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Speaker 1: Hello the Internet, and welcome to season five, Episode five

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Speaker 1: of The Dailies Likes four November let's call it November ten,

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Speaker 1: two thousand seventeen. My name is Jack O'Brien Okay Potatoes O'Brien,

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Speaker 1: and I'm joined by my co host, Mr Miles Gray.

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Speaker 1: It's the artist formerly known as Yo Boy Kusama Your Boy,

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Speaker 1: and we are thrilled to be joined in our third

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Speaker 1: seat for her third appearance on the Dailies. Like I say,

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Speaker 1: our first three peat. Uh. She is a hilarious stand

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Speaker 1: up and the host of one of my favorite podcast,

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Speaker 1: The Bechdel Cast. Please Welcome, Jamie Loftus. I feel like

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Speaker 1: I say please welcome, like we're at a live show

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Speaker 1: and the crowd is gonna like, yeah, I'm just look

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Speaker 1: at you the whole time, and I'm like, I been

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Speaker 1: for two hours. We should do a thing just someone

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Speaker 1: because they have they have to keep their head down

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Speaker 1: until their right. That's always great at the beginning of

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Speaker 1: the podcast where it's like you don't really make eye

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Speaker 1: contact with your guests for the first like minute, and

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Speaker 1: then you're just like, I know you're here, but I

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Speaker 1: can't look. Yeah, that is I guess that's our way

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Speaker 1: of making it still visual in our minds. See that

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Speaker 1: every single time, I just like act like a person

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Speaker 1: I've been talking to for an hour doesn't exist. And

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Speaker 1: then I'm like, oh, hey, how are you there? You

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Speaker 1: are look at you? No, I'm just bad at eye contact.

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Speaker 1: I can't really just tried making eye contact with Miles

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Speaker 1: and it totally didn't go. It's because you just got here.

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Speaker 1: You got here. They cease and desist from pat Riley

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Speaker 1: for saying three peple exactly, Jamie, What's something you searched

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Speaker 1: in the past couple of days that is revealing about

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Speaker 1: who you are as a human being for our guests.

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Speaker 1: I have done a deep dive on the ule log.

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Speaker 1: I know everything there is to know about the Ulug.

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Speaker 1: They're not that much to know, but there is some

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Speaker 1: Ulug drama that's gone on over the years. You log

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Speaker 1: is the video of the log that's just a fireplace

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Speaker 1: people who will no fireplace for yeah, for people who

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Speaker 1: like live in apartments and ship and uh. It started

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Speaker 1: in New York and I think nineteen sixties six. There's

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Speaker 1: a lot of like back and forth about like should

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Speaker 1: we keep broadcasting the Eulug? Should we not keep broadcasting

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Speaker 1: the ulug? What's the copyright rules on a picture of

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Speaker 1: a log burning? And uh and and now everyone has

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Speaker 1: their own version of the eulog. But my the one

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Speaker 1: I'd recommend is the one of Nick Offerman drinking whiskey

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Speaker 1: in front of a ul logue for ten hours. That's

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Speaker 1: a great one, the current but I've I've watched them all,

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Speaker 1: I've vetted them all. Have you seen the four K

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Speaker 1: one on Netflix? I have? Yeah, use that one. That's

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Speaker 1: a pretty good one. You know, it's crazy that you

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Speaker 1: say that because I funk with the eule log because,

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Speaker 1: oh my god, let me tell you I'm a pyromaniac

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Speaker 1: by trade, a little no fact. And some would say

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Speaker 1: I'm amateur arsonist, but aspiring arsonist. I would like no.

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Speaker 1: But like I always loved fireplaces, and then when I moved,

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Speaker 1: you know, in l A, there aren't many places that

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Speaker 1: actually have fireplaces. So like when you turn the heat

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Speaker 1: up and have the yule log on, it just feels cozy,

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Speaker 1: and like in four K, it's like it's next level.

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Speaker 1: But now I got a fireplace. So if you want

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Speaker 1: the real thing, come through, dude, I gotta I gotta

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Speaker 1: really like, I got really into it, and then I

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Speaker 1: like wrote up a bunch of and now I'm gonna

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Speaker 1: make my own lug this year. Oh dope, do that? Yeah,

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Speaker 1: like a marathon video. Yeah yeah, yeah, like make a loot.

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Speaker 1: I'm going to try to make a narrative ule log.

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Speaker 1: Does he just drink whiskey and silence? Yes? Ten hours?

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Speaker 1: Yeah yeah, And they must have found the perfect looping

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Speaker 1: point because it's like a ten hour video. Yeah, it's great. Um,

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Speaker 1: what's something you believe to be overrated? I mean I

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Speaker 1: went to Del Taco again. You say that like you're

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Speaker 1: an addict. No, no, for the for like the third

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Speaker 1: time I've looked for two years. I went to Del

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Speaker 1: Taco for like the third time. I keep giving Del

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Speaker 1: Taco another chance, but it's just not as good as talking.

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Speaker 1: Like I live close to a Del Taco, it makes

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Speaker 1: more sense for me to go to a Del Taco,

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Speaker 1: but then I always end up My new thing is

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Speaker 1: I ordered delivery from Taco Bell, which is like, who

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Speaker 1: are you, Princess die? Like, why do you ordered delivery

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Speaker 1: from Taco Bell? And the delivery person is always very

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Speaker 1: piste off about it, which is totally fair. That is

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Speaker 1: a straight up Princess Die. Move there, bring me my

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Speaker 1: Princess Die a comedy comedy. So I think that going

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Speaker 1: to Del Taco just because it's closer overrated Delivered t

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Speaker 1: I mean I get the cheapest garbage available from both places. Uh.

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Speaker 1: I got the half pound and I would put that

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Speaker 1: in quotations, the half pound before can and rice burrito

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Speaker 1: from Del Taco, and also the tiniest little shake I've

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Speaker 1: ever had, which is really cute. And then I got

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Speaker 1: French fries from Del Taco. What you gotta hand it

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Speaker 1: to him, they do have They got the tries so

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Speaker 1: pretty good. Hey, another trip, go Bold That's where I

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Speaker 1: put the fries in your burrito. Whoa because the menu ship.

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Speaker 1: The first time I tried to order it, I messed

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Speaker 1: up at the drive through. I was like I thought

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Speaker 1: it was called go Extreme and I was like, yeah,

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Speaker 1: let me go extreme. And the guy in the drive

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Speaker 1: through was like what. And I got so nervous because

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Speaker 1: like I don't you know, just like human nature, you

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Speaker 1: don't want to seem stupid. So I was just like nothing,

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Speaker 1: just regular. Yeah. As as a person, I lacked the

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Speaker 1: confidence to order off the secret menu like it's a baby. Yeah,

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Speaker 1: because because again that reaction huh shook me to my

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Speaker 1: fucking corn and I just abandoned my plate never again.

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Speaker 1: The other thing that I would say is extremely overrated

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Speaker 1: is trivia night. Yeah, trivia. Trivia night is for losers

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Speaker 1: with no personality. They got it. That's my I went

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Speaker 1: to a I I accidentally found myself at a Geeks

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Speaker 1: Who Drink night. I was I thought I was just

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Speaker 1: enjoying time with my friends, and then suddenly Kama Kazi

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Speaker 1: by all these losers bringing in their pizza, having these

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Speaker 1: stupid team names called like oh where the where the

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Speaker 1: trivia butts? And we know what year a Guerrillas album

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Speaker 1: came out, And I'm like, get the funk out of

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Speaker 1: I was just this bar was fun twenty minutes ago,

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Speaker 1: and there' and then there's an Australian lady. She's asking

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Speaker 1: questions and it's just like and they're they're like you

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Speaker 1: have to draw something. I was like I need to.

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Speaker 1: I had to get out of here. So it was

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Speaker 1: more that like the trivia night just invaded your normal

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Speaker 1: bar time and you're like, what the fun is going on?

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Speaker 1: Or you participated? I ended up participating, and I ended

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Speaker 1: up getting set up in a tria and I got

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Speaker 1: really into it and then I sucked at it and

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Speaker 1: then I left. Yeah, well we're on your game. Yeah.

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Speaker 1: Also trivia night is Yeah, I agree, Trivia night to

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Speaker 1: me feels like loud music at a bar where it's

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Speaker 1: just like, so, you guys don't like talking when like

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Speaker 1: the the whole reason that I would drink is because

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Speaker 1: it's like the one time I like to talk to

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Speaker 1: other people, right when wild game and yeah, they like

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Speaker 1: play a game to sort of mediate that. I'll say.

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Speaker 1: The good thing about trivia night is like the friend

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Speaker 1: that you're with who thinks that they're way fucking smarter

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Speaker 1: than everyone always gets put to shame at trivia night

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Speaker 1: because I'm like, oh, you actually don't know ship. It's

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Speaker 1: the dumb guy. The dumb guy knows when every Gerilla's

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Speaker 1: album came out. What do you know? This was a

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Speaker 1: very specific just Guerilla's themed trivia night. There was I

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Speaker 1: was hanging with my college friends, which is like also

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Speaker 1: a mistake, also overted. What's something that's underrated, something that's underrated,

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Speaker 1: something that's underrated? Okay, So I I fell into this

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Speaker 1: wormhole recently about how the old Hollywood actress Hetty Lamar

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Speaker 1: invented WiFi so underrated Lamar. Yeah, yeah, she was like this.

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Speaker 1: First of all, I don't know who Hetty Lamar is,

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Speaker 1: so sorry apologies on that. She's like, okay, she's in

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Speaker 1: a lot of famous like World War Two era movies,

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Speaker 1: the Golden Age, but she like literally dabbled in inventing

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Speaker 1: on the side and made some like basically a primitive

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Speaker 1: version of WiFi and now and people just started talking

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Speaker 1: about it a couple of years ago and there was

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Speaker 1: like a great future written on it a p r

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Speaker 1: I that I read recently. That's just like holy ship.

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Speaker 1: She invent and WiFi, just like Errol Morris's brother invented email. Wow. Crazy,

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Speaker 1: So shout out to the Golden Age of Hollywood. Yeah,

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Speaker 1: for without which we would have no WiFi. Yeah, exactly,

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Speaker 1: like Jennifer Aniston like invented like she invented spinning jet spinner. Yeah,

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Speaker 1: I'm very I'm very here for that rumor, right, we

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Speaker 1: should start that here, right, Jennifer Aniston. Event, I'm sure

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Speaker 1: he was involved with the team that did the Fidgit cube,

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Speaker 1: but I wasn't where she did the spinner. Yeah, all right,

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Speaker 1: we're gonna get into format. We're trying to take a

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Speaker 1: sample of the ideas that are out there changing the world,

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Speaker 1: whether you're looking or not. There's this big tangle of

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Speaker 1: ideas and assumptions and beliefs out there that kind of

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Speaker 1: make up air come mentional wisdom and conventional wisdom has

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Speaker 1: sort of a gravitational pool on our day to day lives.

