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Speaker 1: Forever. Look mad oh, I see you? Why why? And

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Speaker 1: look over there? How is that culture? Yeah? Goodness? And

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Speaker 1: I don't think either of us know what this episode

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Speaker 1: is going to be, and that's sort of the beauty

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Speaker 1: of it. Um. Yeah, this this is going to be

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Speaker 1: a fun little meditation, exploration, rumination, a jaunt, a jaunt.

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Speaker 1: This is the first episode that you and I have done,

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Speaker 1: just us and a lot since the beginning, since the

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Speaker 1: first step. If you got back and listen to that,

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Speaker 1: I haven't done it every Now, every once a year

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Speaker 1: I'll go back and listen to the first step just

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Speaker 1: to like here myself, like I'm in a fully different octave.

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Speaker 1: Like the years have like withered me. I think. Do

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Speaker 1: you remember the segment that we used to do, which

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Speaker 1: was Culture of the Week? Culture of the Week, and

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Speaker 1: our bit was that it was always Disney. We were like,

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Speaker 1: we're gonna do a bit called a segment called Culture

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Speaker 1: of the Week, and it's every week it's going to

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Speaker 1: be something about Disney World, the theme park. The winner

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Speaker 1: of Culture the Week is Disney. Again. There, it didn't last.

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Speaker 1: It didn't last. But I mean, I've got to say,

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Speaker 1: not much has changed, No, not really. Besides the doing

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Speaker 1: the topical episodes of it all, like the first episode

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Speaker 1: is called the Grammys, like our pilot episode is called

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Speaker 1: and I do kind of love the Hathic. It's great,

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Speaker 1: you know. And this is just me like being one

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Speaker 1: of those damn trollmongers where I just read the reviews.

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Speaker 1: We both we've both been very open. I read them

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Speaker 1: a lot more than I let on absolutely same and

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Speaker 1: one of them was really nice, uh where they said

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Speaker 1: if you listen to them in reverse order, you kind

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Speaker 1: of like you're able to track how like the friendship

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Speaker 1: grows and they challenge each other. And then I saw

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Speaker 1: that and that made me feel really nice. Suffice it

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Speaker 1: to say, you guys, um, don't panic. Don't panic. Um.

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Speaker 1: There's just gonna be a change with the podcast going forward,

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Speaker 1: and it is a little hard to talk about, but

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Speaker 1: just because it is going to be a major change.

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Speaker 1: But Last Culture Assis is going to be continuing on

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Speaker 1: another network. Yes, we don't know which network, um, but

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Speaker 1: right now we have just figured out that we just

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Speaker 1: want some whatever, not to use this word that's over used,

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Speaker 1: but just space, just space to figure out what makes

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Speaker 1: the most sense for us in terms of how we

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Speaker 1: operate and how Matt and I record episodes on different

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Speaker 1: coasts or when we're on the same coast, and how

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Speaker 1: that all sort of gets organized just operationally. You guys,

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Speaker 1: so much has changed and so much changed about Bowen

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Speaker 1: and Ice day to day, honestly in ways that have

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Speaker 1: I think really blown my mind, you know what I mean?

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Speaker 1: And I don't I think that, you know, four years.

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Speaker 1: I'm sorry, I get emotional as I talk about it. Yeah, yeah, Um,

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Speaker 1: I think it's just oh my god, I can't even

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Speaker 1: believe I'm like this. No. I think the reason it

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Speaker 1: matters so much is because, you know, Joe and Alex

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Speaker 1: are dear friends, and we really did just start this

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Speaker 1: out for fun, I know, and so it's you know,

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Speaker 1: I don't know why it feels like a bigger deal

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Speaker 1: than it has to be, but it is a big deal.

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Speaker 1: I think it's to scale. I think it's um this

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Speaker 1: this might be very self indulgent, but I feel like

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Speaker 1: the relationship that you and I have with Joe and

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Speaker 1: Alex and Emma, um is very very very very very

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Speaker 1: special just because we sort of went through this crucible

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Speaker 1: together well whatever of just like truly building this from

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Speaker 1: the ground up and acknowledging the fact that none of

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Speaker 1: this would have been possible without them, without Network, and

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Speaker 1: seeing forever Dog grows at Network and like acquire all

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Speaker 1: this talent and work on all these amazing projects is

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Speaker 1: so so, so, so so beautiful. Yeah, it's really just

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Speaker 1: very gratifying to know that, you know, we we talked

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Speaker 1: about it sometimes on the pot, but we truly started this.

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Speaker 1: Like in um room um and and Alex would put

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Speaker 1: the mattress up in the window space so that we

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Speaker 1: wouldn't have any sound coming in. This is before this,

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Speaker 1: This is like I think two years before you were

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Speaker 1: even here, um. So and I always like, I'm a

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Speaker 1: little cookie, and I always think like four years is

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Speaker 1: a good time amount of time for things to change.

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Speaker 1: And just with me being in Los Angeles now and

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Speaker 1: you being here and those being kind of like fixed

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Speaker 1: things now, we just need to figure out a new way,

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Speaker 1: a smarter way, um, a more tenable yeah, just wait

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Speaker 1: to way to do this. And we want to try

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Speaker 1: to keep the podcast the same as it can be,

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Speaker 1: you know what I mean. I think that we both

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Speaker 1: love what it is and we don't know where we're going.

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Speaker 1: We should also say that we don't know where we're going.

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Speaker 1: As we said, we love what the podcast is. I

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Speaker 1: think that's why this is what the episod it's going

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Speaker 1: to be. I think we're just gonna like talk about ourselves,

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Speaker 1: cry it's okay, it's okay, it's okay. I feel I

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Speaker 1: feel like it's you're not making it a bigger deal

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Speaker 1: than it is, because it's a big deal for us

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Speaker 1: to it was a it was a really really really

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Speaker 1: really hard decision to come to and and you and

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Speaker 1: it was not like a yeah, okay, let's let's do it.

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Speaker 1: Was It wasn't like a finally, it was like a

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Speaker 1: very kind of like fraught thing. And so suffice it

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Speaker 1: to say that, we just want to say thank you

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Speaker 1: so much to Forever Dog who let us completely do us.

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Speaker 1: It's when it's it's it's it's a it's a place

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Speaker 1: where they didn't presume anything about what a successful show

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Speaker 1: looked like, and they truly we've never gotten any note

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Speaker 1: from them to like dial it down or big episode

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Speaker 1: shorter like that, never like truly creatively no notes like

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Speaker 1: no point where it was like what like nine hours long?

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Speaker 1: But um and also like but that is so special,

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Speaker 1: and you know what I don't know that a podcast

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Speaker 1: with the two of us four years ago called Lost

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Speaker 1: Culture ristas with one with one half a segment which

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Speaker 1: is basically sort of just like a first thought like

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Speaker 1: a minute long rant would have sold anywhere else or

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Speaker 1: um they whatever, they took a chance on us truly

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Speaker 1: and also not for nothing, but um, it's been such

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Speaker 1: a I guess like symbiotic. Is that a positive thing

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Speaker 1: is symbiotic? Okay, it's been a symbiotic relationship because I

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Speaker 1: genuinely feel like we've grown as Forever Dogg has grown.

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Speaker 1: And we know that so many of you guys that

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Speaker 1: listened to Last Cultures also Love Seek Treatment and The

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Speaker 1: Worst and the Unofficial Expert and Beyond and all these

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Speaker 1: amazing podcasts that are on the network. And I think

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Speaker 1: what we want to say is like that we hope

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Speaker 1: to have like a strong positive relationship with all of

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Speaker 1: those podcasts going forward, because it's only like so much love. Um,

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Speaker 1: this is so this is just gonna be an earnest ass,

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Speaker 1: motherfucking episode because I keep thinking about this quote. Someone

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Speaker 1: asked Tony Hale recently, Um, I think was that it

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Speaker 1: was at Vulture Fest. Who is this bitch ringing who

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Speaker 1: is this bitch ringing in? Who is this a bit

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Speaker 1: trying to ring a surprise guest? Um? Yeah, yeah, do

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Speaker 1: whatever you want. Um. Tony Hale was in this interview recently.

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Speaker 1: It was at Vulture Fest, and someone asked him like

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Speaker 1: just generic career advice, and he said something along the

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Speaker 1: lines of like, before you invest in a career, invest

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Speaker 1: in a community, which I kind of blew my mind.

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Speaker 1: I was like, Oh, that's kind of like that's kind

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Speaker 1: of been like the buttress thing that, like, I've been

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Speaker 1: very lucky that we've both been very lucky to have

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Speaker 1: just like absolute friends, just people who like get each

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Speaker 1: other beyond just like Mamma find your trying stuff. It's

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Speaker 1: just like really like people who are different than you.

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Speaker 1: It's not it's this thing where like the network like

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Speaker 1: invested in an all comedy scene that like any other

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Speaker 1: network would have not known what to do with and

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Speaker 1: let them go fucking bonkers, like oh oh, Patty Laura,

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Speaker 1: let you guys want to do a crazy, funked up

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Speaker 1: like it's just like thee and brilliant that show is,

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Speaker 1: Like I'm sure there have been no creative notes from them,

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Speaker 1: you know. It's like like yes, yes, like you have

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Speaker 1: a fucking soundboard, just like press all the buttons. Like yeah,

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Speaker 1: it's like I don't think I don't think any other

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Speaker 1: network would have really just like given completely free domain

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Speaker 1: into anybody, just anybody, but like especially people in that

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Speaker 1: and that and that sort of And there's a high

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Speaker 1: bar now, there's a high bar. Now. Not all of

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Speaker 1: us can be. Not all of us can be a

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Speaker 1: woman's smile, not all of us can be for a

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Speaker 1: musical for us, for us. Yeah, but to meat now

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Speaker 1: forever dog isn't just fielding all pitches. No, honey, you're

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Speaker 1: a pitch. Better be sented, give something extra home, give

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Speaker 1: it something extra, make a butterfly flight out of the

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Speaker 1: invitation like in Bridesmaids. Um. But yeah, I know it's

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Speaker 1: it's very emotional to be like back here like tonight,

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Speaker 1: I'm I'm doing my show, and you know, I feel

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Speaker 1: like it's just so crazy how everything has changed, you know,

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Speaker 1: Like I think about like when we started the podcast

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Speaker 1: and we were just like trying to get a run

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Speaker 1: at you c be in trying to get yeah, and

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Speaker 1: you know, um and and we would be and we

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Speaker 1: would record an episode every month. It was well, we

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Speaker 1: were so bad about we were so about recording them.

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Speaker 1: But also and god, I mean just Alex and Joe

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Speaker 1: were like, maybe you guy should like do like one

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Speaker 1: episode of a week, like let's talk about like let's

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Speaker 1: release schedules and all this stuff. And we're like whatever,

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Speaker 1: I remember saying to you a couple of times, like

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Speaker 1: we owe them an episode. We have to go on,

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Speaker 1: and we we're like way behind. We said we would

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Speaker 1: do this, and then for like and then fast forward

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Speaker 1: like two and a half years of weekly episodes NonStop,

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Speaker 1: like you know, we've been going and like I haven't

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Speaker 1: felt any sort of fatigue around. No, I still love

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Speaker 1: doing this. This is this is my favorite thing. This

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Speaker 1: is this is um yeah, this is like career highlights

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Speaker 1: for me too, I think. And it's just like um,

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Speaker 1: and I'm an am using present tense like this is

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Speaker 1: like I mean, yes, the don't panic sort of message

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Speaker 1: from that Matt just sort of like called out in

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Speaker 1: the beginning like that's that's that's that's real. Like this

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Speaker 1: this show shows by no means over um are again

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Speaker 1: a relationship with Forever Dog is by no means over um.

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Speaker 1: It's just about sort of distributing it, planning it logistically

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Speaker 1: and we really don't even know how we're going to

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Speaker 1: do that, and that's going to be part of the fun,

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Speaker 1: is you know, like I'm sure that um, as we

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Speaker 1: do continue on, like whoever we start to partner earth

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Speaker 1: is going to have more ideas and is going to

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Speaker 1: have you know, probably good ones, probably ones that don't work.

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Speaker 1: But I think that's what that's part of what makes this,

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Speaker 1: you know, not just a podcast but an extension of

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Speaker 1: of me and Bowen as like comedians, is we're going

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Speaker 1: to be trying things out, and um to be honest

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Speaker 1: with you, like I was always like kind of crazed

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Speaker 1: about this idea of you and I are recording remotely

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Speaker 1: just because I am so fearful that the energy won't

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Speaker 1: be there. But truly, it's got to the point now

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Speaker 1: where it's like, I don't know how else we will

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Speaker 1: do it, but we will. Okay, this is this is

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Speaker 1: some like inside baseball, not inside baseball, but this is

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Speaker 1: just like a peek into like the discussions that we

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Speaker 1: have and generally is that Matt and I are article

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Speaker 1: not currently but like in the recent past have been

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Speaker 1: have I sort of been at this discussion point around

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Speaker 1: well if we like here, here's it's like a pick two. Okay,

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Speaker 1: so you picked two, you so you release one episode

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Speaker 1: a week, you record in in the same studio, and

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Speaker 1: you make a topical. So you pick two, you can't

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Speaker 1: make a topical. And if you want to make a

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Speaker 1: topical and record every week, you can't be in the

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Speaker 1: same coast. Yeah. I don't know what's better. I would

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Speaker 1: actually honestly love to hear from everyone. Yeah. To be

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Speaker 1: honest with you, would you rather hear us? Um? Would

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Speaker 1: you rather feel like? Because I always feel like last

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Speaker 1: Culturing is this as we have like a creative discussion

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Speaker 1: with you. Honestly, that is really what makes the show

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Speaker 1: is we want I love to hear I love. I

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Speaker 1: love to hear good bad, even like the shitty review

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Speaker 1: is like stung it first, but now I read them

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Speaker 1: and I'm like, okay, it's it's an exchange. Um. So

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Speaker 1: I would wonder because for me, the podcast is we

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Speaker 1: bring in the guests, we find out about their cultural upbringings, beginnings, influences,

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Speaker 1: and a conversation starts from there and we also contribute

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Speaker 1: to that, um with some light topical takes with I

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Speaker 1: don't think so, honey, But doesn't necessarily have to be topical.

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Speaker 1: But I also do think there's something really um great

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Speaker 1: about being able to give fresh takes on things as

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Speaker 1: they happened, like, for example, what are you thinking of?

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Speaker 1: I have one example that I love, like for example, well,

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Speaker 1: there's the amar Rossa episode. So basically when we recorded

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Speaker 1: that episode with Io and she had come in and

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Speaker 1: it was which, by the way, in retrospect, was not

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Speaker 1: a big deal. Really it was just another day of

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Speaker 1: the news cycle, but for that week it dominated. Yes,

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Speaker 1: but when omar Rossa touched down, when Hurricane amar Rossa

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Speaker 1: hit the damn coast, and we were emphatic that we

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Speaker 1: had to release the episode that day. That actually was

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Speaker 1: one of my favorite episode. That was one of my

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Speaker 1: favorite episodes to spend and like a really formally experimental

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Speaker 1: episode where we started out with Omer the omar Rosa interview. Yes,

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Speaker 1: that was experimental for us, very experimental media. Anyone who

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Speaker 1: ever doubted him Donald's disagreed, disagreed, will bow wait? What

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Speaker 1: does she say? We'll have to bow down to the

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Speaker 1: most powerful man in the universe? What a psycho? I

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Speaker 1: love it. It's so funny and destructive and terrible and

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Speaker 1: like got an ultimately, like ultimately yeah, yeah. But so

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Speaker 1: there's that, And then there's also the fact that, like

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Speaker 1: sometimes we release episodes that y'all don't even know we

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Speaker 1: did a month and a half and they ver fine,

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Speaker 1: but I think that you got You guys can tell

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Speaker 1: when sometimes they can tell. I'm always embarrassed when I

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Speaker 1: hear myself, like, for example, the Gina Rodriguez. Sure, okay, let'

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Speaker 1: let's talk about the genius that was so annoying you guys,

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Speaker 1: because not your fault. No, it was because now, well,

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Speaker 1: I I should have I shouldn't know better than to

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Speaker 1: risk trusting someone as a volatile as miss Rodrigue. She

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Speaker 1: could at any second turn around and say a damn slur.

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Speaker 1: It apparent. It is apparent now sure, But I was

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Speaker 1: always very suspicious of her. After her Hollywood report around tables,

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Speaker 1: I was like, something's going on there? Really were you

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Speaker 1: really were you did say that? And I was like,

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Speaker 1: and stop, I really, I really was very dismissive of

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Speaker 1: your reservations about Gina Gina Trutherism. Yeah, I was just like,

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Speaker 1: there's something going like she's there's a little bit of

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Speaker 1: mania going on there, definitely, and like which is beautiful

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Speaker 1: and like it's great, Like, please let that exist as

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Speaker 1: it is unless she slips up and wraps to the

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Speaker 1: wraps the N word and posts like you have to

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Speaker 1: have so many missing filters in your brain to be

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Speaker 1: like yes and now we post post post. You can't

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Speaker 1: do that. Um but okay, so the gena thing. But

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Speaker 1: I think you have nothing to be embarrassed about. Well,

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Speaker 1: it was just I literally said the words I stabbed

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Speaker 1: Gina Rodriguez like the week after, the week after that happened.

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Speaker 1: And then people like it wasn't even the first it

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Speaker 1: wasn't even the first day they were giving me ship.

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Speaker 1: It was like two days after the episode. They were like, wow,

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Speaker 1: that's crazy that you said that, and I was like,

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Speaker 1: wait what, And then I thought everyone was like, well,

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Speaker 1: it's obvious that you backloud because you announced the date

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Speaker 1: in the beginning of the episode. But still I don't

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Speaker 1: want that out there, and so I promptly didn't. I

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Speaker 1: don't think so, honey. Gina Rodriguez on the next show,

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Speaker 1: which happened to be Top a Cow was top Account. Well,

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Speaker 1: I gotta ask you, is it annoying? Because I feel

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Speaker 1: like I'm usually the person who's like recording this on

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Speaker 1: this date and it doesn't annoy me. I actually no, now,

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Speaker 1: now it's kind of saved my life that day. Otherwise

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Speaker 1: I would have been understanding Gina Rodriguer fresh office slur context. No, no,

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Speaker 1: no chronological context. I think. So it's was what was

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Speaker 1: the pick two? Again? It was uh same Coast topical

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Speaker 1: weekly release. I mean, I guess, I guess ideally for

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Speaker 1: any like any old podcast, it's like, ideally what you'd

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Speaker 1: want is that both of us in the same spot

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Speaker 1: doing it. We have a fixed point every week or

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Speaker 1: we do it, but that is now not legitically feasible,

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Speaker 1: So I don't know. I think we just figure it

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Speaker 1: out with with whoever we are with. Yeah, are you? Um,

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Speaker 1: here's the thing. I feel like your sticking point is

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Speaker 1: still we have the magic, the chemistry has to be

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Speaker 1: in the room, in the same physical space. Can I

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Speaker 1: tell you another reason why why I like this is

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Speaker 1: because something I realized about myself and I'll reveal this

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Speaker 1: to you, which is why when we whenever we interview

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Speaker 1: people together, why I like to sit on the outside

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Speaker 1: is because I get very nervous still with people that

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Speaker 1: I'm that we're about to interview. Does it I get anxious?

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Speaker 1: Is it? Is it mitigated in any way if you

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Speaker 1: are talking to them from across the computer screen? Well, yeah,

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Speaker 1: that would be. But what about that? But I'll be

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Speaker 1: in Los Angeles, which is where a lot of people

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Speaker 1: we haven't gotten lived, and then they're going to come

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Speaker 1: in and like, Julius, it's gonna be me and Julia

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Speaker 1: Styles and then like you're gonna be on a on

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Speaker 1: a damn computer thirty seconds before we start, and it's

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Speaker 1: gonna be like, Hi, that's bowen. Yes, yes, yes, And

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Speaker 1: I've been sitting there with Julia Stalls for six or

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Speaker 1: seven minutes pretense, pertence, even fifteen. I totally hear you.

