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Speaker 1: By the time Dave Grohl drained the last bottle, it

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Speaker 1: was almost four am on a frigid December morning in

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Speaker 1: west North Carolina. Grohl had just wrapped up a performance

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Speaker 1: at North Carolina native Warren Haynes's two thousand and eight

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Speaker 1: Christmas jam. In post show, he was eager to swap

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Speaker 1: stories with Southern Rock royalty, like Haynes in Leonards Skinner

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Speaker 1: drummer Artemis Pyle. Now with a bottle empty in the

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Speaker 1: conversation at a lull, he walked up to a handful

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Speaker 1: of strangers still standing on the loading dock. That's when

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Speaker 1: he first noticed the snow. It must have started sometime

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Speaker 1: in the night, and by now it was falling in

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Speaker 1: thick clumps. The group watched quietly until someone broke the silence.

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Speaker 1: No way in hell we're getting out of here today,

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Speaker 1: Dave Grohl shook his head in agreement. The snow looked

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Speaker 1: nearly a foot deep. Already, those switchback mountain roads were dicey.

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Speaker 1: In good conditions, report was sure to cancel all flights.

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Speaker 1: We should find some place to play, he said, almost

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Speaker 1: to himself, as he put the empty bottle down on

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Speaker 1: the loading dock. Nods of affirmation spread among the gathering

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Speaker 1: musicians they should find some place to play. One of

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Speaker 1: the locals in the group knew the perfect spot. If

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Speaker 1: they were going to do this thing, there was the

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Speaker 1: perfect room in town where it had to take place.

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Speaker 1: We're supping on tears, and we're supping on wine. We

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Speaker 1: all get to heaven on our own sweet time. So

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Speaker 1: come on, all you ask for little boys, and turn

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Speaker 1: up your old time noahs and kick till the dust

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Speaker 1: comes up from the cracks in the floor. Gillian Welch

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Speaker 1: Hard times busking the ancient art of street performing. Not

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Speaker 1: quite a caln not quite a concert either. Musicians know

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Speaker 1: it's a test more formidable than playing to a packed house,

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Speaker 1: no stage, no crowd or adoring fans. You might even

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Speaker 1: have angry business owners. It's just about standing on a

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Speaker 1: street corner and bearing your soul to strangers, to risk

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Speaker 1: your voice, your dignity, a sunburn, even your physical safety,

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Speaker 1: all for the chance at a momentary connection, and perhaps

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Speaker 1: to separate regular folks from a few of their hard

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Speaker 1: earned dollars. By twenty fourteen or so, word had spread

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Speaker 1: among musicians the Ashville, North Carolina, was the new busking

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Speaker 1: capital of America. Soon, during the busy season, crowds were

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Speaker 1: spilling out of the street ways to brass bands or

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Speaker 1: kicking up their heels to rock as folk punkers playing

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Speaker 1: in the park, and so local businesses and downtown residents

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Speaker 1: started complaining about the noise, the trash, the crowds of

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Speaker 1: people blocking traffic. The city came close to banning busking entirely. Instead,

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Speaker 1: they worked with the musicians to form the Ashville Buskers

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Speaker 1: Collective in a set of formal guidelines that relied on

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Speaker 1: the musicians to police themselves. No permits, no paperwork, a

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Speaker 1: rare wind for independent musicians. But then again, Asheville has

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Speaker 1: bet on musicians before and it had paid off in

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Speaker 1: a big way. Hard to believe this hip, artsy town,

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Speaker 1: tucked away in a spectacular stretch of the Blue Ridge

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Speaker 1: Mountains came close to being demolished. Instead, Ashville city leaders

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Speaker 1: went another way. The choices we make have consequences. When

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Speaker 1: we choose to support independent music, great things can happen.

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Speaker 1: Ashville reminds us of what we win by betting on

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Speaker 1: local businesses, local music, and local art to be the

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Speaker 1: kind of town that can possibly host an epic evening

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Speaker 1: of music with Roll and Friends last minute, which we'll

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Speaker 1: get to, but it also reminds us of what we

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Speaker 1: can lose if we don't keep nurturing those local liks

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Speaker 1: that give a town it's sound. Sound of Our Town

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Speaker 1: is a podcast about the music that shaped the city

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Speaker 1: you are touching down in. It is also about being

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Speaker 1: present to hear and experience its best music happening right

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Speaker 1: now in what sounds and places have shaped the city's culture.

