WEBVTT - A Fraudulent Aretha Franklin: How Do You Spell Respect? 

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<v Speaker 1>Ridiculous crime. It's a production of iHeartRadio.

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<v Speaker 2>Elizabeth Dutton's Aaron Burnette. That's you.

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<v Speaker 3>Yeah, Hey, what's it?

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<v Speaker 2>I got a question for you? Yes, do you know

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<v Speaker 2>what's ridiculous?

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<v Speaker 3>I do know it's ridiculous.

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<v Speaker 2>What close your eyes? My eyes are closed.

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<v Speaker 3>You're sitting in a buffalo wild wings Okay, just just

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<v Speaker 3>going to town on some wild wings. Okay, I mean

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<v Speaker 3>I assume that's what they saw.

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<v Speaker 2>Theresays.

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<v Speaker 3>Yeah, so you're just like, oh, you're just putting the

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<v Speaker 3>herd on.

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<v Speaker 2>Oh yeah.

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<v Speaker 3>And then you look up and there's a bodecious babe okay,

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<v Speaker 3>and she's she's one hundred percent real American beef saring.

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<v Speaker 2>Whoa this is?

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<v Speaker 3>She comes over and she's got like this like beautiful

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<v Speaker 3>lipstick on, and she leans in and she says to you,

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<v Speaker 3>I want to put you on a one way trip

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<v Speaker 3>to Flavor Town.

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<v Speaker 2>Okay.

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<v Speaker 3>Now, is this like the best fantasy you've ever had?

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<v Speaker 2>Totally? I mean it's just like, this is pretty much

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<v Speaker 2>how I dream of restaurant flirtations.

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<v Speaker 3>Yeah, exactly. Well, you know what this could be real? Really, yeah,

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<v Speaker 3>because there are a lot of trashy ladies out there,

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<v Speaker 3>but also because Guy Fieri, yes, teamed up God with

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<v Speaker 3>Revlon what to come up with a Guy Fieri inspired

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<v Speaker 3>lip bomb.

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<v Speaker 2>I want to see the dart board where these things

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<v Speaker 2>come up with. They just put Revlon on there and

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<v Speaker 2>they're throwing darts, Guy fiery, and yeah, we hit like

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<v Speaker 2>the dice they rolled. They rolled sets of dicetnerships.

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<v Speaker 3>You know. Guy was just like, I love my lips

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<v Speaker 3>gloss my wife recommends, so they get together. It's called

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<v Speaker 3>Flavor Town, of course, and it's coral colored, which I

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<v Speaker 3>always feel like, if you want to tell the world

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<v Speaker 3>you're crazy, put on coral colored lipstick, but do it

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<v Speaker 3>outside the lines of your lips. In some parts that's

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<v Speaker 3>the universal like she's not all there. That's why I

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<v Speaker 3>keep some I don't wear lipstick, but if I have to,

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<v Speaker 3>like it's signified.

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<v Speaker 2>Like very Reno casino, like this girl's not right you

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<v Speaker 2>put that on?

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<v Speaker 3>It is It does not taste like any kind of sauce.

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<v Speaker 2>Oh there's that.

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<v Speaker 3>It doesn't taste like barbecue sauce. It doesn't taste like

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<v Speaker 3>it's just it has a vanilla scent and a buttery texture. Sure,

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<v Speaker 3>but it's yeah, it's like a coral color.

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<v Speaker 2>Trying to play along with this mashup and trying to

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<v Speaker 2>get ahead of it.

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<v Speaker 3>Saren, it doesn't stop there, God damn. So it has

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<v Speaker 3>like you can only get it from Revlon dot com.

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<v Speaker 3>Like you can't have it.

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<v Speaker 2>In the stores. Why would you.

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<v Speaker 3>It would be shoplifted immediately, like they'd all be gone.

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<v Speaker 3>But it comes with stickers so you can customize that

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<v Speaker 3>outside of your lip bombay and the container and like

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<v Speaker 3>one of them is like something says Boss of Sauce

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<v Speaker 3>and then like flames. So next time you're a Buffalo

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<v Speaker 3>Wild Wings getting.

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<v Speaker 2>My hands from that guy Fieri.

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<v Speaker 3>Good yeah, Well, and you there are women who are

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<v Speaker 3>trying to induce the male gaze because we know that

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<v Speaker 3>every single man on the planet loves chicken wings.

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<v Speaker 2>Totally and football and a bright shiny lip gloss and shiny.

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<v Speaker 3>Lip gloss or you know what, if you want to

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<v Speaker 3>wear it to Buffalo Wild Wings.

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<v Speaker 2>I might be interesting or it would look good on me, It.

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<v Speaker 3>Would actually be really complimentary. It would that would be

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<v Speaker 3>bad insummation your honor. That's ridiculous.

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<v Speaker 2>I'll give you that.

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<v Speaker 3>I know you will.

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<v Speaker 2>We're going to score that ridiculous. Thank you, Elizabeth. While

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<v Speaker 2>we're at it. I got something for you that's ridiculous.

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<v Speaker 3>Yeah.

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<v Speaker 2>Yeah, there's this saying you'll hear people refer to from

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<v Speaker 2>time to time. It's usually attributed to Oscar Wilde. The

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<v Speaker 2>aphorism goes, imitation is the highest form of flattery. You've

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<v Speaker 2>heard that, right, it is zaren it is now. It

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<v Speaker 2>wasn't Oscar wild who said that. He actually said imitation

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<v Speaker 2>is the student seriest form of flattery that mediocrity can

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<v Speaker 2>pay to greatness.

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<v Speaker 3>Well that's even better, which is.

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<v Speaker 2>Yeah, it's a much fuller comment. But he was actually

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<v Speaker 2>not the one to coin the saying. Originally, he borrowed

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<v Speaker 2>it from this man named Charles Caleb Colton, who had

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<v Speaker 2>also borrowed it from an earlier version that dates back

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<v Speaker 2>to seventeen fourteen. And the earliest version is probably my favorite.

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<v Speaker 2>It is imitation is a kind of artless flattery.

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<v Speaker 3>Oh that's good too.

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<v Speaker 2>I think that one says it the best.

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<v Speaker 3>I think this just shows that there's nothing new under

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<v Speaker 3>the sun.

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<v Speaker 2>No, a lot of imitation in this flattery. Elizabeth, Today,

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<v Speaker 2>I want to tell you about the criminal and ridiculous

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<v Speaker 2>dangers of artless flattery.

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<v Speaker 4>Oh yeah, this is ridiculous crime a podcast about absurd

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<v Speaker 4>and outrageous capers, heists, and cons.

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<v Speaker 2>It's always n nine percent murder free and one hundred

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<v Speaker 2>percent ridiculous.

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<v Speaker 3>Read ridiculous, Elizabeth.

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<v Speaker 2>To start this story out and to keep things somewhat modern,

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<v Speaker 2>today's first story involves friend of the show, Justin Bieber.

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<v Speaker 3>Yeah, buddy, Yeah.

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<v Speaker 2>So Justin Bieber. How does he come into this great question? Elizabeth? Yeah,

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<v Speaker 2>I'm guessing you may or may not have seen the

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<v Speaker 2>Reason headlines about Justin Bieber in Las Vegas.

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<v Speaker 3>Uh uh, I don't really know. Like he's another one

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<v Speaker 3>of those singers like Katy Perry, Taylor Swift. I could

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<v Speaker 3>not name a song, not sure if I've heard one before.

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<v Speaker 2>You've heard them, you may have. They're like an ambient

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<v Speaker 2>noise coming out.

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<v Speaker 3>Of I couldn't tell you the name, or like sing

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<v Speaker 3>a bar or too. So, yeah, Justin Bieber. But you

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<v Speaker 3>know boy doesn't like to wear a shirt.

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<v Speaker 2>No that we do both know that about him. Yeah, Well,

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<v Speaker 2>apparently he was in Las Vegas recently, or rather, a

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<v Speaker 2>guy who pretended to be Justin Bieber was in Las

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<v Speaker 2>Vegas recently.

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<v Speaker 3>Uh huh.

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<v Speaker 2>Now, before you get into that, you were once a

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<v Speaker 2>Vegas local, So I wanted to ask, does this happen

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<v Speaker 2>in Vegas often? Where you have of like folks like

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<v Speaker 2>cover band people just losing their minds and going I

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<v Speaker 2>am Rod Stewart, Not that I've seen claims that they're not.

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<v Speaker 3>No, I did. I do know one one case of

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<v Speaker 3>this which I've heard about. There was this guy who

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<v Speaker 3>was going all over New Orleans pretending to be Ziggy Marley.

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<v Speaker 2>You mean me and I mean you yeah, I mean yea,

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<v Speaker 2>huh yeah. I've told this.

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<v Speaker 3>Story before, you know what, I can never hear it

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<v Speaker 3>enough times, Like every time I hear it, new details

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<v Speaker 3>come out that I savor.

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<v Speaker 2>Get it out. I was in the French Quarter in

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<v Speaker 2>New Orleans, big tourist area, a lot of people out drinking,

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<v Speaker 2>drinking those hurricanes, right, and this guy comes up to me.

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<v Speaker 2>He's like, man, I didn't know you were in town.

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<v Speaker 2>And I had to look at him real quick, and

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<v Speaker 2>I'm like, I don't know this guy. And I was right,

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<v Speaker 2>I didn't know him, but he thought he knew me

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<v Speaker 2>because he thought I was Ziggy Marley. So he buys

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<v Speaker 2>me a free round to drinks and I'm like, oh,

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<v Speaker 2>and I thanked him a Jamaican accent. Right, that's the

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<v Speaker 2>best part.

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<v Speaker 3>That's because if someone came up to me and said,

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<v Speaker 3>i'd know you're in Town of Bill, neither did I,

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<v Speaker 3>and then just go away.

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<v Speaker 2>But you're like, of course, So I get the free

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<v Speaker 2>round of drinks, and then he was like, I said,

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<v Speaker 2>I thank him in the Jamaican accent. But he's not done.

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<v Speaker 2>He now wants to show me a good time. So

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<v Speaker 2>he takes me from bar to bar to bar and

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<v Speaker 2>everyone I get introduced as Ziggy Marley. I do a

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<v Speaker 2>little Jamaican at them, a little patois, throw it down.

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<v Speaker 2>They give me free drinks. I keep going. This goes

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<v Speaker 2>on for hours.

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<v Speaker 3>Right.

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<v Speaker 2>Of course, I get drunk as hell on those hurricanes,

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<v Speaker 2>and then I'm like, I'm ready to go back to

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<v Speaker 2>the hotel. So I turned to my friend is with me,

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<v Speaker 2>and I'm like, hey, are you ready to bounce? Now?

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<v Speaker 2>The guy who's been taking us around he hears me

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<v Speaker 2>because I'm thinking I'm whispering, but all the hurricanes, I'm

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<v Speaker 2>probably just talking at normal volume. He hears me he's

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<v Speaker 2>speaking an American accent. Big mistake, huge mistake, right, and

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<v Speaker 2>he then his eyes change his hot anger flashes across

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<v Speaker 2>his face and he's like, you're not Ziggy Marley and

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<v Speaker 2>I was like, no, i am not Ziggy Marley. But

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<v Speaker 2>he grabs me and insists that I now go back

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<v Speaker 2>and apologize to every bar that I had gotten free drinks.

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<v Speaker 2>And so I did, and I had to go up

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<v Speaker 2>to all these bartenders and be like, Hi, I'm a

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<v Speaker 2>terrible person. You were so generous and I tricked you

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<v Speaker 2>and I'm a bad person. I'm sorry for bar after

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<v Speaker 2>bar after bar.

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<v Speaker 4>I love.

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<v Speaker 2>Yeah. So basically I learned firsthand that people get pissed

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<v Speaker 2>when you trick them and pretend to be someone they love.

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<v Speaker 3>Yeah, that is they people do. They don't like it,

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<v Speaker 3>and they're like, can you sing tomorrow people for us?

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<v Speaker 2>And you were like, well, I'm off the clock, man,

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<v Speaker 2>I can't remember all the lyrics right now in my patois.

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<v Speaker 2>So this brings us to pretend justin Bieber?

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<v Speaker 3>Yes, no, thank you for sharing that story.

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<v Speaker 4>Yeah, you're welcome.

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<v Speaker 3>I love hearing it.

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<v Speaker 2>So I got the full story of this, uh, this

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<v Speaker 2>guy who conned Vegas and how he got to pretend

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<v Speaker 2>he was justin Bieber until his ruse was busted. You

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<v Speaker 2>ready to hear about not Justin Bieber. Yes. So this

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<v Speaker 2>went down on August sixteenth of this year at the

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<v Speaker 2>Win Las Vegas Casino. Big you know, big casino. They

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<v Speaker 2>got a big nightclub. Everybody goes to this La based

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<v Speaker 2>DJ named Griffin with a y. He was performing at

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<v Speaker 2>the XS nightclub in the wind Casino. Oh Excess, Yeah exactly,

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<v Speaker 2>there you go, yeah, club Excess man. So it was

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<v Speaker 2>a Saturday night, crowds packed places, a bump in. DJ

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<v Speaker 2>Griffin isn't doing his thing in the booth on the

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<v Speaker 2>ones and twos WEEKI week the hell on When someone

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<v Speaker 2>comes up from the casino and whispers to him, Justin

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<v Speaker 2>Bieber's in the club. He's like what and he like

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<v Speaker 2>takes off a headphone so you can hear him. He's like, what,

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<v Speaker 2>what's up? And he's like and they're like, yeah, Justin

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<v Speaker 2>Bieber's here, and he's like now, DJ Griffin, he's cool

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<v Speaker 2>with it. He's like, oh, you know what do you

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<v Speaker 2>want to come up here? And he's like oh. They

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<v Speaker 2>wants to do a surprise performance sing one of his hits.

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<v Speaker 2>Sorry it's a song. Sorry, Oh the song is called Sorry.

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<v Speaker 3>I thought They're like sorry, he wants to perform, and

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<v Speaker 3>he's like, yeah, I'm sorry about that.

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<v Speaker 2>So DJ Griffin's like, yes, of course, we'd love to

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<v Speaker 2>do a surprise show. But Justin Bieber are you kidding me?

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<v Speaker 2>Have him come up here to the DJ booth. I'll

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<v Speaker 2>introduce him to the crowd. Then he could take the stage,

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<v Speaker 2>do a few songs. It'll be a dope and then

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<v Speaker 2>that's not a direct quote, obviously, but you get the idea.

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<v Speaker 3>So not Justin Birder's interpretation.

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<v Speaker 2>Thank you. He rocks up to the DJ booth, He

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<v Speaker 2>wraps up DJ Griffin. They chat real quick. Industry insider

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<v Speaker 2>to industry insider.

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<v Speaker 3>You know.

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<v Speaker 2>DJ Griffin tells a crowd at the club, I got

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<v Speaker 2>a super SMA surprise for you guys, and Justin Bieber's

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<v Speaker 2>in town. And the crowd just goes nuts, right because

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<v Speaker 2>he's gonna do a special surprise set for them, and

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<v Speaker 2>he's just recently dropped an album, so this all fits

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<v Speaker 2>for them. They're like, oh my god, this is history

0:10:12.600 --> 0:10:15.680
<v Speaker 2>or whatever. DJ Griffin cues up the track. Out on

0:10:15.840 --> 0:10:19.120
<v Speaker 2>stage comes not Justin Bieber. He starts to do some

0:10:19.160 --> 0:10:21.800
<v Speaker 2>low key Justin Bieber dance moves. He pulls up his

0:10:21.920 --> 0:10:23.960
<v Speaker 2>like the hood on his hoodie because he's actually wearing

0:10:24.000 --> 0:10:26.520
<v Speaker 2>a shirt in this instance, and then he busts into

0:10:26.559 --> 0:10:30.640
<v Speaker 2>his song. Sorry, right, Elizabeth, this guy is good. I mean, like,

0:10:30.679 --> 0:10:33.720
<v Speaker 2>I've watched the cell phone videos pit folks shot of this,

0:10:33.800 --> 0:10:36.120
<v Speaker 2>and he sounds like Justin Bieber, at least to my ears.

0:10:36.440 --> 0:10:39.240
<v Speaker 2>He looks like him. Right, He's got the same tattoos

0:10:39.240 --> 0:10:44.280
<v Speaker 2>as Justin Bieber, oh, exact same, exactly right, he all

0:10:44.320 --> 0:10:46.280
<v Speaker 2>has also has the same haircuts, got the same die

0:10:46.360 --> 0:10:48.400
<v Speaker 2>job because right now he's got this blonde die job.

0:10:48.520 --> 0:10:52.120
<v Speaker 3>My understanding from the various guss of subreddits that I

0:10:52.200 --> 0:10:55.720
<v Speaker 3>that I lurk in that he's having Justin Bieber's having

0:10:55.760 --> 0:10:56.320
<v Speaker 3>some trouble.

