WEBVTT - Best Bits (Just The Bits) with Morgan: PART 2

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<v Speaker 1>Hey, this is Justin Richmond, host of the Broken Record podcast.

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<v Speaker 1>Join me in music industry icon Rick Rubin, along with

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<v Speaker 1>authors Malcolm Gladwell and Bruce Headlam As we chat with

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<v Speaker 1>legends like Neil Young and Under three thousand and upcoming

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<v Speaker 1>artists like Faye Webster about their life and their careers.

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<v Speaker 1>In honor of Women's History Month, we're spotlighting groundbreaking female

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<v Speaker 1>artists like Miss Elliott, Pattie Smith, and Bonnie Rait and

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<v Speaker 1>celebrating the strides they've made for women. Listen to Broken

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<v Speaker 1>Record on the iHeartRadio app, Apple podcasts, or wherever you

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<v Speaker 1>get your podcasts. Hey, I'm Maya Schunker, host of A

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<v Speaker 1>Slight Change of Plans, which was recently named best Show

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<v Speaker 1>of the Year by Apple for twenty twenty one, and

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<v Speaker 1>we've got new episodes for you about everything from the

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<v Speaker 1>science of change to personal stories like a blind woman

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<v Speaker 1>who becomes a master chef and an Australian doctor who

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<v Speaker 1>rescued a voice soccer team from deep within a cave

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<v Speaker 1>in Thailand. Listen to A Slight Change of Plans on

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<v Speaker 1>the iHeartRadio app, Apple podcasts, or wherever you get your podcasts.

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<v Speaker 1>It's the best bits of the week with Morgan Number two.

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<v Speaker 1>What's up, y'all. If you're listening to this, you have

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<v Speaker 1>met the bit side of the Best Bits. This is

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<v Speaker 1>part two where I just intro the bits and the

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<v Speaker 1>bits play. The conversation this weekend was with Abby and

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<v Speaker 1>it was super awesome. So if you want to hear that,

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<v Speaker 1>make sure you listen to part one. That's just the conversation.

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<v Speaker 1>I'll still break down the bits, but right now we're

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<v Speaker 1>getting into the bits that you want to hear in

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<v Speaker 1>case you missed it this week. So coming in at

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<v Speaker 1>number seven, Raymundo had an awkward encounter with a listener

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<v Speaker 1>and now he may close his account at the bank

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<v Speaker 1>because of it. So a lot of drama with this one,

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<v Speaker 1>because Raymundo felt very violated in a lot of ways.

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<v Speaker 1>Here you go, number seven. All right, we voted in

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<v Speaker 1>the room, although Lunchbox did call him click bait Ray Ray,

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<v Speaker 1>segment has been chosen and pick a bit. Ray had

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<v Speaker 1>an awkward experience at the bank with a listener. Raymundo,

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<v Speaker 1>your bit has been chosen. What would you like to

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<v Speaker 1>do here? So I go into the bank and I

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<v Speaker 1>have a check to cash, and I cash with the

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<v Speaker 1>lady there and everything was just fine. She's getting my

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<v Speaker 1>money out, and she goes, hey, I'm a really big

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<v Speaker 1>fan of the show, and I'm like, great, she got

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<v Speaker 1>my account open. Here we go and she said I

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<v Speaker 1>also love Amy. Cool, I'm not Amy. But she continues

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<v Speaker 1>and she goes, hey, I'm looking at your account. And again,

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<v Speaker 1>I'm just cashing a check, and she says, I see

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<v Speaker 1>you don't have a savings account. Why is my account open?

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<v Speaker 1>Why is she looking into my savings account when I'm

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<v Speaker 1>just catching a check. So I'm sitting there, I'm like, no,

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<v Speaker 1>it's in my wife's name. And she goes, well, would

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<v Speaker 1>you like me to pull up your wife's account and

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<v Speaker 1>then bring that over to your account as well? And

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<v Speaker 1>I'm like, no, no, you're you're a fan of the show.

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<v Speaker 1>I just want to check cash. I want you out

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<v Speaker 1>of my account. And so then and then she says, well,

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<v Speaker 1>I see here that you don't ever put any money

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<v Speaker 1>in savings and I'm like, oh my gosh, close my

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<v Speaker 1>account and just give me the check. And so my

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<v Speaker 1>out was yeah, I'll I'll just take twenties. That'll be perfect.

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<v Speaker 1>And she gave me the twenties and then I said,

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<v Speaker 1>thank you have a good day, and in my head,

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<v Speaker 1>I said, I will never come back to this game again,

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<v Speaker 1>the bank again. I'm closing my account, but why why

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<v Speaker 1>do you don't need to get into my account when

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<v Speaker 1>I'm cashing a check. So you wish they wouldn't have

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<v Speaker 1>said they were a show listeners. It was bad form

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<v Speaker 1>on their part that she said she was a fan

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<v Speaker 1>and she's interested, yes, so she probably should have just

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<v Speaker 1>I think everything she did, though, was normal. I think

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<v Speaker 1>if she were able to do it without saying she

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<v Speaker 1>was a fan, you wouldn't have felt violated. It did

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<v Speaker 1>feel like snooping a little bit, but I will never

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<v Speaker 1>go back to that bank again. Considering closing the account,

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<v Speaker 1>I feel like that's a that's a bit too much.

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<v Speaker 1>I don't need somebody told me I need to put

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<v Speaker 1>money into savings. It is weird, though, when people have

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<v Speaker 1>access to your accounts and they're also like, have a

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<v Speaker 1>big fan. That's weird. Once ten years ago, some officers

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<v Speaker 1>showed up to my door and I looked out that

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<v Speaker 1>a little thing. I moved the little hatch back and

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<v Speaker 1>I could see him. They dropped two badges and I

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<v Speaker 1>was like, what is happening? They said, you mind if

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<v Speaker 1>we come out and see. Yeah, and they came in

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<v Speaker 1>and those badges were IRS badges. Yeah, I just have batches,

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<v Speaker 1>but like we work on the IRS Task Force and

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<v Speaker 1>I'm like, what did I do? And so, but it

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<v Speaker 1>turns out a listener had hacked into all my IRS

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<v Speaker 1>files and then was such a big fan of the show,

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<v Speaker 1>got into Amy's got into and so they were like,

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<v Speaker 1>do you want to press charges? Do you know who

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<v Speaker 1>this is? And I was like, yeah, she shows up

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<v Speaker 1>at remote like remote broadcasts all the time. We knew

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<v Speaker 1>who she was in the IRS. Yeah, but the FBI

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<v Speaker 1>was involved too. I lived in North Carolina at the time,

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<v Speaker 1>so the FBI is the one that questioned me. It

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<v Speaker 1>went from IRS to FBI. Yeah, but they were the

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<v Speaker 1>ones first. They were like, do you recognize this person?

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<v Speaker 1>They brought me a picture of her. But it does

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<v Speaker 1>feel a bit of a violation whenever it isn't to

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<v Speaker 1>be a fan, but when someone knows you, But it

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<v Speaker 1>also works at a place where they can get inside

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<v Speaker 1>your information and see like your guts. I mean, she

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<v Speaker 1>had already seen it all. But thank goodness, there's also

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<v Speaker 1>an internal system that will flag people like how she

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<v Speaker 1>got caught was she was looking at things clearly she

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<v Speaker 1>wasn't supposed to. When it got red flagged and then

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<v Speaker 1>they were like, wait, why is this person in San

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<v Speaker 1>Antonio looking up these people? And then they can did

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<v Speaker 1>the dots. They were like what did these people have

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<v Speaker 1>in common? And it was a show and they said that,

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<v Speaker 1>oh wait, okay one of my ex girlfriends at the time. Yeah,

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<v Speaker 1>like she went in on me every way, and then

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<v Speaker 1>started just dude, going around the dots. Just look what

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<v Speaker 1>everybody in part of a federal investigation where people put

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<v Speaker 1>our names together, and someone on the team or someone

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<v Speaker 1>investigating was like, that's the Boppy Bone show. And then

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<v Speaker 1>they started reaching out to all of us. And I

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<v Speaker 1>remember when they got there, I sit down in the

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<v Speaker 1>chair and sort of pulling water over my face. They're like,

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<v Speaker 1>what are you doing on like some waterboarding me. I

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<v Speaker 1>know you guys want some answers, you just don't hear yourself. Yeah, yeah,

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<v Speaker 1>it was scary. I think my story saved your bit Ray.

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<v Speaker 1>Thank you. It's kine. I wouldn't picked his no matter what. Yeah,

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<v Speaker 1>all right, is he getting reputation to clickbit Ray? No?

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<v Speaker 1>I think that that's right. I think he is clickbit ray.

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<v Speaker 1>It's like he was pretty good. The headline was pretty good,

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<v Speaker 1>but click bit ray, I mean it works on the internet.

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<v Speaker 1>Why not clig bit ray. I might need to change

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<v Speaker 1>the title of my story then, yeah, a murder in

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<v Speaker 1>my house? Maybe no, but it's not true. HiT's still

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<v Speaker 1>kind of true. All right, right, thank you for your story. Yep.

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<v Speaker 1>It's the Best Bits of the Week with Morgan number two.

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<v Speaker 1>It's number six on the Best Bits this week. The

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<v Speaker 1>show share the things they are geeking out over right now,

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<v Speaker 1>and they're across the board, from basketball to Forrest bathing

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<v Speaker 1>to reality TV shows too fishing. It is all the

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<v Speaker 1>fun things that sometimes we never get a geek out over.

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<v Speaker 1>So you get to hear that from the show right now,

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<v Speaker 1>number six. All right, this segment it's called nerding out.

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<v Speaker 1>It's what we're all individually nerding out about. We even

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<v Speaker 1>have nerdy music hit that please. All right, nerding out

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<v Speaker 1>amy your first go Well. I'm nerding out about forrest

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<v Speaker 1>bathing because I keep reading about it in like health

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<v Speaker 1>and wellness as a way to decrease stress and stuff.

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<v Speaker 1>So I'm finally gonna go take myself to a forest

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<v Speaker 1>bath this weekends A forest bath. Well, all you gotta

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<v Speaker 1>do is just go be out with nature. I'm going

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<v Speaker 1>to go to this woods area where I like to hike,

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<v Speaker 1>and I'm gonna sit and soak up like all the

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<v Speaker 1>things I'm going to breathe. You're fully closed. It's not

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<v Speaker 1>like you're taking a back You're not in the water. No,

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<v Speaker 1>you're not in the water. You're you're soaking up nature

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<v Speaker 1>the trees. Like. So, I guess what's it called forest

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<v Speaker 1>bathing ages? I don't know, zero th eighteen forest bathing

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<v Speaker 1>for life. For me, I loved in the woods basically. Yeah, yeah,

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<v Speaker 1>I guess. I'm sure it's good for your stress level.

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<v Speaker 1>So why again, um, decreased stress, boosted immunity, and it

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<v Speaker 1>helps me. There's a boost immunity when you're sitting in

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<v Speaker 1>the woods because like, if you're feeling one with nature

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<v Speaker 1>and healthier, and if your stress is decreased, your immunity

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<v Speaker 1>is better. I mean, that's all right, interesting, all right,

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<v Speaker 1>nerding out what you got? Man? So you know, I

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<v Speaker 1>love fishing. The guy this guy in North Carolina, he

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<v Speaker 1>caught a fish that broke a sixty year old record.

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<v Speaker 1>This fish was twelve pounds eight ounces. I mean it's huge.

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<v Speaker 1>I saw it. I'm like, that is a beautiful fish.

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<v Speaker 1>What kind of fish though, because like a catfish, they

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<v Speaker 1>go to like one hundred. Sure, I get it. It's

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<v Speaker 1>a speckled trout, smaller. My goal recently has been to

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<v Speaker 1>catch a trout. There's a like thirty minutes from here.

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<v Speaker 1>I will do it in the next couple of years.

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<v Speaker 1>I know I can't. Who's gonna do it? First? Lunchbox

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<v Speaker 1>wins a lottery, already catches a record trump the fish

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<v Speaker 1>mine is. The NCAA tournament starts on Thursday, officially with

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<v Speaker 1>the sixty four they're playing games. Um not on Thursday.

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<v Speaker 1>They've already happened, But on Thursday it happens. You can

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<v Speaker 1>still bet. You can still build your bracket. I'm gonna

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<v Speaker 1>give you tips. Now, pick the lower numbers, okay, just

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<v Speaker 1>in Generally pick number one two. Yes, they're the better team.

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<v Speaker 1>Sixty four percent of the time a number one seed

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<v Speaker 1>wins the tournament, wins the whole thing. There are four

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<v Speaker 1>number ones, Gonzaga, Arizona, Kansas, and Baylor. There are number two's.

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<v Speaker 1>We could go through the whole thing, but they are

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<v Speaker 1>number eleven. Literally, pick the lower numbers there were gonna

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<v Speaker 1>be some upsets, but usually what happens most of the

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<v Speaker 1>time is that the lower numbers win, so we can

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<v Speaker 1>still bet like through I don't want to do a bracket,

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<v Speaker 1>but I can do like draft kings. Okay, I'm you're

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<v Speaker 1>my coach. I don't want to be in charge of

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<v Speaker 1>your minds. Okay, I'm going Baylor number one all the way.

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<v Speaker 1>Take it. Okay, that's what my dad would want to

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<v Speaker 1>You can't. You know you're not gonna be You can

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<v Speaker 1>bet them to win. You can be what they call

0:09:10.320 --> 0:09:12.440
<v Speaker 1>a future to win at all if you want. But

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<v Speaker 1>you can also bet individually each game. Okay, all right, Well,

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<v Speaker 1>I guess I'm gonna be busy. I'm not gonna watch

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<v Speaker 1>though to watch. I have a coach her, then watch

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<v Speaker 1>for her. I'll be watching, yes, But that's my tip.

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<v Speaker 1>It's an easy tip. Don't pick a lot of ups

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<v Speaker 1>You can pick up occasional upset or two, but generally

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<v Speaker 1>the data shows the lower numbers win more games and

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<v Speaker 1>win the tournament. Who are you saying going to win Arkansas?

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<v Speaker 1>But they're not said what I said. There are four

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<v Speaker 1>other than Arkansas. I think I think Tennessee got robbed.

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<v Speaker 1>There are three, but I think they probably should have

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<v Speaker 1>been a two or maybe even a one. I think

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<v Speaker 1>your school, Texas and m got robbed of being in

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<v Speaker 1>the tournament. Period should not be in the tournament. Oh,

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<v Speaker 1>there's a there's a lot of different things happening here,

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<v Speaker 1>but um I'm going with Arkansas or Tennessee, Kentucky. Okay,

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<v Speaker 1>no number ones there? Okay, gets correct? Yeah, thank you,

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<v Speaker 1>lunch box, you're up. Look, guys, I've been telling you

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<v Speaker 1>about the Challenge on MTV for years. West Banana, CT

0:10:10.000 --> 0:10:11.960
<v Speaker 1>Laurel kill It Cam. I'll tell you guys, you gotta

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<v Speaker 1>watch it. No one cares about the Challenge. No one

0:10:14.320 --> 0:10:17.479
<v Speaker 1>likes the Challenge. That's why the Challenge is coming to CBS.

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<v Speaker 1>It got a spinoff. Baby, when you want to know,

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<v Speaker 1>when you're huge and TV is you get a spinoff series.

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<v Speaker 1>They're gonna take people from Big Brother, Survivor and Amazing

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<v Speaker 1>Race and they're gonna put them on the Challenge. And

0:10:28.120 --> 0:10:31.920
<v Speaker 1>we got another rendition of the Challenge. Whoo. They've done

0:10:31.960 --> 0:10:33.840
<v Speaker 1>this form of show for a long time. They used

0:10:33.880 --> 0:10:36.320
<v Speaker 1>to do Battle of Network Media Stars, Battle of Sport.

