WEBVTT - Created by… Michael Poryes

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<v Speaker 1>Well, thank you so much everybody for joining us on

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<v Speaker 1>this amazing park Opper episode. I say it every week,

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<v Speaker 1>and I say it every week, and I say it

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<v Speaker 1>every week. Magical, amazing, incredible episode. But we keep getting

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<v Speaker 1>these guests that are just the best, whether they're in

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<v Speaker 1>front of the camera, They've written the script, they directed,

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<v Speaker 1>in this case, created two of the most popular shows

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<v Speaker 1>in the history of the channel.

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<v Speaker 2>That changed the channel. They ibserved the channel into being

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<v Speaker 2>what we all love the Channel as it is today

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<v Speaker 2>like this with these were two big, big, big, big projects.

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<v Speaker 1>I would argue one of them helped to change the

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<v Speaker 1>channel and the other one changed all of pop culture. Yeah,

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<v Speaker 1>I mean it's huge, huge, what this man is responsible for.

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<v Speaker 1>And we're so honored to have him here. We're not

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<v Speaker 1>going to wait another minute before we bring him in

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<v Speaker 1>because I don't want to leave him waiting because he's

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<v Speaker 1>just awesome and I'm so glad it's here. So can

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<v Speaker 1>you please help us welcome the creator of not only

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<v Speaker 1>that So Raven, but a little show called Hannah Montana

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<v Speaker 1>Michael Porrez. Hello, Hello, are you. I'm fine? Thank you

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<v Speaker 1>so much for joining us.

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<v Speaker 3>Wow, my pleasure. I even wore my Hannah hat.

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<v Speaker 1>I love it.

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<v Speaker 3>I dove off a little bit and all of that.

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<v Speaker 1>I love that. Well, don't put on a different color.

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<v Speaker 1>We might not recognize you.

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<v Speaker 3>That's true.

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<v Speaker 1>So we just reviewed the Hand of Montana movie, and

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<v Speaker 1>we are so honored to have you here to explain

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<v Speaker 1>how this juggernaut not only changed the channel but changed

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<v Speaker 1>all of pop culture. Really, I mean it became a job,

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<v Speaker 1>but it really did. I mean, it became It's put

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<v Speaker 1>it this way. I had I'd never seen the show.

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<v Speaker 1>I had never seen the film, but obviously knew everything

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<v Speaker 1>about Hannah Montana because it was in the zeitgeist. I mean,

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<v Speaker 1>it was everybody knew about it. So, I mean, before

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<v Speaker 1>I guess we get into that, we always like to

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<v Speaker 1>start with our guests of how did you find Hollywood?

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<v Speaker 1>Get into Hollywood? What was your origin story to finding

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<v Speaker 1>this amazing business of show?

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<v Speaker 3>You know, it was always a part of me. My

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<v Speaker 3>grandfather was in the business of going back. He was

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<v Speaker 3>actually a pioneer in the business who his my great

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<v Speaker 3>grandfather started the first moving picture theater in Brooklyn.

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<v Speaker 1>Oh you're kidding.

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<v Speaker 3>And even before that, I'm related to my mother's name

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<v Speaker 3>and my grandfather's name was Harry Thomas, but that is

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<v Speaker 3>shortened for Thomaschevsky. And there was a Yiddish theater out

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<v Speaker 3>of Russia with Boris Tomashevsky. So I kind of come down.

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<v Speaker 3>In fact, Michael Tilson Thomas, the famous conductor, is a

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<v Speaker 3>second cousin. I've never met him. So it was always

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<v Speaker 3>in me. My uncle wrote, I don't know if you

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<v Speaker 3>remember something called the Bowery Boys.

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<v Speaker 1>And course, of course Wrin Tin.

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<v Speaker 3>Tin doctor killed there the Green Hornet. You know, I

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<v Speaker 3>was the spoiled little brat that got to go on

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<v Speaker 3>to the bat Cave set, you know, and the Green

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<v Speaker 3>Hornet and I and I went on the Bonanza set

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<v Speaker 3>and everything.

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<v Speaker 1>And did you meet Bruce Lee?

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<v Speaker 3>Yes? I did. I was with my uncle and we

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<v Speaker 3>were driving and it was bor like, hey, Bruce, come

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<v Speaker 3>on over here. They met my nephew, you know, and

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<v Speaker 3>he came over, a really nice guy, you know. But yeah,

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<v Speaker 3>it was always in me. I thought, you know, good

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<v Speaker 3>Jewish kid. You know, I'm going to go to college.

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<v Speaker 3>I'm going to be a lawyer. It never worked. I

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<v Speaker 3>dropped out once. Three times. I dropped out. I went

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<v Speaker 3>to U see Santa Barbara. I went to UC Berkeley.

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<v Speaker 3>I dropped out three times. Then I joined a comedy

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<v Speaker 3>troupe in Berkeley, and then when I was around twenty three,

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<v Speaker 3>I moved to La to be a stand up comic.

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<v Speaker 1>Okay, wow, we've heard now this is such an interesting

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<v Speaker 1>path to writing and creating because we've heard a number

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<v Speaker 1>of people saying that they started doing stand up.

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<v Speaker 3>Yeah, and the first and I was doing that. It

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<v Speaker 3>wasn't for me. The world at least then. I don't

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<v Speaker 3>know if it's the same world now. The world then

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<v Speaker 3>was very drug oriented and lots of cocaine and all

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<v Speaker 3>of that. That's not mean. And I started to I

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<v Speaker 3>always loved sitcoms, you know, Marry Taller, Moore Show, Bob

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<v Speaker 3>Mark Show, all those things, and so I started writing sitcoms.

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<v Speaker 3>And surprisingly, the person who helped me first, when he

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<v Speaker 3>was still a writer, he was not a stand up comic,

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<v Speaker 3>was Gary Shandling.

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<v Speaker 1>Really yeah.

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<v Speaker 3>He was writing Welcome Back Cotter and Sanford and Son,

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<v Speaker 3>and he would take my scripts and hand them back

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<v Speaker 3>to the old marked, you know. And he was getting

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<v Speaker 3>out of writing while I was getting in writing, and

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<v Speaker 3>of course he was going into stand up comedy. Yeah.

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<v Speaker 1>And then the Gary Shandling Show, and then Larry Sanders

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<v Speaker 1>and then everything that followed after that.

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<v Speaker 3>Wow all true. As a matter of fact, my last

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<v Speaker 3>stand up gig, the thing that finally did it for

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<v Speaker 3>me to say bye bye. There was a comedy store

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<v Speaker 3>in Westwood, Yeah a time, and I was going to

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<v Speaker 3>go on the open mic, right, and I have a

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<v Speaker 3>little five minute routine and all this kind of stuff.

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<v Speaker 3>And there was like thirty people there and it was

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<v Speaker 3>twelve and I was going to go on in five

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<v Speaker 3>minutes until somebody walked in the room, right, and they

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<v Speaker 3>wanted to go on, assured me they'd only be ten minutes,

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<v Speaker 3>don't worry about it. And that guy was David Letterman.

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<v Speaker 3>And it was not David Letterman. It was David Letterman

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<v Speaker 3>when he was on I think Mary Tyler Moore had

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<v Speaker 3>a very failed variety show and he was on that

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<v Speaker 3>and he went on ten minutes became fifteen, which became

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<v Speaker 3>a half hour, which became forty five minutes. He left.

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<v Speaker 3>Literally twenty six people left with him, and I was

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<v Speaker 3>stuck with the four remaining drunk.

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<v Speaker 1>Oh man, maybe this isn't for me.

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<v Speaker 3>Yeah, maybe God is finally saying, do you get the message?

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<v Speaker 3>How much do I have to tell him?

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<v Speaker 1>Oh? Yeah, how do you get that? So was it?

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<v Speaker 3>Was?

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<v Speaker 1>It then an instant transition to Okay, I'm going to

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<v Speaker 1>go right, I'm going to be a writer. I'm gonna

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<v Speaker 1>focus primarily on writing.

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<v Speaker 3>I didn't even get there at the same time. Okay, okay,

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<v Speaker 3>you know. And so after that I kind of put

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<v Speaker 3>everything to writing and the script. Again, I don't I'm

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<v Speaker 3>dating myself. But the script that finally got me in,

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<v Speaker 3>broke me into getting some good opportunity was a spect

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<v Speaker 3>Barney Miller. I did, oh great show, which I adored

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<v Speaker 3>that show. It's probably one of the better things I've

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<v Speaker 3>ever written.

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<v Speaker 1>I think, well, it's one of I mean, it's one

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<v Speaker 1>of the best shows in the history of television.

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<v Speaker 3>Yeah, I would agree with that.

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<v Speaker 1>Yeah, yeah, oh man, that's great. So, so did you

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<v Speaker 1>were you a staff writer for Barney Miller or do

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<v Speaker 1>you write?

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<v Speaker 3>I never, I never. I never was able to get

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<v Speaker 3>the script to Barney Miller.

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<v Speaker 1>Oh, it was just for you to spec.

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<v Speaker 3>Yeah. And I was a waiter in Beverly Hills at

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<v Speaker 3>a place called r J's, the rib Joint, and it

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<v Speaker 3>was a really popular sawed us on the floor. I

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<v Speaker 3>wore jeans and a T shirt. But it was the

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<v Speaker 3>in place, and so I would I met my I

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<v Speaker 3>got my first agent by waiting tables. I got my

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<v Speaker 3>first pitch meeting by waiting tables. Wosh, because I would

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<v Speaker 3>wait tables and use my kind of joke kind of

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<v Speaker 3>thing to always joke around with the customers, and I

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<v Speaker 3>had a good time. And then when they would ask me,

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<v Speaker 3>so what are you doing, I'd say, well, I'm trying

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<v Speaker 3>to get into writing. Well, I happen to know blah,

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<v Speaker 3>and do you have anything? And I'd go down to

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<v Speaker 3>my locker and I'd get my spec Barney millscript.

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<v Speaker 1>You're kidding me now, you're.

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<v Speaker 2>Telling me you had the like iconic Hollywood dream when

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<v Speaker 2>people come they get a waiting job and you literally

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<v Speaker 2>just get the doors open to you because you're this

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<v Speaker 2>amazingly nice guy who's funny, and someone asks you, how

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<v Speaker 2>can I help you?

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<v Speaker 3>That That was basically you know, I'm talking. You know.

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<v Speaker 3>This wasn't like, Oh, I get a waiter job and

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<v Speaker 3>two months later I'm on staff, get a waiter job,

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<v Speaker 3>and six years later, you know, I got my first opportunity.

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<v Speaker 3>And it was literally on eight when it was the

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<v Speaker 3>first year of the Disney Channel. Surprisingly wow, And it

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<v Speaker 3>was a show called Boy. I haven't talked about this.

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<v Speaker 3>This was a show called dream Finders. This is Ron Miller,

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<v Speaker 3>Walt Disney's son in law, was still head of the company. Yeah,

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<v Speaker 3>and so it was the first it was failed. We

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<v Speaker 3>did a whole lots of like, I don't know what

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<v Speaker 3>might have done, twenty episodes something like that. I never

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<v Speaker 3>saw the light of day, right, and then that was

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<v Speaker 3>my volley there and then I went in from that,

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<v Speaker 3>I got more prime time opportunities.

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<v Speaker 1>Now, do you mind if I asked not to? You said,

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<v Speaker 1>you've you're dating yourself. But I'm just I'm very curious

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<v Speaker 1>because our fans who listened to this podcast are obviously

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<v Speaker 1>big Disney Channel fans. So you say it was the

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<v Speaker 1>first year of Disney Channel. What year is that.

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<v Speaker 3>That's a really good question. If I had to guess,

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<v Speaker 3>it's probably in the early eighties.

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<v Speaker 1>Okay, okay, eighty two eighty three ish kind of area.

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<v Speaker 3>Okay, but I'm really not sure. But it was the

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<v Speaker 3>it was the first year of the Disney Channel, okay,

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<v Speaker 3>you know, and so we were going to use a

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<v Speaker 3>lot of things in Epcot. They flew us out to

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<v Speaker 3>look at Epcot. It was like Epcot was open. I

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<v Speaker 3>think maybe a year or two at that time.

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<v Speaker 1>Yes, we just heard nineteen eighty three was the first

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<v Speaker 1>year of UH.

