Speaker 2>I love it so much.

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<v Speaker 1>Right, it's true with the kid and the mom and

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<v Speaker 1>they don't get along and he lets him down, and

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<v Speaker 1>you know.

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<v Speaker 2>Right, it's just like a bad episode of like Growing

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<v Speaker 2>Pains or something.

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<v Speaker 1>But I did enjoy seeing David in the studio, the

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<v Speaker 1>music studio when his one you know, as a producer,

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<v Speaker 1>he's sitting in there supposedly, you know, helping them mix it.

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<v Speaker 1>But he was like, oh, turn that one up, that's

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<v Speaker 1>his one note.

0:12:42.000 --> 0:12:47.600
<v Speaker 2>The one guy's racism. It's bonkers.

0:12:48.040 --> 0:12:56.160
<v Speaker 1>Yeah, he really gives me like Anthony Ketus vibes, Oh yeah, yeah, yeah.

0:12:54.960 --> 0:13:02.600
<v Speaker 2>Yeah yeah. It's the over the top racism. It's like

0:13:03.640 --> 0:13:06.080
<v Speaker 2>we wouldn't. It's like they really have to shove it

0:13:06.120 --> 0:13:08.400
<v Speaker 2>down our throats. And then you're like, I even know

0:13:08.440 --> 0:13:12.440
<v Speaker 2>what that means, Like I don't even know what that meant.

0:13:12.800 --> 0:13:17.120
<v Speaker 2>The one comment in this one, I'm like, okay, and

0:13:17.160 --> 0:13:19.719
<v Speaker 2>this is like what are we doing with this?

0:13:20.040 --> 0:13:23.880
<v Speaker 1>Like okay, Feli, hasn't this been I guess it's of

0:13:23.920 --> 0:13:27.360
<v Speaker 1>the times. It's always of the times. But yeah, I guess,

0:13:28.320 --> 0:13:31.360
<v Speaker 1>I don't know. It just feels so I'd love to

0:13:31.360 --> 0:13:36.360
<v Speaker 1>get rid of this older, older generation the way they

0:13:36.400 --> 0:13:37.079
<v Speaker 1>would write it.

0:13:37.679 --> 0:13:39.240
<v Speaker 2>Yes, it's like, can we just get rid of this

0:13:39.280 --> 0:13:41.200
<v Speaker 2>band and move on with our lives?

0:13:41.640 --> 0:13:42.959
<v Speaker 1>Yeah, where is this gonna go? Amy?

0:13:43.320 --> 0:13:46.120
<v Speaker 2>I don't know that. I don't remember. And it's bad.

0:13:46.880 --> 0:13:49.760
<v Speaker 2>It's just like bad, It's it's dumb. We know it's

0:13:49.760 --> 0:13:50.520
<v Speaker 2>not gonna work out.

0:13:50.559 --> 0:13:54.440
<v Speaker 1>We're gonna get getting the credit card. Now, David's getting gone.

0:13:54.640 --> 0:13:56.880
<v Speaker 1>Now he's gonna instead of the drugs, he's gonna go

0:13:56.920 --> 0:13:57.480
<v Speaker 1>into debt.

0:13:58.080 --> 0:14:02.679
<v Speaker 2>Here's what's so, here's my fatigue of Nanatona. Oh, I

0:14:02.760 --> 0:14:08.679
<v Speaker 2>threw away that instant credit application. Then he's going through

0:14:08.720 --> 0:14:11.760
<v Speaker 2>the garbage. It's just like he saw it.

0:14:11.800 --> 0:14:14.360
<v Speaker 1>He cocked it. Then he was digging in the trash

0:14:14.400 --> 0:14:14.680
<v Speaker 1>for it.

0:14:14.960 --> 0:14:19.520
<v Speaker 2>She's so, I threw away the envelope with your name

0:14:19.640 --> 0:14:23.640
<v Speaker 2>on it for the instant credit application. Can't believe how

0:14:23.720 --> 0:14:27.120
<v Speaker 2>many of these they're sending us. It's just like, yeah,

0:14:27.160 --> 0:14:29.560
<v Speaker 2>we got it, like we kind of got it.

0:14:29.840 --> 0:14:31.280
<v Speaker 1>That's called laying pipe.

0:14:31.800 --> 0:14:34.640
<v Speaker 2>Yeah, they lay so much pipe.

0:14:36.680 --> 0:14:41.640
<v Speaker 1>I also think laying pipe means something else, but I

0:14:41.680 --> 0:14:42.560
<v Speaker 1>don't want to talk about that.

0:14:43.240 --> 0:14:44.560
<v Speaker 2>Oh laying pipe? Is it dirty?

0:14:44.960 --> 0:14:47.320
<v Speaker 1>Is it's like body talk?

0:14:48.480 --> 0:14:51.640
<v Speaker 2>Oh like pooping? Yeah?

0:14:52.040 --> 0:14:54.560
<v Speaker 1>Oh my god, toy loveless conversation.

0:14:55.280 --> 0:15:01.320
<v Speaker 2>I've never known that, right, Yeah, that's really great.

0:15:01.400 --> 0:15:03.560
<v Speaker 1>Sorry that I brought that up. Anyways, they're late.

0:15:03.760 --> 0:15:08.240
<v Speaker 2>I'm always trying to talk about they're laying story pipe.

0:15:08.760 --> 0:15:11.680
<v Speaker 2>I'm glad to know that term because I think we

0:15:11.720 --> 0:15:15.320
<v Speaker 2>could use more subtle laying pipe, whereas nine to two

0:15:15.360 --> 0:15:17.440
<v Speaker 2>and I was like aggressively laying pipe.