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Speaker 1: I get a little skittish. I get it. I get it.

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Speaker 1: Like I see. I literally watched last night the episode

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Speaker 1: of you on est and NOL and you like hugging

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Speaker 1: Scarlett Johansson and making that face of like, oh my god,

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Speaker 1: this was so fun by like, I was just like,

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Speaker 1: how how do you do it? Because because we just

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Speaker 1: to spend time all week and that's just like that's

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Speaker 1: just like that was just like a full culmination of that.

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Speaker 1: By the way, on the record, I'll say it really

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Speaker 1: really cool to be around scar Joe like a good hand.

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Speaker 1: Imagine us three years ago like listening to this whatever

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Speaker 1: hearing us be like we stand and you have to

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Speaker 1: hear people out. I mean no, I mean look, no,

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Speaker 1: she's she's a great fucking SNL host. Oh. I was

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Speaker 1: a good episode. It was a fun episode. Where where

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Speaker 1: are you with the whole Oscar's race? We had a

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Speaker 1: little discussion about this in the text spread today. You

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Speaker 1: think it's going to be Renee. You well, you said

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Speaker 1: that you believe that Scarlett will win an Oscar. I

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Speaker 1: think she'll definitely get the nomination. I think she's going

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Speaker 1: to get to nomination. Jo. I think she'll get a

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Speaker 1: nomination from Marriage Story. I support her nomination, and Rabbit,

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Speaker 1: I support her nomination. Now, I just it's it's for me.

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Speaker 1: It's I was on Film Experience today, Yes, as I've been,

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Speaker 1: as you've been. Really, it's this is such a fun

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Speaker 1: time of year for all of this, of course, but

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Speaker 1: especially on Film Experience. Yes, of course, it's the Experience

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Speaker 1: dot Net season season and uh, just reading up on

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Speaker 1: what Nate's been saying, um, and he seems to think

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Speaker 1: that Renee's a lock yes, I would agree Rene's a lock,

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Speaker 1: but I feel like it's it's not super crowded this year.

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Speaker 1: And did you see I did not see Judy. Okay,

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Speaker 1: so as someone who saw Judy, let me tell you

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Speaker 1: it is an absolutely stunning ten of a performance, absolute

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Speaker 1: six of the film, which to me is like, you know,

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Speaker 1: they say that matters less with the Best Actress nominees,

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Speaker 1: but not and not so with the Best Actor. No,

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Speaker 1: kind of like films that get nominated for Best Picture

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Speaker 1: often scoop along their lead actor performances, which, by the way,

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Speaker 1: lead actor is very competitive, very competitive. This year, I

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Speaker 1: will say last night I saw another Best Actress contender.

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Speaker 1: I saw Bombshell. Um. So the thing about Bombshell is

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Speaker 1: and I love all the actors in it, and what

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Speaker 1: a cast, what an amazing Darcy Darcy's in it in

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Speaker 1: the film, very good performances pretty much all around. It

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Speaker 1: is a TV movie. It's like it's like it's I

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Speaker 1: wouldn't need and give it like game change level or

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Speaker 1: like recount level, but and and those are both and

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Speaker 1: those are TV those but but but I'm saying, like

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Speaker 1: those are HBO films. This to me felt like so

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Speaker 1: like an HBO film, not even it's it to me,

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Speaker 1: it was it was like that pedigree was like on screen.

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Speaker 1: I just I feel like I've always had a lot

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Speaker 1: of trepidation about this movie coming out because it's about

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Speaker 1: Fox News, and while I think what happened to the

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Speaker 1: women there is tragic and fucked up and Roger Els

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Speaker 1: was a monster, it's I guess there there's an interesting

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Speaker 1: take there to be found about how like, yeah, you

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Speaker 1: know what it's it's so weird to think, what is

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Speaker 1: the message of this movie, even even after seeing it.

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Speaker 1: You use right, because obviously sexual harassment is is acceptable

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Speaker 1: nowhere right, right, but it is interesting to see it

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Speaker 1: happening to these women. Um, but I wish the movie

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Speaker 1: had more of a take. I just wish it was

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Speaker 1: thrillingly told or like super dramatically compelling or or even

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Speaker 1: really emotional it was did you feel like it was

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Speaker 1: presenting you with like an array of like takes or anything,

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Speaker 1: or it was it was it was kind of just

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Speaker 1: like misogyny happens, it happened here, Sexual harassment happens, it

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Speaker 1: happened here. And it's like I almost felt like like

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Speaker 1: we're we're we're past that in the in the cultural discussion.

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Speaker 1: You know what, maybe it had something to do with

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Speaker 1: like the Megan Kelly of it all. But you thought

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Speaker 1: Charlie's was great. Charlie's was good. She was good. My

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Speaker 1: problem with the movie, though, is that Megan Kelly is

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Speaker 1: a figure like I wish it. I wish that I

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Speaker 1: got a better sense of her, you know what I mean.

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Speaker 1: I didn't get a good sense of her. I got

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Speaker 1: that she was good at her job, and they sort

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Speaker 1: of hinted that she didn't like being called a feminist

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Speaker 1: and like was allergic to that word, and she kind

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Speaker 1: of like definitely had a difficult time with the uh

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Speaker 1: sort of threats to her safety and her family safety

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Speaker 1: that came along with the Trump thing after she asked

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Speaker 1: the debate question of him. But I don't know. In

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Speaker 1: like seeing her gather support at Fox News against Roger Ales,

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Speaker 1: I felt like it could have been more dramatically or compelling.

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Speaker 1: Lee told how she got to that point as a person,

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Speaker 1: from being like a company woman to being the kind

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Speaker 1: of person who was like, let's bring down my boss,

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Speaker 1: the man who gave me a career. But correct me

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Speaker 1: if I'm wrong. I feel like the story just in

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Speaker 1: the journalism journalism of it always that it was mostly Gretchen,

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Speaker 1: who is sort of And this is where I think

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Speaker 1: the movie could have done with a little bit more

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Speaker 1: dramatic embellishment. I think we could have had more scenes

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Speaker 1: with Nicole and Charlie's because there's almost none. Yes, and

426
00:23:57,359 --> 00:24:02,520
Speaker 1: so like for example, like um like uh Mary Queena Scott's.

427
00:24:03,040 --> 00:24:05,680
Speaker 1: You know, they didn't have real scenes together in life,

428
00:24:05,800 --> 00:24:09,280
Speaker 1: but you saw them because it was dramatically compelling. This

429
00:24:09,320 --> 00:24:13,320
Speaker 1: movie was an article. It was literally like an like

430
00:24:13,359 --> 00:24:16,800
Speaker 1: an like a like like a feature in like like

431
00:24:16,840 --> 00:24:19,520
Speaker 1: somend like a huge bomb trall. Yeah, it was like

432
00:24:19,560 --> 00:24:23,520
Speaker 1: a New York magazine article come to life. And which

433
00:24:23,560 --> 00:24:27,760
Speaker 1: is other movie Hustlers. But even but Hustlers was like

434
00:24:28,080 --> 00:24:31,119
Speaker 1: fun to watch. This movie wasn't even fun to watch.

435
00:24:31,160 --> 00:24:33,040
Speaker 1: It was it was. It really should have been, too,

436
00:24:33,040 --> 00:24:35,280
Speaker 1: because it looks like it's gonna be I mean that

437
00:24:35,720 --> 00:24:38,240
Speaker 1: trailer that they showed, which was just them in the elevator,

438
00:24:38,600 --> 00:24:41,119
Speaker 1: so that's a whole scene from the film. Oh interesting,

439
00:24:41,119 --> 00:24:44,560
Speaker 1: But there's like no dialogue, very little, and but I

440
00:24:44,640 --> 00:24:46,719
Speaker 1: loved that because you could feel the tension and I

441
00:24:46,800 --> 00:24:50,240
Speaker 1: was like, I wish this was more imbued in the movie,

442
00:24:50,400 --> 00:24:53,880
Speaker 1: the sense of like anything could happen, Yeah, the sense

443
00:24:53,880 --> 00:24:56,800
Speaker 1: of steaks, like the whole story is just all steaks, right,

444
00:24:56,800 --> 00:24:58,800
Speaker 1: So that's that's so, what's that's that's probably what sobas

445
00:24:58,800 --> 00:25:01,320
Speaker 1: are to you. And there's a yeah, and that's that's

446
00:25:01,359 --> 00:25:03,200
Speaker 1: that's the thing. There's a couple of really good scenes

447
00:25:03,200 --> 00:25:06,800
Speaker 1: in the movie, um and they both have Margot Robbie.

448
00:25:07,000 --> 00:25:11,080
Speaker 1: And Margot Robbie is really good in the movie. UM

449
00:25:11,240 --> 00:25:13,399
Speaker 1: better when she has big stuff to play, I think,

450
00:25:13,840 --> 00:25:16,880
Speaker 1: but like you're talking about, like, yes, I think that's

451
00:25:16,920 --> 00:25:20,879
Speaker 1: when she's got a character to play. She's really really good. Um.

452
00:25:20,960 --> 00:25:24,040
Speaker 1: And she she creates herself a character here and this

453
00:25:24,359 --> 00:25:27,920
Speaker 1: this uh young woman who comes to Fox News and

454
00:25:28,000 --> 00:25:30,480
Speaker 1: she really wants to be on camera talent and it's

455
00:25:30,560 --> 00:25:33,119
Speaker 1: like sort of willing to do anything within bounds to

456
00:25:33,160 --> 00:25:37,000
Speaker 1: get there. And Roger Els presents the situation that that

457
00:25:37,200 --> 00:25:40,920
Speaker 1: she finds herself in and it's obviously it's harassment, it's

458
00:25:40,960 --> 00:25:43,440
Speaker 1: and it rises to a certain level. I won't spoil

459
00:25:43,480 --> 00:25:46,760
Speaker 1: any o these two scenes. Two good scenes happen with her,

460
00:25:46,840 --> 00:25:51,320
Speaker 1: which is the scene where she is talking to John

461
00:25:51,359 --> 00:25:56,439
Speaker 1: Lithgow as Roger Ailes and he's saying to her, you know,

462
00:25:56,520 --> 00:25:58,919
Speaker 1: there's there's certain things I need to see or have

463
00:25:59,080 --> 00:26:01,080
Speaker 1: proven to me if I gonna consider you on air

464
00:26:01,160 --> 00:26:03,760
Speaker 1: as on their talent. And then you do see it

465
00:26:03,960 --> 00:26:08,040
Speaker 1: play out a little bit, just how uncomfortable the situation

466
00:26:08,080 --> 00:26:11,359
Speaker 1: that's and and and and you see the the harassment

467
00:26:11,480 --> 00:26:14,440
Speaker 1: that's I mean, that's I'm gonna say, that's like very

468
00:26:14,440 --> 00:26:18,240
Speaker 1: interest's compelling, right, And then there's a scene later when

469
00:26:18,280 --> 00:26:22,000
Speaker 1: she reveals to Kate McKinnon how far she's let it

470
00:26:22,119 --> 00:26:25,480
Speaker 1: go on. And and those are two really compelling scenes.

471
00:26:25,520 --> 00:26:28,440
Speaker 1: And and Margot Robbie had like an arc. My problem

472
00:26:28,560 --> 00:26:32,200
Speaker 1: is that like the movie sort of just sort of

473
00:26:32,240 --> 00:26:36,480
Speaker 1: tells the real story of Fox News in its way,

474
00:26:36,600 --> 00:26:38,800
Speaker 1: and they break it up between these three characters where

475
00:26:38,800 --> 00:26:42,080
Speaker 1: it's like Gretchen Carlson making a stir and basically she

476
00:26:42,119 --> 00:26:44,480
Speaker 1: gets fired from Fox News. And then Nicole spends the

477
00:26:44,480 --> 00:26:46,520
Speaker 1: whole about to the film, like on the phone in

478
00:26:46,520 --> 00:26:50,320
Speaker 1: her kitchen in a thin sweater, like just kind of like, well,

479
00:26:50,359 --> 00:26:53,000
Speaker 1: what's happening now? And you don't know? And then Megan

480
00:26:53,080 --> 00:26:56,280
Speaker 1: Kelly the whole time is like sort of slowly being

481
00:26:56,320 --> 00:26:58,960
Speaker 1: fed up with the patriarchy and realizing she has to

482
00:26:58,960 --> 00:27:01,200
Speaker 1: do something like she find like does the right thing

483
00:27:01,200 --> 00:27:06,080
Speaker 1: and stands up for women. But it just wasn't dramatically

484
00:27:06,119 --> 00:27:11,840
Speaker 1: compelling interesting interesting, interesting, um and what my last point

485
00:27:11,840 --> 00:27:15,720
Speaker 1: about it? Sorry, I'm just listening to you, and iuse

486
00:27:15,720 --> 00:27:17,840
Speaker 1: I haven't seen anything, but I think I'm curious to

487
00:27:17,840 --> 00:27:21,160
Speaker 1: think what what you'll you'll think when you see because

488
00:27:21,200 --> 00:27:23,000
Speaker 1: for me, it just it didn't work and it could

489
00:27:23,040 --> 00:27:25,880
Speaker 1: have been so great. My other's big thing with this

490
00:27:25,920 --> 00:27:28,320
Speaker 1: movie is they make such a big deal about making

491
00:27:28,400 --> 00:27:32,439
Speaker 1: Charlie's there on like indistinguishable from Megan Kelly, like just

492
00:27:32,520 --> 00:27:34,920
Speaker 1: makers look so much like oh my god, her face

493
00:27:35,000 --> 00:27:38,800
Speaker 1: looks like she does like just like trailer much like her,

494
00:27:38,880 --> 00:27:42,480
Speaker 1: and and she's very much doing Megan Kelly, and she

495
00:27:42,600 --> 00:27:44,800
Speaker 1: exists in the film like as Megan Kelly in this

496
00:27:44,880 --> 00:27:49,320
Speaker 1: way where it's like a very about the impersonation, whereas

497
00:27:50,040 --> 00:27:55,080
Speaker 1: Nicole isn't doing a Gretchen Carlson doesn't look like her

498
00:27:55,800 --> 00:27:58,080
Speaker 1: to the point where it's like you got one person

499
00:27:58,119 --> 00:28:01,359
Speaker 1: doing a full caricature and one person who as a

500
00:28:01,400 --> 00:28:05,760
Speaker 1: result of that, she just looks even more Miscastay, are

501
00:28:05,840 --> 00:28:09,520
Speaker 1: you at a point now of Nicole fatigue or now,

502
00:28:09,760 --> 00:28:13,880
Speaker 1: I don't ever have Nicole being critical. I will always

503
00:28:13,920 --> 00:28:17,000
Speaker 1: call things as they see them. Yes, like the nomination

504
00:28:19,480 --> 00:28:23,600
Speaker 1: and yeah, I'm here the Nicole nomination for bombshell for

505
00:28:23,600 --> 00:28:27,840
Speaker 1: SAG is like what well for doing what? It's like

506
00:28:27,880 --> 00:28:32,720
Speaker 1: the nomination for God what some some Oh SAG is whack.

507
00:28:33,760 --> 00:28:37,600
Speaker 1: It's like the Morning Show nominations at the Golden Globes. Yeah,

508
00:28:39,120 --> 00:28:41,400
Speaker 1: oh yes, that's right. These are all bought. Yeah, and

509
00:28:41,400 --> 00:28:43,760
Speaker 1: it's well, they're bought. And also it's like actress voting

510
00:28:43,760 --> 00:28:47,320
Speaker 1: for who they love and respect well for for SAG, SAG.

511
00:28:47,360 --> 00:28:51,000
Speaker 1: I get Nicole, but I'm talking about globes. It's gloves

512
00:28:51,000 --> 00:28:53,400
Speaker 1: are working wild this year. I'm sorry I can publicly

513
00:28:53,400 --> 00:28:56,800
Speaker 1: say that the gloves are wild and we're we're what

514
00:28:57,000 --> 00:29:01,880
Speaker 1: not egg shasel that Bowen can publicly say, I that's

515
00:29:01,920 --> 00:29:09,239
Speaker 1: the big change unshackled. Um. I think. I mean, I

516
00:29:09,280 --> 00:29:11,640
Speaker 1: just I truly like glanced at the nominee the nominees

517
00:29:11,680 --> 00:29:13,960
Speaker 1: for Golden Globes, and I was just like, okay, Like

518
00:29:14,040 --> 00:29:16,160
Speaker 1: I truly was like I haven't really revisited because it

519
00:29:16,200 --> 00:29:18,360
Speaker 1: just it was just so upsetting. Yeah, I was like,

520
00:29:18,400 --> 00:29:21,920
Speaker 1: what the fuck really like and truly not just not

521
00:29:21,960 --> 00:29:23,720
Speaker 1: to be a damned portman about it, but like the

522
00:29:23,760 --> 00:29:27,600
Speaker 1: director's thing is crazy. It's so foolish, foolish. I look

523
00:29:27,640 --> 00:29:29,320
Speaker 1: at the list this year and I'm so not excited

524
00:29:29,320 --> 00:29:32,280
Speaker 1: about it because it's so like male, Like, what is

525
00:29:33,960 --> 00:29:35,720
Speaker 1: I don't know what is that? But I mean, but

526
00:29:35,880 --> 00:29:38,720
Speaker 1: fucking Nate's putting it on his prediction index for OSCARS.

527
00:29:38,920 --> 00:29:41,120
Speaker 1: I saw that, and it's getting nominations everywhere, and I'm like,

528
00:29:41,120 --> 00:29:42,880
Speaker 1: what is it. I'm sure, I'm sure, I'm sure once

529
00:29:42,920 --> 00:29:45,400
Speaker 1: we see it will love it. Yeah. Well, Chris Schniker

530
00:29:45,480 --> 00:29:46,960
Speaker 1: was explaining it to me. It's like, well, we're the

531
00:29:47,040 --> 00:29:49,160
Speaker 1: World War One movie, and I'm like, oh god, hard

532
00:29:49,200 --> 00:29:52,040
Speaker 1: the hardest pass, the hardest pass. I mean, it's it's

533
00:29:52,080 --> 00:29:54,040
Speaker 1: for the dads. We've gotta give it to the dad.

534
00:29:54,160 --> 00:29:55,800
Speaker 1: You gotta give it to that. You give something to

535
00:29:55,840 --> 00:30:00,880
Speaker 1: the dad. But the gays are eating really well and

536
00:30:01,800 --> 00:30:03,880
Speaker 1: are fed. The gays are fed. I gotta see Portrait

537
00:30:03,880 --> 00:30:06,160
Speaker 1: of a Lady on Fire. Oh I heard it, um,

538
00:30:06,400 --> 00:30:08,680
Speaker 1: I gotta have. You still haven't seen Parasite yet? No?

539
00:30:08,920 --> 00:30:11,160
Speaker 1: Oh my god, Matt, what are you doing? It's it's

540
00:30:11,200 --> 00:30:13,040
Speaker 1: I heard it the best movie of the year. I

541
00:30:13,040 --> 00:30:14,880
Speaker 1: can't stop thinking, what else have you seen that you've

542
00:30:14,880 --> 00:30:17,640
Speaker 1: liked or not liked? Because I just went off. I haven't.

543
00:30:17,680 --> 00:30:20,280
Speaker 1: I haven't. I haven't been good so far, just because

544
00:30:20,280 --> 00:30:22,120
Speaker 1: I feel like it's just such a condensed season. It

545
00:30:22,160 --> 00:30:24,680
Speaker 1: feels like, um, just in terms of the length. But

546
00:30:24,680 --> 00:30:28,200
Speaker 1: I feel like you've been getting your screeners. They are

547
00:30:28,240 --> 00:30:31,520
Speaker 1: my department. I got to pick them up. But I

548
00:30:31,600 --> 00:30:36,080
Speaker 1: really loved, really loved marriage story. I love marriage story. Really.

