1 00:00:00,400 --> 00:00:03,400 Speaker 1: Hey, this is Justin Richmond, host of the Broken Record podcast. 2 00:00:03,720 --> 00:00:06,520 Speaker 1: Join me in music industry icon Rick Rubin, along with 3 00:00:06,559 --> 00:00:09,399 Speaker 1: authors Malcolm Gladwell and Bruce Headlam As we chat with 4 00:00:09,520 --> 00:00:12,799 Speaker 1: legends like Neil Young and Under three thousand and upcoming 5 00:00:12,920 --> 00:00:16,000 Speaker 1: artists like Faye Webster about their life and their careers. 6 00:00:16,680 --> 00:00:19,919 Speaker 1: In honor of Women's History Month, we're spotlighting groundbreaking female 7 00:00:19,960 --> 00:00:22,799 Speaker 1: artists like Miss Elliott, Pattie Smith, and Bonnie Rait and 8 00:00:22,880 --> 00:00:26,200 Speaker 1: celebrating the strides they've made for women. Listen to Broken 9 00:00:26,200 --> 00:00:29,080 Speaker 1: Record on the iHeartRadio app, Apple podcasts, or wherever you 10 00:00:29,080 --> 00:00:32,879 Speaker 1: get your podcasts. Hey, I'm Maya Schunker, host of A 11 00:00:32,920 --> 00:00:36,160 Speaker 1: Slight Change of Plans, which was recently named best Show 12 00:00:36,200 --> 00:00:38,960 Speaker 1: of the Year by Apple for twenty twenty one, and 13 00:00:39,000 --> 00:00:41,720 Speaker 1: we've got new episodes for you about everything from the 14 00:00:41,800 --> 00:00:45,200 Speaker 1: science of change to personal stories like a blind woman 15 00:00:45,200 --> 00:00:48,480 Speaker 1: who becomes a master chef and an Australian doctor who 16 00:00:48,520 --> 00:00:51,040 Speaker 1: rescued a voice soccer team from deep within a cave 17 00:00:51,080 --> 00:00:55,320 Speaker 1: in Thailand. Listen to A Slight Change of Plans on 18 00:00:55,360 --> 00:01:02,720 Speaker 1: the iHeartRadio app, Apple podcasts, or wherever you get your podcasts. 19 00:01:02,720 --> 00:01:06,480 Speaker 1: It's the best bits of the week with Morgan Number two. 20 00:01:08,040 --> 00:01:10,240 Speaker 1: What's up, y'all. If you're listening to this, you have 21 00:01:10,720 --> 00:01:13,320 Speaker 1: met the bit side of the Best Bits. This is 22 00:01:13,400 --> 00:01:15,800 Speaker 1: part two where I just intro the bits and the 23 00:01:15,800 --> 00:01:18,640 Speaker 1: bits play. The conversation this weekend was with Abby and 24 00:01:18,680 --> 00:01:20,600 Speaker 1: it was super awesome. So if you want to hear that, 25 00:01:20,680 --> 00:01:23,720 Speaker 1: make sure you listen to part one. That's just the conversation. 26 00:01:23,760 --> 00:01:25,960 Speaker 1: I'll still break down the bits, but right now we're 27 00:01:25,959 --> 00:01:27,800 Speaker 1: getting into the bits that you want to hear in 28 00:01:27,840 --> 00:01:29,759 Speaker 1: case you missed it this week. So coming in at 29 00:01:29,840 --> 00:01:33,360 Speaker 1: number seven, Raymundo had an awkward encounter with a listener 30 00:01:33,400 --> 00:01:35,959 Speaker 1: and now he may close his account at the bank 31 00:01:36,080 --> 00:01:38,960 Speaker 1: because of it. So a lot of drama with this one, 32 00:01:39,640 --> 00:01:42,559 Speaker 1: because Raymundo felt very violated in a lot of ways. 33 00:01:42,800 --> 00:01:45,399 Speaker 1: Here you go, number seven. All right, we voted in 34 00:01:45,400 --> 00:01:49,920 Speaker 1: the room, although Lunchbox did call him click bait Ray Ray, 35 00:01:50,120 --> 00:01:53,040 Speaker 1: segment has been chosen and pick a bit. Ray had 36 00:01:53,040 --> 00:01:56,280 Speaker 1: an awkward experience at the bank with a listener. Raymundo, 37 00:01:56,360 --> 00:01:58,040 Speaker 1: your bit has been chosen. What would you like to 38 00:01:58,040 --> 00:02:00,080 Speaker 1: do here? So I go into the bank and I 39 00:02:00,080 --> 00:02:01,760 Speaker 1: have a check to cash, and I cash with the 40 00:02:01,800 --> 00:02:04,240 Speaker 1: lady there and everything was just fine. She's getting my 41 00:02:04,240 --> 00:02:06,120 Speaker 1: money out, and she goes, hey, I'm a really big 42 00:02:06,160 --> 00:02:08,840 Speaker 1: fan of the show, and I'm like, great, she got 43 00:02:08,840 --> 00:02:11,640 Speaker 1: my account open. Here we go and she said I 44 00:02:11,639 --> 00:02:14,960 Speaker 1: also love Amy. Cool, I'm not Amy. But she continues 45 00:02:15,800 --> 00:02:17,920 Speaker 1: and she goes, hey, I'm looking at your account. And again, 46 00:02:18,080 --> 00:02:20,240 Speaker 1: I'm just cashing a check, and she says, I see 47 00:02:20,280 --> 00:02:23,880 Speaker 1: you don't have a savings account. Why is my account open? 48 00:02:23,919 --> 00:02:25,880 Speaker 1: Why is she looking into my savings account when I'm 49 00:02:25,880 --> 00:02:28,959 Speaker 1: just catching a check. So I'm sitting there, I'm like, no, 50 00:02:29,360 --> 00:02:31,880 Speaker 1: it's in my wife's name. And she goes, well, would 51 00:02:31,880 --> 00:02:33,560 Speaker 1: you like me to pull up your wife's account and 52 00:02:33,560 --> 00:02:35,120 Speaker 1: then bring that over to your account as well? And 53 00:02:35,120 --> 00:02:37,280 Speaker 1: I'm like, no, no, you're you're a fan of the show. 54 00:02:37,639 --> 00:02:39,800 Speaker 1: I just want to check cash. I want you out 55 00:02:39,840 --> 00:02:43,399 Speaker 1: of my account. And so then and then she says, well, 56 00:02:43,440 --> 00:02:46,160 Speaker 1: I see here that you don't ever put any money 57 00:02:46,160 --> 00:02:49,600 Speaker 1: in savings and I'm like, oh my gosh, close my 58 00:02:49,680 --> 00:02:52,800 Speaker 1: account and just give me the check. And so my 59 00:02:52,880 --> 00:02:56,280 Speaker 1: out was yeah, I'll I'll just take twenties. That'll be perfect. 60 00:02:57,120 --> 00:02:59,040 Speaker 1: And she gave me the twenties and then I said, 61 00:02:59,120 --> 00:03:01,399 Speaker 1: thank you have a good day, and in my head, 62 00:03:01,440 --> 00:03:03,800 Speaker 1: I said, I will never come back to this game again, 63 00:03:03,919 --> 00:03:06,880 Speaker 1: the bank again. I'm closing my account, but why why 64 00:03:08,240 --> 00:03:10,400 Speaker 1: do you don't need to get into my account when 65 00:03:10,440 --> 00:03:12,760 Speaker 1: I'm cashing a check. So you wish they wouldn't have 66 00:03:12,760 --> 00:03:15,880 Speaker 1: said they were a show listeners. It was bad form 67 00:03:15,919 --> 00:03:17,840 Speaker 1: on their part that she said she was a fan 68 00:03:18,080 --> 00:03:20,840 Speaker 1: and she's interested, yes, so she probably should have just 69 00:03:21,040 --> 00:03:23,839 Speaker 1: I think everything she did, though, was normal. I think 70 00:03:23,840 --> 00:03:25,400 Speaker 1: if she were able to do it without saying she 71 00:03:25,440 --> 00:03:27,480 Speaker 1: was a fan, you wouldn't have felt violated. It did 72 00:03:27,520 --> 00:03:29,600 Speaker 1: feel like snooping a little bit, but I will never 73 00:03:29,639 --> 00:03:31,880 Speaker 1: go back to that bank again. Considering closing the account, 74 00:03:32,520 --> 00:03:36,080 Speaker 1: I feel like that's a that's a bit too much. 75 00:03:36,840 --> 00:03:38,200 Speaker 1: I don't need somebody told me I need to put 76 00:03:38,240 --> 00:03:40,080 Speaker 1: money into savings. It is weird, though, when people have 77 00:03:40,080 --> 00:03:41,600 Speaker 1: access to your accounts and they're also like, have a 78 00:03:41,640 --> 00:03:45,760 Speaker 1: big fan. That's weird. Once ten years ago, some officers 79 00:03:45,760 --> 00:03:49,000 Speaker 1: showed up to my door and I looked out that 80 00:03:49,080 --> 00:03:51,200 Speaker 1: a little thing. I moved the little hatch back and 81 00:03:51,200 --> 00:03:53,880 Speaker 1: I could see him. They dropped two badges and I 82 00:03:54,000 --> 00:03:55,880 Speaker 1: was like, what is happening? They said, you mind if 83 00:03:55,880 --> 00:03:57,360 Speaker 1: we come out and see. Yeah, and they came in 84 00:03:57,440 --> 00:04:01,480 Speaker 1: and those badges were IRS badges. Yeah, I just have batches, 85 00:04:01,720 --> 00:04:03,520 Speaker 1: but like we work on the IRS Task Force and 86 00:04:03,560 --> 00:04:06,000 Speaker 1: I'm like, what did I do? And so, but it 87 00:04:06,040 --> 00:04:09,400 Speaker 1: turns out a listener had hacked into all my IRS 88 00:04:09,480 --> 00:04:12,680 Speaker 1: files and then was such a big fan of the show, 89 00:04:12,880 --> 00:04:15,520 Speaker 1: got into Amy's got into and so they were like, 90 00:04:15,560 --> 00:04:16,840 Speaker 1: do you want to press charges? Do you know who 91 00:04:16,880 --> 00:04:18,279 Speaker 1: this is? And I was like, yeah, she shows up 92 00:04:18,320 --> 00:04:20,880 Speaker 1: at remote like remote broadcasts all the time. We knew 93 00:04:20,880 --> 00:04:23,240 Speaker 1: who she was in the IRS. Yeah, but the FBI 94 00:04:23,360 --> 00:04:25,680 Speaker 1: was involved too. I lived in North Carolina at the time, 95 00:04:25,760 --> 00:04:28,480 Speaker 1: so the FBI is the one that questioned me. It 96 00:04:28,560 --> 00:04:30,800 Speaker 1: went from IRS to FBI. Yeah, but they were the 97 00:04:30,800 --> 00:04:32,320 Speaker 1: ones first. They were like, do you recognize this person? 98 00:04:32,360 --> 00:04:35,360 Speaker 1: They brought me a picture of her. But it does 99 00:04:35,440 --> 00:04:38,080 Speaker 1: feel a bit of a violation whenever it isn't to 100 00:04:38,080 --> 00:04:39,280 Speaker 1: be a fan, but when someone knows you, But it 101 00:04:39,320 --> 00:04:40,840 Speaker 1: also works at a place where they can get inside 102 00:04:40,839 --> 00:04:43,480 Speaker 1: your information and see like your guts. I mean, she 103 00:04:43,480 --> 00:04:46,040 Speaker 1: had already seen it all. But thank goodness, there's also 104 00:04:46,400 --> 00:04:49,520 Speaker 1: an internal system that will flag people like how she 105 00:04:49,600 --> 00:04:51,560 Speaker 1: got caught was she was looking at things clearly she 106 00:04:51,600 --> 00:04:54,200 Speaker 1: wasn't supposed to. When it got red flagged and then 107 00:04:54,760 --> 00:04:57,000 Speaker 1: they were like, wait, why is this person in San 108 00:04:57,040 --> 00:05:00,240 Speaker 1: Antonio looking up these people? And then they can did 109 00:05:00,279 --> 00:05:01,919 Speaker 1: the dots. They were like what did these people have 110 00:05:02,000 --> 00:05:04,479 Speaker 1: in common? And it was a show and they said that, 111 00:05:04,480 --> 00:05:07,600 Speaker 1: oh wait, okay one of my ex girlfriends at the time. Yeah, 112 00:05:07,760 --> 00:05:09,520 Speaker 1: like she went in on me every way, and then 113 00:05:09,520 --> 00:05:11,760 Speaker 1: started just dude, going around the dots. Just look what 114 00:05:11,760 --> 00:05:15,640 Speaker 1: everybody in part of a federal investigation where people put 115 00:05:15,640 --> 00:05:18,080 Speaker 1: our names together, and someone on the team or someone 116 00:05:18,160 --> 00:05:21,320 Speaker 1: investigating was like, that's the Boppy Bone show. And then 117 00:05:21,360 --> 00:05:23,400 Speaker 1: they started reaching out to all of us. And I 118 00:05:23,400 --> 00:05:24,600 Speaker 1: remember when they got there, I sit down in the 119 00:05:24,640 --> 00:05:26,320 Speaker 1: chair and sort of pulling water over my face. They're like, 120 00:05:26,360 --> 00:05:28,040 Speaker 1: what are you doing on like some waterboarding me. I 121 00:05:28,040 --> 00:05:33,039 Speaker 1: know you guys want some answers, you just don't hear yourself. Yeah, yeah, 122 00:05:33,320 --> 00:05:35,960 Speaker 1: it was scary. I think my story saved your bit Ray. 123 00:05:36,120 --> 00:05:39,960 Speaker 1: Thank you. It's kine. I wouldn't picked his no matter what. Yeah, 124 00:05:40,560 --> 00:05:42,680 Speaker 1: all right, is he getting reputation to clickbit Ray? No? 125 00:05:43,040 --> 00:05:45,160 Speaker 1: I think that that's right. I think he is clickbit ray. 126 00:05:45,480 --> 00:05:47,440 Speaker 1: It's like he was pretty good. The headline was pretty good, 127 00:05:47,880 --> 00:05:50,560 Speaker 1: but click bit ray, I mean it works on the internet. 128 00:05:50,839 --> 00:05:54,360 Speaker 1: Why not clig bit ray. I might need to change 129 00:05:54,400 --> 00:05:58,680 Speaker 1: the title of my story then, yeah, a murder in 130 00:05:58,720 --> 00:06:01,599 Speaker 1: my house? Maybe no, but it's not true. HiT's still 131 00:06:01,680 --> 00:06:04,160 Speaker 1: kind of true. All right, right, thank you for your story. Yep. 132 00:06:05,520 --> 00:06:09,279 Speaker 1: It's the Best Bits of the Week with Morgan number two. 133 00:06:10,640 --> 00:06:13,400 Speaker 1: It's number six on the Best Bits this week. The 134 00:06:13,480 --> 00:06:16,640 Speaker 1: show share the things they are geeking out over right now, 135 00:06:16,640 --> 00:06:21,240 Speaker 1: and they're across the board, from basketball to Forrest bathing 136 00:06:21,320 --> 00:06:24,120 Speaker 1: to reality TV shows too fishing. It is all the 137 00:06:24,160 --> 00:06:26,360 Speaker 1: fun things that sometimes we never get a geek out over. 138 00:06:26,480 --> 00:06:29,200 Speaker 1: So you get to hear that from the show right now, 139 00:06:29,680 --> 00:06:32,240 Speaker 1: number six. All right, this segment it's called nerding out. 140 00:06:32,440 --> 00:06:35,680 Speaker 1: It's what we're all individually nerding out about. We even 141 00:06:35,680 --> 00:06:38,839 Speaker 1: have nerdy music hit that please. All right, nerding out 142 00:06:38,880 --> 00:06:41,640 Speaker 1: amy your first go Well. I'm nerding out about forrest 143 00:06:41,760 --> 00:06:44,240 Speaker 1: bathing because I keep reading about it in like health 144 00:06:44,279 --> 00:06:46,720 Speaker 1: and wellness as a way to decrease stress and stuff. 145 00:06:46,720 --> 00:06:50,240 Speaker 1: So I'm finally gonna go take myself to a forest 146 00:06:50,279 --> 00:06:52,920 Speaker 1: bath this weekends A forest bath. Well, all you gotta 147 00:06:52,920 --> 00:06:54,680 Speaker 1: do is just go be out with nature. I'm going 148 00:06:54,760 --> 00:06:56,520 Speaker 1: to go to this woods area where I like to hike, 149 00:06:56,520 --> 00:06:58,880 Speaker 1: and I'm gonna sit and soak up like all the 150 00:06:58,920 --> 00:07:01,120 Speaker 1: things I'm going to breathe. You're fully closed. It's not 151 00:07:01,160 --> 00:07:03,200 Speaker 1: like you're taking a back You're not in the water. No, 152 00:07:03,320 --> 00:07:05,760 Speaker 1: you're not in the water. You're you're soaking up nature 153 00:07:05,839 --> 00:07:08,960 Speaker 1: the trees. Like. So, I guess what's it called forest 154 00:07:09,120 --> 00:07:12,880 Speaker 1: bathing ages? I don't know, zero th eighteen forest bathing 155 00:07:12,920 --> 00:07:15,480 Speaker 1: for life. For me, I loved in the woods basically. Yeah, yeah, 156 00:07:15,520 --> 00:07:17,360 Speaker 1: I guess. I'm sure it's good for your stress level. 