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Speaker 1: We talked about politics, the president, news, but we also

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Speaker 1: talked about movies and supermarket tabloids, which we're gonna be

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Speaker 1: taking a look at today. But before we get into

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Speaker 1: some news stories, we like to ask our guests to

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Speaker 1: debunk something. Disabuse our audience of some notion that they

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Speaker 1: have based on like movie or media disabuses a good

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Speaker 1: votab word. Thank you en't heard that word in a

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Speaker 1: long time, maybe since the s A T. S. Okay.

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Speaker 1: So I have a very topical myth I'd like to

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Speaker 1: discuss in debunk today, which is a lot of a

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Speaker 1: lot of stuff that um you'll hear, you know, people

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Speaker 1: sliding into the mentions, defending their heroes when they're out

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Speaker 1: at as sex crims, etcetera. Uh, And for the unlearned,

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Speaker 1: a sex crim is a sex criminals which is also

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Speaker 1: my favorite, uh comic book anyways, sex Cris etcetera, Sex Crims, etcetera.

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Speaker 1: That's LLC is my comfort. Uh. But but a lot

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Speaker 1: of like what people are hearing um who don't want

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Speaker 1: to believe stuff that's coming out is that you know,

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Speaker 1: it's like, well, this is just accusations, it's just speculation.

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Speaker 1: And news outlets can basically report anything or or they

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Speaker 1: can report speculation, and that in my experiences as a

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Speaker 1: writer and a journalist, has been the opposite of true,

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Speaker 1: where you have to have so so so so much

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Speaker 1: and jumped through so many hoops where stuff with like

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Speaker 1: the Louis k story, it's like a miracle that it

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Speaker 1: came out, and it took years and years to amass

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Speaker 1: enough evidence for it to be reported in the New

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Speaker 1: York Times. So that for for me, it's like super

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Speaker 1: frustrating to hear and doesn't track because there are writers

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Speaker 1: who have been trying to bust the story open for

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Speaker 1: years that we were talking about main Key Star has

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Speaker 1: been trying to do it forever I was and and

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Speaker 1: the news standards are so strict and getting stories like

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Speaker 1: this out that there's a lot of stories that won't

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Speaker 1: be reported, or we'll take a lot longer to be reported. Uh.

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Speaker 1: In in my experience, I was trying to break a

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Speaker 1: story on a man in power in this area, and

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Speaker 1: you know, had everything set up, had worked with fact checkers,

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Speaker 1: had worked with a source, had worked with all this stuff,

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Speaker 1: and then it's still, uh, couldn't go to press. Basically, um,

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Speaker 1: the source the source backed out out of you know,

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Speaker 1: anxiety and and and totally understand and and you know

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Speaker 1: sources have to do this on their own timeline, but

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Speaker 1: it's it's really hard to to move forward with the story.

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Speaker 1: And I have a writer colleague who was trying to

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Speaker 1: who would say that this man it's actually harassed them,

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Speaker 1: and she had two sources. And so sometimes it reaches

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Speaker 1: waiting for this person to strike again before we can

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Speaker 1: report this? Like that's so like weird and insidious that

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Speaker 1: is and so the argument that it's like it's just speculation,

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Speaker 1: we don't know read anything in there, right, like that

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Speaker 1: that's not the case. I mean it's because these huge

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Speaker 1: corporations like take a risk, they can be sued. Uh,

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Speaker 1: And they're legal departments. The only thing that their job

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Speaker 1: is responsible to is to their board members and to

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Speaker 1: us millions and millions of dollars. So yeah, that's uh.

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Speaker 1: When I worked at ABC News, we had this big story,

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Speaker 1: reporting about Trump. We had this big story done by

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Speaker 1: these weird financial improprieties and that he wasn't worth as

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Speaker 1: much money as they thought. But then Donald Trump just

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Speaker 1: until the legal team was just like, yeah, you can't

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Speaker 1: like say basically any of the important stuff. And it

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Speaker 1: was like this weird, defanged, like piece of ship story

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Speaker 1: by the end of it, and and yeah, like that's

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Speaker 1: and the legal departments are so intense to that. I

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Speaker 1: think that like with the story I was working on,

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Speaker 1: the legal department sort of ended up, uh scaring my

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Speaker 1: source out of wanting to report the story because there

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Speaker 1: are so many like, uh, they're they're doing their due

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Speaker 1: diligence to an extent of being like, Okay, you know

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Speaker 1: everything is fact checked, but here the possible repercussions and

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Speaker 1: this and this and this and this. But it's like,

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Speaker 1: you know, to get a story like that published by

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Speaker 1: the time it gets reported by the New York Times,

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Speaker 1: you know, there's there's like very little, uh that I

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Speaker 1: wouldn't believe, especially in regards to a story like this,

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Speaker 1: because it's so fucking vetted. Right. Yeah, the Round and

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Speaker 1: Pharaoh Weinstein story was like thrown out. He was a

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Speaker 1: full time NBC employee and then NBC like said no

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Speaker 1: to reporting this story that he had been building for

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Speaker 1: like a year. So yeah, yeah, you can only imagine

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Speaker 1: that the fear of these people when you have companies

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Speaker 1: like black Cube ranking for these predators and trying to

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Speaker 1: intimidate people. We talked about black Cube earlier this week

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Speaker 1: for New listeners. It's a sort of private investigator firm,

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Speaker 1: uh that like has massad agents and like former intelligence

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Speaker 1: officials that we're working for Harvey Weinstein, Uh, you know,

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Speaker 1: investigating Rose McGowan and like again and other people who

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Speaker 1: were accusing him. Yeah, that's crazy shit. Uh, while we're

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Speaker 1: on the subject, we might as well do our day

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Speaker 1: sex crim round up. Uh. So, Louis c k we

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Speaker 1: talked about yesterday and I think we talked about actually

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Speaker 1: the last time you were on Jamie because yeah, we're

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Speaker 1: talking about you guys have just done Manhattan and he

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Speaker 1: has like an ode to Manhattan, a movie called I

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Speaker 1: Love You Daddy the world. See, yeah, it might become

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Speaker 1: like that Jerry Lewis Holocaust comedy that like he ended

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Speaker 1: up taking off the market because yeah, the I guess

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Speaker 1: it's now no longer being released even though they paid

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Speaker 1: millions of dollars for it at a film festival. Um So,

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Speaker 1: Louis c. K Uh was openly finally accused of sexual

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Speaker 1: misconduct on various sets yesterday by five different women. Probably

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Speaker 1: the creepiest detail of it, like all of it was creepy.

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Speaker 1: He likes to masturbate in front of women who don't

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Speaker 1: want to be masturbated in front of uh And at

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Speaker 1: one point he apologized to one of the women for

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Speaker 1: pushing her into a dressing room and masturbating in front

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Speaker 1: of her, and she was like, that wasn't me, didn't

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Speaker 1: that wasn't me, So that was there's probably the other Yeah,

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Speaker 1: there's probably this has probably been and I mean based

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Speaker 1: on like I had heard of it, and I think

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Speaker 1: a lot of people in the industry had heard of

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Speaker 1: it was first reported by Conker in two thousand and twelve. Yeah, yeah, yeah. Um. Anyways,

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Speaker 1: he has come out and said these things these women

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Speaker 1: said are true, and Jamie, as he put it, he

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Speaker 1: kind of gave like a reverse Oscar acceptance speech where

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Speaker 1: he like apologized to like his family, to his agent,

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Speaker 1: to his man cast and crew, if I love you, daddy. Um.

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Speaker 1: The biggest thing this from all of this are the

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Speaker 1: words maybe like sorry or like I apologize. I mean,

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Speaker 1: it's definitely like he's remorseful and things like that, but

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Speaker 1: it's a very I mean, one of the weirdest things

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Speaker 1: is that like he's actually just saying I never showed

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Speaker 1: a woman my dick without asking first, which is also true.

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Speaker 1: Super cash reference to your dick like a an apology

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Speaker 1: for sexual I think you need to handle this a

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Speaker 1: little bit more delicately. Um. I the the way that

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Speaker 1: this feels, I mean, it seems like kind of just

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Speaker 1: like that is the way that Louis c k would

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Speaker 1: make this apology, but that doesn't like he needs to

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Speaker 1: like take a look at himself and apologize in a

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Speaker 1: way that is not how a stand up comedian would

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Speaker 1: apologize for whipping his dick at Like it read like

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Speaker 1: a Louis c K, Like in the voice of Louis

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Speaker 1: c K. That like a Louis episode. Um. But yeah,

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Speaker 1: So it starts out in his voice sort of talking

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Speaker 1: about what happened. Uh, but then like he goes into

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Speaker 1: it's almost like he just does an adequate job technically

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Speaker 1: explaining the power dynamics at play. But it's like why, yeah,

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Speaker 1: we get it, we got it when we read the article.

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Speaker 1: These women understood what was happening, and like what you

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Speaker 1: didn't get about the situation. But uh yeah, it seems

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Speaker 1: like he lays everything out and then rather than apologizing,

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Speaker 1: really just like kind of says, I'm going to take

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Speaker 1: a step back and think about things. So yeah, it's

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Speaker 1: just yeah, again apologizing to all the things that are

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Speaker 1: in production and then like companies that are paying your bills.

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Speaker 1: It's like that's a separates a private Yeah, you don't

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Speaker 1: need to like, what the funk are you doing? Man?

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Speaker 1: This is not about f x or and that is

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Speaker 1: the bulk of the apology too. It's a pretty it's

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Speaker 1: a pretty lengthy paragraph. Yeah. Yeah, and that's he is

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Speaker 1: actively fucking people over who work for him and with him.

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Speaker 1: That's like not even invalid thought. But that's not a

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Speaker 1: part of it. The people that are most directly affected,

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Speaker 1: you could also just reach out directly to them. It

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Speaker 1: doesn't even be a public apology to them. Yeah we so,

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Speaker 1: uh sorry, guys, We've got a lot of sex crims

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Speaker 1: to get to. Judge Roy Moore. Apparently the polls are tightening,

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Speaker 1: uh in Alabama, so he he is losing ground even

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Speaker 1: though so for people who haven't heard Judge Roy Moore,

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Speaker 1: who is the Republican candidate in Alabama to take over

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Speaker 1: the seat that was vacated by Jefferson Ball Regald Sessions

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Speaker 1: when he took over as the Attorney general. Um is,

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Speaker 1: so there's actually a race, like nobody expected there to

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Speaker 1: be a race, but because of you know, the way

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Speaker 1: things are going to the country, Democrat was like within

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Speaker 1: eight points of him, and then it came out yesterday

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Speaker 1: that he had their level up very close now And

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Speaker 1: it came out yesterday that he had attempted to have

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Speaker 1: like sexual relationships with uh a fourteen year old girl

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Speaker 1: and other teenage girls when he was thirty two. Um,

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Speaker 1: some of the excuses that have come out. Marion County

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Speaker 1: Chairman David Hall has said, I really don't see the

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Speaker 1: relevance of it. He was thirty two, she was supposedly fourteen.

