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Speaker 1: It's nine O one with Jenny Garth and Tory spelling.

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Speaker 1: Oh ka o nng family. We are back.

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Speaker 2: Back to two of the three.

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Speaker 1: Yesterday it's Amy, it's Sugarman and me sick. Hopefully she'll

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Speaker 1: feel better soon.

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Speaker 2: Did you get my Greg Brady text I sent you.

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Speaker 1: Yes, that is definitely something we need to discuss because.

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Speaker 2: Oh my god. First of all, I can't wait till

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Speaker 2: we do can't wait till we do our Brady bunch

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Speaker 2: of rewatch. But whatever that was was, Amy sent me

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Speaker 2: this like retrospect.

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Speaker 1: I don't even know. It was like a video of

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Speaker 1: Greg Brady and the.

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Speaker 2: Moms missus Carol, Carol, Carol.

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Speaker 1: Doing a variety hour show and it was.

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Speaker 2: Yeah, really bad. Well I's more like Greg Brady can

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Speaker 2: sing because Johnny Bravo was freaking awesome and like keep on,

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Speaker 2: keep on, keep on moving, all awesome. But this was

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Speaker 2: so bad.

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Speaker 1: It was really bad. But I think they liked it,

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Speaker 1: so I hate to say it was bad, but.

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Speaker 2: They turned all by myself, you know, all by my

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Speaker 2: into a duet.

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Speaker 1: I try to sing it like Carol.

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Speaker 2: Oh my god, it's worth people looking at.

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Speaker 1: Oh my gosh, Well this is another podcast, so we.

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Speaker 2: Yeah, worry that's coming soon. Yeah, this is we are

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Speaker 2: hopefully coming in twenty twenty six. Yeah, coming in twenty

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Speaker 2: twenty six.

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Speaker 1: You are nuts. We are going to talk about episode

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Speaker 1: season eight, episode six, The Right Thing, which aired October fifteenth,

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Speaker 1: nineteen ninety seven. What do you think about reading the synopsis?

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Speaker 2: Have me? I have realized thing? What about season seven?

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Speaker 2: Are we in? Season seven? Eight? Eight? Eight? Time? Fly?

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Speaker 2: Let me read the synopsis and then I'll tell you

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Speaker 2: all about season eight. Donna and Brandon want to publish the

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Speaker 2: truth about the sweatshop, but Steve rushes to help his

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Speaker 2: dad and urges them to stop. Noah is ready to

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Speaker 2: sail away, but Valerie begs him to stay. David's singer

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Speaker 2: makes another racial slur, and Kelly shows up to her lineup.

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Speaker 2: But Everything's a blur.

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Speaker 1: Directed by Chip Chalmers, written by Ken Stringer.

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Speaker 2: So I enjoy it when I'm watching it, and then

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Speaker 2: when I go to think about it, it's kind of

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Speaker 2: gives me like, what.

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Speaker 1: Wait, So when you're watching it, you're not thinking.

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Speaker 2: When I'm watching it, I'm just really enjoying. Yeah, But

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Speaker 2: then when I go in the shower to think about

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Speaker 2: what I want to talk to you about WHOA. It's

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Speaker 2: kind of messy is the word I would say.

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Speaker 1: It feel messy, Bessie. It feels like it's all over

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Speaker 1: the place, a little bit, kind of like throwing spaghetti

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Speaker 1: against the wall. Yes, I'm trying.

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Speaker 2: To figure it out, desperately trying to make Noah happen.

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Speaker 2: Can we talk about Noah first, because it's like.

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Speaker 1: I really want to if you want to.

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Speaker 2: Still get it. First of all, you're best friends with him,

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Speaker 2: your best friends this happened.

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Speaker 1: Kelly is best friends with Noah and also Jenny me

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Speaker 1: that'd be me has zero recollection of ever working with him.

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Speaker 2: You're best friends with him. First of all, how is

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Speaker 2: that possible? Because he stays for two years.

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Speaker 1: I remember like working with him around, you know, but

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Speaker 1: I never really remember us having scenes together.

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Speaker 2: First of all, you're doing his laundry, folding his underwear,

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Speaker 2: so weav it is weird and you two are so chummy.

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Speaker 2: It's just like strange. And it's like, is Brandon cool

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Speaker 2: with it?

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Speaker 3: Now?

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Speaker 2: No, say thing with him.

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Speaker 1: I don't think he's cool with it. I can't tell.

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Speaker 1: Also faking it, Brandon looked pretty hot in this episode.

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Speaker 2: Just kinda say my God, thank you so much for mentioning.

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Speaker 2: I literally thought I was watching the wrong episode. I

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Speaker 2: was like, am I watching season two?

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Speaker 3: Like?

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Speaker 2: He looked so young?

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Speaker 1: Yeah, but also manly at the same time, like he's matured.

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Speaker 2: I completely agree with you that. I was like, what's happening?

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Speaker 2: Why is he so hot in this episode?

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Speaker 1: I I don't know. I mean, his shirt was really

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Speaker 1: not cute at the end, but somehow he pulled it off.

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Speaker 2: The one when he came into the bedroom.

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Speaker 1: Yes, it was like a green and plaidy stripey. I

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Speaker 1: just know he looked completely thought he looked so hot. Yeah,

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Speaker 1: me too, same page, same page. Where do you want

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Speaker 1: to begin?

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Speaker 2: I don't know. Noah like he's gonna leave, and yet Valerie,

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Speaker 2: who he appears to sort of not like but sort

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Speaker 2: of like, is enough to make him stay.

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Speaker 1: It's like, what, I don't get it. Do they have

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Speaker 1: a relationship? Did I miss that episode? Are they into

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Speaker 1: each other? Because last time I don't even remember and

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Speaker 1: she's just.

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Speaker 2: Sort of dating the guy, the who is that guy?

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Speaker 2: Back guy, the rich guy. Little does she know because

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Speaker 2: she keeps talking about how if only Noah was rich.

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Speaker 2: It's like, girl, Noah is rich, but you just don't

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Speaker 2: know it, and you're brutal.

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Speaker 1: That's why she They keep making a point of that

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Speaker 1: totally interest I don't know. Oh my gosh, I thought

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Speaker 1: I completely have no idea that he's rich. Thank you

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Speaker 1: for reminding me.

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Speaker 2: How about the guy that wants to have breakfast in

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Speaker 2: San Francisco or whatever.

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Speaker 1: He's got a jet fueled and ready to go. Also,

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Speaker 1: it's weird because I don't fully get the connection, Like

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Speaker 1: I don't see any kind of connection between Valerie and Noah,

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Speaker 1: like anything that would make me think, oh, she would

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Speaker 1: definitely go for him over this other super wealthy guy,

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Speaker 1: because we all know she likes the money totally, you know,

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Speaker 1: but then she likes the I don't know. He must

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Speaker 1: be good, he must be really good.