157 00:07:17,600 --> 00:07:22,000 Speaker 1: So why again, um, decreased stress, boosted immunity, and it 158 00:07:22,080 --> 00:07:24,560 Speaker 1: helps me. There's a boost immunity when you're sitting in 159 00:07:24,560 --> 00:07:27,239 Speaker 1: the woods because like, if you're feeling one with nature 160 00:07:27,280 --> 00:07:29,800 Speaker 1: and healthier, and if your stress is decreased, your immunity 161 00:07:29,880 --> 00:07:36,080 Speaker 1: is better. I mean, that's all right, interesting, all right, 162 00:07:36,360 --> 00:07:39,120 Speaker 1: nerding out what you got? Man? So you know, I 163 00:07:39,200 --> 00:07:42,120 Speaker 1: love fishing. The guy this guy in North Carolina, he 164 00:07:42,240 --> 00:07:45,120 Speaker 1: caught a fish that broke a sixty year old record. 165 00:07:45,280 --> 00:07:48,520 Speaker 1: This fish was twelve pounds eight ounces. I mean it's huge. 166 00:07:48,560 --> 00:07:50,560 Speaker 1: I saw it. I'm like, that is a beautiful fish. 167 00:07:50,600 --> 00:07:53,360 Speaker 1: What kind of fish though, because like a catfish, they 168 00:07:53,400 --> 00:07:54,920 Speaker 1: go to like one hundred. Sure, I get it. It's 169 00:07:54,920 --> 00:07:58,880 Speaker 1: a speckled trout, smaller. My goal recently has been to 170 00:07:58,960 --> 00:08:01,360 Speaker 1: catch a trout. There's a like thirty minutes from here. 171 00:08:01,560 --> 00:08:03,320 Speaker 1: I will do it in the next couple of years. 172 00:08:03,320 --> 00:08:05,760 Speaker 1: I know I can't. Who's gonna do it? First? Lunchbox 173 00:08:05,760 --> 00:08:11,360 Speaker 1: wins a lottery, already catches a record trump the fish 174 00:08:11,440 --> 00:08:15,760 Speaker 1: mine is. The NCAA tournament starts on Thursday, officially with 175 00:08:15,760 --> 00:08:18,600 Speaker 1: the sixty four they're playing games. Um not on Thursday. 176 00:08:18,640 --> 00:08:21,680 Speaker 1: They've already happened, But on Thursday it happens. You can 177 00:08:21,680 --> 00:08:24,360 Speaker 1: still bet. You can still build your bracket. I'm gonna 178 00:08:24,400 --> 00:08:27,880 Speaker 1: give you tips. Now, pick the lower numbers, okay, just 179 00:08:27,960 --> 00:08:32,840 Speaker 1: in Generally pick number one two. Yes, they're the better team. 180 00:08:33,000 --> 00:08:36,160 Speaker 1: Sixty four percent of the time a number one seed 181 00:08:36,200 --> 00:08:38,400 Speaker 1: wins the tournament, wins the whole thing. There are four 182 00:08:38,520 --> 00:08:44,040 Speaker 1: number ones, Gonzaga, Arizona, Kansas, and Baylor. There are number two's. 183 00:08:45,080 --> 00:08:46,720 Speaker 1: We could go through the whole thing, but they are 184 00:08:46,800 --> 00:08:50,200 Speaker 1: number eleven. Literally, pick the lower numbers there were gonna 185 00:08:50,200 --> 00:08:52,800 Speaker 1: be some upsets, but usually what happens most of the 186 00:08:52,840 --> 00:08:55,520 Speaker 1: time is that the lower numbers win, so we can 187 00:08:55,520 --> 00:08:57,280 Speaker 1: still bet like through I don't want to do a bracket, 188 00:08:57,280 --> 00:09:00,400 Speaker 1: but I can do like draft kings. Okay, I'm you're 189 00:09:00,520 --> 00:09:02,400 Speaker 1: my coach. I don't want to be in charge of 190 00:09:02,400 --> 00:09:04,920 Speaker 1: your minds. Okay, I'm going Baylor number one all the way. 191 00:09:05,000 --> 00:09:07,920 Speaker 1: Take it. Okay, that's what my dad would want to 192 00:09:08,000 --> 00:09:09,160 Speaker 1: You can't. You know you're not gonna be You can 193 00:09:09,200 --> 00:09:10,320 Speaker 1: bet them to win. You can be what they call 194 00:09:10,320 --> 00:09:12,440 Speaker 1: a future to win at all if you want. But 195 00:09:12,520 --> 00:09:16,080 Speaker 1: you can also bet individually each game. Okay, all right, Well, 196 00:09:16,000 --> 00:09:17,600 Speaker 1: I guess I'm gonna be busy. I'm not gonna watch 197 00:09:17,679 --> 00:09:20,920 Speaker 1: though to watch. I have a coach her, then watch 198 00:09:21,000 --> 00:09:24,480 Speaker 1: for her. I'll be watching, yes, But that's my tip. 199 00:09:24,720 --> 00:09:26,720 Speaker 1: It's an easy tip. Don't pick a lot of ups 200 00:09:26,760 --> 00:09:29,600 Speaker 1: You can pick up occasional upset or two, but generally 201 00:09:29,840 --> 00:09:32,719 Speaker 1: the data shows the lower numbers win more games and 202 00:09:32,800 --> 00:09:35,959 Speaker 1: win the tournament. Who are you saying going to win Arkansas? 203 00:09:36,360 --> 00:09:39,520 Speaker 1: But they're not said what I said. There are four 204 00:09:40,120 --> 00:09:42,640 Speaker 1: other than Arkansas. I think I think Tennessee got robbed. 205 00:09:42,679 --> 00:09:44,480 Speaker 1: There are three, but I think they probably should have 206 00:09:44,480 --> 00:09:46,199 Speaker 1: been a two or maybe even a one. I think 207 00:09:46,240 --> 00:09:48,440 Speaker 1: your school, Texas and m got robbed of being in 208 00:09:48,480 --> 00:09:51,839 Speaker 1: the tournament. Period should not be in the tournament. Oh, 209 00:09:51,880 --> 00:09:53,760 Speaker 1: there's a there's a lot of different things happening here, 210 00:09:53,880 --> 00:09:59,679 Speaker 1: but um I'm going with Arkansas or Tennessee, Kentucky. Okay, 211 00:10:00,200 --> 00:10:03,760 Speaker 1: no number ones there? Okay, gets correct? Yeah, thank you, 212 00:10:04,120 --> 00:10:06,000 Speaker 1: lunch box, you're up. Look, guys, I've been telling you 213 00:10:06,000 --> 00:10:09,360 Speaker 1: about the Challenge on MTV for years. West Banana, CT 214 00:10:10,000 --> 00:10:11,960 Speaker 1: Laurel kill It Cam. I'll tell you guys, you gotta 215 00:10:12,000 --> 00:10:14,240 Speaker 1: watch it. No one cares about the Challenge. No one 216 00:10:14,320 --> 00:10:17,479 Speaker 1: likes the Challenge. That's why the Challenge is coming to CBS. 217 00:10:17,800 --> 00:10:19,760 Speaker 1: It got a spinoff. Baby, when you want to know, 218 00:10:19,800 --> 00:10:22,400 Speaker 1: when you're huge and TV is you get a spinoff series. 219 00:10:22,400 --> 00:10:26,040 Speaker 1: They're gonna take people from Big Brother, Survivor and Amazing 220 00:10:26,120 --> 00:10:28,080 Speaker 1: Race and they're gonna put them on the Challenge. And 221 00:10:28,120 --> 00:10:31,920 Speaker 1: we got another rendition of the Challenge. Whoo. They've done 222 00:10:31,960 --> 00:10:33,840 Speaker 1: this form of show for a long time. They used 223 00:10:33,880 --> 00:10:36,320 Speaker 1: to do Battle of Network Media Stars, Battle of Sport. 224 00:10:36,440 --> 00:10:38,280 Speaker 1: So the Challenge itself isn't New. But I think what 225 00:10:38,360 --> 00:10:40,240 Speaker 1: we don't care about are the people on the MTV 226 00:10:40,400 --> 00:10:42,520 Speaker 1: Challenge because we don't know who they are. Well, you 227 00:10:42,559 --> 00:10:44,480 Speaker 1: should care because it used to just be Real World 228 00:10:44,559 --> 00:10:47,000 Speaker 1: and Road Rules people, and now they're going to CBS 229 00:10:47,080 --> 00:10:49,400 Speaker 1: and the winner of that gets an automatic bid into 230 00:10:49,440 --> 00:10:52,240 Speaker 1: the MTV show Battle the World. What if the people 231 00:10:52,280 --> 00:10:56,000 Speaker 1: that win are like, now, I'm good to go play down. 232 00:10:56,000 --> 00:10:58,040 Speaker 1: I just won the big one. You're on CBS. That'd 233 00:10:58,040 --> 00:11:01,440 Speaker 1: be fun. It'd be fun to watch your favorite network 234 00:11:01,559 --> 00:11:04,440 Speaker 1: reality stars play against each other. I probably won't watch it, 235 00:11:04,440 --> 00:11:06,360 Speaker 1: but I do say where that would be fun. All right. 236 00:11:06,360 --> 00:11:08,559 Speaker 1: I thought you're gonna get on the Challenge train if 237 00:11:08,559 --> 00:11:10,080 Speaker 1: it were shows I cared about. If it were like 238 00:11:10,320 --> 00:11:14,959 Speaker 1: Dwight from the Office, you know, it wouldn't Larry David 239 00:11:15,000 --> 00:11:19,040 Speaker 1: from Curb your enthusiasms. You can't have Jennifer Aniston. Yeah, 240 00:11:19,559 --> 00:11:21,480 Speaker 1: like that would be fun because I care about them. 241 00:11:21,480 --> 00:11:23,560 Speaker 1: All right, there you go. That's nerding out. Thank you guys, 242 00:11:24,160 --> 00:11:26,199 Speaker 1: and jam out to some music for five seconds. Turn 243 00:11:26,240 --> 00:11:31,240 Speaker 1: it up. Yet we're just nerding out. We're nothing but nerds, 244 00:11:31,280 --> 00:11:35,240 Speaker 1: and we're just nerding out. It's the best bits of 245 00:11:35,280 --> 00:11:40,360 Speaker 1: the week with Morgan number two. Hey, this is Justin Richmond, 246 00:11:40,400 --> 00:11:43,680 Speaker 1: host of the Broken Record podcast. Join me on Broken 247 00:11:43,679 --> 00:11:47,040 Speaker 1: Record along with music industry icon Rick Rubin and authors 248 00:11:47,040 --> 00:11:49,520 Speaker 1: Malcolm Gladwell and Bruce had Them as we sit down 249 00:11:49,520 --> 00:11:52,640 Speaker 1: with the artists you love. Getting unparalleled creative insight into 250 00:11:52,679 --> 00:11:56,160 Speaker 1: your favorite music. Go here revealing interviews with some of 251 00:11:56,160 --> 00:12:00,560 Speaker 1: the most legendary figures in music like Neil Young, Under Thousand, 252 00:12:00,800 --> 00:12:04,480 Speaker 1: Bruce Springsteen, and Nas, and you'll learned about up and 253 00:12:04,520 --> 00:12:07,400 Speaker 1: coming artists like Michelle's Honor, who talks about her big 254 00:12:07,480 --> 00:12:11,400 Speaker 1: plans for the dreamy indie pop band Japanese Breakfast, and Krumbing, 255 00:12:11,600 --> 00:12:14,640 Speaker 1: the Texas trio who shared the inspiration behind their global 256 00:12:14,720 --> 00:12:19,000 Speaker 1: funkus sound. This March, we're spotlighting female artists like Miss Elliott, 257 00:12:19,040 --> 00:12:22,719 Speaker 1: Patti Smith, and Bonnie Rait. Celebrate Women's History Month with 258 00:12:22,840 --> 00:12:25,640 Speaker 1: us and learn how these incredible women changed what was 259 00:12:25,679 --> 00:12:29,120 Speaker 1: possible in music. Forging their own paths will also pave 260 00:12:29,200 --> 00:12:31,960 Speaker 1: in the way for others. Listen to Broken Record on 261 00:12:32,000 --> 00:12:39,560 Speaker 1: the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. 262 00:12:39,600 --> 00:12:43,240 Speaker 1: A super epic interview and performance this week by Ernest 263 00:12:43,280 --> 00:12:45,559 Speaker 1: It was his first time on the show. He's done 264 00:12:45,600 --> 00:12:48,720 Speaker 1: the Bobby Cast with Bobby one time, and then I 265 00:12:48,760 --> 00:12:51,839 Speaker 1: think Bobby went on Ernest's podcast as well, so super 266 00:12:51,840 --> 00:12:54,360 Speaker 1: cool things there. But this was his first time on 267 00:12:54,440 --> 00:12:57,079 Speaker 1: the Bobby Bones Show, and he talked a lot about 268 00:12:57,080 --> 00:12:59,520 Speaker 1: his songwriting. The you know, he's written for Morgan wall 269 00:12:59,559 --> 00:13:02,960 Speaker 1: and Chris Lane, Mason Ramsey. He has so much talent 270 00:13:03,120 --> 00:13:06,080 Speaker 1: just across the board. And so he performed some of 271 00:13:06,080 --> 00:13:08,520 Speaker 1: those songs that he's read and he also performed his 272 00:13:08,679 --> 00:13:12,240 Speaker 1: brand new song, flower Shops. That's with Morgan Wallen. Of course, 273 00:13:12,559 --> 00:13:14,640 Speaker 1: it was just him here in studio, so you can 274 00:13:14,840 --> 00:13:17,400 Speaker 1: hear that interview and his performance. But if you want 275 00:13:17,400 --> 00:13:20,160 Speaker 1: to watch it too, go to Bobby Bones dot Com. 276 00:13:20,280 --> 00:13:24,679 Speaker 1: Number five The Friday Morning Conversation with Ernest. All right, 277 00:13:24,679 --> 00:13:26,960 Speaker 1: I'm pumped to have Ernest here and before we actually 278 00:13:27,000 --> 00:13:28,960 Speaker 1: talk to him, which, by the way, Hello Ernest. Hi, 279 00:13:29,040 --> 00:13:30,280 Speaker 1: Now I just pause for a second. I'm gonna do 280 00:13:30,280 --> 00:13:32,400 Speaker 1: a little little cell of you. Okay, good. I love 281 00:13:32,440 --> 00:13:34,640 Speaker 1: this guy. He's got a new album out called Flower Shops, 282 00:13:35,720 --> 00:13:37,400 Speaker 1: and we will he's gonna play a song from it 283 00:13:37,400 --> 00:13:39,800 Speaker 1: in a second. The song right now that is crushing 284 00:13:39,880 --> 00:13:46,560 Speaker 1: the charts is flower shops and here's a clip Ernest 285 00:13:46,600 --> 00:13:49,880 Speaker 1: and Morgan Wallen right there on the top of that. 286 00:13:49,960 --> 00:13:52,360 Speaker 1: He wrote big, big plans for Chris Lane, one of 287 00:13:52,360 --> 00:13:56,439 Speaker 1: the writers there, some big big I Love My Country 288 00:13:56,480 --> 00:14:00,920 Speaker 1: from Fglry. Breaking up was easy in the nineties for 289 00:14:01,000 --> 00:14:05,200 Speaker 1: Sam Hunt sitting more than My Hometown from Morgan Wallen 290 00:14:07,080 --> 00:14:11,440 Speaker 1: it Cane Brown won Mississippi. This guy's got it all 291 00:14:12,320 --> 00:14:13,920 Speaker 1: all right, We'll be back after this break. That's a 292 00:14:13,920 --> 00:14:16,760 Speaker 1: whole break just talking about Ernest. How are you, Buddy 293 00:14:16,800 --> 00:14:19,200 Speaker 1: good Man? How are you? You know? Eddie said, he 294 00:14:19,240 --> 00:14:21,120 Speaker 1: came in the studio and he said he I saw 295 00:14:21,800 --> 00:14:25,000 Speaker 1: possibly Ernest driving down the road, and he said it 296 00:14:25,000 --> 00:14:28,080 Speaker 1: looked like two cartoon characters. It could have been. And 297 00:14:28,320 --> 00:14:31,880 Speaker 1: because your car is a seventy five Coop Deville, yeah 298 00:14:31,960 --> 00:14:34,760 Speaker 1: that was it. And yeah that was it. What did 299 00:14:34,760 --> 00:14:37,680 Speaker 1: you see inside the car? Just two dudes? Like I mean, 300 00:14:37,720 --> 00:14:39,680 Speaker 1: the music was so loud. We were at a red 301 00:14:39,760 --> 00:14:41,600 Speaker 1: light and you had pulled up next to me, and 302 00:14:41,720 --> 00:14:44,680 Speaker 1: my car was shaking because you guys were jamming to something. 