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<v Speaker 2>And I remember them. There was always a big picture

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<v Speaker 2>of Epcot that would come around on the Disney I

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<v Speaker 2>was a Disney Channel kid. I don't remember a world

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<v Speaker 2>without it at all, and so I remember that Epcot.

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<v Speaker 2>There was always like a like a big vision of

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<v Speaker 2>it that came on the channel a lot. So that

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<v Speaker 2>makes that that's cool that you guys were sent there

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<v Speaker 2>and it was like a part.

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<v Speaker 3>Of your There was like nobody there. Wow, So the

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<v Speaker 3>whole place was there was their crowd. No, people didn't

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<v Speaker 3>want to go Topcot. They were over there the Magic Kingdom.

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<v Speaker 1>That's right. That the Epcot was going to close at

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<v Speaker 1>one point, they said in the eighties there was a

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<v Speaker 1>real chance that was going to shut down.

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<v Speaker 3>That's right.

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<v Speaker 1>Okay, So then you went from there to you said

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<v Speaker 1>more primetime shows, which can I ask some of the shows.

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<v Speaker 1>I'm a television fanatic, So.

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<v Speaker 3>My my my first actual credits were like different strokes

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<v Speaker 3>call a show called Love Sydney.

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<v Speaker 1>Okay.

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<v Speaker 3>I had Tony Randall in it. Alice did one there,

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<v Speaker 3>and I did a couple of Who's the Boss scripts.

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<v Speaker 3>Oh my god, my first big staff primetime job was

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<v Speaker 3>I was was on the last two seasons and I

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<v Speaker 3>got this while I was on the last two seasons

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<v Speaker 3>of Facts of Life. Oh, come on, and I got

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<v Speaker 3>this where you know here I am, you know, thirty

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<v Speaker 3>thirty one year old Jewish guy. All his friends are

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<v Speaker 3>either doctors or lawyers or they're becoming successful business people.

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<v Speaker 3>And and I'm sitting there hoping my unemployment doesn't run

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<v Speaker 3>out as I'm still trying to find the big job.

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<v Speaker 3>At the time, I was developing something with a friend

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<v Speaker 3>of mine's mom. My friend was Bruce Kylish. His mom

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<v Speaker 3>is Irma Kalish, who was, as a woman, a pioneer

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<v Speaker 3>in comedy, television, comedy writing. Wow, it didn't work, but

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<v Speaker 3>then she got hired to run Facts of Life and

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<v Speaker 3>brought me over. That's how my big break happened. Based

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<v Speaker 3>on relationships. It wasn't based on being submitted or anything

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<v Speaker 3>like that. You know, we're in a business where the

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<v Speaker 3>first rule is there are no rules. Yeah right, you

0:13:05.400 --> 0:13:07.920
<v Speaker 3>don't know where it's going to come from. So that

0:13:08.080 --> 0:13:10.960
<v Speaker 3>was my first thing. So I was on two seasons

0:13:10.960 --> 0:13:14.800
<v Speaker 3>of that and then it was not picked up right

0:13:15.200 --> 0:13:18.160
<v Speaker 3>for that? That was like eight season, wasn't picked up

0:13:18.200 --> 0:13:23.240
<v Speaker 3>for a ninth Why because it only had a twenty

0:13:23.240 --> 0:13:29.760
<v Speaker 3>five share. In other words, the entire audience was watching

0:13:29.800 --> 0:13:33.079
<v Speaker 3>this show, and at that time that wasn't to know.

0:13:33.559 --> 0:13:36.040
<v Speaker 1>No, that's incredible. You know how a bunch people would

0:13:36.160 --> 0:13:38.200
<v Speaker 1>freak if they got a twenty five share for anything

0:13:38.200 --> 0:13:41.160
<v Speaker 1>but the super Bowl? Right now? Yeah, no one, no one.

0:13:41.760 --> 0:13:43.360
<v Speaker 3>Just an amazing thing, isn't it.

0:13:43.720 --> 0:13:46.960
<v Speaker 1>Yeah, Well, I have to let you know that I

0:13:47.000 --> 0:13:49.560
<v Speaker 1>became an actor and knew I had to become an

0:13:49.559 --> 0:13:54.199
<v Speaker 1>actor and started professional when I was ten. And one

0:13:54.240 --> 0:13:57.960
<v Speaker 1>of the reasons was different strokes wo, so mash different

0:13:57.960 --> 0:14:00.480
<v Speaker 1>strokes and family ties are. I knew what I had

0:14:00.480 --> 0:14:02.720
<v Speaker 1>to do with my life. But Gary Coleman on different

0:14:02.720 --> 0:14:04.000
<v Speaker 1>Strokes was.

0:14:04.000 --> 0:14:05.719
<v Speaker 3>What are you talking about? Willis was?

0:14:06.200 --> 0:14:08.360
<v Speaker 1>I just saw him and I went, I have to

0:14:08.360 --> 0:14:10.160
<v Speaker 1>do that. And Dana Plato was my first ever on

0:14:10.240 --> 0:14:13.599
<v Speaker 1>screen crush. I mean it was. These were so important

0:14:13.640 --> 0:14:15.680
<v Speaker 1>to me, so, oh man, I can do Yeah, that's

0:14:15.720 --> 0:14:18.160
<v Speaker 1>the coolest thing ever. So then how do you go

0:14:18.240 --> 0:14:21.000
<v Speaker 1>from there to finding your way to then back to

0:14:21.040 --> 0:14:23.680
<v Speaker 1>the channel and creating shows for them.

0:14:23.920 --> 0:14:29.160
<v Speaker 3>Well here's the non glorified road. But after Facts of Life,

0:14:29.680 --> 0:14:31.760
<v Speaker 3>I ended up getting a job on staff of a

0:14:31.800 --> 0:14:35.800
<v Speaker 3>show called Good Morning, Miss Bliss okay, which was an

0:14:35.800 --> 0:14:41.920
<v Speaker 3>ABC show. ABC did not pick it up past thirteen

0:14:42.000 --> 0:14:46.400
<v Speaker 3>I think it was, and NBC picked it up and

0:14:46.440 --> 0:14:51.920
<v Speaker 3>it became Saved by the Belt Okay. So I was

0:14:51.960 --> 0:14:55.440
<v Speaker 3>on the first season of Save by the bet Geez

0:14:56.040 --> 0:14:59.040
<v Speaker 3>after that, but still I didn't want its programming. I

0:14:59.040 --> 0:14:59.960
<v Speaker 3>didn't want to do that.

0:15:00.280 --> 0:15:02.560
<v Speaker 2>I was going to ask you because, like, were you

0:15:02.680 --> 0:15:05.960
<v Speaker 2>feeling drawn to kids programming or at that point.

0:15:06.200 --> 0:15:09.440
<v Speaker 3>What happened was I was drawn to employment.

0:15:10.880 --> 0:15:13.600
<v Speaker 1>Under working yeah, you know.

0:15:13.800 --> 0:15:17.000
<v Speaker 3>And then I got an opportunity coming off of that

0:15:17.280 --> 0:15:23.880
<v Speaker 3>into more primetime shows when a friend of mine, Bob Meyer,

0:15:24.040 --> 0:15:27.800
<v Speaker 3>started to get pilots and things, you know, and he

0:15:27.920 --> 0:15:30.200
<v Speaker 3>got something called Me and the Boys and that lasted

0:15:30.240 --> 0:15:34.920
<v Speaker 3>eighteen episodes, something called Joe's Life that lasted thirteen episodes.

0:15:36.080 --> 0:15:36.800
<v Speaker 4>I was.

0:15:36.960 --> 0:15:40.280
<v Speaker 3>I was on a show called out of This World

0:15:40.320 --> 0:15:41.600
<v Speaker 3>on staffed.

0:15:42.680 --> 0:15:44.800
<v Speaker 1>My my it was out I'm sorry. Was out of

0:15:44.800 --> 0:15:47.040
<v Speaker 1>this World the one where she puts her fingers together

0:15:47.080 --> 0:15:50.840
<v Speaker 1>and stops time. Yeah yeah, okay, yeah, because an alien,

0:15:51.000 --> 0:15:53.680
<v Speaker 1>you know alien, yes, okay.

0:15:55.240 --> 0:16:00.320
<v Speaker 3>And that all led to again Bob Meyer, who I

0:16:00.400 --> 0:16:06.440
<v Speaker 3>worked with, I'm getting a job running Sybil okay, and

0:16:06.600 --> 0:16:09.560
<v Speaker 3>he brought me on and so that was my first

0:16:09.600 --> 0:16:13.200
<v Speaker 3>really kind of high profile staff job. And then from

0:16:13.280 --> 0:16:17.840
<v Speaker 3>there I got onto Veronica's closet, geez, And you think

0:16:17.880 --> 0:16:21.400
<v Speaker 3>everything's going well, and from there Wick Wall, all of

0:16:21.440 --> 0:16:28.760
<v Speaker 3>a sudden, no work, right, And I'm doing my development

0:16:29.400 --> 0:16:33.120
<v Speaker 3>and I'm writing this thing or trying doing that way

0:16:33.200 --> 0:16:36.280
<v Speaker 3>and that. And then I heard that the Disney Channel

0:16:37.320 --> 0:16:41.440
<v Speaker 3>was looking to do their first four camera shop. Right, Well, me,

0:16:42.280 --> 0:16:44.720
<v Speaker 3>I want to work. I said, I'm going to get

0:16:44.720 --> 0:16:47.560
<v Speaker 3>a meeting over there. And a friend of minority had

0:16:47.720 --> 0:16:53.080
<v Speaker 3>a meeting over there and we both had meetings, both unsuccessful. Right,

0:16:53.440 --> 0:16:56.760
<v Speaker 3>all my primetime friends are basically saying, what the hell

0:16:56.760 --> 0:16:59.800
<v Speaker 3>are you doing? Geez? You don't give up on Braunt

0:17:00.080 --> 0:17:03.000
<v Speaker 3>if you go there, I mean, come on, you know,

0:17:03.320 --> 0:17:05.960
<v Speaker 3>and you know, because it wasn't the popular place to go.

0:17:06.560 --> 0:17:10.320
<v Speaker 2>Yeah, We've had We've had interviews with actors, you know,

0:17:10.440 --> 0:17:14.040
<v Speaker 2>adult actors that said, you know, making making that choice

0:17:14.080 --> 0:17:16.399
<v Speaker 2>to go to Disney was it was a crap shoot,

0:17:16.400 --> 0:17:18.639
<v Speaker 2>and that's not like it was, but it.

0:17:18.680 --> 0:17:23.600
<v Speaker 3>Was following just that's where there was opportunity, right, And

0:17:23.680 --> 0:17:27.239
<v Speaker 3>that worked into well what if you know, what if

0:17:27.240 --> 0:17:31.119
<v Speaker 3>a kid could see around the corner? Because my my

0:17:31.320 --> 0:17:35.720
<v Speaker 3>whole thing has always been in anything I write is

0:17:35.880 --> 0:17:40.399
<v Speaker 3>always about the truth first, relatability first, Why am I

0:17:40.440 --> 0:17:43.240
<v Speaker 3>writing it first? And then I'll lay on the funny.

0:17:43.320 --> 0:17:47.439
<v Speaker 3>I always say to everybody, I'm so not concerned about funny.

0:17:48.200 --> 0:17:51.160
<v Speaker 3>I'm concerned about the truth and being authentic. And if

0:17:51.200 --> 0:17:54.280
<v Speaker 3>I can do those things, I can make anything funny, right.

0:17:54.800 --> 0:17:57.760
<v Speaker 3>You know, I learned from Barney Miller and you know,

0:17:58.119 --> 0:18:03.080
<v Speaker 3>Mary Chyler, Moore, Bob Newhart. They weren't the stories told

0:18:03.119 --> 0:18:08.000
<v Speaker 3>weren't funny, it's how they did them and the reactions

0:18:08.040 --> 0:18:11.959
<v Speaker 3>and the relationships. And so that led to that, and

0:18:12.000 --> 0:18:15.880
<v Speaker 3>that led to my life in kids program which, by

0:18:15.920 --> 0:18:21.680
<v Speaker 3>the way, I far prefer it's so much fun working

0:18:22.600 --> 0:18:27.520
<v Speaker 3>with kid actors who want to learn right and and

0:18:27.600 --> 0:18:30.479
<v Speaker 3>that are so jazz that you do that, you do

0:18:30.640 --> 0:18:35.359
<v Speaker 3>what you know. But adult friends, if I was on

0:18:35.760 --> 0:18:40.840
<v Speaker 3>Civil over on yeah I saw your show. Yes, it's okay.

