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Speaker 1: Hi everybody. Hello, Hello, Yeah, yoh, I miss you so

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Speaker 1: much it hurts sometimes. I know, duds. I see all

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Speaker 1: these thirsty yet sexy pictures of you on the Instagram,

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Speaker 1: and Florence and I were joking like feeling himself a

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Speaker 1: little bit, I'm losing a little bit of weight. Yeah,

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Speaker 1: I saw some of the thirsty pictures. And I also

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Speaker 1: just hang it out of my trailer. Just take my

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Speaker 1: trailer with my new fit, skinny face. Yeah. You know,

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Speaker 1: the drugs and alcohol are strating to leave my system,

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Speaker 1: and the first place it shows up is your face.

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Speaker 1: So automatically you're like, look at this. Who is this

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Speaker 1: motherfucker right here? Well, you look great. I can't knock

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Speaker 1: it house. Have you started shooting your the show yet? Yes,

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Speaker 1: it's a lot of fun. You know. I'm gonna be

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Speaker 1: honest with you. I am having a great time. Good dove.

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Speaker 1: Chloe and Yanna are awesome. They're the powerpuff Girls. Yeah. Um,

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Speaker 1: the director Maggie, she's crushing it blows crushing it. Like,

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Speaker 1: I'm just having a great time working with everyone. Yeah,

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Speaker 1: And we're trying to deliver a good show, you know,

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Speaker 1: we're trying to We're really trying hard. To give the

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Speaker 1: fans something that they're like, you know, whether you like

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Speaker 1: the idea of Powerpuff being created or you don't, we

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Speaker 1: want you. You know, we're trying to give you something.

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Speaker 1: Everybody's working hard at trying to give you something. So

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Speaker 1: at the end of the day, you're like, it was

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Speaker 1: actually pretty good. Well, I gotta tell you that there's

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Speaker 1: quite a pedigree behind it, you know that, Diablo, Cody

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Speaker 1: and Greg BERLANDI, I mean, these are all these are

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Speaker 1: all power hitters, So I think it's gonna be amazing.

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Speaker 1: And I've never even seen anything. Only I know about

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Speaker 1: Powerpuff Girls is that graphic of the three of them

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Speaker 1: with their fists up. That's all I know. Yeah, I know,

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Speaker 1: I know. I've started watching the old show and that

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Speaker 1: it's funny. You know, the originals show, the original series

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Speaker 1: is funny, like laugh out loud funny. I didn't. I

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Speaker 1: didn't realize that. And it kind of has the it

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Speaker 1: kind of has the animation of like old school hand

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Speaker 1: up Barbara type. You know, it's like, really, it's really cool. Now,

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Speaker 1: I will say this, people might not like the way

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Speaker 1: I played the professor because I'm definitely not talking like that.

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Speaker 1: I'm sorry. Talk. It's like, hey, the Powerpuff Girls are

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Speaker 1: you know what I mean, I'm not doing that stereotype. Dad.

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Speaker 1: Oh well, I don't think anyone's expecting you to be

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Speaker 1: a sixties stereotype. Dad. I hope not. Just make it

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Speaker 1: your own, that's right. Well, you know, but I still

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Speaker 1: have to hold some of the you know, some of

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Speaker 1: the characteristics and quirkiness that of course. What I mean.

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Speaker 1: I think people, I think I think everyone will be

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Speaker 1: excited to see what you do with it, and I

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Speaker 1: think there's gonna be so many eyeballs on it. And

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Speaker 1: it's just I'm just proud of you that you're involved

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Speaker 1: with something so cool. So man, how stupid bother doesn't

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Speaker 1: going incredible the same thing. I'm just so happy. I

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Speaker 1: love everybody. The kids are so cute. Um, I just

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Speaker 1: love them. They're so they have so many questions and

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Speaker 1: they're just so you know, every day that goes by,

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Speaker 1: I watched them bonding with each other more and um,

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Speaker 1: and we're becoming this family unit. You know. I literally

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Speaker 1: have to be the dad sometimes because you know, when

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Speaker 1: all the crew and parents and guardians and babysitters and

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Speaker 1: all those people clear away, it's just me and Gabby

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Speaker 1: as the adults, and then like these little twins start

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Speaker 1: fighting and I have to be like guys, guys, guys,

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Speaker 1: come on, come on, come on, let's focus. Like I

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Speaker 1: literally have to be like dad and they look up

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Speaker 1: to me, you know, as like Uncle Zach basically. But

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Speaker 1: it's fun, man. I love it. It's too good to

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Speaker 1: be true. It's the same thing that you're saying, it's

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Speaker 1: great script. You know, as actors, we sometimes are run

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Speaker 1: things we don't love. It's it's it's a good opportunity

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Speaker 1: or I'm doing it for X Y or z E reasons.

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Speaker 1: This is one of those things where I love it,

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Speaker 1: like I'm having every day I come home smiling. Yeah,

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Speaker 1: I know the feeling, man, And it's you know I have.

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Speaker 1: There's a young lady on the show. This is her

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Speaker 1: first time ever in front of the camera. Names Jana right.

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Speaker 1: She plays Buttercup. First time ever on camera. She did

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Speaker 1: a lot of broad She did a couple of some

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Speaker 1: things on Broadway. She was in Jagged Little Pill with

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Speaker 1: when Diablo, did that with Atlantis Morrisette, and then she

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Speaker 1: got the tour. She got the tour for Hamilton and

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Speaker 1: right when it was about to go off COVID happened

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Speaker 1: right o. Man. So she's you know, she's like brand new, fresh,

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Speaker 1: banking new to the television film industry. And it's so

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Speaker 1: refreshing to see because I remember when I was like

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Speaker 1: that and just like her innocence and the question she

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Speaker 1: asks and like it's like so amazing, and and I

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Speaker 1: keep telling her, please don't ever lose this energy. Always

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Speaker 1: stay on this energy. But you know, in time, you know,

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Speaker 1: Hollywood will get to you. Yeah, that's another it's a

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Speaker 1: very it's funny, it's very analogous situation. I'm in too

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Speaker 1: down because a lot of these kids, you know, these

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Speaker 1: some of these kids are really little. And even even

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Speaker 1: the young lady who's playing my sixteen year old daughter

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Speaker 1: is I believe she's eighteen or nineteen just started NYU

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Speaker 1: and the all so wide eyed in the it's but

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Speaker 1: I love like explaining things, and you know, they have

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Speaker 1: the little kids have tons of questions. What's that? You know,

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Speaker 1: whether it's crew gadgets, like what's that for? What's that?

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Speaker 1: Or they yell some jargon on the set and the

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Speaker 1: kids are like what does that mean? And I love

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Speaker 1: being like the elder states been like, well, kids let

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Speaker 1: me tell you what that means. And so that's fun.

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Speaker 1: And I thought of you Donald, because without spoiling anything

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Speaker 1: for anyway, there's a moment where a character one of

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Speaker 1: my kids has to hit a three point shot in

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Speaker 1: front of a whole gym of people. And I was

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Speaker 1: thinking of the Scrubs episode where you where were doing

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Speaker 1: that one or you had to hit that shot. And

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Speaker 1: this this young lady is so talented and she's an athlete,

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Speaker 1: but wasn't a great blastgot player, and she's been training

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Speaker 1: and training and training and training and training, and there

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Speaker 1: we were in the stands and she's supposed to like

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Speaker 1: hit like this all important three and she keeps missing

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Speaker 1: it and keeps missing it. I'm like, under pressure, I'm

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Speaker 1: like biting my fingers for like like her dad, like

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Speaker 1: as though I'm her dad. I started biting my and

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Speaker 1: and everyone, you know, because we know they can edit

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Speaker 1: it together. Even when the three doesn't go in, we

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Speaker 1: all cheer because you know, well they'll just they'll edit

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Speaker 1: it so it looked and we're thinking, like how many

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Speaker 1: times are they gonna give her to like do this.

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Speaker 1: They ideally want it to be real without cutting to

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Speaker 1: them rim you know, she misses. I don't know, but

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Speaker 1: we're all fake cheering even when it doesn't go in.

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Speaker 1: And then in my mind, I'm thinking, like, Okay, if

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Speaker 1: I was directing, i'd probably give her three more try.

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Speaker 1: I don't know, I try to think, and I'm just

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Speaker 1: sitting there, and then she fucking hits it, and I

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Speaker 1: swear to God as though I was her father. I

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Speaker 1: leapt to my feet and I was so elated. And

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Speaker 1: then she and in the scene, she looks at me

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Speaker 1: and she points, so I was just like I could

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Speaker 1: have cried. I was so proud of dude. That's so awesome, man, Yeah,

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Speaker 1: it's really it's really great. It's really awesome to to

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Speaker 1: to live through other people's learning experiences, and like I

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Speaker 1: do it with my children all the time. But you know,

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Speaker 1: my kids aren't actors, and you know I I wouldn't

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Speaker 1: necessarily put them into game. So when I'm meet somebody

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Speaker 1: who's in the same profession as me and I and

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Speaker 1: I'm watching them literally grow as they're working, it's it's

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Speaker 1: just so it's it's endearing, it's it's overwhelming, Like I

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Speaker 1: feel you, like you want to cry. I love it, man,

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Speaker 1: how are you guys? Doing man, you know, why is

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Speaker 1: your camera off? We want to see your beautiful hair. Sorry,

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Speaker 1: I'm trying to um text our guests and let them

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Speaker 1: know that we will be with them in a moment. Okay, Well,

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Speaker 1: I really like your new hairstyle, and I want to

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Speaker 1: segue from your new hairstyle into well, so we count

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Speaker 1: in Donald what we have an exciting show today. First

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Speaker 1: of all, this is a very funny episode. I want

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Speaker 1: to explain to people that why we're jumping around a

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Speaker 1: little bit, it's because we you know, again, you have

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Speaker 1: to bear with us as the four of us figure

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Speaker 1: out how to bring you the show every week. It's

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Speaker 1: it's a little tricky with our schedules, but we're doing

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Speaker 1: it and we love doing it. We booked Chase Serrano,

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Speaker 1: who everybody loves, who's like a Scrubs expert and a

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Speaker 1: brilliant writer for My Life and four Cameras because that's

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Speaker 1: the one he wanted to do. And as we all know,

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Speaker 1: that's a special episode where we spoof the sitcom M

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Speaker 1: Shay wasn't available this Sunday, so we're gonna do Shay

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Speaker 1: next Sunday, right, Joel, Yes, that's correct, And so we

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Speaker 1: jumped ahead to four eighteen My Roommates, which is a

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Speaker 1: very funny episode that we're talking about today, Rolling, Rolling,

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Speaker 1: And as we had promised and on people have asked,

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Speaker 1: we brought on three of our stand ins from the

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Speaker 1: show and we'll explain again and remind you what stand

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Speaker 1: ins mean and are in a moment. But I'm very

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Speaker 1: excited for this episode, and also we're going to do

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Speaker 1: an update on Joelle and her date that she met

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Speaker 1: during the live show. Thanks to all the people who attended.

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Speaker 1: And Joelle, your hair looks very cute. I very guys.

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Speaker 1: How long did that take? Did you do that? You

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Speaker 1: didn't do that yourself? Yeah, oh, I see it's just

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Speaker 1: the front. I thought it was the whole thing. No, no,

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Speaker 1: I haven't had I think. Oh that's very cute. That's

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Speaker 1: a good look for just twist. Thank you and Daniel,

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Speaker 1: I see the DJ turntables are set up. Have you

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Speaker 1: been practicing? DJs call it practicing? Yeah, no, that's that's

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Speaker 1: the right word. I'm doing a DJ stream tonight for

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Speaker 1: the first time in a long time, so I had

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Speaker 1: think a nice Daniel gonna bury the lead? Come on, well,

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Speaker 1: the timing will be off, will people be able to

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Speaker 1: watch it on Tuesday or no. Sure, Yeah, the let's

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Speaker 1: call the video on demand. If they go to my

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Speaker 1: Twitch channel, they can watch it. After We'll remind people

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Speaker 1: how to watch you do your thing. You can go

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Speaker 1: to twitch dot tv, slash dj Underscore, Daniel dam That's

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Speaker 1: what I'm talking about. That's that's what I'm talking about,

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Speaker 1: all right, Donald counts into America's Favorite podcast. Before I

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Speaker 1: do that, that was like a real That's what I'm

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Speaker 1: talking That was like a drunk drunk That's what I'm

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Speaker 1: talking about. Before, Like I think I was drunk when

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Speaker 1: I did that. I don't know. Just talk about you

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Speaker 1: were definitely stone when you said this, who tank forever ever, ever,

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Speaker 1: ever ever? I still mean it now. It's a sober

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Speaker 1: living going buddy. Before we count. I am on the fifteenth,

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Speaker 1: I'll be two months no alcohol. You didn't even drink

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Speaker 1: on your birthday. Hey, no, sir. I had a couple

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Speaker 1: of friends over and they were all enjoying frozen margarita's

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Speaker 1: and I watched them enjoy them. I'm supposed to I

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Speaker 1: haven't drank in two weeks, and I'm supposed to go

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Speaker 1: out and get wined tonight with the head and makeup

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Speaker 1: artist on our show, and I'm dreading it because I

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Speaker 1: really don't want to drink, but I want to hang

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Speaker 1: out with the dude. You know. That's the problem. By

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Speaker 1: the way, this is a problem for the I'm sure

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Speaker 1: there's people listening going. I would try, you know, taking

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Speaker 1: an alcohol break, but going out for being socialist, and

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Speaker 1: that is tricky, and I recommend. What I do is

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Speaker 1: I get something that's a little bit special, like a

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Speaker 1: ginger beer, which I really happen to like, oh um,

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Speaker 1: because it takes really good to me. It's like, say,

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Speaker 1: kind of the equivalent of getting when I say I

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Speaker 1: have a GTS kambucca, although the rest of the bar probably,

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Speaker 1: but you can get a ginger beer or something else

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Speaker 1: that you find that you don't normally get that doesn't

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Speaker 1: have booze in it. But dude, I'm telling you, once

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Speaker 1: you get past the initial like, oh, everyone's having a

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Speaker 1: drink and I wish had to drink, I'm so stoked.

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Speaker 1: Like when I make it to the parking lot and

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Speaker 1: I and I actually made it through dinner and didn't

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Speaker 1: have a drink, I'm like, yes, because the only part

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Speaker 1: you care about is like the sort of socializing. We've

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Speaker 1: just we're so used to it. We've been doing it

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Speaker 1: since we were freaking teenagers most of them. Yeah, yeah,

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Speaker 1: I was doing it when I was. I drank more

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Speaker 1: in high school than I ever did the rest of

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Speaker 1: my life. But um, you know, so we were just

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Speaker 1: we're just conditioned to it, and it is awkward. You

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Speaker 1: know that. That's the only time that I miss having

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Speaker 1: a drink is when your body we have this like

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Speaker 1: Pavlovian response like time to socialize drink, which is weird,

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Speaker 1: and we're just we're just used to it. So but

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Speaker 1: I'm telling you, once you make if you successfully make

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Speaker 1: it past that stage and just had a non alcoholic drink, um,

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Speaker 1: you feel super stoked right on, right on. Yeah, So

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Speaker 1: no weed, no booze. Two weeks, I'm good. I'm loving it,

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Speaker 1: like the way my face is set up. You know,

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Speaker 1: as my therapist says, um, nothing beats a streak, no nothing.

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Speaker 1: So it's like a streak can be beaten. But you

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Speaker 1: know what he was saying was that if you whatever

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Speaker 1: you're trying to do, whether it's meditate every day or

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Speaker 1: do some exercise every day, or take a booze break,

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Speaker 1: it's um. He said, there's so much power in a

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Speaker 1: streak because you don't want to lose your streak. You

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Speaker 1: don't want to suck up your streak. Right. Something I

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Speaker 1: always did, I think I mentioned this on the podcast

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Speaker 1: is um is just print out a paper calendar. You

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Speaker 1: can find a free one on the web, and then

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Speaker 1: I would just give myself a smiley face on the

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Speaker 1: day every time I was doing something I wanted to

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Speaker 1: to to do every day, whether it was meditate or

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Speaker 1: take an alcohol break. And then even just looking at

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Speaker 1: the calendar like, I'm not gonna fuck up my streak

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Speaker 1: by putting a fucking X on the day I want

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Speaker 1: my smiley face. It's really It's crazy though. Man, Once

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Speaker 1: you freaking decide to do this out of the blue,

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Speaker 1: everybody in a mama want to smoke with you or

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Speaker 1: every name mama. Do you know how many you know

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Speaker 1: what my cast gifts were, like the gifts that they

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Speaker 1: gave me, like this, let's see it. What am I

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Speaker 1: gonna do with this? Dude? What are you doing? Gift it?

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Speaker 1: That's the only way too do Listen. I have this

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Speaker 1: assistant on the movie and she brought in this beautiful

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Speaker 1: bottle of wine from the producers. Um, I'm sure it

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Speaker 1: was expensive because it was my birthday present. And she's like, oh,

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Speaker 1: just reminding you that you got that bottle of wine

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Speaker 1: from the producers And I said, oh, thank you so much.

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Speaker 1: She was where do you want to put it? I said,

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Speaker 1: in your bag. It's for you, right And she was like,

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Speaker 1: really this is like expensive. I was like, I know

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Speaker 1: I'm not drinking right now. That's all. You have a

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Speaker 1: good weekend. She was like, oh god, that's awesome. All right.

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Speaker 1: So here we go, y'all five six, seven day stories

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Speaker 1: about so we made nurses stories. All right, Now we

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Speaker 1: got to start off Joel. First of all, Um, has

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Speaker 1: there been any updates? Has the has the date? So

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Speaker 1: to remind people who weren't at the live show, we

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Speaker 1: did a dating game and all of the attendees of

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Speaker 1: the in the audience voted. We had a live poll

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Speaker 1: which person Joel should take on a zoom date. We

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Speaker 1: we all voted on it amongst ourselves and then of

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Speaker 1: course we left it to Joel and did you have

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Speaker 1: the date yet? Yeah? We did. We it was actually

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Speaker 1: this morning right before you answer, Before you answer, Daniel,

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Speaker 1: I think we should play the theme song for Joel's

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Speaker 1: dating segments. It's the most fire song ever. Here we go,

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Speaker 1: get the word out, Joel, no matter what's between your

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Speaker 1: next tomorrow and you get them get down. Oh yeah,

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Speaker 1: Joe down. Wow. That is I think that's what they

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Speaker 1: call a bop Daniel in DJ and DJ Lingo. I

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Speaker 1: believe you're correct on that one. Okay, I love the lyrics.

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Speaker 1: The lyrics are the best. All right, Chu, well go ahead.

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Speaker 1: How did it go? Um? It went really well. It

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Speaker 1: was fun. We were talked about it before and I

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Speaker 1: was like, oh, fienteen minutes shortly, let's see you half

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Speaker 1: an hour. And by the end of it we've been

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Speaker 1: talking for two hours. We're gonna watch a movie and

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Speaker 1: never got to that. Um. Oh, it was fun. We

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Speaker 1: like exchanged a lot of like television and manga X

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Speaker 1: so we're gonna wait television and what manga conga It's like, yes,

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Speaker 1: it's yeah, that's exactly what it is. Mm hmmm um.

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Speaker 1: And so she reads a ton of that and so

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Speaker 1: I was like, okay, so I'm gonna find the books

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Speaker 1: and read then watch the shows. And it was fun

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Speaker 1: and we'll text about them and then I think in

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Speaker 1: a week or so, we're gonna try to watch A

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Speaker 1: Knight's Tale. She hasn't seen it since like middle school,

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Speaker 1: and it's one of my favorite movies. Oh my gosh, wow,

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Speaker 1: A Night's Tale. I don't know A Knight's Tale. Yeah,

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Speaker 1: you do with Ledger, I never saw it. Oh, it's

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Speaker 1: so good, Alan Tutteck, Heath Ledger, the dude who plays vision,

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Speaker 1: Paul Bettany, Paul Bettney, and the Donny yells them as

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Speaker 1: their Marvel character who plays vision and puts the young

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Speaker 1: lady's name. And she was so hot I can't remember.

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Speaker 1: She's so good. Yeah she was. She was on fire

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Speaker 1: for a minute. And then she's in a bunch of

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Speaker 1: indies now, Shannon, Oh yeah, she was fuego for a sec. Yeah,

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Speaker 1: I mean in her career. In her career, she's a knockout.

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Speaker 1: Um wow, Jewel, that's really good. I think that might be.

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Speaker 1: I think that may be why you seem to be

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Speaker 1: smiling ear to ear even though you're sitting there. I

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Speaker 1: also had a very good naps. It's been all around.

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Speaker 1: Joel Mooney, get down down. Oh yeah, Daniel, maybe you

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Speaker 1: should work that song into your into your set tonight,

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Speaker 1: you know what? And for netwscribs. Fans that are watching,

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Speaker 1: they might enjoy that. Yeah, they'd be like, oh shit,

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Speaker 1: deep cut. I'm happy for you, Joel. Will you promise

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Speaker 1: to keep us updated? Yeah, so I'll keep you update.

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Speaker 1: It's nice to have, you know, when you're single and

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Speaker 1: it's been a pandemic, it's nice to have a little

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Speaker 1: someone to flirt and chat with. I bet, yeah, was

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Speaker 1: there flirting flirting? It was an actual date. Ye. Now

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Speaker 1: make sure that you make sure that you at least

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Speaker 1: have a hangout once per week so we can you know,

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Speaker 1: I'm serious. Weekly a lot of pressure on relationship Starkay. Well,

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Speaker 1: if it doesn't feel natural, don't do that. But I

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Speaker 1: would be great for the fans, for our listeners to

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Speaker 1: get a weekly update. I'm sure everyone is very invested

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Speaker 1: in your love life as much as I am. Joel,

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Speaker 1: I'm sure too. I have to. I'll talk to Sam

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Speaker 1: about how much you know. Tell Sam for the good

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Speaker 1: of it, Tell Sam for the good of the show.

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Speaker 1: You guys need to schedule a weekly date. Put the

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Speaker 1: pressure onto it. Okay, Um, all right, let's bring it.

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Speaker 1: Shall we bring in our standings, bringing our guests? Yes, yes,

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Speaker 1: so excited for it. Alex. We will explain to you

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Speaker 1: who these lovely people are again, I promise, because you

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Speaker 1: might be confused. But two of them in like since

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Speaker 1: we wrapped. I haven't either. I'm very excited about its

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Speaker 1: spring them all in here are Deonte, Scott and Renee

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Speaker 1: Picture bro. Oh my god, it's so surreal. You got it.