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Speaker 1: It is about the abiding ritual of getting together in

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Speaker 1: a room to listen, and why that matters. This is

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Speaker 1: the anti content podcast because it's encouraging you to ignore

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Speaker 1: all the other content and get out there and participate

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Speaker 1: in the sounds being created around you. In this second season,

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Speaker 1: I'll be introducing you to the real places and sonic

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Speaker 1: stories echoing in a particular town, so that your travel

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Speaker 1: is enriched with music, so that the wildness of our

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Speaker 1: world is forced to contend with beats, harmony, and song.

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Speaker 1: I'm your host, Will Day. I'm an independent DIY songwriter,

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Speaker 1: touring artist. I've been doing this a little while, and frankly,

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Speaker 1: this show is also a reminder to myself how important

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Speaker 1: live music is in our existence. The business of music

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Speaker 1: can kick you around with the crowd never lets you

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Speaker 1: down when you come with the truth. So in episode four,

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Speaker 1: we are seeking some truth in Asheville, North Carolina. Pulling

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Speaker 1: into downtown Asheville today, with its endless numbers of bars, breweries,

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Speaker 1: independent restaurants, and shops, it seems impossible that less than

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Speaker 1: thirty years ago this space was nearly abandoned and teetering

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Speaker 1: on the verge of demolition. Now many people know Ashville's

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Speaker 1: history is a mountain getaway for the rich and famous

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Speaker 1: at the turn of the nineteen hundreds, thanks to the

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Speaker 1: two hundred and fifty room builtmore estate commissioned by a

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Speaker 1: railroad magnate, George Washington varnderbuilt the second What is less

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Speaker 1: known is that the Great Depression hit Ashville hard. Literally

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Speaker 1: every bank in town folded in the city, once the

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Speaker 1: third largest in Carolina, began a fifty year slide in population.

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Speaker 1: By the mid eighties, downtown Asheville was nearly abandoned outside

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Speaker 1: of a few hardcore holdouts of artists, musicians, weirdo entrepreneurs

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Speaker 1: who were locally referred to as the Asheville one thousand,

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Speaker 1: rumored to be the downtown population at the time, Now,

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Speaker 1: this is a story we are used to and sound

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Speaker 1: of our town. We've heard it so many times. Before

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Speaker 1: buildings were boarded up and they were decaying. City leaders

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Speaker 1: were considering a plan to demolish eleven blocks of prime

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Speaker 1: downtown real estate to make way for a drum roll

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Speaker 1: a shopping mall. The Asheville one thousand mobilized. They rallied

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Speaker 1: public support for an alternative vision for a downtown economy

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Speaker 1: built on tours, one that called for investment and just

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Speaker 1: the type of local businesses being pushed out by chain malls.

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Speaker 1: One that encouraged investment in the arts, that made it

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Speaker 1: easy for musicians to perform in public. In fact, it

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Speaker 1: welcomed them to help generate energy and atmosphere downtown, especially

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Speaker 1: in those early years. A pair of local wealthy investors,

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Speaker 1: Roger McGuire and Julian Price, joined their cause and created

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Speaker 1: seed money to rehabilitate historic buildings and create some iconic

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Speaker 1: Ashville businesses, including a venue will visit in this episode,

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Speaker 1: plus fun museums, performance spaces, and more. Asheville came broughing

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Speaker 1: back with music playing a huge role in the local economy.

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Speaker 1: Musicians flocked to the area to set up shop, reinforce

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Speaker 1: in the laid back, funky charm of the mountain town

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Speaker 1: that suddenly found itself a many travelers hot list by

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Speaker 1: the two thousands. Who are some of these musicians that

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Speaker 1: flocked to Asheville, who were born into it or who

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Speaker 1: call it home today. Well we got Born Haynes, Steep

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Speaker 1: Canyon Rangers, Luke Combe on Sticky Tree, angel Ol River Wild,

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Speaker 1: Jared Ashley, he Andrew Scotch on the River, Amanda and

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Speaker 1: Platte and the Honeycoff Santiago Gina and her Phony, Alexi

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Speaker 1: Rose and Seth Walker. So let's get our first stop

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Speaker 1: in Ashville. You just pulled into town and you're eager

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Speaker 1: to explore, But first you need to grab your bearings

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Speaker 1: and maybe a cold drink. You know how we do it.