303 00:14:44,880 --> 00:14:46,760 Speaker 1: It's almost like that TikTok video where you guys are 304 00:14:46,760 --> 00:14:48,640 Speaker 1: just not both not talking to each other, but nod 305 00:14:48,640 --> 00:14:51,000 Speaker 1: in your head listening to something really good. Yeah, that 306 00:14:51,480 --> 00:14:53,120 Speaker 1: sounds about right. Who do you think was in the 307 00:14:53,120 --> 00:14:56,280 Speaker 1: car with him? Maybe Hardy? Just because you both have 308 00:14:56,480 --> 00:14:59,120 Speaker 1: like trucker hats on. I didn't recognize Hardy. Maybe he 309 00:14:59,120 --> 00:15:00,880 Speaker 1: didn't have glasses on or what. I think it was 310 00:15:00,880 --> 00:15:07,560 Speaker 1: my boy, Folly, classic, classic Boy. That's awesome. People are 311 00:15:07,600 --> 00:15:10,000 Speaker 1: loving the new record. Thank you. You know. I had 312 00:15:10,040 --> 00:15:13,040 Speaker 1: a radio guy that reached out to me, UM and said, hey, 313 00:15:13,120 --> 00:15:15,840 Speaker 1: I don't often say this. It's uh one of our 314 00:15:15,840 --> 00:15:18,120 Speaker 1: guys that runs the station of South Carolina. Just privately, 315 00:15:18,360 --> 00:15:19,960 Speaker 1: he says, this is the only record that I love 316 00:15:20,000 --> 00:15:21,800 Speaker 1: every single song on it. And he said in like 317 00:15:21,840 --> 00:15:25,200 Speaker 1: twenty years. Wow. And so that wasn't him blowing smoke 318 00:15:25,280 --> 00:15:27,200 Speaker 1: because you were doing an interview. He was just telling 319 00:15:27,240 --> 00:15:28,760 Speaker 1: me that, you know, offhand because you come to the 320 00:15:28,800 --> 00:15:31,640 Speaker 1: house into the podcast. That's wow. That's awesome. Um. I 321 00:15:31,680 --> 00:15:34,080 Speaker 1: want to play a little clip here. This is Sucker 322 00:15:34,160 --> 00:15:36,240 Speaker 1: for Small Towns. I really like this one. This is 323 00:15:36,280 --> 00:15:39,200 Speaker 1: track one on his record, I'm a Sucker for Small 324 00:15:44,080 --> 00:15:59,280 Speaker 1: Saturday Night. So this album has everything. It's got the 325 00:15:59,320 --> 00:16:00,920 Speaker 1: slow ones that I of. It is a is a 326 00:16:00,960 --> 00:16:04,160 Speaker 1: pure country album and congratulations on him. Man, it's really good. 327 00:16:04,200 --> 00:16:07,360 Speaker 1: I appreciate it when you make music because you know 328 00:16:07,400 --> 00:16:09,760 Speaker 1: you've written all kinds of songs for all kinds of people. 329 00:16:09,880 --> 00:16:11,400 Speaker 1: How do you know what songs you want to keep 330 00:16:11,440 --> 00:16:13,200 Speaker 1: for you and what songs you want to let somebody 331 00:16:13,200 --> 00:16:17,000 Speaker 1: else record? Pretty early on, while the song is getting written, 332 00:16:17,040 --> 00:16:19,440 Speaker 1: I can have that emotional connection with it. When I 333 00:16:19,480 --> 00:16:22,320 Speaker 1: start singing it, I know pretty pretty well then and there, 334 00:16:22,920 --> 00:16:25,960 Speaker 1: and in the same way I know when it sounds 335 00:16:25,960 --> 00:16:28,360 Speaker 1: like if it's a Morgan song or Chris Lane or 336 00:16:28,360 --> 00:16:31,120 Speaker 1: somebody else, if I'm gonna let it go. How many 337 00:16:31,120 --> 00:16:33,440 Speaker 1: songs on Morgan's last double album did you write with 338 00:16:33,440 --> 00:16:38,120 Speaker 1: with him or right period? Lib That's a lot. Wow, Yeah, 339 00:16:38,160 --> 00:16:40,040 Speaker 1: that's a lot. And you're doing these shows out with 340 00:16:40,080 --> 00:16:42,320 Speaker 1: Morgan now, Like, what is it like to get I mean, 341 00:16:42,360 --> 00:16:45,320 Speaker 1: these these arenas are packed. Yeah. Well, I'll tell you 342 00:16:45,360 --> 00:16:47,160 Speaker 1: the hardest part is not being able to play any 343 00:16:47,200 --> 00:16:50,080 Speaker 1: of my Morgan songs in myself in my set. But 344 00:16:50,320 --> 00:16:53,240 Speaker 1: uh no, it's great. His fan base is awesome and 345 00:16:53,280 --> 00:16:56,720 Speaker 1: they've taken me on well, and playing in front of 346 00:16:56,720 --> 00:16:58,720 Speaker 1: any crowd is awesome, and they're singing your songs back 347 00:16:58,760 --> 00:17:01,120 Speaker 1: it's just yeah, it's the best. Tell my friends here 348 00:17:01,160 --> 00:17:03,040 Speaker 1: on the show. You moved off to an island for 349 00:17:03,040 --> 00:17:06,520 Speaker 1: a long time? How long? Yeah, Saint Thomas, Virgin Islands. 350 00:17:06,560 --> 00:17:08,720 Speaker 1: I lived there for about a year and we visit 351 00:17:08,800 --> 00:17:12,119 Speaker 1: regularly now still. And why did you move there? Because 352 00:17:12,480 --> 00:17:15,679 Speaker 1: at the time, my girlfriend's dad, now my wife, was 353 00:17:15,720 --> 00:17:18,600 Speaker 1: looking for houses down there, and he went and took 354 00:17:18,600 --> 00:17:21,080 Speaker 1: all of us with him. For six weeks we rented 355 00:17:21,119 --> 00:17:24,000 Speaker 1: a house and in that six weeks we fell in 356 00:17:24,080 --> 00:17:26,520 Speaker 1: love with the island. He found the house, so I 357 00:17:26,560 --> 00:17:28,480 Speaker 1: stayed on the island with him while she went to 358 00:17:28,520 --> 00:17:32,560 Speaker 1: college and gigged around like Thursday through Saturdays doing beach 359 00:17:32,560 --> 00:17:35,280 Speaker 1: bar gigs, stay with a girlfriend's dad, and just played 360 00:17:35,320 --> 00:17:37,600 Speaker 1: on the island for a year. Do you feel like 361 00:17:37,680 --> 00:17:40,240 Speaker 1: that's where you kind of found yourself musically because you 362 00:17:40,280 --> 00:17:42,200 Speaker 1: were just playing so many shows you weren't making really 363 00:17:42,240 --> 00:17:47,280 Speaker 1: any money. I found myself entirely there musically and spiritually. Definitely. 364 00:17:47,280 --> 00:17:49,960 Speaker 1: The islands helped jump start whatever the rest of my 365 00:17:50,000 --> 00:17:51,760 Speaker 1: life was about to be. What is the rest of 366 00:17:51,760 --> 00:17:54,040 Speaker 1: your life? What's it about right now? Ernest is here? Like? 367 00:17:54,080 --> 00:17:55,920 Speaker 1: What do you say? What someone's like? What's your life 368 00:17:55,920 --> 00:17:59,760 Speaker 1: about Well, now I'm a family man, which is awesome. 369 00:18:00,280 --> 00:18:05,200 Speaker 1: You know that the dream is happening perfectly, music and family. 370 00:18:05,280 --> 00:18:09,320 Speaker 1: But having to find the balance between being a dad 371 00:18:09,359 --> 00:18:11,560 Speaker 1: and a husband and going and do the rock star 372 00:18:11,680 --> 00:18:15,000 Speaker 1: thing too has been a challenge. But I'm lucky. It's 373 00:18:15,000 --> 00:18:17,199 Speaker 1: all get out their supportive. Ryman's coming out with me 374 00:18:17,240 --> 00:18:21,879 Speaker 1: this weekend on the roads about Ryman's his baby Okay, 375 00:18:22,200 --> 00:18:25,119 Speaker 1: Ryman's my baby. Boy's name Ernest is here And if 376 00:18:25,160 --> 00:18:27,040 Speaker 1: you don't mind, I would like to start off with 377 00:18:27,359 --> 00:18:30,120 Speaker 1: hearing you perform flower shops. Sure. Can you talk about 378 00:18:30,200 --> 00:18:32,920 Speaker 1: this song though, because you wrote it, talk about you're 379 00:18:32,920 --> 00:18:34,960 Speaker 1: sitting in a room and you know where the idea 380 00:18:35,000 --> 00:18:37,560 Speaker 1: come from and what does this song mean? Yeah? So uh, 381 00:18:38,160 --> 00:18:40,840 Speaker 1: to be honest, the song that inspired this song is 382 00:18:40,880 --> 00:18:43,640 Speaker 1: Good Year for the Roses. A boy. George Jones and 383 00:18:44,000 --> 00:18:46,080 Speaker 1: Burgess beIN. Burgess and I were on our way to 384 00:18:46,119 --> 00:18:48,960 Speaker 1: Mark Holman's to write that day and that song came 385 00:18:49,040 --> 00:18:53,200 Speaker 1: on on iTunes, A Central playlist or whatever George Jones 386 00:18:53,240 --> 00:18:56,280 Speaker 1: playlist and we looked at each other like what a 387 00:18:56,359 --> 00:18:59,320 Speaker 1: cool title. Burgess like, yeah, dude, we should write one 388 00:18:59,359 --> 00:19:01,200 Speaker 1: of those. I was like, yeah, He's like, we should 389 00:19:01,200 --> 00:19:04,080 Speaker 1: write something like good Day for flower Shops. I was like, 390 00:19:04,359 --> 00:19:08,479 Speaker 1: absolutely yes. So we kind of talked it out, the 391 00:19:08,600 --> 00:19:11,160 Speaker 1: character and what that song was gonna mean, and had 392 00:19:11,200 --> 00:19:12,840 Speaker 1: a lot of it written by the time we got 393 00:19:12,840 --> 00:19:15,199 Speaker 1: to Holman's. And when we got to Holmans, picked up 394 00:19:15,520 --> 00:19:21,000 Speaker 1: picked up the guitar and started the uh and it 395 00:19:21,040 --> 00:19:24,639 Speaker 1: was in better tune at that time of the day. 396 00:19:24,280 --> 00:19:27,040 Speaker 1: But in no time we put we put melody, and 397 00:19:27,560 --> 00:19:29,159 Speaker 1: all the thoughts came to life when we wrote the 398 00:19:29,200 --> 00:19:32,280 Speaker 1: song pretty quick, and we knew then and something was special, 399 00:19:32,400 --> 00:19:34,639 Speaker 1: but we didn't know. Here is Ernest, yea, here you 400 00:19:34,680 --> 00:19:49,320 Speaker 1: go performing flower Shops. It's a beautiful day. She's been 401 00:19:49,760 --> 00:19:55,159 Speaker 1: crying all night all there's tears in her blues and 402 00:19:55,320 --> 00:20:01,160 Speaker 1: bloodshote in mine. This bender's been ben and it's hill 403 00:20:01,320 --> 00:20:09,720 Speaker 1: bound break. My baby said all she can take. So mister, 404 00:20:10,000 --> 00:20:17,000 Speaker 1: I'll take your roses if you cut off the thorns. 405 00:20:17,800 --> 00:20:24,200 Speaker 1: She can't take no more. How about violets and daisy 406 00:20:24,680 --> 00:20:32,440 Speaker 1: to hide all the crazy. It's gonna take all you've got. Oh, 407 00:20:32,480 --> 00:20:38,640 Speaker 1: it's a bad day for love, but a good day 408 00:20:39,320 --> 00:20:50,960 Speaker 1: for flowers, Shine hips, Ernest and studio, thank you. It's 409 00:20:50,960 --> 00:20:53,600 Speaker 1: a great songo man. Thank you. How did you get 410 00:20:53,640 --> 00:20:57,200 Speaker 1: Morgan Walling to sing that song with you? I texted 411 00:20:57,280 --> 00:20:59,560 Speaker 1: him the demo pretty soon after I got it back, 412 00:20:59,680 --> 00:21:01,919 Speaker 1: just out of excitement, like, yo, dude, listen to this 413 00:21:02,440 --> 00:21:06,240 Speaker 1: and it turned into one of both of our favorite songs, 414 00:21:06,440 --> 00:21:09,520 Speaker 1: and pretty naturally we started singing it together. We sang 415 00:21:09,560 --> 00:21:12,919 Speaker 1: it together at a couple events, and then um, he 416 00:21:13,000 --> 00:21:14,760 Speaker 1: pretty much announced that he was gonna do it with 417 00:21:14,800 --> 00:21:18,040 Speaker 1: me at a Whiskey Jams show. And then Morgan said 418 00:21:18,080 --> 00:21:19,080 Speaker 1: he was going to do it with me, and then 419 00:21:19,080 --> 00:21:21,560 Speaker 1: we did it together at Ernest. You guys can follow 420 00:21:21,600 --> 00:21:23,760 Speaker 1: him on Instagram. We'll be back with Ernest in a second. 421 00:21:23,840 --> 00:21:25,720 Speaker 1: I'm gonna ask you to do what cool songwriters do 422 00:21:25,800 --> 00:21:27,560 Speaker 1: that have a lot of success, Just to play me 423 00:21:27,600 --> 00:21:29,760 Speaker 1: little clips of the songs you've written. Okay, is that cool? 424 00:21:29,760 --> 00:21:31,959 Speaker 1: Can we do that? Sure? Also, and I haven't ran 425 00:21:32,040 --> 00:21:34,959 Speaker 1: this by him, but can you and I don't want 426 00:21:34,960 --> 00:21:36,840 Speaker 1: to spoil it for our listeners and time, can you 427 00:21:36,920 --> 00:21:40,320 Speaker 1: rap my favorite song that you wrote for someone else? 428 00:21:40,359 --> 00:21:42,560 Speaker 1: It's that little part of it. Oh you're talking about 429 00:21:42,640 --> 00:21:48,760 Speaker 1: the young the young hop up in wet yea. We 430 00:21:48,800 --> 00:21:52,240 Speaker 1: will come back. I can all right, Ernest did something 431 00:21:52,320 --> 00:21:54,680 Speaker 1: that I'm amazed by. I love, and I didn't even 432 00:21:54,720 --> 00:21:57,160 Speaker 1: know he did it. Ernest has a new album called 433 00:21:57,200 --> 00:22:00,440 Speaker 1: flower Shops. The album this is track two I love 434 00:22:00,800 --> 00:22:21,879 Speaker 1: called Tennessee Queen Good Good As you grew up here 435 00:22:21,880 --> 00:22:24,200 Speaker 1: in Nashville, which is rare. You know, most artists that 436 00:22:24,240 --> 00:22:27,080 Speaker 1: come through didn't really grow up here. Yeah. Um, when 437 00:22:27,119 --> 00:22:28,800 Speaker 1: you were a kid, did you ever see any cool 438 00:22:28,800 --> 00:22:32,600 Speaker 1: country music artists just randomly in a restaurant or something. Yeah. 439 00:22:32,640 --> 00:22:36,320 Speaker 1: My my cool country music artists exposure was Billy Dean. 440 00:22:36,520 --> 00:22:41,480 Speaker 1: I was in third grade and well, miss Billy the Kid. Yeah, dude. 441 00:22:41,480 --> 00:22:44,280 Speaker 1: I went to elementary school, middle school with Eli, his son, 442 00:22:44,320 --> 00:22:46,680 Speaker 1: and Billy would like pick us up from school and 443 00:22:46,720 --> 00:22:48,720 Speaker 1: take us to the pancake pantry. Were going through the 444 00:22:48,760 --> 00:22:51,080 Speaker 1: back door, and I was like, this is the coolest 445 00:22:51,119 --> 00:22:54,000 Speaker 1: thing ever. I'm not waiting in the lines. That's something like, 446 00:22:54,040 --> 00:22:56,280 Speaker 1: I guess when you're a kid, there are other kids 447 00:22:56,680 --> 00:22:59,240 Speaker 1: and they have famous dads. Yeah, yeah, I guess you 448 00:22:59,359 --> 00:23:01,240 Speaker 1: you don't think about it. Yeah, that was my exposure 449 00:23:01,280 --> 00:23:03,640 Speaker 1: to cool country artist Billy Dean man. Billy the Kid 450 00:23:03,680 --> 00:23:05,960 Speaker 1: was such a jam. Yeah. Back in the day, Ernest 451 00:23:06,040 --> 00:23:08,280 Speaker 1: is here has got the album, but he's also written 452 00:23:08,320 --> 00:23:11,000 Speaker 1: so many massive songs for other artists. So I've picked 453 00:23:11,000 --> 00:23:13,800 Speaker 1: a few that I really enjoy and if you can 454 00:23:13,800 --> 00:23:15,639 Speaker 1: give me just a little bit, like you know, a 455 00:23:15,680 --> 00:23:18,840 Speaker 1: little versa little course or just chorus whatever. Chris Lane 456 00:23:19,280 --> 00:23:22,520 Speaker 1: big big plans, all right, and now this song if 457 00:23:22,560 --> 00:23:26,000 Speaker 1: I'm right about this, because you don't know, I got 458 00:23:26,000 --> 00:23:28,240 Speaker 1: some big, big put that song. But this was the 459 00:23:28,240 --> 00:23:30,800 Speaker 1: song he proposed with he proposed Yeah, So were you 460 00:23:30,840 --> 00:23:34,439 Speaker 1: involved in the secret writing of this? Yeah? And record? 