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Speaker 1: She's not saying anything happened other than they kissed. And

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Speaker 1: if they did just kiss, that's just a weird defense, uh,

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Speaker 1: seeing as the main problem is he's thirty two, she's fourteen. Uh,

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Speaker 1: you're not supposed to kiss fourteen year olds when you're

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Speaker 1: thirty two. Um, Like, just go read the actual details,

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Speaker 1: because it's way way worse than that. He took her

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Speaker 1: to his house and like they disrobed and stuff. She's

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Speaker 1: a fourteen year old and he like there was The

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Speaker 1: other one was the Alabama State Auditor was trying to

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Speaker 1: compare like the relationship of Mary and Joseph like to this.

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Speaker 1: I mean, again, this is how fucking depre raved and

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Speaker 1: how low the GOP has gone, which is like trying

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Speaker 1: to figure out like logical rational defenses against someone who

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Speaker 1: is accused of like statutory rate. Yeah, I mean, and

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Speaker 1: that's very specific. Members of the GOP. But yeah, that's

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Speaker 1: that's probably Again, I think there are other people who

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Speaker 1: are like, you know, he needs to step out. I

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Speaker 1: mean John McCain is one who's unequivocally said this, this

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Speaker 1: is disqualifying. But he's in a minority, which I think

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Speaker 1: is a little it was what should be people need

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Speaker 1: to really kind of think about, right And uh So

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Speaker 1: more yesterday sent a funding email to his followers being like, look,

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Speaker 1: the devil is trying to get to me and like

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Speaker 1: knock me out of this race. Like give me funding

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Speaker 1: so that we can like continue to fight the good fight.

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Speaker 1: Uh So, yeah, it's just worth keeping an eye on.

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Speaker 1: But the it's it's not a thing where he's coming

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Speaker 1: out and saying, yeah, I'm sorry, I'm gonna take some

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Speaker 1: time to think about. They literally blamed like the forces

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Speaker 1: of evil and it. And it's great because it's like

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Speaker 1: if he loses, that really does make it more likely

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Speaker 1: that the Democrats can like win. I like him losing

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Speaker 1: would be him losing would be a really it would

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Speaker 1: change the Senate math pretty significantly to have another another

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Speaker 1: seat go blue. But yeah, that's and I'm sure that's

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Speaker 1: one of the reasons why there are people like Mitch

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Speaker 1: McConnell who really don't want Roy Moore. They're not I

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Speaker 1: don't even even sure if it's because he's problematic, but

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Speaker 1: more so because he's worried about the vote math in

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Speaker 1: the Senate and just like, well, we need like we

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Speaker 1: need a Republican that can win. Um, so right, and

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Speaker 1: I'm not sure like if they can just swap somebody

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Speaker 1: in at this point, Uh, he would have to he

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Speaker 1: would have to do another runoff election. I think he

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Speaker 1: would have to withdraw and then the party could put someone,

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Speaker 1: but it would take him to step down, which is

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Speaker 1: why some people are saying maybe they can get Luther

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Speaker 1: Strange to be a right in candidate. This is all

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Speaker 1: very well. There's like there are like rules about how

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Speaker 1: are in advance of a race you have to drop out,

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Speaker 1: Like I was reading of a seventy six days, uh,

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Speaker 1: which is like way past because it's like less than

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Speaker 1: a month December. But but there's also been like past

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Speaker 1: examples of that sort of being overruled by the Supreme Court.

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Speaker 1: It all sort of just depends in whose favor, uh

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Speaker 1: they're tilted at the time. So yeah, all right, we

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Speaker 1: have other sex crimes to talk about but we're running

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Speaker 1: out of time, Johnny Depp. Uh, it's worth remembering. How's

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Speaker 1: a movie coming out today? And uh he beat up

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Speaker 1: his girlfriends the last year, so uh keep an eye

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Speaker 1: out for that, folks. And uh, we're gonna take quick

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Speaker 1: break and we'll be right back and we're back, Uh, Jamie,

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Speaker 1: you're saying during the break, uh that Graham Norton had

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Speaker 1: an episode where he was talking mad Ship about wine steam. Right, Yeah,

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Speaker 1: just kind of like disapprove of that, right, because you're

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Speaker 1: a big fan of big Harve, right, Yeah, I mean

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Speaker 1: I'm I'm pro Harve. And that was the end of

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Speaker 1: the five. Yeah, okay, moving on, but on Grammar, it's

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Speaker 1: just like another double standard moment where, uh there's an

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Speaker 1: episode of Graham Martin recently where he's denouncing Harvey Weinstein,

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Speaker 1: which is like, yeah, uh it's not a hot take

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Speaker 1: by any means. And then his guest or one of

425
00:24:26,359 --> 00:24:29,560
Speaker 1: his guests was Johnny Depp and the cast of The

426
00:24:29,640 --> 00:24:32,720
Speaker 1: Murderer on the Orient expression can act like he didn't

427
00:24:33,080 --> 00:24:36,600
Speaker 1: hit his wife on tape. Totally cool? Great, right, great, Yeah,

428
00:24:36,680 --> 00:24:38,680
Speaker 1: as long as he wears like a silly fake mustache,

429
00:24:38,720 --> 00:24:43,320
Speaker 1: that's easy to ignore that it's him. I think, um, hey,

430
00:24:43,359 --> 00:24:46,280
Speaker 1: you guys, it's Veterans Day. Happy tomorrow will be Veterans

431
00:24:46,359 --> 00:24:49,840
Speaker 1: Day tomorrow, and today is Veterans Day observed, yes by

432
00:24:49,920 --> 00:24:53,040
Speaker 1: other people, not by us. We still work for you, guys.

433
00:24:53,240 --> 00:24:57,920
Speaker 1: We're still out here making that content one two three content.

434
00:24:58,040 --> 00:25:01,400
Speaker 1: That's how we open every every day. Put our hands

435
00:25:01,400 --> 00:25:03,359
Speaker 1: in the middle. Uh No, So we want to do

436
00:25:03,920 --> 00:25:07,400
Speaker 1: just do quick rundown of some of the most badass

437
00:25:07,440 --> 00:25:12,280
Speaker 1: soldiers in the history of war and also some badass

438
00:25:12,359 --> 00:25:15,560
Speaker 1: veterans who have brought to us great things. Uh So,

439
00:25:16,600 --> 00:25:20,359
Speaker 1: I want to talk about the Finnish sniper known as

440
00:25:20,400 --> 00:25:23,240
Speaker 1: the White Death. I'm gonna this is not a comic

441
00:25:23,320 --> 00:25:25,560
Speaker 1: book character. No, this is not a comic book character.

442
00:25:25,920 --> 00:25:32,000
Speaker 1: Real dude farmer in like Finland. He went off into

443
00:25:32,040 --> 00:25:36,480
Speaker 1: the woods with his hunting rifle and ended up killing

444
00:25:36,560 --> 00:25:41,600
Speaker 1: five hundred Russians just by himself. They ended up winning

445
00:25:41,800 --> 00:25:45,800
Speaker 1: the war despite being so outnumbered. Uh And he was

446
00:25:45,880 --> 00:25:49,320
Speaker 1: just this like legend slash ghost story that the Russians

447
00:25:49,359 --> 00:25:52,320
Speaker 1: talked about. He would uh put snow in his mouth.

448
00:25:52,800 --> 00:25:54,280
Speaker 1: I think I've seen this in a movie, but he

449
00:25:54,320 --> 00:25:56,080
Speaker 1: would put snow in his mouth when he was shooting,

450
00:25:56,119 --> 00:26:00,240
Speaker 1: so they couldn't see the like hot like the of

451
00:26:00,280 --> 00:26:04,720
Speaker 1: his breath, like the fog of Um, sure he's not

452
00:26:04,760 --> 00:26:07,760
Speaker 1: a yeah, I know, it's a pretty badass. Uh. And

453
00:26:07,800 --> 00:26:11,080
Speaker 1: he would put a glove under his rifle between the

454
00:26:11,160 --> 00:26:13,440
Speaker 1: rifle and the ground so to dampen the jolt of

455
00:26:13,520 --> 00:26:18,480
Speaker 1: the weapon, and doing that he killed like everyone. What

456
00:26:18,600 --> 00:26:22,560
Speaker 1: they call him again, snowboy Wait death snowboy is pretty

457
00:26:22,560 --> 00:26:27,280
Speaker 1: cool too. Uh. Then during World War Two, moving over

458
00:26:27,320 --> 00:26:29,639
Speaker 1: to the Russian side. During World War two, we have

459
00:26:30,800 --> 00:26:35,680
Speaker 1: a female battalion called the Night Witches by the Nazi

460
00:26:35,800 --> 00:26:41,800
Speaker 1: soldiers because so they had access to really really shitty plants.

461
00:26:41,840 --> 00:26:46,280
Speaker 1: Basically they're made of like plywood and canvas, generally reserved

462
00:26:46,320 --> 00:26:49,680
Speaker 1: for training and crop dusting. Uh. But what they would

463
00:26:49,720 --> 00:26:52,280
Speaker 1: do is, first of all, when they got into dog

464
00:26:52,320 --> 00:26:57,880
Speaker 1: fights in the air with actual German like fighter planes. Uh,

465
00:26:57,880 --> 00:27:02,360
Speaker 1: they would actually do okay because planes were like when

466
00:27:02,440 --> 00:27:04,800
Speaker 1: they were going at full speed, planes couldn't even go

467
00:27:04,960 --> 00:27:07,919
Speaker 1: like nearly as slow as them, so they could like

468
00:27:08,400 --> 00:27:11,760
Speaker 1: sort of dive and like turn on a dime. But

469
00:27:12,320 --> 00:27:15,800
Speaker 1: their main thing was bombing. They would like turn off

470
00:27:16,000 --> 00:27:20,000
Speaker 1: their engine and just glide over camps and then drop

471
00:27:20,119 --> 00:27:23,679
Speaker 1: bombs on the camps. And because of the sort of

472
00:27:23,680 --> 00:27:28,160
Speaker 1: soft whishing noises that they made. Uh, the Germans thought

473
00:27:28,200 --> 00:27:32,280
Speaker 1: they were witches flying on their brooms. But they they

474
00:27:32,280 --> 00:27:37,119
Speaker 1: didn't think that, right, Yeah, they thought they were were bombing. Yeah, no,

475
00:27:37,240 --> 00:27:40,120
Speaker 1: of course not. I don't know. I mean, you never know, back,

476
00:27:41,440 --> 00:27:44,840
Speaker 1: go back, go back, like years plus. I would believe

477
00:27:44,840 --> 00:27:47,679
Speaker 1: people believe live and I mean I don't know, Like

478
00:27:47,720 --> 00:27:51,399
Speaker 1: if you're hearing weird whishing sounds in the sky and

479
00:27:51,440 --> 00:27:54,919
Speaker 1: then everything around you blows up like you're gonna probably

480
00:27:55,800 --> 00:27:58,680
Speaker 1: it doesn't matter what you believe it is. But they

481
00:27:58,680 --> 00:28:02,280
Speaker 1: were from ages seventy into twenty six and they dropped

482
00:28:02,359 --> 00:28:08,760
Speaker 1: twenty three thousand tons of bombs, the hot young bombers.