0:10:36.440 --> 0:10:38.280
<v Speaker 1>So the Challenge itself isn't New. But I think what

0:10:38.360 --> 0:10:40.240
<v Speaker 1>we don't care about are the people on the MTV

0:10:40.400 --> 0:10:42.520
<v Speaker 1>Challenge because we don't know who they are. Well, you

0:10:42.559 --> 0:10:44.480
<v Speaker 1>should care because it used to just be Real World

0:10:44.559 --> 0:10:47.000
<v Speaker 1>and Road Rules people, and now they're going to CBS

0:10:47.080 --> 0:10:49.400
<v Speaker 1>and the winner of that gets an automatic bid into

0:10:49.440 --> 0:10:52.240
<v Speaker 1>the MTV show Battle the World. What if the people

0:10:52.280 --> 0:10:56.000
<v Speaker 1>that win are like, now, I'm good to go play down.

0:10:56.000 --> 0:10:58.040
<v Speaker 1>I just won the big one. You're on CBS. That'd

0:10:58.040 --> 0:11:01.440
<v Speaker 1>be fun. It'd be fun to watch your favorite network

0:11:01.559 --> 0:11:04.440
<v Speaker 1>reality stars play against each other. I probably won't watch it,

0:11:04.440 --> 0:11:06.360
<v Speaker 1>but I do say where that would be fun. All right.

0:11:06.360 --> 0:11:08.559
<v Speaker 1>I thought you're gonna get on the Challenge train if

0:11:08.559 --> 0:11:10.080
<v Speaker 1>it were shows I cared about. If it were like

0:11:10.320 --> 0:11:14.959
<v Speaker 1>Dwight from the Office, you know, it wouldn't Larry David

0:11:15.000 --> 0:11:19.040
<v Speaker 1>from Curb your enthusiasms. You can't have Jennifer Aniston. Yeah,

0:11:19.559 --> 0:11:21.480
<v Speaker 1>like that would be fun because I care about them.

0:11:21.480 --> 0:11:23.560
<v Speaker 1>All right, there you go. That's nerding out. Thank you guys,

0:11:24.160 --> 0:11:26.199
<v Speaker 1>and jam out to some music for five seconds. Turn

0:11:26.240 --> 0:11:31.240
<v Speaker 1>it up. Yet we're just nerding out. We're nothing but nerds,

0:11:31.280 --> 0:11:35.240
<v Speaker 1>and we're just nerding out. It's the best bits of

0:11:35.280 --> 0:11:40.360
<v Speaker 1>the week with Morgan number two. Hey, this is Justin Richmond,

0:11:40.400 --> 0:11:43.680
<v Speaker 1>host of the Broken Record podcast. Join me on Broken

0:11:43.679 --> 0:11:47.040
<v Speaker 1>Record along with music industry icon Rick Rubin and authors

0:11:47.040 --> 0:11:49.520
<v Speaker 1>Malcolm Gladwell and Bruce had Them as we sit down

0:11:49.520 --> 0:11:52.640
<v Speaker 1>with the artists you love. Getting unparalleled creative insight into

0:11:52.679 --> 0:11:56.160
<v Speaker 1>your favorite music. Go here revealing interviews with some of

0:11:56.160 --> 0:12:00.560
<v Speaker 1>the most legendary figures in music like Neil Young, Under Thousand,

0:12:00.800 --> 0:12:04.480
<v Speaker 1>Bruce Springsteen, and Nas, and you'll learned about up and

0:12:04.520 --> 0:12:07.400
<v Speaker 1>coming artists like Michelle's Honor, who talks about her big

0:12:07.480 --> 0:12:11.400
<v Speaker 1>plans for the dreamy indie pop band Japanese Breakfast, and Krumbing,

0:12:11.600 --> 0:12:14.640
<v Speaker 1>the Texas trio who shared the inspiration behind their global

0:12:14.720 --> 0:12:19.000
<v Speaker 1>funkus sound. This March, we're spotlighting female artists like Miss Elliott,

0:12:19.040 --> 0:12:22.719
<v Speaker 1>Patti Smith, and Bonnie Rait. Celebrate Women's History Month with

0:12:22.840 --> 0:12:25.640
<v Speaker 1>us and learn how these incredible women changed what was

0:12:25.679 --> 0:12:29.120
<v Speaker 1>possible in music. Forging their own paths will also pave

0:12:29.200 --> 0:12:31.960
<v Speaker 1>in the way for others. Listen to Broken Record on

0:12:32.000 --> 0:12:39.560
<v Speaker 1>the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

0:12:39.600 --> 0:12:43.240
<v Speaker 1>A super epic interview and performance this week by Ernest

0:12:43.280 --> 0:12:45.559
<v Speaker 1>It was his first time on the show. He's done

0:12:45.600 --> 0:12:48.720
<v Speaker 1>the Bobby Cast with Bobby one time, and then I

0:12:48.760 --> 0:12:51.839
<v Speaker 1>think Bobby went on Ernest's podcast as well, so super

0:12:51.840 --> 0:12:54.360
<v Speaker 1>cool things there. But this was his first time on

0:12:54.440 --> 0:12:57.079
<v Speaker 1>the Bobby Bones Show, and he talked a lot about

0:12:57.080 --> 0:12:59.520
<v Speaker 1>his songwriting. The you know, he's written for Morgan wall

0:12:59.559 --> 0:13:02.960
<v Speaker 1>and Chris Lane, Mason Ramsey. He has so much talent

0:13:03.120 --> 0:13:06.080
<v Speaker 1>just across the board. And so he performed some of

0:13:06.080 --> 0:13:08.520
<v Speaker 1>those songs that he's read and he also performed his

0:13:08.679 --> 0:13:12.240
<v Speaker 1>brand new song, flower Shops. That's with Morgan Wallen. Of course,

0:13:12.559 --> 0:13:14.640
<v Speaker 1>it was just him here in studio, so you can

0:13:14.840 --> 0:13:17.400
<v Speaker 1>hear that interview and his performance. But if you want

0:13:17.400 --> 0:13:20.160
<v Speaker 1>to watch it too, go to Bobby Bones dot Com.

0:13:20.280 --> 0:13:24.679
<v Speaker 1>Number five The Friday Morning Conversation with Ernest. All right,

0:13:24.679 --> 0:13:26.960
<v Speaker 1>I'm pumped to have Ernest here and before we actually

0:13:27.000 --> 0:13:28.960
<v Speaker 1>talk to him, which, by the way, Hello Ernest. Hi,

0:13:29.040 --> 0:13:30.280
<v Speaker 1>Now I just pause for a second. I'm gonna do

0:13:30.280 --> 0:13:32.400
<v Speaker 1>a little little cell of you. Okay, good. I love

0:13:32.440 --> 0:13:34.640
<v Speaker 1>this guy. He's got a new album out called Flower Shops,

0:13:35.720 --> 0:13:37.400
<v Speaker 1>and we will he's gonna play a song from it

0:13:37.400 --> 0:13:39.800
<v Speaker 1>in a second. The song right now that is crushing

0:13:39.880 --> 0:13:46.560
<v Speaker 1>the charts is flower shops and here's a clip Ernest

0:13:46.600 --> 0:13:49.880
<v Speaker 1>and Morgan Wallen right there on the top of that.

0:13:49.960 --> 0:13:52.360
<v Speaker 1>He wrote big, big plans for Chris Lane, one of

0:13:52.360 --> 0:13:56.439
<v Speaker 1>the writers there, some big big I Love My Country

0:13:56.480 --> 0:14:00.920
<v Speaker 1>from Fglry. Breaking up was easy in the nineties for

0:14:01.000 --> 0:14:05.200
<v Speaker 1>Sam Hunt sitting more than My Hometown from Morgan Wallen

0:14:07.080 --> 0:14:11.440
<v Speaker 1>it Cane Brown won Mississippi. This guy's got it all

0:14:12.320 --> 0:14:13.920
<v Speaker 1>all right, We'll be back after this break. That's a

0:14:13.920 --> 0:14:16.760
<v Speaker 1>whole break just talking about Ernest. How are you, Buddy

0:14:16.800 --> 0:14:19.200
<v Speaker 1>good Man? How are you? You know? Eddie said, he

0:14:19.240 --> 0:14:21.120
<v Speaker 1>came in the studio and he said he I saw

0:14:21.800 --> 0:14:25.000
<v Speaker 1>possibly Ernest driving down the road, and he said it

0:14:25.000 --> 0:14:28.080
<v Speaker 1>looked like two cartoon characters. It could have been. And

0:14:28.320 --> 0:14:31.880
<v Speaker 1>because your car is a seventy five Coop Deville, yeah

0:14:31.960 --> 0:14:34.760
<v Speaker 1>that was it. And yeah that was it. What did

0:14:34.760 --> 0:14:37.680
<v Speaker 1>you see inside the car? Just two dudes? Like I mean,

0:14:37.720 --> 0:14:39.680
<v Speaker 1>the music was so loud. We were at a red

0:14:39.760 --> 0:14:41.600
<v Speaker 1>light and you had pulled up next to me, and

0:14:41.720 --> 0:14:44.680
<v Speaker 1>my car was shaking because you guys were jamming to something.

0:14:44.880 --> 0:14:46.760
<v Speaker 1>It's almost like that TikTok video where you guys are

0:14:46.760 --> 0:14:48.640
<v Speaker 1>just not both not talking to each other, but nod

0:14:48.640 --> 0:14:51.000
<v Speaker 1>in your head listening to something really good. Yeah, that

0:14:51.480 --> 0:14:53.120
<v Speaker 1>sounds about right. Who do you think was in the

0:14:53.120 --> 0:14:56.280
<v Speaker 1>car with him? Maybe Hardy? Just because you both have

0:14:56.480 --> 0:14:59.120
<v Speaker 1>like trucker hats on. I didn't recognize Hardy. Maybe he

0:14:59.120 --> 0:15:00.880
<v Speaker 1>didn't have glasses on or what. I think it was

0:15:00.880 --> 0:15:07.560
<v Speaker 1>my boy, Folly, classic, classic Boy. That's awesome. People are

0:15:07.600 --> 0:15:10.000
<v Speaker 1>loving the new record. Thank you. You know. I had

0:15:10.040 --> 0:15:13.040
<v Speaker 1>a radio guy that reached out to me, UM and said, hey,

0:15:13.120 --> 0:15:15.840
<v Speaker 1>I don't often say this. It's uh one of our

0:15:15.840 --> 0:15:18.120
<v Speaker 1>guys that runs the station of South Carolina. Just privately,

0:15:18.360 --> 0:15:19.960
<v Speaker 1>he says, this is the only record that I love

0:15:20.000 --> 0:15:21.800
<v Speaker 1>every single song on it. And he said in like

0:15:21.840 --> 0:15:25.200
<v Speaker 1>twenty years. Wow. And so that wasn't him blowing smoke

0:15:25.280 --> 0:15:27.200
<v Speaker 1>because you were doing an interview. He was just telling

0:15:27.240 --> 0:15:28.760
<v Speaker 1>me that, you know, offhand because you come to the

0:15:28.800 --> 0:15:31.640
<v Speaker 1>house into the podcast. That's wow. That's awesome. Um. I

0:15:31.680 --> 0:15:34.080
<v Speaker 1>want to play a little clip here. This is Sucker

0:15:34.160 --> 0:15:36.240
<v Speaker 1>for Small Towns. I really like this one. This is

0:15:36.280 --> 0:15:39.200
<v Speaker 1>track one on his record, I'm a Sucker for Small

0:15:44.080 --> 0:15:59.280
<v Speaker 1>Saturday Night. So this album has everything. It's got the

0:15:59.320 --> 0:16:00.920
<v Speaker 1>slow ones that I of. It is a is a

0:16:00.960 --> 0:16:04.160
<v Speaker 1>pure country album and congratulations on him. Man, it's really good.

0:16:04.200 --> 0:16:07.360
<v Speaker 1>I appreciate it when you make music because you know

0:16:07.400 --> 0:16:09.760
<v Speaker 1>you've written all kinds of songs for all kinds of people.

0:16:09.880 --> 0:16:11.400
<v Speaker 1>How do you know what songs you want to keep

0:16:11.440 --> 0:16:13.200
<v Speaker 1>for you and what songs you want to let somebody

0:16:13.200 --> 0:16:17.000
<v Speaker 1>else record? Pretty early on, while the song is getting written,

0:16:17.040 --> 0:16:19.440
<v Speaker 1>I can have that emotional connection with it. When I

0:16:19.480 --> 0:16:22.320
<v Speaker 1>start singing it, I know pretty pretty well then and there,

0:16:22.920 --> 0:16:25.960
<v Speaker 1>and in the same way I know when it sounds

0:16:25.960 --> 0:16:28.360
<v Speaker 1>like if it's a Morgan song or Chris Lane or

0:16:28.360 --> 0:16:31.120
<v Speaker 1>somebody else, if I'm gonna let it go. How many

0:16:31.120 --> 0:16:33.440
<v Speaker 1>songs on Morgan's last double album did you write with

0:16:33.440 --> 0:16:38.120
<v Speaker 1>with him or right period? Lib That's a lot. Wow, Yeah,

0:16:38.160 --> 0:16:40.040
<v Speaker 1>that's a lot. And you're doing these shows out with

0:16:40.080 --> 0:16:42.320
<v Speaker 1>Morgan now, Like, what is it like to get I mean,

0:16:42.360 --> 0:16:45.320
<v Speaker 1>these these arenas are packed. Yeah. Well, I'll tell you

0:16:45.360 --> 0:16:47.160
<v Speaker 1>the hardest part is not being able to play any

0:16:47.200 --> 0:16:50.080
<v Speaker 1>of my Morgan songs in myself in my set. But

0:16:50.320 --> 0:16:53.240
<v Speaker 1>uh no, it's great. His fan base is awesome and

0:16:53.280 --> 0:16:56.720
<v Speaker 1>they've taken me on well, and playing in front of

0:16:56.720 --> 0:16:58.720
<v Speaker 1>any crowd is awesome, and they're singing your songs back

0:16:58.760 --> 0:17:01.120
<v Speaker 1>it's just yeah, it's the best. Tell my friends here

0:17:01.160 --> 0:17:03.040
<v Speaker 1>on the show. You moved off to an island for

0:17:03.040 --> 0:17:06.520
<v Speaker 1>a long time? How long? Yeah, Saint Thomas, Virgin Islands.

0:17:06.560 --> 0:17:08.720
<v Speaker 1>I lived there for about a year and we visit

0:17:08.800 --> 0:17:12.119
<v Speaker 1>regularly now still. And why did you move there? Because

0:17:12.480 --> 0:17:15.679
<v Speaker 1>at the time, my girlfriend's dad, now my wife, was

0:17:15.720 --> 0:17:18.600
<v Speaker 1>looking for houses down there, and he went and took

0:17:18.600 --> 0:17:21.080
<v Speaker 1>all of us with him. For six weeks we rented

0:17:21.119 --> 0:17:24.000
<v Speaker 1>a house and in that six weeks we fell in

0:17:24.080 --> 0:17:26.520
<v Speaker 1>love with the island. He found the house, so I

0:17:26.560 --> 0:17:28.480
<v Speaker 1>stayed on the island with him while she went to

0:17:28.520 --> 0:17:32.560
<v Speaker 1>college and gigged around like Thursday through Saturdays doing beach

0:17:32.560 --> 0:17:35.280
<v Speaker 1>bar gigs, stay with a girlfriend's dad, and just played

0:17:35.320 --> 0:17:37.600
<v Speaker 1>on the island for a year. Do you feel like

0:17:37.680 --> 0:17:40.240
<v Speaker 1>that's where you kind of found yourself musically because you

0:17:40.280 --> 0:17:42.200
<v Speaker 1>were just playing so many shows you weren't making really

0:17:42.240 --> 0:17:47.280
<v Speaker 1>any money. I found myself entirely there musically and spiritually. Definitely.