461 00:23:34,520 --> 00:23:37,199 Speaker 1: I mean, like what happened? Well, Jacob Durrett and I 462 00:23:37,240 --> 00:23:40,280 Speaker 1: started writing this song and then it was kind of 463 00:23:40,280 --> 00:23:44,399 Speaker 1: half done and he showed it to Seth manager and 464 00:23:44,400 --> 00:23:46,119 Speaker 1: he was like, hey, I think Chris is looking for 465 00:23:46,160 --> 00:23:49,680 Speaker 1: a song to propose too. This would be awesome. Let's 466 00:23:49,680 --> 00:23:52,119 Speaker 1: get Chris into finish it. So we brought Chris in, 467 00:23:52,640 --> 00:23:55,520 Speaker 1: custom detailed the song straight up, built it out just 468 00:23:55,640 --> 00:23:58,040 Speaker 1: for him, and then you know, two weeks later he 469 00:23:58,080 --> 00:24:01,280 Speaker 1: played her the demo at her family's house and it works. 470 00:24:01,400 --> 00:24:03,960 Speaker 1: I had a big part in that relationship working out 471 00:24:04,040 --> 00:24:06,000 Speaker 1: with about you. They wouldn't be together, they wouldn't have 472 00:24:06,040 --> 00:24:09,359 Speaker 1: a kid. Yeah, there's life on this earth because of Earnest. 473 00:24:10,160 --> 00:24:12,240 Speaker 1: That's not his. Okay, here's a little bit of Chris 474 00:24:12,320 --> 00:24:19,919 Speaker 1: Lane's number one that Ernest wrote, Big big plans. Just 475 00:24:20,040 --> 00:24:23,639 Speaker 1: look at her sitting there, sweatpants, T shirt and a 476 00:24:23,720 --> 00:24:28,159 Speaker 1: comfy chair. Mr here in a bun one and on 477 00:24:28,280 --> 00:24:32,320 Speaker 1: a mug any other ones playing snare to George straight 478 00:24:32,480 --> 00:24:35,560 Speaker 1: final that yes, and no line will get her close food. 479 00:24:35,600 --> 00:24:39,520 Speaker 1: I don't think she can understand just how far I've 480 00:24:39,520 --> 00:24:42,480 Speaker 1: been letting my heart fall and what's in my head. 481 00:24:43,400 --> 00:24:46,560 Speaker 1: She don't know. I got some big, big plans. Build 482 00:24:46,600 --> 00:24:49,879 Speaker 1: a little outside on some hem down Lane, find a 483 00:24:49,920 --> 00:24:53,119 Speaker 1: little line where we go to get tom Bad. We 484 00:24:53,320 --> 00:24:56,800 Speaker 1: take our kids down there one day. And I know 485 00:24:56,920 --> 00:25:00,520 Speaker 1: she wouldn't mind if I did a little something like 486 00:25:00,760 --> 00:25:04,840 Speaker 1: fun to fly over night to Paradise and leave tonight. 487 00:25:05,480 --> 00:25:09,840 Speaker 1: I I'm put a dime owner. And she don't know. 488 00:25:09,920 --> 00:25:13,879 Speaker 1: I got some big, big plans. She don't know. She 489 00:25:14,040 --> 00:25:18,240 Speaker 1: don't know. Ye. One of the songs that you wrote 490 00:25:18,280 --> 00:25:20,760 Speaker 1: that we played a little bit on this show, but 491 00:25:20,800 --> 00:25:23,359 Speaker 1: it wasn't really like a country music song. Was when 492 00:25:23,440 --> 00:25:27,640 Speaker 1: Diplow did a country album him and Morgan Wall ended Heartless. Yeah, 493 00:25:27,680 --> 00:25:32,040 Speaker 1: and so when you wrote that, was that with kind 494 00:25:32,040 --> 00:25:35,680 Speaker 1: of the dip below wish kind of beat behind it? Yeah, 495 00:25:35,680 --> 00:25:37,679 Speaker 1: we did me and Ryan Hurd wrote that with Charlie 496 00:25:37,680 --> 00:25:41,639 Speaker 1: Handsome and Charlie's an awesome pop hip hop producer. We 497 00:25:41,720 --> 00:25:44,560 Speaker 1: worked with a lot and he had the drums smacking 498 00:25:44,600 --> 00:25:46,320 Speaker 1: on that thing. So by the time we when we 499 00:25:46,400 --> 00:25:49,199 Speaker 1: finished writing it, we actually kind of maybe manifested the 500 00:25:49,200 --> 00:25:51,719 Speaker 1: Morgan Diplo thing. This would be awesome for Morgan and Diplo. 501 00:25:52,040 --> 00:25:53,600 Speaker 1: And it turns out it was just give me a 502 00:25:53,600 --> 00:25:55,080 Speaker 1: little bit of that. I don't need a whole lot. 503 00:25:56,040 --> 00:25:58,600 Speaker 1: Why you gotta be so hard less? I know you'd 504 00:25:58,640 --> 00:26:02,480 Speaker 1: think it's timeless. You're telling me a part and girl, 505 00:26:02,480 --> 00:26:07,639 Speaker 1: the hardest part is just so on attention, taking myselmnches. 506 00:26:08,200 --> 00:26:11,560 Speaker 1: Leave me in the darkness. Now finish what we started. 507 00:26:11,880 --> 00:26:15,040 Speaker 1: Good play you gotta be so hard less. That's a 508 00:26:15,080 --> 00:26:16,879 Speaker 1: good one. That's a good one. Yeah. What if he 509 00:26:16,920 --> 00:26:18,120 Speaker 1: played one and I was like, that's not a good 510 00:26:18,119 --> 00:26:21,200 Speaker 1: one and I was like that one. I never really 511 00:26:21,240 --> 00:26:23,879 Speaker 1: loved it and never really loved it. Um, do we 512 00:26:23,960 --> 00:26:26,880 Speaker 1: have a clip of the Mason Ramsey yep? Okay, So 513 00:26:27,160 --> 00:26:30,320 Speaker 1: Oldtown Road came out massive. They put a couple versions 514 00:26:30,320 --> 00:26:32,159 Speaker 1: and one had Mason Ramsey in it. We played it 515 00:26:32,240 --> 00:26:36,920 Speaker 1: here and so here is Mason on Oldtown Road. That's 516 00:26:37,040 --> 00:26:39,480 Speaker 1: enough there. I just wanted to like, we're good, but 517 00:26:39,720 --> 00:26:43,560 Speaker 1: set the move. They called lorle nozas like FaceTime doing 518 00:26:43,640 --> 00:26:45,920 Speaker 1: like the mid of night. Yeah like that. Right after 519 00:26:45,960 --> 00:26:49,200 Speaker 1: dinner time, Mason's manager I got the call from the bullpen. 520 00:26:49,359 --> 00:26:51,720 Speaker 1: He was like, Smith, get loose. So you ran up 521 00:26:51,720 --> 00:26:55,080 Speaker 1: to a studio and yeah, yeah, we recorded. We recorded 522 00:26:55,080 --> 00:26:57,080 Speaker 1: this verse that night and it came out the next day. 523 00:26:57,200 --> 00:26:59,000 Speaker 1: Do you know the whole verse by heart? Right now? 524 00:26:59,040 --> 00:27:01,040 Speaker 1: I think I do. Here you Ernest doing the Mason 525 00:27:01,160 --> 00:27:05,040 Speaker 1: Ramsey part that he wrote for Old Time Road? All right, 526 00:27:06,040 --> 00:27:10,000 Speaker 1: hopped up in my razor, got a thousand acres right 527 00:27:10,119 --> 00:27:12,480 Speaker 1: up on the cows with it. Betty, you're on phaser. 528 00:27:12,600 --> 00:27:16,960 Speaker 1: Oh oh yippy your cave. You ain't got no giddy 529 00:27:17,080 --> 00:27:21,360 Speaker 1: up than giddy yep, my way, hyeah? Come on okay 530 00:27:21,720 --> 00:27:23,800 Speaker 1: if you ain't got no giddy up? Yes? Did you 531 00:27:23,800 --> 00:27:26,159 Speaker 1: ever meet Mason Ramsey? Oh yeah, Mason's little bro. I 532 00:27:26,160 --> 00:27:29,000 Speaker 1: went on tour with me. I saw that picture now 533 00:27:29,000 --> 00:27:31,000 Speaker 1: that I think about it. Yeah, I opened for Mason. 534 00:27:31,320 --> 00:27:33,120 Speaker 1: I saw a picture of you in like a chain 535 00:27:33,200 --> 00:27:35,800 Speaker 1: with Mason next to you. Yeah, this guy opened for 536 00:27:35,880 --> 00:27:39,560 Speaker 1: Mason Ramsey. Okay, I want to encourage you guys to 537 00:27:39,680 --> 00:27:42,640 Speaker 1: check out Flower Shops the album, the show, or the song. 538 00:27:42,680 --> 00:27:44,719 Speaker 1: Flower Shops is just killing it right now. But it's 539 00:27:44,760 --> 00:27:46,880 Speaker 1: an entire album that just came out. I'm gonna play 540 00:27:46,880 --> 00:27:49,399 Speaker 1: one more track here. Here is a track. Let's do 541 00:27:49,520 --> 00:27:54,040 Speaker 1: track five, Comfortable when I'm crazy. Maybe it ain't, I'm 542 00:27:54,119 --> 00:28:00,960 Speaker 1: only comfortable. His name is Ernest. He drives let me 543 00:28:00,960 --> 00:28:04,160 Speaker 1: get the right here in nineteen seventy five Catilla Coop Deville, 544 00:28:04,520 --> 00:28:06,920 Speaker 1: who he blasts music, and he has to be paying 545 00:28:06,920 --> 00:28:10,720 Speaker 1: a lot for gas. I've seen it gain to drive 546 00:28:10,800 --> 00:28:13,000 Speaker 1: that thing. I ran out of gas pulling up to 547 00:28:13,000 --> 00:28:15,200 Speaker 1: another radio show last week, so I drove my truck today. 548 00:28:15,240 --> 00:28:18,439 Speaker 1: So we didn't have that happen. No, I'm happy for it. 549 00:28:18,440 --> 00:28:21,000 Speaker 1: I'll be late over there. And it really destroyed their 550 00:28:21,040 --> 00:28:24,560 Speaker 1: show through it. Yeah, I love that. Yeah. There he 551 00:28:24,640 --> 00:28:26,880 Speaker 1: has follow him at Ernest Ernest. Good to see you buy, 552 00:28:26,920 --> 00:28:28,720 Speaker 1: good to see you too. I hope everybody checks out 553 00:28:28,720 --> 00:28:32,240 Speaker 1: flower Shops the album and checks out Ernest podcast, which 554 00:28:32,240 --> 00:28:33,600 Speaker 1: I've been a guest on I don't guess on a 555 00:28:33,600 --> 00:28:37,040 Speaker 1: lot of podcasts, but Ernest podcast just at it's called 556 00:28:37,080 --> 00:28:40,040 Speaker 1: just be an Earnest. My favorite um lying in the 557 00:28:40,240 --> 00:28:44,160 Speaker 1: flower Shop song, I just I'm obsessed with the remove 558 00:28:44,280 --> 00:28:49,840 Speaker 1: the thorns because she can't take anymore like hurt and pains. Please, 559 00:28:49,880 --> 00:28:51,800 Speaker 1: if you can do one little thing, make sure there's 560 00:28:51,800 --> 00:28:55,840 Speaker 1: no thorns on there. Yeah, I would probably lie and 561 00:28:55,920 --> 00:28:58,600 Speaker 1: say that was a true story. I like what you 562 00:28:58,600 --> 00:29:01,200 Speaker 1: guys did, like you bait George Jones. But I'll be like, yeah, 563 00:29:01,360 --> 00:29:03,720 Speaker 1: it's happened to me. Well, but I told you it 564 00:29:03,760 --> 00:29:06,840 Speaker 1: wasn't hard for me have been to go there. That's 565 00:29:06,880 --> 00:29:10,880 Speaker 1: what I like. He's modifying the state we're seeing alive alright, Ernest, Ernest, 566 00:29:10,880 --> 00:29:12,520 Speaker 1: good to see a bud and we will hopefully see 567 00:29:12,520 --> 00:29:16,640 Speaker 1: you soon. It's the best bits of the week with 568 00:29:16,880 --> 00:29:21,960 Speaker 1: Morgan number two. Everything is getting so crazy expensive lately, 569 00:29:22,040 --> 00:29:25,760 Speaker 1: and Scuba Steve is experiencing a lot with that, especially 570 00:29:25,840 --> 00:29:28,680 Speaker 1: with his phone bill. He got a really crazy phone 571 00:29:28,680 --> 00:29:31,160 Speaker 1: bill recently, and as much as he may want to 572 00:29:31,200 --> 00:29:34,600 Speaker 1: blame the scammers, it is mostly Scuba Steve's fault because 573 00:29:34,640 --> 00:29:38,360 Speaker 1: of his response to the scammers and what's been happening. So, yeah, 574 00:29:38,400 --> 00:29:40,480 Speaker 1: this is a good one and maybe it'll make you 575 00:29:40,520 --> 00:29:42,959 Speaker 1: do it too, just you know, don't be charged like 576 00:29:43,000 --> 00:29:46,720 Speaker 1: Scuba did in this segment number four. Okay, so we 577 00:29:46,800 --> 00:29:49,840 Speaker 1: selected and pick a bit. We voted and Scuba Steve 578 00:29:49,880 --> 00:29:52,920 Speaker 1: segment is up. Hey Scuba, so your cell phone bill 579 00:29:53,000 --> 00:29:55,880 Speaker 1: was much higher than you anticipated? Why what happened? Hundreds 580 00:29:55,920 --> 00:29:59,280 Speaker 1: more dollars? Hundreds more dollars, he said, I anticipated, and 581 00:29:59,320 --> 00:30:01,000 Speaker 1: it came from the here to see my wife texting 582 00:30:01,040 --> 00:30:03,080 Speaker 1: me saying, what the hell are you doing with international 583 00:30:03,080 --> 00:30:06,560 Speaker 1: phone calls? International phone calls? Yes, so we've talked about 584 00:30:06,560 --> 00:30:09,000 Speaker 1: scams a lot in the show recently, and then the 585 00:30:09,160 --> 00:30:12,200 Speaker 1: cell phone robo calls. So I'm the kind of person 586 00:30:12,240 --> 00:30:14,400 Speaker 1: when you get those, I do a couple different things. 587 00:30:14,560 --> 00:30:16,440 Speaker 1: If I'm busy, I pick it up and hang it 588 00:30:16,520 --> 00:30:18,760 Speaker 1: up so it goes away. If I have some free time, 589 00:30:18,800 --> 00:30:21,480 Speaker 1: I'll pick it up and all I'll talk to them, 590 00:30:21,160 --> 00:30:24,280 Speaker 1: or from at the house, my son will pick up 591 00:30:24,440 --> 00:30:27,400 Speaker 1: and he'll talk to them for however long the conversation goes. 592 00:30:27,920 --> 00:30:30,000 Speaker 1: So you've been talking to these people that are trying 593 00:30:30,040 --> 00:30:32,200 Speaker 1: to scam you out of money or sell you a warranty, yes, 594 00:30:32,240 --> 00:30:33,840 Speaker 1: which they're not going to scam me because I know 595 00:30:33,880 --> 00:30:35,360 Speaker 1: what they're up to. I just kind of want to 596 00:30:35,880 --> 00:30:38,560 Speaker 1: It's for me. It's it's a release. It's fun for 597 00:30:38,560 --> 00:30:40,320 Speaker 1: me to do these things. Do you ever learn anything 598 00:30:40,360 --> 00:30:43,000 Speaker 1: from them? Sometimes? I learn about their family because when 599 00:30:43,000 --> 00:30:45,120 Speaker 1: my son intervenes and has a conversation, they start talking 600 00:30:45,120 --> 00:30:47,200 Speaker 1: about their kids and their wife and their home life. 601 00:30:47,960 --> 00:30:49,880 Speaker 1: He kind of breaks down the walls with them, gets 602 00:30:49,880 --> 00:30:53,120 Speaker 1: a little personable. For me. I've learned that these guys 603 00:30:53,200 --> 00:30:54,960 Speaker 1: are not as bad as they say they are. They're 604 00:30:55,000 --> 00:30:57,480 Speaker 1: just trying to make some money, and you wasting their 605 00:30:57,480 --> 00:31:00,600 Speaker 1: time keeps them from calling other people. Yeah, exactly, because 606 00:31:00,600 --> 00:31:02,600 Speaker 1: they're not getting anything out of me. So, like, what 607 00:31:02,680 --> 00:31:08,000 Speaker 1: countries have you talked to? The Philippines, India, I talked 608 00:31:08,000 --> 00:31:10,040 Speaker 1: to people over in England, I've talked to people all 609 00:31:10,080 --> 00:31:13,360 Speaker 1: over the world, Haiti, And you didn't and you didn't 610 00:31:13,400 --> 00:31:17,080 Speaker 1: think that it could have been Amy's kids uncles. Yeah, 611 00:31:17,840 --> 00:31:19,560 Speaker 1: could have been a waste of my time. Someone to 612 00:31:19,600 --> 00:31:21,200 Speaker 1: waste their time. And you got your phone bill and 613 00:31:21,200 --> 00:31:23,280 Speaker 1: it was one hundreds of dollars more expensive. Yes, because 614 00:31:23,280 --> 00:31:24,760 Speaker 1: it turns out if you're on that phone call for 615 00:31:24,840 --> 00:31:27,080 Speaker 1: longer than I think five or six seconds, it starts 616 00:31:27,120 --> 00:31:29,280 Speaker 1: charging you because you've accepted the phone call and picked 617 00:31:29,280 --> 00:31:31,280 Speaker 1: it up. So we've got a lot of extra charges 618 00:31:31,280 --> 00:31:34,720 Speaker 1: on the phone bill this past month. Interesting. According to 619 00:31:35,480 --> 00:31:38,479 Speaker 1: you Mail's robo call Index, almost three point eight billion 620 00:31:38,560 --> 00:31:42,720 Speaker 1: spam calls were made in February alone. I mean I 621 00:31:42,800 --> 00:31:44,480 Speaker 1: get them all the time, and they're like one number 622 00:31:44,480 --> 00:31:47,480 Speaker 1: different than mine, which is weird because again you feel 623 00:31:47,480 --> 00:31:49,160 Speaker 1: like it might be your long lost twin brother or something. 