0:10:56.440 --> 0:10:58.040
<v Speaker 2>He's had a little bit of a rough time right now.

0:10:58.360 --> 0:11:00.800
<v Speaker 3>It looks like he's going. I want to think he

0:11:00.920 --> 0:11:05.120
<v Speaker 3>was also like victimized all coming out and he's having

0:11:05.120 --> 0:11:07.400
<v Speaker 3>a rough one, and so I think that if he

0:11:07.480 --> 0:11:09.559
<v Speaker 3>does something weird, like I just want to be on

0:11:09.640 --> 0:11:11.959
<v Speaker 3>stage for this exact pople aren't like, no, that's out

0:11:11.960 --> 0:11:14.240
<v Speaker 3>of character, because there's no such things out him. There's

0:11:14.240 --> 0:11:16.920
<v Speaker 3>such in character and reading a book maybe.

0:11:18.320 --> 0:11:20.360
<v Speaker 2>So this guy not Justin Bieber, He's up there on

0:11:20.400 --> 0:11:22.880
<v Speaker 2>stage and he's moving like Justin Bieber, He's roughly the

0:11:22.920 --> 0:11:26.240
<v Speaker 2>same size. He fools the majority of the crowd. They're like,

0:11:26.280 --> 0:11:28.000
<v Speaker 2>oh my god, I can't believe this. It's all these

0:11:28.120 --> 0:11:31.200
<v Speaker 2>videos that are taken. When he gets done singing sorry,

0:11:31.200 --> 0:11:33.520
<v Speaker 2>he waves to the pack, crowd, leaves the stage or whatever.

0:11:34.320 --> 0:11:36.600
<v Speaker 2>DJ Griffin posts this video of him on Instagram of

0:11:36.679 --> 0:11:39.360
<v Speaker 2>him right after the set. Right, he's walking away saying

0:11:39.679 --> 0:11:42.680
<v Speaker 2>how amazing was that? Direct quote? Right, and then someone

0:11:42.760 --> 0:11:45.280
<v Speaker 2>comes up and tells him, Nah, that wasn't Justin Bieber.

0:11:45.320 --> 0:11:47.640
<v Speaker 2>That was one hundred percent of fake out some pretender

0:11:47.679 --> 0:11:50.160
<v Speaker 2>once again, pretty much direct quote. Yeah, you see DJ

0:11:50.240 --> 0:11:53.439
<v Speaker 2>Griffin realize he just got conned. And he's not pissed though,

0:11:53.480 --> 0:11:55.439
<v Speaker 2>like not like the guy in New Orleans was when

0:11:55.440 --> 0:11:57.440
<v Speaker 2>I tricked him. He's just a little bummed.

0:11:57.480 --> 0:11:57.640
<v Speaker 5>Right.

0:11:57.679 --> 0:12:00.280
<v Speaker 2>So then DJ Griffin says in the video the only

0:12:00.320 --> 0:12:03.160
<v Speaker 2>indication he had that it wasn't Justin Bieber was quote,

0:12:03.280 --> 0:12:05.280
<v Speaker 2>I literally thought he's put on a lot of weights

0:12:05.280 --> 0:12:10.800
<v Speaker 2>since the album dropped in such a Vegas comment. Also

0:12:10.840 --> 0:12:13.400
<v Speaker 2>a very la comment anyway, So I did find a

0:12:13.400 --> 0:12:16.120
<v Speaker 2>tweet from someone who was there that night at club excess.

0:12:16.200 --> 0:12:19.880
<v Speaker 2>They posted this on x SO trim Bean with two

0:12:20.000 --> 0:12:22.800
<v Speaker 2>ends said quote, can someone explain why this is a

0:12:22.800 --> 0:12:25.800
<v Speaker 2>thing going this far to look like somebody or are

0:12:25.920 --> 0:12:29.600
<v Speaker 2>him and Justin working together to promote something? Not gonna lie?

0:12:29.679 --> 0:12:31.920
<v Speaker 2>He almost had me fooled and clearly had all these

0:12:31.960 --> 0:12:34.800
<v Speaker 2>other people fooled once I got in his face. Nah,

0:12:35.200 --> 0:12:36.920
<v Speaker 2>I might come on, trim Beanieber fool, don't lie?

0:12:38.480 --> 0:12:41.599
<v Speaker 3>You were texting people? Oh my god, yeah, yeah.

0:12:41.360 --> 0:12:43.000
<v Speaker 2>Exactly, I got it justin Bieber's face.

0:12:43.040 --> 0:12:45.800
<v Speaker 3>That would be an interesting promotional thing for the album.

0:12:46.040 --> 0:12:47.080
<v Speaker 2>I think that'd be amazing.

0:12:47.160 --> 0:12:49.840
<v Speaker 3>Yeah, like you know, and then up and look at us.

0:12:49.840 --> 0:12:50.679
<v Speaker 3>We're talking about it.

0:12:50.720 --> 0:12:52.599
<v Speaker 2>I didn't even know, and that we're helping out with

0:12:52.640 --> 0:12:56.520
<v Speaker 2>the album so well. So not Justin Bieber is actually

0:12:56.559 --> 0:13:00.280
<v Speaker 2>this twenty nine year old Frenchman named Dylan Deskoloso, and

0:13:00.320 --> 0:13:01.880
<v Speaker 2>this is what he does for a living, Like he's

0:13:01.880 --> 0:13:05.800
<v Speaker 2>been imitating Justin Bieber for years, which helps explain how

0:13:05.800 --> 0:13:07.680
<v Speaker 2>he was able to con somebody in the night club, right,

0:13:07.760 --> 0:13:10.600
<v Speaker 2>But how did he conn the folks that win Las Vegas?

0:13:11.160 --> 0:13:13.040
<v Speaker 2>I mean a range of fake surprise show. He's got

0:13:13.040 --> 0:13:14.920
<v Speaker 2>to like coordinate it with them. Remember they went up

0:13:14.920 --> 0:13:17.719
<v Speaker 2>and told the DJ, well, great question, Elizabeth, I got

0:13:17.720 --> 0:13:20.680
<v Speaker 2>an answer for you. For answers, we turned to Las

0:13:20.760 --> 0:13:26.160
<v Speaker 2>Vegas entertainment reporter John Katz aka John Katz lamedes, yes

0:13:26.400 --> 0:13:27.000
<v Speaker 2>you know this guy?

0:13:27.720 --> 0:13:28.240
<v Speaker 3>Yeah, no is.

0:13:28.280 --> 0:13:31.920
<v Speaker 2>He reported that not Justin Bieber contacted Win Las Vegas,

0:13:32.000 --> 0:13:35.320
<v Speaker 2>or rather his team did, and as John Katz put it, quote,

0:13:35.400 --> 0:13:37.880
<v Speaker 2>the people who helped him execute this contacted the Wind

0:13:37.920 --> 0:13:41.160
<v Speaker 2>Resort and Win nightlife executives during the day on Saturday

0:13:41.160 --> 0:13:43.360
<v Speaker 2>and said, we're gonna have Justin Bieber in town. We'd

0:13:43.360 --> 0:13:45.520
<v Speaker 2>like to have a table and a VIP setup. So

0:13:45.679 --> 0:13:48.120
<v Speaker 2>it sounds legit to them, right, That helps sell the

0:13:48.160 --> 0:13:51.040
<v Speaker 2>lie initially, but like, wouldn't the Win folks kind of

0:13:51.160 --> 0:13:53.199
<v Speaker 2>sniff out of a faker if like not everything's correct,

0:13:53.240 --> 0:13:55.840
<v Speaker 2>not the right email account, so forth. Well, as John

0:13:55.920 --> 0:13:58.600
<v Speaker 2>Katz explains, the Win people thought that this was the

0:13:58.640 --> 0:14:01.400
<v Speaker 2>real Justin Bieber. Now he's had a shuffle in his

0:14:01.480 --> 0:14:04.560
<v Speaker 2>management and Justin Bieber's world is a little inconsistent to

0:14:04.600 --> 0:14:06.640
<v Speaker 2>begin with, so they were saying, okay, well, you know,

0:14:06.920 --> 0:14:10.040
<v Speaker 2>he just had an album drop swag last month, so

0:14:10.160 --> 0:14:12.560
<v Speaker 2>they said okay, so they believe it the same thing

0:14:12.559 --> 0:14:15.400
<v Speaker 2>you've said. Basically, he's going through a spell. This may

0:14:15.400 --> 0:14:20.440
<v Speaker 2>be Justin Bieber, who knows. So also the not Justin Bieber,

0:14:20.520 --> 0:14:23.360
<v Speaker 2>he had laid some really solid groundwork earlier in the

0:14:23.440 --> 0:14:27.040
<v Speaker 2>day on social media. How well, back to John Katz,

0:14:27.200 --> 0:14:28.880
<v Speaker 2>before they came over to the Wind, they were at

0:14:28.920 --> 0:14:32.800
<v Speaker 2>the Las Vegas Premium outlets in Symphony Park, no stop it.

0:14:32.920 --> 0:14:35.720
<v Speaker 2>They were seen there, and they also visited the Esplanade shops,

0:14:35.760 --> 0:14:38.200
<v Speaker 2>and they were in the Balanciaga they were seen coming

0:14:38.280 --> 0:14:43.000
<v Speaker 2>out of there. So basically exactly this not Justin Bieber

0:14:43.040 --> 0:14:47.000
<v Speaker 2>pops over the factory outlets, schmoozes with the people, he

0:14:47.120 --> 0:14:50.040
<v Speaker 2>poses for photos like hey, I'm also trying to get

0:14:50.080 --> 0:14:52.800
<v Speaker 2>a Chanel bag on the cheap. So then that night

0:14:52.840 --> 0:14:55.120
<v Speaker 2>at the club, though, after the lie gets exposed, and

0:14:55.200 --> 0:14:57.640
<v Speaker 2>as John Katz tells it, quote people who were there

0:14:57.680 --> 0:15:00.120
<v Speaker 2>who'd seen a performance said, this is not him, it's

0:15:00.160 --> 0:15:03.160
<v Speaker 2>the saying happening. But that's not all because not Justin

0:15:03.160 --> 0:15:05.800
<v Speaker 2>Bieber also had enjoyed all the perks of stardom. Remember

0:15:05.800 --> 0:15:09.040
<v Speaker 2>that VIP stuff. Oh yeah, he got bottle service. So now,

0:15:09.440 --> 0:15:12.320
<v Speaker 2>as John Katz explains, quote, his team would come in

0:15:12.400 --> 0:15:15.200
<v Speaker 2>expecting to have been comped bottle service at their booth,

0:15:15.200 --> 0:15:16.760
<v Speaker 2>and by the time he left, he had to sign

0:15:16.800 --> 0:15:19.800
<v Speaker 2>off for almost ten thousand dollars since he's not getting comped.

0:15:20.560 --> 0:15:24.200
<v Speaker 2>So now oops, not Justin Bieber's umblebook for ten grand

0:15:24.240 --> 0:15:26.120
<v Speaker 2>for his stunt, or at least his credit card was,

0:15:26.200 --> 0:15:28.880
<v Speaker 2>or someone's credit card was. Once the ruse gets exposed,

0:15:28.920 --> 0:15:30.640
<v Speaker 2>the Win folks not only did they make them pay up,

0:15:30.680 --> 0:15:33.120
<v Speaker 2>they also ban him for ever coming back to the

0:15:33.120 --> 0:15:36.920
<v Speaker 2>Win casinos. Now he's a Frenchman, what does he care?

0:15:36.960 --> 0:15:37.080
<v Speaker 2>You know?

0:15:37.400 --> 0:15:40.320
<v Speaker 3>Also, it's like the ten grand for that bottle service

0:15:40.480 --> 0:15:43.480
<v Speaker 3>is like literally they're giving him like forty dollars worth

0:15:43.520 --> 0:15:44.440
<v Speaker 3>of Oh.

0:15:44.320 --> 0:15:48.440
<v Speaker 2>Yeah, it's such a ripoff, it's ridiculous. So the Frenchman,

0:15:48.520 --> 0:15:50.760
<v Speaker 2>as I said, Dylan discos, he's been doing this imitation

0:15:50.840 --> 0:15:53.840
<v Speaker 2>game for a long minute, like around six years, and

0:15:54.000 --> 0:15:56.760
<v Speaker 2>he's successful over in Europe doing this. He's got a

0:15:56.800 --> 0:15:59.760
<v Speaker 2>YouTube channel where he posts his shows as a tribute act.

0:16:00.280 --> 0:16:03.440
<v Speaker 2>In fact, that last year Justin Bieber's wife, Hayley Bieber,

0:16:03.600 --> 0:16:06.560
<v Speaker 2>was shown a TikTok of this Frenchman. He was filmed

0:16:06.560 --> 0:16:08.320
<v Speaker 2>while he was on a train, and she said and

0:16:08.360 --> 0:16:12.000
<v Speaker 2>I quote I'm scared like he could fool even her.

0:16:12.000 --> 0:16:14.320
<v Speaker 3>Yes, but would be nice to me? Okay?

0:16:14.440 --> 0:16:17.120
<v Speaker 2>Would he be more present? This all started where people

0:16:17.120 --> 0:16:19.720
<v Speaker 2>told this not Justin Bieber, that he looked a hell

0:16:19.720 --> 0:16:21.760
<v Speaker 2>of a lot like the real Justin Bieber. And He's like,

0:16:21.960 --> 0:16:24.480
<v Speaker 2>maybe I make a career out of this, And he did.

0:16:24.680 --> 0:16:27.040
<v Speaker 2>Is he put in an interview with the outlet Need

0:16:27.120 --> 0:16:30.200
<v Speaker 2>to Know from the United Kingdom quote, A lot of

0:16:30.280 --> 0:16:32.360
<v Speaker 2>people told me that I look like Justin Bieber in

0:16:32.400 --> 0:16:34.920
<v Speaker 2>the past. However I do make sure to dressed like him.

0:16:35.000 --> 0:16:38.120
<v Speaker 6>I think our similarities looks wise, more some points of

0:16:38.160 --> 0:16:41.840
<v Speaker 6>our faces, and definitely our attitudes. Oh Now, Likewise, when

0:16:41.880 --> 0:16:44.200
<v Speaker 6>I'm on stage, I need to be the most Justin

0:16:44.360 --> 0:16:47.120
<v Speaker 6>I can be, and I think I'm good at mimicking him.

0:16:47.240 --> 0:16:49.320
<v Speaker 6>I became a look alike simply by going to a

0:16:49.560 --> 0:16:51.960
<v Speaker 6>Justin Bieber a concert. I took a lot of photos

0:16:51.960 --> 0:16:53.840
<v Speaker 6>and I thought it was super cool.

0:16:54.120 --> 0:16:55.800
<v Speaker 2>So he went to a concert.

0:16:55.400 --> 0:16:58.080
<v Speaker 3>And pretended to be Justin Bieber became his career.

0:16:59.240 --> 0:17:01.000
<v Speaker 2>He also said, when it comes to the reactions to

0:17:01.040 --> 0:17:03.440
<v Speaker 2>his whole Tribute Act quote, I would.

0:17:03.160 --> 0:17:05.600
<v Speaker 6>Say that the best and funniest reactions I got to

0:17:05.640 --> 0:17:08.159
<v Speaker 6>was people thinking I was Justin and knocking on my

0:17:08.200 --> 0:17:11.439
<v Speaker 6>hotel door at two am. There was so many of

0:17:11.480 --> 0:17:14.640
<v Speaker 6>them taking pictures and asking me to sign pictures as

0:17:14.840 --> 0:17:15.399
<v Speaker 6>Justin Bieber.

0:17:16.240 --> 0:17:17.800
<v Speaker 2>So he really gets off on this.

0:17:18.000 --> 0:17:20.960
<v Speaker 3>How on the list of like what should we do tonight?

0:17:21.880 --> 0:17:28.160
<v Speaker 3>How far down is Justin Bieber tribute show? Right?

0:17:28.320 --> 0:17:31.280
<v Speaker 2>So I think it's underneath like change my oil by hand.

0:17:33.440 --> 0:17:35.880
<v Speaker 2>So there was at the other end of the spectrum

0:17:35.880 --> 0:17:38.040
<v Speaker 2>of things that when it doesn't go so well for

0:17:38.160 --> 0:17:42.000
<v Speaker 2>not Justin Bieber, as he told the UK outlet Need

0:17:42.080 --> 0:17:45.720
<v Speaker 2>to Know quote, the worst reaction I had to the public,

0:17:45.760 --> 0:17:48.960
<v Speaker 2>I would say was being mobbed with crying and hugs.

0:17:49.240 --> 0:17:51.880
<v Speaker 2>I don't understand very well that the power of love

0:17:51.920 --> 0:17:55.680
<v Speaker 2>for Justin, so it's nothing to bothers me. So he's

0:17:55.680 --> 0:17:57.640
<v Speaker 2>got these people fake crying on am thinking their meeting.