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Speaker 1: Somewhere you can get your head on straight and absorb

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Speaker 1: some of that funky, laid back atmosphere that gives this

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Speaker 1: mountain town so much of its identity. If you're downtown,

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Speaker 1: head straight to Static Age Records on Lexington Avenue and

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Speaker 1: you'll find everything you need to kick off your trip.

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Speaker 1: Grab a late afternoon libation at the bar, and rub

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Speaker 1: elbows with Indie musicians like Angel Olsen, who have been

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Speaker 1: known to flip through the crates of used vinyl and

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Speaker 1: tapes when not on tour. I can't help myself on

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Speaker 1: the road, even though picking up a vinyl or two

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Speaker 1: means I have to get them home safely. But a

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Speaker 1: great record from a local shop as the best reminder

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Speaker 1: of a trip other than I closed out Wachowski sticker,

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Speaker 1: of course, So if your afternoon stop stretches on into

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Speaker 1: the night, you might discover that, like any indie record

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Speaker 1: store with that's one hundred and eighty grand vinyl, static

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Speaker 1: Age Records doubles as a live music venue. Small crowds

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Speaker 1: squeeze in shoulder to shoulder on black and white checkered floor,

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Speaker 1: or onto couches and chairs that line the walls to

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Speaker 1: catch underground bands playing everything from post punk to techno

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Speaker 1: from the small stages of the back room. Static Age

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Speaker 1: Records will set the tone for the rest of the trip.

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Speaker 1: You quite possibly fill your suitcase with way too many

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Speaker 1: records to carry home. Not bad for a first stop,

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Speaker 1: so you've had a minute to collect your thoughts. You

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Speaker 1: flipped through some stacks of wax and made way too

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Speaker 1: many purchases You've got tickets to see a band later tonight,

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Speaker 1: but that's still a few hours away. And you, my friend,

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Speaker 1: are ready to catch some live music now. Well, if

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Speaker 1: the weather is good, you should be in luck. Just

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Speaker 1: follow your ears and they will lead you towards some

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Speaker 1: of Ashville's famed street musicians. It'd be weird if I

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Speaker 1: had that whole opening and didn't tell you to go

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Speaker 1: check them out. Although the busking scene took a major

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Speaker 1: hit during COVID, performers have weathered the storm and continued

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Speaker 1: to head out to landmark spots like the city's iconic

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Speaker 1: Flat Iron Sculpture or Woolworth's Walk on Wayward Street to

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Speaker 1: entertain the masses. Your mileage may vary, but it's possible

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Speaker 1: to catch everything from New Orleans style brass bands to

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Speaker 1: bluegrassers like Old Crow Medicine Show, who made their bones

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Speaker 1: busking in Ashville before making it big. Scope it out

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Speaker 1: and you're sure to find some favorites among them. Many

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Speaker 1: performers bringing their blood, they sweat, and their tears to

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Speaker 1: street level performances throughout the city. And when you do

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Speaker 1: find a favorite sound of our town, advocates for the following.

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Speaker 1: When it comes to listening. The first song is free.

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Speaker 1: If you stay longer than that, you've got to drop

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Speaker 1: something green in the hat. Charming, unpretentious and totally cool.

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Speaker 1: It's the perfect embodiment of what we're after here in Ashville.

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Speaker 1: And to think you can find it all under one roof.