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Speaker 2: All about Valerie just liing to Donna's tory, Donna's client.

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Speaker 1: That's gnarly, okay, But I'm I'm happy to see some

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Speaker 1: consistency though. I'm happy to see like, oh she oh,

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Speaker 1: we're kind of feeling for her in the relationship areas, but.

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Speaker 2: She's still rotten, rotten to the core, just completely lies,

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Speaker 2: throw us the one person who's sort of nice to

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Speaker 2: her under the bus, like.

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Speaker 1: Something's wrong with her, Yeah, mentally something is what is

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Speaker 1: that person? Is that a mental disorder? Pathological pathway? She's soopath.

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Speaker 2: I don't want to give a diagnosis because I'm not

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Speaker 2: a doctor.

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Speaker 1: It's so crazy because I never even really looked at

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Speaker 1: it from that like an outside perspective when we were

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Speaker 1: filming it. But now looking at her character and like

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Speaker 1: kind of focusing on it, I'm seeing just like all

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Speaker 1: this stuff that I never knew was there.

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Speaker 2: And my thing is like why, why, like why do

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Speaker 2: they have to make her so terrible?

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Speaker 1: Just why? I guess they've got to spice things up.

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Speaker 1: I mean, come on, everybody's so nice and has all

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Speaker 1: these little melodramatic problems. We need somebody to just be

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Speaker 1: rotten and nasty and make it enjoyable.

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Speaker 2: Because she is not even nice to Donna.

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Speaker 1: I couldn't believe that either.

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Speaker 2: I was like, what were you doing? Donna brought you

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Speaker 2: on as her business partners, but you're broke.

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Speaker 1: Hi, Donna did this, so she's gonna have to pay

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Speaker 1: for it because totally, why would she go into business

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Speaker 1: with Val?

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Speaker 2: That's ridiculous, crazy, crazy, crazy crazy.

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Speaker 1: What do you think about the sweatshop?

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Speaker 2: First of all guy from I love that guy from Dynasty,

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Speaker 2: Adam Carrington, and it's Adam Carrington. Yes, the sweatshop is

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Speaker 2: far fetched, maybe accurate, I don't know. And suddenly Rush

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Speaker 2: owns the building, and like, are we to believe that

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Speaker 2: Rush is kind of looped in on all this?

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Speaker 1: I think he is because he seems shady. I mean

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Speaker 1: just the general, but like especially when he's talking to

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Speaker 1: Steve and he's like, don't worry about it. It's all

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Speaker 1: taken care of. Might look like it's not great, but

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Speaker 1: we're on top of it.

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Speaker 2: That's sketchy.

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Speaker 1: The girl she puts her shit on the line to

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Speaker 1: go into the newspaper to talk about it with brand.

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Speaker 2: Does she even find the newspaper the tiniest little newspaper

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Speaker 2: in town.

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Speaker 1: She gave her the copy of the paper, so I

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Speaker 1: didn't have internet.

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Speaker 2: I don't know. First of all, there's so much jumbled up,

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Speaker 2: because all I want to know is why did Steve

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Speaker 2: forget to go to Magic Mountain? Like that was so heartbreaking?

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Speaker 1: Why would he do that?

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Speaker 2: I don't know, like send a note like, hey, drama

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Speaker 2: at the paper, let's go tomorrow.

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Speaker 1: Wait, how did you? Or I guess he would have

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Speaker 1: a phone call them. Yeah, he has a cell phone.

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Speaker 1: It's nineteen ninety seven. You can't. He can't. Could he

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Speaker 1: fax them.

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Speaker 2: And say Nat tell Hillary Swang? God, what drama. First

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Speaker 2: of all, suddenly Hilary Swank now she likes him? Like,

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Speaker 2: was she going to Magic Mountain too?

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Speaker 1: I think no, I think that just Steve was taking

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Speaker 1: her son. Oh my god, it's getting so weird. But

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Speaker 1: do you sense that she's been like do you think

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Speaker 1: that she's been alerted that she needs to come across

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Speaker 1: a little nicer.

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Speaker 2: Oh? I do not even know, like by the right,

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Speaker 2: but you know, I still think it was the writers

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Speaker 2: that did her dirty. So she is coming across nicer.

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Speaker 2: I I quite like her.

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Speaker 1: Now, Yeah, a lot of smiles, Yeah, a lot of smiles.

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Speaker 2: Warmer, she's warmer. She's cute. Yeah, she's cute.

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Speaker 1: I just I don't again, don't see the relationship forming whatsoever.

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Speaker 2: And also m thinking about that what you're saying, is

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Speaker 2: there any chemistry between them?

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Speaker 1: Yeah?

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Speaker 2: I a cute kid.

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Speaker 1: Yeah, but between Steve and Hilary Swank, Yeah, not a lot.

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Speaker 2: It doesn't.

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Speaker 1: Yeah, it's like it's like a you know, when Cinderella's

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Speaker 1: foot won't fit into the glass slipper.

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Speaker 2: It's more to me, like he's the manny.

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Speaker 1: He'd be a great many Yeah, like, yeah, yeah, I

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Speaker 1: always wanted a manny.

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Speaker 2: Really did you go? Did you ever have a boy

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Speaker 2: babysitter for the girls?

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Speaker 1: Never?

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Speaker 2: They're uncommon. We had boy babysitters growing up because I

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Speaker 2: had two brothers and they really wanted boy babysitters, So

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Speaker 2: we had like a lot of boy babysitters.

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Speaker 1: I don't know, I just I never did that. I

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Speaker 1: always had girls for me.

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Speaker 2: It's a more common career choice for the young high schoolers.

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Speaker 2: But yeah, we had a couple. We had a couple

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Speaker 2: of boys, which was at the time.

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Speaker 1: In the babies, I always wanted a ganny Gainey ganny.

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Speaker 2: Oh it's not like a grandma nanny. Nope, A girl nanny.

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Speaker 1: Nope, Gainy gainy. A gay nanny.

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Speaker 2: What gay nanny?

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Speaker 1: A gay mail nanny, that'd be great, Oh the best.

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Speaker 2: So, yeah, the kid's heart broke and then he doesn't

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Speaker 2: want to even turn his He's got his back to

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Speaker 2: Steve and then he turns around. Are you gonna forgive

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Speaker 2: your person? What? Kids like whise beyond his years. It's

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Speaker 2: a whole it's kind of messy. The whole thing is

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Speaker 2: just like what show am I watching?

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Speaker 1: It's just another trope.

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Speaker 2: First of all, you know me in the word trope.

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Speaker 2: I love it so much.

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Speaker 1: Right, it's true with the kid and the mom and

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Speaker 1: they don't get along and he lets him down, and

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Speaker 1: you know.

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Speaker 2: Right, it's just like a bad episode of like Growing

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Speaker 2: Pains or something.