0:17:47.280 --> 0:17:49.960
<v Speaker 1>The islands helped jump start whatever the rest of my

0:17:50.000 --> 0:17:51.760
<v Speaker 1>life was about to be. What is the rest of

0:17:51.760 --> 0:17:54.040
<v Speaker 1>your life? What's it about right now? Ernest is here? Like?

0:17:54.080 --> 0:17:55.920
<v Speaker 1>What do you say? What someone's like? What's your life

0:17:55.920 --> 0:17:59.760
<v Speaker 1>about Well, now I'm a family man, which is awesome.

0:18:00.280 --> 0:18:05.200
<v Speaker 1>You know that the dream is happening perfectly, music and family.

0:18:05.280 --> 0:18:09.320
<v Speaker 1>But having to find the balance between being a dad

0:18:09.359 --> 0:18:11.560
<v Speaker 1>and a husband and going and do the rock star

0:18:11.680 --> 0:18:15.000
<v Speaker 1>thing too has been a challenge. But I'm lucky. It's

0:18:15.000 --> 0:18:17.199
<v Speaker 1>all get out their supportive. Ryman's coming out with me

0:18:17.240 --> 0:18:21.879
<v Speaker 1>this weekend on the roads about Ryman's his baby Okay,

0:18:22.200 --> 0:18:25.119
<v Speaker 1>Ryman's my baby. Boy's name Ernest is here And if

0:18:25.160 --> 0:18:27.040
<v Speaker 1>you don't mind, I would like to start off with

0:18:27.359 --> 0:18:30.120
<v Speaker 1>hearing you perform flower shops. Sure. Can you talk about

0:18:30.200 --> 0:18:32.920
<v Speaker 1>this song though, because you wrote it, talk about you're

0:18:32.920 --> 0:18:34.960
<v Speaker 1>sitting in a room and you know where the idea

0:18:35.000 --> 0:18:37.560
<v Speaker 1>come from and what does this song mean? Yeah? So uh,

0:18:38.160 --> 0:18:40.840
<v Speaker 1>to be honest, the song that inspired this song is

0:18:40.880 --> 0:18:43.640
<v Speaker 1>Good Year for the Roses. A boy. George Jones and

0:18:44.000 --> 0:18:46.080
<v Speaker 1>Burgess beIN. Burgess and I were on our way to

0:18:46.119 --> 0:18:48.960
<v Speaker 1>Mark Holman's to write that day and that song came

0:18:49.040 --> 0:18:53.200
<v Speaker 1>on on iTunes, A Central playlist or whatever George Jones

0:18:53.240 --> 0:18:56.280
<v Speaker 1>playlist and we looked at each other like what a

0:18:56.359 --> 0:18:59.320
<v Speaker 1>cool title. Burgess like, yeah, dude, we should write one

0:18:59.359 --> 0:19:01.200
<v Speaker 1>of those. I was like, yeah, He's like, we should

0:19:01.200 --> 0:19:04.080
<v Speaker 1>write something like good Day for flower Shops. I was like,

0:19:04.359 --> 0:19:08.479
<v Speaker 1>absolutely yes. So we kind of talked it out, the

0:19:08.600 --> 0:19:11.160
<v Speaker 1>character and what that song was gonna mean, and had

0:19:11.200 --> 0:19:12.840
<v Speaker 1>a lot of it written by the time we got

0:19:12.840 --> 0:19:15.199
<v Speaker 1>to Holman's. And when we got to Holmans, picked up

0:19:15.520 --> 0:19:21.000
<v Speaker 1>picked up the guitar and started the uh and it

0:19:21.040 --> 0:19:24.639
<v Speaker 1>was in better tune at that time of the day.

0:19:24.280 --> 0:19:27.040
<v Speaker 1>But in no time we put we put melody, and

0:19:27.560 --> 0:19:29.159
<v Speaker 1>all the thoughts came to life when we wrote the

0:19:29.200 --> 0:19:32.280
<v Speaker 1>song pretty quick, and we knew then and something was special,

0:19:32.400 --> 0:19:34.639
<v Speaker 1>but we didn't know. Here is Ernest, yea, here you

0:19:34.680 --> 0:19:49.320
<v Speaker 1>go performing flower Shops. It's a beautiful day. She's been

0:19:49.760 --> 0:19:55.159
<v Speaker 1>crying all night all there's tears in her blues and

0:19:55.320 --> 0:20:01.160
<v Speaker 1>bloodshote in mine. This bender's been ben and it's hill

0:20:01.320 --> 0:20:09.720
<v Speaker 1>bound break. My baby said all she can take. So mister,

0:20:10.000 --> 0:20:17.000
<v Speaker 1>I'll take your roses if you cut off the thorns.

0:20:17.800 --> 0:20:24.200
<v Speaker 1>She can't take no more. How about violets and daisy

0:20:24.680 --> 0:20:32.440
<v Speaker 1>to hide all the crazy. It's gonna take all you've got. Oh,

0:20:32.480 --> 0:20:38.640
<v Speaker 1>it's a bad day for love, but a good day

0:20:39.320 --> 0:20:50.960
<v Speaker 1>for flowers, Shine hips, Ernest and studio, thank you. It's

0:20:50.960 --> 0:20:53.600
<v Speaker 1>a great songo man. Thank you. How did you get

0:20:53.640 --> 0:20:57.200
<v Speaker 1>Morgan Walling to sing that song with you? I texted

0:20:57.280 --> 0:20:59.560
<v Speaker 1>him the demo pretty soon after I got it back,

0:20:59.680 --> 0:21:01.919
<v Speaker 1>just out of excitement, like, yo, dude, listen to this

0:21:02.440 --> 0:21:06.240
<v Speaker 1>and it turned into one of both of our favorite songs,

0:21:06.440 --> 0:21:09.520
<v Speaker 1>and pretty naturally we started singing it together. We sang

0:21:09.560 --> 0:21:12.919
<v Speaker 1>it together at a couple events, and then um, he

0:21:13.000 --> 0:21:14.760
<v Speaker 1>pretty much announced that he was gonna do it with

0:21:14.800 --> 0:21:18.040
<v Speaker 1>me at a Whiskey Jams show. And then Morgan said

0:21:18.080 --> 0:21:19.080
<v Speaker 1>he was going to do it with me, and then

0:21:19.080 --> 0:21:21.560
<v Speaker 1>we did it together at Ernest. You guys can follow

0:21:21.600 --> 0:21:23.760
<v Speaker 1>him on Instagram. We'll be back with Ernest in a second.

0:21:23.840 --> 0:21:25.720
<v Speaker 1>I'm gonna ask you to do what cool songwriters do

0:21:25.800 --> 0:21:27.560
<v Speaker 1>that have a lot of success, Just to play me

0:21:27.600 --> 0:21:29.760
<v Speaker 1>little clips of the songs you've written. Okay, is that cool?

0:21:29.760 --> 0:21:31.959
<v Speaker 1>Can we do that? Sure? Also, and I haven't ran

0:21:32.040 --> 0:21:34.959
<v Speaker 1>this by him, but can you and I don't want

0:21:34.960 --> 0:21:36.840
<v Speaker 1>to spoil it for our listeners and time, can you

0:21:36.920 --> 0:21:40.320
<v Speaker 1>rap my favorite song that you wrote for someone else?

0:21:40.359 --> 0:21:42.560
<v Speaker 1>It's that little part of it. Oh you're talking about

0:21:42.640 --> 0:21:48.760
<v Speaker 1>the young the young hop up in wet yea. We

0:21:48.800 --> 0:21:52.240
<v Speaker 1>will come back. I can all right, Ernest did something

0:21:52.320 --> 0:21:54.680
<v Speaker 1>that I'm amazed by. I love, and I didn't even

0:21:54.720 --> 0:21:57.160
<v Speaker 1>know he did it. Ernest has a new album called

0:21:57.200 --> 0:22:00.440
<v Speaker 1>flower Shops. The album this is track two I love

0:22:00.800 --> 0:22:21.879
<v Speaker 1>called Tennessee Queen Good Good As you grew up here

0:22:21.880 --> 0:22:24.200
<v Speaker 1>in Nashville, which is rare. You know, most artists that

0:22:24.240 --> 0:22:27.080
<v Speaker 1>come through didn't really grow up here. Yeah. Um, when

0:22:27.119 --> 0:22:28.800
<v Speaker 1>you were a kid, did you ever see any cool

0:22:28.800 --> 0:22:32.600
<v Speaker 1>country music artists just randomly in a restaurant or something. Yeah.

0:22:32.640 --> 0:22:36.320
<v Speaker 1>My my cool country music artists exposure was Billy Dean.

0:22:36.520 --> 0:22:41.480
<v Speaker 1>I was in third grade and well, miss Billy the Kid. Yeah, dude.

0:22:41.480 --> 0:22:44.280
<v Speaker 1>I went to elementary school, middle school with Eli, his son,

0:22:44.320 --> 0:22:46.680
<v Speaker 1>and Billy would like pick us up from school and

0:22:46.720 --> 0:22:48.720
<v Speaker 1>take us to the pancake pantry. Were going through the

0:22:48.760 --> 0:22:51.080
<v Speaker 1>back door, and I was like, this is the coolest

0:22:51.119 --> 0:22:54.000
<v Speaker 1>thing ever. I'm not waiting in the lines. That's something like,

0:22:54.040 --> 0:22:56.280
<v Speaker 1>I guess when you're a kid, there are other kids

0:22:56.680 --> 0:22:59.240
<v Speaker 1>and they have famous dads. Yeah, yeah, I guess you

0:22:59.359 --> 0:23:01.240
<v Speaker 1>you don't think about it. Yeah, that was my exposure

0:23:01.280 --> 0:23:03.640
<v Speaker 1>to cool country artist Billy Dean man. Billy the Kid

0:23:03.680 --> 0:23:05.960
<v Speaker 1>was such a jam. Yeah. Back in the day, Ernest

0:23:06.040 --> 0:23:08.280
<v Speaker 1>is here has got the album, but he's also written

0:23:08.320 --> 0:23:11.000
<v Speaker 1>so many massive songs for other artists. So I've picked

0:23:11.000 --> 0:23:13.800
<v Speaker 1>a few that I really enjoy and if you can

0:23:13.800 --> 0:23:15.639
<v Speaker 1>give me just a little bit, like you know, a

0:23:15.680 --> 0:23:18.840
<v Speaker 1>little versa little course or just chorus whatever. Chris Lane

0:23:19.280 --> 0:23:22.520
<v Speaker 1>big big plans, all right, and now this song if

0:23:22.560 --> 0:23:26.000
<v Speaker 1>I'm right about this, because you don't know, I got

0:23:26.000 --> 0:23:28.240
<v Speaker 1>some big, big put that song. But this was the

0:23:28.240 --> 0:23:30.800
<v Speaker 1>song he proposed with he proposed Yeah, So were you

0:23:30.840 --> 0:23:34.439
<v Speaker 1>involved in the secret writing of this? Yeah? And record?

0:23:34.520 --> 0:23:37.199
<v Speaker 1>I mean, like what happened? Well, Jacob Durrett and I

0:23:37.240 --> 0:23:40.280
<v Speaker 1>started writing this song and then it was kind of

0:23:40.280 --> 0:23:44.399
<v Speaker 1>half done and he showed it to Seth manager and

0:23:44.400 --> 0:23:46.119
<v Speaker 1>he was like, hey, I think Chris is looking for

0:23:46.160 --> 0:23:49.680
<v Speaker 1>a song to propose too. This would be awesome. Let's

0:23:49.680 --> 0:23:52.119
<v Speaker 1>get Chris into finish it. So we brought Chris in,

0:23:52.640 --> 0:23:55.520
<v Speaker 1>custom detailed the song straight up, built it out just

0:23:55.640 --> 0:23:58.040
<v Speaker 1>for him, and then you know, two weeks later he

0:23:58.080 --> 0:24:01.280
<v Speaker 1>played her the demo at her family's house and it works.

0:24:01.400 --> 0:24:03.960
<v Speaker 1>I had a big part in that relationship working out

0:24:04.040 --> 0:24:06.000
<v Speaker 1>with about you. They wouldn't be together, they wouldn't have

0:24:06.040 --> 0:24:09.359
<v Speaker 1>a kid. Yeah, there's life on this earth because of Earnest.

0:24:10.160 --> 0:24:12.240
<v Speaker 1>That's not his. Okay, here's a little bit of Chris

0:24:12.320 --> 0:24:19.919
<v Speaker 1>Lane's number one that Ernest wrote, Big big plans. Just

0:24:20.040 --> 0:24:23.639
<v Speaker 1>look at her sitting there, sweatpants, T shirt and a

0:24:23.720 --> 0:24:28.159
<v Speaker 1>comfy chair. Mr here in a bun one and on

0:24:28.280 --> 0:24:32.320
<v Speaker 1>a mug any other ones playing snare to George straight

0:24:32.480 --> 0:24:35.560
<v Speaker 1>final that yes, and no line will get her close food.

0:24:35.600 --> 0:24:39.520
<v Speaker 1>I don't think she can understand just how far I've

0:24:39.520 --> 0:24:42.480
<v Speaker 1>been letting my heart fall and what's in my head.

0:24:43.400 --> 0:24:46.560
<v Speaker 1>She don't know. I got some big, big plans. Build

0:24:46.600 --> 0:24:49.879
<v Speaker 1>a little outside on some hem down Lane, find a

0:24:49.920 --> 0:24:53.119
<v Speaker 1>little line where we go to get tom Bad. We

0:24:53.320 --> 0:24:56.800
<v Speaker 1>take our kids down there one day. And I know

0:24:56.920 --> 0:25:00.520
<v Speaker 1>she wouldn't mind if I did a little something like

0:25:00.760 --> 0:25:04.840
<v Speaker 1>fun to fly over night to Paradise and leave tonight.

0:25:05.480 --> 0:25:09.840
<v Speaker 1>I I'm put a dime owner. And she don't know.

0:25:09.920 --> 0:25:13.879
<v Speaker 1>I got some big, big plans. She don't know. She

0:25:14.040 --> 0:25:18.240
<v Speaker 1>don't know. Ye. One of the songs that you wrote

0:25:18.280 --> 0:25:20.760
<v Speaker 1>that we played a little bit on this show, but

0:25:20.800 --> 0:25:23.359
<v Speaker 1>it wasn't really like a country music song. Was when

0:25:23.440 --> 0:25:27.640
<v Speaker 1>Diplow did a country album him and Morgan Wall ended Heartless. Yeah,

0:25:27.680 --> 0:25:32.040
<v Speaker 1>and so when you wrote that, was that with kind

0:25:32.040 --> 0:25:35.680
<v Speaker 1>of the dip below wish kind of beat behind it? Yeah,

0:25:35.680 --> 0:25:37.679
<v Speaker 1>we did me and Ryan Hurd wrote that with Charlie

0:25:37.680 --> 0:25:41.639
<v Speaker 1>Handsome and Charlie's an awesome pop hip hop producer. We

0:25:41.720 --> 0:25:44.560
<v Speaker 1>worked with a lot and he had the drums smacking

0:25:44.600 --> 0:25:46.320
<v Speaker 1>on that thing. So by the time we when we

0:25:46.400 --> 0:25:49.199
<v Speaker 1>finished writing it, we actually kind of maybe manifested the

0:25:49.200 --> 0:25:51.719
<v Speaker 1>Morgan Diplo thing. This would be awesome for Morgan and Diplo.

0:25:52.040 --> 0:25:53.600
<v Speaker 1>And it turns out it was just give me a

0:25:53.600 --> 0:25:55.080
<v Speaker 1>little bit of that. I don't need a whole lot.

0:25:56.040 --> 0:25:58.600
<v Speaker 1>Why you gotta be so hard less? I know you'd

0:25:58.640 --> 0:26:02.480
<v Speaker 1>think it's timeless. You're telling me a part and girl,

0:26:02.480 --> 0:26:07.639
<v Speaker 1>the hardest part is just so on attention, taking myselmnches.