483
00:28:08,920 --> 00:28:12,959
Speaker 1: Yeah wait which country they Russia? Wow? Uh? And this

484
00:28:13,040 --> 00:28:17,400
Speaker 1: was when Germany invaded Russia. So this was like basically

485
00:28:17,440 --> 00:28:20,880
Speaker 1: the turning point of the war. Shout out to the Night,

486
00:28:20,880 --> 00:28:24,120
Speaker 1: which is terrifying, but also like what a cool name

487
00:28:24,160 --> 00:28:26,960
Speaker 1: for a club, Yeah yeah, Night, which we're gonna get

488
00:28:26,960 --> 00:28:29,040
Speaker 1: those jackets made up. Yeah yeah, yeah, yeah yeah. That's

489
00:28:29,080 --> 00:28:31,960
Speaker 1: my new trivia team in the Night, which is uh.

490
00:28:32,040 --> 00:28:34,040
Speaker 1: And then on the American side, we have John York

491
00:28:34,240 --> 00:28:37,920
Speaker 1: who was just a redneck from Tennessee who went over

492
00:28:38,000 --> 00:28:41,880
Speaker 1: to World War One as a conscientious objector but eventually

493
00:28:41,880 --> 00:28:47,440
Speaker 1: picked up a machine gun because his battalion got completely obliterated.

494
00:28:47,480 --> 00:28:50,960
Speaker 1: Everyone besides him was shot to pieces by this uh

495
00:28:51,160 --> 00:28:54,680
Speaker 1: battalion of thirty two German machine gunners. And he picked

496
00:28:54,760 --> 00:28:58,640
Speaker 1: up a machine gun and like basically took out twenty

497
00:28:58,680 --> 00:29:01,560
Speaker 1: of the Germans and then uh five of them came

498
00:29:01,560 --> 00:29:04,400
Speaker 1: around to flank him. He killed them with cult forty

499
00:29:04,440 --> 00:29:06,800
Speaker 1: five and then the Germans were like, hey, could you

500
00:29:06,840 --> 00:29:10,480
Speaker 1: stop killing us and we'll surrender, And so he walked

501
00:29:10,520 --> 00:29:13,800
Speaker 1: a hundred and thirty three German soldiers back into his

502
00:29:13,880 --> 00:29:21,080
Speaker 1: camp like at gunpoint. Wait, Solo Dolomite, whoa John York

503
00:29:21,240 --> 00:29:24,600
Speaker 1: from Tennessee. And then Audie Murphy is just a total badass.

504
00:29:24,640 --> 00:29:27,080
Speaker 1: Another like really small guy. I guess the White Death

505
00:29:27,160 --> 00:29:30,680
Speaker 1: was a tiny man. Yeah, snowboy was a tiny man

506
00:29:30,840 --> 00:29:37,440
Speaker 1: snow mouth. So his best friend got killed in German

507
00:29:37,640 --> 00:29:40,720
Speaker 1: or in Italy by a German machine gun crew uh,

508
00:29:40,720 --> 00:29:43,200
Speaker 1: and he just like hulked out and killed everyone in

509
00:29:43,240 --> 00:29:46,840
Speaker 1: the gun nest then used their gun to kill every

510
00:29:47,280 --> 00:29:50,560
Speaker 1: Nazi soldier in a one hundred yard radius, including two

511
00:29:50,560 --> 00:29:53,520
Speaker 1: more machine gun nests a bunch of snipers. Uh. Then

512
00:29:53,560 --> 00:29:55,800
Speaker 1: he was given the job of defending like a super

513
00:29:55,920 --> 00:30:00,640
Speaker 1: important pocket in France. Uh. And all he had left

514
00:30:00,680 --> 00:30:02,800
Speaker 1: at the end was nineteen guys out of an original

515
00:30:03,440 --> 00:30:08,040
Speaker 1: twenty eight. And uh he he was five six. Also,

516
00:30:08,160 --> 00:30:11,800
Speaker 1: he's like cute, super cute, ended up being a movie star. Yeah,

517
00:30:13,200 --> 00:30:17,640
Speaker 1: jumped behind a fifty caliber machine gun and started killing

518
00:30:17,800 --> 00:30:21,800
Speaker 1: everything in sight. Uh. But the machine gun was on

519
00:30:22,120 --> 00:30:26,040
Speaker 1: a vehicle that was on fire and like getting ready

520
00:30:26,080 --> 00:30:29,000
Speaker 1: to explode, and he just didn't give a ship style. Yeah,

521
00:30:29,120 --> 00:30:32,880
Speaker 1: just won the war like fighting like single handedly by

522
00:30:33,200 --> 00:30:36,000
Speaker 1: just like jumping on this flaming vehicle and just taking

523
00:30:36,040 --> 00:30:39,320
Speaker 1: everything out. So he got I think. I think he's

524
00:30:39,360 --> 00:30:41,920
Speaker 1: one of the most decorated soldiers in the history of war. Yeah.

525
00:30:41,920 --> 00:30:44,240
Speaker 1: There's a lot of pictures of him just covered covered

526
00:30:44,280 --> 00:30:47,960
Speaker 1: in various badges. Can't recommend you had like a second

527
00:30:48,040 --> 00:30:51,600
Speaker 1: jacket for like the other one, yeah, because they wait

528
00:30:51,680 --> 00:30:54,360
Speaker 1: more than he did. Dude. Yeah, slide in the Google

529
00:30:54,400 --> 00:30:56,800
Speaker 1: images on this guy. He's a cutie pie a U

530
00:30:56,880 --> 00:31:00,320
Speaker 1: d I Murphy, Addie Murphy. Uh. And then as he

531
00:31:00,360 --> 00:31:05,280
Speaker 1: looked into some contributions from veterans after because look, yeah,

532
00:31:05,320 --> 00:31:08,240
Speaker 1: I mean there's like a very big spirit of entrepreneurship

533
00:31:08,920 --> 00:31:13,000
Speaker 1: for veterans, and we have a lot of businesses to

534
00:31:13,120 --> 00:31:16,400
Speaker 1: this day that we can think because of veterans. For example,

535
00:31:16,800 --> 00:31:18,520
Speaker 1: I mean, look, let me do some of the serious

536
00:31:18,560 --> 00:31:21,760
Speaker 1: ones like Remax. Okay, like the real estate company that

537
00:31:21,840 --> 00:31:23,840
Speaker 1: was that was founded or co founded by an Air

538
00:31:23,840 --> 00:31:27,480
Speaker 1: Force veteran. Okay, pretty good Sperry shoes signs all over

539
00:31:27,480 --> 00:31:30,479
Speaker 1: the place. Yea Sperry's not just a boat shoe for

540
00:31:30,680 --> 00:31:34,000
Speaker 1: frat boys in the Northeast, but again made by a

541
00:31:34,080 --> 00:31:38,120
Speaker 1: naval veteran, Paul Sperry. Okay, cool cool fed X Marine

542
00:31:38,280 --> 00:31:42,640
Speaker 1: Fred Smith founded fed X. Sadly Walmart the most evil company,

543
00:31:42,920 --> 00:31:46,200
Speaker 1: uh Sam Walton was an Army veteran. So I mean,

544
00:31:46,280 --> 00:31:49,160
Speaker 1: look we can I don't you know, We'll cut that one. Fun. Well,

545
00:31:49,160 --> 00:31:51,680
Speaker 1: We'll forgive you guys for that one because of some

546
00:31:51,760 --> 00:31:55,200
Speaker 1: of the contributions we have coming up. Yes, and you

547
00:31:55,240 --> 00:31:57,560
Speaker 1: know again, go Daddy was also started by a Marine

548
00:31:57,560 --> 00:32:00,560
Speaker 1: Corps veteran. So and that's the contribution I'm talking about.

549
00:32:02,920 --> 00:32:05,880
Speaker 1: But to me, some of the best ones, the best

550
00:32:05,880 --> 00:32:08,560
Speaker 1: contribution here we go. Mr Glenn Bell, and marine who

551
00:32:08,600 --> 00:32:11,080
Speaker 1: fought in the Pacific Theory in World War Two, founded

552
00:32:11,080 --> 00:32:15,120
Speaker 1: Taco Bell. So little do you know? You your Taco

553
00:32:15,160 --> 00:32:18,160
Speaker 1: Bell love. That's actually a very patriotic, a super patriotic.

554
00:32:18,280 --> 00:32:20,520
Speaker 1: So actually, if you think about it, Americans, if you're

555
00:32:20,520 --> 00:32:23,000
Speaker 1: gonna pick one, go to Taco Bell. Yeah. If you

556
00:32:23,040 --> 00:32:26,240
Speaker 1: want americanized Mexican food, Yeah, to the most offensive form

557
00:32:26,280 --> 00:32:28,800
Speaker 1: of Mexican food, go to Taco Bell. Because a shout

558
00:32:28,800 --> 00:32:32,680
Speaker 1: out to Glenn Bell. Also, uh, Mike Ilitch, founder of

559
00:32:32,720 --> 00:32:34,760
Speaker 1: Little Caesars, who's done a lot of good stuff. The

560
00:32:34,800 --> 00:32:37,280
Speaker 1: guy was also a marine, so Little Caesars, we have

561
00:32:37,400 --> 00:32:39,880
Speaker 1: to think because of the Marine Corps. And also Domino's

562
00:32:39,880 --> 00:32:44,200
Speaker 1: Pizza and I kind of a weird dude, Tom, Yeah,

563
00:32:44,200 --> 00:32:49,080
Speaker 1: I mean look catholic, the super crazy top Catholic. But

564
00:32:49,280 --> 00:32:53,000
Speaker 1: again to say, these contributions day in one way or another,

565
00:32:53,000 --> 00:32:55,920
Speaker 1: we have interacted with this. So yes, thank you everybody

566
00:32:56,000 --> 00:32:59,160
Speaker 1: for your service and also some of your contributions, especially

567
00:32:59,160 --> 00:33:04,240
Speaker 1: to the fast food world. Yeah. There, the Marines are badasses,

568
00:33:04,280 --> 00:33:06,200
Speaker 1: and you know, I've had a lot of you know,

569
00:33:06,600 --> 00:33:10,560
Speaker 1: friends who go into the Marines as total fucking messes.