549
00:30:36,400 --> 00:30:38,480
Speaker 1: I saw Jojo Rabbit, The Jojo Rabbit, a marriage story

550
00:30:38,480 --> 00:30:42,520
Speaker 1: like like the last two like buzzy movies that had

551
00:30:42,520 --> 00:30:46,600
Speaker 1: a Scarlett A than I just just very unconsciously, subconsciously

552
00:30:46,760 --> 00:30:51,560
Speaker 1: um talk about marriage story. Study said something really fun

553
00:30:51,600 --> 00:30:53,120
Speaker 1: to me last night. She goes, the people who like

554
00:30:53,160 --> 00:30:55,240
Speaker 1: don't get marriage to are people who don't understand the

555
00:30:55,240 --> 00:30:59,000
Speaker 1: bomb back sort of tone. And the whole thing about

556
00:30:59,000 --> 00:31:01,320
Speaker 1: bomb Back is that he is he is very self

557
00:31:01,360 --> 00:31:03,600
Speaker 1: aware about what the movies are like. Do you see

558
00:31:03,680 --> 00:31:10,920
Speaker 1: Mrs America No actually looks Cuckoo Lukuen movie where Greta

559
00:31:10,960 --> 00:31:14,600
Speaker 1: Gerwick is being like a full assid weirdo eccentric and

560
00:31:14,840 --> 00:31:16,920
Speaker 1: uh Lola kirk Is being is like sort of the

561
00:31:16,920 --> 00:31:20,760
Speaker 1: great like sort of uh you know, um surrogate for

562
00:31:20,760 --> 00:31:23,080
Speaker 1: the audience and stuff. It's it's like has some great

563
00:31:23,160 --> 00:31:30,800
Speaker 1: Vesica scenes. I loved um. And it's just like it's

564
00:31:30,840 --> 00:31:32,520
Speaker 1: one of those movies that's just it feels like a

565
00:31:32,560 --> 00:31:35,880
Speaker 1: Neil Simon play. It's just like so like self contained,

566
00:31:35,880 --> 00:31:38,200
Speaker 1: but also it's it's just a weird, bizarre movie that

567
00:31:38,240 --> 00:31:41,400
Speaker 1: you're like, oh, like Capital I Indie and then but

568
00:31:41,400 --> 00:31:43,400
Speaker 1: then you realize that it's like it's self aware in

569
00:31:43,400 --> 00:31:45,160
Speaker 1: this way where it's like he knows that it's just

570
00:31:45,240 --> 00:31:49,720
Speaker 1: like pretty frivolous and like that the that the writing

571
00:31:49,800 --> 00:31:53,560
Speaker 1: is like out there and wacko and um whatever. And

572
00:31:53,600 --> 00:31:55,200
Speaker 1: so I feel like it's the same thing with marriage Story,

573
00:31:55,240 --> 00:31:59,239
Speaker 1: where it's like he knows that it's a very like

574
00:31:59,600 --> 00:32:02,680
Speaker 1: small all movie in a way. Right, Well, it's really

575
00:32:02,720 --> 00:32:04,840
Speaker 1: it's really about two people in their relationship and what

576
00:32:04,920 --> 00:32:10,680
Speaker 1: happens when they m consult the outside forces it's not working.

577
00:32:10,760 --> 00:32:14,480
Speaker 1: I I really I loved it, and people have just

578
00:32:14,480 --> 00:32:17,800
Speaker 1: pointed out actually that it's just like sort of the

579
00:32:17,800 --> 00:32:19,520
Speaker 1: great thing about it is that it's not placing blame

580
00:32:19,560 --> 00:32:22,960
Speaker 1: on anybody it's just like you just it's just it's

581
00:32:22,960 --> 00:32:25,680
Speaker 1: just it's just what happens. Well, they spoiler alert they

582
00:32:25,720 --> 00:32:29,280
Speaker 1: have a major fight, which which honestly, it's now kind

583
00:32:29,320 --> 00:32:32,640
Speaker 1: of coming back to me in a way. Um, rightfully,

584
00:32:32,640 --> 00:32:36,520
Speaker 1: so it's pretty iconic. But as they're ripping each other apart,

585
00:32:36,560 --> 00:32:39,600
Speaker 1: which they've never done, you realize how much is in

586
00:32:39,640 --> 00:32:44,920
Speaker 1: the script. Yes, there is so much in that script

587
00:32:44,960 --> 00:32:47,160
Speaker 1: that's set up to that in the lead up to

588
00:32:47,200 --> 00:32:50,360
Speaker 1: that fight. Yeah, yeah, And honestly, you realize how kind

589
00:32:50,360 --> 00:32:54,800
Speaker 1: of good they've been about hiding their feelings, you know,

590
00:32:54,880 --> 00:32:56,240
Speaker 1: to keep their kid out of it and to not

591
00:32:56,320 --> 00:32:58,840
Speaker 1: hurt each other. And then when they stop caring about

592
00:32:58,880 --> 00:33:03,480
Speaker 1: that and really go for each other, it's like, I mean,

593
00:33:03,520 --> 00:33:08,480
Speaker 1: Adam Driver, Adam Driver is wildly very very good and

594
00:33:09,440 --> 00:33:12,720
Speaker 1: also saying all those things that you don't mean, like

595
00:33:12,840 --> 00:33:19,760
Speaker 1: that really like hit a chord with me that and also, um,

596
00:33:19,840 --> 00:33:21,600
Speaker 1: the end of the movie when she goes to tie

597
00:33:21,600 --> 00:33:26,240
Speaker 1: his shoe, I was like, this is so that's really

598
00:33:26,280 --> 00:33:28,560
Speaker 1: really beautiful, just to show that you're never going to

599
00:33:28,640 --> 00:33:30,960
Speaker 1: stop caring about the person and not wanting that person

600
00:33:31,000 --> 00:33:33,120
Speaker 1: to like fall down, you know what I mean. Obviously,

601
00:33:33,120 --> 00:33:35,800
Speaker 1: the letter. The letter was just like you you knew

602
00:33:35,800 --> 00:33:37,800
Speaker 1: it was important, you knew it was like, Okay, she's

603
00:33:37,840 --> 00:33:40,240
Speaker 1: not saying this, she doesn't want to read this aloud,

604
00:33:40,280 --> 00:33:41,520
Speaker 1: like you knew it was going to come back in

605
00:33:41,520 --> 00:33:43,040
Speaker 1: some way. But like the way it came back wasn't

606
00:33:43,080 --> 00:33:45,880
Speaker 1: like super clever or anything. It wasn't trying to be

607
00:33:45,920 --> 00:33:49,640
Speaker 1: like mind blowing. It was just like very effective and elegant.

608
00:33:50,080 --> 00:33:52,520
Speaker 1: I love that really really good. And I'll say again,

609
00:33:52,800 --> 00:33:55,720
Speaker 1: I think Scarlett's great in it. I think Adam is

610
00:33:55,840 --> 00:34:00,240
Speaker 1: just his his acting while when he's reading that her

611
00:34:00,240 --> 00:34:02,840
Speaker 1: and that pause he takes just to get himself together,

612
00:34:03,040 --> 00:34:07,840
Speaker 1: like he's like a real, real, real actor. Yes, yes,

613
00:34:08,040 --> 00:34:10,000
Speaker 1: I could have probably done without the scene of him

614
00:34:10,040 --> 00:34:12,440
Speaker 1: singing being alive. I don't think the movie needed that,

615
00:34:13,239 --> 00:34:17,320
Speaker 1: but you got it kind of mirrored Scarlet singing musical

616
00:34:17,320 --> 00:34:20,239
Speaker 1: the Sondheim thing too. Oh yeah, sure, I think I

617
00:34:20,280 --> 00:34:22,319
Speaker 1: think it's kind of just like, yeah, I think that

618
00:34:22,400 --> 00:34:24,239
Speaker 1: was kind of the device. Was not that it was

619
00:34:24,239 --> 00:34:26,640
Speaker 1: a device, but that was sort of like the yeah, yeah, sure,

620
00:34:26,760 --> 00:34:28,759
Speaker 1: the little thing. But um, what do you think of

621
00:34:28,840 --> 00:34:32,760
Speaker 1: Dern She was great. She's so good that she was great.

622
00:34:33,080 --> 00:34:37,719
Speaker 1: Leota was great. They were all, God that she's a

623
00:34:37,719 --> 00:34:40,960
Speaker 1: stand up. She's so funny. The Martha Kelly, the Kelly

624
00:34:41,200 --> 00:34:44,880
Speaker 1: that was like a sketch. It was so funny. And

625
00:34:44,880 --> 00:34:47,480
Speaker 1: I was like, this is a great comedy piece in

626
00:34:47,520 --> 00:34:50,640
Speaker 1: the movie, Like it's so fun Honestly, she was so

627
00:34:50,680 --> 00:34:52,799
Speaker 1: good in the movie. And I've known Martha for for

628
00:34:52,840 --> 00:34:55,839
Speaker 1: a little while. You've known Martha. I actually you know what,

629
00:34:56,120 --> 00:35:01,799
Speaker 1: Me and Pat competed against Martha in boast Rattle, Oh

630
00:35:01,880 --> 00:35:04,880
Speaker 1: my god. And who's she paired with? She was paired well,

631
00:35:04,920 --> 00:35:07,160
Speaker 1: she was paid for someone that she beat, and then

632
00:35:07,160 --> 00:35:09,080
Speaker 1: there was someone else, and then me and Pat were

633
00:35:09,120 --> 00:35:11,560
Speaker 1: paired against each other, and the audience decided to take

634
00:35:11,640 --> 00:35:16,600
Speaker 1: us both to the finals. So me and Pat faced

635
00:35:16,600 --> 00:35:19,760
Speaker 1: off against someone. And I'm so sorry, and not forgetting

636
00:35:19,960 --> 00:35:23,400
Speaker 1: Martha and Martha one, of course, she's just so compelling

637
00:35:23,440 --> 00:35:28,280
Speaker 1: to watch, so good, so good, You're like, who is this?

638
00:35:28,280 --> 00:35:31,000
Speaker 1: This is such an interesting character, like who is that?

639
00:35:31,040 --> 00:35:33,000
Speaker 1: And also just like you can feel not in this,

640
00:35:33,200 --> 00:35:35,279
Speaker 1: not in a pejorative way, but you can feel like

641
00:35:35,320 --> 00:35:37,799
Speaker 1: her booking in the audition, you know, when she came

642
00:35:37,960 --> 00:35:40,120
Speaker 1: with the choice on the castom people were like, yeah, sure,

643
00:35:41,320 --> 00:35:47,080
Speaker 1: that everything also not for nothing. But I identified with

644
00:35:47,160 --> 00:35:49,600
Speaker 1: Laura's energy in this you. I was thinking about you

645
00:35:49,640 --> 00:35:51,240
Speaker 1: the whole time. I was like, this is Matt Rodgerson,

646
00:35:51,760 --> 00:35:54,160
Speaker 1: I was I identified with I'm gonna say it's Scarlett.

647
00:35:54,800 --> 00:35:56,640
Speaker 1: I identified with Scarlett just in the way that I'm

648
00:35:56,680 --> 00:35:58,160
Speaker 1: just like really reserved. And I was like, I don't

649
00:35:58,160 --> 00:36:01,680
Speaker 1: really know how to express how I feel in this relationship,

650
00:36:01,719 --> 00:36:04,360
Speaker 1: like you know what, I really like loved about it,

651
00:36:04,440 --> 00:36:09,200
Speaker 1: like long scenes like I love like and also just

652
00:36:09,239 --> 00:36:13,360
Speaker 1: like that's weird choice to have Scarlett like walking around

653
00:36:13,360 --> 00:36:15,359
Speaker 1: the apartment sort of like fuxing with things and she's

654
00:36:15,360 --> 00:36:17,960
Speaker 1: telling her story to Laura and she is amazing and

655
00:36:18,040 --> 00:36:23,319
Speaker 1: Laura goes, honey. I was like, this is like so

656
00:36:23,760 --> 00:36:26,680
Speaker 1: just like a long block of text and then oh yeah,

657
00:36:26,719 --> 00:36:28,799
Speaker 1: it's the Minka honey just stuck in there. You know what?

658
00:36:28,920 --> 00:36:30,239
Speaker 1: You know who? You know who Laura Dern is and

659
00:36:30,280 --> 00:36:32,480
Speaker 1: that movie she's both of us because the Minuka honey

660
00:36:32,520 --> 00:36:35,760
Speaker 1: is me. I wouldn't know what the honey was called.

661
00:36:36,160 --> 00:36:39,640
Speaker 1: Have you ever had Minuka honey? Um? Anytime you? Oh, actually,

662
00:36:39,680 --> 00:36:42,440
Speaker 1: before your show, swallow a bit of Manuka honey. We'll

663
00:36:42,440 --> 00:36:45,120
Speaker 1: go to hold you know, like Greta has like organic

664
00:36:45,120 --> 00:36:47,600
Speaker 1: honey in her apartment, but the Manuka honey is special

665
00:36:47,600 --> 00:36:49,680
Speaker 1: because it's it's pollinated from a flower that only grows

666
00:36:49,680 --> 00:36:53,160
Speaker 1: in New Zealand and it has like these like just

667
00:36:53,200 --> 00:36:55,440
Speaker 1: healing properties, let's just say. And it's like it's it's

668
00:36:55,440 --> 00:36:57,759
Speaker 1: it's it's not like full on like homeopathic, but it's

669
00:36:57,800 --> 00:37:00,520
Speaker 1: just like I remember I was that was really sick

670
00:37:00,560 --> 00:37:03,560
Speaker 1: when my family visited visited Australia New Zealand last year,

671
00:37:03,600 --> 00:37:07,719
Speaker 1: and the girl was like, yeah, just take a take

672
00:37:07,760 --> 00:37:09,799
Speaker 1: a take a spoonful and you'll be fine. And I

673
00:37:09,840 --> 00:37:12,160
Speaker 1: did it and it was anyway. Um, well, the background

674
00:37:12,160 --> 00:37:13,839
Speaker 1: on that is I'm kind of panicking because my voice

675
00:37:13,880 --> 00:37:17,520
Speaker 1: is feeling a little scratchy. Sound great, Well, I have

676
00:37:17,600 --> 00:37:19,759
Speaker 1: my show tonight. I did this to last week. I

677
00:37:19,800 --> 00:37:23,359
Speaker 1: was pan nicking the day of, in the day before

678
00:37:23,400 --> 00:37:26,080
Speaker 1: and the day before my show, and I had a

679
00:37:26,200 --> 00:37:29,640
Speaker 1: huge canker sre like in the back of my mouth,

680
00:37:29,719 --> 00:37:33,719
Speaker 1: like on my throat and it was like gnrtally and

681
00:37:33,800 --> 00:37:37,400
Speaker 1: I couldn't phone ate and I was like truck. But

682
00:37:37,440 --> 00:37:39,759
Speaker 1: then my show at the Hollywood and prov was great, great,

683
00:37:39,800 --> 00:37:43,359
Speaker 1: that's perfect. Um, And of course. I feel like it's

684
00:37:43,360 --> 00:37:45,880
Speaker 1: gonna be the same thing tonight. Everyone's going to be

685
00:37:45,960 --> 00:37:48,240
Speaker 1: so excited to see you. I literally was like texting

686
00:37:48,239 --> 00:37:53,360
Speaker 1: and chard before like being like I'm depressed. You're like

687
00:37:53,840 --> 00:37:57,439
Speaker 1: are you? Are you? I'm feeling a little down. Yeah.

688
00:37:58,200 --> 00:38:02,120
Speaker 1: I think it's it's this. It's it's just this, this

689
00:38:02,200 --> 00:38:03,880
Speaker 1: is this has been a downer for me just or

690
00:38:04,000 --> 00:38:05,520
Speaker 1: just and by this, I mean they forever dug of

691
00:38:05,560 --> 00:38:08,880
Speaker 1: it all. Yeah, it's bum it bombs me out. I

692
00:38:08,920 --> 00:38:10,880
Speaker 1: think it's that. I think it's coming back to New

693
00:38:10,960 --> 00:38:16,000
Speaker 1: York and like feeling like like, um, New York is

694
00:38:16,040 --> 00:38:19,480
Speaker 1: like happening with without, which is so dumb, so dumb,

695
00:38:19,680 --> 00:38:22,120
Speaker 1: but also just like just sometimes like at the end

696
00:38:22,120 --> 00:38:24,040
Speaker 1: of the year, you know, you do take stock of

697
00:38:24,160 --> 00:38:27,680
Speaker 1: like how much has changed, Like you know, like I

698
00:38:27,680 --> 00:38:32,520
Speaker 1: feel like I haven't even um like I'll say this,

699
00:38:33,040 --> 00:38:39,600
Speaker 1: this will be an admission, so like I feel like

700
00:38:39,600 --> 00:38:43,120
Speaker 1: I haven't seen you in a while. And sometimes I

701
00:38:43,280 --> 00:38:47,640
Speaker 1: like sometimes I like see the things that you're doing

702
00:38:50,000 --> 00:38:53,480
Speaker 1: and I'll think to myself like, oh, I wonder what

703
00:38:53,560 --> 00:38:56,880
Speaker 1: it was. I wonder like what funny thing happened in

704
00:38:56,960 --> 00:38:59,080
Speaker 1: creating that, you know what I mean? Like and then

705
00:38:59,120 --> 00:39:02,520
Speaker 1: I think probably likewise for you. For me, it's like

706
00:39:02,719 --> 00:39:06,600
Speaker 1: it's hard when you come from a place of doing

707
00:39:06,800 --> 00:39:12,360
Speaker 1: everything together to then see that person doing something different

708
00:39:12,400 --> 00:39:15,799
Speaker 1: and it's not it's not I want to stress, it's

709
00:39:15,800 --> 00:39:21,480
Speaker 1: not about like jealousy. It's not about like anything to

710
00:39:21,520 --> 00:39:24,840
Speaker 1: do with that. It's truly just about like, oh there's

711
00:39:24,920 --> 00:39:35,400
Speaker 1: like my like person doing that. How you know what

712
00:39:35,440 --> 00:39:39,280
Speaker 1: I mean. That's like it's been a little bit different

713
00:39:39,360 --> 00:39:43,040
Speaker 1: to be separated from you like that, and it's it's

714
00:39:43,120 --> 00:39:45,319
Speaker 1: it's it's just part of it, you know what I mean.

715
00:39:46,640 --> 00:39:48,680
Speaker 1: I don't know that it is though, do you mean?

716
00:39:48,960 --> 00:39:50,600
Speaker 1: And I don't, but I don't know that it's a

717
00:39:50,600 --> 00:39:54,080
Speaker 1: part of it to like accept it because I don't

718
00:39:54,080 --> 00:39:57,600
Speaker 1: know I'm not accepting it, like you know what I'm saying,

719
00:39:59,680 --> 00:40:02,680
Speaker 1: Like I think about you, there's like a specter of

720
00:40:02,719 --> 00:40:05,040
Speaker 1: you like everywhere. Like I said that to Jared too,

721
00:40:05,080 --> 00:40:08,040
Speaker 1: I was like, I know that, like it's it's it's

722
00:40:08,120 --> 00:40:10,439
Speaker 1: kind of cool to watch because like a little part

723
00:40:10,480 --> 00:40:14,040
Speaker 1: of me isn't is in it because you literally said

724
00:40:14,160 --> 00:40:16,920
Speaker 1: a little bit bitchy I know you did, and that

725
00:40:17,239 --> 00:40:19,120
Speaker 1: was like a Suti pitch and she was like she

726
00:40:19,200 --> 00:40:20,520
Speaker 1: was like, can we say that? I was like, well,

727
00:40:20,560 --> 00:40:22,759
Speaker 1: it's it's like it's like Matt's joke and we're like

728
00:40:23,680 --> 00:40:25,439
Speaker 1: we can was like, did you do you feel okay

729
00:40:25,440 --> 00:40:28,040
Speaker 1: with that? I didn't feel like it was taken from

730
00:40:28,400 --> 00:40:31,080
Speaker 1: me if that's but I definitely heard it and I

731
00:40:31,120 --> 00:40:33,359
Speaker 1: was like, oh my god. And then I felt like

732
00:40:33,760 --> 00:40:35,840
Speaker 1: it felt like a little shout out, you know what

733
00:40:35,920 --> 00:40:39,160
Speaker 1: I mean. But then like there's things all the time

734
00:40:39,239 --> 00:40:41,560
Speaker 1: and the stuff that I'm doing, like I'm seeing, I'm

735
00:40:41,560 --> 00:40:45,680
Speaker 1: seeing for what it's worth, I'm seeing you and you're

736
00:40:45,719 --> 00:40:49,359
Speaker 1: working on a lot of very good things, and I well, yeah,

737
00:40:49,360 --> 00:40:53,240
Speaker 1: I's only have this like aching feeling of like oh

738
00:40:53,280 --> 00:40:56,680
Speaker 1: my god, I would be so happy just just to

739
00:40:56,800 --> 00:40:59,840
Speaker 1: like make something with you, like on on like a

740
00:41:00,000 --> 00:41:03,400
Speaker 1: on a different like Cadence and on a different like

741
00:41:03,640 --> 00:41:06,400
Speaker 1: clip where it's like being in a being in a

742
00:41:06,400 --> 00:41:08,239
Speaker 1: writer's room with you, Like I've never had that, Like

743
00:41:08,320 --> 00:41:11,439
Speaker 1: I I can't imagine what that's like in like it's

744
00:41:11,480 --> 00:41:13,960
Speaker 1: like you know what, And because these collaborations, I think

745
00:41:14,000 --> 00:41:16,680
Speaker 1: about this all the time. Still, it's like falling in love.