0:17:58.359 --> 0:18:01.520
<v Speaker 3>I don't understand that either. And there are musicians where

0:18:01.560 --> 0:18:03.800
<v Speaker 3>I'm like, dude, I you like saved my life. I

0:18:03.840 --> 0:18:06.760
<v Speaker 3>would never cry, chase them and go to their hotel.

0:18:06.960 --> 0:18:09.760
<v Speaker 2>We're talking more. I think imagine like teen fandom, you know,

0:18:09.800 --> 0:18:12.640
<v Speaker 2>it's that whole like Beatlemania screaming at the met Stadium

0:18:14.200 --> 0:18:16.200
<v Speaker 2>that's probably true. Like, yeah, you're probably right.

0:18:16.600 --> 0:18:16.800
<v Speaker 3>I know.

0:18:16.880 --> 0:18:19.600
<v Speaker 2>I'm some like thirty three year old business associate from

0:18:19.640 --> 0:18:22.760
<v Speaker 2>like I don't know, a restaurant chain in Omaha, Nebraska

0:18:22.840 --> 0:18:24.879
<v Speaker 2>is over there crying on their shoulder. You changed my

0:18:24.960 --> 0:18:28.560
<v Speaker 2>life justin I know, I know I did. So that's

0:18:28.560 --> 0:18:31.720
<v Speaker 2>our appetizer for today. Yes, next up, after this break,

0:18:31.760 --> 0:18:34.640
<v Speaker 2>we'll get into the main meal. It's a really good story,

0:18:34.680 --> 0:18:36.560
<v Speaker 2>a story of a woman who pretended to be Aretha

0:18:36.600 --> 0:18:40.160
<v Speaker 2>Franklin and it changed her whole life. Oh no, back

0:18:40.160 --> 0:18:42.400
<v Speaker 2>after this basket of ads fresh out of the oven,

0:18:42.480 --> 0:19:06.719
<v Speaker 2>warm and delicious enough for everyone. We're back, Elizabeth. Hello,

0:19:07.000 --> 0:19:08.760
<v Speaker 2>you ready to get down and get soulful with an

0:19:08.760 --> 0:19:12.399
<v Speaker 2>Aretha Franklin conjob. So I first saw this story in

0:19:12.440 --> 0:19:15.920
<v Speaker 2>an excellent article from Smithsonian Magazine. I'm a subscriber of

0:19:16.040 --> 0:19:19.240
<v Speaker 2>Smith's recommend magazine Totally. Article was a long form piece

0:19:19.280 --> 0:19:22.159
<v Speaker 2>called The Counterfeit Queen of Soul, a strange and bittersweet

0:19:22.160 --> 0:19:26.240
<v Speaker 2>ballad of kidnapping, stolen identity, and unlikely stardom by Jeff mash.

0:19:26.560 --> 0:19:29.000
<v Speaker 2>Now we've covered stories similar to this one, for instance,

0:19:29.080 --> 0:19:32.960
<v Speaker 2>Lost Beatles Americanos remember aka the American Beatles who did

0:19:32.960 --> 0:19:35.639
<v Speaker 2>a tour of South America, passing themselves off as the

0:19:35.680 --> 0:19:39.360
<v Speaker 2>actual Beatles while conning the locals for fun and profit. Now,

0:19:39.480 --> 0:19:41.520
<v Speaker 2>the same sort of con job was also going down

0:19:41.560 --> 0:19:43.560
<v Speaker 2>in the UK back in the day, especially for R

0:19:43.600 --> 0:19:45.639
<v Speaker 2>and B X in like the late fifties, starting with

0:19:45.760 --> 0:19:48.600
<v Speaker 2>Little Richard and later motown acts and soul singers in

0:19:48.640 --> 0:19:51.720
<v Speaker 2>the sixties. Because back then Americans would hop over the

0:19:51.760 --> 0:19:54.159
<v Speaker 2>pond pretend to be Diana Ross and the Supremes, or

0:19:54.200 --> 0:19:56.640
<v Speaker 2>pretend to be the Temptations or James Brown or whoever.

0:19:57.080 --> 0:19:59.159
<v Speaker 2>And this worked really well because the fans in the

0:19:59.240 --> 0:20:01.960
<v Speaker 2>UK and over in Europe, by Continental Europe, they didn't

0:20:01.960 --> 0:20:05.040
<v Speaker 2>exactly know what the R and B performers looked like. Yeah,

0:20:05.119 --> 0:20:08.240
<v Speaker 2>they knew what they sounded like, but they weren't saturated

0:20:08.240 --> 0:20:09.800
<v Speaker 2>with media the way we are, so it was a

0:20:09.800 --> 0:20:11.119
<v Speaker 2>lot easier to fake well.

0:20:11.119 --> 0:20:13.760
<v Speaker 3>And the images they'd see, like in magazines, weren't particularly

0:20:13.880 --> 0:20:14.320
<v Speaker 3>high reds.

0:20:14.480 --> 0:20:16.840
<v Speaker 2>No, there's also that, or even on the posters. Yeah,

0:20:16.920 --> 0:20:18.800
<v Speaker 2>so it wasn't also, by the way, just the Brits

0:20:18.800 --> 0:20:20.960
<v Speaker 2>and the Europeans who got conned like this, because this

0:20:21.080 --> 0:20:23.800
<v Speaker 2>also went down in the States. Oh no, oh yeah.

0:20:24.080 --> 0:20:26.200
<v Speaker 2>Now these days, as I said, it's much more difficult

0:20:26.200 --> 0:20:30.040
<v Speaker 2>to pull off eight not to justin Bieba, because it's

0:20:30.040 --> 0:20:32.800
<v Speaker 2>so easy to see where stars actually are right now.

0:20:33.080 --> 0:20:34.800
<v Speaker 2>You can just check their social media and be like,

0:20:35.440 --> 0:20:38.440
<v Speaker 2>that's not Sabrina Carpenter because she's in Toronto right now.

0:20:38.760 --> 0:20:42.000
<v Speaker 2>I just saw on Instagram or whoever you like. Now,

0:20:42.280 --> 0:20:44.720
<v Speaker 2>obviously this was not the case in the late sixties

0:20:44.760 --> 0:20:47.280
<v Speaker 2>when our story takes place. Yea, so are you ready?

0:20:47.359 --> 0:20:50.560
<v Speaker 3>TikTok really wasn't popping off then, No, it was a

0:20:50.800 --> 0:20:51.919
<v Speaker 3>very niche totally.

0:20:51.960 --> 0:20:53.960
<v Speaker 2>It was like eight millimeter reels. It sucked.

0:20:54.040 --> 0:20:55.240
<v Speaker 3>Yeah, not everyone had it.

0:20:55.760 --> 0:20:58.720
<v Speaker 2>So, Elizabeth, I'd like you to meet Mary Jane Jones.

0:20:59.200 --> 0:21:01.280
<v Speaker 2>She was a young Black woman who was very much

0:21:01.320 --> 0:21:06.160
<v Speaker 2>wanted to earn the same rispect that Aretha Franklin enjoyed.

0:21:06.600 --> 0:21:08.479
<v Speaker 2>She looked up to the Queen of soul and she

0:21:08.520 --> 0:21:11.400
<v Speaker 2>wanted what Aretha had. She wanted to be a star too,

0:21:11.720 --> 0:21:13.520
<v Speaker 2>because she certainly knew what it was like to not

0:21:13.600 --> 0:21:16.399
<v Speaker 2>have much at all. And she's like, this sucks. I'd

0:21:16.440 --> 0:21:18.719
<v Speaker 2>like to do that. And Aretha came from well, Aretha

0:21:18.760 --> 0:21:21.199
<v Speaker 2>but didn't come from poverty per se. But she was like,

0:21:21.240 --> 0:21:23.199
<v Speaker 2>you know, I want what Aretha has gained as a

0:21:23.240 --> 0:21:26.320
<v Speaker 2>young black woman in the sixties. So she by the

0:21:26.320 --> 0:21:30.680
<v Speaker 2>way Mary Jane Jones. She was raised in rural Petersburg, Virginia.

0:21:30.680 --> 0:21:32.760
<v Speaker 2>I'm not sure if you're familiar. I don't know it.

0:21:32.880 --> 0:21:35.560
<v Speaker 2>But she had a house without indoor plumbing. We're talking

0:21:35.600 --> 0:21:38.760
<v Speaker 2>in the late sixties. And then, you know, as things do,

0:21:39.040 --> 0:21:41.760
<v Speaker 2>life came at her pretty fast. She dropped out of

0:21:41.760 --> 0:21:45.440
<v Speaker 2>school after tenth grade. She got married at nineteen Sadly,

0:21:45.520 --> 0:21:47.879
<v Speaker 2>her husband passed away, leaving her to be a widow

0:21:47.920 --> 0:21:50.720
<v Speaker 2>with a young son that was rough on her. Things

0:21:50.760 --> 0:21:53.600
<v Speaker 2>didn't improve much when she remarried. Her new husband gave

0:21:53.600 --> 0:21:56.639
<v Speaker 2>her three more sons, but he was also a violent drunk,

0:21:56.800 --> 0:21:59.399
<v Speaker 2>so she divorced him. Now she's a single mother in

0:21:59.480 --> 0:22:02.520
<v Speaker 2>Royal vergil with four young sons. Oh man, the year

0:22:02.600 --> 0:22:05.520
<v Speaker 2>is nineteen sixty eight. Yeah, she'll has a dream though,

0:22:05.600 --> 0:22:08.840
<v Speaker 2>of making it as a star. So to make ends meet,

0:22:08.920 --> 0:22:11.919
<v Speaker 2>she performed at the local gospel music group, the Great

0:22:11.960 --> 0:22:15.760
<v Speaker 2>Gates of Petersburg. She had this tremendous voice, like a big,

0:22:15.920 --> 0:22:18.280
<v Speaker 2>full throated voice, the kind that sings out like the

0:22:18.359 --> 0:22:20.120
<v Speaker 2>up to the angels in heaven right, just like a

0:22:20.119 --> 0:22:23.040
<v Speaker 2>real soul singer voice. Only trouble for her was she

0:22:23.080 --> 0:22:25.399
<v Speaker 2>was untrained. She couldn't read music. She just had a

0:22:25.480 --> 0:22:28.520
<v Speaker 2>natural born talent. Yeah, yeah, now it was married Jane Jones.

0:22:28.520 --> 0:22:31.639
<v Speaker 2>But quote, I don't know one note from the next.

0:22:31.680 --> 0:22:34.439
<v Speaker 2>But what talent I got I got from God. And

0:22:34.520 --> 0:22:36.760
<v Speaker 2>as you know, Elizabeth, that's also how I sing. I

0:22:36.840 --> 0:22:39.640
<v Speaker 2>don't know one note from the next except for God

0:22:39.640 --> 0:22:41.840
<v Speaker 2>forgot to give me any musical talent whatsoever. But this

0:22:41.960 --> 0:22:45.520
<v Speaker 2>is how I sing. So I related to her immediately, yes,

0:22:45.760 --> 0:22:48.960
<v Speaker 2>but anyway. By nineteen sixty nine, Mary Jane Jones was

0:22:48.960 --> 0:22:51.280
<v Speaker 2>twenty seven years old. She'd been singing with her gospel

0:22:51.280 --> 0:22:53.560
<v Speaker 2>group at this point for six years. The leader of

0:22:53.600 --> 0:22:56.040
<v Speaker 2>her gospel group was this cat named Reverend Billy Lee,

0:22:56.520 --> 0:22:58.280
<v Speaker 2>and he said of her talent, I had to teach

0:22:58.320 --> 0:23:00.480
<v Speaker 2>most of the folks in my groups, but that was

0:23:00.640 --> 0:23:03.680
<v Speaker 2>one young lady I did not have to teach soul right,

0:23:03.840 --> 0:23:06.520
<v Speaker 2>Like I said, natural born talent. And she was also

0:23:06.600 --> 0:23:09.800
<v Speaker 2>a natural born performer. Like when she sang, emotions came

0:23:09.840 --> 0:23:11.439
<v Speaker 2>out of her like like the way they did from

0:23:11.440 --> 0:23:14.320
<v Speaker 2>Frank Sinatra. In that way that the audience could feel

0:23:14.640 --> 0:23:18.160
<v Speaker 2>her longing, her a, her blues, her pain, her love.

0:23:18.640 --> 0:23:20.879
<v Speaker 2>Sometimes she would even cry while she was singing. I'm

0:23:20.880 --> 0:23:24.160
<v Speaker 2>talking like real tears. She moved herself with her songs right.

0:23:24.320 --> 0:23:26.600
<v Speaker 2>Other times, well, she'd be sweating in that role of

0:23:26.640 --> 0:23:29.440
<v Speaker 2>Virginia heat and then the beads of perspiration ran down

0:23:29.440 --> 0:23:31.919
<v Speaker 2>her face like this, little tiny rivers of sweat. I

0:23:31.920 --> 0:23:33.960
<v Speaker 2>mean she felt it when she was singing. So people

0:23:33.960 --> 0:23:35.800
<v Speaker 2>were like, oh my god, this is so real. But

0:23:35.960 --> 0:23:38.959
<v Speaker 2>singing gospel music wasn't enough to feed her growing boys.

0:23:39.040 --> 0:23:41.480
<v Speaker 2>So to earn a little extra scratch for her family,

0:23:41.560 --> 0:23:44.080
<v Speaker 2>Mary Jane also performed some of that music her fellow

0:23:44.119 --> 0:23:48.000
<v Speaker 2>gospel singers would call the devil's music. So to do that,

0:23:48.119 --> 0:23:50.640
<v Speaker 2>she often worked at local nightclubs. She performed as part

0:23:50.680 --> 0:23:53.159
<v Speaker 2>of a review style show where she'd sing as an

0:23:53.160 --> 0:23:55.920
<v Speaker 2>Aretha Franklin tribute act. They didn't call it tribute acts

0:23:55.960 --> 0:23:58.280
<v Speaker 2>back then. She'd just be like a Retha Franklin cover

0:23:58.359 --> 0:24:00.920
<v Speaker 2>song or Retha Franklin, you know, imitator.

0:24:01.160 --> 0:24:03.160
<v Speaker 3>So it's because you don't really like you're saying it's

0:24:03.160 --> 0:24:05.040
<v Speaker 3>a reviews So I think she was probably doing more

0:24:05.080 --> 0:24:08.439
<v Speaker 3>than just a yeah, songbook and you don't have like

0:24:08.640 --> 0:24:11.720
<v Speaker 3>live you know, big name acts coming through when people

0:24:11.720 --> 0:24:13.520
<v Speaker 3>want to hear someone singing and do all music.

0:24:13.560 --> 0:24:15.840
<v Speaker 2>Yeah, if you're in Petersburg, Virginia and you're like you're

0:24:15.840 --> 0:24:17.960
<v Speaker 2>willing to do Aretha, I'm willing to pay right and

0:24:18.160 --> 0:24:20.480
<v Speaker 2>you know, whatever the dollar to get in. So this

0:24:20.520 --> 0:24:23.120
<v Speaker 2>earned her on average ten dollars a night to play

0:24:23.160 --> 0:24:25.600
<v Speaker 2>these different nightclubs in the area. And now she had

0:24:25.600 --> 0:24:27.840
<v Speaker 2>a backing R and B band and they would play

0:24:27.880 --> 0:24:30.960
<v Speaker 2>the latest hits and so they knew all of Aretha's songbook.

0:24:31.240 --> 0:24:34.080
<v Speaker 2>She was really good on Aretha's song think Right, And

0:24:34.160 --> 0:24:37.919
<v Speaker 2>so when Mary jans Jones laid into Aretha's lyrics, she

0:24:38.040 --> 0:24:40.280
<v Speaker 2>was like sing to her imagined lover and the audience

0:24:40.440 --> 0:24:42.840
<v Speaker 2>they truly felt her lonesome heart right. Like I said,

0:24:42.840 --> 0:24:45.560
<v Speaker 2>the emotions poured out of her. But her gospel group

0:24:45.640 --> 0:24:47.919
<v Speaker 2>could never know about the sinning she was doing on

0:24:47.960 --> 0:24:50.840
<v Speaker 2>Saturday nights, otherwise it would risk her check that she's

0:24:50.840 --> 0:24:53.040
<v Speaker 2>taking care of her boys with right. If they ever

0:24:53.119 --> 0:24:55.480
<v Speaker 2>learned about her Moonlight gig, she'd be dumped from the

0:24:55.480 --> 0:24:58.560
<v Speaker 2>gospel group. So she came up with this persona she

0:24:58.680 --> 0:25:01.800
<v Speaker 2>performed under a stage name, Miss Vicky Jones, and she

0:25:02.160 --> 0:25:04.680
<v Speaker 2>pull on a wig and go out and transform into

0:25:04.680 --> 0:25:07.960
<v Speaker 2>the star to be Miss Vicky Jones. Love right, and

0:25:08.000 --> 0:25:10.040
<v Speaker 2>she was damn good Chelsea plays, She sang rock songs,

0:25:10.080 --> 0:25:12.520
<v Speaker 2>she sang whatever the people wanted to hear. Yeah yeah,

0:25:12.560 --> 0:25:14.760
<v Speaker 2>But eventually words still got back to the leader of

0:25:14.760 --> 0:25:17.320
<v Speaker 2>her gospel group, the good Reverend Billy Lee.