0:18:41.080 --> 0:18:44.399
<v Speaker 3>You never go oh, man, I really saw the last

0:18:44.400 --> 0:18:48.199
<v Speaker 3>episode of So Funny. You don't get that. You just

0:18:48.240 --> 0:18:52.919
<v Speaker 3>go yeah, yeah, you know, But with kids, they run up,

0:18:52.960 --> 0:18:55.160
<v Speaker 3>they hug you. I mean, why why isn't that better?

0:18:55.680 --> 0:18:58.920
<v Speaker 2>Yeah? And you and you get a chance to implement

0:18:59.000 --> 0:19:03.120
<v Speaker 2>like really good messages, especially the Disney Channel, like good

0:19:03.160 --> 0:19:05.879
<v Speaker 2>morals and good decision making and all of that is

0:19:05.920 --> 0:19:07.120
<v Speaker 2>just it's magic.

0:19:07.440 --> 0:19:10.760
<v Speaker 3>It's a higher responsibility because you have to write clean.

0:19:11.359 --> 0:19:15.600
<v Speaker 3>You can't go for the cheap joke. And my whole

0:19:15.680 --> 0:19:18.479
<v Speaker 3>thing is, I don't want to write anything. I wouldn't

0:19:18.520 --> 0:19:23.679
<v Speaker 3>let my kid watch. Yeah, right, And on both times

0:19:23.680 --> 0:19:27.760
<v Speaker 3>when I'm doing this kind of programming, I'm a dad first,

0:19:27.800 --> 0:19:31.480
<v Speaker 3>I'm a parent first. I'm a producer second, right, you know.

0:19:31.720 --> 0:19:34.960
<v Speaker 3>And so as far as where I am in those sets,

0:19:35.000 --> 0:19:37.000
<v Speaker 3>because a lot of things have been talked about about

0:19:37.040 --> 0:19:40.600
<v Speaker 3>all that stuff not on my set. You know, I

0:19:40.640 --> 0:19:44.320
<v Speaker 3>can't control what happens off my set, but I sure

0:19:44.320 --> 0:19:47.399
<v Speaker 3>as he can control what happens on it, you know.

0:19:48.000 --> 0:19:52.920
<v Speaker 3>And you know I've always had including myself, I know, rule,

0:19:53.680 --> 0:19:56.879
<v Speaker 3>you know, that's a great role. Nobody is that good,

0:19:57.200 --> 0:20:01.800
<v Speaker 3>including me, right, you know? With you, Yeah, and especially

0:20:01.840 --> 0:20:05.440
<v Speaker 3>in kids programming, you're in it. There's the door. You

0:20:05.480 --> 0:20:06.560
<v Speaker 3>can be replaced.

0:20:06.840 --> 0:20:10.439
<v Speaker 1>Yeah we all can. Yeah, yeah, we all can all

0:20:10.480 --> 0:20:21.680
<v Speaker 1>the time. So then you're you go into Disney. Is

0:20:21.680 --> 0:20:23.639
<v Speaker 1>is your first pitch that's so raven?

0:20:25.000 --> 0:20:25.200
<v Speaker 5>No?

0:20:26.480 --> 0:20:31.720
<v Speaker 3>God, what what I think? My first pitch was a

0:20:33.160 --> 0:20:41.080
<v Speaker 3>time travel okay, and it almost went but then it didn't. No,

0:20:41.240 --> 0:20:44.480
<v Speaker 3>it almost went, but I think they had something else

0:20:47.000 --> 0:20:50.640
<v Speaker 3>phill of the future. Ah, there you go, they had

0:20:50.680 --> 0:20:54.439
<v Speaker 3>something else, and so they liked it almost almost almost know,

0:20:55.560 --> 0:20:58.440
<v Speaker 3>well what else? And then Susan Sherman and I got

0:20:58.480 --> 0:21:03.040
<v Speaker 3>together and came up with the premise of that's so raven.

0:21:03.160 --> 0:21:06.680
<v Speaker 3>It wasn't that so raven? You know, she was casting

0:21:06.800 --> 0:21:10.600
<v Speaker 3>initially she was the best friend. Oh wow, she was

0:21:10.680 --> 0:21:14.880
<v Speaker 3>so good that we redeveloped the whole We got picked up,

0:21:15.520 --> 0:21:18.360
<v Speaker 3>but we redeveloped the whole thing and put her as

0:21:18.440 --> 0:21:21.320
<v Speaker 3>the star and found a mom and a dad and

0:21:21.359 --> 0:21:25.760
<v Speaker 3>a brother. You know, in kids programming, you know, the

0:21:25.800 --> 0:21:28.359
<v Speaker 3>one thing you learn is it's the talent. The talent.

0:21:28.480 --> 0:21:32.080
<v Speaker 3>The talent writing is great, you need to be really

0:21:32.119 --> 0:21:36.840
<v Speaker 3>well well written, but the writing you can't treat. The

0:21:36.880 --> 0:21:41.240
<v Speaker 3>writing is precious. Writing has to follow the talent and

0:21:41.320 --> 0:21:44.240
<v Speaker 3>mold to the talent to get the most out of

0:21:45.480 --> 0:21:46.520
<v Speaker 3>the kids that are playing.

0:21:47.560 --> 0:21:50.840
<v Speaker 2>Yeah, I mean and what I mean, what what a

0:21:50.960 --> 0:21:57.800
<v Speaker 2>superstar MVP to cast because she had an amazing career

0:21:57.880 --> 0:21:59.080
<v Speaker 2>already at that point.

0:21:59.160 --> 0:22:03.280
<v Speaker 1>She's so good. And when she was coming off of Cosby,

0:22:03.320 --> 0:22:03.879
<v Speaker 1>wasn't she.

0:22:05.440 --> 0:22:08.080
<v Speaker 2>With mister Cooper? She was little in Cosby? She had

0:22:08.520 --> 0:22:12.639
<v Speaker 2>kny with mister Cooper. I feel like she had quite

0:22:12.640 --> 0:22:15.919
<v Speaker 2>a bit of a good run on Fresh Prince of

0:22:15.960 --> 0:22:19.119
<v Speaker 2>bel Air as well. She was right, she had like

0:22:19.119 --> 0:22:22.600
<v Speaker 2>a I mean, she's just she's just amazing. She's been

0:22:22.640 --> 0:22:27.560
<v Speaker 2>working was teeny tiny, She's for Disney.

0:22:27.680 --> 0:22:30.320
<v Speaker 3>You know how she came into the room audition wise,

0:22:31.520 --> 0:22:36.000
<v Speaker 3>she just came in the room. It's just you know,

0:22:36.119 --> 0:22:42.040
<v Speaker 3>and it was like okay, and it was it was like, well,

0:22:42.280 --> 0:22:46.600
<v Speaker 3>what scene would you like me to do? Okay? Uh,

0:22:46.720 --> 0:22:50.000
<v Speaker 3>can you do the second scene? Sure? And then you

0:22:50.200 --> 0:22:55.760
<v Speaker 3>do this I'm ready, Oh geez and nail it. Yeah,

0:22:55.960 --> 0:23:03.000
<v Speaker 3>no script, no pages? Well can you do the fifth one? Okay?

0:23:04.680 --> 0:23:04.960
<v Speaker 2>Wow?

0:23:05.160 --> 0:23:09.040
<v Speaker 3>Railed it like it was really like I was kind

0:23:09.040 --> 0:23:13.440
<v Speaker 3>of just blown away. And we went for her as

0:23:13.560 --> 0:23:19.119
<v Speaker 3>Chelsea Wow. Because the original girl was Caucasian.

0:23:19.880 --> 0:23:21.840
<v Speaker 1>What do you remember the original title was it called

0:23:21.880 --> 0:23:22.679
<v Speaker 1>That's so Chelsea.

0:23:22.960 --> 0:23:27.439
<v Speaker 3>No, it's called absolutely Psychica. That's a title that the

0:23:27.560 --> 0:23:30.640
<v Speaker 3>executive there at the time, Adam Bennette, came up with. Yeah,

0:23:30.640 --> 0:23:33.879
<v Speaker 3>I remember, yeah, so wow.

0:23:34.400 --> 0:23:37.119
<v Speaker 2>You know, you know, because the channel at that time

0:23:37.920 --> 0:23:42.320
<v Speaker 2>the leads were Caucasian. There was no one at that

0:23:42.440 --> 0:23:45.280
<v Speaker 2>point that that was that was the head of the

0:23:45.320 --> 0:23:48.920
<v Speaker 2>show that was casing a different ethnicity.

0:23:49.160 --> 0:23:49.639
<v Speaker 1>So she was.

0:23:49.840 --> 0:23:52.280
<v Speaker 2>It was groundbreaking to put her in it and have

0:23:52.400 --> 0:23:55.480
<v Speaker 2>her be the lead, and there just wasn't anyone better

0:23:55.520 --> 0:23:57.360
<v Speaker 2>that was ever going to do it. The Braven just

0:23:57.640 --> 0:23:58.800
<v Speaker 2>nailed it out of the bark.

0:23:59.640 --> 0:24:03.919
<v Speaker 3>But the reality is this was all about following the talent.

0:24:04.920 --> 0:24:07.399
<v Speaker 3>Had nothing to do with the fact that she was

0:24:07.440 --> 0:24:13.080
<v Speaker 3>African American did not play at all. It was she

0:24:13.240 --> 0:24:16.760
<v Speaker 3>was the best that walked in the room, right, She

0:24:16.960 --> 0:24:21.440
<v Speaker 3>was the best one, and that's why, you know, we

0:24:21.480 --> 0:24:25.080
<v Speaker 3>rejiggered everything. It was following the talent and no other reason.

0:24:25.840 --> 0:24:29.119
<v Speaker 3>The same you know with Miley, I'll tell you Miley

0:24:30.840 --> 0:24:36.520
<v Speaker 3>wasn't Miley. You know, initially fantastic. What I had created

0:24:36.600 --> 0:24:41.000
<v Speaker 3>initially was a Jewish girl from New York. Oh wow,

0:24:41.080 --> 0:24:43.919
<v Speaker 3>that's what she was. That's what Hannah Montana was and

0:24:43.960 --> 0:24:50.120
<v Speaker 3>her father was a studio musician, right okay, And then

0:24:50.880 --> 0:24:54.760
<v Speaker 3>Miley was, you know, sent in videotapes after videotapes after

0:24:54.840 --> 0:24:59.200
<v Speaker 3>videotape auditions, and we kept saying no, you know, because

0:24:59.320 --> 0:25:03.159
<v Speaker 3>she was so great. We had this big show. We

0:25:03.200 --> 0:25:06.080
<v Speaker 3>can't put it all on there. But her auditions got

0:25:06.080 --> 0:25:11.560
<v Speaker 3>better and better and better, and so Disney, the generous

0:25:11.560 --> 0:25:14.359
<v Speaker 3>people they are that, well, she can come out of

0:25:14.400 --> 0:25:16.200
<v Speaker 3>an audition in front of us as long as they

0:25:16.200 --> 0:25:29.639
<v Speaker 3>pay for it. Then she came out and unlike Raven,

0:25:30.920 --> 0:25:34.080
<v Speaker 3>you know, Miley came into the room going how you

0:25:34.119 --> 0:25:41.040
<v Speaker 3>doing right? But the character was supposedly somebody that was

0:25:41.119 --> 0:25:44.480
<v Speaker 3>kind of kind of insecure and shy until they got

0:25:44.520 --> 0:25:48.120
<v Speaker 3>on stage, right. Well, Miley was the opposite of that.

0:25:50.400 --> 0:25:55.439
<v Speaker 3>She read and was not the best one, but she

0:25:55.640 --> 0:25:59.439
<v Speaker 3>was so genuine and authentic and she just took it

0:25:59.520 --> 0:26:02.880
<v Speaker 3>and made the rolled her own. We had another person,

0:26:03.600 --> 0:26:10.040
<v Speaker 3>her name was Danielle Something I think, who nailed every joke, everything,

0:26:10.520 --> 0:26:14.800
<v Speaker 3>everything right. But there was something that the camera just

0:26:14.960 --> 0:26:19.359
<v Speaker 3>adored about Miley. So we decided that we were going

0:26:19.440 --> 0:26:24.520
<v Speaker 3>to roll the dice and take a chance on on

0:26:24.680 --> 0:26:29.520
<v Speaker 3>Miley and then we we here after we decide that

0:26:29.920 --> 0:26:31.399
<v Speaker 3>can we talk to you guys for a minute, and

0:26:31.960 --> 0:26:35.080
<v Speaker 3>Billy Ray wants to come in audition, and it was

0:26:35.119 --> 0:26:37.840
<v Speaker 3>like a lot of us were kind of going like.