570
00:33:10,560 --> 00:33:13,760
Speaker 1: And come out as like really polished, like great human

571
00:33:13,800 --> 00:33:17,760
Speaker 1: beings and like really have their ship together. So uh yeah,

572
00:33:17,800 --> 00:33:21,720
Speaker 1: thanks everyone for your service. We appreciate it. And also

573
00:33:21,720 --> 00:33:23,360
Speaker 1: I'm sure we can get flooded with mentions of like

574
00:33:23,400 --> 00:33:25,719
Speaker 1: all the other things that veterans have created. Look this,

575
00:33:25,960 --> 00:33:27,520
Speaker 1: we were doing this just sort of on the fly,

576
00:33:27,720 --> 00:33:30,360
Speaker 1: So no offense to anybody out there, but please, we're

577
00:33:30,360 --> 00:33:32,840
Speaker 1: happy to yeah, let me put me onto knowledge. Also

578
00:33:33,200 --> 00:33:36,560
Speaker 1: was trying to look up some some fun celebrity military

579
00:33:36,560 --> 00:33:39,080
Speaker 1: ones that aren't aren't like always brought up, and the

580
00:33:39,120 --> 00:33:42,160
Speaker 1: closest I found was Fred Durst dropped out of boot camp.

581
00:33:42,960 --> 00:33:48,080
Speaker 1: Oh really, so he just kept on rolling limberal limberal limberroll.

582
00:33:48,360 --> 00:33:53,160
Speaker 1: Hey guys, Taylor Swift has an album out, speaking of

583
00:33:53,640 --> 00:34:01,160
Speaker 1: Fred dursty transit. Uh no, it's uh, it's big news

584
00:34:01,200 --> 00:34:03,840
Speaker 1: for some people, it is big news. There's a song

585
00:34:03,880 --> 00:34:09,320
Speaker 1: about Kanye on the album. Predictably, uh supposedly, she's says

586
00:34:09,560 --> 00:34:12,040
Speaker 1: talks about someone who she was glad to be friends

587
00:34:12,080 --> 00:34:16,879
Speaker 1: with but then like he tricked her her parade. There's

588
00:34:16,880 --> 00:34:20,960
Speaker 1: even talk of like a phone call going back to that. Yeah.

589
00:34:21,000 --> 00:34:25,279
Speaker 1: I mean, look, I don't like pop music. I don't

590
00:34:25,280 --> 00:34:27,440
Speaker 1: like most music, to be honest, I'm kind of like

591
00:34:27,480 --> 00:34:30,480
Speaker 1: really setting my ways I like about music. This album

592
00:34:30,960 --> 00:34:33,840
Speaker 1: is like super derivative. It sounds like, you know, again,

593
00:34:33,880 --> 00:34:36,920
Speaker 1: like everything it's probably every song probably will be a

594
00:34:37,000 --> 00:34:39,239
Speaker 1: hit because she is a pretty prolific songwriter. It's based

595
00:34:39,239 --> 00:34:42,640
Speaker 1: off her track record. But also I gotta say, we

596
00:34:42,680 --> 00:34:44,319
Speaker 1: may have to say R I P to trap high

597
00:34:44,360 --> 00:34:47,279
Speaker 1: hats because the trap sound. There's a lot of trap

598
00:34:47,360 --> 00:34:49,520
Speaker 1: touches on this album. If you guys aren't familiar with

599
00:34:49,600 --> 00:34:51,719
Speaker 1: like the trap sound, it's the eight oh a drum kit,

600
00:34:51,800 --> 00:34:55,719
Speaker 1: a lot of snare chains, syncopated high hats, and you

601
00:34:55,760 --> 00:34:57,719
Speaker 1: hear it a lot. I mean, it's all over pop music.

602
00:34:57,840 --> 00:35:00,080
Speaker 1: And again I don't know, is it is that and

603
00:35:00,120 --> 00:35:02,880
Speaker 1: it's R I P. I don't know, but again, definitely

604
00:35:02,880 --> 00:35:06,200
Speaker 1: taking from all styles of music. And the reviews are

605
00:35:06,280 --> 00:35:10,040
Speaker 1: kind of very interesting, Like everybody is like talking about

606
00:35:10,040 --> 00:35:13,680
Speaker 1: this album in a way that is so serious. It's

607
00:35:13,719 --> 00:35:16,319
Speaker 1: like almost confused, like it's a new Beatles album. Like

608
00:35:16,880 --> 00:35:20,640
Speaker 1: I feel like that's the seriousness that's been right. It's yeah,

609
00:35:20,680 --> 00:35:23,480
Speaker 1: it feels a little like weird and like Uncanny Valley.

610
00:35:23,520 --> 00:35:26,120
Speaker 1: The way people talk about because and and almost all,

611
00:35:26,160 --> 00:35:28,280
Speaker 1: I mean, we were able to find one bad review

612
00:35:28,280 --> 00:35:30,640
Speaker 1: of this album, which is like an outside of the

613
00:35:30,640 --> 00:35:35,040
Speaker 1: realm of like traditional music blogs or magazines that write

614
00:35:35,040 --> 00:35:38,399
Speaker 1: about music, especially like you know outlets that you're like, oh,

615
00:35:38,440 --> 00:35:40,520
Speaker 1: they would go after a pop album because they want

616
00:35:40,520 --> 00:35:43,080
Speaker 1: to sound smart and too good, right like there, I mean,

617
00:35:43,440 --> 00:35:46,120
Speaker 1: the New York Times were almos something like they're they're like,

618
00:35:46,200 --> 00:35:50,120
Speaker 1: this is the new tailor swift is here, and it's

619
00:35:50,160 --> 00:35:52,719
Speaker 1: never been more coherent or like something. The way they're

620
00:35:52,760 --> 00:35:56,279
Speaker 1: describing it, it sounds you would think they're talking about

621
00:35:56,320 --> 00:35:59,360
Speaker 1: like a Radiohead album. And then it's like, well, these

622
00:35:59,400 --> 00:36:01,919
Speaker 1: these I guess it's complex's it's something can be as

623
00:36:01,920 --> 00:36:04,480
Speaker 1: complex as you wanted to be and and look at

624
00:36:04,480 --> 00:36:07,919
Speaker 1: it that way. But I just feel like, like it's weird.

625
00:36:07,960 --> 00:36:10,759
Speaker 1: I mean because I'm sorry, I like pop music too,

626
00:36:10,920 --> 00:36:14,040
Speaker 1: Like the Lord album is like one of my favorite

627
00:36:14,080 --> 00:36:17,120
Speaker 1: albums of the year and that I felt like deserved

628
00:36:17,160 --> 00:36:19,360
Speaker 1: all of the praise it got and I like totally

629
00:36:19,400 --> 00:36:21,719
Speaker 1: loved it, but just I don't know, it felt weird

630
00:36:21,760 --> 00:36:25,239
Speaker 1: hearing like, oh, there's we have no criticism of this

631
00:36:25,360 --> 00:36:29,000
Speaker 1: kind of derivation is a very powerful PR machine. I

632
00:36:29,040 --> 00:36:32,200
Speaker 1: do feel like this is like part of a like

633
00:36:32,280 --> 00:36:34,600
Speaker 1: For at least the past fifteen years, sort of the

634
00:36:34,640 --> 00:36:39,440
Speaker 1: overall trend has been to buy in on like pop

635
00:36:39,640 --> 00:36:43,600
Speaker 1: and whatever is popular and like what whatever the story

636
00:36:43,920 --> 00:36:47,080
Speaker 1: is that you know, some popular person is trying to

637
00:36:47,160 --> 00:36:50,560
Speaker 1: sell about themselves. Like from a PR perspective, I feel

638
00:36:50,560 --> 00:36:55,120
Speaker 1: like we now are more likely to buy in and

639
00:36:55,239 --> 00:36:57,320
Speaker 1: like that includes the New York Times, in the Washington

640
00:36:57,320 --> 00:37:00,600
Speaker 1: Post and like all those, uh, which I feel like

641
00:37:00,960 --> 00:37:04,840
Speaker 1: is fun in some instances, but I also feel like

642
00:37:04,840 --> 00:37:08,640
Speaker 1: it's a little dangerous because then everything is just going

643
00:37:09,040 --> 00:37:13,640
Speaker 1: with the sort of grain of straight up consumerism. Right

644
00:37:13,880 --> 00:37:15,880
Speaker 1: when I was a kid, we used to have a

645
00:37:15,920 --> 00:37:18,880
Speaker 1: thing called like selling out, where you would like you

646
00:37:18,880 --> 00:37:23,200
Speaker 1: would second ex concept we're buying in right, where you

647
00:37:23,200 --> 00:37:26,040
Speaker 1: would be like, man, they sold out, they like yeah,

648
00:37:26,560 --> 00:37:29,640
Speaker 1: which was like stupid sometimes, like it was annoying when

649
00:37:29,840 --> 00:37:33,359
Speaker 1: like people would be like I liked Nirvana before, never mind,

650
00:37:33,440 --> 00:37:36,719
Speaker 1: never mind when they sold out or whatever. But I

651
00:37:36,760 --> 00:37:40,239
Speaker 1: do think that's a valuable like concept to having your

652
00:37:40,280 --> 00:37:43,240
Speaker 1: culture like because you don't really hear about it anymore,

653
00:37:43,280 --> 00:37:45,520
Speaker 1: like the change that feels a little insincere or just

654
00:37:45,560 --> 00:37:48,080
Speaker 1: for the sake of keeping up with what will keep

655
00:37:48,120 --> 00:37:51,200
Speaker 1: you relevant, right, And in the case of Taylor's with

656
00:37:51,360 --> 00:37:53,480
Speaker 1: that argument is almost kind of like invalid because it's

657
00:37:53,520 --> 00:37:56,279
Speaker 1: like when when would she have even had the opportunity

658
00:37:56,280 --> 00:37:59,640
Speaker 1: to sell out? Like she kind of started at that, right.