0:26:08.200 --> 0:26:11.560
<v Speaker 1>Leave me in the darkness. Now finish what we started.

0:26:11.880 --> 0:26:15.040
<v Speaker 1>Good play you gotta be so hard less. That's a

0:26:15.080 --> 0:26:16.879
<v Speaker 1>good one. That's a good one. Yeah. What if he

0:26:16.920 --> 0:26:18.120
<v Speaker 1>played one and I was like, that's not a good

0:26:18.119 --> 0:26:21.200
<v Speaker 1>one and I was like that one. I never really

0:26:21.240 --> 0:26:23.879
<v Speaker 1>loved it and never really loved it. Um, do we

0:26:23.960 --> 0:26:26.880
<v Speaker 1>have a clip of the Mason Ramsey yep? Okay, So

0:26:27.160 --> 0:26:30.320
<v Speaker 1>Oldtown Road came out massive. They put a couple versions

0:26:30.320 --> 0:26:32.159
<v Speaker 1>and one had Mason Ramsey in it. We played it

0:26:32.240 --> 0:26:36.920
<v Speaker 1>here and so here is Mason on Oldtown Road. That's

0:26:37.040 --> 0:26:39.480
<v Speaker 1>enough there. I just wanted to like, we're good, but

0:26:39.720 --> 0:26:43.560
<v Speaker 1>set the move. They called lorle nozas like FaceTime doing

0:26:43.640 --> 0:26:45.920
<v Speaker 1>like the mid of night. Yeah like that. Right after

0:26:45.960 --> 0:26:49.200
<v Speaker 1>dinner time, Mason's manager I got the call from the bullpen.

0:26:49.359 --> 0:26:51.720
<v Speaker 1>He was like, Smith, get loose. So you ran up

0:26:51.720 --> 0:26:55.080
<v Speaker 1>to a studio and yeah, yeah, we recorded. We recorded

0:26:55.080 --> 0:26:57.080
<v Speaker 1>this verse that night and it came out the next day.

0:26:57.200 --> 0:26:59.000
<v Speaker 1>Do you know the whole verse by heart? Right now?

0:26:59.040 --> 0:27:01.040
<v Speaker 1>I think I do. Here you Ernest doing the Mason

0:27:01.160 --> 0:27:05.040
<v Speaker 1>Ramsey part that he wrote for Old Time Road? All right,

0:27:06.040 --> 0:27:10.000
<v Speaker 1>hopped up in my razor, got a thousand acres right

0:27:10.119 --> 0:27:12.480
<v Speaker 1>up on the cows with it. Betty, you're on phaser.

0:27:12.600 --> 0:27:16.960
<v Speaker 1>Oh oh yippy your cave. You ain't got no giddy

0:27:17.080 --> 0:27:21.360
<v Speaker 1>up than giddy yep, my way, hyeah? Come on okay

0:27:21.720 --> 0:27:23.800
<v Speaker 1>if you ain't got no giddy up? Yes? Did you

0:27:23.800 --> 0:27:26.159
<v Speaker 1>ever meet Mason Ramsey? Oh yeah, Mason's little bro. I

0:27:26.160 --> 0:27:29.000
<v Speaker 1>went on tour with me. I saw that picture now

0:27:29.000 --> 0:27:31.000
<v Speaker 1>that I think about it. Yeah, I opened for Mason.

0:27:31.320 --> 0:27:33.120
<v Speaker 1>I saw a picture of you in like a chain

0:27:33.200 --> 0:27:35.800
<v Speaker 1>with Mason next to you. Yeah, this guy opened for

0:27:35.880 --> 0:27:39.560
<v Speaker 1>Mason Ramsey. Okay, I want to encourage you guys to

0:27:39.680 --> 0:27:42.640
<v Speaker 1>check out Flower Shops the album, the show, or the song.

0:27:42.680 --> 0:27:44.719
<v Speaker 1>Flower Shops is just killing it right now. But it's

0:27:44.760 --> 0:27:46.880
<v Speaker 1>an entire album that just came out. I'm gonna play

0:27:46.880 --> 0:27:49.399
<v Speaker 1>one more track here. Here is a track. Let's do

0:27:49.520 --> 0:27:54.040
<v Speaker 1>track five, Comfortable when I'm crazy. Maybe it ain't, I'm

0:27:54.119 --> 0:28:00.960
<v Speaker 1>only comfortable. His name is Ernest. He drives let me

0:28:00.960 --> 0:28:04.160
<v Speaker 1>get the right here in nineteen seventy five Catilla Coop Deville,

0:28:04.520 --> 0:28:06.920
<v Speaker 1>who he blasts music, and he has to be paying

0:28:06.920 --> 0:28:10.720
<v Speaker 1>a lot for gas. I've seen it gain to drive

0:28:10.800 --> 0:28:13.000
<v Speaker 1>that thing. I ran out of gas pulling up to

0:28:13.000 --> 0:28:15.200
<v Speaker 1>another radio show last week, so I drove my truck today.

0:28:15.240 --> 0:28:18.439
<v Speaker 1>So we didn't have that happen. No, I'm happy for it.

0:28:18.440 --> 0:28:21.000
<v Speaker 1>I'll be late over there. And it really destroyed their

0:28:21.040 --> 0:28:24.560
<v Speaker 1>show through it. Yeah, I love that. Yeah. There he

0:28:24.640 --> 0:28:26.880
<v Speaker 1>has follow him at Ernest Ernest. Good to see you buy,

0:28:26.920 --> 0:28:28.720
<v Speaker 1>good to see you too. I hope everybody checks out

0:28:28.720 --> 0:28:32.240
<v Speaker 1>flower Shops the album and checks out Ernest podcast, which

0:28:32.240 --> 0:28:33.600
<v Speaker 1>I've been a guest on I don't guess on a

0:28:33.600 --> 0:28:37.040
<v Speaker 1>lot of podcasts, but Ernest podcast just at it's called

0:28:37.080 --> 0:28:40.040
<v Speaker 1>just be an Earnest. My favorite um lying in the

0:28:40.240 --> 0:28:44.160
<v Speaker 1>flower Shop song, I just I'm obsessed with the remove

0:28:44.280 --> 0:28:49.840
<v Speaker 1>the thorns because she can't take anymore like hurt and pains. Please,

0:28:49.880 --> 0:28:51.800
<v Speaker 1>if you can do one little thing, make sure there's

0:28:51.800 --> 0:28:55.840
<v Speaker 1>no thorns on there. Yeah, I would probably lie and

0:28:55.920 --> 0:28:58.600
<v Speaker 1>say that was a true story. I like what you

0:28:58.600 --> 0:29:01.200
<v Speaker 1>guys did, like you bait George Jones. But I'll be like, yeah,

0:29:01.360 --> 0:29:03.720
<v Speaker 1>it's happened to me. Well, but I told you it

0:29:03.760 --> 0:29:06.840
<v Speaker 1>wasn't hard for me have been to go there. That's

0:29:06.880 --> 0:29:10.880
<v Speaker 1>what I like. He's modifying the state we're seeing alive alright, Ernest, Ernest,

0:29:10.880 --> 0:29:12.520
<v Speaker 1>good to see a bud and we will hopefully see

0:29:12.520 --> 0:29:16.640
<v Speaker 1>you soon. It's the best bits of the week with

0:29:16.880 --> 0:29:21.960
<v Speaker 1>Morgan number two. Everything is getting so crazy expensive lately,

0:29:22.040 --> 0:29:25.760
<v Speaker 1>and Scuba Steve is experiencing a lot with that, especially

0:29:25.840 --> 0:29:28.680
<v Speaker 1>with his phone bill. He got a really crazy phone

0:29:28.680 --> 0:29:31.160
<v Speaker 1>bill recently, and as much as he may want to

0:29:31.200 --> 0:29:34.600
<v Speaker 1>blame the scammers, it is mostly Scuba Steve's fault because

0:29:34.640 --> 0:29:38.360
<v Speaker 1>of his response to the scammers and what's been happening. So, yeah,

0:29:38.400 --> 0:29:40.480
<v Speaker 1>this is a good one and maybe it'll make you

0:29:40.520 --> 0:29:42.959
<v Speaker 1>do it too, just you know, don't be charged like

0:29:43.000 --> 0:29:46.720
<v Speaker 1>Scuba did in this segment number four. Okay, so we

0:29:46.800 --> 0:29:49.840
<v Speaker 1>selected and pick a bit. We voted and Scuba Steve

0:29:49.880 --> 0:29:52.920
<v Speaker 1>segment is up. Hey Scuba, so your cell phone bill

0:29:53.000 --> 0:29:55.880
<v Speaker 1>was much higher than you anticipated? Why what happened? Hundreds

0:29:55.920 --> 0:29:59.280
<v Speaker 1>more dollars? Hundreds more dollars, he said, I anticipated, and

0:29:59.320 --> 0:30:01.000
<v Speaker 1>it came from the here to see my wife texting

0:30:01.040 --> 0:30:03.080
<v Speaker 1>me saying, what the hell are you doing with international

0:30:03.080 --> 0:30:06.560
<v Speaker 1>phone calls? International phone calls? Yes, so we've talked about

0:30:06.560 --> 0:30:09.000
<v Speaker 1>scams a lot in the show recently, and then the

0:30:09.160 --> 0:30:12.200
<v Speaker 1>cell phone robo calls. So I'm the kind of person

0:30:12.240 --> 0:30:14.400
<v Speaker 1>when you get those, I do a couple different things.

0:30:14.560 --> 0:30:16.440
<v Speaker 1>If I'm busy, I pick it up and hang it

0:30:16.520 --> 0:30:18.760
<v Speaker 1>up so it goes away. If I have some free time,

0:30:18.800 --> 0:30:21.480
<v Speaker 1>I'll pick it up and all I'll talk to them,

0:30:21.160 --> 0:30:24.280
<v Speaker 1>or from at the house, my son will pick up

0:30:24.440 --> 0:30:27.400
<v Speaker 1>and he'll talk to them for however long the conversation goes.

0:30:27.920 --> 0:30:30.000
<v Speaker 1>So you've been talking to these people that are trying

0:30:30.040 --> 0:30:32.200
<v Speaker 1>to scam you out of money or sell you a warranty, yes,

0:30:32.240 --> 0:30:33.840
<v Speaker 1>which they're not going to scam me because I know

0:30:33.880 --> 0:30:35.360
<v Speaker 1>what they're up to. I just kind of want to

0:30:35.880 --> 0:30:38.560
<v Speaker 1>It's for me. It's it's a release. It's fun for

0:30:38.560 --> 0:30:40.320
<v Speaker 1>me to do these things. Do you ever learn anything

0:30:40.360 --> 0:30:43.000
<v Speaker 1>from them? Sometimes? I learn about their family because when

0:30:43.000 --> 0:30:45.120
<v Speaker 1>my son intervenes and has a conversation, they start talking

0:30:45.120 --> 0:30:47.200
<v Speaker 1>about their kids and their wife and their home life.

0:30:47.960 --> 0:30:49.880
<v Speaker 1>He kind of breaks down the walls with them, gets

0:30:49.880 --> 0:30:53.120
<v Speaker 1>a little personable. For me. I've learned that these guys

0:30:53.200 --> 0:30:54.960
<v Speaker 1>are not as bad as they say they are. They're

0:30:55.000 --> 0:30:57.480
<v Speaker 1>just trying to make some money, and you wasting their

0:30:57.480 --> 0:31:00.600
<v Speaker 1>time keeps them from calling other people. Yeah, exactly, because

0:31:00.600 --> 0:31:02.600
<v Speaker 1>they're not getting anything out of me. So, like, what

0:31:02.680 --> 0:31:08.000
<v Speaker 1>countries have you talked to? The Philippines, India, I talked

0:31:08.000 --> 0:31:10.040
<v Speaker 1>to people over in England, I've talked to people all

0:31:10.080 --> 0:31:13.360
<v Speaker 1>over the world, Haiti, And you didn't and you didn't

0:31:13.400 --> 0:31:17.080
<v Speaker 1>think that it could have been Amy's kids uncles. Yeah,

0:31:17.840 --> 0:31:19.560
<v Speaker 1>could have been a waste of my time. Someone to

0:31:19.600 --> 0:31:21.200
<v Speaker 1>waste their time. And you got your phone bill and

0:31:21.200 --> 0:31:23.280
<v Speaker 1>it was one hundreds of dollars more expensive. Yes, because

0:31:23.280 --> 0:31:24.760
<v Speaker 1>it turns out if you're on that phone call for

0:31:24.840 --> 0:31:27.080
<v Speaker 1>longer than I think five or six seconds, it starts

0:31:27.120 --> 0:31:29.280
<v Speaker 1>charging you because you've accepted the phone call and picked

0:31:29.280 --> 0:31:31.280
<v Speaker 1>it up. So we've got a lot of extra charges

0:31:31.280 --> 0:31:34.720
<v Speaker 1>on the phone bill this past month. Interesting. According to

0:31:35.480 --> 0:31:38.479
<v Speaker 1>you Mail's robo call Index, almost three point eight billion

0:31:38.560 --> 0:31:42.720
<v Speaker 1>spam calls were made in February alone. I mean I

0:31:42.800 --> 0:31:44.480
<v Speaker 1>get them all the time, and they're like one number

0:31:44.480 --> 0:31:47.480
<v Speaker 1>different than mine, which is weird because again you feel

0:31:47.480 --> 0:31:49.160
<v Speaker 1>like it might be your long lost twin brother or something.

0:31:49.240 --> 0:31:51.800
<v Speaker 1>Do you pick them up? No? I hang them out. Okay, good,

0:31:51.840 --> 0:31:54.280
<v Speaker 1>but those you wouldn't get billed for because it's domestic.

0:31:54.360 --> 0:31:56.520
<v Speaker 1>I pick it well, Scuba, When years come, do they

0:31:56.520 --> 0:31:59.000
<v Speaker 1>show us domestic or do they show us? So they've

0:31:59.000 --> 0:32:01.080
<v Speaker 1>come in many different ways. They've they've even popped about

0:32:01.120 --> 0:32:04.040
<v Speaker 1>South Korea. So I've seen where it's another country because

0:32:04.040 --> 0:32:06.520
<v Speaker 1>I have a country code, so like plus three one

0:32:06.640 --> 0:32:11.120
<v Speaker 1>or something weird and like Russia's called me basically as

0:32:11.480 --> 0:32:13.120
<v Speaker 1>I don't know what it shows up is that it's

0:32:13.120 --> 0:32:15.200
<v Speaker 1>this weird number and then underneath and small letters is

0:32:15.240 --> 0:32:18.200
<v Speaker 1>as Russia. Okay, So your advice, Scuba is as don't

0:32:18.200 --> 0:32:19.360
<v Speaker 1>do what I do don't. Don't pick it up and

0:32:19.400 --> 0:32:20.880
<v Speaker 1>talk to them. There is a hack though, to get

0:32:20.920 --> 0:32:22.960
<v Speaker 1>him to stop calling you. If you pick it up

0:32:23.280 --> 0:32:25.520
<v Speaker 1>and you put it on mute so it's silent, they'll

0:32:25.560 --> 0:32:27.760
<v Speaker 1>speak and then eventually if you say nothing, it goes away.

0:32:27.800 --> 0:32:29.760
<v Speaker 1>You're off that list. But then you get billed for

0:32:29.840 --> 0:32:32.200
<v Speaker 1>picking it up. Well, not if it's more than five

0:32:32.520 --> 0:32:34.360
<v Speaker 1>it's less than five seconds and you hang up. You're fine,

0:32:34.400 --> 0:32:37.640
<v Speaker 1>it's like more than seconds risking that? All right, Scuba,

0:32:37.720 --> 0:32:39.160
<v Speaker 1>that's the pick of it. How do we feel about that?