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Speaker 1: But I did enjoy seeing David in the studio, the

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Speaker 1: music studio when his one you know, as a producer,

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Speaker 1: he's sitting in there supposedly, you know, helping them mix it.

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Speaker 1: But he was like, oh, turn that one up, that's

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Speaker 1: his one note.

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Speaker 2: The one guy's racism. It's bonkers.

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Speaker 1: Yeah, he really gives me like Anthony Ketus vibes, Oh yeah, yeah, yeah.

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Speaker 2: Yeah yeah. It's the over the top racism. It's like

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Speaker 2: we wouldn't. It's like they really have to shove it

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Speaker 2: down our throats. And then you're like, I even know

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Speaker 2: what that means, Like I don't even know what that meant.

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Speaker 2: The one comment in this one, I'm like, okay, and

240
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Speaker 2: this is like what are we doing with this?

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Speaker 1: Like okay, Feli, hasn't this been I guess it's of

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Speaker 1: the times. It's always of the times. But yeah, I guess,

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Speaker 1: I don't know. It just feels so I'd love to

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Speaker 1: get rid of this older, older generation the way they

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Speaker 1: would write it.

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Speaker 2: Yes, it's like, can we just get rid of this

247
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Speaker 2: band and move on with our lives?

248
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Speaker 1: Yeah, where is this gonna go? Amy?

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Speaker 2: I don't know that. I don't remember. And it's bad.

250
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Speaker 2: It's just like bad, It's it's dumb. We know it's

251
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Speaker 2: not gonna work out.

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Speaker 1: We're gonna get getting the credit card. Now, David's getting gone.

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Speaker 1: Now he's gonna instead of the drugs, he's gonna go

254
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Speaker 1: into debt.

255
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Speaker 2: Here's what's so, here's my fatigue of Nanatona. Oh, I

256
00:14:02,760 --> 00:14:08,679
Speaker 2: threw away that instant credit application. Then he's going through

257
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Speaker 2: the garbage. It's just like he saw it.

258
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Speaker 1: He cocked it. Then he was digging in the trash

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Speaker 1: for it.

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00:14:14,960 --> 00:14:19,520
Speaker 2: She's so, I threw away the envelope with your name

261
00:14:19,640 --> 00:14:23,640
Speaker 2: on it for the instant credit application. Can't believe how

262
00:14:23,720 --> 00:14:27,120
Speaker 2: many of these they're sending us. It's just like, yeah,

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00:14:27,160 --> 00:14:29,560
Speaker 2: we got it, like we kind of got it.

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Speaker 1: That's called laying pipe.

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Speaker 2: Yeah, they lay so much pipe.

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Speaker 1: I also think laying pipe means something else, but I

267
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Speaker 1: don't want to talk about that.

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Speaker 2: Oh laying pipe? Is it dirty?

269
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Speaker 1: Is it's like body talk?

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00:14:48,480 --> 00:14:51,640
Speaker 2: Oh like pooping? Yeah?

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Speaker 1: Oh my god, toy loveless conversation.

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Speaker 2: I've never known that, right, Yeah, that's really great.

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Speaker 1: Sorry that I brought that up. Anyways, they're late.

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Speaker 2: I'm always trying to talk about they're laying story pipe.

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Speaker 2: I'm glad to know that term because I think we

276
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Speaker 2: could use more subtle laying pipe, whereas nine to two

277
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Speaker 2: and I was like aggressively laying pipe.

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Speaker 1: Well, they've got you know, what is it forty six minute?

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Speaker 1: How long is it an episode? Forty three minutes?

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Speaker 2: Four back then? Maybe because they're laying pipe.

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Speaker 1: All the stories yeah, all they're different ab CD storylines because.

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Speaker 2: They're laying pipe with the whole Uh. I want a

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Speaker 2: rich man. Why isn't he rich? He'd be so, yes,

284
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Speaker 2: if only he was rich. That's the Noah pipe is

285
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Speaker 2: rich Gode? And then Donna's pipe is the sweat shop maybe?

286
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Speaker 2: Or or is it the customer that's about to go

287
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Speaker 2: with Valerie instead of her? Could be, but the pipe

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Speaker 2: that's all so is don't ever let my kid down.

289
00:16:04,600 --> 00:16:07,960
Speaker 2: I never let anyone near my kid. And then I'm

290
00:16:07,960 --> 00:16:10,640
Speaker 2: gonna let you near my kid. Don't let my kid down.

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Speaker 2: What does he do want? I don't know.

292
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Speaker 1: I still do. You know what though, I still enjoy

293
00:16:18,680 --> 00:16:19,200
Speaker 1: watching it.

294
00:16:19,600 --> 00:16:22,280
Speaker 2: That's what I'm saying during it. I'm totally in. I'm like,

295
00:16:23,200 --> 00:16:27,400
Speaker 2: this is great. I was like folding some towels watching it.

296
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Speaker 3: Blah blah blah.

297
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Speaker 2: What is going on with the eyewitness accounts as well?

298
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Speaker 1: I want to talk about what's going on with that?

299
00:16:47,280 --> 00:16:53,080
Speaker 2: Who is right? Who is wrong? Eyewitness testimony is tough.

300
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Speaker 2: Nobody ever knows.

301
00:16:55,760 --> 00:17:00,720
Speaker 1: Nobody ever knows, and it's just got me a little confused.

302
00:17:00,920 --> 00:17:03,160
Speaker 2: I think Brandon, I think Brandon's going to be wrong

303
00:17:03,240 --> 00:17:06,199
Speaker 2: and You're going to be right, because that would be

304
00:17:06,240 --> 00:17:09,959
Speaker 2: the trope.

305
00:17:07,560 --> 00:17:10,840
Speaker 1: I would hope so. But Brandon seem very certain that

306
00:17:10,840 --> 00:17:13,600
Speaker 1: that's the guy, the guy on the end, that's the

307
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Speaker 1: guy that shot Kelly.

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Speaker 2: He's so mad about it too. I thought that was

309
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Speaker 2: totally unnecessary.

310
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Speaker 1: Well, I kind of get it, and I kind of

311
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Speaker 1: like that, like this big thing happened to his girlfriend

312
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Speaker 1: and him, and there's a lot of unprocessed, you know,

313
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Speaker 1: feelings around that, like who the hell gets shot at?

314
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Speaker 2: Correct? But when that lineup came out. I didn't feel

315
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Speaker 2: like the guy was in there either. I was like,

316
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Speaker 2: I don't think it's these guys.

317
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Speaker 1: I don't think it's those guys either either.

318
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Speaker 2: I was like, Oh, I don't think it's these guys.

319
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Speaker 2: And then when they show the scene and then I'm like, yeah,

320
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Speaker 2: I don't think it's any of those guys.

321
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Speaker 1: No, So the guy is just still out on the loose, the.