0:25:17.400 --> 0:25:17.600
<v Speaker 3>Yeah.

0:25:17.640 --> 0:25:20.480
<v Speaker 2>Now, one Saturday night, he dips into the nightclub and

0:25:20.480 --> 0:25:22.600
<v Speaker 2>he's tucked in the back of this darkened club. He's

0:25:22.640 --> 0:25:26.120
<v Speaker 2>watching the show and Mary Jane Jones aka Miss Vicky

0:25:26.240 --> 0:25:29.040
<v Speaker 2>Jones didn't spot her boss in the crowd. She just

0:25:29.080 --> 0:25:32.080
<v Speaker 2>went ahead with her show. Meanwhile, old Reverend Billy Lee

0:25:32.119 --> 0:25:35.199
<v Speaker 2>he's watching and he starts to worry about his his

0:25:35.400 --> 0:25:38.639
<v Speaker 2>like star singers, everlasting soul, and how she's putting it

0:25:38.680 --> 0:25:41.280
<v Speaker 2>at risk and also risking her spot in heaven with

0:25:41.320 --> 0:25:45.080
<v Speaker 2>her blues act and the Aretha Franklin tribute songs. As

0:25:45.119 --> 0:25:47.400
<v Speaker 2>he tells it, he didn't confront her right away. In fact,

0:25:47.440 --> 0:25:49.560
<v Speaker 2>he didn't confront her that night. Instead, he just said

0:25:49.560 --> 0:25:52.000
<v Speaker 2>a little prayer to himself, say a little prayer. Oh

0:25:52.000 --> 0:25:54.800
<v Speaker 2>he did he really? Yeah? Right, He's like, don't lecture her,

0:25:54.920 --> 0:25:58.359
<v Speaker 2>don't preach to She'll be all right now. However, he

0:25:58.400 --> 0:26:00.760
<v Speaker 2>did worry, as I said, about how she'd manage if

0:26:00.760 --> 0:26:03.880
<v Speaker 2>she got out into the dangerous world of show business

0:26:03.880 --> 0:26:07.000
<v Speaker 2>and nightclub singers, as he recalled it. He thought to himself,

0:26:07.320 --> 0:26:11.000
<v Speaker 2>she goes in these situations, things could get out of hand. Elizabeth,

0:26:11.000 --> 0:26:12.359
<v Speaker 2>I'm here to tell you things got out of it.

0:26:12.400 --> 0:26:14.640
<v Speaker 3>Oh, I could imagine this is like, this is very

0:26:14.720 --> 0:26:19.880
<v Speaker 3>much like the Perks and Reck storyline with Ron has

0:26:19.920 --> 0:26:22.760
<v Speaker 3>a has an alter ego who plays in nightclubs called

0:26:22.920 --> 0:26:28.080
<v Speaker 3>really Silver, really Saxophone. And that's basically what I'm imagining.

0:26:28.160 --> 0:26:32.800
<v Speaker 3>So she now looks like Ron Swanson with the mustache.

0:26:32.920 --> 0:26:35.639
<v Speaker 3>With the mustache, that's what she had on the saxophone. Yeah,

0:26:35.680 --> 0:26:38.800
<v Speaker 3>and and like a Fedora.

0:26:39.720 --> 0:26:43.240
<v Speaker 2>I gotta check that show something amazing. So, as I said,

0:26:43.240 --> 0:26:44.960
<v Speaker 2>things got out of hand. And of course this goes

0:26:45.000 --> 0:26:47.679
<v Speaker 2>down in a nightclub. It was the winner of nineteen

0:26:47.720 --> 0:26:49.840
<v Speaker 2>sixty eight and she was performing at a nightclub called

0:26:49.840 --> 0:26:52.320
<v Speaker 2>the Pink Garter. That name should tell you everything you

0:26:52.440 --> 0:26:54.919
<v Speaker 2>need to know. The club was in Richmond, Virginia. It

0:26:55.000 --> 0:26:56.880
<v Speaker 2>used to be a grocery store, but by the time

0:26:57.119 --> 0:27:00.359
<v Speaker 2>Mss Vikett Jones was performing. It had been converted into

0:27:00.400 --> 0:27:01.240
<v Speaker 2>the Pink Garter.

0:27:01.280 --> 0:27:04.840
<v Speaker 3>The Pink Garters. So it's like, let's say, it's not

0:27:04.880 --> 0:27:07.200
<v Speaker 3>a huge it's not a supermarket, it's a grocery store.

0:27:07.359 --> 0:27:11.040
<v Speaker 3>I'm imagining like the kind of cavernous interior.

0:27:11.240 --> 0:27:14.960
<v Speaker 2>Yeah no, don't just imagine like a lot of tables.

0:27:15.119 --> 0:27:17.000
<v Speaker 2>Maybe as it candles on the tables, I.

0:27:17.000 --> 0:27:19.480
<v Speaker 3>Don't know, a lot of people get up to no good.

0:27:19.520 --> 0:27:23.639
<v Speaker 2>The deli sections now a bar. So the house band

0:27:23.800 --> 0:27:26.520
<v Speaker 2>was called the River Nets, right. The leader of that

0:27:26.600 --> 0:27:28.840
<v Speaker 2>band was the same man who ran the Pink Garter.

0:27:29.000 --> 0:27:32.399
<v Speaker 2>His stage name was the Great Josea all right, and

0:27:32.480 --> 0:27:34.520
<v Speaker 2>his mama called him Fenroy Fox.

0:27:35.080 --> 0:27:36.359
<v Speaker 3>That's a great stage name.

0:27:36.560 --> 0:27:40.240
<v Speaker 2>That's what this why the Great he doesn't want you know,

0:27:40.400 --> 0:27:43.040
<v Speaker 2>maybe he worried about his mama finding out. So, as

0:27:43.080 --> 0:27:45.960
<v Speaker 2>the Great Hosea told the Smithsonian magazine, the Pink Guarter

0:27:46.080 --> 0:27:48.240
<v Speaker 2>was a black night club. Quote, it was ninety percent

0:27:48.359 --> 0:27:51.359
<v Speaker 2>black and there everything changed after Martin Luther King got killed.

0:27:51.520 --> 0:27:54.119
<v Speaker 2>Blacks was staying in black places. People were scared because

0:27:54.119 --> 0:27:55.720
<v Speaker 2>you know, remember he died in sixty eight, So this

0:27:55.840 --> 0:27:58.600
<v Speaker 2>is fresh, right, right, So the folks went to places

0:27:58.600 --> 0:28:01.320
<v Speaker 2>that they felt safe, like the Pink Garter, and that's

0:28:01.320 --> 0:28:04.680
<v Speaker 2>where things all change for Mary Jones aka Miss Vicki Jones.

0:28:05.119 --> 0:28:07.399
<v Speaker 2>So the Great Hosea, he's leading the river nets with

0:28:07.440 --> 0:28:11.120
<v Speaker 2>their rendition of Aretha Franklin's huge hit, respect And when

0:28:11.160 --> 0:28:13.080
<v Speaker 2>Miss Vickiy Jones steps up to the mic and she

0:28:13.160 --> 0:28:15.720
<v Speaker 2>lets her big voice fill up that room, that former

0:28:15.760 --> 0:28:18.480
<v Speaker 2>grocery store. Yeah, and in the dark and dimly lit

0:28:18.520 --> 0:28:20.400
<v Speaker 2>air of this club. The folks there at the Pink

0:28:20.440 --> 0:28:22.679
<v Speaker 2>Garter that night, you could have told them this was

0:28:22.720 --> 0:28:24.719
<v Speaker 2>Aretha Franklin and most of them would have believed it

0:28:24.760 --> 0:28:27.520
<v Speaker 2>was true. That's how much he sounded, but not only sounded,

0:28:27.560 --> 0:28:30.760
<v Speaker 2>but looked like Aretha really. Oh yeah, But it wasn't.

0:28:30.800 --> 0:28:32.920
<v Speaker 2>Just then we saw and heard this similarity to the

0:28:33.000 --> 0:28:36.160
<v Speaker 2>Queen of Soul, one of the other acts performing that night.

0:28:36.240 --> 0:28:40.360
<v Speaker 2>He saw Miss Vicki Jones singing and he heard dollar signs. Yeah.

0:28:40.440 --> 0:28:45.240
<v Speaker 2>Now into Lavell, Hade. Lavell wasn't from Virginia or even

0:28:45.280 --> 0:28:47.800
<v Speaker 2>from the South. He was a New York City hairdresser,

0:28:48.280 --> 0:28:50.200
<v Speaker 2>and he looked like one. He wore his hair in

0:28:50.240 --> 0:28:53.120
<v Speaker 2>this high pomper door like six inches off his head.

0:28:53.560 --> 0:28:56.280
<v Speaker 2>My favorite fun fact about Lavell Hardy was that in

0:28:56.360 --> 0:28:59.080
<v Speaker 2>nineteen sixty eight he had a near hit song of

0:28:59.120 --> 0:29:02.600
<v Speaker 2>his own called Don't Lose Your Groove. It reached number

0:29:02.640 --> 0:29:03.760
<v Speaker 2>forty two on the charts.

0:29:03.840 --> 0:29:04.800
<v Speaker 3>Did you listen to it?

0:29:04.880 --> 0:29:06.600
<v Speaker 2>I did not, but I did find a fun fact

0:29:06.640 --> 0:29:06.880
<v Speaker 2>for you.

0:29:07.080 --> 0:29:07.280
<v Speaker 3>Yeah.

0:29:07.360 --> 0:29:09.880
<v Speaker 2>It topped out just below a parody song by Bill

0:29:09.920 --> 0:29:13.440
<v Speaker 2>Cosby called Hooray for the Salvation Army Band. Oh dear,

0:29:13.560 --> 0:29:15.800
<v Speaker 2>that's what it was behind. It did not pass that

0:29:15.920 --> 0:29:18.360
<v Speaker 2>song it was from. That song was from the album

0:29:18.400 --> 0:29:21.920
<v Speaker 2>Bill Cosby sings Hooray for the Salvation Army Band with

0:29:22.000 --> 0:29:24.800
<v Speaker 2>an exclamation for my copy out from what I found.

0:29:24.800 --> 0:29:27.560
<v Speaker 2>That track was a comedic knockoff of Jimmy Hendrick's song

0:29:27.680 --> 0:29:28.600
<v Speaker 2>Purple Hayes.

0:29:30.040 --> 0:29:30.200
<v Speaker 3>Yes.

0:29:30.320 --> 0:29:33.120
<v Speaker 2>So the Bill Bill Cosby song Hooray for the Salvation

0:29:33.280 --> 0:29:35.880
<v Speaker 2>Army Band was a knockoff of Jimmy Hendrick song Purple

0:29:35.920 --> 0:29:38.960
<v Speaker 2>Hayes Yeah. And the album cover he looks like Jim Croche.

0:29:38.960 --> 0:29:41.280
<v Speaker 2>He's got this big bushy mustache, and he's got a

0:29:41.360 --> 0:29:43.640
<v Speaker 2>like like a kind of like a semi hippie gig.

0:29:44.280 --> 0:29:45.400
<v Speaker 3>Even happening right now?

0:29:45.440 --> 0:29:47.040
<v Speaker 2>Elizabeth, I gotta tell you, none of what I just

0:29:47.080 --> 0:29:49.600
<v Speaker 2>said makes any sense. No, I have no answers for you.

0:29:49.960 --> 0:29:51.080
<v Speaker 3>How does one get yet?

0:29:51.120 --> 0:29:51.400
<v Speaker 4>Whatever?

0:29:51.480 --> 0:29:55.000
<v Speaker 2>Anyway, back to the Pompadoor, Lavell Hattie, after he watched

0:29:55.000 --> 0:29:57.719
<v Speaker 2>Miss Vicki Jones do her best impression of Aretha Franklin

0:29:57.760 --> 0:30:00.200
<v Speaker 2>at the Pink Garter, he thought to himself, she that

0:30:00.200 --> 0:30:02.680
<v Speaker 2>I dentical from head to toe. She's got the complexion,

0:30:02.800 --> 0:30:05.120
<v Speaker 2>she got the looks, she got, the height, she got,

0:30:05.160 --> 0:30:10.000
<v Speaker 2>the tears, she got everything. So the wheels in his

0:30:10.080 --> 0:30:12.440
<v Speaker 2>devious mind start spending. And what I haven't told you

0:30:12.520 --> 0:30:15.120
<v Speaker 2>yet is Lavell Hardy earned two hundred dollars per night

0:30:15.200 --> 0:30:19.200
<v Speaker 2>working as a James Brown impersonator. Stop Yes, getting bust

0:30:19.280 --> 0:30:21.920
<v Speaker 2>the Popadour, and thus he knew Miss Vicky Jones as

0:30:21.920 --> 0:30:24.920
<v Speaker 2>a fake Aretha Franklin could be worth at least that much.

0:30:25.520 --> 0:30:28.480
<v Speaker 2>And she looked more like her than he looked like James.

0:30:28.600 --> 0:30:28.800
<v Speaker 3>Yeah.

0:30:28.920 --> 0:30:31.320
<v Speaker 2>So the next weekend, Vicky Jones was back in Richmond

0:30:31.360 --> 0:30:35.320
<v Speaker 2>performing at the Executive Motor n and Lavelle Hardy turned

0:30:35.400 --> 0:30:37.480
<v Speaker 2>up at the gig. After she does her act, he

0:30:37.560 --> 0:30:39.200
<v Speaker 2>makes his pitch. She steps up to her and he

0:30:39.240 --> 0:30:41.960
<v Speaker 2>tells her she could be making way more money with him,

0:30:42.000 --> 0:30:44.560
<v Speaker 2>and she could be making in these Virginia spots. He

0:30:44.640 --> 0:30:46.960
<v Speaker 2>told her about all the money to be made down

0:30:47.000 --> 0:30:49.959
<v Speaker 2>in Florida. That's where they pay for my music. So

0:30:50.200 --> 0:30:52.720
<v Speaker 2>Lavell Hardy was what we call it natural born operator.

0:30:52.840 --> 0:30:53.720
<v Speaker 3>Yeah, sounds like it.

0:30:53.800 --> 0:30:56.240
<v Speaker 2>And as such, she told Miss Jones that whatever she

0:30:56.320 --> 0:30:58.239
<v Speaker 2>needed to hear to sign on to his plan to

0:30:58.240 --> 0:31:01.280
<v Speaker 2>tour Florida, and you know, ex Lloyd her talents. So

0:31:01.320 --> 0:31:03.560
<v Speaker 2>he told her for an upcoming tour he was planning,

0:31:03.640 --> 0:31:06.560
<v Speaker 2>he wanted her to open for Aretha Franklin. He would

0:31:06.600 --> 0:31:10.240
<v Speaker 2>pay her one thousand dollars for a six city tour.

0:31:10.440 --> 0:31:13.120
<v Speaker 2>That's six shows. That's one hundred times what she was

0:31:13.120 --> 0:31:15.280
<v Speaker 2>making for one night in rural Virginia.

0:31:15.440 --> 0:31:18.680
<v Speaker 3>She's going to open for Aretha as in personally no.

0:31:18.720 --> 0:31:21.640
<v Speaker 2>Just as Miss Vicka Jones. Oh, so the offer is

0:31:21.760 --> 0:31:23.040
<v Speaker 2>it's too tempted for her to say no.

0:31:23.160 --> 0:31:26.440
<v Speaker 3>Is she going to do other songs aside from Aretha's No, Yeah,

0:31:26.480 --> 0:31:26.880
<v Speaker 3>She's going to.

0:31:26.880 --> 0:31:30.360
<v Speaker 2>Do her own song choices be they what they are? Sure,

0:31:30.640 --> 0:31:33.160
<v Speaker 2>So Mary Jane Jones, she went to a man she knew,

0:31:33.160 --> 0:31:36.920
<v Speaker 2>a cat named Harold Big Daddy Strayhorn, and he was

0:31:36.920 --> 0:31:39.160
<v Speaker 2>a local band leader and a money lender, apparently because

0:31:39.160 --> 0:31:40.840
<v Speaker 2>she borrowed the cash from him that she'd need for

0:31:40.880 --> 0:31:43.440
<v Speaker 2>a bus ticket down to Florida. So this was going

0:31:43.440 --> 0:31:45.080
<v Speaker 2>to be the first time she'd ever gone on a

0:31:45.120 --> 0:31:48.000
<v Speaker 2>tour without the Reverend Billy Lee and his gospel group.