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Speaker 1: Of course, I know you're not gonna stop just one spot,

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Speaker 1: but if you had to, the best listening room in

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Speaker 1: Asheville is there for you. The Gray Eagle originally opened

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Speaker 1: in nearby Black Mountain, North Carolina, in nineteen ninety four,

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Speaker 1: and it's been holding down its current location, Ashville's River

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Speaker 1: Arts District since nineteen ninety nine. The venue began life

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Speaker 1: primarily as a folk and roots music venue, and over

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Speaker 1: the years it has gained a reputation as a go

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Speaker 1: to spot for spellbinding solo performances that could leave an

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Speaker 1: audience in reverend silence. Nowadays, the five hundred and fifty

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Speaker 1: person venue books artists from all over The musical map

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Speaker 1: from punk to funk is seen by recent shows from

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Speaker 1: Grunge Icon's Mud Honey Roots, Dual Waterhouse and rising funk

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Speaker 1: soul act Tank in the Bangas, But even at the

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Speaker 1: rowdiest rock show, the Great Eagle maintains some of that

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Speaker 1: respectful listening room ethos where everything else is secondary to

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Speaker 1: the performance on stage, making it a favorite of performers

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Speaker 1: and music fans alike. The venue is housed in a

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Speaker 1: low slung building with a huge mural dominating the outer walls. Inside.

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Speaker 1: Those low ceilings make the room feel even more intimate

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Speaker 1: than its already small size, and it gives the venue

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Speaker 1: a cozy living room vibe. During COVID, the Great Eagle

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Speaker 1: played an important role in keeping live music going with

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Speaker 1: a series of outdoor shows on their patio. It is

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Speaker 1: the definition of a listening room when they are listening

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Speaker 1: to the community's needs and responding with music, and they

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Speaker 1: continue to sprinkle these outdoor performances into their programming schedule.

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Speaker 1: And on top of all that. Attached to the building

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Speaker 1: is the Gray Eagle Takaia with a great selection of

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Speaker 1: craft beers and Latin American cuisine, thereby making it easy

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Speaker 1: to spend a whole soaring night in the talons of

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Speaker 1: the Gray Eagle. Salvage Station may not have the same

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Speaker 1: history as some other venues in Asheville. The indoor outdoor

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Speaker 1: music venue, restaurant and sprawling seven acre outdoor space only

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Speaker 1: opened its gates in twenty sixteen, but it has quickly

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Speaker 1: developed a reputation as one of the most unique concert

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Speaker 1: experiences in the country. Located a half mile up the

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Speaker 1: French Broad River from downtown Asheville, Salvage Station pays homage

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Speaker 1: to its former life as a salvage yard right from

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Speaker 1: the start, with a pair of repurposed semi trailers that

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Speaker 1: act as the venue's front gates. Inside, old gravel crushers

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Speaker 1: are reborn as fire pits, and countertops at the bar

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Speaker 1: are made from crushed car doors. In addition to gorgeous

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Speaker 1: views of the river, there is an outdoor amphitheater that

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Speaker 1: hosts up to twenty five hundred music fans a night,

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Speaker 1: as well as a smaller indoor concert space that runs

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Speaker 1: all year round. Plus there is an on site restaurant

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Speaker 1: called root Down Kitchen that serves updated takes on classic

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Speaker 1: Southern and New Orleans fair Both the indoor and outdoor

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Speaker 1: performance spaces have incredible sound in sight lines, probably why

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Speaker 1: is routinely voted the best live music venue in West Carolina.

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Speaker 1: So any chance to see Billy Strings, Cover, Alison Chains,

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Speaker 1: or the Monkeys at Salvage Station should not be missed

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Speaker 1: or Sleeter Keinney Full Volume playing songs from the Woods,

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Speaker 1: one of the greatest most underrated rock of an all

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Speaker 1: records of all time. Government Mules two set hometown show

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Speaker 1: these artists many more on a warm summer night for

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Speaker 1: an outdoor show is Southern Hospitality Vias some of the

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Speaker 1: most authentic and funky makers of music we have right now.

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Speaker 1: While Salvat's Station may be the new kid on the block,

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Speaker 1: it has more than proved it can attract top tier

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Speaker 1: talent while maintained the independent spirit and that unique vibe

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Speaker 1: that are the calling cards of Ashville's music scene. In

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Speaker 1: the heart of downtown Ashville meets the mother Church of

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Speaker 1: Carolina music at the corner of Biltmore and Hillard Avenue.