322
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Speaker 2: Shooter, yeah, I think so. Yeah, why would he ever

323
00:17:57,600 --> 00:17:58,919
Speaker 2: said there's multiple guys?

324
00:18:00,760 --> 00:18:02,879
Speaker 1: But this was like a drive by. This was not

325
00:18:03,040 --> 00:18:05,159
Speaker 1: like a planned out or we're gonna go get this

326
00:18:05,240 --> 00:18:08,440
Speaker 1: specific person. No, right, they weren't, like, so, why would

327
00:18:08,480 --> 00:18:12,480
Speaker 1: they ever come after her again? They don't know who

328
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Speaker 1: she is.

329
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Speaker 2: I don't think they will. I think they just want

330
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Speaker 2: to convict these guys that shot you.

331
00:18:18,760 --> 00:18:21,280
Speaker 1: Yeah, but but I get it that Brandon's like kind of,

332
00:18:23,080 --> 00:18:25,600
Speaker 1: you know, having nightmares about it and really struggling with

333
00:18:25,640 --> 00:18:27,760
Speaker 1: it because he didn't he wasn't able to save her,

334
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Speaker 1: He didn't come, he didn't protect her.

335
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Speaker 2: Well, right, they should have just got in the car

336
00:18:32,680 --> 00:18:36,080
Speaker 2: or done something instead, like him with that crowbar or whatever.

337
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Speaker 2: Sort of trying to taunt them seemed to be.

338
00:18:40,640 --> 00:18:42,600
Speaker 1: I mean, if I were those guys in that car

339
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Speaker 1: with guns and I saw Brandon Walsh with a crowbar,

340
00:18:47,320 --> 00:18:50,800
Speaker 1: I don't think that would threaten me enough to shoot somebody.

341
00:18:51,040 --> 00:18:54,399
Speaker 2: Right, This thing was a little Yeah, why why are

342
00:18:54,480 --> 00:18:57,360
Speaker 2: they doing that? Because basically were they rot they were

343
00:18:57,400 --> 00:19:00,959
Speaker 2: stealing stuff and then you guys sort of saw them.

344
00:19:01,200 --> 00:19:02,720
Speaker 1: I don't even know were they ceiling?

345
00:19:02,840 --> 00:19:05,479
Speaker 2: Fully reminds me of Keano on the bus when he's like,

346
00:19:05,880 --> 00:19:11,000
Speaker 2: I don't care you're crying? What? What's cool with me?

347
00:19:11,400 --> 00:19:12,520
Speaker 2: Whatever you did?

348
00:19:12,760 --> 00:19:12,960
Speaker 3: Wait?

349
00:19:13,080 --> 00:19:16,320
Speaker 2: Are you voting? Speed? Totally? It's like one of my

350
00:19:16,440 --> 00:19:20,280
Speaker 2: favorite movies ever. He's like, it's cool with me. I'm

351
00:19:20,320 --> 00:19:23,800
Speaker 2: putting my gun down. I'm not a cop right now.

352
00:19:24,160 --> 00:19:24,920
Speaker 1: I'm not a cop.

353
00:19:25,280 --> 00:19:27,880
Speaker 2: Dude. I love this movie so much. I've seen it

354
00:19:28,160 --> 00:19:29,520
Speaker 2: two thousand times.

355
00:19:29,800 --> 00:19:31,600
Speaker 1: Yeah, Sandy's so good in that movie.

356
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Speaker 2: Oh my god, she really is iconic. I'm excited about

357
00:19:35,359 --> 00:19:39,280
Speaker 2: Practical Magic too. I'm not gonna lie who's in it

358
00:19:39,320 --> 00:19:43,000
Speaker 2: all the rich well, I'm sorry obviously Nicole Kidman and

359
00:19:43,040 --> 00:19:47,399
Speaker 2: Sandra Bullock, and I'm hoping Stockard Channing will be back

360
00:19:47,440 --> 00:19:48,520
Speaker 2: as one of the ants.

361
00:19:49,280 --> 00:19:51,080
Speaker 1: And then wasn't No, I'm thinking of the.

362
00:19:51,119 --> 00:19:54,440
Speaker 2: Other one their kids are, you know, coming.

363
00:19:54,440 --> 00:19:56,960
Speaker 1: Thinking of Sarah Jessica Parker. But that was a different way.

364
00:19:56,960 --> 00:20:00,119
Speaker 2: Oh that's hocus pocus, but a little different. You're to

365
00:20:00,119 --> 00:20:01,480
Speaker 2: really close. I'm not mad about it.

366
00:20:03,119 --> 00:20:04,359
Speaker 1: I don't know what.

367
00:20:04,520 --> 00:20:06,399
Speaker 2: I don't know about the show right now.

368
00:20:06,560 --> 00:20:09,280
Speaker 1: So do you think? Okay, So she goes to the

369
00:20:09,359 --> 00:20:12,359
Speaker 1: dock Valerie, I'm talking about Valerie. Now. She goes to

370
00:20:12,400 --> 00:20:15,639
Speaker 1: the doc thinking that he has already left doc and

371
00:20:15,680 --> 00:20:18,560
Speaker 1: he's so and she's so sad and he's so rooty.

372
00:20:19,160 --> 00:20:20,960
Speaker 1: But then again, in her mind, she's probably like, I

373
00:20:20,960 --> 00:20:23,640
Speaker 1: wonder if I can still catch that flight to San Francisco.

374
00:20:24,200 --> 00:20:31,360
Speaker 1: Oh god, you know. But then he shows up, Yes, yeah,

375
00:20:32,040 --> 00:20:33,800
Speaker 1: So like, is she with him now?

376
00:20:34,520 --> 00:20:35,000
Speaker 2: I don't know.

377
00:20:35,920 --> 00:20:39,040
Speaker 1: I guess so if she's not with him the in

378
00:20:39,200 --> 00:20:43,080
Speaker 1: the in the next episode, I'm gonna have issues because

379
00:20:43,080 --> 00:20:44,159
Speaker 1: it's just too much like that.

380
00:20:44,320 --> 00:20:46,480
Speaker 2: I'm just gonna blow your mind, you know. He and like,

381
00:20:47,000 --> 00:20:51,480
Speaker 2: I'm just gonna tell you a little thing. He dates Donna.

382
00:20:52,240 --> 00:20:53,520
Speaker 2: What I know?

383
00:20:54,000 --> 00:20:58,639
Speaker 1: I know in real life? Yes, on the show, do

384
00:20:58,720 --> 00:21:01,080
Speaker 1: you I wonder if Tori had anything to do with that.

385
00:21:06,000 --> 00:21:09,880
Speaker 1: It's a really a great storyline here, with Donna and Noah.