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Speaker 1: I feel like I could cry. Why has Renee noted

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Speaker 1: one day? No? Come on, yesh my god, let me

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Speaker 1: look old as but a one day No. I'm just

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Speaker 1: I'm just it's amazing a kid. I have a four

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Speaker 1: year old, So you do, Scott? Yes, I do old

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Speaker 1: I got three cats. All right, let's just let's get

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Speaker 1: the audience caught up a bit. You guys, and Deante,

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Speaker 1: thanks for coming out of the helicopter to come join

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Speaker 1: us on the podcasting. That joke is related to his

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Speaker 1: giant headset. Everyone that you can't see, um, that's you guys.

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Speaker 1: That's Joel and Dale are our producer and an editor engineer.

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Speaker 1: Audience guys, I'm going to describe to people because a

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Speaker 1: lot of people who listen to this don't know anything

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Speaker 1: about film production, what a stand in is. And then

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Speaker 1: I want you guys to clarify or change anything I say.

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Speaker 1: But we were very very close to these three people

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Speaker 1: because Scott, Deontay and Renee where me, Donald and Sarah's

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Speaker 1: stand ins. What that means is when you're making a

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Speaker 1: film or a TV show, we go and re rehearse,

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Speaker 1: and then the cinematographer and the camera crew and everybody

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Speaker 1: needs to needs people to light while we go do

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Speaker 1: hair and makeup and change our costumes in Donald's case,

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Speaker 1: play video games. Um, they need to rehearse the camera moves,

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Speaker 1: they need to set the lighting, they need to you know,

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Speaker 1: do they need They need people that are exact height,

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Speaker 1: our skin tone and ideally have the same hair color

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Speaker 1: so they can adjust all the lighting and when. And

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Speaker 1: so that was these guys. Scott was my stand in,

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Speaker 1: Deontay was Donald's, and Renee was Sarah's. And we spent

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Speaker 1: so many years being very close with these three people

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Speaker 1: and have about ten million inside jokes because we just were.

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Speaker 1: We spent the whole day with them. Um, guys, what

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Speaker 1: did I get wrong? Why did I get right? Chime in, Well,

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Speaker 1: we basically stood on tape, That's what we did. Yeah,

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Speaker 1: So when the you know, when the DP and when

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Speaker 1: Zach you know, you guys are doing what you do

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Speaker 1: or setting up. You know, you could be out with

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Speaker 1: another camera crew. We had we were splintered so much

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Speaker 1: into different crews um to sort of multitask, and so

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Speaker 1: you don't have to stand there and get exhausted for

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Speaker 1: an hour under hot lights. We would stand there and

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Speaker 1: you know, just do forget. Don't forget Scott all the voice. Yes,

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Speaker 1: don't forget that. That's right. I'm sorry, Scott. I already

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Speaker 1: I already have minimized what you did. Scott, not only

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Speaker 1: not I not. I'm just saying this, you're a good actor,

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Speaker 1: which really helped, because you know, the voiceovers were such

401
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Speaker 1: a character in Scrubs, and we had to time out

402
00:22:02,200 --> 00:22:04,359
Speaker 1: what the timing would be, like that whole voiceover is

403
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Speaker 1: going to be here during the scene, so Scott I

404
00:22:06,520 --> 00:22:08,680
Speaker 1: would read them the first rehearsal, just so Scott could

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Speaker 1: see like the rough idea of how I was going

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Speaker 1: to do it, and then he would read it in

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Speaker 1: the scene. So Scott was kind of in almost every

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Speaker 1: scene we did. Yeah, I mean I became good at

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Speaker 1: mimicking your style. I guess your time. I always appreciated Scott,

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Speaker 1: how you didn't you know, you would act it great,

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Speaker 1: but you wouldn't like try and like like upstage to

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Speaker 1: me and do the moment like you know, a different

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Speaker 1: kind of action would be like, well I heard how

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Speaker 1: Zach's gonna do it, but I have a different take

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Speaker 1: on it. That would be the times when I would

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Speaker 1: read it for Scott was missing. You remember those times,

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Speaker 1: Zach whatever, and I would read it and you'd be like,

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Speaker 1: nobody bring it down like ten notches okay, trying to

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Speaker 1: be on the camera like Deonte, probably out of all

420
00:22:54,440 --> 00:22:57,040
Speaker 1: of the standings, was in the show the most, right, Yes,

421
00:22:57,160 --> 00:22:59,680
Speaker 1: like yeah everyone by far. Yeah, now, but you all

422
00:22:59,720 --> 00:23:01,920
Speaker 1: had lines, Renee, do you remember what you're what you're

423
00:23:01,920 --> 00:23:03,840
Speaker 1: a line? We just saw your line. I think you're

424
00:23:03,840 --> 00:23:07,400
Speaker 1: a bartender? Yes, I will. I remember the first Well.

425
00:23:07,440 --> 00:23:09,600
Speaker 1: I was always whole camera shy. In fact, I didn't

426
00:23:09,600 --> 00:23:11,280
Speaker 1: really want to do a lot of that stuff because

427
00:23:11,320 --> 00:23:14,359
Speaker 1: I was like a stage performer and a dancer, and

428
00:23:14,440 --> 00:23:17,119
Speaker 1: so for me, it was like, oh my gosh, I

429
00:23:17,119 --> 00:23:20,040
Speaker 1: can see all the people and I'm performing in front

430
00:23:20,040 --> 00:23:23,720
Speaker 1: of the whole crew, all these people I knew. Yeah,

431
00:23:23,960 --> 00:23:25,800
Speaker 1: And of course as soon as I come down from

432
00:23:25,840 --> 00:23:28,960
Speaker 1: the the dressing room, and be like, Oh, you're gonna

433
00:23:29,000 --> 00:23:35,239
Speaker 1: screw up, you're sous. It was, Oh my gosh, I'm

434
00:23:35,240 --> 00:23:38,879
Speaker 1: gonna screw up. But um yeah. I remember my first line.

435
00:23:38,880 --> 00:23:41,520
Speaker 1: I think it was in Bill. Bill Lawrence was directing.

436
00:23:41,640 --> 00:23:44,560
Speaker 1: I was a bartender, and my line was it's an

437
00:23:44,600 --> 00:23:47,240
Speaker 1: open bar. Yeah. We just saw this one. It was

438
00:23:47,400 --> 00:23:51,000
Speaker 1: it was I think it was to Kelso right Donald, Yes, Ken,

439
00:23:51,119 --> 00:23:53,320
Speaker 1: because he I mean I was so comfortable with Ken.

440
00:23:53,320 --> 00:23:56,160
Speaker 1: I loved Ken. And I remember Bill. He often came

441
00:23:56,200 --> 00:23:58,520
Speaker 1: to set and he would kind of change a line

442
00:23:59,080 --> 00:24:01,560
Speaker 1: and he changed mine, and I remember thinking, no, I

443
00:24:01,560 --> 00:24:04,679
Speaker 1: don't know, I know what to say, don't change it.

444
00:24:04,880 --> 00:24:08,640
Speaker 1: I've been working on it's an open bar for two Yeah. Yeah,

445
00:24:08,680 --> 00:24:11,000
Speaker 1: I know what I'm gonna say. I'm nervous anyway, Oh

446
00:24:11,040 --> 00:24:14,040
Speaker 1: my god. And he goes, add cutie, add cutie, and

447
00:24:14,080 --> 00:24:16,520
Speaker 1: I said, okay, it's an open bar, cutie. He goes,

448
00:24:17,119 --> 00:24:21,720
Speaker 1: that's it. Put that as a show. I had the

449
00:24:21,720 --> 00:24:25,600
Speaker 1: Bill line change thing. That's so much, so much a

450
00:24:25,640 --> 00:24:29,440
Speaker 1: part of the Scrubs culture. Right, you're gone and changing,

451
00:24:30,240 --> 00:24:32,879
Speaker 1: you know. I remember, I remember we were always rooting

452
00:24:32,880 --> 00:24:34,840
Speaker 1: for you guys to get lines, because you know, it

453
00:24:34,920 --> 00:24:38,080
Speaker 1: goes without saying they would get a much juicier check

454
00:24:38,160 --> 00:24:40,560
Speaker 1: if they had a line, So we were always I

455
00:24:40,600 --> 00:24:43,000
Speaker 1: was always happy when you know they would throw you guys.

456
00:24:43,240 --> 00:24:45,639
Speaker 1: You know something to say, now, Dianta, you did seem

457
00:24:45,640 --> 00:24:48,560
Speaker 1: to be the most aggressive at work in it, because

458
00:24:48,840 --> 00:24:51,879
Speaker 1: as we rewatched the series, you're on it a lot,

459
00:24:51,920 --> 00:24:54,720
Speaker 1: and you're not only not only did you not only

460
00:24:54,720 --> 00:24:56,880
Speaker 1: did you do stand in work, but you sometimes did

461
00:24:56,960 --> 00:24:59,959
Speaker 1: background work, and you will always mark the orderly or

462
00:25:00,000 --> 00:25:06,960
Speaker 1: whatever the characters. Man, I gotta say, you know, Bill,

463
00:25:06,960 --> 00:25:10,280
Speaker 1: Bill was like super nice and generous, and I went

464
00:25:10,359 --> 00:25:12,639
Speaker 1: up and asked him towards the end of the first season,

465
00:25:12,800 --> 00:25:15,320
Speaker 1: just hey, if something seems like it might fit me,

466
00:25:15,440 --> 00:25:17,680
Speaker 1: is is it cool if I my auditioned for it?

467
00:25:18,000 --> 00:25:20,479
Speaker 1: And he was so generous, He's like I got him.

468
00:25:20,480 --> 00:25:22,480
Speaker 1: And then maybe a couple of weeks later I looked

469
00:25:22,520 --> 00:25:28,520
Speaker 1: at the script and he's like, got that's for you. Yeah. Also,

470
00:25:28,560 --> 00:25:32,000
Speaker 1: I also remember being terrified during that line because it's

471
00:25:32,000 --> 00:25:34,480
Speaker 1: with you and Johnny C. And I was terrified of

472
00:25:34,560 --> 00:25:39,520
Speaker 1: Johnny C at this point. Yeah. Right and uh, and

473
00:25:39,880 --> 00:25:41,720
Speaker 1: right before we're doing the scene, we're you know, they've

474
00:25:41,720 --> 00:25:44,240
Speaker 1: already clapped the slate and they're just about to call

475
00:25:44,320 --> 00:25:47,600
Speaker 1: action and Johnny c yells to me from across the room,

476
00:25:48,080 --> 00:25:50,000
Speaker 1: heyde you know what you do with them? You have

477
00:25:50,080 --> 00:25:52,520
Speaker 1: the ball on the one yard line right and I

478
00:25:52,600 --> 00:25:56,720
Speaker 1: yelled back, I go score. He goes no, no fucking fumble.

479
00:25:56,800 --> 00:26:04,399
Speaker 1: And do you remember what you do? You remember what

480
00:26:04,400 --> 00:26:07,159
Speaker 1: your first line was? Uh? Yeah it was. It was

481
00:26:07,160 --> 00:26:09,600
Speaker 1: two words. I think you called me by the wrong name,

482
00:26:10,000 --> 00:26:12,320
Speaker 1: and I was just kind of giving j D. I

483
00:26:12,359 --> 00:26:15,000
Speaker 1: think I said. I think I said, hey, Burt, you know,

484
00:26:15,000 --> 00:26:16,520
Speaker 1: because he called me that by the wrong name because

485
00:26:16,520 --> 00:26:19,320
Speaker 1: my name was Bert. I remember you met a very

486
00:26:19,320 --> 00:26:22,680
Speaker 1: critical line. When I think it's later, we haven't gotten

487
00:26:22,720 --> 00:26:25,240
Speaker 1: to it. When the janitor finally says his name Glenn Matthews,

488
00:26:25,840 --> 00:26:28,159
Speaker 1: and then I think Deontay walks up and he's like,

489
00:26:28,359 --> 00:26:31,119
Speaker 1: hey something whatever is a different name, and like the

490
00:26:31,160 --> 00:26:33,480
Speaker 1: audience finally thought they got it. It It was Glenn Matthews.

491
00:26:33,480 --> 00:26:35,720
Speaker 1: And then Deanty walks up. They're like, hey Timmy or whatever,

492
00:26:38,600 --> 00:26:41,080
Speaker 1: what about you, Scott? Do you remember Europe your first line?

493
00:26:41,760 --> 00:26:45,160
Speaker 1: I don't really remember the line. I remember that our

494
00:26:45,200 --> 00:26:50,240
Speaker 1: A D. Franklin called the scene got that, yeah, got

495
00:26:50,760 --> 00:26:54,200
Speaker 1: they got put the scene got pushed, but he was like, oh,

496
00:26:54,280 --> 00:26:56,679
Speaker 1: we're putting you your character in a cast. So I

497
00:26:56,720 --> 00:27:00,000
Speaker 1: had a full leg cast and um this sort of

498
00:27:00,080 --> 00:27:03,320
Speaker 1: like brace that went to my groin and that was

499
00:27:03,440 --> 00:27:05,800
Speaker 1: that was going to take hours. But Franklin is like, oh, no,

500
00:27:05,920 --> 00:27:08,560
Speaker 1: your scene is pushed. So I went, I don't know,

501
00:27:08,640 --> 00:27:11,679
Speaker 1: got coffee. I went and chilled, and then I got

502
00:27:11,720 --> 00:27:14,280
Speaker 1: back into my car and I had like twenty voicemails

503
00:27:14,280 --> 00:27:16,760
Speaker 1: and Franklin's like, the scene moved up the sea move op. Okay, hey,

504
00:27:16,800 --> 00:27:19,919
Speaker 1: we need to put that Can I swear? Yeah, we

505
00:27:19,920 --> 00:27:21,960
Speaker 1: need to put that fucking cast on. He was like

506
00:27:22,040 --> 00:27:24,880
Speaker 1: screaming at me on the phone, get to the hospital now,

507
00:27:25,160 --> 00:27:27,919
Speaker 1: and like, frantically get in. I don't I forgot who

508
00:27:28,000 --> 00:27:31,159
Speaker 1: did it, but they're wrapping my leg frantically in this cast.

509
00:27:31,520 --> 00:27:33,399
Speaker 1: I'm trying to figure out the scene, like I had

510
00:27:33,400 --> 00:27:36,280
Speaker 1: to wheel a wheelchair at the same time and spin

511
00:27:36,520 --> 00:27:39,199
Speaker 1: and it was a steadicam shot, so I had to

512
00:27:39,280 --> 00:27:43,679
Speaker 1: pass the camera going facing Kelso and then spin around

513
00:27:43,720 --> 00:27:47,080
Speaker 1: and talk to him with this cast on in a panic,

514
00:27:47,440 --> 00:27:50,560
Speaker 1: half wrapped cast, and it was like, I think it

515
00:27:50,640 --> 00:27:52,680
Speaker 1: was just like hey, Bob, like I said, hey, Bob,

516
00:27:52,760 --> 00:27:55,240
Speaker 1: or like said what's up Bob or something to him

517
00:27:55,240 --> 00:27:56,760
Speaker 1: and he made fun of me because I had a

518
00:27:56,760 --> 00:27:58,399
Speaker 1: cast on or something. But it was that sort of

519
00:27:58,400 --> 00:28:01,359
Speaker 1: thing where it was like you never knew what was

520
00:28:01,400 --> 00:28:04,840
Speaker 1: gonna Well, I'm always so excited when I see you guys. Um.

521
00:28:05,160 --> 00:28:06,959
Speaker 1: First of all, I don't think Donald just said as

522
00:28:06,960 --> 00:28:10,520
Speaker 1: you were coming on. I don't think that i've seen

523
00:28:10,680 --> 00:28:13,119
Speaker 1: you guys. Maybe you've seen you Deonta. I don't think

524
00:28:13,119 --> 00:28:18,840
Speaker 1: i've seen Renee and Scott since we wrapped No and yeah,

525
00:28:18,840 --> 00:28:22,480
Speaker 1: we should say Renee and Scott both left early. Renee,

526
00:28:22,520 --> 00:28:25,480
Speaker 1: what season did you leave? I can't remember. I know

527
00:28:25,480 --> 00:28:29,040
Speaker 1: it's been almost fifteen years because I left because I

528
00:28:29,040 --> 00:28:33,959
Speaker 1: got married, moved to Texas and so, and it's this

529
00:28:34,040 --> 00:28:37,440
Speaker 1: is about fifteen years now that I've been married. So

530
00:28:37,920 --> 00:28:39,840
Speaker 1: it was fifteen years ago and I don't know. That

531
00:28:39,960 --> 00:28:45,760
Speaker 1: must have been season I'm guessing seven. Yeah. And then

532
00:28:45,880 --> 00:28:48,680
Speaker 1: and then Shelina came on and we called her new Renee.

533
00:28:50,840 --> 00:28:54,440
Speaker 1: No no, no, I can't replace Renee. No no, no,

534
00:28:54,880 --> 00:28:56,400
Speaker 1: no one, no one could be replace you. But we

535
00:28:56,440 --> 00:28:58,480
Speaker 1: wanted to make her feel guilty that she like we.

536
00:28:58,520 --> 00:28:59,960
Speaker 1: I think we were like trying to convince her she

537
00:29:00,040 --> 00:29:02,520
Speaker 1: took a job away from our friend Renee, So like, listen,

538
00:29:02,640 --> 00:29:07,240
Speaker 1: we're just gonna call you new. Meanwhile, you'd left because

539
00:29:07,240 --> 00:29:10,280
Speaker 1: you got married and moved away. Um, and then Scott,

540
00:29:10,320 --> 00:29:12,440
Speaker 1: what season did you leave? I think it was around

541
00:29:12,480 --> 00:29:15,200
Speaker 1: the same time. Um, I didn't. I wasn't involved with

542
00:29:15,200 --> 00:29:17,560
Speaker 1: any of the newer characters like to you know when

543
00:29:17,600 --> 00:29:21,440
Speaker 1: it when you guys started the new That wasn't until nine?

544
00:29:21,800 --> 00:29:24,280
Speaker 1: Was that nine? Okay? Yeah, I'm sorry, Yeah, it was

545
00:29:24,320 --> 00:29:26,160
Speaker 1: a while ago. Um. Yeah, I wasn't involved with that,

546
00:29:26,240 --> 00:29:28,120
Speaker 1: so probably like seven or eight as well. But you

547
00:29:28,160 --> 00:29:30,160
Speaker 1: didn't go to the Bahamas either. I did go to

548
00:29:30,200 --> 00:29:32,280
Speaker 1: the Bahamas. You did go to Yeah, thanks for remembering

549
00:29:32,320 --> 00:29:36,080
Speaker 1: all the fun times behind. I was on Chunk Beach, Yeah,

550
00:29:36,160 --> 00:29:40,080
Speaker 1: chungk Beach that season eight. That was season eighth. Then

551
00:29:40,080 --> 00:29:42,040
Speaker 1: you went all the way to the Okay, so maybe,

552
00:29:42,040 --> 00:29:43,959
Speaker 1: oh you know what I did? I left and then

553
00:29:43,960 --> 00:29:46,840
Speaker 1: I came back left one season trying to get out

554
00:29:46,880 --> 00:29:49,560
Speaker 1: and we pulled you back there. I mean, it was

555
00:29:49,600 --> 00:29:52,440
Speaker 1: the best job ever. I couldn't, you know, but I

556
00:29:52,520 --> 00:29:54,440
Speaker 1: you know, I never really wanted to be an actor,

557
00:29:54,560 --> 00:29:57,160
Speaker 1: like im like I'm a documentary filmmaker now, like I

558
00:29:57,160 --> 00:30:00,640
Speaker 1: want to be behind the camera. So um, I was

559
00:30:00,720 --> 00:30:03,280
Speaker 1: maybe good at mimicking your voice over, but I just

560
00:30:03,360 --> 00:30:06,200
Speaker 1: sort of like you for me. From my perspective is

561
00:30:06,320 --> 00:30:09,200
Speaker 1: you guys were ideal because we just all had we

562
00:30:09,240 --> 00:30:11,000
Speaker 1: had to spend so much time together, and I just

563
00:30:11,040 --> 00:30:12,960
Speaker 1: have so many great memories of cracking up with you

564
00:30:13,040 --> 00:30:15,280
Speaker 1: three when I look back on and I look back

565
00:30:15,320 --> 00:30:18,560
Speaker 1: on you know, we the three of us, sorry, the

566
00:30:18,600 --> 00:30:20,560
Speaker 1: three of us who were the leads of the show,

567
00:30:20,600 --> 00:30:23,240
Speaker 1: and the three of you guys, we were just together

568
00:30:23,480 --> 00:30:26,760
Speaker 1: all the time, and we just I look back on

569
00:30:26,800 --> 00:30:29,720
Speaker 1: those times and just my eyes well from laughter of

570
00:30:29,880 --> 00:30:33,560
Speaker 1: just thinking about how many fucking times we would just

571
00:30:33,880 --> 00:30:36,479
Speaker 1: have so many inside jokes and be laughing. And it

572
00:30:36,520 --> 00:30:38,680
Speaker 1: was great because it kept a vibe of like we

573
00:30:38,720 --> 00:30:40,640
Speaker 1: had to be like trying to be funny on camera

574
00:30:40,840 --> 00:30:43,640
Speaker 1: for sixteen hours a day, and having you guys be

575
00:30:43,720 --> 00:30:47,880
Speaker 1: there and just giggling with you guys was so so awesome. Well,

576
00:30:47,920 --> 00:30:50,520
Speaker 1: I often tell people, you know, we we spent so

577
00:30:50,600 --> 00:30:52,760
Speaker 1: much time together. There was nowhere else to go. We

578
00:30:52,800 --> 00:30:55,920
Speaker 1: were in this hospital and we all got to there.