0:15:17.520 --> 0:15:20.680
<v Speaker 1>Well, they've got you know, what is it forty six minute?

0:15:20.760 --> 0:15:23.720
<v Speaker 1>How long is it an episode? Forty three minutes?

0:15:23.880 --> 0:15:27.320
<v Speaker 2>Four back then? Maybe because they're laying pipe.

0:15:27.840 --> 0:15:33.360
<v Speaker 1>All the stories yeah, all they're different ab CD storylines because.

0:15:33.120 --> 0:15:37.280
<v Speaker 2>They're laying pipe with the whole Uh. I want a

0:15:37.440 --> 0:15:40.240
<v Speaker 2>rich man. Why isn't he rich? He'd be so, yes,

0:15:40.480 --> 0:15:43.200
<v Speaker 2>if only he was rich. That's the Noah pipe is

0:15:43.480 --> 0:15:52.080
<v Speaker 2>rich Gode? And then Donna's pipe is the sweat shop maybe?

0:15:52.200 --> 0:15:56.320
<v Speaker 2>Or or is it the customer that's about to go

0:15:56.400 --> 0:15:59.600
<v Speaker 2>with Valerie instead of her? Could be, but the pipe

0:15:59.600 --> 0:16:03.040
<v Speaker 2>that's all so is don't ever let my kid down.

0:16:04.600 --> 0:16:07.960
<v Speaker 2>I never let anyone near my kid. And then I'm

0:16:07.960 --> 0:16:10.640
<v Speaker 2>gonna let you near my kid. Don't let my kid down.

0:16:10.680 --> 0:16:16.120
<v Speaker 2>What does he do want? I don't know.

0:16:16.320 --> 0:16:18.640
<v Speaker 1>I still do. You know what though, I still enjoy

0:16:18.680 --> 0:16:19.200
<v Speaker 1>watching it.

0:16:19.600 --> 0:16:22.280
<v Speaker 2>That's what I'm saying during it. I'm totally in. I'm like,

0:16:23.200 --> 0:16:27.400
<v Speaker 2>this is great. I was like folding some towels watching it.

0:16:27.600 --> 0:16:41.120
<v Speaker 3>Blah blah blah.

0:16:41.680 --> 0:16:44.600
<v Speaker 2>What is going on with the eyewitness accounts as well?

0:16:44.680 --> 0:16:46.960
<v Speaker 1>I want to talk about what's going on with that?

0:16:47.280 --> 0:16:53.080
<v Speaker 2>Who is right? Who is wrong? Eyewitness testimony is tough.

0:16:53.880 --> 0:16:55.160
<v Speaker 2>Nobody ever knows.

0:16:55.760 --> 0:17:00.720
<v Speaker 1>Nobody ever knows, and it's just got me a little confused.

0:17:00.920 --> 0:17:03.160
<v Speaker 2>I think Brandon, I think Brandon's going to be wrong

0:17:03.240 --> 0:17:06.199
<v Speaker 2>and You're going to be right, because that would be

0:17:06.240 --> 0:17:09.959
<v Speaker 2>the trope.

0:17:07.560 --> 0:17:10.840
<v Speaker 1>I would hope so. But Brandon seem very certain that

0:17:10.840 --> 0:17:13.600
<v Speaker 1>that's the guy, the guy on the end, that's the

0:17:13.600 --> 0:17:15.200
<v Speaker 1>guy that shot Kelly.

0:17:15.560 --> 0:17:17.399
<v Speaker 2>He's so mad about it too. I thought that was

0:17:17.520 --> 0:17:18.640
<v Speaker 2>totally unnecessary.

0:17:18.960 --> 0:17:20.600
<v Speaker 1>Well, I kind of get it, and I kind of

0:17:20.680 --> 0:17:25.960
<v Speaker 1>like that, like this big thing happened to his girlfriend

0:17:25.960 --> 0:17:29.520
<v Speaker 1>and him, and there's a lot of unprocessed, you know,

0:17:30.680 --> 0:17:33.200
<v Speaker 1>feelings around that, like who the hell gets shot at?

0:17:33.359 --> 0:17:35.960
<v Speaker 2>Correct? But when that lineup came out. I didn't feel

0:17:35.960 --> 0:17:37.560
<v Speaker 2>like the guy was in there either. I was like,

0:17:37.600 --> 0:17:38.800
<v Speaker 2>I don't think it's these guys.

0:17:39.040 --> 0:17:40.880
<v Speaker 1>I don't think it's those guys either either.

0:17:40.960 --> 0:17:43.200
<v Speaker 2>I was like, Oh, I don't think it's these guys.

0:17:43.200 --> 0:17:47.000
<v Speaker 2>And then when they show the scene and then I'm like, yeah,

0:17:47.000 --> 0:17:49.200
<v Speaker 2>I don't think it's any of those guys.

0:17:49.800 --> 0:17:53.240
<v Speaker 1>No, So the guy is just still out on the loose, the.

0:17:53.160 --> 0:17:56.720
<v Speaker 2>Shooter, yeah, I think so. Yeah, why would he ever

0:17:57.600 --> 0:17:58.919
<v Speaker 2>said there's multiple guys?

0:18:00.760 --> 0:18:02.879
<v Speaker 1>But this was like a drive by. This was not

0:18:03.040 --> 0:18:05.159
<v Speaker 1>like a planned out or we're gonna go get this

0:18:05.240 --> 0:18:08.440
<v Speaker 1>specific person. No, right, they weren't, like, so, why would

0:18:08.480 --> 0:18:12.480
<v Speaker 1>they ever come after her again? They don't know who

0:18:12.520 --> 0:18:12.879
<v Speaker 1>she is.