386
00:21:09,960 --> 00:21:13,959
Speaker 1: Maybe she dates Oh okay, so maybe she starts wanting

387
00:21:13,960 --> 00:21:17,600
Speaker 1: to date Noah because Val is doing her wrong in business,

388
00:21:17,680 --> 00:21:19,680
Speaker 1: so she's getting back at her. But that doesn't seem

389
00:21:19,720 --> 00:21:22,920
Speaker 1: very much like Donna. No, I don't think so. I'm

390
00:21:22,920 --> 00:21:25,120
Speaker 1: trying to predict the future. It's not going well.

391
00:21:25,760 --> 00:21:28,200
Speaker 2: We go through just like ups and downs and curves

392
00:21:28,240 --> 00:21:29,480
Speaker 2: arounds kind of thing.

393
00:21:29,600 --> 00:21:31,200
Speaker 1: You gotta just go with it.

394
00:21:31,880 --> 00:21:34,000
Speaker 2: Joining it, don't get me wrong, Like I might even

395
00:21:34,000 --> 00:21:36,280
Speaker 2: give it a high score because during it, I'm totally in.

396
00:21:36,440 --> 00:21:40,880
Speaker 2: I'm totally fine. It's not boring, it's I'm not distracted.

397
00:21:41,760 --> 00:21:44,879
Speaker 2: I'm just do do do oh you Oh. Jenny's face was.

398
00:21:44,880 --> 00:21:50,040
Speaker 1: A little a little I'm a little distracted in the

399
00:21:50,080 --> 00:21:52,639
Speaker 1: newspaper office. I don't feel connected to that.

400
00:21:53,040 --> 00:21:56,160
Speaker 2: Oh that's a great point. The set is not even

401
00:21:56,240 --> 00:21:58,840
Speaker 2: great there. I'm like, it's kind of vast and weird

402
00:21:58,880 --> 00:22:00,679
Speaker 2: and like when he's like I'm going to recovered you now,

403
00:22:00,720 --> 00:22:04,000
Speaker 2: and there's like a but.

404
00:22:04,240 --> 00:22:07,000
Speaker 1: It's like a very large space. So they built that

405
00:22:07,400 --> 00:22:12,160
Speaker 1: on stage. I'm really committed to this. The storyline, I guess.

406
00:22:12,240 --> 00:22:14,320
Speaker 1: I don't even know how long it goes though, because

407
00:22:14,600 --> 00:22:17,120
Speaker 1: doesn't Brandon leave soon or just.

408
00:22:16,880 --> 00:22:19,480
Speaker 2: Brandon leaves at the end of this season, I think.

409
00:22:19,520 --> 00:22:23,760
Speaker 1: But then goes on or the newspaper sorry, the newspaper memory.

410
00:22:23,880 --> 00:22:25,840
Speaker 2: I'm like waiting for your clothing store. You guys get

411
00:22:25,840 --> 00:22:26,640
Speaker 2: a boutique soon?

412
00:22:27,359 --> 00:22:27,600
Speaker 1: Yes?

413
00:22:28,920 --> 00:22:30,000
Speaker 2: Do you drugs again?

414
00:22:30,720 --> 00:22:31,240
Speaker 1: Okay?

415
00:22:31,400 --> 00:22:33,639
Speaker 2: No, okay, you're done with drugs? Okay.

416
00:22:33,960 --> 00:22:37,920
Speaker 1: So I still have like major relationships that haven't entered

417
00:22:38,000 --> 00:22:43,040
Speaker 1: into the show, and I'm totally I'm not daring. Yeah,

418
00:22:43,119 --> 00:22:47,240
Speaker 1: I'm not coming. Better comes, So it comes from Brandon's.

419
00:22:46,840 --> 00:22:48,760
Speaker 2: I think it comes when he's gone, yeah.

420
00:22:48,680 --> 00:22:51,159
Speaker 1: Yeah, I don't know what do you what do you?

421
00:22:51,200 --> 00:22:52,760
Speaker 1: What do you give it? If you had to give

422
00:22:52,800 --> 00:22:54,439
Speaker 1: it a score seven, it's.

423
00:22:54,320 --> 00:22:57,400
Speaker 2: Like, well, I'm feeling sevens seven.

424
00:22:57,480 --> 00:23:01,080
Speaker 1: Yeah, seven seven seven yeah.

425
00:23:00,560 --> 00:23:03,400
Speaker 2: Yeah, I'm going seven. It's just a solid seven. I mean,

426
00:23:03,400 --> 00:23:05,160
Speaker 2: we never give it a two. It's not like it's

427
00:23:05,200 --> 00:23:05,680
Speaker 2: so bad.

428
00:23:06,080 --> 00:23:07,600
Speaker 1: Have we ever given it that low?

429
00:23:07,680 --> 00:23:11,399
Speaker 2: No? I think our lowess is like five. Maybe you

430
00:23:11,520 --> 00:23:12,600
Speaker 2: think five.

431
00:23:13,240 --> 00:23:17,520
Speaker 1: Because the show is so you know, you get sucked in, yeah,

432
00:23:17,640 --> 00:23:21,080
Speaker 1: and you're like you're invested with these characters. I don't

433
00:23:21,080 --> 00:23:22,400
Speaker 1: know what the hell David's up to.

434
00:23:22,440 --> 00:23:26,879
Speaker 2: But boy, I'm ready to kind of get that band

435
00:23:27,680 --> 00:23:28,359
Speaker 2: on their way.

436
00:23:28,720 --> 00:23:31,840
Speaker 1: Yeah, but we'll see what happens. We'll see. That's what

437
00:23:31,880 --> 00:23:32,680
Speaker 1: you can say to this.

438
00:23:33,280 --> 00:23:37,080
Speaker 2: Yeah, I mean all in, I'm pretty into our I'm

439
00:23:37,160 --> 00:23:41,480
Speaker 2: kind of thinking of our Brady Bunch recap show more.

440
00:23:41,640 --> 00:23:45,080
Speaker 2: But it's fine the Brady maybe the Brady Girls.

441
00:23:45,320 --> 00:23:49,080
Speaker 1: You gotta stay focused day. We have two more seasons.

442
00:23:49,320 --> 00:23:51,480
Speaker 2: Gosh, we've got a lot. I mean, it's going to

443
00:23:51,520 --> 00:23:53,840
Speaker 2: be twenty twenty seven, right befo, we're.

444
00:23:53,720 --> 00:23:56,439
Speaker 1: Only on season eight, episode seven.

445
00:23:56,760 --> 00:23:58,560
Speaker 2: I can do two things at the same time. We

446
00:23:58,560 --> 00:24:00,520
Speaker 2: can start the Brady Bunch while we do this.

447
00:24:00,640 --> 00:24:02,240
Speaker 1: Oh yeah, that's so true. We can.

448
00:24:02,440 --> 00:24:05,439
Speaker 2: It really took off. People are like, what's the Brady Bunch?

449
00:24:06,040 --> 00:24:09,560
Speaker 1: Watch that we're gonna have to have an actual Brady

450
00:24:09,640 --> 00:24:09,800
Speaker 1: on it.