746
00:41:16,719 --> 00:41:20,120
Speaker 1: It's like you meet your people and then there's just

747
00:41:20,200 --> 00:41:24,200
Speaker 1: this magic and I know for a fact that like

748
00:41:24,280 --> 00:41:27,920
Speaker 1: you're like you're like the one you know, Well, my

749
00:41:28,080 --> 00:41:31,239
Speaker 1: thing too is just like sorry as I sound so

750
00:41:31,360 --> 00:41:39,440
Speaker 1: nasal and ridiculous, um, nasal and ridiculous both, It's just like, um,

751
00:41:39,480 --> 00:41:45,040
Speaker 1: I think we were just like perhaps unnaturally codependent, just

752
00:41:45,120 --> 00:41:47,640
Speaker 1: because I don't think we're I don't think we were

753
00:41:47,640 --> 00:41:52,160
Speaker 1: ever actually codependent, though we'll explain we were. Never it

754
00:41:52,200 --> 00:41:54,279
Speaker 1: would it never got to a point where it like

755
00:41:54,920 --> 00:41:59,000
Speaker 1: it was so poisonous and like the tuperative we get into.

756
00:41:59,520 --> 00:42:00,880
Speaker 1: But it was never a thing where it was like

757
00:42:02,760 --> 00:42:04,319
Speaker 1: it was never it was never a thing where we

758
00:42:04,320 --> 00:42:07,200
Speaker 1: were like enabling or disabling each other from doing things

759
00:42:07,280 --> 00:42:09,680
Speaker 1: that like we we truly on an individual level, wanted

760
00:42:09,760 --> 00:42:12,320
Speaker 1: to do. Yeah. No, I don't even I'm not talking

761
00:42:12,320 --> 00:42:14,440
Speaker 1: about it like in a pejorative or negative way when

762
00:42:14,440 --> 00:42:16,479
Speaker 1: I say the word codependent, which I think the word

763
00:42:16,480 --> 00:42:20,560
Speaker 1: codependent like is inherently like a little negative. I guess

764
00:42:20,560 --> 00:42:26,640
Speaker 1: what I mean is like, um, when these situations, when

765
00:42:26,760 --> 00:42:31,120
Speaker 1: when it's such a volume of success together and then

766
00:42:31,200 --> 00:42:35,279
Speaker 1: like those things split off, it's it's you question, like

767
00:42:35,760 --> 00:42:37,920
Speaker 1: how much of this am I actually able to do

768
00:42:38,000 --> 00:42:42,040
Speaker 1: by myself or not? By myself with people, you know

769
00:42:42,040 --> 00:42:47,200
Speaker 1: what I mean, Like I I think all the time, like, um,

770
00:42:47,320 --> 00:42:49,440
Speaker 1: would I be more dynamic on stage right now if

771
00:42:49,480 --> 00:42:51,719
Speaker 1: Bowen was here? Can I do this by myself? Like

772
00:42:51,760 --> 00:42:56,719
Speaker 1: even like I all throughout this year, you know, I

773
00:42:56,800 --> 00:43:01,600
Speaker 1: don't perform as much, and it it's it doesn't bother

774
00:43:01,800 --> 00:43:04,560
Speaker 1: me actively because I'm working and for the first time ever,

775
00:43:04,600 --> 00:43:08,400
Speaker 1: I'm like working on things in television like I'm officially

776
00:43:08,480 --> 00:43:13,719
Speaker 1: like but from my in my third room like and

777
00:43:13,760 --> 00:43:17,480
Speaker 1: so it's like that's azing and I'm very grateful for that,

778
00:43:17,719 --> 00:43:20,600
Speaker 1: but it does come at like a it doesn cost there.

779
00:43:20,640 --> 00:43:23,200
Speaker 1: I I don't get up on stage anymore, to the

780
00:43:23,200 --> 00:43:26,720
Speaker 1: point where like now when I am up there, there's

781
00:43:26,760 --> 00:43:28,839
Speaker 1: this little piece of me that's like can I still

782
00:43:29,040 --> 00:43:30,759
Speaker 1: do this? And I still remember how to do this?

783
00:43:30,840 --> 00:43:33,200
Speaker 1: And then the only time I'm really comfortable when we

784
00:43:33,320 --> 00:43:36,200
Speaker 1: jump back in is I'll say game show with Dave

785
00:43:36,520 --> 00:43:38,799
Speaker 1: and with you when whenever we do a last school

786
00:43:38,840 --> 00:43:42,719
Speaker 1: juries this show. But truly, it's like I've never had this,

787
00:43:45,280 --> 00:43:46,800
Speaker 1: I've never had this thing where it's like you and

788
00:43:46,880 --> 00:43:48,520
Speaker 1: I all just be like, okay, yeah, sure we'll host

789
00:43:48,520 --> 00:43:50,560
Speaker 1: this thing. And then we just planned go up on

790
00:43:50,560 --> 00:43:55,640
Speaker 1: stage just like talk and somehow we debatedly make it

791
00:43:55,680 --> 00:43:59,000
Speaker 1: work or just for something for the audience. For I'm

792
00:43:59,000 --> 00:44:00,880
Speaker 1: sure some people what the fun is going on, but

793
00:44:01,040 --> 00:44:06,520
Speaker 1: I for what it's worth, I have that thought every

794
00:44:06,560 --> 00:44:09,319
Speaker 1: single day going into work. You think that we're just

795
00:44:09,400 --> 00:44:13,799
Speaker 1: about you. I'm just like, no, it's true. Well I

796
00:44:13,840 --> 00:44:18,120
Speaker 1: mean out full that out, like I think I feel

797
00:44:18,120 --> 00:44:22,920
Speaker 1: comfortable saying this now, but it's like last year it

798
00:44:23,080 --> 00:44:29,160
Speaker 1: was like so crazy for us to do that. So

799
00:44:29,400 --> 00:44:33,319
Speaker 1: here the t is. I also tested for Saturday Night

800
00:44:33,360 --> 00:44:38,200
Speaker 1: Live twice with Bow and they put us in the

801
00:44:38,239 --> 00:44:43,680
Speaker 1: same fucking dressing room and we were running our stuff

802
00:44:44,320 --> 00:44:46,360
Speaker 1: and they were we were both on hold for six

803
00:44:46,400 --> 00:44:50,719
Speaker 1: months and we couldn't work. We couldn't work, and I

804
00:44:51,200 --> 00:44:54,400
Speaker 1: every single day of those six months I had like

805
00:44:54,400 --> 00:44:56,840
Speaker 1: a fantasy of just us being on the show. I

806
00:44:56,880 --> 00:44:59,640
Speaker 1: had that fantasy too, of course, and then like when

807
00:44:59,640 --> 00:45:03,120
Speaker 1: it but I will say this, like I think it.

808
00:45:03,520 --> 00:45:05,239
Speaker 1: I think the way it worked out and the way

809
00:45:05,280 --> 00:45:09,280
Speaker 1: things are working out is meant to be. And who's

810
00:45:09,440 --> 00:45:11,080
Speaker 1: I mean, who's to say that it's not that it's

811
00:45:11,120 --> 00:45:13,439
Speaker 1: not still in process of working out? Well? Who care?

812
00:45:14,560 --> 00:45:16,120
Speaker 1: Just not even not even in terms of like the

813
00:45:16,160 --> 00:45:18,080
Speaker 1: shows that were like the things that we're working on.

814
00:45:18,120 --> 00:45:22,000
Speaker 1: It's just like it's still this is just like part

815
00:45:22,040 --> 00:45:27,239
Speaker 1: of our friendship, our collaboration or whatever. But I just

816
00:45:27,440 --> 00:45:29,120
Speaker 1: I just have to put it out there every day.

817
00:45:29,200 --> 00:45:31,640
Speaker 1: I think this would be so much more fun if

818
00:45:31,680 --> 00:45:33,439
Speaker 1: I was here. Well, I mean I think that about

819
00:45:33,440 --> 00:45:35,920
Speaker 1: all the stuff that I do. I mean, like, I

820
00:45:35,960 --> 00:45:39,480
Speaker 1: have such a cool I have a very cool job

821
00:45:39,560 --> 00:45:42,600
Speaker 1: right now, which is I'm writing on the animated series

822
00:45:42,719 --> 00:45:44,560
Speaker 1: Q for Us, which is going to be on Netflix.

823
00:45:44,640 --> 00:45:47,520
Speaker 1: And the room is like so great, it's gably had

824
00:45:47,520 --> 00:45:52,200
Speaker 1: been created it. Megan Amram is there, guy Brandon selvestr Ira,

825
00:45:52,760 --> 00:45:57,560
Speaker 1: like it's lies a die so funny, like these great people.

826
00:45:57,560 --> 00:46:03,080
Speaker 1: Sean Hayes is gonna my god, we love games assistant

827
00:46:03,360 --> 00:46:05,960
Speaker 1: um and you know, Sean Hayes is going to be

828
00:46:06,000 --> 00:46:09,160
Speaker 1: the lead character. And as it's just what they're coming

829
00:46:09,239 --> 00:46:12,560
Speaker 1: up with is so funny, like to be able to

830
00:46:12,680 --> 00:46:15,400
Speaker 1: even in some small way, be a part of the

831
00:46:15,440 --> 00:46:18,400
Speaker 1: other two. Whenever um that comes out, I'll be so

832
00:46:18,440 --> 00:46:21,120
Speaker 1: excited to see it. And you know, to have game

833
00:46:21,120 --> 00:46:23,840
Speaker 1: show coming out, which is my literal creation. God willing

834
00:46:23,920 --> 00:46:30,280
Speaker 1: Quimby pops off. Please download what Happens watch the Steven Spielberg.

835
00:46:31,920 --> 00:46:34,799
Speaker 1: Weird to be doing these things without you. It's it's

836
00:46:34,840 --> 00:46:38,839
Speaker 1: it's so strange, actually, you know it would be kind

837
00:46:38,880 --> 00:46:44,759
Speaker 1: of cool, is I feel like you would be so

838
00:46:44,840 --> 00:46:47,040
Speaker 1: much better in the room I'm in now. Then then

839
00:46:47,120 --> 00:46:53,160
Speaker 1: I for script for scripted stuff. I'm just like, um,

840
00:46:53,400 --> 00:46:56,880
Speaker 1: maybe that character talks to this character who was mentioned

841
00:46:56,920 --> 00:46:59,600
Speaker 1: in the second episode, Like scripted is hard, just so

842
00:46:59,719 --> 00:47:02,000
Speaker 1: fucking hard. Script is hard. There's so much more ship

843
00:47:02,160 --> 00:47:04,560
Speaker 1: going into it than you think. You don't much to

844
00:47:04,680 --> 00:47:08,359
Speaker 1: track a serialized narative. It's so much, but it's fun.

845
00:47:08,360 --> 00:47:10,960
Speaker 1: It's like a puzzle. You crack a puzzle with every episode,

846
00:47:10,960 --> 00:47:13,240
Speaker 1: with the whole arc or whatever. But when things come together,

847
00:47:13,280 --> 00:47:15,960
Speaker 1: it feels really good. It's so great. I I here's

848
00:47:15,960 --> 00:47:17,359
Speaker 1: what I'm gonna say. It wouldn't it be cool if

849
00:47:17,440 --> 00:47:20,440
Speaker 1: just like we are on these different tracks now, But

850
00:47:20,480 --> 00:47:23,000
Speaker 1: then of course, like there's no way that we don't

851
00:47:23,040 --> 00:47:25,400
Speaker 1: meet back up. We're still like we're still together. I

852
00:47:25,400 --> 00:47:27,600
Speaker 1: mean that's the thing, because it's like it's no one's dead,

853
00:47:27,880 --> 00:47:29,440
Speaker 1: you know what I mean, Like we're going to a

854
00:47:29,440 --> 00:47:32,279
Speaker 1: different network. But I did think that That's one of

855
00:47:32,320 --> 00:47:34,080
Speaker 1: the reasons why I wanted to do this episode just

856
00:47:34,160 --> 00:47:36,120
Speaker 1: the two of us. I think you agree. It's just

857
00:47:36,160 --> 00:47:38,399
Speaker 1: like we haven't done that, and I feel like so

858
00:47:38,520 --> 00:47:42,920
Speaker 1: much has gone on and change and I do feel like, um,

859
00:47:42,960 --> 00:47:44,680
Speaker 1: you know, as weird as that is to say, like

860
00:47:45,000 --> 00:47:47,520
Speaker 1: I think about people that have listened to us from

861
00:47:47,520 --> 00:47:49,840
Speaker 1: the beginning, you know what, there's like, there's like a

862
00:47:49,840 --> 00:47:53,080
Speaker 1: good like any of you out there. The numbers came in,

863
00:47:53,320 --> 00:47:56,960
Speaker 1: we got I got the numbers through SoundCloud. SoundCloud when

864
00:47:57,040 --> 00:47:59,399
Speaker 1: when the pot first started, and truly like the hits

865
00:47:59,400 --> 00:48:03,360
Speaker 1: were like eight seven people listen to this Like that's crazy,

866
00:48:03,520 --> 00:48:07,480
Speaker 1: that's like more than that's who would come to and

867
00:48:07,480 --> 00:48:10,320
Speaker 1: I'd be like, that's great. And so we were clocking

868
00:48:10,400 --> 00:48:12,719
Speaker 1: you maybe some people have fallen off, who knows, but

869
00:48:12,800 --> 00:48:15,239
Speaker 1: like I'm sure, but we're clocking like like we know,

870
00:48:15,400 --> 00:48:19,000
Speaker 1: we know the people who have just like been in

871
00:48:19,000 --> 00:48:21,320
Speaker 1: on the ground floor. But some people really have listened

872
00:48:21,360 --> 00:48:24,839
Speaker 1: to this for four years, and that is that's very

873
00:48:24,920 --> 00:48:28,760
Speaker 1: you know. I wonder how we sound changing and stuff.

874
00:48:29,320 --> 00:48:30,759
Speaker 1: I guess we have it if we haven't want to

875
00:48:30,760 --> 00:48:35,520
Speaker 1: be bored at ninety years old. But also like this,

876
00:48:35,520 --> 00:48:37,680
Speaker 1: this is a little look, this is a little document

877
00:48:37,719 --> 00:48:40,359
Speaker 1: of like something going forward. You know, it's like we're

878
00:48:40,360 --> 00:48:42,640
Speaker 1: gonna we can listen back to this and be like,

879
00:48:42,719 --> 00:48:45,560
Speaker 1: oh god, remember when we were talking about bombshell and

880
00:48:45,600 --> 00:48:48,239
Speaker 1: panicking about our careers, like, oh my god, just just

881
00:48:48,320 --> 00:48:50,480
Speaker 1: feeling abandoned by each other. Not abandoned, but you know

882
00:48:50,520 --> 00:48:53,000
Speaker 1: what I'm saying, like feeling like we're missing a part

883
00:48:53,040 --> 00:48:56,200
Speaker 1: of ourselves without the other. Um. I will say, it's

884
00:48:56,520 --> 00:49:01,000
Speaker 1: been interesting to navigate and negotiate gets shared on the

885
00:49:01,040 --> 00:49:03,920
Speaker 1: pot and what doesn't. Some things are just personal. But

886
00:49:04,000 --> 00:49:07,160
Speaker 1: like with the snl of it all, that was so

887
00:49:07,320 --> 00:49:13,920
Speaker 1: insane to go through that and still be like that

888
00:49:14,480 --> 00:49:18,399
Speaker 1: that close, that was that was whack. That was out.

889
00:49:18,560 --> 00:49:22,000
Speaker 1: I gotta listen back to the episodes when we were

890
00:49:22,000 --> 00:49:25,000
Speaker 1: going through that. Oh gosh, I think we did a

891
00:49:25,040 --> 00:49:26,880
Speaker 1: pretty good job. We did a pretty good job of

892
00:49:26,920 --> 00:49:29,399
Speaker 1: just what keeping keeping it under wraps or yeah, well,

893
00:49:29,560 --> 00:49:33,279
Speaker 1: my thing is always like I had to negotiate. Like

894
00:49:35,640 --> 00:49:37,359
Speaker 1: what I was kind of going through at the time

895
00:49:37,440 --> 00:49:42,279
Speaker 1: was like I was sort of figuring out if I

896
00:49:42,360 --> 00:49:45,719
Speaker 1: was embarrassed to say that I didn't get it or like,

897
00:49:47,000 --> 00:49:50,400
Speaker 1: you know, like especially like I think when you do

898
00:49:50,520 --> 00:49:53,360
Speaker 1: something as a twosome all the time as a duo

899
00:49:53,719 --> 00:49:56,760
Speaker 1: and then one person like and I think honestly, earlier

900
00:49:56,800 --> 00:49:59,759
Speaker 1: in our twenties, maybe you felt this way towards me

901
00:49:59,760 --> 00:50:02,160
Speaker 1: when was getting like JFL and being put on house

902
00:50:02,160 --> 00:50:06,400
Speaker 1: to it kind of makes you feel like when you

903
00:50:06,480 --> 00:50:09,080
Speaker 1: are not the one who's popping off at the time,

904
00:50:10,120 --> 00:50:12,360
Speaker 1: it kind of makes you feel like, well, no one's

905
00:50:12,400 --> 00:50:15,160
Speaker 1: here to see me anyway, you Like, it's kind of like,

906
00:50:15,680 --> 00:50:17,920
Speaker 1: you know what I mean, Like you do as as

907
00:50:18,000 --> 00:50:20,719
Speaker 1: a symptom of being who we are and like being

908
00:50:20,760 --> 00:50:23,799
Speaker 1: as close as we are. If you don't have those

909
00:50:23,800 --> 00:50:26,120
Speaker 1: moments where you're like comparing yourself to the achievement of

910
00:50:26,200 --> 00:50:29,400
Speaker 1: other person, that's wild. You shouldn't do that. You shouldn't

911
00:50:29,440 --> 00:50:31,799
Speaker 1: do that. But then you are constantly focusing on the

912
00:50:31,920 --> 00:50:35,160
Speaker 1: lack of the thing that you're seeing the other person getting. Yeah,

913
00:50:35,719 --> 00:50:38,719
Speaker 1: So this is a funny story that I want to say.