0:26:37.920 --> 0:26:43.199
<v Speaker 1>Oh, he's way too old to play Hannah Montana.

0:26:45.119 --> 0:26:54.600
<v Speaker 3>Yes, exactly him. We were going like, oh, come on,

0:26:54.760 --> 0:26:57.080
<v Speaker 3>we don't want Achy breaking Heart to be the dad

0:26:58.040 --> 0:27:00.720
<v Speaker 3>we're going to be able to act, you know, And

0:27:00.760 --> 0:27:04.000
<v Speaker 3>and we said sure, shared delighted, and he came in

0:27:04.359 --> 0:27:06.800
<v Speaker 3>and to our surprise, absolutely nailed it.

0:27:07.200 --> 0:27:07.560
<v Speaker 2>Wow.

0:27:07.880 --> 0:27:10.960
<v Speaker 3>But even more than that, he got Miley from Here

0:27:11.040 --> 0:27:14.399
<v Speaker 3>to hear Oh right, because you can't buy that chemistry?

0:27:14.520 --> 0:27:16.320
<v Speaker 1>No, you can't. Is it?

0:27:16.359 --> 0:27:16.560
<v Speaker 3>Was it?

0:27:16.680 --> 0:27:21.440
<v Speaker 1>Daniella Monet? Yes, Okay, there we go. I was looking

0:27:21.440 --> 0:27:23.399
<v Speaker 1>back at my notes. There was a number of people

0:27:23.400 --> 0:27:27.280
<v Speaker 1>that audition for Hannah Montana that were have gone on

0:27:27.359 --> 0:27:28.359
<v Speaker 1>to do huge things.

0:27:29.920 --> 0:27:33.199
<v Speaker 2>Jojo is one of them, and she was a like

0:27:33.280 --> 0:27:35.359
<v Speaker 2>she had a mega hit at that point.

0:27:35.960 --> 0:27:36.120
<v Speaker 3>Yeah.

0:27:36.320 --> 0:27:38.480
<v Speaker 1>Wasn't Ali from Ali and Aj one of them as well?

0:27:38.520 --> 0:27:40.800
<v Speaker 1>I thought I thought Ali might have been one, or

0:27:41.119 --> 0:27:42.560
<v Speaker 1>I'm not quite she.

0:27:42.520 --> 0:27:44.280
<v Speaker 2>Would have been perfect age at that time.

0:27:45.800 --> 0:27:46.960
<v Speaker 3>Hundreds, Yeah, I know.

0:27:47.240 --> 0:27:50.000
<v Speaker 2>I can't even imagine how many you guys auditioned because

0:27:51.040 --> 0:27:54.000
<v Speaker 2>I was around with the Cheetah Girls as this was

0:27:54.040 --> 0:27:57.639
<v Speaker 2>I was at the upfront when Hannah Montana got introduced

0:27:57.680 --> 0:28:01.919
<v Speaker 2>to you know, the world industry, in the world, and

0:28:02.000 --> 0:28:05.439
<v Speaker 2>I mean it was the energy of everyone, Gary Marsh,

0:28:05.480 --> 0:28:09.440
<v Speaker 2>every single person that was there from everyone was so amped,

0:28:09.600 --> 0:28:14.159
<v Speaker 2>like they had this like heavy hitter into the game.

0:28:14.480 --> 0:28:17.399
<v Speaker 2>This was like gonna blow up the world, and it did,

0:28:17.840 --> 0:28:21.159
<v Speaker 2>so I know, even just the audition process had to

0:28:21.200 --> 0:28:24.320
<v Speaker 2>have been grueling. You guys saw probably everyone that had

0:28:24.320 --> 0:28:25.320
<v Speaker 2>an agent at that point.

0:28:25.520 --> 0:28:30.679
<v Speaker 3>Yeah, it was an exciting time. But you know, and

0:28:30.760 --> 0:28:35.480
<v Speaker 3>I kind of missed that, this is when the ideas

0:28:35.520 --> 0:28:38.880
<v Speaker 3>that were generated over there were It was about the idea.

0:28:39.160 --> 0:28:44.720
<v Speaker 3>It was about discovering new talent. Wasn't about redoing anything

0:28:45.800 --> 0:28:49.520
<v Speaker 3>or playing anything safe. Everything they had took a chance,

0:28:50.200 --> 0:28:54.440
<v Speaker 3>right High School Musical took a big chance that was

0:28:54.440 --> 0:28:58.680
<v Speaker 3>incredibly courageous, and all the stars lined up because we

0:28:58.880 --> 0:29:05.040
<v Speaker 3>premiered right after they did. It wasn't by design. You know,

0:29:05.400 --> 0:29:07.840
<v Speaker 3>you had these two things that came out of a

0:29:07.880 --> 0:29:11.040
<v Speaker 3>box and what like that, and that set the stage

0:29:11.040 --> 0:29:14.080
<v Speaker 3>for Hannah that just it just picked that up and

0:29:14.120 --> 0:29:17.840
<v Speaker 3>what like that. Yeah, it was really quite exciting.

0:29:18.240 --> 0:29:23.240
<v Speaker 2>Well it was also Hannah itself was really courageous too,

0:29:23.240 --> 0:29:26.560
<v Speaker 2>in the sense that Disney had not done to think

0:29:26.640 --> 0:29:31.400
<v Speaker 2>of an episodic type show and having a music, big

0:29:31.480 --> 0:29:34.920
<v Speaker 2>performance type aspect was I know, something that they were

0:29:34.960 --> 0:29:37.520
<v Speaker 2>really concerned on how they were going to pull that off,

0:29:37.720 --> 0:29:40.760
<v Speaker 2>you know, with budget and how to how to do that.

0:29:40.960 --> 0:29:44.280
<v Speaker 2>And I remember that being a thing as it was

0:29:44.320 --> 0:29:47.280
<v Speaker 2>going around, and the end result was great. I mean

0:29:47.280 --> 0:29:49.320
<v Speaker 2>it was it made sense. It was like you know,

0:29:49.640 --> 0:29:51.600
<v Speaker 2>but that was a big thing because they hadn't done

0:29:51.840 --> 0:29:55.760
<v Speaker 2>a big musical production outside of that point from the movies.

0:29:55.800 --> 0:29:57.760
<v Speaker 2>It was not done on a show at that point.

0:29:57.920 --> 0:29:59.800
<v Speaker 3>The thing that I wanted to bring to it is,

0:30:00.600 --> 0:30:02.640
<v Speaker 3>you know, hey, let's do something about a music star

0:30:02.720 --> 0:30:04.680
<v Speaker 3>and isn't it great to be famous and out in

0:30:04.680 --> 0:30:08.240
<v Speaker 3>the world. And as I said, where I come from

0:30:08.720 --> 0:30:13.880
<v Speaker 3>is I think that's that's fine, but it's not relatable.

0:30:13.960 --> 0:30:17.479
<v Speaker 3>It's not a human condition, you know, And so was

0:30:17.520 --> 0:30:21.040
<v Speaker 3>born Well, what if that's a secret and she wants

0:30:21.080 --> 0:30:24.400
<v Speaker 3>to be treated like a regular girl, And what if

0:30:24.520 --> 0:30:30.000
<v Speaker 3>that was because when she was starting to get famous,

0:30:30.400 --> 0:30:32.600
<v Speaker 3>she had a best friend at the time that started

0:30:32.600 --> 0:30:37.040
<v Speaker 3>to treat her differently, right, and that friendship went confluently

0:30:37.120 --> 0:30:42.040
<v Speaker 3>when and so that's why Hannah the whole split personality

0:30:42.200 --> 0:30:48.240
<v Speaker 3>was born. That's far more interesting. You know. Right now,

0:30:48.280 --> 0:30:50.240
<v Speaker 3>I'm going to a lot of colleges and stuff and

0:30:50.280 --> 0:30:54.320
<v Speaker 3>guesting talking about Hannah, and you know, these you know,

0:30:54.560 --> 0:30:57.320
<v Speaker 3>really smart people come up to me and go, you

0:30:57.320 --> 0:31:00.480
<v Speaker 3>don't know what it meant to me? Yeah, thisisode. I

0:31:00.520 --> 0:31:02.400
<v Speaker 3>was going through this and this and this, and then

0:31:02.400 --> 0:31:04.840
<v Speaker 3>I saw that episode and she can get through that.

0:31:04.960 --> 0:31:08.360
<v Speaker 3>I can get through that, you know, was like, oh

0:31:08.400 --> 0:31:12.560
<v Speaker 3>my god, it's at all the work developing stories the

0:31:12.600 --> 0:31:15.600
<v Speaker 3>way we did paid off. Yeah.

0:31:15.640 --> 0:31:18.200
<v Speaker 1>Well, I mean here's a perfect example. So I'm obviously

0:31:18.240 --> 0:31:20.440
<v Speaker 1>I am a forty eight year old man. I had

0:31:20.480 --> 0:31:23.320
<v Speaker 1>not watched Hannah Montana growing up. I did not. I

0:31:23.400 --> 0:31:25.120
<v Speaker 1>knew I knew what it was because again it was

0:31:25.120 --> 0:31:28.000
<v Speaker 1>in the zeitgeist, but I'd never seen it before. So

0:31:28.320 --> 0:31:31.040
<v Speaker 1>we had just watched the movie, and I, being the

0:31:31.080 --> 0:31:34.720
<v Speaker 1>curmudgeon that I am, I have had a difficult time

0:31:34.760 --> 0:31:37.520
<v Speaker 1>getting over the fact that no one recognized her when

0:31:37.520 --> 0:31:41.880
<v Speaker 1>she just put on a wig. Okay, Superman right exactly. So,

0:31:42.360 --> 0:31:45.239
<v Speaker 1>as I'm saying this on the podcast, we have a

0:31:45.400 --> 0:31:48.200
<v Speaker 1>chat going next to us of all the producers. I

0:31:48.320 --> 0:31:51.440
<v Speaker 1>had five or six producers that were all all women

0:31:51.600 --> 0:31:54.080
<v Speaker 1>and all the right age, writing in how could you

0:31:54.080 --> 0:31:56.280
<v Speaker 1>be thinking this? This is what we I mean, just

0:31:56.520 --> 0:32:00.600
<v Speaker 1>jumping to the defense of Hannah Montana. This meant so

0:32:00.840 --> 0:32:04.400
<v Speaker 1>much to people, it did. It meant so much to people.

0:32:04.920 --> 0:32:08.400
<v Speaker 2>It really did change Ada.

0:32:11.320 --> 0:32:13.760
<v Speaker 3>I'll tell you and well maybe it's a known story,

0:32:13.760 --> 0:32:15.360
<v Speaker 3>but it might be an unknown story, but I'm going

0:32:15.440 --> 0:32:19.920
<v Speaker 3>to tell it anyway. Please at the end without mentioning names,

0:32:20.080 --> 0:32:25.720
<v Speaker 3>Disney wanted us to wrap up the end by saying

0:32:26.360 --> 0:32:31.000
<v Speaker 3>that Miley Cyrus wakes up and there's Billy and her

0:32:31.040 --> 0:32:36.320
<v Speaker 3>real mom, and she says, I just had this crazy dream, okay,

0:32:36.480 --> 0:32:41.040
<v Speaker 3>and that was Hannah Montana, right okay? And I said, no.

0:32:42.600 --> 0:32:43.680
<v Speaker 1>No, what.