579
00:30:55,960 --> 00:30:58,360
Speaker 1: I mean there was no iPhone either, and so people

580
00:30:58,360 --> 00:30:59,920
Speaker 1: were on their phones all the time. It was like

581
00:31:00,000 --> 00:31:03,000
Speaker 1: we were all talking and and and we got to

582
00:31:03,040 --> 00:31:06,520
Speaker 1: know each other like a family. And I don't even

583
00:31:06,600 --> 00:31:09,880
Speaker 1: think I realized at the moment how special that was

584
00:31:10,000 --> 00:31:11,640
Speaker 1: until I got out there. I mean, here we are,

585
00:31:11,720 --> 00:31:14,360
Speaker 1: we're twenty years older, you know, and then we get

586
00:31:14,360 --> 00:31:16,880
Speaker 1: really I'm just saying this, right, you do not you know,

587
00:31:17,160 --> 00:31:20,400
Speaker 1: like a day older? What is your secret? She's going,

588
00:31:21,400 --> 00:31:31,200
Speaker 1: I don't know. I mean, I'm in my forties, so

589
00:31:31,320 --> 00:31:35,680
Speaker 1: I I you know, look you thank you. But no,

590
00:31:35,840 --> 00:31:38,000
Speaker 1: it was I mean, we just we It was like

591
00:31:38,120 --> 00:31:41,320
Speaker 1: the whole crew, the cast. Everybody got along so well.

592
00:31:41,440 --> 00:31:45,440
Speaker 1: We were all together every day and and we just

593
00:31:45,920 --> 00:31:48,760
Speaker 1: and I said, I said to somebody later in another

594
00:31:48,840 --> 00:31:50,760
Speaker 1: job that I had, I said, I we went to

595
00:31:50,800 --> 00:31:54,400
Speaker 1: work every day, we had fun, we laughed, we got

596
00:31:54,440 --> 00:31:57,720
Speaker 1: things done, and we got paid for it. And it's

597
00:31:57,760 --> 00:32:00,680
Speaker 1: like it didn't feel like a job. It was the

598
00:32:00,760 --> 00:32:03,080
Speaker 1: dream job. You knew you're gonna have a good day

599
00:32:03,160 --> 00:32:06,360
Speaker 1: every day, You're gonna laugh like every day. Yeah you knew, Yes,

600
00:32:06,680 --> 00:32:09,320
Speaker 1: I agreed, you knew, no matter what, you were going

601
00:32:09,400 --> 00:32:12,080
Speaker 1: to have a couple of belly laughs that day. And

602
00:32:12,240 --> 00:32:16,440
Speaker 1: everybody was so so nice. I got along with everybody,

603
00:32:16,520 --> 00:32:19,840
Speaker 1: and I can't name one person that you know there.

604
00:32:19,840 --> 00:32:23,240
Speaker 1: There was no diva stuff, Bill Lawrence that you know,

605
00:32:23,440 --> 00:32:28,200
Speaker 1: he would not accept jerks. You know it was his no, no,

606
00:32:28,240 --> 00:32:31,320
Speaker 1: a whole policy. Right, you guys can if you want

607
00:32:31,360 --> 00:32:34,200
Speaker 1: to start, you can see. Really, I'm not comfortable with

608
00:32:34,240 --> 00:32:44,440
Speaker 1: you guys censoring yourself. She's like, do you guys know

609
00:32:44,440 --> 00:32:48,200
Speaker 1: that the Texas rule about cursing? I love Texas, but

610
00:32:48,720 --> 00:33:00,560
Speaker 1: yeah I can. I canuck curse m D. We still

611
00:33:00,560 --> 00:33:03,440
Speaker 1: played golf together. Yeah, I see. I've seen you a

612
00:33:03,440 --> 00:33:06,360
Speaker 1: couple of times, Zach, not nearly enough, but you know,

613
00:33:06,400 --> 00:33:09,800
Speaker 1: I see Donald. We play golf. Good time out there. Um, now,

614
00:33:09,920 --> 00:33:12,640
Speaker 1: has Donald's game gotten much better? Deontay, because that's what

615
00:33:12,760 --> 00:33:15,160
Speaker 1: we hear, We hear, Oh yeah, yeah, no, no, his

616
00:33:15,240 --> 00:33:16,920
Speaker 1: game has got a lot better. And you know what,

617
00:33:16,960 --> 00:33:18,560
Speaker 1: it got a lot better quick. I don't know what

618
00:33:18,600 --> 00:33:19,960
Speaker 1: he was doing. I think he was taking lessons, like

619
00:33:20,040 --> 00:33:22,320
Speaker 1: twenty four hours a day a couple of years. We

620
00:33:22,440 --> 00:33:24,840
Speaker 1: got a gryme, You got a grind. He's got the

621
00:33:24,920 --> 00:33:26,560
Speaker 1: kids into it too. He's got the kids at the

622
00:33:26,640 --> 00:33:30,360
Speaker 1: driving range. Dude, I'll go play golf. With Deontay. We

623
00:33:30,400 --> 00:33:32,880
Speaker 1: went and played like somewhere out in the middle of nowhere,

624
00:33:32,880 --> 00:33:35,440
Speaker 1: and we ran into his brother and his nephew. Yeah

625
00:33:35,600 --> 00:33:42,840
Speaker 1: we can family into sports. Always knew knows everybody, Yes,

626
00:33:43,080 --> 00:33:46,320
Speaker 1: every any they were background if they were you know,

627
00:33:46,320 --> 00:33:49,640
Speaker 1: we had our normal circle of of a background of folks.

628
00:33:49,920 --> 00:33:52,560
Speaker 1: And then you know, lots of other random people would

629
00:33:52,560 --> 00:33:56,680
Speaker 1: would rotate in and Deontay always knew them. He'd be like, hey, like,

630
00:33:57,600 --> 00:34:02,640
Speaker 1: you're like the mayor. He was like, farms we call yeah,

631
00:34:02,840 --> 00:34:09,239
Speaker 1: specifically the females he knew. Yeah, yeah, that's true. Are

632
00:34:09,280 --> 00:34:11,800
Speaker 1: you are you? Are you single? Are you dating someone?

633
00:34:12,000 --> 00:34:14,480
Speaker 1: I've been dating someone for maybe the last eight years.

634
00:34:14,680 --> 00:34:19,080
Speaker 1: I hope I got that right. Kill me. They lived together, ye,

635
00:34:20,280 --> 00:34:23,480
Speaker 1: and Deanta is not any together. It's not anyone we know, like,

636
00:34:23,520 --> 00:34:27,600
Speaker 1: not someone from someone from scraps. By the way, do

637
00:34:27,600 --> 00:34:31,000
Speaker 1: you know this guy's this? Umanta? You know this. You'll

638
00:34:31,000 --> 00:34:33,399
Speaker 1: be able to articulate this better than I can. Um So.

639
00:34:33,640 --> 00:34:39,040
Speaker 1: The two standings that replaced Renee and Scott were Selina

640
00:34:39,160 --> 00:34:44,839
Speaker 1: and Jesse and drum roll. They got married. Yeah, think

641
00:34:45,520 --> 00:34:48,120
Speaker 1: of you. They have two kids. So those of you

642
00:34:48,160 --> 00:34:51,600
Speaker 1: who wish the JD and and Elliott stayed together. The

643
00:34:51,680 --> 00:34:55,799
Speaker 1: two standings of them did and they got stun your

644
00:34:55,840 --> 00:35:00,680
Speaker 1: stunt people got married too, Yes, broken up. They broke up,

645
00:35:00,719 --> 00:35:03,799
Speaker 1: but they met if you remember that bungee stunt, they

646
00:35:03,880 --> 00:35:06,600
Speaker 1: met that day doing the bungee stunt, and then they

647
00:35:06,600 --> 00:35:10,000
Speaker 1: fell in love and got married in Pasadena the Bridge. Yes. Yes,

648
00:35:10,320 --> 00:35:12,160
Speaker 1: oh wow. We don't like to tell the end of

649
00:35:12,200 --> 00:35:13,640
Speaker 1: the story that they got divorced because it's not a

650
00:35:13,719 --> 00:35:17,920
Speaker 1: semantics all right, we need to go to break. We're

651
00:35:18,000 --> 00:35:19,200
Speaker 1: to go to break and when we come back, were

652
00:35:19,200 --> 00:35:21,120
Speaker 1: you guys, you're gonna join us and looking at this

653
00:35:21,239 --> 00:35:33,040
Speaker 1: very funny episode, We'll be right back. Edward bad So, guys,

654
00:35:33,080 --> 00:35:34,680
Speaker 1: I don't know if you even listened to the podcast.

655
00:35:34,719 --> 00:35:38,239
Speaker 1: Have you guys heard this podcast before? Yes? Yeah, yes,

656
00:35:38,719 --> 00:35:44,040
Speaker 1: that was a very tepid response. Donald. Ye. Yes, I

657
00:35:44,080 --> 00:35:46,439
Speaker 1: was just driving back from Oregon a couple days ago

658
00:35:46,520 --> 00:35:49,040
Speaker 1: and I listened to A Bunch in a Row. So, guys,

659
00:35:49,200 --> 00:35:51,480
Speaker 1: don't be shy. We're gonna talk about the episode. Please

660
00:35:51,560 --> 00:35:54,560
Speaker 1: chime in anything you thought was funny, any memory you

661
00:35:54,600 --> 00:35:57,440
Speaker 1: have of it, anything. It could be totally random. Um.

662
00:35:57,840 --> 00:35:59,560
Speaker 1: If you listen to the show, which it sounds like

663
00:35:59,600 --> 00:36:05,240
Speaker 1: you don't um you know that it's I will say, Donald,

664
00:36:05,320 --> 00:36:07,120
Speaker 1: I think i've heard it more. I heard the episode

665
00:36:07,000 --> 00:36:09,160
Speaker 1: with your mother, and I've heard it more than her.

666
00:36:09,400 --> 00:36:12,600
Speaker 1: I'm probably in the upper maybe five to ten episodes,

667
00:36:12,640 --> 00:36:14,640
Speaker 1: to be honest, I've listen. Oh, you've listened to it

668
00:36:14,719 --> 00:36:16,560
Speaker 1: more than my mom has. Yeah, that's that's a very

669
00:36:16,600 --> 00:36:21,200
Speaker 1: low bar. And he was, you know what, I think

670
00:36:21,239 --> 00:36:23,040
Speaker 1: my mom listened to before you go any farther. I

671
00:36:23,040 --> 00:36:25,399
Speaker 1: think my mom listened to the episode she was on

672
00:36:26,040 --> 00:36:29,279
Speaker 1: and then the first episode. That's well, first of all,

673
00:36:29,320 --> 00:36:32,479
Speaker 1: I think Scott listened. I think just outed himself because

674
00:36:32,520 --> 00:36:34,480
Speaker 1: he said I listened to the one with your with

675
00:36:34,520 --> 00:36:36,560
Speaker 1: your mom, which means he knew he was coming on

676
00:36:36,640 --> 00:36:43,000
Speaker 1: here and frantically listened to the last episode you got

677
00:36:43,040 --> 00:36:45,799
Speaker 1: me okay, by the way, Donald, did your mom? Did

678
00:36:45,840 --> 00:36:47,719
Speaker 1: your mom like the playback? Did she say she had

679
00:36:47,760 --> 00:36:50,200
Speaker 1: a good time on the show. She hasn't spoken to

680
00:36:50,239 --> 00:36:54,560
Speaker 1: me about it. Oh, maybe that's not good. I don't

681
00:36:54,600 --> 00:36:58,160
Speaker 1: know how about it. I'm sure I'm sure she you know,

682
00:36:58,719 --> 00:37:00,439
Speaker 1: she was like she said she had a right time.

683
00:37:00,440 --> 00:37:02,520
Speaker 1: I know that, all right? Good, Well, we had a

684
00:37:02,520 --> 00:37:04,680
Speaker 1: good time. I'm talking to her. She always makes me smile.

685
00:37:04,840 --> 00:37:08,719
Speaker 1: So the episode starts with I'm making out with Kylie, right,

686
00:37:09,239 --> 00:37:14,239
Speaker 1: j D got jungle fever? Got jungle fever? You got

687
00:37:14,320 --> 00:37:20,160
Speaker 1: jungle fever? Now. Christy Faris, who plays Kylie, is very

688
00:37:20,160 --> 00:37:23,040
Speaker 1: talented and beautiful, and she Kylie the character is taking

689
00:37:23,040 --> 00:37:27,320
Speaker 1: it very slow, very very slovery, very very slow, very slow.

690
00:37:27,320 --> 00:37:29,359
Speaker 1: There is no Have you ever been in a relationship

691
00:37:29,840 --> 00:37:38,440
Speaker 1: like out of high school that went slow like that? No? Never? Rightly,

692
00:37:43,040 --> 00:37:46,200
Speaker 1: I think I'm all for I'm all for taking it slow,

693
00:37:46,280 --> 00:37:48,640
Speaker 1: but I mean, the implication in the episode is that

694
00:37:48,640 --> 00:37:51,279
Speaker 1: it's been like weeks and we're just kissing. We're not

695
00:37:51,320 --> 00:37:55,800
Speaker 1: even like rolling around groping, We're just kissing. J D

696
00:37:56,160 --> 00:37:59,600
Speaker 1: is really into her, if he's he's taking it that slow, Yeah,

697
00:37:59,600 --> 00:38:01,359
Speaker 1: you kind I gotta be into somebody if you will

698
00:38:01,400 --> 00:38:03,480
Speaker 1: a new gold that's low. Well he is, But it's funny.

699
00:38:03,480 --> 00:38:06,040
Speaker 1: I let my first laugh out loud moments when you

700
00:38:06,080 --> 00:38:08,400
Speaker 1: cut to me and I'm while I'm kissing her, I'm massaging,

701
00:38:09,080 --> 00:38:14,160
Speaker 1: massaging my jaw because I'm so sore from from kissing her.

702
00:38:14,160 --> 00:38:16,239
Speaker 1: And that's all we're doing. And I love I love

703
00:38:16,320 --> 00:38:21,680
Speaker 1: the plan that uh, he formulates to get to stay over.

704
00:38:22,160 --> 00:38:26,799
Speaker 1: The first thing is, oh, I'm tired. Yeah, I think

705
00:38:26,800 --> 00:38:31,040
Speaker 1: it's it's so cold outside. It's like it's like it's

706
00:38:31,040 --> 00:38:33,959
Speaker 1: like the baby It's cold outside song. I'm like, who

707
00:38:34,280 --> 00:38:37,640
Speaker 1: so freezing? It's cold? Yeah. I remember, I remember those

708
00:38:37,719 --> 00:38:41,040
Speaker 1: voice those voiceovers, like when he JD's like sort of

709
00:38:41,239 --> 00:38:44,759
Speaker 1: searching his thoughts, like what can I do? I just

710
00:38:44,800 --> 00:38:46,920
Speaker 1: I always remember, like it just comes back to me,

711
00:38:46,960 --> 00:38:50,440
Speaker 1: like your voice in the lines, like so many sides

712
00:38:50,480 --> 00:38:54,359
Speaker 1: were like very voice over heavy. So yeah, yeah, will

713
00:38:54,440 --> 00:38:55,880
Speaker 1: put you to work in this one. Now you are

714
00:38:55,960 --> 00:38:58,920
Speaker 1: also imagining reading the teddy Beard. Now, Donald, you are

715
00:38:58,920 --> 00:39:00,279
Speaker 1: the voice of the time of the boy some the

716
00:39:00,280 --> 00:39:01,799
Speaker 1: teddy Bear. Yes, I love that. It was a brown

717
00:39:01,840 --> 00:39:09,040
Speaker 1: bear on her bed? Yeah? Did which wa? Donald? Did

718
00:39:09,040 --> 00:39:11,279
Speaker 1: that with the iget decided after the fact? Or did

719
00:39:11,280 --> 00:39:14,479
Speaker 1: Bill the teddy Bear? I'm sure it got decided after

720
00:39:14,520 --> 00:39:16,080
Speaker 1: the fact. And they were like, we need somebody to

721
00:39:16,120 --> 00:39:18,920
Speaker 1: do with the teddy Bear. Danny Rose, who was doing

722
00:39:19,200 --> 00:39:22,239
Speaker 1: uh I was doing post at the time, was like,

723
00:39:22,280 --> 00:39:24,480
Speaker 1: we need a teddy bear. You want to do it?

724
00:39:24,719 --> 00:39:26,480
Speaker 1: But this was a time when this was a time

725
00:39:26,480 --> 00:39:29,200
Speaker 1: when we used to all like you and I used

726
00:39:29,200 --> 00:39:33,040
Speaker 1: to love doing like the Obscure. Uh you know, hard

727
00:39:33,080 --> 00:39:36,320
Speaker 1: to place voice over. It's like, yes, watching Jerry Springer

728
00:39:36,400 --> 00:39:39,640
Speaker 1: or television or something like that. We loved to do that.

729
00:39:39,719 --> 00:39:41,839
Speaker 1: So I thought it was a genius choice that the

730
00:39:41,880 --> 00:39:44,960
Speaker 1: brown bear on the bed is played by you and

731
00:39:45,000 --> 00:39:51,000
Speaker 1: he was the bear does not want me infringing on

732
00:39:51,080 --> 00:39:56,239
Speaker 1: his woman. No, that's scary. Yeah, he literally says, he

733
00:39:56,320 --> 00:40:02,640
Speaker 1: goes hit the bricks, bitch, you got no game. It's like, yeah,

734
00:40:02,680 --> 00:40:05,360
Speaker 1: he's no. Yeah. I don't know if they allowed me

735
00:40:05,400 --> 00:40:07,680
Speaker 1: to do that, Vio. Maybe they pulled Deonta in to

736
00:40:07,719 --> 00:40:14,600
Speaker 1: do that one game. That's all I listened, Man, I

737
00:40:14,680 --> 00:40:19,600
Speaker 1: understand because that bear has was cuddling with that character, yes,

738
00:40:20,360 --> 00:40:24,200
Speaker 1: every night, especially if she's not doing it with j

739
00:40:24,440 --> 00:40:27,839
Speaker 1: D or anybody else, she's definitely hugging on that bear

740
00:40:27,920 --> 00:40:30,520
Speaker 1: or some something. So I gotta tell you now, listen,

741
00:40:30,600 --> 00:40:32,040
Speaker 1: I'm very proud of I think that this is one

742
00:40:32,040 --> 00:40:34,520
Speaker 1: of my proudest improbms in the whole series. Donald, you

743
00:40:34,520 --> 00:40:41,640
Speaker 1: know what it is, Sorry about the Tusie guys that

744
00:40:42,200 --> 00:40:51,880
Speaker 1: I still use that sorry about I don't remember. I

745
00:40:52,280 --> 00:40:54,720
Speaker 1: remember that that line was non scripted I do remember

746
00:40:54,800 --> 00:40:57,719
Speaker 1: that the joke was I think I don't know what

747
00:40:57,760 --> 00:41:00,480
Speaker 1: I was revealing. Was it always revealing me pere poohing

748
00:41:00,560 --> 00:41:03,600
Speaker 1: or something? Were always revealed to be pooing? Okay, but

749
00:41:03,640 --> 00:41:05,640
Speaker 1: I don't know what my line was, but I but

750
00:41:05,800 --> 00:41:08,200
Speaker 1: I added, I'm sorry about the twoosy guys, and I

751
00:41:08,280 --> 00:41:10,919
Speaker 1: just that's one of my proudest improbs in nine years

752
00:41:10,920 --> 00:41:15,600
Speaker 1: of being on the show. I mean, can you imagine

753
00:41:15,600 --> 00:41:17,960
Speaker 1: you're culling your fucking partner in the tub, then your

754
00:41:18,040 --> 00:41:22,960
Speaker 1: roommated shooting in the same room were Donald's. Donald's reaction

755
00:41:23,160 --> 00:41:25,439
Speaker 1: was just priceless. Though it must have been like one take,

756
00:41:25,760 --> 00:41:28,720
Speaker 1: you guys were like about to break it so funny.

757
00:41:29,440 --> 00:41:31,520
Speaker 1: Donald looked like he was on the Yeah, he was like,

758
00:41:31,960 --> 00:41:38,000
Speaker 1: just like that's our voice that we were holding it.

759
00:41:40,840 --> 00:41:42,279
Speaker 1: Do you remember we were guys? Would we do that

760
00:41:42,320 --> 00:41:45,000
Speaker 1: just territive to fuck up all her takes? Yes? Oh

761
00:41:45,040 --> 00:41:47,440
Speaker 1: my god. When she starts laughing, it was over, Like,

762
00:41:47,760 --> 00:41:50,239
Speaker 1: oh yeah, if you got her, yes, if you got

763
00:41:50,280 --> 00:41:53,080
Speaker 1: her going, it was over. And then Randall's like, yeah,

764
00:41:53,600 --> 00:41:56,359
Speaker 1: who would come in, like a line producer would come in.

765
00:41:56,680 --> 00:41:58,600
Speaker 1: The line producer was in charge of the budget, would

766
00:41:58,600 --> 00:42:00,760
Speaker 1: come into me, like give us the evil eye because

767
00:42:00,760 --> 00:42:03,080
Speaker 1: we were over here like in the overtime and we

768
00:42:03,560 --> 00:42:05,279
Speaker 1: but no one could hear us because Donald and I

769
00:42:05,280 --> 00:42:07,839
Speaker 1: would just do it so soft that only Sarah could hear,

770
00:42:08,000 --> 00:42:13,799
Speaker 1: and we go. Sarah would start cracking up and she'd

771
00:42:13,840 --> 00:42:19,160
Speaker 1: be like, shut up, and everybody wants to try to work, Sarah.

772
00:42:19,239 --> 00:42:21,840
Speaker 1: Everybody is tired, they want to go be with their families.