624 00:31:49,240 --> 00:31:51,800 Speaker 1: Do you pick them up? No? I hang them out. Okay, good, 625 00:31:51,840 --> 00:31:54,280 Speaker 1: but those you wouldn't get billed for because it's domestic. 626 00:31:54,360 --> 00:31:56,520 Speaker 1: I pick it well, Scuba, When years come, do they 627 00:31:56,520 --> 00:31:59,000 Speaker 1: show us domestic or do they show us? So they've 628 00:31:59,000 --> 00:32:01,080 Speaker 1: come in many different ways. They've they've even popped about 629 00:32:01,120 --> 00:32:04,040 Speaker 1: South Korea. So I've seen where it's another country because 630 00:32:04,040 --> 00:32:06,520 Speaker 1: I have a country code, so like plus three one 631 00:32:06,640 --> 00:32:11,120 Speaker 1: or something weird and like Russia's called me basically as 632 00:32:11,480 --> 00:32:13,120 Speaker 1: I don't know what it shows up is that it's 633 00:32:13,120 --> 00:32:15,200 Speaker 1: this weird number and then underneath and small letters is 634 00:32:15,240 --> 00:32:18,200 Speaker 1: as Russia. Okay, So your advice, Scuba is as don't 635 00:32:18,200 --> 00:32:19,360 Speaker 1: do what I do don't. Don't pick it up and 636 00:32:19,400 --> 00:32:20,880 Speaker 1: talk to them. There is a hack though, to get 637 00:32:20,920 --> 00:32:22,960 Speaker 1: him to stop calling you. If you pick it up 638 00:32:23,280 --> 00:32:25,520 Speaker 1: and you put it on mute so it's silent, they'll 639 00:32:25,560 --> 00:32:27,760 Speaker 1: speak and then eventually if you say nothing, it goes away. 640 00:32:27,800 --> 00:32:29,760 Speaker 1: You're off that list. But then you get billed for 641 00:32:29,840 --> 00:32:32,200 Speaker 1: picking it up. Well, not if it's more than five 642 00:32:32,520 --> 00:32:34,360 Speaker 1: it's less than five seconds and you hang up. You're fine, 643 00:32:34,400 --> 00:32:37,640 Speaker 1: it's like more than seconds risking that? All right, Scuba, 644 00:32:37,720 --> 00:32:39,160 Speaker 1: that's the pick of it. How do we feel about that? 645 00:32:39,160 --> 00:32:44,800 Speaker 1: Pick of what? Feel good? Educational? Disappointed? No one's voting 646 00:32:44,840 --> 00:32:47,880 Speaker 1: for me. It's getting annoying. Yeah, you really want your 647 00:32:47,880 --> 00:32:49,760 Speaker 1: bit to be picked? Yeah, and I know that Amy's 648 00:32:49,800 --> 00:32:51,360 Speaker 1: never gonna pick mine, so I know that I'm in 649 00:32:51,400 --> 00:32:53,320 Speaker 1: tro that's not true. But now it's playing you. Now 650 00:32:53,320 --> 00:32:57,120 Speaker 1: he's playing you. Listen, you know what I do. My 651 00:32:57,200 --> 00:32:59,000 Speaker 1: brain goes back to, like I don't know, two thousand 652 00:32:59,000 --> 00:33:01,120 Speaker 1: and six, when we had kid baby on the schedule 653 00:33:01,240 --> 00:33:04,600 Speaker 1: for like years and we never did we ever get 654 00:33:04,640 --> 00:33:06,800 Speaker 1: to it? Yeah, one time final, Okay, eventually the whole 655 00:33:06,800 --> 00:33:08,880 Speaker 1: bit was lunchbox that sent it a bit years years 656 00:33:08,920 --> 00:33:11,200 Speaker 1: years prior going I was at the lake and there 657 00:33:11,280 --> 00:33:12,960 Speaker 1: was this baby on the lake and it was naked. 658 00:33:13,000 --> 00:33:14,840 Speaker 1: Like the mom was like, a four year old is 659 00:33:14,920 --> 00:33:17,080 Speaker 1: out playing naked in the lake. I said it was 660 00:33:17,120 --> 00:33:18,880 Speaker 1: awkward because it was like it was like a Barton 661 00:33:18,960 --> 00:33:21,000 Speaker 1: Springs where there's a bunch of people, so it's just 662 00:33:21,120 --> 00:33:22,640 Speaker 1: naked in front of these people. I was like, is 663 00:33:22,640 --> 00:33:25,280 Speaker 1: that not inappropriate? And it stayed on there forever and 664 00:33:25,360 --> 00:33:27,640 Speaker 1: we gave it like half a second because finally Bobby 665 00:33:27,680 --> 00:33:29,240 Speaker 1: just wanted to take it off the schedule. I had 666 00:33:29,240 --> 00:33:30,600 Speaker 1: it on that list of things to talk about for 667 00:33:30,640 --> 00:33:34,280 Speaker 1: three years years said we never got every day I 668 00:33:34,320 --> 00:33:36,760 Speaker 1: was on let's talk about and just said naked baby. 669 00:33:36,680 --> 00:33:39,080 Speaker 1: And then I think we did it right before he moves. 670 00:33:39,280 --> 00:33:42,120 Speaker 1: Just so we went to a new city with what's 671 00:33:42,360 --> 00:33:44,400 Speaker 1: called again his thing pick a bit lunch is just 672 00:33:44,520 --> 00:33:46,960 Speaker 1: called hold on. I haven't written down here has anyone 673 00:33:46,960 --> 00:33:50,479 Speaker 1: seen me on the names. So first she's like, no, 674 00:33:50,640 --> 00:33:55,080 Speaker 1: I'm not going to cave an. I'm saying you got 675 00:33:55,080 --> 00:33:56,840 Speaker 1: to tow her off the jury because she's already admitting 676 00:33:56,880 --> 00:34:01,160 Speaker 1: that she's attained juror. So I was pick only because 677 00:34:01,240 --> 00:34:03,200 Speaker 1: it's been sitting on the list. Yeah to be fair. 678 00:34:03,360 --> 00:34:06,760 Speaker 1: That's better. Okay, thank you Scoop for your pick a bit. 679 00:34:08,160 --> 00:34:11,919 Speaker 1: It's the best bits of the week with Morgan. Number two. 680 00:34:13,440 --> 00:34:15,640 Speaker 1: It's always weird when I intro one that has me 681 00:34:15,760 --> 00:34:18,759 Speaker 1: involved in it. But this week we talked about me 682 00:34:18,920 --> 00:34:21,759 Speaker 1: trying to get on the super Fan show for Shania Twain. 683 00:34:22,120 --> 00:34:24,920 Speaker 1: We talked about why I'm a super fan, how Lunchbox 684 00:34:25,000 --> 00:34:27,040 Speaker 1: doesn't think I should be on the show, you know, 685 00:34:27,080 --> 00:34:29,239 Speaker 1: all the things. I'm just gonna leave that there, and 686 00:34:29,280 --> 00:34:31,640 Speaker 1: I'm gonna say I am a Shania Twain superfan and 687 00:34:31,719 --> 00:34:35,160 Speaker 1: I haven't for so much of my life, so you know, 688 00:34:35,600 --> 00:34:39,400 Speaker 1: I'm it's fine. It's fine. Lunchbox can keep his jealousy. 689 00:34:39,440 --> 00:34:41,000 Speaker 1: I'll just say that. You know, you got to give 690 00:34:41,040 --> 00:34:44,200 Speaker 1: support to get support. It's a lunchbox. If he's listening, 691 00:34:44,200 --> 00:34:46,239 Speaker 1: which I know he isn't. But right now you can 692 00:34:46,280 --> 00:34:49,040 Speaker 1: hear the segment where we talk about me being a 693 00:34:49,080 --> 00:34:52,359 Speaker 1: superman Superman, I could be Superman. That'd be fun. I 694 00:34:52,440 --> 00:34:56,080 Speaker 1: am a super fan of Shania Twain. Number three, Morgan, 695 00:34:56,120 --> 00:34:57,759 Speaker 1: I want to come to you first. And Morgan is 696 00:34:57,760 --> 00:35:01,360 Speaker 1: our head of digital, the website, all the socials. You know, 697 00:35:01,400 --> 00:35:03,920 Speaker 1: she has a job that never stops and she is 698 00:35:03,960 --> 00:35:07,160 Speaker 1: a massive Shania Twain fan. And on the show, we 699 00:35:07,160 --> 00:35:10,000 Speaker 1: were talking about this TV show where they're looking for 700 00:35:10,080 --> 00:35:12,759 Speaker 1: super fans. Now, what did you find out? After we 701 00:35:12,800 --> 00:35:15,400 Speaker 1: did the segment? So Scuba Steve reached out to the 702 00:35:15,400 --> 00:35:17,160 Speaker 1: people and they were like, have her go ahead and 703 00:35:17,200 --> 00:35:20,080 Speaker 1: send it in because the deadline had passed. And we're like, 704 00:35:20,120 --> 00:35:21,640 Speaker 1: oh crap, she's not gonna be able to get in, 705 00:35:21,920 --> 00:35:24,040 Speaker 1: but they're like, go ahead and have her send it in. 706 00:35:24,080 --> 00:35:26,880 Speaker 1: We'll pass it on to the casting director. So I 707 00:35:26,920 --> 00:35:29,920 Speaker 1: submitted all my super fan information and it's being passed 708 00:35:29,920 --> 00:35:32,600 Speaker 1: on right now as we speak, compazing. This is one 709 00:35:32,600 --> 00:35:35,319 Speaker 1: of those it's like Ray like, isn't an ironic in 710 00:35:35,320 --> 00:35:37,520 Speaker 1: a good way? And I'm gonna tell you how Scuba 711 00:35:37,560 --> 00:35:39,480 Speaker 1: Steve it approached me a couple of weeks ago and said, Hey, 712 00:35:39,480 --> 00:35:40,960 Speaker 1: there's this new show. Would you like to talk to 713 00:35:41,000 --> 00:35:43,080 Speaker 1: the producer? And I thought that shows very interesting, but 714 00:35:43,120 --> 00:35:44,800 Speaker 1: we don't talk to a lot of producers of shows. 715 00:35:45,480 --> 00:35:48,840 Speaker 1: But then once Amy gave more details about Kelsey and 716 00:35:48,960 --> 00:35:52,720 Speaker 1: Shaniya a little big town, I thought maybe we should 717 00:35:52,800 --> 00:35:55,120 Speaker 1: because this is right. And then the fact that you're 718 00:35:55,160 --> 00:35:57,680 Speaker 1: a super fan we're gonna have her on the show, 719 00:35:58,280 --> 00:36:00,840 Speaker 1: if not tomorrow Monday to talk about it. If you 720 00:36:00,880 --> 00:36:02,279 Speaker 1: were to get on this show, two things. One, that 721 00:36:02,280 --> 00:36:04,200 Speaker 1: would be amazing because you are a massive Shanaia fan. 722 00:36:04,239 --> 00:36:06,760 Speaker 1: It would be awesome. But two, I do think someone 723 00:36:06,840 --> 00:36:13,200 Speaker 1: on this show would implode. Yes, he would. Oh, here's 724 00:36:13,200 --> 00:36:16,960 Speaker 1: the thing, go ahead. I don't want to ruin her 725 00:36:17,000 --> 00:36:19,040 Speaker 1: chances of getting on the show. But she is a fan, 726 00:36:19,120 --> 00:36:21,480 Speaker 1: she's not a super fan. She doesn't have tattoos Shanaya, 727 00:36:21,560 --> 00:36:23,719 Speaker 1: she doesn't have Shannaio. Are you knocking her down? I'm 728 00:36:23,719 --> 00:36:26,000 Speaker 1: just saying you're knocking her down. No, I just said 729 00:36:26,000 --> 00:36:27,480 Speaker 1: I'm not going to try to ruin her chances. But 730 00:36:27,520 --> 00:36:30,680 Speaker 1: she's a fan, but a super fan that ain't her. 731 00:36:30,800 --> 00:36:34,000 Speaker 1: Are you a Tina Turner super fan? I love Tina Turner. 732 00:36:34,120 --> 00:36:36,560 Speaker 1: Are you a super fan? Do you have a Tina tattoo? No? 733 00:36:36,640 --> 00:36:41,160 Speaker 1: But I want the point is there's no reason for 734 00:36:41,160 --> 00:36:43,120 Speaker 1: you to take shots at her. I'm not taking a shot. 735 00:36:43,440 --> 00:36:45,399 Speaker 1: Why she shouldn't be on the show, he said, because 736 00:36:45,440 --> 00:36:48,400 Speaker 1: she doesn't have a Shaya tattoo. Morgan, why did you 737 00:36:48,440 --> 00:36:50,880 Speaker 1: tell them you're a Shanaia superfan? Well so, I explained 738 00:36:50,920 --> 00:36:53,480 Speaker 1: that she was the first CD that I ever had, 739 00:36:53,560 --> 00:36:56,360 Speaker 1: like I grew up. Only let's do one at a time, lunchbox. 740 00:36:56,400 --> 00:36:59,200 Speaker 1: You tell me if he's count a superfan. Yeah, elements, okay, 741 00:36:59,680 --> 00:37:01,719 Speaker 1: number one one. So I told them that she was 742 00:37:01,760 --> 00:37:03,919 Speaker 1: the first CD I ever had. It's all I listened 743 00:37:03,960 --> 00:37:07,080 Speaker 1: to for several years. No, okay, that's a good start 744 00:37:07,120 --> 00:37:09,759 Speaker 1: to a super fan. Okay, okay, go ahead. She was 745 00:37:09,800 --> 00:37:13,719 Speaker 1: the first concert I ever went to. Yeah, wow, well 746 00:37:13,880 --> 00:37:17,760 Speaker 1: what you are? And yes, I had leopard print on. Okay, 747 00:37:17,760 --> 00:37:20,040 Speaker 1: I've bet a lot of girls out there. First concert 748 00:37:20,080 --> 00:37:22,360 Speaker 1: with Schneia Twain with leopard print because that was their 749 00:37:22,400 --> 00:37:25,360 Speaker 1: favorite artist. Next, my dad helped me up so I 750 00:37:25,360 --> 00:37:27,520 Speaker 1: could touch her hand, and I would not let my 751 00:37:27,520 --> 00:37:30,040 Speaker 1: parents wash my hand for several weeks after the fact. 752 00:37:30,640 --> 00:37:34,319 Speaker 1: That's good. Oh wow, Okay, it's like any other kid. Okay. 753 00:37:34,360 --> 00:37:36,600 Speaker 1: You put it like in a ziplog bag when you shower, Yeah, 754 00:37:36,680 --> 00:37:38,919 Speaker 1: kind of, like I refused. It was like a whole 755 00:37:38,920 --> 00:37:42,000 Speaker 1: thing with my parents when this happened. Anything else. And 756 00:37:42,040 --> 00:37:44,160 Speaker 1: then I would always have her posters hanging up, and 757 00:37:44,160 --> 00:37:46,319 Speaker 1: I knew every single song on every single one of 758 00:37:46,320 --> 00:37:48,800 Speaker 1: her albums, even her new one after she had a hiatus. 