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Speaker 1: Sits a red brick building with a roofline that builds

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Speaker 1: fittingly to a steeple. A towering neon sign hangs from

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Speaker 1: the building's facade. In its glow calls music lovers to

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Speaker 1: the Orange Peel like moths to the flame, and if

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Speaker 1: you are Inshville for even one night, you'll want to

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Speaker 1: be among them. In its current form, the Orange Peel

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Speaker 1: opened in two thousand and two and Within a few years,

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Speaker 1: Rolling Stone was hailing it as one of the top

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Speaker 1: five music clubs in America. The club cemented its national

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Speaker 1: reputation when The Smashing Pumpkins chose to kick off of

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Speaker 1: two thousand and eight reunion with a residency not in

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Speaker 1: New York or LA, but in Ashville for nine dates

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Speaker 1: at the Peer. Since then, everyone from three to eleven

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Speaker 1: to Bob Dylan has graced the stage, and today the

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Speaker 1: club hosts a staggering array of music and comedy shows

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Speaker 1: in a perfectly sized room that's big enough to attract

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Speaker 1: top talent but small enough to make the crowd feel

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Speaker 1: like part of the act. Basically the ideal room. That's

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Speaker 1: a worthy legacy in itself, But as you cross the

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Speaker 1: threshold under the Neon sign into the building's front lobby,

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Speaker 1: you'll get your first clue that the venue's history is

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Speaker 1: much deeper than you could imagine. Around the lobby are

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Speaker 1: a collection of newspaper clippings and other artifacts that reveal

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Speaker 1: the musical roots of this building, going back the nineteen sixties.

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Speaker 1: The building's history is a winding story full of ups

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Speaker 1: and downs, paired with an incredible soundtrack. Maybe on the

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Speaker 1: right night, with the right mix of sounds and substances.

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Speaker 1: Or if you just know how to listen, these walls

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Speaker 1: might just tell you their story. It might start with

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Speaker 1: a whisper. Percy Sledge stood right there before he went

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Speaker 1: out and almost blew the roof off this place back

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Speaker 1: in nineteen sixty eight. If that first whisper doesn't scare

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Speaker 1: you off, then maybe the walls will keep talking. They'll

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Speaker 1: tell you how this building opened back in nineteen fifty.

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Speaker 1: It wasn't a music club at first. Instead, it was

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Speaker 1: the Skateland Roller Doime, Asheville's hot spot for junior high

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Speaker 1: birthday parties. Those early years lasted until nineteen sixty two.

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Speaker 1: By then, those junior high kids had grown up and

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Speaker 1: wanted something a little more thrilling than a lap around

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Speaker 1: a rink. By nineteen sixty five, the rink was out

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Speaker 1: and the dance floor was in under a new name,

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Speaker 1: the Jade Club, hosting artists like Percy Sledge, Rodney Millsap,

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Speaker 1: and the Dixie Cups. The Jade Club gave way to

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Speaker 1: the Eneral Club, which gave way to a variety of

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Speaker 1: Gemstone them names until the nineteen seventies, and the original

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Speaker 1: Orange Peel rolled the space for nearly a decade. Ask

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Speaker 1: the walls and they might tell you how bands like

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Speaker 1: the Commodore's got everyone in this brickhouse to let it

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Speaker 1: all hang out on a sultry summer night. They'll tell

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Speaker 1: you how DJ's from local w b MU, one of

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Speaker 1: the few black owned stations in the country, kept the

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Speaker 1: party going by spinning funk, soul, and disco records in

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Speaker 1: between the bands. How this hotspot kept the party going

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Speaker 1: even as the pulse of downtown Ashville was fading. How

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Speaker 1: the Barcas played a twenty two minute version of soul

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Speaker 1: Finger that made it seem like the party would never end.

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Speaker 1: The music that drinks the crowds, they kept it flowing

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Speaker 1: until one day it all just stopped. The lights went

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Speaker 1: out of the Orange for the last time in nineteen

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Speaker 1: seventy seven. For nearly twenty years, the building sat silent,

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Speaker 1: barely remembered, slated for demolition numerous times. It seems gone

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Speaker 1: for good by the late nineteen nineties, until the Ashville

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Speaker 1: one thousand began circulating their alternative vision for the city.