0:18:13.040 --> 0:18:15.560
<v Speaker 2>I don't think they will. I think they just want

0:18:15.560 --> 0:18:17.840
<v Speaker 2>to convict these guys that shot you.

0:18:18.760 --> 0:18:21.280
<v Speaker 1>Yeah, but but I get it that Brandon's like kind of,

0:18:23.080 --> 0:18:25.600
<v Speaker 1>you know, having nightmares about it and really struggling with

0:18:25.640 --> 0:18:27.760
<v Speaker 1>it because he didn't he wasn't able to save her,

0:18:27.920 --> 0:18:29.840
<v Speaker 1>He didn't come, he didn't protect her.

0:18:30.280 --> 0:18:32.560
<v Speaker 2>Well, right, they should have just got in the car

0:18:32.680 --> 0:18:36.080
<v Speaker 2>or done something instead, like him with that crowbar or whatever.

0:18:36.200 --> 0:18:39.560
<v Speaker 2>Sort of trying to taunt them seemed to be.

0:18:40.640 --> 0:18:42.600
<v Speaker 1>I mean, if I were those guys in that car

0:18:42.760 --> 0:18:47.000
<v Speaker 1>with guns and I saw Brandon Walsh with a crowbar,

0:18:47.320 --> 0:18:50.800
<v Speaker 1>I don't think that would threaten me enough to shoot somebody.

0:18:51.040 --> 0:18:54.399
<v Speaker 2>Right, This thing was a little Yeah, why why are

0:18:54.480 --> 0:18:57.360
<v Speaker 2>they doing that? Because basically were they rot they were

0:18:57.400 --> 0:19:00.959
<v Speaker 2>stealing stuff and then you guys sort of saw them.

0:19:01.200 --> 0:19:02.720
<v Speaker 1>I don't even know were they ceiling?

0:19:02.840 --> 0:19:05.479
<v Speaker 2>Fully reminds me of Keano on the bus when he's like,

0:19:05.880 --> 0:19:11.000
<v Speaker 2>I don't care you're crying? What? What's cool with me?

0:19:11.400 --> 0:19:12.520
<v Speaker 2>Whatever you did?

0:19:12.760 --> 0:19:12.960
<v Speaker 3>Wait?

0:19:13.080 --> 0:19:16.320
<v Speaker 2>Are you voting? Speed? Totally? It's like one of my

0:19:16.440 --> 0:19:20.280
<v Speaker 2>favorite movies ever. He's like, it's cool with me. I'm

0:19:20.320 --> 0:19:23.800
<v Speaker 2>putting my gun down. I'm not a cop right now.

0:19:24.160 --> 0:19:24.920
<v Speaker 1>I'm not a cop.

0:19:25.280 --> 0:19:27.880
<v Speaker 2>Dude. I love this movie so much. I've seen it

0:19:28.160 --> 0:19:29.520
<v Speaker 2>two thousand times.

0:19:29.800 --> 0:19:31.600
<v Speaker 1>Yeah, Sandy's so good in that movie.

0:19:31.600 --> 0:19:35.359
<v Speaker 2>Oh my god, she really is iconic. I'm excited about

0:19:35.359 --> 0:19:39.280
<v Speaker 2>Practical Magic too. I'm not gonna lie who's in it

0:19:39.320 --> 0:19:43.000
<v Speaker 2>all the rich well, I'm sorry obviously Nicole Kidman and

0:19:43.040 --> 0:19:47.399
<v Speaker 2>Sandra Bullock, and I'm hoping Stockard Channing will be back

0:19:47.440 --> 0:19:48.520
<v Speaker 2>as one of the ants.

0:19:49.280 --> 0:19:51.080
<v Speaker 1>And then wasn't No, I'm thinking of the.

0:19:51.119 --> 0:19:54.440
<v Speaker 2>Other one their kids are, you know, coming.

0:19:54.440 --> 0:19:56.960
<v Speaker 1>Thinking of Sarah Jessica Parker. But that was a different way.

0:19:56.960 --> 0:20:00.119
<v Speaker 2>Oh that's hocus pocus, but a little different. You're to

0:20:00.119 --> 0:20:01.480
<v Speaker 2>really close. I'm not mad about it.

0:20:03.119 --> 0:20:04.359
<v Speaker 1>I don't know what.

0:20:04.520 --> 0:20:06.399
<v Speaker 2>I don't know about the show right now.

0:20:06.560 --> 0:20:09.280
<v Speaker 1>So do you think? Okay, So she goes to the

0:20:09.359 --> 0:20:12.359
<v Speaker 1>dock Valerie, I'm talking about Valerie. Now. She goes to

0:20:12.400 --> 0:20:15.639
<v Speaker 1>the doc thinking that he has already left doc and

0:20:15.680 --> 0:20:18.560
<v Speaker 1>he's so and she's so sad and he's so rooty.

0:20:19.160 --> 0:20:20.960
<v Speaker 1>But then again, in her mind, she's probably like, I

0:20:20.960 --> 0:20:23.640
<v Speaker 1>wonder if I can still catch that flight to San Francisco.

0:20:24.200 --> 0:20:31.360
<v Speaker 1>Oh god, you know. But then he shows up, Yes, yeah,

0:20:32.040 --> 0:20:33.800
<v Speaker 1>So like, is she with him now?

0:20:34.520 --> 0:20:35.000
<v Speaker 2>I don't know.

0:20:35.920 --> 0:20:39.040
<v Speaker 1>I guess so if she's not with him the in

0:20:39.200 --> 0:20:43.080
<v Speaker 1>the in the next episode, I'm gonna have issues because

0:20:43.080 --> 0:20:44.159
<v Speaker 1>it's just too much like that.