759 00:37:48,840 --> 00:37:51,600 Speaker 1: I know, wow, that's super fan. I never heard any 760 00:37:51,640 --> 00:37:56,399 Speaker 1: of that. Okay, yes, well, and I'll just say too 761 00:37:56,520 --> 00:37:59,120 Speaker 1: to remind Lunchbox of like what it is is, there's 762 00:37:59,120 --> 00:38:01,520 Speaker 1: gonna be other fans. Morgan's going to get to compete 763 00:38:01,600 --> 00:38:04,759 Speaker 1: so her like, she'll have to know things and she'll 764 00:38:04,760 --> 00:38:06,959 Speaker 1: have to prove herself and prove that she's the number 765 00:38:06,960 --> 00:38:10,000 Speaker 1: one family. You see her in concert, I've seen her twice, 766 00:38:10,080 --> 00:38:19,040 Speaker 1: oh super fans, but retired like a superman to see 767 00:38:19,040 --> 00:38:23,640 Speaker 1: her the second time. What that is super fair? Called rich? No? No, 768 00:38:23,840 --> 00:38:29,279 Speaker 1: Morgan's not rich. It was just not no, because that's 769 00:38:29,320 --> 00:38:31,520 Speaker 1: not like Morgan probably had to save and figure it 770 00:38:31,560 --> 00:38:33,640 Speaker 1: out and like she was willing to invest in something 771 00:38:33,680 --> 00:38:36,400 Speaker 1: that was important to her. My point is, instead of 772 00:38:36,480 --> 00:38:39,880 Speaker 1: you saying I would also like to be on television 773 00:38:39,880 --> 00:38:42,239 Speaker 1: and I'm a little jealous, you're taking shots of her 774 00:38:42,280 --> 00:38:45,839 Speaker 1: to keep her off of television. Not taking shots kind 775 00:38:45,840 --> 00:38:50,240 Speaker 1: of you immediately did no. I immediately just pointed out facts. Okay, 776 00:38:50,719 --> 00:38:52,400 Speaker 1: we'll have her on, We'll have the producer on. I 777 00:38:52,440 --> 00:38:54,279 Speaker 1: think it'd be awesome if you were able to get on. 778 00:38:54,760 --> 00:38:56,880 Speaker 1: But if I mean, if someone shows up with it, 779 00:38:57,600 --> 00:39:03,399 Speaker 1: Jania Tattoo, you're out of luck. Unch I think Pitt 780 00:39:03,440 --> 00:39:05,640 Speaker 1: Bull is also doing this. You want to try to 781 00:39:05,680 --> 00:39:08,120 Speaker 1: be his biggest fand no, I've never seen him in concert. 782 00:39:08,280 --> 00:39:11,680 Speaker 1: Who g you can get on TV on the show. 783 00:39:11,800 --> 00:39:14,359 Speaker 1: Just you know, we'll have her on the next couple 784 00:39:14,360 --> 00:39:16,279 Speaker 1: of days. I will say, I don't think I'm like 785 00:39:16,360 --> 00:39:19,120 Speaker 1: a crazy fan. I do think I'm just a good fan. No, 786 00:39:19,200 --> 00:39:21,520 Speaker 1: don't say that you need to be crazy to go 787 00:39:22,320 --> 00:39:27,279 Speaker 1: like that Morgan job on TV. You still have still haven't. 788 00:39:27,280 --> 00:39:30,879 Speaker 1: It's a ziplock bag right now, like you. Uh, these 789 00:39:30,920 --> 00:39:35,759 Speaker 1: producers want people who are super fan, loud, opinionated. I 790 00:39:35,840 --> 00:39:38,919 Speaker 1: just didn't to make sure she doesn't think I'm stokersh Okay, 791 00:39:38,960 --> 00:39:42,839 Speaker 1: they want that. Okay, Okay, we sent it off. They're 792 00:39:42,880 --> 00:39:46,360 Speaker 1: considering you. That would be amazing. Yes, yes, and you 793 00:39:46,400 --> 00:39:47,759 Speaker 1: can have all the time off. You need to do it. 794 00:39:47,880 --> 00:39:50,080 Speaker 1: And now I'm going to go super crazy, so Lunchbox, 795 00:39:50,360 --> 00:39:52,200 Speaker 1: that's right, sees me go on the TV show. That's 796 00:39:52,360 --> 00:39:57,000 Speaker 1: when when the woman comes on, start like panting things 797 00:39:57,040 --> 00:40:00,320 Speaker 1: like that. Just start seeing. Okay, we'll find out the 798 00:40:00,320 --> 00:40:01,880 Speaker 1: next couple of days if Morgan still has a chance 799 00:40:01,920 --> 00:40:07,640 Speaker 1: at this will be that'll be very exciting, right, it's 800 00:40:07,719 --> 00:40:11,160 Speaker 1: the best Bits of the week with Morgan number two. 801 00:40:12,400 --> 00:40:15,400 Speaker 1: Super cool moment for Eddie this week a song that 802 00:40:15,520 --> 00:40:18,319 Speaker 1: he wrote with John Daly came out on his new 803 00:40:18,400 --> 00:40:22,279 Speaker 1: album and so Eddie officially has like a song song 804 00:40:22,480 --> 00:40:25,000 Speaker 1: produced on an album out into the world and we 805 00:40:25,120 --> 00:40:27,920 Speaker 1: got to hear it and he shared the behind the 806 00:40:28,000 --> 00:40:30,160 Speaker 1: scenes of it and how it happened. If you want 807 00:40:30,200 --> 00:40:32,600 Speaker 1: to listen to that song, it's on Bobby Bones dot com. 808 00:40:32,719 --> 00:40:35,399 Speaker 1: But right now, here's Eddie talking about writing the song 809 00:40:35,560 --> 00:40:38,919 Speaker 1: with John Daily number two. So we mentioned the Post 810 00:40:38,960 --> 00:40:43,959 Speaker 1: show yesterday are Esteemed video producer. Eddie wrote, Oh, wrote 811 00:40:44,040 --> 00:40:47,880 Speaker 1: this song with John Daly, the golfer who has kind 812 00:40:47,920 --> 00:40:50,040 Speaker 1: of a country music career as well. Yeah, and so 813 00:40:50,280 --> 00:40:52,920 Speaker 1: the song is called whid She Ever Loved Me? We 814 00:40:53,000 --> 00:40:54,840 Speaker 1: played a clip of it in the post show and 815 00:40:54,920 --> 00:40:57,440 Speaker 1: I was like, song sounds pretty good. We only played 816 00:40:57,480 --> 00:40:59,000 Speaker 1: the chorus, so I didn't really get a chance to 817 00:40:59,080 --> 00:41:03,840 Speaker 1: hear song. You're gonna play this right now? Yeah, that's amazing. 818 00:41:04,000 --> 00:41:06,080 Speaker 1: Why not listen? This is awesome? Yeah, that's really really 819 00:41:06,080 --> 00:41:07,880 Speaker 1: You went, this is cool. You did a big thing. 820 00:41:07,920 --> 00:41:09,799 Speaker 1: You went and wrote a song. Yeah you gotta cut. 821 00:41:09,960 --> 00:41:12,279 Speaker 1: It's on an album. This is the real deal, proud 822 00:41:12,320 --> 00:41:16,840 Speaker 1: of you. So we may not play all three minutes 823 00:41:16,880 --> 00:41:18,480 Speaker 1: of it, but let's just see. I just want to 824 00:41:18,520 --> 00:41:20,759 Speaker 1: listen to the words. All right. This is called why 825 00:41:20,840 --> 00:41:32,760 Speaker 1: did She Ever Love Me? By John Daily and I shit, general, 826 00:41:34,000 --> 00:41:38,719 Speaker 1: have a drink, give me a second, wild. I think 827 00:41:39,080 --> 00:41:48,960 Speaker 1: about how I've lived. Do you mind being Julie and 828 00:41:49,239 --> 00:41:53,000 Speaker 1: tell you how I got you? I'm a man and 829 00:41:53,239 --> 00:41:57,160 Speaker 1: lost it just with the woman who did nothing, but 830 00:42:01,560 --> 00:42:10,520 Speaker 1: she put her taken enough shoine with scape. I treat 831 00:42:10,719 --> 00:42:18,960 Speaker 1: so that the hand she ever forgive me just because 832 00:42:19,080 --> 00:42:22,920 Speaker 1: I didn't show it mean I didn't get get it 833 00:42:23,040 --> 00:42:29,399 Speaker 1: home insience, I shout to the chie. She cried, yes, 834 00:42:29,560 --> 00:42:39,480 Speaker 1: a last me, but she ever loved me. Enter the 835 00:42:39,640 --> 00:42:46,560 Speaker 1: fumes in my hand, behind the more I reckon. Now 836 00:42:47,400 --> 00:42:51,239 Speaker 1: that's the breeze left for me and my place for 837 00:42:51,360 --> 00:43:05,040 Speaker 1: all these She put her take enough shout that she 838 00:43:05,280 --> 00:43:24,120 Speaker 1: is so in show it because me inside she tried. Yes, 839 00:43:28,120 --> 00:43:35,919 Speaker 1: what she good? So like what words did you write? Yeah? 840 00:43:36,040 --> 00:43:38,920 Speaker 1: I mean I don't really how it work. I just 841 00:43:38,960 --> 00:43:40,680 Speaker 1: didn't know if he had like a like a line 842 00:43:40,760 --> 00:43:43,960 Speaker 1: that was your no, like it's a team effort. Yeah, 843 00:43:44,000 --> 00:43:45,960 Speaker 1: all right, let's finish it out all. Eddie wrote this 844 00:43:46,080 --> 00:44:00,120 Speaker 1: with John Daily. Now that's you're the one. Run from that. 845 00:44:00,280 --> 00:44:12,200 Speaker 1: We're right, I for my heart for me sho, I 846 00:44:12,360 --> 00:44:21,279 Speaker 1: treat you so bad? You give me just because I 847 00:44:21,400 --> 00:44:25,759 Speaker 1: didn't show, didn't kill I should have kept it all 848 00:44:25,840 --> 00:44:38,000 Speaker 1: inside where I should have been last right here mees 849 00:44:38,120 --> 00:44:51,960 Speaker 1: I try why she come on? Thank you? That's pretty cool. 850 00:44:53,000 --> 00:44:55,040 Speaker 1: Thank you for playing that. That's really cool. I'm proud 851 00:44:55,080 --> 00:44:58,800 Speaker 1: of you. That's awesome. That's a John Daily, the former 852 00:44:58,880 --> 00:45:02,239 Speaker 1: professional golfer. But Eddie wrote that with them. Yeah, and 853 00:45:02,960 --> 00:45:06,960 Speaker 1: that's really stinking cool. My friends, that's awesome. It's crazy. 854 00:45:07,000 --> 00:45:09,160 Speaker 1: We wrote that in August of last year, and it's 855 00:45:09,239 --> 00:45:11,919 Speaker 1: like barely came out, what like last week or something. 856 00:45:12,000 --> 00:45:13,680 Speaker 1: It's like, man, that takes a while. I'm sure some 857 00:45:13,760 --> 00:45:15,960 Speaker 1: people write songs like years and years ago and then 858 00:45:16,000 --> 00:45:17,920 Speaker 1: it finally sees a lot of day. It's pretty cool. 859 00:45:17,920 --> 00:45:19,320 Speaker 1: I'm a part of that right now. It's actually a 860 00:45:19,400 --> 00:45:21,560 Speaker 1: pretty good song too, Like it sounds like a Lee 861 00:45:21,640 --> 00:45:23,560 Speaker 1: Bryce song. And then when I hear that that sounds 862 00:45:23,560 --> 00:45:25,200 Speaker 1: like a Lee Brice song. Hey, Lee Bress can cut 863 00:45:25,239 --> 00:45:30,960 Speaker 1: it two once you know why you love me? Come on, man, 864 00:45:31,320 --> 00:45:33,279 Speaker 1: thank you man. It's awesome. I got Eddie over here 865 00:45:33,280 --> 00:45:36,040 Speaker 1: and making big moves. Man, just kind of just if 866 00:45:36,080 --> 00:45:38,160 Speaker 1: an opportunity opens up, I take it. I like that. 867 00:45:38,440 --> 00:45:40,480 Speaker 1: There it is. You guys can't stream it or I 868 00:45:40,560 --> 00:45:41,800 Speaker 1: don't know, Hey, do you' gonna make a bunch of 869 00:45:41,800 --> 00:45:43,440 Speaker 1: money off of it? Or what? Do you go to 870 00:45:43,480 --> 00:45:45,360 Speaker 1: iTunes and download it? Now that don't do that anymore. 871 00:45:46,480 --> 00:45:48,840 Speaker 1: Truth is, it'll probably number one on iTunes because it 872 00:45:48,920 --> 00:45:51,600 Speaker 1: takes like thirty downloads to be a number one right iTunes. 873 00:45:52,320 --> 00:45:54,960 Speaker 1: But that's really cool. Congratulation, Thank you man, thanks for 874 00:45:55,000 --> 00:45:56,160 Speaker 1: playing man. What do you want to say to our 875 00:45:56,200 --> 00:46:02,239 Speaker 1: new songwriter fort I mean I'm super impressed, like I 876 00:46:02,440 --> 00:46:05,640 Speaker 1: was feeling that song for sure, and yeah, I love 877 00:46:05,680 --> 00:46:09,359 Speaker 1: that Eddie's got opportunities and he's trying it out. I mean, 878 00:46:09,400 --> 00:46:12,080 Speaker 1: he's obviously been a songwriter with you with the raging idiots, 879 00:46:12,120 --> 00:46:14,880 Speaker 1: that this is like a little bit different. I love it. 880 00:46:15,160 --> 00:46:22,279 Speaker 1: It's like a crazy real song. Yeah, love me, love me, 881 00:46:23,239 --> 00:46:27,880 Speaker 1: love Okay, Well, I feel goodybody feel good? Yeah a 882 00:46:27,920 --> 00:46:30,560 Speaker 1: little segment okay, okay, I even saw lunchpots kind of 883 00:46:30,600 --> 00:46:35,440 Speaker 1: Bob crying crying over Why would I cry about a 884 00:46:35,520 --> 00:46:37,800 Speaker 1: stupid soul? Do you think it's a good song? That 885 00:46:37,960 --> 00:46:42,000 Speaker 1: was fine? Of course fine. What would you give it? 886 00:46:42,080 --> 00:46:44,799 Speaker 1: One through ten? Probably a six? Okay, better than ever? 887 00:46:45,000 --> 00:46:47,239 Speaker 1: That's very wow, that's generous. I mean, Eddie was trying 888 00:46:47,280 --> 00:46:49,080 Speaker 1: to get me to get really into hid me going, hey, man, 889 00:46:49,120 --> 00:46:51,239 Speaker 1: you see that I wrote that. He's pointing at himself like, yeah, dude, 890 00:46:51,280 --> 00:46:53,080 Speaker 1: I know you wrote it. Bobby kept saying you wrote it, 891 00:46:53,360 --> 00:46:55,000 Speaker 1: and he was like, hey, you know I wrote that. Yeah, 892 00:46:55,000 --> 00:46:57,480 Speaker 1: I got it. I mean, good job, congratulations. You can't 893 00:46:57,480 --> 00:46:58,840 Speaker 1: even tell us what you wrote, so I don't know 894 00:46:58,880 --> 00:47:01,320 Speaker 1: how much you really wrote. Okay, next thing, you know, 895 00:47:01,480 --> 00:47:06,360 Speaker 1: Lunchbox is gonna give Eddie songwriters for dummies. That's a 896 00:47:06,400 --> 00:47:11,360 Speaker 1: real song, that is It's the best bits of the 897 00:47:11,440 --> 00:47:18,160 Speaker 1: week with Morgan number two, and coming in hot at 898 00:47:18,280 --> 00:47:21,040 Speaker 1: number one is Tim Tebow. He came on the show 899 00:47:21,080 --> 00:47:22,759 Speaker 1: to talk about a new book that he has out. 900 00:47:23,080 --> 00:47:25,120 Speaker 1: But every time we do an interview with Tim Tebow, 901 00:47:25,120 --> 00:47:27,040 Speaker 1: he's always so kind and so sweet. I think he 902 00:47:27,200 --> 00:47:30,480 Speaker 1: might be the nicest person on planet Earth. And you 903 00:47:30,560 --> 00:47:32,399 Speaker 1: guys always feel the same way. You guys write such 904 00:47:32,520 --> 00:47:34,680 Speaker 1: nice things and engage so much with all the content 905 00:47:34,760 --> 00:47:38,680 Speaker 1: about him. So without further ado, it is Tim Tebow 906 00:47:39,040 --> 00:47:42,440 Speaker 1: with Bobby Bones number one. Always loving having Tim on 907 00:47:42,520 --> 00:47:45,080 Speaker 1: the show. Tim, how's it going, buddy? I'm good man. 908 00:47:45,200 --> 00:47:47,120 Speaker 1: How are you? I see you rock in the Arkansas 909 00:47:47,239 --> 00:47:50,840 Speaker 1: West here. You know, it's ninety percent of my wardrobe 910 00:47:50,880 --> 00:47:52,800 Speaker 1: and it wasn't because of you, although if you'd like 911 00:47:52,880 --> 00:47:55,319 Speaker 1: to take it as a personal shot, I welcome it, um, 912 00:47:56,280 --> 00:47:58,520 Speaker 1: but it is most of my clothes. If it's not 913 00:47:58,640 --> 00:48:01,200 Speaker 1: dress clothes, it's somehow got a razorback on it. So 914 00:48:01,520 --> 00:48:04,279 Speaker 1: I appreciate the acknowledgement. I got no problem rock. Your 915 00:48:04,320 --> 00:48:07,480 Speaker 1: school will be proud of it, no problem whatsoever. And listen, Bobby, 916 00:48:07,520 --> 00:48:09,480 Speaker 1: I know you never take any shots at me, so 917 00:48:10,000 --> 00:48:12,640 Speaker 1: I know we're better than that. So, of course, not 918 00:48:13,080 --> 00:48:15,239 Speaker 1: Tim Tebow's on who. By the way, the Gators lost 919 00:48:15,360 --> 00:48:17,880 Speaker 1: Arkansas a couple weeks ago in Florida's pretty cool anyway, 920 00:48:19,320 --> 00:48:22,160 Speaker 1: I was. I've spent a bit of time with your book. 921 00:48:22,200 --> 00:48:26,240 Speaker 1: Actually it's a wonderful read as someone who loves motivational books, 922 00:48:26,239 --> 00:48:28,279 Speaker 1: and I've actually highlighted a couple of things that I 923 00:48:28,320 --> 00:48:30,080 Speaker 1: wanted to bring to you, So I've made notes on pages, 924 00:48:30,120 --> 00:48:32,840 Speaker 1: so excuse my fumbling. But the book is called Mission Possible, 925 00:48:33,200 --> 00:48:35,440 Speaker 1: Go create a life that counts. And I want to 926 00:48:35,520 --> 00:48:37,759 Speaker 1: go to this called Make the Choice, and I want 927 00:48:37,800 --> 00:48:40,680 Speaker 1: to read a section of something that I found really 928 00:48:40,800 --> 00:48:42,600 Speaker 1: moving and would like for Tim to elaborate a bit. 929 00:48:42,920 --> 00:48:46,920 Speaker 1: Tim rights, before we start dreaming about the possible, we 930 00:48:47,080 --> 00:48:50,279 Speaker 1: must remind ourselves of something. Even as we lock into 931 00:48:50,400 --> 00:48:56,040 Speaker 1: significance over success, the results are beyond our control. Tim, 932 00:48:56,160 --> 00:48:57,960 Speaker 1: talk to me about that. What do you mean by 933 00:48:58,040 --> 00:49:03,080 Speaker 1: that in like human talking terms. Well, first of all, 934 00:49:03,280 --> 00:49:06,000 Speaker 1: thanks for investing so much and reading it and being 935 00:49:06,320 --> 00:49:08,439 Speaker 1: you know, aware of everything. I really appreciate that. First 936 00:49:08,440 --> 00:49:11,000 Speaker 1: of all, I find that really encouraging to me. And 937 00:49:11,040 --> 00:49:14,760 Speaker 1: the reason that I wrote this, Bobby, is to encourage people. 