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Speaker 1: Local investor Julian Price heard the plea and provided seed

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Speaker 1: money for the venue to reopen under its previous name. Today,

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Speaker 1: these Walls stand tall as one of the country's best

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Speaker 1: live independent music venues. If you get the chance to

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Speaker 1: join one thousand odd souls at the Orange Peel to

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00:19:35,520 --> 00:19:38,560
Speaker 1: commune with the musical gods, you will hear stories of

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Speaker 1: these walls reverberating in every note, including the one with

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Speaker 1: which this episode started regarding Dave Golan Warnhayes, which I

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Speaker 1: will get to. But if it's stories and legendary knights,

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Speaker 1: then while you're there, just check out the basement speakeasy

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Speaker 1: pulp for a pre or post show drink, and maybe,

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Speaker 1: just maybe here a few more than these walls can tell.

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Speaker 1: In every episode we look for the hidden gem, but

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Speaker 1: it feels like Ashville itself is a hidden gem in America.

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Speaker 1: West Ashville might be a little bit off the beaten

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Speaker 1: track for most travelers, but it's definitely the right area

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Speaker 1: to explore if you're looking for a hidden gem within

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Speaker 1: a hidden gem. Among the best of them is Fleetwood's

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Speaker 1: Rock and Roll Wedding Chapel. The sign painted on the

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Speaker 1: front window says it all shop, Drink, get married, which

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Speaker 1: is pretty much life in a nutshell in America. And

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Speaker 1: you heard it right. This funky little cinder block storefront

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Speaker 1: has an honest to goodness wedding chapel inside to take

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Speaker 1: care of all your quickie wedding needs. Inside is packed

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Speaker 1: to the gills with neon lights, vintage kitch and red velvet,

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Speaker 1: with a fun selection of vintage clothes and goods for sale,

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Speaker 1: plus a bar serving beer and wine, and in warm weather,

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Speaker 1: a nice outdoor patio on the back. So if you

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Speaker 1: fall in love with a busker, then you want to

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Speaker 1: tie the knot you got Fleetwoods when hipster couples, daredevils

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Speaker 1: and those who have had a few too many aren't

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Speaker 1: tying the knot. The chapel also doubles as a live

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Speaker 1: music venue for hosting some of Ashville's best rock and

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Speaker 1: roll dance most Friday and Saturday nights. While the bands

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Speaker 1: may not have the pedigree as the headliners at some

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Speaker 1: of the bigger venues in the city, it's hard to

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Speaker 1: beat the energy they bring to this uniquely Ashville spot

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Speaker 1: and the memories. The memories they are responsible for with

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Speaker 1: these newly whites as the volume turns up to drown

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Speaker 1: out any second guessing the brides may be having. If

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Speaker 1: you're looking for a concert to play in your chip around.

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Speaker 1: In addition to the venues we've already talked about, the

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Speaker 1: horras Cherokee Center and adjoining Thomas Wolf Auditorium hosts a

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Speaker 1: few dozen travel worthy concerts a year. The programming team

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Speaker 1: behind the Orange Peel also opened an outdoor concerts based

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Speaker 1: in twenty twenty two called Rabbit Rabbit. Most of the

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Speaker 1: room for four thousand concert goers, food trucks, and a

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Speaker 1: newly built permanent stage, Rabbit Rabbit is pulling major artists

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Speaker 1: like Modest Mouse, Sylvie and so Fleet Foxes and more

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Speaker 1: throughout town. Check out their website for concert dates that

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Speaker 1: run from April through October, and no doubt you'll find

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Speaker 1: a few that are worth putting in your calendar. But

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Speaker 1: for an all you can eat sampler of homegrown Ashville music,

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Speaker 1: mark your calendars for early August twenty twenty four because

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Speaker 1: they just hosted the first inaugural avl Fest. From the

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Speaker 1: ashes of several beloved former local music festivals, comes this

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Speaker 1: new event that will feature local stars like Talbon, Krewey, River, Wireless,

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Speaker 1: Tall Tall Trees, and more at twenty plus local venues,

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Speaker 1: including virtually every club we've mentioned in this episode. And

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Speaker 1: fans of the electric guitar can plan on a holiday

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Speaker 1: trip once again around Native hero Warren Haynes's annual Christmas Jam.