0:20:44.320 --> 0:20:46.480
<v Speaker 2>I'm just gonna blow your mind, you know. He and like,

0:20:47.000 --> 0:20:51.480
<v Speaker 2>I'm just gonna tell you a little thing. He dates Donna.

0:20:52.240 --> 0:20:53.520
<v Speaker 2>What I know?

0:20:54.000 --> 0:20:58.639
<v Speaker 1>I know in real life? Yes, on the show, do

0:20:58.720 --> 0:21:01.080
<v Speaker 1>you I wonder if Tori had anything to do with that.

0:21:06.000 --> 0:21:09.880
<v Speaker 1>It's a really a great storyline here, with Donna and Noah.

0:21:09.960 --> 0:21:13.959
<v Speaker 1>Maybe she dates Oh okay, so maybe she starts wanting

0:21:13.960 --> 0:21:17.600
<v Speaker 1>to date Noah because Val is doing her wrong in business,

0:21:17.680 --> 0:21:19.680
<v Speaker 1>so she's getting back at her. But that doesn't seem

0:21:19.720 --> 0:21:22.920
<v Speaker 1>very much like Donna. No, I don't think so. I'm

0:21:22.920 --> 0:21:25.120
<v Speaker 1>trying to predict the future. It's not going well.

0:21:25.760 --> 0:21:28.200
<v Speaker 2>We go through just like ups and downs and curves

0:21:28.240 --> 0:21:29.480
<v Speaker 2>arounds kind of thing.

0:21:29.600 --> 0:21:31.200
<v Speaker 1>You gotta just go with it.

0:21:31.880 --> 0:21:34.000
<v Speaker 2>Joining it, don't get me wrong, Like I might even

0:21:34.000 --> 0:21:36.280
<v Speaker 2>give it a high score because during it, I'm totally in.

0:21:36.440 --> 0:21:40.880
<v Speaker 2>I'm totally fine. It's not boring, it's I'm not distracted.

0:21:41.760 --> 0:21:44.879
<v Speaker 2>I'm just do do do oh you Oh. Jenny's face was.

0:21:44.880 --> 0:21:50.040
<v Speaker 1>A little a little I'm a little distracted in the

0:21:50.080 --> 0:21:52.639
<v Speaker 1>newspaper office. I don't feel connected to that.

0:21:53.040 --> 0:21:56.160
<v Speaker 2>Oh that's a great point. The set is not even

0:21:56.240 --> 0:21:58.840
<v Speaker 2>great there. I'm like, it's kind of vast and weird

0:21:58.880 --> 0:22:00.679
<v Speaker 2>and like when he's like I'm going to recovered you now,

0:22:00.720 --> 0:22:04.000
<v Speaker 2>and there's like a but.

0:22:04.240 --> 0:22:07.000
<v Speaker 1>It's like a very large space. So they built that

0:22:07.400 --> 0:22:12.160
<v Speaker 1>on stage. I'm really committed to this. The storyline, I guess.

0:22:12.240 --> 0:22:14.320
<v Speaker 1>I don't even know how long it goes though, because

0:22:14.600 --> 0:22:17.120
<v Speaker 1>doesn't Brandon leave soon or just.

0:22:16.880 --> 0:22:19.480
<v Speaker 2>Brandon leaves at the end of this season, I think.

0:22:19.520 --> 0:22:23.760
<v Speaker 1>But then goes on or the newspaper sorry, the newspaper memory.

0:22:23.880 --> 0:22:25.840
<v Speaker 2>I'm like waiting for your clothing store. You guys get

0:22:25.840 --> 0:22:26.640
<v Speaker 2>a boutique soon?

0:22:27.359 --> 0:22:27.600
<v Speaker 1>Yes?

0:22:28.920 --> 0:22:30.000
<v Speaker 2>Do you drugs again?

0:22:30.720 --> 0:22:31.240
<v Speaker 1>Okay?

0:22:31.400 --> 0:22:33.639
<v Speaker 2>No, okay, you're done with drugs? Okay.

0:22:33.960 --> 0:22:37.920
<v Speaker 1>So I still have like major relationships that haven't entered

0:22:38.000 --> 0:22:43.040
<v Speaker 1>into the show, and I'm totally I'm not daring. Yeah,

0:22:43.119 --> 0:22:47.240
<v Speaker 1>I'm not coming. Better comes, So it comes from Brandon's.

0:22:46.840 --> 0:22:48.760
<v Speaker 2>I think it comes when he's gone, yeah.

0:22:48.680 --> 0:22:51.159
<v Speaker 1>Yeah, I don't know what do you what do you?

0:22:51.200 --> 0:22:52.760
<v Speaker 1>What do you give it? If you had to give

0:22:52.800 --> 0:22:54.439
<v Speaker 1>it a score seven, it's.

0:22:54.320 --> 0:22:57.400
<v Speaker 2>Like, well, I'm feeling sevens seven.

0:22:57.480 --> 0:23:01.080
<v Speaker 1>Yeah, seven seven seven yeah.

0:23:00.560 --> 0:23:03.400
<v Speaker 2>Yeah, I'm going seven. It's just a solid seven. I mean,

0:23:03.400 --> 0:23:05.160
<v Speaker 2>we never give it a two. It's not like it's

0:23:05.200 --> 0:23:05.680
<v Speaker 2>so bad.

0:23:06.080 --> 0:23:07.600
<v Speaker 1>Have we ever given it that low?

0:23:07.680 --> 0:23:11.399
<v Speaker 2>No? I think our lowess is like five. Maybe you

0:23:11.520 --> 0:23:12.600
<v Speaker 2>think five.