659
00:37:59,719 --> 00:38:02,839
Speaker 1: She's definitely a creature of this trend where it's like

660
00:38:03,400 --> 00:38:07,239
Speaker 1: there's no such thing as selling out because everybody's bought in. Um. Yeah,

661
00:38:07,239 --> 00:38:11,320
Speaker 1: she's been a consumer products for a moment one yeah, um,

662
00:38:11,480 --> 00:38:14,239
Speaker 1: but you know, yeah, it's it's it's again. I think

663
00:38:14,280 --> 00:38:17,680
Speaker 1: it's like musing about like a fileto fish sandwich in

664
00:38:17,760 --> 00:38:20,319
Speaker 1: a food review. It's like, you know, she is not

665
00:38:20,360 --> 00:38:23,239
Speaker 1: that complex, right, it's is it? You can just say, hey,

666
00:38:23,280 --> 00:38:25,359
Speaker 1: solid pop album, pretty good. You don't have to be

667
00:38:25,400 --> 00:38:29,080
Speaker 1: like the way she's softened black music of love. That kid,

668
00:38:29,160 --> 00:38:31,319
Speaker 1: I'm like, what are you saying? He's talking about the

669
00:38:31,320 --> 00:38:35,680
Speaker 1: New York Times review straight up thievery anyway, I Hey,

670
00:38:35,800 --> 00:38:38,040
Speaker 1: do you think guys, if you like Taylor Swift, good

671
00:38:38,080 --> 00:38:41,880
Speaker 1: for you? I don't, right, it sounds a lot like, uh,

672
00:38:42,040 --> 00:38:44,080
Speaker 1: you can you can hear the Jack Anton off in there,

673
00:38:44,200 --> 00:38:46,919
Speaker 1: the like the song that where she touched it about

674
00:38:47,080 --> 00:38:57,239
Speaker 1: Kanye sounds almost identical to uh that fun song tonight him. Yeah,

675
00:38:57,280 --> 00:38:59,239
Speaker 1: I really like that. That's how I am of like,

676
00:38:59,600 --> 00:39:03,040
Speaker 1: I'm so to you like that song. I like shake

677
00:39:03,080 --> 00:39:06,759
Speaker 1: it off, I shake it off. This is like the

678
00:39:06,800 --> 00:39:09,760
Speaker 1: thing when Taylor sut Out is like, I don't really

679
00:39:09,800 --> 00:39:12,359
Speaker 1: I don't like what she represents like, but I'm going

680
00:39:12,400 --> 00:39:14,840
Speaker 1: to end up getting stuck on one of the songs

681
00:39:14,840 --> 00:39:16,480
Speaker 1: on this fucking out. I don't know which one it

682
00:39:16,520 --> 00:39:18,680
Speaker 1: is yet, but it's going to be one of them.

683
00:39:18,680 --> 00:39:20,440
Speaker 1: I'm going to feel guilty as hell about it. I'm

684
00:39:20,480 --> 00:39:22,799
Speaker 1: gonna listen to it five times right, like in a

685
00:39:22,880 --> 00:39:30,400
Speaker 1: dark closet somewhere I can't pass any reflective surfaces. All right,

686
00:39:30,440 --> 00:39:34,880
Speaker 1: we're gonna go to a second commercial, as our producer

687
00:39:35,000 --> 00:39:38,440
Speaker 1: Nick calls them, and we'll be right back after that.

688
00:39:47,480 --> 00:39:52,680
Speaker 1: And we're back, and we're here to talk about Bloyds

689
00:39:54,320 --> 00:39:59,960
Speaker 1: um so, as we've talked about before all the time.

690
00:40:00,040 --> 00:40:03,440
Speaker 1: Bloids are made by like one publisher. It is a

691
00:40:03,520 --> 00:40:07,680
Speaker 1: guy named David Pecker, lives in New York. Very strange fellow,

692
00:40:08,600 --> 00:40:11,640
Speaker 1: big Donald Trump fan and a friend of Donald Trump.

693
00:40:11,680 --> 00:40:14,399
Speaker 1: So you will never see a negative thing about uh

694
00:40:14,480 --> 00:40:19,560
Speaker 1: Donald Trump in and only negative things about people who

695
00:40:19,600 --> 00:40:24,799
Speaker 1: criticized like Hillary Clinton gets like, I think of the

696
00:40:24,880 --> 00:40:28,520
Speaker 1: time in their editorial office is spent looking for pictures

697
00:40:28,520 --> 00:40:30,720
Speaker 1: of Hillary Clinton where it looks like she's like holding

698
00:40:30,719 --> 00:40:32,960
Speaker 1: a sneeze in because yeah, they have to, and then

699
00:40:32,960 --> 00:40:34,440
Speaker 1: they'll be like, oh, that's a great photo. Let's just

700
00:40:34,560 --> 00:40:39,440
Speaker 1: make up a cover story about that. Um. So, I

701
00:40:39,440 --> 00:40:43,040
Speaker 1: guess one one question I have for them is like,

702
00:40:44,080 --> 00:40:47,960
Speaker 1: where were they on all these Hollywood sex scandals like

703
00:40:48,000 --> 00:40:50,840
Speaker 1: the because they always talk about how they're like first

704
00:40:51,000 --> 00:40:54,279
Speaker 1: to report on stuff, But we didn't hear ship about

705
00:40:54,360 --> 00:40:57,880
Speaker 1: Kevin Spacey from y'all. We didn't hear anything about Charlie

706
00:40:57,920 --> 00:41:02,799
Speaker 1: Sheen assaulted little boys from you guys. Uh. Well, if

707
00:41:02,800 --> 00:41:07,000
Speaker 1: they're if they're in Trump's pocket, they're probably pretty uh

708
00:41:07,280 --> 00:41:12,120
Speaker 1: triggered by men being out at his sexual press. That's true. Um.

709
00:41:12,520 --> 00:41:16,640
Speaker 1: The one thing that they're actually they've been ahead of

710
00:41:16,680 --> 00:41:19,719
Speaker 1: everyone else at is telling you when a celebrity is

711
00:41:19,760 --> 00:41:23,640
Speaker 1: like near death. Um. Sometimes they go a little early,

712
00:41:24,440 --> 00:41:26,640
Speaker 1: like they do down at the front pages of these

713
00:41:27,120 --> 00:41:30,040
Speaker 1: uh tabloids. Is the first time I saw anybody say

714
00:41:30,080 --> 00:41:32,520
Speaker 1: that Steve Jobs was dying or that Patrick Swayze was

715
00:41:32,600 --> 00:41:37,440
Speaker 1: dying and uh, we unfortunately have an example of that

716
00:41:37,480 --> 00:41:40,320
Speaker 1: this week with Val Kilmer. Does not look good for

717
00:41:40,400 --> 00:41:45,600
Speaker 1: Val Kilmer, apparently he is battling cancer and does not

718
00:41:45,680 --> 00:41:50,719
Speaker 1: look great right now. So, uh, that sucks. That's the thing.

719
00:41:50,880 --> 00:41:54,520
Speaker 1: We will take the tabloid seriously, like, yeah, that's they do.

720
00:41:54,600 --> 00:41:57,839
Speaker 1: Seem to be on that ship in Star this week

721
00:41:57,880 --> 00:42:00,239
Speaker 1: there is a sponsored ad on the cover. Were of

722
00:42:00,239 --> 00:42:03,040
Speaker 1: the magazine? They're a sponsored out on the front. Dude, Yeah,

723
00:42:03,040 --> 00:42:06,880
Speaker 1: slim Fast see page four sponsored. Wow. Wow, we're not

724
00:42:06,920 --> 00:42:10,960
Speaker 1: doing well over there, gang. Yeah, the fucking coverage are

725
00:42:11,000 --> 00:42:13,839
Speaker 1: just gonna be ads pretty soon. That's that's Pandora's box

726
00:42:13,880 --> 00:42:16,719
Speaker 1: being open. That's yeah. Well, if anyone wants a slim

727
00:42:16,800 --> 00:42:22,200
Speaker 1: Fast four um in Touch has a story. Uh. It

728
00:42:22,320 --> 00:42:25,560
Speaker 1: is a picture of Brad Pitt and Jennifer Anderson says

729
00:42:25,640 --> 00:42:29,680
Speaker 1: Bread and Jen a second chance at love. Uh, and

730
00:42:29,960 --> 00:42:31,720
Speaker 1: I was like, oh my god, they're getting back together

731
00:42:31,719 --> 00:42:33,279
Speaker 1: and everyone in the room was like, no, they're not,

732
00:42:33,640 --> 00:42:36,760
Speaker 1: like that would that would be the only thing people

733
00:42:36,800 --> 00:42:39,760
Speaker 1: were talking about if they were getting back together. Also,

734
00:42:39,800 --> 00:42:44,319
Speaker 1: didn't they break up like fifteen years ago? So strange, Like, yeah,

735
00:42:44,320 --> 00:42:48,360
Speaker 1: why do I guess people still ship them. People, like

736
00:42:49,400 --> 00:42:52,880
Speaker 1: our cultural conscience is made up of like just wanting

737
00:42:52,920 --> 00:42:55,560
Speaker 1: these two to like have sex with one another. Like

738
00:42:55,600 --> 00:42:58,960
Speaker 1: it's just you get suffocate a person in all the

739
00:42:59,000 --> 00:43:03,000
Speaker 1: speculative exactly. It's weird. If they got back together, what

740
00:43:03,000 --> 00:43:05,719
Speaker 1: would they write about? The coverage would immediately and be

741
00:43:05,760 --> 00:43:08,840
Speaker 1: like they're about to break up. It's like they're together,

742
00:43:08,920 --> 00:43:11,200
Speaker 1: but this is why it won't last. Or maybe that's

743
00:43:11,280 --> 00:43:15,600
Speaker 1: like the nail and the coffin of print. They can

744
00:43:15,680 --> 00:43:18,040
Speaker 1: save us, all, save us all, Just get back together, Brad,

745
00:43:18,040 --> 00:43:21,040
Speaker 1: and we've run out of topic. What were they called that? Dude?

746
00:43:21,040 --> 00:43:28,480
Speaker 1: Did that predate like celebrity mash up names for Ford dread?