0:32:45.160 --> 0:32:49.040
<v Speaker 3>You can't do that. You know, the fans and everybody

0:32:49.040 --> 0:32:51.239
<v Speaker 3>that it meant so much to to tell them it

0:32:51.280 --> 0:32:56.120
<v Speaker 3>was all a dream is wrong. I want to send

0:32:56.120 --> 0:33:00.800
<v Speaker 3>the message that there's start of end, there's college, and

0:33:01.000 --> 0:33:02.880
<v Speaker 3>you know which one do you pick? And I wanted

0:33:02.920 --> 0:33:04.920
<v Speaker 3>her to pick college because you can always go back

0:33:06.160 --> 0:33:08.800
<v Speaker 3>start him or whatever. And I will say to you

0:33:09.800 --> 0:33:11.960
<v Speaker 3>that it came down to one person which way that

0:33:12.120 --> 0:33:14.880
<v Speaker 3>was going to go right, because Disney really wanted their

0:33:14.920 --> 0:33:18.920
<v Speaker 3>way right and I really wanted my way. The deciding

0:33:18.960 --> 0:33:23.960
<v Speaker 3>factor was Miley. Yeah, Miley said, I'll go either way,

0:33:25.080 --> 0:33:30.200
<v Speaker 3>but I I I whatever Michael wants right. And it

0:33:30.320 --> 0:33:31.800
<v Speaker 3>was really quite something.

0:33:31.920 --> 0:33:32.120
<v Speaker 4>You know.

0:33:32.200 --> 0:33:36.720
<v Speaker 3>You had this girl stand up and and really take

0:33:37.120 --> 0:33:39.440
<v Speaker 3>a thing, and so she gave me what I wanted

0:33:40.040 --> 0:33:43.719
<v Speaker 3>and what it was in my head and that's why

0:33:43.800 --> 0:33:44.600
<v Speaker 3>it ended that way.

0:33:45.280 --> 0:33:48.880
<v Speaker 1>That's wonderful. Now, was there ever pushback by Disney or

0:33:48.880 --> 0:33:51.160
<v Speaker 1>anybody at the beginning about the wig, like you got

0:33:51.200 --> 0:33:53.560
<v Speaker 1>to change her look more than just the wig or

0:33:54.120 --> 0:33:56.040
<v Speaker 1>the way. If you saw the pilot I did.

0:33:57.800 --> 0:34:00.440
<v Speaker 3>The pilot had the worst wig in it. It was

0:34:00.960 --> 0:34:05.080
<v Speaker 3>so bad they cheaped out. So I was crazy because

0:34:05.080 --> 0:34:07.800
<v Speaker 3>that wig looked like she was like what a like?

0:34:07.880 --> 0:34:10.160
<v Speaker 3>You know, all she needed was she was a fifty

0:34:10.239 --> 0:34:16.560
<v Speaker 3>year old chorus girl doing in Vegas, you know, but.

0:34:16.840 --> 0:34:18.880
<v Speaker 2>We appreciate that about the movie. The wig in the

0:34:18.920 --> 0:34:19.879
<v Speaker 2>movie was so good.

0:34:20.080 --> 0:34:21.000
<v Speaker 1>It was a good wig.

0:34:21.080 --> 0:34:22.359
<v Speaker 2>It was a good and the.

0:34:22.280 --> 0:34:24.239
<v Speaker 3>Wig in the series, for the most part, was a

0:34:24.320 --> 0:34:28.359
<v Speaker 3>really good wig. They went from spending one hundred and

0:34:28.360 --> 0:34:32.360
<v Speaker 3>fifty dollars, right, who I think the wig in the series,

0:34:32.400 --> 0:34:33.799
<v Speaker 3>and so they had to get a couple of them.

0:34:34.680 --> 0:34:38.880
<v Speaker 3>Might have been at the time fifteen hundred, yeah, something

0:34:39.040 --> 0:34:42.359
<v Speaker 3>like that. Yeah, and so they finally had a good wig,

0:34:42.360 --> 0:34:45.319
<v Speaker 3>but the wig and they got almighty. The wig in

0:34:45.360 --> 0:34:47.320
<v Speaker 3>the pilot was awesome.

0:34:56.040 --> 0:35:00.040
<v Speaker 2>Did you guys when you shot that first season? The

0:35:00.040 --> 0:35:03.200
<v Speaker 2>performances were obviously all shot in one or two days

0:35:03.239 --> 0:35:06.560
<v Speaker 2>or whatever whatever, but they were together, right, she did

0:35:06.640 --> 0:35:10.960
<v Speaker 2>one routine after another. Was that that that was later

0:35:11.040 --> 0:35:13.600
<v Speaker 2>on because that wig was even better than the actual

0:35:13.640 --> 0:35:17.080
<v Speaker 2>pilot pilot wig, the one that's in the opening credits

0:35:17.120 --> 0:35:19.640
<v Speaker 2>and then when she comes out and doesn't quickly that

0:35:19.800 --> 0:35:23.279
<v Speaker 2>was later on in the season, right, Yeah, just the

0:35:23.400 --> 0:35:25.279
<v Speaker 2>episode with the wig, the one wig.

0:35:25.520 --> 0:35:32.200
<v Speaker 3>Oh yeah, we actually got the first four or five

0:35:32.440 --> 0:35:35.320
<v Speaker 3>episodes not in front of an audience.

0:35:36.080 --> 0:35:37.560
<v Speaker 2>Oh, really want the.

0:35:37.560 --> 0:35:40.399
<v Speaker 3>Kids to get used to each other. And so then

0:35:40.440 --> 0:35:42.279
<v Speaker 3>when we were super in front of the audience, and

0:35:42.320 --> 0:35:48.640
<v Speaker 3>that was like the fifth or sixth episode, everything just.

0:35:47.960 --> 0:35:50.080
<v Speaker 1>Yeah, yeah, right, there's nothing like the energy of an

0:35:50.080 --> 0:35:50.680
<v Speaker 1>audience show.

0:35:51.080 --> 0:35:54.520
<v Speaker 3>No. But the one thing that we you know, I

0:35:54.560 --> 0:35:58.040
<v Speaker 3>had a whole lot of fun teaching Miley was had

0:35:58.040 --> 0:36:01.680
<v Speaker 3>a hold, you know, and how to listen and how

0:36:01.680 --> 0:36:05.360
<v Speaker 3>to wait for that laugh. She was so eager. She

0:36:05.440 --> 0:36:09.359
<v Speaker 3>knew everybody's lines, and so when somebody was talking to her,

0:36:09.680 --> 0:36:12.560
<v Speaker 3>she wasn't listening to what they were saying. She was going,

0:36:12.640 --> 0:36:14.200
<v Speaker 3>when they're done, I get to talk.

0:36:14.480 --> 0:36:18.880
<v Speaker 4>Yeah, And so she wasn't putting expression on her face

0:36:18.920 --> 0:36:23.120
<v Speaker 4>and reacting and knowing, you know, you've got your line,

0:36:23.239 --> 0:36:25.520
<v Speaker 4>the camera's on you.

0:36:25.520 --> 0:36:29.040
<v Speaker 3>You're in control, right. It's like getting ready to make

0:36:29.040 --> 0:36:32.680
<v Speaker 3>the punch, you know, but you've got to really feel it.

0:36:33.560 --> 0:36:36.719
<v Speaker 3>I had this thing with her where I would go

0:36:36.800 --> 0:36:38.600
<v Speaker 3>out and I would say, Okay, I'm going to make

0:36:38.640 --> 0:36:42.160
<v Speaker 3>it simple. I want you to listen to the person talking.

0:36:43.000 --> 0:36:46.200
<v Speaker 3>I want to see your expression, your attitude on your

0:36:46.239 --> 0:36:49.400
<v Speaker 3>face about what you think about what they're saying, right,

0:36:49.719 --> 0:36:52.360
<v Speaker 3>and then I want you to say your line, because

0:36:52.680 --> 0:36:57.000
<v Speaker 3>if you do all those things, your line's crazy. You're

0:36:57.040 --> 0:37:00.640
<v Speaker 3>going to get the laugh. It's crazy. This is the

0:37:00.760 --> 0:37:04.000
<v Speaker 3>important stuff. It's like, you know, building a house on

0:37:04.040 --> 0:37:07.120
<v Speaker 3>a really bad foundation, or building it on a good foundation.

0:37:07.960 --> 0:37:12.120
<v Speaker 3>So listening expression, that's a great foundation. So when you

0:37:12.160 --> 0:37:15.680
<v Speaker 3>say that line, you done nail it right. And she

0:37:15.840 --> 0:37:18.279
<v Speaker 3>finally got it to a point where I would go,

0:37:18.520 --> 0:37:20.600
<v Speaker 3>I'd be starting getting out of my chair to go

0:37:20.719 --> 0:37:27.160
<v Speaker 3>on to the set, and she'd say, I know, and

0:37:27.239 --> 0:37:30.600
<v Speaker 3>I would come back and sit down. That's it.

0:37:31.040 --> 0:37:35.080
<v Speaker 2>Wow. It seems like she was just really ready to

0:37:35.080 --> 0:37:38.080
<v Speaker 2>be a sponge and absorb everything that she could, learn,

0:37:38.160 --> 0:37:40.880
<v Speaker 2>everything that she could to keep going. She had such

0:37:41.080 --> 0:37:44.759
<v Speaker 2>huge dreams, but she knew that she had to get

0:37:44.840 --> 0:37:46.040
<v Speaker 2>steps to get there.

0:37:46.360 --> 0:37:49.640
<v Speaker 3>You know. She seems she was living the life of

0:37:49.719 --> 0:37:55.680
<v Speaker 3>the character. Yeah, where she was living. You know, as

0:37:56.080 --> 0:37:59.040
<v Speaker 3>it got more popular and more popular, you have more

0:37:59.080 --> 0:38:04.680
<v Speaker 3>false friends, Yeah, coming out of the woodwork treatingly.

0:38:04.560 --> 0:38:04.759
<v Speaker 5>You know.

0:38:05.200 --> 0:38:08.759
<v Speaker 3>And you know, it was smart of her because what

0:38:08.800 --> 0:38:10.560
<v Speaker 3>her parents were saying, what I was saying to her

0:38:10.600 --> 0:38:12.920
<v Speaker 3>was hold onto the people that knew you before.

0:38:13.320 --> 0:38:16.600
<v Speaker 1>Yep, right, hugely important, right.

0:38:16.520 --> 0:38:18.960
<v Speaker 3>That treat you like like, go, okay, you're a star.

0:38:19.040 --> 0:38:23.600
<v Speaker 3>That's nice. Yeah, I'm exec producing the biggest show in

0:38:23.719 --> 0:38:26.400
<v Speaker 3>kids television, and I have friends of mine that are

0:38:26.440 --> 0:38:27.719
<v Speaker 3>still saying, oh shut.

0:38:27.520 --> 0:38:31.600
<v Speaker 1>Up, yeah, yeah, really those are and those are the

0:38:31.600 --> 0:38:33.120
<v Speaker 1>friends that are always going to be there, and there's

0:38:33.120 --> 0:38:36.960
<v Speaker 1>still ones that matter. Well, you said, as you were

0:38:36.960 --> 0:38:41.400
<v Speaker 1>getting more popular, when did you realize what the show was.

0:38:41.960 --> 0:38:44.919
<v Speaker 3>I realized that in the first reason, Oh did you when?

0:38:45.160 --> 0:38:48.319
<v Speaker 3>And it wasn't the show. It was going to the

0:38:48.360 --> 0:38:52.200
<v Speaker 3>first concert, okay. And when you walked out and you

0:38:52.280 --> 0:38:57.080
<v Speaker 3>heard the screams, I've never heard something that loud and

0:38:57.120 --> 0:39:00.400
<v Speaker 3>that high pitched and that and you look and you

0:39:00.480 --> 0:39:02.320
<v Speaker 3>went like, oh my god.

0:39:03.160 --> 0:39:06.560
<v Speaker 2>And you look around and every single kid has seven

0:39:06.719 --> 0:39:07.399
<v Speaker 2>pieces of.

0:39:07.400 --> 0:39:12.920
<v Speaker 6>Merchandise, like not one shirt, like an adults like the bandana,

0:39:13.320 --> 0:39:18.160
<v Speaker 6>the lantern, the book, the everything, until.

0:39:17.880 --> 0:39:22.040
<v Speaker 3>You've heard that sound and when that is when I

0:39:22.160 --> 0:39:25.400
<v Speaker 3>really realized what it was. Yeah, before that.

0:39:27.360 --> 0:39:29.480
<v Speaker 1>But I mean the number the numbers for the channel

0:39:29.480 --> 0:39:32.040
<v Speaker 1>were monster, weren't they They were right out of the

0:39:32.080 --> 0:39:33.640
<v Speaker 1>gate massive.