451
00:24:09,920 --> 00:24:12,520
Speaker 2: Young people like I see CC in this zoom and

452
00:24:12,560 --> 00:24:14,399
Speaker 2: I'm wondering if she even knows what the Brady Bunch is,

453
00:24:14,440 --> 00:24:16,399
Speaker 2: she'd be need to jump in CEC. But it's just

454
00:24:16,440 --> 00:24:19,280
Speaker 2: she's young. She's in college, and oh she does thank

455
00:24:19,280 --> 00:24:22,600
Speaker 2: you for the message. She does, so that's good. Okay,

456
00:24:22,640 --> 00:24:24,440
Speaker 2: she probably doesn't know as well as we do, though.

457
00:24:25,160 --> 00:24:27,800
Speaker 1: Yeah, No, there's I don't think there's anyone who does.

458
00:24:27,960 --> 00:24:30,760
Speaker 2: There's not one episode that I don't totally know, totally

459
00:24:30,800 --> 00:24:33,160
Speaker 2: know the plot, know the whole thing, quotable lines.

460
00:24:33,320 --> 00:24:37,160
Speaker 1: I don't know how you store this much useless information, honestly.

461
00:24:37,000 --> 00:24:41,400
Speaker 2: Either considering the things that I don't know, like Supreme

462
00:24:41,400 --> 00:24:45,639
Speaker 2: Court justices, I'm hard pressed to name three. I couldn't

463
00:24:46,000 --> 00:24:48,200
Speaker 2: name one, hard pressed to name three.

464
00:24:48,240 --> 00:24:49,359
Speaker 1: But yes, sorry, guys.

465
00:24:49,400 --> 00:24:51,800
Speaker 2: You could literally say to me, tell me what happens

466
00:24:52,240 --> 00:24:54,840
Speaker 2: when cousin Oliver got the pie in the face, and

467
00:24:54,880 --> 00:24:56,800
Speaker 2: I'd be like, oh my god. They went to the

468
00:24:57,200 --> 00:25:00,440
Speaker 2: Zaney Carnival and they dressed up and they, you know.

469
00:25:00,480 --> 00:25:03,879
Speaker 1: Like, oh my god, when.

470
00:25:03,760 --> 00:25:08,800
Speaker 2: They lost the they lost Mike's plans yellow the poster thing,

471
00:25:10,200 --> 00:25:11,840
Speaker 2: and then they think that he goes into the meeting

472
00:25:11,880 --> 00:25:13,800
Speaker 2: to pull out the plans and it's like a Yogi

473
00:25:13,840 --> 00:25:16,920
Speaker 2: bear poster and then they run and run and hand

474
00:25:16,960 --> 00:25:17,879
Speaker 2: them off, and they'd like.

475
00:25:18,800 --> 00:25:20,679
Speaker 1: To stop you. I have to stop you, you have

476
00:25:20,800 --> 00:25:35,520
Speaker 1: to stop. Did you know the opening song for this

477
00:25:35,600 --> 00:25:41,159
Speaker 1: episode was called Chumbawamba from Tub Thumping Wait shut Up.

478
00:25:41,080 --> 00:25:43,200
Speaker 2: I get knocked down, but I get up again.

479
00:25:43,760 --> 00:25:45,680
Speaker 1: Is that Chumbawamba?

480
00:25:45,880 --> 00:25:48,680
Speaker 2: I can't believe they that feels like a time warp

481
00:25:48,760 --> 00:25:52,520
Speaker 2: to me, because like, I think I lived in La

482
00:25:52,640 --> 00:25:56,280
Speaker 2: maybe by now ninety seven? What month is.

483
00:25:56,280 --> 00:25:58,479
Speaker 1: It it was?

484
00:25:58,760 --> 00:26:03,320
Speaker 2: I think I lived in La October of ninety seven. Yeah,

485
00:26:03,320 --> 00:26:06,600
Speaker 2: I think I lived in La literally doing the same way.

486
00:26:06,680 --> 00:26:09,240
Speaker 2: But is that I get it knocked down, but I

487
00:26:09,320 --> 00:26:09,920
Speaker 2: get up again?

488
00:26:10,160 --> 00:26:12,120
Speaker 1: Is that the name of the band tub Thumping?

489
00:26:12,520 --> 00:26:15,560
Speaker 2: No, it's Chumbawamba is the band. The song is tub

490
00:26:15,600 --> 00:26:19,240
Speaker 2: Thumping And it was a smash hit, it really was.

491
00:26:19,280 --> 00:26:24,200
Speaker 2: But why oh, I don't know that I'll get knocked down,

492
00:26:24,880 --> 00:26:25,199
Speaker 2: got up?

493
00:26:25,200 --> 00:26:25,680
Speaker 1: Bringing it?

494
00:26:25,720 --> 00:26:26,000
Speaker 2: Stop?

495
00:26:26,080 --> 00:26:27,600
Speaker 1: I'm gonna it's gonna be stuck in my head.

496
00:26:27,640 --> 00:26:33,520
Speaker 2: All there's so many nineties songs that are horrible.

497
00:26:34,040 --> 00:26:38,719
Speaker 1: But they stick with you, just like no closing Time?

498
00:26:39,000 --> 00:26:41,679
Speaker 2: Remember that? Oh boy, oh.

499
00:26:43,880 --> 00:26:46,640
Speaker 1: Well we have what do we have NEXTXT?

500
00:26:46,880 --> 00:26:48,280
Speaker 2: We remember smash Mouth?

501
00:26:48,920 --> 00:26:49,440
Speaker 1: Oh my god?

502
00:26:50,840 --> 00:26:53,760
Speaker 2: I know Sugar Ray? All that Sugar Ray. Sugar Ray

503
00:26:53,800 --> 00:26:54,440
Speaker 2: is cool. I like Mark.

504
00:26:54,480 --> 00:26:57,400
Speaker 1: He used to be a singer, did he Mark?

505
00:26:57,760 --> 00:26:58,000
Speaker 2: Wait?

506
00:26:58,080 --> 00:26:59,800
Speaker 1: What he's not a singer anymore?

507
00:26:59,840 --> 00:27:05,480
Speaker 2: Is he? Mark McGrath. He's like he cocked, he's he's diversified.

508
00:27:05,520 --> 00:27:09,240
Speaker 2: But you can absolutely go see Sugar Ray, like at

509
00:27:09,280 --> 00:27:14,520
Speaker 2: the Fair, totally dude, he still got it. He was

510
00:27:14,640 --> 00:27:18,080
Speaker 2: with the Beach Boys and Stamos on something in her

511
00:27:18,119 --> 00:27:20,320
Speaker 2: Moosa Beach or something, and I was like, why didn't

512
00:27:20,359 --> 00:27:23,640
Speaker 2: I go to that? Mark McGrath and John. By the way,

513
00:27:23,680 --> 00:27:25,479
Speaker 2: my love of John Stamos.