747
00:43:28,960 --> 00:43:32,319
Speaker 1: If you drad on YouTube, you can still see like

748
00:43:32,400 --> 00:43:34,920
Speaker 1: there was like a special on Ben Affleck and Jennifer

749
00:43:34,960 --> 00:43:38,080
Speaker 1: Lopez planning their wedding that never happened, and it is

750
00:43:38,440 --> 00:43:41,440
Speaker 1: one of the most moving pieces of television, moving in

751
00:43:41,520 --> 00:43:44,120
Speaker 1: what sense because you're witnessing true love in action. You're

752
00:43:44,200 --> 00:43:46,359
Speaker 1: witnessing true love and you know it's going to fall

753
00:43:46,440 --> 00:43:48,920
Speaker 1: upon Oh. So it's tragic from the standpoint that you

754
00:43:48,920 --> 00:43:51,959
Speaker 1: know what the ending is. So literally all they're talking

755
00:43:51,960 --> 00:43:57,200
Speaker 1: about is their wedding that never happens. It's great, good

756
00:43:57,239 --> 00:44:03,040
Speaker 1: for them. Misiris and someone named Liam have apparently been

757
00:44:03,080 --> 00:44:08,600
Speaker 1: married secretly before or something. Maybe I'm making this up.

758
00:44:08,640 --> 00:44:12,399
Speaker 1: It doesn't ultimately who cares? Um and they were they

759
00:44:12,480 --> 00:44:16,879
Speaker 1: hear in Liam Hemsworth, that's the lesser known Hemsworth is

760
00:44:17,080 --> 00:44:19,960
Speaker 1: uh what they had been dating? Right? They just were

761
00:44:20,040 --> 00:44:22,960
Speaker 1: never I think that. Yeah, maybe they were like engaged

762
00:44:22,960 --> 00:44:24,640
Speaker 1: and then broke up and then got back together and

763
00:44:24,680 --> 00:44:26,799
Speaker 1: now they're married or something like that, but that they

764
00:44:26,800 --> 00:44:28,759
Speaker 1: were like on and on, just like your favorite high

765
00:44:28,760 --> 00:44:32,800
Speaker 1: school couple. You know, well, our favorite high school couple

766
00:44:32,920 --> 00:44:41,000
Speaker 1: is brand for that's terrible. That's yeah, you know, maybe

767
00:44:41,000 --> 00:44:47,359
Speaker 1: that's like it never could have worked there. Um and

768
00:44:47,480 --> 00:44:50,880
Speaker 1: US Weekly announced this to us in in big yellow letters,

769
00:44:50,920 --> 00:44:55,200
Speaker 1: that Ben Affleck's lucky to be alive because he's battling

770
00:44:55,200 --> 00:44:57,000
Speaker 1: an addiction. So they've been seeing that for a couple

771
00:44:57,000 --> 00:44:59,359
Speaker 1: of weeks now. Yeah, yeah, they've been all about that.

772
00:44:59,719 --> 00:45:02,480
Speaker 1: Um because his face is getting a little puffy, and

773
00:45:02,600 --> 00:45:05,359
Speaker 1: I think I think he has been in and out

774
00:45:05,360 --> 00:45:10,080
Speaker 1: of rehead before puff Daddy was even puffy. My favorite

775
00:45:10,080 --> 00:45:14,319
Speaker 1: thing is in the Globe World Exclusive guys, please put

776
00:45:14,360 --> 00:45:17,480
Speaker 1: on your seatbelts, right down, your emergency contact because you

777
00:45:17,520 --> 00:45:21,680
Speaker 1: may pass out. On this news World exclusive, Malia Obama

778
00:45:21,760 --> 00:45:25,799
Speaker 1: questioned it FBI probe, Barack and Michelle's worst nightmare, all

779
00:45:25,880 --> 00:45:28,160
Speaker 1: the details inside. I mean, look at this cover. She

780
00:45:28,200 --> 00:45:34,399
Speaker 1: looks like a drug dealing Yeah, she looks like out

781
00:45:34,440 --> 00:45:36,480
Speaker 1: of here on Malia, do something, okay, and then when

782
00:45:36,480 --> 00:45:38,040
Speaker 1: you go in, you're like, oh my god, what kind

783
00:45:38,040 --> 00:45:40,880
Speaker 1: of ship did Mali get into? Its wild? Oh wow,

784
00:45:41,040 --> 00:45:43,760
Speaker 1: guess what Malie Obama caught up in wine Stein sex probe.

785
00:45:43,800 --> 00:45:46,279
Speaker 1: So again, the Globe is trying to tie the wine

786
00:45:46,280 --> 00:45:49,319
Speaker 1: Stein controversity to the Obama is to basically saying they're

787
00:45:49,600 --> 00:45:52,360
Speaker 1: they're sex crime enablers or something like that, right, and

788
00:45:52,440 --> 00:45:55,799
Speaker 1: because she was an intern there the summer, and then

789
00:45:56,160 --> 00:45:58,400
Speaker 1: you know, despite the fact that she actually left before

790
00:45:58,520 --> 00:46:02,120
Speaker 1: the stories, they're saying that the FBI wants to grill

791
00:46:02,239 --> 00:46:04,160
Speaker 1: her in a hush hush deposition as part of their

792
00:46:04,239 --> 00:46:08,880
Speaker 1: quest to charge Weinstein. Uh So again, look, first of all,

793
00:46:08,960 --> 00:46:11,200
Speaker 1: this this news has not even been reported anywhere, so

794
00:46:11,239 --> 00:46:12,759
Speaker 1: I don't know how the funk they got this idea

795
00:46:12,760 --> 00:46:14,719
Speaker 1: aside from just trying to one of those things. I

796
00:46:14,760 --> 00:46:17,839
Speaker 1: feel like they just threw darts at various buzz words.

797
00:46:17,880 --> 00:46:22,000
Speaker 1: They're like Obama, Well, they're desperate for Malia Obama to

798
00:46:22,320 --> 00:46:25,320
Speaker 1: like have some sort of problem because they've been telling

799
00:46:25,440 --> 00:46:28,479
Speaker 1: stories since we've been paying attention to the tabloids. They've

800
00:46:28,520 --> 00:46:31,279
Speaker 1: been talking about her being like out of control. Yeah,

801
00:46:31,280 --> 00:46:33,400
Speaker 1: because she like went to a concert, like she was

802
00:46:33,480 --> 00:46:37,799
Speaker 1: spotted smoking a funny cigarette out of music fest months ago. Yeah,

803
00:46:37,800 --> 00:46:41,840
Speaker 1: and then like in August, the Obama's little girl went berserk,

804
00:46:42,080 --> 00:46:44,240
Speaker 1: ruling on the ground in a frenzy at a Chicago

805
00:46:44,400 --> 00:46:46,000
Speaker 1: music FESTI she was at lot of blues that she's

806
00:46:46,040 --> 00:46:48,000
Speaker 1: nineteen years old, she went a while out of some

807
00:46:48,120 --> 00:46:50,360
Speaker 1: rock music. She didn't lose her mind. And also like

808
00:46:50,640 --> 00:46:53,239
Speaker 1: how the funk in my mind? I think Malia is

809
00:46:53,280 --> 00:46:55,560
Speaker 1: probably like really works the angle that her dad is

810
00:46:55,560 --> 00:46:58,280
Speaker 1: Barack Obama, because like this is some ship only Malia

811
00:46:58,320 --> 00:47:00,200
Speaker 1: and Sasha can say, Like the FBI show up, like hey,

812
00:47:00,200 --> 00:47:01,759
Speaker 1: you want to talk to you? It's like what the

813
00:47:01,800 --> 00:47:03,800
Speaker 1: fund do you want? You know? What do you know

814
00:47:03,840 --> 00:47:06,520
Speaker 1: about Harvey? Weinst like, are you fucking? My dad is sucking? Obama?

815
00:47:08,560 --> 00:47:11,800
Speaker 1: Obama is the greatest. She probably use that at a nightclub.

816
00:47:11,960 --> 00:47:14,400
Speaker 1: They're like, Okay, you're not twenty one. Do you know

817
00:47:14,480 --> 00:47:17,239
Speaker 1: who my fucking dad is. It's Obama. My dad is

818
00:47:17,360 --> 00:47:21,520
Speaker 1: literally Obama. So back the fun. So again, this is

819
00:47:21,560 --> 00:47:25,680
Speaker 1: just really really great groundbreaking journalism from the Globe. I

820
00:47:25,760 --> 00:47:28,600
Speaker 1: mean they believe it. They have an inset photo of

821
00:47:28,640 --> 00:47:30,520
Speaker 1: Barack Obama with his finger over his mouth like she

822
00:47:30,680 --> 00:47:34,080
Speaker 1: don't be talking about West, and then a picture of

823
00:47:34,160 --> 00:47:38,000
Speaker 1: Weinstein looking like a mob boss. It's it's wild, it's wild.

824
00:47:38,120 --> 00:47:41,360
Speaker 1: Good luck connecting those dots the Globe. So, and the

825
00:47:41,480 --> 00:47:44,239
Speaker 1: only claim that they have in there is that the

826
00:47:44,360 --> 00:47:47,799
Speaker 1: FBI wants to question her. Yeah, not that she has

827
00:47:47,880 --> 00:47:52,160
Speaker 1: been or anything like the desire among quote the FBI

828
00:47:52,320 --> 00:47:54,759
Speaker 1: and then being like, oh, they think quote they want

829
00:47:54,800 --> 00:47:56,759
Speaker 1: to find out what she saw while working as a

830
00:47:56,800 --> 00:48:00,279
Speaker 1: Weinstein intern, spills a Washington d C source for the

831
00:48:00,360 --> 00:48:03,200
Speaker 1: purpose of this article, and then they think Malia has

832
00:48:03,280 --> 00:48:06,920
Speaker 1: explosive information even though she resigned before the sleazy stories

833
00:48:06,960 --> 00:48:09,040
Speaker 1: of wine Stein sex abuse. So don't try. And now

834
00:48:09,360 --> 00:48:11,080
Speaker 1: now they're trying to drag her up in this mess

835
00:48:11,160 --> 00:48:15,000
Speaker 1: like she's she's sitting on like a treasure trove of information.

836
00:48:15,280 --> 00:48:18,120
Speaker 1: Was that last part In quotes from the Washington Source.