914
00:50:38,840 --> 00:50:40,719
Speaker 1: And I was gonna say, I honestly was going to

915
00:50:40,800 --> 00:50:43,279
Speaker 1: save this for like a book, Oh my god, but

916
00:50:43,400 --> 00:50:45,600
Speaker 1: I do want to this is like, this is such

917
00:50:45,640 --> 00:50:47,719
Speaker 1: a funny story about when we when we tested for

918
00:50:47,800 --> 00:50:51,960
Speaker 1: U S and L. So the second time when we

919
00:50:52,160 --> 00:50:54,799
Speaker 1: we were the only ones they put in the same

920
00:50:55,160 --> 00:50:57,560
Speaker 1: well the first time we were the only man, which

921
00:50:57,600 --> 00:51:02,960
Speaker 1: was wild. There was like leventeen girls and us and

922
00:51:02,960 --> 00:51:07,400
Speaker 1: it was in March, and it was whack was Chloe

923
00:51:07,440 --> 00:51:10,480
Speaker 1: there too? Yes? That was not Chloe yet? Are you

924
00:51:10,520 --> 00:51:17,840
Speaker 1: sure Chloe was? Oh? I think Chloe was there anyway. Regardless,

925
00:51:17,840 --> 00:51:21,000
Speaker 1: were the only two boys. And then they kept us

926
00:51:21,280 --> 00:51:23,120
Speaker 1: on hold for like the next six months and we

927
00:51:23,120 --> 00:51:24,719
Speaker 1: were like only it was like six of us that

928
00:51:24,760 --> 00:51:27,200
Speaker 1: they had yet I think I don't know how you felt,

929
00:51:27,520 --> 00:51:30,160
Speaker 1: but I really felt like, oh my god, like this

930
00:51:29,880 --> 00:51:33,000
Speaker 1: could this could happen? Yeah? Like when did when did

931
00:51:33,000 --> 00:51:35,960
Speaker 1: it kick in for you that it could happen? Um?

932
00:51:36,040 --> 00:51:38,480
Speaker 1: Because you you went in four times. I went in

933
00:51:38,520 --> 00:51:44,040
Speaker 1: the summer of seventeen, and that was just such It

934
00:51:44,120 --> 00:51:46,880
Speaker 1: felt like such a fluke. Like they were like, can

935
00:51:46,920 --> 00:51:48,560
Speaker 1: you do this? My manager at the time was like,

936
00:51:48,600 --> 00:51:50,080
Speaker 1: you want to do the showcase for Fessility? Do you

937
00:51:50,080 --> 00:51:52,040
Speaker 1: want to put it together a tape? I was like sure,

938
00:51:53,000 --> 00:51:55,080
Speaker 1: not thinking it was now, and then went over to

939
00:51:55,320 --> 00:52:00,359
Speaker 1: our beautiful friend Doug Whiteck's apartment like shout out five

940
00:52:00,400 --> 00:52:04,600
Speaker 1: minutes of characters. UM put it together, sent in my tape.

941
00:52:04,680 --> 00:52:06,400
Speaker 1: Then I get I get a call like, hey, do

942
00:52:06,440 --> 00:52:07,800
Speaker 1: you want to do the showcase that you see B.

943
00:52:08,080 --> 00:52:11,640
Speaker 1: I'm like yeah sure, UCB Chelsea r I P like

944
00:52:11,719 --> 00:52:13,880
Speaker 1: yeah sure. I mean not a chance in how they

945
00:52:13,880 --> 00:52:17,839
Speaker 1: would ever hire an Asian person or uh East Asian

946
00:52:17,880 --> 00:52:21,759
Speaker 1: person or like a gay man, like this will never

947
00:52:21,840 --> 00:52:24,960
Speaker 1: fucking happen. Meanwhile, I had just come off JFL and

948
00:52:25,040 --> 00:52:27,160
Speaker 1: crushed and they said they didn't want to see me

949
00:52:27,200 --> 00:52:29,520
Speaker 1: at the showcase and I was like, that's the first

950
00:52:29,880 --> 00:52:33,680
Speaker 1: what that was? That was? It was so salty, stupid

951
00:52:33,760 --> 00:52:36,279
Speaker 1: and I am so sorry no, but that was that again,

952
00:52:36,400 --> 00:52:38,520
Speaker 1: was like at the moment, of course, because if you

953
00:52:38,560 --> 00:52:41,440
Speaker 1: remember three months prior, you were just writing high No

954
00:52:41,920 --> 00:52:44,000
Speaker 1: I had got your you would gone JFIL and I

955
00:52:44,040 --> 00:52:46,600
Speaker 1: hadn't Yeah, And I was like, what the fuck? It

956
00:52:46,680 --> 00:52:48,600
Speaker 1: was just such, it's it's always it's it's so like,

957
00:52:48,680 --> 00:52:52,600
Speaker 1: it's so it sucks to have to like not compete,

958
00:52:53,000 --> 00:52:55,480
Speaker 1: but you're all trying to get the same stuff. When

959
00:52:55,480 --> 00:52:58,320
Speaker 1: you're in New York and doing comedy. It's like SNL

960
00:52:58,400 --> 00:53:00,680
Speaker 1: is sitting that's right there. And if they say if

961
00:53:00,719 --> 00:53:03,640
Speaker 1: they say like hey, maybe you you freak the funk out.

962
00:53:04,560 --> 00:53:08,840
Speaker 1: I gotta I might have to like slam the brakes on,

963
00:53:09,000 --> 00:53:11,920
Speaker 1: like like it's like like talking about it or just

964
00:53:11,960 --> 00:53:13,680
Speaker 1: like at least like what do you think about it?

965
00:53:15,320 --> 00:53:16,920
Speaker 1: About just posting about im? Just like, oh, this is

966
00:53:16,960 --> 00:53:21,040
Speaker 1: just like dangling something in front of like a group

967
00:53:21,040 --> 00:53:23,520
Speaker 1: of people who are like, I don't know, I have

968
00:53:23,640 --> 00:53:27,399
Speaker 1: this weird feeling about like I have to say with you.

969
00:53:27,480 --> 00:53:31,600
Speaker 1: I think it's different. I don't know why, but I

970
00:53:31,600 --> 00:53:34,920
Speaker 1: feel like I can totally understand. Can I tell you what?

971
00:53:34,960 --> 00:53:38,240
Speaker 1: I don't love this new kind of era of people

972
00:53:38,280 --> 00:53:41,360
Speaker 1: saying I wrote this. It's like that is not the

973
00:53:41,400 --> 00:53:44,160
Speaker 1: way it has been. Like I understand that with social

974
00:53:44,200 --> 00:53:49,080
Speaker 1: media it's different, but like and whatever, if it's really

975
00:53:49,920 --> 00:53:52,200
Speaker 1: your voice or whatever, like and you're super super proud

976
00:53:52,200 --> 00:53:53,759
Speaker 1: of it, whatever, say that. I just I'm a little

977
00:53:53,800 --> 00:53:56,080
Speaker 1: bit of a purist with that show. And it's like

978
00:53:56,280 --> 00:53:59,239
Speaker 1: you never never writers wrote, wrote wrote anything. It just

979
00:53:59,280 --> 00:54:02,120
Speaker 1: kind of belonged to the show and the performers did

980
00:54:02,160 --> 00:54:04,560
Speaker 1: it and it was decorum and it was just that

981
00:54:04,640 --> 00:54:06,759
Speaker 1: and maybe you would go up to the writer twenty

982
00:54:06,840 --> 00:54:10,560
Speaker 1: years later and be like, did you write? And that's that.

983
00:54:10,680 --> 00:54:12,680
Speaker 1: James Anderson of at all. But with you, I feel

984
00:54:12,680 --> 00:54:16,040
Speaker 1: like because you were, like, I feel like you connect

985
00:54:16,080 --> 00:54:18,720
Speaker 1: with the people that listened to this pod to follow

986
00:54:18,760 --> 00:54:20,920
Speaker 1: you on Instagram and follow you on Twitter and have

987
00:54:21,120 --> 00:54:24,399
Speaker 1: been fans of yours like, and you connect with them

988
00:54:24,400 --> 00:54:28,120
Speaker 1: through social media and so like they I think as

989
00:54:28,160 --> 00:54:30,959
Speaker 1: someone who is like, if I wasn't your best friend,

990
00:54:30,960 --> 00:54:32,960
Speaker 1: I would be your fan, I would want to know

991
00:54:33,000 --> 00:54:36,040
Speaker 1: what you were contributing. So in a way, that's all changing.

992
00:54:36,080 --> 00:54:37,840
Speaker 1: But it's a little bit of an adjustment for me

993
00:54:37,880 --> 00:54:41,520
Speaker 1: as like an SNL purist whenever anyone's like, amazing experience

994
00:54:41,520 --> 00:54:46,719
Speaker 1: writing this with the incredible this and actually that's fair,

995
00:54:46,760 --> 00:54:48,960
Speaker 1: that's fair, That's totally fair. But that's me having maybe

996
00:54:48,960 --> 00:54:51,239
Speaker 1: too much fucking reverence. No, no, no, I got it.

997
00:54:51,400 --> 00:54:54,680
Speaker 1: What's your story? I'm sorry, I know I was. I

998
00:54:54,719 --> 00:54:57,839
Speaker 1: was asking you when when you felt it could happen

999
00:54:57,960 --> 00:55:00,759
Speaker 1: for you, But then that was kind of veering off.

1000
00:55:00,880 --> 00:55:02,359
Speaker 1: You were about to tell a story about that when

1001
00:55:02,360 --> 00:55:05,759
Speaker 1: we the story? Okay, so yes I did, and I'll

1002
00:55:05,760 --> 00:55:08,560
Speaker 1: get back to what. Yeah, So the story is this

1003
00:55:08,640 --> 00:55:11,759
Speaker 1: is the second time I had tested and the I

1004
00:55:11,760 --> 00:55:15,960
Speaker 1: guess the fourth time you had, and I think they thought, well,

1005
00:55:15,960 --> 00:55:18,399
Speaker 1: they're so close, let's put them in a room. Let's

1006
00:55:18,400 --> 00:55:20,960
Speaker 1: put them in the same dressing room. Which, honestly, when

1007
00:55:21,000 --> 00:55:23,400
Speaker 1: you put two people that are so so so close

1008
00:55:23,440 --> 00:55:26,320
Speaker 1: in a high stake situation like that, we were pretty good.

1009
00:55:26,560 --> 00:55:29,440
Speaker 1: But I'll never forget because this this week they did

1010
00:55:29,440 --> 00:55:33,719
Speaker 1: a sketch of you as the choking victim on the thing.

1011
00:55:34,200 --> 00:55:38,880
Speaker 1: So you were doing the choking victims and we were

1012
00:55:38,960 --> 00:55:44,040
Speaker 1: rehearsing our bits and so the whole there was like

1013
00:55:44,080 --> 00:55:49,759
Speaker 1: a period of where you were just practicing. I was like, oh,

1014
00:55:52,200 --> 00:55:55,520
Speaker 1: and I'm sitting next to you, like, at what point

1015
00:55:55,600 --> 00:55:58,480
Speaker 1: do I like interrupt his process of like trying out

1016
00:55:58,520 --> 00:56:05,160
Speaker 1: different chokes to say that I can't focus? Oh no,

1017
00:56:05,680 --> 00:56:07,840
Speaker 1: but no, no, no, no, no, it was not. It

1018
00:56:07,960 --> 00:56:10,440
Speaker 1: ended up being only funny because I turned you and

1019
00:56:10,480 --> 00:56:13,600
Speaker 1: I was like, are you literally crazy? And you were

1020
00:56:13,600 --> 00:56:15,200
Speaker 1: like and you laughed and you were like what. I

1021
00:56:15,239 --> 00:56:17,680
Speaker 1: was like, I think that any of those chokes will work,

1022
00:56:17,719 --> 00:56:21,279
Speaker 1: you bitch. Oh my god, that's so funny. What a

1023
00:56:21,400 --> 00:56:25,399
Speaker 1: wacko moment. I can I share my memory of that day? Yes,

1024
00:56:25,560 --> 00:56:27,560
Speaker 1: and of you and me in that dressing room. Oh

1025
00:56:27,600 --> 00:56:29,799
Speaker 1: my god. I was getting super into meditation at the

1026
00:56:29,800 --> 00:56:32,120
Speaker 1: time as as a way to as a way to

1027
00:56:32,160 --> 00:56:34,279
Speaker 1: sort of deal with the nerves, because and I have

1028
00:56:34,320 --> 00:56:36,560
Speaker 1: this weird superstition now where I have to meditate every

1029
00:56:36,560 --> 00:56:40,879
Speaker 1: Saturday U and I think it helps. I didn't know that. Yeah,

1030
00:56:40,920 --> 00:56:44,240
Speaker 1: I meditated every Saturday like at like five pm um

1031
00:56:44,239 --> 00:56:46,759
Speaker 1: and then just like ten minutes. But then I was

1032
00:56:46,960 --> 00:56:48,640
Speaker 1: But then I remember my first time I went in

1033
00:56:48,719 --> 00:56:51,520
Speaker 1: like to Shear, I like emails to Sheer. I was like,

1034
00:56:51,520 --> 00:56:53,920
Speaker 1: do you have any tips? And She's so perfect and

1035
00:56:54,040 --> 00:56:56,400
Speaker 1: nice and so so so informed, like just helpful, and

1036
00:56:56,400 --> 00:56:59,840
Speaker 1: she was like, if you don't have them already in

1037
00:57:00,160 --> 00:57:01,680
Speaker 1: in a pair of I can always canceling headphones. I

1038
00:57:01,719 --> 00:57:03,040
Speaker 1: was like, okay, great. She's like, you will be like

1039
00:57:03,080 --> 00:57:06,239
Speaker 1: hearing people running their running their auditions in the next room.

1040
00:57:06,280 --> 00:57:08,200
Speaker 1: It's gonna drive you crazy. And I was like great.

1041
00:57:08,200 --> 00:57:10,960
Speaker 1: And then I and then I meditated to like a

1042
00:57:11,000 --> 00:57:14,319
Speaker 1: focus oriented meditation and then kept it going like that

1043
00:57:14,360 --> 00:57:16,000
Speaker 1: was my superstition. I was like, well, the thing that's

1044
00:57:16,080 --> 00:57:18,080
Speaker 1: seen me through all this is like I've meditated before

1045
00:57:18,120 --> 00:57:20,720
Speaker 1: going up on stage for those auditions. And then when

1046
00:57:20,720 --> 00:57:23,000
Speaker 1: we were together in that dressing room, I was just

1047
00:57:23,040 --> 00:57:26,320
Speaker 1: trying to practice like feeling my feet and like feeling

1048
00:57:26,320 --> 00:57:28,800
Speaker 1: like my body and like just having an awareness of

1049
00:57:28,840 --> 00:57:32,360
Speaker 1: like where I was and whatever this mindfulness bullshit. And

1050
00:57:32,360 --> 00:57:35,360
Speaker 1: then you were just pacing around the room. And then

1051
00:57:35,400 --> 00:57:37,240
Speaker 1: I was like I was like like I was like, man,

1052
00:57:37,240 --> 00:57:39,400
Speaker 1: maybe like try I might not have I might have

1053
00:57:39,400 --> 00:57:40,600
Speaker 1: been a bit about it, but I was like, I

1054
00:57:40,640 --> 00:57:42,720
Speaker 1: was like, you should like tried it and like maybe

1055
00:57:42,720 --> 00:57:45,160
Speaker 1: like breathe or like feel your feet, like stand in

1056
00:57:45,160 --> 00:57:47,840
Speaker 1: one place, feel your feet, feel like do a body scan,

1057
00:57:48,000 --> 00:57:49,760
Speaker 1: like see how you feel. And you were like, no, no,

1058
00:57:49,840 --> 00:57:51,520
Speaker 1: I'm a patient. This is this is this is my process.

1059
00:57:51,560 --> 00:57:56,080
Speaker 1: This is how I work. Like okay, okay, you should

1060
00:57:56,200 --> 00:58:01,840
Speaker 1: honestly like put our assences into the on space perfect.

1061
00:58:02,080 --> 00:58:03,960
Speaker 1: I can't believe they put us in the same room.

1062
00:58:04,120 --> 00:58:09,680
Speaker 1: It was so funny, honestly, but wow. And then I

1063
00:58:09,720 --> 00:58:13,800
Speaker 1: remember like when it went the way it went like

1064
00:58:15,680 --> 00:58:22,480
Speaker 1: that was um, it was like it wasn't It was

1065
00:58:22,560 --> 00:58:26,560
Speaker 1: truly like I don't know. I almost don't even know

1066
00:58:26,560 --> 00:58:28,360
Speaker 1: how to start my feelings out about it at that

1067
00:58:28,440 --> 00:58:30,400
Speaker 1: time because it was like there was a three week

1068
00:58:30,480 --> 00:58:34,360
Speaker 1: period of just true depression like where where it was

1069
00:58:34,400 --> 00:58:37,760
Speaker 1: like I know, it's important that I feel this because

1070
00:58:37,800 --> 00:58:40,440
Speaker 1: I felt like the it's and this is still at

1071
00:58:40,440 --> 00:58:43,520
Speaker 1: the time when it's like not getting it as only

1072
00:58:43,560 --> 00:58:45,640
Speaker 1: a failure and you know what that's like, of course,

1073
00:58:45,720 --> 00:58:49,800
Speaker 1: because you had tested twice the year before. So then

1074
00:58:50,160 --> 00:58:55,080
Speaker 1: like that feeling of just true depression and then like

1075
00:58:55,560 --> 00:58:59,800
Speaker 1: coming out of it, like I don't even know how

1076
00:58:59,800 --> 00:59:02,480
Speaker 1: to described it was if it does it feel a

1077
00:59:02,520 --> 00:59:04,720
Speaker 1: few gate it feels like it was a full feel.

1078
00:59:05,360 --> 00:59:07,640
Speaker 1: This is crazy to say, and I know it's not true,

1079
00:59:07,760 --> 00:59:11,040
Speaker 1: but it feels like nothing will ever really upset me again.

1080
00:59:11,240 --> 00:59:15,720
Speaker 1: That's probably that much because I've I've been to the

1081
00:59:15,760 --> 00:59:19,200
Speaker 1: place where I physically let myself get as low as

1082
00:59:19,200 --> 00:59:23,800
Speaker 1: I could get, like it was so much emotional energy

1083
00:59:23,880 --> 00:59:27,880
Speaker 1: invested in something that situation is not for everyone, not

1084
00:59:27,920 --> 00:59:30,360
Speaker 1: for everyone, and I think I'm kind of a brick house.

1085
00:59:31,200 --> 00:59:33,440
Speaker 1: When that decision came down and I figured out what

1086
00:59:33,480 --> 00:59:36,840
Speaker 1: was happening it, I felt the blood leave my legs.

1087
00:59:37,080 --> 00:59:39,760
Speaker 1: I had to lay down for truly three weeks. It

1088
00:59:39,840 --> 00:59:43,120
Speaker 1: was just and that's when I realized it was emotional

1089
00:59:43,320 --> 00:59:46,880
Speaker 1: energy that I had been storing up for like ten years,

1090
00:59:46,960 --> 00:59:50,360
Speaker 1: but it's all waiting for that I was gonna I

1091
00:59:50,400 --> 00:59:53,320
Speaker 1: was gonna say like your whole fucking life, honestly, probably

1092
00:59:53,400 --> 00:59:58,760
Speaker 1: because that was it was always the cultural thing. And

1093
00:59:58,840 --> 01:00:01,960
Speaker 1: now I can say, like after not getting it, and

1094
01:00:01,600 --> 01:00:03,880
Speaker 1: I am, and I am, I'm so happy that you're

1095
01:00:03,880 --> 01:00:06,000
Speaker 1: there and so happy the studio is there. I'm actually

1096
01:00:06,000 --> 01:00:09,040
Speaker 1: really happy. I'm not. Yeah, I'm really happy. I'm not.

1097
01:00:09,120 --> 01:00:14,560
Speaker 1: That's that's great, that's great. Actually, that's really cool. Are

1098
01:00:14,600 --> 01:00:18,480
Speaker 1: you patronizing? It's like because I think i'd I think

1099
01:00:18,480 --> 01:00:23,160
Speaker 1: i'd rather just be doing the stuff I'm doing and

1100
01:00:23,240 --> 01:00:27,800
Speaker 1: seeing where it goes because the routine is not really yeah,

1101
01:00:27,840 --> 01:00:33,000
Speaker 1: I know, I don't know. A routine will always A

1102
01:00:33,160 --> 01:00:38,000
Speaker 1: routine will always end up sort of flipping over and

1103
01:00:38,040 --> 01:00:40,959
Speaker 1: you're going to see the underbelly of chaos the whole time.