0:31:48.400 --> 0:31:49.880
<v Speaker 2>So she was truly going to be out in the

0:31:49.920 --> 0:31:52.520
<v Speaker 2>world on her own, the thing that he feared. Now,

0:31:52.560 --> 0:31:54.480
<v Speaker 2>she sent her four boys to stay with her mother

0:31:54.560 --> 0:31:57.240
<v Speaker 2>and she packed for Florida, and then as the bus

0:31:57.280 --> 0:32:01.280
<v Speaker 2>headed south, she watched the world change from her window seat.

0:32:01.960 --> 0:32:04.680
<v Speaker 2>All Right, So when she arrives in Melbourne, Florida, she

0:32:04.800 --> 0:32:07.640
<v Speaker 2>linked up with Lavell Hatty and she was super eager

0:32:07.640 --> 0:32:09.640
<v Speaker 2>to start her new life as an opening act for

0:32:09.680 --> 0:32:13.760
<v Speaker 2>her hero, Aretha Franklin, Right, and that's when Lavell burst

0:32:13.760 --> 0:32:16.680
<v Speaker 2>her naive bubble. She wasn't going to be the opening

0:32:16.720 --> 0:32:19.120
<v Speaker 2>act for Aretha. Instead, she was gonna go out there

0:32:19.160 --> 0:32:22.680
<v Speaker 2>and she was gonna be Aretha. You see, he'd conder Elizabeth.

0:32:23.280 --> 0:32:25.160
<v Speaker 2>He told her exactly whatever she needed to hear to

0:32:25.160 --> 0:32:27.840
<v Speaker 2>get her down to Melbourne, Florida. And now she's stuck

0:32:27.880 --> 0:32:29.680
<v Speaker 2>because she doesn't have the money to buy a bus

0:32:29.680 --> 0:32:32.200
<v Speaker 2>ticket back home. There's no big daddy strayhoan Dawn in

0:32:32.200 --> 0:32:34.960
<v Speaker 2>Florida that she knows. Yeah, so she's like, and also

0:32:34.960 --> 0:32:36.280
<v Speaker 2>she shouldn't have the money to pay him back when

0:32:36.320 --> 0:32:36.800
<v Speaker 2>she gets back.

0:32:36.880 --> 0:32:38.560
<v Speaker 3>Yeah, no, she's got to earn while she's.

0:32:38.400 --> 0:32:41.560
<v Speaker 2>There, exactly. But she did still have her integrity, so

0:32:41.600 --> 0:32:44.720
<v Speaker 2>she said, no, I do not, and he's like no.

0:32:44.960 --> 0:32:47.080
<v Speaker 2>So Lavell's like arguing with her. She's like, I don't

0:32:47.120 --> 0:32:48.640
<v Speaker 2>want to be Aretha. I mean I want to be

0:32:48.840 --> 0:32:51.480
<v Speaker 2>like Aretha. She's like, I want to be miss Vicki Jones.

0:32:51.600 --> 0:32:51.880
<v Speaker 3>Sure.

0:32:52.080 --> 0:32:55.120
<v Speaker 2>Now that's when Lavell treated her like the naive country

0:32:55.120 --> 0:32:58.080
<v Speaker 2>girl that she was. He told her she didn't get

0:32:58.120 --> 0:33:00.840
<v Speaker 2>up on that stage and tell those nice folks in Melbourne,

0:33:00.880 --> 0:33:03.960
<v Speaker 2>Florida that she was Aretha, he could make her life hell.

0:33:04.400 --> 0:33:07.719
<v Speaker 2>As The Tampa Bay Times later reported, Lavell threatened her

0:33:07.760 --> 0:33:11.280
<v Speaker 2>saying that quote hit down, he had broken, don't know anybody,

0:33:11.360 --> 0:33:15.600
<v Speaker 2>and you are Aretha Franklin. So yo.

0:33:15.680 --> 0:33:15.840
<v Speaker 5>Yeah.

0:33:15.880 --> 0:33:18.480
<v Speaker 2>And then he went further than that. He quote threatened

0:33:18.480 --> 0:33:21.080
<v Speaker 2>to throw me in the bay. And not only that

0:33:21.120 --> 0:33:23.800
<v Speaker 2>she couldn't swim, she was also deathly afraid of the water,

0:33:23.880 --> 0:33:27.000
<v Speaker 2>so he hit the one like everything button to hit.

0:33:27.520 --> 0:33:30.880
<v Speaker 2>So now this pompadoord fake James Brown tribute act guy

0:33:30.960 --> 0:33:34.320
<v Speaker 2>further threatens her. Your body can easily be disposed of

0:33:34.360 --> 0:33:34.920
<v Speaker 2>in the wada.

0:33:35.080 --> 0:33:35.800
<v Speaker 3>Oh my god.

0:33:36.480 --> 0:33:39.920
<v Speaker 2>Yeah, So that's when she entertained what Lavell had in mind.

0:33:40.120 --> 0:33:41.080
<v Speaker 3>What else are you going to do?

0:33:41.280 --> 0:33:44.120
<v Speaker 2>Totally right, She's basically been kidnapped. So he tells her

0:33:44.280 --> 0:33:47.880
<v Speaker 2>again that while they're in Florida, quote, you are Aretha Franklin.

0:33:49.360 --> 0:33:51.720
<v Speaker 2>Now next up Lavell. He works the local promoters. He

0:33:51.760 --> 0:33:54.920
<v Speaker 2>tells them his client, Miss Franklin was in town looking

0:33:54.960 --> 0:33:58.200
<v Speaker 2>to do some shows. Typically she charged twenty grand a night.

0:33:58.320 --> 0:34:01.680
<v Speaker 2>Everybody knew that, but for them, she'd be willing to

0:34:01.680 --> 0:34:04.600
<v Speaker 2>book shows for the low low prices seven grand a night.

0:34:05.120 --> 0:34:08.000
<v Speaker 2>Why because the crowds in rural Florida would be smaller

0:34:08.040 --> 0:34:10.200
<v Speaker 2>than her shows up north or out west in places

0:34:10.239 --> 0:34:13.719
<v Speaker 2>like Las Vegas. So one local Florida promoter he goes

0:34:13.760 --> 0:34:14.160
<v Speaker 2>for it.

0:34:14.360 --> 0:34:17.239
<v Speaker 3>And none of them are like why why is she

0:34:17.360 --> 0:34:18.760
<v Speaker 3>desperate for a gig out.

0:34:18.560 --> 0:34:21.200
<v Speaker 2>Here in the winter too, not even tourist season like

0:34:21.200 --> 0:34:23.680
<v Speaker 2>they were talking. January of nineteen, sixteen.

0:34:23.360 --> 0:34:26.640
<v Speaker 3>Years oh, she's working out new material maybe, but even.

0:34:26.480 --> 0:34:30.080
<v Speaker 2>Then, you know no. And so Mary Jane Jones tells reporters.

0:34:30.640 --> 0:34:33.920
<v Speaker 2>After that same local promoter saw her first perform, he

0:34:34.000 --> 0:34:36.880
<v Speaker 2>thought I really was Aretha, and he acts, according to

0:34:37.080 --> 0:34:40.080
<v Speaker 2>he quote often to range a detective to protect me

0:34:40.160 --> 0:34:42.319
<v Speaker 2>and a car from my convenience.

0:34:41.920 --> 0:34:44.160
<v Speaker 3>Which Aretha would have been like, yes, please, no, don't.

0:34:44.200 --> 0:34:46.520
<v Speaker 2>You know that? Yeah, so of course, Lavelle hard it

0:34:46.560 --> 0:34:50.279
<v Speaker 2>was like, no, no cops are necessary now. So that

0:34:50.400 --> 0:34:53.880
<v Speaker 2>same local promoter he booked gigs for the Aretha Franklin Review,

0:34:54.120 --> 0:34:57.200
<v Speaker 2>and Mary Jans Jones aka Miss Vicki Jones went out

0:34:57.239 --> 0:34:59.880
<v Speaker 2>there night after night, and she does her best impression

0:34:59.880 --> 0:35:03.160
<v Speaker 2>of Aretha. The crowds they love it, Elizabeth. Most of

0:35:03.200 --> 0:35:05.359
<v Speaker 2>them were convinced if what they were seeing and what

0:35:05.360 --> 0:35:08.200
<v Speaker 2>they were hearing was the real Queen of Soul, Soul

0:35:08.280 --> 0:35:11.680
<v Speaker 2>System number one, even if it was some small podunk

0:35:11.719 --> 0:35:13.960
<v Speaker 2>town in rural Florida, and it made no sense of

0:35:14.000 --> 0:35:16.280
<v Speaker 2>the Aretha we'd be playing their little theater or nightclub.

0:35:16.280 --> 0:35:18.000
<v Speaker 2>They're like, no, no, of course she'd be here. They

0:35:18.000 --> 0:35:21.439
<v Speaker 2>decided to believe their lying eyes over the obvious truth

0:35:21.480 --> 0:35:23.600
<v Speaker 2>before them. Now at the end of each night's show,

0:35:23.719 --> 0:35:25.759
<v Speaker 2>miss Jones, she would rush back to her dressing room

0:35:25.760 --> 0:35:27.640
<v Speaker 2>because she didn't want to talk to anybody, and then

0:35:27.640 --> 0:35:29.080
<v Speaker 2>that way she could avoid the crowds. And then she

0:35:29.080 --> 0:35:30.960
<v Speaker 2>would go back there and just cry about what she

0:35:31.040 --> 0:35:33.400
<v Speaker 2>was doing. And then after she was done crying, she

0:35:33.400 --> 0:35:35.960
<v Speaker 2>would eat one of the two hamburgers that Lavelle gave

0:35:36.000 --> 0:35:39.520
<v Speaker 2>her each day as her food for the tour. What

0:35:39.800 --> 0:35:41.320
<v Speaker 2>she got two hamburgers.

0:35:40.800 --> 0:35:45.320
<v Speaker 3>A day, diet totally living on burgers.

0:35:45.400 --> 0:35:47.120
<v Speaker 2>Yeah, like one in the morning, one in the evening,

0:35:47.160 --> 0:35:52.160
<v Speaker 2>and yeah, it's terrible kibble for a dog. Then she's like,

0:35:52.200 --> 0:35:53.960
<v Speaker 2>you know, packed off to the motel room where he

0:35:53.960 --> 0:35:55.439
<v Speaker 2>would like hide his star act.

0:35:55.600 --> 0:35:57.600
<v Speaker 3>Oh my god, she's basically being trafficked.

0:35:57.800 --> 0:35:59.920
<v Speaker 2>Yeah, pretty much. It was a rough first three night,

0:36:00.160 --> 0:36:02.760
<v Speaker 2>first three shows, but Lavell hardy. He was making money

0:36:02.760 --> 0:36:05.320
<v Speaker 2>hand over fist, so he wanted to book bigger and

0:36:05.360 --> 0:36:07.919
<v Speaker 2>bigger shows, which meant bigger and bigger cities, which also

0:36:07.960 --> 0:36:10.160
<v Speaker 2>meant it would get harder and harder to con the

0:36:10.200 --> 0:36:14.040
<v Speaker 2>Florida crowds into thinking that's a refa. So, as missus

0:36:14.480 --> 0:36:17.960
<v Speaker 2>Jones told Jet Magazine, quote, I wanted to tell everybody

0:36:18.000 --> 0:36:21.080
<v Speaker 2>beforehand that I was not Miss Franklin, but Lavell said

0:36:21.120 --> 0:36:23.839
<v Speaker 2>the show promoters would do something awful to me if

0:36:23.880 --> 0:36:26.759
<v Speaker 2>they learned who I really was. I was scared. I

0:36:26.800 --> 0:36:30.239
<v Speaker 2>didn't have any money, no place to go. So, like

0:36:30.280 --> 0:36:34.040
<v Speaker 2>I said, she's got Basically, she's exactly. She's been kidnapped,

0:36:34.040 --> 0:36:36.960
<v Speaker 2>she's a hostage, and she's left to the whims of Lavell.

0:36:37.719 --> 0:36:40.560
<v Speaker 2>So she kept, you know, play acting as she best

0:36:40.600 --> 0:36:42.600
<v Speaker 2>she could as the real deal Queen of Soul. She'd

0:36:42.600 --> 0:36:45.239
<v Speaker 2>step out on in the stage, she'd become Aretha. She

0:36:45.239 --> 0:36:47.680
<v Speaker 2>would close her eyes and let her natural talents just

0:36:47.719 --> 0:36:50.759
<v Speaker 2>shine out of her because remember, she can sound like Aretha.

0:36:51.120 --> 0:36:54.080
<v Speaker 2>In under low lights, she looks like Aretha. So she'd

0:36:54.120 --> 0:36:56.120
<v Speaker 2>let those notes reach up to the heavens just like

0:36:56.160 --> 0:36:59.840
<v Speaker 2>Aretha did, and in fact her Arethe act was super convincing,

0:37:00.080 --> 0:37:03.399
<v Speaker 2>so like most everyone except for her. At one show,

0:37:03.400 --> 0:37:05.840
<v Speaker 2>the owner of the venue recalled that quote. Some people

0:37:05.840 --> 0:37:08.359
<v Speaker 2>who had seen Aretha before said that wasn't her, but

0:37:08.480 --> 0:37:11.719
<v Speaker 2>nobody was real show and even those doubts washed away

0:37:11.719 --> 0:37:14.160
<v Speaker 2>because other show goers would shouted the stage, that's her,

0:37:14.360 --> 0:37:16.919
<v Speaker 2>that's Aretha. Yeah. These are direct quotes by the way

0:37:16.960 --> 0:37:18.359
<v Speaker 2>from the newspaper at the time.

0:37:18.520 --> 0:37:20.920
<v Speaker 3>I love it, Like, have you ever gone to a

0:37:21.040 --> 0:37:22.920
<v Speaker 3>show and been in the crowd.

0:37:22.920 --> 0:37:24.040
<v Speaker 2>Like that's Jack White.

0:37:24.520 --> 0:37:26.520
<v Speaker 3>No, yes, that is Jack White.

0:37:26.640 --> 0:37:30.400
<v Speaker 2>I'm telling you, brothers, that is my man, Jack White, Jackson.

0:37:31.239 --> 0:37:35.400
<v Speaker 3>There's no that I didn't know was in question. Obviously

0:37:35.400 --> 0:37:36.880
<v Speaker 3>they're talking about it in the crowd.

0:37:37.000 --> 0:37:38.480
<v Speaker 2>There is some debate, yeah, but I think it's more

0:37:38.520 --> 0:37:40.120
<v Speaker 2>so some people are like like shoes showing it and

0:37:40.160 --> 0:37:42.080
<v Speaker 2>they're like, no, no, that's a Retha. I don't know.

0:37:42.160 --> 0:37:45.040
<v Speaker 2>I know two things. Son's coming up tomorrow, and that's

0:37:45.040 --> 0:37:48.360
<v Speaker 2>Aretha Franklin. So when miss Jones would leave the stage,

0:37:48.360 --> 0:37:51.080
<v Speaker 2>she would get carried off by thunderous applause. I'm talking

0:37:51.160 --> 0:37:53.879
<v Speaker 2>screams and shouts of the adoring fans of the real

0:37:53.920 --> 0:37:56.360
<v Speaker 2>Aretha Franklin because they got to see Aretha right here

0:37:56.400 --> 0:37:59.600
<v Speaker 2>in like Bradenton, Florida, at one venue. She gets this

0:37:59.680 --> 0:38:03.040
<v Speaker 2>stand ovation, all right, And so like some twisted like

0:38:03.160 --> 0:38:06.640
<v Speaker 2>Faustian bargain, she found that she'd gotten what she'd once

0:38:06.719 --> 0:38:08.960
<v Speaker 2>dreamed of when she wanted to sing before the audiences

0:38:09.000 --> 0:38:11.680
<v Speaker 2>and be in a star but and the audience responding

0:38:11.719 --> 0:38:14.440
<v Speaker 2>with all their heart and everyone's like overcome by her voice,

0:38:14.480 --> 0:38:17.520
<v Speaker 2>her presence, her star potential, the ache of her soul,

0:38:17.600 --> 0:38:21.120
<v Speaker 2>her transcendent voice. She got it all, but not really. No,

0:38:21.600 --> 0:38:23.319
<v Speaker 2>it was only it was it was nothing like what

0:38:23.360 --> 0:38:25.040
<v Speaker 2>she wanted it was. It was it was her dream,

0:38:25.120 --> 0:38:27.280
<v Speaker 2>but it felt like a nightmare.