0:32:39.160 --> 0:32:44.800
<v Speaker 1>Pick of what? Feel good? Educational? Disappointed? No one's voting

0:32:44.840 --> 0:32:47.880
<v Speaker 1>for me. It's getting annoying. Yeah, you really want your

0:32:47.880 --> 0:32:49.760
<v Speaker 1>bit to be picked? Yeah, and I know that Amy's

0:32:49.800 --> 0:32:51.360
<v Speaker 1>never gonna pick mine, so I know that I'm in

0:32:51.400 --> 0:32:53.320
<v Speaker 1>tro that's not true. But now it's playing you. Now

0:32:53.320 --> 0:32:57.120
<v Speaker 1>he's playing you. Listen, you know what I do. My

0:32:57.200 --> 0:32:59.000
<v Speaker 1>brain goes back to, like I don't know, two thousand

0:32:59.000 --> 0:33:01.120
<v Speaker 1>and six, when we had kid baby on the schedule

0:33:01.240 --> 0:33:04.600
<v Speaker 1>for like years and we never did we ever get

0:33:04.640 --> 0:33:06.800
<v Speaker 1>to it? Yeah, one time final, Okay, eventually the whole

0:33:06.800 --> 0:33:08.880
<v Speaker 1>bit was lunchbox that sent it a bit years years

0:33:08.920 --> 0:33:11.200
<v Speaker 1>years prior going I was at the lake and there

0:33:11.280 --> 0:33:12.960
<v Speaker 1>was this baby on the lake and it was naked.

0:33:13.000 --> 0:33:14.840
<v Speaker 1>Like the mom was like, a four year old is

0:33:14.920 --> 0:33:17.080
<v Speaker 1>out playing naked in the lake. I said it was

0:33:17.120 --> 0:33:18.880
<v Speaker 1>awkward because it was like it was like a Barton

0:33:18.960 --> 0:33:21.000
<v Speaker 1>Springs where there's a bunch of people, so it's just

0:33:21.120 --> 0:33:22.640
<v Speaker 1>naked in front of these people. I was like, is

0:33:22.640 --> 0:33:25.280
<v Speaker 1>that not inappropriate? And it stayed on there forever and

0:33:25.360 --> 0:33:27.640
<v Speaker 1>we gave it like half a second because finally Bobby

0:33:27.680 --> 0:33:29.240
<v Speaker 1>just wanted to take it off the schedule. I had

0:33:29.240 --> 0:33:30.600
<v Speaker 1>it on that list of things to talk about for

0:33:30.640 --> 0:33:34.280
<v Speaker 1>three years years said we never got every day I

0:33:34.320 --> 0:33:36.760
<v Speaker 1>was on let's talk about and just said naked baby.

0:33:36.680 --> 0:33:39.080
<v Speaker 1>And then I think we did it right before he moves.

0:33:39.280 --> 0:33:42.120
<v Speaker 1>Just so we went to a new city with what's

0:33:42.360 --> 0:33:44.400
<v Speaker 1>called again his thing pick a bit lunch is just

0:33:44.520 --> 0:33:46.960
<v Speaker 1>called hold on. I haven't written down here has anyone

0:33:46.960 --> 0:33:50.479
<v Speaker 1>seen me on the names. So first she's like, no,

0:33:50.640 --> 0:33:55.080
<v Speaker 1>I'm not going to cave an. I'm saying you got

0:33:55.080 --> 0:33:56.840
<v Speaker 1>to tow her off the jury because she's already admitting

0:33:56.880 --> 0:34:01.160
<v Speaker 1>that she's attained juror. So I was pick only because

0:34:01.240 --> 0:34:03.200
<v Speaker 1>it's been sitting on the list. Yeah to be fair.

0:34:03.360 --> 0:34:06.760
<v Speaker 1>That's better. Okay, thank you Scoop for your pick a bit.

0:34:08.160 --> 0:34:11.919
<v Speaker 1>It's the best bits of the week with Morgan. Number two.

0:34:13.440 --> 0:34:15.640
<v Speaker 1>It's always weird when I intro one that has me

0:34:15.760 --> 0:34:18.759
<v Speaker 1>involved in it. But this week we talked about me

0:34:18.920 --> 0:34:21.759
<v Speaker 1>trying to get on the super Fan show for Shania Twain.

0:34:22.120 --> 0:34:24.920
<v Speaker 1>We talked about why I'm a super fan, how Lunchbox

0:34:25.000 --> 0:34:27.040
<v Speaker 1>doesn't think I should be on the show, you know,

0:34:27.080 --> 0:34:29.239
<v Speaker 1>all the things. I'm just gonna leave that there, and

0:34:29.280 --> 0:34:31.640
<v Speaker 1>I'm gonna say I am a Shania Twain superfan and

0:34:31.719 --> 0:34:35.160
<v Speaker 1>I haven't for so much of my life, so you know,

0:34:35.600 --> 0:34:39.400
<v Speaker 1>I'm it's fine. It's fine. Lunchbox can keep his jealousy.

0:34:39.440 --> 0:34:41.000
<v Speaker 1>I'll just say that. You know, you got to give

0:34:41.040 --> 0:34:44.200
<v Speaker 1>support to get support. It's a lunchbox. If he's listening,

0:34:44.200 --> 0:34:46.239
<v Speaker 1>which I know he isn't. But right now you can

0:34:46.280 --> 0:34:49.040
<v Speaker 1>hear the segment where we talk about me being a

0:34:49.080 --> 0:34:52.359
<v Speaker 1>superman Superman, I could be Superman. That'd be fun. I

0:34:52.440 --> 0:34:56.080
<v Speaker 1>am a super fan of Shania Twain. Number three, Morgan,

0:34:56.120 --> 0:34:57.759
<v Speaker 1>I want to come to you first. And Morgan is

0:34:57.760 --> 0:35:01.360
<v Speaker 1>our head of digital, the website, all the socials. You know,

0:35:01.400 --> 0:35:03.920
<v Speaker 1>she has a job that never stops and she is

0:35:03.960 --> 0:35:07.160
<v Speaker 1>a massive Shania Twain fan. And on the show, we

0:35:07.160 --> 0:35:10.000
<v Speaker 1>were talking about this TV show where they're looking for

0:35:10.080 --> 0:35:12.759
<v Speaker 1>super fans. Now, what did you find out? After we

0:35:12.800 --> 0:35:15.400
<v Speaker 1>did the segment? So Scuba Steve reached out to the

0:35:15.400 --> 0:35:17.160
<v Speaker 1>people and they were like, have her go ahead and

0:35:17.200 --> 0:35:20.080
<v Speaker 1>send it in because the deadline had passed. And we're like,

0:35:20.120 --> 0:35:21.640
<v Speaker 1>oh crap, she's not gonna be able to get in,

0:35:21.920 --> 0:35:24.040
<v Speaker 1>but they're like, go ahead and have her send it in.

0:35:24.080 --> 0:35:26.880
<v Speaker 1>We'll pass it on to the casting director. So I

0:35:26.920 --> 0:35:29.920
<v Speaker 1>submitted all my super fan information and it's being passed

0:35:29.920 --> 0:35:32.600
<v Speaker 1>on right now as we speak, compazing. This is one

0:35:32.600 --> 0:35:35.319
<v Speaker 1>of those it's like Ray like, isn't an ironic in

0:35:35.320 --> 0:35:37.520
<v Speaker 1>a good way? And I'm gonna tell you how Scuba

0:35:37.560 --> 0:35:39.480
<v Speaker 1>Steve it approached me a couple of weeks ago and said, Hey,

0:35:39.480 --> 0:35:40.960
<v Speaker 1>there's this new show. Would you like to talk to

0:35:41.000 --> 0:35:43.080
<v Speaker 1>the producer? And I thought that shows very interesting, but

0:35:43.120 --> 0:35:44.800
<v Speaker 1>we don't talk to a lot of producers of shows.

0:35:45.480 --> 0:35:48.840
<v Speaker 1>But then once Amy gave more details about Kelsey and

0:35:48.960 --> 0:35:52.720
<v Speaker 1>Shaniya a little big town, I thought maybe we should

0:35:52.800 --> 0:35:55.120
<v Speaker 1>because this is right. And then the fact that you're

0:35:55.160 --> 0:35:57.680
<v Speaker 1>a super fan we're gonna have her on the show,

0:35:58.280 --> 0:36:00.840
<v Speaker 1>if not tomorrow Monday to talk about it. If you

0:36:00.880 --> 0:36:02.279
<v Speaker 1>were to get on this show, two things. One, that

0:36:02.280 --> 0:36:04.200
<v Speaker 1>would be amazing because you are a massive Shanaia fan.

0:36:04.239 --> 0:36:06.760
<v Speaker 1>It would be awesome. But two, I do think someone

0:36:06.840 --> 0:36:13.200
<v Speaker 1>on this show would implode. Yes, he would. Oh, here's

0:36:13.200 --> 0:36:16.960
<v Speaker 1>the thing, go ahead. I don't want to ruin her

0:36:17.000 --> 0:36:19.040
<v Speaker 1>chances of getting on the show. But she is a fan,

0:36:19.120 --> 0:36:21.480
<v Speaker 1>she's not a super fan. She doesn't have tattoos Shanaya,

0:36:21.560 --> 0:36:23.719
<v Speaker 1>she doesn't have Shannaio. Are you knocking her down? I'm

0:36:23.719 --> 0:36:26.000
<v Speaker 1>just saying you're knocking her down. No, I just said

0:36:26.000 --> 0:36:27.480
<v Speaker 1>I'm not going to try to ruin her chances. But

0:36:27.520 --> 0:36:30.680
<v Speaker 1>she's a fan, but a super fan that ain't her.

0:36:30.800 --> 0:36:34.000
<v Speaker 1>Are you a Tina Turner super fan? I love Tina Turner.

0:36:34.120 --> 0:36:36.560
<v Speaker 1>Are you a super fan? Do you have a Tina tattoo? No?

0:36:36.640 --> 0:36:41.160
<v Speaker 1>But I want the point is there's no reason for

0:36:41.160 --> 0:36:43.120
<v Speaker 1>you to take shots at her. I'm not taking a shot.

0:36:43.440 --> 0:36:45.399
<v Speaker 1>Why she shouldn't be on the show, he said, because

0:36:45.440 --> 0:36:48.400
<v Speaker 1>she doesn't have a Shaya tattoo. Morgan, why did you

0:36:48.440 --> 0:36:50.880
<v Speaker 1>tell them you're a Shanaia superfan? Well so, I explained

0:36:50.920 --> 0:36:53.480
<v Speaker 1>that she was the first CD that I ever had,

0:36:53.560 --> 0:36:56.360
<v Speaker 1>like I grew up. Only let's do one at a time, lunchbox.

0:36:56.400 --> 0:36:59.200
<v Speaker 1>You tell me if he's count a superfan. Yeah, elements, okay,

0:36:59.680 --> 0:37:01.719
<v Speaker 1>number one one. So I told them that she was

0:37:01.760 --> 0:37:03.919
<v Speaker 1>the first CD I ever had. It's all I listened

0:37:03.960 --> 0:37:07.080
<v Speaker 1>to for several years. No, okay, that's a good start

0:37:07.120 --> 0:37:09.759
<v Speaker 1>to a super fan. Okay, okay, go ahead. She was

0:37:09.800 --> 0:37:13.719
<v Speaker 1>the first concert I ever went to. Yeah, wow, well

0:37:13.880 --> 0:37:17.760
<v Speaker 1>what you are? And yes, I had leopard print on. Okay,

0:37:17.760 --> 0:37:20.040
<v Speaker 1>I've bet a lot of girls out there. First concert

0:37:20.080 --> 0:37:22.360
<v Speaker 1>with Schneia Twain with leopard print because that was their

0:37:22.400 --> 0:37:25.360
<v Speaker 1>favorite artist. Next, my dad helped me up so I

0:37:25.360 --> 0:37:27.520
<v Speaker 1>could touch her hand, and I would not let my

0:37:27.520 --> 0:37:30.040
<v Speaker 1>parents wash my hand for several weeks after the fact.

0:37:30.640 --> 0:37:34.319
<v Speaker 1>That's good. Oh wow, Okay, it's like any other kid. Okay.

0:37:34.360 --> 0:37:36.600
<v Speaker 1>You put it like in a ziplog bag when you shower, Yeah,

0:37:36.680 --> 0:37:38.919
<v Speaker 1>kind of, like I refused. It was like a whole

0:37:38.920 --> 0:37:42.000
<v Speaker 1>thing with my parents when this happened. Anything else. And

0:37:42.040 --> 0:37:44.160
<v Speaker 1>then I would always have her posters hanging up, and

0:37:44.160 --> 0:37:46.319
<v Speaker 1>I knew every single song on every single one of

0:37:46.320 --> 0:37:48.800
<v Speaker 1>her albums, even her new one after she had a hiatus.

0:37:48.840 --> 0:37:51.600
<v Speaker 1>I know, wow, that's super fan. I never heard any

0:37:51.640 --> 0:37:56.399
<v Speaker 1>of that. Okay, yes, well, and I'll just say too

0:37:56.520 --> 0:37:59.120
<v Speaker 1>to remind Lunchbox of like what it is is, there's

0:37:59.120 --> 0:38:01.520
<v Speaker 1>gonna be other fans. Morgan's going to get to compete

0:38:01.600 --> 0:38:04.759
<v Speaker 1>so her like, she'll have to know things and she'll

0:38:04.760 --> 0:38:06.959
<v Speaker 1>have to prove herself and prove that she's the number

0:38:06.960 --> 0:38:10.000
<v Speaker 1>one family. You see her in concert, I've seen her twice,

0:38:10.080 --> 0:38:19.040
<v Speaker 1>oh super fans, but retired like a superman to see

0:38:19.040 --> 0:38:23.640
<v Speaker 1>her the second time. What that is super fair? Called rich? No? No,

0:38:23.840 --> 0:38:29.279
<v Speaker 1>Morgan's not rich. It was just not no, because that's

0:38:29.320 --> 0:38:31.520
<v Speaker 1>not like Morgan probably had to save and figure it

0:38:31.560 --> 0:38:33.640
<v Speaker 1>out and like she was willing to invest in something

0:38:33.680 --> 0:38:36.400
<v Speaker 1>that was important to her. My point is, instead of

0:38:36.480 --> 0:38:39.880
<v Speaker 1>you saying I would also like to be on television

0:38:39.880 --> 0:38:42.239
<v Speaker 1>and I'm a little jealous, you're taking shots of her

0:38:42.280 --> 0:38:45.839
<v Speaker 1>to keep her off of television. Not taking shots kind

0:38:45.840 --> 0:38:50.240
<v Speaker 1>of you immediately did no. I immediately just pointed out facts. Okay,

0:38:50.719 --> 0:38:52.400
<v Speaker 1>we'll have her on, We'll have the producer on. I

0:38:52.440 --> 0:38:54.279
<v Speaker 1>think it'd be awesome if you were able to get on.

0:38:54.760 --> 0:38:56.880
<v Speaker 1>But if I mean, if someone shows up with it,

0:38:57.600 --> 0:39:03.399
<v Speaker 1>Jania Tattoo, you're out of luck. Unch I think Pitt

0:39:03.440 --> 0:39:05.640
<v Speaker 1>Bull is also doing this. You want to try to

0:39:05.680 --> 0:39:08.120
<v Speaker 1>be his biggest fand no, I've never seen him in concert.

0:39:08.280 --> 0:39:11.680
<v Speaker 1>Who g you can get on TV on the show.

0:39:11.800 --> 0:39:14.359
<v Speaker 1>Just you know, we'll have her on the next couple

0:39:14.360 --> 0:39:16.279
<v Speaker 1>of days. I will say, I don't think I'm like

0:39:16.360 --> 0:39:19.120
<v Speaker 1>a crazy fan. I do think I'm just a good fan. No,

0:39:19.200 --> 0:39:21.520
<v Speaker 1>don't say that you need to be crazy to go

0:39:22.320 --> 0:39:27.279
<v Speaker 1>like that Morgan job on TV. You still have still haven't.