0:39:34.560 --> 0:39:37.799
<v Speaker 2>But it felt like everyone at the channel knew this

0:39:38.000 --> 0:39:40.440
<v Speaker 2>was going to happen. I mean, yes, there was a gamble,

0:39:40.520 --> 0:39:43.640
<v Speaker 2>but it just seemed like everyone was behind it and

0:39:43.800 --> 0:39:47.440
<v Speaker 2>believed in this brand that they were about to kick off.

0:39:48.040 --> 0:39:50.120
<v Speaker 2>They all just felt it was right and it was

0:39:50.160 --> 0:39:52.560
<v Speaker 2>the right timing and it was just set up so well.

0:39:52.600 --> 0:39:56.880
<v Speaker 2>And I mean, now that you've explained why, it's like, wow, yeah,

0:39:57.080 --> 0:39:59.759
<v Speaker 2>you know, I mean, you guys, And then continued to

0:39:59.800 --> 0:40:03.560
<v Speaker 2>have a ton of guest stars.

0:40:02.320 --> 0:40:03.880
<v Speaker 1>Well, that's what I wanted to ask you about it.

0:40:04.160 --> 0:40:06.239
<v Speaker 1>I'd like to name a couple guest stars for you,

0:40:06.280 --> 0:40:07.880
<v Speaker 1>if that's okay, and I'd like you to tell me

0:40:07.920 --> 0:40:10.239
<v Speaker 1>if you remember what it was like to work with them.

0:40:10.560 --> 0:40:12.680
<v Speaker 1>So we've got to start with one of the greatest

0:40:12.680 --> 0:40:14.040
<v Speaker 1>of all time, Dolly Parton.

0:40:14.800 --> 0:40:19.880
<v Speaker 3>Fabulous. You know a lot of people are are different

0:40:20.400 --> 0:40:24.280
<v Speaker 3>when you there, and they're not their personas sure everything

0:40:24.360 --> 0:40:29.240
<v Speaker 3>you expect Dolly Parton would be. She wash, that's wonderful.

0:40:29.360 --> 0:40:33.319
<v Speaker 3>It was the sweetest person all she said whenever it

0:40:33.360 --> 0:40:34.840
<v Speaker 3>was saying, So what can we get you? Can we

0:40:34.840 --> 0:40:37.400
<v Speaker 3>have anything in your dressing room? Can we get you flowers?

0:40:37.480 --> 0:40:39.680
<v Speaker 3>Can we better? You want some makeup, you want to

0:40:39.800 --> 0:40:44.319
<v Speaker 3>work anything? You want? Anything you want, right, darling, all

0:40:44.360 --> 0:40:49.160
<v Speaker 3>I need is a dressing room in a toilet. Yes,

0:40:49.520 --> 0:40:53.560
<v Speaker 3>that was it. She got everything else. She was delightful,

0:40:55.280 --> 0:40:58.080
<v Speaker 3>not a bad thing to say. She is everything you

0:40:58.239 --> 0:41:00.880
<v Speaker 3>think she would be, not to disappointing at all. She

0:41:01.000 --> 0:41:01.360
<v Speaker 3>was great.

0:41:01.880 --> 0:41:04.240
<v Speaker 1>So how about Selena Gomez.

0:41:05.360 --> 0:41:09.280
<v Speaker 3>Selena Gomez was then pretty darn shy.

0:41:10.120 --> 0:41:12.200
<v Speaker 1>Really, I don't believe that.

0:41:12.400 --> 0:41:13.359
<v Speaker 2>I can believe that.

0:41:13.480 --> 0:41:15.920
<v Speaker 3>Yeah, and you know you would give her notes and

0:41:15.960 --> 0:41:18.440
<v Speaker 3>would be very quiet and what have you. And she

0:41:18.719 --> 0:41:22.880
<v Speaker 3>went and she did her thing. She she didn't have

0:41:22.920 --> 0:41:25.520
<v Speaker 3>any I don't know if she was a star really

0:41:25.760 --> 0:41:30.000
<v Speaker 3>when she was on. Her show was just starting, but

0:41:30.040 --> 0:41:33.200
<v Speaker 3>there was no attitude or anything. She was Again, my

0:41:33.960 --> 0:41:39.279
<v Speaker 3>memory was she was just very very quiet and the

0:41:39.320 --> 0:41:44.200
<v Speaker 3>opposite of my I think she was a little nervous

0:41:44.200 --> 0:41:49.400
<v Speaker 3>because her show was just starting and she's on this show. Yeah,

0:41:49.440 --> 0:41:51.920
<v Speaker 3>but I don't have anything. I didn't really get to

0:41:51.960 --> 0:41:53.640
<v Speaker 3>know her all that well. But she seemed like a

0:41:53.640 --> 0:41:54.600
<v Speaker 3>sweet kid.

0:41:55.800 --> 0:41:57.200
<v Speaker 1>How about the Jonahs brothers.

0:41:58.320 --> 0:42:02.160
<v Speaker 3>Jonah's brothers were all nice, you know, they were all

0:42:02.239 --> 0:42:05.560
<v Speaker 3>nice guys. Yeah, you know, quite honestly acting.

0:42:07.080 --> 0:42:09.680
<v Speaker 1>You know, but they they're rock stars.

0:42:09.960 --> 0:42:16.520
<v Speaker 3>Yeah, they didn't come with any attitude, you know, if

0:42:16.520 --> 0:42:18.759
<v Speaker 3>you had a note, why don't you try this? Or that.

0:42:18.840 --> 0:42:22.800
<v Speaker 3>They were very nice to do it, but acting wise,

0:42:23.239 --> 0:42:25.319
<v Speaker 3>you know, not the not the best ones. And I

0:42:25.320 --> 0:42:27.319
<v Speaker 3>think they all knew it right.

0:42:27.520 --> 0:42:29.880
<v Speaker 2>Yeah. They I feel like they were so realistic of

0:42:30.400 --> 0:42:34.359
<v Speaker 2>again wanting to wanting to learn, how taking notes, how

0:42:34.360 --> 0:42:35.600
<v Speaker 2>can I be better? Absolutely?

0:42:35.600 --> 0:42:37.960
<v Speaker 3>And also a very very solid family.

0:42:38.320 --> 0:42:42.399
<v Speaker 1>Yeah that's hugely important, which is very very important. Am

0:42:42.400 --> 0:42:45.000
<v Speaker 1>I getting this right, was Larry David on the show?

0:42:45.200 --> 0:42:45.399
<v Speaker 3>Yeah?

0:42:46.280 --> 0:42:47.200
<v Speaker 1>What was that? Like?

0:42:47.640 --> 0:42:53.000
<v Speaker 3>That was great? You know, he's he called Steve Peterman,

0:42:53.080 --> 0:42:56.160
<v Speaker 3>who I was co running the show with, and they

0:42:56.320 --> 0:42:59.879
<v Speaker 3>he wanted tickets, you know, to come with his daughter

0:43:00.160 --> 0:43:02.920
<v Speaker 3>see the show. And maybe it sent up down on

0:43:03.000 --> 0:43:03.840
<v Speaker 3>stet and all this.

0:43:04.160 --> 0:43:05.640
<v Speaker 1>Yeah, and it.

0:43:05.719 --> 0:43:08.640
<v Speaker 3>Was just I think Curb was in the first year,

0:43:08.800 --> 0:43:13.320
<v Speaker 3>two three years, something like that. And then Steve says,

0:43:13.360 --> 0:43:15.719
<v Speaker 3>what you want to be on the show? You know,

0:43:15.960 --> 0:43:20.919
<v Speaker 3>and by the recounting was what you know, wait a minute, wait,

0:43:20.920 --> 0:43:25.040
<v Speaker 3>wait wait yeah, well, well can you be on the

0:43:25.080 --> 0:43:28.120
<v Speaker 3>show here? We can write you in something. Well, I

0:43:28.160 --> 0:43:31.759
<v Speaker 3>have Curb, I have Curb, I have Curb. Give me

0:43:31.800 --> 0:43:35.200
<v Speaker 3>a minute, give me, I'll call you back. Right. He

0:43:35.400 --> 0:43:41.320
<v Speaker 3>changed his whole schedule for right to come with his

0:43:41.440 --> 0:43:45.480
<v Speaker 3>two daughters to guest star on the show. And you

0:43:45.520 --> 0:43:47.520
<v Speaker 3>know the bit was, you know, he's waiting and I

0:43:47.560 --> 0:43:51.359
<v Speaker 3>think a Chinese restaurant with his two daughters in embarrassing right.

0:43:51.800 --> 0:43:54.719
<v Speaker 2>Yeah, so you know it was a kick.

0:43:54.840 --> 0:43:58.040
<v Speaker 3>I mean, you have this guy who's fricking genius, yeah

0:43:58.560 --> 0:44:00.560
<v Speaker 3>to your show asking you do you have a line

0:44:00.640 --> 0:44:04.440
<v Speaker 3>here for you?

0:44:05.200 --> 0:44:06.480
<v Speaker 1>That would be great?

0:44:07.000 --> 0:44:07.320
<v Speaker 2>Wow?

0:44:07.560 --> 0:44:10.160
<v Speaker 1>And what about finally the rock.

0:44:11.400 --> 0:44:16.200
<v Speaker 3>Oh my god, the sweetest Oh thank you God, you

0:44:16.320 --> 0:44:20.920
<v Speaker 3>just saved Sabrina right there, he would have ripped up

0:44:21.040 --> 0:44:25.480
<v Speaker 3>like a girl. We had makeup, we had nails, and

0:44:26.200 --> 0:44:28.480
<v Speaker 3>he did anything we wanted.

0:44:28.640 --> 0:44:30.960
<v Speaker 1>Oh that's great, anything you want.

0:44:31.440 --> 0:44:33.279
<v Speaker 2>I can't. Oh man, you.

0:44:33.239 --> 0:44:35.200
<v Speaker 1>Would have risen. You would have just crushed Sabrina.

0:44:36.520 --> 0:44:39.120
<v Speaker 2>Oh no, I love him so much.

0:44:39.200 --> 0:44:41.600
<v Speaker 3>He was nowhere. I mean, I can tell you some

0:44:41.680 --> 0:44:47.520
<v Speaker 3>people that were poles. Now there's one, right, I gotta

0:44:47.600 --> 0:44:51.839
<v Speaker 3>know doctor Phil really absolutely.

0:44:52.640 --> 0:44:55.759
<v Speaker 1>Oh wow, that's a shame.

0:44:55.760 --> 0:44:59.840
<v Speaker 3>You can talk to anybody in the car with my

0:45:00.440 --> 0:45:03.680
<v Speaker 3>doing the scene. Miley tried to make small talk with him.

0:45:03.719 --> 0:45:08.680
<v Speaker 3>He didn't engage. Oh wow, why are you here? Yeah,

0:45:08.880 --> 0:45:11.840
<v Speaker 3>this was not a nice man, and maybe there was

0:45:11.920 --> 0:45:15.600
<v Speaker 3>something else going on. But you're you're around kids. This

0:45:15.640 --> 0:45:16.400
<v Speaker 3>should be fun.

0:45:16.600 --> 0:45:20.799
<v Speaker 2>This is a kid, Yeah, like bring the kid with

0:45:20.920 --> 0:45:23.680
<v Speaker 2>This list also has Austin Butler. So it had to

0:45:23.719 --> 0:45:28.560
<v Speaker 2>have been when he was on the like very beginning

0:45:28.640 --> 0:45:30.319
<v Speaker 2>of his career, right.

0:45:30.440 --> 0:45:34.160
<v Speaker 3>I don't remember what did he I don't know, I

0:45:34.200 --> 0:45:34.520
<v Speaker 3>don't know.

0:45:34.560 --> 0:45:36.279
<v Speaker 2>It had to have been when he was really young.

0:45:36.640 --> 0:45:42.000
<v Speaker 3>I'll tell you another jet. Well, Vicky Lawrence terrific on Prior.

0:45:42.320 --> 0:45:47.480
<v Speaker 3>What a sweetheart, brilliant, just a total sweetheart. But I'll

0:45:47.520 --> 0:45:50.040
<v Speaker 3>give you one of my favorite stories. And he wasn't

0:45:50.080 --> 0:45:54.400
<v Speaker 3>on the show, but he brought his kid, Sylvester Stallone.

0:45:54.280 --> 0:45:59.719
<v Speaker 5>You're kidding, Oh my gosh, the show and he said

0:45:59.719 --> 0:46:02.239
<v Speaker 5>to me, you know, well, I gotta, I gotta, I

0:46:02.320 --> 0:46:04.920
<v Speaker 5>gotta tell you, he said.