773
00:42:21,920 --> 00:42:33,040
Speaker 1: Stop it. And we'd be like, what was up with

774
00:42:33,080 --> 00:42:36,880
Speaker 1: the hat? I joke about that. I don't know was

775
00:42:36,920 --> 00:42:39,839
Speaker 1: it a stylish maybe maybe back in um let's see

776
00:42:39,840 --> 00:42:42,440
Speaker 1: when this uh in the I don't have the gate

777
00:42:42,480 --> 00:42:45,080
Speaker 1: in front of me, but maybe that was a style

778
00:42:45,120 --> 00:42:46,279
Speaker 1: At the moment, it was like, what do you call

779
00:42:46,360 --> 00:42:48,800
Speaker 1: that a Dutch boy? I don't know what it was, renee,

780
00:42:48,840 --> 00:42:52,040
Speaker 1: you know style that weird hat she's wearing Dutch boy

781
00:42:53,280 --> 00:42:57,040
Speaker 1: the episode? No, no, actually no, I know what I

782
00:42:57,080 --> 00:42:59,920
Speaker 1: noticed about the episode. Actually for me, is it off

783
00:43:00,280 --> 00:43:04,200
Speaker 1: times when when Sarah because this episode did not have

784
00:43:04,280 --> 00:43:06,680
Speaker 1: a lot of her in it, and whenever she'd have

785
00:43:06,719 --> 00:43:09,000
Speaker 1: a day off, I would too. So I remember watching

786
00:43:09,040 --> 00:43:11,080
Speaker 1: the episode and being like Ed McMahon was on scrub

787
00:43:11,200 --> 00:43:15,759
Speaker 1: something I didn't know that I know that was you

788
00:43:15,800 --> 00:43:20,000
Speaker 1: know who wasn't on this episode at all? It was KenKen,

789
00:43:20,600 --> 00:43:24,320
Speaker 1: the no conco in this episode at all. That's interesting,

790
00:43:24,480 --> 00:43:28,000
Speaker 1: that's true, and we should mention another member of our

791
00:43:28,040 --> 00:43:30,719
Speaker 1: posse is not with us today, but we should have

792
00:43:30,719 --> 00:43:34,800
Speaker 1: her on sometimes. Katia, who was who was Judy's standing

793
00:43:34,840 --> 00:43:37,040
Speaker 1: and she was in our our our posse as well,

794
00:43:37,120 --> 00:43:39,880
Speaker 1: and we had tons of good times with her, So

795
00:43:39,920 --> 00:43:41,799
Speaker 1: we want to we gotta have Katia come We gotta

796
00:43:41,800 --> 00:43:44,200
Speaker 1: have Katia come on too. I know this episode had

797
00:43:44,200 --> 00:43:46,560
Speaker 1: a lot of turkey. Turkey in Karla together, so that

798
00:43:46,600 --> 00:43:50,359
Speaker 1: meant that, you know, Katia were together a lot. So wait,

799
00:43:50,360 --> 00:43:52,399
Speaker 1: did we get the bathtub scene? Were you guys? Did

800
00:43:52,400 --> 00:43:55,279
Speaker 1: you guys have to get into water? Also? We got

801
00:43:55,280 --> 00:43:58,520
Speaker 1: in the bathtub of pre water. I'm a sicker. That's gross.

802
00:43:58,680 --> 00:44:01,160
Speaker 1: If I know that, you know that they wouldn't have

803
00:44:01,200 --> 00:44:04,080
Speaker 1: them get in the same water as well. Nowadays they

804
00:44:04,080 --> 00:44:07,560
Speaker 1: wouldn't go the times they wouldn't, but back then, the shit, oh,

805
00:44:07,560 --> 00:44:09,719
Speaker 1: I want to talk about it. So you know, ideally

806
00:44:09,880 --> 00:44:13,040
Speaker 1: for camera and lighting purposes, your standing is your exact

807
00:44:13,080 --> 00:44:20,240
Speaker 1: height now, Deontat, it's very frustrating if the camera operators

808
00:44:20,280 --> 00:44:23,120
Speaker 1: sets up a shot on someone five five and then

809
00:44:23,440 --> 00:44:29,480
Speaker 1: a six foot tall person walks in. All right, Deontay

810
00:44:29,520 --> 00:44:32,120
Speaker 1: tell everyone because Dean Donald brought in Deonta because they

811
00:44:32,120 --> 00:44:35,160
Speaker 1: were buddies. Well, no, we worked together before. I've known

812
00:44:35,160 --> 00:44:38,120
Speaker 1: Deontay since Clueless. So here's here's here's the skin I

813
00:44:38,160 --> 00:44:40,000
Speaker 1: want them to tell. I want Deontay to tell about

814
00:44:40,000 --> 00:44:42,240
Speaker 1: his shoes. Okay, but we can get to the shoes.

815
00:44:42,320 --> 00:44:45,160
Speaker 1: But Deontay. I met Deontay on Clueless. He would do

816
00:44:45,200 --> 00:44:47,200
Speaker 1: background on Clueless, right, and then he went over to

817
00:44:47,239 --> 00:44:50,240
Speaker 1: Sabrina the teenage Witch, right, And when I did guest spot,

818
00:44:50,280 --> 00:44:53,600
Speaker 1: when I guess spotted on Sabrina, he was there and

819
00:44:53,640 --> 00:44:56,799
Speaker 1: he was the standing for my character. And I was like, dude,

820
00:44:56,800 --> 00:44:58,279
Speaker 1: do you want to do this like all the time,

821
00:44:58,360 --> 00:45:01,080
Speaker 1: Like I've known you since Clueless. We've got a great

822
00:45:01,120 --> 00:45:04,400
Speaker 1: Brett parte. Let's freaking let's let's let's make this happen.

823
00:45:04,680 --> 00:45:07,160
Speaker 1: And so when Scrubs started, there was another guy in

824
00:45:07,560 --> 00:45:12,439
Speaker 1: who they hired somebody else and um, he had to leave,

825
00:45:13,080 --> 00:45:16,480
Speaker 1: and I was like, I got the perfect guy. It's Deonte.

826
00:45:16,719 --> 00:45:20,080
Speaker 1: And Deonta came in and Deontay, yes, it's five eight

827
00:45:21,040 --> 00:45:25,200
Speaker 1: and I about I'm five eleven slash six feet, like

828
00:45:25,200 --> 00:45:26,920
Speaker 1: I'm in between. You can you can be a typical

829
00:45:26,920 --> 00:45:29,000
Speaker 1: actor and round that up to six feet. I'm six

830
00:45:29,520 --> 00:45:32,759
Speaker 1: six feet. And so Deontay comes in and they're like, yo,

831
00:45:33,280 --> 00:45:35,120
Speaker 1: what are we gonna do about this? But luckily we

832
00:45:35,160 --> 00:45:37,480
Speaker 1: had this dude, JK who was also a standing on

833
00:45:37,520 --> 00:45:40,200
Speaker 1: the show. Right he was he was Neil's standing. No,

834
00:45:40,320 --> 00:45:45,200
Speaker 1: he was, he was Johnny standing and Neils as well.

835
00:45:45,400 --> 00:45:48,120
Speaker 1: And so to get so I'll let Deontay take it

836
00:45:48,160 --> 00:45:52,480
Speaker 1: from there. Well, basically to get up to Donald's, I

837
00:45:52,560 --> 00:45:55,640
Speaker 1: basically wore these platform shoes that had three or four

838
00:45:55,640 --> 00:46:00,600
Speaker 1: inches of platforms on them. They were platform sneakers, platform sneakers,

839
00:46:00,920 --> 00:46:07,160
Speaker 1: but you would have to run, you have to play basketball.

840
00:46:08,040 --> 00:46:10,840
Speaker 1: Oh my god, you know I have so many questions.

841
00:46:10,920 --> 00:46:14,160
Speaker 1: Doante Is it true that you, for your own job security,

842
00:46:14,200 --> 00:46:17,640
Speaker 1: went out and had them made yourself? I did. I

843
00:46:17,680 --> 00:46:21,000
Speaker 1: went out and had those maids. Yeah, exactly. You didn't

844
00:46:21,000 --> 00:46:24,960
Speaker 1: expense it, didn't paid for them, they ask Oh they did. Okay,

845
00:46:25,160 --> 00:46:27,040
Speaker 1: Oh yeah, I thought you were worried that they were

846
00:46:27,080 --> 00:46:29,160
Speaker 1: gonna can you even though you were Donald's friend, because

847
00:46:29,160 --> 00:46:31,439
Speaker 1: it made no sense to have was standing nothing so nice.

848
00:46:31,600 --> 00:46:33,080
Speaker 1: Oh no, I wasn't worried, but you know, I had

849
00:46:33,120 --> 00:46:36,440
Speaker 1: to go to it an interview to be Donald's stand in,

850
00:46:36,560 --> 00:46:39,000
Speaker 1: and they brought in like four other guys, and you know,

851
00:46:39,000 --> 00:46:42,640
Speaker 1: you're standing outside. You guys are already working or standing outside,

852
00:46:42,640 --> 00:46:44,160
Speaker 1: and people come out and they just look at you

853
00:46:44,200 --> 00:46:49,080
Speaker 1: and not say anything like eighty comes out so awkward.

854
00:46:49,120 --> 00:46:50,879
Speaker 1: They just look at you know what's is and it's

855
00:46:50,960 --> 00:46:58,080
Speaker 1: me standing between all six. They're looking it look like

856
00:46:58,120 --> 00:47:02,359
Speaker 1: they're thinking about it, like you're gonna and then should

857
00:47:02,400 --> 00:47:04,279
Speaker 1: we go with the guy the one guy? How about

858
00:47:04,280 --> 00:47:06,960
Speaker 1: we go with the one guy who's nowhere near Donald's. Hey,

859
00:47:08,000 --> 00:47:10,319
Speaker 1: well I had I had the opposite thing happened. I

860
00:47:10,320 --> 00:47:13,160
Speaker 1: actually knew Franklin and I go from my I had

861
00:47:13,160 --> 00:47:15,840
Speaker 1: to you know. He was like, Hey, there's this this show,

862
00:47:16,360 --> 00:47:19,160
Speaker 1: you want to come work on it? And I He

863
00:47:19,680 --> 00:47:22,959
Speaker 1: sent all these girls down from Central Casting that looked

864
00:47:23,080 --> 00:47:25,480
Speaker 1: nothing like Sarah. So I walked into the room. I'm

865
00:47:25,520 --> 00:47:30,200
Speaker 1: the only blonde, young lady in there. There's all these

866
00:47:30,200 --> 00:47:32,680
Speaker 1: older women who are like Brunette, and I'm thinking I'm

867
00:47:32,719 --> 00:47:35,640
Speaker 1: in the wrong place. Well, it turned out that Franklin

868
00:47:35,840 --> 00:47:40,319
Speaker 1: kind of stacked the deck in my had to pick me.

869
00:47:40,760 --> 00:47:43,759
Speaker 1: That's nice of him. Yeah, but I don't know why.

870
00:47:44,440 --> 00:47:47,640
Speaker 1: I don't know. They must have whispered in the dpf ear.

871
00:47:47,800 --> 00:47:51,480
Speaker 1: Oh that's Donald's friend, I mean yeah, yeah. So yeah,

872
00:47:51,600 --> 00:47:54,000
Speaker 1: after they did the whispering and they send everyone home,

873
00:47:54,080 --> 00:47:55,840
Speaker 1: they said they're going with me and they let the

874
00:47:55,880 --> 00:47:57,800
Speaker 1: other guys go. The other guys must have been like,

875
00:47:57,840 --> 00:48:03,560
Speaker 1: what the fuck, that's Hollywood. Yeah. Yeah, And I walked

876
00:48:03,600 --> 00:48:07,399
Speaker 1: in the hospital with with John Inwood Record photography and

877
00:48:07,440 --> 00:48:09,920
Speaker 1: he whispers over to me, good thing, you know, Donald,

878
00:48:10,040 --> 00:48:15,719
Speaker 1: there's really good matches over Yeah. To be yeah, to

879
00:48:15,800 --> 00:48:18,600
Speaker 1: be fair, they didn't really love me either, especially because

880
00:48:19,200 --> 00:48:22,600
Speaker 1: Zach your hair was so velumin there's so much volume

881
00:48:22,600 --> 00:48:25,560
Speaker 1: to it, spiked up so high. Yeah, and they were

882
00:48:25,680 --> 00:48:28,399
Speaker 1: they were like, you're a little too pale and your

883
00:48:28,440 --> 00:48:31,200
Speaker 1: hair is like, I mean, I couldn't. I didn't have

884
00:48:31,280 --> 00:48:33,319
Speaker 1: that volume in my hair. I'm sorry. It's just not

885
00:48:33,440 --> 00:48:35,440
Speaker 1: washing it Scott, if you really want to achieve it now,

886
00:48:35,480 --> 00:48:38,840
Speaker 1: it's not washing. But I do have I dug up

887
00:48:38,880 --> 00:48:40,920
Speaker 1: a couple of pictures of me in the Zach Wig

888
00:48:40,960 --> 00:48:43,960
Speaker 1: which I had, Oh my god, goes at home? Can wait?

889
00:48:44,000 --> 00:48:46,520
Speaker 1: Why why did you? Did you double me or something else?

890
00:48:46,600 --> 00:48:49,399
Speaker 1: I did? I doubled quite a bit, and like I did,

891
00:48:49,440 --> 00:48:50,960
Speaker 1: I mean to be fair. I don't know if they

892
00:48:51,000 --> 00:48:52,440
Speaker 1: would do this now, but I did a couple of

893
00:48:52,480 --> 00:48:56,520
Speaker 1: stunts like with noon, like not real hardcore stunts, but

894
00:48:56,560 --> 00:48:59,000
Speaker 1: I rode the moped and like went like they'd be

895
00:48:59,000 --> 00:49:02,120
Speaker 1: like getting the JD win again. They called that, They

896
00:49:02,120 --> 00:49:04,960
Speaker 1: called that. What did they call it? It's like a

897
00:49:05,040 --> 00:49:08,319
Speaker 1: hazard pass. Yeah, but you weren't doing it. Don't don't

898
00:49:08,320 --> 00:49:10,560
Speaker 1: mislead people that we were putting you in danger. I

899
00:49:10,600 --> 00:49:13,840
Speaker 1: was always engaging. You know, you wrote a scooter. Okay,

900
00:49:14,239 --> 00:49:17,680
Speaker 1: you're a grown man. You can handle it now. Scott came.

901
00:49:17,800 --> 00:49:20,480
Speaker 1: I asked Scott because I loved him to come and

902
00:49:20,560 --> 00:49:23,760
Speaker 1: do Garden State. And I didn't think that you would

903
00:49:23,760 --> 00:49:25,120
Speaker 1: say yes, because I was like, oh my god, I'm

904
00:49:25,120 --> 00:49:26,800
Speaker 1: gonna have to spend so much time with this standing

905
00:49:27,480 --> 00:49:29,719
Speaker 1: my first feature. And it was all the way in

906
00:49:29,719 --> 00:49:32,200
Speaker 1: New Jersey and I forgot how where did you stay?

907
00:49:32,239 --> 00:49:34,120
Speaker 1: But you came and it was awesome. Where did you stay?

908
00:49:34,400 --> 00:49:37,360
Speaker 1: I stayed with a friend of mine in like Hoboken,

909
00:49:37,840 --> 00:49:40,720
Speaker 1: So I was getting It was such a hard shoot

910
00:49:40,719 --> 00:49:42,040
Speaker 1: because of that, because I had to get on the

911
00:49:42,040 --> 00:49:44,280
Speaker 1: train at like four am every day. That just getting

912
00:49:44,320 --> 00:49:45,759
Speaker 1: and then I think we got we took like a

913
00:49:45,760 --> 00:49:49,000
Speaker 1: bus at Midtown, but it took me like an hour

914
00:49:49,040 --> 00:49:51,040
Speaker 1: and a half to get to the bus. And then

915
00:49:51,040 --> 00:49:54,160
Speaker 1: we drove into like Jersey and I was like, god,

916
00:49:54,200 --> 00:49:57,080
Speaker 1: you you were taking the train into Manhattan to get

917
00:49:57,120 --> 00:50:01,080
Speaker 1: a bus to go back to h I never knew

918
00:50:01,120 --> 00:50:04,000
Speaker 1: that because I had to. Yeah, I had. I'm so sorry.

919
00:50:04,120 --> 00:50:06,200
Speaker 1: I would have set up a cot for you in

920
00:50:06,200 --> 00:50:08,520
Speaker 1: my hotel room, but no. It was amazing because you know,

921
00:50:08,680 --> 00:50:11,200
Speaker 1: you were very loyal and that's part of like the

922
00:50:11,239 --> 00:50:13,799
Speaker 1: whole set, you know. I appreciate that, and um, you know,

923
00:50:14,239 --> 00:50:16,960
Speaker 1: every the experience was great because, like you know, I

924
00:50:17,000 --> 00:50:19,560
Speaker 1: got to meet Natalie Portman and she learned my name.

925
00:50:19,719 --> 00:50:23,000
Speaker 1: I think I was just remembering this earlier. I think

926
00:50:23,040 --> 00:50:31,160
Speaker 1: you taught her the Rabbidu song on that Yeah, and

927
00:50:31,560 --> 00:50:33,759
Speaker 1: Natalie port we sang that when we when whenever we

928
00:50:33,800 --> 00:50:36,960
Speaker 1: couldn't find Scott, which wasn't that we exaggerated that we

929
00:50:36,960 --> 00:50:39,239
Speaker 1: could never find him. He that's he was always right there.

930
00:50:39,400 --> 00:50:42,239
Speaker 1: But we made up a song where Rabbidu rabid Where

931
00:50:42,280 --> 00:50:44,120
Speaker 1: is Rabbidu because that's his last name. So are you

932
00:50:44,160 --> 00:50:46,839
Speaker 1: saying that Natalie Portman serenaded you with the rabbidue song

933
00:50:47,239 --> 00:50:49,600
Speaker 1: she did at one point. I think that's a good

934
00:50:49,640 --> 00:50:51,880
Speaker 1: memory and it seems yeah, it seems like. And she

935
00:50:51,920 --> 00:50:53,560
Speaker 1: also saw me in my underwear because I was in

936
00:50:53,600 --> 00:50:56,120
Speaker 1: that pool for you remember the fool shot. Yeah, I

937
00:50:56,239 --> 00:50:59,560
Speaker 1: was like super embarrassed that I was a little shriveled

938
00:51:00,080 --> 00:51:04,880
Speaker 1: that point getting into pool. So Natalie Partman is seeing

939
00:51:04,880 --> 00:51:08,360
Speaker 1: me in my underwear, and I'm like, you know, anyway,

940
00:51:09,280 --> 00:51:12,279
Speaker 1: So you're saying that you wish that Natalie hadn't seen

941
00:51:12,280 --> 00:51:17,000
Speaker 1: you in a shriveled situation. Okay, yes exactly. And then

942
00:51:17,120 --> 00:51:19,279
Speaker 1: but then you know, it was the sacrifice for the

943
00:51:19,320 --> 00:51:22,360
Speaker 1: shot you were directing. I had to get it was cold,

944
00:51:22,400 --> 00:51:24,919
Speaker 1: it was it was I know, we tried so hard

945
00:51:24,960 --> 00:51:27,319
Speaker 1: to get that pool warm and uh and we had

946
00:51:27,360 --> 00:51:29,000
Speaker 1: to because I knew we were gonna have to spend

947
00:51:29,040 --> 00:51:31,080
Speaker 1: the whole night in it. And yeah, it never was

948
00:51:31,120 --> 00:51:34,040
Speaker 1: warm enough. Everyone was a trooper. But I, by the way,

949
00:51:34,080 --> 00:51:36,480
Speaker 1: remind me when we get off to send you some

950
00:51:36,520 --> 00:51:38,839
Speaker 1: cool pictures because I found I was looking through old

951
00:51:38,840 --> 00:51:41,960
Speaker 1: photos and I found pictures of you in the in

952
00:51:42,040 --> 00:51:43,719
Speaker 1: the the boat that we're in at the very end,

953
00:51:43,760 --> 00:51:46,160
Speaker 1: I found pictures of you hanging out, and uh, you'll

954
00:51:46,200 --> 00:51:48,640
Speaker 1: I think you'll be glad to have them. Oh really, Yeah,

955
00:51:48,640 --> 00:51:50,160
Speaker 1: that's great. All right, but let's get back to the

956
00:51:50,160 --> 00:51:53,360
Speaker 1: television show Scrubs. So let's look. Elliott lived with the

957
00:51:53,480 --> 00:51:56,960
Speaker 1: Babcox who were very old and thought she was a ghost.

958
00:51:58,600 --> 00:52:03,560
Speaker 1: That ship had me roland. Yeah. I laughed so hard

959
00:52:03,560 --> 00:52:05,720
Speaker 1: at that for some reason, the fact that these old

960
00:52:05,800 --> 00:52:09,239
Speaker 1: people let Elliott live with her and thought she was

961
00:52:09,280 --> 00:52:11,720
Speaker 1: a ghost. But first of all, you're skip you're skipping

962
00:52:11,760 --> 00:52:14,880
Speaker 1: me pulling out the cable bars. Because I was. I was.

963
00:52:15,280 --> 00:52:17,440
Speaker 1: I was so pissed that you guys were evicting me.

964
00:52:18,120 --> 00:52:20,759
Speaker 1: That was funny. That was This was actually a very

965
00:52:20,760 --> 00:52:24,759
Speaker 1: funny episode because of that. Uh, my wife and I

966
00:52:24,840 --> 00:52:27,799
Speaker 1: we Zach is our third wheel, or at one point

967
00:52:28,000 --> 00:52:31,239
Speaker 1: was our third wheel, and we did everything together. I

968
00:52:31,360 --> 00:52:34,480
Speaker 1: was this guy just short of saying sorry about the

969
00:52:34,520 --> 00:52:37,440
Speaker 1: Tusie guy, just short of saying sorry about the Tusie

970
00:52:38,640 --> 00:52:42,560
Speaker 1: everything together. And so watching this, I was like, you know,

971
00:52:42,640 --> 00:52:44,120
Speaker 1: and then at the end of the show, you know

972
00:52:44,239 --> 00:52:47,319
Speaker 1: that the Turk and caller can they think they're in

973
00:52:47,360 --> 00:52:51,319
Speaker 1: trouble and everything. But I never I never questioned my

974
00:52:51,400 --> 00:52:55,359
Speaker 1: wife and I's relationship based on you being a part

975
00:52:55,400 --> 00:52:57,600
Speaker 1: of it. But I just remember everywhere we went and

976
00:52:57,680 --> 00:53:01,440
Speaker 1: everything we did, Zach was always with us. And so

977
00:53:01,640 --> 00:53:04,279
Speaker 1: watching this, it's like, and I remember when Zach wasn't

978
00:53:04,280 --> 00:53:06,160
Speaker 1: around and we were like, well, what the fuck are

979
00:53:06,200 --> 00:53:08,760
Speaker 1: we gonna do now? Right, just like in the show.

980
00:53:09,680 --> 00:53:12,719
Speaker 1: Just like in the show, They're like, they were so

981
00:53:12,760 --> 00:53:15,040
Speaker 1: happy to get rid of me because they just wanted

982
00:53:15,040 --> 00:53:17,240
Speaker 1: to fuck, that's all. They just wanted to fuck without

983
00:53:17,320 --> 00:53:19,120
Speaker 1: fuck in the kitchen. They wanted to fuck the kitchen.