837
00:48:18,239 --> 00:48:21,680
Speaker 1: They think she has explosive information. Yes, that is also

838
00:48:21,840 --> 00:48:24,200
Speaker 1: so that this is our favorite thing about the tabloids

839
00:48:24,360 --> 00:48:28,200
Speaker 1: is that you can hear like the tabloid writing like

840
00:48:28,360 --> 00:48:32,120
Speaker 1: headline writing voice in the quotes from their alleged sources,

841
00:48:32,440 --> 00:48:36,040
Speaker 1: like nobody says ship Like they think she has explosive

842
00:48:36,120 --> 00:48:40,279
Speaker 1: details about the sleazy sleez Oi. It's like, no, dude,

843
00:48:40,320 --> 00:48:44,040
Speaker 1: that's how you write. That is but they always attributed

844
00:48:44,160 --> 00:48:49,719
Speaker 1: to Washington Source, classic unnamed source rhetoric exactly. They all

845
00:48:49,800 --> 00:48:53,600
Speaker 1: talked the same way how you want them to, because

846
00:48:53,680 --> 00:48:56,400
Speaker 1: they're made up. But the reason we pay attention to

847
00:48:56,440 --> 00:48:59,440
Speaker 1: the tabloids because millions of people passed by them, uh,

848
00:49:00,000 --> 00:49:05,200
Speaker 1: every day, so they're they're seeing these headlines and absorbing

849
00:49:05,600 --> 00:49:09,040
Speaker 1: all this all this nonsense. Yeah. Also, you know, Malia,

850
00:49:09,160 --> 00:49:11,320
Speaker 1: keep your head up, yeah, you know, don't don't and

851
00:49:11,360 --> 00:49:13,200
Speaker 1: don't snitch. You know what I mean? You look cold

852
00:49:13,239 --> 00:49:17,560
Speaker 1: of the streets. My dad is literally Obama. Get the

853
00:49:17,640 --> 00:49:20,359
Speaker 1: funk away from my dad is Obama. Move. I hope

854
00:49:20,400 --> 00:49:22,560
Speaker 1: she's not like a bad person, because I would kind

855
00:49:22,600 --> 00:49:24,120
Speaker 1: of hope if I say that, I mean, it's so,

856
00:49:24,400 --> 00:49:27,560
Speaker 1: it would be so if I can seriously say my

857
00:49:27,680 --> 00:49:30,000
Speaker 1: dad is Obama. I mean, first of all, I wouldn't

858
00:49:30,000 --> 00:49:32,439
Speaker 1: be doing this podcast. I would be treating Uber Driver

859
00:49:32,640 --> 00:49:35,200
Speaker 1: so rude. I mean, any kid of a president, like

860
00:49:35,280 --> 00:49:37,120
Speaker 1: especially when they were like if they were kids when

861
00:49:37,160 --> 00:49:38,680
Speaker 1: they were in the like, that's got to be so

862
00:49:38,880 --> 00:49:41,200
Speaker 1: hard to be like a normal ass person. After that,

863
00:49:41,560 --> 00:49:44,520
Speaker 1: Chelsea Clinton seems okay, she seems all right. Yeah, Jenna

864
00:49:44,560 --> 00:49:48,279
Speaker 1: Bush tried stand up? You guys? Wait what? No? Yeah?

865
00:49:48,360 --> 00:49:52,600
Speaker 1: Oh yeah, Jenna Bush. She's dabbling. She's she's dabbling. We

866
00:49:52,680 --> 00:49:56,279
Speaker 1: gotta hit a couple of minkes. Yeah, alright, that's our recommendation. Yeah,

867
00:49:57,520 --> 00:50:00,440
Speaker 1: stand up, because that's what is going down. Don't want

868
00:50:00,480 --> 00:50:03,520
Speaker 1: to see that. Um, Jamie. This has been a lot

869
00:50:03,600 --> 00:50:06,560
Speaker 1: of fun as usual. Where can people follow you? I

870
00:50:06,719 --> 00:50:09,279
Speaker 1: can follow me on Twitter at Hamburger Fund. Can follow

871
00:50:09,320 --> 00:50:13,440
Speaker 1: my podcast on Twitter at beck del Cast. What you

872
00:50:13,520 --> 00:50:17,239
Speaker 1: guys got going on? Uh? In the pipeline? We just

873
00:50:17,320 --> 00:50:20,399
Speaker 1: did an episode on super Bad that's going to come out,

874
00:50:20,840 --> 00:50:23,920
Speaker 1: and then this week we released our Shrek episode, which

875
00:50:23,920 --> 00:50:27,719
Speaker 1: I've been waiting for my entire life. Very exciting. I

876
00:50:27,800 --> 00:50:30,839
Speaker 1: s you're a Shrek fan. If you're a Shrek the musical, fan,

877
00:50:31,440 --> 00:50:34,239
Speaker 1: it's the episode for you. What Shrek the Musical, just

878
00:50:34,480 --> 00:50:37,560
Speaker 1: get the funk out. I'm gonna, I'm gonna dude, Shrek

879
00:50:37,600 --> 00:50:40,759
Speaker 1: the Musical Jamie Broadway shipped over the table there. I

880
00:50:40,920 --> 00:50:45,840
Speaker 1: just don't put that knife away. I'm okay. So Shrek

881
00:50:45,880 --> 00:50:49,640
Speaker 1: the Musical was on Broadway for four years, was a

882
00:50:50,160 --> 00:50:54,040
Speaker 1: huge hit. One a ton of Tony's Sutton Foster was

883
00:50:54,120 --> 00:50:57,720
Speaker 1: in it. It was a huge fucking deal, Sutton Foster.

884
00:50:58,080 --> 00:51:01,560
Speaker 1: Sutton Foster is like she or she was at one time,

885
00:51:01,640 --> 00:51:04,120
Speaker 1: like the queen of Broadway. Like, why was she dressing

886
00:51:04,200 --> 00:51:06,200
Speaker 1: up like an over I'm not touched. I mean, I'm

887
00:51:06,239 --> 00:51:08,640
Speaker 1: not in touch with Broadway. So sorry about that. Sorry

888
00:51:08,680 --> 00:51:10,840
Speaker 1: to the Shrek Musical. Oh my, Shrek the Musical heads,

889
00:51:11,280 --> 00:51:14,560
Speaker 1: keep your head up there trying to force miles. I'd

890
00:51:14,560 --> 00:51:16,440
Speaker 1: ask you where people can follow you, but it's not

891
00:51:16,520 --> 00:51:20,480
Speaker 1: like anyone's gonna want to after you asked. Don't worry.

892
00:51:20,880 --> 00:51:22,600
Speaker 1: But if, hey, if you're looking to find me, you

893
00:51:22,640 --> 00:51:25,080
Speaker 1: will find me, probably Agenda Bush's next stand up set,

894
00:51:25,239 --> 00:51:27,399
Speaker 1: because I will have to see that with my bare eyes.

895
00:51:27,920 --> 00:51:29,560
Speaker 1: But if you're more interested on the social media thing,

896
00:51:29,800 --> 00:51:32,319
Speaker 1: follow me on Twitter and Instagram. At Miles of Gray

897
00:51:32,520 --> 00:51:34,600
Speaker 1: and you know, shout out to everybody who reaches out

898
00:51:34,640 --> 00:51:37,000
Speaker 1: because we love you. Yeah, you can follow me at

899
00:51:37,040 --> 00:51:41,520
Speaker 1: Jack Underscore. O'Brien, you can follow us at the Daily

900
00:51:41,680 --> 00:51:46,600
Speaker 1: Zeitgeist on Instagram. Uh. We have a fan page that

901
00:51:46,800 --> 00:51:49,800
Speaker 1: is the Daily Zeitgeist. Uh. You can follow us on

902
00:51:49,840 --> 00:51:53,320
Speaker 1: Twitter at daily Zeitgeist. And we have a web page

903
00:51:53,400 --> 00:51:57,920
Speaker 1: called daily Zeitgeist dot com where you can find our footnotes,

904
00:51:58,120 --> 00:52:03,400
Speaker 1: footnotes of um, just every every source that we have

905
00:52:03,600 --> 00:52:06,719
Speaker 1: used for this conversation. You can go click on it.

906
00:52:06,840 --> 00:52:09,680
Speaker 1: So if you think we're making ship up, we're not,

907
00:52:10,200 --> 00:52:13,520
Speaker 1: go click on that. Did stand? Yeah? I guess that.

908
00:52:13,680 --> 00:52:15,600
Speaker 1: I guess that will be in our footnote. We will

909
00:52:15,600 --> 00:52:18,200
Speaker 1: have a link if there is a source on that. Uh.

910
00:52:18,440 --> 00:52:21,040
Speaker 1: And before we go, I just wanted to so we

911
00:52:21,239 --> 00:52:23,759
Speaker 1: feel like an episode about a week and a half

912
00:52:23,800 --> 00:52:27,759
Speaker 1: ago or maybe two weeks ago, we said something in

913
00:52:27,840 --> 00:52:32,080
Speaker 1: a way that implied that OxyContin was bad for you,

914
00:52:32,360 --> 00:52:34,759
Speaker 1: and we did not know we said something in a

915
00:52:34,840 --> 00:52:37,839
Speaker 1: way that implied that oxyconton was the most powerful pain

916
00:52:37,960 --> 00:52:40,920
Speaker 1: killer on the market. Uh. And we had a listener,

917
00:52:41,040 --> 00:52:45,040
Speaker 1: Mr Cheese on Twitter. His handle is at Jeremy Underscore

918
00:52:45,160 --> 00:52:48,239
Speaker 1: Heimkey reach out and point out that there are many

919
00:52:48,480 --> 00:52:53,960
Speaker 1: more powerful painkillers like fentinil opana, oxy morphone. Uh, and

920
00:52:54,040 --> 00:52:58,520
Speaker 1: the idea that oxy contin is uh the most powerful

921
00:52:58,760 --> 00:53:01,719
Speaker 1: is actually killing people because they think, you know, vent

922
00:53:01,880 --> 00:53:04,520
Speaker 1: nil is less powerful and it's actually more powerful and

923
00:53:04,600 --> 00:53:09,279
Speaker 1: people are o ding on that. Um. So, yeah, apologies

924
00:53:09,400 --> 00:53:12,600
Speaker 1: for implying that I think you know. This was in

925
00:53:12,680 --> 00:53:14,839
Speaker 1: a story where we're pointing out that the marketing work

926
00:53:14,920 --> 00:53:18,239
Speaker 1: done by Purdue helped open the floodgates for all these

927
00:53:18,320 --> 00:53:21,920
Speaker 1: dangerous painkillers, which is true, but it's not the only

928
00:53:22,000 --> 00:53:25,080
Speaker 1: one or even the most powerful, so be careful. And

929
00:53:25,200 --> 00:53:29,640
Speaker 1: that's that's it. Thank you to Mr Cheese for pointing

930
00:53:29,680 --> 00:53:31,920
Speaker 1: that out to us. And that's gonna do it for

931
00:53:32,120 --> 00:53:36,480
Speaker 1: us for this week. Season five. Yeah, season five is

932
00:53:36,640 --> 00:53:41,879
Speaker 1: in the books, folks. We're gonna as episodes. We will

933
00:53:41,960 --> 00:53:47,000
Speaker 1: be back with our on Monday. Uh so we will

934
00:53:47,040 --> 00:54:05,640
Speaker 1: talk to you guysn't And that to atter a patro