1104
01:00:41,080 --> 01:00:45,480
Speaker 1: A routine is never routine is an illusion of of

1105
01:00:45,560 --> 01:00:48,320
Speaker 1: orderliness because it's actually everything is always going to be chaotic,

1106
01:00:49,120 --> 01:00:51,800
Speaker 1: like truly, like this week was fucking chaos for me.

1107
01:00:52,120 --> 01:00:54,120
Speaker 1: It seems like that. I think maybe that's what I'm

1108
01:00:54,120 --> 01:00:58,280
Speaker 1: reacting to, is just I'm someone who does well for

1109
01:00:58,360 --> 01:01:01,720
Speaker 1: better s with just validation. Yeah, and that is not

1110
01:01:01,760 --> 01:01:07,840
Speaker 1: the place where no, baby, but you enjoy being a

1111
01:01:07,880 --> 01:01:13,680
Speaker 1: cast member more than the writer. Yes they do. Um yeah,

1112
01:01:13,760 --> 01:01:17,400
Speaker 1: but then it just makes me admire the writing even

1113
01:01:17,440 --> 01:01:19,320
Speaker 1: I just make you admire, like that they have the

1114
01:01:19,360 --> 01:01:23,000
Speaker 1: hardest job. They have the hardest job, and I think

1115
01:01:24,200 --> 01:01:29,560
Speaker 1: in some ways they are the most valued people there,

1116
01:01:30,760 --> 01:01:33,640
Speaker 1: like they truly that that show does not work without

1117
01:01:33,760 --> 01:01:36,080
Speaker 1: well you know, but like but it makes me think

1118
01:01:36,080 --> 01:01:39,800
Speaker 1: about like the turnover, like the like choosing who gets

1119
01:01:39,800 --> 01:01:42,760
Speaker 1: brought on your your your year on the staff for

1120
01:01:42,760 --> 01:01:49,000
Speaker 1: writing a huge deal, like such a painstaking process that

1121
01:01:49,040 --> 01:01:52,160
Speaker 1: they because because if like because you've got to like

1122
01:01:52,200 --> 01:01:56,800
Speaker 1: build up the next Yeah, yeah, of course, because if

1123
01:01:56,800 --> 01:02:00,520
Speaker 1: you know one is everyone matters, even if even even

1124
01:02:00,520 --> 01:02:03,000
Speaker 1: if you're there and you don't think that you matter.

1125
01:02:03,600 --> 01:02:06,160
Speaker 1: That's with across the board. Yes, like when we were

1126
01:02:06,280 --> 01:02:12,040
Speaker 1: I was putting together game show, like hiring everyone so important,

1127
01:02:12,040 --> 01:02:14,600
Speaker 1: so important. Did you enjoy it? Did I enjoy the

1128
01:02:14,680 --> 01:02:21,400
Speaker 1: hiring process? Yes? Did I enjoy like show running it?

1129
01:02:22,000 --> 01:02:26,560
Speaker 1: Nothing it or like because Jennet Evannelos being the executive

1130
01:02:26,600 --> 01:02:30,360
Speaker 1: producer is you have a million little fights a day

1131
01:02:31,000 --> 01:02:35,080
Speaker 1: about this, this, that the other thing, and it's yes,

1132
01:02:35,240 --> 01:02:37,479
Speaker 1: but then it's like it's it's so well with someone

1133
01:02:37,520 --> 01:02:39,600
Speaker 1: like Dave Dave is a good partner for me for

1134
01:02:39,640 --> 01:02:43,320
Speaker 1: that show because he is so aware of, you know,

1135
01:02:44,120 --> 01:02:47,120
Speaker 1: the way things should look and feel and like the

1136
01:02:47,120 --> 01:02:49,479
Speaker 1: way they should take, how much time things should take,

1137
01:02:49,520 --> 01:02:51,800
Speaker 1: and he's very good expressing his opinions, like very in

1138
01:02:51,800 --> 01:02:54,720
Speaker 1: a very concise way. We actually have a very good

1139
01:02:55,480 --> 01:03:01,120
Speaker 1: work dynamics because we're we're good that different things, but

1140
01:03:01,200 --> 01:03:03,840
Speaker 1: we have opinions on everything that so it's like we

1141
01:03:03,880 --> 01:03:08,000
Speaker 1: can see what each other needs. And it's not perfect, right,

1142
01:03:08,040 --> 01:03:10,880
Speaker 1: I mean, like we definitely had it doesn't have bad moments,

1143
01:03:11,400 --> 01:03:13,720
Speaker 1: but perfection has ever rated. Oh yeah, I mean, and

1144
01:03:13,800 --> 01:03:16,040
Speaker 1: I don't I think if it had gone perfectly, I

1145
01:03:16,040 --> 01:03:18,760
Speaker 1: would be like it's wait a minute, yeah, and at

1146
01:03:18,760 --> 01:03:20,720
Speaker 1: the end of the day, like I'm really proud of

1147
01:03:20,760 --> 01:03:23,320
Speaker 1: what it is. If I if I was sitting here

1148
01:03:23,440 --> 01:03:25,000
Speaker 1: not proud of what it is, or if I didn't

1149
01:03:25,040 --> 01:03:27,640
Speaker 1: know what it was going to be, I'd be like, well,

1150
01:03:27,760 --> 01:03:30,520
Speaker 1: we'll see, we'll see, we'll see. Stay tuned. But I

1151
01:03:30,560 --> 01:03:34,680
Speaker 1: really do hope people download that goddamn app. They will, bitch,

1152
01:03:34,720 --> 01:03:36,600
Speaker 1: I'll do a damn push. I have nothing to do

1153
01:03:36,640 --> 01:03:40,880
Speaker 1: with that. Nothing. Well, you are in it, I'm in it, yes,

1154
01:03:41,160 --> 01:03:44,840
Speaker 1: But I'm not getting the quimpy paychecks. I'm getting the wait,

1155
01:03:44,840 --> 01:03:54,800
Speaker 1: what was your LLC? I gotta geo Galoha production galo LLC, galo, Hello, goodbye?

1156
01:03:55,240 --> 01:03:58,680
Speaker 1: What's a hollow? I don't I don't know. I don't

1157
01:03:58,680 --> 01:04:03,440
Speaker 1: know her read a Hayworth? We did? We we do.

1158
01:04:03,760 --> 01:04:06,560
Speaker 1: It's like every episode we say a different love that,

1159
01:04:06,600 --> 01:04:08,840
Speaker 1: it's a different greeting. Like Camilla Cobellia was like, how

1160
01:04:08,880 --> 01:04:14,959
Speaker 1: is your family? It's such a good bet THO. I think, um, oh,

1161
01:04:15,560 --> 01:04:19,160
Speaker 1: there's I won't give it away, but um yeah, there's

1162
01:04:19,200 --> 01:04:20,880
Speaker 1: a good one in my episode two. I won't give

1163
01:04:20,880 --> 01:04:25,400
Speaker 1: it away either. I believe it was. I believe I

1164
01:04:25,440 --> 01:04:28,600
Speaker 1: could just give it away, but no. That's what I

1165
01:04:28,640 --> 01:04:32,560
Speaker 1: mean to say is like, you know, that really felt

1166
01:04:32,600 --> 01:04:34,240
Speaker 1: like the end of the road for me in like

1167
01:04:34,360 --> 01:04:36,600
Speaker 1: New York in so many ways, but there was, like

1168
01:04:36,680 --> 01:04:39,200
Speaker 1: there's so much good stuff that's happened after that, and

1169
01:04:39,240 --> 01:04:41,440
Speaker 1: I almost feel like in a different era of the

1170
01:04:41,480 --> 01:04:43,880
Speaker 1: podcast I would have been able to say and express

1171
01:04:43,960 --> 01:04:47,120
Speaker 1: what I was going through, but it's been so weird

1172
01:04:47,200 --> 01:04:49,360
Speaker 1: and hard to navigate. As we've gotten a little bit

1173
01:04:49,360 --> 01:04:54,720
Speaker 1: older and more doing this more, doing this more, um

1174
01:04:54,800 --> 01:04:58,880
Speaker 1: and we just But the thing with you is that

1175
01:04:59,600 --> 01:05:02,240
Speaker 1: there's ever been I don't think there's been like a

1176
01:05:02,280 --> 01:05:06,640
Speaker 1: stagnant period for you. You've always worked so so so hard,

1177
01:05:07,080 --> 01:05:09,880
Speaker 1: and it's and you're reaping the rewards of that constantly,

1178
01:05:09,920 --> 01:05:13,120
Speaker 1: and like the first thing, and you'll get things very

1179
01:05:13,200 --> 01:05:15,520
Speaker 1: soon that you don't even realize you're going to get.

1180
01:05:15,600 --> 01:05:18,280
Speaker 1: And like you are, You're the best. You're the best

1181
01:05:18,320 --> 01:05:23,280
Speaker 1: there is. You're the smartest, the funniest, like you no, no,

1182
01:05:23,520 --> 01:05:25,560
Speaker 1: And I'm going to cry now because you're you're the best.

1183
01:05:25,600 --> 01:05:30,240
Speaker 1: You're the best best, You're like there's no one who

1184
01:05:30,280 --> 01:05:32,320
Speaker 1: deserves more. And but like not to even like get

1185
01:05:32,320 --> 01:05:34,640
Speaker 1: caught up in success narrative, because that will always let

1186
01:05:34,680 --> 01:05:36,720
Speaker 1: you down every time. But you know it's not real,

1187
01:05:36,840 --> 01:05:38,280
Speaker 1: it's not real. But I look at you and I

1188
01:05:38,320 --> 01:05:42,600
Speaker 1: think it's just a perfect human being. Oh god, I

1189
01:05:42,680 --> 01:05:45,720
Speaker 1: was fully crying this morning thinking about even coming here too,

1190
01:05:45,800 --> 01:05:47,920
Speaker 1: and I was watching yourself, I was watching you, like

1191
01:05:48,000 --> 01:05:50,720
Speaker 1: it just makes me so proud of you to see

1192
01:05:50,720 --> 01:05:53,560
Speaker 1: you succeed on that show, not only because it's just

1193
01:05:53,600 --> 01:05:55,919
Speaker 1: like my best friend doing well on Saturday Night Live,

1194
01:05:56,000 --> 01:05:59,640
Speaker 1: but because like you know why, I mean, like like

1195
01:06:00,040 --> 01:06:06,680
Speaker 1: it's it's truly like against all odds situation in that

1196
01:06:06,760 --> 01:06:09,000
Speaker 1: like they would never have had a gay person on

1197
01:06:09,040 --> 01:06:10,960
Speaker 1: that show, they would have never had like an Asian

1198
01:06:11,000 --> 01:06:12,840
Speaker 1: person on that show. And then all of a sudden,

1199
01:06:12,920 --> 01:06:15,720
Speaker 1: like you know, it's just really nice to think that

1200
01:06:15,760 --> 01:06:19,280
Speaker 1: people are looking up to you. And I'm not surprised.

1201
01:06:19,640 --> 01:06:21,520
Speaker 1: And that's what I say when I say, like, I

1202
01:06:21,560 --> 01:06:23,800
Speaker 1: think it's different from you when you share stuff because

1203
01:06:23,840 --> 01:06:26,760
Speaker 1: people know or everyone that knows you knows that you

1204
01:06:26,840 --> 01:06:31,160
Speaker 1: come from such like a positive place, and I think that,

1205
01:06:31,320 --> 01:06:35,280
Speaker 1: like I mean, it just doesn't surprise me at all.

1206
01:06:35,760 --> 01:06:38,439
Speaker 1: It doesn't surprise me at all, Like whenever, Like I'm

1207
01:06:38,440 --> 01:06:42,640
Speaker 1: talking about the fact that like my two best friends

1208
01:06:42,640 --> 01:06:45,040
Speaker 1: work at SNL. It's like, what am I supposed to

1209
01:06:45,080 --> 01:06:48,480
Speaker 1: be surprised? There literally two of the smartest people, funniest

1210
01:06:48,480 --> 01:06:51,520
Speaker 1: people ever, And like I could I could have I

1211
01:06:51,560 --> 01:06:55,240
Speaker 1: couldn't be surprised. I was like I can feel like

1212
01:06:56,120 --> 01:06:58,439
Speaker 1: what's going on there? I wish I was there sometimes,

1213
01:06:58,520 --> 01:07:01,520
Speaker 1: but like it's not surprised eyes, it's not like it

1214
01:07:01,960 --> 01:07:05,240
Speaker 1: things things were. When they see that there's talent out there,

1215
01:07:05,280 --> 01:07:07,520
Speaker 1: the best talent, they're going to scoop up that best talent.

1216
01:07:07,560 --> 01:07:10,720
Speaker 1: You better be damn sure, better be damn sure, It'll

1217
01:07:10,760 --> 01:07:19,040
Speaker 1: be absolute damn sure. Taking back Sunday you had, you

1218
01:07:19,040 --> 01:07:22,120
Speaker 1: had a fun like kick this week with fucking what

1219
01:07:22,240 --> 01:07:27,000
Speaker 1: Vanessa Hudgens. Basically, basically what we do is dance. So

1220
01:07:27,080 --> 01:07:29,520
Speaker 1: we were watching that video in the room I'm man

1221
01:07:30,800 --> 01:07:35,760
Speaker 1: and it's the most insane song basically you ready? Did

1222
01:07:35,840 --> 01:07:39,720
Speaker 1: you eat? Did you have the energy? Did you eat?

1223
01:07:39,800 --> 01:07:42,040
Speaker 1: Do you have the energy? So? Are you ready? Did

1224
01:07:42,120 --> 01:07:46,440
Speaker 1: you eat? Did you have an energy? Did you eat?

1225
01:07:47,480 --> 01:07:52,560
Speaker 1: Basically culture number seven? Did you eat? Do you have

1226
01:07:52,920 --> 01:07:58,680
Speaker 1: the energy? Energy? Honestly, it's so crazy that that's a song.

1227
01:07:59,280 --> 01:08:03,200
Speaker 1: It's so happy cray and also how huge the career

1228
01:08:03,200 --> 01:08:05,320
Speaker 1: of Vanessa Hudgens is. I'm so happy for her. She

1229
01:08:05,400 --> 01:08:08,080
Speaker 1: seems like good people. She seems like good people. I

1230
01:08:08,120 --> 01:08:10,720
Speaker 1: watched her manity fair like what I do in a day,

1231
01:08:10,800 --> 01:08:13,200
Speaker 1: you know, like that kind of like those like little videos.

1232
01:08:13,440 --> 01:08:15,560
Speaker 1: I don't know that, but I'm so unsurprised to hear

1233
01:08:15,600 --> 01:08:17,360
Speaker 1: that she has one of those. She's like, yeah, so

1234
01:08:17,400 --> 01:08:18,960
Speaker 1: I just like drive into them with the lot on

1235
01:08:19,040 --> 01:08:20,800
Speaker 1: my in my little camera. She just drives like a

1236
01:08:20,880 --> 01:08:24,560
Speaker 1: very modest car it scenes. I like to play like podcasts,

1237
01:08:24,560 --> 01:08:26,760
Speaker 1: and you know, she's just like I really got a

1238
01:08:26,800 --> 01:08:31,760
Speaker 1: normal person. She books every musical on television. She is

1239
01:08:31,760 --> 01:08:34,360
Speaker 1: the Princess of the Princess, but she's the Christmas She's

1240
01:08:34,360 --> 01:08:37,920
Speaker 1: the New Christmas Movie pant Queen, Christmas Movie Queen. She's

1241
01:08:37,920 --> 01:08:41,639
Speaker 1: Stacy DiNovo and Princess Margaret. And in The New Princess

1242
01:08:41,640 --> 01:08:45,480
Speaker 1: Switch she plays a third character named bad Girl Fiona.

1243
01:08:47,000 --> 01:08:50,200
Speaker 1: There's a bad girl in town and her name is Fiona.

1244
01:08:51,920 --> 01:08:55,120
Speaker 1: Ten There's a bad girl and her name is Fiona,

1245
01:08:55,560 --> 01:08:59,599
Speaker 1: and she's played by Vanessa Hudgins. That's psychotic and genius

1246
01:08:59,600 --> 01:09:01,720
Speaker 1: and so funny that we're going to heighten this by

1247
01:09:01,840 --> 01:09:07,160
Speaker 1: figure put another one. And also they're not twins, they're

1248
01:09:07,160 --> 01:09:11,920
Speaker 1: identical strangers. They look alike, and so basically there's just

1249
01:09:12,000 --> 01:09:14,479
Speaker 1: another one who looks identical to them. But like if if,

1250
01:09:14,760 --> 01:09:18,280
Speaker 1: if it's supposed to represent like some duality of class

1251
01:09:18,360 --> 01:09:20,840
Speaker 1: or whatever, like, where is the third one fit in it?

1252
01:09:21,760 --> 01:09:24,040
Speaker 1: You haven't seen it yet. Basically, I think this woman

1253
01:09:24,080 --> 01:09:26,000
Speaker 1: thinks that feeling is like a bad girl slut, and

1254
01:09:26,040 --> 01:09:29,559
Speaker 1: that is its own class. So it's like there's Stacy

1255
01:09:29,680 --> 01:09:33,479
Speaker 1: DiNovo who's like a baker girl. She could bake in

1256
01:09:33,520 --> 01:09:36,000
Speaker 1: the kitchen with the best of them, Stacy. And then

1257
01:09:36,000 --> 01:09:41,880
Speaker 1: there's Princess Small Grits who's whom Belgrave, Yeah, the town

1258
01:09:41,920 --> 01:09:46,120
Speaker 1: that hosts the festival. And then there's a bad girl Fiona,

1259
01:09:46,280 --> 01:09:48,479
Speaker 1: who I hope comes in who I hope goes in

1260
01:09:48,520 --> 01:09:53,360
Speaker 1: there Vagina first, Toboggan style and says, give me that

1261
01:09:53,479 --> 01:10:00,200
Speaker 1: bakery good, absolutely tearing them down down. Well, wow, love

1262
01:10:00,280 --> 01:10:07,839
Speaker 1: Vanessa basically basically what we're gonna do Vanessa three, Basically

1263
01:10:07,880 --> 01:10:18,200
Speaker 1: what we're gonna do. It's dan dumb, but basically basically, um, yes,

1264
01:10:18,520 --> 01:10:22,639
Speaker 1: Vanessa Hudgens is the queen and we can never forget

1265
01:10:22,680 --> 01:10:27,000
Speaker 1: her seminal contribution to j Lo's first act, of which

1266
01:10:27,080 --> 01:10:30,599
Speaker 1: was second act. What was she in? Second act? Oh?

1267
01:10:30,640 --> 01:10:34,920
Speaker 1: I know you told me this already. Yes, thank you

1268
01:10:35,800 --> 01:10:38,559
Speaker 1: that you find out that the Hodge is the daughter

1269
01:10:38,640 --> 01:10:42,040
Speaker 1: of j Lo. Now, speaking of the Hodge, have you

1270
01:10:42,040 --> 01:10:44,040
Speaker 1: been watching Disney Plus? I saw you've been become a

1271
01:10:44,040 --> 01:10:46,200
Speaker 1: fan of Encore, A huge fan of Encore. I haven't

1272
01:10:46,240 --> 01:10:49,840
Speaker 1: seen much else of the Disney Plus offering, but Encore,

1273
01:10:49,880 --> 01:10:53,200
Speaker 1: I say, I think it such a good reality show.

1274
01:10:53,400 --> 01:10:56,040
Speaker 1: Have you watched any of the Imagineering story I watched

1275
01:10:56,080 --> 01:10:59,160
Speaker 1: the first one, and Miss angela perfect narrator for that.

1276
01:10:59,240 --> 01:11:01,559
Speaker 1: I mean, she is the narre Tress. So what are they?