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Speaker 1: The former Allman Brothers guitarist and Government Meal founders concert

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Speaker 1: and fundraiser has been running strong since nineteen eighty eight,

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Speaker 1: with all star guests in the past years like Phil Lesh,

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Speaker 1: Trey Anastasio, and Grohl. I'll get there joining Haynes for

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Speaker 1: a one of a kind concert, plus numerous other pop

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Speaker 1: ups and special events throughout town leading up to the finale.

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Speaker 1: In like role, you might just get stuck there and

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Speaker 1: see something extra special. Okay. Usually to prep for a trip,

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Speaker 1: I'm recommending a book, movie album, even another podcast. But

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Speaker 1: the best way to prep for your trip and to

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Speaker 1: listen to the past might just mean having your first

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Speaker 1: stop at Static Age Records and then you head over

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Speaker 1: to the mog Xium, a landing pad of wonder for

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Speaker 1: the science and music lover, or to the music lover

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Speaker 1: of science or people who like sound. If you don't

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Speaker 1: know what a mog is, let me help you prep

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Speaker 1: for the prep for your trip. The Mogue is a

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Speaker 1: modular synthesizer invented by American engineer Robert mog in nineteen

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Speaker 1: sixty four. Basically, it's a sound shaper. I don't know

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Speaker 1: how everything works. I think sometime in the museum would help.

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Speaker 1: That help both of us. But here's the thing. You

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Speaker 1: have heard one as long as you've listened to the Stones,

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Speaker 1: the Beatles, Yes, Emerson, Lake and Palmer, and any music

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Speaker 1: that has made music since then up to the Beastie

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Speaker 1: Boys in Wilco. Robert mog called Ashville home, and Ashville

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Speaker 1: honored him with the museum. And this museum brings his

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Speaker 1: pioneering legacy to life with multisensory, interactive exhibits in an

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Speaker 1: immersive dome to experience how tricity becomes sound, as well

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Speaker 1: as the history of synthesizers and the chance to mess

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Speaker 1: around with soundscaping and lose yourself in hours of tones.

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Speaker 1: Because of the success of Asheville's revitalization project, there have

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Speaker 1: been a ton of people moving to Ashville, so real

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00:25:26,040 --> 00:25:28,800
Speaker 1: estate prices have gone up. Development has been going through

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Speaker 1: the roof once again. Business owners and downtown residents are

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Speaker 1: starting to complain about the noise of buskers and the

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Speaker 1: crowds and the trash. It's the old let's remove the

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Speaker 1: things that make this place what it is and continue

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Speaker 1: to make it interesting. Because I can't hear myself. Watch Netflix.

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Speaker 1: It's been going on since the beginning of time. Will

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Speaker 1: Ashville allow the musicians and artists who help make this

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Speaker 1: town the vibrant destination that it is today be pushed aside?

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Speaker 1: Will they be victim to their own success or will

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Speaker 1: the city continue to nurture what it has made great?

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Speaker 1: The answer is not beyond our control. We have a

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Speaker 1: role to play in all this. If you can see me,

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00:26:04,400 --> 00:26:07,840
Speaker 1: I'm gesturing wildly at the mic right now around the

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Speaker 1: room to everything in my vicinity and beyond. Because every

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Speaker 1: time we go out to a small club to see

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Speaker 1: a new band, every time we visit an independent record store,

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Speaker 1: or choose to part with one of our hard earned

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Speaker 1: dollars for a street corner performer sharing their soul to strangers.

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Speaker 1: Every time we put our ear to the ground and

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Speaker 1: listen deeply to the sound of a town, we are

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Speaker 1: saying yes to each other. And now, more than ever,

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00:26:33,440 --> 00:26:37,160
Speaker 1: we are instilling a connection that so easily atrophies when

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Speaker 1: we don't have thriving live music. And one more thing

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Speaker 1: that Warren Haynes Christmas Jam the snowstorm. I'm sorry, I've

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00:26:51,920 --> 00:26:55,080
Speaker 1: made you wait. It just seemed to fitting waight apart,

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Speaker 1: so twelve hours after that first concert ended, while Ashvillians

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Speaker 1: scrambled to dig out of the snowstorm, the Orange Peel

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Speaker 1: announced a last minute concert featuring Dave Grohl, Warren Hayes,

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Speaker 1: and a handful of other musicians still stranded in Ashville.