938 00:49:14,800 --> 00:49:17,960 Speaker 1: That's why it's literally titled Mission Possible, not Tom Cruise 939 00:49:18,040 --> 00:49:20,960 Speaker 1: Mission Impossible. It is Mission Possible. And I think to 940 00:49:21,040 --> 00:49:23,080 Speaker 1: give a little background of what I mean by that 941 00:49:23,320 --> 00:49:26,480 Speaker 1: is is a few studies that have been done one 942 00:49:26,680 --> 00:49:30,080 Speaker 1: but with people eighteen to thirty five, over sixty percent 943 00:49:30,120 --> 00:49:32,160 Speaker 1: of them say no one believes in them. There's no 944 00:49:32,200 --> 00:49:34,360 Speaker 1: one in the world that believes them. Over sixty percent 945 00:49:34,600 --> 00:49:38,759 Speaker 1: of young people and another third of our population say 946 00:49:38,840 --> 00:49:41,520 Speaker 1: that either they're lonely all the time or most of 947 00:49:41,600 --> 00:49:44,640 Speaker 1: the time, and then out of our population, they spend 948 00:49:44,719 --> 00:49:47,960 Speaker 1: twelve percent of their daily thoughts comparing themselves with other people. 949 00:49:48,400 --> 00:49:51,319 Speaker 1: So if we're if no one believes in us, if 950 00:49:51,320 --> 00:49:53,440 Speaker 1: we're lonely all or most of the time, and we're 951 00:49:53,480 --> 00:49:56,920 Speaker 1: spending ourselves our time comparing our thoughts and we want 952 00:49:56,920 --> 00:49:59,319 Speaker 1: to be like other people, there's no chance that we're 953 00:49:59,360 --> 00:50:02,080 Speaker 1: going to actually live out the purpose to calling the dreams, 954 00:50:02,160 --> 00:50:04,200 Speaker 1: the visions, the hopes that we have in our life. 955 00:50:04,239 --> 00:50:06,279 Speaker 1: And so I want to write something that's going to 956 00:50:06,440 --> 00:50:08,480 Speaker 1: encourage people and who they are and who they are 957 00:50:08,880 --> 00:50:11,520 Speaker 1: created to be and what they can accomplish. And I 958 00:50:11,600 --> 00:50:15,279 Speaker 1: think getting to what we're talking about is sometimes the 959 00:50:15,440 --> 00:50:18,239 Speaker 1: results aren't up to us, meaning the results of I 960 00:50:18,400 --> 00:50:20,640 Speaker 1: want people to dream. But listen, if you're five five, 961 00:50:20,719 --> 00:50:22,799 Speaker 1: you're probably not going to be better than Lebron James 962 00:50:22,880 --> 00:50:25,960 Speaker 1: at basketball. Let's just be honest about that. But with 963 00:50:26,200 --> 00:50:29,800 Speaker 1: this book, having a mission possible life, a life that 964 00:50:29,880 --> 00:50:33,400 Speaker 1: truly counts that's possible for everyone. It's not about how 965 00:50:33,520 --> 00:50:36,960 Speaker 1: equipped you are, what your status is, how many followers 966 00:50:37,040 --> 00:50:39,480 Speaker 1: you have, how skilled you are. It is about making 967 00:50:39,560 --> 00:50:42,560 Speaker 1: the choice to be willing to love sir, give care, prey, 968 00:50:42,840 --> 00:50:45,479 Speaker 1: and be willing to give of yourself to help other people. 969 00:50:45,520 --> 00:50:47,359 Speaker 1: And I believe every single one of us can make 970 00:50:47,400 --> 00:50:50,239 Speaker 1: that choice. I didn't feel that way about myself till 971 00:50:50,280 --> 00:50:51,799 Speaker 1: right now. He just motivated me to believe that about 972 00:50:51,840 --> 00:50:55,080 Speaker 1: myself talking to him in person. Yes, there's another part 973 00:50:55,160 --> 00:50:57,719 Speaker 1: that I read, and it was a part of the book. 974 00:50:57,760 --> 00:50:59,879 Speaker 1: It was called there Is No Yet, and you talk 975 00:51:00,160 --> 00:51:03,920 Speaker 1: about how easy it is whenever times are good to 976 00:51:04,120 --> 00:51:06,640 Speaker 1: make commitments, and I believe part of it was when 977 00:51:06,680 --> 00:51:09,840 Speaker 1: you're getting married, it's easy to make the vows for sickness, 978 00:51:10,400 --> 00:51:13,360 Speaker 1: for sickness and death, or whenever you've you know, working 979 00:51:13,400 --> 00:51:15,080 Speaker 1: on a project, it's easy to commit to it and 980 00:51:15,080 --> 00:51:19,440 Speaker 1: all that, but then sometimes it gets hard and so 981 00:51:19,760 --> 00:51:21,160 Speaker 1: kind of go into that a little bit of what 982 00:51:21,239 --> 00:51:25,279 Speaker 1: you meant, well, that was actually sharing your story to 983 00:51:25,320 --> 00:51:29,080 Speaker 1: illustrate it about Jeff and Becky Davidson, very close friends 984 00:51:29,120 --> 00:51:31,880 Speaker 1: of ours and ministry partners of ours, and they had 985 00:51:31,920 --> 00:51:34,000 Speaker 1: been married for many years and they had a child, 986 00:51:34,160 --> 00:51:37,400 Speaker 1: John Alex, who was born with severe special needs and 987 00:51:38,239 --> 00:51:40,440 Speaker 1: actually and taking care of both of them. Both of 988 00:51:40,520 --> 00:51:43,480 Speaker 1: them are in the hospital. Jeff and John Alex were 989 00:51:43,520 --> 00:51:45,920 Speaker 1: in the hospital, and the social worker, because Jeff was 990 00:51:46,360 --> 00:51:48,840 Speaker 1: so sick, he said, you know, if Jeff survives and 991 00:51:48,960 --> 00:51:51,200 Speaker 1: he goes home, how are you to Becky, how are 992 00:51:51,239 --> 00:51:53,520 Speaker 1: you going to take care of him? Like, who's going 993 00:51:53,560 --> 00:51:55,480 Speaker 1: to take care of him? She said, I will, like 994 00:51:55,640 --> 00:51:57,359 Speaker 1: I've been doing it for twenty five years and I'm 995 00:51:57,440 --> 00:52:01,959 Speaker 1: not going to stop. And in the worker said, whoa yeah, 996 00:52:02,320 --> 00:52:04,839 Speaker 1: meaning you're not gonna stop yet, but when it gets 997 00:52:04,880 --> 00:52:07,560 Speaker 1: hard enough, you're gonna make the choice to quit. And 998 00:52:07,960 --> 00:52:11,840 Speaker 1: when Jeff was on his deathbed, the last thing that 999 00:52:12,480 --> 00:52:15,719 Speaker 1: she said to him as he's holding she's holding his hand, 1000 00:52:15,840 --> 00:52:18,960 Speaker 1: is there was no yet. There was never yet. You know, 1001 00:52:19,080 --> 00:52:20,759 Speaker 1: there was never a moment where it's going to get 1002 00:52:20,800 --> 00:52:22,600 Speaker 1: too hard, where I was going to leave you. There's 1003 00:52:22,640 --> 00:52:25,680 Speaker 1: never a moment where things got too bleak, where I 1004 00:52:25,719 --> 00:52:29,200 Speaker 1: didn't believe in you were love wasn't enough. And that 1005 00:52:29,400 --> 00:52:32,160 Speaker 1: was just one of the really inspirational stories in my life. 1006 00:52:32,200 --> 00:52:34,760 Speaker 1: To be friends with them, to watch it up close 1007 00:52:34,880 --> 00:52:37,200 Speaker 1: and from afar, to be able to see what it 1008 00:52:37,280 --> 00:52:40,879 Speaker 1: really means to choose convictions over emotions. What it really 1009 00:52:41,000 --> 00:52:42,800 Speaker 1: means to say, you know what, when I'm all in, 1010 00:52:43,400 --> 00:52:46,000 Speaker 1: I truly mean all in. You know, we wear slogans 1011 00:52:46,040 --> 00:52:48,680 Speaker 1: and tags and phrases that we threw out all the time, 1012 00:52:48,800 --> 00:52:50,920 Speaker 1: especially in sports. Hey, what does it mean to be 1013 00:52:51,000 --> 00:52:53,800 Speaker 1: all in? Well? I can tell you. For for Becky Davidson, 1014 00:52:54,000 --> 00:52:56,359 Speaker 1: when she's got her husband in hospital and her son 1015 00:52:56,440 --> 00:52:59,040 Speaker 1: in another hospital and she spends her days going back 1016 00:52:59,120 --> 00:53:02,399 Speaker 1: and forth and the social workers and the doctors are saying, listen, 1017 00:53:02,480 --> 00:53:05,279 Speaker 1: you can't do all this. She's saying, hey, there is 1018 00:53:05,400 --> 00:53:07,640 Speaker 1: no yet. And you know that was such an inspiration 1019 00:53:07,760 --> 00:53:10,400 Speaker 1: to me to say, you know, when I believe in something, 1020 00:53:10,560 --> 00:53:12,480 Speaker 1: when I say I'm all in, there better not be 1021 00:53:12,600 --> 00:53:15,880 Speaker 1: a yet. You know, a lot of the book highlights 1022 00:53:16,000 --> 00:53:19,200 Speaker 1: your relationship with Christ. You know how important is that 1023 00:53:19,520 --> 00:53:22,720 Speaker 1: for you to not only thread that into your message, 1024 00:53:23,080 --> 00:53:27,919 Speaker 1: but to communicate to others how important it is. Well, 1025 00:53:28,320 --> 00:53:30,759 Speaker 1: I think it's something that I want to communicate in 1026 00:53:30,840 --> 00:53:33,239 Speaker 1: my life, not just in words, but more importantly in 1027 00:53:33,320 --> 00:53:36,879 Speaker 1: actions and indeeds, but hopefully have the chance to mesh 1028 00:53:36,960 --> 00:53:41,320 Speaker 1: those up. And I believe that one of the greatest 1029 00:53:41,360 --> 00:53:44,000 Speaker 1: things that people are looking for and it's also backed 1030 00:53:44,040 --> 00:53:46,799 Speaker 1: by statistics. I believe eighty one percent of people are 1031 00:53:46,920 --> 00:53:50,600 Speaker 1: looking for purpose and meaning in their life, and I 1032 00:53:50,760 --> 00:53:53,480 Speaker 1: wanted this book to be something that could encourage people 1033 00:53:53,880 --> 00:53:57,120 Speaker 1: with that purpose. And I believe that every single person 1034 00:53:57,920 --> 00:54:01,719 Speaker 1: has purpose everything. Every single person was created in love, 1035 00:54:01,800 --> 00:54:03,759 Speaker 1: by love, and for love, and I believe there is 1036 00:54:03,800 --> 00:54:06,359 Speaker 1: a great plan for their life, and would I want 1037 00:54:06,400 --> 00:54:09,279 Speaker 1: to encourage them in that plan for their life, that 1038 00:54:09,440 --> 00:54:13,440 Speaker 1: they have such significance and meaning and they were created 1039 00:54:13,520 --> 00:54:16,200 Speaker 1: with infinite value and worth, that the God of this 1040 00:54:16,440 --> 00:54:20,600 Speaker 1: universe loves them enough to send his son his best 1041 00:54:20,800 --> 00:54:25,279 Speaker 1: for them. I believe that gives everyone encouragement confidence that 1042 00:54:25,840 --> 00:54:30,560 Speaker 1: holy cow like there's the God of this universe loves me, 1043 00:54:30,960 --> 00:54:33,960 Speaker 1: believes in me, created me this way. And when I 1044 00:54:34,440 --> 00:54:36,680 Speaker 1: when someone when a life realizes that I don't have 1045 00:54:36,840 --> 00:54:39,640 Speaker 1: to spend my time worrying about what the world says, 1046 00:54:39,680 --> 00:54:42,160 Speaker 1: I don't have to spend my time worrying about what 1047 00:54:42,320 --> 00:54:44,719 Speaker 1: social media says. I don't have to spend myself my 1048 00:54:44,840 --> 00:54:47,799 Speaker 1: time comparing myself with other people, even though it's really 1049 00:54:47,840 --> 00:54:50,000 Speaker 1: easy to do so, because I know what God says 1050 00:54:50,000 --> 00:54:52,440 Speaker 1: about me. That's more important than what anybody else says 1051 00:54:52,480 --> 00:54:55,920 Speaker 1: about me. Tim tebows On. His book is called Mission Possible, 1052 00:54:56,400 --> 00:54:58,839 Speaker 1: Go create a life that counts. And I do think 1053 00:54:58,880 --> 00:55:01,680 Speaker 1: if what Tim messages now it is resonating with you, 1054 00:55:02,080 --> 00:55:04,759 Speaker 1: you will love the book. It is. And I say 1055 00:55:04,800 --> 00:55:07,719 Speaker 1: this in the most complimentary way. It's an easy read 1056 00:55:07,840 --> 00:55:10,360 Speaker 1: because it's understandable. Sometimes people the right books are like 1057 00:55:10,360 --> 00:55:12,719 Speaker 1: they like to write in big, fancy words in terms 1058 00:55:12,719 --> 00:55:15,319 Speaker 1: that you don't understand. But you didn't do that here. 1059 00:55:15,520 --> 00:55:17,800 Speaker 1: Like it just felt good. I felt good afterward. So 1060 00:55:18,000 --> 00:55:23,520 Speaker 1: congratulations on writing something you know, really substantive. Tim, Thank 1061 00:55:23,600 --> 00:55:25,960 Speaker 1: you so much, man. I really appreciate that. Thank you 1062 00:55:26,080 --> 00:55:29,319 Speaker 1: for your support. And I really hope this book can 1063 00:55:29,400 --> 00:55:32,040 Speaker 1: encourage people. That's really the heart and the passion behind it, 1064 00:55:32,400 --> 00:55:35,640 Speaker 1: and to encourage people truly in their worth. I want 1065 00:55:35,640 --> 00:55:37,359 Speaker 1: to ask you a couple of things that are non 1066 00:55:37,480 --> 00:55:40,160 Speaker 1: book related. And by the way, there's a wall here. 1067 00:55:40,480 --> 00:55:43,040 Speaker 1: You know, we're doing the radio show and you're so 1068 00:55:43,200 --> 00:55:46,160 Speaker 1: motivational and you know quite the inspiration to talk to that. 1069 00:55:46,200 --> 00:55:47,400 Speaker 1: If you said, hey, Bobby, I'd like for you to 1070 00:55:47,560 --> 00:55:49,400 Speaker 1: run through that wall right now, Tim, I would do it. 1071 00:55:49,400 --> 00:55:51,120 Speaker 1: I would run through that wall right now for you. 1072 00:55:53,760 --> 00:55:58,719 Speaker 1: Thank you, thank you, you would do it? Then? Both yes, both, Hey, um, 1073 00:55:59,320 --> 00:56:03,359 Speaker 1: do you ever see yourself because you are such a leader, 1074 00:56:03,480 --> 00:56:06,640 Speaker 1: and I pivot into this, do you ever see yourself 1075 00:56:07,040 --> 00:56:09,880 Speaker 1: being a leader in different areas? A CEO of a 1076 00:56:10,000 --> 00:56:14,520 Speaker 1: major company, in politics, a head football coach, Like, what 1077 00:56:14,680 --> 00:56:16,960 Speaker 1: do you think is in store for Tim Tebow in 1078 00:56:17,000 --> 00:56:21,360 Speaker 1: the next ten to fifteen years. That's a really good question. 