0:39:27.280 --> 0:39:30.879
<v Speaker 1>It's a ziplock bag right now, like you. Uh, these

0:39:30.920 --> 0:39:35.759
<v Speaker 1>producers want people who are super fan, loud, opinionated. I

0:39:35.840 --> 0:39:38.919
<v Speaker 1>just didn't to make sure she doesn't think I'm stokersh Okay,

0:39:38.960 --> 0:39:42.839
<v Speaker 1>they want that. Okay, Okay, we sent it off. They're

0:39:42.880 --> 0:39:46.360
<v Speaker 1>considering you. That would be amazing. Yes, yes, and you

0:39:46.400 --> 0:39:47.759
<v Speaker 1>can have all the time off. You need to do it.

0:39:47.880 --> 0:39:50.080
<v Speaker 1>And now I'm going to go super crazy, so Lunchbox,

0:39:50.360 --> 0:39:52.200
<v Speaker 1>that's right, sees me go on the TV show. That's

0:39:52.360 --> 0:39:57.000
<v Speaker 1>when when the woman comes on, start like panting things

0:39:57.040 --> 0:40:00.320
<v Speaker 1>like that. Just start seeing. Okay, we'll find out the

0:40:00.320 --> 0:40:01.880
<v Speaker 1>next couple of days if Morgan still has a chance

0:40:01.920 --> 0:40:07.640
<v Speaker 1>at this will be that'll be very exciting, right, it's

0:40:07.719 --> 0:40:11.160
<v Speaker 1>the best Bits of the week with Morgan number two.

0:40:12.400 --> 0:40:15.400
<v Speaker 1>Super cool moment for Eddie this week a song that

0:40:15.520 --> 0:40:18.319
<v Speaker 1>he wrote with John Daly came out on his new

0:40:18.400 --> 0:40:22.279
<v Speaker 1>album and so Eddie officially has like a song song

0:40:22.480 --> 0:40:25.000
<v Speaker 1>produced on an album out into the world and we

0:40:25.120 --> 0:40:27.920
<v Speaker 1>got to hear it and he shared the behind the

0:40:28.000 --> 0:40:30.160
<v Speaker 1>scenes of it and how it happened. If you want

0:40:30.200 --> 0:40:32.600
<v Speaker 1>to listen to that song, it's on Bobby Bones dot com.

0:40:32.719 --> 0:40:35.399
<v Speaker 1>But right now, here's Eddie talking about writing the song

0:40:35.560 --> 0:40:38.919
<v Speaker 1>with John Daily number two. So we mentioned the Post

0:40:38.960 --> 0:40:43.959
<v Speaker 1>show yesterday are Esteemed video producer. Eddie wrote, Oh, wrote

0:40:44.040 --> 0:40:47.880
<v Speaker 1>this song with John Daly, the golfer who has kind

0:40:47.920 --> 0:40:50.040
<v Speaker 1>of a country music career as well. Yeah, and so

0:40:50.280 --> 0:40:52.920
<v Speaker 1>the song is called whid She Ever Loved Me? We

0:40:53.000 --> 0:40:54.840
<v Speaker 1>played a clip of it in the post show and

0:40:54.920 --> 0:40:57.440
<v Speaker 1>I was like, song sounds pretty good. We only played

0:40:57.480 --> 0:40:59.000
<v Speaker 1>the chorus, so I didn't really get a chance to

0:40:59.080 --> 0:41:03.840
<v Speaker 1>hear song. You're gonna play this right now? Yeah, that's amazing.

0:41:04.000 --> 0:41:06.080
<v Speaker 1>Why not listen? This is awesome? Yeah, that's really really

0:41:06.080 --> 0:41:07.880
<v Speaker 1>You went, this is cool. You did a big thing.

0:41:07.920 --> 0:41:09.799
<v Speaker 1>You went and wrote a song. Yeah you gotta cut.

0:41:09.960 --> 0:41:12.279
<v Speaker 1>It's on an album. This is the real deal, proud

0:41:12.320 --> 0:41:16.840
<v Speaker 1>of you. So we may not play all three minutes

0:41:16.880 --> 0:41:18.480
<v Speaker 1>of it, but let's just see. I just want to

0:41:18.520 --> 0:41:20.759
<v Speaker 1>listen to the words. All right. This is called why

0:41:20.840 --> 0:41:32.760
<v Speaker 1>did She Ever Love Me? By John Daily and I shit, general,

0:41:34.000 --> 0:41:38.719
<v Speaker 1>have a drink, give me a second, wild. I think

0:41:39.080 --> 0:41:48.960
<v Speaker 1>about how I've lived. Do you mind being Julie and

0:41:49.239 --> 0:41:53.000
<v Speaker 1>tell you how I got you? I'm a man and

0:41:53.239 --> 0:41:57.160
<v Speaker 1>lost it just with the woman who did nothing, but

0:42:01.560 --> 0:42:10.520
<v Speaker 1>she put her taken enough shoine with scape. I treat

0:42:10.719 --> 0:42:18.960
<v Speaker 1>so that the hand she ever forgive me just because

0:42:19.080 --> 0:42:22.920
<v Speaker 1>I didn't show it mean I didn't get get it

0:42:23.040 --> 0:42:29.399
<v Speaker 1>home insience, I shout to the chie. She cried, yes,

0:42:29.560 --> 0:42:39.480
<v Speaker 1>a last me, but she ever loved me. Enter the

0:42:39.640 --> 0:42:46.560
<v Speaker 1>fumes in my hand, behind the more I reckon. Now

0:42:47.400 --> 0:42:51.239
<v Speaker 1>that's the breeze left for me and my place for

0:42:51.360 --> 0:43:05.040
<v Speaker 1>all these She put her take enough shout that she

0:43:05.280 --> 0:43:24.120
<v Speaker 1>is so in show it because me inside she tried. Yes,

0:43:28.120 --> 0:43:35.919
<v Speaker 1>what she good? So like what words did you write? Yeah?

0:43:36.040 --> 0:43:38.920
<v Speaker 1>I mean I don't really how it work. I just

0:43:38.960 --> 0:43:40.680
<v Speaker 1>didn't know if he had like a like a line

0:43:40.760 --> 0:43:43.960
<v Speaker 1>that was your no, like it's a team effort. Yeah,

0:43:44.000 --> 0:43:45.960
<v Speaker 1>all right, let's finish it out all. Eddie wrote this

0:43:46.080 --> 0:44:00.120
<v Speaker 1>with John Daily. Now that's you're the one. Run from that.

0:44:00.280 --> 0:44:12.200
<v Speaker 1>We're right, I for my heart for me sho, I

0:44:12.360 --> 0:44:21.279
<v Speaker 1>treat you so bad? You give me just because I

0:44:21.400 --> 0:44:25.759
<v Speaker 1>didn't show, didn't kill I should have kept it all

0:44:25.840 --> 0:44:38.000
<v Speaker 1>inside where I should have been last right here mees

0:44:38.120 --> 0:44:51.960
<v Speaker 1>I try why she come on? Thank you? That's pretty cool.

0:44:53.000 --> 0:44:55.040
<v Speaker 1>Thank you for playing that. That's really cool. I'm proud

0:44:55.080 --> 0:44:58.800
<v Speaker 1>of you. That's awesome. That's a John Daily, the former

0:44:58.880 --> 0:45:02.239
<v Speaker 1>professional golfer. But Eddie wrote that with them. Yeah, and

0:45:02.960 --> 0:45:06.960
<v Speaker 1>that's really stinking cool. My friends, that's awesome. It's crazy.

0:45:07.000 --> 0:45:09.160
<v Speaker 1>We wrote that in August of last year, and it's

0:45:09.239 --> 0:45:11.919
<v Speaker 1>like barely came out, what like last week or something.

0:45:12.000 --> 0:45:13.680
<v Speaker 1>It's like, man, that takes a while. I'm sure some

0:45:13.760 --> 0:45:15.960
<v Speaker 1>people write songs like years and years ago and then

0:45:16.000 --> 0:45:17.920
<v Speaker 1>it finally sees a lot of day. It's pretty cool.

0:45:17.920 --> 0:45:19.320
<v Speaker 1>I'm a part of that right now. It's actually a

0:45:19.400 --> 0:45:21.560
<v Speaker 1>pretty good song too, Like it sounds like a Lee

0:45:21.640 --> 0:45:23.560
<v Speaker 1>Bryce song. And then when I hear that that sounds

0:45:23.560 --> 0:45:25.200
<v Speaker 1>like a Lee Brice song. Hey, Lee Bress can cut

0:45:25.239 --> 0:45:30.960
<v Speaker 1>it two once you know why you love me? Come on, man,

0:45:31.320 --> 0:45:33.279
<v Speaker 1>thank you man. It's awesome. I got Eddie over here

0:45:33.280 --> 0:45:36.040
<v Speaker 1>and making big moves. Man, just kind of just if

0:45:36.080 --> 0:45:38.160
<v Speaker 1>an opportunity opens up, I take it. I like that.

0:45:38.440 --> 0:45:40.480
<v Speaker 1>There it is. You guys can't stream it or I

0:45:40.560 --> 0:45:41.800
<v Speaker 1>don't know, Hey, do you' gonna make a bunch of

0:45:41.800 --> 0:45:43.440
<v Speaker 1>money off of it? Or what? Do you go to

0:45:43.480 --> 0:45:45.360
<v Speaker 1>iTunes and download it? Now that don't do that anymore.

0:45:46.480 --> 0:45:48.840
<v Speaker 1>Truth is, it'll probably number one on iTunes because it

0:45:48.920 --> 0:45:51.600
<v Speaker 1>takes like thirty downloads to be a number one right iTunes.

0:45:52.320 --> 0:45:54.960
<v Speaker 1>But that's really cool. Congratulation, Thank you man, thanks for

0:45:55.000 --> 0:45:56.160
<v Speaker 1>playing man. What do you want to say to our

0:45:56.200 --> 0:46:02.239
<v Speaker 1>new songwriter fort I mean I'm super impressed, like I

0:46:02.440 --> 0:46:05.640
<v Speaker 1>was feeling that song for sure, and yeah, I love

0:46:05.680 --> 0:46:09.359
<v Speaker 1>that Eddie's got opportunities and he's trying it out. I mean,

0:46:09.400 --> 0:46:12.080
<v Speaker 1>he's obviously been a songwriter with you with the raging idiots,

0:46:12.120 --> 0:46:14.880
<v Speaker 1>that this is like a little bit different. I love it.

0:46:15.160 --> 0:46:22.279
<v Speaker 1>It's like a crazy real song. Yeah, love me, love me,

0:46:23.239 --> 0:46:27.880
<v Speaker 1>love Okay, Well, I feel goodybody feel good? Yeah a

0:46:27.920 --> 0:46:30.560
<v Speaker 1>little segment okay, okay, I even saw lunchpots kind of

0:46:30.600 --> 0:46:35.440
<v Speaker 1>Bob crying crying over Why would I cry about a

0:46:35.520 --> 0:46:37.800
<v Speaker 1>stupid soul? Do you think it's a good song? That

0:46:37.960 --> 0:46:42.000
<v Speaker 1>was fine? Of course fine. What would you give it?

0:46:42.080 --> 0:46:44.799
<v Speaker 1>One through ten? Probably a six? Okay, better than ever?

0:46:45.000 --> 0:46:47.239
<v Speaker 1>That's very wow, that's generous. I mean, Eddie was trying

0:46:47.280 --> 0:46:49.080
<v Speaker 1>to get me to get really into hid me going, hey, man,

0:46:49.120 --> 0:46:51.239
<v Speaker 1>you see that I wrote that. He's pointing at himself like, yeah, dude,

0:46:51.280 --> 0:46:53.080
<v Speaker 1>I know you wrote it. Bobby kept saying you wrote it,

0:46:53.360 --> 0:46:55.000
<v Speaker 1>and he was like, hey, you know I wrote that. Yeah,

0:46:55.000 --> 0:46:57.480
<v Speaker 1>I got it. I mean, good job, congratulations. You can't

0:46:57.480 --> 0:46:58.840
<v Speaker 1>even tell us what you wrote, so I don't know

0:46:58.880 --> 0:47:01.320
<v Speaker 1>how much you really wrote. Okay, next thing, you know,

0:47:01.480 --> 0:47:06.360
<v Speaker 1>Lunchbox is gonna give Eddie songwriters for dummies. That's a

0:47:06.400 --> 0:47:11.360
<v Speaker 1>real song, that is It's the best bits of the

0:47:11.440 --> 0:47:18.160
<v Speaker 1>week with Morgan number two, and coming in hot at

0:47:18.280 --> 0:47:21.040
<v Speaker 1>number one is Tim Tebow. He came on the show

0:47:21.080 --> 0:47:22.759
<v Speaker 1>to talk about a new book that he has out.

0:47:23.080 --> 0:47:25.120
<v Speaker 1>But every time we do an interview with Tim Tebow,

0:47:25.120 --> 0:47:27.040
<v Speaker 1>he's always so kind and so sweet. I think he

0:47:27.200 --> 0:47:30.480
<v Speaker 1>might be the nicest person on planet Earth. And you

0:47:30.560 --> 0:47:32.399
<v Speaker 1>guys always feel the same way. You guys write such

0:47:32.520 --> 0:47:34.680
<v Speaker 1>nice things and engage so much with all the content

0:47:34.760 --> 0:47:38.680
<v Speaker 1>about him. So without further ado, it is Tim Tebow

0:47:39.040 --> 0:47:42.440
<v Speaker 1>with Bobby Bones number one. Always loving having Tim on

0:47:42.520 --> 0:47:45.080
<v Speaker 1>the show. Tim, how's it going, buddy? I'm good man.

0:47:45.200 --> 0:47:47.120
<v Speaker 1>How are you? I see you rock in the Arkansas

0:47:47.239 --> 0:47:50.840
<v Speaker 1>West here. You know, it's ninety percent of my wardrobe

0:47:50.880 --> 0:47:52.800
<v Speaker 1>and it wasn't because of you, although if you'd like

0:47:52.880 --> 0:47:55.319
<v Speaker 1>to take it as a personal shot, I welcome it, um,

0:47:56.280 --> 0:47:58.520
<v Speaker 1>but it is most of my clothes. If it's not

0:47:58.640 --> 0:48:01.200
<v Speaker 1>dress clothes, it's somehow got a razorback on it. So

0:48:01.520 --> 0:48:04.279
<v Speaker 1>I appreciate the acknowledgement. I got no problem rock. Your

0:48:04.320 --> 0:48:07.480
<v Speaker 1>school will be proud of it, no problem whatsoever. And listen, Bobby,

0:48:07.520 --> 0:48:09.480
<v Speaker 1>I know you never take any shots at me, so

0:48:10.000 --> 0:48:12.640
<v Speaker 1>I know we're better than that. So, of course, not

0:48:13.080 --> 0:48:15.239
<v Speaker 1>Tim Tebow's on who. By the way, the Gators lost

0:48:15.360 --> 0:48:17.880
<v Speaker 1>Arkansas a couple weeks ago in Florida's pretty cool anyway,

0:48:19.320 --> 0:48:22.160
<v Speaker 1>I was. I've spent a bit of time with your book.

0:48:22.200 --> 0:48:26.240
<v Speaker 1>Actually it's a wonderful read as someone who loves motivational books,

0:48:26.239 --> 0:48:28.279
<v Speaker 1>and I've actually highlighted a couple of things that I

0:48:28.320 --> 0:48:30.080
<v Speaker 1>wanted to bring to you, So I've made notes on pages,

0:48:30.120 --> 0:48:32.840
<v Speaker 1>so excuse my fumbling. But the book is called Mission Possible,

0:48:33.200 --> 0:48:35.440
<v Speaker 1>Go create a life that counts. And I want to

0:48:35.520 --> 0:48:37.759
<v Speaker 1>go to this called Make the Choice, and I want

0:48:37.800 --> 0:48:40.680
<v Speaker 1>to read a section of something that I found really

0:48:40.800 --> 0:48:42.600
<v Speaker 1>moving and would like for Tim to elaborate a bit.