984
00:53:19,160 --> 00:53:20,319
Speaker 1: They did it once and then they were like, we

985
00:53:20,360 --> 00:53:26,920
Speaker 1: missed t D. Right. Basically, the plot of this episode

986
00:53:27,000 --> 00:53:29,080
Speaker 1: is turk It and Carl I want to fuck in

987
00:53:29,080 --> 00:53:32,160
Speaker 1: the kitchen. They kicked JD out. They fucking the kitchen.

988
00:53:32,280 --> 00:53:40,960
Speaker 1: They missed g D. I get it. You may and

989
00:53:41,080 --> 00:53:43,000
Speaker 1: Dunk kids live with me right now, you know what

990
00:53:43,040 --> 00:53:46,200
Speaker 1: I mean? And and and I love it when my

991
00:53:46,280 --> 00:53:50,200
Speaker 1: daughter goes to her boyfriend's house and freaking my son

992
00:53:50,600 --> 00:53:53,360
Speaker 1: he's in school right now. I love when they're gone

993
00:53:53,680 --> 00:53:55,680
Speaker 1: and it's just me and my wife in the house

994
00:53:55,880 --> 00:53:58,080
Speaker 1: because we get to do shit that we don't normally

995
00:53:58,160 --> 00:54:01,040
Speaker 1: get to do, and it's such a great feeling to

996
00:54:01,280 --> 00:54:04,760
Speaker 1: have that moment. But then, yeah, we could in the kitchen.

997
00:54:04,840 --> 00:54:07,320
Speaker 1: I always remember that. Remember that monologue and Ben Harry

998
00:54:07,320 --> 00:54:09,920
Speaker 1: met Sally Donald one of your favorite movies, when gosh,

999
00:54:09,960 --> 00:54:12,080
Speaker 1: when she's talking about having sex on the on the

1000
00:54:12,120 --> 00:54:15,160
Speaker 1: tile floor, she goes fucking the kitchen. She said, we'd

1001
00:54:15,200 --> 00:54:17,200
Speaker 1: never had sex in the kitchen, and he's like, you

1002
00:54:17,239 --> 00:54:19,239
Speaker 1: never had sex in the kitchen. She's like, oh no,

1003
00:54:19,280 --> 00:54:21,240
Speaker 1: you'd hate it. The floor was made out of tile,

1004
00:54:21,680 --> 00:54:30,000
Speaker 1: tile so cold. Yeah, no doubt. We should mention that

1005
00:54:30,040 --> 00:54:32,640
Speaker 1: our guest star is Michael Boatman, who was very funny

1006
00:54:32,680 --> 00:54:35,680
Speaker 1: and one of the another one of the Spin City casts,

1007
00:54:36,160 --> 00:54:39,560
Speaker 1: all the stars who came to visit us. Yeah, he

1008
00:54:39,640 --> 00:54:41,799
Speaker 1: did a great job on this also, Yeah, he really did.

1009
00:54:41,840 --> 00:54:43,960
Speaker 1: I love how he enters by chopper. But they were

1010
00:54:44,000 --> 00:54:46,719
Speaker 1: clearly too cheap to pay for the chopper, so there's

1011
00:54:46,760 --> 00:54:48,959
Speaker 1: no shot of the chopper. It's just like a wind

1012
00:54:49,000 --> 00:54:52,640
Speaker 1: machine and a ladder drop drops out of nowhere. Like, guys,

1013
00:54:52,680 --> 00:54:54,160
Speaker 1: come on, you could have bought a stock shot of

1014
00:54:54,200 --> 00:54:58,320
Speaker 1: a chopper like, You're like, no, kid, we're broke. We

1015
00:54:58,400 --> 00:55:01,960
Speaker 1: spent all the money. Yeah, um, what about? What what

1016
00:55:02,200 --> 00:55:04,800
Speaker 1: about when I randomly say I banged your first girlfriend

1017
00:55:04,960 --> 00:55:08,040
Speaker 1: Chantell because I know you go I banged your first girlfriend.

1018
00:55:08,080 --> 00:55:12,080
Speaker 1: I go Shantell. Yeah, that's so funny because I'm trying

1019
00:55:12,120 --> 00:55:14,760
Speaker 1: to fight you. I'm like, I'm bang your first girlfriend.

1020
00:55:14,760 --> 00:55:18,960
Speaker 1: You go Shantell, shan tell. But then we never talk

1021
00:55:19,000 --> 00:55:21,120
Speaker 1: you about it again. We just move on. That's it.

1022
00:55:21,200 --> 00:55:23,399
Speaker 1: That's a rat's funny. So this is the first time

1023
00:55:23,440 --> 00:55:26,439
Speaker 1: you see tower finger man, I laughed every time. When

1024
00:55:26,440 --> 00:55:34,919
Speaker 1: your breaking foot is in Sarah's face, I laughed down

1025
00:55:34,960 --> 00:55:38,760
Speaker 1: loud because he misses JD. And Sarah's like the surrogate

1026
00:55:38,800 --> 00:55:40,800
Speaker 1: who's over to be like I can be fun too.

1027
00:55:41,080 --> 00:55:45,120
Speaker 1: And then you see Total's footage he's trying to relive

1028
00:55:45,160 --> 00:55:48,640
Speaker 1: the experience with and she goes, I told you, Turko,

1029
00:55:48,640 --> 00:55:50,800
Speaker 1: I don't want to play tote finger and then immediately

1030
00:55:50,840 --> 00:55:53,799
Speaker 1: turks baby. I thought that we tell Elliott to leave. Man.

1031
00:55:57,600 --> 00:56:01,319
Speaker 1: What about the little says that it's always toe so

1032
00:56:02,000 --> 00:56:08,160
Speaker 1: always what about? Um? I laughed out loud when I went, um,

1033
00:56:09,080 --> 00:56:11,840
Speaker 1: I'm riding the scooter with rowdy on the back and

1034
00:56:12,000 --> 00:56:16,120
Speaker 1: Rowdy has a helmet on. Yes, yeah, I will I

1035
00:56:16,160 --> 00:56:20,040
Speaker 1: will say I remember that episode for the because you know,

1036
00:56:20,280 --> 00:56:22,400
Speaker 1: like we were explaining the role of a stand in

1037
00:56:22,800 --> 00:56:26,280
Speaker 1: so the DP. When John was like setting these shots,

1038
00:56:26,800 --> 00:56:29,440
Speaker 1: he would be like, uh, rabbity, it's not working to

1039
00:56:29,440 --> 00:56:32,360
Speaker 1: you have rowdy and he would be like, props bringing rowdy.

1040
00:56:32,480 --> 00:56:36,080
Speaker 1: So I'd have to stand in holding Rowdy for thirty

1041
00:56:36,200 --> 00:56:39,960
Speaker 1: forty five minutes under hot lights. And I don't know

1042
00:56:40,000 --> 00:56:42,360
Speaker 1: if you notice that lights. Yeah, I don't know. He

1043
00:56:42,440 --> 00:56:45,359
Speaker 1: had this aroma. I don't know if are you, sir

1044
00:56:47,840 --> 00:56:50,000
Speaker 1: covering Yeah, I don't know if it was the prop

1045
00:56:50,000 --> 00:56:54,200
Speaker 1: department covering. Maybe he probably smells like because they were

1046
00:56:54,280 --> 00:56:58,759
Speaker 1: covering him. But he was a dead animal, you know

1047
00:56:59,480 --> 00:57:02,799
Speaker 1: he was. But it didn't you know, it was like

1048
00:57:02,840 --> 00:57:06,000
Speaker 1: an homage to him. I get it. It wasn't. It

1049
00:57:06,040 --> 00:57:07,960
Speaker 1: wasn't gross in the moment, you know, it was. It

1050
00:57:08,000 --> 00:57:10,680
Speaker 1: was like an homage to It's never it's never discussed

1051
00:57:10,760 --> 00:57:13,320
Speaker 1: why JD was able in the divorce, was able to

1052
00:57:13,360 --> 00:57:15,880
Speaker 1: get rowdy Donald. I guess. I guess I must have

1053
00:57:15,920 --> 00:57:18,040
Speaker 1: been the one who paid for him or something. You've

1054
00:57:18,080 --> 00:57:20,560
Speaker 1: probably snatched Rowdy too. There's no way Carlo was gonna

1055
00:57:20,640 --> 00:57:23,040
Speaker 1: let Rowdy stay in the apartment. Also, I do think

1056
00:57:23,080 --> 00:57:25,880
Speaker 1: it's funny the only Oh, that's probably why Carlo. I

1057
00:57:25,880 --> 00:57:27,959
Speaker 1: do think it's funny that the only thing I took

1058
00:57:28,040 --> 00:57:32,960
Speaker 1: was the cable box and rally. Yeah. I love that

1059
00:57:33,000 --> 00:57:35,720
Speaker 1: you go to all of these different places too to stay,

1060
00:57:36,120 --> 00:57:39,680
Speaker 1: and right, the one place that you decide on for

1061
00:57:39,800 --> 00:57:44,200
Speaker 1: one night is staying with the Todd. Oh that's the

1062
00:57:45,080 --> 00:57:49,560
Speaker 1: that's the funniest part of the episode. I mean, he says.

1063
00:57:49,600 --> 00:57:57,840
Speaker 1: He says, the Todd is not accustomed to receiving gentleman. Yeah, true,

1064
00:57:58,440 --> 00:58:00,760
Speaker 1: Oh my god. And then the pres of all the

1065
00:58:00,760 --> 00:58:02,800
Speaker 1: people on the swimming team and he's like, which one

1066
00:58:02,840 --> 00:58:11,680
Speaker 1: does you because because there's the biggest, the big, the

1067
00:58:11,680 --> 00:58:14,200
Speaker 1: big of all the swimmers, and I go, oh, which

1068
00:58:14,320 --> 00:58:19,520
Speaker 1: funnies and total dead band. He goes, oh, I don't swim.

1069
00:58:20,920 --> 00:58:24,520
Speaker 1: That was oh my god. And then he shows all

1070
00:58:24,640 --> 00:58:27,960
Speaker 1: his um, his his banana havocks and it's a lit

1071
00:58:27,960 --> 00:58:30,920
Speaker 1: closet like lights in it and they're all lined up

1072
00:58:30,960 --> 00:58:32,840
Speaker 1: and he goes, what are you about a medium? And

1073
00:58:32,880 --> 00:58:38,040
Speaker 1: I go like extra medium and he goes, he goes

1074
00:58:38,080 --> 00:58:40,400
Speaker 1: this will do and it's gonna look great. What does

1075
00:58:40,400 --> 00:58:45,320
Speaker 1: he say, it's gonna look good? Yes, that's the funniest

1076
00:58:45,360 --> 00:58:49,000
Speaker 1: fucking shit man. Donald rewatching the show, you guys, and

1077
00:58:49,120 --> 00:58:51,160
Speaker 1: we have a whole new respect for Rob. Like Rob,

1078
00:58:52,000 --> 00:58:56,040
Speaker 1: Rob steals every episode, every episode Rob is in. His

1079
00:58:56,120 --> 00:58:59,040
Speaker 1: line is the funniest line of the episode every time.

1080
00:58:59,280 --> 00:59:01,000
Speaker 1: And I remember when we were shooting this, I remember

1081
00:59:01,040 --> 00:59:03,720
Speaker 1: being like, it goes, Rob running line again, look at

1082
00:59:03,760 --> 00:59:08,480
Speaker 1: a run in line. But dude, he delivers every fucking time.

1083
00:59:08,760 --> 00:59:11,400
Speaker 1: We were always making fun of him, like, oh, come on, Rob,

1084
00:59:11,440 --> 00:59:13,200
Speaker 1: you run in line again? And now we were we

1085
00:59:13,320 --> 00:59:15,960
Speaker 1: watching it. Good thing he ran line. He's fucking hilarious.

1086
00:59:16,040 --> 00:59:19,840
Speaker 1: He's fucking hilarious. Dude. We have a caller, Yes, so guys,

1087
00:59:19,840 --> 00:59:21,200
Speaker 1: I know you don't listen to the show, or you

1088
00:59:21,280 --> 00:59:24,080
Speaker 1: pretend to, but we take a caller, Renee, Renee, I

1089
00:59:24,120 --> 00:59:28,080
Speaker 1: believe you at least um, So we take a caller,

1090
00:59:28,200 --> 00:59:30,880
Speaker 1: as you know, and uh, and we give him two questions.

1091
00:59:30,960 --> 00:59:33,000
Speaker 1: I don't know why Daniel and Joelle have decided not

1092
00:59:33,080 --> 00:59:35,800
Speaker 1: to attend this episode. Why do you guys hate our friends?

1093
00:59:35,840 --> 00:59:40,160
Speaker 1: You don't you don't want to meet the game, do

1094
00:59:40,200 --> 00:59:42,720
Speaker 1: you Ultimate hangout Fest. Did you guys, did you guys

1095
00:59:42,800 --> 00:59:49,080
Speaker 1: break off into a separate rooms on each other we

1096
00:59:49,160 --> 00:59:50,920
Speaker 1: didn't want to know? Well, I want you guys to

1097
00:59:51,080 --> 00:59:54,120
Speaker 1: meet our friends and get to know and love them.

1098
00:59:54,200 --> 00:59:55,680
Speaker 1: We're gonna take a break and when we come back,

1099
00:59:55,680 --> 00:59:57,400
Speaker 1: we're gonna have a guest, and then we're gonna talk

1100
00:59:57,440 --> 00:59:59,080
Speaker 1: to the guests. That's gonna be delicious. Here we go

1101
00:59:59,400 --> 01:00:08,440
Speaker 1: right back and we're back. We are back, all right,

1102
01:00:08,480 --> 01:00:11,320
Speaker 1: bringing the guests. Don't be shy, Renee, Scott and Deonta.

1103
01:00:11,440 --> 01:00:14,480
Speaker 1: You're gonna share your knowledge of scrubs. And we're also

1104
01:00:14,520 --> 01:00:16,479
Speaker 1: going to do a segment called Fix Your Life where

1105
01:00:16,480 --> 01:00:23,000
Speaker 1: we give them really great psychological help. Here, ladies and gentlemen,

1106
01:00:23,080 --> 01:00:33,400
Speaker 1: give it up for ear. Welcome, I and you got

1107
01:00:33,480 --> 01:00:35,720
Speaker 1: you have. I think you This is the biggest assemblage

1108
01:00:35,720 --> 01:00:37,800
Speaker 1: of people we've ever had on the show at one time, right,

1109
01:00:37,880 --> 01:00:41,120
Speaker 1: Joel and um wow, I don't know if you've been briefed, Ian,

1110
01:00:41,200 --> 01:00:44,080
Speaker 1: but these three lovely people were our stand ins. The

1111
01:00:44,240 --> 01:00:46,920
Speaker 1: handsome man in blue, the particularly handsome man in blue

1112
01:00:47,000 --> 01:00:50,760
Speaker 1: was my stand in, and Renee was Sarah's. And that

1113
01:00:50,960 --> 01:00:57,000
Speaker 1: handsome man with the those dreads or twists, Deionta. Yes, dude,

1114
01:00:57,000 --> 01:01:00,360
Speaker 1: you went from twists to bold to twists to ball

1115
01:01:00,600 --> 01:01:04,960
Speaker 1: to twists against my quarantine hair. And you might remember

1116
01:01:05,080 --> 01:01:07,400
Speaker 1: Dante is the only person in nine years of Scrubs

1117
01:01:07,400 --> 01:01:12,840
Speaker 1: to wear Pooka shells on the show. If you're ever

1118
01:01:13,000 --> 01:01:17,280
Speaker 1: curious who, just go back to your Shoubs episodes and

1119
01:01:17,360 --> 01:01:20,040
Speaker 1: you'll see he's the African American wearing booka shell. Not

1120
01:01:20,120 --> 01:01:23,200
Speaker 1: only were they Pooka shells, they were chokers too. He

1121
01:01:23,240 --> 01:01:27,360
Speaker 1: would wear a choker pok nice. Oh my god. I

1122
01:01:27,440 --> 01:01:28,840
Speaker 1: like to think it's because he got in as a

1123
01:01:28,920 --> 01:01:45,040
Speaker 1: child and then grew into it. All right, So Ian,

1124
01:01:45,160 --> 01:01:47,640
Speaker 1: where are you calling from, sir? I'm in the town

1125
01:01:47,680 --> 01:01:50,640
Speaker 1: called Westchester, Pennsylvania. We're about like forty five minutes west

1126
01:01:50,640 --> 01:01:54,120
Speaker 1: of Philly. Okay, well, welcome to the program. West Just

1127
01:01:54,280 --> 01:01:59,080
Speaker 1: a PA in the motherfucking whose. Yes, appreciate that's that's

1128
01:01:59,160 --> 01:02:01,480
Speaker 1: you should make that your ring tone when you hear

1129
01:02:01,520 --> 01:02:04,959
Speaker 1: this bat. Let me let me make it one more time. Wait, great, ready,

1130
01:02:05,080 --> 01:02:09,000
Speaker 1: go west Just the p A and the motherfucking whose.

1131
01:02:10,080 --> 01:02:13,400
Speaker 1: There you go. If you if you if your tech savvy,

1132
01:02:13,640 --> 01:02:16,240
Speaker 1: or make that your ring tone, or enlist someone who

1133
01:02:16,360 --> 01:02:18,600
Speaker 1: is in your family, and that should be your ring tone.

1134
01:02:18,760 --> 01:02:21,040
Speaker 1: I give that to anybody in Westchester. It's free. Yes,

1135
01:02:21,120 --> 01:02:25,080
Speaker 1: if you live in Westchester, you're also welcome to use that. Yeah,

1136
01:02:25,080 --> 01:02:27,360
Speaker 1: it's an amazing town. Come out some time. I don't

1137
01:02:27,400 --> 01:02:29,880
Speaker 1: think that will ever happen. That will never happen. I

1138
01:02:29,920 --> 01:02:32,120
Speaker 1: don't really think that, you know, Listen, I've only got

1139
01:02:32,120 --> 01:02:33,880
Speaker 1: about forty five years left. I just don't know if

1140
01:02:33,920 --> 01:02:43,200
Speaker 1: Westchester as I as I weigh rome. All right, so

1141
01:02:43,320 --> 01:02:45,360
Speaker 1: what's your what's your question for us, sir? And I

1142
01:02:45,360 --> 01:02:47,560
Speaker 1: hope it's I hope it's something that's that that these

1143
01:02:47,720 --> 01:02:50,080
Speaker 1: one wonderful people can weigh in on as well. Yeah. Yeah,

1144
01:02:50,080 --> 01:02:52,240
Speaker 1: I love to you from everyone here, um and super honored.

1145
01:02:52,280 --> 01:02:54,880
Speaker 1: Thanks for having met dude. We're so happy you're on. Men,

1146
01:02:54,920 --> 01:02:56,440
Speaker 1: We're happy you're here. And it all has to do

1147
01:02:56,440 --> 01:02:58,560
Speaker 1: with that beautiful freckled lady right there who had a

1148
01:02:58,720 --> 01:03:01,600
Speaker 1: who's smiling because she a very nice date. But we'll

1149
01:03:01,600 --> 01:03:05,640
Speaker 1: talk about that later. Oh fascinating. Yeah, And Joel said

1150
01:03:05,760 --> 01:03:07,320
Speaker 1: in the email, She's like, hey, I don't think I

1151
01:03:07,320 --> 01:03:08,840
Speaker 1: don't think Donald will be on with you, And I

1152
01:03:08,920 --> 01:03:10,560
Speaker 1: was like, that's fine, I might not get my intro,

1153
01:03:10,760 --> 01:03:12,440
Speaker 1: but then to come in. First thing I hear is

1154
01:03:12,440 --> 01:03:14,720
Speaker 1: Donald given me that that solid interrot. So I appreciate

1155
01:03:14,760 --> 01:03:18,360
Speaker 1: that that's how it goes. Yeah, So my question basically

1156
01:03:18,480 --> 01:03:20,800
Speaker 1: is just so I'm an educator and um, you know,

1157
01:03:20,840 --> 01:03:23,280
Speaker 1: in my role, like we're always reflecting on what we do,

1158
01:03:23,760 --> 01:03:26,520
Speaker 1: um the second we finished teaching, like we're our worst

1159
01:03:26,560 --> 01:03:30,080
Speaker 1: critics and we're always picking a part like there's nobody.

1160
01:03:30,080 --> 01:03:31,840
Speaker 1: I don't think any teacher feels like they did a

1161
01:03:31,840 --> 01:03:35,400
Speaker 1: phenomenal job once they leave a lesson. And I'm curious

1162
01:03:35,440 --> 01:03:38,040
Speaker 1: in your roles, um, like how how you feel when

1163
01:03:38,040 --> 01:03:40,320
Speaker 1: you're done, Like do you feel have you walked off

1164
01:03:40,520 --> 01:03:42,280
Speaker 1: a set? Have you walked off a scene where you're like,

1165
01:03:42,600 --> 01:03:44,920
Speaker 1: I just there's it's it, it's And I've heard you

1166
01:03:44,960 --> 01:03:47,600
Speaker 1: say like it's in the can We're good. Um. But

1167
01:03:47,600 --> 01:03:50,440
Speaker 1: but I've been fascinated to to hear your comments of um,

1168
01:03:50,680 --> 01:03:52,920
Speaker 1: like some of it sounds like like I guess my

1169
01:03:52,960 --> 01:03:54,760
Speaker 1: question is like do you go back and watch that

1170
01:03:55,000 --> 01:03:57,920
Speaker 1: before it goes live? Or when do you get a

1171
01:03:58,000 --> 01:04:01,520
Speaker 1: chance to like kind of watch your watch your craft

1172
01:04:01,640 --> 01:04:04,880
Speaker 1: in action. So what you're saying is actually something that

1173
01:04:05,000 --> 01:04:08,160
Speaker 1: a lot of actors do and you can't help but

1174
01:04:08,280 --> 01:04:11,360
Speaker 1: do it so I'll have let's say, whether it be

1175
01:04:11,400 --> 01:04:15,920
Speaker 1: an audition or you have the job. At the end

1176
01:04:15,960 --> 01:04:19,560
Speaker 1: of the day. As an actor, for me, I always

1177
01:04:19,600 --> 01:04:21,560
Speaker 1: reflect on what I did, you know what I mean?