1079 00:56:21,760 --> 00:56:25,680 Speaker 1: I see a possibility of all three. I mean, I 1080 00:56:25,800 --> 00:56:28,359 Speaker 1: think it's it's hard to really know exactly. I think 1081 00:56:28,400 --> 00:56:30,880 Speaker 1: in coaching, you have to give up so much because 1082 00:56:30,960 --> 00:56:33,360 Speaker 1: it's literally more than a full time job. And I 1083 00:56:33,480 --> 00:56:35,520 Speaker 1: think that would be really hard, even though I love 1084 00:56:35,600 --> 00:56:37,520 Speaker 1: the thought of it, love the thought of inspiring and 1085 00:56:37,600 --> 00:56:41,600 Speaker 1: encouraging and building a team of young men, But I mean, 1086 00:56:41,719 --> 00:56:43,800 Speaker 1: you have to drop everything else. And I love what 1087 00:56:43,880 --> 00:56:46,080 Speaker 1: we're doing at our foundation and so many other things. 1088 00:56:46,239 --> 00:56:49,080 Speaker 1: I'm fortunate to be part of some different companies that 1089 00:56:49,160 --> 00:56:52,600 Speaker 1: we're building now, you know, I really enjoy that side. 1090 00:56:52,680 --> 00:56:56,000 Speaker 1: And then in politics, I don't know if it's something 1091 00:56:56,080 --> 00:56:58,640 Speaker 1: that I would quite enjoy as much, to be honest, 1092 00:56:59,080 --> 00:57:01,680 Speaker 1: but I've he said I would at least be open 1093 00:57:01,760 --> 00:57:03,960 Speaker 1: to it if it's where I felt I could do 1094 00:57:04,080 --> 00:57:07,120 Speaker 1: the most good, if I could truly create the most 1095 00:57:07,200 --> 00:57:11,600 Speaker 1: amount of impact and change. If that was something I 1096 00:57:11,719 --> 00:57:13,520 Speaker 1: felt was really put on my heart, then I would 1097 00:57:13,560 --> 00:57:16,120 Speaker 1: be open to looking at it. You know, if you 1098 00:57:16,240 --> 00:57:19,200 Speaker 1: go and have dinner in Gainesville, or let's say Florida 1099 00:57:19,240 --> 00:57:22,200 Speaker 1: in general, you're back in Florida and people say, wow, 1100 00:57:22,240 --> 00:57:23,760 Speaker 1: this guy never has to pay for a meal again 1101 00:57:23,840 --> 00:57:26,480 Speaker 1: in Florida? Does that ever actually happen where you're there 1102 00:57:26,560 --> 00:57:27,960 Speaker 1: and you're having a meal and they're like, well, the 1103 00:57:28,000 --> 00:57:29,560 Speaker 1: guy over at that table over there just picked up 1104 00:57:29,560 --> 00:57:34,960 Speaker 1: your whole meal, mister Tebow, does that happen? It's definitely happened. Yes, 1105 00:57:35,080 --> 00:57:38,920 Speaker 1: I can't lie and say that it hasn't happened. Happened. 1106 00:57:39,600 --> 00:57:41,000 Speaker 1: And then do you feel the needs like you have 1107 00:57:41,120 --> 00:57:42,760 Speaker 1: to go over? Like did they just buy a meet 1108 00:57:42,800 --> 00:57:44,280 Speaker 1: and greet with you? I guess that's the question. By 1109 00:57:44,320 --> 00:57:45,880 Speaker 1: buying your meal, do you feel like, well, now I 1110 00:57:45,960 --> 00:57:47,320 Speaker 1: got to go over and spend a few times with 1111 00:57:47,400 --> 00:57:51,320 Speaker 1: all twelve people sitting at the table. Honestly, I think 1112 00:57:52,200 --> 00:57:54,560 Speaker 1: there's both. There's a there's some times where you feel 1113 00:57:54,680 --> 00:57:57,040 Speaker 1: they need to do that, But then there's also times 1114 00:57:57,080 --> 00:58:03,360 Speaker 1: where people have purchased the meal and the waiter would 1115 00:58:03,440 --> 00:58:05,360 Speaker 1: not tell you who it was. They said they wanted 1116 00:58:05,400 --> 00:58:07,360 Speaker 1: to be anonymous. They just wanted to say thank you 1117 00:58:07,520 --> 00:58:10,840 Speaker 1: for either your ministry or foundation, or a Night to 1118 00:58:10,960 --> 00:58:13,600 Speaker 1: Shine or Orphan Care or something that was near and 1119 00:58:13,680 --> 00:58:15,360 Speaker 1: dear to their heart, and so they just wanted to 1120 00:58:15,440 --> 00:58:17,680 Speaker 1: say thank you, but they wanted to remain anonymous. And 1121 00:58:17,800 --> 00:58:20,360 Speaker 1: I think that's pretty cool as well. I've got two 1122 00:58:20,520 --> 00:58:22,560 Speaker 1: questions and one little promo that I'm going to do 1123 00:58:22,560 --> 00:58:24,680 Speaker 1: before this interview is over, because I like this is 1124 00:58:24,720 --> 00:58:26,760 Speaker 1: like part of the interruption where you can see what's 1125 00:58:26,760 --> 00:58:29,520 Speaker 1: happening on the screen so you know where we are here. Yeah. Yeah, 1126 00:58:29,880 --> 00:58:33,960 Speaker 1: Here are the two questions. Number one, I had heard 1127 00:58:34,040 --> 00:58:36,680 Speaker 1: this that you almost went to Alabama because of your 1128 00:58:36,720 --> 00:58:39,400 Speaker 1: relationship with coach Shula. Like how close were you to 1129 00:58:39,480 --> 00:58:44,080 Speaker 1: actually being part of the Crimson Tide family. Literally, I 1130 00:58:44,320 --> 00:58:47,280 Speaker 1: was a split second away from it. I from my 1131 00:58:47,400 --> 00:58:50,760 Speaker 1: sophomore year through literally the last moment when I chose Florida, 1132 00:58:51,040 --> 00:58:53,959 Speaker 1: Alabama was leading the entire time. I wasn't even looking 1133 00:58:54,000 --> 00:58:57,200 Speaker 1: at Florida. They had a different coaching staff, and they 1134 00:58:57,240 --> 00:58:59,280 Speaker 1: weren't even in my top twenty five and then they 1135 00:58:59,440 --> 00:59:02,720 Speaker 1: fired that coaching staff. They brought an Urban and all 1136 00:59:02,760 --> 00:59:05,240 Speaker 1: the new guys, and I started to build this relationship, 1137 00:59:05,360 --> 00:59:08,360 Speaker 1: but it was so much more established with Alabama, and 1138 00:59:08,400 --> 00:59:11,600 Speaker 1: I love the passion, the tradition, the culture, everything, and 1139 00:59:11,920 --> 00:59:14,840 Speaker 1: then thinking about being a part of bringing Alabama back 1140 00:59:14,920 --> 00:59:17,920 Speaker 1: to you know, what they once were was so exciting 1141 00:59:18,000 --> 00:59:20,680 Speaker 1: to me, and so yes, I was literally a split 1142 00:59:20,720 --> 00:59:23,400 Speaker 1: second away. And to be honest, even when I chose Florida, 1143 00:59:23,720 --> 00:59:25,919 Speaker 1: there was a little bit of regret in my heart 1144 00:59:26,040 --> 00:59:29,080 Speaker 1: of did I should I have chose Alabama? That's how 1145 00:59:29,160 --> 00:59:32,000 Speaker 1: close I was with Shoot, when I told Coach Shula 1146 00:59:32,040 --> 00:59:34,720 Speaker 1: I was going to Florida, I had tears in my eyes. 1147 00:59:35,240 --> 00:59:37,520 Speaker 1: And it's not the only time that Alabama made me cry. 1148 00:59:39,640 --> 00:59:42,160 Speaker 1: And my final question for you is if you or 1149 00:59:42,280 --> 00:59:45,480 Speaker 1: stub your toe or hit your elbow or does a 1150 00:59:45,560 --> 00:59:52,280 Speaker 1: curse word ever come out of your mouth? I hope now, 1151 00:59:52,680 --> 00:59:55,760 Speaker 1: I mean, I mean it's probably a like a negative word, 1152 00:59:55,960 --> 00:59:59,280 Speaker 1: but then I might just say something that's like totally random, 1153 00:59:59,480 --> 01:00:03,840 Speaker 1: not as bad, like foodie or yeah yeah, oh Tater Todds, 1154 01:00:03,920 --> 01:00:08,920 Speaker 1: yeah yeah yeah yeah. And let me say that, heyde 1155 01:00:08,920 --> 01:00:12,400 Speaker 1: to you, you know that Tim Tebow has Mission possible, 1156 01:00:12,480 --> 01:00:16,120 Speaker 1: go create a life that counts and also Bronco and 1157 01:00:16,240 --> 01:00:19,400 Speaker 1: Friends a party to remember. That's your first book, But 1158 01:00:19,480 --> 01:00:21,600 Speaker 1: you're doing a second, if I'm right about this, you're 1159 01:00:21,640 --> 01:00:23,680 Speaker 1: doing a second in the series. Right this coming out 1160 01:00:23,800 --> 01:00:27,320 Speaker 1: later on this year. Yes, that's right, it's coming out 1161 01:00:27,360 --> 01:00:30,560 Speaker 1: in just a few weeks. Okay, Well, the guy's writing 1162 01:00:30,640 --> 01:00:33,080 Speaker 1: more books than uh. I don't know Stephen King make 1163 01:00:33,120 --> 01:00:35,800 Speaker 1: up an author. I don't know Judy Bloom. He is 1164 01:00:35,840 --> 01:00:39,920 Speaker 1: the new Judy Bloom of books. It is Tim Tebow. Hey, timboy. 1165 01:00:40,080 --> 01:00:42,960 Speaker 1: The first time anybody's comparing me to Judy Bloom. But 1166 01:00:43,000 --> 01:00:46,000 Speaker 1: there you go. It is Tim Tebow. We love him 1167 01:00:46,400 --> 01:00:49,720 Speaker 1: and U you know, except for when we played him. 1168 01:00:49,880 --> 01:00:52,800 Speaker 1: I was at the SEC Championship game when Tim was 1169 01:00:52,800 --> 01:00:57,760 Speaker 1: a freshman and he was the backup quarterback in Atlanta, 1170 01:00:57,920 --> 01:01:00,560 Speaker 1: and he did, I believe, scored on a quarterback sneak something. 1171 01:01:00,640 --> 01:01:04,040 Speaker 1: He's running a quarterback package. And I hated you that year. 1172 01:01:04,440 --> 01:01:06,960 Speaker 1: And to be frank, I hated you until you graduated. 1173 01:01:07,040 --> 01:01:10,720 Speaker 1: But now I can't get enough of you. Tim well Man, 1174 01:01:10,800 --> 01:01:12,920 Speaker 1: I appreciate you. You're a stun and by the way, 1175 01:01:13,240 --> 01:01:16,280 Speaker 1: I love what Arkansas is doing with Sam Pittman. I 1176 01:01:16,520 --> 01:01:20,440 Speaker 1: love it. I love what he's all about. So congrats 1177 01:01:20,480 --> 01:01:22,000 Speaker 1: on that. I think there's a lot to be excited 1178 01:01:22,040 --> 01:01:24,360 Speaker 1: about with Arkansas right now. Tim, good to see you. 1179 01:01:24,480 --> 01:01:26,400 Speaker 1: Congratulations on the books. I hope you sell so many. 1180 01:01:26,440 --> 01:01:28,320 Speaker 1: I think the message is awesome. Have a good day, man, 1181 01:01:28,440 --> 01:01:30,960 Speaker 1: Thank you. I appreciate you. Man. Tell everybody, hey there, 1182 01:01:31,240 --> 01:01:34,800 Speaker 1: all right, see you later. It's the Best Bits of 1183 01:01:34,880 --> 01:01:39,280 Speaker 1: the week with Morgan number two. That's it for the 1184 01:01:39,360 --> 01:01:41,880 Speaker 1: Bits this weekend, y'all. I hope you got caught up 1185 01:01:41,920 --> 01:01:44,600 Speaker 1: so you're ready to go for next week's show. If 1186 01:01:44,640 --> 01:01:46,439 Speaker 1: you miss anything, make sure you go to Bobby Bones 1187 01:01:46,480 --> 01:01:48,160 Speaker 1: dot com. There's so much more content out there that 1188 01:01:48,200 --> 01:01:50,480 Speaker 1: I don't get a breakdown on the best bits, lots 1189 01:01:50,520 --> 01:01:53,000 Speaker 1: of videos, lots of fun things to get you through 1190 01:01:53,040 --> 01:01:54,560 Speaker 1: the weekend when you don't get to listen to the 1191 01:01:54,600 --> 01:01:57,200 Speaker 1: best Bits or the show. So maybe tomorrow, you know, 1192 01:01:57,320 --> 01:02:00,360 Speaker 1: Sunday when you got nothing to do, or Monday, whenever 1193 01:02:00,400 --> 01:02:02,280 Speaker 1: you listen to this, you can go online and just 1194 01:02:02,400 --> 01:02:04,520 Speaker 1: catch up on other content there. It's all up there 1195 01:02:04,600 --> 01:02:07,680 Speaker 1: that's important that you want to see. I promise, thank you. Guys, 1196 01:02:07,720 --> 01:02:09,880 Speaker 1: so much for listening to the best bits and the 1197 01:02:09,960 --> 01:02:12,919 Speaker 1: feedback you're giving on the Part one Part two. I'm 1198 01:02:12,960 --> 01:02:15,560 Speaker 1: glad you guys are loving it. I love y'all. Bye 1199 01:02:17,440 --> 01:02:25,520 Speaker 1: a Bobby Bobby Bones. Hey, I'm Maya Shunker, host of 1200 01:02:25,560 --> 01:02:28,680 Speaker 1: A Slight Change of Plans, which was recently named Best 1201 01:02:28,720 --> 01:02:31,080 Speaker 1: Show of the Year by Apple for twenty twenty one, 1202 01:02:31,600 --> 01:02:34,400 Speaker 1: and we've got new episodes for you about everything from 1203 01:02:34,440 --> 01:02:37,640 Speaker 1: the science of change to personal stories like a blind 1204 01:02:37,720 --> 01:02:40,920 Speaker 1: woman who becomes a master chef and an Australian doctor 1205 01:02:41,040 --> 01:02:43,520 Speaker 1: who rescued a voice soccer team from deep within a 1206 01:02:43,600 --> 01:02:47,920 Speaker 1: cave in Thailand. Listen to A Slight Change of Plans 1207 01:02:48,040 --> 01:02:51,280 Speaker 1: on the iHeartRadio app, Apple Podcasts, or wherever you get 1208 01:02:51,320 --> 01:02:56,160 Speaker 1: your podcasts. Hey, this is Justin Richmond, host of the 1209 01:02:56,240 --> 01:02:59,680 Speaker 1: Broken Record podcast. Join me in music industry icon Rick 1210 01:02:59,760 --> 01:03:02,880 Speaker 1: Rube along with authors Malcolm Gladwell and Bruce headlam As 1211 01:03:02,960 --> 01:03:05,440 Speaker 1: we chat with legends like Neil Young and Under three 1212 01:03:05,520 --> 01:03:09,200 Speaker 1: thousand and upcoming artists like Faye Webster about their life 1213 01:03:09,240 --> 01:03:12,200 Speaker 1: and their careers. In honor of Women's History Month, we're 1214 01:03:12,240 --> 01:03:15,960 Speaker 1: spotlighting groundbreaking female artists like Miss Elliott Pattie Smith and 1215 01:03:16,040 --> 01:03:19,000 Speaker 1: Bonnie Raitt and celebrating the strides they've made for women. 1216 01:03:19,600 --> 01:03:22,440 Speaker 1: Listen to Broken Record on the iHeartRadio app, Apple Podcasts, 1217 01:03:22,600 --> 01:03:24,000 Speaker 1: or wherever you get your podcasts.