0:46:04.719 --> 0:46:12.239
<v Speaker 3>Finally, finally I did something that impresses my kids. Oh

0:46:12.280 --> 0:46:13.200
<v Speaker 3>my god, this is.

0:46:16.320 --> 0:46:16.720
<v Speaker 1>Twice.

0:46:16.880 --> 0:46:20.680
<v Speaker 3>Come on, I'm finally doing something.

0:46:22.440 --> 0:46:23.840
<v Speaker 1>My whole life I was Cobra.

0:46:34.760 --> 0:46:39.160
<v Speaker 2>So I do have to ask, because I remember, you know,

0:46:39.480 --> 0:46:42.320
<v Speaker 2>the energy and things that were going on during this time.

0:46:42.400 --> 0:46:45.720
<v Speaker 2>But what was it like during the Vanity Fair controversy

0:46:46.000 --> 0:46:48.759
<v Speaker 2>and it was such a big deal. Was that stressful

0:46:48.800 --> 0:46:52.560
<v Speaker 2>for you guys, you know, for the shows, like the

0:46:52.600 --> 0:46:55.359
<v Speaker 2>writers and keeping like the integrity of what you guys

0:46:55.360 --> 0:46:57.200
<v Speaker 2>had built at that point for the brand.

0:46:57.920 --> 0:47:01.839
<v Speaker 3>It wasn't. We just kept doing what we did. Did

0:47:01.880 --> 0:47:05.319
<v Speaker 3>I like it? Not? Really? Yeah, because it kind of

0:47:05.320 --> 0:47:07.960
<v Speaker 3>flew in the face of the brand that was going on.

0:47:08.080 --> 0:47:10.960
<v Speaker 3>But that's the kind of thing I stayed out of

0:47:12.160 --> 0:47:15.840
<v Speaker 3>and I let them Disney and the parents handle that.

0:47:16.800 --> 0:47:20.800
<v Speaker 3>Did I agree with it? Not No, not really. Did

0:47:20.880 --> 0:47:24.120
<v Speaker 3>I let that invade and infect and you know, did

0:47:24.120 --> 0:47:27.440
<v Speaker 3>I project that I was disappointed in Miley or anything

0:47:27.520 --> 0:47:31.719
<v Speaker 3>like that? No? Did I lay more more of the

0:47:31.760 --> 0:47:33.240
<v Speaker 3>responsibility on her parents?

0:47:34.280 --> 0:47:34.800
<v Speaker 2>Yeah?

0:47:35.040 --> 0:47:36.120
<v Speaker 1>Yeah, well you have to.

0:47:36.640 --> 0:47:39.799
<v Speaker 3>I had to move on and do my job and

0:47:39.920 --> 0:47:42.320
<v Speaker 3>be there for her and all that. Like I said,

0:47:42.960 --> 0:47:45.959
<v Speaker 3>on my side, I got what I wanted. I can't

0:47:46.000 --> 0:47:47.960
<v Speaker 3>control what happens when I'm not on my.

0:47:48.000 --> 0:47:52.920
<v Speaker 2>Set, right, Yeah, I think there is a point of allowing.

0:47:53.280 --> 0:47:57.160
<v Speaker 2>You know, I'm sure you became a parental figure for

0:47:57.239 --> 0:48:00.759
<v Speaker 2>a mentor, and there is a part of of that

0:48:01.000 --> 0:48:03.719
<v Speaker 2>age that she's just in. When you're working with kids

0:48:03.800 --> 0:48:07.760
<v Speaker 2>that are becoming teenagers into their adulthood, right, it probably

0:48:08.040 --> 0:48:11.520
<v Speaker 2>felt like you had to let her go and make choices,

0:48:11.680 --> 0:48:13.479
<v Speaker 2>and whether they were mistakes or not.

0:48:13.880 --> 0:48:17.800
<v Speaker 3>You know, and look at the big effect that had nothing.

0:48:18.120 --> 0:48:20.640
<v Speaker 1>That's the thing. If anything, it did exactly one thing

0:48:20.719 --> 0:48:21.600
<v Speaker 1>you wanted to do.

0:48:22.040 --> 0:48:22.239
<v Speaker 6>Yeah.

0:48:22.360 --> 0:48:25.080
<v Speaker 1>I mean sure, there's a lot of those quote unquote

0:48:25.080 --> 0:48:27.680
<v Speaker 1>Disney kids that want to break away from the Disney

0:48:27.680 --> 0:48:30.160
<v Speaker 1>image and they'll do it in a big, splashy way,

0:48:30.200 --> 0:48:32.239
<v Speaker 1>and sometimes it works and sometimes it doesn't. I know,

0:48:32.280 --> 0:48:34.759
<v Speaker 1>other Disney kids that have done nudity or that kind

0:48:34.800 --> 0:48:36.880
<v Speaker 1>of thing, and it does it backfires, It just doesn't.

0:48:36.960 --> 0:48:41.279
<v Speaker 3>You know. It's an interesting thing. You know. Miley is

0:48:42.360 --> 0:48:49.040
<v Speaker 3>really instinctively smart, right, and so when you look at

0:48:49.080 --> 0:48:51.560
<v Speaker 3>what she's doing, there's thought behind it.

0:48:52.000 --> 0:48:52.200
<v Speaker 6>Yeah.

0:48:52.360 --> 0:48:55.840
<v Speaker 3>Yeah, And she's really smart and she makes her moves

0:48:56.320 --> 0:48:59.319
<v Speaker 3>and you can see by how she has led her

0:48:59.400 --> 0:49:01.759
<v Speaker 3>career up and up and up and up in the

0:49:01.800 --> 0:49:04.600
<v Speaker 3>songs that she's doing and the choices she's making, and

0:49:04.640 --> 0:49:08.400
<v Speaker 3>it's like, wow, way good for you, because so few

0:49:09.440 --> 0:49:12.920
<v Speaker 3>that that hit that kind of stardom don't keep their

0:49:12.960 --> 0:49:18.279
<v Speaker 3>heads on straight. Yeah she is. She is completely in

0:49:18.360 --> 0:49:19.240
<v Speaker 3>charge of her career.

0:49:20.280 --> 0:49:25.359
<v Speaker 1>Yeah, yeah, she definitely is. So I have a question

0:49:25.400 --> 0:49:27.560
<v Speaker 1>for you. Wait, love that you've been spending this much

0:49:27.600 --> 0:49:29.360
<v Speaker 1>time with us. So one of the things we like

0:49:29.520 --> 0:49:32.960
<v Speaker 1>we like to ask is it's your series you've got

0:49:33.040 --> 0:49:37.040
<v Speaker 1>you did four seasons. Is there a favorite episode that

0:49:37.080 --> 0:49:38.799
<v Speaker 1>you have is the one that sticks out for you

0:49:38.880 --> 0:49:40.080
<v Speaker 1>as that's my favorite one?

0:49:40.680 --> 0:49:47.240
<v Speaker 3>Well, yeah, you know, there's an episode that sticks sticks

0:49:47.239 --> 0:49:51.840
<v Speaker 3>out to me because it's so I'm most proud of it. Okay,

0:49:52.040 --> 0:49:56.719
<v Speaker 3>in the last season and we did an episode about

0:49:57.160 --> 0:50:04.759
<v Speaker 3>the military and about military families and Miley going out

0:50:04.800 --> 0:50:09.719
<v Speaker 3>with a guy who kept I think not Jake, it

0:50:09.840 --> 0:50:13.480
<v Speaker 3>was the other one going out with a guy that

0:50:14.000 --> 0:50:17.640
<v Speaker 3>kept canceling on her right, and she got in a

0:50:17.680 --> 0:50:20.520
<v Speaker 3>little bit of a snitty fit about it. And then

0:50:20.560 --> 0:50:23.439
<v Speaker 3>we find out the reason he kept canceling on her

0:50:23.880 --> 0:50:26.919
<v Speaker 3>is his dad is in the military overseas and when

0:50:26.960 --> 0:50:31.120
<v Speaker 3>he calls, he has to drop everything and take the call. Yeah. Right,

0:50:33.320 --> 0:50:40.279
<v Speaker 3>And it was the about an appreciation, that appreciation of

0:50:40.320 --> 0:50:42.520
<v Speaker 3>military families and the next time you see a kid

0:50:42.520 --> 0:50:46.600
<v Speaker 3>who has a parent overseas serving, maybe you'll have a

0:50:46.640 --> 0:50:51.240
<v Speaker 3>little bit more appreciation for it. Miley sang my favorite

0:50:51.280 --> 0:50:55.840
<v Speaker 3>song was written by chen Nieman called bin Here. All along,

0:50:56.640 --> 0:51:01.760
<v Speaker 3>we had real families on the set. We had real

0:51:03.320 --> 0:51:08.880
<v Speaker 3>soldiers talking to the family and delivering messages, and it

0:51:09.000 --> 0:51:13.879
<v Speaker 3>hit me that, you know, we're doing an episode. We're

0:51:13.920 --> 0:51:17.360
<v Speaker 3>doing a children's program, a kids and family program. What

0:51:17.520 --> 0:51:23.520
<v Speaker 3>other program could have done that story? Yeah, where you're

0:51:23.520 --> 0:51:26.400
<v Speaker 3>doing something it's about something so serious and we can

0:51:26.520 --> 0:51:30.640
<v Speaker 3>still be funny, but we're in the we're at a

0:51:30.760 --> 0:51:36.399
<v Speaker 3>level where when our audience watched that show and they

0:51:36.600 --> 0:51:40.640
<v Speaker 3>now have this kid who seems military or that or

0:51:40.680 --> 0:51:44.439
<v Speaker 3>what have you, that they have a far larger appreciation

0:51:45.200 --> 0:51:49.040
<v Speaker 3>for the sacrifice not only of the parent that's in

0:51:49.080 --> 0:51:52.640
<v Speaker 3>the military, but of what the family goes through. That's

0:51:52.880 --> 0:51:55.960
<v Speaker 3>the I'm most proud of.

0:51:55.840 --> 0:51:58.160
<v Speaker 1>That amazing by the way, the care we just found

0:51:58.200 --> 0:52:00.759
<v Speaker 1>out again from one of our mega fans producers that

0:52:00.800 --> 0:52:01.919
<v Speaker 1>the character's name was Jesse.

0:52:02.440 --> 0:52:06.399
<v Speaker 3>That's it. I will also tell you that where I'm

0:52:06.440 --> 0:52:08.759
<v Speaker 3>most proud of Miley the performance she made that I

0:52:08.840 --> 0:52:13.360
<v Speaker 3>just thought was like Lucille ball time, right, it was

0:52:13.440 --> 0:52:17.319
<v Speaker 3>so good. We did an episode I forget what it

0:52:17.400 --> 0:52:23.600
<v Speaker 3>was in second or third season about her getting paid

0:52:23.640 --> 0:52:30.239
<v Speaker 3>a lot of money to advertise a product she hates. Oh,

0:52:30.280 --> 0:52:34.360
<v Speaker 3>and we also established that when Miley lies, the character

0:52:34.440 --> 0:52:37.640
<v Speaker 3>Miley Stewart lies, she just sweats just a little bit,

0:52:38.600 --> 0:52:41.680
<v Speaker 3>just a little bit, right. And now she's on this

0:52:41.800 --> 0:52:45.280
<v Speaker 3>Larry King kind of show and Larry King is asking

0:52:45.360 --> 0:52:49.080
<v Speaker 3>about this product and she's starting to say how oh

0:52:49.120 --> 0:52:52.000
<v Speaker 3>I love it and this and the other thing, and

0:52:52.560 --> 0:52:57.440
<v Speaker 3>she starts to sweat from under the wig, right, And

0:52:57.840 --> 0:53:07.120
<v Speaker 3>we said to her, smells like teens sellout that you know.

0:53:07.239 --> 0:53:10.680
<v Speaker 3>He said to her, no matter what happens, until you

0:53:10.800 --> 0:53:15.319
<v Speaker 3>hear the director, you'll cut you keep going right, and

0:53:15.360 --> 0:53:20.160
<v Speaker 3>so we turned it up right. He was coming down,

0:53:20.680 --> 0:53:27.120
<v Speaker 3>she was, you know, with a going and stayed in character.