0:38:27.360 --> 0:38:27.520
<v Speaker 4>Yeah.

0:38:27.600 --> 0:38:31.320
<v Speaker 2>One scripted by Livell ha Day. So, of course, a

0:38:31.400 --> 0:38:34.040
<v Speaker 2>scam like this one can only go on for so long. Eventually,

0:38:34.120 --> 0:38:36.319
<v Speaker 2>someone whose job it is to make money off the

0:38:36.360 --> 0:38:38.719
<v Speaker 2>reel of Aretha Franklin is going to hear about this,

0:38:38.960 --> 0:38:41.799
<v Speaker 2>and then it's all gonna go. Now, Okay, let's take

0:38:41.800 --> 0:38:44.400
<v Speaker 2>a little break. And after these messages, the reel of

0:38:44.520 --> 0:38:47.440
<v Speaker 2>Retha Franklin comes into this little morality play and the

0:38:47.480 --> 0:38:50.680
<v Speaker 2>temptation of Vicky Jones goes in a whole different directions.

0:39:11.400 --> 0:39:15.279
<v Speaker 2>Rebecca Elizabeth, Yes, we are enjoy this so far. I

0:39:15.280 --> 0:39:16.680
<v Speaker 2>thought it'd be a nice change of pace.

0:39:16.880 --> 0:39:17.359
<v Speaker 3>I like it.

0:39:17.480 --> 0:39:19.800
<v Speaker 2>So you're ready to hear how this long con goes

0:39:19.920 --> 0:39:22.680
<v Speaker 2>belly up. Of course, at this point it's the middle

0:39:22.719 --> 0:39:26.399
<v Speaker 2>of January nineteen sixty nine and Mary Jones is it's

0:39:26.400 --> 0:39:28.759
<v Speaker 2>book to play a show in Ocalla, Florida. It's a

0:39:28.960 --> 0:39:31.759
<v Speaker 2>forty two hundred seat venue, which is I know, I

0:39:31.760 --> 0:39:33.520
<v Speaker 2>don't know about you, but if you told me that

0:39:33.640 --> 0:39:37.240
<v Speaker 2>Maretha Franklin was booked to play the Southeastern Livestock Pavilion,

0:39:37.360 --> 0:39:39.680
<v Speaker 2>I would have been a bit doubtful. But this is

0:39:39.719 --> 0:39:43.680
<v Speaker 2>the biggest venue Miss Jones has seen yet, right, forty

0:39:43.680 --> 0:39:44.600
<v Speaker 2>two hundred seat venue.

0:39:44.719 --> 0:39:45.160
<v Speaker 3>Pretty good?

0:39:45.440 --> 0:39:47.440
<v Speaker 2>Oh yeah, it's like an exposition hall that she's playing

0:39:47.480 --> 0:39:51.759
<v Speaker 2>in at the Southeastern Livestock Pavilion. That's the spot where

0:39:51.800 --> 0:39:55.640
<v Speaker 2>Florida Cattleman auctioned off livestock. Yeah. So, I mean, I know,

0:39:56.239 --> 0:39:58.239
<v Speaker 2>is going to rockstick right, I mean, I know, yes,

0:39:58.320 --> 0:40:00.840
<v Speaker 2>folks play like County Well.

0:40:00.680 --> 0:40:05.400
<v Speaker 3>And out here Cow Palace. I've seen Metallica play at the.

0:40:05.520 --> 0:40:08.440
<v Speaker 2>Total, but they don't still sell cows. They do, do

0:40:08.480 --> 0:40:08.880
<v Speaker 2>they know?

0:40:08.960 --> 0:40:09.440
<v Speaker 3>They used to?

0:40:09.560 --> 0:40:10.760
<v Speaker 2>Yeah, they used to. They stopped.

0:40:11.200 --> 0:40:14.400
<v Speaker 3>But they have other stuff that's like, you know, non music.

0:40:15.040 --> 0:40:18.920
<v Speaker 3>It's you know, they have like like they have like

0:40:19.520 --> 0:40:22.160
<v Speaker 3>gem convention type things.

0:40:22.719 --> 0:40:25.759
<v Speaker 2>Yeah. But normally if you see someone in like the

0:40:25.800 --> 0:40:29.200
<v Speaker 2>Southeastern Livestock Pavilion, it's at the end of their musical career,

0:40:29.360 --> 0:40:30.919
<v Speaker 2>not when they're a huge Grammy win.

0:40:32.280 --> 0:40:36.720
<v Speaker 3>County Fair material, which the go to County Fair people

0:40:36.760 --> 0:40:40.319
<v Speaker 3>in the Bay Area. Now, for years was Tower of Power, right,

0:40:40.400 --> 0:40:43.680
<v Speaker 3>they always played like Alameda County Fair, And now I'm

0:40:43.719 --> 0:40:50.520
<v Speaker 3>finding that, Oh yeah, they play a lot of county

0:40:50.560 --> 0:40:52.640
<v Speaker 3>fairs because they're like, you know what, we can get

0:40:52.719 --> 0:40:55.399
<v Speaker 3>drunk before we go on stage. It's they'll pay us.

0:40:55.440 --> 0:40:57.120
<v Speaker 3>It's very, very limited.

0:40:57.120 --> 0:40:58.440
<v Speaker 2>After there's not going to be anyone here from the

0:40:58.520 --> 0:40:59.080
<v Speaker 2>music industry.

0:40:59.160 --> 0:40:59.920
<v Speaker 3>Don't have to go far.

0:41:00.000 --> 0:41:01.320
<v Speaker 2>I don't worry about a music review.

0:41:02.200 --> 0:41:04.879
<v Speaker 3>But I see him on all sorts of crazy low rent.

0:41:04.920 --> 0:41:06.680
<v Speaker 2>Oh yeah, you'll see him on the posters attached to

0:41:06.760 --> 0:41:09.759
<v Speaker 2>like light poles and when he's driving. So this has

0:41:10.160 --> 0:41:12.520
<v Speaker 2>basically how you fleece suckers because they don't question the

0:41:12.560 --> 0:41:14.960
<v Speaker 2>obvious tells like Aretha Franklin being booked to play the

0:41:15.000 --> 0:41:18.000
<v Speaker 2>Southeastern Livestock Pavilion in the dead of winter. If they

0:41:18.040 --> 0:41:21.960
<v Speaker 2>believe that you've already done half the work, yeah, exactly. Anyway,

0:41:22.000 --> 0:41:24.720
<v Speaker 2>all around a call of Florida, Lavelle had posters slapped

0:41:24.800 --> 0:41:27.640
<v Speaker 2>up that advertised Queen of Soul was coming to town.

0:41:28.080 --> 0:41:30.360
<v Speaker 2>You better act fast, get your tickets now, right. And

0:41:30.360 --> 0:41:31.920
<v Speaker 2>not only that, he also got the word out on

0:41:31.960 --> 0:41:34.560
<v Speaker 2>the local black radio stations that also helped to sell

0:41:34.560 --> 0:41:37.239
<v Speaker 2>the con job because if it's on the radio, how

0:41:37.239 --> 0:41:39.560
<v Speaker 2>could it not be true? You see that these days

0:41:39.560 --> 0:41:41.880
<v Speaker 2>with TV and like and the internet and the Internet,

0:41:41.920 --> 0:41:43.759
<v Speaker 2>it's like, well, it must be true. This guy is

0:41:43.800 --> 0:41:46.600
<v Speaker 2>saying it. So the next show would be the biggest

0:41:46.640 --> 0:41:48.800
<v Speaker 2>crowd yet. As I said, for Mary Jane Jones, and

0:41:48.840 --> 0:41:51.600
<v Speaker 2>the prospect of fooling forty two hundred people at the

0:41:51.640 --> 0:41:54.560
<v Speaker 2>same time had her nerves. But she was basically as

0:41:54.560 --> 0:41:56.440
<v Speaker 2>nervous as a long tailed cat and a room full

0:41:56.440 --> 0:41:59.320
<v Speaker 2>of rock and chairs. Right then, a bit of heavenly

0:41:59.360 --> 0:42:02.600
<v Speaker 2>intervention occur, the kind that shattered her faustian bargain with

0:42:02.760 --> 0:42:05.879
<v Speaker 2>Lavell Haday. You see, just before that show went down,

0:42:05.920 --> 0:42:09.080
<v Speaker 2>the local prosecutor of Marion County received a phone call.

0:42:09.360 --> 0:42:12.040
<v Speaker 2>On the other end was Aretha Franklin's attorney. He was

0:42:12.080 --> 0:42:14.640
<v Speaker 2>calling from New York City. He'd been busy arranging the

0:42:14.680 --> 0:42:17.719
<v Speaker 2>real Aretha Franklin's upcoming shows in Miami, Florida, when he

0:42:17.719 --> 0:42:20.440
<v Speaker 2>heard from promoters in Florida, you know, the ones working

0:42:20.440 --> 0:42:22.800
<v Speaker 2>down in the sunsigned state, that his client was already

0:42:22.800 --> 0:42:24.360
<v Speaker 2>working stages in rural Florida.

0:42:24.640 --> 0:42:26.000
<v Speaker 3>Stop. Oh, this is so good.

0:42:26.040 --> 0:42:28.799
<v Speaker 2>He's obviously thrown by this. This is news to him, Elizabeth,

0:42:29.080 --> 0:42:31.680
<v Speaker 2>So he starts asking the obvious questions, Now, who did

0:42:31.719 --> 0:42:34.240
<v Speaker 2>what and where? What shows? Can you tell me dates?

0:42:34.239 --> 0:42:37.320
<v Speaker 2>Can you tell me spots, locations, venues? Who owns that venue?

0:42:37.320 --> 0:42:37.960
<v Speaker 2>All the questions.

0:42:38.040 --> 0:42:38.320
<v Speaker 3>Yeah.

0:42:38.360 --> 0:42:41.000
<v Speaker 2>Once he gets to the bottom of Lavelle's scam and

0:42:41.120 --> 0:42:44.520
<v Speaker 2>basically tracking the progress of this fake Aretha Franklin, Retha

0:42:44.560 --> 0:42:47.640
<v Speaker 2>Franklin's real lawyer phones the Marion County Prosecutor and informs

0:42:47.680 --> 0:42:50.560
<v Speaker 2>them of what all he's learned. The Prosecutor's like, yeah,

0:42:50.600 --> 0:42:53.320
<v Speaker 2>we gotta Retha Franklin in town. My wife's a big

0:42:53.360 --> 0:42:55.200
<v Speaker 2>fan and we got tickets to go see her at

0:42:55.200 --> 0:42:59.759
<v Speaker 2>the Southeastern Livestock Pavilion and wreatha. Lawyer's like, what, well,

0:42:59.800 --> 0:43:01.759
<v Speaker 2>I got some bad news for your wife.

0:43:01.680 --> 0:43:01.759
<v Speaker 3>Ye.

0:43:02.200 --> 0:43:04.600
<v Speaker 2>Now the prosecutor he springs into action. He phones the

0:43:04.680 --> 0:43:08.120
<v Speaker 2>chief investigator over at the Marion County Sheriff's office. He

0:43:08.200 --> 0:43:11.400
<v Speaker 2>tells his chief investigators, basically the chief of detectives, he

0:43:11.520 --> 0:43:14.879
<v Speaker 2>wants the impostor arrested and locked up post haste. Yeah.

0:43:14.920 --> 0:43:17.440
<v Speaker 2>The chief investigators like, you ain't got to tell me twice?

0:43:17.520 --> 0:43:21.640
<v Speaker 2>When and where is this show. So this particular investigator,

0:43:21.640 --> 0:43:24.480
<v Speaker 2>he wasn't your typical small town southern sheriff. In fact,

0:43:24.560 --> 0:43:26.840
<v Speaker 2>he and his partner were both known to wear fancy

0:43:26.920 --> 0:43:29.960
<v Speaker 2>suits and kind of fancy themselves as investigators as opposed

0:43:29.960 --> 0:43:33.000
<v Speaker 2>to sheriff detectives. And basically what I'm saying is, Elizabeth,

0:43:33.040 --> 0:43:36.040
<v Speaker 2>these two men had notions. Yeah, they got in swollen

0:43:36.080 --> 0:43:39.160
<v Speaker 2>heads already after they've been interviewed for like Detective magazine.

0:43:39.239 --> 0:43:41.719
<v Speaker 2>And then also they provided security for Elvis when he

0:43:41.760 --> 0:43:44.440
<v Speaker 2>was in No callis shooting a movie like they know show.

0:43:44.280 --> 0:43:45.640
<v Speaker 3>Business now yeah, yea.

0:43:46.440 --> 0:43:49.280
<v Speaker 2>So they told the Marion County prosecutor, don't you worry, Hoss,

0:43:49.640 --> 0:43:52.680
<v Speaker 2>We'll go get justice for Aretha Franklin. And now before

0:43:52.719 --> 0:43:54.200
<v Speaker 2>I tell you about that, Elizabeth, I'd like you to

0:43:54.280 --> 0:43:55.799
<v Speaker 2>do me one favor. I'd like you to close your

0:43:55.840 --> 0:44:08.959
<v Speaker 2>eyes and I'd like you to picture it. It's sound

0:44:09.080 --> 0:44:12.920
<v Speaker 2>check at the Okalla's Club Valley Nightclub. Lavelle Hardy is

0:44:13.040 --> 0:44:15.400
<v Speaker 2>running the scene. Meanwhile, the star of the show, the

0:44:15.440 --> 0:44:18.200
<v Speaker 2>One and only A Retha Franklin, is running through her

0:44:18.239 --> 0:44:22.400
<v Speaker 2>plans set for her upcoming show. At the moment, you, Elizabeth,

0:44:22.400 --> 0:44:24.640
<v Speaker 2>are behind the bar since you're a bartender at the

0:44:24.640 --> 0:44:28.040
<v Speaker 2>club Valley Nightclub. You're pertending to get ready for the

0:44:28.120 --> 0:44:30.560
<v Speaker 2>night to come, but really you're just watching this show

0:44:30.760 --> 0:44:33.440
<v Speaker 2>and sound check. Normally you wouldn't show up to work

0:44:33.480 --> 0:44:35.400
<v Speaker 2>so early to get ready for the Saturday night. But

0:44:35.480 --> 0:44:38.560
<v Speaker 2>how often is Aretha Franklin in your nightclub? As you

0:44:38.640 --> 0:44:41.399
<v Speaker 2>towel off highball glasses and arrange them for the night's

0:44:41.480 --> 0:44:44.719
<v Speaker 2>drinking to come, you watch Aretha Franklin sing her song.

0:44:44.920 --> 0:44:47.200
<v Speaker 2>Think her voice is strong, just like it is on

0:44:47.239 --> 0:44:50.160
<v Speaker 2>the albums. Even for just a sound check, it sounds

0:44:50.320 --> 0:44:55.279
<v Speaker 2>amazing and it's just you, her, her papadored manager, and

0:44:55.320 --> 0:44:58.360
<v Speaker 2>the club owner. It's a super intimate setting. What a

0:44:58.520 --> 0:45:00.920
<v Speaker 2>rare treat you think this makes up for all the

0:45:01.040 --> 0:45:03.560
<v Speaker 2>nights you have to mop up puke and clean the

0:45:03.600 --> 0:45:06.279
<v Speaker 2>toilet after a long Saturday night. It's all worth it

0:45:06.360 --> 0:45:10.080
<v Speaker 2>for these moments. After Aretha finishes her song, the club

0:45:10.160 --> 0:45:13.440
<v Speaker 2>falls quiet. Her pompadored manager steps up on stage and

0:45:13.480 --> 0:45:18.040
<v Speaker 2>whispers some notes in her Now you can't hear what

0:45:18.040 --> 0:45:20.759
<v Speaker 2>he's saying. Instead, you hear a knock at the club door.

0:45:21.000 --> 0:45:24.720
<v Speaker 2>It's a loud, insistent knock. It sounds like it's the police.

0:45:25.080 --> 0:45:27.040
<v Speaker 2>When the club owner gets up, checks that he has

0:45:27.040 --> 0:45:29.120
<v Speaker 2>his gun on him, he walks over to the door.

0:45:29.440 --> 0:45:32.520
<v Speaker 2>His shoes sound against the club's hard floor, and then

0:45:32.640 --> 0:45:35.360
<v Speaker 2>he opens the door. It turns out it is the cops.

0:45:35.760 --> 0:45:38.319
<v Speaker 2>Two detectives flash their badgers and then push their way

0:45:38.320 --> 0:45:41.160
<v Speaker 2>into the empty night club. On stage, Aretha and her

0:45:41.160 --> 0:45:44.520
<v Speaker 2>manager both freeze in place. They both look about as

0:45:44.560 --> 0:45:46.239
<v Speaker 2>guilty as a kid who's caught with his hand in

0:45:46.239 --> 0:45:49.800
<v Speaker 2>the cookie jar. The cops announce, don't move a muscle.