514
00:27:25,080 --> 00:27:25,480
Speaker 3: Is so.

515
00:27:27,080 --> 00:27:28,680
Speaker 1: How deep is it? Do you know? Harry?

516
00:27:29,760 --> 00:27:32,159
Speaker 2: I've met him many many times and I think he

517
00:27:32,359 --> 00:27:37,760
Speaker 2: is so nice, darling, super happy. He's got the wonderful

518
00:27:37,760 --> 00:27:39,800
Speaker 2: wife and the kid. It's not like I'm like hot

519
00:27:39,840 --> 00:27:42,480
Speaker 2: for John Samos. I just like love John Stamos. I'm

520
00:27:42,480 --> 00:27:46,040
Speaker 2: like that guy. I watched the Property Brothers rebuild some

521
00:27:46,240 --> 00:27:48,600
Speaker 2: friend of it. Do you ever watch that one? Yeah?

522
00:27:48,680 --> 00:27:51,720
Speaker 1: Sometimes I love the Property Brothers.

523
00:27:51,760 --> 00:27:54,000
Speaker 2: Well, this one's called like celebrity, I owe you? Why

524
00:27:54,000 --> 00:27:54,720
Speaker 2: don't you do it?

525
00:27:54,840 --> 00:27:56,640
Speaker 1: Wait? You love the Property Brothers?

526
00:27:57,119 --> 00:28:00,760
Speaker 2: Of course, I'm buddies with them. I love them. Okay,

527
00:28:00,800 --> 00:28:05,400
Speaker 2: those dudes are great, But why don't you do that show? Like, oh,

528
00:28:05,440 --> 00:28:08,400
Speaker 2: somebody to I know we should pitch you for that,

529
00:28:08,480 --> 00:28:10,879
Speaker 2: Like you would be great for that. I have so

530
00:28:10,920 --> 00:28:15,119
Speaker 2: many thing to Yeah, gosh, maybe you can help me

531
00:28:15,160 --> 00:28:16,399
Speaker 2: to my zoom.

532
00:28:18,000 --> 00:28:20,439
Speaker 1: You. I'm not going to help you, because that's not.

533
00:28:21,359 --> 00:28:22,919
Speaker 2: I'm in my garage and it's great, except I just

534
00:28:22,920 --> 00:28:24,960
Speaker 2: don't have a camera on this computer out here.

535
00:28:25,200 --> 00:28:26,399
Speaker 1: Is it cold in your garage?

536
00:28:26,600 --> 00:28:29,439
Speaker 2: No? I have a Peter going. It's actually totally cozy.

537
00:28:29,720 --> 00:28:32,600
Speaker 2: My chair isn't good, so I've got to I'm working

538
00:28:32,640 --> 00:28:35,600
Speaker 2: on redoing this whole situation. But it's are you.

539
00:28:35,560 --> 00:28:38,120
Speaker 1: Making yourself a little sound studio kind of?

540
00:28:38,160 --> 00:28:38,959
Speaker 2: How do I sound?

541
00:28:39,680 --> 00:28:40,400
Speaker 1: Sound pretty good?

542
00:28:40,680 --> 00:28:42,920
Speaker 2: Oh? Great? Hopefully Easton can come up and help me

543
00:28:42,960 --> 00:28:47,200
Speaker 2: here because it's like a kind of a messy right now. Well, anyway,

544
00:28:47,240 --> 00:28:50,760
Speaker 2: thanks for listening, because you guys everyone, we were.

545
00:28:50,640 --> 00:28:53,320
Speaker 1: All over the place only just because this episode kind

546
00:28:53,320 --> 00:28:54,640
Speaker 1: of felt like the same I.

547
00:28:54,560 --> 00:28:56,760
Speaker 2: Get knocked down, but I get it.

548
00:28:56,840 --> 00:29:01,840
Speaker 1: That's the base of the episode being. Yeah, well okay,

549
00:29:01,880 --> 00:29:06,760
Speaker 1: next week we have I Know What's Happening episode seven.

550
00:29:07,360 --> 00:29:12,160
Speaker 1: It's called Pride and Prejudice. Hmmm, guys, that's my favorite

551
00:29:12,200 --> 00:29:17,200
Speaker 1: book and movie. Not me, I mean, I love I'm

552
00:29:17,240 --> 00:29:19,480
Speaker 1: a sucker for a period romance.

553
00:29:20,920 --> 00:29:23,480
Speaker 2: Did you watch the Game of Thrones or Bridgerton? Do

554
00:29:23,480 --> 00:29:24,080
Speaker 2: you watch those?

555
00:29:24,400 --> 00:29:25,240
Speaker 1: I did?

556
00:29:25,840 --> 00:29:27,880
Speaker 2: Oh wow? What about like the one about the royals

557
00:29:27,960 --> 00:29:30,520
Speaker 2: or whatever? I don't remember those.

558
00:29:30,360 --> 00:29:33,240
Speaker 1: Called oh wait, Crown, the Crown.

559
00:29:33,240 --> 00:29:34,000
Speaker 2: I'm sorry the Crown.

560
00:29:34,080 --> 00:29:36,640
Speaker 1: Yes, yes, I love it all. I love anything like that.

561
00:29:37,240 --> 00:29:40,800
Speaker 2: I will be getting tickets to Greenland too this weekend

562
00:29:40,800 --> 00:29:43,040
Speaker 2: because it's like a I love those blow them up

563
00:29:43,120 --> 00:29:44,040
Speaker 2: action films.

564
00:29:44,560 --> 00:29:44,920
Speaker 1: Really.

565
00:29:45,320 --> 00:29:48,320
Speaker 2: Yeah, gosh, we're already rewatched the first one, getting excited

566
00:29:48,320 --> 00:29:49,040
Speaker 2: for the second one.

567
00:29:49,080 --> 00:29:49,840
Speaker 1: Greenland.

568
00:29:50,320 --> 00:29:53,320
Speaker 2: Yeah, what is that? There's this first one? Well, it's

569
00:29:53,360 --> 00:29:55,920
Speaker 2: always like the world ends and somehow they escape to

570
00:29:55,960 --> 00:29:59,640
Speaker 2: a bunker in Greenland. Oh, Greenland or Greenland.

571
00:30:00,200 --> 00:30:03,800
Speaker 1: I think it's Greenland. Greenland, yeah, because Greenland sounds a

572
00:30:03,800 --> 00:30:06,200
Speaker 1: little sounds aggressive. Yeah, like, wait, this is a movie

573
00:30:06,200 --> 00:30:08,160
Speaker 1: that's already been out called green Land one.

574
00:30:08,320 --> 00:30:10,160
Speaker 2: I mean number one came out like five years ago.