0:23:13.240 --> 0:23:17.520
<v Speaker 1>Because the show is so you know, you get sucked in, yeah,

0:23:17.640 --> 0:23:21.080
<v Speaker 1>and you're like you're invested with these characters. I don't

0:23:21.080 --> 0:23:22.400
<v Speaker 1>know what the hell David's up to.

0:23:22.440 --> 0:23:26.879
<v Speaker 2>But boy, I'm ready to kind of get that band

0:23:27.680 --> 0:23:28.359
<v Speaker 2>on their way.

0:23:28.720 --> 0:23:31.840
<v Speaker 1>Yeah, but we'll see what happens. We'll see. That's what

0:23:31.880 --> 0:23:32.680
<v Speaker 1>you can say to this.

0:23:33.280 --> 0:23:37.080
<v Speaker 2>Yeah, I mean all in, I'm pretty into our I'm

0:23:37.160 --> 0:23:41.480
<v Speaker 2>kind of thinking of our Brady Bunch recap show more.

0:23:41.640 --> 0:23:45.080
<v Speaker 2>But it's fine the Brady maybe the Brady Girls.

0:23:45.320 --> 0:23:49.080
<v Speaker 1>You gotta stay focused day. We have two more seasons.

0:23:49.320 --> 0:23:51.480
<v Speaker 2>Gosh, we've got a lot. I mean, it's going to

0:23:51.520 --> 0:23:53.840
<v Speaker 2>be twenty twenty seven, right befo, we're.

0:23:53.720 --> 0:23:56.439
<v Speaker 1>Only on season eight, episode seven.

0:23:56.760 --> 0:23:58.560
<v Speaker 2>I can do two things at the same time. We

0:23:58.560 --> 0:24:00.520
<v Speaker 2>can start the Brady Bunch while we do this.

0:24:00.640 --> 0:24:02.240
<v Speaker 1>Oh yeah, that's so true. We can.

0:24:02.440 --> 0:24:05.439
<v Speaker 2>It really took off. People are like, what's the Brady Bunch?

0:24:06.040 --> 0:24:09.560
<v Speaker 1>Watch that we're gonna have to have an actual Brady

0:24:09.640 --> 0:24:09.800
<v Speaker 1>on it.

0:24:09.920 --> 0:24:12.520
<v Speaker 2>Young people like I see CC in this zoom and

0:24:12.560 --> 0:24:14.399
<v Speaker 2>I'm wondering if she even knows what the Brady Bunch is,

0:24:14.440 --> 0:24:16.399
<v Speaker 2>she'd be need to jump in CEC. But it's just

0:24:16.440 --> 0:24:19.280
<v Speaker 2>she's young. She's in college, and oh she does thank

0:24:19.280 --> 0:24:22.600
<v Speaker 2>you for the message. She does, so that's good. Okay,

0:24:22.640 --> 0:24:24.440
<v Speaker 2>she probably doesn't know as well as we do, though.

0:24:25.160 --> 0:24:27.800
<v Speaker 1>Yeah, No, there's I don't think there's anyone who does.

0:24:27.960 --> 0:24:30.760
<v Speaker 2>There's not one episode that I don't totally know, totally

0:24:30.800 --> 0:24:33.160
<v Speaker 2>know the plot, know the whole thing, quotable lines.

0:24:33.320 --> 0:24:37.160
<v Speaker 1>I don't know how you store this much useless information, honestly.

0:24:37.000 --> 0:24:41.400
<v Speaker 2>Either considering the things that I don't know, like Supreme

0:24:41.400 --> 0:24:45.639
<v Speaker 2>Court justices, I'm hard pressed to name three. I couldn't

0:24:46.000 --> 0:24:48.200
<v Speaker 2>name one, hard pressed to name three.

0:24:48.240 --> 0:24:49.359
<v Speaker 1>But yes, sorry, guys.

0:24:49.400 --> 0:24:51.800
<v Speaker 2>You could literally say to me, tell me what happens

0:24:52.240 --> 0:24:54.840
<v Speaker 2>when cousin Oliver got the pie in the face, and

0:24:54.880 --> 0:24:56.800
<v Speaker 2>I'd be like, oh my god. They went to the

0:24:57.200 --> 0:25:00.440
<v Speaker 2>Zaney Carnival and they dressed up and they, you know.

0:25:00.480 --> 0:25:03.879
<v Speaker 1>Like, oh my god, when.

0:25:03.760 --> 0:25:08.800
<v Speaker 2>They lost the they lost Mike's plans yellow the poster thing,

0:25:10.200 --> 0:25:11.840
<v Speaker 2>and then they think that he goes into the meeting

0:25:11.880 --> 0:25:13.800
<v Speaker 2>to pull out the plans and it's like a Yogi

0:25:13.840 --> 0:25:16.920
<v Speaker 2>bear poster and then they run and run and hand

0:25:16.960 --> 0:25:17.879
<v Speaker 2>them off, and they'd like.

0:25:18.800 --> 0:25:20.679
<v Speaker 1>To stop you. I have to stop you, you have

0:25:20.800 --> 0:25:35.520
<v Speaker 1>to stop. Did you know the opening song for this

0:25:35.600 --> 0:25:41.159
<v Speaker 1>episode was called Chumbawamba from Tub Thumping Wait shut Up.

0:25:41.080 --> 0:25:43.200
<v Speaker 2>I get knocked down, but I get up again.

0:25:43.760 --> 0:25:45.680
<v Speaker 1>Is that Chumbawamba?

0:25:45.880 --> 0:25:48.680
<v Speaker 2>I can't believe they that feels like a time warp

0:25:48.760 --> 0:25:52.520
<v Speaker 2>to me, because like, I think I lived in La

0:25:52.640 --> 0:25:56.280
<v Speaker 2>maybe by now ninety seven? What month is.