0:45:49.880 --> 0:45:53.640
<v Speaker 2>You're both under arrest. What the hell you think to yourself,

0:45:53.640 --> 0:45:56.560
<v Speaker 2>What could Aretha Franklin done to be treated like this?

0:45:57.080 --> 0:46:00.000
<v Speaker 2>The cops frisk them both. You watch as the cops

0:46:00.120 --> 0:46:02.720
<v Speaker 2>pull seven grand out of the soup pockets of Aretha's

0:46:02.719 --> 0:46:07.280
<v Speaker 2>pompadoored manager. After that, outcome the handcuffs. He and Aretha

0:46:07.360 --> 0:46:09.960
<v Speaker 2>are both handcuffed, and then purp walked out to the

0:46:10.000 --> 0:46:13.360
<v Speaker 2>waiting police car. You follow behind the officers, not quite

0:46:13.400 --> 0:46:16.440
<v Speaker 2>believing this is happening. You watch as the two sheriff

0:46:16.520 --> 0:46:20.520
<v Speaker 2>detectives shove the pompador manager and then Aretha Franklin into

0:46:20.520 --> 0:46:22.960
<v Speaker 2>the back seat of the police car. It's a brand

0:46:22.960 --> 0:46:27.080
<v Speaker 2>new sixty nine, Pontiac. The car is clean, clean. Aretha

0:46:27.160 --> 0:46:29.960
<v Speaker 2>sits in the back end. She stares back at you.

0:46:29.960 --> 0:46:32.439
<v Speaker 2>You mutter to yourself, that is no way to treat

0:46:32.480 --> 0:46:34.319
<v Speaker 2>the Queen of soul. And then you hear the club

0:46:34.320 --> 0:46:37.200
<v Speaker 2>owners say, you idiot. I don't know who that is,

0:46:37.239 --> 0:46:41.680
<v Speaker 2>but it ain't Nowheretha Franklin. So there you go, Elizabeth,

0:46:41.680 --> 0:46:44.120
<v Speaker 2>You're a moment with the show. So when they were

0:46:44.200 --> 0:46:45.680
<v Speaker 2>doing it was a sound check before they did the

0:46:45.680 --> 0:46:48.240
<v Speaker 2>big forty two seats. She just needed somewhere to perform,

0:46:48.320 --> 0:46:50.399
<v Speaker 2>so you leaned on some venue like maybe we'll come

0:46:50.440 --> 0:46:53.680
<v Speaker 2>back here and do a show for you. Now. After

0:46:53.800 --> 0:46:56.799
<v Speaker 2>Lavelle and then Miss Vicki Jones were both arrested and

0:46:56.800 --> 0:47:00.520
<v Speaker 2>booked for their fake Aretha Franklin show, this story off

0:47:00.560 --> 0:47:04.520
<v Speaker 2>it leads to national headlines oh really. As the Flint

0:47:04.600 --> 0:47:07.840
<v Speaker 2>Journal of Flint, Michigan reported on January twenty third, nineteen

0:47:07.880 --> 0:47:10.960
<v Speaker 2>sixty nine, from a syndicated story by the Associated Press,

0:47:11.040 --> 0:47:15.279
<v Speaker 2>quote dateline oh call of Florida. An itinerant male hairdresser

0:47:15.400 --> 0:47:18.440
<v Speaker 2>was jailed Wednesday after police say he staged a quote

0:47:18.480 --> 0:47:22.560
<v Speaker 2>Aretha Franklin show by forcing a penniless Virginia girl to

0:47:22.600 --> 0:47:25.000
<v Speaker 2>pose on stage as the twenty thousand a week soul

0:47:25.080 --> 0:47:26.200
<v Speaker 2>singer from Detroit.

0:47:27.040 --> 0:47:29.520
<v Speaker 3>Well, at least it's there casting it that in the

0:47:29.600 --> 0:47:31.640
<v Speaker 3>right lights. Yeah, not an accomplice totally.

0:47:31.880 --> 0:47:33.920
<v Speaker 2>The story goes on from there to report that quote.

0:47:34.040 --> 0:47:36.879
<v Speaker 2>Lavelle Hardy, twenty four, of New York was booked into

0:47:37.000 --> 0:47:39.680
<v Speaker 2>Marion County Jail under a five hundred dollars bond on

0:47:39.800 --> 0:47:43.440
<v Speaker 2>false advertising charges after he bought ads for the Aretha

0:47:43.560 --> 0:47:46.479
<v Speaker 2>Franklin Review for Thursday night at a four thousand seat

0:47:46.520 --> 0:47:51.279
<v Speaker 2>exposition hall. Meanwhile, when the Marion County Prosecutor speaks with

0:47:51.360 --> 0:47:54.600
<v Speaker 2>the miss Vicki Jones aka Mary Jane Jones, yeah, she

0:47:54.760 --> 0:47:57.480
<v Speaker 2>tells them about how she'd borrowed money to come to

0:47:57.560 --> 0:48:00.200
<v Speaker 2>Florida and that she thought she'd be performing un under

0:48:00.200 --> 0:48:02.960
<v Speaker 2>her own name, but instead Lavelle. He threatened her, He

0:48:03.000 --> 0:48:04.719
<v Speaker 2>kept her in motel rooms, he was feeding her just

0:48:04.760 --> 0:48:07.359
<v Speaker 2>two hamburgers a day. It all becomes clear to this

0:48:07.400 --> 0:48:10.160
<v Speaker 2>prosecutor that, as you've noticed, she's the victim. She and

0:48:10.239 --> 0:48:10.600
<v Speaker 2>a purp.

0:48:10.719 --> 0:48:10.919
<v Speaker 3>Yeah.

0:48:11.160 --> 0:48:13.240
<v Speaker 2>So, in a story I found from the Tampa Bay Times,

0:48:13.320 --> 0:48:17.000
<v Speaker 2>the Marion County prosecutor told reporters how quote, I'm sure

0:48:17.040 --> 0:48:19.359
<v Speaker 2>glad we found out about this thing. There are going

0:48:19.440 --> 0:48:22.040
<v Speaker 2>to be thousands of people from all over the Southeast

0:48:22.040 --> 0:48:25.200
<v Speaker 2>for the show. She couldn't have fooled all those people. No,

0:48:25.360 --> 0:48:27.400
<v Speaker 2>tell them what they would have done to the pavilion,

0:48:27.760 --> 0:48:29.319
<v Speaker 2>and it could have been far worse when she got

0:48:29.320 --> 0:48:30.600
<v Speaker 2>to Tampa or Jacksonville.

0:48:31.160 --> 0:48:32.000
<v Speaker 3>Yeah, they don't play.

0:48:32.200 --> 0:48:35.920
<v Speaker 2>No think of the pavilion people. Where are we going

0:48:35.960 --> 0:48:38.240
<v Speaker 2>to sell our livestock if something happens to the pavilion.

0:48:38.320 --> 0:48:41.200
<v Speaker 3>We we have a full schedule, yes exactly. We got

0:48:41.320 --> 0:48:42.160
<v Speaker 3>nowhere to divert.

0:48:42.360 --> 0:48:44.719
<v Speaker 2>We got a truck pull on Sunday, Yes exactly. So

0:48:44.800 --> 0:48:47.160
<v Speaker 2>he tells reporters that he's decided to file charges after

0:48:47.239 --> 0:48:49.840
<v Speaker 2>quote the real a rit the Franklin agreed to testify

0:48:49.840 --> 0:48:52.960
<v Speaker 2>in criminal court here stop was willing to come down.

0:48:53.080 --> 0:48:54.839
<v Speaker 3>Just wanted to get to get her down.

0:48:55.000 --> 0:48:57.359
<v Speaker 2>Oh my god. Yes, he was like, what, okay, book

0:48:57.440 --> 0:48:59.879
<v Speaker 2>the show, I mean booked the trial. So as one

0:48:59.880 --> 0:49:02.239
<v Speaker 2>of the sheriff's detectives did point out, quote, if it

0:49:02.320 --> 0:49:04.600
<v Speaker 2>was a drag, Aretha would have gotten mad, but this

0:49:04.680 --> 0:49:07.160
<v Speaker 2>girl went over. So he's basically saying like, that's why

0:49:07.160 --> 0:49:10.120
<v Speaker 2>Aretha and two pissed. The homegirl did her right. So

0:49:10.120 --> 0:49:13.200
<v Speaker 2>Elizabeth the Clia Soul wasn't mad at Miss Vicki Jones

0:49:13.239 --> 0:49:15.600
<v Speaker 2>for pretending to be her. She was only mad at

0:49:15.600 --> 0:49:20.000
<v Speaker 2>the itinerant male hairdresser, Nobelle Hardy. Now, in fact, Aretha

0:49:20.080 --> 0:49:23.040
<v Speaker 2>told Jet Magazine quote he ought to be prosecuted, not

0:49:23.120 --> 0:49:26.560
<v Speaker 2>that girl. Right, go on, Aretha. However, this wasn't up

0:49:26.600 --> 0:49:28.919
<v Speaker 2>to Aretha to decide. That was up to the job

0:49:28.960 --> 0:49:31.239
<v Speaker 2>of the Marion County prosecutor, and he still needed to

0:49:31.280 --> 0:49:34.080
<v Speaker 2>be fully convinced, because anybody can say anything right. So

0:49:34.200 --> 0:49:36.080
<v Speaker 2>to prove her side of the story, he asked, Miss

0:49:36.200 --> 0:49:38.880
<v Speaker 2>Vicki Jones, you sing from me, let me hear you

0:49:38.920 --> 0:49:41.959
<v Speaker 2>are Aretha. So when Miss Vicki Jones opens her mouth,

0:49:42.040 --> 0:49:45.000
<v Speaker 2>she hits him with her natural talent. And after he

0:49:45.000 --> 0:49:48.560
<v Speaker 2>heard her sing, this Marion County Prosecutor concluded, this girl

0:49:48.640 --> 0:49:52.360
<v Speaker 2>is a sanger. She is terrific. Just singing without a combo,

0:49:52.520 --> 0:49:55.120
<v Speaker 2>she showed she had a distinctive style all her own.

0:49:55.440 --> 0:49:57.520
<v Speaker 3>What was the point of that demissu.

0:49:58.320 --> 0:50:00.799
<v Speaker 2>So she convinces him that she is the and the

0:50:00.880 --> 0:50:04.319
<v Speaker 2>lavelle had conned this simple girl from rural Virginia into

0:50:04.360 --> 0:50:07.480
<v Speaker 2>doing this Florida long con and as the Marion County

0:50:07.520 --> 0:50:10.960
<v Speaker 2>prosecutor told reporters, she didn't have a red scent. She

0:50:11.040 --> 0:50:13.239
<v Speaker 2>had four children at home and no way to get

0:50:13.239 --> 0:50:16.320
<v Speaker 2>to them. We were thoroughly convinced that Vicky was forced

0:50:16.320 --> 0:50:18.560
<v Speaker 2>into being Aretha Frankel, and it was obvious she was

0:50:18.600 --> 0:50:21.080
<v Speaker 2>a victim. So now, as a result, Miss Vicky Jones

0:50:21.120 --> 0:50:23.840
<v Speaker 2>was placed in protective custody and she faces no charges.

0:50:24.560 --> 0:50:27.359
<v Speaker 2>Then when she's released from the courthouse, she was met

0:50:27.360 --> 0:50:30.080
<v Speaker 2>by this gaggle reporters because it's now a national news

0:50:30.160 --> 0:50:32.000
<v Speaker 2>story and they all want to get their angle. So

0:50:32.120 --> 0:50:35.839
<v Speaker 2>Vicky Jones tells the gathered newsman, the judge said, I

0:50:36.000 --> 0:50:38.000
<v Speaker 2>really sounded like her. I know I can use a

0:50:38.000 --> 0:50:40.759
<v Speaker 2>little training in singing jazz and the blues, but I

0:50:40.800 --> 0:50:42.600
<v Speaker 2>feel I can go all the way. I don't believe

0:50:42.600 --> 0:50:44.759
<v Speaker 2>there is such a word as camped. So she's like

0:50:44.760 --> 0:50:46.720
<v Speaker 2>trying to sell us up, like could we get another

0:50:46.840 --> 0:50:49.439
<v Speaker 2>little stage for me now? As for her con job

0:50:49.480 --> 0:50:52.319
<v Speaker 2>as Aretha, she also told reporters that quote, I'm not her,

0:50:52.560 --> 0:50:54.560
<v Speaker 2>I don't look like her, I don't dress like her,

0:50:54.560 --> 0:50:57.040
<v Speaker 2>and I should don't have her money and in an

0:50:57.080 --> 0:51:00.440
<v Speaker 2>exclusive interview with The Orlando Sentinel. She later said, I

0:51:00.520 --> 0:51:03.400
<v Speaker 2>want the truth told. I have never met her Beta Franklin,

0:51:03.440 --> 0:51:06.120
<v Speaker 2>and I have never seen her except on television. So

0:51:06.280 --> 0:51:09.000
<v Speaker 2>at this point, you know, Areta doesn't come back into

0:51:09.040 --> 0:51:10.720
<v Speaker 2>the story. She doesn't come and meet her or anything.

0:51:11.280 --> 0:51:13.120
<v Speaker 3>At least kicked her down some money to get home.

0:51:13.200 --> 0:51:14.960
<v Speaker 2>That would be nice, right, But this isn't the end

0:51:15.000 --> 0:51:17.200
<v Speaker 2>of this strange tale of impersonation. Because I have good

0:51:17.200 --> 0:51:18.080
<v Speaker 2>news for you, Elizabeth.

0:51:18.160 --> 0:51:18.520
<v Speaker 3>I love it.

0:51:18.640 --> 0:51:20.960
<v Speaker 2>This story has a happy ending, thank you. You see,

0:51:21.000 --> 0:51:23.480
<v Speaker 2>when Miss Vicky Jones stepped out of the Marion County Courthouse,

0:51:23.480 --> 0:51:25.720
<v Speaker 2>it wasn't just reporters waiting for her. There was also

0:51:25.760 --> 0:51:29.280
<v Speaker 2>a self made millionaire named Ray Green. He was smitten

0:51:29.320 --> 0:51:31.680
<v Speaker 2>with her, smitting with her story. He wanted to offer

0:51:31.719 --> 0:51:35.360
<v Speaker 2>her a legitimate show business place, a legit contract, and

0:51:35.400 --> 0:51:37.319
<v Speaker 2>he paid her five hundred dollars to get her back

0:51:37.320 --> 0:51:40.000
<v Speaker 2>home to Virginia. And then he offered to be her

0:51:40.200 --> 0:51:42.839
<v Speaker 2>managing agent and her advisor, and he booked her a

0:51:42.880 --> 0:51:47.000
<v Speaker 2>real deal, sold out to her all across Florida, performing

0:51:47.280 --> 0:51:52.399
<v Speaker 2>as herself. Miss Vicky Joneses then enter jazz legend Duke

0:51:52.440 --> 0:51:58.160
<v Speaker 2>Ellington Yes, just weeks after her arrest. On February eighth,

0:51:58.239 --> 0:52:01.640
<v Speaker 2>nineteen sixty nine, The ord Lando Sentinel reported that quote

0:52:02.040 --> 0:52:06.080
<v Speaker 2>erstwhile Aretha Franklin impersonator Mary Jane Jones performed under her

0:52:06.080 --> 0:52:09.120
<v Speaker 2>own stage name here Vicky Jones with band leader Duke

0:52:09.160 --> 0:52:13.200
<v Speaker 2>Ellington and his band Stop Yes. Her long strange road

0:52:13.239 --> 0:52:14.640
<v Speaker 2>to fame it finally paid off.

0:52:14.680 --> 0:52:15.120
<v Speaker 3>Wow.

0:52:15.239 --> 0:52:17.480
<v Speaker 2>When she stepped out on stage with Duke Ellington, he

0:52:17.520 --> 0:52:21.080
<v Speaker 2>told his audience at the Civic Auditorium in Sandford, Florida, quote,

0:52:21.160 --> 0:52:23.319
<v Speaker 2>I want to introduce you to a Florida girl who

0:52:23.360 --> 0:52:26.439
<v Speaker 2>made national headlines two weeks ago. Now he was wrong

0:52:26.440 --> 0:52:29.000
<v Speaker 2>about the Florida her part, right, But who's gonna correct

0:52:29.040 --> 0:52:31.279
<v Speaker 2>Duke Ellington exactly? So on stage he gave her like

0:52:31.280 --> 0:52:33.440
<v Speaker 2>an avuncular kiss on the cheek to like, you know,

0:52:33.560 --> 0:52:37.480
<v Speaker 2>basically denote her being special. And this photographer snapped photos

0:52:37.480 --> 0:52:40.319
<v Speaker 2>of this like star making moment. And back to the

0:52:40.440 --> 0:52:43.600
<v Speaker 2>Orlando Sentinel, which reported that she appeared in an expensive

0:52:43.640 --> 0:52:47.320
<v Speaker 2>looking yellow ankle length evening gown and without a wig.