1178
01:04:21,600 --> 01:04:25,080
Speaker 1: I think back, what did I do? You know what's usable,

1179
01:04:25,320 --> 01:04:29,360
Speaker 1: what's not usable, And then all of a sudden jokes

1180
01:04:29,400 --> 01:04:33,040
Speaker 1: start to come and or the way I said it,

1181
01:04:34,080 --> 01:04:38,680
Speaker 1: a different cadence or a different a different emotion comes

1182
01:04:38,720 --> 01:04:40,720
Speaker 1: and I said, oh, I could have did it this way, like,

1183
01:04:40,760 --> 01:04:43,320
Speaker 1: oh man, this joke would have been really funny if

1184
01:04:43,360 --> 01:04:46,000
Speaker 1: I would have said this instead. Or I wonder if

1185
01:04:46,000 --> 01:04:49,840
Speaker 1: they have the one where I So that always happens. Now,

1186
01:04:50,040 --> 01:04:51,920
Speaker 1: that doesn't mean I think I did a bad job,

1187
01:04:52,400 --> 01:04:57,240
Speaker 1: but it definitely I definitely feel like I don't always,

1188
01:04:57,720 --> 01:04:59,560
Speaker 1: you know, leave it all out there. I don't get

1189
01:04:59,560 --> 01:05:03,320
Speaker 1: it all out out because there's so much more after

1190
01:05:03,840 --> 01:05:06,960
Speaker 1: you're done, and hindsight is twenty twenty as as we

1191
01:05:07,000 --> 01:05:11,240
Speaker 1: all know. So yes, in my experience, I do that

1192
01:05:11,360 --> 01:05:13,840
Speaker 1: all the time where it's like I think I did

1193
01:05:13,920 --> 01:05:16,240
Speaker 1: a good job, but if I just had one more

1194
01:05:16,320 --> 01:05:17,840
Speaker 1: day to think about it, I probably could have done

1195
01:05:17,840 --> 01:05:21,280
Speaker 1: it better. You know, I would go off into the

1196
01:05:21,680 --> 01:05:24,360
Speaker 1: edit suite on Scrubs. It was on the first floor,

1197
01:05:24,480 --> 01:05:26,760
Speaker 1: and I would I was kind of I was I

1198
01:05:26,840 --> 01:05:29,960
Speaker 1: wanted to learn, you know, about filmmaking, and but I

1199
01:05:30,000 --> 01:05:33,680
Speaker 1: also wanted to sort of see what they were putting in,

1200
01:05:33,760 --> 01:05:35,800
Speaker 1: because you know, we would do so many different versions

1201
01:05:36,360 --> 01:05:38,120
Speaker 1: and ultimately would be up to Bill what was going

1202
01:05:38,160 --> 01:05:40,080
Speaker 1: to go in the show. And as he and I

1203
01:05:40,120 --> 01:05:43,200
Speaker 1: became closer, I would I would campaign for things. I like, like,

1204
01:05:43,280 --> 01:05:45,320
Speaker 1: you're not gonna put that in? That was the whole crew.

1205
01:05:45,560 --> 01:05:48,640
Speaker 1: You know. Sometimes Bill wasn't on set, so he at

1206
01:05:48,680 --> 01:05:51,040
Speaker 1: the time we were doing something, so he wouldn't know that. Like,

1207
01:05:51,520 --> 01:05:53,480
Speaker 1: you know, we don't have a live studio audience obviously,

1208
01:05:53,480 --> 01:05:56,120
Speaker 1: so we only have the crew and these guys here obviously,

1209
01:05:56,480 --> 01:05:58,720
Speaker 1: so we would we would judge it by like, oh, dude,

1210
01:05:58,720 --> 01:06:01,200
Speaker 1: the whole crew and the and everyone was cracking up.

1211
01:06:01,240 --> 01:06:03,000
Speaker 1: Why didn't you want to use that? So you're sort

1212
01:06:03,000 --> 01:06:06,840
Speaker 1: of jockeying to get the version you think is best in,

1213
01:06:07,400 --> 01:06:09,640
Speaker 1: but you have to sort of let it go because

1214
01:06:09,680 --> 01:06:12,400
Speaker 1: it's not you know, it's not unless you're the director

1215
01:06:12,520 --> 01:06:15,200
Speaker 1: or the show runner. It's not really up to you

1216
01:06:15,320 --> 01:06:17,200
Speaker 1: that's something you have to get used to as an actor.

1217
01:06:17,400 --> 01:06:21,560
Speaker 1: Um different from being a theater actor is that you

1218
01:06:21,720 --> 01:06:24,560
Speaker 1: do it all these different ways and then you give

1219
01:06:24,560 --> 01:06:26,800
Speaker 1: it off to someone and say, oh, please don't make

1220
01:06:26,840 --> 01:06:29,680
Speaker 1: me look bad, Please make me look good, and you

1221
01:06:29,760 --> 01:06:32,760
Speaker 1: might see a cut. You know. Sometimes we've we've all

1222
01:06:32,760 --> 01:06:35,920
Speaker 1: experienced this as actors, that you watch it and you go, oh,

1223
01:06:35,960 --> 01:06:39,160
Speaker 1: what happened? Why was that so much funnier on the day,

1224
01:06:39,640 --> 01:06:42,000
Speaker 1: because it's all made in the in the edit room.

1225
01:06:42,080 --> 01:06:44,800
Speaker 1: You know. Johnny Steves to jokingly go, we'd finish a

1226
01:06:44,880 --> 01:06:47,680
Speaker 1: scene and it was it had gone well, and he'd

1227
01:06:48,040 --> 01:06:50,080
Speaker 1: and I've said this on the podcast are our main

1228
01:06:50,200 --> 01:06:52,720
Speaker 1: editor was named John Michelle, and he'd go, we gave

1229
01:06:52,800 --> 01:06:57,920
Speaker 1: John Michelle some mammo cockily stroll he'd sort of cockily

1230
01:06:58,000 --> 01:07:00,960
Speaker 1: stroll off, and I I remember thinking, like, yeah, we

1231
01:07:01,000 --> 01:07:03,439
Speaker 1: gave John Michelle amo, but I hope he I hope

1232
01:07:03,440 --> 01:07:08,840
Speaker 1: he fires the gun correctly right, and Johnny CEO if

1233
01:07:08,840 --> 01:07:10,800
Speaker 1: he didn't feel like he did something right, he yelled

1234
01:07:10,800 --> 01:07:15,320
Speaker 1: again like he's scared. Yeah, that's one you're absolutely bright

1235
01:07:15,360 --> 01:07:18,000
Speaker 1: about that, Reynee. That's one person who I believe when

1236
01:07:18,040 --> 01:07:20,560
Speaker 1: Johnny was done he was like, I got everything out

1237
01:07:20,680 --> 01:07:24,600
Speaker 1: that I wanted to get out. Uh, there's no I didn't.

1238
01:07:24,680 --> 01:07:27,240
Speaker 1: I left it all on the table. Welbe them to

1239
01:07:27,280 --> 01:07:29,880
Speaker 1: work with. We made up a song for Sarah. Um

1240
01:07:30,040 --> 01:07:32,680
Speaker 1: And because no matter how many the directors on our

1241
01:07:32,720 --> 01:07:35,200
Speaker 1: show were always great, and they do something an actor's love,

1242
01:07:35,280 --> 01:07:38,160
Speaker 1: which is, hey, I'm good to move on? Are you

1243
01:07:38,200 --> 01:07:40,360
Speaker 1: okay to move on? To the actor. They would say

1244
01:07:40,400 --> 01:07:42,320
Speaker 1: that and the actor could be like, yeah, I'm good.

1245
01:07:42,520 --> 01:07:44,320
Speaker 1: I think I got no other ideas. Let's move on.

1246
01:07:44,640 --> 01:07:47,840
Speaker 1: But Sarah, without fail would go one more, one more,

1247
01:07:47,960 --> 01:07:50,560
Speaker 1: and so we started calling her Sarah one Morsey. Do

1248
01:07:50,640 --> 01:07:57,400
Speaker 1: you guys remember this song? Yes, Sarah she wants one

1249
01:07:57,800 --> 01:08:05,440
Speaker 1: more when she's had five. Sarah one Morsey was one

1250
01:08:05,480 --> 01:08:08,440
Speaker 1: of our jams. Yeah. I think, like, um, there's like that,

1251
01:08:08,840 --> 01:08:11,520
Speaker 1: you know, there'd be like that immediate feedback that you know,

1252
01:08:11,560 --> 01:08:15,200
Speaker 1: in between takes versus looking at stuff after we've moved on,

1253
01:08:15,440 --> 01:08:16,960
Speaker 1: you know later. I think a lot of times me

1254
01:08:16,960 --> 01:08:20,000
Speaker 1: and Donald would talk in between takes, and you know,

1255
01:08:20,040 --> 01:08:22,920
Speaker 1: because he trusted that, uh you know, as his friend

1256
01:08:22,920 --> 01:08:24,760
Speaker 1: and as his stand in, he trusted me. You know,

1257
01:08:24,800 --> 01:08:27,320
Speaker 1: we kind of discussed sometimes, like you know that take

1258
01:08:27,479 --> 01:08:29,920
Speaker 1: or you hit this, you know, and I think that

1259
01:08:30,000 --> 01:08:33,479
Speaker 1: really hopefully that he'll helped him out. Well, yeah, absolutely takes,

1260
01:08:34,080 --> 01:08:37,639
Speaker 1: absolutely and that's true. Like it's always great to have

1261
01:08:37,680 --> 01:08:43,559
Speaker 1: somebody who's not in the who's pretty much got your

1262
01:08:43,560 --> 01:08:45,519
Speaker 1: back to bounce ideas off of it. Yeah, I never

1263
01:08:45,600 --> 01:08:48,160
Speaker 1: knew that you guys did that. That's awesome. Yeah, my

1264
01:08:48,200 --> 01:08:58,800
Speaker 1: pep talk. You didn't ask. You never ask. Now. Well,

1265
01:09:00,000 --> 01:09:02,920
Speaker 1: I also had a problem remembering lines, and so uh,

1266
01:09:03,400 --> 01:09:06,680
Speaker 1: you know, Deontay would help me with You didn't have

1267
01:09:06,720 --> 01:09:09,840
Speaker 1: a problem memorizing lines. You chose to not memorize your lines,

1268
01:09:11,040 --> 01:09:14,439
Speaker 1: and that is a problem, sir. Yeah, yeah, the problem

1269
01:09:14,520 --> 01:09:17,160
Speaker 1: you had was that you were playing video games instead

1270
01:09:17,160 --> 01:09:21,080
Speaker 1: of memorizing your lines. Yes, or at the club did

1271
01:09:21,080 --> 01:09:22,880
Speaker 1: you do that? We would be at the club until

1272
01:09:22,920 --> 01:09:25,040
Speaker 1: like four o'clock in the morning, and Zach would still

1273
01:09:25,080 --> 01:09:26,840
Speaker 1: be able to get to work and know his lines.

1274
01:09:26,880 --> 01:09:28,840
Speaker 1: And shit, I used we say that like we say

1275
01:09:28,880 --> 01:09:30,719
Speaker 1: that like it happened all the time. That probably happened

1276
01:09:30,760 --> 01:09:32,760
Speaker 1: like five times that we were like out that late

1277
01:09:32,880 --> 01:09:35,800
Speaker 1: over the course of this time. But I two of

1278
01:09:35,920 --> 01:09:37,920
Speaker 1: us were out there. I would never I would never

1279
01:09:38,439 --> 01:09:40,800
Speaker 1: um go out like if I was going out out,

1280
01:09:40,800 --> 01:09:43,799
Speaker 1: I would and we were stupid and young. I would

1281
01:09:43,840 --> 01:09:45,720
Speaker 1: not do it on a day when I a night

1282
01:09:45,760 --> 01:09:47,800
Speaker 1: before I had like a big monologue or something. You

1283
01:09:47,800 --> 01:09:49,360
Speaker 1: would go out and be like what are we doing?

1284
01:09:49,400 --> 01:09:51,280
Speaker 1: And I'd be like, you have a one page monologue

1285
01:09:51,280 --> 01:10:01,400
Speaker 1: and like awesome, all right, Ian, what's your question? Well?

1286
01:10:01,479 --> 01:10:04,800
Speaker 1: I just you know, I think, um, coming from a

1287
01:10:04,920 --> 01:10:06,960
Speaker 1: LEDs and music, Um, you know, I have I have

1288
01:10:06,960 --> 01:10:08,479
Speaker 1: a fixed my life that I could definitely use some

1289
01:10:08,520 --> 01:10:11,240
Speaker 1: help with. But I think in terms of like this question, Um,

1290
01:10:11,560 --> 01:10:13,519
Speaker 1: there are moments when when I watch a show that

1291
01:10:13,880 --> 01:10:16,160
Speaker 1: things just hit me heavy and the music in the

1292
01:10:16,200 --> 01:10:18,880
Speaker 1: background just plays such pivo apart. I don't know if

1293
01:10:18,880 --> 01:10:21,200
Speaker 1: you if how many people watch Handmaid's Tale on here

1294
01:10:22,040 --> 01:10:25,519
Speaker 1: they've seen season two of Handmaid's Tale. Um, and they

1295
01:10:25,560 --> 01:10:28,680
Speaker 1: bring everybody out spoiler alert maybe Um, they bring all

1296
01:10:28,680 --> 01:10:31,559
Speaker 1: the Handmaids out and they're about to hand them um,

1297
01:10:31,760 --> 01:10:34,280
Speaker 1: and there's a song in the background. I still can't

1298
01:10:34,280 --> 01:10:36,080
Speaker 1: listen to that song without like getting a little, like

1299
01:10:36,120 --> 01:10:38,920
Speaker 1: fully emotional. And I think, just like I would love

1300
01:10:38,920 --> 01:10:40,840
Speaker 1: to hear any of your thoughts in terms of a

1301
01:10:41,040 --> 01:10:43,439
Speaker 1: if you've experience like what experiences you've had with that

1302
01:10:43,640 --> 01:10:46,080
Speaker 1: watching like just being a participant as a as a

1303
01:10:46,160 --> 01:10:49,400
Speaker 1: viewer of a movie or show. Um. And then also

1304
01:10:49,479 --> 01:10:52,200
Speaker 1: like if like if you've been a part for anyone

1305
01:10:52,200 --> 01:10:54,200
Speaker 1: who's who's been a part of like the musical selection

1306
01:10:54,360 --> 01:10:57,120
Speaker 1: or a recommendation like songs that you've kind of just

1307
01:10:57,160 --> 01:10:59,960
Speaker 1: like pocketed and brought out for that moment. That makes sense.

1308
01:11:00,520 --> 01:11:03,639
Speaker 1: Zach is the king of soundtrack, so he he'll probably

1309
01:11:03,680 --> 01:11:06,720
Speaker 1: have a better answer for this. But I remember, you know,

1310
01:11:06,920 --> 01:11:09,720
Speaker 1: I'm a huge I'm a huge Star Wars fan, right,

1311
01:11:09,840 --> 01:11:12,160
Speaker 1: And I remember at a very young age knowing that

1312
01:11:12,400 --> 01:11:14,800
Speaker 1: the music was Yeah, you didn't know that, Zach. I'm

1313
01:11:14,800 --> 01:11:19,360
Speaker 1: a huge Star Wars fan. Donald likes Star Wars, loves

1314
01:11:19,479 --> 01:11:22,439
Speaker 1: Star Wars anyway. Um, But at a very young age,

1315
01:11:22,560 --> 01:11:28,160
Speaker 1: I realized that the music was very important for movies.

1316
01:11:28,320 --> 01:11:31,280
Speaker 1: So when I went and saw Jaws for the first time,

1317
01:11:32,240 --> 01:11:35,280
Speaker 1: I wasn't scared of the shark coming out of the

1318
01:11:35,280 --> 01:11:38,080
Speaker 1: water and seeing you know, the gore and all of

1319
01:11:38,080 --> 01:11:43,240
Speaker 1: that stuff. What scared me was dud dud dune, dun

1320
01:11:43,320 --> 01:11:46,320
Speaker 1: dun dun dun dun dun dun dun dun d And

1321
01:11:46,360 --> 01:11:48,760
Speaker 1: so I would cover my ears for that, I would

1322
01:11:48,760 --> 01:11:51,280
Speaker 1: cover my ears and still look at the screen because

1323
01:11:51,360 --> 01:11:55,040
Speaker 1: that what the screen wasn't what was scary, the music

1324
01:11:55,200 --> 01:12:01,479
Speaker 1: or the fully effect was. And so to to this day, yes,

1325
01:12:01,560 --> 01:12:04,160
Speaker 1: I know the importance of music. I will say this,

1326
01:12:05,760 --> 01:12:09,559
Speaker 1: my first experience of a good song in a movie

1327
01:12:10,080 --> 01:12:15,080
Speaker 1: has got to be like I want to say, it's uh,

1328
01:12:15,080 --> 01:12:32,240
Speaker 1: it's six which I know must be true. Now seen candles? What? What?

1329
01:12:32,240 --> 01:12:35,519
Speaker 1: What was that? From its spanned out ballet? Right? Is

1330
01:12:35,560 --> 01:12:37,200
Speaker 1: that the song is that? I don't know who sings

1331
01:12:37,200 --> 01:12:40,840
Speaker 1: a song. All I know is hearing that song with

1332
01:12:40,960 --> 01:12:48,000
Speaker 1: two people on a table with a sixteen candle birthday kid,

1333
01:12:48,160 --> 01:12:50,760
Speaker 1: sixteen candles. I think it had to do that. I

1334
01:12:50,800 --> 01:12:53,439
Speaker 1: think that's what I love. I have no idea what

1335
01:12:53,560 --> 01:12:57,439
Speaker 1: movie was they were sitting with sixteen candles on a

1336
01:12:57,439 --> 01:13:01,240
Speaker 1: birthday kid on a table. Anyway, we'll get to the

1337
01:13:01,240 --> 01:13:03,439
Speaker 1: bottom of this, but I don't know if that was

1338
01:13:03,439 --> 01:13:06,479
Speaker 1: the movie. But there was something about that that really

1339
01:13:06,520 --> 01:13:09,840
Speaker 1: held weight, and you know, it was glory. It was glory.

1340
01:13:09,880 --> 01:13:12,000
Speaker 1: It was right. If a movie gets that right, if

1341
01:13:12,000 --> 01:13:14,000
Speaker 1: a movie gets that right, if the movie can find

1342
01:13:14,080 --> 01:13:17,480
Speaker 1: that moment and get that right, it's always it's phenomenal,

1343
01:13:17,560 --> 01:13:19,920
Speaker 1: you know. I agree, I agree, And Scrubs did that

1344
01:13:19,960 --> 01:13:22,640
Speaker 1: a lot ian and I can only take credit for

1345
01:13:22,680 --> 01:13:26,120
Speaker 1: a few of them. We've said this before. Christa Miller

1346
01:13:26,200 --> 01:13:28,960
Speaker 1: was a huge part of it. There were certain writers

1347
01:13:29,000 --> 01:13:31,559
Speaker 1: on our staff, including Neil Goldman. Of course, there were

1348
01:13:31,600 --> 01:13:33,640
Speaker 1: lots of other people who submit ideas and I occasionally

1349
01:13:33,640 --> 01:13:37,600
Speaker 1: got some on It really can move. I think of

1350
01:13:37,640 --> 01:13:39,679
Speaker 1: it if your emotion is sort of wavering, if you're

1351
01:13:39,720 --> 01:13:42,599
Speaker 1: on the fence, like am I going to fully go

1352
01:13:42,640 --> 01:13:44,839
Speaker 1: there or not? The song just sort of gently pushes

1353
01:13:44,880 --> 01:13:49,000
Speaker 1: you, you you know. And and when you're trying songs out

1354
01:13:49,040 --> 01:13:53,080
Speaker 1: in the edit room, you can literally line up forty

1355
01:13:53,080 --> 01:13:55,680
Speaker 1: of your favorite songs and you're like, this is my

1356
01:13:55,680 --> 01:13:57,600
Speaker 1: favorite song. I mean, why would I not too? And

1357
01:13:57,600 --> 01:13:59,640
Speaker 1: then you try it and just nothing happens. You're like,

1358
01:14:00,000 --> 01:14:02,160
Speaker 1: it's men, and then you just keep going and then

1359
01:14:02,320 --> 01:14:04,960
Speaker 1: a magical reaction happens. I always I always point to

1360
01:14:05,040 --> 01:14:07,280
Speaker 1: the air. I always point to the hair on my

1361
01:14:07,400 --> 01:14:09,720
Speaker 1: arms going up, because you'll be watching it, and all

1362
01:14:09,760 --> 01:14:12,320
Speaker 1: of a sudden, when it's right, you get goose bumps

1363
01:14:12,360 --> 01:14:14,640
Speaker 1: down your arms and you go, well that, And I

1364
01:14:14,680 --> 01:14:16,360
Speaker 1: remember pointing the bill a lot of times, and I'd

1365
01:14:16,360 --> 01:14:21,679
Speaker 1: be like, well, that's a candidate, because something magical just happens. Um,

1366
01:14:22,640 --> 01:14:24,719
Speaker 1: I know, like a like a you know on set

1367
01:14:24,760 --> 01:14:26,680
Speaker 1: and you know, you don't hear there's no music, You're right,

1368
01:14:27,000 --> 01:14:29,720
Speaker 1: music cup in yet when they're filming, and I just

1369
01:14:29,720 --> 01:14:31,559
Speaker 1: remember a lot of times sitting there watching a scene

1370
01:14:31,560 --> 01:14:33,760
Speaker 1: that's pretty sad, I'm like, yeah, that seems kind of sad,

1371
01:14:34,280 --> 01:14:37,639
Speaker 1: and then later on post editing, you know you actually

1372
01:14:37,640 --> 01:14:42,439
Speaker 1: watched the episode and I'm over here bawling, you know that. Yeah.

1373
01:14:43,000 --> 01:14:46,680
Speaker 1: A perfect example for me is when with that is

1374
01:14:46,720 --> 01:14:52,840
Speaker 1: when Turk is having a hard time figuring out his

1375
01:14:53,040 --> 01:14:55,880
Speaker 1: vows his at the at the wedding step for the

1376
01:14:56,439 --> 01:14:58,600
Speaker 1: rehearsal dinner, he's having a hard time finger out what

1377
01:14:58,640 --> 01:15:03,679
Speaker 1: he's gonna say, and uh, he's his brother in law

1378
01:15:03,760 --> 01:15:07,200
Speaker 1: has tricked him into saying that when Harry met Sally.