575
00:30:10,200 --> 00:30:13,240
Speaker 2: And then I was shocked to learn it too. Gerard

576
00:30:13,280 --> 00:30:19,680
Speaker 2: Butler and that lady Morena Baccherin who's married to the

577
00:30:19,680 --> 00:30:21,920
Speaker 2: guy from the OC who knows everything.

578
00:30:21,640 --> 00:30:23,920
Speaker 1: About we have to I have to watch this.

579
00:30:24,240 --> 00:30:26,400
Speaker 2: What's that money called? That's not money?

580
00:30:26,720 --> 00:30:27,200
Speaker 1: Crypto?

581
00:30:27,520 --> 00:30:27,960
Speaker 2: Crypto?

582
00:30:28,120 --> 00:30:32,000
Speaker 1: Yeah, I don't even understand what crypto is.

583
00:30:32,720 --> 00:30:36,840
Speaker 2: My stomach muscles last night somehow, so when I laugh, Wait,

584
00:30:37,200 --> 00:30:40,880
Speaker 2: but as you hurt your stomach sometimes this happens to

585
00:30:40,880 --> 00:30:43,280
Speaker 2: me when I'm in a stool and I lean forward

586
00:30:43,400 --> 00:30:45,840
Speaker 2: for too long. I know, it's weird. It happened to

587
00:30:45,880 --> 00:30:48,200
Speaker 2: me once I had to get deposed, and so I

588
00:30:48,240 --> 00:30:50,480
Speaker 2: was very stressed, and I was in the stool doing

589
00:30:50,520 --> 00:30:52,720
Speaker 2: the deposition like on zoom, and I must have been

590
00:30:52,840 --> 00:30:55,040
Speaker 2: leaning forward like STU.

591
00:30:54,920 --> 00:30:56,360
Speaker 1: Won't wait, I need more.

592
00:30:56,480 --> 00:30:58,920
Speaker 2: I don't know what that is, Like a stool, a steel,

593
00:30:59,120 --> 00:31:09,640
Speaker 2: like a stool, no, not not laying pipe, oh.

594
00:31:06,080 --> 00:31:12,200
Speaker 1: God, stool like a little like a three legged wooden steel.

595
00:31:12,480 --> 00:31:16,640
Speaker 2: Okay, but yeah, like a high chair, like a bar. Yeah.

596
00:31:16,680 --> 00:31:19,560
Speaker 1: Yeah, and you were leaning forward and now your stomach hurts.

597
00:31:19,720 --> 00:31:23,120
Speaker 2: Yeah, it just happened about it? But correct? Thank you?

598
00:31:23,280 --> 00:31:28,360
Speaker 2: That is correct? Yes, correct resolutions. Maybe next week we

599
00:31:28,360 --> 00:31:29,400
Speaker 2: can talk about our resolution.

600
00:31:29,600 --> 00:31:33,240
Speaker 1: Yes, but did you make some oh list?

601
00:31:33,440 --> 00:31:35,960
Speaker 2: I love resolutions. I'm like, I love it.

602
00:31:36,680 --> 00:31:38,240
Speaker 1: They overwhelmed me. I can't do it.

603
00:31:38,520 --> 00:31:41,360
Speaker 2: No, I write them all down. A positive thought is

604
00:31:41,360 --> 00:31:44,040
Speaker 2: better than a negative thought. That's one of mine. Just

605
00:31:44,120 --> 00:31:46,800
Speaker 2: have a positive thought. That's good.

606
00:31:47,240 --> 00:31:50,479
Speaker 1: Yeah, yeah, I like the idea. Let's talk about that

607
00:31:50,520 --> 00:31:50,880
Speaker 1: next week.

608
00:31:51,000 --> 00:31:54,440
Speaker 2: I mexations. Okay, you went into the Brady Girls.

609
00:31:54,480 --> 00:31:55,360
Speaker 1: Some I have some.

610
00:31:55,880 --> 00:31:57,840
Speaker 2: I have some I can't.

611
00:31:58,000 --> 00:31:59,640
Speaker 1: I just have to remember them. Okay, everybody.

612
00:31:59,760 --> 00:32:01,120
Speaker 2: So I'm I'm gonna hit you up to see if

613
00:32:01,160 --> 00:32:04,760
Speaker 2: you can come up to Carmel for a golf trip February.

614
00:32:06,000 --> 00:32:07,400
Speaker 1: Yes, it's the answer.

615
00:32:08,080 --> 00:32:10,880
Speaker 2: Oh, and I'm sending Dave. Dave made my whole Christmas.

616
00:32:10,960 --> 00:32:14,640
Speaker 2: Can I just tell you, guys? I was so mad, Guys,

617
00:32:15,080 --> 00:32:17,920
Speaker 2: I'm not I've got it for him. So guess what

618
00:32:18,480 --> 00:32:23,520
Speaker 2: of my gift ideas? Dave loved one. I can't believe it.

619
00:32:24,000 --> 00:32:28,280
Speaker 2: He loved the blue Kitsen sweatshirt with the yellow like

620
00:32:28,400 --> 00:32:31,479
Speaker 2: Beverly Hills nine o two one ozer, but obviously it

621
00:32:31,520 --> 00:32:33,600
Speaker 2: was Jenny says. It was like a small or something,

622
00:32:33,840 --> 00:32:36,920
Speaker 2: you know what, Fion a bigger size. So I ordered

623
00:32:36,960 --> 00:32:37,320
Speaker 2: it for him.

624
00:32:37,360 --> 00:32:39,640
Speaker 1: Oh my god. I was like, don't bother any just

625
00:32:39,760 --> 00:32:41,400
Speaker 1: look it up and I'll order it yourself.

626
00:32:41,440 --> 00:32:42,600
Speaker 2: No, I got it for him.

627
00:32:42,760 --> 00:32:44,920
Speaker 1: Oh you're so nice. Yeah, I gave that what that

628
00:32:44,960 --> 00:32:48,120
Speaker 1: one got stolen from me, actually from by Fiona, who's

629
00:32:48,160 --> 00:32:49,840
Speaker 1: gonna wrap it at her.

630
00:32:50,040 --> 00:32:52,400
Speaker 2: That's good because that one's pretty iconic. I'm not gonna

631
00:32:52,440 --> 00:32:56,160
Speaker 2: lie that one. Shout out to Kitsen. You're back, Yeah,

632
00:32:56,520 --> 00:32:57,360
Speaker 2: way to be back.

633
00:32:57,840 --> 00:33:01,840
Speaker 1: All right, everybody, have a girl, great week and we

634
00:33:01,880 --> 00:33:05,160
Speaker 1: will see you, hopefully with toy next week. No, that's

635
00:33:05,200 --> 00:33:06,960
Speaker 1: just me, but I find its very entertaining.

636
00:33:08,880 --> 00:33:11,720
Speaker 2: Later bye, bye,