1277
01:11:01,600 --> 01:11:03,200
Speaker 1: So the first one was just like the beginning of

1278
01:11:03,240 --> 01:11:06,720
Speaker 1: disney Land in six parts. Yes, it goes all the

1279
01:11:06,720 --> 01:11:10,080
Speaker 1: way from the beginnings of his first ideas to have

1280
01:11:10,160 --> 01:11:12,680
Speaker 1: disney Land, which I loved found so fascinating, like it

1281
01:11:12,760 --> 01:11:15,599
Speaker 1: was gonna be like a huge failure and if it failed,

1282
01:11:15,600 --> 01:11:17,320
Speaker 1: and like Disney, he could to borrow so much money.

1283
01:11:17,360 --> 01:11:20,040
Speaker 1: I didn't know that. So it's just so, so I

1284
01:11:20,080 --> 01:11:22,920
Speaker 1: did promptly when I moved to Los Angeles by an

1285
01:11:23,120 --> 01:11:26,320
Speaker 1: annual pass, which has already paid for itself. I have

1286
01:11:26,400 --> 01:11:30,479
Speaker 1: not changed at all, um, And so it's weird now

1287
01:11:30,520 --> 01:11:32,680
Speaker 1: to like go there and then watch this video of

1288
01:11:32,760 --> 01:11:35,080
Speaker 1: them like making the Jungle Cruise, but it and then

1289
01:11:35,080 --> 01:11:37,680
Speaker 1: it's still there. It's still like basically like what it is.

1290
01:11:37,920 --> 01:11:41,160
Speaker 1: Pretty much not a lot of Disneyland has changed. So

1291
01:11:41,200 --> 01:11:44,599
Speaker 1: it goes from part one, which is that, to part six,

1292
01:11:44,680 --> 01:11:48,760
Speaker 1: which ends with like the Future making Rise of the Resistance,

1293
01:11:48,840 --> 01:11:53,040
Speaker 1: which is great. You've been on No, I have to

1294
01:11:53,080 --> 01:11:55,160
Speaker 1: talk about this for a second. Because this is the

1295
01:11:55,320 --> 01:11:57,960
Speaker 1: park culture. This this is really full circle. I gotta

1296
01:11:58,000 --> 01:12:00,599
Speaker 1: say this episode with the whole with the first episode

1297
01:12:00,600 --> 01:12:02,200
Speaker 1: of the of the show, but the whole, the whole

1298
01:12:02,200 --> 01:12:06,200
Speaker 1: fucking run of it. But yeah, go listen. Star Wars

1299
01:12:06,320 --> 01:12:10,800
Speaker 1: Rise of the Resistance is now open at the Walt

1300
01:12:10,960 --> 01:12:17,519
Speaker 1: disney World Hollywood Studios and it's opening on January at

1301
01:12:17,560 --> 01:12:21,360
Speaker 1: disney Land, and it is experience that is over fifteen

1302
01:12:21,360 --> 01:12:25,640
Speaker 1: minutes long. You get into two different ride vehicles. The

1303
01:12:25,720 --> 01:12:29,479
Speaker 1: second ride vehicle has three different ride systems. So it's

1304
01:12:29,560 --> 01:12:31,920
Speaker 1: kind of like it's kind of like Mission Space a

1305
01:12:31,920 --> 01:12:34,040
Speaker 1: little bit. It's a little bit. It's a bitch, I'll

1306
01:12:34,040 --> 01:12:37,360
Speaker 1: tell you what it is. It's a little bit Spider Man.

1307
01:12:38,120 --> 01:12:42,000
Speaker 1: It's a little bit Yes, Guardians of the Galaxy And

1308
01:12:42,040 --> 01:12:45,360
Speaker 1: it's a little bit yes what you said. So it's

1309
01:12:45,479 --> 01:12:48,160
Speaker 1: it's a drop, Guardians of Galaxy's drop. There is a

1310
01:12:48,240 --> 01:12:52,040
Speaker 1: drop in it. Wow. I love that. So basically the

1311
01:12:52,720 --> 01:12:57,519
Speaker 1: ride is you're in Galaxy's Edge the land and then

1312
01:12:57,600 --> 01:13:02,080
Speaker 1: you go and you're like in the Resistance, right, so

1313
01:13:02,080 --> 01:13:03,920
Speaker 1: so like Rai's like, come on, we have to go out,

1314
01:13:04,240 --> 01:13:08,360
Speaker 1: and so so basically, bbe it's like absolutely way to

1315
01:13:08,360 --> 01:13:11,160
Speaker 1: go and so you get in like a spaceship. Ostar

1316
01:13:11,560 --> 01:13:13,680
Speaker 1: is like, hey, yeah, come on. So you get on

1317
01:13:13,760 --> 01:13:17,599
Speaker 1: the spaceship. When you go up, this is the first

1318
01:13:17,680 --> 01:13:20,720
Speaker 1: ride vehicle. You get caught bitch by the first or

1319
01:13:20,720 --> 01:13:24,240
Speaker 1: by the first order by Mr Adams, So do by

1320
01:13:24,520 --> 01:13:30,559
Speaker 1: Ms Adam driver herself and Ms dom Hall Gleason, Miss

1321
01:13:30,680 --> 01:13:35,719
Speaker 1: Redhead Bill Weasley fish, I love that redhead Queen Queen

1322
01:13:36,439 --> 01:13:42,679
Speaker 1: being very mean in miss ride. So you the doors

1323
01:13:42,720 --> 01:13:45,360
Speaker 1: open up and then you walk out. I have not

1324
01:13:45,439 --> 01:13:47,040
Speaker 1: been on this, by the way, I just know the

1325
01:13:47,040 --> 01:13:50,759
Speaker 1: whole storyline. You walk out into a star destroyer. Wow.

1326
01:13:51,080 --> 01:13:53,240
Speaker 1: So there is like a what do you mean you

1327
01:13:53,280 --> 01:13:57,080
Speaker 1: just see a star bit You walk out onto the

1328
01:13:57,120 --> 01:13:58,920
Speaker 1: onto the space ship and you're in space and you

1329
01:13:58,960 --> 01:14:03,720
Speaker 1: see and you see absolute space. Then you go into

1330
01:14:03,800 --> 01:14:12,040
Speaker 1: a holding cell where kaylo Ren herself interrogates you with

1331
01:14:13,000 --> 01:14:17,280
Speaker 1: meme Queen, I mean queen, not Gwendolen, No bitch. Okay,

1332
01:14:17,360 --> 01:14:19,000
Speaker 1: she's not in it. She's not in it, oh man,

1333
01:14:19,600 --> 01:14:22,760
Speaker 1: because she actually passed away in the last job. That's right,

1334
01:14:22,800 --> 01:14:26,320
Speaker 1: she did die. So John Boyega survived though, yes, John

1335
01:14:26,880 --> 01:14:28,800
Speaker 1: is featured in the ride. He's like, we have to go. Now,

1336
01:14:28,920 --> 01:14:32,160
Speaker 1: that's a good John b Now do Kelly Marie. Kelly

1337
01:14:32,200 --> 01:14:41,679
Speaker 1: Marie's like this, I thought, this is the way that's

1338
01:14:41,760 --> 01:14:46,680
Speaker 1: really guys, this this submit this episode for something. So basically, anyway,

1339
01:14:46,800 --> 01:14:49,519
Speaker 1: what happens is you get caught by the First Order,

1340
01:14:49,560 --> 01:14:51,760
Speaker 1: and when they're going to like kill you or interrogate

1341
01:14:51,760 --> 01:14:55,080
Speaker 1: you to get information about the rebel base, you then

1342
01:14:55,160 --> 01:14:59,000
Speaker 1: get onto a ride system that escapes the Star Destroyer.

1343
01:14:59,040 --> 01:15:02,479
Speaker 1: So you essentially gets play out a situation which is

1344
01:15:02,520 --> 01:15:05,680
Speaker 1: like in a New Hope when they're leaving the Yes,

1345
01:15:06,760 --> 01:15:10,680
Speaker 1: it is peak. When he's long, when are you going

1346
01:15:10,720 --> 01:15:13,320
Speaker 1: to go? I'm going, Jared and I are going to

1347
01:15:13,479 --> 01:15:18,439
Speaker 1: January second to Disney World. That's right. I'm so jealous.

1348
01:15:19,000 --> 01:15:21,200
Speaker 1: That's gonna be so much fun. That's You're gonna be

1349
01:15:21,200 --> 01:15:24,679
Speaker 1: in heaven to find someone to date me who wants

1350
01:15:24,720 --> 01:15:28,400
Speaker 1: to buy an annual pass. That's really winning. I think,

1351
01:15:28,520 --> 01:15:30,240
Speaker 1: I think, I think, I think you got a good one.

1352
01:15:30,520 --> 01:15:32,320
Speaker 1: He is a good one. He's a good one. I

1353
01:15:32,400 --> 01:15:34,360
Speaker 1: really really like him. And he was being really good

1354
01:15:34,360 --> 01:15:38,320
Speaker 1: today when I was spinning out, So that then that's huge,

1355
01:15:38,400 --> 01:15:41,400
Speaker 1: and like that's how you know, here's the thing. Stay

1356
01:15:41,479 --> 01:15:45,760
Speaker 1: with the person who is good with you when you

1357
01:15:45,920 --> 01:15:51,760
Speaker 1: are bad, when you are bad. Um, he seems to

1358
01:15:51,760 --> 01:15:54,120
Speaker 1: be traveling a lot, and are you well he's directing

1359
01:15:54,120 --> 01:15:57,920
Speaker 1: a movie right that he wrote. I can't say anything

1360
01:15:57,960 --> 01:16:00,240
Speaker 1: about it, but just as it to say, I want

1361
01:16:00,240 --> 01:16:03,400
Speaker 1: to ask does I want to say? Here's what I

1362
01:16:03,439 --> 01:16:06,920
Speaker 1: want to ask, is that are you? Is there is

1363
01:16:06,920 --> 01:16:11,000
Speaker 1: there like the bigin like are you dealing with the separation? Well? Um,

1364
01:16:11,040 --> 01:16:13,200
Speaker 1: I think we'll be fine. Like then that's huge if

1365
01:16:13,200 --> 01:16:17,280
Speaker 1: you can exist and not fucking further spin out because

1366
01:16:17,280 --> 01:16:20,519
Speaker 1: you're not with the person, huge deal. I think we'll

1367
01:16:20,520 --> 01:16:23,120
Speaker 1: be fine. I'm not super worried about it. Also, it's

1368
01:16:23,120 --> 01:16:27,120
Speaker 1: like you can get on a plane. You can actual

1369
01:16:27,760 --> 01:16:33,200
Speaker 1: number forty one, you can get on a plane. What's

1370
01:16:33,200 --> 01:16:35,760
Speaker 1: going on with your love life? Um? I was talking

1371
01:16:35,760 --> 01:16:38,479
Speaker 1: about this with Jordan Firstmen and Charles Rodgers by the

1372
01:16:38,520 --> 01:16:43,360
Speaker 1: Way to the to the Funniest People, the Craziest bitches.

1373
01:16:43,520 --> 01:16:48,840
Speaker 1: Charles is certifiably insane prankster my Saster. Yes, the coffee thing.

1374
01:16:49,000 --> 01:16:51,920
Speaker 1: Oh wait, if the last culture is the listeners, the readers,

1375
01:16:51,960 --> 01:16:54,200
Speaker 1: If you don't know about this coffee prank, the coffee

1376
01:16:54,200 --> 01:16:56,920
Speaker 1: pank is I think it's such a genius maniacal thing.

1377
01:16:57,160 --> 01:16:59,800
Speaker 1: Charles Rodder just got Game Show from the Search Party

1378
01:16:59,840 --> 01:17:01,920
Speaker 1: off this. He got us so good with the prank.

1379
01:17:02,000 --> 01:17:04,360
Speaker 1: It's too long, it's too long, but it's it's genius. Um.

1380
01:17:04,479 --> 01:17:06,960
Speaker 1: He's my sister Yang's favorite thing of all time, My

1381
01:17:07,280 --> 01:17:10,400
Speaker 1: Yang classic prankster first of all, prankster used to prank

1382
01:17:10,439 --> 01:17:12,080
Speaker 1: a lot back in the day. She loved it anyway.

1383
01:17:12,120 --> 01:17:14,120
Speaker 1: I told I told him that, but Charles was just like,

1384
01:17:14,720 --> 01:17:16,439
Speaker 1: you must be sucking a lot. I'm like, not really

1385
01:17:17,080 --> 01:17:21,679
Speaker 1: like nothing, like like nothing's really changed, Like the dial

1386
01:17:21,760 --> 01:17:23,920
Speaker 1: hasn't really changed. I'm okay with that. I'm just like,

1387
01:17:24,560 --> 01:17:27,840
Speaker 1: but now I just gotta be I just gotta think

1388
01:17:27,880 --> 01:17:31,160
Speaker 1: through that. I just have to like do little like

1389
01:17:31,280 --> 01:17:34,240
Speaker 1: litmus tests like all over the place with each guy.

1390
01:17:34,360 --> 01:17:39,080
Speaker 1: I'm just like, I think you should zoned in on

1391
01:17:39,080 --> 01:17:42,360
Speaker 1: one crush. I've I've been trying. I've been doing that

1392
01:17:42,439 --> 01:17:44,920
Speaker 1: for the past like two weeks, and I can't tell,

1393
01:17:44,960 --> 01:17:47,200
Speaker 1: but I feel like it's like yielded fruit in a way,

1394
01:17:47,600 --> 01:17:51,680
Speaker 1: but not even like yields yielded fruit in terms of

1395
01:17:51,680 --> 01:17:54,320
Speaker 1: like actual in terms of like manifesting and being like

1396
01:17:54,360 --> 01:17:56,479
Speaker 1: I have a crush on this guy and I'm going

1397
01:17:56,520 --> 01:17:59,360
Speaker 1: to pull him to me and then like gradually closer

1398
01:17:59,360 --> 01:18:02,639
Speaker 1: and closer and close and anyway, that's all say. I'll

1399
01:18:02,640 --> 01:18:07,559
Speaker 1: tell you. Have you no no, no, no you have

1400
01:18:07,640 --> 01:18:12,760
Speaker 1: you kiss? Damn sex? You are you saying? Are you

1401
01:18:12,760 --> 01:18:19,280
Speaker 1: saying this? This? This game? Give this fox sex? Um?

1402
01:18:19,360 --> 01:18:23,680
Speaker 1: Oh my god, wait why I'll kiss. I'll tell you

1403
01:18:23,720 --> 01:18:26,000
Speaker 1: more about it because it's actually kind of an insane

1404
01:18:26,040 --> 01:18:28,519
Speaker 1: thing and there's so many there's so much going on there.

1405
01:18:28,520 --> 01:18:30,040
Speaker 1: I'll tell you. I'll tell you what I want to know.

1406
01:18:30,040 --> 01:18:36,040
Speaker 1: What do I know him? Yes? Is it a famous person?

1407
01:18:36,160 --> 01:18:40,320
Speaker 1: It's um no no, no, no, no no, I'll tell

1408
01:18:40,360 --> 01:18:44,760
Speaker 1: you about And it feels like I'm just thinking about

1409
01:18:44,800 --> 01:18:47,080
Speaker 1: it and I don't think it's going to happen. But

1410
01:18:47,200 --> 01:18:51,800
Speaker 1: I'm just in Harry style, no wish. Well, I must

1411
01:18:51,840 --> 01:18:53,800
Speaker 1: get rid of the toxic and this community must get

1412
01:18:53,840 --> 01:18:56,800
Speaker 1: rid of toxic community. Oh the fun thing happened? Well,

1413
01:18:56,800 --> 01:18:58,719
Speaker 1: first of all, I just have to be very publican

1414
01:18:58,840 --> 01:19:01,519
Speaker 1: say anytime you want to tag me and like a

1415
01:19:01,680 --> 01:19:03,600
Speaker 1: must get rid of toxic community, please be sure to

1416
01:19:03,640 --> 01:19:06,080
Speaker 1: tag Coolie because it was his idea. He came up

1417
01:19:06,120 --> 01:19:08,680
Speaker 1: with a lot of the good stuff. I was just

1418
01:19:09,080 --> 01:19:12,599
Speaker 1: his little clocky clock boy on the keyboard, just typing

1419
01:19:12,600 --> 01:19:14,400
Speaker 1: it out and making sure it's structurally it made sense

1420
01:19:14,720 --> 01:19:21,840
Speaker 1: actually real culture number tag. But last night after the show,

1421
01:19:21,840 --> 01:19:24,400
Speaker 1: you have people waiting outside thirty Rock after every show

1422
01:19:24,400 --> 01:19:27,840
Speaker 1: and then, um, I heard like I was walking through

1423
01:19:28,160 --> 01:19:29,599
Speaker 1: to my car and then I heard like a group

1424
01:19:29,640 --> 01:19:33,000
Speaker 1: of a group of people they were like one, two, three,

1425
01:19:33,439 --> 01:19:36,960
Speaker 1: need a real king who can handle all? And I allowed,

1426
01:19:37,040 --> 01:19:39,960
Speaker 1: and it's like that's cute. Yeah, it's cute. It's also

1427
01:19:40,080 --> 01:19:42,400
Speaker 1: so funny that I need a real king that can

1428
01:19:42,479 --> 01:19:46,040
Speaker 1: handle like taking on like the mantle of like people

1429
01:19:46,040 --> 01:19:49,920
Speaker 1: who just you did a young voice for like near

1430
01:19:49,960 --> 01:19:52,240
Speaker 1: a real king and get a handed all. They were

1431
01:19:52,280 --> 01:19:56,800
Speaker 1: all like these like teens that a real kid can

1432
01:19:56,840 --> 01:20:01,080
Speaker 1: handle a me did a really thing that can handle

1433
01:20:01,080 --> 01:20:02,559
Speaker 1: It's eight am and have to go to hell job

1434
01:20:02,600 --> 01:20:05,519
Speaker 1: at serially anyway, Oh, this is a fun bit of

1435
01:20:05,560 --> 01:20:09,479
Speaker 1: Trivia'll share you knew this, but that sketch was originally

1436
01:20:09,479 --> 01:20:12,720
Speaker 1: written for John Molaney last year. Um anyway, and then

1437
01:20:12,800 --> 01:20:15,599
Speaker 1: the brand was originally Nestle, but then they had bought

1438
01:20:15,640 --> 01:20:17,840
Speaker 1: ad space on the show, so it was a little

1439
01:20:17,840 --> 01:20:19,360
Speaker 1: bit of like a crazy thing. We're like, well, we

1440
01:20:19,400 --> 01:20:23,320
Speaker 1: can't like I think serially benefits from that. Ultimately, I

1441
01:20:23,360 --> 01:20:25,839
Speaker 1: absolutely think so, and I will be buying serilely products.

1442
01:20:25,960 --> 01:20:27,880
Speaker 1: Oh please, if you were to buy anything else, that

1443
01:20:27,920 --> 01:20:31,240
Speaker 1: would just be trifling, trifling. Um, I don't want this

1444
01:20:31,280 --> 01:20:35,960
Speaker 1: stand well, like all good things, it must, but we'll

1445
01:20:35,960 --> 01:20:39,839
Speaker 1: do I don't think so, honey, Yes, do you have one? Um?

1446
01:20:40,320 --> 01:20:44,360
Speaker 1: Not really do you have one? Mine was going to

1447
01:20:44,479 --> 01:20:47,040
Speaker 1: be a bombshell. I think you can still do that.

1448
01:20:47,080 --> 01:20:50,000
Speaker 1: I think they're they're this element of surprise with I

1449
01:20:50,040 --> 01:20:52,360
Speaker 1: don't think the honeyes is is overrated. If you want

1450
01:20:52,360 --> 01:20:54,080
Speaker 1: to do it, do it. I think people want it,

1451
01:20:54,479 --> 01:20:56,479
Speaker 1: all right, do you think do you think you think

1452
01:20:56,479 --> 01:20:58,320
Speaker 1: you want to go for it? Yeah? I want to

1453
01:20:58,320 --> 01:21:01,040
Speaker 1: do it. Okay, this is Matt rodgers Is. I don't

1454
01:21:01,040 --> 01:21:03,160
Speaker 1: think so, honey, and it's time starts now. I don't

1455
01:21:03,160 --> 01:21:07,880
Speaker 1: think show honey, bomb schell. Okay, bitch, because Nicole came in.