0:52:47.960 --> 0:52:51.719
<v Speaker 2>Oh fashion please. All of a sudden, so with this band,

0:52:51.920 --> 0:52:54.279
<v Speaker 2>Duke Ellington's band begins to play the song every day,

0:52:54.360 --> 0:52:57.040
<v Speaker 2>I have the blues. Miss Jones stood before that microphone

0:52:57.040 --> 0:52:59.719
<v Speaker 2>and began to sing the opening lyrics, speaking of bad

0:52:59.800 --> 0:53:02.720
<v Speaker 2>luck in trouble. Well, you know I've had my share,

0:53:03.280 --> 0:53:06.680
<v Speaker 2>and the crowd was transfixed, mesmerized by her natural talent.

0:53:06.800 --> 0:53:09.319
<v Speaker 2>You know, the song choice and you damned to share

0:53:09.360 --> 0:53:11.800
<v Speaker 2>a better believe they knew the blues she was singing

0:53:12.000 --> 0:53:14.600
<v Speaker 2>was real, so her voice it was basically as striking

0:53:14.640 --> 0:53:17.160
<v Speaker 2>and as authentic as like a clap of thunder. Right,

0:53:17.200 --> 0:53:19.600
<v Speaker 2>They're like, oh, you cannot deny this. And as the

0:53:19.680 --> 0:53:22.759
<v Speaker 2>Orlando set and also reported quote, Ellington said he is

0:53:22.800 --> 0:53:25.920
<v Speaker 2>considering giving miss Jones the chance of a lifetime, hiring

0:53:26.120 --> 0:53:29.680
<v Speaker 2>her on for a six month contract. The very next month,

0:53:29.680 --> 0:53:32.239
<v Speaker 2>in March of sixty nine, the cover of Jet magazine

0:53:32.239 --> 0:53:36.560
<v Speaker 2>featured in Miss Vicki Jones cover, Jet Star was Born,

0:53:36.960 --> 0:53:39.360
<v Speaker 2>and she told Jet Magazine it was so exciting just

0:53:39.400 --> 0:53:41.399
<v Speaker 2>to be in Duke's company. But he didn't know how

0:53:41.440 --> 0:53:44.040
<v Speaker 2>I sing, and I didn't know how he play. For

0:53:44.160 --> 0:53:46.560
<v Speaker 2>his part, Duke Ellington corrected that because he said of

0:53:46.600 --> 0:53:49.320
<v Speaker 2>Miss Vicki Jones, she's a good soul singer. But he

0:53:49.360 --> 0:53:51.200
<v Speaker 2>also said that the obvious part out loud. It was

0:53:51.200 --> 0:53:54.439
<v Speaker 2>time that she breaked the Aretha imitation and she needed

0:53:54.440 --> 0:53:57.000
<v Speaker 2>to have like her own right now. Months later, still

0:53:57.040 --> 0:54:00.319
<v Speaker 2>following her story, national newspapers report on her progres rest

0:54:00.400 --> 0:54:04.880
<v Speaker 2>to stardom in the Progress Index newspaper. Ironically, on May eleventh,

0:54:04.920 --> 0:54:07.440
<v Speaker 2>nineteen sixty nine, the paper reported that Duke Ellington had

0:54:07.440 --> 0:54:12.200
<v Speaker 2>written six songs for an upcoming album for Miss Jones. Yeah.

0:54:12.200 --> 0:54:14.640
<v Speaker 2>In an interview with the paper, Vicki Jones said, it's

0:54:14.680 --> 0:54:17.240
<v Speaker 2>gonna be hard, but nothing's gonna stop me from making

0:54:17.239 --> 0:54:19.759
<v Speaker 2>it as a singer, and she added that quote, I

0:54:19.800 --> 0:54:22.759
<v Speaker 2>want to do songs strictly about me, how I got

0:54:22.800 --> 0:54:25.719
<v Speaker 2>started and how I love. Everything I write will be

0:54:25.760 --> 0:54:28.239
<v Speaker 2>based on my life. I think people will be interested.

0:54:28.520 --> 0:54:30.719
<v Speaker 2>I love the way I am. I like the many

0:54:30.760 --> 0:54:32.600
<v Speaker 2>different people I meet. I want to take time to

0:54:32.600 --> 0:54:34.960
<v Speaker 2>see the beauty of this world. Because remember, just from

0:54:35.040 --> 0:54:38.160
<v Speaker 2>rural Virginia. Now she's like about to go national tours,

0:54:38.360 --> 0:54:41.080
<v Speaker 2>which is exactly what she did. She toured America singing

0:54:41.120 --> 0:54:44.000
<v Speaker 2>as herself, and the people loved her. She played sold

0:54:44.000 --> 0:54:47.760
<v Speaker 2>out shows not just in Florida now, but in New York, Chicago, Detroit,

0:54:47.960 --> 0:54:51.880
<v Speaker 2>Las Vegas. She would arrive in a chauffeured limousine, just

0:54:51.920 --> 0:54:55.280
<v Speaker 2>like Aretha Franklin. She was now earning fifteen hundred dollars

0:54:55.440 --> 0:54:58.120
<v Speaker 2>a night for her shows. It wasn't exactly Retha Franklin money,

0:54:58.160 --> 0:55:00.719
<v Speaker 2>but it was damn good money for nineteen sixty that's

0:55:00.719 --> 0:55:04.360
<v Speaker 2>good money for now night totally. In fact, she became

0:55:04.440 --> 0:55:07.480
<v Speaker 2>so popular that now there was a Vicky Jones impersonator

0:55:07.520 --> 0:55:11.040
<v Speaker 2>playing shows pretending to be her. Hit the story at

0:55:11.080 --> 0:55:13.720
<v Speaker 2>Gumpull Circle. Now she was the star for the imitator.

0:55:14.480 --> 0:55:16.719
<v Speaker 2>And when she heard about this pretender making money off

0:55:16.719 --> 0:55:19.600
<v Speaker 2>of her name, Vicky Jones said, she stopped now. But

0:55:19.719 --> 0:55:22.239
<v Speaker 2>I don't hold anything against her. I know how it

0:55:22.360 --> 0:55:25.680
<v Speaker 2>was to be hungry without any money, supporting a family,

0:55:25.840 --> 0:55:28.440
<v Speaker 2>and to be separated from my husband. Now this is

0:55:28.480 --> 0:55:31.200
<v Speaker 2>all pre generous and gracious of her. But after a

0:55:31.320 --> 0:55:33.760
<v Speaker 2>year on the road playing sold out shows, she returned

0:55:33.800 --> 0:55:35.839
<v Speaker 2>home to Virginia, and she found that she missed her

0:55:35.880 --> 0:55:38.759
<v Speaker 2>family and her young boys needed her back home. They

0:55:38.800 --> 0:55:40.520
<v Speaker 2>were too much of a handful for her mother to

0:55:40.560 --> 0:55:43.200
<v Speaker 2>take care of, so she decided to quit the stage.

0:55:43.280 --> 0:55:45.560
<v Speaker 2>She walked away from her dreams of stardom, and she

0:55:45.680 --> 0:55:48.319
<v Speaker 2>never went back. She only ever played She only ever

0:55:48.480 --> 0:55:50.800
<v Speaker 2>from this point on performed songs for her four boys,

0:55:51.040 --> 0:55:53.320
<v Speaker 2>and for them she would occasionally belt out un Aretha

0:55:53.360 --> 0:55:56.480
<v Speaker 2>Franklin song. But she also kept a framed copy of

0:55:56.480 --> 0:55:58.840
<v Speaker 2>that March nineteen sixty nine Jet magazine with her on

0:55:58.880 --> 0:56:02.200
<v Speaker 2>the cover. It was a very tangible reminder of her

0:56:02.320 --> 0:56:05.279
<v Speaker 2>year as a bona fide star, a real live soul

0:56:05.320 --> 0:56:08.040
<v Speaker 2>singer who played with Duke Ellington and performed for Soldau

0:56:08.120 --> 0:56:09.239
<v Speaker 2>shows across the nation.

0:56:09.360 --> 0:56:10.080
<v Speaker 3>It's incredible.

0:56:11.440 --> 0:56:13.919
<v Speaker 2>Oh god, So what's a ridiculous takeaway here?

0:56:14.480 --> 0:56:17.960
<v Speaker 3>Then? That that was a wild ride, that was you know,

0:56:18.000 --> 0:56:22.399
<v Speaker 3>the ups and downs. No, I you know, I think

0:56:24.000 --> 0:56:26.960
<v Speaker 3>one of the things we see this with like art forgers,

0:56:27.000 --> 0:56:30.440
<v Speaker 3>that they're very, very talented if they'd only just do

0:56:30.520 --> 0:56:32.759
<v Speaker 3>their own thing. And that's like with her, you know.

0:56:33.520 --> 0:56:35.719
<v Speaker 3>And it's just with the art world. With music, it's

0:56:35.760 --> 0:56:37.640
<v Speaker 3>hard to break into it if you don't have the

0:56:37.719 --> 0:56:39.200
<v Speaker 3>right connections.

0:56:39.880 --> 0:56:41.560
<v Speaker 2>Because you're in some world Virginia.

0:56:41.719 --> 0:56:44.200
<v Speaker 3>Yeah, yeah, And so you know, it's a shame that

0:56:44.280 --> 0:56:47.080
<v Speaker 3>she wasn't able to from the jump just get the

0:56:47.120 --> 0:56:51.440
<v Speaker 3>recognition with her own talents. But I love that she

0:56:51.840 --> 0:56:53.960
<v Speaker 3>at long last got it. And then got to like

0:56:54.040 --> 0:56:57.360
<v Speaker 3>go out on top of everything she wanted. What's your

0:56:57.440 --> 0:56:58.360
<v Speaker 3>ridiculous takeaway?

0:56:59.400 --> 0:57:02.120
<v Speaker 2>Mine is Lavelle Hardy. I mean, like, how do you

0:57:02.200 --> 0:57:03.799
<v Speaker 2>not see him coming? You know what I mean?

0:57:03.840 --> 0:57:08.239
<v Speaker 3>He's like twenty four years Yeah, I tant from New.

0:57:08.160 --> 0:57:10.799
<v Speaker 2>York City walking around here for like rural Virginia telling

0:57:10.800 --> 0:57:14.680
<v Speaker 2>people I can make you money. I'm telling you. So

0:57:14.880 --> 0:57:16.959
<v Speaker 2>that's just mine. It's like, come on now, you gotta

0:57:17.000 --> 0:57:19.760
<v Speaker 2>be suspicious of the Lavelle Harties. Oh yeah, so you

0:57:19.840 --> 0:57:20.960
<v Speaker 2>in the mood for a talkback?

0:57:21.160 --> 0:57:21.520
<v Speaker 3>I am.

0:57:21.680 --> 0:57:23.560
<v Speaker 2>Let's watch this down with a good one, producer. Can

0:57:23.600 --> 0:57:28.640
<v Speaker 2>you hit us up with one? Oh?

0:57:28.760 --> 0:57:30.240
<v Speaker 6>Oh my god?

0:57:33.520 --> 0:57:39.240
<v Speaker 5>I love you, hey, Zaren and Elizabeth. You know what's

0:57:39.320 --> 0:57:41.640
<v Speaker 5>ridiculous how much I love your podcast. You know what

0:57:41.680 --> 0:57:44.520
<v Speaker 5>else is ridiculous. I have an acquaintance who once borrowed

0:57:44.520 --> 0:57:47.760
<v Speaker 5>a large plastic cow from a certain chicken establishment's billboard

0:57:47.840 --> 0:57:50.440
<v Speaker 5>and placed it in their local church's nativity scene. The

0:57:50.480 --> 0:57:52.440
<v Speaker 5>restaurant press charges, so now they have to tell that

0:57:52.480 --> 0:57:55.080
<v Speaker 5>story every time they interview with for a job. This

0:57:55.160 --> 0:57:57.000
<v Speaker 5>is Sarah from Texas and I love what you guys do.

0:57:57.120 --> 0:58:01.800
<v Speaker 2>Have a good one, Yes, Sarah from Texas having to

0:58:01.840 --> 0:58:04.240
<v Speaker 2>explain a stolen cow every time you want a new

0:58:04.320 --> 0:58:05.280
<v Speaker 2>job to put.

0:58:05.160 --> 0:58:08.640
<v Speaker 3>It into it. You're not stealing from your adding too. Yeah,

0:58:08.640 --> 0:58:11.920
<v Speaker 3>but yeah, I love that. Yeah, Oh about that arrest.

0:58:12.000 --> 0:58:14.120
<v Speaker 2>Tell it's about a time you once had to solve

0:58:14.280 --> 0:58:17.880
<v Speaker 2>a difficult crisis. Well, I stole a cow one time

0:58:17.920 --> 0:58:20.520
<v Speaker 2>from a local fast food joint. Excuse me, everyone in

0:58:20.600 --> 0:58:24.120
<v Speaker 2>nativity scene involved, don't worry. Well, as you can say,

0:58:24.240 --> 0:58:27.160
<v Speaker 2>we always love to talk back. Yes, so hey, go

0:58:27.280 --> 0:58:29.400
<v Speaker 2>download the iHeart app, leave a talk back and maybe

0:58:29.400 --> 0:58:31.960
<v Speaker 2>you'll hear your voice here. And you can also always

0:58:32.000 --> 0:58:34.880
<v Speaker 2>find us online at Ridiculous Crime on ig and in

0:58:35.000 --> 0:58:38.360
<v Speaker 2>Blue Sky, and we have our account Ridiculous Crime Pod

0:58:38.520 --> 0:58:42.439
<v Speaker 2>on YouTube. Go like, subscribe, tell your friends, and please

0:58:42.480 --> 0:58:44.439
<v Speaker 2>don't be shy leave a comment. We do read them.

0:58:44.680 --> 0:58:48.400
<v Speaker 2>We also have our website Ridiculous Crime dot com. Elizabeth.

0:58:48.440 --> 0:58:51.640
<v Speaker 2>We were just nominated for the World Wildlife Funds annual

0:58:51.720 --> 0:58:54.920
<v Speaker 2>Penguin of the Year People's Choice Award. Yes, we're the

0:58:54.960 --> 0:58:57.400
<v Speaker 2>first non penguin to be nominated. Huge honor for us.

0:58:57.680 --> 0:58:59.800
<v Speaker 2>Fingers crossed with just luck and email us if you

0:58:59.880 --> 0:59:02.439
<v Speaker 2>like if you want at Ridiculous Crime at gmail dot

0:59:02.440 --> 0:59:05.480
<v Speaker 2>com the interns enjoy read Nos two and that we

0:59:05.520 --> 0:59:08.160
<v Speaker 2>do as well. Thank you for listening. We will catch

0:59:08.200 --> 0:59:08.960
<v Speaker 2>you next.

0:59:09.240 --> 0:59:09.640
<v Speaker 4>Crime.

0:59:14.680 --> 0:59:18.680
<v Speaker 2>Ridiculous Crime is hosted by Elizabeth Dutton and Zaren Burnett, producer,

0:59:18.800 --> 0:59:23.040
<v Speaker 2>edited by Jack White's favorite Brian Eno, impersonator Dave Cousten,

0:59:23.280 --> 0:59:27.600
<v Speaker 2>and starring Annalise Rutger possibly as Judith. Research is by

0:59:27.600 --> 0:59:31.440
<v Speaker 2>Marissa I Am not James Brown. Our theme song is

0:59:31.520 --> 0:59:34.840
<v Speaker 2>by the world's best Milli Vanilli tribute act Thomas Lee

0:59:35.000 --> 0:59:38.280
<v Speaker 2>and Travis Dutton. The host wardrobe provided by Botany five

0:59:38.320 --> 0:59:43.120
<v Speaker 2>hundred guest Haarn makeup by Sparkleshop and mister Andre executive producers.

0:59:43.160 --> 0:59:45.840
<v Speaker 2>I've been you know I do a mean Marky, Mark

0:59:46.160 --> 0:59:49.920
<v Speaker 2>Boland and Noel You should see My Funky Bunch Brown

0:59:55.040 --> 0:59:59.120
<v Speaker 2>REDI Why say it one more time?

1:00:00.120 --> 1:00:00.840
<v Speaker 3>Yes Crime.

1:00:01.840 --> 1:00:05.200
<v Speaker 1>Ridiculous Crime is a production of iHeartRadio. Four more podcasts

1:00:05.240 --> 1:00:08.840
<v Speaker 1>from iHeartRadio visit the iHeartRadio app, Apple Podcasts, or wherever

1:00:08.840 --> 1:00:10.320
<v Speaker 1>you listen to your favorite shows.