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Speaker 1: It sold out in a matter of minutes. Hundreds more

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00:27:13,160 --> 00:27:16,760
Speaker 1: gathered outside, hoping for a miracle, even in the freezing cold.

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Speaker 1: The line outside wrapped around the block all night. Inside,

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Speaker 1: the music kept everyone hot. Haines and GROLs swapped Beetles

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Speaker 1: and Zeppelin covers. Artemis Pyle even joined the band for

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Speaker 1: a cover of Skinnered simple Man. Midway through the set,

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Speaker 1: with the final notes of Tom Petty's you Don't Know

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Speaker 1: How It Feels still ringing out, Haines began picking out

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Speaker 1: the opening rift to Nirvana's classic All Apologies, a song

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Speaker 1: Girl had n't played since the death of Kurt Kobaine.

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Speaker 1: Girl shook his head no for a moment, but as

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Speaker 1: he looked out to the crowd, already roaring in anticipation,

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00:27:51,359 --> 00:27:55,000
Speaker 1: he took a deep breath, shouted a count off, and

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00:27:55,040 --> 00:27:58,399
Speaker 1: the band launched into the song. As they reached the

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00:27:58,400 --> 00:28:01,639
Speaker 1: final refrain, Girl could only look through the tears in

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Speaker 1: his eyes as the crowds stomp their feet on the

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Speaker 1: hardwood floors and sing along with all their might. All

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Speaker 1: in all is all, we are all right. That's our

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Speaker 1: time in Asheville, North Carolina. DM me. If you have

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00:28:23,560 --> 00:28:27,639
Speaker 1: any questions or further suggestions, let me know how we're doing.

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00:28:28,119 --> 00:28:31,080
Speaker 1: I can keep this show going forever. When you follow

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00:28:31,200 --> 00:28:35,760
Speaker 1: review word of mouth, just stop me on the street.

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00:28:36,280 --> 00:28:38,120
Speaker 1: If you want me to cover your town, just hit

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Speaker 1: me up on Instagram at Will Daily Official, or search

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00:28:41,400 --> 00:28:44,400
Speaker 1: Will Daily anywhere. D A I L E Y on

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00:28:44,480 --> 00:28:48,240
Speaker 1: your favorite platform. I'm on Threads too, if that's a

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00:28:48,280 --> 00:28:51,440
Speaker 1: thing now, myna. The Sound of Our Town is a

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00:28:51,440 --> 00:28:55,000
Speaker 1: production of Double Elvis and iHeartRadio. You can also hit

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00:28:55,040 --> 00:28:57,280
Speaker 1: us up on ig at Double Elvis and Twitter at

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00:28:57,280 --> 00:29:02,800
Speaker 1: Double Elvis FM. Executively produced by Jake Brennan and Brady

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00:29:02,880 --> 00:29:06,200
Speaker 1: Sadler for Double Elvis. The production assistants by Matt Bowden.

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00:29:06,600 --> 00:29:09,040
Speaker 1: The show was created, written, hosted, and scored by me

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00:29:09,160 --> 00:29:13,520
Speaker 1: Will Daily. This episode's head writer is Patrick Coman. The

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00:29:13,600 --> 00:29:15,960
Speaker 1: music for this episode was composed and performed by me.

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00:29:16,320 --> 00:29:19,360
Speaker 1: You can check out more on Spotify, Apple, Bandcamp, or

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00:29:19,440 --> 00:29:23,680
Speaker 1: will daily dot com. All right, next stop? Where is

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00:29:23,720 --> 00:29:27,680
Speaker 1: it Gonna Be? Where is it Gonna Be? Follow wherever

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00:29:27,720 --> 00:29:31,480
Speaker 1: you listen to podcasts for episode five coming in two

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00:29:31,520 --> 00:29:31,880
Speaker 1: weeks