0:53:27.920 --> 0:53:35.680
<v Speaker 3>I was falling off my chair so much because very

0:53:35.719 --> 0:53:40.680
<v Speaker 3>few could just stay, stay there, stay there. This was

0:53:41.040 --> 0:53:43.640
<v Speaker 3>Lucy oldball and.

0:53:42.960 --> 0:53:49.160
<v Speaker 1>And rather chocolate chocolates, and it's why.

0:53:49.120 --> 0:53:53.520
<v Speaker 3>It's I just adored that. That just sort of said, Okay,

0:53:53.680 --> 0:53:57.160
<v Speaker 3>she's there, she's got it. Yeah, nothing we can do.

0:53:58.600 --> 0:54:03.120
<v Speaker 1>That's amazing. Well, before we say goodbye to you, because

0:54:03.160 --> 0:54:06.400
<v Speaker 1>this has been amazing again, I could hear television history

0:54:06.400 --> 0:54:08.880
<v Speaker 1>stories for my entire life. I love this one of

0:54:08.880 --> 0:54:13.800
<v Speaker 1>my favorite things. Ever, what do you hope new fans,

0:54:14.120 --> 0:54:18.280
<v Speaker 1>because of streaming it comes around, it's never gone anymore.

0:54:18.320 --> 0:54:21.280
<v Speaker 1>What do you hope new fans take away from Annah Montana?

0:54:22.719 --> 0:54:26.120
<v Speaker 3>Well, you know, the exciting things about new fans for

0:54:26.239 --> 0:54:29.480
<v Speaker 3>me is that they like it as much as the

0:54:29.520 --> 0:54:33.040
<v Speaker 3>old fans liked them, and they're getting the same messages.

0:54:34.280 --> 0:54:37.400
<v Speaker 3>Because one of the things that I was really a

0:54:37.480 --> 0:54:41.040
<v Speaker 3>stickler on is I didn't want to do anything that

0:54:41.160 --> 0:54:43.759
<v Speaker 3>was dated. I didn't want to do anything that was

0:54:43.760 --> 0:54:47.440
<v Speaker 3>of the time politically or socially. I just wanted to

0:54:47.480 --> 0:54:51.080
<v Speaker 3>do universal truths that were true when I was growing

0:54:51.160 --> 0:54:57.000
<v Speaker 3>up and today and tomorrow, and just stayed with things

0:54:57.000 --> 0:55:00.960
<v Speaker 3>that were incredibly solid and relatable. So I think the

0:55:01.000 --> 0:55:05.880
<v Speaker 3>reason fans today really like it is it's it speaks

0:55:05.920 --> 0:55:10.600
<v Speaker 3>to those fundamentals that are in all twelve year olds, yeah,

0:55:10.800 --> 0:55:12.600
<v Speaker 3>and eight year olds and nine year olds and ten

0:55:12.680 --> 0:55:15.799
<v Speaker 3>year olds. So you know, I'm just I love the

0:55:15.840 --> 0:55:19.000
<v Speaker 3>fact that it's finding another audience. I think it's so cool.

0:55:19.280 --> 0:55:24.359
<v Speaker 2>Yeah it is. And now the new audience, a lot

0:55:24.400 --> 0:55:28.480
<v Speaker 2>of them probably have parents that were pans of it,

0:55:28.920 --> 0:55:31.279
<v Speaker 2>and this is another like it's just like a two

0:55:31.400 --> 0:55:35.160
<v Speaker 2>generational home happening. And they also have the stories of

0:55:35.200 --> 0:55:38.759
<v Speaker 2>the grandparents telling them how they went and took their

0:55:38.840 --> 0:55:41.759
<v Speaker 2>parents to a Miley Cyrus concert, you know what I mean.

0:55:41.800 --> 0:55:43.920
<v Speaker 3>It's like, I mean all of those I mean I

0:55:43.960 --> 0:55:46.319
<v Speaker 3>still get comments from just my time on say by

0:55:46.320 --> 0:55:48.080
<v Speaker 3>the Bell, which was a big show for a lot

0:55:48.120 --> 0:55:48.399
<v Speaker 3>of people.

0:55:48.400 --> 0:55:54.919
<v Speaker 2>Short absolutely yeah, wow, well, thank you yes so much

0:55:55.000 --> 0:55:55.839
<v Speaker 2>for joining us.

0:55:56.160 --> 0:55:59.359
<v Speaker 1>This has been really really cool. I've enjoyed it a lot,

0:56:00.040 --> 0:56:01.680
<v Speaker 1>learning the kind of behind the scenes, and I just

0:56:01.719 --> 0:56:02.920
<v Speaker 1>have to get out of my own way when it

0:56:02.920 --> 0:56:05.120
<v Speaker 1>comes to the wig. That's just me in my own way.

0:56:05.239 --> 0:56:05.840
<v Speaker 1>That's all it is.

0:56:05.880 --> 0:56:14.680
<v Speaker 3>I get it. Just a pilot, well, that's all that was.

0:56:16.760 --> 0:56:18.200
<v Speaker 3>And then they spent a little money on a.

0:56:18.200 --> 0:56:21.080
<v Speaker 1>Bed and then you're fine, Well, thank you so much

0:56:21.080 --> 0:56:22.000
<v Speaker 1>for joining.

0:56:21.680 --> 0:56:25.720
<v Speaker 2>Us, Congratulations for doing I mean, yeah, that's a raven.

0:56:25.880 --> 0:56:28.839
<v Speaker 2>Hannah Montana, like we said, d legend, they let they

0:56:28.920 --> 0:56:33.200
<v Speaker 2>change the channel. They like groundbreaking with with you know

0:56:33.320 --> 0:56:36.600
<v Speaker 2>everything with that's a raven and then Hannah Montana it

0:56:36.920 --> 0:56:40.719
<v Speaker 2>translated into pop culture of itself and it just was.

0:56:41.160 --> 0:56:43.960
<v Speaker 3>You know, what's it's you know, it's a writer creators

0:56:44.040 --> 0:56:47.080
<v Speaker 3>dream to get aboard something like that. It was really

0:56:47.120 --> 0:56:48.800
<v Speaker 3>the highlight of my career. Really.

0:56:48.800 --> 0:56:51.080
<v Speaker 1>Well, well, thank you so much. We'd love to have

0:56:51.120 --> 0:56:53.480
<v Speaker 1>you back sometime. Yes, we want because I feel like

0:56:53.480 --> 0:56:56.359
<v Speaker 1>there's a lot more stories we want to is okay, good,

0:56:57.200 --> 0:57:00.759
<v Speaker 1>Thank you so much, Thank you, Aye.

0:57:03.600 --> 0:57:03.920
<v Speaker 2>Man.

0:57:04.160 --> 0:57:07.839
<v Speaker 1>I was literally texting with producer Jensen before about how

0:57:07.920 --> 0:57:10.840
<v Speaker 1>I could listen to stories like that all day, all day,

0:57:11.120 --> 0:57:13.160
<v Speaker 1>all day, from all the from Barney Miller, all the

0:57:13.160 --> 0:57:15.080
<v Speaker 1>way on different strokes. I could just sit there and

0:57:15.080 --> 0:57:17.360
<v Speaker 1>listen to the stories the other of my favorite Hollywood

0:57:17.360 --> 0:57:19.320
<v Speaker 1>television stories ever, so I mean.

0:57:19.440 --> 0:57:23.680
<v Speaker 2>What an evolution of him having you know, however much

0:57:24.040 --> 0:57:26.680
<v Speaker 2>power and say when it came to certain things. So

0:57:26.760 --> 0:57:29.760
<v Speaker 2>then what he got to do when it got to

0:57:30.080 --> 0:57:32.800
<v Speaker 2>his time on hand in Montana and how much control

0:57:33.240 --> 0:57:36.720
<v Speaker 2>and how much I mean, think about that mentor aspect

0:57:36.760 --> 0:57:39.960
<v Speaker 2>of it getting put on Miley and Miley looking at

0:57:40.040 --> 0:57:41.320
<v Speaker 2>him and going what do you want?

0:57:41.320 --> 0:57:42.560
<v Speaker 1>What do you want to do? This was what do

0:57:42.600 --> 0:57:44.360
<v Speaker 1>you want to do? Yeah, yeah, I'm here because of you.

0:57:44.440 --> 0:57:44.919
<v Speaker 1>What do you want?

0:57:45.080 --> 0:57:45.280
<v Speaker 3>Right?

0:57:45.360 --> 0:57:47.560
<v Speaker 2>And she by the time the show ended, think of

0:57:47.640 --> 0:57:51.640
<v Speaker 2>the explosive like fandom she had. I mean, the star

0:57:51.800 --> 0:57:54.160
<v Speaker 2>that she could have was. She could have just taken

0:57:54.200 --> 0:57:56.640
<v Speaker 2>it and said this is what I want? Yeah, and

0:57:56.680 --> 0:57:58.040
<v Speaker 2>instead she gave it to him.

0:57:58.160 --> 0:58:00.040
<v Speaker 1>She could have said the most ridiculous thing in the

0:58:00.080 --> 0:58:01.680
<v Speaker 1>world and they would have been like, you got it, Okay.

0:58:01.840 --> 0:58:04.000
<v Speaker 1>She's like, no, no, this is he did this. What

0:58:04.000 --> 0:58:06.960
<v Speaker 1>do you want to know? Yeah? Thank you so much

0:58:06.960 --> 0:58:09.240
<v Speaker 1>for joining us, Michael, and thank you all for joining

0:58:09.320 --> 0:58:11.160
<v Speaker 1>us to get a little bit of a behind the

0:58:11.160 --> 0:58:14.960
<v Speaker 1>scenes to look at just how it's done. You know,

0:58:15.040 --> 0:58:17.360
<v Speaker 1>you get me. This is from from the actual creator

0:58:17.640 --> 0:58:19.120
<v Speaker 1>point of view, not a write, not just a writer,

0:58:19.200 --> 0:58:20.840
<v Speaker 1>but somebody who created the entire thing.

0:58:20.920 --> 0:58:25.080
<v Speaker 2>And the Hollywood dream does come true. Guys get water

0:58:25.280 --> 0:58:28.720
<v Speaker 2>job do it for six years? And Sealer.

0:58:30.600 --> 0:58:33.720
<v Speaker 1>Yeah, and originally about a Jewish girl from from New Jersey.

0:58:33.840 --> 0:58:36.920
<v Speaker 1>The original Hannah Montana about a Jewish girl from New Jersey. Wow,

0:58:37.040 --> 0:58:39.840
<v Speaker 1>so cool. Well, thank you everybody so much for joining us.

0:58:39.920 --> 0:58:42.840
<v Speaker 1>And don't forget because I think if I'm not mistaken,

0:58:42.920 --> 0:58:45.280
<v Speaker 1>which I probably am because I normally am, but actually

0:58:45.280 --> 0:58:47.160
<v Speaker 1>I think this time I'm not. The next movie we're

0:58:47.160 --> 0:58:50.360
<v Speaker 1>going to be doing is what can be considered kind

0:58:50.400 --> 0:58:52.360
<v Speaker 1>of the first d com ever. But there's a big

0:58:52.840 --> 0:58:54.880
<v Speaker 1>there's a big check mark next to it because uh,

0:58:55.480 --> 0:58:58.360
<v Speaker 1>there there are some some questionable people. There's some people

0:58:58.360 --> 0:59:01.640
<v Speaker 1>out there wondering if this is true or not. But

0:59:02.120 --> 0:59:05.360
<v Speaker 1>it is kind of to some people considered the first

0:59:05.440 --> 0:59:07.880
<v Speaker 1>ever dcom. We're doing next, which is nineteen ninety seven's

0:59:07.920 --> 0:59:11.720
<v Speaker 1>Northern Lights starring Diane Keaton, So make sure to check

0:59:11.760 --> 0:59:14.200
<v Speaker 1>out that review as well, And thank you so much

0:59:14.200 --> 0:59:16.520
<v Speaker 1>for joining us. And when I take off my headphones,

0:59:16.640 --> 0:59:21.520
<v Speaker 1>Jack again for just after talking to him, I h

0:59:21.760 --> 0:59:25.320
<v Speaker 1>it's it wasn't a bad movie just by the premise anyway,

0:59:25.560 --> 0:59:27.440
<v Speaker 1>Thank you everybody so much, and we will see you

0:59:27.440 --> 0:59:27.800
<v Speaker 1>next time.

0:59:27.880 --> 0:59:40.280
<v Speaker 3>Bye.