0:48:42.920 --> 0:48:46.920
<v Speaker 1>Tim rights, before we start dreaming about the possible, we

0:48:47.080 --> 0:48:50.279
<v Speaker 1>must remind ourselves of something. Even as we lock into

0:48:50.400 --> 0:48:56.040
<v Speaker 1>significance over success, the results are beyond our control. Tim,

0:48:56.160 --> 0:48:57.960
<v Speaker 1>talk to me about that. What do you mean by

0:48:58.040 --> 0:49:03.080
<v Speaker 1>that in like human talking terms. Well, first of all,

0:49:03.280 --> 0:49:06.000
<v Speaker 1>thanks for investing so much and reading it and being

0:49:06.320 --> 0:49:08.439
<v Speaker 1>you know, aware of everything. I really appreciate that. First

0:49:08.440 --> 0:49:11.000
<v Speaker 1>of all, I find that really encouraging to me. And

0:49:11.040 --> 0:49:14.760
<v Speaker 1>the reason that I wrote this, Bobby, is to encourage people.

0:49:14.800 --> 0:49:17.960
<v Speaker 1>That's why it's literally titled Mission Possible, not Tom Cruise

0:49:18.040 --> 0:49:20.960
<v Speaker 1>Mission Impossible. It is Mission Possible. And I think to

0:49:21.040 --> 0:49:23.080
<v Speaker 1>give a little background of what I mean by that

0:49:23.320 --> 0:49:26.480
<v Speaker 1>is is a few studies that have been done one

0:49:26.680 --> 0:49:30.080
<v Speaker 1>but with people eighteen to thirty five, over sixty percent

0:49:30.120 --> 0:49:32.160
<v Speaker 1>of them say no one believes in them. There's no

0:49:32.200 --> 0:49:34.360
<v Speaker 1>one in the world that believes them. Over sixty percent

0:49:34.600 --> 0:49:38.759
<v Speaker 1>of young people and another third of our population say

0:49:38.840 --> 0:49:41.520
<v Speaker 1>that either they're lonely all the time or most of

0:49:41.600 --> 0:49:44.640
<v Speaker 1>the time, and then out of our population, they spend

0:49:44.719 --> 0:49:47.960
<v Speaker 1>twelve percent of their daily thoughts comparing themselves with other people.

0:49:48.400 --> 0:49:51.319
<v Speaker 1>So if we're if no one believes in us, if

0:49:51.320 --> 0:49:53.440
<v Speaker 1>we're lonely all or most of the time, and we're

0:49:53.480 --> 0:49:56.920
<v Speaker 1>spending ourselves our time comparing our thoughts and we want

0:49:56.920 --> 0:49:59.319
<v Speaker 1>to be like other people, there's no chance that we're

0:49:59.360 --> 0:50:02.080
<v Speaker 1>going to actually live out the purpose to calling the dreams,

0:50:02.160 --> 0:50:04.200
<v Speaker 1>the visions, the hopes that we have in our life.

0:50:04.239 --> 0:50:06.279
<v Speaker 1>And so I want to write something that's going to

0:50:06.440 --> 0:50:08.480
<v Speaker 1>encourage people and who they are and who they are

0:50:08.880 --> 0:50:11.520
<v Speaker 1>created to be and what they can accomplish. And I

0:50:11.600 --> 0:50:15.279
<v Speaker 1>think getting to what we're talking about is sometimes the

0:50:15.440 --> 0:50:18.239
<v Speaker 1>results aren't up to us, meaning the results of I

0:50:18.400 --> 0:50:20.640
<v Speaker 1>want people to dream. But listen, if you're five five,

0:50:20.719 --> 0:50:22.799
<v Speaker 1>you're probably not going to be better than Lebron James

0:50:22.880 --> 0:50:25.960
<v Speaker 1>at basketball. Let's just be honest about that. But with

0:50:26.200 --> 0:50:29.800
<v Speaker 1>this book, having a mission possible life, a life that

0:50:29.880 --> 0:50:33.400
<v Speaker 1>truly counts that's possible for everyone. It's not about how

0:50:33.520 --> 0:50:36.960
<v Speaker 1>equipped you are, what your status is, how many followers

0:50:37.040 --> 0:50:39.480
<v Speaker 1>you have, how skilled you are. It is about making

0:50:39.560 --> 0:50:42.560
<v Speaker 1>the choice to be willing to love sir, give care, prey,

0:50:42.840 --> 0:50:45.479
<v Speaker 1>and be willing to give of yourself to help other people.

0:50:45.520 --> 0:50:47.359
<v Speaker 1>And I believe every single one of us can make

0:50:47.400 --> 0:50:50.239
<v Speaker 1>that choice. I didn't feel that way about myself till

0:50:50.280 --> 0:50:51.799
<v Speaker 1>right now. He just motivated me to believe that about

0:50:51.840 --> 0:50:55.080
<v Speaker 1>myself talking to him in person. Yes, there's another part

0:50:55.160 --> 0:50:57.719
<v Speaker 1>that I read, and it was a part of the book.

0:50:57.760 --> 0:50:59.879
<v Speaker 1>It was called there Is No Yet, and you talk

0:51:00.160 --> 0:51:03.920
<v Speaker 1>about how easy it is whenever times are good to

0:51:04.120 --> 0:51:06.640
<v Speaker 1>make commitments, and I believe part of it was when

0:51:06.680 --> 0:51:09.840
<v Speaker 1>you're getting married, it's easy to make the vows for sickness,

0:51:10.400 --> 0:51:13.360
<v Speaker 1>for sickness and death, or whenever you've you know, working

0:51:13.400 --> 0:51:15.080
<v Speaker 1>on a project, it's easy to commit to it and

0:51:15.080 --> 0:51:19.440
<v Speaker 1>all that, but then sometimes it gets hard and so

0:51:19.760 --> 0:51:21.160
<v Speaker 1>kind of go into that a little bit of what

0:51:21.239 --> 0:51:25.279
<v Speaker 1>you meant, well, that was actually sharing your story to

0:51:25.320 --> 0:51:29.080
<v Speaker 1>illustrate it about Jeff and Becky Davidson, very close friends

0:51:29.120 --> 0:51:31.880
<v Speaker 1>of ours and ministry partners of ours, and they had

0:51:31.920 --> 0:51:34.000
<v Speaker 1>been married for many years and they had a child,

0:51:34.160 --> 0:51:37.400
<v Speaker 1>John Alex, who was born with severe special needs and

0:51:38.239 --> 0:51:40.440
<v Speaker 1>actually and taking care of both of them. Both of

0:51:40.520 --> 0:51:43.480
<v Speaker 1>them are in the hospital. Jeff and John Alex were

0:51:43.520 --> 0:51:45.920
<v Speaker 1>in the hospital, and the social worker, because Jeff was

0:51:46.360 --> 0:51:48.840
<v Speaker 1>so sick, he said, you know, if Jeff survives and

0:51:48.960 --> 0:51:51.200
<v Speaker 1>he goes home, how are you to Becky, how are

0:51:51.239 --> 0:51:53.520
<v Speaker 1>you going to take care of him? Like, who's going

0:51:53.560 --> 0:51:55.480
<v Speaker 1>to take care of him? She said, I will, like

0:51:55.640 --> 0:51:57.359
<v Speaker 1>I've been doing it for twenty five years and I'm

0:51:57.440 --> 0:52:01.959
<v Speaker 1>not going to stop. And in the worker said, whoa yeah,

0:52:02.320 --> 0:52:04.839
<v Speaker 1>meaning you're not gonna stop yet, but when it gets

0:52:04.880 --> 0:52:07.560
<v Speaker 1>hard enough, you're gonna make the choice to quit. And

0:52:07.960 --> 0:52:11.840
<v Speaker 1>when Jeff was on his deathbed, the last thing that

0:52:12.480 --> 0:52:15.719
<v Speaker 1>she said to him as he's holding she's holding his hand,

0:52:15.840 --> 0:52:18.960
<v Speaker 1>is there was no yet. There was never yet. You know,

0:52:19.080 --> 0:52:20.759
<v Speaker 1>there was never a moment where it's going to get

0:52:20.800 --> 0:52:22.600
<v Speaker 1>too hard, where I was going to leave you. There's

0:52:22.640 --> 0:52:25.680
<v Speaker 1>never a moment where things got too bleak, where I

0:52:25.719 --> 0:52:29.200
<v Speaker 1>didn't believe in you were love wasn't enough. And that

0:52:29.400 --> 0:52:32.160
<v Speaker 1>was just one of the really inspirational stories in my life.

0:52:32.200 --> 0:52:34.760
<v Speaker 1>To be friends with them, to watch it up close

0:52:34.880 --> 0:52:37.200
<v Speaker 1>and from afar, to be able to see what it

0:52:37.280 --> 0:52:40.879
<v Speaker 1>really means to choose convictions over emotions. What it really

0:52:41.000 --> 0:52:42.800
<v Speaker 1>means to say, you know what, when I'm all in,

0:52:43.400 --> 0:52:46.000
<v Speaker 1>I truly mean all in. You know, we wear slogans

0:52:46.040 --> 0:52:48.680
<v Speaker 1>and tags and phrases that we threw out all the time,

0:52:48.800 --> 0:52:50.920
<v Speaker 1>especially in sports. Hey, what does it mean to be

0:52:51.000 --> 0:52:53.800
<v Speaker 1>all in? Well? I can tell you. For for Becky Davidson,

0:52:54.000 --> 0:52:56.359
<v Speaker 1>when she's got her husband in hospital and her son

0:52:56.440 --> 0:52:59.040
<v Speaker 1>in another hospital and she spends her days going back

0:52:59.120 --> 0:53:02.399
<v Speaker 1>and forth and the social workers and the doctors are saying, listen,

0:53:02.480 --> 0:53:05.279
<v Speaker 1>you can't do all this. She's saying, hey, there is

0:53:05.400 --> 0:53:07.640
<v Speaker 1>no yet. And you know that was such an inspiration

0:53:07.760 --> 0:53:10.400
<v Speaker 1>to me to say, you know, when I believe in something,

0:53:10.560 --> 0:53:12.480
<v Speaker 1>when I say I'm all in, there better not be

0:53:12.600 --> 0:53:15.880
<v Speaker 1>a yet. You know, a lot of the book highlights

0:53:16.000 --> 0:53:19.200
<v Speaker 1>your relationship with Christ. You know how important is that

0:53:19.520 --> 0:53:22.720
<v Speaker 1>for you to not only thread that into your message,

0:53:23.080 --> 0:53:27.919
<v Speaker 1>but to communicate to others how important it is. Well,

0:53:28.320 --> 0:53:30.759
<v Speaker 1>I think it's something that I want to communicate in

0:53:30.840 --> 0:53:33.239
<v Speaker 1>my life, not just in words, but more importantly in

0:53:33.320 --> 0:53:36.879
<v Speaker 1>actions and indeeds, but hopefully have the chance to mesh

0:53:36.960 --> 0:53:41.320
<v Speaker 1>those up. And I believe that one of the greatest

0:53:41.360 --> 0:53:44.000
<v Speaker 1>things that people are looking for and it's also backed

0:53:44.040 --> 0:53:46.799
<v Speaker 1>by statistics. I believe eighty one percent of people are

0:53:46.920 --> 0:53:50.600
<v Speaker 1>looking for purpose and meaning in their life, and I

0:53:50.760 --> 0:53:53.480
<v Speaker 1>wanted this book to be something that could encourage people

0:53:53.880 --> 0:53:57.120
<v Speaker 1>with that purpose. And I believe that every single person

0:53:57.920 --> 0:54:01.719
<v Speaker 1>has purpose everything. Every single person was created in love,

0:54:01.800 --> 0:54:03.759
<v Speaker 1>by love, and for love, and I believe there is

0:54:03.800 --> 0:54:06.359
<v Speaker 1>a great plan for their life, and would I want

0:54:06.400 --> 0:54:09.279
<v Speaker 1>to encourage them in that plan for their life, that

0:54:09.440 --> 0:54:13.440
<v Speaker 1>they have such significance and meaning and they were created

0:54:13.520 --> 0:54:16.200
<v Speaker 1>with infinite value and worth, that the God of this

0:54:16.440 --> 0:54:20.600
<v Speaker 1>universe loves them enough to send his son his best

0:54:20.800 --> 0:54:25.279
<v Speaker 1>for them. I believe that gives everyone encouragement confidence that

0:54:25.840 --> 0:54:30.560
<v Speaker 1>holy cow like there's the God of this universe loves me,

0:54:30.960 --> 0:54:33.960
<v Speaker 1>believes in me, created me this way. And when I

0:54:34.440 --> 0:54:36.680
<v Speaker 1>when someone when a life realizes that I don't have

0:54:36.840 --> 0:54:39.640
<v Speaker 1>to spend my time worrying about what the world says,

0:54:39.680 --> 0:54:42.160
<v Speaker 1>I don't have to spend my time worrying about what

0:54:42.320 --> 0:54:44.719
<v Speaker 1>social media says. I don't have to spend myself my

0:54:44.840 --> 0:54:47.799
<v Speaker 1>time comparing myself with other people, even though it's really

0:54:47.840 --> 0:54:50.000
<v Speaker 1>easy to do so, because I know what God says

0:54:50.000 --> 0:54:52.440
<v Speaker 1>about me. That's more important than what anybody else says

0:54:52.480 --> 0:54:55.920
<v Speaker 1>about me. Tim tebows On. His book is called Mission Possible,

0:54:56.400 --> 0:54:58.839
<v Speaker 1>Go create a life that counts. And I do think

0:54:58.880 --> 0:55:01.680
<v Speaker 1>if what Tim messages now it is resonating with you,

0:55:02.080 --> 0:55:04.759
<v Speaker 1>you will love the book. It is. And I say

0:55:04.800 --> 0:55:07.719
<v Speaker 1>this in the most complimentary way. It's an easy read

0:55:07.840 --> 0:55:10.360
<v Speaker 1>because it's understandable. Sometimes people the right books are like

0:55:10.360 --> 0:55:12.719
<v Speaker 1>they like to write in big, fancy words in terms

0:55:12.719 --> 0:55:15.319
<v Speaker 1>that you don't understand. But you didn't do that here.

0:55:15.520 --> 0:55:17.800
<v Speaker 1>Like it just felt good. I felt good afterward. So

0:55:18.000 --> 0:55:23.520
<v Speaker 1>congratulations on writing something you know, really substantive. Tim, Thank

0:55:23.600 --> 0:55:25.960
<v Speaker 1>you so much, man. I really appreciate that. Thank you

0:55:26.080 --> 0:55:29.319
<v Speaker 1>for your support. And I really hope this book can

0:55:29.400 --> 0:55:32.040
<v Speaker 1>encourage people. That's really the heart and the passion behind it,

0:55:32.400 --> 0:55:35.640
<v Speaker 1>and to encourage people truly in their worth. I want

0:55:35.640 --> 0:55:37.359
<v Speaker 1>to ask you a couple of things that are non

0:55:37.480 --> 0:55:40.160
<v Speaker 1>book related. And by the way, there's a wall here.

0:55:40.480 --> 0:55:43.040
<v Speaker 1>You know, we're doing the radio show and you're so

0:55:43.200 --> 0:55:46.160
<v Speaker 1>motivational and you know quite the inspiration to talk to that.

0:55:46.200 --> 0:55:47.400
<v Speaker 1>If you said, hey, Bobby, I'd like for you to

0:55:47.560 --> 0:55:49.400
<v Speaker 1>run through that wall right now, Tim, I would do it.

0:55:49.400 --> 0:55:51.120
<v Speaker 1>I would run through that wall right now for you.