0:25:56.280 --> 0:25:58.479
<v Speaker 1>It it was?

0:25:58.760 --> 0:26:03.320
<v Speaker 2>I think I lived in La October of ninety seven. Yeah,

0:26:03.320 --> 0:26:06.600
<v Speaker 2>I think I lived in La literally doing the same way.

0:26:06.680 --> 0:26:09.240
<v Speaker 2>But is that I get it knocked down, but I

0:26:09.320 --> 0:26:09.920
<v Speaker 2>get up again?

0:26:10.160 --> 0:26:12.120
<v Speaker 1>Is that the name of the band tub Thumping?

0:26:12.520 --> 0:26:15.560
<v Speaker 2>No, it's Chumbawamba is the band. The song is tub

0:26:15.600 --> 0:26:19.240
<v Speaker 2>Thumping And it was a smash hit, it really was.

0:26:19.280 --> 0:26:24.200
<v Speaker 2>But why oh, I don't know that I'll get knocked down,

0:26:24.880 --> 0:26:25.199
<v Speaker 2>got up?

0:26:25.200 --> 0:26:25.680
<v Speaker 1>Bringing it?

0:26:25.720 --> 0:26:26.000
<v Speaker 2>Stop?

0:26:26.080 --> 0:26:27.600
<v Speaker 1>I'm gonna it's gonna be stuck in my head.

0:26:27.640 --> 0:26:33.520
<v Speaker 2>All there's so many nineties songs that are horrible.

0:26:34.040 --> 0:26:38.719
<v Speaker 1>But they stick with you, just like no closing Time?

0:26:39.000 --> 0:26:41.679
<v Speaker 2>Remember that? Oh boy, oh.

0:26:43.880 --> 0:26:46.640
<v Speaker 1>Well we have what do we have NEXTXT?

0:26:46.880 --> 0:26:48.280
<v Speaker 2>We remember smash Mouth?

0:26:48.920 --> 0:26:49.440
<v Speaker 1>Oh my god?

0:26:50.840 --> 0:26:53.760
<v Speaker 2>I know Sugar Ray? All that Sugar Ray. Sugar Ray

0:26:53.800 --> 0:26:54.440
<v Speaker 2>is cool. I like Mark.

0:26:54.480 --> 0:26:57.400
<v Speaker 1>He used to be a singer, did he Mark?

0:26:57.760 --> 0:26:58.000
<v Speaker 2>Wait?

0:26:58.080 --> 0:26:59.800
<v Speaker 1>What he's not a singer anymore?

0:26:59.840 --> 0:27:05.480
<v Speaker 2>Is he? Mark McGrath. He's like he cocked, he's he's diversified.

0:27:05.520 --> 0:27:09.240
<v Speaker 2>But you can absolutely go see Sugar Ray, like at

0:27:09.280 --> 0:27:14.520
<v Speaker 2>the Fair, totally dude, he still got it. He was

0:27:14.640 --> 0:27:18.080
<v Speaker 2>with the Beach Boys and Stamos on something in her

0:27:18.119 --> 0:27:20.320
<v Speaker 2>Moosa Beach or something, and I was like, why didn't

0:27:20.359 --> 0:27:23.640
<v Speaker 2>I go to that? Mark McGrath and John. By the way,

0:27:23.680 --> 0:27:25.479
<v Speaker 2>my love of John Stamos.

0:27:25.080 --> 0:27:25.480
<v Speaker 3>Is so.

0:27:27.080 --> 0:27:28.680
<v Speaker 1>How deep is it? Do you know? Harry?

0:27:29.760 --> 0:27:32.159
<v Speaker 2>I've met him many many times and I think he

0:27:32.359 --> 0:27:37.760
<v Speaker 2>is so nice, darling, super happy. He's got the wonderful

0:27:37.760 --> 0:27:39.800
<v Speaker 2>wife and the kid. It's not like I'm like hot

0:27:39.840 --> 0:27:42.480
<v Speaker 2>for John Samos. I just like love John Stamos. I'm

0:27:42.480 --> 0:27:46.040
<v Speaker 2>like that guy. I watched the Property Brothers rebuild some

0:27:46.240 --> 0:27:48.600
<v Speaker 2>friend of it. Do you ever watch that one? Yeah?

0:27:48.680 --> 0:27:51.720
<v Speaker 1>Sometimes I love the Property Brothers.

0:27:51.760 --> 0:27:54.000
<v Speaker 2>Well, this one's called like celebrity, I owe you? Why

0:27:54.000 --> 0:27:54.720
<v Speaker 2>don't you do it?

0:27:54.840 --> 0:27:56.640
<v Speaker 1>Wait? You love the Property Brothers?

0:27:57.119 --> 0:28:00.760
<v Speaker 2>Of course, I'm buddies with them. I love them. Okay,

0:28:00.800 --> 0:28:05.400
<v Speaker 2>those dudes are great, But why don't you do that show? Like, oh,

0:28:05.440 --> 0:28:08.400
<v Speaker 2>somebody to I know we should pitch you for that,

0:28:08.480 --> 0:28:10.879
<v Speaker 2>Like you would be great for that. I have so

0:28:10.920 --> 0:28:15.119
<v Speaker 2>many thing to Yeah, gosh, maybe you can help me

0:28:15.160 --> 0:28:16.399
<v Speaker 2>to my zoom.

0:28:18.000 --> 0:28:20.439
<v Speaker 1>You. I'm not going to help you, because that's not.

0:28:21.359 --> 0:28:22.919
<v Speaker 2>I'm in my garage and it's great, except I just

0:28:22.920 --> 0:28:24.960
<v Speaker 2>don't have a camera on this computer out here.