1456
01:21:08,160 --> 01:21:10,920
Speaker 1: You did this on a damn vacation, all right, and

1457
01:21:10,960 --> 01:21:14,040
Speaker 1: we stand Nicole. But let me tell you something. If

1458
01:21:14,120 --> 01:21:17,599
Speaker 1: Charlie star On studied Megan Kelly for her performance, Nicole

1459
01:21:17,720 --> 01:21:20,880
Speaker 1: kim In studied the emoji that with that's looking down

1460
01:21:21,080 --> 01:21:24,120
Speaker 1: kind of sad. And guess what it was a thin

1461
01:21:24,640 --> 01:21:28,479
Speaker 1: sweater convention. Nicole came into this shot her apart in

1462
01:21:28,520 --> 01:21:32,160
Speaker 1: three or four days from a kitchen while Keith was

1463
01:21:32,240 --> 01:21:36,960
Speaker 1: on the road. Seconds. I don't think so, honey, bombshell

1464
01:21:37,000 --> 01:21:45,479
Speaker 1: because guess what bombshell? Watch one said everything I want

1465
01:21:45,479 --> 01:21:49,800
Speaker 1: to say about this, I don't think so. Um uh,

1466
01:21:50,479 --> 01:21:56,559
Speaker 1: basically that go off so bad. I'm so emotional today,

1467
01:21:57,120 --> 01:21:59,240
Speaker 1: I don't think. I think you could have condensed the

1468
01:21:59,320 --> 01:22:00,920
Speaker 1: narrative and just made it a little bit more clear

1469
01:22:00,920 --> 01:22:03,040
Speaker 1: and streamline. That's my real eyes scout screen right or no,

1470
01:22:03,120 --> 01:22:05,840
Speaker 1: I have nothing, and that's one I don't know. It's

1471
01:22:05,840 --> 01:22:08,719
Speaker 1: put an emotional episode. I didn't come prepared with anything.

1472
01:22:09,120 --> 01:22:11,840
Speaker 1: I came up with my open heart. That's all you,

1473
01:22:11,880 --> 01:22:13,800
Speaker 1: that's all you can do. This has been the most

1474
01:22:14,800 --> 01:22:17,080
Speaker 1: This has been a very rod. You're gonna actually blow

1475
01:22:17,080 --> 01:22:22,160
Speaker 1: me away. No, this is I don't think so honey.

1476
01:22:23,040 --> 01:22:25,599
Speaker 1: I don't think so honey. Christmas trees your bullshit, and

1477
01:22:25,720 --> 01:22:29,120
Speaker 1: every day you fucking take up the damn sidewalks off

1478
01:22:29,160 --> 01:22:32,840
Speaker 1: New York City, bitch with your nettles, nettles shedding on

1479
01:22:32,880 --> 01:22:35,840
Speaker 1: the damn sidewalk into my apartment. I don't think so, honey.

1480
01:22:35,960 --> 01:22:38,400
Speaker 1: And then it's a damn fire hazard. You're inviting a

1481
01:22:38,439 --> 01:22:43,080
Speaker 1: fire hazard into your heart, home, hearth, okay, and you're

1482
01:22:43,080 --> 01:22:46,639
Speaker 1: gonna string some lights around it, plug it in all night.

1483
01:22:47,040 --> 01:22:48,760
Speaker 1: You wake up to go to the bathroom, it's they're

1484
01:22:49,240 --> 01:22:51,720
Speaker 1: blasting into your eyes, and then you're gonna be up,

1485
01:22:51,720 --> 01:22:55,439
Speaker 1: and then your sleep hygienes offhen you're gonna be so

1486
01:22:55,840 --> 01:22:59,400
Speaker 1: shut up. And then I don't think the honey, Christmas trees,

1487
01:22:59,439 --> 01:23:02,560
Speaker 1: don't think so, hony. Wreaths, darling that let the pines be.

1488
01:23:03,000 --> 01:23:05,320
Speaker 1: Do not drag them in from the damn farm. Let

1489
01:23:05,320 --> 01:23:10,080
Speaker 1: the farms just to produce the trees. Let them purify

1490
01:23:10,160 --> 01:23:14,200
Speaker 1: the air and taking the oxygen or taking the carbon monoxide,

1491
01:23:14,240 --> 01:23:16,479
Speaker 1: push out the oxygen. That's what trees are meant to do.

1492
01:23:16,560 --> 01:23:20,920
Speaker 1: And not decorate your room Christmas trees. You ain't secular,

1493
01:23:20,960 --> 01:23:25,400
Speaker 1: you ain't religious, you ain't shit. And that's one minute bullshit, Chris. Wow,

1494
01:23:25,520 --> 01:23:29,320
Speaker 1: you fucking tore them down. Trees, Trees. I have another one.

1495
01:23:29,360 --> 01:23:36,280
Speaker 1: I want to do another one because my first one,

1496
01:23:36,320 --> 01:23:40,040
Speaker 1: this is Matt Rodgers second think. So any times starts now,

1497
01:23:40,200 --> 01:23:43,320
Speaker 1: I don't think, so honey, Christmas sweater. I don't think

1498
01:23:43,360 --> 01:23:47,719
Speaker 1: so many Christmas sweater too big, too warm, too much.

1499
01:23:48,280 --> 01:23:51,479
Speaker 1: I don't think so honey, Christmas sweater party that is ugly.

1500
01:23:51,960 --> 01:23:54,160
Speaker 1: Guess what I want to wear? A nice thing. I

1501
01:23:54,240 --> 01:23:57,000
Speaker 1: make a dollars on dollars, and I don't go out

1502
01:23:57,080 --> 01:24:00,320
Speaker 1: here trying to find something hidios so I can come

1503
01:24:00,360 --> 01:24:03,599
Speaker 1: to your party at your home and be too hot.

1504
01:24:04,280 --> 01:24:08,160
Speaker 1: I don't think so honey, Christmas sweater because often you

1505
01:24:08,240 --> 01:24:11,680
Speaker 1: only get worn in December, and then what for me

1506
01:24:11,720 --> 01:24:16,240
Speaker 1: in January, February, March. I don't think, so honey, the

1507
01:24:16,360 --> 01:24:20,320
Speaker 1: Christmas sweaters that are the most warm, and you wear

1508
01:24:20,400 --> 01:24:24,400
Speaker 1: them in December, which is not one of the colder months.

1509
01:24:24,880 --> 01:24:30,719
Speaker 1: It's it's February, it's sometimes March. I don't think, so honey.

1510
01:24:30,840 --> 01:24:33,120
Speaker 1: These designs on the switter of a reindeer, of a

1511
01:24:33,240 --> 01:24:38,880
Speaker 1: snowman get new, I p. I don't think, so honey.

1512
01:24:39,120 --> 01:24:45,120
Speaker 1: You trash one minute, one of your best, one of

1513
01:24:45,200 --> 01:24:47,400
Speaker 1: your best. I knew I needed to come back and

1514
01:24:47,439 --> 01:24:50,000
Speaker 1: do it. Oh my god, first imagry. I feel like

1515
01:24:50,040 --> 01:24:52,920
Speaker 1: I should do one, but I know you do. Okay, okay,

1516
01:24:52,960 --> 01:24:54,519
Speaker 1: I'll do a bad one. You do a bad, half

1517
01:24:54,560 --> 01:25:00,599
Speaker 1: hearted take on a movie this second, I don't so, honey,

1518
01:25:00,680 --> 01:25:05,240
Speaker 1: his time starts now. I don't think so honey. Fucking

1519
01:25:05,360 --> 01:25:11,000
Speaker 1: Joe Shoe Rabbit. That kid, well, it wasn't clear if

1520
01:25:11,000 --> 01:25:16,400
Speaker 1: he was actually hallucinating Hitler or not. Tyker Tyker. I

1521
01:25:16,439 --> 01:25:19,000
Speaker 1: loved as Hitler. I loved the directing, but you know

1522
01:25:19,240 --> 01:25:21,200
Speaker 1: it was sad. I didn't want the mom to die.

1523
01:25:21,320 --> 01:25:25,120
Speaker 1: Spoiler alert, Did you did I spoil it for you?

1524
01:25:25,120 --> 01:25:27,160
Speaker 1: You know I didn't. I don't want to see Scarlett

1525
01:25:27,200 --> 01:25:33,439
Speaker 1: Johanson die. You're spoiling it for everyone else. Scarlett Johanson

1526
01:25:33,479 --> 01:25:36,760
Speaker 1: better not die. You see her die, you see her

1527
01:25:36,840 --> 01:25:41,360
Speaker 1: get hung. He liked. I can't say. It's really sad,

1528
01:25:41,840 --> 01:25:44,519
Speaker 1: and Scarlett really does a good job of like making

1529
01:25:44,520 --> 01:25:49,479
Speaker 1: you like like that mother a lot second and you

1530
01:25:49,520 --> 01:25:52,000
Speaker 1: know what, I just I do think, so, honey, Scarlett Joe.

1531
01:25:53,720 --> 01:25:58,320
Speaker 1: I like her to I like her. She's cool. She

1532
01:25:58,400 --> 01:26:00,200
Speaker 1: was asking me a lot of like personal class gin

1533
01:26:00,280 --> 01:26:02,960
Speaker 1: that she was asking like everyone. I ran into her

1534
01:26:02,960 --> 01:26:07,640
Speaker 1: makeup people and some of them Asian, and they were

1535
01:26:07,680 --> 01:26:09,760
Speaker 1: all like, they were like, great job to know. It's

1536
01:26:09,800 --> 01:26:10,920
Speaker 1: like thank you. I was like it was so fun

1537
01:26:10,920 --> 01:26:12,559
Speaker 1: to work with her, and they were like, she's like

1538
01:26:13,320 --> 01:26:16,280
Speaker 1: one of the most easy going, like low maintenance people

1539
01:26:16,280 --> 01:26:18,559
Speaker 1: we work we work with, and like she's just like

1540
01:26:18,600 --> 01:26:20,880
Speaker 1: a chill who So who are these makeup people? They

1541
01:26:20,880 --> 01:26:23,640
Speaker 1: work with a bunch of people, I guess I'm sure

1542
01:26:23,680 --> 01:26:25,679
Speaker 1: like they've worked. They're like they're like on different people

1543
01:26:25,800 --> 01:26:28,479
Speaker 1: and like like they've landed on her and they just

1544
01:26:28,560 --> 01:26:31,800
Speaker 1: seem like happy and chill and cool. They're a good crew.

1545
01:26:31,840 --> 01:26:34,080
Speaker 1: They're a good crew. It's like like depending on the host,

1546
01:26:34,120 --> 01:26:37,200
Speaker 1: like some of these some of these entourages are maniacal.

1547
01:26:38,000 --> 01:26:40,800
Speaker 1: But she just had like a good like energy about

1548
01:26:40,960 --> 01:26:42,719
Speaker 1: the whole week. It was the j Lo vibe, good

1549
01:26:43,080 --> 01:26:46,080
Speaker 1: j LEVI was great. I gotta say, she's got two

1550
01:26:46,080 --> 01:26:48,320
Speaker 1: whole I probably can't talk. She's got two whole suitcases

1551
01:26:48,320 --> 01:26:51,799
Speaker 1: full of hair. And I think that's diva energy, iconic

1552
01:26:51,800 --> 01:26:55,800
Speaker 1: and I love we stand, we stand. Um. Yeah, my

1553
01:26:55,800 --> 01:26:58,559
Speaker 1: thing on Joji Rabbitt was turned into turned into a

1554
01:26:58,600 --> 01:27:01,759
Speaker 1: scarlet hands. It is cool and also spoiler fest spoiler.

1555
01:27:01,840 --> 01:27:03,720
Speaker 1: We'll put a little spoiler alert in the beginning of

1556
01:27:03,720 --> 01:27:10,160
Speaker 1: that episode. Sure, sure, anyway, anyway, it feels very surreal

1557
01:27:10,400 --> 01:27:16,479
Speaker 1: it's very surreal to be moving on to another network.

1558
01:27:16,600 --> 01:27:19,920
Speaker 1: Like I said in the beginning of the podcast, Um,

1559
01:27:19,960 --> 01:27:23,080
Speaker 1: but again, we just want to stress and say the

1560
01:27:23,080 --> 01:27:27,799
Speaker 1: biggest thank you too, forever Dog, to Joe and Alex

1561
01:27:27,920 --> 01:27:32,240
Speaker 1: and Emma HB, thank you so much. You have been

1562
01:27:32,600 --> 01:27:36,840
Speaker 1: such an amazing part of our show. And we feel

1563
01:27:36,880 --> 01:27:40,040
Speaker 1: like that really was like one of the hardest things

1564
01:27:40,120 --> 01:27:42,599
Speaker 1: was knowing that you weren't going to produce us anymore so,

1565
01:27:43,080 --> 01:27:45,519
Speaker 1: which feels crazy. It feels crazy, but we but just

1566
01:27:45,560 --> 01:27:47,000
Speaker 1: when we talk, when we hopped on the phone with

1567
01:27:47,040 --> 01:27:50,240
Speaker 1: Joe and Alex, you came up and it was just this,

1568
01:27:50,920 --> 01:27:54,120
Speaker 1: it's really really really sad, true love fest, true let

1569
01:27:54,200 --> 01:27:55,960
Speaker 1: and we had dore you and thank you so much

1570
01:27:55,960 --> 01:27:58,000
Speaker 1: for everything. Thank you for everything, Thank you for putting

1571
01:27:58,040 --> 01:28:06,839
Speaker 1: up with our crazy, crazy crazy what's that okay? All right? Well?

1572
01:28:07,200 --> 01:28:09,160
Speaker 1: Um well well, well, I mean and we said this

1573
01:28:09,200 --> 01:28:13,040
Speaker 1: on the phone to Joe Alex, but I don't know

1574
01:28:13,760 --> 01:28:15,679
Speaker 1: what my career would have been like without this. No,

1575
01:28:15,880 --> 01:28:18,439
Speaker 1: I don't know either. And you can make the argument,

1576
01:28:18,560 --> 01:28:21,479
Speaker 1: you can make the argument that it like gave us

1577
01:28:21,479 --> 01:28:25,960
Speaker 1: a career and like made people familiar with what we

1578
01:28:26,200 --> 01:28:30,759
Speaker 1: are about, and it was just to really really really

1579
01:28:30,800 --> 01:28:34,360
Speaker 1: really really really really really really important part of our lives.

1580
01:28:35,479 --> 01:28:40,559
Speaker 1: It's not I'm saying it was. It was a huge

1581
01:28:40,560 --> 01:28:44,240
Speaker 1: part of our lives and our sort of whatever. Yeah,

1582
01:28:44,600 --> 01:28:47,719
Speaker 1: and we should just say also, um, you guys, while

1583
01:28:47,760 --> 01:28:50,680
Speaker 1: we figure this out, there's going to be a hiatus,

1584
01:28:51,040 --> 01:28:52,640
Speaker 1: a little bit of hiatus. So it's not gonna be

1585
01:28:52,680 --> 01:28:54,680
Speaker 1: too long. It will be too long. One of our

1586
01:28:54,960 --> 01:28:57,919
Speaker 1: focuses is getting this up and running as soon as possible.

1587
01:28:58,160 --> 01:29:01,320
Speaker 1: And while the g of this episode might be a

1588
01:29:01,360 --> 01:29:03,160
Speaker 1: touch on the murreau side, we are going to be

1589
01:29:03,280 --> 01:29:06,880
Speaker 1: so excited to start again, and we hope and you

1590
01:29:06,880 --> 01:29:09,120
Speaker 1: guys don't have to do anything different because you just

1591
01:29:09,160 --> 01:29:12,160
Speaker 1: subscribe to us wherever. Um, so it's not gonna be

1592
01:29:12,200 --> 01:29:14,080
Speaker 1: like you have to change anything, which we probably should

1593
01:29:14,080 --> 01:29:18,320
Speaker 1: have said up top right. Um. But the most important

1594
01:29:18,360 --> 01:29:22,000
Speaker 1: thing and the biggest um thank you that Boonen and

1595
01:29:22,040 --> 01:29:24,519
Speaker 1: I have and want to say for the holidays or

1596
01:29:24,560 --> 01:29:27,040
Speaker 1: whatever until the next time we talk to you guys,

1597
01:29:27,200 --> 01:29:30,160
Speaker 1: is thank you to everyone that's listened, and thank you

1598
01:29:30,200 --> 01:29:35,080
Speaker 1: to everyone that's supporting Bowen and I that means the

1599
01:29:35,080 --> 01:29:39,719
Speaker 1: world to us and who writes reviews and says that

1600
01:29:40,080 --> 01:29:43,280
Speaker 1: you know, for a couple hours a day you laugh, um,

1601
01:29:43,400 --> 01:29:45,160
Speaker 1: and then we break up the day a little bit.

1602
01:29:45,320 --> 01:29:50,080
Speaker 1: That's just That's why I mean, the reason I ever

1603
01:29:50,080 --> 01:29:51,599
Speaker 1: want to do anything is because I love to make

1604
01:29:51,600 --> 01:29:56,040
Speaker 1: people laugh. And so that means the most to me

1605
01:29:56,160 --> 01:29:59,240
Speaker 1: that you say that, UM. And for me it's when

1606
01:29:59,600 --> 01:30:02,519
Speaker 1: it's when people just say that, it feels like they're

1607
01:30:02,680 --> 01:30:05,639
Speaker 1: talking to friends. And for you to feel that familiar

1608
01:30:05,640 --> 01:30:09,800
Speaker 1: with us, I think is so unbelievable, so nice, and

1609
01:30:10,400 --> 01:30:12,599
Speaker 1: all we can do is just do right about you guys. Yeah,

1610
01:30:12,840 --> 01:30:16,400
Speaker 1: and we think we are um. So we will see

1611
01:30:16,400 --> 01:30:18,880
Speaker 1: you in the new year. We love you someone, We

1612
01:30:19,080 --> 01:30:22,240
Speaker 1: love you, And we've always been with the song, always

1613
01:30:22,600 --> 01:30:39,040
Speaker 1: with the song good good Bye to everything that you love,

1614
01:30:40,439 --> 01:30:46,840
Speaker 1: the one thing that I tried to hold on you,

1615
01:30:46,880 --> 01:30:54,519
Speaker 1: good Bye to ye, good Bye to everything that I did.

1616
01:30:56,479 --> 01:31:00,360
Speaker 1: I'm gonna blow my voice on the show you Hello.

1617
01:31:01,240 --> 01:31:04,880
Speaker 1: He's emotioning to me to mark one thing that chut.

1618
01:31:07,960 --> 01:31:10,840
Speaker 1: She wrote that at seventeen years old. Can you believe that? Wow?

1619
01:31:11,080 --> 01:31:15,000
Speaker 1: Icon Icon Michelle Branch the Reginald Taylor Swift, and she

1620
01:31:15,240 --> 01:31:22,519
Speaker 1: is not Vanessa Carlton, the original Taylor Swift. By night,

1621
01:31:26,080 --> 01:31:29,559
Speaker 1: This has been a Forever Dog production executive produced by

1622
01:31:29,560 --> 01:31:34,920
Speaker 1: Brett Boham, Joe Cilio, and Alex Ramsey. For more original podcasts,

1623
01:31:35,040 --> 01:31:39,040
Speaker 1: please visit Forever Dog Podcasts dot com and subscribe to

1624
01:31:39,080 --> 01:31:43,040
Speaker 1: our shows on Apple Podcasts, Spotify, or wherever you get

1625
01:31:43,040 --> 01:31:46,200
Speaker 1: your podcasts. Keep up with the latest Forever Dog news

1626
01:31:46,280 --> 01:31:51,040
Speaker 1: by following us on Twitter and Instagram at Forever Dog Team,

1627
01:31:51,120 --> 01:31:53,280
Speaker 1: and liking our page on Facebook.