0:55:53.760 --> 0:55:58.719
<v Speaker 1>Thank you, thank you, you would do it? Then? Both yes, both, Hey, um,

0:55:59.320 --> 0:56:03.359
<v Speaker 1>do you ever see yourself because you are such a leader,

0:56:03.480 --> 0:56:06.640
<v Speaker 1>and I pivot into this, do you ever see yourself

0:56:07.040 --> 0:56:09.880
<v Speaker 1>being a leader in different areas? A CEO of a

0:56:10.000 --> 0:56:14.520
<v Speaker 1>major company, in politics, a head football coach, Like, what

0:56:14.680 --> 0:56:16.960
<v Speaker 1>do you think is in store for Tim Tebow in

0:56:17.000 --> 0:56:21.360
<v Speaker 1>the next ten to fifteen years. That's a really good question.

0:56:21.760 --> 0:56:25.680
<v Speaker 1>I see a possibility of all three. I mean, I

0:56:25.800 --> 0:56:28.359
<v Speaker 1>think it's it's hard to really know exactly. I think

0:56:28.400 --> 0:56:30.880
<v Speaker 1>in coaching, you have to give up so much because

0:56:30.960 --> 0:56:33.360
<v Speaker 1>it's literally more than a full time job. And I

0:56:33.480 --> 0:56:35.520
<v Speaker 1>think that would be really hard, even though I love

0:56:35.600 --> 0:56:37.520
<v Speaker 1>the thought of it, love the thought of inspiring and

0:56:37.600 --> 0:56:41.600
<v Speaker 1>encouraging and building a team of young men, But I mean,

0:56:41.719 --> 0:56:43.800
<v Speaker 1>you have to drop everything else. And I love what

0:56:43.880 --> 0:56:46.080
<v Speaker 1>we're doing at our foundation and so many other things.

0:56:46.239 --> 0:56:49.080
<v Speaker 1>I'm fortunate to be part of some different companies that

0:56:49.160 --> 0:56:52.600
<v Speaker 1>we're building now, you know, I really enjoy that side.

0:56:52.680 --> 0:56:56.000
<v Speaker 1>And then in politics, I don't know if it's something

0:56:56.080 --> 0:56:58.640
<v Speaker 1>that I would quite enjoy as much, to be honest,

0:56:59.080 --> 0:57:01.680
<v Speaker 1>but I've he said I would at least be open

0:57:01.760 --> 0:57:03.960
<v Speaker 1>to it if it's where I felt I could do

0:57:04.080 --> 0:57:07.120
<v Speaker 1>the most good, if I could truly create the most

0:57:07.200 --> 0:57:11.600
<v Speaker 1>amount of impact and change. If that was something I

0:57:11.719 --> 0:57:13.520
<v Speaker 1>felt was really put on my heart, then I would

0:57:13.560 --> 0:57:16.120
<v Speaker 1>be open to looking at it. You know, if you

0:57:16.240 --> 0:57:19.200
<v Speaker 1>go and have dinner in Gainesville, or let's say Florida

0:57:19.240 --> 0:57:22.200
<v Speaker 1>in general, you're back in Florida and people say, wow,

0:57:22.240 --> 0:57:23.760
<v Speaker 1>this guy never has to pay for a meal again

0:57:23.840 --> 0:57:26.480
<v Speaker 1>in Florida? Does that ever actually happen where you're there

0:57:26.560 --> 0:57:27.960
<v Speaker 1>and you're having a meal and they're like, well, the

0:57:28.000 --> 0:57:29.560
<v Speaker 1>guy over at that table over there just picked up

0:57:29.560 --> 0:57:34.960
<v Speaker 1>your whole meal, mister Tebow, does that happen? It's definitely happened. Yes,

0:57:35.080 --> 0:57:38.920
<v Speaker 1>I can't lie and say that it hasn't happened. Happened.

0:57:39.600 --> 0:57:41.000
<v Speaker 1>And then do you feel the needs like you have

0:57:41.120 --> 0:57:42.760
<v Speaker 1>to go over? Like did they just buy a meet

0:57:42.800 --> 0:57:44.280
<v Speaker 1>and greet with you? I guess that's the question. By

0:57:44.320 --> 0:57:45.880
<v Speaker 1>buying your meal, do you feel like, well, now I

0:57:45.960 --> 0:57:47.320
<v Speaker 1>got to go over and spend a few times with

0:57:47.400 --> 0:57:51.320
<v Speaker 1>all twelve people sitting at the table. Honestly, I think

0:57:52.200 --> 0:57:54.560
<v Speaker 1>there's both. There's a there's some times where you feel

0:57:54.680 --> 0:57:57.040
<v Speaker 1>they need to do that, But then there's also times

0:57:57.080 --> 0:58:03.360
<v Speaker 1>where people have purchased the meal and the waiter would

0:58:03.440 --> 0:58:05.360
<v Speaker 1>not tell you who it was. They said they wanted

0:58:05.400 --> 0:58:07.360
<v Speaker 1>to be anonymous. They just wanted to say thank you

0:58:07.520 --> 0:58:10.840
<v Speaker 1>for either your ministry or foundation, or a Night to

0:58:10.960 --> 0:58:13.600
<v Speaker 1>Shine or Orphan Care or something that was near and

0:58:13.680 --> 0:58:15.360
<v Speaker 1>dear to their heart, and so they just wanted to

0:58:15.440 --> 0:58:17.680
<v Speaker 1>say thank you, but they wanted to remain anonymous. And

0:58:17.800 --> 0:58:20.360
<v Speaker 1>I think that's pretty cool as well. I've got two

0:58:20.520 --> 0:58:22.560
<v Speaker 1>questions and one little promo that I'm going to do

0:58:22.560 --> 0:58:24.680
<v Speaker 1>before this interview is over, because I like this is

0:58:24.720 --> 0:58:26.760
<v Speaker 1>like part of the interruption where you can see what's

0:58:26.760 --> 0:58:29.520
<v Speaker 1>happening on the screen so you know where we are here. Yeah. Yeah,

0:58:29.880 --> 0:58:33.960
<v Speaker 1>Here are the two questions. Number one, I had heard

0:58:34.040 --> 0:58:36.680
<v Speaker 1>this that you almost went to Alabama because of your

0:58:36.720 --> 0:58:39.400
<v Speaker 1>relationship with coach Shula. Like how close were you to

0:58:39.480 --> 0:58:44.080
<v Speaker 1>actually being part of the Crimson Tide family. Literally, I

0:58:44.320 --> 0:58:47.280
<v Speaker 1>was a split second away from it. I from my

0:58:47.400 --> 0:58:50.760
<v Speaker 1>sophomore year through literally the last moment when I chose Florida,

0:58:51.040 --> 0:58:53.959
<v Speaker 1>Alabama was leading the entire time. I wasn't even looking

0:58:54.000 --> 0:58:57.200
<v Speaker 1>at Florida. They had a different coaching staff, and they

0:58:57.240 --> 0:58:59.280
<v Speaker 1>weren't even in my top twenty five and then they

0:58:59.440 --> 0:59:02.720
<v Speaker 1>fired that coaching staff. They brought an Urban and all

0:59:02.760 --> 0:59:05.240
<v Speaker 1>the new guys, and I started to build this relationship,

0:59:05.360 --> 0:59:08.360
<v Speaker 1>but it was so much more established with Alabama, and

0:59:08.400 --> 0:59:11.600
<v Speaker 1>I love the passion, the tradition, the culture, everything, and

0:59:11.920 --> 0:59:14.840
<v Speaker 1>then thinking about being a part of bringing Alabama back

0:59:14.920 --> 0:59:17.920
<v Speaker 1>to you know, what they once were was so exciting

0:59:18.000 --> 0:59:20.680
<v Speaker 1>to me, and so yes, I was literally a split

0:59:20.720 --> 0:59:23.400
<v Speaker 1>second away. And to be honest, even when I chose Florida,

0:59:23.720 --> 0:59:25.919
<v Speaker 1>there was a little bit of regret in my heart

0:59:26.040 --> 0:59:29.080
<v Speaker 1>of did I should I have chose Alabama? That's how

0:59:29.160 --> 0:59:32.000
<v Speaker 1>close I was with Shoot, when I told Coach Shula

0:59:32.040 --> 0:59:34.720
<v Speaker 1>I was going to Florida, I had tears in my eyes.

0:59:35.240 --> 0:59:37.520
<v Speaker 1>And it's not the only time that Alabama made me cry.

0:59:39.640 --> 0:59:42.160
<v Speaker 1>And my final question for you is if you or

0:59:42.280 --> 0:59:45.480
<v Speaker 1>stub your toe or hit your elbow or does a

0:59:45.560 --> 0:59:52.280
<v Speaker 1>curse word ever come out of your mouth? I hope now,

0:59:52.680 --> 0:59:55.760
<v Speaker 1>I mean, I mean it's probably a like a negative word,

0:59:55.960 --> 0:59:59.280
<v Speaker 1>but then I might just say something that's like totally random,

0:59:59.480 --> 1:00:03.840
<v Speaker 1>not as bad, like foodie or yeah yeah, oh Tater Todds,

1:00:03.920 --> 1:00:08.920
<v Speaker 1>yeah yeah yeah yeah. And let me say that, heyde

1:00:08.920 --> 1:00:12.400
<v Speaker 1>to you, you know that Tim Tebow has Mission possible,

1:00:12.480 --> 1:00:16.120
<v Speaker 1>go create a life that counts and also Bronco and

1:00:16.240 --> 1:00:19.400
<v Speaker 1>Friends a party to remember. That's your first book, But

1:00:19.480 --> 1:00:21.600
<v Speaker 1>you're doing a second, if I'm right about this, you're

1:00:21.640 --> 1:00:23.680
<v Speaker 1>doing a second in the series. Right this coming out

1:00:23.800 --> 1:00:27.320
<v Speaker 1>later on this year. Yes, that's right, it's coming out

1:00:27.360 --> 1:00:30.560
<v Speaker 1>in just a few weeks. Okay, Well, the guy's writing

1:00:30.640 --> 1:00:33.080
<v Speaker 1>more books than uh. I don't know Stephen King make

1:00:33.120 --> 1:00:35.800
<v Speaker 1>up an author. I don't know Judy Bloom. He is

1:00:35.840 --> 1:00:39.920
<v Speaker 1>the new Judy Bloom of books. It is Tim Tebow. Hey, timboy.

1:00:40.080 --> 1:00:42.960
<v Speaker 1>The first time anybody's comparing me to Judy Bloom. But

1:00:43.000 --> 1:00:46.000
<v Speaker 1>there you go. It is Tim Tebow. We love him

1:00:46.400 --> 1:00:49.720
<v Speaker 1>and U you know, except for when we played him.

1:00:49.880 --> 1:00:52.800
<v Speaker 1>I was at the SEC Championship game when Tim was

1:00:52.800 --> 1:00:57.760
<v Speaker 1>a freshman and he was the backup quarterback in Atlanta,

1:00:57.920 --> 1:01:00.560
<v Speaker 1>and he did, I believe, scored on a quarterback sneak something.

1:01:00.640 --> 1:01:04.040
<v Speaker 1>He's running a quarterback package. And I hated you that year.

1:01:04.440 --> 1:01:06.960
<v Speaker 1>And to be frank, I hated you until you graduated.

1:01:07.040 --> 1:01:10.720
<v Speaker 1>But now I can't get enough of you. Tim well Man,

1:01:10.800 --> 1:01:12.920
<v Speaker 1>I appreciate you. You're a stun and by the way,

1:01:13.240 --> 1:01:16.280
<v Speaker 1>I love what Arkansas is doing with Sam Pittman. I

1:01:16.520 --> 1:01:20.440
<v Speaker 1>love it. I love what he's all about. So congrats

1:01:20.480 --> 1:01:22.000
<v Speaker 1>on that. I think there's a lot to be excited

1:01:22.040 --> 1:01:24.360
<v Speaker 1>about with Arkansas right now. Tim, good to see you.

1:01:24.480 --> 1:01:26.400
<v Speaker 1>Congratulations on the books. I hope you sell so many.

1:01:26.440 --> 1:01:28.320
<v Speaker 1>I think the message is awesome. Have a good day, man,

1:01:28.440 --> 1:01:30.960
<v Speaker 1>Thank you. I appreciate you. Man. Tell everybody, hey there,

1:01:31.240 --> 1:01:34.800
<v Speaker 1>all right, see you later. It's the Best Bits of

1:01:34.880 --> 1:01:39.280
<v Speaker 1>the week with Morgan number two. That's it for the

1:01:39.360 --> 1:01:41.880
<v Speaker 1>Bits this weekend, y'all. I hope you got caught up

1:01:41.920 --> 1:01:44.600
<v Speaker 1>so you're ready to go for next week's show. If

1:01:44.640 --> 1:01:46.439
<v Speaker 1>you miss anything, make sure you go to Bobby Bones

1:01:46.480 --> 1:01:48.160
<v Speaker 1>dot com. There's so much more content out there that

1:01:48.200 --> 1:01:50.480
<v Speaker 1>I don't get a breakdown on the best bits, lots

1:01:50.520 --> 1:01:53.000
<v Speaker 1>of videos, lots of fun things to get you through

1:01:53.040 --> 1:01:54.560
<v Speaker 1>the weekend when you don't get to listen to the

1:01:54.600 --> 1:01:57.200
<v Speaker 1>best Bits or the show. So maybe tomorrow, you know,

1:01:57.320 --> 1:02:00.360
<v Speaker 1>Sunday when you got nothing to do, or Monday, whenever

1:02:00.400 --> 1:02:02.280
<v Speaker 1>you listen to this, you can go online and just

1:02:02.400 --> 1:02:04.520
<v Speaker 1>catch up on other content there. It's all up there

1:02:04.600 --> 1:02:07.680
<v Speaker 1>that's important that you want to see. I promise, thank you. Guys,

1:02:07.720 --> 1:02:09.880
<v Speaker 1>so much for listening to the best bits and the

1:02:09.960 --> 1:02:12.919
<v Speaker 1>feedback you're giving on the Part one Part two. I'm

1:02:12.960 --> 1:02:15.560
<v Speaker 1>glad you guys are loving it. I love y'all. Bye

1:02:17.440 --> 1:02:25.520
<v Speaker 1>a Bobby Bobby Bones. Hey, I'm Maya Shunker, host of

1:02:25.560 --> 1:02:28.680
<v Speaker 1>A Slight Change of Plans, which was recently named Best

1:02:28.720 --> 1:02:31.080
<v Speaker 1>Show of the Year by Apple for twenty twenty one,

1:02:31.600 --> 1:02:34.400
<v Speaker 1>and we've got new episodes for you about everything from

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<v Speaker 1>the science of change to personal stories like a blind

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<v Speaker 1>woman who becomes a master chef and an Australian doctor

1:02:41.040 --> 1:02:43.520
<v Speaker 1>who rescued a voice soccer team from deep within a

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<v Speaker 1>cave in Thailand. Listen to A Slight Change of Plans

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<v Speaker 1>on the iHeartRadio app, Apple Podcasts, or wherever you get

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<v Speaker 1>your podcasts. Hey, this is Justin Richmond, host of the

1:02:56.240 --> 1:02:59.680
<v Speaker 1>Broken Record podcast. Join me in music industry icon Rick

1:02:59.760 --> 1:03:02.880
<v Speaker 1>Rube along with authors Malcolm Gladwell and Bruce headlam As

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<v Speaker 1>we chat with legends like Neil Young and Under three

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<v Speaker 1>thousand and upcoming artists like Faye Webster about their life

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<v Speaker 1>and their careers. In honor of Women's History Month, we're

1:03:12.240 --> 1:03:15.960
<v Speaker 1>spotlighting groundbreaking female artists like Miss Elliott Pattie Smith and

1:03:16.040 --> 1:03:19.000
<v Speaker 1>Bonnie Raitt and celebrating the strides they've made for women.

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<v Speaker 1>Listen to Broken Record on the iHeartRadio app, Apple Podcasts,

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<v Speaker 1>or wherever you get your podcasts.