0:28:25.200 --> 0:28:26.399
<v Speaker 1>Is it cold in your garage?

0:28:26.600 --> 0:28:29.439
<v Speaker 2>No? I have a Peter going. It's actually totally cozy.

0:28:29.720 --> 0:28:32.600
<v Speaker 2>My chair isn't good, so I've got to I'm working

0:28:32.640 --> 0:28:35.600
<v Speaker 2>on redoing this whole situation. But it's are you.

0:28:35.560 --> 0:28:38.120
<v Speaker 1>Making yourself a little sound studio kind of?

0:28:38.160 --> 0:28:38.959
<v Speaker 2>How do I sound?

0:28:39.680 --> 0:28:40.400
<v Speaker 1>Sound pretty good?

0:28:40.680 --> 0:28:42.920
<v Speaker 2>Oh? Great? Hopefully Easton can come up and help me

0:28:42.960 --> 0:28:47.200
<v Speaker 2>here because it's like a kind of a messy right now. Well, anyway,

0:28:47.240 --> 0:28:50.760
<v Speaker 2>thanks for listening, because you guys everyone, we were.

0:28:50.640 --> 0:28:53.320
<v Speaker 1>All over the place only just because this episode kind

0:28:53.320 --> 0:28:54.640
<v Speaker 1>of felt like the same I.

0:28:54.560 --> 0:28:56.760
<v Speaker 2>Get knocked down, but I get it.

0:28:56.840 --> 0:29:01.840
<v Speaker 1>That's the base of the episode being. Yeah, well okay,

0:29:01.880 --> 0:29:06.760
<v Speaker 1>next week we have I Know What's Happening episode seven.

0:29:07.360 --> 0:29:12.160
<v Speaker 1>It's called Pride and Prejudice. Hmmm, guys, that's my favorite

0:29:12.200 --> 0:29:17.200
<v Speaker 1>book and movie. Not me, I mean, I love I'm

0:29:17.240 --> 0:29:19.480
<v Speaker 1>a sucker for a period romance.

0:29:20.920 --> 0:29:23.480
<v Speaker 2>Did you watch the Game of Thrones or Bridgerton? Do

0:29:23.480 --> 0:29:24.080
<v Speaker 2>you watch those?

0:29:24.400 --> 0:29:25.240
<v Speaker 1>I did?

0:29:25.840 --> 0:29:27.880
<v Speaker 2>Oh wow? What about like the one about the royals

0:29:27.960 --> 0:29:30.520
<v Speaker 2>or whatever? I don't remember those.

0:29:30.360 --> 0:29:33.240
<v Speaker 1>Called oh wait, Crown, the Crown.

0:29:33.240 --> 0:29:34.000
<v Speaker 2>I'm sorry the Crown.

0:29:34.080 --> 0:29:36.640
<v Speaker 1>Yes, yes, I love it all. I love anything like that.

0:29:37.240 --> 0:29:40.800
<v Speaker 2>I will be getting tickets to Greenland too this weekend

0:29:40.800 --> 0:29:43.040
<v Speaker 2>because it's like a I love those blow them up

0:29:43.120 --> 0:29:44.040
<v Speaker 2>action films.

0:29:44.560 --> 0:29:44.920
<v Speaker 1>Really.

0:29:45.320 --> 0:29:48.320
<v Speaker 2>Yeah, gosh, we're already rewatched the first one, getting excited

0:29:48.320 --> 0:29:49.040
<v Speaker 2>for the second one.

0:29:49.080 --> 0:29:49.840
<v Speaker 1>Greenland.

0:29:50.320 --> 0:29:53.320
<v Speaker 2>Yeah, what is that? There's this first one? Well, it's

0:29:53.360 --> 0:29:55.920
<v Speaker 2>always like the world ends and somehow they escape to

0:29:55.960 --> 0:29:59.640
<v Speaker 2>a bunker in Greenland. Oh, Greenland or Greenland.

0:30:00.200 --> 0:30:03.800
<v Speaker 1>I think it's Greenland. Greenland, yeah, because Greenland sounds a

0:30:03.800 --> 0:30:06.200
<v Speaker 1>little sounds aggressive. Yeah, like, wait, this is a movie

0:30:06.200 --> 0:30:08.160
<v Speaker 1>that's already been out called green Land one.

0:30:08.320 --> 0:30:10.160
<v Speaker 2>I mean number one came out like five years ago.

0:30:10.200 --> 0:30:13.240
<v Speaker 2>And then I was shocked to learn it too. Gerard

0:30:13.280 --> 0:30:19.680
<v Speaker 2>Butler and that lady Morena Baccherin who's married to the

0:30:19.680 --> 0:30:21.920
<v Speaker 2>guy from the OC who knows everything.

0:30:21.640 --> 0:30:23.920
<v Speaker 1>About we have to I have to watch this.

0:30:24.240 --> 0:30:26.400
<v Speaker 2>What's that money called? That's not money?

0:30:26.720 --> 0:30:27.200
<v Speaker 1>Crypto?

0:30:27.520 --> 0:30:27.960
<v Speaker 2>Crypto?

0:30:28.120 --> 0:30:32.000
<v Speaker 1>Yeah, I don't even understand what crypto is.