1379
01:15:07,880 --> 01:15:10,080
Speaker 1: Uh in the monologue that Billy Crystal does at the

1380
01:15:10,120 --> 01:15:13,439
Speaker 1: end of when Harry met Sally, And then he's off

1381
01:15:13,439 --> 01:15:15,160
Speaker 1: in the corner with j D and he's like, I

1382
01:15:15,200 --> 01:15:18,439
Speaker 1: just don't get it. You know, everything with Carla has

1383
01:15:18,479 --> 01:15:20,479
Speaker 1: just seems like perfect when such and such an and

1384
01:15:20,880 --> 01:15:23,120
Speaker 1: when I'm around her, I blah blah blah, and I

1385
01:15:23,160 --> 01:15:25,200
Speaker 1: just can't get over and j D looks at him

1386
01:15:25,200 --> 01:15:28,040
Speaker 1: and goes, well, why don't you just say that? And

1387
01:15:28,120 --> 01:15:31,160
Speaker 1: I turned to her and the music that plays at

1388
01:15:31,200 --> 01:15:36,360
Speaker 1: that moment is Gavin Degrass. Oh, this is the start

1389
01:15:36,720 --> 01:15:43,920
Speaker 1: of something good follow through, don't you agree? Right? And

1390
01:15:44,000 --> 01:15:48,880
Speaker 1: when I remember seeing that with Judy and I watched

1391
01:15:49,000 --> 01:15:53,560
Speaker 1: that that episode together and she had seen it already,

1392
01:15:53,920 --> 01:15:56,559
Speaker 1: and when that happened, I think we were doing we

1393
01:15:56,560 --> 01:16:01,360
Speaker 1: were doing was that a fart? Daniel? I think my

1394
01:16:01,439 --> 01:16:11,120
Speaker 1: table squeaked, and it might be this is I'm definitely

1395
01:16:11,120 --> 01:16:15,360
Speaker 1: not coming to Westchester, Pennsyli. No. But anyway, so that

1396
01:16:15,360 --> 01:16:19,679
Speaker 1: that moment was, It's so powerful just from the lyrics alone.

1397
01:16:19,680 --> 01:16:21,160
Speaker 1: I didn't even know the song. I had to go

1398
01:16:21,160 --> 01:16:23,679
Speaker 1: and buy the song after, just so I could hear

1399
01:16:24,160 --> 01:16:27,519
Speaker 1: what the entire song was. And yeah, using play such

1400
01:16:27,560 --> 01:16:33,360
Speaker 1: a big part in cinema and television. Um and of

1401
01:16:33,400 --> 01:16:35,880
Speaker 1: course winter in in Scrubs. I think in in the

1402
01:16:35,920 --> 01:16:38,280
Speaker 1: episode Everyone Loves is a Josh Braden's song was a

1403
01:16:38,320 --> 01:16:41,160
Speaker 1: huge example on the Scrubs mine. I think I've said

1404
01:16:41,160 --> 01:16:42,840
Speaker 1: this before, but I always pointed to me, one of

1405
01:16:42,880 --> 01:16:49,559
Speaker 1: the most significant moments in television song placement was Seas

1406
01:16:49,640 --> 01:16:52,560
Speaker 1: Breathed Me in at the Six Feet Under finale. I

1407
01:16:52,560 --> 01:16:56,040
Speaker 1: don't know if you've seen that show. Oh, I got

1408
01:16:56,080 --> 01:16:59,880
Speaker 1: so many of them, freaking adventures in babysitting with Uh, well,

1409
01:17:00,240 --> 01:17:04,280
Speaker 1: did you think I would do at this moment? Family

1410
01:17:04,320 --> 01:17:06,880
Speaker 1: Ties uses that too? Love that Yeah, same one. Family

1411
01:17:06,920 --> 01:17:09,320
Speaker 1: Ties it the same thing, right when he breaks up

1412
01:17:09,320 --> 01:17:11,559
Speaker 1: with the girl for the first time and he's writing

1413
01:17:11,560 --> 01:17:14,880
Speaker 1: her a letter. Yeah, when I'm standing before me ps

1414
01:17:15,560 --> 01:17:19,320
Speaker 1: love and he crossed the girl. Wasn't the girl Courtney Cox, No,

1415
01:17:19,479 --> 01:17:22,560
Speaker 1: that was it was his wife, Courtney Cox came after. Okay.

1416
01:17:22,760 --> 01:17:26,439
Speaker 1: So if I can say beyond songs, like, the power

1417
01:17:26,479 --> 01:17:30,320
Speaker 1: of a composer is yes, you know, unmatched. I mean

1418
01:17:30,400 --> 01:17:32,200
Speaker 1: because I'm working on a project now, I just started

1419
01:17:32,200 --> 01:17:35,960
Speaker 1: working with a composer and you have you know, Zach,

1420
01:17:36,080 --> 01:17:37,960
Speaker 1: you know this like if you're if you're dealing with

1421
01:17:38,400 --> 01:17:40,400
Speaker 1: a rough cut or you know, a radio edit or

1422
01:17:40,439 --> 01:17:43,479
Speaker 1: something that has no music or sound effects, it's like

1423
01:17:43,840 --> 01:17:46,320
Speaker 1: it doesn't have that life. Obviously, in a composer, not

1424
01:17:46,360 --> 01:17:49,160
Speaker 1: only can they give you that feeling, they can it

1425
01:17:49,240 --> 01:17:51,439
Speaker 1: can take a turn so like if you want to

1426
01:17:51,479 --> 01:17:54,400
Speaker 1: sort of like have the shift in emotion, they can

1427
01:17:54,439 --> 01:17:58,360
Speaker 1: do those sort of like variable things that that's that's

1428
01:17:58,439 --> 01:18:01,519
Speaker 1: customed to your pictures. Spoke. Yeah, right, let's be spoke

1429
01:18:01,560 --> 01:18:05,080
Speaker 1: to your picture that a song can't um. So composers,

1430
01:18:05,479 --> 01:18:09,439
Speaker 1: you know Scrubs, any television show, they're doing such volume too.

1431
01:18:09,479 --> 01:18:12,840
Speaker 1: It's like, I have so much respect for that. Well

1432
01:18:12,880 --> 01:18:16,559
Speaker 1: with Scrubs, you know, Jan did. Our composers did a

1433
01:18:16,560 --> 01:18:19,400
Speaker 1: fine job, but there was you know, we're cranking out

1434
01:18:19,439 --> 01:18:21,640
Speaker 1: so many that yes, they would use a lot of

1435
01:18:21,680 --> 01:18:23,360
Speaker 1: the same as we all joke we use a lot

1436
01:18:23,400 --> 01:18:28,320
Speaker 1: of the same cues blah blah blah blah blah blah.

1437
01:18:31,400 --> 01:18:37,000
Speaker 1: Or when you needed a quick sting bound, yes, I

1438
01:18:37,120 --> 01:18:42,400
Speaker 1: think you do. Boun I always joked that. One day

1439
01:18:42,600 --> 01:18:44,160
Speaker 1: Bill was like, hey, I need a quick sting here,

1440
01:18:44,160 --> 01:18:48,599
Speaker 1: and Jan was like stretching. Okay, let me do my

1441
01:18:48,720 --> 01:18:56,000
Speaker 1: work for today. There you go. All right, it's time

1442
01:18:56,240 --> 01:19:07,799
Speaker 1: for being his favorite segment. It's time too fish yea. Yeah, guys,

1443
01:19:08,000 --> 01:19:11,479
Speaker 1: uh Renee, Scott and Deonte put your therapist hats on.

1444
01:19:11,520 --> 01:19:14,320
Speaker 1: We are he all here to help me in go ahead, um,

1445
01:19:14,320 --> 01:19:16,759
Speaker 1: and I appreciate you taking this question. So today happens

1446
01:19:16,800 --> 01:19:19,360
Speaker 1: to be my me and my wife's eighteen year anniversary,

1447
01:19:19,720 --> 01:19:26,479
Speaker 1: graduating anniversary, wedding anniversary, or dating anniversary. Yeah, good works.

1448
01:19:27,000 --> 01:19:29,160
Speaker 1: So thank you yea. So the time to get this

1449
01:19:29,320 --> 01:19:31,599
Speaker 1: is like super ironic because this is the question I've

1450
01:19:31,600 --> 01:19:34,360
Speaker 1: been I've been wanting it forever. Um, today I married

1451
01:19:34,400 --> 01:19:37,559
Speaker 1: my wife. I said to her. I'm a big back

1452
01:19:37,560 --> 01:19:39,559
Speaker 1: in the day man. I used to make mixtapes like

1453
01:19:39,640 --> 01:19:42,680
Speaker 1: Nobody's business. Um, and I would look at like the

1454
01:19:42,680 --> 01:19:45,320
Speaker 1: timing of everything, make sure that there was enough time

1455
01:19:45,360 --> 01:19:47,400
Speaker 1: and minutes and seconds and everything in here. She's coming

1456
01:19:47,400 --> 01:19:50,960
Speaker 1: in here, she doesn't yeh, come on over here, she

1457
01:19:51,040 --> 01:19:53,880
Speaker 1: can come in So anniversary. Yeah here, I'm gonna I'm

1458
01:19:53,880 --> 01:19:56,160
Speaker 1: gonna sell. You'll have to share. Oh you're gonna pull

1459
01:19:56,160 --> 01:19:59,160
Speaker 1: it out. It's okay, you'll hear me. Yeah, we got

1460
01:19:59,320 --> 01:20:08,799
Speaker 1: y Hi Hi, Hi are you? I'm okay you guys,

1461
01:20:10,479 --> 01:20:15,560
Speaker 1: so Zach Donald, Scott, Deante, Joel. Yeah, checked out of

1462
01:20:15,640 --> 01:20:20,440
Speaker 1: this podcast. This all happened last night. Um, so we're

1463
01:20:20,600 --> 01:20:23,200
Speaker 1: on this podcast. I've been emailing them. You know. I

1464
01:20:23,200 --> 01:20:31,120
Speaker 1: listened to this NonStop, no scrubs. She said, I love it.

1465
01:20:31,680 --> 01:20:36,559
Speaker 1: I love that she thought I was lim Manuel see

1466
01:20:36,560 --> 01:20:39,639
Speaker 1: your name. There too many white people, too many white

1467
01:20:39,640 --> 01:20:44,400
Speaker 1: people for Hamilton. All right, welcome, happy anniversary. When we

1468
01:20:44,439 --> 01:20:46,200
Speaker 1: got married, I made a promise every year I make

1469
01:20:46,240 --> 01:20:48,680
Speaker 1: her a mixed team. Okay, now it's obviously going to

1470
01:20:48,720 --> 01:20:51,719
Speaker 1: like a streaming service and like YouTube playlists or whatever.

1471
01:20:51,800 --> 01:20:54,200
Speaker 1: But so as I continue to put these together, like

1472
01:20:54,280 --> 01:20:56,840
Speaker 1: we've had a crazy year, and so I'm always trying

1473
01:20:56,880 --> 01:20:58,679
Speaker 1: to look for like I need, I need a jam.

1474
01:20:58,720 --> 01:21:01,280
Speaker 1: I need a really good song that we can add

1475
01:21:01,320 --> 01:21:04,160
Speaker 1: to this list. I love this one, I love this one,

1476
01:21:04,640 --> 01:21:06,640
Speaker 1: and I just need help kind of like, give me

1477
01:21:06,720 --> 01:21:10,200
Speaker 1: any I'm looking for any inspiration. I mean the list

1478
01:21:10,200 --> 01:21:13,400
Speaker 1: of songs goes from like hip hop to old school

1479
01:21:13,439 --> 01:21:17,240
Speaker 1: to modern stuff to to like Donald you were talking

1480
01:21:17,240 --> 01:21:20,280
Speaker 1: about that sixteen candle song could be on that I'm

1481
01:21:20,320 --> 01:21:23,160
Speaker 1: looking for. I gets something to well, you know my

1482
01:21:23,240 --> 01:21:27,120
Speaker 1: favorite one and you probably use it already, but it's

1483
01:21:27,120 --> 01:21:31,479
Speaker 1: by Method Man and Mary J. Blige. You're good one

1484
01:21:31,960 --> 01:21:42,200
Speaker 1: I need to get by I Shorty. I'm there for

1485
01:21:42,280 --> 01:21:44,640
Speaker 1: you anytime you need me. For real, girls, me and

1486
01:21:44,720 --> 01:21:47,559
Speaker 1: your world, Believe me. Nothing to make a man feel

1487
01:21:47,600 --> 01:21:50,240
Speaker 1: better than a woman. Bring with the crown not be

1488
01:21:50,320 --> 01:21:53,240
Speaker 1: down for whatever. There are a few things that's forever,

1489
01:21:53,560 --> 01:21:56,760
Speaker 1: my lady. We can make war or make babies. I'm

1490
01:21:56,760 --> 01:21:59,200
Speaker 1: just saying that's a good one. Why don't we all

1491
01:21:59,240 --> 01:22:01,320
Speaker 1: go around and why don't we all go around and

1492
01:22:01,320 --> 01:22:04,920
Speaker 1: recommend a song for their romantic list. I'll give you,

1493
01:22:04,920 --> 01:22:06,680
Speaker 1: you guys a chance to think about or go through

1494
01:22:06,680 --> 01:22:08,400
Speaker 1: your phones and look at something you play a lot.

1495
01:22:08,960 --> 01:22:11,360
Speaker 1: I just discovered this new song. By the way. I've

1496
01:22:11,360 --> 01:22:14,200
Speaker 1: been watching American Idol this season, and I've been watched

1497
01:22:14,240 --> 01:22:18,040
Speaker 1: American Idol in years and it's Kelly No. I've seen

1498
01:22:18,040 --> 01:22:19,720
Speaker 1: it since then, but it's been a long time since

1499
01:22:19,760 --> 01:22:21,840
Speaker 1: I truly watched it. And this season, you know, we

1500
01:22:21,920 --> 01:22:25,519
Speaker 1: stumble into it and it's really good. There's some genuine talent,

1501
01:22:26,200 --> 01:22:28,920
Speaker 1: and I like that to keep it sort of young.

1502
01:22:29,000 --> 01:22:31,639
Speaker 1: The oldest person's twenty six and the youngest person's fifteen,

1503
01:22:31,680 --> 01:22:34,479
Speaker 1: and some of them are just like you cannot believe

1504
01:22:34,479 --> 01:22:36,840
Speaker 1: their voices. But anyway, one of them sang a song

1505
01:22:36,880 --> 01:22:39,519
Speaker 1: that I've been listening to NonStop. It's Ben Rector brand

1506
01:22:39,600 --> 01:22:43,519
Speaker 1: New and it's sort of a poppy rock, but it's

1507
01:22:43,560 --> 01:22:45,960
Speaker 1: just so life affirming and it just gets you amped

1508
01:22:46,040 --> 01:22:48,800
Speaker 1: up and makes you excited to take on the day.

1509
01:22:48,880 --> 01:22:51,559
Speaker 1: So that's my suggestion for this moment because I've been

1510
01:22:51,560 --> 01:22:55,639
Speaker 1: listening to it a lot. Ben Rector brand new, Daniel, Wait,

1511
01:22:55,640 --> 01:22:58,439
Speaker 1: one last thing that When Harry Met Sally soundtrack has

1512
01:22:58,520 --> 01:23:01,200
Speaker 1: a bunch of really good songs on it, whether it's

1513
01:23:01,280 --> 01:23:05,040
Speaker 1: It Had to Be You or that Yeah you Can't

1514
01:23:05,040 --> 01:23:07,240
Speaker 1: Go wrong, it's very it's a lot of uh, it's

1515
01:23:07,240 --> 01:23:11,800
Speaker 1: a lot of um uh Ray Charles two on it.

1516
01:23:12,080 --> 01:23:14,320
Speaker 1: Uh as well, You're only asked for one song, but

1517
01:23:14,439 --> 01:23:17,560
Speaker 1: thank you. But I love that endless love song, so

1518
01:23:17,840 --> 01:23:22,960
Speaker 1: I don't care endless love, that endless love from Deonte okay, Daniel. Um,

1519
01:23:22,960 --> 01:23:25,280
Speaker 1: this is a song by one of my favorite Newish

1520
01:23:25,360 --> 01:23:27,880
Speaker 1: artist guy named Gabriel Garsan Montano, and the song is

1521
01:23:27,920 --> 01:23:31,559
Speaker 1: called six eight and it's kind of like a weird rhythm,

1522
01:23:31,640 --> 01:23:33,479
Speaker 1: but the weird rhythm is about the weird rhythm of

1523
01:23:33,520 --> 01:23:37,320
Speaker 1: love and uh it's it's it's a song that you know,

1524
01:23:37,880 --> 01:23:41,000
Speaker 1: the music matches the theme and the tone. It's a

1525
01:23:41,000 --> 01:23:44,439
Speaker 1: really good song just called six space eight. Also, Bruno

1526
01:23:44,520 --> 01:23:49,160
Speaker 1: Mars leave the door open. I'm saying I'm saying you

1527
01:23:49,280 --> 01:23:53,360
Speaker 1: had your turn all right. Duno Mars song is fire Robid.

1528
01:23:54,680 --> 01:23:58,120
Speaker 1: I will say this song was played at my wedding. Um,

1529
01:23:58,160 --> 01:24:00,920
Speaker 1: it's the Beatles. You've got to Hide your love away.

1530
01:24:00,960 --> 01:24:04,559
Speaker 1: I love that song beautiful. It's that is you know,

1531
01:24:04,840 --> 01:24:07,000
Speaker 1: that's something that you know the first time I listened

1532
01:24:07,000 --> 01:24:09,200
Speaker 1: to her, you like, I don't know something about it,

1533
01:24:09,240 --> 01:24:11,880
Speaker 1: and it was played at my wedding, So I feel

1534
01:24:12,560 --> 01:24:15,439
Speaker 1: I have to add it, uh as a tribute to

1535
01:24:15,520 --> 01:24:18,280
Speaker 1: my wife. If she's listening to this, I'm sure she

1536
01:24:18,320 --> 01:24:23,400
Speaker 1: doesn't listen to now. Renee, are you going to suggest

1537
01:24:23,479 --> 01:24:27,160
Speaker 1: something from a country album because you're intense? No, I

1538
01:24:27,240 --> 01:24:32,719
Speaker 1: have to say anything sting as does I love Okay? Also,

1539
01:24:33,479 --> 01:24:35,840
Speaker 1: you can Do Magic by America is one of my

1540
01:24:35,920 --> 01:24:43,719
Speaker 1: favorite songs. You can do keep Going, Renee is actually

1541
01:24:44,080 --> 01:24:46,800
Speaker 1: and Renee is an incredible dancer. Renee, if you back up,

1542
01:24:46,840 --> 01:24:57,679
Speaker 1: would you do a dance for their anniversary with Okay?

1543
01:24:58,760 --> 01:25:01,400
Speaker 1: Did everybody go? Joel di you go? I have a

1544
01:25:01,400 --> 01:25:05,439
Speaker 1: country song. It's from Casey Musgraves, who does like she's

1545
01:25:05,439 --> 01:25:09,479
Speaker 1: like the spiritual follow up to Willie Nelson. Um, but

1546
01:25:09,560 --> 01:25:12,040
Speaker 1: she sometimes says like these secondelic songs, and I love her.

1547
01:25:12,240 --> 01:25:15,560
Speaker 1: It's a song called Golden Hour and is so beautiful

1548
01:25:16,080 --> 01:25:18,840
Speaker 1: and just about you know, your love being like a

1549
01:25:18,920 --> 01:25:21,800
Speaker 1: sunrise and it's just it's pretty and sweet. And then

1550
01:25:21,880 --> 01:25:26,160
Speaker 1: Kane Brown has a wonderful song called Heaven. I don't

1551
01:25:26,160 --> 01:25:28,800
Speaker 1: know if you're looking looking through our phones now looking

1552
01:25:28,840 --> 01:25:32,679
Speaker 1: for like Kane Brown, everybody's song in like about Heaven,

1553
01:25:32,800 --> 01:25:35,360
Speaker 1: Like it's such some place to go. That's a good

1554
01:25:35,360 --> 01:25:38,719
Speaker 1: one too, Lying here with you, lying next to you.

1555
01:25:38,920 --> 01:25:40,920
Speaker 1: It's a great song. You know what My favorite song,

1556
01:25:41,920 --> 01:25:44,600
Speaker 1: My favorite song is the Joelle Monique is Down to

1557
01:25:44,640 --> 01:25:48,559
Speaker 1: get Down song. That's out of fact. I think you

1558
01:25:48,560 --> 01:25:51,799
Speaker 1: should put that on your your little mixtape, the Joelle

1559
01:25:51,800 --> 01:25:54,599
Speaker 1: Monique is Down to get Down song. In fact, didn't

1560
01:25:54,640 --> 01:25:57,719
Speaker 1: you listen to Miss Michelle branch A Live? Oh yeah,

1561
01:25:57,840 --> 01:26:00,639
Speaker 1: I talked about Michelle on the show, and in fact,

1562
01:26:00,640 --> 01:26:01,920
Speaker 1: we were d ming and I thought I was going

1563
01:26:01,960 --> 01:26:04,040
Speaker 1: to get her to come on and sing yo every

1564
01:26:04,439 --> 01:26:07,439
Speaker 1: weting me. She was like, that's gonna cast you about

1565
01:26:07,439 --> 01:26:10,840
Speaker 1: fifty grand. No, yeah, I don't know, because she was.

1566
01:26:10,880 --> 01:26:12,479
Speaker 1: We were, we were, we were having a nice chat

1567
01:26:12,479 --> 01:26:13,559
Speaker 1: and then I was like, do you want to come

1568
01:26:13,560 --> 01:26:15,960
Speaker 1: on the podcast and sing everywhere acoustic? And then she

1569
01:26:16,040 --> 01:26:30,439
Speaker 1: never replied, UM, like, all right, thank you guys, thank

1570
01:26:30,479 --> 01:26:32,960
Speaker 1: you welcome, You're welcome, and thank you for coming on

1571
01:26:33,040 --> 01:26:36,600
Speaker 1: and have a wonderful anniversary. I apologize that we're not

1572
01:26:36,640 --> 01:26:43,760
Speaker 1: the cast of Hamilton, but you will find when you

1573
01:26:43,800 --> 01:26:46,400
Speaker 1: see Hamilton there are a few more African Americans in

1574
01:26:46,439 --> 01:26:50,600
Speaker 1: their cast, but we're a good second best. I was

1575
01:26:50,640 --> 01:26:52,519
Speaker 1: just happy that she thought I was lin Manuel. I

1576
01:26:52,520 --> 01:26:54,519
Speaker 1: don't think she thought you were living well. I bet

1577
01:26:54,560 --> 01:26:58,320
Speaker 1: you she did. She thought I was lin Manuel Miranda.