0:30:32.720 --> 0:30:36.840
<v Speaker 2>My stomach muscles last night somehow, so when I laugh, Wait,

0:30:37.200 --> 0:30:40.880
<v Speaker 2>but as you hurt your stomach sometimes this happens to

0:30:40.880 --> 0:30:43.280
<v Speaker 2>me when I'm in a stool and I lean forward

0:30:43.400 --> 0:30:45.840
<v Speaker 2>for too long. I know, it's weird. It happened to

0:30:45.880 --> 0:30:48.200
<v Speaker 2>me once I had to get deposed, and so I

0:30:48.240 --> 0:30:50.480
<v Speaker 2>was very stressed, and I was in the stool doing

0:30:50.520 --> 0:30:52.720
<v Speaker 2>the deposition like on zoom, and I must have been

0:30:52.840 --> 0:30:55.040
<v Speaker 2>leaning forward like STU.

0:30:54.920 --> 0:30:56.360
<v Speaker 1>Won't wait, I need more.

0:30:56.480 --> 0:30:58.920
<v Speaker 2>I don't know what that is, Like a stool, a steel,

0:30:59.120 --> 0:31:09.640
<v Speaker 2>like a stool, no, not not laying pipe, oh.

0:31:06.080 --> 0:31:12.200
<v Speaker 1>God, stool like a little like a three legged wooden steel.

0:31:12.480 --> 0:31:16.640
<v Speaker 2>Okay, but yeah, like a high chair, like a bar. Yeah.

0:31:16.680 --> 0:31:19.560
<v Speaker 1>Yeah, and you were leaning forward and now your stomach hurts.

0:31:19.720 --> 0:31:23.120
<v Speaker 2>Yeah, it just happened about it? But correct? Thank you?

0:31:23.280 --> 0:31:28.360
<v Speaker 2>That is correct? Yes, correct resolutions. Maybe next week we

0:31:28.360 --> 0:31:29.400
<v Speaker 2>can talk about our resolution.

0:31:29.600 --> 0:31:33.240
<v Speaker 1>Yes, but did you make some oh list?

0:31:33.440 --> 0:31:35.960
<v Speaker 2>I love resolutions. I'm like, I love it.

0:31:36.680 --> 0:31:38.240
<v Speaker 1>They overwhelmed me. I can't do it.

0:31:38.520 --> 0:31:41.360
<v Speaker 2>No, I write them all down. A positive thought is

0:31:41.360 --> 0:31:44.040
<v Speaker 2>better than a negative thought. That's one of mine. Just

0:31:44.120 --> 0:31:46.800
<v Speaker 2>have a positive thought. That's good.

0:31:47.240 --> 0:31:50.479
<v Speaker 1>Yeah, yeah, I like the idea. Let's talk about that

0:31:50.520 --> 0:31:50.880
<v Speaker 1>next week.

0:31:51.000 --> 0:31:54.440
<v Speaker 2>I mexations. Okay, you went into the Brady Girls.

0:31:54.480 --> 0:31:55.360
<v Speaker 1>Some I have some.

0:31:55.880 --> 0:31:57.840
<v Speaker 2>I have some I can't.

0:31:58.000 --> 0:31:59.640
<v Speaker 1>I just have to remember them. Okay, everybody.

0:31:59.760 --> 0:32:01.120
<v Speaker 2>So I'm I'm gonna hit you up to see if

0:32:01.160 --> 0:32:04.760
<v Speaker 2>you can come up to Carmel for a golf trip February.

0:32:06.000 --> 0:32:07.400
<v Speaker 1>Yes, it's the answer.

0:32:08.080 --> 0:32:10.880
<v Speaker 2>Oh, and I'm sending Dave. Dave made my whole Christmas.

0:32:10.960 --> 0:32:14.640
<v Speaker 2>Can I just tell you, guys? I was so mad, Guys,

0:32:15.080 --> 0:32:17.920
<v Speaker 2>I'm not I've got it for him. So guess what

0:32:18.480 --> 0:32:23.520
<v Speaker 2>of my gift ideas? Dave loved one. I can't believe it.

0:32:24.000 --> 0:32:28.280
<v Speaker 2>He loved the blue Kitsen sweatshirt with the yellow like

0:32:28.400 --> 0:32:31.479
<v Speaker 2>Beverly Hills nine o two one ozer, but obviously it

0:32:31.520 --> 0:32:33.600
<v Speaker 2>was Jenny says. It was like a small or something,

0:32:33.840 --> 0:32:36.920
<v Speaker 2>you know what, Fion a bigger size. So I ordered

0:32:36.960 --> 0:32:37.320
<v Speaker 2>it for him.

0:32:37.360 --> 0:32:39.640
<v Speaker 1>Oh my god. I was like, don't bother any just

0:32:39.760 --> 0:32:41.400
<v Speaker 1>look it up and I'll order it yourself.

0:32:41.440 --> 0:32:42.600
<v Speaker 2>No, I got it for him.

0:32:42.760 --> 0:32:44.920
<v Speaker 1>Oh you're so nice. Yeah, I gave that what that

0:32:44.960 --> 0:32:48.120
<v Speaker 1>one got stolen from me, actually from by Fiona, who's

0:32:48.160 --> 0:32:49.840
<v Speaker 1>gonna wrap it at her.

0:32:50.040 --> 0:32:52.400
<v Speaker 2>That's good because that one's pretty iconic. I'm not gonna

0:32:52.440 --> 0:32:56.160
<v Speaker 2>lie that one. Shout out to Kitsen. You're back, Yeah,

0:32:56.520 --> 0:32:57.360
<v Speaker 2>way to be back.

0:32:57.840 --> 0:33:01.840
<v Speaker 1>All right, everybody, have a girl, great week and we

0:33:01.880 --> 0:33:05.160
<v Speaker 1>will see you, hopefully with toy next week. No, that's

0:33:05.200 --> 0:33:06.960
<v Speaker 1>just me, but I find its very entertaining.

0:33:08.880 --> 0:33:11.720
<v Speaker 2>Later bye, bye,