1578
01:26:58,560 --> 01:27:02,160
Speaker 1: I see, all right, thank you guys, thank you, so

1579
01:27:03,320 --> 01:27:06,040
Speaker 1: you guys, we're gonna wrap it up soon. Um. I

1580
01:27:06,080 --> 01:27:08,280
Speaker 1: thought it was funny that I try and enroll you

1581
01:27:08,280 --> 01:27:10,799
Speaker 1: guys into a forsome into bed with me and Kylie.

1582
01:27:11,240 --> 01:27:13,680
Speaker 1: I thought it was hilarious when you walk by the

1583
01:27:13,680 --> 01:27:16,479
Speaker 1: trumpet player and you go by trumpet player, I don't

1584
01:27:16,560 --> 01:27:20,639
Speaker 1: know by trump you said, by trumpet player, I don't know.

1585
01:27:21,160 --> 01:27:25,679
Speaker 1: Now I know why your music is so sad? Yeah? Yeah,

1586
01:27:26,560 --> 01:27:28,040
Speaker 1: I made that up too. I was on fire in

1587
01:27:28,040 --> 01:27:30,840
Speaker 1: this episode, let's be honest. I also laughed at it's

1588
01:27:30,880 --> 01:27:35,240
Speaker 1: so hot. Yeah, and then the janitor comes out and goes,

1589
01:27:35,360 --> 01:27:43,559
Speaker 1: this should not have been removed. Oh my God, and

1590
01:27:43,600 --> 01:27:48,960
Speaker 1: then to Sam Lloyd. Yes, right, yeah, between me and

1591
01:27:49,000 --> 01:27:53,439
Speaker 1: my mom. Um, well I hope you guys had fun.

1592
01:27:53,560 --> 01:27:56,120
Speaker 1: We love you, we miss you. Um, maybe you'll come

1593
01:27:56,120 --> 01:27:59,639
Speaker 1: back on again if you had a good time. Yeah, yeah,

1594
01:28:00,080 --> 01:28:07,040
Speaker 1: thank you want to talk about God? I do have

1595
01:28:07,240 --> 01:28:11,000
Speaker 1: something I want to plug actually, can I yes, yes, Okay.

1596
01:28:11,120 --> 01:28:14,640
Speaker 1: I'm finishing up my first documentary feature, so Zach, you

1597
01:28:14,680 --> 01:28:17,640
Speaker 1: know how difficult that process. I've been working on it

1598
01:28:17,720 --> 01:28:20,799
Speaker 1: for like four years. And um, the film is actually

1599
01:28:20,840 --> 01:28:24,559
Speaker 1: about a relative of mine. His name is Billy Dean Anderson.

1600
01:28:24,960 --> 01:28:27,920
Speaker 1: He was a criminal but also an outsider artist who

1601
01:28:28,080 --> 01:28:31,320
Speaker 1: escaped a maximum security prison and went to live in

1602
01:28:31,360 --> 01:28:33,320
Speaker 1: a Tennessee cave for four and a half years while

1603
01:28:33,360 --> 01:28:35,519
Speaker 1: he was on the run, and so in the cave

1604
01:28:35,560 --> 01:28:40,639
Speaker 1: he painted, sculpted, kept a journal. Um. So my sort

1605
01:28:40,640 --> 01:28:42,599
Speaker 1: of intent with the project is to shift the focus

1606
01:28:42,680 --> 01:28:45,439
Speaker 1: away from his criminality, which the local sort of prop

1607
01:28:45,520 --> 01:28:48,639
Speaker 1: up um as this like he's as this defiant sort

1608
01:28:48,640 --> 01:28:51,760
Speaker 1: of folk hero figure, and uh, shift focused to his art,

1609
01:28:51,880 --> 01:28:54,759
Speaker 1: his art and his creative life, and sort of show

1610
01:28:55,200 --> 01:28:57,960
Speaker 1: the power of his art to reconnect him to his humanity.

1611
01:28:58,320 --> 01:29:01,439
Speaker 1: Sounds incredible, Yeah, that's I'm working with a composer now

1612
01:29:01,520 --> 01:29:04,120
Speaker 1: in like in the final stages. All right, So you're

1613
01:29:04,160 --> 01:29:05,880
Speaker 1: just telling everyone to look out for it when when

1614
01:29:05,880 --> 01:29:07,599
Speaker 1: it's done, it's what you're saying, Yes I have. What's

1615
01:29:07,640 --> 01:29:11,479
Speaker 1: the website it's called a Long Hard Streak, which is

1616
01:29:11,479 --> 01:29:14,240
Speaker 1: not pornographic in anyway. It's it's actually a piece of

1617
01:29:14,240 --> 01:29:18,360
Speaker 1: his writing. It's like a brain. My brain did not

1618
01:29:18,400 --> 01:29:28,479
Speaker 1: go to something pornographic, thanks Scott. It's a section of

1619
01:29:28,479 --> 01:29:30,679
Speaker 1: his writing. It's a it's a it's like a phrase

1620
01:29:30,840 --> 01:29:33,360
Speaker 1: from his poetry. Okay, And what's the website where people

1621
01:29:33,360 --> 01:29:36,240
Speaker 1: can check out your work? It's Long Hard Streak dot com,

1622
01:29:36,479 --> 01:29:42,200
Speaker 1: Longhardstreak dot com. Everyone check out the legendary Scott Rabidu's documentary,

1623
01:29:42,200 --> 01:29:44,639
Speaker 1: which sounds very interesting. I'll be the first person watching

1624
01:29:44,720 --> 01:29:51,479
Speaker 1: it when you're done, Deane. Anything you want to um No,

1625
01:29:51,600 --> 01:29:52,960
Speaker 1: I just want to you know, I'm not plug anything.

1626
01:29:52,960 --> 01:29:54,240
Speaker 1: I just want to say, I'm want to plug you

1627
01:29:54,240 --> 01:29:56,800
Speaker 1: guys say thanks a lot for having us on, Thanks

1628
01:29:56,920 --> 01:30:00,599
Speaker 1: a lot for you know, the years on Scrubs. You know,

1629
01:30:00,720 --> 01:30:03,240
Speaker 1: you guys probably don't even realize that you know, we're

1630
01:30:03,280 --> 01:30:06,000
Speaker 1: standing in so we're watching all the time. That's all

1631
01:30:06,080 --> 01:30:08,799
Speaker 1: we do. Were there fourteen hours a day. I learned

1632
01:30:08,960 --> 01:30:12,680
Speaker 1: so much from from from Uzach and you, Donald and

1633
01:30:13,080 --> 01:30:17,360
Speaker 1: Bill and the directors and all the writers. It was

1634
01:30:17,600 --> 01:30:20,000
Speaker 1: just I couldn't I couldn't ask for a better place

1635
01:30:20,400 --> 01:30:24,080
Speaker 1: to actually learn comedy. Um, you guys don't know. Like

1636
01:30:24,120 --> 01:30:27,000
Speaker 1: after the show ended, I went on to stand in

1637
01:30:27,040 --> 01:30:29,920
Speaker 1: on other shows, mostly sitcoms, and every show I went

1638
01:30:29,960 --> 01:30:32,640
Speaker 1: to I would end up getting a part because I

1639
01:30:32,640 --> 01:30:36,000
Speaker 1: would do the run through for something that's not cast

1640
01:30:36,360 --> 01:30:38,800
Speaker 1: and they would be like, wow, this guy gets it

1641
01:30:38,840 --> 01:30:42,439
Speaker 1: and gets comedy. And it was because the training I

1642
01:30:42,439 --> 01:30:45,400
Speaker 1: got on scrubs every day. So I just want to

1643
01:30:45,400 --> 01:30:47,880
Speaker 1: say thank you, thank you. It was you went off

1644
01:30:47,920 --> 01:30:50,080
Speaker 1: and did improv for a bit too, though, didn't you.

1645
01:30:50,439 --> 01:30:53,280
Speaker 1: I did? I did uh Neil Flynn, you know. I

1646
01:30:53,400 --> 01:30:55,920
Speaker 1: just thought he was hilarious and he put me onto

1647
01:30:56,040 --> 01:31:00,479
Speaker 1: his improv Olympic UH studio and I went there for

1648
01:31:00,479 --> 01:31:02,400
Speaker 1: a couple of years and did all their all their

1649
01:31:02,479 --> 01:31:05,800
Speaker 1: levels of training and shows over there. So I mean

1650
01:31:05,840 --> 01:31:07,960
Speaker 1: I was going to work with you guys twell, fourteen

1651
01:31:07,960 --> 01:31:10,679
Speaker 1: hours a day, leaving there going straight over to do improv.

1652
01:31:11,680 --> 01:31:13,640
Speaker 1: So for years, I just I feel like, I just

1653
01:31:13,720 --> 01:31:17,479
Speaker 1: got the best training that you could possibly get and

1654
01:31:17,520 --> 01:31:20,200
Speaker 1: it just let you know, it just lets me to

1655
01:31:20,200 --> 01:31:22,160
Speaker 1: get more work just because you guys, and you guys

1656
01:31:22,160 --> 01:31:24,080
Speaker 1: are always so generous. I don't yes out there, you

1657
01:31:24,080 --> 01:31:27,320
Speaker 1: guys don't know. I would have auditions and these guys

1658
01:31:27,360 --> 01:31:30,040
Speaker 1: like I like almost everyone on the cast, like what

1659
01:31:30,040 --> 01:31:31,200
Speaker 1: are you doing to day? I'm like, oh, I got

1660
01:31:31,240 --> 01:31:33,679
Speaker 1: an audition at you all right, well let's see it,

1661
01:31:34,000 --> 01:31:37,559
Speaker 1: and they would help me. So it was just amazing.

1662
01:31:37,840 --> 01:31:41,000
Speaker 1: I couldn't well. We always we always rooted, We always

1663
01:31:41,080 --> 01:31:43,720
Speaker 1: rooted for all you guys, and we love you. And

1664
01:31:43,840 --> 01:31:45,760
Speaker 1: I'm so happy to see you. I mean, I I

1665
01:31:45,840 --> 01:31:48,920
Speaker 1: just I really miss you guys, and I look at

1666
01:31:48,920 --> 01:31:50,760
Speaker 1: you and I just have a smile creep across my

1667
01:31:50,840 --> 01:31:52,559
Speaker 1: face because I think of all the fun times we

1668
01:31:52,600 --> 01:31:56,040
Speaker 1: had together. Renee, is there anything you want to Well, No,

1669
01:31:56,200 --> 01:31:58,680
Speaker 1: I'm I'm I'm a stay at home mom now and

1670
01:31:58,800 --> 01:32:03,360
Speaker 1: well homeschooling because of COVID. But yeah, Scrubs. It helped me.

1671
01:32:03,439 --> 01:32:06,320
Speaker 1: After I left Scrubs, I was a PR director for

1672
01:32:06,400 --> 01:32:09,479
Speaker 1: an arts foundation in school, and of course being on

1673
01:32:09,520 --> 01:32:13,439
Speaker 1: Scrubs helped me to, you know, be a good PR

1674
01:32:13,720 --> 01:32:17,000
Speaker 1: person because I was so used to you know, it

1675
01:32:17,080 --> 01:32:20,200
Speaker 1: kind of gave me the confidence and the background to

1676
01:32:20,479 --> 01:32:24,400
Speaker 1: feel solid in that career and that I did that

1677
01:32:24,439 --> 01:32:27,240
Speaker 1: for many years until I became a stay at home mom,

1678
01:32:28,000 --> 01:32:30,880
Speaker 1: And to this day, I mean I would ask I

1679
01:32:30,880 --> 01:32:34,719
Speaker 1: would ask Andy rosson why he lit things certain ways,

1680
01:32:34,840 --> 01:32:38,320
Speaker 1: why he did that, how he got rid of shadows?

1681
01:32:38,720 --> 01:32:41,760
Speaker 1: And I can take great photos of my of my

1682
01:32:42,160 --> 01:32:46,840
Speaker 1: daughter because every single person on Scrubs had I had

1683
01:32:46,880 --> 01:32:49,519
Speaker 1: a camera, had a like ahead of this, head of that,

1684
01:32:49,720 --> 01:32:52,760
Speaker 1: and they were all doing these things and you just

1685
01:32:52,800 --> 01:32:55,960
Speaker 1: couldn't help but get it was like it was like

1686
01:32:56,320 --> 01:33:01,120
Speaker 1: a course. Yeah, you know private. I feel the same way.

1687
01:33:01,280 --> 01:33:05,920
Speaker 1: I um. I think about how much I learned from

1688
01:33:05,920 --> 01:33:10,519
Speaker 1: from people on that show and and and even for

1689
01:33:10,560 --> 01:33:13,080
Speaker 1: me it's the often obviously Bill, but a lot of

1690
01:33:13,120 --> 01:33:15,320
Speaker 1: the directors. I mean, so much I learned about comedy

1691
01:33:15,360 --> 01:33:18,120
Speaker 1: directing from It was like a grad school. We all

1692
01:33:18,120 --> 01:33:20,280
Speaker 1: got to learn from all these really really talented people.

1693
01:33:20,760 --> 01:33:25,240
Speaker 1: Yeah yeah, Zach, I mean I echoed exactly what Deonte said, Oh,

1694
01:33:25,280 --> 01:33:30,120
Speaker 1: now you're gonna get tip. No, but in the sense

1695
01:33:30,200 --> 01:33:32,960
Speaker 1: of being behind the camera, because you know, obviously our

1696
01:33:33,040 --> 01:33:35,439
Speaker 1: job was to stand there and we basically observed and

1697
01:33:35,479 --> 01:33:39,160
Speaker 1: I got to see camera, lighting, sound, every how the

1698
01:33:39,200 --> 01:33:43,760
Speaker 1: sausage was made. And obviously, Zach, watching you was amazing. Um,

1699
01:33:43,920 --> 01:33:45,840
Speaker 1: and I learned so much from you as you were

1700
01:33:45,920 --> 01:33:48,240
Speaker 1: learning from other people. And it was just this environment

1701
01:33:48,320 --> 01:33:50,600
Speaker 1: where you know, it was everything was so open, you know.

1702
01:33:50,600 --> 01:33:52,280
Speaker 1: I think I strapped the steady cam on a few

1703
01:33:52,320 --> 01:33:55,160
Speaker 1: times and the you know, everyone just let you learn

1704
01:33:55,200 --> 01:33:57,080
Speaker 1: and let you do what you needed to do. And

1705
01:33:57,080 --> 01:33:59,400
Speaker 1: it's really like helped me in this sort of like

1706
01:33:59,439 --> 01:34:03,639
Speaker 1: one man band type filmmaking. I do. Now, awesome, last

1707
01:34:03,720 --> 01:34:05,840
Speaker 1: question and then I'll let this go. I'm sorry, Zach.

1708
01:34:07,040 --> 01:34:09,479
Speaker 1: Have you, guys worked with other people from the show

1709
01:34:09,560 --> 01:34:16,360
Speaker 1: since the show? I worked with with Jane Um Jane right,

1710
01:34:16,479 --> 01:34:19,480
Speaker 1: you know writer. I worked with her on a sitcom

1711
01:34:19,640 --> 01:34:23,919
Speaker 1: for about uh four or five years right after Scrubs.

1712
01:34:24,520 --> 01:34:31,160
Speaker 1: And that's about it, though. That's only person I've really seen. Um. Well, guys,

1713
01:34:31,200 --> 01:34:32,960
Speaker 1: thank you. Um. Well, what do we want to say

1714
01:34:33,000 --> 01:34:35,800
Speaker 1: as we wrap up? Joelle? Let's not forget anything. Oh um,

1715
01:34:35,800 --> 01:34:39,000
Speaker 1: there's some socks in the merch store, guys. We we

1716
01:34:39,160 --> 01:34:43,200
Speaker 1: have fum fancy socks if you feel like you want

1717
01:34:43,200 --> 01:34:47,599
Speaker 1: to put in my face. Yes, if you guys want

1718
01:34:47,840 --> 01:34:52,559
Speaker 1: to step on me in Donald's faces, you can, even

1719
01:34:52,560 --> 01:34:54,200
Speaker 1: if you don't want to step on us, even if

1720
01:34:54,240 --> 01:34:57,439
Speaker 1: you want to use it at never mind never You know,

1721
01:34:57,479 --> 01:35:00,960
Speaker 1: it's not your once, it's in your your possession. You know,

1722
01:35:00,960 --> 01:35:04,080
Speaker 1: we've told you how we had to sometimes strategically hide

1723
01:35:04,080 --> 01:35:06,160
Speaker 1: our junk in a sock when doing a sex scene.

1724
01:35:06,200 --> 01:35:08,439
Speaker 1: You can put this on your junk. Okay, I was

1725
01:35:08,479 --> 01:35:11,000
Speaker 1: gonna say, if you want to, you can take the

1726
01:35:11,040 --> 01:35:13,920
Speaker 1: sock and wrap it around your junk. Yeah, whatever you

1727
01:35:13,960 --> 01:35:16,040
Speaker 1: want to do with it, it's in you. It's in

1728
01:35:16,080 --> 01:35:25,880
Speaker 1: your hands. Yeah. Please do not send us pictures of this. Um.

1729
01:35:26,000 --> 01:35:28,280
Speaker 1: But you go love Joels like doing a dead pan

1730
01:35:28,600 --> 01:35:33,840
Speaker 1: no face U we U go to the merch shop,

1731
01:35:34,000 --> 01:35:37,200
Speaker 1: which is h Cotton Bureau dot com. And if you

1732
01:35:37,200 --> 01:35:39,960
Speaker 1: put into the search fake Doctor's real friends, you will

1733
01:35:40,000 --> 01:35:42,120
Speaker 1: find the socks and they're dope. We still have badge

1734
01:35:42,120 --> 01:35:44,679
Speaker 1: poles if you're someone who needs a badge on those

1735
01:35:44,680 --> 01:35:48,720
Speaker 1: are cool. Also, we're gonna re up on new things

1736
01:35:48,800 --> 01:35:52,200
Speaker 1: in the merch store. Yes, we're talking about new stuff, Joel.

1737
01:35:52,320 --> 01:35:56,599
Speaker 1: Anything I'm forgetting h No, guys, we the whole rotation

1738
01:35:56,640 --> 01:35:59,120
Speaker 1: of episodes will be done. I know some of you

1739
01:35:59,120 --> 01:36:01,640
Speaker 1: are very upset, you're confused, but but don't worry. This

1740
01:36:01,680 --> 01:36:06,240
Speaker 1: is two eighteen. We're gonna hop back to two seventeen.

1741
01:36:06,280 --> 01:36:09,080
Speaker 1: We're eighteen. Oh sorry, guys, started starting to get just

1742
01:36:09,080 --> 01:36:11,240
Speaker 1: started to get the party. Yeah. I know a lot

1743
01:36:11,240 --> 01:36:13,519
Speaker 1: of you guys are worried about missing episodes or trying

1744
01:36:13,520 --> 01:36:16,680
Speaker 1: to watch and be on time with everything. So as

1745
01:36:16,760 --> 01:36:18,360
Speaker 1: Zach mentioned at the top of the show, where we

1746
01:36:18,400 --> 01:36:20,120
Speaker 1: will be going back and catching up. So you will

1747
01:36:20,160 --> 01:36:24,559
Speaker 1: get four sixteen, four seventeen and four eighteen total, just

1748
01:36:25,080 --> 01:36:26,760
Speaker 1: and the end, and we're gonna put and we're gonna

1749
01:36:26,800 --> 01:36:29,439
Speaker 1: put out the live show on audio. And it's how

1750
01:36:29,439 --> 01:36:31,599
Speaker 1: you will get four sixteen. Yeah, that's gonna come too,

1751
01:36:31,880 --> 01:36:35,200
Speaker 1: So don't don't fret. It's all coming out. We love you,

1752
01:36:35,280 --> 01:36:38,439
Speaker 1: we care about you, Donald what else, Oh my gosh,

1753
01:36:38,439 --> 01:36:40,160
Speaker 1: just so many things I could say right now, but

1754
01:36:40,200 --> 01:36:42,360
Speaker 1: I could keep talking to these three forever. I mean,

1755
01:36:42,400 --> 01:36:46,000
Speaker 1: I miss you guys were most important. And you guys,

1756
01:36:46,120 --> 01:36:48,080
Speaker 1: I mean, if you're ever in Austin, I don't think

1757
01:36:48,120 --> 01:36:50,479
Speaker 1: Auston is the city I'll be in. Yes, I can

1758
01:36:50,560 --> 01:36:54,440
Speaker 1: actually go to Austin every now and then so okay

1759
01:36:54,880 --> 01:36:57,200
Speaker 1: um and one day, one day, you guys, we really

1760
01:36:57,240 --> 01:36:59,439
Speaker 1: got to have a big ass reunion, like a real

1761
01:36:59,560 --> 01:37:03,479
Speaker 1: in per reunion. Totally. Yes. Well I'm at Burbank, so

1762
01:37:03,560 --> 01:37:06,880
Speaker 1: I'm close, guys, I'm not doing him. That's that's where

1763
01:37:06,880 --> 01:37:11,200
Speaker 1: are you at nowadays? Pasadena? Pasadena? So why don't why

1764
01:37:11,200 --> 01:37:12,800
Speaker 1: don't you guys hang out Santa, why don't you go

1765
01:37:12,800 --> 01:37:15,519
Speaker 1: play with his kids? I know, I know COVID your

1766
01:37:15,600 --> 01:37:17,520
Speaker 1: rabbit due did hang out for a while, and Miso

1767
01:37:17,640 --> 01:37:20,240
Speaker 1: got got life busy for a minute, all right, Yeah,

1768
01:37:20,280 --> 01:37:24,599
Speaker 1: he got married and had kids, get exactly all right, guys,

1769
01:37:25,280 --> 01:37:27,439
Speaker 1: thank you everybody for listening, and we'll see you next time.

1770
01:37:27,720 --> 01:37:34,519
Speaker 1: Donald six seven, eight stories about show we made about

1771
01:37:34,520 --> 01:37:40,000
Speaker 1: a bunch of dots and nurses, and Canada said, he's stories,

1772
01:37:43,560 --> 01:37:52,680
Speaker 1: So yeadoo around here, yeadoo around here. M hm.